# 3 - Angels in the Crosshairs

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, you know what my trade is!<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm going to blab?<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back at you. You know<br>&nbsp;&nbsp;&nbsp;&nbsp;what my trade is, eh, Leroy?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon!<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oink, oink, oink!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In 1994, the Japanese Army created<br>&nbsp;&nbsp;&nbsp;&nbsp;a massive underground shelter<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to wage a war of attrition here.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hide in there and no one'll find you.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to obtain this information, Leroy...<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, watch it!<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She won't kill the informer.<br>&nbsp;&nbsp;&nbsp;&nbsp;You buy information with money.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tab is going on this kid's bill.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just made him remember that the<br>&nbsp;&nbsp;&nbsp;&nbsp;maid wasn't paying him enough.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean--!<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You found Roberta?<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where we're headed.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caxton! It's Will!<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here!<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got some bad news, Will.<br>&nbsp;&nbsp;&nbsp;&nbsp;Something in the air feels wrong.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just sending my subordinates<br>&nbsp;&nbsp;&nbsp;&nbsp;to check the perimeter.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ditto. For several hours now, our lines have<br>&nbsp;&nbsp;&nbsp;&nbsp;been making noises that indicate wiretapping.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This contains the latest information on<br>&nbsp;&nbsp;&nbsp;&nbsp;the location and your new game plan.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from Brigadier General Wilder.<br>&nbsp;&nbsp;&nbsp;&nbsp;This operation will proceed.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Continue your report.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, the roads to Chalquam and Manthey<br>&nbsp;&nbsp;&nbsp;&nbsp;Street are closed off due to construction.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there is no indication<br>&nbsp;&nbsp;&nbsp;&nbsp;that any work is being done.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The street vendors and prostitutes<br>&nbsp;&nbsp;&nbsp;&nbsp;have left the surrounding area.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are roughly nine guards within<br>&nbsp;&nbsp;&nbsp;&nbsp;200 yards of the outskirts of town<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and four trackers.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I have decided to begin<br>&nbsp;&nbsp;&nbsp;&nbsp;Operation: Clean the Streets.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will, you should leave<br>&nbsp;&nbsp;&nbsp;&nbsp;before bullets start flying.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have taken position across from<br>&nbsp;&nbsp;&nbsp;&nbsp;the hotel Abrego informed us of.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are the US Army, FARC and the<br>&nbsp;&nbsp;&nbsp;&nbsp;guys the maid made arrangements with.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a major melee ahead of us.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop there!<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, where are you going?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if we'll make it in<br>&nbsp;&nbsp;&nbsp;&nbsp;time, but let's get some help!<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, the phone has<br>&nbsp;&nbsp;&nbsp;&nbsp;been ringing for a while!<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're unbelievable!<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, hi!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Shen Hua!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a job for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get to kill a whole lot!<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be willing to slice you up for free.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who attacked me.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so spiteful.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The job has been commissioned by<br>&nbsp;&nbsp;&nbsp;&nbsp;a stinking rich South American.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much is he paying?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charlie to Alpha. Present situation: D4.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What appears to be an armed<br>&nbsp;&nbsp;&nbsp;&nbsp;force is headed your way.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your guard up.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger, Charlie.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bravo and Charlie are<br>&nbsp;&nbsp;&nbsp;&nbsp;to prepare to move out.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not really sure what<br>&nbsp;&nbsp;&nbsp;&nbsp;we've gotten caught up in,<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but our boring wait is over.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, time for work, gentlemen.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is D1. The armed force has<br>&nbsp;&nbsp;&nbsp;&nbsp;infiltrated the target building.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get the bloodhound within eyesight.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our target is Rosarita Cisneros.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it true that the hillbilly mafioso ran off<br>&nbsp;&nbsp;&nbsp;&nbsp;to this place? Is he on the second floor?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leroy's info is always right.<br>&nbsp;&nbsp;&nbsp;&nbsp;This has got to be the place.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Count down--three, two, one!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cease fire!<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm detonating the Claymore.<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, get down!<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! What's going on?!<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone who went upstairs is dead!<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's keeping you? Get up there!