# Season 2 - 2nd STAGE

# E1 - The best games make reconnaissance fun

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G7PU413X5/the-best-games-make-reconnaissance-fun)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:05] Game**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Attack Families!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Super Attack Families
<br>**[00:16] Game**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Found! Okay?*<br>**[00:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was through this game,* Attack Families*,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Winrate: 2221 Now matching...
<br>**[00:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I, Fumiya Tomozaki, got to know*<br>**[00:22] Game**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Found!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Winrate: 2169
<br>**[00:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aoi Hinami, the heroine of our school,*<br>**[00:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and, with her secret coaching,*<br>**[00:30] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;began to walk away from my*<br>*&nbsp;&nbsp;&nbsp;&nbsp;low-tier-character self.*<br>**[00:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She got me growing and developing*<br>**[00:37] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;by seeing life as a game,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and myself as the character I main.*<br>**[00:41] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Hinami's strict with her instruction,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and we don't always see eye to eye,*<br>**[00:46] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but little by little, I've come to see*<br>*&nbsp;&nbsp;&nbsp;&nbsp;how fun this game of life can be.*<br>**[00:56] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Our eventful summer vacation*<br>*&nbsp;&nbsp;&nbsp;&nbsp;has come to an end...*<br>**[00:59] Game**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Game set!*<br>**[01:01] Game**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Winner: Found!*<br>**[01:01] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more match!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;NO NAME: One more match!!
<br>**[01:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on!<br>**[01:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and tomorrow's the first<br>&nbsp;&nbsp;&nbsp;&nbsp;day of the second term.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 1 The best games make reconnaissance fun
<br>**[01:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[01:25] Little Sister**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotten better.<br>&nbsp;&nbsp;&nbsp;&nbsp;Still have a long way to go, though.<br>**[01:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-thanks...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Room 2
<br>**[01:36] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, since it's the first<br>&nbsp;&nbsp;&nbsp;&nbsp;day of the second term...<br>**[01:42] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's confirm a few things<br>&nbsp;&nbsp;&nbsp;&nbsp;before we move forward.<br>**[01:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing. Hit me!<br>**[01:48] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ultimate goal is<br>&nbsp;&nbsp;&nbsp;&nbsp;"To be as satisfied with offline life as I am."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Goal To be as satisfied with offline life as I am
<br>**[01:53] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your medium goal on the way there<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Medium Goal: Have a girlfriend before year 3
<br>**[01:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;is "Have a girlfriend<br>&nbsp;&nbsp;&nbsp;&nbsp;before starting year 3."<br>**[01:59] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got that?<br>**[02:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep.<br>**[02:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as meeting that goal doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;involve any false confessions of love<br>**[02:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;or spouting superficial stuff I don't mean,<br>**[02:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have a problem with it.<br>**[02:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. Then let's start...<br>**[02:17] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;with this:<br>**[02:19] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;observing interpersonal<br>&nbsp;&nbsp;&nbsp;&nbsp;relationships in the classroom.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Today's Task Observe interpersonal relationships in class
<br>**[02:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll lay the groundwork for learning<br>&nbsp;&nbsp;&nbsp;&nbsp;how to read the mood in a room,<br>**[02:27] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and eventually how to control that mood.<br>**[02:29] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so you know, the key here is--<br>**[02:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay--I know.<br>**[02:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I find a situation that'll<br>&nbsp;&nbsp;&nbsp;&nbsp;give me XP for trying,<br>**[02:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;take the initiative and plunge right in.<br>**[02:43] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;HEXactly!<br>**[02:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there it is.<br>**[02:49] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Fumiya.<br>**[02:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hey. Morning, Mizusawa.<br>**[02:54] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, did you hear?<br>**[02:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hear what?<br>**[02:58] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[03:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! Nakamura and Izumi?<br>**[03:05] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shh! They're not making it public yet.<br>**[03:09] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how Erika is into Shuji, right?<br>**[03:12] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this gets out, it'll mess up Izumi's<br>&nbsp;&nbsp;&nbsp;&nbsp;standing among the Konno girls.<br>**[03:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-right...<br>**[03:22] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[03:23] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, Takahiro! And Army Boy!<br>**[03:25] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[03:26] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo.<br>**[03:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mo... morning.<br>**[03:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brain!<br>**[03:31] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see! Ooh, ooh--check this out!<br>**[03:35] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? It's the dolls I gave everyone!<br>**[03:38] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;AKA proof of our friendship!<br>**[03:40] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We all put 'em on our bags!<br>**[03:42] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great minds think alike!<br>**[03:44] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta put yours on<br>&nbsp;&nbsp;&nbsp;&nbsp;your bag, too, Brain.<br>**[03:47] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we'll all match!<br>**[03:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I-I think I'll pass, thanks.<br>**[03:51] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ack! I've been shot down...<br>**[03:54] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Tama! I'm just *shocked*!<br>**[03:57] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch it, Minmi! Quit being so handsy!<br>**[04:00] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, pitiful old me! I need consoling!<br>**[04:03] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sniffity sniff.<br>**[04:03] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And no sniffing people!<br>**[04:05] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're adorable!<br>**[04:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Kikuchi.<br>**[04:11] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Tomozaki.<br>**[04:17] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hiya, Tomozaki.<br>**[04:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hey, Izumi. It's been a while.<br>**[04:22] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it has!<br>**[04:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear things are going great.<br>**[04:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Nakamura.<br>**[04:26] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh... y'know...<br>**[04:34] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, today we're going to pick class<br>&nbsp;&nbsp;&nbsp;&nbsp;captains for the sports tournament,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sports Tournament / Captains / Boys: / Girls:
<br>**[04:39] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;one boy and one girl.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Events / Boys: Basketball / Soccer / Baseball
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Girls: Basketball / Volleyball / Softball
<br>**[04:41] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then the boys and girls<br>&nbsp;&nbsp;&nbsp;&nbsp;will each pick one event.<br>**[04:45] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The captains' first job is to decide<br>&nbsp;&nbsp;&nbsp;&nbsp;which event to compete in.<br>**[04:50] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any interested candidates?<br>**[04:53] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it!<br>**[04:55] Hashiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? You want Takei in charge?<br>**[04:58] Matsumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't strategize his<br>&nbsp;&nbsp;&nbsp;&nbsp;way out of a paper bag!<br>**[05:00] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;No sweat! We've got soccer, don't we?<br>**[05:03] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm on the soccer team.<br>&nbsp;&nbsp;&nbsp;&nbsp;My leadership is on point!<br>**[05:06] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takei!<br>**[05:08] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weren't you the soccer captain last year--<br>&nbsp;&nbsp;&nbsp;&nbsp;right before a sudden losing streak?<br>**[05:12] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, Shuji, you remember that?!<br>**[05:19] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that's Takei for the boys.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sports Tournament / Captains Boys: Takei / Girls:
<br>**[05:23] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the girls?<br>**[05:24] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone?<br>**[05:26] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not gonna do it, Aoi?<br>**[05:30] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got my student council<br>&nbsp;&nbsp;&nbsp;&nbsp;president gig--I probably can't.<br>**[05:34] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, seriously?<br>**[05:36] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take it personally.<br>**[05:37] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one* wants to work with you.<br>**[05:40] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! Is *that* what's going on?<br>**[05:45] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with Yuzu?<br>**[05:47] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? M-me?<br>**[05:49] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were our first-year<br>&nbsp;&nbsp;&nbsp;&nbsp;captain, weren't you?<br>**[05:52] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... um, but...<br>**[05:59] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This year? I-I don't know...<br>**[06:05] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[06:06] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever.<br>**[06:12] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then:<br>**[06:14] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Hirabayashi?<br>**[06:16] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:17] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's good at, like, preparation and stuff.<br>**[06:19] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, she *is* pretty preparation-y.<br>**[06:22] Kozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that even mean?<br>**[06:24] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be a big help if you'd be the<br>&nbsp;&nbsp;&nbsp;&nbsp;girls' captain, Hirabayashi.<br>**[06:33] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Right now I lack the power to do*<br>*&nbsp;&nbsp;&nbsp;&nbsp;anything about this situation.*<br>**[06:38] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Say the wrong thing and I risk putting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Hirabayashi in an even tighter spot.*<br>**[06:44] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what's it gonna be, Hirabayashi?<br>**[06:49] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-well, um...<br>**[06:52] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll... I'll do it.<br>**[06:54] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to let anyone twist<br>&nbsp;&nbsp;&nbsp;&nbsp;your arm on this, Hirabayashi.<br>**[07:00] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, um... it's fine.<br>**[07:04] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[07:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Groups are tough, all right.*<br>**[07:05] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then Hirabayashi will be the girls' captain.<br>**[07:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Izumi was kind of blah all day after that.*<br>**[07:12] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She probably feels responsible for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Hirabayashi being put on the spot*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boys: Takei / Girls: Hirabayashi
<br>**[07:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*after she turned down the captain gig.*<br>**[07:30] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Plenty happened this first*<br>*&nbsp;&nbsp;&nbsp;&nbsp;day of the second term.*<br>**[07:34] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A secret meeting with the school*<br>*&nbsp;&nbsp;&nbsp;&nbsp;heroine in the morning.*<br>**[07:37] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A normal conversation with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;girls in the classroom.*<br>**[07:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hanging out among normie guys after school,*<br>**[07:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*teasing and being teased.*<br>**[07:49] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've gone through unimaginable*<br>*&nbsp;&nbsp;&nbsp;&nbsp;changes these past few months.*<br>**[07:54] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But I didn't use a continue,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and I didn't cheat my way here.*<br>**[07:59] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've just been walking a little*<br>*&nbsp;&nbsp;&nbsp;&nbsp;further forward--every day.*<br>**[08:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Still,*<br>**[08:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*if that's true, when did she--*<br>**[08:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*when did Aoi Hinami start on* her *path, <br>
&nbsp;&nbsp;&nbsp;&nbsp;and how far has she come?*<br>**[08:16] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She got this far with dogged effort*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after effort, just like me.*<br>**[08:22] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But there's one big difference*<br>*&nbsp;&nbsp;&nbsp;&nbsp;between Hinami and me:*<br>**[08:28] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Whereas I'm having fun and experiencing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the sparkle along the way,*<br>**[08:34] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;she's set her eyes on*<br>*&nbsp;&nbsp;&nbsp;&nbsp;some far distant point*<br>**[08:39] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and is absorbed in moving forward,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;like that itself is her only goal.*<br>**[08:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What let her keep going for this long?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Room 2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mood = Norm for good/bad among a group
<br>**[08:52] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mood" refers to the norm for<br>&nbsp;&nbsp;&nbsp;&nbsp;good or bad among a group.<br>**[08:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno used the "plain<br>&nbsp;&nbsp;&nbsp;&nbsp;equals bad" mood...<br>**[09:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to label Hirabayashi as lower-ranked<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boys: Takei / Girls: Hirabayashi
<br>**[09:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and push a hassle of a job onto her.<br>**[09:09] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Manipulating<br>&nbsp;&nbsp;&nbsp;&nbsp;this kind of group mood...<br>**[09:14] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is a must-have skill for being<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Goal To be as satisfied with offline life as I am
<br>**[09:16] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;satisfied with offline life.<br>**[09:17] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So your next small goal<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Small Goal: Get Erika Konno motivated for the sports tournament
<br>**[09:20] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to get Erika Konno motivated<br>**[09:22] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the sports tournament.<br>**[09:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[09:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hang on a second!<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way that's even possible!<br>**[09:29] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why it's going to<br>&nbsp;&nbsp;&nbsp;&nbsp;take some trial and error.<br>**[09:32] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be a good way to practice the<br>&nbsp;&nbsp;&nbsp;&nbsp;interpersonal skills you've learned.<br>**[09:38] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might actually be the game-iest<br>&nbsp;&nbsp;&nbsp;&nbsp;assignment you've had so far.<br>**[09:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Game-iest"?<br>**[09:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[09:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it:<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Assignment Quest Konno Erika / ~ In Search of Motivation Lost ~
<br>**[09:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This task--<br>**[09:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is an RPG, isn't it?<br>**[09:52] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our nanashi!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>**[09:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The first order of business in an RPG*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Assignment Quest Konno Erika / ~ In Search of Motivation Lost ~
<br>**[10:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is doing some reconnaissance in town.*<br>**[10:04] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In other words,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if Erika Konno is the dungeon boss,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno / Fumiya Tomozaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno appeared!!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;But Fumiya Tomozaki
<br>**[10:09] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I should ask around to learn her*<br>*&nbsp;&nbsp;&nbsp;&nbsp;weak points and how to defeat her.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;is still no match for her!!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fumiya Tomozaki: Got a sec, Izumi?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yuzu Izumi: Huh? What is it?
<br>**[10:14] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Ooh! This is really starting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to feel like a game now!*<br>**[10:19] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, Erika really is<br>&nbsp;&nbsp;&nbsp;&nbsp;completely unmotivated.<br>**[10:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She sure is.<br>**[10:24] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirabayashi doesn't have it easy, either.<br>**[10:27] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure she's the captain type...<br>**[10:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think it would<br>&nbsp;&nbsp;&nbsp;&nbsp;take to motivate Konno?<br>**[10:32] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a tough one.<br>**[10:35] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why do you ask?<br>**[10:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's just--<br>**[10:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just thought I'd help Hirabayashi<br>&nbsp;&nbsp;&nbsp;&nbsp;in whatever little way I can.<br>**[10:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I'd like to enjoy the tournament...<br>**[10:47] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I totally get it!<br>**[10:48] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the type that wants to enjoy the <br>
&nbsp;&nbsp;&nbsp;&nbsp;*heck* out of the sports tournament<br>**[10:51] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the culture festival and *everything*!<br>**[10:54] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was wondering if there<br>&nbsp;&nbsp;&nbsp;&nbsp;was anything we could do<br>**[10:56] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;about Erika's lack of excitement.<br>**[10:58] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get along especially well with Erika,<br>**[11:01] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Shuji... well, he's not big<br>&nbsp;&nbsp;&nbsp;&nbsp;on talking this stuff out.<br>**[11:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... is that so...<br>**[11:11] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How to get Erika motivated... hmm...<br>**[11:14] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a real stickler about<br>&nbsp;&nbsp;&nbsp;&nbsp;clothes and fashion--<br>**[11:17] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;she'd probably step it up if I promised<br>&nbsp;&nbsp;&nbsp;&nbsp;her pricey cosmetics when we win.<br>**[11:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I-I don't know...<br>**[11:23] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Softball might do the trick, actually!<br>**[11:26] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was on the boys' baseball<br>&nbsp;&nbsp;&nbsp;&nbsp;team in elementary school.<br>**[11:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno, playing boys' baseball?<br>**[11:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say...<br>**[11:48] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Tomozaki. Nice work today.<br>**[11:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You on break, too, Narita?<br>**[11:55] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can call me "Gumi."<br>**[11:57] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oof.<br>**[11:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is Tsugumi Narita.*<br>**[12:00] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's a year younger than me,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but my senior here at work.*<br>**[12:04] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, my shift just ended,<br>**[12:07] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm kinda exhausted, so I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rest a while before I left.<br>**[12:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure get exhausted a lot.<br>**[12:15] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right--and I hate it.<br>**[12:17] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I think I'm gonna try<br>&nbsp;&nbsp;&nbsp;&nbsp;to move as little as possible.<br>**[12:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you need to *do* your *job*.<br>**[12:24] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw! Don't you want to make money<br>&nbsp;&nbsp;&nbsp;&nbsp;in the breeziest way possible?<br>**[12:29] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want a zero-effort, no-walking,<br>&nbsp;&nbsp;&nbsp;&nbsp;never-tiring, always-resting life.<br>**[12:34] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That* is my policy.<br>**[12:38] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Straight from the planet Apathy,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's Gumi! Thanks in advance.<br>**[12:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, so in that case...<br>**[12:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you drag your feet when it come<br>&nbsp;&nbsp;&nbsp;&nbsp;to sports tournaments, too?<br>**[12:49] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You betcha.<br>**[12:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aha...*<br>**[12:54] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In some ways, her attributes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are similar to Erika Konno's.*<br>**[12:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, can I get some advice?<br>**[13:03] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, wow, what a pain.<br>**[13:06] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika definitely has it out<br>&nbsp;&nbsp;&nbsp;&nbsp;for that Hirabayashi girl.<br>**[13:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kind of thought as much.<br>**[13:12] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, as soon as Hirabayashi<br>&nbsp;&nbsp;&nbsp;&nbsp;takes on the captain role,<br>**[13:16] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt Erika is gonna wanna<br>&nbsp;&nbsp;&nbsp;&nbsp;do much of anything.<br>**[13:19] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless something crazy happens.<br>**[13:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something crazy? Like what?<br>**[13:23] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;With me, it all comes down<br>&nbsp;&nbsp;&nbsp;&nbsp;to bang for your buck.<br>**[13:27] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Low effort, high reward.<br>**[13:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I get it.<br>**[13:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if Erika Konno feels the same way...<br>**[13:33] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, yeah.<br>**[13:35] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll be plenty motivated if she can get<br>&nbsp;&nbsp;&nbsp;&nbsp;what she wants in a cost-effective way.<br>**[13:39] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how we roll<br>&nbsp;&nbsp;&nbsp;&nbsp;on the planet Apathy.<br>**[13:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Low effort, high reward...<br>**[13:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The next person I thought I'd speak with*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Read: I'd like your advice. Can you meet today? Fuka Kikuchi: Sure. Where should we meet? Read: How about The Baron? Fuka Kikuchi: Got it
<br>**[13:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was Kikuchi.*<br>**[13:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She may not stand out in class,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Baron / Open 24 Hours
<br>**[13:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but she's writing her very own novel,*<br>**[14:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I think she's a great observer of people.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuka Kikuchi: Sorry to keep you waiting, Tomozaki
<br>**[14:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry for contacting<br>&nbsp;&nbsp;&nbsp;&nbsp;you out of the blue.<br>**[14:08] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's fine. You caught me as<br>&nbsp;&nbsp;&nbsp;&nbsp;I was getting off work, too.<br>**[14:12] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just happy for the invitation.<br>**[14:21] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno?<br>**[14:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[14:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of person is she,<br>&nbsp;&nbsp;&nbsp;&nbsp;from your point of view?<br>**[14:27] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of person...? That's a tough one.<br>**[14:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, like...<br>**[14:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're having all these discussions<br>&nbsp;&nbsp;&nbsp;&nbsp;about the sports tournament,<br>**[14:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Konno is totally unmotivated, right?<br>**[14:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Under what circumstances do you<br>&nbsp;&nbsp;&nbsp;&nbsp;think she gives it her all?<br>**[14:42] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would motivate Konno...<br>**[14:47] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This may not be a very nice<br>&nbsp;&nbsp;&nbsp;&nbsp;way of putting it, but...<br>**[14:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think she *really* doesn't want people to <br>
&nbsp;&nbsp;&nbsp;&nbsp;look down on her. That motivates her.<br>**[14:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;People looking down on her, huh...?<br>**[15:01] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-right.<br>**[15:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why be like this for<br>&nbsp;&nbsp;&nbsp;&nbsp;the sports tournament?<br>**[15:09] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... if she acts like the<br>&nbsp;&nbsp;&nbsp;&nbsp;tournament is already stupid,<br>**[15:15] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;then win or lose, no one<br>&nbsp;&nbsp;&nbsp;&nbsp;will look down on her.<br>**[15:18] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what *I* think, anyway.<br>**[15:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see that...<br>**[15:25] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but...<br>**[15:26] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno does have her friendly<br>&nbsp;&nbsp;&nbsp;&nbsp;side, and she's so honest--<br>**[15:32] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think she's *bad*, per se...<br>**[15:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[15:37] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Now for all the intel I've*<br>*&nbsp;&nbsp;&nbsp;&nbsp;managed to collect:*<br>**[15:40] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In order to light a fire*<br>*&nbsp;&nbsp;&nbsp;&nbsp;under Erika Konno, first...*<br>**[15:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we make sure the girls' event is softball.*<br>**[15:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next...*<br>**[15:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we find a low-effort, high-return way*<br>**[15:53] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;to stimulate her desire not*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to be looked down upon.*<br>**[15:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And what I need now*<br>**[16:00] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is to find that key item that'll*<br>*&nbsp;&nbsp;&nbsp;&nbsp;hit her right where it counts.*<br>**[16:04] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay:<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boys 1. Basketball / 2. Soccer / 3. Baseball Chosen Sports Tournament Events
<br>**[16:06] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boys' first choice is basketball!<br>**[16:09] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have preferred soccer,<br>&nbsp;&nbsp;&nbsp;&nbsp;but whaddya gonna do?<br>**[16:12] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takei!<br>**[16:14] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you even *be* a basketball captain?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boys 1. Basketball / 2. Soccer / 3. Baseball
<br>**[16:16] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;No sweat! I've been reading the manga!<br>**[16:19] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No sweat"--yeah, right!<br>**[16:23] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right--now for the girls.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chosen Sports Tournament Events Girls / Basketball / Volleyball / Softball
<br>**[16:26] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, um...<br>**[16:28] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, uh, l-let's see what the girls want.<br>**[16:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh! Ooh! It's basketball for me!<br>**[16:37] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;With me and Aoi on the team, we can't lose!<br>**[16:40] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[16:42] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basketball... okay.<br>**[16:44] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone else have any preferences?<br>**[16:46] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is bad. They'll never*<br>*&nbsp;&nbsp;&nbsp;&nbsp;get to softball like this.*<br>**[16:52] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do!<br>**[16:54] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to play volleyball.<br>**[16:57] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;One for volleyball.<br>**[16:59] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which should be our first choice?<br>**[17:02] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I think I'd prefer<br>&nbsp;&nbsp;&nbsp;&nbsp;softball... or something.<br>**[17:07] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Softball.<br>**[17:09] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you all have reasons for your choices?<br>**[17:12] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do! Because that's what I wanna play.<br>**[17:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama!<br>**[17:21] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too simple to be a reason!<br>**[17:26] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-then we'll move on to--<br>**[17:28] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, like...<br>**[17:30] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we just vote?<br>**[17:33] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah... right.<br>**[17:39] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's not go there, Konno.<br>**[17:41] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it--I'm usually the first<br>&nbsp;&nbsp;&nbsp;&nbsp;to want to put things to a vote.<br>**[17:46] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'd like to see if you can<br>&nbsp;&nbsp;&nbsp;&nbsp;talk things out instead.<br>**[17:50] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take over from here.<br>**[17:53] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each of you has to convince the class<br>&nbsp;&nbsp;&nbsp;&nbsp;with the reasons behind your choices.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo
<br>**[17:59] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, after all that discussion,<br>&nbsp;&nbsp;&nbsp;&nbsp;the girls have decided<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Basketball: 2 / Volleyball: 3 / Softball: 1
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Softball: 1
<br>**[18:03] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;their first choice is softball.<br>**[18:05] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The results will be posted over<br>&nbsp;&nbsp;&nbsp;&nbsp;lunch, so keep your eyes peeled.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sports Tournament: Class Events
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boys: Basketball / Girls: Softball
<br>**[18:19] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How to get Erika motivated, huh?<br>**[18:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it'll be pretty tough<br>&nbsp;&nbsp;&nbsp;&nbsp;the way things are now.<br>**[18:26] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How *are* things now, exactly?<br>**[18:30] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, as long as Hirabayashi's<br>&nbsp;&nbsp;&nbsp;&nbsp;the captain...<br>**[18:34] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I figured as much...<br>**[18:41] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made up my mind.<br>**[18:44] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take over the captain<br>&nbsp;&nbsp;&nbsp;&nbsp;position from Hirabayashi!<br>**[18:48] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She looks like she's having a rough time.<br>**[18:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about this, though?<br>**[18:54] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was struggling with whether<br>&nbsp;&nbsp;&nbsp;&nbsp;I should help her.<br>**[18:59] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'd taken the captain job,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd basically be like Erika told me to.<br>**[19:04] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be going along just to get along,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I don't like that side of me.<br>**[19:08] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that doesn't matter! I'm helping<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirabayashi because I want to.<br>**[19:14] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good enough, right? <br>
&nbsp;&nbsp;&nbsp;&nbsp;I *want* to do it, after all!<br>**[19:18] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think it might motivate<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika a little bit, too.<br>**[19:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, Yuzu...<br>**[19:25] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really okay with this?<br>**[19:27] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! And I'll work hard, too!<br>**[19:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[19:31] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's neither bowing to the mood*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or being pushed into the job.*<br>**[19:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's *calling the shots.*<br>**[19:38] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And that "I'm over it" smile...*<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's a top-tier character, all right.*<br>**[19:43] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A strategy began to come*<br>*&nbsp;&nbsp;&nbsp;&nbsp;together in my head.*<br>**[19:47] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A plan that just might get*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Konno ready and raring to go.*<br>**[19:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The first item I'd need...*<br>**[19:57] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd you want to talk about, Brain?<br>**[20:00] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me--is it romance advice?!<br>**[20:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing like that!<br>**[20:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's actually about Konno.<br>**[20:07] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika?<br>**[20:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you say Konno sees<br>&nbsp;&nbsp;&nbsp;&nbsp;Hinami as her rival?<br>**[20:15] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think so, yeah.<br>&nbsp;&nbsp;&nbsp;&nbsp;But where'd this come from?<br>**[20:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I have this idea, that's all.<br>**[20:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next must-have item...<br>**[20:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, hey...<br>**[20:34] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's up?<br>**[20:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said Konno likes Nakamura.<br>**[20:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's a sure thing, right?<br>**[20:41] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. They're keeping it<br>&nbsp;&nbsp;&nbsp;&nbsp;on the down-low, though.<br>**[20:45] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you ask?<br>**[20:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My strategy had come together.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Assignment Quest Konno Erika / ~ In Search of Motivation Lost ~
<br>**[20:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[20:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to confirm something<br>&nbsp;&nbsp;&nbsp;&nbsp;about my assignment.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Small Goal: Get Erika Konno motivated for the sports tournament
<br>**[20:59] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confirm something?<br>**[21:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have to do this<br>&nbsp;&nbsp;&nbsp;&nbsp;all by myself, right?<br>**[21:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't mind if I get<br>&nbsp;&nbsp;&nbsp;&nbsp;other people to help out?<br>**[21:07] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question. Given that you're<br>&nbsp;&nbsp;&nbsp;&nbsp;up against Erika Konno,<br>**[21:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;your skill alone may not be<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to get the job done.<br>**[21:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[21:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;could I even get *your* help, too?<br>**[21:21] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My* help...?<br>**[21:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to ask you what I should do.<br>**[21:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But can I include you in my strategy,<br>**[21:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;tell you what I need you to<br>&nbsp;&nbsp;&nbsp;&nbsp;do, and have you do it?<br>**[21:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I'm still the<br>&nbsp;&nbsp;&nbsp;&nbsp;one with the controller--<br>**[21:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd be using you as<br>&nbsp;&nbsp;&nbsp;&nbsp;my selected character.<br>**[21:41] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see. That would be fine.<br>**[21:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[21:46] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[21:47] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't interfere, not even if I think<br>&nbsp;&nbsp;&nbsp;&nbsp;your strategy's bound to fail.<br>**[21:52] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more...<br>**[21:54] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's any chance I'll<br>&nbsp;&nbsp;&nbsp;&nbsp;take damage, forget it.<br>**[21:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine by me.<br>**[22:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Now, about my strategy...<br>**[22:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it is.<br>**[22:05] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[22:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A three-pronged approach!<br>

