# Black Lagoon

Rokuro’s mundane trip to South East Asia turns from pleasure cruise to festival of pain when modern-day pirates take him hostage. Revy, Dutch, and Benny are the ruthless crew of the Black Lagoon. For them, getting shot at while smuggling drugs, guns, and stolen goods is part of a typical day at work—and Rokuro is joining the team.

# Season 1

# 1 - The Black Lagoon

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow graduating from state<br>&nbsp;&nbsp;&nbsp;&nbsp;university, I made my way<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into a businessman's city.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get kicked around by my superior.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I yearn to be like that someday,<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to remain sane in this place.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the city of winter, where I lived.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, all that seems so far away.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I see before me is the azure of<br>&nbsp;&nbsp;&nbsp;&nbsp;the China Sea, stirring winds, and...<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Mr. Japanese, I'll ask you again.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The package you got from Asahi<br>&nbsp;&nbsp;&nbsp;&nbsp;Industries headquarters in Tokyo.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one you're in charge of until you<br>&nbsp;&nbsp;&nbsp;&nbsp;hand it over to the chief in Borneo.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it, right?<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. But what I wanna know is...<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all. That's everything<br>&nbsp;&nbsp;&nbsp;&nbsp;we needed to ask you.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch, this is a pain in the ass.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot him in the knees.<br>&nbsp;&nbsp;&nbsp;&nbsp;Then he'll start singing like a bird.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need. That one disk is more<br>&nbsp;&nbsp;&nbsp;&nbsp;than enough for the compensation.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compensation, you say.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch. Hey, Dutch.<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you through yet?<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's someone heading<br>&nbsp;&nbsp;&nbsp;&nbsp;straight for us from Subic Bay.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably a patrol boat<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Filipino Navy.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't panic, Benny-boy. Everything's<br>&nbsp;&nbsp;&nbsp;&nbsp;taken care of. Start the engines.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, gentlemen!<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna disperse and<br>&nbsp;&nbsp;&nbsp;&nbsp;then you'll be free to go.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the deal's off if anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;decides to come after us.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you see there<br>&nbsp;&nbsp;&nbsp;&nbsp;is a torpedo launcher.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't wanna be blown out of the water,<br>&nbsp;&nbsp;&nbsp;&nbsp;then stay still for the next half hour.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, you're free to do as you wish.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're saved.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you getting so relaxed over?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're coming with us.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You damn fool.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're joking. You're joking, right?<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up and walk.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're joking, right?!<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japan is drifting farther away.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Black Lagoon to Balalaika.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me?<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just fine, Dutch. What about the catch?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got it, of course.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love jobs that get done properly, Dutch.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The trade-off goes as planned.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, as promised.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Connect me to Tokyo.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about an explanation, Investigation<br>&nbsp;&nbsp;&nbsp;&nbsp;Division Manager Kageyama?<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regarding the case we have<br>&nbsp;&nbsp;&nbsp;&nbsp;been informed about...<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me explain the situation to you further.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today at 4 pm, the Bougainvillea<br>&nbsp;&nbsp;&nbsp;&nbsp;Trade Company contacted us<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;regarding negotiations for the<br>&nbsp;&nbsp;&nbsp;&nbsp;disk stolen from the Melanesia.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this company?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the Russian Mafia.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The front for the group that aims to take<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;top position after displacing the<br>&nbsp;&nbsp;&nbsp;&nbsp;Chinese Mafia from Southeast Asia.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they specifically after? Money?<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely the route to Southeast Asia<br>&nbsp;&nbsp;&nbsp;&nbsp;where the barter is going to take place.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wish to take part in some of<br>&nbsp;&nbsp;&nbsp;&nbsp;our more unsavory trade routes.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blackmail.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's shameful, having something<br>&nbsp;&nbsp;&nbsp;&nbsp;to be blackmailed about.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they do not seem to know<br>&nbsp;&nbsp;&nbsp;&nbsp;what's really on the disk.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they ever find out, it will lead to the<br>&nbsp;&nbsp;&nbsp;&nbsp;worst scandal in Asahi Industries' history.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just received a report from Jakarta.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to a local Chinese merchant,<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Russian Mafia has<br>&nbsp;&nbsp;&nbsp;&nbsp;yet to receive the disk.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The disk is still in the hands of the<br>&nbsp;&nbsp;&nbsp;&nbsp;pirates that attacked the Melanesia.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our chance. We cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;trust the word of the Mafia.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must get the disk<br>&nbsp;&nbsp;&nbsp;&nbsp;before it reaches them.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before it reaches them? But how?<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand. The board will leave<br>&nbsp;&nbsp;&nbsp;&nbsp;this matter in your hands, Kageyama.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Choosing what action to take<br>&nbsp;&nbsp;&nbsp;&nbsp;will also be your responsibility.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, what do you plan on<br>&nbsp;&nbsp;&nbsp;&nbsp;doing with this hostage? Well?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't get it. You<br>&nbsp;&nbsp;&nbsp;&nbsp;just don't get it, Dutch.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think about it! We get twenty grand<br>&nbsp;&nbsp;&nbsp;&nbsp;for this job! Only twenty grand!<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with collecting a<br>&nbsp;&nbsp;&nbsp;&nbsp;bonus by asking for a ransom?<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being simpleminded.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna get killed, Benny?!<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who's gonna negotiate<br>&nbsp;&nbsp;&nbsp;&nbsp;with them? You?<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have their phone number?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about a bank account<br>&nbsp;&nbsp;&nbsp;&nbsp;to receive the ransom?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine then! We'll just kill his<br>&nbsp;&nbsp;&nbsp;&nbsp;ass and throw him overboard!<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! Stop damaging the ship!<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch. Dutch, I get it.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get what?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get your point, so let me go.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Revy. Let's play it cool.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm alive. I don't know why,<br>&nbsp;&nbsp;&nbsp;&nbsp;but somehow I'm alive.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go on deck for a smoke.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's gonna happen to me?<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll contact your company<br>&nbsp;&nbsp;&nbsp;&nbsp;somehow and set up a trade.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ransom, huh? This'll go<br>&nbsp;&nbsp;&nbsp;&nbsp;on my permanent record.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we have our own priorities.<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting the disk to our client comes first.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, there's a client.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just delivery boys.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We brush up against the law from time to<br>&nbsp;&nbsp;&nbsp;&nbsp;time so we can eat. But that's business.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess this is what they call<br>&nbsp;&nbsp;&nbsp;&nbsp;the Stockholm Syndrome.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this moment, I feel like<br>&nbsp;&nbsp;&nbsp;&nbsp;this big guy next to me<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the only one I can<br>&nbsp;&nbsp;&nbsp;&nbsp;trust in the whole world.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your name?<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okajima. Rokuro Okajima.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the name of that employee?<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Okajima, Director. Rokuro Okajima.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is entirely the fault<br>&nbsp;&nbsp;&nbsp;&nbsp;of my managerial skills.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you tell me earlier?<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was only informed recently, Sir.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And because there was no other employee<br>&nbsp;&nbsp;&nbsp;&nbsp;we could trust with vital information,<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we lost valuable time<br>&nbsp;&nbsp;&nbsp;&nbsp;in confirming our sources.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough. Kageyama,<br>&nbsp;&nbsp;&nbsp;&nbsp;what are your thoughts?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our company is in a crisis.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot accept any more delays.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The E.O. Company, with whom we've<br>&nbsp;&nbsp;&nbsp;&nbsp;made a confidential contract,<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has already sent their professionals.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it was your responsibility.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I do feel bad for this employee.<br>&nbsp;&nbsp;&nbsp;&nbsp;What's his name?<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Okajima, Director. Rokuro Okajima.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Rock.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think he means you.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, let's go.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go where?<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some place where we can have a drink.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you wanna come?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I thought I was a hostage.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're leaving.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! I'm coming too!<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But where on earth am I?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't get it.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is there a pistol on every table?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the so-called "bar at the end of<br>&nbsp;&nbsp;&nbsp;&nbsp;the world" you see in cowboy westerns?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good analogy.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place was started by Southern<br>&nbsp;&nbsp;&nbsp;&nbsp;Vietnamese soldiers who survived the war.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they started taking in fugitive soldiers,<br>&nbsp;&nbsp;&nbsp;&nbsp;too, and before we knew it,<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the place went to hell.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hookers, junkies, mercenaries, hit men...<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Irredeemable criminals.<br>&nbsp;&nbsp;&nbsp;&nbsp;Make you uncomfortable?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese pubs...<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love those unguarded smiles.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Places like this...<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up or I'll throw you<br>&nbsp;&nbsp;&nbsp;&nbsp;out onto the beach. Damn it.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like confrontations.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your expression says it all.<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny, I'm gonna make a call.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a bit unusual, the big guy.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I know about him after being<br>&nbsp;&nbsp;&nbsp;&nbsp;around him for two years<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that he's tough,<br>&nbsp;&nbsp;&nbsp;&nbsp;intelligent, and eccentric.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't even try to understand him.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem different from the others.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where were you before?<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A university in Florida.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was fooling around and pissed off<br>&nbsp;&nbsp;&nbsp;&nbsp;the Mafia and the FBI. Then--<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saved his ass before he was<br>&nbsp;&nbsp;&nbsp;&nbsp;thrown overboard in a suitcase.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop the worthless storytelling.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not old enough to be reminiscing<br>&nbsp;&nbsp;&nbsp;&nbsp;about the past. One for you, one for me.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We came all the way here for a drink.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's talk about something a<br>&nbsp;&nbsp;&nbsp;&nbsp;little more hip, Mister Japanese.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, this is...<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beer's no different than piss. No matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how much you drink, you can't get buzzed.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're a man, you'll take rum. But,<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you don't have the balls to take on a<br>&nbsp;&nbsp;&nbsp;&nbsp;challenge from a woman, I won't force you.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll make you wear a skirt and a pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;ribbon and take you to a dance party.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate chugging down drinks! However...<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're forced to drink at university<br>&nbsp;&nbsp;&nbsp;&nbsp;parties and company socials.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't underestimate<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese businessmen!<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, bartender!<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Bring all the Bacardi you've got!<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Bring all the Bacardi you've got!<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well. I thought you<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't like confrontations.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so? That can't be good. Go on.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't trust Asahi Industries' response.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I left out bait, and a Chinese rat<br>&nbsp;&nbsp;&nbsp;&nbsp;jumped right in. I'm talking to him now.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's on the move?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One moment. Tell me your<br>&nbsp;&nbsp;&nbsp;&nbsp;owner's name, loud and clear.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shingian! Shingian's Wan Taikei!<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wan Taikei sent an assassin to get you!<br>&nbsp;&nbsp;&nbsp;&nbsp;He's sent an assassin to Roanapur!<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hear that?<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Not good.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me the number and affiliation of those<br>&nbsp;&nbsp;&nbsp;&nbsp;soldiers. Speak loud. Hurry, we're busy.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Guys from Extra Order, a<br>&nbsp;&nbsp;&nbsp;&nbsp;mercenary contracting agency!<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know how many there are!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The E.O. Company scouts<br>&nbsp;&nbsp;&nbsp;&nbsp;experienced war junkies.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rotten luck.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said it.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get started.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, guys. It's party time.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give anyone trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;escape extra assholes!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure there are only<br>&nbsp;&nbsp;&nbsp;&nbsp;corpses when we're done.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! If they're your friends,<br>&nbsp;&nbsp;&nbsp;&nbsp;you deal with them!<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know them.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you've bulletproofed the bar.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can handle up to a .50 caliber.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy!<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm alive.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny!<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miraculously, I'm alive.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Rock?!<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dead! People are dead!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went through all the trouble of graduating<br>&nbsp;&nbsp;&nbsp;&nbsp;university and got into a good company!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't fair!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't cry, fool.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta enjoy life,<br>&nbsp;&nbsp;&nbsp;&nbsp;or you'll let it waste away.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Show them why you're<br>&nbsp;&nbsp;&nbsp;&nbsp;known as "Two-Hands"!<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check the place out. I heard voices.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate survivors!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a great line.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got 'em, Dutch!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come back here, Revy!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a nuisance!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many times have<br>&nbsp;&nbsp;&nbsp;&nbsp;you destroyed my bar?!<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You owe me for all this!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or else I'll weld your asshole shut and<br>&nbsp;&nbsp;&nbsp;&nbsp;make you a new one in your head!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. Dutch!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's... smiling.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but at this rate, trading<br>&nbsp;&nbsp;&nbsp;&nbsp;you is no longer an option.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what's gonna happen to me?!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you weren't really in our plans.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about we just part ways here?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not fair! I'm gonna die!<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me with you!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine then. Just don't drag us down.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! We're leaving!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotcha!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get in!<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this, you war junkies!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Dutch.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bao was so pissed, he looked<br>&nbsp;&nbsp;&nbsp;&nbsp;like a steaming pot.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says that unless we pay him<br>&nbsp;&nbsp;&nbsp;&nbsp;back, he's gonna weld our assholes.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scary. I think I'm gonna cry.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this? Is this a movie?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be stupid. This is a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;more entertaining than Hollywood.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain! Sixteen dead, eight<br>&nbsp;&nbsp;&nbsp;&nbsp;wounded! I'm sorry, sir.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We thought of them as no more than<br>&nbsp;&nbsp;&nbsp;&nbsp;punks and underestimated them.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Storm, they're not just any group of punks.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're a troop that can stage<br>&nbsp;&nbsp;&nbsp;&nbsp;a decent killing fest against us.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Liberia, all we had to shoot<br>&nbsp;&nbsp;&nbsp;&nbsp;at were old men and brats.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too slow and no fight left in them.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But these guys are full of vigor.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting for something like this.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we maintain this speed, we'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Belawan port by daybreak.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll meet Balalaika there. So, Rock...<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny is getting in touch with<br>&nbsp;&nbsp;&nbsp;&nbsp;your company as we speak.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there is a way to do stuff like this!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If negotiations don't go well, we're gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;have to leave you in Malaya. Sorry.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are bandits all around there, but<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'll be okay for a while. Okay?<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?! You bring me<br>&nbsp;&nbsp;&nbsp;&nbsp;all this way just to let me die?!<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this, after dragging<br>&nbsp;&nbsp;&nbsp;&nbsp;me all over the place?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The least you could do is<br>&nbsp;&nbsp;&nbsp;&nbsp;take me someplace safe!<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't push your luck.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First you cry, then you wanna<br>&nbsp;&nbsp;&nbsp;&nbsp;use us as a taxi? All right then.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't I show you<br>&nbsp;&nbsp;&nbsp;&nbsp;what color your brain is?!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're connected. We're using an<br>&nbsp;&nbsp;&nbsp;&nbsp;Assault Dial so the line's secure.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, it's your boss, Mr. Kageyama.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Department chief!<br>&nbsp;&nbsp;&nbsp;&nbsp;Okajima speaking. I'm very sorry.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, regarding the loss of the disk...<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Don't worry about that anymore.<br>&nbsp;&nbsp;&nbsp;&nbsp;That disk no longer exists.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given the situation, I'll tell<br>&nbsp;&nbsp;&nbsp;&nbsp;you and only you the truth.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell anyone else.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to explain,<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to hedge against a drop in<br>&nbsp;&nbsp;&nbsp;&nbsp;business, our board of directors<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;agreed to help a war-torn country<br>&nbsp;&nbsp;&nbsp;&nbsp;with the development of nuclear weapons.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That disk contained the plans.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing but trouble for management.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nukes in this day and age... It<br>&nbsp;&nbsp;&nbsp;&nbsp;makes me doubt their judgment.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eventually, I'll be at the top and<br>&nbsp;&nbsp;&nbsp;&nbsp;then I can do something about this.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the meantime, this cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;be made public, Okajima.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the sake of the 50,000<br>&nbsp;&nbsp;&nbsp;&nbsp;employees of Asahi Industries,<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to disappear<br>&nbsp;&nbsp;&nbsp;&nbsp;into the South China Sea.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be promoted two ranks to assistant<br>&nbsp;&nbsp;&nbsp;&nbsp;manager. We won't treat you badly.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll also ask for the president and everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;under him to attend your funeral.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The professional ruffians<br>&nbsp;&nbsp;&nbsp;&nbsp;should be there shortly.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it loaded?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fully equipped, Captain.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you fire, whether it's<br>&nbsp;&nbsp;&nbsp;&nbsp;rockets or the machine guns,<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all the more to add to the invoice.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Japanese are such generous spenders.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's go!<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They sure ditched you easily.<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I do sympathize.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There goes the ransom and bonus.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But is it really enough to<br>&nbsp;&nbsp;&nbsp;&nbsp;make you throw up?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave me alone.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Are you on the deck?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something coming straight at us over<br>&nbsp;&nbsp;&nbsp;&nbsp;the ocean, but it's not a boat. It's too fast.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's way too fast. At 3 hours 5 minutes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you see anything?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a low-altitude assault gunship!<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! An assault helicopter?!<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have visual!<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to see them.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can smell them. I know it's them.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn them. They're gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;use that thing to kill me.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Grab onto this!<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gun?! Don't make me hold this!<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though it won't be more<br>&nbsp;&nbsp;&nbsp;&nbsp;than a comfort to you.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's coming. He's on our ass.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good! In fact, this is really bad!<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's firing at us!<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it isn't good, Dutch!<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hit it! Shoot it down!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! You try it, dumb-ass Rock!<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you realize that you're<br>&nbsp;&nbsp;&nbsp;&nbsp;hiding under a torpedo launcher!<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you don't get blown up!<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, you bastard!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had it with you guys!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting outta here!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You impotent son of a bitch!<br>&nbsp;&nbsp;&nbsp;&nbsp;You running away?!<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it! Why should I suffer like this?!<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Let's just sit back<br>&nbsp;&nbsp;&nbsp;&nbsp;and observe from up here.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Captain, right now we have an<br>&nbsp;&nbsp;&nbsp;&nbsp;opportunity to turn them into mincemeat.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't get it, do you?<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're in my trap,<br>&nbsp;&nbsp;&nbsp;&nbsp;from their heads to their tails.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you wanna laugh at them while<br>&nbsp;&nbsp;&nbsp;&nbsp;they cry, howl, and piss themselves?<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! How dare you do<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever you want with me!<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every one of you!<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the department head!<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why the hell should I suffer like this?!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already dead. You told me so.<br>

# 2 - Mangrove Heaven

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should be daybreak there soon.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sea at daybreak.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only worthless students find<br>&nbsp;&nbsp;&nbsp;&nbsp;that sort of thing appealing.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, I do agree that this<br>&nbsp;&nbsp;&nbsp;&nbsp;winter sky is disgusting.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, Okajima is<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Sea of Heaven.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you prepare two plane tickets?<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure. A business trip, Sir?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us go there, as well,<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Sea of Heaven.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Why the hell<br>&nbsp;&nbsp;&nbsp;&nbsp;should I suffer like this?!<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! You bastard! How much<br>&nbsp;&nbsp;&nbsp;&nbsp;do you think a gun costs?!<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They came here to kill me.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do I have to go through this for<br>&nbsp;&nbsp;&nbsp;&nbsp;something the department head's involved in?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you're missing something.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wanna destroy that data<br>&nbsp;&nbsp;&nbsp;&nbsp;disk, right? Your life is just--<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life is just an accessory?<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Damn it! Damn it! Damn it!<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You realize there's a torpedo in there.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Shut up!!<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you find something<br>&nbsp;&nbsp;&nbsp;&nbsp;odd about this, Benny?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, something's not right, Dutch.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've totally stopped firing at us.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They could've easily turned<br>&nbsp;&nbsp;&nbsp;&nbsp;us into Swiss cheese.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree. Something's not right.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch! What's going on?<br>&nbsp;&nbsp;&nbsp;&nbsp;Where'd those guys go?<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny-boy.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've retreated to a distance<br>&nbsp;&nbsp;&nbsp;&nbsp;of about 5,000 meters behind<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have been following us<br>&nbsp;&nbsp;&nbsp;&nbsp;while keeping that distance.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they after?<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, there's gotta be a reason.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. It's this waterway.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it! The waterway!<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The path ahead to Belawan is<br>&nbsp;&nbsp;&nbsp;&nbsp;filled with rocks and mangroves.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As we proceed, the waterway<br>&nbsp;&nbsp;&nbsp;&nbsp;will continue to narrow.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, we won't be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;make any evasive maneuvers.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no shame in running.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me I suck at this.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, guess I can't blame<br>&nbsp;&nbsp;&nbsp;&nbsp;you if you did tell me so.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't say such a thing.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had no choice but to evade to the right.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did we just enter the mouth of a river?<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a river, right?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we continue, we'll eventually<br>&nbsp;&nbsp;&nbsp;&nbsp;run out of options to escape.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We already know that.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've become completely trapped.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy's behind us again.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's looking down on us from<br>&nbsp;&nbsp;&nbsp;&nbsp;behind, 5,000 meters from us.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at that. A sunken ship.<br>&nbsp;&nbsp;&nbsp;&nbsp;What a bad omen.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is fine. This'll be our spot.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, go on. Go on and<br>&nbsp;&nbsp;&nbsp;&nbsp;keep showing me your ass.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know, you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;will come back to me.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you'll hafta<br>&nbsp;&nbsp;&nbsp;&nbsp;face me. Hurry on back!<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And let's put an end to this.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch, they've stopped by the sunken ship.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not chasing us anymore.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no longer necessary for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to waste their energy chasing us.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what that means.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dead end?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks that way.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Meyer.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get so excited just imagining how<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll react in a crisis like this!<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have no chance of beating us.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll honeycomb the ship<br>&nbsp;&nbsp;&nbsp;&nbsp;with our superior weaponry.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's exactly why I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;wait to see how they'll react.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they're the boring type who<br>&nbsp;&nbsp;&nbsp;&nbsp;won't try to fight back,<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then we'll just torture them to death.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no road ahead of us.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to turn around and go back.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he'll be waiting for us.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My gut tells me they have<br>&nbsp;&nbsp;&nbsp;&nbsp;purposely set up this ring.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wanna finish this face to face.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who's going to ring the bell?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes you'll find them around.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So-called ancient bastards<br>&nbsp;&nbsp;&nbsp;&nbsp;who think they're gunmen.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a second! So the<br>&nbsp;&nbsp;&nbsp;&nbsp;only choice is to die?!<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, calm down, calm down, Rock.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's call the local police!<br>&nbsp;&nbsp;&nbsp;&nbsp;That's better than getting...<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not helping one bit.<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down, will you?<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Panicking isn't gonna solve anything.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wanna survive, use your head.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch. How about waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;for them to run outta fuel?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bastards are from E.O. They'll come<br>&nbsp;&nbsp;&nbsp;&nbsp;to finish us off before that happens.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! Why did this have to happen?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not this one.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like a business paper. I want<br>&nbsp;&nbsp;&nbsp;&nbsp;to check on the stock prices.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right away, Mr. Kageyama.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How bad is the damage to the ship?<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not too bad, so far. I'm more<br>&nbsp;&nbsp;&nbsp;&nbsp;worried about that thing.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If even a single bullet hits the torpedo,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll end up flying to the moon.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your own fault for keeping that<br>&nbsp;&nbsp;&nbsp;&nbsp;thing on the ship, you dumb-ass.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I might have been<br>&nbsp;&nbsp;&nbsp;&nbsp;able to use it for something.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a waste, but maybe we<br>&nbsp;&nbsp;&nbsp;&nbsp;should throw it overboard.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess we have no choice.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. Dutch. Listen to me.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go back to sleep.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand something now that<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had time to think. Hear me out.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you disturb my thought process,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let Revy nail you this time.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have a shoot out, face to face.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you an idiot?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can we have a shoot out?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At most, we have an anti-tank rifle.<br>&nbsp;&nbsp;&nbsp;&nbsp;They've got rocket missiles!<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looked like the chopper had<br>&nbsp;&nbsp;&nbsp;&nbsp;infrared homing missiles.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't even come close.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so? We do have something.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. What did you give him to drink?<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did nothing.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To put it simply, it's a<br>&nbsp;&nbsp;&nbsp;&nbsp;head-on chicken race, right?<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ship's speed and armaments,<br>&nbsp;&nbsp;&nbsp;&nbsp;that sunken ship...<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...we have everything we need.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you have in mind?<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you guys were just talking about.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's give them a flight to the moon.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible. There's no<br>&nbsp;&nbsp;&nbsp;&nbsp;way we can pull that off.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In theory, this ship is<br>&nbsp;&nbsp;&nbsp;&nbsp;designed to hydroplane.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At full speed, we're only<br>&nbsp;&nbsp;&nbsp;&nbsp;in the water this much.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch. It's not as if we've<br>&nbsp;&nbsp;&nbsp;&nbsp;got an alternate plan. I'm in.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The plan won't work unless<br>&nbsp;&nbsp;&nbsp;&nbsp;they're right in front of us.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we count on that happening, Rock?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're having a blast chasing us around.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite having a complete advantage.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's the reason for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to restart the whole fight?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said it yourself.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the type who imagines<br>&nbsp;&nbsp;&nbsp;&nbsp;himself to be a gunman.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we lure him into a chicken race,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll be more than happy to do it.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't guarantee you anything. From this<br>&nbsp;&nbsp;&nbsp;&nbsp;point on, it's up to you as Captain.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy we picked up is completely<br>&nbsp;&nbsp;&nbsp;&nbsp;out of his mind. He's gotta be insane.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is exciting.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And being excited is an important<br>&nbsp;&nbsp;&nbsp;&nbsp;thing, Rock. Let's do it!<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The radar's picked up something, Captain.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're on the move.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's accept their challenge.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! You know what<br>&nbsp;&nbsp;&nbsp;&nbsp;needs to be done, right?!<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they launch a rocket, I fire the<br>&nbsp;&nbsp;&nbsp;&nbsp;signal flare away from the ship.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's correct!<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see the idiot.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! It's a chicken race!<br>&nbsp;&nbsp;&nbsp;&nbsp;Send them an invitation!<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're firing at us!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course they are!<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great! I accept the challenge!<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! They're coming!<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire the infrared flare gun!<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It worked!<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on the alpine course.<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of you get back into the cabin!<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They plan to use the<br>&nbsp;&nbsp;&nbsp;&nbsp;sunken ship as a shield?<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's useless. Hey Meyer!<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll get them with a single shot.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna put an end to this duel!<br>&nbsp;&nbsp;&nbsp;&nbsp;Get ready to get fucked, baby!<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;300 more feet.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;150 more.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One hundred!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire number one! Fire number two!<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got fucked!<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My head's still attached.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My sunglasses aren't broken.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amen, hallelujah, peanut butter.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fucking Christ has saved us this time.<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll never do that again.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny, are you okay?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm alive, somehow.<br>&nbsp;&nbsp;&nbsp;&nbsp;But all our machinery is smashed up.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to fix it up. We're...<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! How about Rock?!<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's right over there, passed out.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He yelled out as we hit.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like one of William Holden's<br>
&nbsp;&nbsp;&nbsp;&nbsp;lines from *The Wild Bunch*.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at him. He looks so<br>&nbsp;&nbsp;&nbsp;&nbsp;comfortable passed out like that.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, no kidding.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that moment passed...<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all the excitement from the adrenaline<br>&nbsp;&nbsp;&nbsp;&nbsp;rush disappeared somewhere.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And my boiling blood returned to normal.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I and what am I doing here?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good job.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love smart work, Dutch.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've gotta tell you,<br>&nbsp;&nbsp;&nbsp;&nbsp;you guys look terrible.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not going to a formal party.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll dress however we want.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, Mr. Kageyama. We, from Hotel<br>&nbsp;&nbsp;&nbsp;&nbsp;Moscow, have a code of honor.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? I thought you were from the<br>&nbsp;&nbsp;&nbsp;&nbsp;Bougainvillea Trade Company.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We followed through in our own way.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There shouldn't be any grudges.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world is full of things<br>&nbsp;&nbsp;&nbsp;&nbsp;that cannot be helped.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now it's your turn to follow<br>&nbsp;&nbsp;&nbsp;&nbsp;through in your own way.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll go over details at the hotel.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for the good work,<br>&nbsp;&nbsp;&nbsp;&nbsp;Okajima. Now, let's go.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okajima. What are you<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting for? Come on.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss. Don't you remember?<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I'm already dead.<br>&nbsp;&nbsp;&nbsp;&nbsp;You told me so.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is... My name is Rock.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so? Then do as you wish.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get going, Fujiwara.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes sir.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. Sorry for making you<br>&nbsp;&nbsp;&nbsp;&nbsp;talk with those idiots.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'd consider it a great waste for a<br>&nbsp;&nbsp;&nbsp;&nbsp;tough guy like you stay a Japonski.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to us anytime<br>&nbsp;&nbsp;&nbsp;&nbsp;if you ever need help.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okajima...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's no longer an employee.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those eyes weren't the eyes of someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who could take on a managerial role.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how'd things end up like<br>&nbsp;&nbsp;&nbsp;&nbsp;this in such a short time?<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really care.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Rock. What will you do now?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no longer a hostage.<br>&nbsp;&nbsp;&nbsp;&nbsp;And I've got nowhere to go.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. I know a place that could use a sailor.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you be interested?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a delivery company...<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At times they may take part<br>&nbsp;&nbsp;&nbsp;&nbsp;in illegal activity. Right?<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a boat that's blocking our way.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been blowing our<br>&nbsp;&nbsp;&nbsp;&nbsp;horn, but it won't move.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, the amount of information<br>&nbsp;&nbsp;&nbsp;&nbsp;that did get out was inevitable.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we were prepared for that much.<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a job well done, Kageyama.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, testing, testing... testing... um...<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning everybody<br>&nbsp;&nbsp;&nbsp;&nbsp;aboard the St. Joan. Ah--<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you wear that aloha shirt<br>&nbsp;&nbsp;&nbsp;&nbsp;I got for you at the market?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because we're working right now.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. This is my job now.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody aboard the St. Joan,<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for the sudden request,<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I ask you to please stop your ship.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My personal opinion is that...<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;complying with the request as quickly<br>&nbsp;&nbsp;&nbsp;&nbsp;as possible would be... um...<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the best course of action!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch. The St. Joan has opened<br>&nbsp;&nbsp;&nbsp;&nbsp;up its communications.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've finally made contact.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what did they say?<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, "Unless you get out of our way,<br>&nbsp;&nbsp;&nbsp;&nbsp;we will force our way through."<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess it can't be helped.<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Benny.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was an awfully long wait.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time's up for being gentlemen.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, please take cover!<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These moments make my<br>&nbsp;&nbsp;&nbsp;&nbsp;prehistoric blood awaken.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world?!<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have a rocket launcher!<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hand that over!<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wait!<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen carefully, you dimwits!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My rockets are faster than mayday calls!<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to end up<br>&nbsp;&nbsp;&nbsp;&nbsp;as a ghost ship full of blood,<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then stop the ship, you bastards!<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny-boy.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give notice to the guys at Lyun E. Pan<br>&nbsp;&nbsp;&nbsp;&nbsp;that we've taken the St. Joan<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that they'd better come get<br>&nbsp;&nbsp;&nbsp;&nbsp;it before anyone starts a ruckus.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, John. Good boy.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takanori. How are things?<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your studies for your entrance exams.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not too good.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're home today.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About your daughter. She's been<br>&nbsp;&nbsp;&nbsp;&nbsp;getting home late recently.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's only eighteen.<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you please talk to her?<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your responsibility.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stocks.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Daddy?<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What color was the sea of that southern<br>&nbsp;&nbsp;&nbsp;&nbsp;country you went to on your business trip?<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Color of the sea? I can't really say.<br>&nbsp;&nbsp;&nbsp;&nbsp;Daddy's been busy with work.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe no one will believe me...<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've become a<br>&nbsp;&nbsp;&nbsp;&nbsp;pirate of the South Seas.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That huge ship was today's prey.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's get back to port before lunch.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The China bowl at Kao Han<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sure sells out quickly.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're being targeted by pirates?!<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch! What's the<br>&nbsp;&nbsp;&nbsp;&nbsp;background on our client?<br>

