# 10 - The Unstoppable Chambermaid

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down, you two!<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move outta the way!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Don't shoot Roberta!<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If something like this could kill her,<br>&nbsp;&nbsp;&nbsp;&nbsp;we wouldn't have this problem, kid.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit! Damn it!<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch! We're off the main road!<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way leads to the ocean.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a dead end ahead.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not good!<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a payoff for being religious.<br>&nbsp;&nbsp;&nbsp;&nbsp;All survivors, answer me.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're safe, somehow.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Revy?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still unconscious, peacefully.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you?<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world is<br>&nbsp;&nbsp;&nbsp;&nbsp;that woman made of?!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. Hey, what happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to that damn bitch?<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she dead? Well?!<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be glad to know<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's alive and well.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just delightful.<br>&nbsp;&nbsp;&nbsp;&nbsp;More than anything else.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Wait!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. I'm about to become<br>&nbsp;&nbsp;&nbsp;&nbsp;as red as a tail light.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that happens, it's over.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to warn you, even if<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm about to give you extra assholes.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That shell she used to blow me away<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is gonna cost her more than<br>&nbsp;&nbsp;&nbsp;&nbsp;anything she could stick up her ass.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna go beat that into her.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, draw, Señorita.<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you scared?<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no need to use<br>&nbsp;&nbsp;&nbsp;&nbsp;filthy words and be afraid.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing you could not<br>&nbsp;&nbsp;&nbsp;&nbsp;defeat me with skill,<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you pointed a gun at the young<br>&nbsp;&nbsp;&nbsp;&nbsp;master and kidnapped him.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You coward.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. Watch out for stray bullets!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't see either of them.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oww... Damn it.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She managed to get<br>&nbsp;&nbsp;&nbsp;&nbsp;a bullet into the great Revy.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is that woman?<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you could've<br>&nbsp;&nbsp;&nbsp;&nbsp;had a good upbringing.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you come from? Tell me.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no surprise that's the<br>&nbsp;&nbsp;&nbsp;&nbsp;smell you have on you.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stench of gutter mud<br>&nbsp;&nbsp;&nbsp;&nbsp;stuck to your feet.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even more reason why<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have to settle this.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can no longer...<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can no longer go back there.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now... What should we do now?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe we should get outta this car.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, you're right.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, impossible. We'd never make it,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how many lives we have.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not about to go<br>&nbsp;&nbsp;&nbsp;&nbsp;anywhere near that fight.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same here.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an end to every beginning.<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll settle things eventually.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, kid! Wait!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do your best! Roberta!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you lose to that woman!<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gunfire is getting closer.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This bitch! I'm gonna kill her!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna kill her!<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to hell!<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you call it quits now, you two?<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing to gain<br>&nbsp;&nbsp;&nbsp;&nbsp;from fighting anymore.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't waste your energy, Two Hands.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. I'm gonna kill her.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me tell you something<br>&nbsp;&nbsp;&nbsp;&nbsp;interesting, Miss Maid.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We, at Hotel Moscow,<br>&nbsp;&nbsp;&nbsp;&nbsp;had intended to start a war<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;against the Manisarela Cartel<br>&nbsp;&nbsp;&nbsp;&nbsp;from the beginning.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking care of them was my job,<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you saved me the trouble.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, their headquarters in<br>&nbsp;&nbsp;&nbsp;&nbsp;Venezuela should be in ruins.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;problems have been solved.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The case of Garcia being kidnapped<br>&nbsp;&nbsp;&nbsp;&nbsp;has also been dealt with.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no reason to fight.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are no doubt the three most<br>&nbsp;&nbsp;&nbsp;&nbsp;terrifying women in the world.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This feels like Ground Zero.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't misunderstand me.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not making a request. It's an order.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are these guys?<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't seem like the<br>&nbsp;&nbsp;&nbsp;&nbsp;usual Russian mafia.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Military uniforms? Are they soldiers?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, Roberta!<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, I'm not hurt!<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay? Let's go home!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna see you with a gun anymore.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree, kid. But...<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what does the Bloodhound think?<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bloodhound?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my. So you don't know? She's--<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep quiet, bitch.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't some servant who<br>&nbsp;&nbsp;&nbsp;&nbsp;looks good walking the dog.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Bloodhound of Florencia."<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosarita Cisneros.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trained as an assassin in Cuba,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's a former F.A.R.C. guerilla.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's wanted internationally for<br>&nbsp;&nbsp;&nbsp;&nbsp;multiple kidnappings and murders.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she's suspected of<br>&nbsp;&nbsp;&nbsp;&nbsp;being involved with<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the bombing of the U.S.<br>&nbsp;&nbsp;&nbsp;&nbsp;Embassy in Tegucigalpa.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a real hardcore terrorist.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it true?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I had no intention of<br>&nbsp;&nbsp;&nbsp;&nbsp;deceiving you, Young Master.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, Young Master,<br>&nbsp;&nbsp;&nbsp;&nbsp;there are things in this world<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're better off not knowing.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is the truth.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I believed it.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the morning of a revolution that<br>&nbsp;&nbsp;&nbsp;&nbsp;would bring justice to this world.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that reason, I became a soldier.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my pursuit of the ideal, I killed<br>&nbsp;&nbsp;&nbsp;&nbsp;in every place imaginable.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Politicians, entrepreneurs,<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anti-revolutionists,<br>&nbsp;&nbsp;&nbsp;&nbsp;election management members.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even killed women and children.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dyeing many nights with blood and<br>&nbsp;&nbsp;&nbsp;&nbsp;facing many coldhearted mornings,<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what I realized in the end was...