# E2 - A happy ending doesn't mean this game is over

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G9DUEM91D/a-happy-ending-doesnt-mean-this-game-is-over)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[01:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So how does that sound?<br>**[01:33] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose I could help out <br>
&nbsp;&nbsp;&nbsp;&nbsp;*that* much, anyway.<br>**[01:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excellent! Please do!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 2 A happy ending doesn't mean this game is over
<br>**[01:41] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think that'll be<br>**[01:43] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to motivate Erika, though?<br>**[01:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't worry.<br>**[01:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got other tricks up my sleeve.<br>**[01:51] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aha...<br>**[01:53] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's what you had in mind?<br>**[01:55] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *thought* something was afoot.<br>**[01:57] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, sometimes I'm surprised by<br>**[02:00] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;how *nasty* you can be, Fumiya.<br>**[02:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, shut up...<br>**[02:03] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But fine, I get it.<br>**[02:05] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need to let Erika<br>&nbsp;&nbsp;&nbsp;&nbsp;know all casual-like, right?<br>**[02:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Thanks.<br>**[02:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's everything that needed to be done.*<br>**[02:17] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All that's left is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for the three arrows I've let fly*<br>**[02:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to hit their mark according to plan.*<br>**[02:34] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our Erika!<br>**[02:35] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, a home run!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Girls' Softball
<br>**[02:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My strategy was a success.*<br>**[02:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All three arrows scored critical hits.*<br>**[02:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The final boss has been defeated.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yuzu Izumi: Conversation: A / Academics: C Sports: B Friendship: A / Effort: B
<br>**[02:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first arrow was Izumi.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Classroom / Konno's Motivation Meter / Day/Month
<br>**[02:56] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Erika...<br>**[02:57] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I'm captain and all,<br>&nbsp;&nbsp;&nbsp;&nbsp;could you help me out?<br>**[03:01] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We may as well make this fun for everyone.<br>**[03:04] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Konno apparently has*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a real soft spot for her friends,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;...
<br>**[03:08] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and here's her pal Izumi*<br>*&nbsp;&nbsp;&nbsp;&nbsp;asking her to pitch in.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aoi Hinami: Conversation: S / Academics: S Sports: S / Friendship: A / Effort: S
<br>**[03:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next, the second arrow: Hinami.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gym / Konno's Motivation Meter / Day/Month
<br>**[03:15] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got a second, Mika?<br>**[03:16] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[03:18] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika's going to be in the game, right?<br>**[03:20] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usually everyone participates.<br>**[03:22] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question. Beats me.<br>**[03:24] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika doesn't look like<br>&nbsp;&nbsp;&nbsp;&nbsp;the softball type, after all.<br>**[03:28] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's not up to it, tell her she<br>&nbsp;&nbsp;&nbsp;&nbsp;can get by with, like, one pinch-hit.<br>**[03:32] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you can leave everything else up to me!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gym / Konno's Motivation Meter / Day/Month
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika!
<br>**[03:37] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Blah, blah, yadda yadda
<br>**[03:38] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blah, blah, yadda yadda...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takahiro Mizusawa: Conversation: S Academics: A / Sports: A / Friendship: A / Effort: D
<br>**[03:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And the third arrow, Mizusawa.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Classroom / Konno's Motivation Meter / Day/Month
<br>**[03:45] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Erika.<br>**[03:46] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shuji says he's looking<br>&nbsp;&nbsp;&nbsp;&nbsp;forward to the sports tournament.<br>**[03:50] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, he's one of those<br>&nbsp;&nbsp;&nbsp;&nbsp;athletic guys, y'know?<br>**[03:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And girls who are good<br>&nbsp;&nbsp;&nbsp;&nbsp;at sports? Totally his type.<br>**[03:56] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think this one might actually be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the most effective.*<br>**[04:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I mean...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Way Home / Konno's Motivation Meter / Day/Month
<br>**[04:01] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Konno doesn't even know*<br>*&nbsp;&nbsp;&nbsp;&nbsp;yet that Nakamura and Izumi are dating.*<br>**[04:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Could be a little distracting, though...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Girls' Softball
<br>**[04:17] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going for a home run!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Girls' Softball
<br>**[04:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I want to make my friend Izumi happy."*<br>**[04:34] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"I don't want Aoi Hinami*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to look down on me."*<br>**[04:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I want Nakamura to find me attractive."*<br>**[04:40] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;These three wants can*<br>*&nbsp;&nbsp;&nbsp;&nbsp;all be satisfied by simply*<br>**[04:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"doing my best in the sports tournament."*<br>**[04:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In other words...*<br>**[04:49] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno reaped great*<br>*&nbsp;&nbsp;&nbsp;&nbsp;rewards for little effort.*<br>**[04:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Meanwhile,*<br>**[04:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in the boys' basketball event,*<br>**[04:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nakamura and Mizusawa, along with*<br>**[05:00] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tachibana of the basketball club,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;moved onward to victory.*<br>**[05:05] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In fact, Hinami had given me a task*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for the basketball game as well.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lay-Up Shots
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lay-Up Shots
<br>**[05:11] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lay-up practice.<br>**[05:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay in a position<br>&nbsp;&nbsp;&nbsp;&nbsp;where you can aim for a basket,<br>**[05:15] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and whenever you get<br>&nbsp;&nbsp;&nbsp;&nbsp;the ball, make the shot.<br>**[05:18] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can contribute to a win with that,<br>**[05:21] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll gain an<br>&nbsp;&nbsp;&nbsp;&nbsp;in with the athletic types, too,<br>**[05:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;like Tachibana.<br>**[05:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[05:28] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And so I spent the days*<br>*&nbsp;&nbsp;&nbsp;&nbsp;before the tournament practicing my lay-ups.*<br>**[05:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hinami was kind enough to tag along...*<br>**[05:46] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but now I'm watching the game*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from the bench.*<br>**[05:49] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I ended up racking up*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a flurry of fouls first thing.*<br>**[05:56] Referee**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're outta here!<br>**[06:00] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Brain for you!<br>**[06:06] Referee**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's the game!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Victory
<br>**[06:11] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shake it off, Fumiya.<br>**[06:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can it, will you?<br>**[06:14] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Army Boy! Who gets ejected<br>&nbsp;&nbsp;&nbsp;&nbsp;in the first thirty seconds?<br>**[06:17] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really flopped it out there, Fumin.<br>**[06:20] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, that was amazing!<br>**[06:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spare me, Tachibana...<br>**[06:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And in the end,*<br>**[06:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*both our teams came in first place,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Congrats to This Year's Winners! / 2-2 / Boys' Basketball: 1st / Girls' Softball: 1st
<br>**[06:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*clinching our class's victory this year.*<br>**[06:34] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're number one!<br>**[06:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fantastic!*<br>**[06:41] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Victory hugs!<br>**[06:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everyone's really enjoying themselves.*<br>**[06:44] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's like the entire class*<br>*&nbsp;&nbsp;&nbsp;&nbsp;had come together as one.*<br>**[06:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What a wonderful happy ending this was.*<br>**[06:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But soon enough I would come to learn*<br>**[07:01] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that this game of life*<br>*&nbsp;&nbsp;&nbsp;&nbsp;isn't quite so simple.*<br>**[07:09] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It started the day*<br>*&nbsp;&nbsp;&nbsp;&nbsp;after the sports tournament.*<br>**[07:17] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops.<br>**[07:18] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sor-ry.<br>**[07:20] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[07:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*These little "accidents" kept on happening.*<br>**[07:27] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A paper airplane would "accidentally"*<br>*&nbsp;&nbsp;&nbsp;&nbsp;hit Hirabayashi during a break,*<br>**[07:37] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;or Konno would "accidentally"*<br>*&nbsp;&nbsp;&nbsp;&nbsp;bump into her desk.*<br>**[07:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then, some days later,*<br>**[07:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I realized, along with most of my classmates,*<br>**[07:50] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;that there was clear*<br>*&nbsp;&nbsp;&nbsp;&nbsp;malicious intent behind it.*<br>**[07:57] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I caused all this.<br>**[08:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it got out<br>&nbsp;&nbsp;&nbsp;&nbsp;that you were dating Nakamura?<br>**[08:04] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably.<br>**[08:05] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lashing out at me<br>&nbsp;&nbsp;&nbsp;&nbsp;or Shuji would be too obvious.<br>**[08:10] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead, she went after Hirabayashi.<br>**[08:14] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I probably shouldn't say anything to Erika.<br>**[08:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, maybe so.<br>**[08:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree.<br>**[08:25] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuzu shouldn't say a word to Konno.<br>**[08:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[08:30] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This harassment is small potatoes.<br>**[08:32] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can play it all off as purely<br>&nbsp;&nbsp;&nbsp;&nbsp;accidental, and that'll be that.<br>**[08:36] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't want the situation to get worse,<br>**[08:38] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;the smartest course of action right<br>&nbsp;&nbsp;&nbsp;&nbsp;now would be to watch silently.<br>**[08:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[08:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is life *really* a god-tier game?<br>**[08:46] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[08:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, we've got an irrational<br>&nbsp;&nbsp;&nbsp;&nbsp;negative event with no reason behind it.<br>**[08:54] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are reasons, all right.<br>**[08:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno liked Nakamura.<br>**[09:00] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to our help,<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuzu started going out with Nakamura.<br>**[09:05] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno kicked in, and our class won.<br>**[09:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuzu's relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;with Nakamura became public.<br>**[09:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirabayashi is a timid girl.<br>**[09:17] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of those events just fell like dominoes.<br>**[09:21] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening now isn't irrational--<br>&nbsp;&nbsp;&nbsp;&nbsp;it was practically inevitable.<br>**[09:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, inevitable?<br>**[09:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying Hirabayashi<br>&nbsp;&nbsp;&nbsp;&nbsp;has to just take her lumps?<br>**[09:31] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah.<br>**[09:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hinami...<br>**[09:35] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, I don't personally see<br>&nbsp;&nbsp;&nbsp;&nbsp;the need to help her at this juncture.<br>**[09:40] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, this is the kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;harassment one can solve on one's own.<br>**[09:46] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because Hirabayashi<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't intend to do so--<br>**[09:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, that's going too far!<br>**[09:52] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, we haven't seen anything that suggests<br>**[09:55] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirabayashi means to solve<br>&nbsp;&nbsp;&nbsp;&nbsp;this problem on her own.<br>**[09:58] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't that make Hirabayashi herself<br>&nbsp;&nbsp;&nbsp;&nbsp;another reason for Konno's behavior?<br>**[10:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now Hirabayashi is responsible for it?<br>**[10:06] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno's methods are cowardly<br>&nbsp;&nbsp;&nbsp;&nbsp;and awful, absolutely.<br>**[10:09] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno is in the wrong.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No two ways about that.<br>**[10:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's the gamer who's<br>&nbsp;&nbsp;&nbsp;&nbsp;gripping the controller,<br>**[10:17] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;clearing a path through<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation at hand.<br>**[10:19] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same goes for life. Isn't that right?<br>**[10:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you and me, maybe!<br>**[10:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to require everyone to be a gamer...<br>**[10:26] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone tries to<br>&nbsp;&nbsp;&nbsp;&nbsp;change something themselves<br>**[10:28] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and winds up not being able to<br>&nbsp;&nbsp;&nbsp;&nbsp;solve the problem at hand,<br>**[10:31] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will help--enthusiastically so.<br>**[10:34] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if they don't even *try* <br>
&nbsp;&nbsp;&nbsp;&nbsp;to fix things on their own...<br>**[10:39] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not required to help.<br>**[10:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not my thinking.<br>**[10:43] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's the gamer who's in the right.<br>**[10:46] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;Hirabayashi isn't trying to be a gamer.<br>**[10:50] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I *do* intend to do *something*<br>**[10:53] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;if things get any worse.<br>**[10:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[10:58] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, *you're* not considering doing <br>
&nbsp;&nbsp;&nbsp;&nbsp;something about this, are you?<br>**[11:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's something I *can* do, I'll do it.<br>**[11:07] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aha.<br>**[11:08] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, proceed carefully,<br>&nbsp;&nbsp;&nbsp;&nbsp;so things don't get worse.<br>**[11:14] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can go without<br>&nbsp;&nbsp;&nbsp;&nbsp;an assignment for a while.<br>**[11:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[11:23] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, what gives?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I know, right?
<br>**[11:25] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;That's what he said!
<br>**[11:28] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too funny!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I was over the moon!
<br>**[11:32] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno!<br>**[11:35] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long are you going to do this?<br>**[11:37] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough nonsense! Cut it out already!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>**[11:43] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long are you going to do this?<br>**[11:46] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough nonsense! Cut it out already!<br>**[11:49] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you talking about?<br>**[11:51] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that!<br>**[11:53] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because Nakamura's taken<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't mean you can lash out at people!<br>**[11:57] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[12:10] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, Hanabi!<br>**[12:11] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You okay? You're shaking like a leaf.<br>**[12:15] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[12:16] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[12:20] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I didn't hit you that hard--<br>**[12:22] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You started it.<br>**[12:28] Boy Student**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh...<br>**[12:42] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops. Sor-ry.<br>**[12:48] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There it was, out in the open,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;almost too clear-cut:*<br>**[12:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Erika Konno's maliciousness,*<br>**[12:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*now targeted at Tama.*<br>**[12:59] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno! You did that on purpose!<br>**[13:01] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Lay off the assumptions, would you?<br>**[13:04] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What* assumptions?!<br>**[13:06] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I apologized, didn't I?<br>**[13:08] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that's not the issue here!<br>**[13:10] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, you gonna hit me again?<br>**[13:14] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm against violence.<br>**[13:17] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm not *using* violence!<br>**[13:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in the right here, Tama.<br>**[13:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You okay, Tama?<br>**[13:30] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine.<br>**[13:31] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanabi...<br>**[13:33] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[13:35] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll... I'll do something.<br>**[13:38] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi?<br>**[13:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Konno's attacks continued.*<br>**[13:45] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She would "accidentally" bump*<br>*&nbsp;&nbsp;&nbsp;&nbsp;into Tama's desk,*<br>**[13:48] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;or one of her cronies would*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"accidentally" knock Tama's chair over;*<br>**[13:53] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;all of Tama's pencil leads would*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"accidentally" wind up broken,*<br>**[13:58] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;or the Konno girls would "accidentally"*<br>*&nbsp;&nbsp;&nbsp;&nbsp;trash-talk her loud enough in conversation*<br>**[14:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that Tama could hear it loud and clear.*<br>**[14:06] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But unlike when it happened*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to Hirabayashi...*<br>**[14:09] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno! I *know* you kicked my desk again!<br>**[14:12] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;...every time Konno hurt Tama,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tama called her out.*<br>**[14:16] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, will you stop<br>&nbsp;&nbsp;&nbsp;&nbsp;with the false accusations already?<br>**[14:19] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did it yesterday, too!<br>**[14:21] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you forget that time<br>&nbsp;&nbsp;&nbsp;&nbsp;you used violence against me?<br>**[14:26] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was an accident!<br>**[14:28] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? No, what *I* did was an accident.<br>**[14:31] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;What *you* did?<br>**[14:34] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;All. On. Purpose.<br>**[14:38] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop, Tama! Whoa, girl!<br>**[14:41] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Hanabi--time to cool off.<br>**[14:45] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Hinami and Mimimi would calm her down*<br>*&nbsp;&nbsp;&nbsp;&nbsp;so she wouldn't get even more furious.*<br>**[14:50] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This pattern repeated itself*<br>*&nbsp;&nbsp;&nbsp;&nbsp;over several days.*<br>**[14:54] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanabi really has it rough...<br>**[14:56] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She sure does.<br>**[14:58] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Hirabayashi, now Hanabi--<br>**[15:00] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's like she doesn't care *who* she torments.<br>**[15:03] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[15:04] Matsumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Natsubayashi<br>&nbsp;&nbsp;&nbsp;&nbsp;is really something else...<br>**[15:06] Hashiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never expected her to keep pushing<br>&nbsp;&nbsp;&nbsp;&nbsp;back on Konno like that, did you?<br>**[15:10] Hashiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's way gutsier<br>&nbsp;&nbsp;&nbsp;&nbsp;than she looks, that's for sure.<br>**[15:13] Akina**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[15:14] Akina**<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno may be terrible,<br>&nbsp;&nbsp;&nbsp;&nbsp;but Natsubayashi gets way too angry.<br>**[15:19] Akina**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that Natsubayashi is in the wrong here!<br>**[15:22] Mutsumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... I wish they'd<br>&nbsp;&nbsp;&nbsp;&nbsp;handle it a little better.<br>**[15:25] Mutsumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one wants to see that every dang day.<br>**[15:29] Sho**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many times is it, anyway?<br>**[15:31] Kazuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why even is Natsubayashi<br>&nbsp;&nbsp;&nbsp;&nbsp;still getting so mad?<br>**[15:35] Sho**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get that Konno is terrible,<br>&nbsp;&nbsp;&nbsp;&nbsp;but doesn't she understand<br>**[15:37] Sho**<br>&nbsp;&nbsp;&nbsp;&nbsp;that all this classroom bickering<br>&nbsp;&nbsp;&nbsp;&nbsp;just sours the whole mood?<br>**[15:41] Kazuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Natsubayashi never did know<br>&nbsp;&nbsp;&nbsp;&nbsp;how to read a room.<br>**[15:46] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Eventually, the class's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;mood went all off-kilter.*<br>**[15:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hinami was the one who put a stop to it.*<br>**[15:53] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She stirred up sympathy for Tama,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;aimed at the middle-ranking girls.*<br>**[15:58] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Mimimi tried to be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with Tama as much as possible*<br>**[16:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*whenever we were on break.*<br>**[16:04] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She'd hustle Tama out of the classroom,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;avoiding contact with Konno.*<br>**[16:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The efforts of these two*<br>**[16:10] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;kept something truly momentous*<br>*&nbsp;&nbsp;&nbsp;&nbsp;from taking place.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Room 2
<br>**[16:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Tama thing--<br>**[16:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;it really went sour, eh?<br>**[16:20] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[16:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and Mimimi have her back for now,<br>**[16:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but at this rate, she'll only<br>&nbsp;&nbsp;&nbsp;&nbsp;become more and more isolated.<br>**[16:28] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. It can't go on like this.<br>**[16:31] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to do something.<br>**[16:33] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Lately it felt like Hinami hadn't been*<br>*&nbsp;&nbsp;&nbsp;&nbsp;going about things in her usual way.*<br>**[16:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not that her methods were* wrong*;*<br>**[16:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she just wasn't the same old Hinami.*<br>**[16:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Hinami...<br>**[16:46] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think helping Tama is<br>&nbsp;&nbsp;&nbsp;&nbsp;the most important thing right now.<br>**[16:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than anything else.<br>**[16:54] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[16:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we could maybe ask her, you know,<br>**[17:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;to stop striking back at Konno, or...<br>**[17:03] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely not.<br>**[17:06] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanabi is right.<br>**[17:08] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation is what's wrong.<br>**[17:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanabi does *not* need to change.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Good Suggestion / Bad Rule
<br>**[17:15] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This was the exact opposite of what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Hinami had been insisting thus far.*<br>**[17:20] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If the situation is wrong,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;we should fight in a way that fits it--*<br>**[17:25] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;even if it means outwardly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;distorting ourselves.*<br>**[17:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's her policy, the way she <br>
&nbsp;&nbsp;&nbsp;&nbsp;racked up all those wins--or it* was*.*<br>**[17:38] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After class, Mimimi asked me to join*<br>*&nbsp;&nbsp;&nbsp;&nbsp;her and Tama on the way home.*<br>**[17:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hinami stayed late for student council work.*<br>**[17:47] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! You've got some<br>&nbsp;&nbsp;&nbsp;&nbsp;whipped cream on you, Tama!<br>**[17:49] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Really?<br>**[17:53] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mind if I do!<br>**[17:54] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Why'd you eat it?<br>**[17:56] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, delicious!<br>**[17:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't like that, Mimimi.<br>**[18:00] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Sure you do, right?<br>**[18:03] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I don't! Isn't it obvious?<br>**[18:05] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ack! What a shock!<br>**[18:16] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did things get to this point?<br>**[18:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad luck, bad timing...<br>**[18:23] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama hasn't even done anything wrong.<br>**[18:26] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's making her out<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the bad guy...<br>**[18:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate watching that happen!<br>**[18:35] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tomozaki.<br>**[18:38] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I doing a good job?<br>**[18:41] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know: cheering her up?<br>**[18:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you are.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki
<br>**[18:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At this point, Mimimi's goal must be*<br>**[18:57] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;for Erika Konno to give*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in to Tama's resistance.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hanabi Natsubayashi resists!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno take 0 damage
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno: I'm against violence!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hanabi Natsubayashi takes 170 damage!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami Nanami: Tama~~!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami Nanami: Mimimi's here ♪
<br>**[19:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If Konno's harassment stops*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami Nanami: You okay, Tama?!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami Nanami: All patched up ♪
<br>**[19:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while Mimimi is looking after Tama,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno: (...Not funny)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno: (Forget this...)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno left...
<br>**[19:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we'd get the good ending.*<br>**[19:15] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Hinami was controlling the mood*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the class as a whole,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno manipulates the mood
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The good/bad norm!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hanabi Natsubayashi takes 170 damage!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aoi Hinami: Hanabi...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aoi Hinami: I'll figure it out...
<br>**[19:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*buying more time.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aoi Hinami manipulates the mood
<br>**[19:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If all goes well,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The good/bad norm reverses!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Classmate x6 take 300 damage!!
<br>**[19:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;the mood--the norm for good<br>&nbsp;&nbsp;&nbsp;&nbsp;or bad-- will be flipped on its head,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno takes 100 damage!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Classmate x6 joined the party!!
<br>**[19:27] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and she'll start painting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Konno as one of the bad ones.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno: (...Not funny)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno: (Forget this...)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno left...
<br>**[19:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I have a different strategy in mind.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fumiya Tomozaki / Hanabi Natsubayashi / Erika Konno
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Erika Konno glares steadily
<br>**[19:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What we need to aim for now*<br>**[19:37] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is getting past all this*<br>*&nbsp;&nbsp;&nbsp;&nbsp;without hurting Tama.*<br>**[19:41] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And for that, we can use a tactic*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that every gamer knows:*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fumiya Tomozaki: (Thinking...)
<br>**[19:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Retreat.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fumiya Tomozaki: Tama! We're running!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tama: !!
<br>**[19:48] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The option to take time off school*<br>*&nbsp;&nbsp;&nbsp;&nbsp;until everything blows over.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Successfully escaped
<br>**[19:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sure, it's a little backward.*<br>**[19:54] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But it WILL get us to the goal,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;as "wrong" or dirty as it may be.*<br>**[19:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*NO NAME can't do that, but I can.*<br>**[20:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's the nanashi way.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Old AV Room
<br>**[20:10] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you want?<br>**[20:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um...<br>**[20:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This thing with Erika Konno and everybody...<br>**[20:19] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Aoi once told me...<br>**[20:22] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said you're a little bit like me.<br>**[20:25] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just come out<br>&nbsp;&nbsp;&nbsp;&nbsp;and say what you're thinking.<br>**[20:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... maybe I do.<br>**[20:30] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what's this about Konno and everybody?<br>**[20:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[20:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be hard with Konno attacking you<br>&nbsp;&nbsp;&nbsp;&nbsp;and everyone else avoiding you.<br>**[20:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if it is, I wonder<br>&nbsp;&nbsp;&nbsp;&nbsp;if it might be better to remove yourself.<br>**[20:48] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It *is* hard.<br>**[20:51] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know...<br>**[20:53] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine.<br>**[20:56] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I remind myself<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'm in the right, I'm fine.<br>**[21:01] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Breaking the Hanabi<br>&nbsp;&nbsp;&nbsp;&nbsp;that believes in things would be worse.<br>**[21:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Then you'll be all right.<br>**[21:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been playing games<br>&nbsp;&nbsp;&nbsp;&nbsp;on my own all this time.<br>**[21:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And all this time, I've been thinking:<br>**[21:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The righteousness inside me is more important<br>&nbsp;&nbsp;&nbsp;&nbsp;than how people see me.<br>**[21:21] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. As long as I can be myself,<br>**[21:25] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can put up with anything.<br>**[21:28] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know, Tomozaki...<br>**[21:30] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minmi's so sad.<br>**[21:34] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why I want to change.<br>**[21:38] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I really *am* like you.<br>**[21:41] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just say what I think,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I suck at bending myself to fit.<br>**[21:46] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I think you've<br>&nbsp;&nbsp;&nbsp;&nbsp;changed a lot lately.<br>**[21:48] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're better at reading a room,<br>&nbsp;&nbsp;&nbsp;&nbsp;better at fitting in.<br>**[21:52] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're like me, but you're challenging<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself with your weaknesses.<br>**[21:56] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think that was possible.<br>**[22:01] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So show me how you do it.<br>**[22:06] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teach me how to fight, too.<br>

# E3 - Battles go better when you're fighting alongside someone whose signature move is the opposite of yours

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GX9UQW3P7/battles-go-better-when-youre-fighting-alongside-someone-whose-signature-move-is-the-opposite-of-yours)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Old AV Room
<br>**[00:02] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[00:03] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you change yourself, Tomozaki?<br>**[00:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me?<br>**[00:06] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not good at, like,<br>&nbsp;&nbsp;&nbsp;&nbsp;getting along with people.<br>**[00:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, in my case...<br>**[00:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[00:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a sec.<br>**[00:18] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something wrong?<br>**[00:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[00:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, in my case, I practiced my expressions,<br>&nbsp;&nbsp;&nbsp;&nbsp;posture, and the way I talked.<br>**[00:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the past, I didn't emote much,<br>**[00:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I slouched all the time,<br>**[00:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I always mumbled.<br>**[00:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The epitome of socially awkward.<br>**[00:37] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you sound so cheerful now,<br>&nbsp;&nbsp;&nbsp;&nbsp;and your whole vibe has changed.<br>**[00:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... you think so?<br>**[00:46] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still got a weird way of<br>&nbsp;&nbsp;&nbsp;&nbsp;getting embarrassed, though!<br>**[00:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't worked on that yet...<br>**[00:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think the very first thing you should<br>&nbsp;&nbsp;&nbsp;&nbsp;do is figure out exactly where you are.<br>**[00:57] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where I am?<br>**[00:59] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[01:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see...<br>**[01:03] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still *laugh* weird, too! <br>
&nbsp;&nbsp;&nbsp;&nbsp;It's creepy!<br>**[01:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to agree...<br>**[01:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that should be enough.<br>**[01:10] Recorded Hanabi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Still got a weird way of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;getting embarrassed, though!*<br>**[01:12] Recorded Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I haven't worked on that yet...*<br>**[01:14] Recorded Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I think the very <br>
&nbsp;&nbsp;&nbsp;&nbsp;first thing you should do*<br>**[01:15] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! I've been bugged!<br>**[01:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait—just listen. Tama, c'mon—<br>**[01:17] Recorded Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is figure out exactly where you are.*<br>**[01:20] Recorded Hanabi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Where I am?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?*<br>**[01:24] Recorded Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, you see...*<br>**[01:25] Recorded Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You still* laugh *weird, too! <br>
&nbsp;&nbsp;&nbsp;&nbsp;It's creepy!*<br>**[01:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was that?<br>**[01:30] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty harsh, huh?<br>**[01:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[01:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way a person talks might not<br>&nbsp;&nbsp;&nbsp;&nbsp;be exactly how they picture it.<br>**[01:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you know how you talk, maybe you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;figure out how you can change it.<br>**[01:43] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe so...<br>**[01:45] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! I'll give it my best shot!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 3 <br>
&nbsp;&nbsp;&nbsp;&nbsp;Battles are better when you're against someone<br>
&nbsp;&nbsp;&nbsp;&nbsp; whose signature move is the opposite of yours
<br>**[03:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay,<br>**[03:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;lift the corners of your mouth.<br>**[03:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now run through the vowels.<br>**[03:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! See how that feels?<br>**[03:32] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh!<br>**[03:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You catch on quick. That's our Tama!<br>**[03:36] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[03:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think you can practice on your own?<br>**[03:40] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Woo!<br>**[03:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're *really* good. Better than me, even.<br>**[03:46] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?!<br>**[03:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're fully proficient.<br>**[03:49] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You haven't taught me anything yet!<br>**[03:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but... your basic <br>
&nbsp;&nbsp;&nbsp;&nbsp;ability is *way* beyond mine.<br>**[03:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think your expressions<br>&nbsp;&nbsp;&nbsp;&nbsp;or the way you talk<br>**[03:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;are what's keeping you from<br>&nbsp;&nbsp;&nbsp;&nbsp;getting along in class.<br>**[04:01] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what could it be?<br>**[04:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[04:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe try not arguing<br>&nbsp;&nbsp;&nbsp;&nbsp;with Konno for a while?<br>**[04:13] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[04:15] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama!<br>**[04:16] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I kept you!<br>**[04:18] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[04:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki, too?<br>**[04:21] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Why?<br>**[04:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, well... this and that...<br>**[04:25] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi's not with you?<br>**[04:27] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll have her hands full with<br>&nbsp;&nbsp;&nbsp;&nbsp;student council stuff for a while.<br>**[04:31] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Brain,<br>**[04:32] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;what exactly is going on here, hmm?<br>**[04:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... er...<br>**[04:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It-It's just...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Room 2
<br>**[04:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dead set against changing Tama, right?<br>**[04:48] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, didn't I? There's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;wrong with Tama.<br>**[04:51] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she *shouldn't* change.<br>**[04:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she *wants* to?<br>**[04:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what she told me:<br>**[05:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation is making Mimimi sad,<br>&nbsp;&nbsp;&nbsp;&nbsp;so she wants to change herself.<br>**[05:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what *she* wants to <br>
&nbsp;&nbsp;&nbsp;&nbsp;do—loud and clear.<br>**[05:08] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[05:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to help her, if<br>&nbsp;&nbsp;&nbsp;&nbsp;it's possible.<br>**[05:14] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Hanabi changes, none of this matters.<br>**[05:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hinami...<br>**[05:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;On that day,<br>**[05:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;the mood in the classroom shifted a little.<br>**[05:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This had always been where Konno and<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama would start up their squabbling,<br>**[05:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the class's mood would take a nosedive.<br>**[05:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Old AV Room
<br>**[05:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great job, Tama! You really<br>&nbsp;&nbsp;&nbsp;&nbsp;restrained yourself.<br>**[05:53] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. It's frustrating,<br>**[05:55] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I know there are more<br>&nbsp;&nbsp;&nbsp;&nbsp;important things.<br>**[05:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, though, things<br>&nbsp;&nbsp;&nbsp;&nbsp;might not get worse,<br>**[06:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they won't get dramatically<br>&nbsp;&nbsp;&nbsp;&nbsp;better, either.<br>**[06:05] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... I guess not.<br>**[06:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now to create an atmosphere that'll make<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of the class take your side.<br>**[06:17] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't know what they're all thinking.<br>**[06:21] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kinda know what Konno is thinking, but...<br>**[06:25] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest of the class? It's a<br>&nbsp;&nbsp;&nbsp;&nbsp;total mystery.<br>**[06:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[06:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mood" and "flow" sure are tough.<br>**[06:33] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you, too?<br>**[06:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've started to understand<br>&nbsp;&nbsp;&nbsp;&nbsp;them a little lately,<br>**[06:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it took me about five<br>&nbsp;&nbsp;&nbsp;&nbsp;months to get to this point.<br>**[06:41] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We probably don't have that kind of time.<br>**[06:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[06:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need some kind of big game-changing move<br>**[06:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;that'll flip everything on its<br>&nbsp;&nbsp;&nbsp;&nbsp;head in a short span of time.<br>**[06:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we'll need help.<br>**[06:57] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, you two! In a<br>&nbsp;&nbsp;&nbsp;&nbsp;bit of a pinch, are you?<br>**[07:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mizusawa?<br>**[07:04] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it, Fumiya.<br>**[07:08] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *are* secretly up to something, after all.<br>**[07:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What do you mean?<br>**[07:13] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you two might be scheming,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I kept an eye on you.<br>**[07:17] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is about Erika's harassment, isn't it?<br>**[07:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... yes. It is, actually.<br>**[07:22] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hit the nail on the head!<br>**[07:26] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You been holding up okay?<br>**[07:28] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine.<br>**[07:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, am I a third wheel here?<br>**[07:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that.<br>**[07:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, did you specifically drop<br>&nbsp;&nbsp;&nbsp;&nbsp;by to see how we were doing?<br>**[07:40] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, you know.<br>**[07:41] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to stand up to Erika,<br>**[07:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't you have a slightly shady<br>&nbsp;&nbsp;&nbsp;&nbsp;character like me in the mix?<br>**[07:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say...<br>**[07:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and Nakamura don't really<br>&nbsp;&nbsp;&nbsp;&nbsp;get along with Tama, do you?<br>**[07:55] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there it is.<br>**[07:57] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she's like you—so that's good.<br>**[07:59] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;See...<br>**[08:00] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama won't bend, right?<br>**[08:03] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Shuji and Erika are both boss types,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they're like oil and water with her.<br>**[08:08] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They had this huge blow-up fight<br>&nbsp;&nbsp;&nbsp;&nbsp;and dragged me and Takei into it...<br>**[08:14] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took Shuji's side, so I can see<br>&nbsp;&nbsp;&nbsp;&nbsp;why I'd come off badly to her.<br>**[08:21] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... yeah.<br>**[08:22] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, if you need any help,<br>**[08:24] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be around.<br>**[08:27] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later.<br>**[08:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on, Mizusawa!<br>**[08:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what we have to do first!<br>**[08:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama, as of today, your task will be...<br>**[08:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Make friends with Mizusawa"!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Old AV Room
<br>**[08:47] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aha...<br>**[08:48] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Practice for getting along with<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of the class, eh?<br>**[08:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you want me to be her study partner.<br>**[08:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think one reason she can't<br>&nbsp;&nbsp;&nbsp;&nbsp;integrate herself well<br>**[08:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;has to do with putting up emotional<br>&nbsp;&nbsp;&nbsp;&nbsp;barriers and becoming unbendable.<br>**[09:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This could be the first step<br>&nbsp;&nbsp;&nbsp;&nbsp;to cracking that shell.<br>**[09:08] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I'll lend a hand—for you, Fumiya.<br>**[09:12] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest is up to Tama.<br>**[09:17] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give it a shot!<br>**[09:22] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've never properly talked<br>&nbsp;&nbsp;&nbsp;&nbsp;like this, have we?<br>**[09:26] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right...<br>**[09:27] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you hate me like you hate Shuji?<br>**[09:30] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen you hanging out with Nakamura and<br>&nbsp;&nbsp;&nbsp;&nbsp;saying a lot of mean things about me.<br>**[09:36] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so... Mean things, huh.<br>**[09:38] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like that, so I've been avoiding you.<br>**[09:41] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Avoiding—<br>**[09:44] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[09:46] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Fumiya, she's got you beat<br>&nbsp;&nbsp;&nbsp;&nbsp;in the bluntness department.<br>**[09:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ain't seen nothin' yet.<br>**[09:51] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[09:53] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, so... it does sound<br>&nbsp;&nbsp;&nbsp;&nbsp;like you hate me, then.<br>**[09:56] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, I mean, I can't know<br>&nbsp;&nbsp;&nbsp;&nbsp;what kind of person you are<br>**[09:59] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I don't try talking to you first.<br>**[10:01] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. In that case, is there<br>&nbsp;&nbsp;&nbsp;&nbsp;anything you want to ask me?<br>**[10:06] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really.<br>**[10:09] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a feeling.<br>**[10:11] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh—there *is* one thing I've wondered about.<br>**[10:14] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah? Hit me.<br>**[10:16] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you like Aoi?<br>**[10:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Tama!<br>**[10:20] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are the rumors true?<br>**[10:22] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi is so full of secrets...<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help but wonder.<br>**[10:26] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[10:33] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I like her.<br>**[10:36] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's true?!<br>**[10:37] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a friend.<br>**[10:40] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[10:41] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see... You're into love and romance, huh?<br>**[10:45] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No I'm not!<br>**[10:48] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no one you like?<br>**[10:50] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! And I wouldn't tell you if I did!<br>**[10:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so there *is* someone. Who is it?<br>**[10:55] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[10:57] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;interested in someone!<br>**[10:59] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After-school strategy meetings...<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the two of you...<br>**[11:04] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty fishy.<br>**[11:06] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it isn't! And it would<br>&nbsp;&nbsp;&nbsp;&nbsp;never be Tomozaki, anyway!<br>**[11:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You don't have to deny<br>&nbsp;&nbsp;&nbsp;&nbsp;it quite so vehemently...<br>**[11:14] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry!<br>**[11:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no. I get it.<br>**[11:17] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, you two are a riot!<br>**[11:22] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama!<br>**[11:23] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here!<br>**[11:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Takahiro's with you today?<br>**[11:28] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo.<br>**[11:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? What's going on here?!<br>**[11:33] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *see*! They're both protecting you, eh?<br>**[11:37] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't *you* the smooth operator, Tama!<br>**[11:40] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A beauty on each arm!<br>**[11:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it still "a beauty" when it's two guys?<br>**[11:44] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think so.<br>**[11:46] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not?! Then what is it?<br>**[11:49] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A knight on each arm? Something like that.<br>**[11:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That might work for *you*,<br>**[11:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't see myself <br>
&nbsp;&nbsp;&nbsp;&nbsp;as a beauty *or* a knight.<br>**[11:57] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that again! C'mon,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can be plenty cool.<br>**[12:03] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have some confidence for once, wouldya?!<br>**[12:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure...<br>**[12:07] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes me all sad to see you<br>&nbsp;&nbsp;&nbsp;&nbsp;down on yourself all the time.<br>**[12:11] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was kind of thinking that too.<br>**[12:14] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you do tend to do that, Fumiya...<br>**[12:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I do, huh?<br>**[12:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Brain! Minami Nanami<br>&nbsp;&nbsp;&nbsp;&nbsp;expects great things from you!<br>**[12:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do my best...<br>**[12:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait—why are we talking about *me*?!<br>**[12:31] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we're headed home.<br>**[12:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two are staying?<br>**[12:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got work after this.<br>**[12:37] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And some time to kill.<br>**[12:39] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for today.<br>**[12:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[12:42] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you tomorrow.<br>**[12:44] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway...<br>**[12:45] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad Tama stopped fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;with Erika. It's the right move.<br>**[12:49] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she kept that up, she'd practically be giving<br>&nbsp;&nbsp;&nbsp;&nbsp;the class free reign to come after her.<br>**[12:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And all it takes is a shallow excuse<br>&nbsp;&nbsp;&nbsp;&nbsp;for "attacks" to become "punishment."<br>**[13:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see that a lot online.<br>**[13:03] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what's the next move?<br>**[13:05] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're making headway in character creation,<br>**[13:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you thinking of ways to break<br>&nbsp;&nbsp;&nbsp;&nbsp;down the walls she's put up<br>**[13:12] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;between her and the rest of the class?<br>**[13:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, it'd be nice to come up with a<br>&nbsp;&nbsp;&nbsp;&nbsp;cut-and-dried way to make it all better...<br>**[13:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The key is being able to<br>&nbsp;&nbsp;&nbsp;&nbsp;get in a lot of practice<br>**[13:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a setting where it's okay to fail.<br>**[13:25] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;True enough. Gotta have that safety net.<br>**[13:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I invite Takei next time?<br>**[13:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takei?<br>**[13:34] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can mess up with him<br>&nbsp;&nbsp;&nbsp;&nbsp;as much as she wants.<br>**[13:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takei <br>
&nbsp;&nbsp;&nbsp;&nbsp;Read: Right <br>
&nbsp;&nbsp;&nbsp;&nbsp;Takei: I'm off to bed!! <br>
&nbsp;&nbsp;&nbsp;&nbsp;Read: OK
<br>**[13:39] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let him know.<br>**[13:41] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you gotta keep things simple with Takei.<br>**[13:44] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just say we want him to cheer Tama up.<br>**[13:48] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And *don't* tell Shuji.<br>**[13:51] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama plus Shuji equals conflict<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting to happen.<br>**[13:56] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're better off keeping our<br>&nbsp;&nbsp;&nbsp;&nbsp;support for Tama under wraps.<br>**[14:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, right.<br>**[14:02] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could wind up with a target on my<br>&nbsp;&nbsp;&nbsp;&nbsp;back just for helping out like this.<br>**[14:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're something else, Mizusawa.<br>**[14:11] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What d'you mean?<br>**[14:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just... you're a good guy.<br>**[14:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do everything, but you're never mean.<br>**[14:20] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know about that.<br>**[14:22] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll find that I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;actually quite the schemer.<br>**[14:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Really?<br>**[14:26] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like how I came to check on you two earlier.<br>**[14:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it in part because I was<br>&nbsp;&nbsp;&nbsp;&nbsp;hoping Aoi would be there.<br>**[14:34] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, I'm just another guy<br>&nbsp;&nbsp;&nbsp;&nbsp;doing what he wants.<br>**[14:40] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A certain someone once told<br>&nbsp;&nbsp;&nbsp;&nbsp;me that was the way to go.<br>**[14:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[14:50] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean,<br>**[14:51] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if what you're doing<br>&nbsp;&nbsp;&nbsp;&nbsp;goes against my own policy,<br>**[14:55] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have the right to stop you.<br>**[14:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is about trying to change Tama, right?<br>**[15:02] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's what Hanabi herself<br>&nbsp;&nbsp;&nbsp;&nbsp;wants, my hands are tied.<br>**[15:07] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I can do is see my own methods through.<br>**[15:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll suspend these meetings<br>&nbsp;&nbsp;&nbsp;&nbsp;for the time being.<br>**[15:16] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll resume once the<br>&nbsp;&nbsp;&nbsp;&nbsp;situation has improved.<br>**[15:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno's harassment continued<br>&nbsp;&nbsp;&nbsp;&nbsp;as usual that day.<br>**[15:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bumping into Tama's desk,<br>**[15:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;trash-talking Tama with her<br>&nbsp;&nbsp;&nbsp;&nbsp;minions so as to be overheard...<br>**[15:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Tama kept on putting up with it.<br>**[15:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The class's mood became even<br>&nbsp;&nbsp;&nbsp;&nbsp;more sympathetic toward her.<br>**[15:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what had me even more curious...<br>**[15:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;was what Hinami was doing.<br>**[15:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;During every break period, she'd<br>&nbsp;&nbsp;&nbsp;&nbsp;casually chat with Mao Kamimae,<br>**[15:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of Konno's girls.<br>**[16:04] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takei said he'd join us<br>&nbsp;&nbsp;&nbsp;&nbsp;after soccer practice.<br>**[16:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a real dum-dum, so don't<br>&nbsp;&nbsp;&nbsp;&nbsp;feel too uptight around him.<br>**[16:11] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In some ways, he's a little like you.<br>**[16:14] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? We're nothing alike!<br>**[16:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, he's right.<br>**[16:18] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take his side!<br>**[16:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says exactly what's on his<br>&nbsp;&nbsp;&nbsp;&nbsp;mind. I'm the same way, too.<br>**[16:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know...<br>**[16:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takei's always been a<br>&nbsp;&nbsp;&nbsp;&nbsp;key member of our class.<br>**[16:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's so different between him and us?<br>**[16:33] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could be any number of things, but a big one<br>**[16:36] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;is whether the group is used to you.<br>**[16:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Used to...?<br>**[16:41] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember when we were choosing<br>&nbsp;&nbsp;&nbsp;&nbsp;our sports tournament event,<br>**[16:45] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Takei wanted to do soccer?<br>**[16:47] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone just rolled with it <br>
&nbsp;&nbsp;&nbsp;&nbsp;all, "Oh, *this* idiot again."<br>**[16:53] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But with Tama...<br>**[16:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right... Even though she was just<br>&nbsp;&nbsp;&nbsp;&nbsp;naming her choice of event too...<br>**[17:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;the mood got a little weird when she did it.<br>**[17:04] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, and Minmi came to my rescue.<br>**[17:09] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takei has this certain charm, right?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's a big part of his character.<br>**[17:15] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Tama can be a little prickly,<br>&nbsp;&nbsp;&nbsp;&nbsp;and her charm doesn't come across.<br>**[17:21] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure about all that...<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How am I supposed to be charming?<br>**[17:28] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charm is about having a<br>&nbsp;&nbsp;&nbsp;&nbsp;consistent vulnerability.<br>**[17:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A consistent vulnerability?<br>**[17:36] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example... let's see...<br>**[17:38] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Liking cheese too much, say.<br>**[17:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah!<br>**[17:43] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like Aoi?<br>**[17:44] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's very obvious about her<br>&nbsp;&nbsp;&nbsp;&nbsp;lust for cheese: innocent,<br>**[17:49] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but with an almost exaggerated zeal.<br>**[17:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people around her say, "Oh, that<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi," and it becomes part of her charm.<br>**[17:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[17:58] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if she does that on purpose.<br>**[18:02] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who can say?<br>**[18:04] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, it's food for thought, right?<br>**[18:07] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[18:08] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so—<br>**[18:10] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;late!<br>**[18:14] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? All charm, this one.<br>**[18:17] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Tama!<br>**[18:19] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could've done something to help!<br>**[18:22] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for thinking of me, though.<br>**[18:24] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to stop her, but<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't have the guts.<br>**[18:27] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get that. Konno's scary!<br>**[18:29] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;She sure is!<br>**[18:31] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think you're totally<br>&nbsp;&nbsp;&nbsp;&nbsp;in the right here, Tama.<br>**[18:34] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Thanks.<br>**[18:36] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't thank me! I'm apologizing here!<br>**[18:41] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine, it's fine!<br>**[18:42] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least you've got people in your corner!<br>**[18:45] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, Yuko... Sakura was<br>&nbsp;&nbsp;&nbsp;&nbsp;worried about you, too!<br>**[18:50] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuko? Sakura?<br>**[18:52] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuko Ueda and Sakura Kashiwazaki.<br>**[18:55] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heck, even Mao was just telling<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika, "Rein it in, girl!"<br>**[19:00] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[19:01] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's Mao?<br>**[19:02] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mao! Mao Kamimae, Erika's pal!<br>**[19:06] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[19:08] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really!<br>**[19:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I ask you something, Tama?<br>**[19:12] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[19:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not really interested<br>&nbsp;&nbsp;&nbsp;&nbsp;in your classmates, are you?<br>**[19:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their names weren't ringing any bells.<br>**[19:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was the same way.<br>**[19:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't care less about any of them.<br>**[19:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once I started talking<br>&nbsp;&nbsp;&nbsp;&nbsp;with all sorts of people,<br>**[19:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw that they all had their<br>&nbsp;&nbsp;&nbsp;&nbsp;own thoughts and concerns.<br>**[19:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gradually started taking an interest<br>&nbsp;&nbsp;&nbsp;&nbsp;in people other than myself,<br>**[19:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and found myself wanting to know<br>&nbsp;&nbsp;&nbsp;&nbsp;specific things about them.<br>**[19:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I noticed that simply asking those<br>&nbsp;&nbsp;&nbsp;&nbsp;questions led to natural conversations.<br>**[19:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I do think it's good to<br>&nbsp;&nbsp;&nbsp;&nbsp;practice a cheerful speaking style,<br>**[19:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but more than that, I realized it's<br>&nbsp;&nbsp;&nbsp;&nbsp;important to take an interest in others<br>**[19:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and work on accepting them.<br>**[19:59] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[20:00] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't care about my classmates...<br>**[20:04] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get along with them.<br>**[20:09] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa... that was awesome!<br>**[20:12] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, Army Boy-—Tomozaki!<br>**[20:16] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama!<br>**[20:17] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here!<br>**[20:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[20:20] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now Takei is in the mix?!<br>**[20:22] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got that right!<br>**[20:24] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's all this?<br>**[20:27] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Team Tomozaki, meeting to do<br>&nbsp;&nbsp;&nbsp;&nbsp;something about Tama's situation.<br>**[20:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why is this *my* team?<br>**[20:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You started this, didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;you? Our fearless leader.<br>**[20:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leader? I mean...<br>**[20:41] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our Tomozaki! Brain *and* leader!<br>**[20:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need any more titles,<br>&nbsp;&nbsp;&nbsp;&nbsp;thank you very much.<br>**[20:49] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you thinking about changing, Hanabi?<br>**[20:52] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's up, Aoi?<br>**[20:54] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. I was just curious.<br>**[20:59] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *am* thinking I'd like to change.<br>**[21:02] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[21:04] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'm better off *not* changing?<br>**[21:07] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I don't want you to.<br>**[21:12] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I just don't want to think<br>&nbsp;&nbsp;&nbsp;&nbsp;that facing things head-on<br>**[21:16] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the wrong thing to do.<br>**[21:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hinami?<br>**[21:20] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't make that decision for you.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just what I want, that's all.<br>**[21:27] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for your concern, Aoi.<br>**[21:31] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've got Tomozaki and<br>&nbsp;&nbsp;&nbsp;&nbsp;the others backing me up.<br>**[21:34] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm going to give it a solid try.<br>**[21:37] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you, okay?<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the tiniest bit, though.<br>**[21:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's that excessive honesty again.<br>**[21:44] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. You *are* two peas in a pod.<br>**[21:50] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got my support, too!<br>**[21:52] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Aoi!<br>**[21:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I watched Hinami, back to<br>&nbsp;&nbsp;&nbsp;&nbsp;being our perfect heroine,<br>**[21:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;a thought popped into my head:<br>**[22:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe the expression Hinami revealed<br>&nbsp;&nbsp;&nbsp;&nbsp;when she took off her mask<br>**[22:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;was just another mask after all.<br>