# 3 - Ring-Ding Ship Chase

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the entrance to the gulf,<br>&nbsp;&nbsp;&nbsp;&nbsp;the statue of Buddha,<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who brightens the world with the<br>&nbsp;&nbsp;&nbsp;&nbsp;light of virtue, sits in a sad state.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beyond it lies the port of<br>&nbsp;&nbsp;&nbsp;&nbsp;immorality, Roanapur.<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the overland<br>&nbsp;&nbsp;&nbsp;&nbsp;entrance to the city,<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's always a noose, hanging<br>&nbsp;&nbsp;&nbsp;&nbsp;for some unknown person.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Past it lies the city of pleasure, Roanapur.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until recently a businessman<br>&nbsp;&nbsp;&nbsp;&nbsp;living in Tokyo,<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am now a member of a pirate ship.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you! I'll kill you! I'll kill you!<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, bastard! I'll kill you!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not getting away!<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not getting away! Die, you<br>&nbsp;&nbsp;&nbsp;&nbsp;bastard! I'll kill you! I'll kill you!<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. I'm stepping out for a bit.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotcha. Be careful.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going out?<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, for a bit.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this?<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Dutch going?<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows. It's no concern of ours<br>&nbsp;&nbsp;&nbsp;&nbsp;what Dutch does in his free time.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only asked because I was curious.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nosy types aren't too popular, you know.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this?! I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;know what you paid for this,<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's worth less than<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing. You got burned.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this city, the situation doesn't improve<br>&nbsp;&nbsp;&nbsp;&nbsp;in the downtown core either.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta realize, international<br>&nbsp;&nbsp;&nbsp;&nbsp;villains run around here ramming horns.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all trick one another,<br>&nbsp;&nbsp;&nbsp;&nbsp;from top to bottom.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not given the right to live<br>&nbsp;&nbsp;&nbsp;&nbsp;if you trust everything you see.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, you're lucky if that's<br>&nbsp;&nbsp;&nbsp;&nbsp;the biggest of your concerns.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take that to heart.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's right. I may still be too soft.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, I don't even know<br>&nbsp;&nbsp;&nbsp;&nbsp;the histories of my peers.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their pasts remain heavily masked<br>&nbsp;&nbsp;&nbsp;&nbsp;by their sense of independence.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't care. That's how I feel.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, it's me. How are you doing?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, please.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;International number 10013. Right.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Send me 120 thousand dollars.<br>&nbsp;&nbsp;&nbsp;&nbsp;To the name Flyers Company.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Dutch.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll talk to you some other time. Oh, boy.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great weather. Don't you agree?<br>&nbsp;&nbsp;&nbsp;&nbsp;How's business for you guys?<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad, Mr. Chin.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're pulling through somehow.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great. By the way.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long do you plan to work<br>&nbsp;&nbsp;&nbsp;&nbsp;with that Fry Face bitch?<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know, Mr. Chin. I have no<br>&nbsp;&nbsp;&nbsp;&nbsp;idea what you're talking about.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking about that crazy Russian.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since that Ruskie got here,<br>&nbsp;&nbsp;&nbsp;&nbsp;the market's been down.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those Ivans took all the prostitutes,<br>&nbsp;&nbsp;&nbsp;&nbsp;hotel rights, and heroin routes.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a shred of honor. And if they<br>&nbsp;&nbsp;&nbsp;&nbsp;get the sea routes on top of that,<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're dried out from head to ass.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get it, don't you? What I mean<br>&nbsp;&nbsp;&nbsp;&nbsp;is pull out, and quickly.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me give you some advice, Mr. Chin.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even villains have sense. Got that?<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you sold that junk to<br>&nbsp;&nbsp;&nbsp;&nbsp;the New People's Army,<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we were the ones hired to deliver it.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't even close to a "no problem"<br>&nbsp;&nbsp;&nbsp;&nbsp;situation, but who pulled out then?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let that go, Dutch. Don't bring<br>&nbsp;&nbsp;&nbsp;&nbsp;up the past like some old bitch.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll say what I want.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least, Balalaika<br>&nbsp;&nbsp;&nbsp;&nbsp;has more honor than you do.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll ship your goods at our rate.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're done talking.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't get any second chances, Dutch.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you won't get any second<br>&nbsp;&nbsp;&nbsp;&nbsp;chances with us, Mr. Chin.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use your head to survive. Later.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, Dutch. Why don't you drop some<br>&nbsp;&nbsp;&nbsp;&nbsp;money onto us from time to time?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what's inside your bottles.<br>&nbsp;&nbsp;&nbsp;&nbsp;I shipped them here, after all.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it true that the torpedo boat bastard<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;works for some Russian<br>&nbsp;&nbsp;&nbsp;&nbsp;from the countryside?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Sir. But it seems that they'll take<br>&nbsp;&nbsp;&nbsp;&nbsp;on jobs from pretty much anyone.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sure is an unhealthy city.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch, I got it. The new board's arrived.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the pure, unadulterated real deal.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Pure" is a word you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;hear much of in this city.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then hurry and get it on the boat, Benny.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure thing.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our crew can really be<br>&nbsp;&nbsp;&nbsp;&nbsp;so damn simple-minded.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Dutch.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wake up, sailor! We have a job!<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay. A job?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Rock?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told him to wash his face,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's taking an awfully long time.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting!<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it today?<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just came in, passed on from Donnie Yen.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Donnie Yen?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He gives us jobs from time to time.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, we're receiving a package from<br>&nbsp;&nbsp;&nbsp;&nbsp;the Vietnamese military at Phu Quoc island.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since our schedule is open...<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, work is to be respected.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we going to do with<br>&nbsp;&nbsp;&nbsp;&nbsp;all these pathetic jobs, Dutch?<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder we can't get him out<br>&nbsp;&nbsp;&nbsp;&nbsp;of these shitty white collar suits.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that. I like wearing these.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which reminds me, Rock.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do with that aloha<br>&nbsp;&nbsp;&nbsp;&nbsp;shirt I got you at the market?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ugly aloha?! Wearing that<br>&nbsp;&nbsp;&nbsp;&nbsp;would be pure punishment!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, Rock?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You saying I don't have taste?!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that!<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like they fell for the trap.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether you want to go ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;or not is up to you now, Luak.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you've been<br>&nbsp;&nbsp;&nbsp;&nbsp;down on your luck lately.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear you messed up on the last hunt<br>&nbsp;&nbsp;&nbsp;&nbsp;and got chased around by a battleship.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that? You take care of this<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you get all the tolls<br>&nbsp;&nbsp;&nbsp;&nbsp;between here and Kalimantan.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Yeah, that's right.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give that lots of thought.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, Dutch. You're not<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna get any second chances.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this... like this... this... and then...<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this. Hey...<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's funny.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're desperately clumsy.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you just not trying hard?<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just not cut out for this.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this. Look. Even a<br>&nbsp;&nbsp;&nbsp;&nbsp;monkey can do this.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't be so hard on me.<br>&nbsp;&nbsp;&nbsp;&nbsp;I never did this at work.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. What did you do at work?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was with the materials<br>&nbsp;&nbsp;&nbsp;&nbsp;procurement department,<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I went on business<br>&nbsp;&nbsp;&nbsp;&nbsp;trips, wrote reports...<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Made phone calls, but I think lowering<br>&nbsp;&nbsp;&nbsp;&nbsp;my head to my superior was my real job.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come night, I'd accompany my superior<br>&nbsp;&nbsp;&nbsp;&nbsp;when he'd go out for drinks.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even got my ass kicked<br>&nbsp;&nbsp;&nbsp;&nbsp;once when he was drunk.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great, Rock.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a disgusting story.<br>&nbsp;&nbsp;&nbsp;&nbsp;Putting up with all that crap.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you some masochist?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Putting up with it is part of the job.<br>&nbsp;&nbsp;&nbsp;&nbsp;No one wants to end up on the streets.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone survives like that.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pathetic.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. What did you do<br>&nbsp;&nbsp;&nbsp;&nbsp;before coming here?<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I do hasn't really<br>&nbsp;&nbsp;&nbsp;&nbsp;changed from then to now.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really. Then let me guess.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a kid, you ran around by the river,<br>&nbsp;&nbsp;&nbsp;&nbsp;swinging around your Sword Cutlass.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true. I stole, I killed...<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did everything that's considered bad.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing fascinating about it.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch, we've got several boats.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You better pray, Dutch, 'cause you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;need directions on how to get to heaven.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There shouldn't be any merchants around.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pirate's bay. Can you<br>&nbsp;&nbsp;&nbsp;&nbsp;find out what they are?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're small and fast. They could be<br>&nbsp;&nbsp;&nbsp;&nbsp;police boats looking to arrest pirates.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch! A red alert!<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this? They blew right<br>&nbsp;&nbsp;&nbsp;&nbsp;by the yellow and gave us the red lamp.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their speed, 28 knots.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch!<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny will explain the situation to you.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a second.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are three more!<br>&nbsp;&nbsp;&nbsp;&nbsp;A total of six boats!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first three started accelerating from<br>&nbsp;&nbsp;&nbsp;&nbsp;the side of the island we just passed.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other three on portside came<br>&nbsp;&nbsp;&nbsp;&nbsp;from behind a different island.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Changing course to portside is dangerous.<br>&nbsp;&nbsp;&nbsp;&nbsp;The ships on the left will catch up to us.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to starboard, the guys<br>&nbsp;&nbsp;&nbsp;&nbsp;on the right will get us.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A basic hunting pattern.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys are fast, too.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey Dutch.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I smell it.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know who they are?<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It stinks all the way up here.<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys aren't marine cops.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys stink too much<br>&nbsp;&nbsp;&nbsp;&nbsp;of blood and smoke for that.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pirates?! We're being<br>&nbsp;&nbsp;&nbsp;&nbsp;targeted by pirates?!<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch! What's the background<br>&nbsp;&nbsp;&nbsp;&nbsp;on our client?<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. That observation hurts.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been conducting checks on<br>&nbsp;&nbsp;&nbsp;&nbsp;Donnie Yen's economic situation.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello! Can you hear me, Lagoon?! It's me!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a while, Dutch.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see. It's Luak.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no prey here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Go home before you get lost.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's prey right here, Beans.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An old torpedo boat with a nice wingspan.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our counterpart has six boats. If it is<br>&nbsp;&nbsp;&nbsp;&nbsp;Luak, he's brought everything he's got.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, all these bastards.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chin got you involved in this,<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't he, Luak?<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God must pity you for your stupidity.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we get a pint of lead in you,<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe it'll put an end to your sleep talk.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy's got us on both sides.<br>&nbsp;&nbsp;&nbsp;&nbsp;But these positions, Dutch...<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, Rock. Get inside.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop! Don't shoot!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice job.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're gonna surround the enemy,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's common sense to position yourselves<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;out of each other's line of fire. Amateurs.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bastard. Don't get too confident.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send you straight to hell.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are still four vessels.<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch, they're coming.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. It's your turn. Give them<br>&nbsp;&nbsp;&nbsp;&nbsp;a taste of "Two-Hands."<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to me.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's showtime. Can you make them dance?<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! What are you planning to do?<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. We're taking a break from<br>&nbsp;&nbsp;&nbsp;&nbsp;the casual talk about your world.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to concentrate on this world.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny-boy.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two on the left and two more<br>&nbsp;&nbsp;&nbsp;&nbsp;to the right, behind us. Am I right?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And one more right behind us.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do that one last, Revy.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'll start<br>&nbsp;&nbsp;&nbsp;&nbsp;with the shit on the left.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's dance the jitterbug!<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She jumped!<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's jumped onto another boat.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do something about that bitch!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, I can't see with the smoke!<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you don't hit one of our guys!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill her! Kill her! Finish her off!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. Which boat is she on now?<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's working on her fifth boat.<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, the third's still alive.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is! Shoot her! Kill her!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. My... My ships...<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a dead end. It seems like<br>&nbsp;&nbsp;&nbsp;&nbsp;you're the one destined...<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to dance the cha-cha with<br>&nbsp;&nbsp;&nbsp;&nbsp;some hot lead, Luak.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! How dare...<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bitch isn't human.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dealing with<br>&nbsp;&nbsp;&nbsp;&nbsp;these demons anymore!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She defeated the whole group<br>&nbsp;&nbsp;&nbsp;&nbsp;all on her own. Amazing.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While saying that out loud,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was having different thoughts.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what got shattered<br>&nbsp;&nbsp;&nbsp;&nbsp;to make her like this,<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I must be pretty broken<br>&nbsp;&nbsp;&nbsp;&nbsp;myself for praising this woman<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for her destructiveness.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! That stingy Luak. He's failed me.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That idiot. I'd like to see the mother who<br>&nbsp;&nbsp;&nbsp;&nbsp;would bring up a child to be like that.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He shoved a burner up my ass<br>&nbsp;&nbsp;&nbsp;&nbsp;and then conveniently croaked.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things couldn't be worse! I'd like to<br>&nbsp;&nbsp;&nbsp;&nbsp;kill that Luak myself, all over again.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, well.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moving out so suddenly?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's such hard work.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we help, Mr. Chin?<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-N-Never mind. You must have<br>&nbsp;&nbsp;&nbsp;&nbsp;misunderstood something.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pathetic rumor going around.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we sort it out over lunch, you'll see that<br>&nbsp;&nbsp;&nbsp;&nbsp;any fool can understand what happened.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen carefully, you piece of horse shit.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got nothing to ask you.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We already know everything<br>&nbsp;&nbsp;&nbsp;&nbsp;we need to know.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pray. That's about the only thing<br>&nbsp;&nbsp;&nbsp;&nbsp;you can still do while you're alive.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We busted our asses for<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing. So damn stupid.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not so bad. Kinda like<br>&nbsp;&nbsp;&nbsp;&nbsp;being bitten by a dog.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's terrible, moron.<br>&nbsp;&nbsp;&nbsp;&nbsp;Bullets aren't free, you know.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Lagoon Company.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Japonski! It's been a while.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Dutch around?<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is it?<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Balalaika.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, Dutch.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you went on a wild goose chase.<br>&nbsp;&nbsp;&nbsp;&nbsp;And you got stuck playing with Chin.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who told you?<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He told me himself. He's a bit too<br>&nbsp;&nbsp;&nbsp;&nbsp;loud to conspire about anything.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was blabbing away about it to<br>&nbsp;&nbsp;&nbsp;&nbsp;practically every group in town,<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so even the dead would've<br>&nbsp;&nbsp;&nbsp;&nbsp;known what was happening.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, we'll make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing like this happens again.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a pain for you, wasn't it?<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really. It wasn't even<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to give me a headache.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Dutch. I realize it's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;compared to what you went through,<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll let you hear something amusing.<br>&nbsp;&nbsp;&nbsp;&nbsp;So-called "pleasure and pain."<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Cooler than J.B.?<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's cool.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have a job for you soon.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll call you then.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that a call about a job?<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something like that.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She filled me in on some<br>&nbsp;&nbsp;&nbsp;&nbsp;gossip to lift my spirits.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Rock. Do you guys have any plans?<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you, Benny?<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maintenance on the electronics,<br>&nbsp;&nbsp;&nbsp;&nbsp;but nothing that can't wait.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering the mental anguish<br>&nbsp;&nbsp;&nbsp;&nbsp;incurred due to external interference,<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as your employer, it is my duty to<br>&nbsp;&nbsp;&nbsp;&nbsp;provide entertainment as compensation.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And therefore...<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I propose a trip to the Yellow Flag to drink<br>&nbsp;&nbsp;&nbsp;&nbsp;away our pain. Of course, it's on me.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who's coming?<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we stay there till dawn?!<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going!<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, me too!<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it's decided, Benny! Get the car!<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, it's not a job. Wear that aloha shirt!<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite that, there are fights<br>&nbsp;&nbsp;&nbsp;&nbsp;that you must still take on.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go. Prepare the<br>&nbsp;&nbsp;&nbsp;&nbsp;torpedoes for surface attack!<br>