<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! What happened up there?<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's in the hallway. Not a soul!<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bugsy!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're gone! Even the walls are gone!<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? Where did they go?!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane, we've got trouble!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hostile across the bank.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's on top of the highest billboard!<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, get down!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, what are we up against?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wright, Horner! Subdue enemy fire!<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else, move out on the double!<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cross the river fast!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't make it in time!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, she's got vintage toys!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a real war zone!<br>&nbsp;&nbsp;&nbsp;&nbsp;I am going to increase my fees.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's fighting, that<br>&nbsp;&nbsp;&nbsp;&nbsp;means Roberta is still alive!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia, Dutch kept telling me to<br>&nbsp;&nbsp;&nbsp;&nbsp;pull back if things came to this.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you want to see this through,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall go along with you.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going. If Roberta is waiting,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I must go to her.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well said. You have the heart of a warrior.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have found the target's position.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is on the roof of a multi-floor<br>&nbsp;&nbsp;&nbsp;&nbsp;building. I am sending in my men.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia, take this.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not now.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's in case you lose<br>&nbsp;&nbsp;&nbsp;&nbsp;sight of what path to follow.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't coming? Why not?<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's best suited for drinking canned coffee<br>&nbsp;&nbsp;&nbsp;&nbsp;while basking in the sun on a bench.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let's go!<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, the same<br>&nbsp;&nbsp;&nbsp;&nbsp;goes for the Young Master.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your first time<br>&nbsp;&nbsp;&nbsp;&nbsp;at the bar, wasn't it?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the first time you fired at humans.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shots from your gun<br>&nbsp;&nbsp;&nbsp;&nbsp;and the enemy fire.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were practically declaring that<br>&nbsp;&nbsp;&nbsp;&nbsp;you couldn't get in a one-shot kill.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look at me like that.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a tip--think of them as signboards.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're just rotten and rusty signboards.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can pull that off and survive,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be a full-fledged gunslinger.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't intend to walk the same--<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're close!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now! Cross over!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sound of gunfire has stopped!<br>&nbsp;&nbsp;&nbsp;&nbsp;This is D1! We're engaging the enemy!<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've chased her to the roof!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no good! We can't take shelter!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D3, go help them.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the bloodhound is--<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's hunting something down.<br>&nbsp;&nbsp;&nbsp;&nbsp;There is an unknown group ahead of us.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rendezvous with D3 and collaborate with<br>&nbsp;&nbsp;&nbsp;&nbsp;them to chase down the bloodhound.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, so that's the deal.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't trust those cartel hooligans.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the sound of a US Army carbine.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry! Rendezvous with D3!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shen Hua, go!<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're countering the<br>&nbsp;&nbsp;&nbsp;&nbsp;rifles by outranging them!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have we let the enemy lure<br>&nbsp;&nbsp;&nbsp;&nbsp;us into her own territory?<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gosh darn it! What'll we do<br>&nbsp;&nbsp;&nbsp;&nbsp;now that they're all dead?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have held back when killing them.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't at least one of them<br>&nbsp;&nbsp;&nbsp;&nbsp;hanging on by a thread?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's alive.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This the guy? Good find!<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, beaner!<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be rough with him. He's on the brink.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Translate "Where is Roberta?"<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tell me and I'll take you to a doctor."<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell him that.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We mean you no harm.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did Roberta go?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want to know where she is.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you tell us, we will take you to a hospital.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosarita is chasing after someone else.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is moving toward the<br>&nbsp;&nbsp;&nbsp;&nbsp;intersection to the west.