# E4 - Villagers have their own way of life

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G4VUQVWEZ/villagers-have-their-own-way-of-life)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:08] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki?<br>**[00:13] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted advice?<br>**[00:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're always messing with Tama,<br>**[00:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I figured you might be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to give me some tips.<br>**[00:22] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hang on, Tomozaki!<br>&nbsp;&nbsp;&nbsp;&nbsp;That's simply inexcusable!<br>**[00:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not *messing with* Tama—<br>**[00:28] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm simply expressing my love!<br>**[00:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, sure...<br>**[00:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a weak response!<br>**[00:36] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, work with me here!<br>**[00:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um...<br>**[00:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You sure have a funny way of<br>&nbsp;&nbsp;&nbsp;&nbsp;expressing your love, Mimimi!<br>**[00:45] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pulling out Tama's signature move?<br>&nbsp;&nbsp;&nbsp;&nbsp; Leave it to you, Brain!<br>**[00:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah?<br>**[00:50] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Totally!<br>**[00:51] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only comedy partner for me, Brain!<br>**[00:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you're roping me into doing stand-up?<br>**[00:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, what is it about Tama that<br>&nbsp;&nbsp;&nbsp;&nbsp;you target for your teasing—<br>**[01:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;er, your expressions of love?<br>**[01:08] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Her cuteness and her tininess?<br>**[01:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured...<br>**[01:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, have you seen any good<br>&nbsp;&nbsp;&nbsp;&nbsp;comedy routines lately?<br>**[01:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where'd *that* come from?<br>**[01:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking...<br>**[01:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;if Tama had an obvious<br>&nbsp;&nbsp;&nbsp;&nbsp;vulnerability like Takei,<br>**[01:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;the class could get used to<br>&nbsp;&nbsp;&nbsp;&nbsp;it as part of her character.<br>**[01:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's for research.<br>**[01:36] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aha.<br>**[01:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I have a bunch of ideas, but...<br>**[01:42] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Tomozaki.<br>**[01:44] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a sneaky one.<br>**[01:46] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So quick to get embarrassed, but when push<br>&nbsp;&nbsp;&nbsp;&nbsp;comes to shove... boy, can you shove.<br>**[01:52] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hah!<br>**[01:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the—<br>**[01:54] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your hero complex has earned<br>&nbsp;&nbsp;&nbsp;&nbsp;you a piggy-nose punishment.<br>**[01:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what any of that means!<br>**[02:00] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to!<br>**[02:03] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man! You're so *ugly*!<br>**[02:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You can be ugly on the outside<br>&nbsp;&nbsp;&nbsp;&nbsp;with a beautiful heart... probably!<br>**[02:11] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know.<br>**[02:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Comedy routines, was it?<br>**[02:21] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[02:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wait... what the hell was all* that *about?!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 4 Villagers have their own way of life
<br>**[04:02] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops. Sorry.<br>**[04:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Konno girls' harassment <br>
&nbsp;&nbsp;&nbsp;&nbsp;of Tama continued.*<br>**[04:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But Tama kept on putting up with it,*<br>**[04:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*which made the class seem to <br>
&nbsp;&nbsp;&nbsp;&nbsp;grow more and more sympathetic.*<br>**[04:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hinami, too, kept on creating a <br>
&nbsp;&nbsp;&nbsp;&nbsp;protective atmosphere for Tama.*<br>**[04:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And what's more...*<br>**[04:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hinami did what?<br>**[04:27] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She asked me not to hang<br>&nbsp;&nbsp;&nbsp;&nbsp;out with Shuji for the time being.<br>**[04:33] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even outside of school.<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika might see us, she said.<br>**[04:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it *would* get pretty <br>
&nbsp;&nbsp;&nbsp;&nbsp;messy if Erika saw you.<br>**[04:42] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? When I told Shuji, he got all huffy,<br>**[04:45] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;like, "Fine by me."<br>**[04:49] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why<br>**[04:51] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking I'd knit<br>&nbsp;&nbsp;&nbsp;&nbsp;or sew him something<br>**[04:56] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;to get on his good side.<br>**[04:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Would that even work on Nakamura?*<br>**[05:03] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'm just being selfish.<br>**[05:05] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always dreamed of giving a<br>&nbsp;&nbsp;&nbsp;&nbsp;boyfriend hand-knitted presents,<br>**[05:10] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but...<br>**[05:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you stop being all shy about it?<br>
&nbsp;&nbsp;&nbsp;&nbsp; *You're* the one who brought it up.<br>**[05:19] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sh-shut up!<br>**[05:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Still, it doesn't strike me as very <br>
&nbsp;&nbsp;&nbsp;&nbsp;Hinami-like to make such a big ask of Izumi.*<br>**[05:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She must be at her wits' end, too.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Old AV Room
<br>**[05:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then came lunchtime.*<br>**[05:39] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Sorry I'm late.<br>**[05:42] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Took me a while to blow off Shuji.<br>**[05:45] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for all this.<br>**[05:46] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't sweat it. How's the practice going?<br>**[05:49] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... how *is* it going, professor?<br>**[05:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Professor"? You can't mean me?<br>**[05:55] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You coach me at every break.<br>**[06:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I guess so.<br>**[06:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... I think practice<br>&nbsp;&nbsp;&nbsp;&nbsp;is coming along nicely.<br>**[06:07] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?!<br>**[06:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. Then let's see you in Takei Mode.<br>**[06:11] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[06:14] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on!<br>**[06:16] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, nice.<br>**[06:18] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? I spent a lot of time practicing!<br>**[06:20] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah? What did that involve?<br>**[06:22] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recorded myself talking, compared<br>&nbsp;&nbsp;&nbsp;&nbsp;it to how Takei and Minmi talk,<br>**[06:27] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and corrected my own speech!<br>**[06:29] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you modeled after Takei<br>&nbsp;&nbsp;&nbsp;&nbsp;and Mimimi? Good choice.<br>**[06:33] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Tomozaki didn't come up with that—*I* did!<br>**[06:37] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome, right?<br>**[06:39] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Totally awesome, yep.<br>**[06:40] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Say it like you mean it!<br>**[06:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Sorry.<br>**[06:45] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That too!<br>**[06:50] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what do you think?<br>**[06:52] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been trying to speak<br>&nbsp;&nbsp;&nbsp;&nbsp;more cheerfully than before.<br>**[06:56] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah—you're a lot easier to talk to now,<br>**[06:58] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I think your charm is coming through.<br>**[07:00] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?!<br>**[07:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Tama, try that other thing next.<br>**[07:05] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there's more?<br>**[07:08] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used these comedy routines<br>&nbsp;&nbsp;&nbsp;&nbsp;Minmi told me about as reference.<br>**[07:12] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would, Tomozaki?<br>**[07:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes!<br>**[07:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why are you so far away, Tama?<br>**[07:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only *look* like I'm far away—<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'm just short! It's called perspective!<br>**[07:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, really?<br>**[07:26] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, really! It's an optical illusion!<br>**[07:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But listen, this room is<br>&nbsp;&nbsp;&nbsp;&nbsp;bigger than I thought, too.<br>**[07:31] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, it's because I'm *short*!<br>**[07:33] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It only looks bigger in comparison!<br>**[07:42] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck?<br>**[07:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We thought this was an easy way<br>**[07:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;to get the class used to Tama's<br>&nbsp;&nbsp;&nbsp;&nbsp;specific vulnerability.<br>**[07:50] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad at all. You had<br>&nbsp;&nbsp;&nbsp;&nbsp;me wanting to join in.<br>**[07:56] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our Fumiya.<br>**[07:57] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The teacher and his brilliant student.<br>**[08:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, y-you know.<br>**[08:02] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A*hem*! "Brilliant" is right!<br>**[08:05] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know what's sad, though...<br>**[08:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing the teacher left completely<br>&nbsp;&nbsp;&nbsp;&nbsp;in the dust by his student.<br>**[08:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I g-guess...<br>**[08:12] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki?<br>**[08:14] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too bad for you!<br>**[08:18] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say Tama can start mixing<br>&nbsp;&nbsp;&nbsp;&nbsp;with the rest of the class now,<br>**[08:21] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but maybe be a little careful at first.<br>**[08:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... so a little more practice in<br>&nbsp;&nbsp;&nbsp;&nbsp;a setting where it's okay to fail.<br>**[08:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bingo.<br>**[08:31] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to bring someone in<br>&nbsp;&nbsp;&nbsp;&nbsp;for a dress rehearsal of sorts,<br>**[08:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but everyone's avoiding Tama right now.<br>**[08:38] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right... This is gonna be tough.<br>**[08:41] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi and Mimimi are on our side,<br>&nbsp;&nbsp;&nbsp;&nbsp;but they're too friendly with Tama.<br>**[08:44] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd hardly be practice.<br>**[08:46] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that leaves...<br>**[08:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Izumi?<br>**[08:50] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Erika happened to find out,<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuzu's standing would suffer.<br>**[08:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[08:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[08:57] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think of somebody?<br>**[08:59] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, ooh! Who is it?<br>**[09:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me check with them first.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Library
<br>**[09:10] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm nervous...<br>**[09:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I get that.<br>**[09:14] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just talk to Hanabi normally, right?<br>**[09:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. You haven't spoken<br>&nbsp;&nbsp;&nbsp;&nbsp;with her much, have you?<br>**[09:22] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I've thought of her <br>
&nbsp;&nbsp;&nbsp;&nbsp;as one *very* strong girl...<br>**[09:27] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no, I've never actually talked to her.<br>**[09:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think about Konno harassing<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama and everyone avoiding her?<br>**[09:39] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[09:40] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel sorry for Hanabi. I think it's unfair.<br>**[09:45] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't bring myself to blame<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno or the rest of the class.<br>**[09:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[09:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... well, I don't agree with harassment<br>**[09:56] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;or with going along with the<br>&nbsp;&nbsp;&nbsp;&nbsp;crowd to shun any one person.<br>**[10:02] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think Konno and the class must<br>&nbsp;&nbsp;&nbsp;&nbsp;be doing all this because they're weak.<br>**[10:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weak?<br>**[10:12] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be a kind of uneasiness inside<br>&nbsp;&nbsp;&nbsp;&nbsp;them that they can't resolve on their own.<br>**[10:18] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they don't vent it somehow,<br>&nbsp;&nbsp;&nbsp;&nbsp;it gets to be too much to bear.<br>**[10:21] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they worry about how they look<br>&nbsp;&nbsp;&nbsp;&nbsp;to others, so they join the crowd.<br>**[10:25] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be something like that.<br>**[10:28] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Konno and the others<br>&nbsp;&nbsp;&nbsp;&nbsp;are acting like this<br>**[10:33] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to run away from<br>&nbsp;&nbsp;&nbsp;&nbsp;something they can't fix.<br>**[10:35] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though it's wrong.<br>**[10:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Running away, huh...<br>**[10:40] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[10:42] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I get the feeling, out of<br>&nbsp;&nbsp;&nbsp;&nbsp; Konno and the class and Hanabi,<br>**[10:46] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Hanabi must be the<br>&nbsp;&nbsp;&nbsp;&nbsp;strongest of them all.<br>**[10:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may be right.<br>**[10:51] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I wonder if Konno and the others<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't relying on that strength.<br>**[10:58] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you can lean on it and lean<br>&nbsp;&nbsp;&nbsp;&nbsp;on it—and Hanabi still won't fall.<br>**[11:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[11:04] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;his problem needs to be solved somehow.<br>**[11:08] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm glad I can be<br>&nbsp;&nbsp;&nbsp;&nbsp;a part of it, thanks to you.<br>**[11:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Let's solve this together.<br>**[11:17] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll do our very best.<br>**[11:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from Tama. Volleyball<br>&nbsp;&nbsp;&nbsp;&nbsp;practice is over, she says.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Old AV Room
<br>**[11:49] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nervous?<br>**[11:51] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[11:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, don't you trust Fumiya?<br>**[11:54] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nuh-uh.<br>**[11:56] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all me.<br>**[12:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>**[12:15] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Fuka.<br>**[12:17] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, hello.<br>**[12:19] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Kikuchi who you had in mind?<br>**[12:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right.<br>**[12:25] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[12:29] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she *is* a neutral party <br>
&nbsp;&nbsp;&nbsp;&nbsp;with no ties to Konno,<br>**[12:32] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and not especially friendly with Tama...<br>**[12:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say she's ideal.<br>**[12:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right?<br>**[12:38] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Fumiya talk to you, Kikuchi?<br>**[12:40] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;About our strategy for helping Tama?<br>**[12:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, he has told me about that.<br>**[12:45] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Er, why such formal speech?<br>**[12:49] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... we're not close yet.<br>**[12:53] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever. Now, shall we?<br>**[12:56] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-All right.<br>**[13:03] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's more to you than<br>&nbsp;&nbsp;&nbsp;&nbsp;meets the eye, Fumiya.<br>**[13:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that supposed to mean?<br>**[13:08] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, it's just...<br>**[13:10] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She may not stand out much, but <br>
&nbsp;&nbsp;&nbsp;&nbsp;that Kikuchi is awful cute.*<br>**[13:15] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[13:18] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[13:20] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you in advance.<br>**[13:21] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same here.<br>**[13:23] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like some kind of competition.<br>**[13:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I mean, it kind of <br>
&nbsp;&nbsp;&nbsp;&nbsp;*is* a real contest for Tama.<br>**[13:30] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... where should we begin?<br>**[13:36] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know you were friends with Tomozaki.<br>**[13:41] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I've had the recent<br>&nbsp;&nbsp;&nbsp;&nbsp;pleasure of his friendship.<br>**[13:45] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think he's cheered up lately?<br>**[13:48] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do. And I find it so wonderful when<br>&nbsp;&nbsp;&nbsp;&nbsp;people work to change themselves<br>**[13:52] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be who they want to be.<br>**[13:54] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wonderful...<br>**[13:56] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard her.<br>**[13:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[13:59] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's wonderful to change yourself?<br>**[14:01] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think so?<br>**[14:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, and if that's what a person wants to do,<br>**[14:06] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's just spectacular.<br>**[14:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean,<br>**[14:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*this is for Mimimi, after all.*<br>**[14:14] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh!<br>**[14:17] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been rough lately, huh, Hanabi?<br>**[14:21] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes I'm like, "Ugh,"<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm okay—honest.<br>**[14:24] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have Aoi and Minmi in my corner,<br>**[14:27] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Tomozaki and Mizusawa are helping out, too.<br>**[14:31] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[14:33] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate your concern, though!<br>**[14:35] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have so many friends on<br>&nbsp;&nbsp;&nbsp;&nbsp;whom you can rely. I'm jealous.<br>**[14:40] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, everyone but Tomozaki is a real rock.<br>**[14:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[14:46] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If all these people will flock to you<br>&nbsp;&nbsp;&nbsp;&nbsp;even in such a terrible situation,<br>**[14:51] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;it must mean they really care about you.<br>**[14:54] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Now you're just making me blush!<br>**[14:57] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a wonderful person,<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanabi. And cute, too.<br>**[15:00] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! I'm just short, that's all!<br>**[15:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Short?<br>**[15:05] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait! Forget I said anything!<br>**[15:09] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good thing we did this dry run.<br>**[15:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:12] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tama!<br>**[15:13] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go running so far away<br>&nbsp;&nbsp;&nbsp;&nbsp;just because you're embarrassed.<br>**[15:16] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm short, that's all! I only<br>
&nbsp;&nbsp;&nbsp;&nbsp; *look* like I'm far away!<br>**[15:21] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, really?<br>**[15:22] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, really! It's an optical illusion!<br>**[15:25] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're cute, all right.<br>**[15:27] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, it's like I said...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Old AV Room
<br>**[15:34] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I think that's enough practice for today.*<br>**[15:37] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was it, Kikuchi?<br>**[15:38] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was very easy to talk with Hanabi.<br>**[15:41] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd call that a success!<br>**[15:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we have to see if Tama can<br>&nbsp;&nbsp;&nbsp;&nbsp;start to care about her classmates.<br>**[15:49] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[15:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're anything like first-semester me,<br>**[15:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm betting your thinking goes like this:<br>**[16:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever happens in class, it's a<br>&nbsp;&nbsp;&nbsp;&nbsp;world that has nothing to do with me.<br>**[16:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't be a part of any of that.<br>**[16:08] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[16:11] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, maybe.<br>**[16:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back when I felt that way,<br>**[16:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could be surrounded by fun,<br>**[16:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;yet that reality seemed less<br>&nbsp;&nbsp;&nbsp;&nbsp;relevant to me than fiction.<br>**[16:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything was just... gray.<br>**[16:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once I took that blind leap,<br>**[16:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;color came into that gray<br>&nbsp;&nbsp;&nbsp;&nbsp;world, slowly but surely.<br>**[16:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I began to be able to take more of<br>&nbsp;&nbsp;&nbsp;&nbsp;an interest in the people around me.<br>**[16:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama, you probably think people<br>&nbsp;&nbsp;&nbsp;&nbsp;don't like you very much.<br>**[16:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But truly bad people are rare.<br>**[16:45] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way I see it, if I may...<br>**[16:48] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno, say, is a sore loser, and she<br>&nbsp;&nbsp;&nbsp;&nbsp;hates when people look down on her.<br>**[16:54] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to the people she decides are her<br>&nbsp;&nbsp;&nbsp;&nbsp;friends, she can be compassionate as well.<br>**[16:59] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamimae and Akiyama must have<br>&nbsp;&nbsp;&nbsp;&nbsp;very little confidence,<br>**[17:04] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and so they make confident friends<br>&nbsp;&nbsp;&nbsp;&nbsp;to fill that void in themselves.<br>**[17:09] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet that's also a lovely<br>&nbsp;&nbsp;&nbsp;&nbsp;way to take the initiative<br>**[17:13] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and change the situation around them.<br>**[17:16] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Izumi puts others before herself and tends<br>&nbsp;&nbsp;&nbsp;&nbsp;to be on the losing side because of it.<br>**[17:22] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's kindness, too, that has her<br>&nbsp;&nbsp;&nbsp;&nbsp;feeling others' pain as if it were her own.<br>**[17:29] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each character in the story<br>&nbsp;&nbsp;&nbsp;&nbsp;that is our classroom<br>**[17:34] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;has their own worries,<br>&nbsp;&nbsp;&nbsp;&nbsp;their own growth, their own faults.<br>**[17:39] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not a person alive who<br>&nbsp;&nbsp;&nbsp;&nbsp;is truly thinking nothing at all.<br>**[17:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if that realization might<br>&nbsp;&nbsp;&nbsp;&nbsp;spark your interest a little.<br>**[17:50] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[17:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking.<br>**[17:55] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You—and Kikuchi, too, who knows—<br>**[17:59] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;for as slow as your progress<br>&nbsp;&nbsp;&nbsp;&nbsp;may be, it's careful as hell.<br>**[18:04] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The complete opposite of me.<br>**[18:08] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama!<br>**[18:09] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I am!<br>**[18:11] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[18:12] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you've got Kikuchi with you?<br>**[18:15] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hello...<br>**[18:18] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of match-up is this?<br>**[18:20] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi's temporarily assisting<br>&nbsp;&nbsp;&nbsp;&nbsp;Team Tomozaki today.<br>**[18:25] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was pals with Fumiya and<br>&nbsp;&nbsp;&nbsp;&nbsp;decided to lend us a hand.<br>**[18:28] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay.<br>**[18:30] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't see *that* coming.<br>**[18:39] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're cute.<br>**[18:42] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I have overlooked<br>&nbsp;&nbsp;&nbsp;&nbsp;such an adorable girl?!<br>**[18:46] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome... to Nanami World!<br>**[18:49] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nanami... World?<br>**[18:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, Mimimi, dial it<br>&nbsp;&nbsp;&nbsp;&nbsp;down a notch, would you?<br>**[18:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not used to your<br>&nbsp;&nbsp;&nbsp;&nbsp;brand of... enthusiasm.<br>**[18:58] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the worst! How could you<br>&nbsp;&nbsp;&nbsp;&nbsp;take Kikuchi's side and not mine?<br>**[19:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not the issue here!<br>**[19:05] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes! I forgot to hand<br>&nbsp;&nbsp;&nbsp;&nbsp;in my journal entries!<br>**[19:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you come with me, Mimimi?<br>**[19:12] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Me?<br>**[19:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll tag along!<br>**[19:21] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too, Tama!<br>**[19:22] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too? Why?<br>**[19:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just... c'mon!<br>**[19:27] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot something, too, back<br>&nbsp;&nbsp;&nbsp;&nbsp;in the classroom. Be right back.<br>**[19:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Today Takahiro: We're heading home! Good luck! Read  Hey!
<br>**[19:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've been hornswoggled.*<br>**[19:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time<br>&nbsp;&nbsp;&nbsp;&nbsp;we've gone home together.<br>**[19:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I guess so.<br>**[19:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... how did today go for you?<br>**[19:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[19:54] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was kind of nervous being around so<br>&nbsp;&nbsp;&nbsp;&nbsp;many people I hadn't talked to that much before.<br>**[19:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it was nice to see you chatting<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone for a change.<br>**[20:04] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it?<br>**[20:06] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it was nice having a front-row seat<br>**[20:09] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;to see you enjoying yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone for a change.<br>**[20:13] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice... and a lot of fun.<br>**[20:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Really?<br>**[20:17] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're always showing me things<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen before.<br>**[20:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Finally, the next day,*<br>**[20:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tama put her lessons to <br>
&nbsp;&nbsp;&nbsp;&nbsp;work in the classroom.*<br>**[20:35] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't stand so far away, Tama—c'mere!<br>**[20:39] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm *not* far away! It just *looks* <br>
&nbsp;&nbsp;&nbsp;&nbsp;that way because I'm small!<br>**[20:42] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's called perspective!<br>**[20:43] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, was this desk always so big?<br>**[20:47] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It only *looks* big because I'm so small!<br>**[20:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hinami helped out here, too.*<br>**[20:52] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're funny, Tama!<br>**[20:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She gathered the girls who were her <br>
&nbsp;&nbsp;&nbsp;&nbsp;and Mimimi's friends around Tama.*<br>**[20:58] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, this group should hang out sometime!<br>**[21:00] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure—how about *tama*-rrow?<br>**[21:03] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[21:04] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't shoehorn me into this!<br>**[21:10] All**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[21:14] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, gang!<br>**[21:16] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great job, Tama!<br>**[21:19] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep it like this, and Konno<br>&nbsp;&nbsp;&nbsp;&nbsp;should knock off the harassment, too.<br>**[21:24] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[21:25] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the class is on your side, people will<br>&nbsp;&nbsp;&nbsp;&nbsp; start getting irritated with Erika<br>**[21:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;if the mood in the classroom goes sour.<br>**[21:32] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she's super sensitive to that stuff,<br>**[21:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she'll give it a rest.<br>**[21:37] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay.<br>**[21:39] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mimimi said she'll join us<br>&nbsp;&nbsp;&nbsp;&nbsp;once her club meeting's over.<br>**[21:42] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi's still got student council work,<br>&nbsp;&nbsp;&nbsp;&nbsp; so she's a no-show.<br>**[21:46] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Fuka?<br>**[21:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, apparently she has work today.<br>**[21:51] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's this about Kikuchi?<br>**[21:54] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask Fumiya. They're *friends*.<br>**[21:57] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is Army Boy finally growing up?<br>**[22:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not like that!*<br>**[22:02] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're blushing, Tomozaki.<br>**[22:07] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Erika?<br>

# E5 - If you keep upgrading your initial equipment, it'll usually become your most powerful weapon

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G14U41VWW/if-you-keep-upgrading-your-initial-equipment-itll-usually-become-your-most-powerful-weapon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 5 If you keep upgrading your initial equipment, it'll usually become your most powerful weapon
<br>**[01:53] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, wow...<br>**[01:54] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How awful.<br>**[01:55] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This was from you, Minmi.<br>**[01:59] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[02:01] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get you another one. Okay?<br>**[02:05] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[02:06] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine! We'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;matching again in no time.<br>**[02:09] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[02:10] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but... still... I'm so sorry, Minmi.<br>**[02:16] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, really sorry.<br>**[02:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama...<br>**[02:25] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki?<br>**[02:27] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know...<br>**[02:30] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I saw this, I was all ready to<br>&nbsp;&nbsp;&nbsp;&nbsp;shout, to say, "Quit screwing around!"<br>**[02:37] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[02:39] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's been doing so<br>&nbsp;&nbsp;&nbsp;&nbsp;much for me, you know?<br>**[02:42] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming up with all these ideas...<br>**[02:45] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want all that to be for nothing,<br>**[02:47] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I just sucked it up.<br>**[02:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[02:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did good.<br>**[02:53] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It took everything I had.<br>**[02:57] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[03:01] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I just want to run away.<br>**[03:06] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama...<br>**[03:13] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fumiya.<br>**[03:16] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure that's the best move?<br>**[03:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mizusawa...<br>**[03:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Thanks.<br>**[03:29] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have any proof, after all,<br>**[03:33] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the ringleader's not around.<br>**[03:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... right.<br>**[03:41] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unacceptable.<br>**[03:45] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Old AV Room
<br>**[03:58] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika's gone too far.<br>**[04:02] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry I couldn't do anything, Tama.<br>**[04:05] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, everyone.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm sorry.<br>**[04:09] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* don't need to apologize for anything!<br>**[04:15] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, I know!<br>**[04:17] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been knitting and sewing a lot lately—<br>**[04:20] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet I can fix this right up!<br>**[04:22] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. I'll take you up on that.<br>**[04:26] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! Leave it to me!<br>**[04:28] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see... take this here and...<br>**[04:31] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, are you sure?<br>**[04:34] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, definitely! I've already<br>&nbsp;&nbsp;&nbsp;&nbsp;made tissue covers and stuff.<br>**[04:38] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tissue covers? That sounds pretty... simple.<br>**[04:42] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Busted...<br>**[04:47] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's stay with Hanabi as<br>&nbsp;&nbsp;&nbsp;&nbsp;much as we can for now.<br>**[04:53] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't know what might happen.<br>**[04:55] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki
<br>**[05:04] Little Sis**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck is *this* all about?<br>**[05:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, y'know...<br>**[05:47] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?<br>**[05:48] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who did this to my desk?<br>**[05:54] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to be Hanabi.<br>**[05:57] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanabi's been with me all day.<br>**[06:00] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me? What's it to *you*, Aoi?<br>**[06:03] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I can prove Hanabi didn't do it.<br>**[06:06] Aoi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Plenty of people would have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;seen her with me, too.*<br>**[06:11] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well*, then!<br>**[06:12] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[06:14] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;it must have been *you*, Mao.<br>**[06:17] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Why would it be me? *I* didn't do it.<br>**[06:22] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then who did?<br>**[06:23] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, that's who.<br>**[06:26] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you get off accusing<br>&nbsp;&nbsp;&nbsp;&nbsp;me without any proof?<br>**[06:31] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:33] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, assume much? Who do you think you are?<br>**[06:36] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mao!<br>**[06:39] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why the sudden attitude?<br>**[06:41] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You've been sketchy as hell lately.*<br>**[06:45] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, "sketchy"?<br>**[06:46] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're all distant. You're off<br>&nbsp;&nbsp;&nbsp;&nbsp;having fun somewhere else!<br>**[06:52] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you *talking* about?<br>**[06:57] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I can do what I want, can't I?<br>**[07:01] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so it's like *that*?<br>**[07:04] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sick of us teasing you,<br>**[07:06] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you thought you'd jump<br>&nbsp;&nbsp;&nbsp;&nbsp;ship to another group, huh?<br>**[07:09] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;How lame is that?<br>**[07:11] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch yourself—your lameness<br>&nbsp;&nbsp;&nbsp;&nbsp;is written all over your face.<br>**[07:17] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, *you're* the one who looks <br>
&nbsp;&nbsp;&nbsp;&nbsp;like some stupid middle-schooler<br>**[07:21] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;with that dumb black off-the-shoulder<br>&nbsp;&nbsp;&nbsp;&nbsp;thing you always wear.<br>**[07:23] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you give it a rest?<br>**[07:35] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say to me, Mao?<br>**[07:40] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *said* that off-the-shoulder thing <br>
&nbsp;&nbsp;&nbsp;&nbsp;you always wear is stupid and lame.<br>**[07:48] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you suck at putting on lashes.<br>**[07:52] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;They look all fake and crappy again today.<br>**[07:54] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough out of you!<br>**[07:58] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[08:04] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a real stickler about<br>&nbsp;&nbsp;&nbsp;&nbsp;clothes and fashion—<br>**[08:06] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;she'd probably step it up if I promised<br>&nbsp;&nbsp;&nbsp;&nbsp;her pricey cosmetics when we win.<br>**[08:10] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think she *really* doesn't want people <br>
&nbsp;&nbsp;&nbsp;&nbsp;to look down on her. That motivates her.<br>**[08:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Such a pinpoint attack...*<br>**[08:29] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mao... are you okay?<br>**[08:32] Boy A**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[08:33] Girl B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[08:34] Girl C**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with Mao?<br>**[08:35] Girl D**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika's desk?<br>**[08:37] Girl E**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[08:38] Girl F**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fight?<br>**[08:38] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With this mood, she'll have*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to apologize—or else.*<br>**[08:45] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[08:46] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mao? Uh...<br>**[08:49] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's the class queen for you:*<br>*&nbsp;&nbsp;&nbsp;&nbsp;ultra-sensitive to the mood.*<br>**[08:52] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize.<br>**[08:57] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize, Erika.<br>**[09:00] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? To *her*?!<br>**[09:02] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez. You're unbelievable.<br>**[09:05] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;No—I was just—<br>**[09:08] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika... that was uncalled for.<br>**[09:12] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know it was in the heat of the moment,*<br>**[09:15] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but not apologizing just isn't right.<br>**[09:18] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that *was* uncalled for.<br>**[09:20] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika really is in the wrong here.<br>**[09:24] Kazuya**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda sours me on her.<br>**[09:26] Akina**<br>&nbsp;&nbsp;&nbsp;&nbsp;How hard is it to say she's sorry?<br>**[09:27] Hashiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen her apologize before, so...<br>**[09:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mood—*<br>**[09:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it's being manipulated.*<br>**[09:39] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm against violence!<br>**[09:42] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? That was an accident.<br>**[09:45] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you know what "violence" means?<br>**[09:46] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell them, Mika.<br>**[09:49] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Beats me...<br>**[09:52] Kawaguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't *you* the one who doesn't <br>
&nbsp;&nbsp;&nbsp;&nbsp;know the meaning of the word?<br>**[09:54] Matsumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;No kidding.<br>**[09:55] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what Natsubayashi did<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't violence, either.<br>**[09:59] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The class will automatically*<br>*&nbsp;&nbsp;&nbsp;&nbsp;start judging Konno.*<br>**[10:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As a shallow excuse for punishment...*<br>**[10:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This will settle it.*<br>**[10:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[10:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think she has to apologize?<br>**[10:16] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Totally.<br>**[10:18] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, Erika. All of this<br>&nbsp;&nbsp;&nbsp;&nbsp;has been your fault.<br>**[10:23] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just apologize already.<br>**[10:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just now—<br>**[10:29] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think she has to apologize?<br>**[10:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Was she looking at Nakamura?*<br>**[10:35] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize now and Mao will forgive you, too.<br>**[10:38] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[10:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This time it was Izumi.*<br>**[10:42] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Erika.<br>**[10:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I knew it.*<br>**[10:47] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She knows it was in the heat of the moment.<br>**[10:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No... their words contain...*<br>**[10:52] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize to each other and you'll be square.<br>**[10:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...a reversal spell...*<br>**[10:56] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Erika.<br>**[10:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...cast by the demon queen!*<br>**[11:02] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;What gives? What *is* it with you two?<br>**[11:06] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get so cocky just <br>
&nbsp;&nbsp;&nbsp;&nbsp;because you're a *thing* now.<br>**[11:09] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Erika?<br>**[11:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's basically like this:*<br>**[11:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hinami called on Nakamura and Izumi in turn*<br>**[11:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and they both agreed with her.*<br>**[11:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's all.*<br>**[11:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But to Konno...*<br>**[11:25] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It probably looked like the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;two were ganging up on her*<br>**[11:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as a couple.*<br>**[11:32] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? They're both saying it, too.<br>**[11:35] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you get a room already?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's disgusting.<br>**[11:41] Hashiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a room?<br>**[11:43] Matsumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd *that* come from?<br>**[11:45] Kawaguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jealous much?<br>**[11:47] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you guys are totally beyond lame.<br>**[11:51] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because you started dating doesn't mean<br>**[11:53] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;you get to hold hands and dogpile me.<br>**[11:56] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just mean!<br>**[11:59] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell... Seriously...<br>**[12:01] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit... Quit making fun of me already!<br>**[12:06] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can date whoever you want, okay?<br>**[12:10] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;But going on about how *perfect* you <br>
&nbsp;&nbsp;&nbsp;&nbsp;are for each other is just gross!<br>**[12:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The illusion that the demon queen had spun*<br>**[12:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was visible only to Erika Konno.*<br>**[12:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which meant...*<br>**[12:23] Sho**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:24] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dunno.<br>**[12:25] Hashiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now *that's* a victim complex.<br>**[12:26] Kawaguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[12:29] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you two seriously, like, twelve?<br>**[12:33] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika...<br>**[12:34] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get how you feel, but these two<br>&nbsp;&nbsp;&nbsp;&nbsp;don't mean to make fun of you.<br>**[12:40] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think maybe you're losing<br>&nbsp;&nbsp;&nbsp;&nbsp;perspective, Erika.<br>**[12:44] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're getting carried away<br>&nbsp;&nbsp;&nbsp;&nbsp;with this crush of yours.<br>**[12:49] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. That kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;thing happens to me, too.<br>**[12:52] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But try to calm down for a sec. Okay?<br>**[12:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why even go there?*<br>**[12:58] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I... I don't...<br>**[13:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hinami.<br>**[13:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well! That's the end of *that*!<br>**[13:14] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for saying all that weird stuff.<br>**[13:16] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think we can speak calmly right now,<br>**[13:19] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;so let's talk later, when we're<br>&nbsp;&nbsp;&nbsp;&nbsp;not raring for a fight.<br>**[13:22] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, wipe your tears.<br>**[13:24] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tissues, tissues...<br>**[13:28] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Shuji—can I have a tissue?<br>**[13:30] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure.<br>**[13:31] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem.<br>**[13:33] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already made tissue covers and stuff.<br>**[13:40] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go, Erika.<br>**[13:55] Girl A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...<br>**[13:56] Girl B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she just...?<br>**[13:57] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;No—wait—<br>**[13:59] Boy A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unbelievable.<br>**[14:01] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I've always<br>&nbsp;&nbsp;&nbsp;&nbsp;thought she was selfish.<br>**[14:04] Boy B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Always going around acting<br>&nbsp;&nbsp;&nbsp;&nbsp;like she's the queen.<br>**[14:07] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[14:08] Konno**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was—<br>**[14:09] Girl A**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's been crying for a while now.*<br>**[14:11] Girl A**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is she going for sympathy points?*<br>**[14:14] Boy C**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Seriously!*<br>**[14:15] Girl B**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Lashing out just because the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;guy you like is taken...*<br>**[14:19] Boy D**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's so lame!*<br>**[14:23] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serves you right.<br>**[14:30] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops, sorry.<br>**[14:32] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was an *accident*.<br>**[14:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mood... the norm for good or bad...*<br>**[14:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*had flipped.*<br>**[14:39] Boy A**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops!<br>**[14:40] Boy A**<br>&nbsp;&nbsp;&nbsp;&nbsp;An *accident*.<br>**[14:41] Boy B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, too—an *accident*.<br>**[14:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At this rate, there's no one who can—*<br>**[14:57] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[14:59] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because Konno did it doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;mean you can do it back.<br>**[15:02] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just as wrong when *you* do it!<br>**[15:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is too righteous.*<br>**[15:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With the class mood as it stands now...*<br>**[15:12] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't just gang up and<br>&nbsp;&nbsp;&nbsp;&nbsp;attack people like that!<br>**[15:16] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off!<br>**[15:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...it might not fly.*<br>**[15:20] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's end this on good terms<br>&nbsp;&nbsp;&nbsp;&nbsp;and have a fresh start.<br>**[15:25] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tama*-rrow is another day!<br>**[15:31] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're amazing, Hanabi!<br>**[15:35] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;She really is! I didn't see that coming.<br>**[15:37] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But y'know, she could be right.*<br>**[15:40] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, if the main victim<br>&nbsp;&nbsp;&nbsp;&nbsp;says we should stop...<br>**[15:44] Matsumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we'd better stop.<br>**[15:50] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika!<br>**[15:54] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was *so cool*, Tama!<br>**[16:07] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Natsubayashi.<br>**[16:10] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;For everything.<br>**[16:13] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh. It's fine.<br>**[16:15] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not the only one you need to talk to.<br>**[16:20] Akiyama**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Hirabayashi... I'm sorry.<br>**[16:23] Kamimae**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, too.<br>**[16:24] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh...<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[16:28] Hirabayashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all right.<br>**[16:30] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Hanabi. I don't think I could<br>&nbsp;&nbsp;&nbsp;&nbsp; have quelled that on my own.<br>**[16:35] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank *you*, Aoi—for fighting for me.<br>**[16:39] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fought plenty hard yourself.<br>**[16:42] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah...*<br>**[16:44] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I kinda didn't want to<br>&nbsp;&nbsp;&nbsp;&nbsp;see you doing that, Aoi.<br>**[16:50] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Doing what?<br>**[16:54] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just...<br>**[16:56] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really didn't.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>**[17:03] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I made Aoi do something terrible.<br>**[17:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You talking about what Hinami did?<br>**[17:10] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[17:11] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was really angry.<br>**[17:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was shocking, yeah.<br>**[17:19] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty sure Aoi didn't <br>
&nbsp;&nbsp;&nbsp;&nbsp;*want* to do what she did.<br>**[17:23] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But because of me...<br>**[17:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought*<br>**[17:27] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tama had picked up on Hinami's ulterior*<br>*&nbsp;&nbsp;&nbsp;&nbsp;motives and was disappointed in her.*<br>**[17:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But...*<br>**[17:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You trust Hinami, don't you?<br>**[17:40] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for everything—both of you.<br>**[17:42] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gotta get to my club meeting!<br>**[17:45] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama's half right.<br>**[17:48] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that about the shape of it?<br>**[17:49] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... pretty much.<br>**[17:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way I see it,<br>**[17:54] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm someone who can spot the parts<br>&nbsp;&nbsp;&nbsp;&nbsp;of Aoi that she hides inside herself.<br>**[18:00] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You probably know about<br>&nbsp;&nbsp;&nbsp;&nbsp;those better than I do.<br>**[18:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[18:09] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, never mind. Even if you did,<br>**[18:12] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;it wouldn't be fair of me to ask.<br>**[18:15] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The team's taught me something lately, too.<br>**[18:19] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How to come right out and<br>&nbsp;&nbsp;&nbsp;&nbsp;say what's on your mind.<br>**[18:22] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm just gonna say what I'm thinking:<br>**[18:33] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like Aoi.<br>**[18:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do *you* think of her?<br>**[18:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was several days later.*<br>**[18:46] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The animosity toward Konno had gradually*<br>*&nbsp;&nbsp;&nbsp;&nbsp;dissipated after Tama's scolding.*<br>**[18:53] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She didn't take back her throne at*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the top of the class, of course,*<br>**[18:58] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but Izumi's efforts and Konno's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;naturally strong communication skills*<br>**[19:04] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;restored her to a perfectly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;respectable standing.*<br>**[19:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The rest is up to Konno's maneuvering.*<br>**[19:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And how did Tama fare in all this?*<br>**[19:16] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Simply put, she gained*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a bunch of new friends.*<br>**[19:20] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama! We've *gotta* try karaoke sometime!<br>**[19:22] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, I'm not big on karaoke.<br>**[19:26] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so honest!<br>**[19:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whenever Tama came right out with an opinion,*<br>**[19:31] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;people got a kick out of it:*<br>*&nbsp;&nbsp;&nbsp;&nbsp;"That's Tama for you!"*<br>**[19:35] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll go if Minmi is coming.<br>**[19:38] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the—?!<br>**[19:39] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm feeling the love!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hey, Minmi! Back off!
<br>**[19:43] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure do love Mimimi, don't you, Tama?<br>**[19:46] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No I don't! It just *looks* <br>
&nbsp;&nbsp;&nbsp;&nbsp;that way 'cause I'm so small!<br>**[19:51] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's your size got to do with it?<br>**[19:57] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I mean...<br>**[19:58] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my gosh! Just look at you blush!<br>**[20:02] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-*dor*-a-ble!<br>**[20:05] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hands off my Tama!<br>**[20:07] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, c'mon...<br>**[20:09] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not yours either, though, Minmi.<br>**[20:11] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[20:12] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;This is "the class being used*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to her character" in a nutshell.*<br>**[20:18] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;At any rate, her relationship*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with Nakamura improved, too.*<br>**[20:22] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What about you, Hanabi?<br>**[20:25] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm firmly in the downtown camp.<br>**[20:27] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let the guys go to the<br>&nbsp;&nbsp;&nbsp;&nbsp;soccer game without us!<br>**[20:30] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Man, you really are stubborn, aren't you?*<br>**[20:33] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, like you *aren't*?<br>**[20:36] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As Mizusawa suggested, it's not*<br>*&nbsp;&nbsp;&nbsp;&nbsp;like Nakamura truly hated her.*<br>**[20:41] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I think he just wanted*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a reason to forgive her.*<br>**[20:45] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Difficult stuff. Human relationships*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are so complicated.*<br>**[20:51] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, everyone, listen up!<br>**[20:54] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I've gathered you all here<br>&nbsp;&nbsp;&nbsp;&nbsp;today for one big reason...<br>**[20:59] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, are they ready?<br>**[21:01] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally!<br>**[21:02] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-dah! Reinforcements!<br>**[21:06] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reinforcements?<br>**[21:12] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these...?<br>**[21:17] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check *this* out!<br>**[21:26] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we're all set!<br>**[21:31] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki, I bet you're the<br>&nbsp;&nbsp;&nbsp;&nbsp;one who came up with this.<br>**[21:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got me. At least now we all match, right?<br>**[21:39] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Tomozaki, you're such a dum-dum.<br>**[21:41] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... thanks!<br>**[21:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep.<br>**[21:45] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I worked hard to sew those!<br>**[21:47] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kinda coming apart here, though.<br>**[21:49] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! No way!<br>**[21:50] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kidding.<br>**[21:51] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*L-Lying*, you mean.<br>**[21:53] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut it out!<br>**[21:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[21:57] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough flirting, you two.<br>**[21:59] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not flirting!<br>**[21:59] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we're not flirting!<br>**[22:05] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're kind of pretty all laid out like this.<br>**[22:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, they are.<br>**[22:10] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a colorful circle—sorta like...<br>**[22:13] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;like fireworks!<br>**[22:16] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Hanabi"—get it?*<br>**[22:18] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't steal my line!<br>**[22:22] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Since we're all here, let's take a picture!*<br>**[22:25] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, yeah.*<br>**[22:26] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! To show our friendship!<br>**[22:28] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do it! Let's do it!<br>**[22:32] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say "cheese"!<br>**[22:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tamaya*!<br>**[22:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A thought occurred to me...*<br>**[22:51] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;about the cruel way Hinami*<br>*&nbsp;&nbsp;&nbsp;&nbsp;brought Konno down a peg.*<br>**[22:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Make no mistake:*<br>**[22:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That wasn't some spur-of-the-moment thing.*<br>**[22:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was premeditated malice, a plan carefully*<br>**[23:01] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;constructed in advance to hurt*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Konno—deeply and completely.*<br>**[23:06] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Maybe because I've been acting on my*<br>*&nbsp;&nbsp;&nbsp;&nbsp;trust in her as her student so far,*<br>**[23:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but part of me thought she <br>
&nbsp;&nbsp;&nbsp;&nbsp;couldn't* really *be like that...*<br>**[23:19] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do *you* think of her?<br>**[23:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My answer to Miyazawa's question?*<br>**[23:26] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She's the teacher who brought*<br>*&nbsp;&nbsp;&nbsp;&nbsp;color to this game of life.*<br>**[23:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd like to know Aoi Hinami better.*<br>**[23:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;**That's *what I thought of her.*<br>