# 4 - Die Rückkehr des Adlers

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sea's so calm today.<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The waters around here<br>&nbsp;&nbsp;&nbsp;&nbsp;can be really technicolor.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dive in and you're<br>&nbsp;&nbsp;&nbsp;&nbsp;treated to a masterpiece.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it is. I did a little scuba<br>&nbsp;&nbsp;&nbsp;&nbsp;diving long ago at Ishigaki Island.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds privileged. Like the<br>&nbsp;&nbsp;&nbsp;&nbsp;fruitful life of a bachelor yuppie.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't that great.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drinking beer while feeling this sea<br>&nbsp;&nbsp;&nbsp;&nbsp;breeze on my skin is far more privileged.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Naval base at Kiel, 1945"<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's "Farewell Germany."<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a shame that the last glimpse I get of<br>&nbsp;&nbsp;&nbsp;&nbsp;the German sky is of its usual leaden color.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to that, the Allies'<br>&nbsp;&nbsp;&nbsp;&nbsp;patrol over us has thinned.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we get past the Shetlands<br>&nbsp;&nbsp;&nbsp;&nbsp;and out of the North Sea,<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll soon be under Spain's blue sky,<br>&nbsp;&nbsp;&nbsp;&nbsp;and then on to Africa's beaches.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll soon be longing for some clouds,<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Colonel Matsuto.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. As a man here to study aeronautics,<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't afford to be killed by a plane.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not after coming all the<br>&nbsp;&nbsp;&nbsp;&nbsp;way here to Germany.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like we'll understand<br>&nbsp;&nbsp;&nbsp;&nbsp;each other on this long trip.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to feel the same about<br>&nbsp;&nbsp;&nbsp;&nbsp;that other passenger as well.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't understand them.<br>&nbsp;&nbsp;&nbsp;&nbsp;Those men, the SS and SD's.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Darn. I really did have a privileged life.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little problem with the car and life<br>&nbsp;&nbsp;&nbsp;&nbsp;takes a sudden nosedive here.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Lun, is that new? How much?<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too much. I'll bet it's stolen.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well. It's not like anyone has<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to spare in their wallets.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd better pass. I can just hear<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy labeling me a softie again.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Near the Cape Verde Islands, Africa 1945"<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gentlemen, we can look forward<br>&nbsp;&nbsp;&nbsp;&nbsp;to sea turtle soup tonight!<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Indian Ocean"<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're moving with us at bearing 270.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a freighter out of South<br>&nbsp;&nbsp;&nbsp;&nbsp;Africa heading to Ceylon.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in battle positions. Please get inside.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize, but I want you<br>&nbsp;&nbsp;&nbsp;&nbsp;to answer me one thing.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to ignore your<br>&nbsp;&nbsp;&nbsp;&nbsp;orders and attack that freighter?<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What shall we do?<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will get you to Batavia without fail,<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Colonel.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fritz.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes sir.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you incapable of even greeting<br>&nbsp;&nbsp;&nbsp;&nbsp;the enemy without confirmation?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet you consider yourself this ship's--<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well, Sir. I'll have them hurry with the<br>&nbsp;&nbsp;&nbsp;&nbsp;loading of the torpedo under maintenance.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too, Lieutenant Colonel, get inside.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An attack would be a<br>&nbsp;&nbsp;&nbsp;&nbsp;completely unnecessary risk.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a transport of your<br>&nbsp;&nbsp;&nbsp;&nbsp;lifelong enemy, England.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's being carried is<br>&nbsp;&nbsp;&nbsp;&nbsp;fuel for an invasion<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the ally we'll soon be guests of.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're telling me to ignore that enemy?<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying there was no point<br>&nbsp;&nbsp;&nbsp;&nbsp;in our fighting this war so far?<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this stage, sinking that ship will<br>&nbsp;&nbsp;&nbsp;&nbsp;have no effect on our fatherland.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying that we<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot stop the inevitable?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to force me to say more?<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I just didn't expect<br>&nbsp;&nbsp;&nbsp;&nbsp;to hear what you said.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were worrying about<br>&nbsp;&nbsp;&nbsp;&nbsp;something more meaningless.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize. Despite that, there are<br>&nbsp;&nbsp;&nbsp;&nbsp;still battles that you must take on.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go. Prepare the torpedoes<br>&nbsp;&nbsp;&nbsp;&nbsp;for surface attack!<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll credit this ship with its 31st hit.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Launcher is ready.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's go! We will keep fighting!<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you going to go drinking?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go. As soon as I'm finished calculating<br>&nbsp;&nbsp;&nbsp;&nbsp;the fuel efficiency of the torpedo ship.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good job.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dunno. Do I look like<br>&nbsp;&nbsp;&nbsp;&nbsp;an off-season Santa?<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the day, you were looking<br>&nbsp;&nbsp;&nbsp;&nbsp;into a shop, weren't you, Rock?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? N-No, that was...<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you just tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;when you want something?<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait. Then you mean that's for me?<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy ship just passed over us.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Near the Nicobar Islands, Indonesia"<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"March 25, 1945"<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Set course to two-zero-zero.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll get behind the enemy.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we turn twice, we can get behind them.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second turn will be in four minutes.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. We'll go with that.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're detecting sound from another vessel<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of us. Wait! Yet another signal!<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy's coming out in numbers.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are about to be subjugated,<br>&nbsp;&nbsp;&nbsp;&nbsp;with Batavia right in front of us.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet, gentlemen.<br>&nbsp;&nbsp;&nbsp;&nbsp;Both engines full power.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Set course to one-seven-zero.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One-seven-zero.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire the Zigarren astern.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Firing Zigarren.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the enemy ships is moving away.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They took the bait. Stop<br>&nbsp;&nbsp;&nbsp;&nbsp;the ship. Silent running.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One ship is staying right with us,<br>&nbsp;&nbsp;&nbsp;&nbsp;and won't break away.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's active sonar!<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Full power to the engines!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Port 20 degrees! To depth of 40!<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the forward torpedo room!<br>&nbsp;&nbsp;&nbsp;&nbsp;We're taking on water! We've lost control!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Close the fore hatch!<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain! Please take care!<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've stopped taking on water,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we can't blow the main tank.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Engines and the electric generator<br>&nbsp;&nbsp;&nbsp;&nbsp;are damaged beyond repair.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is unfortunate that we couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;return the Japanese to his homeland.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Colonel Matsuto has already...<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way of a samurai.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't realize he had brought a<br>&nbsp;&nbsp;&nbsp;&nbsp;sword on board for that reason.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brave and loyal soldiers of the German navy.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We faced great opposition and<br>&nbsp;&nbsp;&nbsp;&nbsp;rough waters in the Atlantic,<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we will finish our final battle<br>&nbsp;&nbsp;&nbsp;&nbsp;without seeing the coconuts of Batavia.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our ship is currently run aground<br>&nbsp;&nbsp;&nbsp;&nbsp;at a depth of 57 meters.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both our engines and<br>&nbsp;&nbsp;&nbsp;&nbsp;ballast are beyond repair.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have endured numerous<br>&nbsp;&nbsp;&nbsp;&nbsp;battles with courage.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this moment, I relieve<br>&nbsp;&nbsp;&nbsp;&nbsp;you all of military duties.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will run out of air in about two hours.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may each choose how you wish to die.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Colonel, I have to talk to you.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, I haven't heard the<br>&nbsp;&nbsp;&nbsp;&nbsp;engine running for some time now.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When will we surface?<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it turns out, we won't<br>&nbsp;&nbsp;&nbsp;&nbsp;be surfacing. Ever again.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're worthless.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't get it. You just<br>&nbsp;&nbsp;&nbsp;&nbsp;don't get it, do you?!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get what?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The importance of your mission!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea what significance<br>&nbsp;&nbsp;&nbsp;&nbsp;this painting I'm transporting has?!<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so the package was this painting.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like anything<br>&nbsp;&nbsp;&nbsp;&nbsp;of great significance to me.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is its title?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The Twelve Knights Led by Brunhilda.*<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen! This is the only tableau<br>&nbsp;&nbsp;&nbsp;&nbsp;painted since the Führer took power.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Steadfast in our honor and loyalty,<br>&nbsp;&nbsp;&nbsp;&nbsp;hide this until the promised day.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the day the Nazi flag flies again,<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this will be the guiding light for<br>&nbsp;&nbsp;&nbsp;&nbsp;our comrades who have scattered!"<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you already know we<br>&nbsp;&nbsp;&nbsp;&nbsp;are going to lose this war.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;prepare for the next war.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You people make me sick!<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have family?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wife and child in Stuttgart. So what?!<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am proud that I fought<br>&nbsp;&nbsp;&nbsp;&nbsp;with all I had for my country.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no regrets, even now as I<br>&nbsp;&nbsp;&nbsp;&nbsp;am destined to rot in the ocean.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if there is one dissatisfaction,<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is the fact that I have to share<br>&nbsp;&nbsp;&nbsp;&nbsp;a casket with a bastard like you<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who won't bother to remember his family,<br>&nbsp;&nbsp;&nbsp;&nbsp;even in his last moments.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take back that remark, Captain.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot compare family to the<br>&nbsp;&nbsp;&nbsp;&nbsp;righteousness of our country!<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's worthless. No matter how you struggle,<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the empire of the corporal,<br>&nbsp;&nbsp;&nbsp;&nbsp;whose paintings won't sell, is over.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By tolerating your delusions, look what's<br>&nbsp;&nbsp;&nbsp;&nbsp;become of my country and my navy.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say it was worth sinking if,<br>&nbsp;&nbsp;&nbsp;&nbsp;because of it, my children will never<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have to see that accursed Nazi flag again.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Take it back!<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could very well be God's<br>&nbsp;&nbsp;&nbsp;&nbsp;will for our ship to sink here.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have opened my mouth about it.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only went scuba diving<br>&nbsp;&nbsp;&nbsp;&nbsp;once at Ishigaki Island.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch tricked me into this!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all you've said since we left port!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be a little more interesting, you idiot!<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I'm capable<br>&nbsp;&nbsp;&nbsp;&nbsp;of doing this salvaging!<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I explained it briefly at the office,<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll go through the details again<br>&nbsp;&nbsp;&nbsp;&nbsp;before we go in. Benny, will you start?<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. First, take a look at this.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An old story from half a century ago.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some nostalgic talk by<br>&nbsp;&nbsp;&nbsp;&nbsp;some elderly gentleman.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;IXC-type attack submarine<br>&nbsp;&nbsp;&nbsp;&nbsp;U-1324 of the German navy.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A submarine in the Wolf Pack<br>&nbsp;&nbsp;&nbsp;&nbsp;that tore up the Atlantic.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The captain was Major Venztel H. Ahbe.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last order he received<br>&nbsp;&nbsp;&nbsp;&nbsp;from his falling homeland<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to take an officer of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese navy to Batavia.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But things weren't that simple.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To get there, they had to go from Kiel<br>&nbsp;&nbsp;&nbsp;&nbsp;in Europe, around Cape Agulhas<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then past the Indian Ocean.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a voyage worthy of Magellan.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Ahbe pulled it off.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when he could finally<br>&nbsp;&nbsp;&nbsp;&nbsp;see his destination,<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;his ship and passenger<br>&nbsp;&nbsp;&nbsp;&nbsp;suddenly ran out of luck.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While searching for the Japanese,<br>&nbsp;&nbsp;&nbsp;&nbsp;the U.S. navy came across this U-boat.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having nothing else to do,<br>&nbsp;&nbsp;&nbsp;&nbsp;they all decided to strike at once.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The poor U-1324 finally ran out of strength.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The captain and 44 of his crew<br>&nbsp;&nbsp;&nbsp;&nbsp;disappeared into the darkness of the sea.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up to this point, that's historical fact,<br>&nbsp;&nbsp;&nbsp;&nbsp;but there is another untold story.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A story about an SS officer who appeared<br>&nbsp;&nbsp;&nbsp;&nbsp;from Kiel Port the night before departure,<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;forcing his way on board with<br>&nbsp;&nbsp;&nbsp;&nbsp;papers from the secret police.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look at this.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the painting he<br>&nbsp;&nbsp;&nbsp;&nbsp;held on to for dear life.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The artist is August Janke,<br>&nbsp;&nbsp;&nbsp;&nbsp;an unknown painter.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The title is *The Twelve<br>
&nbsp;&nbsp;&nbsp;&nbsp;Knights Led by Brunhilda*.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a boring painting.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even graffiti on the New York Metro<br>&nbsp;&nbsp;&nbsp;&nbsp;is more appealing than that.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did an SS officer board<br>&nbsp;&nbsp;&nbsp;&nbsp;a submarine with no gold,<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no secret documents,<br>&nbsp;&nbsp;&nbsp;&nbsp;but just a single painting?<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give it too much thought.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just an incredible story.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no explanation<br>&nbsp;&nbsp;&nbsp;&nbsp;for the reason behind it.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one thing that we know is that this<br>&nbsp;&nbsp;&nbsp;&nbsp;painting is sleeping in a sunken submarine.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been hired by an<br>&nbsp;&nbsp;&nbsp;&nbsp;antique collector in Spain.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His hobby is collecting the artwork<br>&nbsp;&nbsp;&nbsp;&nbsp;of artists from the Nazi era.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy's got a weird hobby.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn right. Most of Janke's<br>&nbsp;&nbsp;&nbsp;&nbsp;work was burnt in war disasters.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had completely given up on it<br>&nbsp;&nbsp;&nbsp;&nbsp;and the U-boat long ago. But...<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, last year a French phone<br>&nbsp;&nbsp;&nbsp;&nbsp;company laying down<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;underwater cables discovered U-1324.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they found that there<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't much water inside.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Several countries are fighting over the<br>&nbsp;&nbsp;&nbsp;&nbsp;control of water territories in this area.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one can make a go for it easily.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's where we come in.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A nice 50,000 dollar job, plus expenses.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, here are the steps for the job.<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look at this.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The French found that the bow<br>&nbsp;&nbsp;&nbsp;&nbsp;end is completely flooded.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of you will go in through the<br>&nbsp;&nbsp;&nbsp;&nbsp;torpedo tubes and then shut them.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you weld the hole shut, you should<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to open the door in the interior.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Weld?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do to get out?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just make a hole in the<br>&nbsp;&nbsp;&nbsp;&nbsp;submarine's body and swim out.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we get what we want outta there,<br>&nbsp;&nbsp;&nbsp;&nbsp;who cares what happens to it?<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right then, let's get this over with.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never even done weekend carpentry.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we're doing this all underwater.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't imagine how it'll work.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you done checking the equipment?<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep talking nonsense,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll throw you into the sea without a tank.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm mostly done.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the buoyancy compensator?<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you test the gauge?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you end up drowning,<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna leave you down there<br>&nbsp;&nbsp;&nbsp;&nbsp;in that casket with those Nazi guys.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so difficult. I'll be fine.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you die, you'd be causing me trouble!<br>&nbsp;&nbsp;&nbsp;&nbsp;So stop talking back, you idiot!<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Once you dive, I'll only be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to track you with the beacon.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful not to use up the batteries.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this. A souvenir from Balalaika<br>&nbsp;&nbsp;&nbsp;&nbsp;when she returned from her country.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An underwater rifle? Does it have full-auto?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. Take it as a protective charm.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Let's go. Follow me, Rock.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you won her over with<br>&nbsp;&nbsp;&nbsp;&nbsp;a gun and saved Rock.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a lot of tricks up your sleeve.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could say that. As an employer,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotta deal with human relations.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The beacon's been activated.<br>&nbsp;&nbsp;&nbsp;&nbsp;The PLRS is working fine.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're headed straight for the metal body.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy sure seems used to this kind of thing.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course she is.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have hired her<br>&nbsp;&nbsp;&nbsp;&nbsp;solely on her skill with guns.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's got natural talent<br>&nbsp;&nbsp;&nbsp;&nbsp;when it comes to swimming.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come up here for a second. There's a ship.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not on a regular sea route.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cable company's about the only<br>&nbsp;&nbsp;&nbsp;&nbsp;one I can imagine coming here.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cable company? It can't be.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been listening to their communications<br>&nbsp;&nbsp;&nbsp;&nbsp;ever since we got the offer.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They shouldn't be out here<br>&nbsp;&nbsp;&nbsp;&nbsp;for another three days.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, that's a research ship.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look. It's got some large<br>&nbsp;&nbsp;&nbsp;&nbsp;equipment on the back.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't amusing. Put up a Thai navy flag.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the stopped ship. This is the<br>&nbsp;&nbsp;&nbsp;&nbsp;White Heather. Please respond.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wanna communicate.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is PT377 of the Thai navy.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are currently on a mission.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like to inquire about<br>&nbsp;&nbsp;&nbsp;&nbsp;your purpose in this area.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell us your nationality,<br>&nbsp;&nbsp;&nbsp;&nbsp;ship number, and signal code.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We see that you are acting independently.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is your mother ship?<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a military matter<br>&nbsp;&nbsp;&nbsp;&nbsp;and I cannot answer.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I request your information<br>&nbsp;&nbsp;&nbsp;&nbsp;one more time, over.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They sure are demanding.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not normal.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going back to the control room.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep track of them and tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;everything you see.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got some unusual cloud activity.<br>&nbsp;&nbsp;&nbsp;&nbsp;Fold up your umbrella.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. What'll we do about those two?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as their beacon is on,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can pick them up any time.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Worst case scenario, we blast these<br>&nbsp;&nbsp;&nbsp;&nbsp;guys and then pick the two up.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hail Uberführer!<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Upon checking communications through<br>&nbsp;&nbsp;&nbsp;&nbsp;radio interception, just as we suspected,<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are no<br>&nbsp;&nbsp;&nbsp;&nbsp;navy vessels of any nation in this area.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, we conclude that<br>&nbsp;&nbsp;&nbsp;&nbsp;they are hated bandits<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are plundering this sacred gravesite.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your decision please, Commander.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are such fools.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The proof of inheritance of this<br>&nbsp;&nbsp;&nbsp;&nbsp;gravesite is rightfully ours.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well, Squad Commander. I will<br>&nbsp;&nbsp;&nbsp;&nbsp;allow destruction with an iron fist.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch. There's movement.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I just started the engines.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world are they doing?<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch! They have TOWs!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! I should've guessed<br>&nbsp;&nbsp;&nbsp;&nbsp;that's what they'd do!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on, Benny!<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anti-tank missiles!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run, run, degenerates.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our destined reunion with<br>&nbsp;&nbsp;&nbsp;&nbsp;Brunhilda. No one will stop us.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This underground grave is about to open.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll no longer be one of us.<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that happens, I'm gonna kill you.<br>

# 5 - Eagle Hunting and Hunting Eagles

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Are we out of the missiles' range?<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like it.<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're safe at this distance. Damn them.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll keep our distance and observe.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. What the hell are you doing?<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you all right?<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said nothing about detonating<br>&nbsp;&nbsp;&nbsp;&nbsp;it without any warning!<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if we'd flooded the place?<br>&nbsp;&nbsp;&nbsp;&nbsp;Your method is too violent!<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't be screwing around.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more we fuss, the less time<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to do our job.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, but you could've said<br>&nbsp;&nbsp;&nbsp;&nbsp;something to me ahead of time!<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you expect me to talk underwater?<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could pay closer<br>&nbsp;&nbsp;&nbsp;&nbsp;attention to what I'm doing.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, give me a signal or something<br>&nbsp;&nbsp;&nbsp;&nbsp;before you do anything like that!<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Bones! Bones!<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah, there're gonna be bones.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all over the place.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, this is a graveyard that people<br>&nbsp;&nbsp;&nbsp;&nbsp;living on the surface have forgotten.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's where they reluctantly ended their<br>&nbsp;&nbsp;&nbsp;&nbsp;lives when confronted by the Grim Reaper.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No flowers or candles. No one<br>&nbsp;&nbsp;&nbsp;&nbsp;comes and no one remembers.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sickening catacomb without any saints.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never liked these kinds of places.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It smells like something's rotten.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we stay too long, it'll affect our lungs.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you think these guys felt<br>&nbsp;&nbsp;&nbsp;&nbsp;while they waited down here?<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What went through their<br>&nbsp;&nbsp;&nbsp;&nbsp;minds once the lights faded<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they struggled to breathe?<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too damn gloomy.<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you expect me to know?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dying without air could only<br>&nbsp;&nbsp;&nbsp;&nbsp;feel like dying without air.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How strangers die is<br>&nbsp;&nbsp;&nbsp;&nbsp;just how strangers die.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thinking about it isn't gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;do a damned thing, Rock.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just think of things that won't bother you.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this. These guys...<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like they had their own<br>&nbsp;&nbsp;&nbsp;&nbsp;Gunfight at the O.K. Corral right here.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain! You bastard!<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you shoot the captain!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, this is probably the<br>&nbsp;&nbsp;&nbsp;&nbsp;skeleton of the captain.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Ahbe guy, right?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is his Iron Cross lying around somewhere?<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be worth something.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come over here.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy's uniform is different. He's the SS.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the painting?<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's not here, it's got to be in a safe.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what made them engage<br>&nbsp;&nbsp;&nbsp;&nbsp;in a gunfight, anyway?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Panic caused by desperation?<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a laughable theory.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despair is the same as the end of cancer.<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got nothing left to lose.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I don't know the details, but this<br>&nbsp;&nbsp;&nbsp;&nbsp;Gestapo was the one that shot first.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sailors came in here<br>&nbsp;&nbsp;&nbsp;&nbsp;to avenge their captain.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it ended with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Battle of the Alamo.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aboard a ship, everyone's practically family.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wouldn't have fought amongst<br>&nbsp;&nbsp;&nbsp;&nbsp;themselves knowing they were gonna die.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only one that would start<br>&nbsp;&nbsp;&nbsp;&nbsp;a fight would be the outsider.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Is that how it works?<br>&nbsp;&nbsp;&nbsp;&nbsp;--That's how it works.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Rock?<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the goods?<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it. It's the same<br>&nbsp;&nbsp;&nbsp;&nbsp;as the image on file.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! This is it, Rock! You put it away.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go get the rest.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest? This is what we're after.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not kids on an errand, Rock.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't grab everything that's<br>&nbsp;&nbsp;&nbsp;&nbsp;worth some money, it's a wasted trip.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The captain had an Iron Cross with a sword.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a valuable piece with a diamond on it.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a little too valuable to<br>&nbsp;&nbsp;&nbsp;&nbsp;leave behind as fish food.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... Hey!<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be back as soon as I've got everything<br>&nbsp;&nbsp;&nbsp;&nbsp;worth taking. Keep those guys company.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. Don't stare.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think it's the<br>&nbsp;&nbsp;&nbsp;&nbsp;right thing to do, either.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the distance, Benny-boy?<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was 5,200 yards when I last checked.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're well out of range.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a dangerous bunch. They're maniacs.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And seeing that they launched three<br>&nbsp;&nbsp;&nbsp;&nbsp;at once, they're well equipped, too.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're directly above that U-boat.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't do a damned thing.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All soldiers line up in position!<br>&nbsp;&nbsp;&nbsp;&nbsp;Standby for the Commander's instructions!<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gentlemen! My beloved braves of<br>&nbsp;&nbsp;&nbsp;&nbsp;the White Aryan Socialist Union.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, at this moment, you will witness<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the creation of a new world!<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In one stroke, we will reclaim<br>&nbsp;&nbsp;&nbsp;&nbsp;the great order that was lost<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the great war due to the interference<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Zionists and Communists.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;True patriots are counting on you,<br>&nbsp;&nbsp;&nbsp;&nbsp;gentlemen on the front lines!<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an act of courage for<br>&nbsp;&nbsp;&nbsp;&nbsp;strict order and patriotism!<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To restore the racial hierarchy<br>&nbsp;&nbsp;&nbsp;&nbsp;to the way it was meant to be!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suicide Corps, salute!<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kruppen Feller!<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the hero chosen<br>&nbsp;&nbsp;&nbsp;&nbsp;to fulfill this objective.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You represent the courage<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Aryan race.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There has never... There has never<br>&nbsp;&nbsp;&nbsp;&nbsp;been a more glorious moment! I...<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot find words to express<br>&nbsp;&nbsp;&nbsp;&nbsp;this through my emotion and tears.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm filled with emotion, Commander!<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will fulfill this sacred<br>&nbsp;&nbsp;&nbsp;&nbsp;duty at the cost of my life!<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commence singing of the anthem!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Raise our flag up high ♪<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Pave the road ahead of us ♪<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ We, the strike force ♪<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Will firmly march forward ♪<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Towards the last battle ♪<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, hey.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look at this, Dutch.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're holding a concert.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's some distasteful marching song.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hear it.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a worthless guy live it up by<br>&nbsp;&nbsp;&nbsp;&nbsp;raising his useless self onto a podium<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you end up with a march-loving idiot.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a common formula you'll find anywhere.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, as a white man?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That kinda machismo doesn't agree with me.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I'm Jewish. "Fuck the Nazis"<br>&nbsp;&nbsp;&nbsp;&nbsp;was a family creed.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh right, I forgot.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, are the beacons on yet?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both still in the submarine.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, there's nothing we can<br>&nbsp;&nbsp;&nbsp;&nbsp;do but pick at each other's politics.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not worried about the job,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I am worried about the time.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. That'll always be a problem.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had the time to retrieve it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd take the whole sub back to port.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, I could show<br>&nbsp;&nbsp;&nbsp;&nbsp;those parading idiots<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on that piece of crap ship what<br>&nbsp;&nbsp;&nbsp;&nbsp;their Führer went through.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel the same way.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, this isn't good.<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys are up to something.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're lowering a pod.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, they're gonna face<br>&nbsp;&nbsp;&nbsp;&nbsp;each other in the submarine.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do, Dutch?<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing we can do.<br>&nbsp;&nbsp;&nbsp;&nbsp;They still have TOWs.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It bugs me to say so, but we'll<br>&nbsp;&nbsp;&nbsp;&nbsp;wait for our chance like a snake.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want, you can pray while you shit.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's about all we can do now.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Phew. Big catch, big catch.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found everything from the Iron Crosses<br>&nbsp;&nbsp;&nbsp;&nbsp;to stuff maniacs will drool over,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a treasure mountain worthy<br>&nbsp;&nbsp;&nbsp;&nbsp;of a grave robber's dreams.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking a lot and...<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's leave that here.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey now, give me a break.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thou shalt not steal"?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you become a priest?<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not my point.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those medals are proof<br>&nbsp;&nbsp;&nbsp;&nbsp;of what these people did.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have the right<br>&nbsp;&nbsp;&nbsp;&nbsp;to strip them of those.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anyone has the right to those medals,<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's these people. Isn't that right?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was right next to his body.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The captain had this on<br>&nbsp;&nbsp;&nbsp;&nbsp;him right until the end.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The captain left his family to come here.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To us, the medals are nothing but antiques.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to the people who were left<br>&nbsp;&nbsp;&nbsp;&nbsp;behind, they're priceless memories.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's how you think.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Given this location and all.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a story that's perfect<br>&nbsp;&nbsp;&nbsp;&nbsp;for this atmosphere.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you a little secret, Rock.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me ask you this.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This and this. What would you call these?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A medal and a human skull.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong, Rock.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are things.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you strip away their<br>&nbsp;&nbsp;&nbsp;&nbsp;meanings, that's all they are.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the word "things."<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you were to once again<br>&nbsp;&nbsp;&nbsp;&nbsp;give these things meaning,<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;their value wouldn't be determined<br>&nbsp;&nbsp;&nbsp;&nbsp;by some rosy, so-called memory.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be determined by the<br>&nbsp;&nbsp;&nbsp;&nbsp;one thing everybody agrees on.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Money.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all these are worth.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest is nothing but fancy<br>&nbsp;&nbsp;&nbsp;&nbsp;words to add appreciation.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is money... God?<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's power. Something a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;more useful than God.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. Besides this, what<br>&nbsp;&nbsp;&nbsp;&nbsp;do you put value on?<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God? Love? Don't make me laugh.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back when I was a brat and<br>&nbsp;&nbsp;&nbsp;&nbsp;crawling the streets of that dump,<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for whatever reason, God and<br>&nbsp;&nbsp;&nbsp;&nbsp;love were always out of stock.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I knew better, I clung<br>&nbsp;&nbsp;&nbsp;&nbsp;to and cried out to God.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I believed in God,<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right up to the day cops beat the hell<br>&nbsp;&nbsp;&nbsp;&nbsp;outta me for something I didn't do.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was just because I lived<br>&nbsp;&nbsp;&nbsp;&nbsp;in a poor neighborhood.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With no power and no God,<br>&nbsp;&nbsp;&nbsp;&nbsp;what can a Chinese bitch rely on?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's money. And guns.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With those two things,<br>&nbsp;&nbsp;&nbsp;&nbsp;the world's a great place.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather not have heard that. Sorry.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I wanted pity, I would've<br>&nbsp;&nbsp;&nbsp;&nbsp;added more color to the story.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The moral of the story is that<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're living on life's edge,<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's all that matters.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not everybody can get off<br>&nbsp;&nbsp;&nbsp;&nbsp;on being normal, Rock.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And one more thing.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are wealthy fat bastards<br>&nbsp;&nbsp;&nbsp;&nbsp;living by palm trees<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bitches who think putting on<br>&nbsp;&nbsp;&nbsp;&nbsp;makeup is life's greatest work.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you speaking your mind from<br>&nbsp;&nbsp;&nbsp;&nbsp;the same viewpoint as those hypocrites.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing worse than being<br>&nbsp;&nbsp;&nbsp;&nbsp;treated like a whore by your companions.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the next time you try telling me what's<br>&nbsp;&nbsp;&nbsp;&nbsp;proper, you'll no longer be one of us.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that happens... I'm gonna kill you.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I got it.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. What was that?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy!<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go somewhere where bullets won't<br>&nbsp;&nbsp;&nbsp;&nbsp;find you, and keep quiet, Rock.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only ones that knock on a door in a<br>&nbsp;&nbsp;&nbsp;&nbsp;place like this are ghosts or villains.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since ghosts don't exist in this world,<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would mean we've got troublemakers.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We left our gear on the other side.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one passageway.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no escape.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are more.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, you have a lot to learn.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you need to listen for<br>&nbsp;&nbsp;&nbsp;&nbsp;are the guns on their belts.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, that's obvious. Kill them all!<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, get our air!<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grave robbers. There are two of them.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;John! Around to the other side!<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Get down!<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. The painting.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Brunhilda. We got it!<br>&nbsp;&nbsp;&nbsp;&nbsp;Cover me. I'm off.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They got the painting.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not getting away that easily!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disconnect the pod!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Richert and the others<br>&nbsp;&nbsp;&nbsp;&nbsp;are still down there!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget them. They're already dead.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run, Rock! We need to get to our gear!<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The beacons are on.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are they?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Directly above the submarine.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they doing?<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are they going?<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their position isn't changing.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going straight up.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Towards the Nazi mother ship.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it, Captain. We have the painting.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did well!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we have enemies.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't be planning to do it.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy and Rock don't know who they're<br>&nbsp;&nbsp;&nbsp;&nbsp;up against. She's probably gonna do it.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. These guys shoot<br>&nbsp;&nbsp;&nbsp;&nbsp;anti-tank missiles without warning.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy's equipment isn't gonna be enough.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she surfaces without a clue,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's gonna be over.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. It's too soon.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Dutch.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to show some bravado,<br>&nbsp;&nbsp;&nbsp;&nbsp;charge in, and all go to hell together?<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may paint a great picture, but it<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be much of an ending, boy.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just pray that Revy hasn't snapped yet.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grave robbers are coming up.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grave robbers are coming up!<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get ready to fire the machine gun!<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire!<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They started.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it all right?<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they're still shooting,<br>&nbsp;&nbsp;&nbsp;&nbsp;it means they're alive.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've stopped shooting.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks that way.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got them! They've sunk!<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiots.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was your misfortune to touch our<br>&nbsp;&nbsp;&nbsp;&nbsp;glorious inheritance with your dirty hands.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can regret it at the<br>&nbsp;&nbsp;&nbsp;&nbsp;bottom of the dark sea.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Retrieve the pod. We're leaving this area.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The beacons are still active. They're<br>&nbsp;&nbsp;&nbsp;&nbsp;drifting southeast, away from the ship.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell whether they're dead or alive.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me, Dutch?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Their mother ship is moving.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we go and pick up some bones?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a harsh remark, boy.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My nerves aren't as tough as yours.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, look. There's our boat.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, they got away with the goods.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell are they?<br>&nbsp;&nbsp;&nbsp;&nbsp;Those bald bastards.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're Nazis. Leftovers<br>&nbsp;&nbsp;&nbsp;&nbsp;from the dark ages.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know which country<br>&nbsp;&nbsp;&nbsp;&nbsp;they came from, though.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, this isn't funny.<br>&nbsp;&nbsp;&nbsp;&nbsp;The skinheads got one over us?<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not over yet, Revy.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The job we took on isn't finished.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do it, Dutch! Let's turn the<br>&nbsp;&nbsp;&nbsp;&nbsp;Nazi Party into a bloody party.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agreed.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Putting politics aside, it's not good for<br>&nbsp;&nbsp;&nbsp;&nbsp;business to let them have it their way.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiots playing heroes need some<br>&nbsp;&nbsp;&nbsp;&nbsp;bitter medicine. Let's give it to them.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Dutch, it's just not possible.<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't partner with him.<br>