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will I make it?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, the Lord will save you.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is chasing the US troop. She's<br>&nbsp;&nbsp;&nbsp;&nbsp;headed toward the western intersection.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's going west? All right.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beaner, does it hurt?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll treat you right now.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All set. That's the intersection<br>&nbsp;&nbsp;&nbsp;&nbsp;at Ramsap and Nankroy.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go there for now. We're short on time.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shrimp, follow me.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola!<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now. You've got the wrong end<br>&nbsp;&nbsp;&nbsp;&nbsp;of that puppy pointing my way.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you thinking?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you do that?!<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fight was over! Why did you shoot him?!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fight's on until the final blow.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your barrio any different?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same, isn't it?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he was dying and<br>&nbsp;&nbsp;&nbsp;&nbsp;genuinely wanted to be saved!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you shot him!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you did was *aniquilación*!<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use English, *chiquita*.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said that was overkill, Ms. Rebecca.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Part of you kills just for the fun of it.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're no different than Jeffrey Merdah!<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Dahmer.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maid, is your ethics time over yet?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, everyone will bail out.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry. We haven't caught up to her yet.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to go, Young Master. That was wise.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sawyer, lead the way.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a defiled land where everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;participates in the Dance of Death.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we need right now are<br>&nbsp;&nbsp;&nbsp;&nbsp;professional trouble busters.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be those ladies.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is precisely why I want<br>&nbsp;&nbsp;&nbsp;&nbsp;you to follow your own beliefs.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then we're all going to go<br>&nbsp;&nbsp;&nbsp;&nbsp;back home. Back to our home.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I believe.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As do I, Young Master.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of us will definitely go home together.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why we came here.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will Garcia catch up to Roberta?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The odds are close.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, there is nowhere<br>&nbsp;&nbsp;&nbsp;&nbsp;for the US soldiers to hide.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In all reality, it is impossible for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to lose the Bloodhound of Florencia.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to help the US soldiers escape,<br>&nbsp;&nbsp;&nbsp;&nbsp;I must complete the formation.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That requires one more powerhouse<br>&nbsp;&nbsp;&nbsp;&nbsp;that lurks within the shadows of our town.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must wait for them to<br>&nbsp;&nbsp;&nbsp;&nbsp;make their appearance.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you didn't make it in time, Rock.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see the smoke signs from here.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't need a call from<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang right now. Damn it!<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Close up shop. Dutch must be<br>&nbsp;&nbsp;&nbsp;&nbsp;in one foul mood by now.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang, I cannot do that.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The actors are still here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Same for that boy and the maid.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot leave the stage<br>&nbsp;&nbsp;&nbsp;&nbsp;just yet. That's why--<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what? You called checkmate in this<br>&nbsp;&nbsp;&nbsp;&nbsp;game of chess and I set the odds.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that enough? Now that<br>&nbsp;&nbsp;&nbsp;&nbsp;things have come to this,<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why bother worrying about<br>&nbsp;&nbsp;&nbsp;&nbsp;that boy and his maid?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, the thing I hate the most<br>&nbsp;&nbsp;&nbsp;&nbsp;in this world is hypocrisy.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's even nastier than evil.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a poison that deludes<br>&nbsp;&nbsp;&nbsp;&nbsp;the target and user.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it smells of roses, you cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;hide the fact that shit is shit.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what's happening, Rock.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, both you and I view<br>&nbsp;&nbsp;&nbsp;&nbsp;the Lovelace boy and his maid<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as nothing more than chess pieces.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang, you're a<br>&nbsp;&nbsp;&nbsp;&nbsp;good-for-nothing piece of shit!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love it! I haven't had someone<br>&nbsp;&nbsp;&nbsp;&nbsp;say that to me in ages.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I like about you.