# E6 - Everyone has different expectations about a big event

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GJWU20Q5G/everyone-has-different-expectations-about-a-big-event)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now what?<br>**[00:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, in this loaded pause,<br>**[00:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;what would NO NAME...<br>**[00:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;what would Hinami do?<br>**[00:24] Game Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Game set!*<br>**[00:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what?<br>**[00:27] Game Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Winner: Found!*<br>**[00:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This might be what Hinami was thinking:*<br>**[00:35] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I'm going to get caught up*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in some high-risk mind games,*<br>**[00:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm better off just taking a sure hit.*<br>**[00:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way too single-minded, if you ask me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;NO NAME: I win
<br>**[00:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez. Competitive much?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;NO NAME: I win  nanashi: Big deal, 1 out of 14
<br>**[00:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And after that...*<br>**[00:56] Game Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Game set!*<br>**[00:57] Game Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Game set!*<br>**[00:59] Game Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Game set!*<br>**[01:00] Game Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Winner: Found!*<br>**[01:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the end,*<br>**[01:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I beat her handily, 17 matches to one.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;NO NAME: I win   nanashi: Big deal, 1 out of 14   nanashi: Sorry, 1 out of 17
<br>**[01:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[01:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turns out I'm pretty competitive, too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 6 Everyone has different expectations  about a big event
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Room 2
<br>**[02:47] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then:<br>**[02:48] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go through some facts first, shall we?<br>**[02:51] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had something to ask me<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Hanabi situation?<br>**[02:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you did to Konno...<br>&nbsp;&nbsp;&nbsp;&nbsp;that was all calculated.<br>**[03:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I have that right?<br>**[03:08] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made Erika think that Nakamura<br>&nbsp;&nbsp;&nbsp;&nbsp;and Yuzu were in cahoots.<br>**[03:15] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once she's off-balance, it only<br>&nbsp;&nbsp;&nbsp;&nbsp;takes a little push to tip her over.<br>**[03:20] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;While exploiting her weaknesses,<br>&nbsp;&nbsp;&nbsp;&nbsp;I made an example out of her,<br>**[03:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;then shut it all down with<br>&nbsp;&nbsp;&nbsp;&nbsp;no one else in the wrong.<br>**[03:27] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>**[03:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, you didn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;to be so cruel about it.<br>**[03:33] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cruel, huh?<br>**[03:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used someone's crush to tear<br>&nbsp;&nbsp;&nbsp;&nbsp;her pride to shreds in public.<br>**[03:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;For me, that... that was a step too far.<br>**[03:45] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I hadn't, I wouldn't have been<br>&nbsp;&nbsp;&nbsp;&nbsp;able to stop Konno so quickly.<br>**[03:50] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was all fired up...<br>**[03:52] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to crush her spirit completely.<br>**[03:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But was that final blow really necessary?<br>**[03:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't need to use Nakamura like that.<br>**[04:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brandishing the tissue<br>&nbsp;&nbsp;&nbsp;&nbsp;cover Izumi made for him...<br>**[04:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just kicking her when she's down.<br>**[04:08] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose you're right.<br>**[04:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why do something so cruel?<br>**[04:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cruel?<br>**[04:14] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you consider what she'd done<br>&nbsp;&nbsp;&nbsp;&nbsp;to Hanabi, I don't find it cruel at all.<br>**[04:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words... it was revenge?<br>**[04:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's right.<br>**[04:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[04:29] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:30] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I get angry. Is that so surprising?<br>**[04:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[04:35] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like righteous Hanabi,<br>&nbsp;&nbsp;&nbsp;&nbsp;who stays true to herself.<br>**[04:40] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Erika Konno started<br>&nbsp;&nbsp;&nbsp;&nbsp;harassing Hirabayashi,<br>**[04:44] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hanabi called her out—in her<br>&nbsp;&nbsp;&nbsp;&nbsp;own words—in front of everyone.<br>**[04:48] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was uncalculated. She was undaunted.<br>**[04:52] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought her strength was beautiful.<br>**[04:55] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So when Konno was trampling that for<br>&nbsp;&nbsp;&nbsp;&nbsp;no reason, I couldn't let it go.<br>**[05:01] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I worked to destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;everything about that situation.<br>**[05:05] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why I didn't feel like<br>&nbsp;&nbsp;&nbsp;&nbsp;letting it just hang there.<br>**[05:08] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all. What's wrong with that?<br>**[05:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean...<br>**[05:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing, but—<br>**[05:15] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? Then what's the problem?<br>**[05:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's how I see it:<br>**[05:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurting someone for no real reason,<br>&nbsp;&nbsp;&nbsp;&nbsp; no real gain, is just...<br>**[05:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to how NO NAME plays the game?<br>**[05:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not right.<br>**[05:33] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe so, now that you mention it.<br>**[05:37] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still,<br>**[05:39] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are some things even I can't forgive.<br>**[05:47] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Tomozaki.<br>**[05:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Izumi. Mornin'.<br>**[05:52] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure has gotten cold, huh?<br>**[05:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's November for you.<br>**[05:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that reminds me...<br>**[05:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's been going on with<br>&nbsp;&nbsp;&nbsp;&nbsp;Konno and Kamimae lately?<br>**[06:02] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, you know... girl stuff... I guess?<br>**[06:07] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outwardly, it *looks* like <br>
&nbsp;&nbsp;&nbsp;&nbsp;they're getting along,<br>**[06:10] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Erika and Mao both badmouth<br>&nbsp;&nbsp;&nbsp;&nbsp;each other behind their backs...<br>**[06:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in bringing them together,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're caught in the middle.<br>**[06:20] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly!<br>**[06:22] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I figure it's something only I can fix.<br>**[06:25] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll hang in there!<br>**[06:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be rough.<br>**[06:29] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's better than the two of<br>&nbsp;&nbsp;&nbsp;&nbsp;them being all awkward.<br>**[06:34] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I owe Tama some big-time thanks.<br>**[06:38] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tiny and cute again today, Tama!<br>**[06:38] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a lot of people could pull that off.<br>**[06:41] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back off already, Minmi!<br>**[06:41] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could learn something from her myself.<br>**[06:47] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to change what you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't like about yourself.<br>**[06:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you've changed<br>&nbsp;&nbsp;&nbsp;&nbsp;quite a bit lately, Izumi.<br>**[06:54] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I've been thinking that, too.<br>**[06:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Culture Festival
<br>**[07:09] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, the culture festival is coming up.<br>**[07:12] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The big day is December 22.<br>**[07:15] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on and get fired up. It's your<br>&nbsp;&nbsp;&nbsp;&nbsp; last chance to have fun.<br>**[07:19] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be in full-on study mode soon enough.<br>**[07:22] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll pick four committee<br>&nbsp;&nbsp;&nbsp;&nbsp;members in our next homeroom,<br>**[07:27] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;so think it over if you're interested.<br>**[07:32] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I hadn't even thought about the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;culture festival.*<br>**[07:37] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brain!<br>**[07:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, Mimimi?<br>**[07:41] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you gonna be on the<br>&nbsp;&nbsp;&nbsp;&nbsp;culture festival committee?<br>**[07:46] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I get the feeling Hinami will*<br>*&nbsp;&nbsp;&nbsp;&nbsp;make it one of my tasks...*<br>**[07:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, I don't...<br>**[07:51] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! Is that a "no"?<br>**[07:54] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm expecting *such big <br>
&nbsp;&nbsp;&nbsp;&nbsp;things* from you, Brain!<br>**[07:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but I can't actually <br>
&nbsp;&nbsp;&nbsp;&nbsp;*do* anything, though.<br>**[08:02] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's that modesty again!<br>**[08:05] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing you, I'm positive<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll do something nifty!<br>**[08:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never looked forward to<br>&nbsp;&nbsp;&nbsp;&nbsp;a culture festival before...<br>**[08:15] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! Seriously?<br>**[08:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... this year I do. A little.<br>**[08:20] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go! There you go!<br>**[08:22] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta overwrite all those old unfun<br>&nbsp;&nbsp;&nbsp;&nbsp;memories with this year's festival!<br>**[08:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... I guess so.<br>**[08:30] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki!<br>**[08:33] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's make this year's culture <br>
&nbsp;&nbsp;&nbsp;&nbsp;festival *super-ultra-fun*!<br>**[08:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Room 2
<br>**[08:45] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let me ask you...<br>**[08:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask me what?<br>**[08:50] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, there's Yuzu.<br>**[08:51] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then Mimimi and Hanabi,<br>**[08:54] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and finally Fuka.<br>**[08:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who would you most want to date?<br>**[08:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[09:01] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or...<br>**[09:03] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe you'd like to date me?<br>**[09:07] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me. Who do you like?<br>**[09:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, uh...<br>**[09:15] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? You're all red.<br>**[09:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn her...*<br>**[09:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hang on. Why's Izumi even<br>&nbsp;&nbsp;&nbsp;&nbsp;an option? That's not right!<br>**[09:28] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see. You may have<br>&nbsp;&nbsp;&nbsp;&nbsp;gained a level or three,<br>**[09:32] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're eternally chaste at heart.<br>**[09:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mind your own business.<br>**[09:36] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, there's no rule saying you<br>&nbsp;&nbsp;&nbsp;&nbsp;can't go after a girl who's attached.<br>**[09:42] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like she's married.<br>**[09:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That *is* true...<br>**[09:47] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if Yuzu broke up with Nakamura<br>&nbsp;&nbsp;&nbsp;&nbsp;and said she wanted to date you?<br>**[09:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! But that would never happen!<br>**[09:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it wouldn't.<br>**[09:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[09:59] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what if it did? What would you do?<br>**[10:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, jeez, I don't...<br>**[10:06] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for other girls,<br>&nbsp;&nbsp;&nbsp;&nbsp;too—not just Yuzu.<br>**[10:09] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Mimimi or Hanabi or Fuka confessed<br>&nbsp;&nbsp;&nbsp;&nbsp;their love to you, what would you do?<br>**[10:14] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever given it even<br>&nbsp;&nbsp;&nbsp;&nbsp;the slightest thought?<br>**[10:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I mean, it wouldn't happen.<br>**[10:21] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true...<br>**[10:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But your inability to say one way or<br>&nbsp;&nbsp;&nbsp;&nbsp;another ties into your current situation.<br>**[10:29] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another what-if...<br>**[10:31] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's say...<br>**[10:34] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;After school, a girl says she<br>&nbsp;&nbsp;&nbsp;&nbsp;has something to talk about<br>**[10:37] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and gets you somewhere alone.<br>**[10:40] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a little embarrassed, but reveals<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's liked you for a while now.<br>**[10:57] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Are you picturing it?<br>**[10:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[11:00] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't there someone you could<br>&nbsp;&nbsp;&nbsp;&nbsp;imagine dating? Just a little?<br>**[11:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No—well... maybe...<br>**[11:09] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dating *her* will be the main <br>
&nbsp;&nbsp;&nbsp;&nbsp;focus of our work going forward.<br>**[11:14] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and ideally, there'd be two<br>&nbsp;&nbsp;&nbsp;&nbsp;or more of them at any time.<br>**[11:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two or more?! Why on earth? That's messed up!<br>**[11:22] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some wiggle room is crucial.<br>**[11:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But two or more at the same time...<br>&nbsp;&nbsp;&nbsp;&nbsp;There has to be another way.<br>**[11:29] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just being able to think "I have other<br>&nbsp;&nbsp;&nbsp;&nbsp;girlfriends" gives you a broader perspective<br>**[11:35] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and wiggle room for<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever you decide to do.<br>**[11:37] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way you can keep a cool<br>&nbsp;&nbsp;&nbsp;&nbsp;head for decision-making.<br>**[11:41] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't just defense. It's offense, too.<br>**[11:45] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>**[11:46] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you throw one girl into a tizzy<br>&nbsp;&nbsp;&nbsp;&nbsp;by hinting at others waiting in the wings.<br>**[11:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all really dark...<br>**[11:55] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think *that's* dark, <br>
&nbsp;&nbsp;&nbsp;&nbsp;you're only proving that<br>**[11:57] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're still in the<br>&nbsp;&nbsp;&nbsp;&nbsp;starry-eyed romantic stage.<br>**[12:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You mean it gets *darker*?<br>**[12:03] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't forget the result of all this:<br>**[12:06] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll gain confidence in yourself for<br>&nbsp;&nbsp;&nbsp;&nbsp;having done something that seemed so difficult.<br>**[12:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it...<br>**[12:15] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with that...<br>**[12:17] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which two girls?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Small Goal: Who do you want to get closer to?
<br>**[12:18] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you want to get closer to?<br>**[12:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can my answer wait a while?<br>**[12:29] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist.<br>**[12:31] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But time is of the essence, so...<br>**[12:33] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here—I'll give you an<br>&nbsp;&nbsp;&nbsp;&nbsp;easy little task, too.<br>**[12:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pinstagram?<br>**[12:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A woman who can do anything <br>
&nbsp;&nbsp;&nbsp;&nbsp;*would* take good pictures.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;402 posts / 6085 followers / 94 following Aoi Hinami
<br>**[12:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at you, getting the most out of life.<br>**[12:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait—<br>**[12:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have *six thousand* followers?!<br>**[12:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's insane...<br>**[12:54] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really.<br>**[12:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's demand for it.<br>**[12:57] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just what happens if you<br>&nbsp;&nbsp;&nbsp;&nbsp;keep posting high-quality photos.<br>**[13:03] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I honestly didn't plan for it.<br>**[13:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[13:07] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got off-track.<br>**[13:09] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I want you on Pinstagram.<br>**[13:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me on Pinsta, eh?<br>**[13:16] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. In order for you to live<br>&nbsp;&nbsp;&nbsp;&nbsp;a normie life here at school,<br>**[13:21] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to boost your image among our class.<br>**[13:24] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smallest things will<br>&nbsp;&nbsp;&nbsp;&nbsp;shake up the hierarchy.<br>**[13:28] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It changes based on how others see you.<br>**[13:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I get that.<br>**[13:36] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So your mini-task will be<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mini-Task: Create private Pinstagram and self-promote
<br>**[13:39] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;to create a private Pinstagram<br>&nbsp;&nbsp;&nbsp;&nbsp;account and do some self-promotion.<br>**[13:44] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simple enough. I'll send<br>&nbsp;&nbsp;&nbsp;&nbsp;you the details later.<br>**[13:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Here are those details. Simple, right?  Pinsta Tasks: Selfie w/ Shuji & Takei
<br>**[13:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She calls this *simple*?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pinsta Tasks: Selfie w/ Shuji & Takei, Takahiro in glasses,  Hanabi making a face, Minami eating ramen, Selfie w/ Fuka
<br>**[14:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is going to be incredibly hard.<br>**[14:07] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad everything's calmed down.<br>**[14:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[14:12] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't Hanabi amazing, though?<br>**[14:14] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's as if she soared over<br>&nbsp;&nbsp;&nbsp;&nbsp;all those walls in her way.<br>**[14:18] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Hanabi always <br>
&nbsp;&nbsp;&nbsp;&nbsp;had the *strength* to fly.<br>**[14:22] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;She just didn't know how to use her wings.<br>**[14:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[14:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And once you can fly, you have total freedom.<br>**[14:31] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true.<br>**[14:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi, I need to thank you<br>&nbsp;&nbsp;&nbsp;&nbsp;again for all you've done.<br>**[14:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were a huge help.<br>**[14:39] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure.<br>**[14:40] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be happy to help again if you need me.<br>**[14:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that I can do very much.<br>**[14:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure you can!<br>**[14:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be leaning on you again someday.<br>**[14:52] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you need.<br>**[14:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Great. I'll let you know.<br>**[14:58] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[15:00] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[15:02] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what Hinami was thinking.<br>**[15:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something felt a little... off.<br>**[15:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Off," huh?<br>**[15:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So Kikuchi picked up on that, too.*<br>**[15:13] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm wondering why Hinami<br>&nbsp;&nbsp;&nbsp;&nbsp;thought to go to such lengths.<br>**[15:18] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really has me curious...<br>**[15:20] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be something inside Hinami<br>&nbsp;&nbsp;&nbsp;&nbsp;that just couldn't forgive her.<br>**[15:26] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some things even I can't forgive.<br>**[15:31] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;When someone's angry,<br>**[15:33] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's because the way<br>&nbsp;&nbsp;&nbsp;&nbsp;things are doesn't match<br>**[15:36] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;the way they think things ought to be.<br>**[15:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How things ought to be, huh?<br>**[15:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder what that is for Hinami?*<br>**[15:50] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right!<br>**[15:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I'd like you<br>&nbsp;&nbsp;&nbsp;&nbsp;to see, if you don't mind.<br>**[15:59] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wrote a new novel, so,<br>&nbsp;&nbsp;&nbsp;&nbsp;um... if you could...<br>**[16:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, sure. Of course.<br>**[16:07] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll... I'll bring it next time!<br>**[16:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hanabi making a face, Minami eating ramen,  Selfie w/ Fuka
<br>**[16:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot to do my assignment.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Selfie w/ Fuka Kikuchi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Today How are those photos coming?  Read: Couldn't take any...
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Today How are those photos coming?  Read: Couldn't take any...  The day's not over yet.
<br>**[16:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My most likely option now...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hanabi making a face,  Minami eating ramen, Selfie w/ Fuka
<br>**[16:29] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since Tama, Mimimi, and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi aren't around...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pinsta Tasks: Selfie w/Shuji & Takei,  Takahiro in glasses
<br>**[16:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll have to be a selfie<br>&nbsp;&nbsp;&nbsp;&nbsp;with Nakamura and Takei<br>**[16:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;or Mizusawa wearing glasses.<br>**[16:47] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get 'em!<br>**[16:51] Game Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Game set!*<br>**[16:53] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are good at this, Fumiya.<br>**[16:55] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shake it off, Shuji!<br>**[16:57] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch! We're takin' a break!<br>**[17:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yikes!*<br>**[17:08] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's hard to get the timing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;right for a photo...*<br>**[17:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I suddenly suggest a selfie, <br>
&nbsp;&nbsp;&nbsp;&nbsp;I* know *they'll think it's weird.*<br>**[17:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I need some kind of excuse...*<br>**[17:19] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given any thought to the<br>&nbsp;&nbsp;&nbsp;&nbsp;festival committee, Shuji?<br>**[17:22] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah...<br>**[17:23] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're doing it, right?<br>**[17:25] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda have to, don't I?<br>**[17:27] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. What about you, Fumiya?<br>**[17:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:31] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The culture festival committee.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're gonna join, right?<br>**[17:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Uh, yeah!<br>**[17:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. Now I'm... on the committee?<br>**[17:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was too focused on my assignment.*<br>**[17:46] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We oughta start heading home.<br>**[17:48] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[17:49] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Homeward bound!<br>**[17:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn. My photo homework...*<br>**[18:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Isn't there anything I could—*<br>**[18:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey...<br>**[18:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Let's take a picture with this!<br>**[18:11] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? *That's* out of the blue.<br>**[18:14] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;What gives, Army Boy?<br>**[18:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh... I was thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;of going on Pinstagram.<br>**[18:19] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Army Boy on Pinstagram?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing! Fire away!<br>**[18:24] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, *I'm* not a little kid,<br>
&nbsp;&nbsp;&nbsp;&nbsp; so *I'm* heading home.<br>**[18:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, don't be like that.<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon! It'll be like a memento!<br>**[18:32] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you *talking* about?<br>**[18:34] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, why not?<br>**[18:36] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do it. You too, Shuji.<br>**[18:38] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta be kidding...<br>**[18:40] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh.<br>**[18:42] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up already. You get one shot, pal.<br>**[18:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Room 2
<br>**[18:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The assignment was to take a<br>&nbsp;&nbsp;&nbsp;&nbsp;selfie with Nakamura and Takei,<br>**[18:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Mizusawa wound up in there, too.<br>**[18:57] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm... that doesn't bother me.<br>**[19:00] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this shot is blurry as all hell.<br>**[19:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well... that's because...<br>**[19:06] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just be mindful from now on.<br>**[19:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[19:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now let's whip up one<br>&nbsp;&nbsp;&nbsp;&nbsp;of these babies for you.<br>**[19:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Pinsta account, you mean?<br>**[19:18] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Exactly*!<br>**[19:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There it is.<br>**[19:21] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to use this blurry<br>&nbsp;&nbsp;&nbsp;&nbsp;thing as your account icon.<br>**[19:24] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's the only one you have, right?<br>**[19:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pinstagram Cancel / Open
<br>**[19:29] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;While you're setting up your account,<br>**[19:32] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain your additional task.<br>**[19:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an additional task?<br>**[19:37] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be putting together our festival<br>&nbsp;&nbsp;&nbsp;&nbsp;committee today during homeroom.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Culture Festival Tasks: Join the committee
<br>**[19:42] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be taking a spot on it.<br>**[19:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I already raised my hand for<br>&nbsp;&nbsp;&nbsp;&nbsp;that without you assigning it.<br>**[19:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yesterday, Nakamura and the guys and I<br>&nbsp;&nbsp;&nbsp;&nbsp;were talking about doing it together.<br>**[19:55] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. You've come a long way.<br>**[19:59] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect the girls' members will<br>&nbsp;&nbsp;&nbsp;&nbsp;be from the normie camp as well.<br>**[20:03] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only will this earn you XP,<br>**[20:07] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but seeing you all working together will<br>&nbsp;&nbsp;&nbsp;&nbsp;make a good impression on the class.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Pinstagram Log In
<br>**[20:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same idea behind Pinsta.<br>**[20:16] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[20:17] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then use your opinions to<br>&nbsp;&nbsp;&nbsp;&nbsp;actively market yourself.<br>**[20:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your new assignment.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Show maximum enthusiasm on all fronts
<br>**[20:24] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just show the absolute greatest enthusiasm<br>&nbsp;&nbsp;&nbsp;&nbsp;you can muster on any and all fronts.<br>**[20:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The g-greatest enthusiasm, on all fronts...<br>**[20:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[20:36] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Culture Festival Committee Boys / Girls
<br>**[20:37] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to choose our committee<br>&nbsp;&nbsp;&nbsp;&nbsp;members for the culture festival.<br>**[20:40] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need four guys and four gals.<br>**[20:43] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, the boys.<br>**[20:45] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it!<br>**[20:49] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, for the boys,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boys: Takei / Mizusawa / Nakamura / Tomozaki
<br>**[20:52] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;we have Takei, Mizusawa,<br>&nbsp;&nbsp;&nbsp;&nbsp;Nakamura, and Tomozaki.<br>**[20:56] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next up: the girls.<br>**[20:57] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any takers?<br>**[20:59] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[21:00] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Count me in!<br>**[21:02] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Nanami kicks us off. Anyone else?<br>**[21:05] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama! Come create the<br>&nbsp;&nbsp;&nbsp;&nbsp;culture festival with me!<br>**[21:09] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pass.<br>**[21:10] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dang, girl! That was *fast*!<br>**[21:15] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi!<br>**[21:16] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another pass.<br>**[21:18] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon! Turning me down twice in<br>&nbsp;&nbsp;&nbsp;&nbsp;a row? I've got feelings, y'know!<br>**[21:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry! I just have all<br>&nbsp;&nbsp;&nbsp;&nbsp;this student council work.<br>**[21:28] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right...<br>**[21:30] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too bad, Nanami.<br>**[21:33] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone else?<br>**[21:35] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could do it!<br>**[21:37] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, too!<br>**[21:39] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go, Sakura and Yuki!<br>**[21:41] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... me too.<br>**[21:43] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our Yuzu!<br>**[21:46] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, our girls are<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Girls: Nanami / Kashiwazaki / Seno / Izumi
<br>**[21:47] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanami, Kashiwazaki, Seno, and Izumi.<br>**[21:50] Ms. Kawamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Committee members, front and center!<br>**[21:55] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was to show every last drop of the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;enthusiasm I had in me here on the committee.*<br>**[22:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That, and...*<br>**[22:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*decide who I wanted to date.*<br>