# 6 - Moonlit Hunting Grounds

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it? It looks<br>&nbsp;&nbsp;&nbsp;&nbsp;smaller than I imagined.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has the proper air to it for<br>&nbsp;&nbsp;&nbsp;&nbsp;an inheritance of the Empire.<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And such a fantastic array of color.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's simply splendid.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commander?<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, although it may be<br>&nbsp;&nbsp;&nbsp;&nbsp;a valuable inheritance,<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that so many of our resources<br>&nbsp;&nbsp;&nbsp;&nbsp;are being used for its retrieval...<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was Lord Alfred's passion and<br>&nbsp;&nbsp;&nbsp;&nbsp;iron will to make this painting<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ideological basis for an unstoppable<br>&nbsp;&nbsp;&nbsp;&nbsp;National Socialist movement.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to understand that.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Upon our success, he has promised<br>&nbsp;&nbsp;&nbsp;&nbsp;our party financial assistance<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as an introduction<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Anti-communist Union.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although our party's numbers<br>&nbsp;&nbsp;&nbsp;&nbsp;are small in America,<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this will be the opportunity we've<br>&nbsp;&nbsp;&nbsp;&nbsp;needed to make a breakthrough.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with that painting?<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped that their peculiar<br>&nbsp;&nbsp;&nbsp;&nbsp;political principle is different from ours,<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but coming with that much<br>&nbsp;&nbsp;&nbsp;&nbsp;weaponry and equipment<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not something some poor<br>&nbsp;&nbsp;&nbsp;&nbsp;Caucasians can pull off.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their investment is obscenely out<br>&nbsp;&nbsp;&nbsp;&nbsp;of proportion to their objectives.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... wait a minute.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about too much money for the job,<br>&nbsp;&nbsp;&nbsp;&nbsp;the money we've been offered. Hmm... I see.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pretty sharp, Rock. It reminds me.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've also been hired with a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of money to get that painting.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It suggests great value. But it doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;match the artist's lack of fame.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hopefully, that mystery<br>&nbsp;&nbsp;&nbsp;&nbsp;will be solved tonight.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a bad feeling about this.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. Go fetch Revy<br>&nbsp;&nbsp;&nbsp;&nbsp;some dinner too, will you?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell her they don't deliver pizza out here.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she'll have to give in and<br>&nbsp;&nbsp;&nbsp;&nbsp;eat something from a can.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's dinner. Dutch says<br>&nbsp;&nbsp;&nbsp;&nbsp;to have something to eat.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave it here.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... If this is about what<br>&nbsp;&nbsp;&nbsp;&nbsp;happened in the U-boat...<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. We're done talking about that.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no reason to<br>&nbsp;&nbsp;&nbsp;&nbsp;go over it again. Right?<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a good night.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The moon is about to sink and the<br>&nbsp;&nbsp;&nbsp;&nbsp;only light will be from the stars.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as that happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll raid their ship.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been keeping an eye on their ship<br>&nbsp;&nbsp;&nbsp;&nbsp;at the outer range of our radar.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good. Revy and I will raid the ship.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that they have what they wanted,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're probably sitting back, relaxing.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiots can keep casually<br>&nbsp;&nbsp;&nbsp;&nbsp;toasting each other.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna come banging on our<br>&nbsp;&nbsp;&nbsp;&nbsp;tom-toms and raid you like Navajos.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wagner won't even compare to that.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but I'm gonna need you<br>&nbsp;&nbsp;&nbsp;&nbsp;to take on one more job, partner.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now's your chance to go wild,<br>&nbsp;&nbsp;&nbsp;&nbsp;discharging those lead bullets.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You distract, I search. Make some noise.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I have no complaints if I can kill<br>&nbsp;&nbsp;&nbsp;&nbsp;who I can kill and steal what I can steal.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going, Rock.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem glum, Revy.<br>&nbsp;&nbsp;&nbsp;&nbsp;Something happen with Rock?<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing happened.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh no! Someone!<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first little piggy came to its end.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oink, oink, oink.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's started.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make my way to the<br>&nbsp;&nbsp;&nbsp;&nbsp;upper deck from the bow.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Liven up the place with a big ruckus. Okay?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm gonna eat until I get my fill.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did that gunshot come from?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can go on a wild spree if they want,<br>&nbsp;&nbsp;&nbsp;&nbsp;but tell them to stop shooting.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Sir.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, boy.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commander! The enemy!<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy's made their way on board!<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're still going at it.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At times like these, what kinda<br>&nbsp;&nbsp;&nbsp;&nbsp;face do we put on while we wait?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we sit here looking bored,<br>&nbsp;&nbsp;&nbsp;&nbsp;smoking, and drinking beer?<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you two were being shot at<br>&nbsp;&nbsp;&nbsp;&nbsp;earlier today, Dutch looked very calm.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I envied him.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we're not the type<br>&nbsp;&nbsp;&nbsp;&nbsp;who can sink bullets into people.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why we hold down the fort.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All squad leaders gather your men<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of the dining room!<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assemble there and...<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bastard. Take aim!<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, boy. They're only<br>&nbsp;&nbsp;&nbsp;&nbsp;dressed like real soldiers.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, is this where the boss is?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You won't find the commander here!<br>&nbsp;&nbsp;&nbsp;&nbsp;He's on the upper level!<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's very kind of you.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, can you hear me?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy? Revy? Where are you?<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, that bitch!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. Please wait. The crew here<br>&nbsp;&nbsp;&nbsp;&nbsp;are hired outsiders. S-So please...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? So what?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether or not you're unaffiliated or<br>&nbsp;&nbsp;&nbsp;&nbsp;nonresistant has nothing to do with it.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're all insured,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no problem, right?<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oink, oink, oink.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. What the hell are you thinking?<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blitz! Punish the lawless<br>&nbsp;&nbsp;&nbsp;&nbsp;hoodlums with a decisive shot!<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I was just going about my job, Dicky.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Creating a bloodbath is what we always do.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Gunman" is an occupation.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who shoots based on their<br>&nbsp;&nbsp;&nbsp;&nbsp;mood is just a reckless shooter.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't remember hiring Charles Whitman.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going wild and letting loose<br>&nbsp;&nbsp;&nbsp;&nbsp;is your decision.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you screw up, I die, too.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta be cool as a cucumber, Revy.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't handle that, climb a<br>&nbsp;&nbsp;&nbsp;&nbsp;church and shoot all you want.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're gonna lecture me, too?<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make me laugh, Dutch.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you expect, Two Hands?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm your employer!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were gonna kill me.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought the same, partner.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No trust here.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't even take a joke.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's next, big boss?<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The commander. We'll find him.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Excellency. The enemy is<br>&nbsp;&nbsp;&nbsp;&nbsp;likely those grave robbers.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our comrades are boldly<br>&nbsp;&nbsp;&nbsp;&nbsp;countering and dealing with them.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be sure to get them!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, please do not worry, Your Excellency.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rachmann. Not once has a<br>&nbsp;&nbsp;&nbsp;&nbsp;military unit been victorious<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when entering a battle with<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing but desired observations.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Please do not worry"<br>&nbsp;&nbsp;&nbsp;&nbsp;shows a lack of sincerity.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you not think so?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me what you base your<br>&nbsp;&nbsp;&nbsp;&nbsp;confidence in your victory on.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, you should refrain<br>&nbsp;&nbsp;&nbsp;&nbsp;from such casual consolations.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terribly sorry!<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I sound like I wanted an apology?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frankly, I'm surprised.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I place greater importance<br>&nbsp;&nbsp;&nbsp;&nbsp;on your apology than the painting?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want the painting, and you are in<br>&nbsp;&nbsp;&nbsp;&nbsp;need of connections into our world.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is clear and simple.<br>&nbsp;&nbsp;&nbsp;&nbsp;You better understand that.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Have you cooled down a bit?<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get Whitman fever<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever we get a newcomer.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It happened when we took in Benny.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our style's not to dig too deep<br>&nbsp;&nbsp;&nbsp;&nbsp;into each other's past, right?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll finish this job. Perfectly.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course you will. Or we wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to support our way of life.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check this area.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll finish talking later.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're still alive, little girl.<br>&nbsp;&nbsp;&nbsp;&nbsp;I compliment your audaciousness.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Blitz Stanford.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the acting captain of the<br>&nbsp;&nbsp;&nbsp;&nbsp;glorious White Aryan Socialist Union.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a fated confrontation.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the sake of those<br>&nbsp;&nbsp;&nbsp;&nbsp;who died for the Union,<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you shall atone with your blood!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Behold!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This gun I proudly wield! I call it<br>&nbsp;&nbsp;&nbsp;&nbsp;the Eiserne Reich Luger Special!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The base is the Luger artillery long barrel<br>&nbsp;&nbsp;&nbsp;&nbsp;and the frame is hardened carbon!<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With a thick grip and a<br>&nbsp;&nbsp;&nbsp;&nbsp;double reinforced chamber!<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A 454 Casull is used, making it way too<br>&nbsp;&nbsp;&nbsp;&nbsp;destructive to just be referred to<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as specialized in man-stopping!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the only one on Earth<br>&nbsp;&nbsp;&nbsp;&nbsp;who can wield this terrible gun!<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you afraid? There's no<br>&nbsp;&nbsp;&nbsp;&nbsp;way you're not afraid!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you the power of this gun...<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not even listening. How long are<br>&nbsp;&nbsp;&nbsp;&nbsp;you gonna talk? Are you a televangelist?<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You coward!<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach you something worthwhile.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All these things need to do<br>&nbsp;&nbsp;&nbsp;&nbsp;is fire and hit their target.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, that's a useful lesson.<br>&nbsp;&nbsp;&nbsp;&nbsp;Say "hi" to the Führer for me.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the sound of the finale.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that you've lost. I've heard<br>&nbsp;&nbsp;&nbsp;&nbsp;that tune many times in my past.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a distant memory to me now.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Nazi. I've come to get you.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you on the phone?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, given what we've been through,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think I'll apologize for being rude.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mind me. I'll wait until<br>&nbsp;&nbsp;&nbsp;&nbsp;you're done with the phone.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He certainly is a brave man.<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to talk to him. Put him on.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's for you.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You the boss? Your subordinates<br>&nbsp;&nbsp;&nbsp;&nbsp;were a real waste.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. Forgive me for<br>&nbsp;&nbsp;&nbsp;&nbsp;the shameful display.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got two questions for you.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? About what the painting really is?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then start with that.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's another candidate for who<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;painted this piece, other than<br>&nbsp;&nbsp;&nbsp;&nbsp;the commonly believed artist.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I commend you on your research.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A former Bohemian artist...<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adolf Hitler himself.<br>&nbsp;&nbsp;&nbsp;&nbsp;Or that's how rumor has it.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Führer's?!<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't rush to conclusions, old man.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Führer as an artist could, at best,<br>&nbsp;&nbsp;&nbsp;&nbsp;only do mediocre scenic pieces.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It reminds me that the SS officer also<br>&nbsp;&nbsp;&nbsp;&nbsp;believed in that false information<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when he left for Batavia.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what you want isn't the painting,<br>&nbsp;&nbsp;&nbsp;&nbsp;but something else inside it.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is just a guess,<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you know the phone number<br>&nbsp;&nbsp;&nbsp;&nbsp;to our office, don't you?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The antique trade company from Madrid<br>&nbsp;&nbsp;&nbsp;&nbsp;that asked for this salvage job.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, that was me.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was also the one who wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;you and Rachmann to collide.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a most amusing method,<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which also acted as their rite of<br>&nbsp;&nbsp;&nbsp;&nbsp;passage and insurance for me.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is a fleeting and dear memory.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The day Heydrich decided<br>&nbsp;&nbsp;&nbsp;&nbsp;on the "Final Solution,"<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we made a vow at the Wannsee lakeside<br>&nbsp;&nbsp;&nbsp;&nbsp;to become realistic guardians,<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than idealists believing in victory.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We gathered all of our<br>&nbsp;&nbsp;&nbsp;&nbsp;capital and created a file<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with all of our signatures<br>&nbsp;&nbsp;&nbsp;&nbsp;and account numbers.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When signs of the end approached,<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we placed our files into four<br>&nbsp;&nbsp;&nbsp;&nbsp;paintings and escaped Berlin.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That painting there is the last piece.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have quite the insight, Mr. Jungle Bunny.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch what you say, white man.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might get upset and return it to the ocean.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine. I simply wanted to get it<br>&nbsp;&nbsp;&nbsp;&nbsp;back because it was discovered.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are a financial<br>&nbsp;&nbsp;&nbsp;&nbsp;success at this time.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what about the trust you might lose?<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like it, but you're right.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're very wise. It's a shame you are black.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. Now, please continue<br>&nbsp;&nbsp;&nbsp;&nbsp;with your conversation.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. There's no need for that.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has already fulfilled his role.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alfred! You bastard!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First you set me up in this fixed race,<br>&nbsp;&nbsp;&nbsp;&nbsp;and now you betray me?!<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch your mouth, youngster.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and the black man<br>&nbsp;&nbsp;&nbsp;&nbsp;were given equal terms.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have known better than<br>&nbsp;&nbsp;&nbsp;&nbsp;to try and enter our society<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with that level of ability.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, black man. That was a splendid job.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you were an Aryan, I would<br>&nbsp;&nbsp;&nbsp;&nbsp;send you an Iron Cross.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want one. All I want<br>&nbsp;&nbsp;&nbsp;&nbsp;is the money, you Gestapo.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honesty is wonderful.<br>&nbsp;&nbsp;&nbsp;&nbsp;Hypocrisy rots this world.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope that all people like you will<br>&nbsp;&nbsp;&nbsp;&nbsp;be wiped off the face of this planet.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you kindly.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I hope that you'll go to hell.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. You're not done cleaning up?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that man the commander?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna make a bet, Dutch?<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, the usual.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not much of a bet, Revy.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do it anyway. Here you go,<br>&nbsp;&nbsp;&nbsp;&nbsp;old man. Use it as you wish.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I say black.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you. I say black, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not much of a bet.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? Told you. Not much of a bet.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I thought he<br>&nbsp;&nbsp;&nbsp;&nbsp;might just surprise us.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all the same. Rotten by nature.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn right. Let's finish this job.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure got the shivers today.<br>&nbsp;&nbsp;&nbsp;&nbsp;Too much trouble.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. I won't cause any more trouble.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I know what you're hung up on.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has more to do with<br>&nbsp;&nbsp;&nbsp;&nbsp;what's deep down inside you.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you won't feel<br>&nbsp;&nbsp;&nbsp;&nbsp;any better no matter what you do.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock's a guy that's on the other side.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's completely different<br>&nbsp;&nbsp;&nbsp;&nbsp;from people on our side.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just can't stand that feeling.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that I don't like him.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Dutch, it's just not possible.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't partner with him.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Shut up, damn it!<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm serious! I'm gonna kill you!<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, then do it.<br>

# 7 - Calm Down, Two Men

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard this one?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's this joke I heard.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many Polacks does it<br>&nbsp;&nbsp;&nbsp;&nbsp;take to change a light bulb?<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One to hold the light bulb,<br>&nbsp;&nbsp;&nbsp;&nbsp;ninety-nine to turn the house.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Let's see...<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about this, The Pope<br>&nbsp;&nbsp;&nbsp;&nbsp;says to a homeless guy...<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Stay outta my sight,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're an eyesore." You idiot.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up and drive, you moron.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tired, I'm tired, I'm tired!<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why am I stuck playing<br>&nbsp;&nbsp;&nbsp;&nbsp;errand boy with you?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn Dutch! I hope he dies!<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Me?<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to work on the boat.<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny's working on the mechanics.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Revy's just lying around<br>&nbsp;&nbsp;&nbsp;&nbsp;in her room. Take her with you.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take Revy?<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a problem with that?<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's not gonna want to.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an issue you two need to deal with.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has nothing to do with me, or the job.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start with the closer places.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, head to Rowan "Jackpot"<br>&nbsp;&nbsp;&nbsp;&nbsp;Pigeon's place on Rachiada Street.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome, Rebecca. I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;you gave up on me.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you've finally decided to work here<br>&nbsp;&nbsp;&nbsp;&nbsp;as a dancer for the S&M show, right?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it, isn't it, baby?<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a break, Rowan.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only came here because<br>&nbsp;&nbsp;&nbsp;&nbsp;my job brought me here.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna be tied up<br>&nbsp;&nbsp;&nbsp;&nbsp;or tie anyone else up.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're as hard to get as always.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so fine, you'd fit either part.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a shame. So, what<br>&nbsp;&nbsp;&nbsp;&nbsp;brings you here today?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... About the goods from the firm...<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ordered booze for this place, right?<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are 1,500 bottles in warehouse<br>&nbsp;&nbsp;&nbsp;&nbsp;five of the harbor bureau.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, this really helps.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Tax sure has gone up<br>&nbsp;&nbsp;&nbsp;&nbsp;on these! I can't stand it.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, who's that<br>&nbsp;&nbsp;&nbsp;&nbsp;guy standing over there?<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, him. He's a newbie at our place.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's got nowhere else to go, so we<br>&nbsp;&nbsp;&nbsp;&nbsp;had no choice but to take care of him.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in for a rough ride, brother.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever need any help,<br>&nbsp;&nbsp;&nbsp;&nbsp;feel free to come to us.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later, Rowan. Don't forget<br>&nbsp;&nbsp;&nbsp;&nbsp;about the money.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the shipment's gonna be late?<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could've told me that by phone,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you came all the way here?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell that to Dutch.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine. I've gotta finish<br>&nbsp;&nbsp;&nbsp;&nbsp;fifteen of these today.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should've gotten a part-timer to do it.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is driving me crazy.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a meeting tonight, too.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some idiots are selling drugs without<br>&nbsp;&nbsp;&nbsp;&nbsp;permission. It's such a nuisance.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey Sis, is that in her ass?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's in her ass.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. If you hear anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about that, let me know.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll thank you properly if you do.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, if we hear anything.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll come again, Sis.<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck with the rest.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to die.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tired, I'm tired, I'm tired!<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why am I stuck playing<br>&nbsp;&nbsp;&nbsp;&nbsp;errand boy with you?!<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, one more and<br>&nbsp;&nbsp;&nbsp;&nbsp;we're done. Let's see.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Receive firearms on order from Sister<br>&nbsp;&nbsp;&nbsp;&nbsp;"PW" Deegan of the Ripoff Church.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you old bitch!<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Rebecca from the Lagoon Company!<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you hurry and open up,<br>&nbsp;&nbsp;&nbsp;&nbsp;old bitch?! Hello?!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello! Hello! Hello!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hello! Hello! I'll kill you! Hello!<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey!<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too damned loud.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just put those in the shed.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But these are cleaned items.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. It's what the sister said.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Two Hands, that's the chapel.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If trash like you walks through there,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be punished by the heavens.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here. Follow me.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It certainly is a surprise...<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Dutchy-boy would<br>&nbsp;&nbsp;&nbsp;&nbsp;send you on an errand.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not your problem. Do you have<br>&nbsp;&nbsp;&nbsp;&nbsp;the goods that we ordered, Sister?<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. New items from Eastern Europe,<br>&nbsp;&nbsp;&nbsp;&nbsp;arriving here by way of Cambodia.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Except for one item.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, we're still waiting for the<br>&nbsp;&nbsp;&nbsp;&nbsp;Arwin 37 revolving grenade launcher.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't kid around, Sister.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ordered everything through you<br>&nbsp;&nbsp;&nbsp;&nbsp;because we need them for the next job.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, we do have the item.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just that another customer<br>&nbsp;&nbsp;&nbsp;&nbsp;is saying they need it immediately.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, as Lagoon is a<br>&nbsp;&nbsp;&nbsp;&nbsp;very good customer of ours,<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't mind handing it over to you.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, it will either have to be a better<br>&nbsp;&nbsp;&nbsp;&nbsp;deal or a discount on your services.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't trifle with us, Sister.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you just play this by the book,<br>&nbsp;&nbsp;&nbsp;&nbsp;then everyone will be happy.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't wanna count your<br>&nbsp;&nbsp;&nbsp;&nbsp;money with your feet, would you?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't make idle threats, Miss.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you insist, why don't you<br>&nbsp;&nbsp;&nbsp;&nbsp;bring Dutchy-boy around?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all I have to say.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing else beyond that.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move it, Eda, you second-rate gunman.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want me to teach you how to<br>&nbsp;&nbsp;&nbsp;&nbsp;smoke through your forehead?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is very good tea, Sister.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister... Um...<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Yolanda, young man.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a long time since I've had<br>&nbsp;&nbsp;&nbsp;&nbsp;tea that wasn't from a teabag.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this W&M? Or perhaps<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortnum and Mason?<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my. You're very<br>&nbsp;&nbsp;&nbsp;&nbsp;knowledgeable, young man.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's W&M. I just love tea.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It's a flavor that a company<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with dedication and history<br>&nbsp;&nbsp;&nbsp;&nbsp;will deliver without fail.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. Shut up!<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true with any company, even if<br>&nbsp;&nbsp;&nbsp;&nbsp;the products differ, am I right?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see it. What are you<br>&nbsp;&nbsp;&nbsp;&nbsp;getting at, young man?<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mean it's also<br>&nbsp;&nbsp;&nbsp;&nbsp;true for illegal firearms?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't have much of a<br>&nbsp;&nbsp;&nbsp;&nbsp;negotiation if you get too hasty.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I mean drugs? That's<br>&nbsp;&nbsp;&nbsp;&nbsp;what I'm talking about, Sister.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know drugs are being distributed<br>&nbsp;&nbsp;&nbsp;&nbsp;outside the agreed routes lately, Sister?<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Moscow and other mafia in the city<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have put a lot of effort<br>&nbsp;&nbsp;&nbsp;&nbsp;into finding the culprits.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've looked everywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;they could think of.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet, the culprits still haven't been found.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because there's a blind spot in a<br>&nbsp;&nbsp;&nbsp;&nbsp;place where they shouldn't have to look.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, those who can easily<br>&nbsp;&nbsp;&nbsp;&nbsp;cross borders for religious activities.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These legitimate NGO members,<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who don't know they're being used<br>&nbsp;&nbsp;&nbsp;&nbsp;as couriers, are being overlooked.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Eda. Why did you put the<br>&nbsp;&nbsp;&nbsp;&nbsp;big bags of sheets into the shed?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't cleaned items normally<br>&nbsp;&nbsp;&nbsp;&nbsp;taken to the living quarters?<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young man. You can't make<br>&nbsp;&nbsp;&nbsp;&nbsp;statements based on conjecture.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You make it sound like the<br>&nbsp;&nbsp;&nbsp;&nbsp;stuff's coming out of this place.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a hypothesis.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, the number of weapons<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving and entering this place<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't match up.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's easy to figure out<br>&nbsp;&nbsp;&nbsp;&nbsp;with a little research.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is dangerously easy to see.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more thing.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Lagoon Company is on<br>&nbsp;&nbsp;&nbsp;&nbsp;friendly terms with Hotel Moscow,<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we do not necessarily work together.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Improve your timing on when to say what...<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'll really take shape.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a bit rough, but he passes.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Add the launcher to the list.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutchy-boy has a good eye.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost time for mass. I apologize,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you'll have to be on your way.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young man. Come visit us again.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. You got lucky.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get the hell outta here.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss!<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could learn from that young man.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't do good business by<br>&nbsp;&nbsp;&nbsp;&nbsp;just waving your gun around.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, bitch!<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw man. We should've timed<br>&nbsp;&nbsp;&nbsp;&nbsp;this a little better. It's crowded.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's eat before it gets cold.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna eat.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eat.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll feel better if you do.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gimme the keys. I'll go back alone.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then I can't get back.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you walk?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not gonna happen.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ought to go back home to Japan.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not cut out for this.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who invited me.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a big mistake.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder. Who kept the church<br>&nbsp;&nbsp;&nbsp;&nbsp;from becoming a bloodbath?<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like that old lady said.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't solve everything with a gun.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better watch what you say.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been this way<br>&nbsp;&nbsp;&nbsp;&nbsp;ever since the submarine.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it about that conversation?<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you never to talk about that again.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not gonna apologize anymore.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I misheard you. I thought I<br>&nbsp;&nbsp;&nbsp;&nbsp;just heard you fucking with me.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'll say it again!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not wrong, and I've got<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing to apologize about!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'm saying!<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a shame.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just stepped on a non-negotiable,<br>&nbsp;&nbsp;&nbsp;&nbsp;non-defusing, big ass landmine.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a real shame.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask you one last thing.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I write on your tombstone?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Write, "There's no medicine<br>&nbsp;&nbsp;&nbsp;&nbsp;for violent idiots."<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye, Rock.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See ya.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? There are some things<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't solve with a gun!<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Bastard!<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't call me "Bastard"! My name is Rock!<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got that?! Damn it!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had more than enough of this!<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't take any more!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I was done<br>&nbsp;&nbsp;&nbsp;&nbsp;kissing my superiors' asses.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I'm at the end of the Earth<br>&nbsp;&nbsp;&nbsp;&nbsp;kissing some woman's ass?<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kinda sick joke is this?!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You impudent son of a bitch! You're--<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name's Rock!<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impudent?! Get real, you damn fool!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you? You're an<br>&nbsp;&nbsp;&nbsp;&nbsp;outlaw, a wild pirate!<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as soon as you open your mouth,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's "money, money, money"?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think you're a villain after a big prize,<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you end up scavenging off of corpses!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a limit to how greedy you can be!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have any pride<br>&nbsp;&nbsp;&nbsp;&nbsp;in that head of yours?!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't try and gloss this<br>&nbsp;&nbsp;&nbsp;&nbsp;over, you white collar!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know about me?!<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell do you know?!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me! A guy like you<br>&nbsp;&nbsp;&nbsp;&nbsp;with a sheltered life<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can't understand what I've been through!<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. There's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;I could know. I'm not you.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But let me ask you.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know about me?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how you live,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll encounter suffering.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no intention<br>&nbsp;&nbsp;&nbsp;&nbsp;of understanding that.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when you can't answer, you<br>&nbsp;&nbsp;&nbsp;&nbsp;conveniently become the tragic heroine.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the most cowardly thing about you!<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! You're the one<br>&nbsp;&nbsp;&nbsp;&nbsp;looking at this conveniently!<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God damn it. This isn't like those cheap<br>&nbsp;&nbsp;&nbsp;&nbsp;Hollywood picaresque films you admire!<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this about pride?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw that! Look around! It's a<br>&nbsp;&nbsp;&nbsp;&nbsp;pile of shit in every direction!<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Robin Hood doesn't exist<br>&nbsp;&nbsp;&nbsp;&nbsp;anywhere, dumb-ass!<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's no Robin Hood,<br>&nbsp;&nbsp;&nbsp;&nbsp;then become Robin Hood!<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a much better way of life<br>&nbsp;&nbsp;&nbsp;&nbsp;than crying and bitching!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Shut up, damn it!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm serious! I'm gonna kill you!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, then do it. Keep running<br>&nbsp;&nbsp;&nbsp;&nbsp;around in circles like a dog.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you kill me here, it'll just prove that.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all I know how to do!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you forget, Revy?<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason I'm here. My bosses<br>&nbsp;&nbsp;&nbsp;&nbsp;calmly cut my life away.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To protect their dirty money...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and their place to eat.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you invited me, it was like<br>&nbsp;&nbsp;&nbsp;&nbsp;something blew through me.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I was freed.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life was the rush hour<br>&nbsp;&nbsp;&nbsp;&nbsp;commute, the fake laughing,<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;lowering my head and risking<br>&nbsp;&nbsp;&nbsp;&nbsp;my life to maintain a good score.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was fine as long as I had a place<br>&nbsp;&nbsp;&nbsp;&nbsp;to drink and a batting cage to go to.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, none of that mattered anymore!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who taught me that,<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who invited me...<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was you, Revy.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason I'm concerned<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that the woman who taught me this<br>&nbsp;&nbsp;&nbsp;&nbsp;is acting like those who betrayed me.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't stand that!<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you mean, damn it.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell with it. You're a real pain in the ass.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't live long, idiot.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we're both suffering idiots!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a bigger idiot than I am.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Super idiot.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pissing me off!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good! Let me take a look<br>&nbsp;&nbsp;&nbsp;&nbsp;at how you dance around!<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You two!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell do you want?<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gimme a break.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear someone's making a ruckus in the<br>&nbsp;&nbsp;&nbsp;&nbsp;market and it turns out to be you again.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. This isn't some<br>&nbsp;&nbsp;&nbsp;&nbsp;prize in a bag of snacks.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shooting off like that without<br>&nbsp;&nbsp;&nbsp;&nbsp;concern for who's watching.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put yourself in the shoes of those who<br>&nbsp;&nbsp;&nbsp;&nbsp;have to put the fire out after you.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's why you collect<br>&nbsp;&nbsp;&nbsp;&nbsp;those fat envelopes, right?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your job, Chief Watsap.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not saying don't do it, just do it<br>&nbsp;&nbsp;&nbsp;&nbsp;where no one is gonna see you.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you do that,<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't care if you go and kill,<br>&nbsp;&nbsp;&nbsp;&nbsp;or play hide-the-apple, for that matter.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as there's no trouble,<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have to cancel my golfing plans.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, I'm bringing you in.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got paperwork<br>&nbsp;&nbsp;&nbsp;&nbsp;to take care of on our side.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn engine is giving me trouble.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a cold one.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey Chief, don't steal our car.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who would want that piece of junk?<br>&nbsp;&nbsp;&nbsp;&nbsp;Pick it up on your way home.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Rock.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just one thing. Let me ask this<br>&nbsp;&nbsp;&nbsp;&nbsp;and there will be no more trouble.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which side do you wanna be on?<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me?<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am where I'm standing. Nowhere else.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. Give me a light.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Light? The cop's got the lighter.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got one in your mouth.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a terrible day.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No kidding.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so tired. I wanna go home and sleep.<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna be sold off somewhere, aren't I?<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world will keep turning,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if there's no justice.<br>