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your anger comes from one--being a sore<br>&nbsp;&nbsp;&nbsp;&nbsp;loser because you know this game is lost.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two--at having me concisely guess<br>&nbsp;&nbsp;&nbsp;&nbsp;at what you think deep down.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have delved far deeper into<br>&nbsp;&nbsp;&nbsp;&nbsp;people's hearts than you ever have.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you speak of human hearts<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're a gangster<br>&nbsp;&nbsp;&nbsp;&nbsp;living in a world of violence?<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want an explanation?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because the man you're speaking with<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;used to be a guard dog of the law<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that burned with an inane sense of<br>&nbsp;&nbsp;&nbsp;&nbsp;justice with the Hong Kong police.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's nothing impressive.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not unusual for people here<br>&nbsp;&nbsp;&nbsp;&nbsp;to lead contradicting lives.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Re-evaluate yourself as nothing more<br>&nbsp;&nbsp;&nbsp;&nbsp;than a mere pawn and step down.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it for the sake of your own soul.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let this come to an end, Mr. Chang.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. Then do as you like.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that declaration of defiance,<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect you to put up a decent fight.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Tracking Team D2.<br>&nbsp;&nbsp;&nbsp;&nbsp;Target is in our sights.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a block away.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Draw in closer.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, we're still going<br>&nbsp;&nbsp;&nbsp;&nbsp;after her? We're down to--<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, José!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we pull back now,<br>&nbsp;&nbsp;&nbsp;&nbsp;the dead will have died like dogs!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, what a pain! Think they'll let<br>&nbsp;&nbsp;&nbsp;&nbsp;us through if we explain ourselves?<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll just have to kill<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone blocking our path.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am cool with charging in.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have one question for you.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you? You can actually talk?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is it?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That elevated stage! Wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;making our entrance from here...<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...look cool?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why did you bring that freak with us?!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let it slide. He's a bit "special."<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sound of gunfire isn't letting up.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is shooting who?<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let the hostiles go through and<br>&nbsp;&nbsp;&nbsp;&nbsp;send the Diversion Team after them.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eventually, they will join Bravo<br>&nbsp;&nbsp;&nbsp;&nbsp;and Charlie for a pincer attack.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, check your ammo.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't waste your cylinders.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about after the operation?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll lay low outside of town<br>&nbsp;&nbsp;&nbsp;&nbsp;and wait for orders from the NSA.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But first, we need to put<br>&nbsp;&nbsp;&nbsp;&nbsp;all our concentration into<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;catching and obliterating our opponent.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a blessing if she took the bait.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go around.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this! We've got your asses!<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is on the other<br>&nbsp;&nbsp;&nbsp;&nbsp;side of this crazy fight.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh huh!<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is D4. We are rushing to D2's aid.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall now enter the--<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freeze!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, take shelter over there.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But--<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move it, you brats!<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can pull through if I'm by myself. Hurry!<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O villains who direct your<br>&nbsp;&nbsp;&nbsp;&nbsp;vile blades at children<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on this night with its clear blue moon!<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any foe my beloved gun goes after<br>&nbsp;&nbsp;&nbsp;&nbsp;shall be blown to smithereens!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God is here, watching over me.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, none are more suited than<br>&nbsp;&nbsp;&nbsp;&nbsp;I to execute you in the name of Hea--<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola!<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get over to you! Stay back and hide!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it! You hide too, Fabiola!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A different opponent is holding D4 back.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph! That is not our true foe.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I was the American commander,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would stage a pincer attack.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a US imperialist tactic.<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what we taught Rosarita.