# E7 - Important items are usually lying around in enchanted forests

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GN7UD1NPE/important-items-are-usually-lying-around-in-enchanted-forests)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Class Stall  - Octopus balls (3) - Okonomiyaki (3) - Café (8) - Manga café (10) - Crêpes (5) - Ramen (5)
<br>**[00:06] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It was decided that our class*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would host a manga café.*<br>**[00:11] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Now we committee members were*<br>*&nbsp;&nbsp;&nbsp;&nbsp;staying behind to discuss*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Gym Stage  - Chorus (7) - Dance (3) - Play (12) - Karaoke (5) - Fashion Show (7)
<br>**[00:16] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the play we'd perform on the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;special stage in the gym.*<br>**[00:21] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's come up with some<br>&nbsp;&nbsp;&nbsp;&nbsp;ideas for our play here<br>**[00:25] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have the class pick one in homeroom.<br>**[00:29] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[00:30] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but where do we even start?<br>**[00:34] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;We gotta do *Momotaro*!<br>**[00:36] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, a kindergartener?<br>**[00:38] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, why not?<br>**[00:40] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... What about *Romeo and Juliet*?<br>**[00:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoof, what a cliché.<br>**[00:45] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some kind of romantic drama, maybe!<br>**[00:47] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like *The Phantom of the Opera*.<br>**[00:52] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just show the absolute greatest enthusiasm<br>&nbsp;&nbsp;&nbsp;&nbsp;you can muster on any and all fronts.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Show maximum enthusiasm on all fronts
<br>**[01:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, why don't we use this<br>&nbsp;&nbsp;&nbsp;&nbsp;chance to do an original play?<br>**[01:05] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Original?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 7 Important items are usually  lying around in enchanted forests
<br>**[02:41] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it's official: our class will<br>&nbsp;&nbsp;&nbsp;&nbsp;be putting on an original play!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Plays  - Romeo & Juliet (9) - Romantic Drama (8) - Phantom of the Opera (4) - Momotaro (1) - Original (12)
<br>**[02:48] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here's your director: Tomozaki!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Director!
<br>**[02:51] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember, this is *your* bright idea.<br>**[02:53] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go get 'em, Army Boy!<br>**[02:55] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're counting on you, Fumiya.<br>**[02:56] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got this!<br>**[02:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, my opinion definitely did get across...*<br>**[03:01] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks in advance, Director Brain!<br>**[03:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[03:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So while I think about this play...*<br>**[03:08] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, there's Yuzu.<br>**[03:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then Mimimi and Hanabi,<br>**[03:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and finally Fuka.<br>**[03:15] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who would you most want to date?<br>**[03:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can I even do this?*<br>**[03:29] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, what an exhausting day.<br>**[03:32] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;All those meetings didn't help.<br>**[03:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, hey, Yuzu!<br>**[03:36] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to be the promem leader!<br>**[03:39] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Promem?<br>**[03:40] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Army Boy—what's "promem"?<br>**[03:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an abbreviation.<br>**[03:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It stands for a culture<br>&nbsp;&nbsp;&nbsp;&nbsp;festival project member:<br>**[03:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;someone on the class committee<br>**[03:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;who *also* helps runs the <br>
&nbsp;&nbsp;&nbsp;&nbsp;festival at the school level.<br>**[03:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Izumi volunteered and got<br>&nbsp;&nbsp;&nbsp;&nbsp;named leader, remember?<br>**[03:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right... You were asleep.<br>**[04:01] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay, yeah!<br>**[04:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's crazy that you can sleep like that.<br>**[04:06] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even during the sports tournament,<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuzu would step in as captain.<br>**[04:10] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just been brimming with energy lately!<br>**[04:14] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I thought I'd try<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading my wings a little.<br>**[04:18] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't overdo it.<br>**[04:20] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Shuji.<br>**[04:23] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw. Sweet.<br>**[04:24] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut it.<br>**[04:27] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya!<br>**[04:32] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later!<br>**[04:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What can I knock off my Pinsta list?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami Nanami eating ramen
<br>**[04:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mimimi eating ramen... Hmm.*<br>**[04:42] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye!<br>**[04:45] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Mimimi and ramen... Could be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;tough to get the pieces in place.*<br>**[04:51] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's in these little details where*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Hinami's sadism really shines.*<br>**[04:57] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so psyched for the play!<br>**[04:59] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about one about basketball?<br>**[05:01] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe where the star racks up fouls right<br>&nbsp;&nbsp;&nbsp;&nbsp;after the game starts and gets ejected!<br>**[05:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gee, sounds familiar.<br>**[05:08] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good one!<br>**[05:10] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a hard time letting<br>&nbsp;&nbsp;&nbsp;&nbsp;go of the comedy-act option.<br>**[05:14] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;With your quick comebacks, <br>
&nbsp;&nbsp;&nbsp;&nbsp;we'd get *all* the laughs!<br>**[05:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, spare me. I'm not<br>&nbsp;&nbsp;&nbsp;&nbsp;cut out for the stage.<br>**[05:24] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess as a brain and all, you *are*<br>
&nbsp;&nbsp;&nbsp;&nbsp; better suited for brain stuff!<br>**[05:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So my nickname means I ought to stick<br>&nbsp;&nbsp;&nbsp;&nbsp;to the thinking part of things?<br>**[05:33] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right! You're quick!<br>**[05:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm used to it by now.<br>**[05:38] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we just really get each other...<br>**[05:42] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't you say?<br>**[05:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[05:44] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oho! You're built surprisingly solid, Brain!<br>**[05:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you're just really light—<br>**[06:02] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, wow! That's quite<br>&nbsp;&nbsp;&nbsp;&nbsp;the compliment, you know!<br>**[06:07] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... Looks like the light's green!<br>**[06:09] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Kay, Tomozaki, let's head home!<br>**[06:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[06:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mimimi?<br>**[06:22] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is it?<br>**[06:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, well...<br>**[06:30] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, to be bringing such<br>&nbsp;&nbsp;&nbsp;&nbsp;a young high-school girl<br>**[06:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;to a place like this!<br>**[06:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I was just hungry! And—<br>**[06:39] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, so am I. I'm cool with it!<br>**[06:42] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Maybe I was a little forceful*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in how I made it happen...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami Nanami eating ramen
<br>**[06:47] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;...but at least now I'll be able to get*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that photo of Mimimi eating ramen.*<br>**[06:52] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay—I'm having the gyoza combo!<br>**[06:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Gyoza?!<br>**[06:57] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?<br>**[06:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, well...<br>**[07:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ramen... I guess?<br>**[07:03] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[07:05] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I just assumed that Mimimi*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would order ramen...*<br>**[07:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but this* is *a gyoza chain.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Manchuria Gyoza
<br>**[07:14] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a pretty rare event, eh, Tomozaki?<br>**[07:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I guess so. In fact, this<br>&nbsp;&nbsp;&nbsp;&nbsp;might be the first time<br>**[07:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've invited anyone to a meal after school.<br>**[07:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha—?<br>**[07:27] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what gave you the idea to invite me?<br>**[07:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What gave me... the idea?<br>**[07:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, you know... the ramen...<br>**[07:37] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ramen?<br>**[07:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah! I was really, *really* <br>
&nbsp;&nbsp;&nbsp;&nbsp;craving some ramen—<br>**[07:43] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bad, huh?<br>**[07:45] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want two?<br>**[07:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't...<br>**[07:49] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And with the normie superpower "conversation*<br>*&nbsp;&nbsp;&nbsp;&nbsp;autofeed," my alibi was complete.*<br>**[07:55] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness. If I'd*<br>*&nbsp;&nbsp;&nbsp;&nbsp;answered her honestly...*<br>**[08:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to have pictures on<br>&nbsp;&nbsp;&nbsp;&nbsp;my phone of you eating ramen!<br>**[08:06] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say what?<br>**[08:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can just picture it.*<br>**[08:12] Employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go!<br>**[08:15] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's dig in!<br>**[08:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, let's...<br>**[08:21] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, yum!<br>**[08:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now what?*<br>**[08:24] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;How do I get a picture*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of Mimimi eating ramen?*<br>**[08:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you looking at<br>&nbsp;&nbsp;&nbsp;&nbsp;me like that, Tomozaki?<br>**[08:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... sorry. I was just...<br>**[08:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did... Did you want a bite of ramen?<br>**[08:39] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:41] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... one bite?<br>**[08:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah... One bite...<br>**[08:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's wrong?<br>**[08:52] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I thinking too hard?<br>**[08:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-About what?<br>**[08:59] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing.<br>**[09:02] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, lay it on me!<br>**[09:08] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! What's with the photo shoot?<br>**[09:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I-I messed up!<br>**[09:13] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Messed up what?<br>**[09:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I thought, uh... I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;you were going to eat my egg...<br>**[09:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never!<br>**[09:21] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why all the photos?<br>**[09:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;For, um... for evidence!<br>**[09:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, you're obsessed with this egg!<br>**[09:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I just really like them, that's all!<br>**[09:31] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly...<br>**[09:33] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go. Thanks!<br>**[09:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure.<br>**[09:38] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. Something's not quite right.<br>**[09:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like what?<br>**[09:46] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tomozaki!<br>**[09:49] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have some of mine. Here!<br>**[09:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, no, no, no, no, no!*<br>**[09:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's she trying to do?*<br>**[09:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is that, you know, that *thing*,<br>
&nbsp;&nbsp;&nbsp;&nbsp; that "say aah" thing—*<br>**[10:06] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What's her angle? What battle is she fighting?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Why all this pressure?!*<br>**[10:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I-I don't even know how to turn her down...*<br>**[10:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*F-Fine!*<br>**[10:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I didn't even get to enjoy it.*<br>**[10:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's fishy, all right.<br>**[10:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:37] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What the—did I make her mad?*<br>*&nbsp;&nbsp;&nbsp;&nbsp;What did I do?*<br>**[10:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I-I have no idea...*<br>**[10:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But it'd be weird to apologize.*<br>**[10:45] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't even know what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'd be apologizing for.*<br>**[10:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn, she's going to finish first!*<br>**[10:52] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What will it do to the mood*<br>*&nbsp;&nbsp;&nbsp;&nbsp;if I make her wait for me?*<br>**[10:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've got to eat fast, too!*<br>**[11:02] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Whoa, Tomozaki! What's the rush?<br>**[11:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's just that...<br>**[11:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were going to... finish<br>&nbsp;&nbsp;&nbsp;&nbsp;your gyoza first...<br>**[11:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want to make you wait...<br>**[11:16] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're one odd duck, Tomozaki!<br>**[11:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, see you later!<br>**[11:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep—later!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Can you only take blurry pictures or what?
<br>**[11:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got me there, Miss Hinami.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Make sure you're thinking about  who you want to date.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fuka Kikuchi I'll bring that novel tomorrow. Close / Show
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>**[11:59] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry for the wait.<br>**[12:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's no problem!<br>**[12:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... here.<br>**[12:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. I'll let you know what I think.<br>**[12:08] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is a first for me!<br>**[12:13] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I've never shown anyone my work<br>&nbsp;&nbsp;&nbsp;&nbsp;before, so please—go easy on me.<br>**[12:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, of course. Thank you.<br>**[12:23] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank *you*.<br>**[12:27] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, two, three...<br>**[12:28] Everyone**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot!<br>**[12:30] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lost again? That's four times in a row!<br>**[12:37] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up to the foot of the hill, now.<br>**[12:39] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[12:41] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[12:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, four in a row...<br>**[12:45] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are the odds?<br>**[12:46] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You suck at rock-paper-scissors, Takei.<br>**[12:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shake it off!<br>**[12:51] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[12:52] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll win next time—you'll see!<br>**[12:54] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, a race! I've got this in the bag!<br>**[12:58] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!<br>**[12:59] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? We're running now?!<br>**[13:07] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's so full of energy.<br>**[13:08] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay—<br>**[13:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;here I go!<br>**[13:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That look just now...*<br>**[13:17] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That meant, "Here's your chance. Check*<br>*&nbsp;&nbsp;&nbsp;&nbsp;off another one while you can."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hanabi Hirabayashi making a face
<br>**[13:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tama...<br>**[13:30] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's up?<br>**[13:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I ask you a favor?<br>**[13:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tama's always so straightforward—*<br>**[13:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*best to just put it all right out there.*<br>**[13:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just started a Pinsta account,<br>**[13:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'd like to put a picture<br>&nbsp;&nbsp;&nbsp;&nbsp;of you making a face on there.<br>**[13:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind?<br>**[13:47] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this is sudden.<br>**[13:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it might be a fun,<br>&nbsp;&nbsp;&nbsp;&nbsp;different thing to post.<br>**[13:52] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... sure, I guess. Here!<br>**[13:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, th-that was quick...<br>**[14:00] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take the picture already!<br>**[14:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, right!<br>**[14:05] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, now one with you.<br>**[14:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:09] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up!<br>**[14:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-All right...<br>**[14:13] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... It's not all that great, is it?<br>**[14:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I sent it to Hinami later,*<br>**[14:23] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;she finally gave me the barest minimum*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of praise: "Well, it's in focus."*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki
<br>**[14:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The manuscript Kikuchi had given me*<br>**[14:38] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;was a collection of five short stories,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;loosely connected by shared themes.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;0.8-Carat Pain Lugor and the Giant Stone The Moon's Not Reflected in His Eyes Clockwork Birthday
<br>**[14:43] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Every one of the stories she*<br>*&nbsp;&nbsp;&nbsp;&nbsp;wrote was gentle and warm.*<br>**[14:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly
<br>**[14:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that where it ends?<br>**[14:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought the father<br>&nbsp;&nbsp;&nbsp;&nbsp;would show up at the end!<br>**[15:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that!<br>**[15:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came to me after I was done—<br>&nbsp;&nbsp;&nbsp;&nbsp;I changed it.<br>**[15:08] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it would be a<br>&nbsp;&nbsp;&nbsp;&nbsp;weight off Wolfin's mind.<br>**[15:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[15:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and I liked how the beast-person<br>&nbsp;&nbsp;&nbsp;&nbsp;Lugor didn't break the rock—<br>**[15:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mita the human did!<br>**[15:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like he was using brains, not brawn,<br>**[15:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;to pierce the wall between their species.<br>**[15:24] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy you understood all of that...<br>**[15:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, actually, that last story cut<br>&nbsp;&nbsp;&nbsp;&nbsp;off halfway through. Was that—<br>**[15:34] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You mean... the dragon story?<br>**[15:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, the dragon story.<br>**[15:44] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mistake! I-I'm so sorry!<br>**[15:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mistake?<br>**[15:49] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one's not finished yet.<br>**[15:52] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I write everything in the<br>&nbsp;&nbsp;&nbsp;&nbsp;same file, you see, so...<br>**[15:55] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must have gotten printed<br>&nbsp;&nbsp;&nbsp;&nbsp;along with the rest.<br>**[16:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see.<br>**[16:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one made the biggest<br>&nbsp;&nbsp;&nbsp;&nbsp;impression on me, though—<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly
<br>**[16:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;a tale of raising the last dragon.<br>**[16:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's as if the characters really came<br>&nbsp;&nbsp;&nbsp;&nbsp;alive in my head while I was reading it.<br>**[16:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know... it's like what you<br>&nbsp;&nbsp;&nbsp;&nbsp;said before, about Andi's books.<br>**[16:23] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What *I* said?<br>**[16:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[16:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That when you're reading, the book's<br>&nbsp;&nbsp;&nbsp;&nbsp;world blinks right into your head as is.<br>**[16:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was reading that story,<br>**[16:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;the world it described hit<br>&nbsp;&nbsp;&nbsp;&nbsp;me as so real, so colorful.<br>**[16:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That last story in particular<br>**[16:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;made me feel like I do when<br>&nbsp;&nbsp;&nbsp;&nbsp;I read Andi's novels...<br>**[16:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or something like that.<br>**[16:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kikuchi?!<br>**[16:50] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um, I... I'm sorry.<br>**[16:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's wrong?<br>**[16:57] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've loved Andi's work all this time,<br>**[17:00] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've always wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;write something similar.<br>**[17:06] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really... always.<br>**[17:08] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I'm still just starting out and all,<br>**[17:12] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to hear that from you,<br>&nbsp;&nbsp;&nbsp;&nbsp;after you read my work...<br>**[17:17] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just makes me so happy.<br>**[17:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[17:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kikuchi?<br>**[17:24] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[17:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you use this last<br>&nbsp;&nbsp;&nbsp;&nbsp;story to write our class play?<br>**[17:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to see the whole class<br>&nbsp;&nbsp;&nbsp;&nbsp;performing something you wrote.<br>**[17:40] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I...<br>**[17:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry! You don't have to.<br>**[17:46] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared.<br>**[17:49] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That last story...<br>**[17:51] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was coming along so<br>&nbsp;&nbsp;&nbsp;&nbsp;smoothly when I started,<br>**[17:54] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I came to love each and<br>&nbsp;&nbsp;&nbsp;&nbsp;every one of its characters.<br>**[18:00] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It became one of my favorite stories.<br>&nbsp;&nbsp;&nbsp;&nbsp; It means the world to me.<br>**[18:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's why I'm having<br>&nbsp;&nbsp;&nbsp;&nbsp;such a hard time deciding<br>**[18:09] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;what conclusion this beloved story,<br>&nbsp;&nbsp;&nbsp;&nbsp; these dear characters,<br>**[18:14] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;should reach in the end.<br>**[18:16] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why I couldn't write an ending.<br>**[18:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... is that why...<br>**[18:22] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all so precious, I'm afraid it'll break.<br>**[18:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Then this story might be<br>&nbsp;&nbsp;&nbsp;&nbsp;better off staying inside you,<br>**[18:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;where it can be nurtured carefully over time.<br>**[18:34] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or that's what I *would* have said,<br>
&nbsp;&nbsp;&nbsp;&nbsp; not too long ago.<br>**[18:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Then...<br>**[18:47] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[18:48] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's the play coming along?<br>**[18:51] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any original stories we can use?<br>**[18:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly
<br>**[18:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm wondering if we could use this as a base,<br>**[18:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;discussing it together, choosing roles,<br>&nbsp;&nbsp;&nbsp;&nbsp; and tweaking as we go.<br>**[19:03] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. Can't say I really get it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it has, like, actual sentences.<br>**[19:09] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a fantasy story.<br>**[19:10] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could be fun!<br>**[19:12] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our Brain! Taking care of business!<br>**[19:15] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Fumiya...<br>**[19:17] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;did you write this?<br>**[19:19] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Army Boy? Seriously?<br>**[19:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Kikuchi did.<br>**[19:24] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh! I see how it is.<br>**[19:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's *that* supposed to mean?<br>**[19:33] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm still working on the second half.<br>**[19:37] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for your patience!<br>**[19:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always been afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;to leave my own world.<br>**[19:48] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But with all our conversations recently...<br>**[19:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm watching you go before me,<br>&nbsp;&nbsp;&nbsp;&nbsp;leaping from a lonely world<br>**[19:59] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;to one that's still unknown.<br>**[20:01] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it occurred to me:<br>**[20:02] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to see that world, too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Our Original Play "My Unfamiliar Way to Fly"
<br>**[20:13] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we're all set!<br>**[20:15] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi, could you write up a quick<br>&nbsp;&nbsp;&nbsp;&nbsp;synopsis before our next meeting?<br>**[20:20] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, that should be fine.<br>**[20:23] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Then we can start<br>&nbsp;&nbsp;&nbsp;&nbsp;assigning roles, right?<br>**[20:27] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[20:29] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! I'll take the lead!<br>**[20:31] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takei!<br>**[20:33] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Literally *anyone* but you.<br>**[20:48] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Things were looking good*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for the culture festival.*<br>**[20:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now to tackle Hinami's tasks—*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takahiro Mizusawa in glasses
<br>**[20:55] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something on your mind?<br>**[20:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[20:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mizusawa?!<br>**[20:59] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, you really are more<br>&nbsp;&nbsp;&nbsp;&nbsp;than you seem, Fumiya.<br>**[21:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What do you mean?<br>**[21:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... You don't need to know.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takahiro Mizusawa in glasses
<br>**[21:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mizusawa in glasses," eh?*<br>**[21:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, Mizusawa. Are you free<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow or the day after?<br>**[21:19] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this about? Rare for you to ask.<br>**[21:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I guess so. I'd like to get out somewhere.<br>**[21:26] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Does that mean *you're* free tomorrow?<br>**[21:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:33] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect. We'll go to a culture festival.<br>**[21:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A culture festival?<br>**[21:39] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;At Gumi's high school.<br>**[21:42] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's invitation-only,<br>**[21:46] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I managed to score two tickets.<br>**[21:48] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can scope out another school's<br>&nbsp;&nbsp;&nbsp;&nbsp;festival while we're at it.<br>**[21:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay. Sure thing.<br>**[21:54] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, Gumi goes<br>&nbsp;&nbsp;&nbsp;&nbsp;to an all-girls school.<br>**[21:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? All... girls?<br>**[22:01] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep: all girls!<br>**[22:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All... girls...<br>

# E8 - Sometimes the main character can't enter the village of another species on his own

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GK9U3KG51/sometimes-the-main-character-cant-enter-the-village-of-another-species-on-his-own)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special Invitation Ticket  73rd Tokujo High Culture Festival  Host: Tsugumi Narita  Guest: Fumiya Tomozaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tokujo Festival
<br>**[00:09] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, relax those shoulders.<br>&nbsp;&nbsp;&nbsp;&nbsp;And smile! Smile!<br>**[00:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right...<br>**[00:15] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well, I made it on an outing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with Mizusawa. But now...*<br>**[00:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now to tackle Hinami's tasks.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 8  Sometimes the main character can't enter  the village of another species on his own
<br>**[01:58] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, first we do some flirting.<br>**[02:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! What about scoping out their festival?<br>**[02:03] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what we *say* we're here for.<br>**[02:05] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if two guys come to an<br>&nbsp;&nbsp;&nbsp;&nbsp;all-girls school festival,<br>**[02:08] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's really only one reason.<br>**[02:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?<br>**[02:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But jeez, I'm not sure I can just...<br>**[02:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait—Mizusawa?!<br>**[02:18] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there!<br>**[02:20] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that? Looks delish.<br>**[02:21] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you bring that from home?<br>**[02:23] Mizusawa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That was fast! Extroverts*<br>*&nbsp;&nbsp;&nbsp;&nbsp;are something else...*<br>**[02:27] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope! We bought them here.<br>**[02:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? I thought you two were<br>&nbsp;&nbsp;&nbsp;&nbsp;just super into cotton candy.<br>**[02:35] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck?<br>**[02:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, since you both liked<br>&nbsp;&nbsp;&nbsp;&nbsp;it enough to bring your own.<br>**[02:38] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, as if!<br>**[02:41] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, can I have a bite?<br>**[02:43] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't think so.<br>**[02:45] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I wasn't asking you. I<br>&nbsp;&nbsp;&nbsp;&nbsp;was asking this girl here.<br>**[02:49] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meanie!<br>**[02:50] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You'll* give me a bite, won't you?<br>**[02:52] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess...<br>**[02:56] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! It tastes just like cotton candy!<br>**[02:59] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because it *is* cotton candy.<br>**[03:01] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing here, anyway?<br>**[03:03] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you come alone?<br>**[03:05] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I got separated from my friend.<br>**[03:08] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me know if you see him, okay?<br>**[03:11] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't know what he looks like.<br>**[03:13] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! I'll send you a picture, then.<br>**[03:15] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And tell me if you see him.<br>**[03:17] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should we be in touch? By snail mail?<br>**[03:19] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes no sense!<br>**[03:21] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, right. Then we'll do this.<br>**[03:24] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[03:25] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[03:26] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's snail mail after all?<br>**[03:27] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's kind of a hassle.<br>**[03:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is, yeah. And I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;want to share my address.<br>**[03:34] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what do we do?<br>**[03:36] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess Litter would work.<br>**[03:38] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better than snail mail!<br>**[03:39] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[03:41] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really slick, you know that?<br>**[03:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no! I'm just worried<br>&nbsp;&nbsp;&nbsp;&nbsp;about my poor lost friend.<br>**[03:47] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, of *course*.<br>**[03:49] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later!<br>**[03:50] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hope you find your friend!<br>**[03:55] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[03:57] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's my score?<br>**[03:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A perfect hundred.<br>**[04:03] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, it all starts by<br>&nbsp;&nbsp;&nbsp;&nbsp;striking up that conversation.<br>**[04:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That opening line isn't about what <br>
&nbsp;&nbsp;&nbsp;&nbsp;you say—it's *how* you say it.<br>**[04:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How I say it...<br>**[04:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*According to Mizusawa, it went like this:*<br>**[04:17] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When a stranger suddenly*<br>*&nbsp;&nbsp;&nbsp;&nbsp;starts talking to someone*<br>**[04:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who's not mentally prepared for it,*<br>**[04:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that person won't be in listening mode.*<br>**[04:25] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But after they acknowledge you and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you can hold onto their awareness,*<br>**[04:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you've got your first conversation.*<br>**[04:31] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Once that's underway,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;just talk about whatever.*<br>**[04:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can ask questions—anything at all.*<br>**[04:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And like with the cotton candy earlier,*<br>**[04:39] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it's easy to get a response if you touch*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on something they have with them...*<br>**[04:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*if you're quick enough about it.*<br>**[04:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You know, I did some pretty similar stuff*<br>**[04:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as part of Hinami's assignments...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ramen
<br>**[04:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, uh...<br>**[04:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You like Hinami, right?<br>**[04:58] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi? Yeah, I like her.<br>**[05:01] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about it?<br>**[05:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just... Here you are<br>&nbsp;&nbsp;&nbsp;&nbsp;chatting up other girls...<br>**[05:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aha. It's not like Aoi and<br>&nbsp;&nbsp;&nbsp;&nbsp;I are dating at the moment.<br>**[05:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I know, but, like...<br>**[05:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kind of feel like it's not sincere.<br>**[05:18] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sincere, eh?<br>**[05:20] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Fumiya,<br>**[05:22] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you think makes a guy attractive?<br>**[05:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Let's see...<br>**[05:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He keeps himself presentable,<br>&nbsp;&nbsp;&nbsp;&nbsp;plays it cool... what else?<br>**[05:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's good at taking the lead<br>&nbsp;&nbsp;&nbsp;&nbsp;in conversation... Like that?<br>**[05:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, three right answers! Nice.<br>**[05:38] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know what?<br>**[05:39] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most essential aspect,<br>&nbsp;&nbsp;&nbsp;&nbsp;more than anything else...<br>**[05:44] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attractive guys attract people.<br>**[05:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Club
<br>**[05:49] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a guy's reasonably<br>&nbsp;&nbsp;&nbsp;&nbsp;presentable and attractive,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Love Fortunes
<br>**[05:53] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;staying cool will come naturally.<br>**[05:55] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he's attractive,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ring Toss
<br>**[05:56] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;girls will feel like they have to act<br>&nbsp;&nbsp;&nbsp;&nbsp;fast before someone else snaps him up.<br>**[06:01] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how being attractive winds<br>&nbsp;&nbsp;&nbsp;&nbsp;up making you even more attractive.<br>**[06:04] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a hotness spiral.<br>**[06:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm raising my value out<br>&nbsp;&nbsp;&nbsp;&nbsp;there and playing it cool...<br>**[06:13] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;until I eventually get Aoi interested in me.<br>**[06:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it now!<br>**[06:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basically you're flirting with all these<br>&nbsp;&nbsp;&nbsp;&nbsp;girls to boost your attractiveness<br>**[06:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that Hinami will decide to notice you.<br>**[06:24] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not exactly.<br>**[06:27] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm also playing the field because<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to. That's a big part of it.<br>**[06:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[06:32] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and one more correction:<br>**[06:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi won't *decide* to notice me.<br>**[06:37] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll *make* her notice me. Right?<br>**[06:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultra-Scary
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Haunted House
<br>**[06:46] Tsugumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you came!<br>**[06:50] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[06:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hi.<br>**[06:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you grew antennae!<br>**[06:55] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;These aren't antennae. They're ears!<br>**[06:59] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a cute li'l bunny rabbit.<br>**[07:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're even apathetic about your<br>&nbsp;&nbsp;&nbsp;&nbsp;culture festival, huh, Gumi.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Scary Haunted House
<br>**[07:05] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an Apathy-nian for you.<br>**[07:08] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apath-what now?<br>**[07:09] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come see our ghosts.<br>**[07:12] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not exactly scary or anything.<br>**[07:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't go around advertising that...<br>**[07:16] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[07:18] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's it going? See any cute girls?<br>**[07:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[07:22] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why do you assume we're<br>&nbsp;&nbsp;&nbsp;&nbsp;out here hitting on girls?<br>**[07:26] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, two guys at a<br>&nbsp;&nbsp;&nbsp;&nbsp;girls' school festival...<br>**[07:28] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;why else would you be here?<br>**[07:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, I'd say it's going so-so.<br>**[07:32] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? I knew it!<br>**[07:34] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Tomozaki?<br>**[07:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me? I'm not hitting on anybody.<br>**[07:38] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have a girlfriend, do you?<br>**[07:42] Gumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check out my class! This is your big chance.<br>**[07:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My chance...<br>**[07:50] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard her, Fumiya. Shall we?<br>**[07:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, okay.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Entrance
<br>**[07:55] Tsugumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two guests? Right this way.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Exit
<br>**[07:58] Ghostly Voice**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much...<br>**[08:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That wasn't scary at all.<br>**[08:03] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[08:04] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there!<br>**[08:06] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you found your friend.<br>**[08:09] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mako and Sayaka!<br>**[08:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When did he learn their names?!*<br>**[08:15] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you check out the haunted house?<br>**[08:16] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, from Tsugumi's class?<br>**[08:18] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not yet.<br>**[08:20] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You definitely should go.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's terrifyingly unscary.<br>**[08:24] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a haunted house has to be scary!<br>**[08:27] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can totally see all the ghosts, too.<br>**[08:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, now to pull a Mizusawa...<br>**[08:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's seriously not scary.<br>**[08:35] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, really?<br>**[08:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah! It's... surprising, actually.<br>**[08:40] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprising, huh?<br>**[08:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I guess I'm not ready for this yet.*<br>**[08:48] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[08:49] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet those look amazing on you, Mako.<br>**[08:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put them on for a sec.<br>**[08:53] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:54] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah! So flattering!<br>**[08:57] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some compliment...<br>**[08:59] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were those some kind of prize?<br>**[09:01] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, from the ring toss.<br>**[09:02] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;These, too.<br>**[09:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those glasses would look pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;killer on you, too, Mizusawa.<br>**[09:15] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[09:17] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;They really suit you!<br>**[09:19] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's that non-compliment again...<br>**[09:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They really do look good, Mizusawa!<br>**[09:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't I take a picture?<br>**[09:25] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, good idea! Will you do the honors?<br>**[09:28] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get in here, you two.<br>**[09:32] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;You player!<br>**[09:33] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we put it on Pinsta?<br>**[09:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been getting into that lately.<br>**[09:38] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[09:39] Sayaka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I guess.<br>**[09:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here goes!<br>**[09:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheese!<br>**[09:44] Mako**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready!<br>**[09:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those count as glasses, right? Good.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tokujo Festival
<br>**[09:55] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I wanted to see your<br>&nbsp;&nbsp;&nbsp;&nbsp;game out there, Fumiya.<br>**[09:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at my current level, you don't.<br>**[10:02] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your current level, huh?<br>**[10:04] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so down on yourself.<br>**[10:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been reading self-help<br>&nbsp;&nbsp;&nbsp;&nbsp;books or something, right?<br>**[10:10] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it shows.<br>**[10:13] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't realize?<br>**[10:15] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been asking more questions<br>&nbsp;&nbsp;&nbsp;&nbsp;lately—specific ones.<br>**[10:22] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and you found a good rhythm<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes you easy to talk to.<br>**[10:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Really?<br>**[10:27] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, really.<br>**[10:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[10:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For someone so awkward to<br>&nbsp;&nbsp;&nbsp;&nbsp;come so far so quickly...<br>**[10:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have worked hard,<br>&nbsp;&nbsp;&nbsp;&nbsp;tackling one thing at a time.<br>**[10:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can try to hide it, but<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see right through you.<br>**[10:47] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta admire a hard worker like that.<br>**[10:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[10:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, thanks.<br>**[10:54] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That feeling, right there...<br>**[10:56] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;when someone says those things to you?<br>**[10:59] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's* how you talk to a girl.<br>**[11:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[11:05] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later, Fumiya.<br>**[11:07] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even if Mizusawa's last speech*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was couched as a joke,*<br>**[11:11] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I was glad that someone*<br>*&nbsp;&nbsp;&nbsp;&nbsp;had recognized my efforts.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Selfie w/ Fuka Kikuchi
<br>**[11:28] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki?<br>**[11:30] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you are.<br>**[11:38] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... how is it?<br>**[11:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each character's introduction and<br>&nbsp;&nbsp;&nbsp;&nbsp;features are so well organized.<br>**[11:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's looking great!<br>**[11:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we can move ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;with stuff like costumes.<br>**[11:50] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[11:51] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and I wanted to ask...<br>**[11:54] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how much time will we have to perform?<br>**[11:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question. I'll have to check.<br>**[12:01] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, please do. I'll need to adjust<br>&nbsp;&nbsp;&nbsp;&nbsp;things with that time in mind.<br>**[12:08] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I need to make it shorter,<br>&nbsp;&nbsp;&nbsp;&nbsp;things will need to be cut...<br>**[12:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to this culture festival.<br>**[12:17] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So am I. I've been indifferent<br>&nbsp;&nbsp;&nbsp;&nbsp;about it until this year.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly
<br>**[12:23] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that dipping my toes in just a little<br>**[12:25] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;would change my point of view so much.<br>**[12:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Kikuchi... how about<br>&nbsp;&nbsp;&nbsp;&nbsp;we take a selfie together?<br>**[12:35] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A selfie?<br>**[12:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, "Ready to work hard on the play!"<br>**[12:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll get the script in the shot, too.<br>**[12:45] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. If you'll do the honors...<br>**[12:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, then. Let's see...<br>**[12:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I come over there?<br>**[12:52] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... uh-huh.<br>**[12:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, so...<br>**[12:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry!<br>**[13:00] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, i-it's okay.<br>**[13:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, the selfie?<br>**[13:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, r-right! The selfie!<br>**[13:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, here goes...<br>**[13:11] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh...<br>**[13:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send this to you later, okay?<br>**[13:18] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Room 2
<br>**[13:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're doing well!<br>**[13:24] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotten a fair few likes, too.<br>**[13:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so, yeah.<br>**[13:28] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I never thought it would come to *this*.<br>**[13:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Glasses are glasses, right?<br>**[13:35] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;True enough.<br>**[13:37] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Add in the selfie with Fuka<br>&nbsp;&nbsp;&nbsp;&nbsp;that you showed me yesterday<br>**[13:41] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that's all of your photo tasks. Congrats!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mini-Task: CLEAR!  Create private Pinstagram and self-promote
<br>**[13:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[13:45] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going to post the one with Fuka?<br>**[13:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she was too shy.<br>**[13:50] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That happens.<br>**[13:52] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I didn't think you'd suggest<br>&nbsp;&nbsp;&nbsp;&nbsp;performing a play with Fuka's script.<br>**[13:58] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I told you to approach the<br>&nbsp;&nbsp;&nbsp;&nbsp;festival with enthusiasm, but...<br>**[14:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have wanted to do that even<br>&nbsp;&nbsp;&nbsp;&nbsp;if it didn't tie in to a task.<br>**[14:07] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, as long as it gets you closer<br>&nbsp;&nbsp;&nbsp;&nbsp;to your goals, anything goes.<br>**[14:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Hinami?<br>**[14:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so invested in getting<br>&nbsp;&nbsp;&nbsp;&nbsp;me to live that normie life.<br>**[14:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is that?<br>**[14:22] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you remember? The first<br>&nbsp;&nbsp;&nbsp;&nbsp;time nanashi and NO NAME met.<br>**[14:27] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were all, "You can't change<br>&nbsp;&nbsp;&nbsp;&nbsp;characters in real life,"<br>**[14:32] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;that it was a tier issue.<br>**[14:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right.<br>**[14:38] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that and wanted to <br>
&nbsp;&nbsp;&nbsp;&nbsp;prove that *I* was in the right.<br>**[14:43] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>**[14:46] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:47] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like you're not buying it.<br>**[14:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's just—<br>**[14:51] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a sore loser.<br>**[14:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, if you say so.<br>**[14:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind that.<br>**[14:58] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you decided who you want to date?<br>**[15:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[15:02] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said you wanted to wait,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I gave you a grace period.<br>**[15:06] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *are* thinking about it, aren't you?<br>**[15:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... I guess so...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Small Goal: Who do you want to get closer to?
<br>**[15:14] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll need your answer soon.<br>**[15:17] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least *two* girls you'd like to date.<br>**[15:20] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it?<br>**[15:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[15:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brain!<br>**[15:26] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please just say yes and don't ask why!<br>**[15:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of the blue? No way! Tell me why.<br>**[15:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, turns out the track-and-field<br>&nbsp;&nbsp;&nbsp;&nbsp;club is talking about<br>**[15:38] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;doing a comedy bit at the culture festival.<br>**[15:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not in track.<br>**[15:44] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay! I got permission<br>&nbsp;&nbsp;&nbsp;&nbsp;to go outside the club.<br>**[15:48] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only straight man for me, Brain!<br>**[15:52] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please... will you do me this favor?<br>**[15:56] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please?<br>**[15:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Show maximum enthusiasm on all fronts
<br>**[15:59] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"Show maximum enthusiasm*<br>*&nbsp;&nbsp;&nbsp;&nbsp;on all fronts" it is.*<br>**[16:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure.<br>**[16:06] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, c'mon, isn't there some way—<br>**[16:09] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[16:09] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[16:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one asking. Why so surprised?<br>**[16:14] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was just so quick and easy!<br>**[16:17] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a sec...<br>**[16:18] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're jonesing for more of our<br>&nbsp;&nbsp;&nbsp;&nbsp;husband-and-wife routine, eh, Tomozaki?<br>**[16:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not.<br>**[16:26] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's my handpicked partner for you...<br>**[16:30] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such sharp comebacks...<br>**[16:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we won't have much time to practice,<br>&nbsp;&nbsp;&nbsp;&nbsp;what with the class play and all.<br>**[16:37] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No sweat!<br>**[16:39] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just leave it to me!<br>**[16:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mimimi.<br>**[16:45] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning, Takahiro!<br>**[16:47] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and Fumiya.<br>**[16:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you "oh, and" me!<br>**[16:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I heard from Gumi.<br>**[16:54] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's coming to our festival.<br>**[16:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, she is?<br>**[16:59] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Gumi?*<br>**[17:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll need to rewrite your<br>&nbsp;&nbsp;&nbsp;&nbsp;short story into a script,<br>**[17:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're still having a<br>&nbsp;&nbsp;&nbsp;&nbsp;hard time with the climax?<br>**[17:11] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.<br>**[17:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... what exactly is giving you trouble?<br>**[17:18] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't decide if Libra, the hero,<br>&nbsp;&nbsp;&nbsp;&nbsp;will wind up with Kris or Alucia...<br>**[17:25] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and what should happen to <br>
&nbsp;&nbsp;&nbsp;&nbsp;the one he *doesn't* choose.<br>**[17:29] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I might be... afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;to make that decision.<br>**[17:36] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Afraid of dictating that the relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;among the three should go one particular way.<br>**[17:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case—<br>**[17:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this may just be my thinking here—<br>**[17:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;which of the two would *you*<br>
&nbsp;&nbsp;&nbsp;&nbsp;choose, if it were up to you?<br>**[17:54] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think I *could* choose.<br>**[17:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No?<br>**[17:59] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I personally have<br>&nbsp;&nbsp;&nbsp;&nbsp;an idea of what I'd do.<br>**[18:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what should I do as<br>&nbsp;&nbsp;&nbsp;&nbsp;far as the story goes?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly
<br>**[18:08] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where could I take the characters<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be best for their world?<br>**[18:14] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are the kinds of<br>&nbsp;&nbsp;&nbsp;&nbsp;things I need to consider.<br>**[18:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Best for their world, huh?<br>**[18:21] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels kind of insincere to<br>&nbsp;&nbsp;&nbsp;&nbsp;let my feelings get in the way.<br>**[18:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[18:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Tomozaki?<br>**[18:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there someone that you like?<br>**[18:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-M-Me?<br>**[18:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You.<br>**[18:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I... well... good question.<br>**[18:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had two or more<br>&nbsp;&nbsp;&nbsp;&nbsp;special people in your life,<br>**[18:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you could only choose one of them...<br>**[19:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How would you choose that one person?<br>**[19:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably, if I'm being honest...<br>**[19:12] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[19:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm...<br>**[19:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not in a position to make<br>&nbsp;&nbsp;&nbsp;&nbsp;that choice in the first place.<br>**[19:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right. That's how I truly feel.*<br>**[19:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hinami keeps grilling me about who I choose,*<br>**[19:31] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;even coming up with that hypothetical*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about girls confessing their love.*<br>**[19:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I've kept putting my answer on hold.*<br>**[19:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because deep inside, that's how I feel.*<br>**[19:43] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;For 17 years, this bottom-tier nature*<br>*&nbsp;&nbsp;&nbsp;&nbsp;has been ingrained deep in my soul.*<br>**[19:48] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I'm not the one who gets chosen, much*<br>*&nbsp;&nbsp;&nbsp;&nbsp;less the one who gets to choose.*<br>**[19:55] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When Hinami gave me that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;confession hypothetical,*<br>**[19:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*what governed my mind in that moment*<br>**[20:00] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;was an indescribable remorse,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a sense of guilt...*<br>**[20:04] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"A bottom-tier character like you,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;choosing? Don't get so cocky."*<br>**[20:09] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In other words, an underlying*<br>*&nbsp;&nbsp;&nbsp;&nbsp;feeling of incompetence*<br>**[20:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*controlling my thoughts in this game of life.*<br>**[20:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And it had nested deep within me.*<br>**[20:21] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm.<br>**[20:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I find this kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;stuff hard to talk about.<br>**[20:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry I couldn't be more helpful.<br>**[20:59] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brain!<br>**[21:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mimimi? Don't scare me like that!<br>**[21:04] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your fault for being wide open.<br>**[21:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Says who?<br>**[21:08] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still at it at this hour, eh?<br>**[21:10] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have a little<br>&nbsp;&nbsp;&nbsp;&nbsp;one-on-one with Kikuchi, hmm?<br>**[21:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... I guess so.<br>**[21:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, see you.<br>**[21:30] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Mr. Tomozaki...<br>**[21:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What now?<br>**[21:33] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who on earth is this Gumi person?<br>**[21:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, she's this girl who<br>&nbsp;&nbsp;&nbsp;&nbsp;works with me and Mizusawa.<br>**[21:40] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Really*? Is that *all* she is?<br>**[21:43] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems pretty fishy to me!<br>**[21:45] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;My sources tell me you went<br>&nbsp;&nbsp;&nbsp;&nbsp;to her culture festival.<br>**[21:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, because she invited us.<br>**[21:52] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fishy, all right! She<br>&nbsp;&nbsp;&nbsp;&nbsp;goes to an all-girls school!<br>**[21:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that got to do with it?<br>**[21:59] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just, you know...<br>**[22:01] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't seem like the<br>&nbsp;&nbsp;&nbsp;&nbsp;going-to-festivals-at-girls'-schools type.<br>**[22:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like they'd arrest me if I<br>&nbsp;&nbsp;&nbsp;&nbsp;went into a girls' school?<br>**[22:09] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man, not this again...<br>**[22:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This" what, exactly?<br>**[22:14] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind!<br>**[22:17] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, when you're cool, you're <br>
&nbsp;&nbsp;&nbsp;&nbsp;cool, but when you're not... *wow*.<br>**[22:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah?<br>**[22:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, are you saying I'm cool sometimes?<br>**[22:27] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are!<br>**[22:28] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're helpful in so many ways, you<br>&nbsp;&nbsp;&nbsp;&nbsp;did so much for Tama—all that stuff!<br>**[22:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[22:36] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I respect you, Brain, you know that?<br>**[22:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:40] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've told you you're like Tama, right?<br>**[22:43] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A scaredy-cat, sure, but<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll still go all-out,<br>**[22:46] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you head straight<br>&nbsp;&nbsp;&nbsp;&nbsp;for what you want to do.<br>**[22:51] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like...<br>**[22:52] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just go ahead and do all these <br>
&nbsp;&nbsp;&nbsp;&nbsp;things I *want* to do, but can't.<br>**[22:58] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's really wonderful.<br>**[23:01] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that right there?<br>**[23:05] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I like about you.<br>**[23:12] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You thought I meant I liked you <br>
&nbsp;&nbsp;&nbsp;&nbsp;*that* way just now, didn't you!<br>**[23:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No... Jeez.<br>**[23:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually do, though...<br>&nbsp;&nbsp;&nbsp;&nbsp;like you that way.<br>**[23:28] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya!<br>**[23:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>