# 8 - Rasta Blasta

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once a businessman in Tokyo, I now work for<br>&nbsp;&nbsp;&nbsp;&nbsp;a shipping company in the South China Sea.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With that one, we're done transferring<br>&nbsp;&nbsp;&nbsp;&nbsp;the crates. Would you please sign this?<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, could somebody please sign this?<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing special about it.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just a mediocre shipping company.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At times, we even brush up against<br>&nbsp;&nbsp;&nbsp;&nbsp;the law to put food on the table.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So everything's okay, Rock?<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All okay, and I even got them to sign.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should also have cargo from them<br>&nbsp;&nbsp;&nbsp;&nbsp;for us to take back. Did you get it?<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About that...<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well yeah, I did get it.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there a problem?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, ask them to use the crane again<br>&nbsp;&nbsp;&nbsp;&nbsp;and get down here with the shipment.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the troublemaker is being useful.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'd like to say that,<br>&nbsp;&nbsp;&nbsp;&nbsp;but nothing's changed.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just that his white collar<br>&nbsp;&nbsp;&nbsp;&nbsp;look was perfect for this job.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, so far.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he worried about the<br>&nbsp;&nbsp;&nbsp;&nbsp;cargo we're taking back?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks that way.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's helpless. It's just some cheap<br>&nbsp;&nbsp;&nbsp;&nbsp;job from the Manisarera Cartel.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I counted the crates we delivered<br>&nbsp;&nbsp;&nbsp;&nbsp;like you wanted me to<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I brought the shipment<br>&nbsp;&nbsp;&nbsp;&nbsp;we're taking back, too.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But are you sure he's it?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we arrive at Hat Yai, we hand<br>&nbsp;&nbsp;&nbsp;&nbsp;him over to a buyer carrier<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;designated by the Colombian Mafioso.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, put him in a cabin for now.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, come here.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you fight back.<br>&nbsp;&nbsp;&nbsp;&nbsp;This way. Hey.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Get in this hole.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He looked like he was gonna puke.<br>&nbsp;&nbsp;&nbsp;&nbsp;He's still not a pro.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're a shipping company.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We take shipments to their<br>&nbsp;&nbsp;&nbsp;&nbsp;designated destinations.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where our responsibilities end.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand?<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't get too attached to the boy.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good boy.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to see what you had for breakfast?!<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sorry, but would you trade<br>&nbsp;&nbsp;&nbsp;&nbsp;babysitting duties with Revy?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Get over here! You!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Her professionalism is a problem.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't deliver a shipment full of holes.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking advantage of my kindness!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy!<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What are you looking at?!<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That's enough!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't need something<br>&nbsp;&nbsp;&nbsp;&nbsp;as good as a cabin.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ought to chain him up and<br>&nbsp;&nbsp;&nbsp;&nbsp;throw him in storage. That brat.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in the middle of the sea.<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't escape.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't need chains.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you know, it'll only be for a little<br>&nbsp;&nbsp;&nbsp;&nbsp;while, but we'll be traveling together.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can at least stop throwing food at me.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That friendly talk will rot your mouth.<br>&nbsp;&nbsp;&nbsp;&nbsp;Saint Maria can see through it, villain.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm aware that my words<br>&nbsp;&nbsp;&nbsp;&nbsp;may not be appropriate,<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since I'm helping these guys out.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're different from the tattooed<br>&nbsp;&nbsp;&nbsp;&nbsp;woman or the big black man.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem like a normal person.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must seem like it. I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;just a villain in training.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people who put me on the<br>&nbsp;&nbsp;&nbsp;&nbsp;boat didn't tell me anything.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna be sold off somewhere, aren't I?<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you worried?<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be fine. I know my father will save me.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Father? But aren't you an orphan?<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who told you that? The cartel?<br>&nbsp;&nbsp;&nbsp;&nbsp;They're big liars.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father is a member of one of the great<br>&nbsp;&nbsp;&nbsp;&nbsp;thirteen families of South America.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's Diego Jose San Fernando Lovelace,<br>&nbsp;&nbsp;&nbsp;&nbsp;the eleventh head of the household.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Garcia Lovelace, his only son<br>&nbsp;&nbsp;&nbsp;&nbsp;and the next head of the family.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're looking for pity,<br>&nbsp;&nbsp;&nbsp;&nbsp;you won't find it here.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're gonna lie, you should<br>&nbsp;&nbsp;&nbsp;&nbsp;come up with a better one.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pity? Don't be stupid.<br>&nbsp;&nbsp;&nbsp;&nbsp;What could I gain from lying now?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a pretty unlikable kid.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you hear the<br>&nbsp;&nbsp;&nbsp;&nbsp;name Lovelace, anyway?<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the lowest noble house<br>&nbsp;&nbsp;&nbsp;&nbsp;of the thirteen families.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though that makes it a<br>&nbsp;&nbsp;&nbsp;&nbsp;little more believable.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, things haven't been going well<br>&nbsp;&nbsp;&nbsp;&nbsp;lately. But we've been getting by.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father is kind of old fashioned.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He never got involved in<br>&nbsp;&nbsp;&nbsp;&nbsp;unnecessary side businesses.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our business wasn't going well,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the plantations were stable.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until the mafia came, that is.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's who kidnapped you.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a gift for making up stories.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They came to buy our land by force.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A geological test showed that<br>&nbsp;&nbsp;&nbsp;&nbsp;lanthanides could be found there.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When my father refused,<br>&nbsp;&nbsp;&nbsp;&nbsp;they showed their true nature.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They began harassing our farms.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Father still wouldn't nod<br>&nbsp;&nbsp;&nbsp;&nbsp;his head. That's why I'm here.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lanthanides?<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's also called rare earth.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you know your periodic table?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... Where did you<br>&nbsp;&nbsp;&nbsp;&nbsp;learn a word like that?<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still don't believe me. That's fine then.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's not that easy.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can I do to make you believe me?<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else do you know about<br>&nbsp;&nbsp;&nbsp;&nbsp;rare earth... lanthanides?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lutetium, atomic number 71,<br>&nbsp;&nbsp;&nbsp;&nbsp;was found on our land.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's used as a fixing agent<br>&nbsp;&nbsp;&nbsp;&nbsp;for ceramics. How's that?<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No good, huh?<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then the next question.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Lovelace household has a dog.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About that dog. What do you know?<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's easy. That dog became a<br>&nbsp;&nbsp;&nbsp;&nbsp;member of our family six years ago.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is Lazlo, a Volpino<br>&nbsp;&nbsp;&nbsp;&nbsp;Italiano with a white coat.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Rock is taking too long.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's probably getting himself<br>&nbsp;&nbsp;&nbsp;&nbsp;emotionally worked up.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll probably give us a sad<br>&nbsp;&nbsp;&nbsp;&nbsp;story and ask us to let him go.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did I tell you?<br>&nbsp;&nbsp;&nbsp;&nbsp;With eyes just like that.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's odd. I don't like how this feels.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after we dock, I think we should<br>&nbsp;&nbsp;&nbsp;&nbsp;wait before handing him to the mafia.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cartel was lying.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they're lying, there must be trouble.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't have pity for our cargo.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll become depressed if you try to imagine<br>&nbsp;&nbsp;&nbsp;&nbsp;where people who are sold will end up.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as long as there's a profit for<br>&nbsp;&nbsp;&nbsp;&nbsp;our company, there's no problem.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand? There's no<br>&nbsp;&nbsp;&nbsp;&nbsp;problem from that point on.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world will keep turning,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if there is no justice.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be lying if I said I didn't pity him.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm also concerned that our client lied.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to be in the resource procurement<br>&nbsp;&nbsp;&nbsp;&nbsp;department of my company.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a lot about rare<br>&nbsp;&nbsp;&nbsp;&nbsp;earth and rare metals.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And he's correct in what he says<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Lovelace family.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember seeing reports from<br>&nbsp;&nbsp;&nbsp;&nbsp;our South American division.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Family structure and whatnot.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive. That's impressive, Rock.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a very brilliant businessman.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to get you some of Mama's<br>&nbsp;&nbsp;&nbsp;&nbsp;homemade cherry pie as a reward.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, it's up to Dutch.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go with what he says.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't get it. The<br>&nbsp;&nbsp;&nbsp;&nbsp;moment they had the kid,<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could've demanded a ransom<br>&nbsp;&nbsp;&nbsp;&nbsp;and accomplished their goal.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any reason for them to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep it a secret and sell him off?<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know why they'd keep it a secret.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But selling him off has a simple and<br>&nbsp;&nbsp;&nbsp;&nbsp;clear logic. They were pissed off.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing mafias<br>&nbsp;&nbsp;&nbsp;&nbsp;and cartels hate worse<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than having shit rubbed in their faces.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey Revy.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If their face is what's at stake,<br>&nbsp;&nbsp;&nbsp;&nbsp;then this is gonna be a hassle.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna put a little insurance on<br>&nbsp;&nbsp;&nbsp;&nbsp;our shipment before we deliver it.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask Balalaika to check<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the scenes.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my. It's rare to have<br>&nbsp;&nbsp;&nbsp;&nbsp;you asking a favor, Dutch.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need details about the relationship<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;between the Manisarera Cartel<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Lovelace family.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you prepare that for us?<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We actually just received a<br>&nbsp;&nbsp;&nbsp;&nbsp;job concerning Manisarera.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your timing's great, Dutch.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. I owe you one.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since we're still just<br>&nbsp;&nbsp;&nbsp;&nbsp;setting up insurance,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can I ask that you don't stir things up?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's impossible.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In our business, if things get stirred,<br>&nbsp;&nbsp;&nbsp;&nbsp;they get stirred up like a typhoon.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just do your best, do it cool.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. Shall I get back<br>&nbsp;&nbsp;&nbsp;&nbsp;to you at your office?<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. We'll be waiting at the<br>&nbsp;&nbsp;&nbsp;&nbsp;Yellow Flag, having a drink.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right then, Rock. There's one<br>&nbsp;&nbsp;&nbsp;&nbsp;more thing we need to check out.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the Lovelace father.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he really the type to use mercenaries to<br>&nbsp;&nbsp;&nbsp;&nbsp;rescue hostages, like the kid implied?<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't imagine so.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Financially speaking, they can<br>&nbsp;&nbsp;&nbsp;&nbsp;barely afford to keep one servant.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A servant? What kind?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An ordinary house maid.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think the maid's gonna rush in to save<br>&nbsp;&nbsp;&nbsp;&nbsp;the little prince? That would be fun.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am just a lonely soul who has come<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way from South America.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in search of a place where<br>&nbsp;&nbsp;&nbsp;&nbsp;I can find my fellow countrymen.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By fellow countrymen,<br>&nbsp;&nbsp;&nbsp;&nbsp;you mean from your country?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, of course.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This little lady's countrymen?<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, could she mean...<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are no other<br>&nbsp;&nbsp;&nbsp;&nbsp;"countrymen" of hers in this area.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We really can't tell you, ourselves.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then who may I ask that could tell me?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss. There is a place where<br>&nbsp;&nbsp;&nbsp;&nbsp;you might be able to find out.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that place is like a den of gangsters.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do not worry. So long as I can<br>&nbsp;&nbsp;&nbsp;&nbsp;find out about my countrymen there.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really wouldn't recommend<br>&nbsp;&nbsp;&nbsp;&nbsp;that place, Miss.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do not worry.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here. We're on land.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you get moving?!<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not the disposition of an adult.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used to be a brat too, remember.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then pay me for my work as a<br>&nbsp;&nbsp;&nbsp;&nbsp;babysitter. This isn't even funny.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's enough.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You too?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gonna treat him nice and get a job<br>&nbsp;&nbsp;&nbsp;&nbsp;at his house? Guess that makes sense.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd be better off as a<br>&nbsp;&nbsp;&nbsp;&nbsp;white-faced butler than a sailor.<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah. Whatever you say.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asking, "Master, would you<br>&nbsp;&nbsp;&nbsp;&nbsp;like a Mint Julep?"<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like Old Black Joe, must be nice to<br>&nbsp;&nbsp;&nbsp;&nbsp;be surrounded by dozens of servants.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I told you before,<br>&nbsp;&nbsp;&nbsp;&nbsp;we only have one servant.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A maid named Roberta.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even though she's a maid,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's no good at cleaning or chores.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't serve milk here.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then may I have a glass of water?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only arrived here today and I<br>&nbsp;&nbsp;&nbsp;&nbsp;do not know my way around.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in search of a Colombian friend.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a bar. Order a<br>&nbsp;&nbsp;&nbsp;&nbsp;real drink. You dumb-ass.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only arrived here today and<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know my way around.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in search of a<br>&nbsp;&nbsp;&nbsp;&nbsp;Colombian friend of mine.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Might you know where the<br>&nbsp;&nbsp;&nbsp;&nbsp;proper authorities are?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lady, does this look like the tourist<br>&nbsp;&nbsp;&nbsp;&nbsp;or employment agency to you?<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's really clumsy.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't clean or do chores, but...<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is much stronger than you!<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all the damned things to say!<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not gonna throw a<br>&nbsp;&nbsp;&nbsp;&nbsp;teacup at me, is she?<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If what you say is true,<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd even believe it if you said Jesus<br>&nbsp;&nbsp;&nbsp;&nbsp;tore across Route 66 on a chopper!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever seen her<br>&nbsp;&nbsp;&nbsp;&nbsp;when she was strong?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't. But I remember one thing.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We lived at my father's house.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The three of us--my father,<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta and I--lived peacefully.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't have many friends to play with,<br>&nbsp;&nbsp;&nbsp;&nbsp;so Roberta would play with me.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I especially loved to arm wrestle with her.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I could beat Roberta every time.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta lost every single time.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was arm wrestling me<br>&nbsp;&nbsp;&nbsp;&nbsp;on that day, too, when...<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they came.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To threaten my father.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She knew what was going<br>&nbsp;&nbsp;&nbsp;&nbsp;on long before I did.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The moment she sensed that they<br>&nbsp;&nbsp;&nbsp;&nbsp;were coming, she stiffened.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried to beat her with<br>&nbsp;&nbsp;&nbsp;&nbsp;my usual strength, but...<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her arm was like steel.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta always lost to me on purpose.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized then that she had a reason<br>&nbsp;&nbsp;&nbsp;&nbsp;to always act like a weak maid.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fallen nobility. The wife<br>&nbsp;&nbsp;&nbsp;&nbsp;died four years ago.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones pictured are the head,<br>&nbsp;&nbsp;&nbsp;&nbsp;Diego, his only son, Garcia,<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and their only servant, the house maid.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like this. This isn't good.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Comrade Sergeant. Take a look at her eyes.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you notice anything?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The eyes of a soldier.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is correct, Sergeant.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's not all. She's<br>&nbsp;&nbsp;&nbsp;&nbsp;one hell of a rabid dog.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Woman. I've got business with you.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard a woman in a<br>&nbsp;&nbsp;&nbsp;&nbsp;strange maid's outfit<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is looking for the Colombian mafia.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a crazy outfit that you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;only see in Hollywood movies.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any idiot would remember<br>&nbsp;&nbsp;&nbsp;&nbsp;someone in clothes like that.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You called us here. What are you after?<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell are you?!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was my intention to have you find me.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are from the Manisarera Cartel, correct?<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a servant of the Lovelace family.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a few things I would like to ask.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you'll excuse me, but I am<br>&nbsp;&nbsp;&nbsp;&nbsp;afraid I may have to be rude.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear that? "Be rude,"<br>&nbsp;&nbsp;&nbsp;&nbsp;she says. This bitch!<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She makes me laugh!<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you gonna do?!<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am afraid I will not be able to hold back.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please pardon me.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, enjoy yourselves.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible!<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe it.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a killer robot from the future!<br>

# 9 - Maid to Kill

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a big difference.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This wild, dirty place is far<br>&nbsp;&nbsp;&nbsp;&nbsp;different from my hometown.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. This isn't a city that a<br>&nbsp;&nbsp;&nbsp;&nbsp;child like you should have to see.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur at night.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm all right.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You believe in your people<br>&nbsp;&nbsp;&nbsp;&nbsp;from home, right?<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I do. I believe in her...<br>&nbsp;&nbsp;&nbsp;&nbsp;that she'll come and save me.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lucky. To be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;feel that in your heart.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That the maid who you<br>&nbsp;&nbsp;&nbsp;&nbsp;believe in will come for you.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know whether it'll happen or not,<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you must have a good family<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to have such great faith.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I tend to wonder how<br>&nbsp;&nbsp;&nbsp;&nbsp;my family feels about me.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's nothing important.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you miss your mommy?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think so? If I did, I might've<br>&nbsp;&nbsp;&nbsp;&nbsp;said goodbye to this place long ago.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. That's a pointless story.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a story some brat<br>&nbsp;&nbsp;&nbsp;&nbsp;would come up with<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who chases after his mommy<br>&nbsp;&nbsp;&nbsp;&nbsp;when it's convenient.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just talking about ideals.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To see if you hold something in<br>&nbsp;&nbsp;&nbsp;&nbsp;your heart that you believe in.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then if I'm ever kidnapped,<br>&nbsp;&nbsp;&nbsp;&nbsp;would you come save me,<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;waving around that Cutlass of yours?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't forgive you for being<br>&nbsp;&nbsp;&nbsp;&nbsp;stupid enough to get kidnapped.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happened, you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;have to bite off your navel<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and beg forgiveness of your comrades<br>&nbsp;&nbsp;&nbsp;&nbsp;for causing such trouble 'til you die.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of world this is.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? These are the kinda<br>&nbsp;&nbsp;&nbsp;&nbsp;friends I hang out with.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But just the same, they're<br>&nbsp;&nbsp;&nbsp;&nbsp;worth sticking around.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kid. I really hope<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the woman you talk about<br>&nbsp;&nbsp;&nbsp;&nbsp;is as strong as you believe.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This hasn't seen much<br>&nbsp;&nbsp;&nbsp;&nbsp;action lately. This Cutlass.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess there's no point in wishing.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not while I'm dealing with a<br>&nbsp;&nbsp;&nbsp;&nbsp;maid-obsessed brat from the countryside.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear that? "Be rude,"<br>&nbsp;&nbsp;&nbsp;&nbsp;she says. This bitch!<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She makes me laugh!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you gonna do?!<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? A fight?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am afraid I will not be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;hold back. Please pardon me.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, enjoy yourselves.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this--didn't the bar just reopen?<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's sure blasting something flashy.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How dare you!<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You damn bitch!<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys! Don't hold back! Kill her!<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do as you wish, if you can.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's not working, Bro! Why won't<br>&nbsp;&nbsp;&nbsp;&nbsp;she fall? Is it made of Kevlar?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! You better pay for all of this!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite unexpectedly, we've walked<br>&nbsp;&nbsp;&nbsp;&nbsp;right into a very bad fight.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the fact that they're going<br>&nbsp;&nbsp;&nbsp;&nbsp;at it works in our favor.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about we take off while they're busy?<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take off? To where?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can go fishing at Phuket<br>&nbsp;&nbsp;&nbsp;&nbsp;beach until this cools down.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not in the mood for drinking<br>&nbsp;&nbsp;&nbsp;&nbsp;with a gunfight on the side.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no Giuliano Gemma.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, will you hurry up and decide<br>&nbsp;&nbsp;&nbsp;&nbsp;if we're gonna shoot or not?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good call. I vote not to shoot.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kid stays here. Don't wanna go for<br>&nbsp;&nbsp;&nbsp;&nbsp;a walk with a Claymore landmine.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's worth something, Dutch.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The exit became a war zone<br>&nbsp;&nbsp;&nbsp;&nbsp;while we were talking.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way out over there.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, this kid isn't money anymore.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll leave him here, okay?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's...<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got no choice. Damn, damn, fuck.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia. Listen.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move from this spot<br>&nbsp;&nbsp;&nbsp;&nbsp;until the gunfire dies down.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it gets quiet, leave this place and go<br>&nbsp;&nbsp;&nbsp;&nbsp;home to Venezuela with your maid.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I didn't know.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Roberta is...<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not someone<br>&nbsp;&nbsp;&nbsp;&nbsp;capable of killing. But...<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! What are you waiting for?!<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten thousand dollars for<br>&nbsp;&nbsp;&nbsp;&nbsp;the bottles of booze,<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;fifteen thousand for the furniture,<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;plus twenty thousand for the building.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now the problem is figuring out<br>&nbsp;&nbsp;&nbsp;&nbsp;who to send the invoice to.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You bitch!<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Is this your doing again?!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many times do your friends<br>&nbsp;&nbsp;&nbsp;&nbsp;need to tear up my shop?!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not my friends! I have<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing to do with this, you idiot!<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Foul timing to quiet down, you assholes.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lagoon Company! What are<br>&nbsp;&nbsp;&nbsp;&nbsp;you guys doing here?!<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to the cargo<br>&nbsp;&nbsp;&nbsp;&nbsp;you were delivering to us?!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold your horses! Don't jump<br>&nbsp;&nbsp;&nbsp;&nbsp;to conclusions, Abrego!<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the cargo doing here?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you ignore our contract?!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, don't jump to conclusions!<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll talk about the payment later!<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't expect to see<br>&nbsp;&nbsp;&nbsp;&nbsp;you here, Young Master.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master has been very worried<br>&nbsp;&nbsp;&nbsp;&nbsp;about you. Now, come.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It cannot be helped if you are afraid.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall explain myself later.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are those people?<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good. Their eyes met.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Roberta! Don't!<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stand back, Maid.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone here would rather<br>&nbsp;&nbsp;&nbsp;&nbsp;be alive than dead.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too, right?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be crazy! You're being the enemy!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you don't start shooting, you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;get the young master home in one piece.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without his brains getting splattered<br>&nbsp;&nbsp;&nbsp;&nbsp;on the floor. Get what I'm saying?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am thinking.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not done with you!<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have finished thinking.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Una bendición para los vivos.*<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Un ramo de flores para los muertos.*<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Spanish.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--A blessing for the living.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--*Con una espada por la justicia.*<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Flowers for the dead.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--*Un castigo de muerte...*<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wield a sword for justice.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--*para los malvados.*<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--The punishment of death for the villains.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--*Así Llegamos al altar de los santos.*<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this, we join at the line of the saints.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Lovelace family creed.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot agree to your request.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will get the young master<br>&nbsp;&nbsp;&nbsp;&nbsp;home in one piece.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I must work in<br>&nbsp;&nbsp;&nbsp;&nbsp;accordance to this creed.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the name of Santa Maria.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those words...<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hammer of righteousness<br>&nbsp;&nbsp;&nbsp;&nbsp;to all injustice!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That... that bitch!<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now! Let's go!<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Stay away! Stay away!<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time you die!<br>&nbsp;&nbsp;&nbsp;&nbsp;You Bloodhound of Florencia!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a crazy bitch.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This makes the Battle of Khe Sanh<br>&nbsp;&nbsp;&nbsp;&nbsp;look like a picnic in the park! Hey!<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Revy all right?!<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her injuries are minor,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she has a concussion.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Say something! Hey!<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop, Roberta! Stop it!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia...<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just stand there! We're leaving!<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me with you.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't. I can't deal with this.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like this, Roberta!<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I remember... those<br>&nbsp;&nbsp;&nbsp;&nbsp;words of yours earlier.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*El perro de cassa de Florencia.*<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Bloodhound from Florencia.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you're alive.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even Jesus would've noticed.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These four years since you left the<br>&nbsp;&nbsp;&nbsp;&nbsp;Colombian Revolutionary Army,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone from the drug cartels<br>&nbsp;&nbsp;&nbsp;&nbsp;to Interpol have been after you!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cartels put a 400 thousand dollar<br>&nbsp;&nbsp;&nbsp;&nbsp;bounty on your head. Dead or alive.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luck is finally on my side!<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I bring your head back,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be a lieutenant of the cartel!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I no longer have a reason<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep you alive.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you will excuse me, I must be<br>&nbsp;&nbsp;&nbsp;&nbsp;on my way. Please accept this.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, everybody. Farewell.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. She's unbelievably thorough.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, you bastard. I told<br>&nbsp;&nbsp;&nbsp;&nbsp;you to leave the kid behind.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't help it.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't leave him in there.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that killed her?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get in the car!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't be able to hear<br>&nbsp;&nbsp;&nbsp;&nbsp;anything, but I feel something.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel her footsteps getting closer.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her black maid's outfit will<br>&nbsp;&nbsp;&nbsp;&nbsp;appear from that fiery exit soon.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then hurry up and get in the car!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where should we go?<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The question is, is there any place to go?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not likely!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe it. That's a killer<br>&nbsp;&nbsp;&nbsp;&nbsp;robot from the future!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing different from the movies<br>&nbsp;&nbsp;&nbsp;&nbsp;is that Schwarzenegger doesn't star in it.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing funny about it. I'm having<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble seeing the humor in this.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got her precious little boy with us.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, we'll head for the port!<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry to the Lagoon!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad news has a way of gathering<br>&nbsp;&nbsp;&nbsp;&nbsp;easily without much effort.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's pretty famous.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her code name is "Bloodhound."<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because once she's locked<br>&nbsp;&nbsp;&nbsp;&nbsp;onto her prey, she always kills.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is gonna be a pain.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're calling, Sergeant.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably the worst possible news.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. She's coming.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Wake Revy up!<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This is no time to be comfortably asleep!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Revy! Revy! Revy!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Corporal Menshov, what is the situation?<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am! The Yellow Flag is totally destroyed!<br>&nbsp;&nbsp;&nbsp;&nbsp;The Bloodhound and Lagoon are gone!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, a Plymouth was seen heading to<br>&nbsp;&nbsp;&nbsp;&nbsp;the city on the main street ten minutes ago!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not leave that spot, Corporal.<br>&nbsp;&nbsp;&nbsp;&nbsp;Continue gathering information.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. What should I tell<br>&nbsp;&nbsp;&nbsp;&nbsp;the owner of the bar?<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell him not to worry about insurance.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am heading to the city with a squad.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain. Are we going back<br>&nbsp;&nbsp;&nbsp;&nbsp;to war after so long?<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Playing mafia is not good.<br>&nbsp;&nbsp;&nbsp;&nbsp;It dulls your body.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll see. But you can<br>&nbsp;&nbsp;&nbsp;&nbsp;never be too prepared.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We owe Lagoon. Or rather, Dutch.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't leave this as is.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, comrades.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cock your hammers.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die, will you?!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go of me! You bitch!<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, now's our chance! Hang on, Dutch!<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll head to the port<br>&nbsp;&nbsp;&nbsp;&nbsp;using these back alleys.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we're out to sea,<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't matter who she is.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. This isn't good, Benny.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll lose speed this way.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But her radiator's shot. Her car won't run.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've paid more attention<br>&nbsp;&nbsp;&nbsp;&nbsp;to Rock's joke, Benny-boy.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine her as an invincible<br>&nbsp;&nbsp;&nbsp;&nbsp;killer robot or something.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna push it!<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, do whatever you<br>&nbsp;&nbsp;&nbsp;&nbsp;can to wake Revy up!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll need her gun if<br>&nbsp;&nbsp;&nbsp;&nbsp;we get into a shootout.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Revy! Wake up!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny, turn at the next curb! Get onto<br>&nbsp;&nbsp;&nbsp;&nbsp;the main road and go at full speed!<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right, Benny? Wake up!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit. The engine won't start.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry, Benny!<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down!<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master.<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are no doubt the three most<br>&nbsp;&nbsp;&nbsp;&nbsp;terrifying women in the world.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This feels like Ground Zero.<br>