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, the bloodhound<br>&nbsp;&nbsp;&nbsp;&nbsp;should have taken position here.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find her!<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola?<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not her! It's the enemy!<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're still shooting.<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A central nervous system stimulant.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what Roberta<br>&nbsp;&nbsp;&nbsp;&nbsp;ordered from Dr. Heartland!<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've lost contact with Lopez,<br>&nbsp;&nbsp;&nbsp;&nbsp;who went to the third floor.<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've found her. She's upstairs.<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is here!<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally! I finally caught up with her!<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lopez?! Lopez, any anomalies upstairs?<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What's wrong, Lopez?<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. I'll make it in time.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way Roberta could lose!<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't lose! Have faith in her!<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you haven't lost<br>&nbsp;&nbsp;&nbsp;&nbsp;your touch, Bloodhound.<br>**[24:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use. I know all of your moves.<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come from Habana.<br>**[24:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're from the Cuban Navy's Special Forces.<br>**[24:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precisely. The request came directly<br>&nbsp;&nbsp;&nbsp;&nbsp;from FARC's Commander Marulanda.<br>**[24:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why don't you shoot me?"<br>&nbsp;&nbsp;&nbsp;&nbsp;It's written all over your face.<br>**[24:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have had several<br>&nbsp;&nbsp;&nbsp;&nbsp;opportunities to shoot you.<br>**[25:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The commander is dying to<br>&nbsp;&nbsp;&nbsp;&nbsp;have your head, but not me.<br>**[25:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the activist who received the<br>&nbsp;&nbsp;&nbsp;&nbsp;most attention in Central's guerrilla meetings.<br>**[25:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the only one meant to<br>&nbsp;&nbsp;&nbsp;&nbsp;inherit old Carlos' name as Jackal.<br>**[25:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is imperative that our organization<br>&nbsp;&nbsp;&nbsp;&nbsp;has one skilled such as you.<br>**[25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back with me, Bloodhound.<br>**[25:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you are kept as a<br>&nbsp;&nbsp;&nbsp;&nbsp;maid in a country manor,<br>**[25:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot defy the smell of blood.<br>**[25:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[25:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That place was boring.<br>**[25:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was nothing,<br>&nbsp;&nbsp;&nbsp;&nbsp;not even blood or gunfire.<br>**[25:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is time to go, now that the Master is dead.<br>**[25:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I avenge him,<br>&nbsp;&nbsp;&nbsp;&nbsp;my debt will have been paid.<br>**[25:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a peculiar thought, Rosarita.<br>**[25:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will finish this soon, so don't interfere.<br>**[26:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. Some American heads<br>&nbsp;&nbsp;&nbsp;&nbsp;will make for nice souvenirs.<br>**[26:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt the commander<br>&nbsp;&nbsp;&nbsp;&nbsp;will simply forgive me.<br>**[26:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't underestimate me.<br>&nbsp;&nbsp;&nbsp;&nbsp;My will is Habana's will.<br>**[26:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not allow those FARC dogs to object.<br>**[26:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say...<br>**[26:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering what is to come,<br>**[26:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would it be wise of me<br>&nbsp;&nbsp;&nbsp;&nbsp;to attach myself to you?<br>**[26:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have to hunt down<br>&nbsp;&nbsp;&nbsp;&nbsp;those American soldiers first?<br>**[26:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They cannot move until<br>&nbsp;&nbsp;&nbsp;&nbsp;I take the bait, anyway.<br>**[26:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, this is just like a greenhouse<br>&nbsp;&nbsp;&nbsp;&nbsp;filled with the warmth of death.<br>**[26:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns me on.<br>**[26:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bloodhound, are you testing me?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one testing you.<br>**[27:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you my dog?<br>**[27:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are, then act like a dog<br>&nbsp;&nbsp;&nbsp;&nbsp;and stick out your tongue.<br>**[27:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Don't shred my clothes.<br>**[27:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to fight the Americans naked.<br>**[27:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you take off my pants?<br>**[27:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make me laugh. Do it yourself.<br>**[27:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so cautious. Fine then.<br>**[27:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take them off nice and slow,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't shoot.<br>**[28:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You bitch!<br>**[28:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't enough. You should have<br>&nbsp;&nbsp;&nbsp;&nbsp;been far, far, far more cautious.<br>**[28:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never ally myself with you!<br>**[28:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason is because you and<br>&nbsp;&nbsp;&nbsp;&nbsp;those foxes serve the same master!<br>**[28:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Principles and ideals!<br>**[28:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will never serve under<br>&nbsp;&nbsp;&nbsp;&nbsp;those detestable scams again!