# E9 - If you don't make up your mind, the story won't advance

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GMKUXPE8V/if-you-dont-make-up-your-mind-the-story-wont-advance)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki
<br>**[00:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"You thought I meant I liked <br>
&nbsp;&nbsp;&nbsp;&nbsp;you* that *way, didn't you!"*<br>**[00:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I actually do like you that way."*<br>**[00:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who, a bottom-tier character like me?*<br>**[00:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This calls for some top-tier assistance.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aoi Hinami
<br>**[00:19] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I guess I'll have to go*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to Hinami for advice...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takehiro Mizusawa: Sorry, Fumiya. Can  you come to work? Someone called in sick.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takehiro Mizusawa: Sorry, Fumiya. Can  you come to work? Someone called in sick.
<br>**[00:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mizusawa?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 9  If you don't make up your mind, the story won't advance
<br>**[02:02] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for the short notice.<br>**[02:04] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a big help.<br>**[02:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[02:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Fumiya?<br>**[02:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's not like I can tell him about Mimimi.*<br>**[02:13] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aha! Girl trouble, perhaps?<br>**[02:18] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I got it right.<br>**[02:20] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So were you dumped? Did you jump<br>&nbsp;&nbsp;&nbsp;&nbsp;the gun on confessing your love?<br>**[02:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dumped? No, not dumped...<br>**[02:28] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Then did someone open up to *you*?<br>**[02:31] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been spending a lot of<br>&nbsp;&nbsp;&nbsp;&nbsp;time alone with Kikuchi lately.<br>**[02:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Kikuchi?<br>**[02:37] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No?<br>**[02:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... no...<br>**[02:42] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Then that means...<br>**[02:45] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;the other possibility would be...<br>**[02:49] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mimimi?<br>**[02:51] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, seriously? Mimimi?<br>**[02:56] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm.<br>**[02:57] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[03:00] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what's got you confused?<br>**[03:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't even know if it counts<br>&nbsp;&nbsp;&nbsp;&nbsp;as a confession, for one.<br>**[03:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to say.<br>**[03:10] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could be a confession, or<br>&nbsp;&nbsp;&nbsp;&nbsp;she could be playing games.<br>**[03:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Games...<br>**[03:16] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to continue the<br>&nbsp;&nbsp;&nbsp;&nbsp;relationship you've had so far,<br>**[03:19] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can totally go on<br>&nbsp;&nbsp;&nbsp;&nbsp;as if nothing happened.<br>**[03:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I can, huh?<br>**[03:25] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although I *would* say that...<br>**[03:27] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you wanted to date her in this<br>&nbsp;&nbsp;&nbsp;&nbsp;situation, you can probably do that, too.<br>**[03:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[03:34] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep it down!<br>**[03:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry...<br>**[03:38] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But yeah, I can see why<br>&nbsp;&nbsp;&nbsp;&nbsp;she'd be feeling the heat.<br>**[03:42] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that mean?<br>**[03:44] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember? Attractive guys attract people.<br>**[03:48] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mimimi's probably fretting about<br>&nbsp;&nbsp;&nbsp;&nbsp;you getting snapped up by Kikuchi<br>**[03:55] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;or someone at the girls' school.<br>**[03:57] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, but even if I did get snapped up,<br>**[04:00] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are plenty of other options...<br>**[04:02] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen.<br>**[04:04] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When are you going to quit<br>&nbsp;&nbsp;&nbsp;&nbsp;with that masochistic crap?<br>**[04:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just wielding your<br>&nbsp;&nbsp;&nbsp;&nbsp;weakness as an excuse<br>**[04:10] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you don't have to acknowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone's expectations or goodwill,<br>**[04:14] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it's a *terrible habit*.<br>**[04:16] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you noticed?<br>**[04:18] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever you're putting yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;down, you look almost relieved.<br>**[04:24] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do that.<br>**[04:27] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A *truly* cool guy is only relieved<br>**[04:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;after raising the bar for himself,<br>&nbsp;&nbsp;&nbsp;&nbsp;then eagerly putting in the work<br>**[04:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be able to clear it.<br>**[04:38] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, honestly, you're free<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep denigrating yourself.<br>**[04:42] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care either way.<br>**[04:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when you put yourself down,<br>**[04:47] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;it upsets the people who like you.<br>**[04:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I guess I* am *an undisputed bottom-tier <br>
&nbsp;&nbsp;&nbsp;&nbsp;character in this game called life.*<br>**[05:04] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I go on about truth and sincerity while*<br>*&nbsp;&nbsp;&nbsp;&nbsp;using my own weakness as an excuse,*<br>**[05:09] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;shutting down my thoughts with "No one*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would ever choose the likes of me."*<br>**[05:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But maybe I knew that, somewhere deep down.*<br>**[05:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Maybe I was just pretending not to notice.*<br>**[05:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Which is exactly why I'm <br>
&nbsp;&nbsp;&nbsp;&nbsp;going to voice *this* truth*<br>**[05:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in the realest sense of the word:*<br>**[05:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, Minami Nanami...*<br>**[05:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She... she likes me.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Room 2
<br>**[05:40] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Today's Task: Decide who you want to get closer to
<br>**[05:41] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've chosen your two or<br>&nbsp;&nbsp;&nbsp;&nbsp;more girls to pursue, yes?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Small Goal: Who do you want to get closer to?
<br>**[05:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I ask you something, Hinami?<br>**[05:50] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[05:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does it mean to... to fall for someone?<br>**[05:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you ask something so<br>&nbsp;&nbsp;&nbsp;&nbsp;embarrassing with a straight face?<br>**[05:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stop it. I was doing fine<br>&nbsp;&nbsp;&nbsp;&nbsp;till you said something.<br>**[06:04] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if we look at it analytically...<br>**[06:07] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's when reliance, lust, possessiveness,<br>&nbsp;&nbsp;&nbsp;&nbsp;and interest coincide.<br>**[06:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precisely speaking, it would be an emotion<br>**[06:17] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;made up of a combination of these factors.<br>**[06:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I mean in a more individual way.<br>**[06:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something like... who do I like?<br>**[06:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do I even know how to tell?<br>**[06:33] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still going on about that?<br>**[06:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do *want* to make up my mind,<br>**[06:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't yet. Or something.<br>**[06:41] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, this is why you need to<br>&nbsp;&nbsp;&nbsp;&nbsp;choose two or more people.<br>**[06:46] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You honestly can't decide, yet you're<br>&nbsp;&nbsp;&nbsp;&nbsp;compelled to narrow it down to just one.<br>**[06:51] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that much more insincere?<br>**[06:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or perhaps there's not a single<br>&nbsp;&nbsp;&nbsp;&nbsp;girl you're vaguely interested in?<br>**[07:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... that's not it...<br>**[07:05] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not telling you to run out<br>&nbsp;&nbsp;&nbsp;&nbsp;there and declare your love.<br>**[07:09] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't even have to be certain about it.<br>**[07:12] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just decide who you'd like to become<br>&nbsp;&nbsp;&nbsp;&nbsp;closer to from now on. That's all.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Small Goal: Who do you want to get closer to?
<br>**[07:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[07:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girls I'm interested in<br>**[07:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;are Mimimi and Kikuchi.<br>**[07:29] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;An extremely appropriate answer, given<br>&nbsp;&nbsp;&nbsp;&nbsp;all your hesitation. What a letdown.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Small Goal: CLEAR!  Who do you want to get closer to?  Mimimi / Kikuchi
<br>**[07:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hush.<br>**[07:38] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, so starting today,<br>**[07:40] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll get closer to them<br>&nbsp;&nbsp;&nbsp;&nbsp;on the premise of building<br>**[07:43] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;a boyfriend-girlfriend relationship.<br>**[07:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boyfriend... girlfriend...<br>**[07:48] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Picture this:<br>**[07:50] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mimimi comes to your room,<br>**[07:53] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the two of you sit on your bed, alone.*<br>**[07:55] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A lot of words are exchanged,*<br>**[07:57] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*your fingers are entwined...*<br>**[08:01] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Or you're with Fuka,*<br>**[08:03] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and a lot of words are exchanged,*<br>**[08:05] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*your fingers are entwined...*<br>**[08:09] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[08:11] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you got it.<br>**[08:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn her...*<br>**[08:15] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, first up, your new goal:<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;New Goal: Decide which one you like
<br>**[08:19] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Decide which one you like.<br>**[08:22] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you have that answer,<br>**[08:24] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;work on conveying your feelings to her.<br>**[08:27] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your small goal will be...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Small Goal: Complete event map (before culture festival)
<br>**[08:29] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;to complete a normie romance event<br>&nbsp;&nbsp;&nbsp;&nbsp;map before the culture festival.<br>**[08:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;An event map?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami Nanami Route  - Event 1   - Event 2  - Event 3  Fuka Kikuchi Route   - Event 1   - Event 2  - Event 3
<br>**[08:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like in a dating sim?<br>**[08:43] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hex*actly!<br>**[08:45] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you ultimately confess your<br>&nbsp;&nbsp;&nbsp;&nbsp;feelings to her and start dating,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Medium Goal: Have a girlfriend  before starting year 3
<br>**[08:49] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have met your medium goal.<br>**[08:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hang on a second...<br>**[08:53] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:55] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to make confession a goal.<br>**[08:58] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm going to tell a girl how I feel,<br>**[09:00] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;it can't be for some goal or task...<br>**[09:05] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's got to be because I, <br>
&nbsp;&nbsp;&nbsp;&nbsp;myself, *want* to tell her.<br>**[09:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Are you saying that the <br>
&nbsp;&nbsp;&nbsp;&nbsp;*process* is what matters here,<br>**[09:14] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;regardless of the outcome?<br>**[09:17] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*nanashi* is saying this?<br>**[09:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do think the outcome is important, too.<br>**[09:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? Then who cares?<br>**[09:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;nanashi's play style is all about valuing<br>&nbsp;&nbsp;&nbsp;&nbsp;both the process and the result.<br>**[09:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how I got to be<br>&nbsp;&nbsp;&nbsp;&nbsp;Japan's top-ranked player.<br>**[09:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean,<br>**[09:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's got to be more efficient to<br>&nbsp;&nbsp;&nbsp;&nbsp;fight that way IRL, too, right?<br>**[09:40] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you insist, I guess, sure.<br>**[09:45] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next we'll go into more<br>&nbsp;&nbsp;&nbsp;&nbsp;detail on the event map.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Small Goal: Complete event map (before culture festival)
<br>**[09:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[09:50] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just sent you three<br>&nbsp;&nbsp;&nbsp;&nbsp;events you'll need to clear.<br>**[09:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;First up:<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Discuss what you're looking for in a dating partner
<br>**[09:58] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Discuss what you're looking<br>&nbsp;&nbsp;&nbsp;&nbsp;for in a dating partner.<br>**[10:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's pretty direct...<br>**[10:04] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second:<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Touch each others' hands on purpose for at least 5 seconds straight
<br>**[10:05] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Touch each others' hands *on purpose* <br>
&nbsp;&nbsp;&nbsp;&nbsp;for at least 5 seconds straight.<br>**[10:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?!<br>**[10:11] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third:<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Wear matching accessories just for you two
<br>**[10:12] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wear matching accessories, just for you two.<br>**[10:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait wait wait!<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't these all incredibly hard?!<br>**[10:22] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are. But you can do it.<br>**[10:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[10:26] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, you've managed to<br>&nbsp;&nbsp;&nbsp;&nbsp;complete almost every task so far.<br>**[10:31] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right?<br>**[10:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes.<br>**[10:50] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This new cheese curry on<br>&nbsp;&nbsp;&nbsp;&nbsp;the school lunch menu...<br>**[10:53] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;pulling some strings as<br>&nbsp;&nbsp;&nbsp;&nbsp;student council prez, I see!<br>**[10:56] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, me? No way!<br>**[10:58] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you *sure*?<br>**[11:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wh-What's going on?*<br>**[11:11] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Mimimi?<br>**[11:14] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Damn. Now Hinami will see that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Mimimi's acting weird, too.*<br>**[11:27] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Mizusawa said we could always*<br>*&nbsp;&nbsp;&nbsp;&nbsp;just carry on as we always had,*<br>**[11:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but that's looking unlikely.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Did something happen with Mimimi?  Nothing in particular
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ah. Well, as long as you're getting  through those tasks of yours
<br>**[11:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*First, what we're looking for in a partner...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Discuss what you're looking for in a dating partner
<br>**[11:56] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I'm late.<br>**[11:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[11:59] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry.<br>**[12:01] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I startle you?<br>**[12:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no... you're fine.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  First Draft
<br>**[12:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, wow!<br>**[12:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like a real script!<br>**[12:13] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it?<br>**[12:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was fast, though. You're done already?<br>**[12:18] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I still haven't figured<br>&nbsp;&nbsp;&nbsp;&nbsp;out the second half.<br>**[12:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no?<br>**[12:25] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's kind of fun, somehow.<br>**[12:29] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get so excited when I picture these<br>&nbsp;&nbsp;&nbsp;&nbsp;characters coming to life on stage.<br>**[12:34] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And a little nervous, too.<br>**[12:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it.<br>**[12:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All those people watching<br>&nbsp;&nbsp;&nbsp;&nbsp;the festival stage...<br>**[12:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll give this a read-through<br>**[12:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we'll met up again after school.<br>**[12:50] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks in advance.<br>**[12:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um, a-actually...<br>**[12:55] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? What is it?<br>**[12:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh...<br>**[13:00] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Discuss what you're looking for in a dating partner
<br>**[13:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;**Now *what do I do?*<br>**[13:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know! If Fuka's my choice...*<br>**[13:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earlier you said you were<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to figure out<br>**[13:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;who the hero Libra would wind<br>&nbsp;&nbsp;&nbsp;&nbsp;up with at the climax, right?<br>**[13:21] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Kris or Alucia.<br>**[13:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;People who see romance as a<br>&nbsp;&nbsp;&nbsp;&nbsp;matter of who winds up with who<br>**[13:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;are going to be really<br>&nbsp;&nbsp;&nbsp;&nbsp;invested in this story.<br>**[13:32] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[13:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um... if a guy and<br>&nbsp;&nbsp;&nbsp;&nbsp;a girl are g-going out,<br>**[13:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;what do *you* think their criteria should be?<br>**[13:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their criteria for choosing someone to date?<br>**[13:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah. Right.<br>**[13:50] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still so much I don't know...<br>**[13:55] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think it probably depends on<br>**[13:59] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;what "dating" means to any given person.<br>**[14:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What it means?<br>**[14:07] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone is simply interested<br>&nbsp;&nbsp;&nbsp;&nbsp;in trying this "dating" thing,<br>**[14:12] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;or if a couple wants to put a name<br>&nbsp;&nbsp;&nbsp;&nbsp;on the relationship they share...<br>**[14:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That probably counts for my task, anyway...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Discuss what you're looking for in a dating partner
<br>**[14:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I'd like to take it a step further.*<br>**[14:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, then, what does "dating"<br>&nbsp;&nbsp;&nbsp;&nbsp;mean for you personally?<br>**[14:37] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me? Personally?<br>**[14:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[14:42] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[14:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there's this Andi story,<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Scissorman's Lie."<br>**[14:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that one. The short love story<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Scissorman and the princess.<br>**[14:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Scissorman's Lie
<br>**[14:55] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man with scissors for hands who<br>&nbsp;&nbsp;&nbsp;&nbsp;hurts people without meaning to<br>**[15:00] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;gets pulled into a storybook world<br>&nbsp;&nbsp;&nbsp;&nbsp;and falls in love with a princess.<br>**[15:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bond gradually grows<br>&nbsp;&nbsp;&nbsp;&nbsp;between the lonely pair.<br>**[15:09] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Scissorman is the only<br>&nbsp;&nbsp;&nbsp;&nbsp;one for the princess,<br>**[15:13] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the princess is the only<br>&nbsp;&nbsp;&nbsp;&nbsp;one for the Scissorman.<br>**[15:18] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think dating might mean being able<br>&nbsp;&nbsp;&nbsp;&nbsp;to create that kind of relationship.<br>**[15:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where no one else could<br>&nbsp;&nbsp;&nbsp;&nbsp;take your partner's place.<br>**[15:29] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[15:30] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A special relationship, where no one<br>&nbsp;&nbsp;&nbsp;&nbsp;else will do, taking one ideal shape.<br>**[15:38] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that might be what<br>&nbsp;&nbsp;&nbsp;&nbsp;"dating" means to me.<br>**[15:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;One ideal shape, huh?<br>**[15:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to give that some thought myself.<br>**[15:49] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have a take on it?<br>**[15:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm... I never really thought about it.<br>**[15:56] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see.<br>**[15:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's all the more reason I ought to<br>&nbsp;&nbsp;&nbsp;&nbsp;pin down my own definition of "dating."<br>**[16:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, once you do,<br>&nbsp;&nbsp;&nbsp;&nbsp;please share it with me.<br>**[16:12] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! To, um... to help with<br>&nbsp;&nbsp;&nbsp;&nbsp;the script, that is...<br>**[16:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-As reference.<br>**[16:20] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. As reference.<br>**[16:28] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, Fumiya.<br>**[16:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, Mizusawa?<br>**[16:34] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure is awkward between you and Mimimi.<br>**[16:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well...<br>**[16:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;you know...<br>**[16:40] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This calls for drastic measures.<br>**[16:43] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get to lunch.<br>**[16:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>**[16:53] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Mapo bowl for you, Brain?<br>**[16:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-And ramen for you, Mimimi?<br>**[17:01] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tomozaki?<br>**[17:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah?<br>**[17:05] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;About... About yesterday...<br>**[17:10] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, don't worry about it too much.<br>**[17:14] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, forget it!<br>**[17:16] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or, well, not exactly.<br>**[17:19] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just be like we always<br>&nbsp;&nbsp;&nbsp;&nbsp;have been... or something.<br>**[17:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure.<br>**[17:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[17:28] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh! Who knew?<br>**[17:30] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same goes for you, right, Aoi?<br>**[17:32] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right!<br>**[17:34] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had people ask if you<br>&nbsp;&nbsp;&nbsp;&nbsp;and I are dating, Takahiro!<br>**[17:39] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah, those two would <br>
&nbsp;&nbsp;&nbsp;&nbsp;make a *great* couple.<br>**[17:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you *do* say so yourself.<br>**[17:46] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, Tomozaki... what about *you*?<br>**[17:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[17:53] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can feel her pressing me to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;make the most of this setting*<br>**[17:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to get my tasks over with.*<br>**[17:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Me?<br>**[18:01] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! It's like you seem to have<br>&nbsp;&nbsp;&nbsp;&nbsp;something going on, but you don't...<br>**[18:06] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;or it seems like you *don't*, but you *do*.<br>**[18:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well, which is it?*<br>**[18:09] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, he might. He was at that girls' school<br>&nbsp;&nbsp;&nbsp;&nbsp;culture festival, after all.<br>**[18:15] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talking to girls and everything.<br>**[18:20] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't be surprised if<br>&nbsp;&nbsp;&nbsp;&nbsp;something developed after that.<br>**[18:24] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is that true, Brain?!<br>**[18:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, there's nothing!<br>**[18:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[18:31] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Minmi...<br>**[18:32] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?<br>**[18:34] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're weird today.<br>**[18:35] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that? I thought so, too.<br>**[18:39] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet she's hiding something from us!<br>**[18:42] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I wouldn't... say *that*...<br>**[18:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whoa, Mimimi—this is* not *the <br>
&nbsp;&nbsp;&nbsp;&nbsp;time to be looking my way!*<br>**[18:50] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now. Setting that aside...<br>**[18:54] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops—my ramen's gonna get soggy!<br>**[18:57] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone eat up fast before it gets cold!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly
<br>**[19:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"My Unfamiliar Way to Fly" went like this:*<br>**[19:13] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In a world where dragons*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and humans lived in harmony,*<br>**[19:16] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;there was one very special*<br>*&nbsp;&nbsp;&nbsp;&nbsp;breed of flying dragon.*<br>**[19:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Susceptible to stress and wary of humans,*<br>**[19:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the most important factor in raising them was*<br>**[19:27] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;never exposing them to the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;impurities of the world.*<br>**[19:31] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Libra, the locksmith's son, and Alucia,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;next in line to be queen, were both 15.*<br>**[19:37] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;They grew up together, despite*<br>*&nbsp;&nbsp;&nbsp;&nbsp;their different backgrounds.*<br>**[19:40] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When Libra was younger, he visited the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;castle on an errand for his father,*<br>**[19:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*where he met the smart and determined Alucia,*<br>**[19:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the two became friends.*<br>**[19:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One day, while his father was working,*<br>**[19:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Alucia invited Libra to explore the castle.*<br>**[19:58] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Inside it was a garden they*<br>*&nbsp;&nbsp;&nbsp;&nbsp;were forbidden to enter.*<br>**[20:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Out of curiosity, the two went in.*<br>**[20:07] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;There before them was a pure-white*<br>*&nbsp;&nbsp;&nbsp;&nbsp;dragon with huge wings*<br>**[20:12] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and Kris, a young girl who knew*<br>*&nbsp;&nbsp;&nbsp;&nbsp;nothing of the outside world.*<br>**[20:17] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kris had been abandoned*<br>*&nbsp;&nbsp;&nbsp;&nbsp;outside the castle as a baby,*<br>**[20:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and was also 15 years old.*<br>**[20:24] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She lived here, apart from the world,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to serve as the dragon keeper.*<br>**[20:30] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Neither she nor the dragons*<br>*&nbsp;&nbsp;&nbsp;&nbsp;were permitted to have contact*<br>**[20:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*with any humans who weren't royalty.*<br>**[20:37] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The king sentenced Libra to death for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;having entered the forbidden garden.*<br>**[20:43] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But Alucia confronted her father,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the king, with a hard truth:*<br>**[20:49] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the king had illegitimate children*<br>*&nbsp;&nbsp;&nbsp;&nbsp;hidden throughout the kingdom.*<br>**[20:55] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Alucia bluffed that Libra*<br>*&nbsp;&nbsp;&nbsp;&nbsp;was one of these children,*<br>**[20:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*making him royalty—and her brother.*<br>**[21:04] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And if Libra were royalty, he*<br>*&nbsp;&nbsp;&nbsp;&nbsp;couldn't contaminate the dragons.*<br>**[21:10] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Not wanting his dirty little*<br>*&nbsp;&nbsp;&nbsp;&nbsp;secret to go public,*<br>**[21:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the king vacated Libra's sentence,*<br>**[21:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and Libra was charged with caring for Kris.*<br>**[21:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[21:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I enjoyed it.<br>**[21:29] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You did? Really?!<br>**[21:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. It felt a lot like the way<br>&nbsp;&nbsp;&nbsp;&nbsp;it did when I read the story itself.<br>**[21:36] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness...<br>**[21:39] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, w-would you say you<br>&nbsp;&nbsp;&nbsp;&nbsp;had any concerns so far?<br>**[21:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[21:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe the characters?<br>**[21:48] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The characters?<br>**[21:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They feel... more *ordinary* now, or something.<br>**[21:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the story is easier<br>&nbsp;&nbsp;&nbsp;&nbsp;to understand this way,<br>**[21:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's like there's<br>&nbsp;&nbsp;&nbsp;&nbsp;something off about them.<br>**[22:00] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe so...<br>**[22:02] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually did change the concept a little.<br>**[22:06] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I simplified the characters to make it<br>&nbsp;&nbsp;&nbsp;&nbsp;easier for everyone to play the various parts.<br>**[22:11] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in making them easier to understand,<br>&nbsp;&nbsp;&nbsp;&nbsp;they may have become more broadly drawn.<br>**[22:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see.<br>**[22:19] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Her short stories are strong on portraying*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the characters' fine details,*<br>**[22:24] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the particular ways they think,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;even their inconsistent feelings.*<br>**[22:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a big part of its charm.<br>**[22:30] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd do without complex emotions<br>**[22:32] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bring straightforward<br>&nbsp;&nbsp;&nbsp;&nbsp;thoughts to the forefront.<br>**[22:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I feel like that weakened<br>&nbsp;&nbsp;&nbsp;&nbsp;the sense I had before<br>**[22:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;that these were living,<br>&nbsp;&nbsp;&nbsp;&nbsp;breathing characters.<br>**[22:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I keep on writing this as is?<br>**[22:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I think you should go<br>&nbsp;&nbsp;&nbsp;&nbsp;back the original characters.<br>**[22:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might make them harder to perform,<br>**[22:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it might be hard for you to<br>&nbsp;&nbsp;&nbsp;&nbsp;get that across in just dialogue.<br>**[23:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[23:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that way is absolutely<br>&nbsp;&nbsp;&nbsp;&nbsp;more interesting.<br>**[23:10] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, understood. I'll give it a try.<br>**[23:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;**Way *too much happened today.*<br>**[23:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I feel like my head's going to pop.*<br>**[23:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What should I be thinking about?*<br>**[23:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What should I do?*<br>**[23:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What does "dating" mean?*<br>**[23:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And if I ever find out...*<br>**[23:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who will I most want to be with,*<br>**[23:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mimimi or Kikuchi?*<br>