# 10 - The Unstoppable Chambermaid

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down, you two!<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move outta the way!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Don't shoot Roberta!<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If something like this could kill her,<br>&nbsp;&nbsp;&nbsp;&nbsp;we wouldn't have this problem, kid.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit! Damn it!<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch! We're off the main road!<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way leads to the ocean.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a dead end ahead.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not good!<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a payoff for being religious.<br>&nbsp;&nbsp;&nbsp;&nbsp;All survivors, answer me.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're safe, somehow.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Revy?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still unconscious, peacefully.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you?<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world is<br>&nbsp;&nbsp;&nbsp;&nbsp;that woman made of?!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. Hey, what happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to that damn bitch?<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she dead? Well?!<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be glad to know<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's alive and well.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just delightful.<br>&nbsp;&nbsp;&nbsp;&nbsp;More than anything else.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Wait!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. I'm about to become<br>&nbsp;&nbsp;&nbsp;&nbsp;as red as a tail light.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that happens, it's over.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to warn you, even if<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm about to give you extra assholes.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That shell she used to blow me away<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is gonna cost her more than<br>&nbsp;&nbsp;&nbsp;&nbsp;anything she could stick up her ass.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna go beat that into her.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, draw, Señorita.<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you scared?<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no need to use<br>&nbsp;&nbsp;&nbsp;&nbsp;filthy words and be afraid.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing you could not<br>&nbsp;&nbsp;&nbsp;&nbsp;defeat me with skill,<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you pointed a gun at the young<br>&nbsp;&nbsp;&nbsp;&nbsp;master and kidnapped him.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You coward.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. Watch out for stray bullets!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't see either of them.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oww... Damn it.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She managed to get<br>&nbsp;&nbsp;&nbsp;&nbsp;a bullet into the great Revy.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is that woman?<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you could've<br>&nbsp;&nbsp;&nbsp;&nbsp;had a good upbringing.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you come from? Tell me.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no surprise that's the<br>&nbsp;&nbsp;&nbsp;&nbsp;smell you have on you.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stench of gutter mud<br>&nbsp;&nbsp;&nbsp;&nbsp;stuck to your feet.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even more reason why<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have to settle this.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can no longer...<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can no longer go back there.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now... What should we do now?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe we should get outta this car.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, you're right.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, impossible. We'd never make it,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how many lives we have.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not about to go<br>&nbsp;&nbsp;&nbsp;&nbsp;anywhere near that fight.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same here.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an end to every beginning.<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll settle things eventually.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, kid! Wait!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do your best! Roberta!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you lose to that woman!<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gunfire is getting closer.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This bitch! I'm gonna kill her!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna kill her!<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to hell!<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you call it quits now, you two?<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing to gain<br>&nbsp;&nbsp;&nbsp;&nbsp;from fighting anymore.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't waste your energy, Two Hands.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. I'm gonna kill her.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me tell you something<br>&nbsp;&nbsp;&nbsp;&nbsp;interesting, Miss Maid.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We, at Hotel Moscow,<br>&nbsp;&nbsp;&nbsp;&nbsp;had intended to start a war<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;against the Manisarela Cartel<br>&nbsp;&nbsp;&nbsp;&nbsp;from the beginning.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking care of them was my job,<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you saved me the trouble.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, their headquarters in<br>&nbsp;&nbsp;&nbsp;&nbsp;Venezuela should be in ruins.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;problems have been solved.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The case of Garcia being kidnapped<br>&nbsp;&nbsp;&nbsp;&nbsp;has also been dealt with.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no reason to fight.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are no doubt the three most<br>&nbsp;&nbsp;&nbsp;&nbsp;terrifying women in the world.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This feels like Ground Zero.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't misunderstand me.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not making a request. It's an order.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are these guys?<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't seem like the<br>&nbsp;&nbsp;&nbsp;&nbsp;usual Russian mafia.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Military uniforms? Are they soldiers?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, Roberta!<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, I'm not hurt!<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay? Let's go home!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna see you with a gun anymore.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree, kid. But...<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what does the Bloodhound think?<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bloodhound?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my. So you don't know? She's--<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep quiet, bitch.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't some servant who<br>&nbsp;&nbsp;&nbsp;&nbsp;looks good walking the dog.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Bloodhound of Florencia."<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosarita Cisneros.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trained as an assassin in Cuba,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's a former F.A.R.C. guerilla.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's wanted internationally for<br>&nbsp;&nbsp;&nbsp;&nbsp;multiple kidnappings and murders.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she's suspected of<br>&nbsp;&nbsp;&nbsp;&nbsp;being involved with<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the bombing of the U.S.<br>&nbsp;&nbsp;&nbsp;&nbsp;Embassy in Tegucigalpa.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a real hardcore terrorist.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it true?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I had no intention of<br>&nbsp;&nbsp;&nbsp;&nbsp;deceiving you, Young Master.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, Young Master,<br>&nbsp;&nbsp;&nbsp;&nbsp;there are things in this world<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're better off not knowing.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is the truth.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I believed it.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the morning of a revolution that<br>&nbsp;&nbsp;&nbsp;&nbsp;would bring justice to this world.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that reason, I became a soldier.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my pursuit of the ideal, I killed<br>&nbsp;&nbsp;&nbsp;&nbsp;in every place imaginable.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Politicians, entrepreneurs,<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anti-revolutionists,<br>&nbsp;&nbsp;&nbsp;&nbsp;election management members.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even killed women and children.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dyeing many nights with blood and<br>&nbsp;&nbsp;&nbsp;&nbsp;facing many coldhearted mornings,<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what I realized in the end was...<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I was no revolutionist.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was nothing but a guard dog for<br>&nbsp;&nbsp;&nbsp;&nbsp;the mafia and their cocaine fields.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it ironic?<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The revolutionists joined<br>&nbsp;&nbsp;&nbsp;&nbsp;forces with the cartels.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saying that a revolution would<br>&nbsp;&nbsp;&nbsp;&nbsp;not happen solely on ideals.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As they blurted out those words,<br>&nbsp;&nbsp;&nbsp;&nbsp;they sold their souls.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I left the military.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who took me in then was<br>&nbsp;&nbsp;&nbsp;&nbsp;my deceased father's friend,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;none other than your father,<br>&nbsp;&nbsp;&nbsp;&nbsp;Master Diego Lovelace.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allowing your kidnapping to happen<br>&nbsp;&nbsp;&nbsp;&nbsp;was negligence on my part.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did not have any other way to save you<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than becoming my old, steel<br>&nbsp;&nbsp;&nbsp;&nbsp;self that I once abandoned.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bloodhound. Guard dog.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the only way that I,<br>&nbsp;&nbsp;&nbsp;&nbsp;being called a dog,<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could repay you with my life.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't call yourself a dog,<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta! You're my family!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're family, right?!<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk like that, about<br>&nbsp;&nbsp;&nbsp;&nbsp;being a dog! You can't!<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know any Bloodhound!<br>&nbsp;&nbsp;&nbsp;&nbsp;She probably died somewhere!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Rosarita woman has probably gone<br>&nbsp;&nbsp;&nbsp;&nbsp;to some unknown faraway place,<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;burdened with her sins!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she's got nothing to<br>&nbsp;&nbsp;&nbsp;&nbsp;do with you, Roberta!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only one here is my Roberta!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, okay? Let's go back to our home.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master. Boys should not cry so easily.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm glad that's settled.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be kidding.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they're all delighted with<br>&nbsp;&nbsp;&nbsp;&nbsp;this teary-eyed happy ending.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But who the hell is gonna close<br>&nbsp;&nbsp;&nbsp;&nbsp;up this tunnel in my shoulder?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you just put up with it?<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Sis. That stinks, don't you think?<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In our world, settling things is important.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that perfectly well, Sis.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose you have a point.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's easy.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have them go at each other in a<br>&nbsp;&nbsp;&nbsp;&nbsp;fistfight until they're satisfied.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no prize at stake,<br>&nbsp;&nbsp;&nbsp;&nbsp;so no one's likely to get killed.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine by me!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you lose to that woman!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're strong, Roberta!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it's decided.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're free to continue as long as you wish.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead, bring it on.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your shoelace is untied.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She got one in!<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be nice to be so young.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Roberta! Don't lose to her!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you betting on?<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm betting two on Revy.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'm going with three on Roberta.<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you, Rock?<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-W-Wait a minute! We should<br>&nbsp;&nbsp;&nbsp;&nbsp;be stopping them! Right?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gotta make them stop!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why's that?<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too barbaric, and you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;are crazy not to stop them!<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's absurd to have two<br>&nbsp;&nbsp;&nbsp;&nbsp;girls going at it like that!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't you go and stop them?<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't like this, right?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then go and stop them.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't mind.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umm... You two...<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you had enough?<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could maybe, you know,<br>&nbsp;&nbsp;&nbsp;&nbsp;like sit back and praise each other's<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;combative spirit as you gaze<br>&nbsp;&nbsp;&nbsp;&nbsp;at the rising sun together?<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay out of this!<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I understand. I'll do just that.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you expect?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They just won't give up.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is getting boring.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you die already?<br>&nbsp;&nbsp;&nbsp;&nbsp;Damned four-eyes!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too... just let me knock you out.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, it's a draw!<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master. I am so sorry.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the last one standing.<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's all right.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a terrible face.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's unconscious.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you stand? Come on, hang onto me.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that, Roberta.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna hand, kid?<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave us alone.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is a maid at my house.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I don't need anyone else's help.<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be sure to take her home.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wonderful future head of the clan.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Comrade Sergeant.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Treat her wounds,<br>&nbsp;&nbsp;&nbsp;&nbsp;then take them to the airport.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If any remaining cartel members<br>&nbsp;&nbsp;&nbsp;&nbsp;attempt an assault, dispose of them.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master. I have one favor to ask.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you please go and<br>&nbsp;&nbsp;&nbsp;&nbsp;pick up my glasses for me?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Those are fake, aren't they?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I need those glasses<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to continue being your Roberta.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! It's morning, Revy! Wake up!<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely no sign of waking up.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gonna take time to recover. Oh, boy.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But who were those guys?<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balalaika and the Russian mafia guys.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were like the military.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys are ex-military.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were either paratroopers<br>&nbsp;&nbsp;&nbsp;&nbsp;or Special Forces.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her immediate subordinates had enough<br>&nbsp;&nbsp;&nbsp;&nbsp;training to carry out World War III.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Afghan vets with an insane<br>&nbsp;&nbsp;&nbsp;&nbsp;amount of experience and skill.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With her as the brains, every one<br>&nbsp;&nbsp;&nbsp;&nbsp;of them acted as a killing machine.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And eventually, they returned from<br>&nbsp;&nbsp;&nbsp;&nbsp;that hell of hot sand and slaughter.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's feet are covered<br>&nbsp;&nbsp;&nbsp;&nbsp;with mud from the gutter.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five teams will leave<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur at the same time,<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;each heading to a different<br>&nbsp;&nbsp;&nbsp;&nbsp;destination. There are five cases.<br>

# 11 - Lock'n Load Revolution

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur. In this city, gangs from<br>&nbsp;&nbsp;&nbsp;&nbsp;around the world fight for territory.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a strange balancing game.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a terrible tragedy.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The exterior of the building<br>&nbsp;&nbsp;&nbsp;&nbsp;no longer has shape or form.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we know so far is that 37 embassy<br>&nbsp;&nbsp;&nbsp;&nbsp;employees have been killed and 150 wounded.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Zaire military is currently<br>&nbsp;&nbsp;&nbsp;&nbsp;continuing with its rescue efforts.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right after the bombing,<br>&nbsp;&nbsp;&nbsp;&nbsp;a terrorist organization<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--calling themselves the<br>&nbsp;&nbsp;&nbsp;&nbsp;Protectors of the Islamic Front<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This sure is a dirty room.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--claimed responsibility for the attack.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Revy, are you awake?<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a job. Dutch says<br>&nbsp;&nbsp;&nbsp;&nbsp;it's an emergency. Revy!<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you, Rock?<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's a big, last minute request.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He told me to hurry and wake you up,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I flew down here from the office.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. Who's this job for?<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang. From the Triad.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting for a while now.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't this shop even offer a cup of coffee?<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You call this service, Dutch?<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I never knew we<br>&nbsp;&nbsp;&nbsp;&nbsp;were running a café.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know why we have a torpedo<br>&nbsp;&nbsp;&nbsp;&nbsp;boat, don't you, Mr. Chang?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such cold words, Dutch.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were burned out of our<br>&nbsp;&nbsp;&nbsp;&nbsp;place and came straight here.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it common courtesy to<br>&nbsp;&nbsp;&nbsp;&nbsp;at least offer a cup of tea?<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sure was a tragedy, Mr. Chang.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I hear right that half of<br>&nbsp;&nbsp;&nbsp;&nbsp;your office has collapsed?<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, we got hit hard.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it the Russians?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're always very friendly<br>&nbsp;&nbsp;&nbsp;&nbsp;with Miss Balalaika.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Two Hands.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I miss a lot?<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we're just about to get started.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the cause of everything.<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's certainly worth it.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took this from a stupid Bulgarian who<br>&nbsp;&nbsp;&nbsp;&nbsp;tried to make a quick buck in my territory.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't recall giving permission<br>&nbsp;&nbsp;&nbsp;&nbsp;to anyone to sell weapons,<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;other than old Yolanda<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Ripoff Church.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this guy clearly misunderstood.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was casually selling guns on the<br>&nbsp;&nbsp;&nbsp;&nbsp;street as if he was selling hot shrimp.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To make matters worse, he mistook<br>&nbsp;&nbsp;&nbsp;&nbsp;my warnings for some crazy joke.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He finally understood<br>&nbsp;&nbsp;&nbsp;&nbsp;and made a deal with us<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when we were about to<br>&nbsp;&nbsp;&nbsp;&nbsp;crush his balls like nuts.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy was a real idiot, but it<br>&nbsp;&nbsp;&nbsp;&nbsp;turns out he had an interesting job.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He worked for Bulgarian Intelligence, Dutch.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city is a comfortable<br>&nbsp;&nbsp;&nbsp;&nbsp;place for folks like that, too.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, a guy like that<br>&nbsp;&nbsp;&nbsp;&nbsp;is very useful, but...<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this time, his playing with fire cost him.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what he offered us<br>&nbsp;&nbsp;&nbsp;&nbsp;to save his balls, Dutch?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Documents.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hiking charts of a certain<br>&nbsp;&nbsp;&nbsp;&nbsp;amusing little group.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The job they did just before us<br>&nbsp;&nbsp;&nbsp;&nbsp;has been on TV all morning.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The U.S. Embassy!<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I smell danger.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "ball boy's" real job was with them.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world's full of folks who<br>&nbsp;&nbsp;&nbsp;&nbsp;want Uncle Sam to disappear.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told one of those groups<br>&nbsp;&nbsp;&nbsp;&nbsp;that they dropped something.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as soon as I quoted the<br>&nbsp;&nbsp;&nbsp;&nbsp;guys what it would cost them,<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they told me to get the hell out of<br>&nbsp;&nbsp;&nbsp;&nbsp;there before my ass became roast.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is how I answered...<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All right, then I'll go elsewhere."<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to that, my office has been blasted<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way to somewhere around Jordan,<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as they predicted, my ass nearly<br>&nbsp;&nbsp;&nbsp;&nbsp;became roast before I got here.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys are really not much fun.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Dutch. Here's the deal.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to deliver this.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five teams will leave<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur at the same time,<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;each heading to a different destination.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are five cases, but only one bingo.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A feint.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As insurance, of course.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your goal is the local base<br>&nbsp;&nbsp;&nbsp;&nbsp;on Basilan Island.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time limit is two days.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, my company<br>&nbsp;&nbsp;&nbsp;&nbsp;will have left Basilan.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang, my man, two days<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't give us enough time.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's always going to be too soon.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last night's embassy bombing<br>&nbsp;&nbsp;&nbsp;&nbsp;was the beginning of a chain.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In two days, the next schedule starts.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When they're done hiking,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's gonna be a new president.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uncle Sam came to me<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because their embassy<br>&nbsp;&nbsp;&nbsp;&nbsp;was launched into the air like the Apollo.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll provide you with a getaway driver<br>&nbsp;&nbsp;&nbsp;&nbsp;and guard upon your arrival to the island.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you, Dutch.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you bring our pay here with you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Expenses will be calculated separately.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I...<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R! P! G!<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well. They sure are quick.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're already here.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss! Are you all right?<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your information's leaked, Mr. Chang.<br>&nbsp;&nbsp;&nbsp;&nbsp;This job's cancelled.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you gonna quit? If so, you're gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;have to pay the repair bills for this.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll at least escort you to<br>&nbsp;&nbsp;&nbsp;&nbsp;your boat. However...<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't been in the field in a while.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's your emergency exit?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll lead the way, Chang.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, thanks.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A grenade?!<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't panic, Two Hands.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this situation...<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you hesitate, you lose.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang's cleared the way. Let's go!<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, let's go.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're getting careless, boss.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep the bragging down, Two Hands.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the skills, but you still<br>&nbsp;&nbsp;&nbsp;&nbsp;fail to see the overall picture.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I admit I'm not at your level.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be wise and stick with you.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good answer.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sending a car. Go to<br>&nbsp;&nbsp;&nbsp;&nbsp;the harbor with that.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, boy. One of these days, I'd like to do<br>&nbsp;&nbsp;&nbsp;&nbsp;a job that doesn't require risking my life.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop complaining, Dutch. We're<br>&nbsp;&nbsp;&nbsp;&nbsp;about to do the dirty work. Hurry!<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave the rest to you, Mr. Chang!<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is such a pain in the ass.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you get there,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't forget the password.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The password is...<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I understand.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our comrades have found the<br>&nbsp;&nbsp;&nbsp;&nbsp;delivery boys on the main road.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can shed their blood near Ban Kantang.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder about that.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This job should've been finished after<br>&nbsp;&nbsp;&nbsp;&nbsp;the bombing of the Triad office.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in no mood to judge<br>&nbsp;&nbsp;&nbsp;&nbsp;the failure of our comrades.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mocked those guys<br>&nbsp;&nbsp;&nbsp;&nbsp;as simple gangsters,<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Chang turned out to be a much<br>&nbsp;&nbsp;&nbsp;&nbsp;smarter gangster than you thought.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"See the enemy you should respect,<br>&nbsp;&nbsp;&nbsp;&nbsp;not the enemy you despise."<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The words of Mao Tse-Tung.<br>&nbsp;&nbsp;&nbsp;&nbsp;You could learn from them, Ibraha.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The moral discourse of a man who<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't believe in God. It's worthless.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's right. Besides, I<br>&nbsp;&nbsp;&nbsp;&nbsp;don't believe in God either.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're my comrade, Takenaka.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... More importantly, maybe we<br>&nbsp;&nbsp;&nbsp;&nbsp;should speed up the plan in America.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous. The FBI has<br>&nbsp;&nbsp;&nbsp;&nbsp;been keeping a close watch.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we move now before the feint,<br>&nbsp;&nbsp;&nbsp;&nbsp;the plan will be ruined.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To figure out which of the<br>&nbsp;&nbsp;&nbsp;&nbsp;five routes they've taken,<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the first one to rule out is over land.<br>&nbsp;&nbsp;&nbsp;&nbsp;And flying is too visible.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That only leaves a sea route.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have proof?<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's intuition.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will ask a comrade commander in<br>&nbsp;&nbsp;&nbsp;&nbsp;the Philippines for assistance.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the sea route, I guess I'll<br>&nbsp;&nbsp;&nbsp;&nbsp;have to take care of that.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the final step in<br>&nbsp;&nbsp;&nbsp;&nbsp;changing the world, Takenaka.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The sea is so wide, and it is so big ♪<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear the password?<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Triad is super cool!"<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss Chang can handle himself<br>&nbsp;&nbsp;&nbsp;&nbsp;and has great style,<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when it comes to telling jokes,<br>&nbsp;&nbsp;&nbsp;&nbsp;he couldn't be worse.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you're never gonna find<br>&nbsp;&nbsp;&nbsp;&nbsp;someone perfect at everything.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You found it? A torpedo boat?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang's got some interesting friends.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've determined their<br>&nbsp;&nbsp;&nbsp;&nbsp;path, too? That's perfect.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just as we predicted.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I don't have to trade in my ticket<br>&nbsp;&nbsp;&nbsp;&nbsp;for another flight. I'm already in transit.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't do anything until I arrive.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to confirm a few things. Later.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Excuse me.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please lend me your lighter.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you from Japan, too?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you know?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's obvious, the way you held your hand.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, we're on a<br>&nbsp;&nbsp;&nbsp;&nbsp;family trip to Cebu Island.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I imagine any place outside Manila<br>&nbsp;&nbsp;&nbsp;&nbsp;would seem far when traveling with a family.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Could we possibly have met before?<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get this feeling this isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;the first time we've met.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you do.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're thinking of Mr. Ken.<br>&nbsp;&nbsp;&nbsp;&nbsp;People always say I look like him.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, bye now. I'm awkward<br>&nbsp;&nbsp;&nbsp;&nbsp;when it comes to conversations.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure are aloof.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you recognize me from somewhere,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would be at the police station.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wanted for murder, use of<br>&nbsp;&nbsp;&nbsp;&nbsp;explosives, and resisting arrest"<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Masahiro Takenaka"<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got them, Dutch. The noisy little fly.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, bring me the Remington.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the Hydra API for ammunition.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've taken out the enemy's eyes,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it may not be the only one.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. We'll be bait,<br>&nbsp;&nbsp;&nbsp;&nbsp;and charge past Basilan.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you and Revy to get off at Zamboanga<br>&nbsp;&nbsp;&nbsp;&nbsp;and use the Zodiac to get to Basilan.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ibraha! I can't hear you!<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry and get down here!<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takenaka! Where are you?<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basilan? Hey! That's where<br>&nbsp;&nbsp;&nbsp;&nbsp;our diversion team is!<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't panic! Yeah, I'm at their camp.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lighthouse's base is always the darkest.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're waiting here for the first blow<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;among the local guerillas,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's the same for them, too.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only place an American<br>&nbsp;&nbsp;&nbsp;&nbsp;imperialist can come and go<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the anti-guerilla<br>&nbsp;&nbsp;&nbsp;&nbsp;special operations camp.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just further on from here.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see Chang's next move.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is gonna be fun.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a game, Takenaka! This is<br>&nbsp;&nbsp;&nbsp;&nbsp;an important precursor to the plan!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think of this as an exchange<br>&nbsp;&nbsp;&nbsp;&nbsp;of pawns, brother.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, do you think there's<br>&nbsp;&nbsp;&nbsp;&nbsp;anything in this world that isn't?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're the ones poised<br>&nbsp;&nbsp;&nbsp;&nbsp;to take the next piece.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He sure is hardheaded.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What good is it if you can't<br>&nbsp;&nbsp;&nbsp;&nbsp;have a little fun along the way?<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, once we deliver the documents,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll meet you at the base.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'll come and get you when I<br>&nbsp;&nbsp;&nbsp;&nbsp;lose those guys clinging to us.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People who fight for a cause<br>&nbsp;&nbsp;&nbsp;&nbsp;are so damn persistent.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I have an additional<br>&nbsp;&nbsp;&nbsp;&nbsp;message from Mr. Chang.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Rock comes back from<br>&nbsp;&nbsp;&nbsp;&nbsp;the bathroom, tell him too.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target is moving further<br>&nbsp;&nbsp;&nbsp;&nbsp;north from the Zamboanga coast.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they passed Basilan.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basilan is already behind us.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We believe they'll be heading<br>&nbsp;&nbsp;&nbsp;&nbsp;due north from Negros.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We will continue our pursuit.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Good work.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not what it seems.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're coming here,<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right here to Basilan.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no mistaking it.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such an uninteresting, dull island.<br>&nbsp;&nbsp;&nbsp;&nbsp;What time is it?<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost six. That was more<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble than we expected,<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;finding a place to come ashore.<br>&nbsp;&nbsp;&nbsp;&nbsp;The village should be right ahead.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is quiet here.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a ghost village with no people.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's been martial law<br>&nbsp;&nbsp;&nbsp;&nbsp;here for the last two years.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police and the guerillas are shooting<br>&nbsp;&nbsp;&nbsp;&nbsp;lead at each other day and night.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people here must have run<br>&nbsp;&nbsp;&nbsp;&nbsp;away to more developed islands.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I keep you waiting?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're from Lagoon, right?<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that there were four of you.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why should I answer that?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No reason you should.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just me, him and a briefcase. That's it.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, I don't see your<br>&nbsp;&nbsp;&nbsp;&nbsp;partner. Where's your guard?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's running around looking for a bathroom.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't know the difference<br>&nbsp;&nbsp;&nbsp;&nbsp;between beer and Volvic.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, let's cut to the chase.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Triad is...<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, how did that one go?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't the time for jokes.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't get to the point,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll shoot you in the face.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey. Don't get so hot. It was<br>&nbsp;&nbsp;&nbsp;&nbsp;just a little joke to break the ice.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Triad is super cool. Right?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must say, his sense<br>&nbsp;&nbsp;&nbsp;&nbsp;of humor is a little off.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so, too?<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. But I didn't think it<br>&nbsp;&nbsp;&nbsp;&nbsp;was that bad for Mr. Chang.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly, asshole.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a message from the boss for you.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I am tai san fu kwan."<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what that means?<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The god of death and punishment shall<br>&nbsp;&nbsp;&nbsp;&nbsp;hereby bring down judgment on you.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know where you got the password,<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Boss Chang isn't the pathetic<br>&nbsp;&nbsp;&nbsp;&nbsp;idiot or fool you assume him to be.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He prepared a new password<br>&nbsp;&nbsp;&nbsp;&nbsp;because of shitheads like you.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You hopped into this parade<br>&nbsp;&nbsp;&nbsp;&nbsp;with your ass hanging out.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Laugh, won't you?<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the part where<br>&nbsp;&nbsp;&nbsp;&nbsp;you laugh. C'mon, laugh.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, boy. I guess I got a little carried away.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting handled like this by a little<br>&nbsp;&nbsp;&nbsp;&nbsp;girl like you. How embarrassing.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Get back!<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That idiot!<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you, Rock! You screwed up!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gunfire's started.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna do this.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leigharch!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's such a pain.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you not to relax too much<br>&nbsp;&nbsp;&nbsp;&nbsp;before work. I made that clear.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna move until<br>&nbsp;&nbsp;&nbsp;&nbsp;the gunfire dies down.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they die, we don't get paid.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't feel like it.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, work's important.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! They keep coming!<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That dumbass idiot, Rock! Damn him!<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister! Lower your head!<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you the getaway driver?!<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I look like an attorney?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was rude, bitch!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go after them! The military's<br>&nbsp;&nbsp;&nbsp;&nbsp;left their camp! Retreat! Retreat!<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard from Mr. Chang<br>&nbsp;&nbsp;&nbsp;&nbsp;that there were four of you.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are the other three?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plans changed and it became two of us.<br>&nbsp;&nbsp;&nbsp;&nbsp;Then one messed up and was captured.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! That is pathetic!<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going straight to the base.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna finish this job and go home!<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's their hideout?<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;North of the village. Six miles.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's in the jungle. Yes it is.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not going to the military base.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take care of those other guys first.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wipe your own damn ass.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or tell that to the cavalry, Mary Read.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our job is to take you to the base.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all. And we get paid.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not interested in doing anything else.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My partner has the documents. Get it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand you yes? "Yes it is" lady.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't stain the seats, Shen Hua.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're gonna do it, do it outside.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My English is not too good<br>&nbsp;&nbsp;&nbsp;&nbsp;because I'm pure Taiwanese.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it no big deal if your head gets<br>&nbsp;&nbsp;&nbsp;&nbsp;separated from the rest of your body?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't get it.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think the boss hired you?<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The documents. Without the documents,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be us three idiots in this car<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who will have to do the twist in front of<br>&nbsp;&nbsp;&nbsp;&nbsp;the boss with dimwitted looks on our faces.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you're here.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've formed an alliance.<br>&nbsp;&nbsp;&nbsp;&nbsp;This camp is now under our command.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's perfect. Now, welcome<br>&nbsp;&nbsp;&nbsp;&nbsp;to our demilitarized zone.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We saw what's inside the<br>&nbsp;&nbsp;&nbsp;&nbsp;briefcase. It's empty.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know nothing about it. And even if I did,<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't answer. You know that.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An untwisted answer. At a time like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should at least crack a joke.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, we have time.<br>&nbsp;&nbsp;&nbsp;&nbsp;We can talk this through.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, shall we do this in<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese, young man?<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're gonna get involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in this kinda stuff,<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you really need to be a bit more careful.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Japanese, aren't you? How long<br>&nbsp;&nbsp;&nbsp;&nbsp;have you been doing this kinda work?<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you're no fun.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you gonna stay quiet?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't hurt for us fellow countrymen<br>&nbsp;&nbsp;&nbsp;&nbsp;to be friendly to each other, now would it?<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a problem.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has the launderer's<br>&nbsp;&nbsp;&nbsp;&nbsp;delivery boy arrived yet?!<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late, Langley boys!<br>

