# 20 - The Succession

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? I told you so.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go again sometime.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Who the hell are you?!<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Miss.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This probably isn't a very<br>&nbsp;&nbsp;&nbsp;&nbsp;amusing place for a woman.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No bother. But I do rather<br>&nbsp;&nbsp;&nbsp;&nbsp;dislike noisy places.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Kousa clan is on the move.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in Roppongi, we don't<br>&nbsp;&nbsp;&nbsp;&nbsp;stand out like a sore thumb.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our neutralization of enemy targets<br>&nbsp;&nbsp;&nbsp;&nbsp;is proceeding according to plan.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Kousa clan is a very large outfit.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to go further to squeeze them.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We move on to phase two<br>&nbsp;&nbsp;&nbsp;&nbsp;and institute a shift.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A shift?<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we shift gears.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we clamp down on<br>&nbsp;&nbsp;&nbsp;&nbsp;their income sources,<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;retailers, entertainment venues,<br>&nbsp;&nbsp;&nbsp;&nbsp;waste management.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys aren't amateurs.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we keep this up, they're bound<br>&nbsp;&nbsp;&nbsp;&nbsp;to notice what we're doing.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just to rattle their cage, of course.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our main target is something else.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will resort to a tactic<br>&nbsp;&nbsp;&nbsp;&nbsp;that works in every nation.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abduction. An abduction, Mr. Bando.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll target the family of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Kousa clan head, Masami Kousa.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Boss!<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to dampen the mood,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's the one thing you can't do.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said, "We can't do that."<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we are looking for is a fight where<br>&nbsp;&nbsp;&nbsp;&nbsp;the Kousa clan loosens their grip.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just make a ruckus for a while.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go overboard and make<br>&nbsp;&nbsp;&nbsp;&nbsp;things difficult for us later on.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear that, Sergeant?<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't get it at all.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, translate this carefully, okay?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Bando.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will employ any means<br>&nbsp;&nbsp;&nbsp;&nbsp;necessary to secure profits.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are taking on most of the risks here.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, the decision-making<br>&nbsp;&nbsp;&nbsp;&nbsp;belongs to us, not you.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait a minute.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you, Rumi.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you not to call me at<br>&nbsp;&nbsp;&nbsp;&nbsp;this time of day. Huh? Prada?<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want any. I've got<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to sell. You talk too much.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch it or I'll take two of your teeth<br>&nbsp;&nbsp;&nbsp;&nbsp;out later. Huh? Then get false teeth.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I gotta go.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Chaka! What the hell are you doing?!<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you realize what we're<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about here, you idiot?!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry about that. That stupid bitch.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get outta here!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah, sure. I'll go.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I apologize for making a scene.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Martin Heidegger's *Holzwege"*<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Yukio, you're still here.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, Maki. Oh, my. Look at the time.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you reading now, Yukio?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This? Martin Heidegger.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's philosophical, but<br>&nbsp;&nbsp;&nbsp;&nbsp;very powerful. I like it.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pass on it. I like skincare<br>&nbsp;&nbsp;&nbsp;&nbsp;guides and modern horror books.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did say you like Anne Rice.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you like for light reading, Yukio?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see. Umm...<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind. It's all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget that I asked.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you were just thinking about<br>&nbsp;&nbsp;&nbsp;&nbsp;probably wasn't light reading at all.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so? I like any book that<br>&nbsp;&nbsp;&nbsp;&nbsp;makes me feel like I'm out in the sea.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Swallowing knowledge and<br>&nbsp;&nbsp;&nbsp;&nbsp;emotion and everything else.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Endlessly expanding, yet<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhat different from reality.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's what I like.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get into reading the<br>&nbsp;&nbsp;&nbsp;&nbsp;difficult ones. How about King?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care for scary novels.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's a bit surprising.<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've thought you'd like Poe.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like the ones that<br>&nbsp;&nbsp;&nbsp;&nbsp;make you imagine the night.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So dark and lonely and sorrowful.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like the night.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get really scared, thinking I'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be sucked into this darkness.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not romantic. Not at all.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear we've got trouble.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're waiting for you.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target 012 confirmed.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;012 confirmed.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't I have a little more time<br>&nbsp;&nbsp;&nbsp;&nbsp;before you go ahead with that?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I'll wait, so long as it does<br>&nbsp;&nbsp;&nbsp;&nbsp;not interfere with the operation.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that we can raise a toast to each other.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mr. Taka. What's with that girl?