<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I was no revolutionist.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was nothing but a guard dog for<br>&nbsp;&nbsp;&nbsp;&nbsp;the mafia and their cocaine fields.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it ironic?<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The revolutionists joined<br>&nbsp;&nbsp;&nbsp;&nbsp;forces with the cartels.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saying that a revolution would<br>&nbsp;&nbsp;&nbsp;&nbsp;not happen solely on ideals.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As they blurted out those words,<br>&nbsp;&nbsp;&nbsp;&nbsp;they sold their souls.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I left the military.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who took me in then was<br>&nbsp;&nbsp;&nbsp;&nbsp;my deceased father's friend,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;none other than your father,<br>&nbsp;&nbsp;&nbsp;&nbsp;Master Diego Lovelace.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allowing your kidnapping to happen<br>&nbsp;&nbsp;&nbsp;&nbsp;was negligence on my part.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did not have any other way to save you<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than becoming my old, steel<br>&nbsp;&nbsp;&nbsp;&nbsp;self that I once abandoned.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bloodhound. Guard dog.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the only way that I,<br>&nbsp;&nbsp;&nbsp;&nbsp;being called a dog,<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could repay you with my life.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't call yourself a dog,<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta! You're my family!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're family, right?!<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk like that, about<br>&nbsp;&nbsp;&nbsp;&nbsp;being a dog! You can't!<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know any Bloodhound!<br>&nbsp;&nbsp;&nbsp;&nbsp;She probably died somewhere!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Rosarita woman has probably gone<br>&nbsp;&nbsp;&nbsp;&nbsp;to some unknown faraway place,<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;burdened with her sins!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she's got nothing to<br>&nbsp;&nbsp;&nbsp;&nbsp;do with you, Roberta!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only one here is my Roberta!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, okay? Let's go back to our home.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master. Boys should not cry so easily.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm glad that's settled.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be kidding.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they're all delighted with<br>&nbsp;&nbsp;&nbsp;&nbsp;this teary-eyed happy ending.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But who the hell is gonna close<br>&nbsp;&nbsp;&nbsp;&nbsp;up this tunnel in my shoulder?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you just put up with it?<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Sis. That stinks, don't you think?<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In our world, settling things is important.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that perfectly well, Sis.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose you have a point.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's easy.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have them go at each other in a<br>&nbsp;&nbsp;&nbsp;&nbsp;fistfight until they're satisfied.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no prize at stake,<br>&nbsp;&nbsp;&nbsp;&nbsp;so no one's likely to get killed.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine by me!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you lose to that woman!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're strong, Roberta!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it's decided.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're free to continue as long as you wish.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead, bring it on.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your shoelace is untied.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She got one in!<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be nice to be so young.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Roberta! Don't lose to her!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you betting on?<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm betting two on Revy.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'm going with three on Roberta.<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you, Rock?<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-W-Wait a minute! We should<br>&nbsp;&nbsp;&nbsp;&nbsp;be stopping them! Right?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gotta make them stop!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why's that?<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too barbaric, and you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;are crazy not to stop them!<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's absurd to have two<br>&nbsp;&nbsp;&nbsp;&nbsp;girls going at it like that!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't you go and stop them?<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't like this, right?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then go and stop them.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't mind.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umm... You two...<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you had enough?<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could maybe, you know,<br>&nbsp;&nbsp;&nbsp;&nbsp;like sit back and praise each other's<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;combative spirit as you gaze<br>&nbsp;&nbsp;&nbsp;&nbsp;at the rising sun together?<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay out of this!<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I understand. I'll do just that.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you expect?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They just won't give up.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is getting boring.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you die already?<br>&nbsp;&nbsp;&nbsp;&nbsp;Damned four-eyes!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too... just let me knock you out.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, it's a draw!<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master. I am so sorry.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the last one standing.<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's all right.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a terrible face.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's unconscious.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you stand? Come on, hang onto me.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that, Roberta.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna hand, kid?<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave us alone.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is a maid at my house.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I don't need anyone else's help.<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be sure to take her home.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wonderful future head of the clan.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Comrade Sergeant.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Treat her wounds,<br>&nbsp;&nbsp;&nbsp;&nbsp;then take them to the airport.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If any remaining cartel members<br>&nbsp;&nbsp;&nbsp;&nbsp;attempt an assault, dispose of them.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master. I have one favor to ask.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you please go and<br>&nbsp;&nbsp;&nbsp;&nbsp;pick up my glasses for me?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Those are fake, aren't they?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I need those glasses<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to continue being your Roberta.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! It's morning, Revy! Wake up!<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely no sign of waking up.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gonna take time to recover. Oh, boy.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But who were those guys?<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balalaika and the Russian mafia guys.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were like the military.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys are ex-military.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were either paratroopers<br>&nbsp;&nbsp;&nbsp;&nbsp;or Special Forces.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her immediate subordinates had enough<br>&nbsp;&nbsp;&nbsp;&nbsp;training to carry out World War III.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Afghan vets with an insane<br>&nbsp;&nbsp;&nbsp;&nbsp;amount of experience and skill.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With her as the brains, every one<br>&nbsp;&nbsp;&nbsp;&nbsp;of them acted as a killing machine.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And eventually, they returned from<br>&nbsp;&nbsp;&nbsp;&nbsp;that hell of hot sand and slaughter.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's feet are covered<br>&nbsp;&nbsp;&nbsp;&nbsp;with mud from the gutter.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five teams will leave<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur at the same time,<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;each heading to a different<br>&nbsp;&nbsp;&nbsp;&nbsp;destination. There are five cases.<br>