# E10 - The patterns carved into the stone tablet are connected to the mysteries of the world

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GVWU078Q4/the-patterns-carved-into-the-stone-tablet-are-connected-to-the-mysteries-of-the-world)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard it from the horse's mouth:<br>**[00:04] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mimimi told you she liked you.<br>**[00:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm sorry I hid it from you.<br>**[00:10] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all right. So for now...<br>**[00:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;as you progress through your event map,<br>**[00:16] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be focusing on Fuka instead,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Event 1  Event 2  Event 3  Event 4   Minami Nanami
<br>**[00:19] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;since you've already met<br>&nbsp;&nbsp;&nbsp;&nbsp;your goal with Mimimi.<br>**[00:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again with that "goal" stuff...<br>**[00:24] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, if you'd like,<br>**[00:27] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can check off the boxes<br>&nbsp;&nbsp;&nbsp;&nbsp;for Mimimi, too.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Event 5  Event 6  Event 7  Event 8  Minami Nanami
<br>**[00:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Really?<br>**[00:35] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do seem to prefer<br>&nbsp;&nbsp;&nbsp;&nbsp;challenges that coincide with<br>**[00:38] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;what you want to do.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 10  The patterns carved into the stone tablet are connected to the mysteries of the world
<br>**[02:12] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, first of all,<br>**[02:14] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;we decide who gets what part.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Roles:  Libra  Kris
<br>**[02:16] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting with the hero, Libra.<br>**[02:19] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's he like?<br>**[02:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Libra is...<br>**[02:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's good at closing the distance<br>&nbsp;&nbsp;&nbsp;&nbsp;between him and others.<br>**[02:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's considerate, smart, and<br>&nbsp;&nbsp;&nbsp;&nbsp;brimming with curiosity.<br>**[02:28] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's me! Who else?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takei: 1  Tachibana: 10  Mizusawa: 23
<br>**[02:33] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takahiro it is!<br>**[02:35] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Why?<br>**[02:39] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not entirely sure I'm fit for<br>&nbsp;&nbsp;&nbsp;&nbsp;the role, but since it's mine now...<br>**[02:45] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it proud.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Libra: Mizusawa  Kris  Alucia
<br>**[02:47] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next is Kris.<br>**[02:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kris is fearful, but so innocent—a<br>&nbsp;&nbsp;&nbsp;&nbsp;slightly childlike girl.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Seno: 5  Kashiwazaki: 9  Natsubayashi: 20
<br>**[02:57] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama it is!<br>**[03:00] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I'll do my best.<br>**[03:02] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last main character is Alucia.<br>**[03:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's brilliant and quick-witted:<br>**[03:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;the perfect girl whom<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone can rely on.<br>**[03:13] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, well...<br>**[03:15] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;you know.<br>**[03:17] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see I'm going to have to raise my hand.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Libra: Mizusawa  Kris: Natsubayashi  Alucia: Hinami
<br>**[03:21] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Aoi it is!<br>**[03:23] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A round of applause for<br>&nbsp;&nbsp;&nbsp;&nbsp;our three main characters!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Good luck!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Break a leg!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Can't wait!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Manga Café | Play
<br>**[03:31] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, so this is how we'll divvy things<br>&nbsp;&nbsp;&nbsp;&nbsp;up between the play and the manga café.<br>**[03:38] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Tomozaki.<br>**[03:42] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is kind of fun. Now<br>&nbsp;&nbsp;&nbsp;&nbsp;that we have our actors,<br>**[03:47] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting all these ideas...<br>**[03:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[03:51] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Brain!<br>**[03:53] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to have a meeting of our own!<br>**[03:56] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure we'll make it in time, though!<br>**[03:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right! The comedy act.<br>**[04:01] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Brain! Did you<br>&nbsp;&nbsp;&nbsp;&nbsp;forget? You little so-and-so!<br>**[04:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry... I've been kinda busy.<br>**[04:07] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you *are* directing <br>
&nbsp;&nbsp;&nbsp;&nbsp;the class play, after all.<br>**[04:10] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do you a favor: how about<br>&nbsp;&nbsp;&nbsp;&nbsp;we meet after school today?<br>**[04:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is that doing me a favor?<br>**[04:18] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that okay, Kikuchi?<br>**[04:21] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, sure.<br>**[04:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, uh, what should we do?<br>**[04:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, Tomozaki... what?<br>**[04:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have any suggestions?<br>**[04:35] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um... I was thinking about,<br>&nbsp;&nbsp;&nbsp;&nbsp;like, a married-couple routine...<br>**[04:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Married couple...<br>**[04:43] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, um, then I changed my mind.<br>**[04:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... okay.<br>**[04:50] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen...<br>**[04:53] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look... I told you, didn't I?<br>**[04:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... you mean...<br>**[04:59] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That I like you.<br>**[05:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right...<br>**[05:03] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you think? When<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you... like that.<br>**[05:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... I was glad. Really glad.<br>**[05:14] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[05:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But honestly...<br>**[05:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like I'm still not sure<br>&nbsp;&nbsp;&nbsp;&nbsp;what exactly to do now.<br>**[05:24] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[05:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, you're probably—<br>**[05:30] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, is this okay?! I'm not getting<br>&nbsp;&nbsp;&nbsp;&nbsp;annoying or anything, am I?<br>**[05:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, it's fine...<br>**[05:44] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, good.<br>**[05:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[05:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[05:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think it means for<br>&nbsp;&nbsp;&nbsp;&nbsp;a—for a girl and a guy to date?<br>**[05:58] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Where'd that come<br>&nbsp;&nbsp;&nbsp;&nbsp;from? A girl and a guy—?<br>**[06:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah. Like, why a couple would date.<br>**[06:06] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I be serious for a second?<br>**[06:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[06:10] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you before how I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;really break into first place,<br>**[06:18] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I can't be someone special.<br>**[06:20] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tell myself not to think that way,<br>**[06:23] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's so deeply ingrained in me by now<br>**[06:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I can't really change.<br>**[06:27] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you... you gave me the chance to try.<br>**[06:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, the election?<br>**[06:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[06:35] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with Tama and Erika... lots<br>&nbsp;&nbsp;&nbsp;&nbsp;of times, really.<br>**[06:40] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I couldn't do anything at all,<br>**[06:42] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's like you changed the<br>&nbsp;&nbsp;&nbsp;&nbsp;world to get things solved.<br>**[06:46] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to be someone like you—<br>**[06:49] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's not something I can do.<br>**[06:53] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, yeah!<br>**[06:55] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first it was kinda spur-of-the-moment,<br>&nbsp;&nbsp;&nbsp;&nbsp;saying I liked you—like how I like Tama.<br>**[06:58] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the more I thought about it...<br>**[07:01] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I started to realize that I felt the same.<br>**[07:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same?<br>**[07:06] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;About you.<br>**[07:08] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really do like you.<br>**[07:13] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So maybe that's it.<br>**[07:15] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's... the reason I chose you.<br>**[07:20] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man—am I getting annoying again?!<br>**[07:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not at all.<br>**[07:26] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, geez, now I'm all embarrassed.<br>**[07:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget what I said here today!<br>**[07:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?! A-All right.<br>**[07:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'd be too lonely if you<br>&nbsp;&nbsp;&nbsp;&nbsp;forgot it all, so never mind.<br>**[07:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck?<br>**[07:40] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, a girl's mind is complicated, okay?<br>**[07:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is, eh? Complicated, huh...<br>**[07:46] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later, Brain!<br>**[07:48] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sleep warm!<br>**[07:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey... what about our comedy practice?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki
<br>**[08:00] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So maybe that's it.<br>**[08:02] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's... the reason I chose you.<br>**[08:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then what about me?*<br>**[08:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What are my special reasons?*<br>**[08:14] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, Tomozaki.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Second Draft
<br>**[08:16] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that the roles have been<br>&nbsp;&nbsp;&nbsp;&nbsp;assigned, I adjusted the dialogue.<br>**[08:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In one night?<br>**[08:21] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I still haven't finished<br>&nbsp;&nbsp;&nbsp;&nbsp;the last scene, though.<br>**[08:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... she changed more than<br>&nbsp;&nbsp;&nbsp;&nbsp;just the dialogue, I see.<br>**[08:35] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since Kris had been caring for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the dragons all this time,*<br>**[08:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she'd never left the garden.*<br>**[08:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's the kind of sad girl she was.*<br>**[08:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the garden had everything:*<br>**[08:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a fluffy bed,*<br>**[08:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fresh, clean water,*<br>**[08:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a warm bath.*<br>**[08:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She read fairy tales and books of myths.*<br>**[08:58] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She was served the same*<br>*&nbsp;&nbsp;&nbsp;&nbsp;meals as the royal family.*<br>**[09:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But what the garden lacked <br>
&nbsp;&nbsp;&nbsp;&nbsp;was everything *else*.*<br>**[09:09] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The first change is in the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;scene where they meet.*<br>**[09:13] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When Kris, who lived in solitude*<br>*&nbsp;&nbsp;&nbsp;&nbsp;—knowing neither joy nor sorrow—*<br>**[09:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*first meets Libra and Alucia,*<br>**[09:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the first draft had her reacting like this:*<br>**[09:24] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other... humans? Oh! I'm Kris!<br>**[09:29] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are your names?<br>**[09:31] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It showed her curiosity about the outside*<br>*&nbsp;&nbsp;&nbsp;&nbsp;world, as well as how forthright she was.*<br>**[09:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But after the rewrite, it went like this:*<br>**[09:40] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other... humans?<br>**[09:43] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you? What are you doing here?<br>**[09:47] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Her guardedness and fear*<br>*&nbsp;&nbsp;&nbsp;&nbsp;came to the forefront.*<br>**[09:50] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Although she'd hoped to be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;released from her solitude,*<br>**[09:53] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;she still feared change*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and the unknown world.*<br>**[09:57] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Libra, too, wasn't the simple hero*<br>*&nbsp;&nbsp;&nbsp;&nbsp;he'd been in the first draft.*<br>**[10:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He was awkward and made a lot of mistakes,*<br>**[10:06] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but made friends via his*<br>*&nbsp;&nbsp;&nbsp;&nbsp;resolve to see things through.*<br>**[10:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now he was more of a realistic young man.*<br>**[10:12] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In other words, both of them had*<br>*&nbsp;&nbsp;&nbsp;&nbsp;their weaknesses highlighted.*<br>**[10:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But not Alucia.*<br>**[10:20] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Take when she meets Kris and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the dragon, for example.*<br>**[10:24] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Originally, Alucia sensed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;danger and tried to escape,*<br>**[10:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in the revised script:*<br>**[10:32] Alucia (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Libra, move.<br>**[10:34] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Alucia immediately moves to break*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the dragon's wing herself.*<br>**[10:39] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That makes it her fault that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the dragon can no longer fly.*<br>**[10:43] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It no longer matters*<br>*&nbsp;&nbsp;&nbsp;&nbsp;whether Libra is unclean.*<br>**[10:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But Libra notices and stops her.*<br>**[10:50] Libra (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[10:51] Alucia (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would take a *lot* to <br>
&nbsp;&nbsp;&nbsp;&nbsp;execute a royal like me.<br>**[10:56] Alucia (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please... let me do this.<br>**[10:59] Libra (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you do, Alucia...<br>**[11:01] Libra (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's your *heart* that will die!<br>**[11:07] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Thanks to Alucia's bluff,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Libra's life was spared.*<br>**[11:12] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Here the story shifts to the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;relationships between the three*<br>**[11:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*during their time in the garden.*<br>**[11:18] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With their new roles of*<br>*&nbsp;&nbsp;&nbsp;&nbsp;caretaker and educator,*<br>**[11:22] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;the three built a warm but strange*<br>*&nbsp;&nbsp;&nbsp;&nbsp;family-friend relationship.*<br>**[11:28] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kris enjoyed decorating with*<br>*&nbsp;&nbsp;&nbsp;&nbsp;flowers and reading books.*<br>**[11:34] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But to keep her from*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the world's impurities,*<br>**[11:37] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;she was allowed only*<br>*&nbsp;&nbsp;&nbsp;&nbsp;myths and fairy tales.*<br>**[11:40] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After exhausting the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;castle's stores of books,*<br>**[11:42] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;she became engrossed in Libra's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;tales of the outside world.*<br>**[11:47] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;The giant dragon is actually<br>&nbsp;&nbsp;&nbsp;&nbsp;the fastest of all dragons.<br>**[11:52] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;They move at such high speed: *boosh, boosh*!<br>**[11:55] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Tell me more!<br>**[11:58] Libra**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Nowadays there are even facilities that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;generate magic from their movements.*<br>**[12:04] Libra**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Apparently it was a huge discovery, being*<br>*&nbsp;&nbsp;&nbsp;&nbsp;able to turn physical power into magic!*<br>**[12:08] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Really? That's amazing!*<br>**[12:10] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a little magic myself.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just one spell, though: Unlock.<br>**[12:17] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's physical power, isn't it?<br>**[12:20] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's magical about opening a lock?<br>**[12:23] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got me.<br>**[12:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Libra told her all about the real world.*<br>**[12:28] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A world where people lived,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;sometimes argued,*<br>**[12:31] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;loved one another, and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;occasionally died.*<br>**[12:34] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;But see...<br>**[12:35] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I have this, I can go all kinds<br>&nbsp;&nbsp;&nbsp;&nbsp;of places and see all kinds of things.<br>**[12:40] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even if this is all I<br>&nbsp;&nbsp;&nbsp;&nbsp;have, that's fine by me.<br>**[12:44] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Your Unlock is a very...<br>**[12:49] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;a very marvelous spell!<br>**[12:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Meanwhile, Alucia was talented*<br>**[12:54] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and hard-working enough to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have won magic tournaments.*<br>**[12:58] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;She was tough on Kris during*<br>*&nbsp;&nbsp;&nbsp;&nbsp;their lessons together.*<br>**[13:01] Alucia**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, it's just some folk belief that<br>&nbsp;&nbsp;&nbsp;&nbsp;holds all non-royals are tainted.<br>**[13:05] Alucia**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no basis for it.<br>**[13:06] Alucia**<br>&nbsp;&nbsp;&nbsp;&nbsp;Noble society loves its<br>&nbsp;&nbsp;&nbsp;&nbsp;old-fashioned traditions.<br>**[13:11] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's a little frightening...<br>**[13:13] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, could we study something more pleasant?<br>**[13:16] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps some delightful tales<br>&nbsp;&nbsp;&nbsp;&nbsp;of the outside world...?<br>**[13:19] Alucia**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Okay, do you know<br>&nbsp;&nbsp;&nbsp;&nbsp;what butterflies are?<br>**[13:23] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuck! They're insects, aren't they?<br>**[13:27] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this?<br>**[13:29] Alucia**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a pill bug.<br>**[13:30] Alucia**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both are insects, but a<br>&nbsp;&nbsp;&nbsp;&nbsp;butterfly is different.<br>**[13:33] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's the only insect we have in here.<br>**[13:36] Alucia**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, this is why you need to study.<br>**[13:39] Alucia**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need basic knowledge to understand<br>&nbsp;&nbsp;&nbsp;&nbsp;stories about the world outside.<br>**[13:43] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, it feels like you're *butter*ing me up...<br>**[13:46] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a *butter*fly... get it?<br>**[13:48] Alucia**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm. Now let's pick up where we left off.<br>**[13:51] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't be a pill... *bug*! Get it?<br>**[13:54] Alucia**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes. Now, *where we left off*...<br>**[14:00] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tama*-rrow!<br>**[14:01] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pill... *bug*!<br>**[14:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kris is totally Tama.<br>**[14:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this Alucia...<br>**[14:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's way too similar to <br>
&nbsp;&nbsp;&nbsp;&nbsp;the face behind *her* mask.<br>**[14:14] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The story's turning point*<br>*&nbsp;&nbsp;&nbsp;&nbsp;hinged on the flying dragon.*<br>**[14:18] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Flying dragons become capable*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of flight before they turn 13.*<br>**[14:22] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Those that can't fly by then are thought to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;have lost the power of flight due to impurities.*<br>**[14:29] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The flying dragon Kris was*<br>*&nbsp;&nbsp;&nbsp;&nbsp;raising turned 13 this year...*<br>**[14:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and still couldn't fly.*<br>**[14:35] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But what impurity could*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be robbing it of flight?*<br>**[14:40] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kris, did you know?<br>**[14:42] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flying dragons can read people's minds.<br>**[14:45] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their minds?<br>**[14:47] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're kind, too.<br>**[14:49] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;They never forget all they owe<br>&nbsp;&nbsp;&nbsp;&nbsp;to the human who raises them,<br>**[14:53] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they do all they can to<br>&nbsp;&nbsp;&nbsp;&nbsp;grant that person's wishes.<br>**[14:58] Kris**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mean...<br>**[15:00] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Kris...<br>**[15:04] Libra**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want to fly, do you?<br>**[15:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In this way, Kris's weakness was revealed.*<br>**[15:12] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The garden had everything.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Everything and nothing.*<br>**[15:17] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Therefore, she was lonely and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;wished she could leave. And yet...*<br>**[15:22] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;her desire to fly from this garden*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and gain everything it lacked*<br>**[15:28] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;was overshadowed by her*<br>*&nbsp;&nbsp;&nbsp;&nbsp;fear of an unknown world.*<br>**[15:32] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's right: what kept the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;dragon tied down*<br>**[15:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was none other than Kris's own mind.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>**[15:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was really good.<br>**[15:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's even more<br>&nbsp;&nbsp;&nbsp;&nbsp;interesting than the novel.<br>**[15:49] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Really?<br>**[15:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[15:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The part where they learn why the dragon<br>&nbsp;&nbsp;&nbsp;&nbsp;can't fly stayed with me the most.<br>**[15:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kris being afraid struck me <br>
&nbsp;&nbsp;&nbsp;&nbsp;as so realistic... so *human*.<br>**[16:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? I thought it might.<br>**[16:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did?<br>**[16:07] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um... Was there anything else?<br>**[16:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I liked what happened after they figured<br>&nbsp;&nbsp;&nbsp;&nbsp;out what was up with the dragon, too.<br>**[16:16] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! I like that part, too!<br>**[16:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Libra suggests that he and Kris*<br>**[16:22] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;both ride the dragon to see*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the outside world together.*<br>**[16:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kris was just afraid to see<br>&nbsp;&nbsp;&nbsp;&nbsp;the world all by herself.<br>**[16:42] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[16:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when she's with Libra... she can fly.<br>**[16:47] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kris wanted to fly out into the glittering<br>&nbsp;&nbsp;&nbsp;&nbsp;outside world, but was afraid.<br>**[16:51] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Libra's the one who brought her<br>&nbsp;&nbsp;&nbsp;&nbsp;out of her lonely, walled garden.<br>**[16:57] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The view Kris saw from<br>&nbsp;&nbsp;&nbsp;&nbsp;there must have changed<br>**[17:01] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;the gray world she'd been<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing all her life.<br>**[17:07] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since I was little, I'd felt<br>&nbsp;&nbsp;&nbsp;&nbsp;like everything I saw was gray.<br>**[17:15] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[17:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me: what was Libra<br>&nbsp;&nbsp;&nbsp;&nbsp;especially good at again?<br>**[17:22] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm... I'd say he was best at<br>&nbsp;&nbsp;&nbsp;&nbsp;saying whatever was on his mind.<br>**[17:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This script isn't pure fiction.*<br>**[17:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is Kikuchi's own story.*<br>**[17:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to know about Hinami?<br>**[17:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:44] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I can paint a more detailed<br>&nbsp;&nbsp;&nbsp;&nbsp;picture of Alucia's personality.<br>**[17:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alucia's personality?<br>**[17:52] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Libra is awkward, Kris is fearful...<br>**[17:55] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alucia is strong, but she needs a weakness.<br>**[17:59] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I was writing, I started<br>&nbsp;&nbsp;&nbsp;&nbsp;to have my doubts.<br>**[18:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doubts?<br>**[18:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;As in, how can Alucia even <br>
&nbsp;&nbsp;&nbsp;&nbsp;*be* this strong?<br>**[18:14] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;An interview? Now you've got me nervous.<br>**[18:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead, Kikuchi.<br>**[18:19] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[18:20] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... What drives you to work<br>&nbsp;&nbsp;&nbsp;&nbsp;so hard at so many things?<br>**[18:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that interview was empty,*<br>**[18:29] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;just nice-sounding words with a little*<br>*&nbsp;&nbsp;&nbsp;&nbsp;venom that seemed like it could be real.*<br>**[18:35] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I doubt there were any answers that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi would want to put in her story.*<br>**[18:41] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Hinami was lying to us.<br>**[18:47] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how fluent her speech, the motive<br>&nbsp;&nbsp;&nbsp;&nbsp;at the center of it all stayed hidden.<br>**[18:52] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;She *acted* like she was saying <br>
&nbsp;&nbsp;&nbsp;&nbsp;how she really felt, though.<br>**[18:56] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means...<br>**[18:58] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alucia isn't just going<br>&nbsp;&nbsp;&nbsp;&nbsp;along with her environment<br>**[19:01] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and working hard out of a sense of duty...<br>**[19:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's something... unusual there.<br>**[19:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think so, too.<br>**[19:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I didn't know what...*<br>**[19:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*even though I knew the face behind her mask.*<br>**[19:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Care to dig a little deeper, Kikuchi?<br>**[19:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;See what makes Hinami tick?<br>**[19:31] Maebashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Maebashi. Nice to meet you.<br>**[19:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki. Same here.<br>**[19:38] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm Kikuchi. Glad you could come.<br>**[19:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's get started.<br>**[19:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I do have Hinami's<br>&nbsp;&nbsp;&nbsp;&nbsp;permission, by the way.<br>**[19:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[19:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tachibana went to middle school with Hinami.<br>**[19:52] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[19:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Maebashi, you've been her<br>&nbsp;&nbsp;&nbsp;&nbsp;classmate since grade school?<br>**[19:57] Maebashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[19:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, we'll start with middle school.<br>**[20:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has anything stuck with you, Tachibana?<br>**[20:05] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I remember... is her dating the<br>&nbsp;&nbsp;&nbsp;&nbsp;Vice President of the boy's basketball club.<br>**[20:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Really?<br>**[20:13] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was this cool older<br>&nbsp;&nbsp;&nbsp;&nbsp;guy. The girls loved him.<br>**[20:16] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she dumped him right away!<br>**[20:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she always stood out, huh...<br>**[20:22] Maebashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm...<br>**[20:23] Maebashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't say *that*.<br>**[20:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[20:27] Maebashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think Hinami stood out<br>&nbsp;&nbsp;&nbsp;&nbsp;much in grade school, anyway.<br>**[20:32] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;She didn't?<br>**[20:34] Maebashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was earnest, friendly—a good kid.<br>**[20:37] Maebashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and I remember her being<br>&nbsp;&nbsp;&nbsp;&nbsp;really family-oriented.<br>**[20:42] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! So do I.<br>**[20:44] Maebashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got the impression that she<br>&nbsp;&nbsp;&nbsp;&nbsp;loved her little sisters a lot.<br>**[20:49] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plural?<br>**[20:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so she has little sisters?<br>**[20:54] Maebashi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say hi to Hinami for me!<br>**[20:57] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for everything!<br>**[21:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, Tachibana?<br>**[21:05] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how Maebashi said "sisters," plural?<br>**[21:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, she *did* say that.<br>**[21:10] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, that's weird right there.<br>**[21:13] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, Aoi only has *one* younger sister.<br>**[21:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about that?<br>**[21:21] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, pretty damn sure.<br>**[21:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not really something we can pry into.<br>**[21:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's never said a word about it.<br>**[21:33] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[21:35] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just...<br>**[21:37] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;stop here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Third Draft
<br>**[21:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made some revisions concerning Alucia...<br>**[21:46] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I haven't written past the scene<br>&nbsp;&nbsp;&nbsp;&nbsp;where Kris takes flight with Libra.<br>**[21:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all right.<br>**[21:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can do plenty of rehearsals<br>&nbsp;&nbsp;&nbsp;&nbsp;with just the first half.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Spare Classroom A  In Use
<br>**[22:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay!<br>**[22:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do a read-through of our script!<br>

# E11 - Even fairies feel lonely when they're away from their spring by themselves

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G31UX4V0W/even-fairies-feel-lonely-when-theyre-away-from-their-spring-by-themselves)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Spare Classroom A  In Use
<br>**[00:04] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay!<br>**[00:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do a read-through of our script!<br>**[00:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does anyone have any questions?<br>**[00:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whoa, what's with this mood?*<br>**[00:18] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! I have a question for Fuka:<br>**[00:22] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alucia's emotions here—is she<br>&nbsp;&nbsp;&nbsp;&nbsp;more desperate? Or resolved?<br>**[00:27] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, it's more the latter.<br>**[00:30] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it!<br>**[00:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wow, Hinami, nice assist!*<br>**[00:34] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[00:36] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this?<br>**[00:39] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't do something, you'll be killed.<br>**[00:44] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please... let me do this.<br>**[00:48] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that?<br>**[00:49] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Perfect...<br>**[00:53] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cool!<br>**[00:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I mean, she* is *already acting <br>
&nbsp;&nbsp;&nbsp;&nbsp;all the time, anyway.*<br>**[00:59] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this, but I have a<br>&nbsp;&nbsp;&nbsp;&nbsp;student council thing after this.<br>**[01:04] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it okay if I slip out?<br>**[01:07] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A-ha! To create a pretext for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;spending less time in rehearsal,*<br>**[01:11] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;she starts out with a bang that'll*<br>*&nbsp;&nbsp;&nbsp;&nbsp;make her more persuasive.*<br>**[01:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what we just saw,<br>&nbsp;&nbsp;&nbsp;&nbsp;yeah, you should be fine.<br>**[01:18] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure—no problem.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 11  Even fairies feel lonely when they're  away from their spring by themselves
<br>**[02:52] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you? What are you doing here?<br>**[02:56] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Libra, the locksmith's son.<br>**[02:59] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is...<br>**[03:01] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freeze, all three of you.<br>**[03:03] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seize that man!<br>**[03:05] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;His Highness's orders!<br>**[03:07] Hashiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Resistance is useless!<br>**[03:08] Matsumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come quietly, now!<br>**[03:10] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having escaped execution thanks to<br>&nbsp;&nbsp;&nbsp;&nbsp;Alucia's quick thinking, Libra...<br>**[03:14] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hah! Ow ow ow...<br>**[03:16] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't just *take* things—that <br>
&nbsp;&nbsp;&nbsp;&nbsp;makes you a thief!<br>**[03:19] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down, Father.<br>**[03:23] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice work!<br>**[03:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, good job.<br>**[03:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our first day went off without a hitch.<br>**[03:29] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was nervous, but I had fun.<br>**[03:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah? Well, that's good.<br>**[03:34] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much for all your support.<br>**[03:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all! I'm doing this because I want to.<br>**[03:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... you're so busy.<br>**[03:47] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got that thing with Nanami...<br>**[03:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The comedy skit?<br>**[03:51] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. That's something else you have to do.<br>**[03:57] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um... that's what you<br>&nbsp;&nbsp;&nbsp;&nbsp;should do tomorrow.<br>**[04:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But what about our rehearsal here?<br>**[04:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll... I'll do my best.<br>**[04:09] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking... You've<br>&nbsp;&nbsp;&nbsp;&nbsp;changed, Hanabi's changed...<br>**[04:15] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm the only one getting left behind.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly
<br>**[04:19] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... it's about time I change, too.<br>**[04:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay.<br>**[04:25] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think this could<br>&nbsp;&nbsp;&nbsp;&nbsp;spark real change for me?<br>**[04:31] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be the ideal, anyway.<br>**[04:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I understand.<br>**[04:37] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go for it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki
<br>**[04:48] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be the ideal, anyway.<br>**[04:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is it...?*<br>**[04:53] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Something about that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;word—"ideal"—doesn't sit right...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Spare Classroom A  In Use
<br>**[05:00] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, let's start from the first scene.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Top Secret
<br>**[05:07] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-da! I've actually finished our script!<br>**[05:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, really?<br>**[05:12] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now let's give our married-couple<br>&nbsp;&nbsp;&nbsp;&nbsp;routine a whirl!<br>**[05:15] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clap-clap-clap-clap!<br>**[05:17] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello there!<br>**[05:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait wait wait! I can't just<br>&nbsp;&nbsp;&nbsp;&nbsp;jump right in like that!<br>**[05:22] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why not?<br>**[05:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't even seen the script!<br>**[05:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though we're friends, Brain?!<br>**[05:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though we're friends.<br>**[05:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? That's what I call great flow!<br>**[05:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:33] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we did just now!<br>**[05:35] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just having a normal conversation,<br>**[05:36] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it started sounding<br>&nbsp;&nbsp;&nbsp;&nbsp;like a comedy skit, right?<br>**[05:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah!<br>**[05:40] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes this natural<br>&nbsp;&nbsp;&nbsp;&nbsp;married-couple comedy!<br>**[05:44] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get rehearsing!<br>**[05:49] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, I know! Why don't we go to the zoo?*<br>**[05:52] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want to be there if*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the lion escaped its enclosure.*<br>**[05:56] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So I'll bring a tranquilizer gun.*<br>**[05:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* know *they'll confiscate it at the gates!*<br>**[06:03] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think our usual<br>&nbsp;&nbsp;&nbsp;&nbsp;conversations are funnier?<br>**[06:08] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This really feels like<br>&nbsp;&nbsp;&nbsp;&nbsp;we're reading a script.<br>**[06:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[06:13] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The funniest comedians come across<br>&nbsp;&nbsp;&nbsp;&nbsp;like they're having an impromptu chat.<br>**[06:18] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even though memorizing<br>&nbsp;&nbsp;&nbsp;&nbsp;this is part of the process,<br>**[06:21] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe not *every* line should <br>
&nbsp;&nbsp;&nbsp;&nbsp;be carved in stone.<br>**[06:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. But that's kind of terrifying.<br>**[06:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess...<br>**[06:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you and me always have such crazy<br>&nbsp;&nbsp;&nbsp;&nbsp;conversations... couldn't it work?<br>**[06:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it... maybe?<br>**[06:36] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right! We'll conquer the world!<br>**[06:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this "world" stuff? It's<br>&nbsp;&nbsp;&nbsp;&nbsp;just the culture festival.<br>**[06:43] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? Nice comeback!<br>**[06:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh...<br>**[06:49] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have fun with Mimimi—and so, by*<br>*&nbsp;&nbsp;&nbsp;&nbsp;extension, it's easy to picture us dating.*<br>**[06:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But how is that different from being friends?*<br>**[07:02] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[07:04] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice work today.<br>**[07:07] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've had a lot on your<br>&nbsp;&nbsp;&nbsp;&nbsp;mind lately, huh, Brain.<br>**[07:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can tell?<br>**[07:12] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, c'mon! Your ol' uncle<br>&nbsp;&nbsp;&nbsp;&nbsp;is always here for advice!<br>**[07:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;My uncle, huh?<br>**[07:17] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not healthy to keep stuff to yourself.<br>**[07:20] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if a girl my age is saying <br>
&nbsp;&nbsp;&nbsp;&nbsp;it, you *know* it's true!<br>**[07:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, so you're not my uncle after all?<br>**[07:28] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you worry about that.<br>**[07:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... thanks.<br>**[07:33] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-F-For what?!<br>**[07:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;For worrying about me.<br>**[07:37] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well, y-y-you know...<br>**[07:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've actually had a lot of<br>&nbsp;&nbsp;&nbsp;&nbsp;things to think about lately:<br>**[07:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;the script for our play, Hinami...<br>**[07:48] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aoi?<br>**[07:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's playing Alucia, right?<br>**[07:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We asked her a lot of questions for the part,<br>**[07:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;like, "Why do you push yourself so hard?"<br>**[07:59] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that. I've been wondering that<br>&nbsp;&nbsp;&nbsp;&nbsp;myself, ever since the election.<br>**[08:04] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And how maybe she and I are the same.<br>**[08:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same?<br>**[08:09] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you how I need to be in first<br>&nbsp;&nbsp;&nbsp;&nbsp;place because I'm not special, right?<br>**[08:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:17] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm thinking...<br>**[08:18] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe Aoi shoots for first place <br>
&nbsp;&nbsp;&nbsp;&nbsp;so *she* can be special, too.<br>**[08:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That could be.<br>**[08:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mimimi?<br>**[08:29] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, that worries me a little.<br>**[08:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;How so?<br>**[08:34] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe Aoi and I are the same:<br>**[08:36] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;hollow.<br>**[08:39] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hinami, hollow?<br>**[08:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I don't know what<br>&nbsp;&nbsp;&nbsp;&nbsp;her core motivation is.<br>**[08:48] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;To try that hard and still be<br>&nbsp;&nbsp;&nbsp;&nbsp;empty inside... How sad is that?<br>**[08:52] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if it's true... then she might...<br>**[08:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Might what?<br>**[08:58] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;She might not ever come<br>&nbsp;&nbsp;&nbsp;&nbsp;to me for advice. Right?<br>**[09:02] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's true. I doubt Hinami would*<br>*&nbsp;&nbsp;&nbsp;&nbsp;unload on Mimimi about herself.*<br>**[09:07] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And not just Mimimi...*<br>**[09:10] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I can't picture her opening*<br>*&nbsp;&nbsp;&nbsp;&nbsp;up to anyone at all.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cast  Libra: Takehiro Mizusawa  Alucia: Aoi Hinami  Kris: Hanabi Natsubayashi  King: Shuji Nakamura  Knight: Erika Konno
<br>**[09:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How can you even* be *that strong,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Aoi Hinami
<br>**[09:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Aoi Hinami?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Spare Classroom A  In Use
<br>**[09:25] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;When I joined rehearsals for*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the first time in two days...*<br>**[09:29] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you be more dignified<br>&nbsp;&nbsp;&nbsp;&nbsp;there, please, Nakamura?<br>**[09:33] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean like this?<br>**[09:35] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes! That's not<br>&nbsp;&nbsp;&nbsp;&nbsp;dignified—that's intimidating!<br>**[09:38] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say what?<br>**[09:39] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, a king's more like *this*!<br>**[09:42] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's so kingly about that?<br>**[09:45] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? Not dignified in the slightest.<br>**[09:47] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw! It is too dignified!<br>**[09:47] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long do I have to keep doing this?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Alucia
<br>**[09:50] Kashiwazaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to swap?<br>**[09:51] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut it out already.<br>**[09:52] Seno**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thanks.<br>**[09:54] Hanabi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey—focus! Help Fuka out here!<br>**[09:59] Yuzu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry! Keep going.<br>**[10:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, um...<br>**[10:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's rehearsal been<br>&nbsp;&nbsp;&nbsp;&nbsp;like these past two days?<br>**[10:09] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Kikuchi's been trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;really actively talk to everyone.<br>**[10:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;To everyone?<br>**[10:16] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Like when you were<br>&nbsp;&nbsp;&nbsp;&nbsp;assigning parts earlier.<br>**[10:19] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like she learned from watching you.<br>**[10:22] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y'know, though, I hate to say this...<br>**[10:25] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not really used to that kind of role.<br>**[10:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... no.<br>**[10:29] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's like... our tires are<br>&nbsp;&nbsp;&nbsp;&nbsp;spinning, and we keep losing focus.<br>**[10:35] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Aoi hasn't been around—she's<br>&nbsp;&nbsp;&nbsp;&nbsp;busy with student council work.<br>**[10:44] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Tomozaki.<br>**[10:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning, Kikuchi.<br>**[10:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be... finished?<br>**[10:51] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I know it took a long time, but...<br>**[10:54] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've finished the script.<br>**[10:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh!<br>**[11:03] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The script went in a different*<br>*&nbsp;&nbsp;&nbsp;&nbsp;direction than I'd anticipated.*<br>**[11:09] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;After Libra and Kris took*<br>*&nbsp;&nbsp;&nbsp;&nbsp;off on the flying dragon*<br>**[11:11] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and Kris got a taste of how*<br>*&nbsp;&nbsp;&nbsp;&nbsp;beautiful the world was,*<br>**[11:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she began asking to venture into town.*<br>**[11:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Libra accompanied her out of the castle.*<br>**[11:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She didn't know how shopping worked,*<br>**[11:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and got a real scolding from the greengrocer.*<br>**[11:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thus Kris came to know the real world.*<br>**[11:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Eventually, Kris got to thinking:*<br>**[11:31] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;this garden she'd been cooped*<br>*&nbsp;&nbsp;&nbsp;&nbsp;up in for all this time,*<br>**[11:34] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;this place she wanted to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;leave... she did nothing*<br>**[11:38] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;in return for clean clothes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and delicious food,*<br>**[11:42] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and she could read all the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;fairy tales she desired.*<br>**[11:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It may have been a little too convenient.*<br>**[11:50] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Libra... am I spoiled?<br>**[11:54] Libra (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[11:55] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being shut away in this garden,<br>**[11:59] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;never having to work hard to live...<br>**[12:01] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;The outside world is pretty from a distance,<br>**[12:05] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll have to work hard<br>&nbsp;&nbsp;&nbsp;&nbsp;if I want to be part of it.<br>**[12:09] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;In the end, Kris sneaked out*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the castle and went missing.*<br>**[12:14] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Libra and Alucia searched*<br>*&nbsp;&nbsp;&nbsp;&nbsp;desperately for her.*<br>**[12:16] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But the castle's residents did*<br>*&nbsp;&nbsp;&nbsp;&nbsp;nothing about the missing girl.*<br>**[12:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kris had finished raising the flying dragon,*<br>**[12:23] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so as far as they were concerned,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;she was only baggage.*<br>**[12:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kris took a job at the greengrocer's.*<br>**[12:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Despite a string of failures,*<br>**[12:35] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kris used her own skills to*<br>*&nbsp;&nbsp;&nbsp;&nbsp;learn what life required of her,*<br>**[12:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and decided to live in the outside world.*<br>**[12:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Libra and Alucia celebrated her new venture.*<br>**[12:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I sure didn't see* that *coming.*<br>**[12:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Still...*<br>**[12:53] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's so similar to what I felt back then...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>**[13:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I read your script.<br>**[13:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How was it?<br>**[13:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Why was Kris... like that?<br>**[13:11] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like what?<br>**[13:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She left the garden and Libra and Alucia...<br>**[13:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and decided to live alone<br>&nbsp;&nbsp;&nbsp;&nbsp;in the village, right?<br>**[13:20] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fourth Draft
<br>**[13:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you put a lot of thought into this,<br>**[13:25] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but reading that actually<br>&nbsp;&nbsp;&nbsp;&nbsp;made me kind of sad.<br>**[13:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt like it was negating everything<br>&nbsp;&nbsp;&nbsp;&nbsp;about her life in the garden.<br>**[13:40] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of my favorite Andi books <br>
&nbsp;&nbsp;&nbsp;&nbsp;is *The Popple on Raptor Isle*.<br>**[13:46] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Popples...<br>**[13:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right... You mentioned that before.<br>**[13:50] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an incredibly positive story.<br>**[13:54] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Popple, a blind creature,<br>&nbsp;&nbsp;&nbsp;&nbsp;was living all on its lonesome<br>**[13:59] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;when it left on a journey<br>&nbsp;&nbsp;&nbsp;&nbsp;in search of friends.<br>**[14:02] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, all the other creatures<br>&nbsp;&nbsp;&nbsp;&nbsp;feared it because it was different.<br>**[14:07] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it made friends through<br>&nbsp;&nbsp;&nbsp;&nbsp;the power of its words.<br>**[14:10] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after making all these<br>&nbsp;&nbsp;&nbsp;&nbsp;friends of other species,<br>**[14:15] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;they all went on a voyage to see the ocean.<br>**[14:18] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;After reading it, I thought this<br>&nbsp;&nbsp;&nbsp;&nbsp;Popple was an ideal for the world.<br>**[14:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;An ideal... for the world?<br>**[14:27] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't even know what<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of creature it was,<br>**[14:31] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it reached out to all these<br>&nbsp;&nbsp;&nbsp;&nbsp;other species and made friends.<br>**[14:35] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;All thanks to the power of<br>&nbsp;&nbsp;&nbsp;&nbsp;language and a little effort.<br>**[14:40] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how it made friends.<br>**[14:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It reminded me of a certain two people.<br>**[14:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two... You mean...<br>**[14:49] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You and Hanabi.<br>**[14:54] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like this Popple's tale, and think<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a great storytelling ideal...<br>**[14:59] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;an ideal for the world.<br>**[15:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I needed to be<br>&nbsp;&nbsp;&nbsp;&nbsp;more like that Popple.<br>**[15:07] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I just kept giving up.<br>**[15:10] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it was impossible.<br>**[15:13] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when I saw you and Hanabi, I thought:<br>**[15:17] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're both so brilliant,<br>&nbsp;&nbsp;&nbsp;&nbsp;such ideal people...<br>**[15:21] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And maybe, just maybe, I<br>&nbsp;&nbsp;&nbsp;&nbsp;could be like that, too.<br>**[15:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're aiming for that ideal yourself?<br>**[15:27] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kris is the same way.<br>**[15:29] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Working hard to change like the<br>&nbsp;&nbsp;&nbsp;&nbsp;Popple did, to fit in in the world.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fourth Draft
<br>**[15:34] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, changing like that *is* ideal.<br>**[15:39] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was fretting over who'd<br>&nbsp;&nbsp;&nbsp;&nbsp;be with whom in the end.<br>**[15:44] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this story was really<br>&nbsp;&nbsp;&nbsp;&nbsp;about how Kris lives her life.<br>**[15:51] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[15:52] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[15:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But these new parts of the script...<br>**[15:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we set them aside for now?<br>**[16:00] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Set them... aside?<br>**[16:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mull over it for a while, and<br>&nbsp;&nbsp;&nbsp;&nbsp;if it has to be that way,<br>**[16:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll go ahead with it as is.<br>**[16:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know we don't have a lot of time, but...<br>**[16:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really does feel much too sad.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fourth Draft
<br>**[16:14] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Spare Classroom A  In Use
<br>**[16:19] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Places, everyone.<br>**[16:22] Nakamura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do I go again?<br>**[16:23] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;The king's right here!<br>**[16:25] Erika**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that my spot?<br>**[16:27] Takei**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is* it?<br>**[16:29] Tachibana**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here, right?<br>**[16:31] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[16:32] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, slow down! Think about Fuka here!<br>**[16:37] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shuji, you're here.<br>**[16:39] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erika, you're over here,<br>&nbsp;&nbsp;&nbsp;&nbsp;and Tachibana, you're here.<br>**[16:42] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Fuka?<br>**[16:44] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, right.<br>**[16:48] Matsumoto**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I again?<br>**[16:49] Hashiguchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, I think?<br>**[16:51] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Matsumoto, you're here,<br>**[16:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Hashiguchi, you're here.<br>**[16:55] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's because the school's*<br>*&nbsp;&nbsp;&nbsp;&nbsp;perfect heroine Aoi Hinami is here,*<br>**[16:59] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but Kikuchi seems to be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;mimicking how she does things.*<br>**[17:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay. Let's begin.<br>**[17:07] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is she like that?<br>**[17:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you *not* sneak up on me?!<br>**[17:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi's been thinking about a lot of stuff.<br>**[17:17] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. A lot, eh?<br>**[17:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well...<br>**[17:23] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me. Maybe I can help.<br>**[17:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She thinks she has to<br>&nbsp;&nbsp;&nbsp;&nbsp;become this world ideal.<br>**[17:33] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Changing to fit in better, making friends...<br>**[17:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She says she has to do these<br>&nbsp;&nbsp;&nbsp;&nbsp;things to fit this ideal.<br>**[17:41] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A world ideal, eh?<br>**[17:44] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, sure, if she says so.<br>**[17:47] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way she puts it feels a little loaded.<br>**[17:50] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I think it's a good thing.<br>**[17:52] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's determined to change herself<br>**[17:54] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is actively working<br>&nbsp;&nbsp;&nbsp;&nbsp;toward making that happen.<br>**[17:57] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she's doing a great job! It's impressive.<br>**[18:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose so.<br>**[18:03] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so is her reason for<br>&nbsp;&nbsp;&nbsp;&nbsp;it: to fit this ideal.<br>**[18:08] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty ironic that it's the <br>
&nbsp;&nbsp;&nbsp;&nbsp;opposite of *you*, though.<br>**[18:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The opposite?<br>**[18:14] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean the directions we're moving<br>&nbsp;&nbsp;&nbsp;&nbsp;in, I think they're actually the same.<br>**[18:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making an effort to change so<br>&nbsp;&nbsp;&nbsp;&nbsp;we fit in with everyone else.<br>**[18:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Tama and I did.<br>**[18:26] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, okay! So that's what<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like to you.<br>**[18:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?<br>**[18:31] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, Kikuchi's talking about <br>
&nbsp;&nbsp;&nbsp;&nbsp;the *world's* ideals, right?<br>**[18:40] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ideal is from your own <br>
&nbsp;&nbsp;&nbsp;&nbsp;perspective: "I'd like to do *this*."<br>**[18:45] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;While Kikuchi's takes a bird's-eye <br>
&nbsp;&nbsp;&nbsp;&nbsp;view: "The world needs me like *this*."<br>**[18:50] Mizusawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Totally opposite, right?<br>**[18:54] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I changed myself so I could enjoy*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my playthrough of this game of life.*<br>**[19:00] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Tama changed herself so she*<br>*&nbsp;&nbsp;&nbsp;&nbsp;wouldn't be making Mimimi sad.*<br>**[19:08] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We both did it so we could*<br>*&nbsp;&nbsp;&nbsp;&nbsp;be our ideal selves.*<br>**[19:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then why is Kikuchi doing it?*<br>**[19:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is *that* how it is?<br>**[19:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Drawing nearer to the world's ideals*<br>**[19:22] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;is an objective, player-oriented*<br>*&nbsp;&nbsp;&nbsp;&nbsp;way of thinking, like Hinami's.*<br>**[19:32] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's right.<br>**[19:34] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do feel like I see things from<br>&nbsp;&nbsp;&nbsp;&nbsp;what you call a "player" perspective.<br>**[19:42] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this has me thinking...<br>**[19:45] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might actually be an author's perspective.<br>**[19:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;An author's... like scripts and novels?<br>**[19:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yes, those too, but more than that.<br>**[19:56] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;An author of this story we call the world.<br>**[19:59] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world's author?<br>**[20:03] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a long time now, I haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;thought about what I'd like to do<br>**[20:06] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;so much as how to make this world<br>&nbsp;&nbsp;&nbsp;&nbsp;more beautiful, how it should be,<br>**[20:11] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;what an ideal form would look like.<br>**[20:14] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A very authoresque way<br>&nbsp;&nbsp;&nbsp;&nbsp;of thinking about things.<br>**[20:17] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm okay with this.<br>**[20:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;With a player perspective?<br>**[20:23] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are *your* words, Tomozaki.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fourth Draft
<br>**[20:28] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the game world, the opposite of<br>&nbsp;&nbsp;&nbsp;&nbsp;"character" may well be "player."<br>**[20:33] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the world of novels, I think the<br>&nbsp;&nbsp;&nbsp;&nbsp;opposite of "character" is "author."<br>**[20:40] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'll be all right holding<br>&nbsp;&nbsp;&nbsp;&nbsp;onto my author's perspective.<br>**[20:48] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do want to take on that ideal form.<br>**[20:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like Hinami.<br>**[20:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like Hinami, huh...?<br>**[20:57] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[20:58] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, she's a very<br>&nbsp;&nbsp;&nbsp;&nbsp;ideal person, isn't she?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fourth Draft  Fuka Kikuchi
<br>**[21:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The whole premise was off.*<br>**[21:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was playing the game of life as a player.*<br>**[21:17] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi was writing the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;story of life as an author.*<br>**[21:22] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But really, she's aiming to be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a perfect heroine like Hinami.*<br>**[21:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is that the path Kikuchi should be taking?*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fourth Draft  Fuka Kikuchi
<br>**[21:31] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Still, it's not for me to say what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;should go on inside Kikuchi's head.*<br>**[21:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inside Kikuchi's head...<br>**[21:43] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-ha.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Popple on Raptor Isle  Michael Andi  Translated by Emiko Murata  Read Now
<br>**[21:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;There it is.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fourth Draft
<br>**[22:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I read the whole thing...*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fourth Draft  Fuka Kikuchi
<br>**[22:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and found a clue that<br>&nbsp;&nbsp;&nbsp;&nbsp;could give me an answer.<br>