# 12 - Guerrillas in the Jungle

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, now... Okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Takenaka.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Masahiro Takenaka. What's your name?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you want to know that?<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't seem right for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to stay nameless. That's all.<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, I don't mind calling you "bro."<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, baby! I didn't know you<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to die so badly!<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Volunteering for suicide, are you?<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you born in Tokyo?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was born in Adachi.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you go to Shinjuku a lot?<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is L'Etoile still there?<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard they tore down<br>&nbsp;&nbsp;&nbsp;&nbsp;the Nichigeki theater.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember, after a demonstration<br>&nbsp;&nbsp;&nbsp;&nbsp;march we had at the JNR,<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went there to watch *Abashiri Bangaichi*.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know it? It's a film starring Mr. Ken.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was following our fight<br>&nbsp;&nbsp;&nbsp;&nbsp;with the riot police.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went there as is, in my black<br>&nbsp;&nbsp;&nbsp;&nbsp;helmet, carrying a fighting stick.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was so young back then.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you miss Japan?<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, let me ask you why you're<br>&nbsp;&nbsp;&nbsp;&nbsp;crossing this dangerous bridge, bro.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't imagine it's to<br>&nbsp;&nbsp;&nbsp;&nbsp;put food on your plate.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't a lot of folks who'd do this,<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing that Japan's full of<br>&nbsp;&nbsp;&nbsp;&nbsp;petit bourgeoisies these days.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask me,<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at this point, you and I are both<br>&nbsp;&nbsp;&nbsp;&nbsp;outsiders of that country.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know...<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel empathy towards you.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna know why you've chosen<br>&nbsp;&nbsp;&nbsp;&nbsp;to become an adventurer.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm...<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm different from you.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't group me with people like you!<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? How are you different?<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't chased out or anything.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're different.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were forced into a<br>&nbsp;&nbsp;&nbsp;&nbsp;corner and you escaped.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm young, but I know what you've done.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro, I left Japan, having gambled<br>&nbsp;&nbsp;&nbsp;&nbsp;everything on human activism<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and complete, worldwide revolution.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you have a will and a mission,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not called losing.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about you like that, bro?<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's a difference between us,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's where it is.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have that sort of thing as well.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder. A resolution and a<br>&nbsp;&nbsp;&nbsp;&nbsp;mission are synonymous.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what about you? You don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have a mission anymore, do you?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or at least, you no longer believe in it.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey bro...<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut it out, Takenaka!<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even I understand that this<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese conversation<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has nothing to do with the interrogation!<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, listen up, Japanese guy.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not as kind as this man.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have time.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are the documents?!<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gonna walk from here.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't we keep driving there by car?<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna charge in on them in this<br>&nbsp;&nbsp;&nbsp;&nbsp;piece of crap with a junkie at the wheel.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you! This is the world's<br>&nbsp;&nbsp;&nbsp;&nbsp;greatest four-wheeler, you bitch!<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already sick of being<br>&nbsp;&nbsp;&nbsp;&nbsp;stuck with a drunkard.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up, you fucking Irish.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait here until you get the signal.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you run away, I'll hunt<br>&nbsp;&nbsp;&nbsp;&nbsp;you down and kill you.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My! She says some good<br>&nbsp;&nbsp;&nbsp;&nbsp;things! I agree intensely.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like hell I will!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, don't overdo it.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you drugged up<br>&nbsp;&nbsp;&nbsp;&nbsp;when we make a run for it.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unnecessary to worry about this<br>&nbsp;&nbsp;&nbsp;&nbsp;guy when it comes to that, yes it is.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with his brain off to Mars,<br>&nbsp;&nbsp;&nbsp;&nbsp;his driving is never affected.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, "yes it is" lady.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you prefer your ass be split in four?!<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not nice to make fun of others.<br>&nbsp;&nbsp;&nbsp;&nbsp;You rotten bitch.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard this story a long time ago.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about a man who came to a city.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He went to a street corner,<br>&nbsp;&nbsp;&nbsp;&nbsp;and all alone, he began preaching.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"To make the world a better place..."<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man kept preaching, day after day.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, many expressed interest<br>&nbsp;&nbsp;&nbsp;&nbsp;in what the man had to say.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some even said they would<br>&nbsp;&nbsp;&nbsp;&nbsp;fight alongside him.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, gradually, they all lost interest.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To them, it didn't matter<br>&nbsp;&nbsp;&nbsp;&nbsp;what happened to this world.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the man didn't stop.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even as he aged, with not a single<br>&nbsp;&nbsp;&nbsp;&nbsp;soul listening to him, he continued.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then one day, a child who<br>&nbsp;&nbsp;&nbsp;&nbsp;was walking by asked him,<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why do you continue preaching<br>&nbsp;&nbsp;&nbsp;&nbsp;when there's nobody here?"<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The man answered, "I thought I could<br>&nbsp;&nbsp;&nbsp;&nbsp;change everyone in the beginning.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I realized that it<br>&nbsp;&nbsp;&nbsp;&nbsp;was a hopeless dream.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the reason I won't stop preaching..."<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason I won't stop fighting is, bro...<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, I gambled my whole life on that.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I don't wanna have that become a lie.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well... It seems that you and I<br>&nbsp;&nbsp;&nbsp;&nbsp;really are different, bro.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much shall we hurt him, Takenaka?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't be necessary. He's not<br>&nbsp;&nbsp;&nbsp;&nbsp;a soldier, just a delivery boy.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has no reason to be loyal.<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave him alone and he'll talk.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he doesn't talk by morning,<br>&nbsp;&nbsp;&nbsp;&nbsp;well, we are soldiers, after all.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to pass an informal court<br>&nbsp;&nbsp;&nbsp;&nbsp;hearing and send him to the firing squad.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow? Every minute<br>&nbsp;&nbsp;&nbsp;&nbsp;that passes is hurting us!<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on the brink of determining<br>&nbsp;&nbsp;&nbsp;&nbsp;whether or not the plan goes ahead.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you understand, Takenaka?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so tense, Ibraha.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not him, we'll go after the<br>&nbsp;&nbsp;&nbsp;&nbsp;girl we left at the village.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She might just come waltzing<br>&nbsp;&nbsp;&nbsp;&nbsp;in here to save him. Right?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three at the west gate.<br>&nbsp;&nbsp;&nbsp;&nbsp;Six at the east gate.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only a .50 caliber at the front. Any mines?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. The camp is always moving.<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be too much trouble.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should hurry, though. If your dumb-ass<br>&nbsp;&nbsp;&nbsp;&nbsp;partner talked, we'd suffer a great loss.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. He's tight-lipped.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He won't talk, even if the<br>&nbsp;&nbsp;&nbsp;&nbsp;judge's trumpets sound.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's move in when the sun sets.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ready, "yes it is" lady?<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely. But remember,<br>&nbsp;&nbsp;&nbsp;&nbsp;when this is over,<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll carve some meat off<br>&nbsp;&nbsp;&nbsp;&nbsp;your ass. You whore.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takenaka!<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry for calling you,<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's something bothering me.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I received the reports of the<br>&nbsp;&nbsp;&nbsp;&nbsp;teams investigating Thailand!<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other three were blanks!<br>&nbsp;&nbsp;&nbsp;&nbsp;That Japanese has the key!<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your actions are interfering with<br>&nbsp;&nbsp;&nbsp;&nbsp;the plan, you know! Takenaka!<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... You know very well why<br>&nbsp;&nbsp;&nbsp;&nbsp;this is so important to me.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. What happened with the<br>&nbsp;&nbsp;&nbsp;&nbsp;team we sent into the city?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't change the subject, Takenaka!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not changing the subject.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many hours has it been<br>&nbsp;&nbsp;&nbsp;&nbsp;since the search group left?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why haven't they reported back?<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because...<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the surveillance team<br>&nbsp;&nbsp;&nbsp;&nbsp;at the government camp.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That woman hasn't been found anywhere.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, where is she?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Feels so good you<br>&nbsp;&nbsp;&nbsp;&nbsp;can't pull the trigger?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though men know all about stabbing, they<br>&nbsp;&nbsp;&nbsp;&nbsp;usually haven't experienced being stabbed.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting started, too!<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! I'm in here! Revy!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Baby, baby. Have you been a good boy?<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you promise to behave a<br>&nbsp;&nbsp;&nbsp;&nbsp;little longer, sweetie-pie,<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll even buy you some licorice candy.<br>&nbsp;&nbsp;&nbsp;&nbsp;So, let's get the hell outta here.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is this the dumb-ass?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell is she?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's your change.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Hurry up!<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, come up with a strategy!<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about? Just run!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that's a good plan! Get going!<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whaaat? I have no<br>&nbsp;&nbsp;&nbsp;&nbsp;plans to go anywhere.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your turn to do your job!<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, get this damn thing moving!<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! I forgot! I must go to Liverpool!<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use now. He's super relaxed.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jimi Hendrix is calling me! He's telling<br>&nbsp;&nbsp;&nbsp;&nbsp;me to defeat the Klingons!<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Captain Picard!<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Wait! You're going the wrong way!<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop being an idiot! You've brought us<br>&nbsp;&nbsp;&nbsp;&nbsp;smack into the middle of enemy territory!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. Guess there's no choice now!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those crazy bastards.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All units! After them! Go after<br>&nbsp;&nbsp;&nbsp;&nbsp;those guys that just came through!<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you get them!<br>&nbsp;&nbsp;&nbsp;&nbsp;Corner them and kill them!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Follow me!<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rash behavior won't get you anywhere.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shut up.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, seeing that Rock<br>&nbsp;&nbsp;&nbsp;&nbsp;hasn't snapped yet,<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take that to mean the enemy's<br>&nbsp;&nbsp;&nbsp;&nbsp;not much of an opponent.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at that. Those fools are<br>&nbsp;&nbsp;&nbsp;&nbsp;coming after us in herds.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's perfect.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand how you feel, but Ibraha...<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a mission I've been<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to accomplish for years.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let that damn gangster ruin it!<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. Damn. Damn.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with him?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here they come.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. I talked to that<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese guy. And...<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, paper, scissors!<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lost, damn it! I get leftovers.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my turn after you take out<br>&nbsp;&nbsp;&nbsp;&nbsp;two cars! Did you say something?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, never mind.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I come! I'm gonna fly now!<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What are you doing?!<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Look!<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You idiot! I said don't kill them all!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The left! I get the left, you take the right!<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it! There's no room up here!<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spread out! Watch out so you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;hit any obstacles! After them!<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, look!<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raquel Welch and Jane Fonda<br>&nbsp;&nbsp;&nbsp;&nbsp;are in a footrace!<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh. Really.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Stay down!<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in my way!<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where in the world are you luring me to?!<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be... Could it be...<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The legendary nudist beach?!<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch, there are only thirty<br>&nbsp;&nbsp;&nbsp;&nbsp;minutes until the time limit.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you able to keep your<br>&nbsp;&nbsp;&nbsp;&nbsp;ass relaxed in your seat?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not really. You're free to use any<br>&nbsp;&nbsp;&nbsp;&nbsp;means necessary. That's fine with me.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me, Mr. CIA. Yeah, right<br>&nbsp;&nbsp;&nbsp;&nbsp;on schedule. Don't worry.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut it out with your lousy jokes.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about the money?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't take American Express.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me know when you get it. Later.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What did Hong Kong say?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sir.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You may take the law into your<br>&nbsp;&nbsp;&nbsp;&nbsp;own hands, as deemed necessary.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't let things get too dirty."<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, avoid<br>&nbsp;&nbsp;&nbsp;&nbsp;fighting them head-on.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a tall order.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, for now, all we can do is<br>&nbsp;&nbsp;&nbsp;&nbsp;wish the delivery boys luck.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll start over!<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, paper, scissors again?<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't got time for<br>&nbsp;&nbsp;&nbsp;&nbsp;that. Here they come!<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Barbarella's holding up an<br>&nbsp;&nbsp;&nbsp;&nbsp;anti-war placard in the nude!<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll kill them all!<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they have too much range on<br>&nbsp;&nbsp;&nbsp;&nbsp;us for your weapon. Stay back!<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess I've got no choice.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see what you've got.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smart-ass.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This'll make your eyes roll.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this!<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, she's not all talk, I see. Nice going.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had an M72 or an M242, this would<br>&nbsp;&nbsp;&nbsp;&nbsp;have been a lot easier to finish off.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stupid. Cannons and<br>&nbsp;&nbsp;&nbsp;&nbsp;guns run out of ammo.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the blade and body never malfunction.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the best weapons in the world.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be dumb. Knives can chip.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guns over swords.<br>&nbsp;&nbsp;&nbsp;&nbsp;Nuclear bombs over guns.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, if we had one of those,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would be awesome.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they're designed so that only<br>&nbsp;&nbsp;&nbsp;&nbsp;politicians can get their hands on them.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something wrong<br>&nbsp;&nbsp;&nbsp;&nbsp;with your head, you know.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bakery will sell you bread. Criminals<br>&nbsp;&nbsp;&nbsp;&nbsp;only use such weapons for criminal acts.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! Peace Work is only open<br>&nbsp;&nbsp;&nbsp;&nbsp;to the first three people?!<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gimme a break.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. Have some of this.<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll calm you down.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right! Go after them<br>&nbsp;&nbsp;&nbsp;&nbsp;with all the base's vehicles!<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you cross the DMZ<br>&nbsp;&nbsp;&nbsp;&nbsp;border, don't hesitate!<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charge in and get the documents!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it! The troops will all die!<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give that back!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ibraha! We have a job to do! Ibraha!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ibraha!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know it! No matter what<br>&nbsp;&nbsp;&nbsp;&nbsp;you do or how you do things,<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your son is never coming back.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;DMZ, right?! The camp should<br>&nbsp;&nbsp;&nbsp;&nbsp;be visible any time now.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you feeling, Rock? Having fun yet?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I put it? Running away<br>&nbsp;&nbsp;&nbsp;&nbsp;like this always makes it worse.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I've been running away<br>&nbsp;&nbsp;&nbsp;&nbsp;like this since kindergarten.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's affected him the wrong way.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops, I screwed up. He's such a positive guy,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I thought he'd be okay.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not enough. The mood at<br>&nbsp;&nbsp;&nbsp;&nbsp;the time is just as important.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I talked to the old guy,<br>&nbsp;&nbsp;&nbsp;&nbsp;I acted high and mighty.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it, I tend to blab all<br>&nbsp;&nbsp;&nbsp;&nbsp;I want, then talk myself outta the situation.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, look!<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go again. What is it this time?<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Playmates! There are one hundred<br>&nbsp;&nbsp;&nbsp;&nbsp;Playmates, starting from 1990!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an attack of the Playmates Army!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commander! An unknown vehicle has<br>&nbsp;&nbsp;&nbsp;&nbsp;entered the DMZ! Permission to fire!<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number Three Bunker!<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a guest! Do not fire!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All bunkers and guards!<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not the enemy!<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our job is not a profession.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's our way of life, isn't it, Takenaka?<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there are times<br>&nbsp;&nbsp;&nbsp;&nbsp;when we cannot give in!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ibraha.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scoundrels in Jerusalem<br>&nbsp;&nbsp;&nbsp;&nbsp;and those that protect them<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are all finally within reach!<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show them what the Red Cross<br>&nbsp;&nbsp;&nbsp;&nbsp;camp in Beirut was like in '87!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I've come this far!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commander! Orders, please!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep after the enemy!<br>&nbsp;&nbsp;&nbsp;&nbsp;Charge into the government camp!<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must retreat! Stop!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't lose focus on our<br>&nbsp;&nbsp;&nbsp;&nbsp;goal because of our cause!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Because of our cause," Takenaka?<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't that the whole<br>&nbsp;&nbsp;&nbsp;&nbsp;reason we've been fighting?!<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that why you came<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Beqaa Valley?!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer me, Takenaka!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To all units. Retreat from<br>&nbsp;&nbsp;&nbsp;&nbsp;your present positions.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not return to camp. Make your way<br>&nbsp;&nbsp;&nbsp;&nbsp;to the secondary gathering point.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I were both only<br>&nbsp;&nbsp;&nbsp;&nbsp;looking at our past.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as we kept doing so,<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing ever changed.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although none of it matters now,<br>&nbsp;&nbsp;&nbsp;&nbsp;you were a good comrade.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a tragic story,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't you think, Ibraha?<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has the launderer's<br>&nbsp;&nbsp;&nbsp;&nbsp;delivery boy arrived yet?!<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late, Langley boys!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Langley's been busy!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are too many bastards<br>&nbsp;&nbsp;&nbsp;&nbsp;shitting on freedom and justice!<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where's this thing that's<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to get us excited?!<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap! The briefcase!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have the briefcase! Revy!<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in trouble!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't panic.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Harry Houdini<br>&nbsp;&nbsp;&nbsp;&nbsp;rubs the magic lamp...<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here! Just like that!<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why did we have to<br>&nbsp;&nbsp;&nbsp;&nbsp;save this dumb-ass?!<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys wouldn't have agreed to<br>&nbsp;&nbsp;&nbsp;&nbsp;come unless I said he had it.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all wrinkled and sweaty.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then! Thanks! Next time, deliver<br>&nbsp;&nbsp;&nbsp;&nbsp;it in a more decent manner, will ya?<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, the boss will be pissed!<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and Miss Rebecca!<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the chief at Buffalo Hill and the NYPD<br>&nbsp;&nbsp;&nbsp;&nbsp;27th Precinct heard about you now,<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd shit their pants!<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get me wrong!<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our job is to destroy enemies<br>&nbsp;&nbsp;&nbsp;&nbsp;of the United States!<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not being paid to chase criminals!<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a little something<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to think about<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for someday when we bring<br>&nbsp;&nbsp;&nbsp;&nbsp;you your next job! Bye!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't thanked you yet. Um...<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being ridiculous!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to be so<br>&nbsp;&nbsp;&nbsp;&nbsp;formal with each other.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Rock...<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my...<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you babbling about?!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm never doing you any favors<br>&nbsp;&nbsp;&nbsp;&nbsp;like that again, you pea brain!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All costs associated with rescuing<br>&nbsp;&nbsp;&nbsp;&nbsp;you are coming outta your paycheck!<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wanna be saved again, next time<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd better ask God to do the favors!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gimme a break.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Mr. Ken. What a coincidence.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hello, Mr. "Excuse Me."<br>&nbsp;&nbsp;&nbsp;&nbsp;How was your vacation?<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had a great time.<br>&nbsp;&nbsp;&nbsp;&nbsp;How did things go with you?<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, it was a pain. The trade<br>&nbsp;&nbsp;&nbsp;&nbsp;fell through and I hurt my hip.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, I ended up leaving a<br>&nbsp;&nbsp;&nbsp;&nbsp;close friend after having a fight,<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I even tried pushing what I<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't accomplish onto the young.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was one unpleasant situation after<br>&nbsp;&nbsp;&nbsp;&nbsp;another. I feel like I'm getting old.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there'll be a next time.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, there'll always<br>&nbsp;&nbsp;&nbsp;&nbsp;be a next time, until I die.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There will always be a next time. Bye.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, mister, what is it you do?<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My job?<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see. Yeah,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's finally clear to me now.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My job is to be an enemy of the state.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vampires?<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those words have something<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with vampires.<br>