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! Haven't you<br>&nbsp;&nbsp;&nbsp;&nbsp;learned your lesson yet?<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not what you think.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's that skinny interpreter's<br>&nbsp;&nbsp;&nbsp;&nbsp;bodyguard. From Roanapur.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? She's a woman and she<br>&nbsp;&nbsp;&nbsp;&nbsp;can fight?! Are you serious?!<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaka, you idiot! Cut it out! They're guests!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, Mr. Taka. But you'd like to<br>&nbsp;&nbsp;&nbsp;&nbsp;see what she can do, wouldn't you?<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't we go home yet?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time for socializing now.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste of time.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't complain, Revy.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a way to keep things moving smoothly.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it takes care of things without incident,<br>&nbsp;&nbsp;&nbsp;&nbsp;then it's a small price to pay.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand it. It'd be<br>&nbsp;&nbsp;&nbsp;&nbsp;faster to make them drink...<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...cresol cocktails.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there she is.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I hear you're a gunman.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't speak no stinking<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese. Speak English.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. How's this,<br>&nbsp;&nbsp;&nbsp;&nbsp;then? This is my place.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't run a place like this<br>&nbsp;&nbsp;&nbsp;&nbsp;without speaking English.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, cutie. You from Roanapur, right?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rumor says that place has more bad-ass<br>&nbsp;&nbsp;&nbsp;&nbsp;motherfuckers than a supermax prison.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Have you ever shot anyone?<br>&nbsp;&nbsp;&nbsp;&nbsp;I've shot about ten guys.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Romeo. Can I tell you one thing?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your breath stinks, dimwit.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can smell it over your cologne.<br>&nbsp;&nbsp;&nbsp;&nbsp;Your insides are rotten.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Revy, let's go.<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Balalaika is waiting. Come on.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mr. Interpreter.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you tell? We're talking.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't barge in.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Go on ahead.<br>&nbsp;&nbsp;&nbsp;&nbsp;Go back and get Mr. Bando or--<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Who do you think you are?!<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you ignore me. When I snap,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have trouble controlling myself.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You listening?! Hey!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, lady. He's getting beat up<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty bad. Not very cool, is it?<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not give me a try? You can't be<br>&nbsp;&nbsp;&nbsp;&nbsp;satisfied being with a weakling like this.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?! Bastard!<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say something!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you doing,<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaka?! What is this?!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not the time or place for this!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just playing around.<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Mr. Yoshida.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terribly sorry.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have a talk with him later.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An incompetent officer and a<br>&nbsp;&nbsp;&nbsp;&nbsp;soldier who ignores orders.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hardly stand it, Sergeant.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would have been better<br>&nbsp;&nbsp;&nbsp;&nbsp;if it were a battlefield.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'd be killed off in battle and discarded.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Rock.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had his hand on his gun the whole time.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wasn't after me. He wanted you to draw.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're beginning to develop a soul of<br>&nbsp;&nbsp;&nbsp;&nbsp;diamond. You're absolutely right, Rock.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may need my Cutlass, after all.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't plan on starting anything.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at some point, that guy<br>&nbsp;&nbsp;&nbsp;&nbsp;will turn his gun on us.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is a pea brain who can't<br>&nbsp;&nbsp;&nbsp;&nbsp;tell his ass from his head.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's accept his challenge.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll just wait until then, Rock.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that time comes,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill him, for sure.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you please pass me the miso?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. We don't have enough power<br>&nbsp;&nbsp;&nbsp;&nbsp;to shut the Kousa clan up.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a good plan, despite the<br>&nbsp;&nbsp;&nbsp;&nbsp;Peacekeeping Council's decision.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought money would take care of<br>&nbsp;&nbsp;&nbsp;&nbsp;matters instead of reasoning with them.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But because of those Russians...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, the sweetened sake, please.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, this isn't good.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything else you need, Benny?<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks a lot. You're a great help.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I prefer not to go through<br>&nbsp;&nbsp;&nbsp;&nbsp;the black market in Bangkok.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, Revy wanted something.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wants you to send her Sword Cutlass.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubling request, I must say.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is a storm brewing?<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know yet.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I sure hope not.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So do I. I'll take care of it.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Due to difficulties caused by the snow,<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yoyogi"<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;trains in both directions aren't running.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good. I guess I'll get a cab.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We apologize for the inconvenience.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--...the other day...<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You're from...<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's been a while since<br>&nbsp;&nbsp;&nbsp;&nbsp;I experienced the cold.