# E12 - Sometimes the ancient tome in the first town is the key to the final dungeon

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GPWUKV81V/sometimes-the-ancient-tome-in-the-first-town-is-the-key-to-the-final-dungeon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning, Kikuchi.<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Tomozaki.<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I read *The Popples*.<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did?!<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know it was available as an ebook.<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said the book was almost<br>&nbsp;&nbsp;&nbsp;&nbsp;impossible to find in stores,<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I thought, "Maybe..."<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Popples on Raptor Isle
<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Table of Contents
<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um, having read it...<br>&nbsp;&nbsp;&nbsp;&nbsp;what did you think?<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought the best part<br>&nbsp;&nbsp;&nbsp;&nbsp;was at the very end,<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where everyone used the power of<br>&nbsp;&nbsp;&nbsp;&nbsp;words to convey the ocean's beauty<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the blind Popple.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it!<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something else<br>&nbsp;&nbsp;&nbsp;&nbsp;that stuck with me, too.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something else?<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The firelings.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chapter 7: The Firelings
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 12  Sometimes the ancient tome in the  first town is the key to the final dungeon
<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Popple makes friends with everyone...<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Popple makes friends with everyone...<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone but the firelings.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Not everyone can be friends.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Popples* is... kind of a grown-up story.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I read that part of* The Popples*...*<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it felt about as jarring as when<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi was talking about her "ideal."*<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said you see things from<br>&nbsp;&nbsp;&nbsp;&nbsp;an author's perspective, right?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if that's true... you should be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to accept that these firelings exist.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Popples on Raptor Isle
<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Popple was a freak, yet it made<br>
&nbsp;&nbsp;&nbsp;&nbsp;friends with all these other species.*<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Popple was a freak, yet it made<br>
&nbsp;&nbsp;&nbsp;&nbsp;friends with all these other species.*<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And yes, that's ideal.*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Still, as the author Michael<br>
&nbsp;&nbsp;&nbsp;&nbsp;Andi crafted that world,*<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*he included the firelings,*<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who* couldn't *make friends with the others.*<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said that you needed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be like the Popple...<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then aren't you rejecting the firelings?<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really *did* have<br>
&nbsp;&nbsp;&nbsp;&nbsp;an author's perspective,<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd say the world could have<br>
&nbsp;&nbsp;&nbsp;&nbsp;both the Popple *and* the firelings.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saying that you have to be like the Popple<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;shows that you're thinking about<br>
&nbsp;&nbsp;&nbsp;&nbsp;how you should be for *yourself*.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may be true...<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I know I'm playing with fire.*<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm negating the words Kikuchi's<br>
&nbsp;&nbsp;&nbsp;&nbsp;been using to define herself*<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and trying to suggest<br>
&nbsp;&nbsp;&nbsp;&nbsp;different words instead.*<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But I see a Kikuchi who'd ushered<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kris to such a sad conclusion,*<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a Kikuchi who was doing<br>
&nbsp;&nbsp;&nbsp;&nbsp;everything she could to fit in,*<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I think, "I want to help her."*<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Not that I* should *help her...*<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I* want *to.*<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think you need a player's<br>
&nbsp;&nbsp;&nbsp;&nbsp;*or* an author's perspective.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can see life through your own<br>&nbsp;&nbsp;&nbsp;&nbsp;eyes: from a character's POV.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've just lost sight of that<br>&nbsp;&nbsp;&nbsp;&nbsp;because you're overthinking things.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't know.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what I'm looking<br>&nbsp;&nbsp;&nbsp;&nbsp;at, what my goals are...<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean... everything I see is gray.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's easy.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Andi's books.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You love Andi's books.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's one fact that's never going to change.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that enough?<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep. After all, Andi's books are<br>&nbsp;&nbsp;&nbsp;&nbsp;what showed you a world of color.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, you think you<br>&nbsp;&nbsp;&nbsp;&nbsp;have to change to fit in.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you were a fireling,<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and everyone else were a different species...<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could find friends<br>&nbsp;&nbsp;&nbsp;&nbsp;at the firelings' lake.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this...<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll find a bunch of friends<br>&nbsp;&nbsp;&nbsp;&nbsp;who like the same things.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some of whom you'll want to meet in person.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, that place is nothing *but* firelings.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really amazing, Tomozaki.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah. Just sneaky, that's all.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still... are you sure?<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and Hanabi changed so<br>&nbsp;&nbsp;&nbsp;&nbsp;splendidly, you fit in so well...<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and only I stay the same?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give it to you straight:<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The friendships you make at<br>&nbsp;&nbsp;&nbsp;&nbsp;school? They're nothing special.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've changed myself over<br>&nbsp;&nbsp;&nbsp;&nbsp;these past six months,<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*gotten involved with all kinds of people,*<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and, I think, made a lot of<br>
&nbsp;&nbsp;&nbsp;&nbsp;what I'd consider friends.*<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that was all about me<br>&nbsp;&nbsp;&nbsp;&nbsp;clicking with those people<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and school was just what brought us together.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And in these past six months,*<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the encounter I'm most happy to have had*<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*was the day I gave a blanket denial of<br>
&nbsp;&nbsp;&nbsp;&nbsp;this school and the normie way of life,*<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and Hinami threw it back in my face.*<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I did as she said, and set<br>
&nbsp;&nbsp;&nbsp;&nbsp;out to play the game of life.*<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My superficial way of thinking<br>
&nbsp;&nbsp;&nbsp;&nbsp;was actually sour grapes,*<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a sore loser not accepting defeat.*<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that's not entirely true.*<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't say the grapes were all that sour.*<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's simply that some grapes are<br>
&nbsp;&nbsp;&nbsp;&nbsp;sweeter or more sour than others.*<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I came to know that truth.*<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to be friends<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone just because<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you think the world demands it of you.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm fine just as I am.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not some freak who doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;belong in this world.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Of course not.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, getting back on track...<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With what?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With this here. Do you<br>&nbsp;&nbsp;&nbsp;&nbsp;know how to use this app?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see... first<br>&nbsp;&nbsp;&nbsp;&nbsp;you make an account...<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's really very simple.*<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the sweet grapes are hanging out of reach,*<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*seek out the sweet<br>
&nbsp;&nbsp;&nbsp;&nbsp;strawberries on the ground.*<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you don't care for sweet things,<br>
&nbsp;&nbsp;&nbsp;&nbsp;look for tasty nuts instead.*<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And if you're not even hungry,<br>
&nbsp;&nbsp;&nbsp;&nbsp;go have fun however you want.*<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's all there is to it.*<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning, Kikuchi. *You're* happy today.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made up my mind.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The previous draft ended with Kris leaving<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and making an effort to fit<br>&nbsp;&nbsp;&nbsp;&nbsp;in with the outside world.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now, Kris will apprentice at<br>&nbsp;&nbsp;&nbsp;&nbsp;a studio to become an artisan,<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;crafting her beloved flower decorations.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, nice!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Kris was lonely in her garden,<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she didn't know anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about the outside world...<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I figured she'd like<br>&nbsp;&nbsp;&nbsp;&nbsp;working with flowers.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I think she'll be happy,<br>&nbsp;&nbsp;&nbsp;&nbsp;having chosen that path.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cool.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kikuchi?<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to talk with you about<br>&nbsp;&nbsp;&nbsp;&nbsp;something after the festival.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Howdy, Brain!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mimimi. Morning.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're pretty much set with the<br>&nbsp;&nbsp;&nbsp;&nbsp;play, right? The script and all?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, just about.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I can ask you to start<br>
&nbsp;&nbsp;&nbsp;&nbsp;focusing on *our* thing now?<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sure. I can get some<br>&nbsp;&nbsp;&nbsp;&nbsp;real practice in now.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excellent! We *are* a married<br>
&nbsp;&nbsp;&nbsp;&nbsp;couple, after all.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're doing a married-couple *routine*: an *act*.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice comeback! Keep that up, 'kay?<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bet.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The days leading up to the festival<br>
&nbsp;&nbsp;&nbsp;&nbsp;were packed with rehearsals and prep.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo High School Culture Festival Play  My Unfamiliar Way to Fly
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Manga Café Banchoo
<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*- And now, finally...*<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the festival's tomorrow!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo Festival
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sewing Room 2
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Medium Goal  Have a girlfriend before starting year 3
<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, have you figured it out?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know who you'll choose, based<br>&nbsp;&nbsp;&nbsp;&nbsp;on your feelings: Fuka or Mimimi?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I've decided.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, about the play's script...<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much influence did you have on the story?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just Kikuchi's sounding<br>&nbsp;&nbsp;&nbsp;&nbsp;board whenever she got stuck.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost entirely her own work.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you ask?<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No reason.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just a little curious about<br>&nbsp;&nbsp;&nbsp;&nbsp;the extent of your involvement.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were at our interview, after all.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, today's the big day!<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ready?<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bet I am.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo Festival
<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Today's the day I say what I feel,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so I can do what I want to do.*<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Today's the day I say what I feel,<br>
&nbsp;&nbsp;&nbsp;&nbsp;so I can do what I want to do.*<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I absolutely can't afford to fail.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Manga Café Banchoo
<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brain!<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning, Mimi... mi...<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! I see my appearance has you captivated!<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Well? Cute, right? Totes adorbs?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, real cute.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The crab, that is.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The *crab*?!<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, everyone. Get<br>&nbsp;&nbsp;&nbsp;&nbsp;in here for a class photo!<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, finally!<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki...<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's your T-shirt?<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I'm wearing it.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See?<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This looks like it's gonna be one<br>&nbsp;&nbsp;&nbsp;&nbsp;fun festival. For both of us.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo Festival
<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mizusawa! Tomozaki!<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, Gumi... and Mako and Sayaka!<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had no idea you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;were Gumi's friends!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see!<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, y-yeah.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What happened to your nose glasses?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those were a one-day-only deal!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, have you seen this dude's Pinsta?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, look.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He really did post it!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those look great on you, Mizusawa.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go again with the non-compliments!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Leave it to Mizusawa...<br>
&nbsp;&nbsp;&nbsp;&nbsp;No, I can't lose my nerve!*<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, and that got a<br>&nbsp;&nbsp;&nbsp;&nbsp;fair number of likes, too.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you are, Brain!<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost time...<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these girls *compensated*?!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely *not*!<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, shouldn't we get in one last rehearsal?<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, we should.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you doing something, Tomozaki?<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, yeah. A comedy routine, actually.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Comedy?<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's more to you than<br>&nbsp;&nbsp;&nbsp;&nbsp;meets the eye, huh, Tomozaki.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you're doing comedy with *this* cutie?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after you were picking up<br>&nbsp;&nbsp;&nbsp;&nbsp;girls at our girls' school...<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You went to a girls'<br>
&nbsp;&nbsp;&nbsp;&nbsp;school to *flirt*, Brain?!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I wasn't really *flirting*, per se...<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-B-Brain! Since when were<br>&nbsp;&nbsp;&nbsp;&nbsp;you s-such a shallow guy?!<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! Mizusawa was—<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were with *Takahiro*?!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I *know* it's the truth!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right—let's get rehearsing!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't change the subject!<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Break a leg, you two!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking for Tomozaki?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He and Mimimi should be in the<br>&nbsp;&nbsp;&nbsp;&nbsp;multipurpose hall right about now,<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doing their comedy routine.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um... yes, right.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuka?<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do my best to make<br>&nbsp;&nbsp;&nbsp;&nbsp;this performance a success.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. Thank you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Multipurpose Hall  Entrance This Way
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo Festival
<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, th-this is it...<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you so nervous?<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shouldn't I be?<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it'll be fine! No one's<br>&nbsp;&nbsp;&nbsp;&nbsp;expecting too much, anyway.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like we're going to be *good*.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sh-Shouldn't* we be?!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that—right there!<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice and natural!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? We'll be fine.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Comedy  Haniwanya
<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next up is a comedy routine from Haniwanya!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, give it your best shot!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, give it your best shot!<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's* our name?<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't like it? I was torn<br>&nbsp;&nbsp;&nbsp;&nbsp;between that and "Haniwaniwa."<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both essentially the same!<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Brain. Let's do this!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo Festival  Comedy  Haniwanya
<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, here we go:<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just listen to this, Tomozaki!<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Nanami?<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been doing this<br>&nbsp;&nbsp;&nbsp;&nbsp;for years and years now.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We started this duo barely a month ago.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heck, we only started talking to<br>&nbsp;&nbsp;&nbsp;&nbsp;each other a little while back.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't say that!<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway—<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's my next line again?*<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Um...*<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I-I have to...*<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have to... to say* something*...*<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki!<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know how we got our name?<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you and I both love haniwa!<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haniwanya!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo Festival
<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She'd go that far to cover for<br>
&nbsp;&nbsp;&nbsp;&nbsp;me and my forgotten line...*<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've got to do something...!*<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, here we are doing comedy.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ignoring me?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo Festival
<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But listen, Nanami: I managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to get some time off.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo Festival
<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that went sorta okay.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I'm sorry. I totally blanked<br>&nbsp;&nbsp;&nbsp;&nbsp;out there. You really saved me.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem! All part of a wife's job.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, we are *not* married!<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, the ramen's on me.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. I mean it.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All's well that ends well, right?<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did pretty good for rank<br>&nbsp;&nbsp;&nbsp;&nbsp;amateurs... didn't we?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably, yeah! We were definitely good!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. We definitely were. Probably.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I better get going.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the play?<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The play... with Kikuchi?<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be back.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Mimimi... I—<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki?<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was fun, huh? The comedy.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really had a lot of fun.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now get going, you.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw...<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all over...<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki...<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any minute now.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now for Class 2-2's<br>&nbsp;&nbsp;&nbsp;&nbsp;original performance,<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"My Unfamiliar Way to Fly."<br>

# E13 - You're sure to find what you want on the other side of the magic door

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G2XU0GN87/youre-sure-to-find-what-you-want-on-the-other-side-of-the-magic-door)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2nd Stage: Lv. 13 <br>
&nbsp;&nbsp;&nbsp;&nbsp;You're sure to find what you want <br>
&nbsp;&nbsp;&nbsp;&nbsp;on the other side of the magic door
<br>**[00:05] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Libra...<br>**[00:07] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;How far are we going to go?<br>**[00:09] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't walked *that* much.<br>**[00:11] Audience A**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Hinami!<br>**[00:11] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, the real fun is in the exploring.<br>**[00:12] Audience B**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look! Mizusawa!<br>**[00:16] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if we get caught,<br>**[00:18] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;they shouldn't get too mad: you're with me.<br>**[00:23] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! A dead end.<br>**[00:26] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[00:27] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a door.<br>**[00:28] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will it open?<br>**[00:30] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to me.<br>**[00:31] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a job for a locksmith's son.<br>**[00:36] Narrator (Yuzu)**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, in the middle of the<br>&nbsp;&nbsp;&nbsp;&nbsp;castle, was a hidden garden.<br>**[00:41] Narrator (Yuzu)**<br>&nbsp;&nbsp;&nbsp;&nbsp;A girl named Kris was looking<br>&nbsp;&nbsp;&nbsp;&nbsp;after a flying dragon.<br>**[00:46] Narrator (Yuzu)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Non-royals were forbidden to enter.<br>**[00:49] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you?<br>**[00:50] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[00:52] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Libra, the locksmith's son.<br>**[00:55] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is Alucia.<br>**[00:57] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the first princess of this kingdom.<br>**[00:59] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been friends since we were...<br>**[01:04] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alucia?<br>**[01:11] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alucia, what are you doing?!<br>**[01:13] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go!<br>**[01:15] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't break this dragon's wing,<br>**[01:18] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be killed!<br>**[01:23] Knight (Erika)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freeze, all three of you.<br>**[01:25] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Highness!<br>**[01:27] King (Nakamura)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seize that man!<br>**[01:29] Guard (Tachibana)**<br>&nbsp;&nbsp;&nbsp;&nbsp;His Highness's orders!<br>**[01:31] Guard (Hashiguchi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Resistance is useless!<br>**[01:32] Guard (Matsumoto)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come quietly, now!<br>**[01:34] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Father...<br>**[01:35] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Libra is my younger brother—<br>**[01:37] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the illegitimate children you<br>&nbsp;&nbsp;&nbsp;&nbsp;have scattered around the kingdom!<br>**[01:42] Narrator (Yuzu)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having escaped execution thanks<br>&nbsp;&nbsp;&nbsp;&nbsp;to Alucia's quick thinking,<br>**[01:46] Narrator (Yuzu)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Libra began working as a caretaker<br>&nbsp;&nbsp;&nbsp;&nbsp;for both the dragon and Kris.<br>**[01:51] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, eat up.<br>**[01:53] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're medicinal herbs Libra gathered<br>&nbsp;&nbsp;&nbsp;&nbsp;in the valley of the flying dragons.<br>**[01:59] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes—it ate them!<br>**[02:01] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I *know* it'll be able to fly!<br>**[02:05] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not flying.<br>**[02:07] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't look at me like that.<br>**[02:13] Narrator (Yuzu)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some months passed...<br>**[02:16] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alucia! Did you really win<br>&nbsp;&nbsp;&nbsp;&nbsp;the magicraft competition?!<br>**[02:20] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's amazing!<br>**[02:22] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how I placed.<br>**[02:24] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted this:<br>**[02:26] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;a gem that increases magic power.<br>**[02:29] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will definitely get<br>&nbsp;&nbsp;&nbsp;&nbsp;that dragon off the ground!<br>**[02:33] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really must thank you, Alucia.<br>**[02:36] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[02:38] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I want...?<br>**[02:43] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess maybe there *isn't* anything I want.<br>**[02:46] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:47] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just work hard every day, because<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll eventually have to be queen.<br>**[02:53] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Just" nothing—that's really fantastic!<br>**[02:56] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you misunderstand me, Kris.<br>**[03:00] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have everything. And yet...<br>**[03:05] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's why I have nothing at all.<br>**[03:14] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodness!<br>**[03:16] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a strange thing to say!<br>**[03:18] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right:<br>**[03:18] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's test out this gem!<br>**[03:23] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not flying.<br>**[03:26] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't look at me like that.<br>**[03:31] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Kris... flying dragons<br>&nbsp;&nbsp;&nbsp;&nbsp;can read people's minds.<br>**[03:34] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their minds?<br>**[03:36] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're kind, too.<br>**[03:38] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;They never forget all they owe<br>&nbsp;&nbsp;&nbsp;&nbsp;to the human who raises them,<br>**[03:42] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they do all they can to<br>&nbsp;&nbsp;&nbsp;&nbsp;grant that person's wishes.<br>**[03:46] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh...<br>**[03:47] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kris...<br>**[03:49] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't want to fly, do you?<br>**[03:54] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe not.<br>**[03:56] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always *thought* I wanted <br>
&nbsp;&nbsp;&nbsp;&nbsp;to leave this garden.<br>**[04:02] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now...<br>**[04:05] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;The outside world had been<br>&nbsp;&nbsp;&nbsp;&nbsp;something I'd yearned for.<br>**[04:09] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... while listening<br>&nbsp;&nbsp;&nbsp;&nbsp;to your stories about it,<br>**[04:13] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found myself getting scared.<br>**[04:16] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scared?<br>**[04:17] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all,<br>**[04:19] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything about<br>&nbsp;&nbsp;&nbsp;&nbsp;what it's like out there,<br>**[04:21] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;or what kind of people I'll find.<br>**[04:25] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I even find my place in that world?<br>**[04:29] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would other people accept me?<br>**[04:32] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Kris...<br>**[04:34] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll go flying together!<br>**[05:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nice.*<br>**[05:06] Narrator (Yuzu)**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dragon took to the air<br>&nbsp;&nbsp;&nbsp;&nbsp;with no issues at all.<br>**[05:09] Narrator (Yuzu)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kris got permission to leave the castle,<br>**[05:11] Narrator (Yuzu)**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Libra took her to the village.<br>**[05:15] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[05:16] Old Lady (Kashiwazaki)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Ow ow ow...<br>**[05:17] Libra (Mizusawa) & Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[05:19] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, ma'am!<br>**[05:21] Greengrocer (Takei)**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to pay money<br>&nbsp;&nbsp;&nbsp;&nbsp;for the things you want!<br>**[05:24] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry!<br>**[05:26] Greengrocer (Takei)**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't just *take* things—that <br>
&nbsp;&nbsp;&nbsp;&nbsp;makes you a thief!<br>**[05:29] Girl (Seno)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down, Father.<br>**[05:31] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize. This girl is unfamiliar<br>&nbsp;&nbsp;&nbsp;&nbsp;with the ways of the world...<br>**[05:35] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm against it.<br>**[05:38] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't be working<br>&nbsp;&nbsp;&nbsp;&nbsp;in the outside world.<br>**[05:41] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[05:43] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you have other<br>&nbsp;&nbsp;&nbsp;&nbsp;paths you could follow.<br>**[05:48] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like what?!<br>**[05:49] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want me to live here<br>&nbsp;&nbsp;&nbsp;&nbsp;in this garden forever?<br>**[05:52] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not what I...<br>**[05:54] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me...<br>**[05:56] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;what's so wrong about me wanting to<br>&nbsp;&nbsp;&nbsp;&nbsp;see the same world everyone else does?<br>**[06:02] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't I get along with everyone?<br>**[06:06] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't I know the things<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone takes for granted?<br>**[06:10] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I... an entirely different creature?<br>**[06:14] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Libra...<br>**[06:20] Narrator (Yuzu)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some days later...<br>**[06:23] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Read this, Kris.<br>**[06:26] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;A letter, for me? From who?<br>**[06:30] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thank you for the beautiful<br>&nbsp;&nbsp;&nbsp;&nbsp;crown. It made me so happy."<br>**[06:37] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from the greengrocer's daughter.<br>**[06:39] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gave her one of your handmade<br>&nbsp;&nbsp;&nbsp;&nbsp;flower-crowns for her birthday. She loved it.<br>**[06:45] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hence the letter.<br>**[06:47] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;My floral work did that...?<br>**[06:50] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;That old woman we bumped into?<br>&nbsp;&nbsp;&nbsp;&nbsp;You made her happy, too.<br>**[06:55] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you see?<br>**[06:58] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;So many people have smiles on their<br>&nbsp;&nbsp;&nbsp;&nbsp;faces because of your flowers.<br>**[07:03] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *do* have a place in the world.<br>**[07:05] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're *not* a different creature.<br>**[07:08] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh...<br>**[07:10] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;So c'mon...<br>**[07:14] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fly! On your *own* wings this time!<br>**[07:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now for the ending.*<br>**[07:33] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... here I go.<br>**[07:36] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can always come back<br>&nbsp;&nbsp;&nbsp;&nbsp;if things get too tough.<br>**[07:40] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I* won't be that soft on you.<br>**[07:43] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go become the best<br>&nbsp;&nbsp;&nbsp;&nbsp;flower artisan around—<br>**[07:47] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'll come home not to the garden,<br>**[07:51] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to the castle, Kris!<br>**[07:53] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it!<br>**[07:57] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[07:58] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what I should be doing.<br>**[08:02] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;At long last,<br>**[08:04] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've found my own way to fly!<br>**[08:09] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over...<br>**[08:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it was a success!<br>**[08:15] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Libra!<br>**[08:16] Alucia (Aoi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a letter from Kris!<br>**[08:19] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[08:21] Libra (Mizusawa)**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's she say?<br>**[08:23] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Dear Libra and Alucia,<br>**[08:27] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm sorry I haven't come to visit.<br>**[08:31] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm doing well.<br>**[08:32] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I have my own atelier now."<br>**[08:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't know this part...*<br>**[08:40] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I've heard the news about you two.<br>**[08:43] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"So you finally got the<br>&nbsp;&nbsp;&nbsp;&nbsp;king's permission, huh?<br>**[08:47] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Congratulations on your marriage!<br>**[08:53] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm giving you both my very best<br>&nbsp;&nbsp;&nbsp;&nbsp;floral decoration, with my thanks.<br>**[09:00] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Libra, Alucia. May every happiness be yours!<br>**[09:05] Kris (Hanabi)**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Best wishes, Kris!"<br>**[09:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This story—it's Kikuchi's story.*<br>**[09:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kris is Kikuchi,*<br>**[09:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and my behavior is reflected in Libra.*<br>**[09:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If those two didn't wind up together...*<br>**[09:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This must be*<br>**[09:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kikuchi's answer.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bottom-Tier Character Tomozaki S2
<br>**[09:42] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Right. I guess that's life*<br>*&nbsp;&nbsp;&nbsp;&nbsp;for you. It's one tough game.*<br>**[09:47] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's unreasonable; the more*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you try, the harder it gets;*<br>**[09:53] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;there are way more things that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;go wrong than go right...*<br>**[09:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... it's not a garbage game.<br>**[10:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll rest for a bit. And then...*<br>**[10:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll go back to this game called "life."*<br>**[10:09] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki!<br>**[10:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mimimi...<br>**[10:20] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The play...<br>**[10:22] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it mean what I think it means?<br>**[10:26] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Libra is you, and Alucia is Aoi...<br>**[10:30] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Kris is Kikuchi.<br>**[10:32] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *want* to be talking about how great <br>
&nbsp;&nbsp;&nbsp;&nbsp;it was, how much I enjoyed it.<br>**[10:39] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that scene at the end—and you and<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi avoiding each other afterward...<br>**[10:46] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just weird! You both<br>&nbsp;&nbsp;&nbsp;&nbsp;worked so hard on it!<br>**[10:50] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's *weird* for you two not to be together <br>
&nbsp;&nbsp;&nbsp;&nbsp;after a huge success like that!<br>**[10:57] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so. I...<br>**[11:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;She turned me down.<br>**[11:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mimimi...<br>**[11:18] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi's in the library!<br>**[11:21] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The play can't be the *only* <br>
&nbsp;&nbsp;&nbsp;&nbsp;way she gives you her answer!<br>**[11:26] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brain!<br>**[11:27] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you the best gamer around?<br>**[11:30] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then stick with it to the bitter end, <br>
&nbsp;&nbsp;&nbsp;&nbsp;till you know for *sure* it's over!<br>**[11:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[11:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go there now.<br>**[12:14] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomozaki...<br>**[12:18] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen...<br>**[12:19] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[12:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;About that last scene...<br>**[12:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how it all turns out, huh?<br>**[12:28] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[12:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No apology necessary.<br>**[12:36] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[12:39] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;the conclusion I chose.<br>**[12:42] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably not my place to ask why...<br>**[12:48] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd still like to know.<br>**[12:51] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd been thinking...<br>**[12:54] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that Kris might like Libra.<br>**[12:58] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;She really does feel like she<br>&nbsp;&nbsp;&nbsp;&nbsp;wants to be with him forever.<br>**[13:03] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...<br>**[13:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[13:06] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alucia *must* be with Libra.<br>**[13:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait—why?<br>**[13:14] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alucia is clever but empty: a girl<br>&nbsp;&nbsp;&nbsp;&nbsp;who's missing the part at her core.<br>**[13:21] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Libra is awkward but curious:<br>&nbsp;&nbsp;&nbsp;&nbsp;a boy with things he wants to do.<br>**[13:27] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're complete opposites...<br>**[13:31] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is why they'd make an ideal couple.<br>**[13:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ideal"...?<br>**[13:38] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to being<br>&nbsp;&nbsp;&nbsp;&nbsp;true to yourself instead?<br>**[13:41] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first I *thought* it would work.<br>**[13:44] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo High School Culture Festival Play  My Unfamiliar Way to Fly
<br>**[13:46] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns out I was wrong.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo High School Culture Festival Play  My Unfamiliar Way to Fly
<br>**[13:49] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was satisfied with what<br>&nbsp;&nbsp;&nbsp;&nbsp;you told me at first,<br>**[13:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I shouldn't approach life<br>&nbsp;&nbsp;&nbsp;&nbsp;itself from an author's viewpoint<br>**[13:58] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that I should try to face my own emotions<br>**[14:01] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;without forcing them to<br>&nbsp;&nbsp;&nbsp;&nbsp;fit the world's ideals.<br>**[14:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I did,<br>**[14:06] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;the world looked so vivid—like<br>&nbsp;&nbsp;&nbsp;&nbsp;the world Libra showed Kris.<br>**[14:12] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought, "Wow, Tomozaki really is amazing."<br>**[14:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[14:19] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that doesn't work for me.<br>**[14:25] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;To live according to one's own emotions<br>**[14:28] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;in this story we call the world...<br>**[14:30] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too selfish with regard to<br>&nbsp;&nbsp;&nbsp;&nbsp;how the other characters feel.<br>**[14:37] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm going to rein myself in and<br>&nbsp;&nbsp;&nbsp;&nbsp;live in a way I can see as sincere.<br>**[14:44] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my conclusion.<br>**[14:47] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because that's how I want to live.<br>**[14:52] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet—I can't forget...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo High School Culture Festival Play  My Unfamiliar Way to Fly
<br>**[14:56] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't forget the glittering scenery<br>&nbsp;&nbsp;&nbsp;&nbsp;and the world all a-sparkle,<br>**[15:00] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;like it was in the other ending.<br>**[15:05] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though that's just selfish!<br>**[15:11] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're the same.<br>**[15:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember, Kikuchi?<br>**[15:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until very recently, I'd been<br>&nbsp;&nbsp;&nbsp;&nbsp;ignoring the world at large.<br>**[15:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had no interest in ideals.<br>**[15:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lived in freedom, prioritizing<br>&nbsp;&nbsp;&nbsp;&nbsp;my desires over anything else.<br>**[15:28] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then I met a certain magician<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Goal  To be as satisfied with offline life as I am
<br>**[15:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;who taught me how to live<br>&nbsp;&nbsp;&nbsp;&nbsp;with an ideal in sight.<br>**[15:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I gave it an honest try,<br>&nbsp;&nbsp;&nbsp;&nbsp;and started seeing results.<br>**[15:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But along the way, I thought:<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't working after all.<br>**[15:45] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using skills to get by feels<br>&nbsp;&nbsp;&nbsp;&nbsp;insincere to me somehow.<br>**[15:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But being honest to my <br>
&nbsp;&nbsp;&nbsp;&nbsp;emotions—*that* was sincere.<br>**[15:56] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that sound familiar?<br>**[16:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I started with emotions and<br>&nbsp;&nbsp;&nbsp;&nbsp;learned how to aim for an ideal.<br>**[16:06] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You started with an ideal world and<br>&nbsp;&nbsp;&nbsp;&nbsp;learned how to be true to your emotions.<br>**[16:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're opposites.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sekitomo High School Culture Festival Play  My Unfamiliar Way to Fly
<br>**[16:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what I did?<br>**[16:20] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I embraced both:<br>**[16:22] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;ideals *and* emotions.<br>**[16:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I had to do was make the<br>&nbsp;&nbsp;&nbsp;&nbsp;effort to have both at once.<br>**[16:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same goes for you.<br>**[16:32] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;For me... too?<br>**[16:34] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to pick just one.<br>**[16:36] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do your honest best to have both.<br>**[16:40] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simple, right?<br>**[16:43] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[16:47] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know how.<br>**[16:50] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Libra is meant to be with Alucia,<br>**[16:53] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I twist that plot just for<br>&nbsp;&nbsp;&nbsp;&nbsp;the sake of my own emotions...<br>**[16:57] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that just selfish?<br>**[17:02] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In Kikuchi's version of the world's ideals,*<br>**[17:05] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the two of us aren't meant to be.*<br>**[17:10] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, I'm*<br>*&nbsp;&nbsp;&nbsp;&nbsp;pretty sure she likes me.*<br>**[17:15] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She has to make that contradiction work.*<br>**[17:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And, yes, as she says,*<br>**[17:22] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;it might be tough in the fictional*<br>*&nbsp;&nbsp;&nbsp;&nbsp;world of Kris, Libra, and Alucia.*<br>**[17:30] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But in* this *world? It's a cinch.*<br>**[17:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got it, Kikuchi. There <br>
&nbsp;&nbsp;&nbsp;&nbsp;*is* one foolproof method.<br>**[17:41] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was that simple.*<br>**[17:44] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If Kikuchi can't twist how she*<br>*&nbsp;&nbsp;&nbsp;&nbsp;thinks the world should be*<br>**[17:49] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*based only on her own emotions...*<br>**[17:54] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like you, Kikuchi. I<br>&nbsp;&nbsp;&nbsp;&nbsp;want us to be a couple.<br>**[18:00] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I, Fumiya Tomozaki, should choose Kikuchi.*<br>**[18:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember what you said?<br>**[18:10] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:12] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Libra and Alucia each have what the<br>&nbsp;&nbsp;&nbsp;&nbsp;other lacks, so they belong together.<br>**[18:19] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think the same<br>&nbsp;&nbsp;&nbsp;&nbsp;goes for Libra and Kris?<br>**[18:24] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fretting over the same things,<br>&nbsp;&nbsp;&nbsp;&nbsp;but in opposite order—<br>**[18:27] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we find that our words gave<br>&nbsp;&nbsp;&nbsp;&nbsp;each other a way to move forward.<br>**[18:32] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even from an author's perspective<br>&nbsp;&nbsp;&nbsp;&nbsp;on this story of life,<br>**[18:37] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't you think this<br>&nbsp;&nbsp;&nbsp;&nbsp;relationship is pretty ideal?<br>**[18:45] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know...<br>**[18:47] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Libra *was* always good at opening locks.<br>**[18:50] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. And remember what the Popple said:<br>**[18:55] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Words are magic."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Complete event map (before culture festival) <br>
&nbsp;&nbsp;&nbsp;&nbsp;Medium Goal: CLEAR! <br>
&nbsp;&nbsp;&nbsp;&nbsp;Have a girlfriend before starting year 3  <br>
&nbsp;&nbsp;&nbsp;&nbsp;Congratulations!! <br>
&nbsp;&nbsp;&nbsp;&nbsp;Today's Assignment Next Goal:
<br>**[19:05] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then.<br>**[19:06] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all: congratulations.<br>**[19:08] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all thanks to you.<br>**[19:11] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me?<br>**[19:13] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only wanted to prove that I was right.<br>**[19:17] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;True enough.<br>**[19:18] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get it now, right?<br>**[19:20] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your character change was a big success.<br>**[19:23] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;However!<br>**[19:24] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is no time to relax.<br>**[19:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm aware.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ultimate Goal  To be as satisfied with offline life as I am
<br>**[19:27] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're nowhere near this final goal.<br>**[19:31] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll keep dishing out tricky<br>&nbsp;&nbsp;&nbsp;&nbsp;assignments, so stay on the ball.<br>**[19:37] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and I'm sure you remember<br>&nbsp;&nbsp;&nbsp;&nbsp;the matching-accessories task.<br>**[19:40] Aoi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never *did* complete it.<br>**[19:44] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Got it. Hit me with your best shot!<br>**[19:54] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So it went well.<br>**[19:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, it did.<br>**[20:00] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a top gamer for you. Never say die!<br>**[20:07] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But dang, Brain, you're a *player*!<br>**[20:10] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm really not...<br>**[20:13] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's fine.<br>**[20:16] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing you, Tomozaki, you thought things<br>&nbsp;&nbsp;&nbsp;&nbsp;over really well when it came to me, too.<br>**[20:21] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it.<br>**[20:23] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[20:25] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... Let's just shake it<br>&nbsp;&nbsp;&nbsp;&nbsp;off, all right? Both of us!<br>**[20:30] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay?<br>**[20:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[20:33] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know...<br>**[20:35] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think I'm going to like you<br>&nbsp;&nbsp;&nbsp;&nbsp;forever, you've got another thing coming!<br>**[20:39] Mimimi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You silly Brain!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fuka Kikuchi
<br>**[21:13] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've finished the novel, too.<br>**[21:16] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love for you to read it.<br>**[21:21] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[21:22] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly
<br>**[21:25] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not actually the official version.<br>**[21:28] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a story I wrote for myself.<br>**[21:31] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;For yourself?<br>**[21:33] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You told me that I can be<br>&nbsp;&nbsp;&nbsp;&nbsp;honest with my own emotions.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fuka Kikuchi
<br>**[21:40] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this isn't about what's best for the<br>&nbsp;&nbsp;&nbsp;&nbsp;story world, but what's best for me.<br>**[21:47] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried my hand at that<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of story instead.<br>**[21:49] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Such was our comfortable, mutually*<br>*&nbsp;&nbsp;&nbsp;&nbsp;understanding relationship.*<br>**[21:53] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I didn't think the coziness we felt would*<br>*&nbsp;&nbsp;&nbsp;&nbsp;change at all just because we were dating.*<br>**[21:58] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However...*<br>**[22:01] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'll read it later<br>&nbsp;&nbsp;&nbsp;&nbsp;and tell you what I think.<br>**[22:04] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you can't.<br>**[22:07] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to know here and now.<br>**[22:11] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'll wait.<br>**[22:13] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fuka Kikuchi
<br>**[22:16] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, uh...<br>**[22:19] Tomozaki**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kikuchi had started being just the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;tiniest bit demanding toward me.*<br>**[22:26] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;This here...<br>**[22:28] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[22:29] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry—hang on.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;You've completed the accessories task
<br>**[22:32] Fuka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Is something wrong?<br>**[22:35] Tomozaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;My Unfamiliar Way to Fly  Fuka Kikuchi
<br>**[22:38] Narrator (Fuka)**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Though still unaccustomed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to the outside world,*<br>**[22:41] Narrator (Fuka)**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kris felt like she could walk forever and*<br>*&nbsp;&nbsp;&nbsp;&nbsp;ever as long as Libra was by her side.*<br>**[22:52] Libra (Tomozaki)**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a little embarrassing,<br>&nbsp;&nbsp;&nbsp;&nbsp;me being a guy and all...<br>**[22:56] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on!<br>**[22:57] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always wanted to match like this.<br>**[23:01] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember what the two of<br>&nbsp;&nbsp;&nbsp;&nbsp;us saw from way up in the sky?<br>**[23:06] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd never seen such a<br>&nbsp;&nbsp;&nbsp;&nbsp;splendid world in my life.<br>**[23:11] Libra (Tomozaki)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right—and I never knew being<br>&nbsp;&nbsp;&nbsp;&nbsp;up there could feel so amazing.<br>**[23:17] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know the most important<br>&nbsp;&nbsp;&nbsp;&nbsp;thing you taught me?<br>**[23:23] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world is absolutely full<br>&nbsp;&nbsp;&nbsp;&nbsp;of splendor all around us—<br>**[23:27] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you don't have to fly to see it.<br>**[23:32] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;So thank you.<br>**[23:36] Kris (Fuka)**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you, Libra.<br>