<br>**[28:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is only one person in this world<br>&nbsp;&nbsp;&nbsp;&nbsp;who may put a leash on my collar...<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia Fernando Lovelace.<br>**[28:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is destined to be my master.<br>**[28:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is the only one I would slurp<br>&nbsp;&nbsp;&nbsp;&nbsp;mud and risk my life to protect.<br>**[29:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is for him alone that<br>&nbsp;&nbsp;&nbsp;&nbsp;I seek revenge and kill!<br>**[29:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will crush all of my bad family relations!<br>**[29:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are no longer a bloodhound.<br>**[29:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a lone wolf that has grown sick.<br>**[29:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, stop it! No, stop it!<br>**[29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it! Stop it! Stop it!<br>**[29:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[29:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young...<br>**[29:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master?<br>**[29:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master?<br>**[30:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! Young Master, don't look at me!<br>**[30:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't... Don't...<br>**[30:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>**[30:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No more...<br>**[30:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>**[30:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?!<br>**[30:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?! What should I do?!<br>**[30:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you continue to gaze upon me<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to prevent this outcome?<br>**[30:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long...? How long must you haunt me?!<br>**[30:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am? No, you're wrong.<br>**[30:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You simply cannot forget<br>**[30:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you attacked Taisho<br>&nbsp;&nbsp;&nbsp;&nbsp;Electric's Magnarelli office<br>**[30:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and shot two Japanese technicians.<br>**[30:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. That happened seven years ago.<br>**[30:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before my execution, you tore<br>&nbsp;&nbsp;&nbsp;&nbsp;apart a picture of my family.<br>**[30:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of those minor injuries melded<br>&nbsp;&nbsp;&nbsp;&nbsp;into one and stayed with you.<br>**[31:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it pus and fester as you<br>&nbsp;&nbsp;&nbsp;&nbsp;spent your days in peace and quiet?<br>**[31:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had walked through<br>&nbsp;&nbsp;&nbsp;&nbsp;life with that child,<br>**[31:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those wounds may have healed someday.<br>**[31:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you are the one who spoiled that life.<br>**[31:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what would it have<br>&nbsp;&nbsp;&nbsp;&nbsp;taken to obtain forgiveness?<br>**[31:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I cannot be forgiven for all eternity,<br>**[31:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how was I supposed to act<br>&nbsp;&nbsp;&nbsp;&nbsp;as I resided in that manor?<br>**[31:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always hounded me!<br>**[31:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't let me forget!<br>&nbsp;&nbsp;&nbsp;&nbsp;You will never let me forget!<br>**[31:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sacrificed my Master and now you<br>&nbsp;&nbsp;&nbsp;&nbsp;have done this to the Young Master!<br>**[31:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it.<br>**[31:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. So, that's it.<br>**[31:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you showed this to me.<br>**[31:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that how desperate you are to kill me?<br>**[31:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. There is no way my<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master would be here!<br>**[32:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master is waiting at the manor<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to bring back the foxes' heads.<br>**[32:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master will smile at me and<br>&nbsp;&nbsp;&nbsp;&nbsp;everything will return to how it was.<br>**[32:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet you had to show me an image of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Young Master in this sorry state!<br>**[32:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You showed me the one thing<br>&nbsp;&nbsp;&nbsp;&nbsp;I never wanted to see!<br>**[32:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never forgive you!<br>**[32:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master isn't here.<br>**[32:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't really here, just like you aren't!<br>**[32:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll prove that right now.<br>**[32:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Burroughs!<br>**[32:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While on patrol, we stumbled<br>&nbsp;&nbsp;&nbsp;&nbsp;upon the target in a building.<br>**[32:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used a tear gas grenade.<br>**[32:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first sergeant saved a boy.<br>**[32:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is First Sergeant Horner.<br>&nbsp;&nbsp;&nbsp;&nbsp;We have canceled the feint<br>**[33:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and are returning to Point A.<br>**[33:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[34:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next episode<br>**[34:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock, you said to read<br>&nbsp;&nbsp;&nbsp;&nbsp;this when I lose my way.<br>**[34:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock, did you realize who you<br>&nbsp;&nbsp;&nbsp;&nbsp;were talking about when you said that?!<br>**[34:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>