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, with you being from a subtropical zone.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you gone home yet, Mr. Okajima?<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Home? Well...<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I don't really wanna go home.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Okajima, you're like the old me.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to hate my home.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I realized it's the place to return to.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a family that raised me.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have your head on straight<br>&nbsp;&nbsp;&nbsp;&nbsp;for someone your age.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My friends say I'm like an old lady.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, no, that's not what I mean!<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kidding.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anything like that.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I'm just hanging in between.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel too attached to just discard it,<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't have the resolution<br>&nbsp;&nbsp;&nbsp;&nbsp;to go forward.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A certain Frenchman said<br>&nbsp;&nbsp;&nbsp;&nbsp;that people are like dice.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You throw yourself in the<br>&nbsp;&nbsp;&nbsp;&nbsp;direction of your choice.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are free because they<br>&nbsp;&nbsp;&nbsp;&nbsp;have the ability to do that.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's circumstances are different,<br>&nbsp;&nbsp;&nbsp;&nbsp;but no matter how small the choice,<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the very least, you can throw yourself.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not chance or fate. It's the<br>&nbsp;&nbsp;&nbsp;&nbsp;result of the choice you make.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can be pretty harsh.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me for a moment.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, this is Yukio. Oh,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's you, Gin. I know.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You worry too much.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm out of the snow with Mr. Okajima.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, the person we met at the festival.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? What is it?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today...<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Mr. Bando's there?<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'd better hurry home.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I understand.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Mr. Okajima. I've gotta go.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio. Um...<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... I hadn't asked yet<br>&nbsp;&nbsp;&nbsp;&nbsp;what your last name is.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. It's Washimine. Sounds<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty solemn, doesn't it?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm against this.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has nothing to do with the Miss.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine if the Peacekeeping<br>&nbsp;&nbsp;&nbsp;&nbsp;Council heard about this.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only would they not<br>&nbsp;&nbsp;&nbsp;&nbsp;allow us to rebuild our clan,<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd kick us out of the region.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were already home.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for not noticing.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Bando. About what you<br>&nbsp;&nbsp;&nbsp;&nbsp;were just talking about...<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, Miss...<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as the old man passed on,<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they immediately came to us<br>&nbsp;&nbsp;&nbsp;&nbsp;about not having a boss.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said they'd accept<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone of direct relation.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiots, they knew very<br>&nbsp;&nbsp;&nbsp;&nbsp;well what that would mean.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. A direct relation.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, Miss, are the only one.<br>&nbsp;&nbsp;&nbsp;&nbsp;Those dirty bastards.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they'll slowly come<br>&nbsp;&nbsp;&nbsp;&nbsp;to strangle us with it.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoshida?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss! Is it you, Boss?!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a tail behind me.<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not anyone local.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss!<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're from higher up.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I get the chance, I'll lose<br>&nbsp;&nbsp;&nbsp;&nbsp;them and head to a hideout.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss! The Russians aren't holding back!<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They blew up a car in front of a police<br>&nbsp;&nbsp;&nbsp;&nbsp;station when a man from Kousa<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;tried to turn himself in!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those evil bastards thinking?!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear you. I'll contact you again.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare for some trouble, and clean up.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything from the Washimine clan?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing yet.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a waste of time.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earlier, at 0600 hours,<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a detective approached the<br>&nbsp;&nbsp;&nbsp;&nbsp;Washimine office for information.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only a matter of time<br>&nbsp;&nbsp;&nbsp;&nbsp;until we're discovered.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell the main unit to move<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Maria Zeleska.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am. What should we tell Laptev?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to tell him anything.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Miss Balalaika.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um...<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if the Washimine clan<br>&nbsp;&nbsp;&nbsp;&nbsp;abandons the agreement?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it concern you in any way?<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't misinterpret your position in this.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Sis. You're not being too nice.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not really a secret,<br>&nbsp;&nbsp;&nbsp;&nbsp;so why not tell him?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're certainly taking his side,<br>&nbsp;&nbsp;&nbsp;&nbsp;Two-Hands. Silence is golden.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true, but Rock's on our side, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Trusting each other is important, too.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've become a much better talker, I see.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, fine. Let's suppose they<br>&nbsp;&nbsp;&nbsp;&nbsp;did something stupid like that.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we'd have one more name<br>&nbsp;&nbsp;&nbsp;&nbsp;to add to our target list.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our job won't change and the<br>&nbsp;&nbsp;&nbsp;&nbsp;world will continue the same.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's as simple as that.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Reading Room"<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. We'll stay late<br>&nbsp;&nbsp;&nbsp;&nbsp;with you to help next time.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it easy at work.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Yukio, my last finals were really bad,<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Mom made a big fuss about<br>&nbsp;&nbsp;&nbsp;&nbsp;wanting me to quit my job...<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin. I am involved in this.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was raised in this house. I am the<br>&nbsp;&nbsp;&nbsp;&nbsp;daughter of Ryuzo Washimine.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and she would keep<br>&nbsp;&nbsp;&nbsp;&nbsp;nagging me to quit my job...<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About that guy, Okajima.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is involved in this matter.<br>&nbsp;&nbsp;&nbsp;&nbsp;On the Russian's side.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio! Yukio!<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Are you listening to me at all?<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a big concern for me.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Maki...<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Never mind. On second thought,<br>&nbsp;&nbsp;&nbsp;&nbsp;discussing it isn't gonna help.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, don't leave me hanging like that!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you, Yoshida.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just out for a walk. There's<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing interesting about it.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro! You're off to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;the Russians, aren't you?!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a long time<br>&nbsp;&nbsp;&nbsp;&nbsp;since you called me Bro.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Bro! I'll go too!<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoshida. Take this.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask Gin about what to do next.<br>&nbsp;&nbsp;&nbsp;&nbsp;You may not like him, but he's a good man.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, goodbye.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or something like that.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did this happen?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This morning.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a suitcase sitting in front of<br>&nbsp;&nbsp;&nbsp;&nbsp;our office. Those goddamned Russians!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoshida, no matter who did it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would've ended this way.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had to do something about Kousa.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boss was just too smart<br>&nbsp;&nbsp;&nbsp;&nbsp;for his own good. That's all.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do now?!<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dark and lonely.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The snowy night sky.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop right there! You low-life!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to translate this<br>&nbsp;&nbsp;&nbsp;&nbsp;in strong, blunt Japanese.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But...<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight, I'll tell you about the truth.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I seek is destruction and domination.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any interest in anything else.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm only interested in how much<br>&nbsp;&nbsp;&nbsp;&nbsp;I can dance in the pit of Hell.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you, eventually.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hey, Rock! Are you all right?!<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sweating like crazy.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I asleep?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were breathing like an old Buick engine.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not good to drink so heavily.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about to get wild.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're moving.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moving?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Visotoniki are splitting<br>&nbsp;&nbsp;&nbsp;&nbsp;up into two groups,<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the cargo ship and the Russian Embassy.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, this is really gonna be war.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure it is. Hotel Moscow is serious.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A storm is coming, Rock.<br>&nbsp;&nbsp;&nbsp;&nbsp;A storm of steel and blood.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're planning on going, aren't you, Gin?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only I walk a path in the sun,<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll all end up wandering in darkness.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss. You mustn't.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't run from this.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I feel the night inside of you, Gin.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's body warmth. Very sorrowful,<br>&nbsp;&nbsp;&nbsp;&nbsp;but therefore, not cold.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss. I...<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted you to walk the path of a human<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and get hold of honest happiness.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To this day, I have lived<br>&nbsp;&nbsp;&nbsp;&nbsp;for that reason only.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kousa's rats and the Russian villains.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all trying to ruin us!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will do what we can,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if it's on our own.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they will accept me on equal<br>&nbsp;&nbsp;&nbsp;&nbsp;terms, then it shall be me.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Ginji.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The snowy night is beautiful.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time I ever thought that.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ginji.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you protect me, Ginji?<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though unworthy, I am Ginji Matsuzaki,<br>&nbsp;&nbsp;&nbsp;&nbsp;lieutenant of the Washimine Clan.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to protect you with<br>&nbsp;&nbsp;&nbsp;&nbsp;all seven of my incarnations!<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are just like dice.<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Man is, before all else,<br>&nbsp;&nbsp;&nbsp;&nbsp;something which propels itself"<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We throw ourselves into our lives.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin. This is your first job.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please work cautiously.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take care of this quickly.<br>