# 13 - The Vampire Twins Comen

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was it, Big Brother?<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was it that said,<br>&nbsp;&nbsp;&nbsp;&nbsp;"The ultimate love is cannibalism"?<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Edgar Allen Poe?<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Big Sister. He had<br>&nbsp;&nbsp;&nbsp;&nbsp;a case of necrophilia.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Richard Matheson?<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may be right.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if they ever enjoyed this scent.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smell of life flowing out.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scent of iron rust and seawater.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smell of a man's last gasp.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're very fortunate, Big Sister.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps the people of this<br>&nbsp;&nbsp;&nbsp;&nbsp;city will start moving now.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This makes eight people.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We even ended up killing some<br>&nbsp;&nbsp;&nbsp;&nbsp;we hadn't planned on killing.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone will be coming to kill us.<br>&nbsp;&nbsp;&nbsp;&nbsp;This'll be fun, Big Sister...<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Big Brother.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I can't wait.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Lagoon Company here.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hi, Mr. Boris.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? The meeting is cancelled?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Sorry.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be in touch as soon as there's<br>&nbsp;&nbsp;&nbsp;&nbsp;an opening in the captain's schedule.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Rock?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The meeting's apparently cancelled.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe something urgent came up.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think maybe it's that, Dutch?<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's got everyone running around.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you heard anything, Rock?<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killings. There were killings.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to say it, but there's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;unusual about homicide in this city.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, there's nothing unusual about killings.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when they're targeting Hotel<br>&nbsp;&nbsp;&nbsp;&nbsp;Moscow, that's a different story.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Moscow?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five corpses with ties to the Russians<br>&nbsp;&nbsp;&nbsp;&nbsp;have been laid down this past month alone.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, that info's outdated. It's now six.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, someone out there is trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to light the sky with fireworks, Rock.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this city where the balance of<br>&nbsp;&nbsp;&nbsp;&nbsp;power walks a tightrope on its hands.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's gonna be bloodshed<br>&nbsp;&nbsp;&nbsp;&nbsp;before this one's said and done.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another one's been killed.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, it's an accountant. Are we<br>&nbsp;&nbsp;&nbsp;&nbsp;in Beirut? Mogadishu, perhaps?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it, Balalaika.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is why we're having<br>&nbsp;&nbsp;&nbsp;&nbsp;these information sessions.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're living in a period of coexistence.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd prefer to place some importance<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in this equilibrium we've earned<br>&nbsp;&nbsp;&nbsp;&nbsp;after all the bloodshed and bullets.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Balalaika.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Mr. Chang?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did I ever say I wanted coexistence?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go blabbing<br>&nbsp;&nbsp;&nbsp;&nbsp;away again, Fry Face.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An Ivan from the countryside trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;be a queen? You've gotta be joking.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go back to digging your<br>&nbsp;&nbsp;&nbsp;&nbsp;potatoes at your sovkhoz.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I hear the bowels of an<br>&nbsp;&nbsp;&nbsp;&nbsp;Italian smell, like those of a pig.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that true, Verrocchio?<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bitch!<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch your mouths, both of you!<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think the purpose of<br>&nbsp;&nbsp;&nbsp;&nbsp;this information session is, anyway?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, we have grudges against<br>&nbsp;&nbsp;&nbsp;&nbsp;each other that stick with us.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, we're living in a time<br>&nbsp;&nbsp;&nbsp;&nbsp;when we should be cooperating<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the sake of our own benefit.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it'll help our business,<br>&nbsp;&nbsp;&nbsp;&nbsp;then you're free to say anything.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can feed your damn<br>&nbsp;&nbsp;&nbsp;&nbsp;personal honor to the dogs.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what it means to be<br>&nbsp;&nbsp;&nbsp;&nbsp;part of the mafia, right?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Balalaika. This may be news to you,<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but my men have fallen victim as well.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A member connected with the 14K<br>&nbsp;&nbsp;&nbsp;&nbsp;and one directly affiliated executive.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the whorehouse on Rachiada Street.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killed the same way as your guys.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on, Chang?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone's trying to shift the balance!<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abrego! Look at me!<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta be kidding me, Balalaika!<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I've had my share of issues with you,<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but our differences have been resolved!<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then Abrego, you can direct the questions<br>&nbsp;&nbsp;&nbsp;&nbsp;about the true culprit to Verrocchio.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous, Fry Face!<br>&nbsp;&nbsp;&nbsp;&nbsp;We also lost one of our recruiters!<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes nine bodies.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang. These killings weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;done by anyone from the city.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These were done by a drifter.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who doesn't know<br>&nbsp;&nbsp;&nbsp;&nbsp;how things work in this city.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, now that we've determined that<br>&nbsp;&nbsp;&nbsp;&nbsp;these incidents were committed<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by an outside force, we'll work<br>&nbsp;&nbsp;&nbsp;&nbsp;together to hunt down the perpetrator.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will also make a joint declaration.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll avoid unnecessary bloodshed through<br>&nbsp;&nbsp;&nbsp;&nbsp;misunderstandings. Any objections?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like this. It's a farce.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell did you say?!<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cool it with your rashness, Balalaika.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt it's in your best interest<br>&nbsp;&nbsp;&nbsp;&nbsp;to blow up this whole city.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this supposed to be some<br>&nbsp;&nbsp;&nbsp;&nbsp;social gathering, Mr. Chang?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we play a hand of gin rummy?<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason I came here today is so<br>&nbsp;&nbsp;&nbsp;&nbsp;that we can make our positions clear.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Moscow will not forgive<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone who is involved<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in obstructing our operations in any way.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will denounce and destroy them,<br>&nbsp;&nbsp;&nbsp;&nbsp;then kill their parents and siblings.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If necessary, even their pet dog.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, boy.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look. Everyone's carrying a gun.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's as if we've made our way into<br>&nbsp;&nbsp;&nbsp;&nbsp;the world of Clint Eastwood.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a lunatic wandering the streets,<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking he's some sort of punisher.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Punisher.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A giver of punishment.<br>&nbsp;&nbsp;&nbsp;&nbsp;But punishment for what?<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows. Right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur is like popcorn.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's simmering on heat, waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;for the right moment to burst.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard, Revy?<br>&nbsp;&nbsp;&nbsp;&nbsp;They've announced a reward.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fifty grand.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's not local currency.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's U.S. dollars.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. They're really serious about this.<br>&nbsp;&nbsp;&nbsp;&nbsp;We should go for it, too.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have any leads?<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. But normally, an outsider<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't be too difficult to find.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. An outsider would<br>&nbsp;&nbsp;&nbsp;&nbsp;stick out like a sore thumb.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that big of a city, after all.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the case with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Lovelace family's maid.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no one has a clue,<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which could only mean that<br>&nbsp;&nbsp;&nbsp;&nbsp;someone's providing a hideout.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we don't know who. So, like the<br>&nbsp;&nbsp;&nbsp;&nbsp;saying goes, suspicion creates a bugbear.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I really couldn't care less, as long<br>&nbsp;&nbsp;&nbsp;&nbsp;as it doesn't lead to a shooting spree.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You worry too much, Bao.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a neutral district.<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's gonna start anything here.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Howdy, Two-Hands.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're drinking the cheap<br>&nbsp;&nbsp;&nbsp;&nbsp;stuff again! How's business?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda! D-Damn you!<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's she?<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That sister from the Rip Off Church!<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well. You brought the<br>&nbsp;&nbsp;&nbsp;&nbsp;handsome boy with you.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi! How've you been?<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ditch this boar-girl and hang<br>&nbsp;&nbsp;&nbsp;&nbsp;out with me, won't you?<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might've come fishing for men,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this one's off limits. I'll kill you.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you're scary.<br>&nbsp;&nbsp;&nbsp;&nbsp;Hear that, handsome boy?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl's eternally nagged with<br>&nbsp;&nbsp;&nbsp;&nbsp;irregular menstrual periods.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You asked for it, Eda. Come on,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll take this outside!<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get so excited, Two-Guns.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't come here to pick a fight with you.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a great story.<br>&nbsp;&nbsp;&nbsp;&nbsp;One that's worth some hard cash.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has to do with catching<br>&nbsp;&nbsp;&nbsp;&nbsp;that culprit, right?<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know?<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy and I were just talking about that.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt there's a single soul left<br>&nbsp;&nbsp;&nbsp;&nbsp;in the city that doesn't know.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is that so? Man, this isn't fun.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, at least that means<br>&nbsp;&nbsp;&nbsp;&nbsp;less explaining on my part.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some already on<br>&nbsp;&nbsp;&nbsp;&nbsp;the move for the bounty.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The mafia go without saying, but<br>&nbsp;&nbsp;&nbsp;&nbsp;they're also freelance assassins.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I hear, the Yun brothers,<br>&nbsp;&nbsp;&nbsp;&nbsp;Big One Emilio, Ronny CK.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's incredible. This place<br>&nbsp;&nbsp;&nbsp;&nbsp;is a sample city of assassins.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are others, too. Tooth Decay<br>&nbsp;&nbsp;&nbsp;&nbsp;Johnny, for example, is laughable.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He came to order a rifle to hunt<br>&nbsp;&nbsp;&nbsp;&nbsp;elephants. What's he thinking?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He probably thinks he's<br>&nbsp;&nbsp;&nbsp;&nbsp;up against some dinosaur.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he shot a human with that, he'd<br>&nbsp;&nbsp;&nbsp;&nbsp;have nothing left to show but dust.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd better get moving if we want<br>&nbsp;&nbsp;&nbsp;&nbsp;to get our hands on that money.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fifty grand is too large<br>&nbsp;&nbsp;&nbsp;&nbsp;an amount to ignore, Revy.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right about that. Haven't you<br>&nbsp;&nbsp;&nbsp;&nbsp;got any other new information, Eda?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one thing.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Early this morning, the Caribbean Bar<br>&nbsp;&nbsp;&nbsp;&nbsp;on Buran Street was crushed.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Moscow is in position to battle.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having a subordinate killed,<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear Fry Face is furious.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Good to see you.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Any information?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A waiter was found alive.<br>&nbsp;&nbsp;&nbsp;&nbsp;Though he's on his last breath.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what happened--<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They arrived early morning,<br>&nbsp;&nbsp;&nbsp;&nbsp;at about four o'clock.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Twins, dressed like they<br>&nbsp;&nbsp;&nbsp;&nbsp;were gonna attend a funeral.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear they were spooky brats, like<br>
&nbsp;&nbsp;&nbsp;&nbsp;something outta the movie *The Shining.*<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the bartender tells them,<br>&nbsp;&nbsp;&nbsp;&nbsp;"This is no place for kids,"<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they pull out one of your Bougainvillea<br>&nbsp;&nbsp;&nbsp;&nbsp;Trading business cards and say,<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We get our customers from<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Balalaika's place.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were told that tonight, we could find<br>&nbsp;&nbsp;&nbsp;&nbsp;our customers here. Haven't you heard?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go around to the back.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Thank you, mister.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our customers will recognize<br>&nbsp;&nbsp;&nbsp;&nbsp;us as soon as they see us.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll use that corner, okay?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If at that moment,<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the bartender had the foresight to<br>&nbsp;&nbsp;&nbsp;&nbsp;contact you, he wouldn't have been killed.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His luck ran out when he decided<br>&nbsp;&nbsp;&nbsp;&nbsp;not to call you at such a late hour.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moments later, your staff came on time<br>&nbsp;&nbsp;&nbsp;&nbsp;to collect the evening's earnings.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The collector asked how business was,<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as the bartender said, "Not too great"...<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, there.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna play with us?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, mister. Let's play.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sakharov! It's them!<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the ones!<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They figured it out. These men<br>&nbsp;&nbsp;&nbsp;&nbsp;are pretty clever, Big Sister.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother, we need to do this better.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be helped, can it?<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do, Big Sister?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess we have no choice.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll call upon an angel for them.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say heaven's a nice place,<br>&nbsp;&nbsp;&nbsp;&nbsp;after all. Right, Big Brother?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you mustn't. You mustn't run away.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister, let's bring<br>&nbsp;&nbsp;&nbsp;&nbsp;that one back with us!<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll play with him until our next job!<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, let's do that, Big Brother.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Big Sister.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy's heavy, Big Sister. Help me.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a boy, Big Brother.<br>&nbsp;&nbsp;&nbsp;&nbsp;Ladies don't carry heavy things.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, after they pushed the collector<br>&nbsp;&nbsp;&nbsp;&nbsp;onto a car that had been parked close by,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they returned and fired rounds<br>&nbsp;&nbsp;&nbsp;&nbsp;until no remaining body moved.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the make of the car?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's license number?<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A black sedan. All we know<br>&nbsp;&nbsp;&nbsp;&nbsp;is that it's a Japanese make.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're still searching for its whereabouts.<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and one other thing.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're white, but not from<br>&nbsp;&nbsp;&nbsp;&nbsp;an English-speaking nation.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They apparently gave<br>&nbsp;&nbsp;&nbsp;&nbsp;greetings in an unusual language.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. *Bună seara.*<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And also, they said the following<br>&nbsp;&nbsp;&nbsp;&nbsp;when calling each other--<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fratti mai soul. Soula mai mare.*<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watsap. Don't let any of this<br>&nbsp;&nbsp;&nbsp;&nbsp;information leak to the outside.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the Peace Corps interfere,<br>&nbsp;&nbsp;&nbsp;&nbsp;it could be troublesome.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know. I like this city, too.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, hey, Balalaika!<br>&nbsp;&nbsp;&nbsp;&nbsp;We're also joining in on the hunt!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reward's open to cops too, right?!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He disgusts me. I could puke.<br>&nbsp;&nbsp;&nbsp;&nbsp;But this was an error on my part.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believed that as long as I sent<br>&nbsp;&nbsp;&nbsp;&nbsp;my soldiers in two-man cells,<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they would be safe.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sakharov and Menshov clearly<br>&nbsp;&nbsp;&nbsp;&nbsp;had their guard down, Captain.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, who'd expect the<br>&nbsp;&nbsp;&nbsp;&nbsp;assassins to be children?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember Panjshir.<br>&nbsp;&nbsp;&nbsp;&nbsp;Half the enemies were children.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even souls can accumulate fat.<br>&nbsp;&nbsp;&nbsp;&nbsp;Our souls included.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly, Captain. We shall be<br>&nbsp;&nbsp;&nbsp;&nbsp;cautious about this in the future.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Comrade, I do not wish for our<br>&nbsp;&nbsp;&nbsp;&nbsp;combat power to dip any further.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hire an investigative team<br>&nbsp;&nbsp;&nbsp;&nbsp;from outside our organization.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think of them as pawns we can discard.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eight soldiers from that joint<br>&nbsp;&nbsp;&nbsp;&nbsp;base have now died in battle.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how many die, it's not<br>&nbsp;&nbsp;&nbsp;&nbsp;something you ever get used to.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since that day we pledged,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're prepared to die in battle.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Private Sakharov<br>&nbsp;&nbsp;&nbsp;&nbsp;would have said the same.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let them kill any more, Sergeant.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will have those kids pay for<br>&nbsp;&nbsp;&nbsp;&nbsp;Comrade Sakharov's life with their blood.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will direct my anger and<br>&nbsp;&nbsp;&nbsp;&nbsp;hatred at them as I kill them!<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, boy.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are things coming along?<br>&nbsp;&nbsp;&nbsp;&nbsp;Has anyone caught the fish yet?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. But this isn't good.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One mistake and this<br>&nbsp;&nbsp;&nbsp;&nbsp;thing could get outta hand.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll make a typhoon seem<br>&nbsp;&nbsp;&nbsp;&nbsp;like a summer breeze.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balalaika is planning on using<br>&nbsp;&nbsp;&nbsp;&nbsp;the services of Visotoniki.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Visotoniki?<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's nuts.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she trying to flip the city upside down?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commando unit. In their Ivan language,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're known as the Visotoniki.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're subordinates of that woman<br>&nbsp;&nbsp;&nbsp;&nbsp;from before Hotel Moscow existed.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With her at the head,<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;each and every one of them<br>&nbsp;&nbsp;&nbsp;&nbsp;functioned as a killing machine.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Repatriated soldiers of the Afghanistan<br>&nbsp;&nbsp;&nbsp;&nbsp;war with significant battle experience,<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're known to have received enough<br>&nbsp;&nbsp;&nbsp;&nbsp;training to fight a third World War.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what sets them<br>&nbsp;&nbsp;&nbsp;&nbsp;apart from other mafia.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each having the ability to<br>&nbsp;&nbsp;&nbsp;&nbsp;command and show no mercy.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd hate to be anywhere near<br>&nbsp;&nbsp;&nbsp;&nbsp;them when they're pissed off...<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need at least a two hundred mile radius.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ My mother has killed me ♪<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ My father's eating me ♪<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ My brothers and sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;sit under the table ♪<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Pickin' up my bones,<br>&nbsp;&nbsp;&nbsp;&nbsp;and they bury them ♪<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Under the cold ♪<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the hell are you guys...<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? We're changing our clothes.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The blood has dried and is like glue,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they can't be worn any more.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a lot of fun, you know.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you stick a needle into his head,<br>&nbsp;&nbsp;&nbsp;&nbsp;he twitches like a fish.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He still moves, even though<br>&nbsp;&nbsp;&nbsp;&nbsp;he's no longer breathing.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's called spinal reflexes.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boss is red as a lobster with anger!<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look. I only said to dissect that Ivan bitch!<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never said anything about<br>&nbsp;&nbsp;&nbsp;&nbsp;kidnapping subordinates<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and using them as dart targets!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now would be a good time to put<br>&nbsp;&nbsp;&nbsp;&nbsp;an end to this and leave the city!<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had enough of babysitting you!<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe those damn brats!<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're far worse than having<br>&nbsp;&nbsp;&nbsp;&nbsp;a couple loose screws up there.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moretti! Those two are<br>&nbsp;&nbsp;&nbsp;&nbsp;totally sick in the head.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No kidding. Now we've gotta<br>&nbsp;&nbsp;&nbsp;&nbsp;get rid of that corpse, too.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't just call a cleaner<br>&nbsp;&nbsp;&nbsp;&nbsp;to do the job, damn it!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the phantom killer<br>&nbsp;&nbsp;&nbsp;&nbsp;know what he's dealing with?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, the killer's gotta be crazy.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world, we come across<br>&nbsp;&nbsp;&nbsp;&nbsp;them every once in a blue moon.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're known as seeds of evil.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're outsiders, considered to be extra<br>&nbsp;&nbsp;&nbsp;&nbsp;baggage, even in the underground world.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usually, they go recklessly<br>&nbsp;&nbsp;&nbsp;&nbsp;wild and wind up dead.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once in a while, you get one<br>&nbsp;&nbsp;&nbsp;&nbsp;that's got instincts like a beast<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a clever mind, they somehow survive.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way for these guys to live<br>&nbsp;&nbsp;&nbsp;&nbsp;is to go nuts and spread calamity.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one thing that they all have in<br>&nbsp;&nbsp;&nbsp;&nbsp;common is they hate all kinds of things.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only do they hate things,<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but because they hate so many<br>&nbsp;&nbsp;&nbsp;&nbsp;things with a vengeance,<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they no longer remember what they hate.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, they involve everything<br>&nbsp;&nbsp;&nbsp;&nbsp;around them and blow everything up.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, only the individual really<br>&nbsp;&nbsp;&nbsp;&nbsp;knows what's going on in his head.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My own mind's filled with<br>&nbsp;&nbsp;&nbsp;&nbsp;secondhand knowledge from prison.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She asked for you by name. It's the<br>&nbsp;&nbsp;&nbsp;&nbsp;lady of the hour, Miss Balalaika.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Big Sister.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to give it a try.<br>&nbsp;&nbsp;&nbsp;&nbsp;We've never tried an Ivan before.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Big Sister. I mean those guys.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll get rid of them, eventually.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate being scolded and being hit.<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes me wanna cry.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you agree, Big Brother?<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Bună seara.*<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has the nuance of something Italian.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought, given the work<br>&nbsp;&nbsp;&nbsp;&nbsp;you're in, you might know.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I meant former work.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Bună seara.*<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then how about the phrase,<br>
&nbsp;&nbsp;&nbsp;&nbsp;"*Soula mai mare*"?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything will do. Whatever comes to mind.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A place, a name...<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sorta recall someone from the European<br>&nbsp;&nbsp;&nbsp;&nbsp;branch teaching me something similar.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't quite put my finger on it.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vampire?<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that? What do<br>&nbsp;&nbsp;&nbsp;&nbsp;you mean by that, Rock?<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those words have something<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with vampires.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It smells very strongly<br>&nbsp;&nbsp;&nbsp;&nbsp;of blood, Big Brother.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take a bath.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's such a nice scent. You're<br>&nbsp;&nbsp;&nbsp;&nbsp;wasting a good thing, Big Sister.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Chinese woman from Lagoon Company<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the sister from the<br>&nbsp;&nbsp;&nbsp;&nbsp;Rip Off Church are also with them.<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crush them if necessary.<br>

# 14 - Bloodsport Fairytale

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you finished getting<br>&nbsp;&nbsp;&nbsp;&nbsp;changed, Big Sister?<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. We won't be coming back here.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's gather what we need and go.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, Big Sister.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, Big Brother. Please become Big Sister.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Big Brother.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we go, Big Sister?<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget our tickets and passports.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not. Without them,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can't go anywhere.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they won't let us through anywhere.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let us be on our way, Big Brother.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Yes. That's precisely it.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what reminded me. Yes.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Rock. I'll be sure<br>&nbsp;&nbsp;&nbsp;&nbsp;to return the favor sometime.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock was able to give me the answer.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kids are from Count Dracula's<br>&nbsp;&nbsp;&nbsp;&nbsp;home country.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're Romanian.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was Romanian!<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Romanian troops at Kabul<br>&nbsp;&nbsp;&nbsp;&nbsp;were speaking similar words.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should've known.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, as people get older, remembering<br>&nbsp;&nbsp;&nbsp;&nbsp;things becomes quite the task.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it, Sergeant.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same with me.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant. Rowan, the owner of the<br>&nbsp;&nbsp;&nbsp;&nbsp;pink shop on Rachiada Street,<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;secretly sells illegal videos, doesn't he?<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, he does. What about Rowan?<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got rid of unwanted company,<br>&nbsp;&nbsp;&nbsp;&nbsp;have you, Chang?<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a delicate meeting. It would<br>&nbsp;&nbsp;&nbsp;&nbsp;be so much nicer if this were a date.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't enjoy a matinee with the<br>&nbsp;&nbsp;&nbsp;&nbsp;smell of blood lingering, now can you?<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang, we now know who they are.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an intriguing subject.<br>&nbsp;&nbsp;&nbsp;&nbsp;How'd you find out?<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, we found out what we<br>&nbsp;&nbsp;&nbsp;&nbsp;needed from an item Rowan sells.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rowan, the porn shop guy?<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You called him to your office?<br>&nbsp;&nbsp;&nbsp;&nbsp;He must've been scared as hell.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough to create a masterpiece in his pants.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an unfortunate man.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I demanded from him was kiddie porn.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or a snuff film starring Romanian<br>&nbsp;&nbsp;&nbsp;&nbsp;twins. He came up with 250 titles.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again, very unfortunate.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tackled those 250 made-for-pervert<br>&nbsp;&nbsp;&nbsp;&nbsp;videos all night and half the next day.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, finally, bingo.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hansel and Gretel.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what they were called in the video.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Following the change of<br>&nbsp;&nbsp;&nbsp;&nbsp;government in Romania,<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;many children were sold to the black market<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by facilities that could no<br>&nbsp;&nbsp;&nbsp;&nbsp;longer take care of them.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Illegitimate children of the dead dictator.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Treated like toys by sick perverts, they<br>&nbsp;&nbsp;&nbsp;&nbsp;eventually ended up as food for the pigs.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how were these kids, destined for<br>&nbsp;&nbsp;&nbsp;&nbsp;the same fate, able to get away?<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For entertainment, the sick fools decided<br>&nbsp;&nbsp;&nbsp;&nbsp;to let them take part in some killings.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killings of sacrificed children,<br>&nbsp;&nbsp;&nbsp;&nbsp;much like themselves.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to survive from<br>&nbsp;&nbsp;&nbsp;&nbsp;one night to the next,<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;these kids desperately learned how to kill<br>&nbsp;&nbsp;&nbsp;&nbsp;in ways that would please the perverts.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And over time, the kids would<br>&nbsp;&nbsp;&nbsp;&nbsp;come to accept all of it.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They left the world of blue skies and<br>&nbsp;&nbsp;&nbsp;&nbsp;fell into the pitch-black shadows.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stunt dogs for video entertainment.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a brutal story.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It suits our world perfectly.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I sometimes feel I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;walking on this huge piece of shit.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stuff like morality and<br>&nbsp;&nbsp;&nbsp;&nbsp;justice just don't suit me.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Words like that are surprisingly similar<br>&nbsp;&nbsp;&nbsp;&nbsp;to the stuff that comes outta your ass.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have about the same amount<br>&nbsp;&nbsp;&nbsp;&nbsp;of sympathy for those kids<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as I have for the idiots selling<br>&nbsp;&nbsp;&nbsp;&nbsp;missiles while preaching about peace.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm merely telling you what I know.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have no need for justice.<br>&nbsp;&nbsp;&nbsp;&nbsp;All we need is profit and trust.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we got to Rowan, the rest was simple.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So, this is where it came from.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having their own killed does work<br>&nbsp;&nbsp;&nbsp;&nbsp;as a perfect alibi, doesn't it?<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were intended for show.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as if they ever learned manners.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They scatter trouble and create shit.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your men just happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to get caught in the blast.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the reason,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're gonna have to pay for it.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?! Damn it!<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They only have to get rid of that lady fox,<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;yet they keep adding unwanted dead bodies!<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we just call it quits?<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we stop now, we could still get away<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by saying we got rid of the nutjob<br>&nbsp;&nbsp;&nbsp;&nbsp;that wreaked havoc in town.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're gonna get rid of those<br>&nbsp;&nbsp;&nbsp;&nbsp;kids without causing a commotion,<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;now would be the time.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare a petty underling like<br>&nbsp;&nbsp;&nbsp;&nbsp;you talk back to your boss!<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Boss! They're too much to handle!<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we called those damn kids<br>&nbsp;&nbsp;&nbsp;&nbsp;over here in the first place?!<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you agree it's about time to<br>&nbsp;&nbsp;&nbsp;&nbsp;change the color of this city, Chang?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There'd no longer be a purpose<br>&nbsp;&nbsp;&nbsp;&nbsp;for the information sessions.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gonna start another war?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather you refer to it as a controlled<br>&nbsp;&nbsp;&nbsp;&nbsp;conflict. We have reason and motive.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it's a war with a just cause. I never<br>&nbsp;&nbsp;&nbsp;&nbsp;thought of you as the type for pretty talk.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's simply a matter of whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not it works as an excuse.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have the dogs chew on<br>&nbsp;&nbsp;&nbsp;&nbsp;whether or not it's just.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Join us or forget about it. It's your call.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got a point.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not something I should need<br>&nbsp;&nbsp;&nbsp;&nbsp;to consult my country about.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one and only thing that can<br>&nbsp;&nbsp;&nbsp;&nbsp;be trusted in this world is power.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this mean we'll be seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;the gunman within you again?<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you, Babe.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't dislike standing in the gaming room,<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but right now, I have a position<br>&nbsp;&nbsp;&nbsp;&nbsp;to protect. Such a drag.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and one other thing--<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't call me "Babe." I hate that nickname.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kapitän*?<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant. Chang has<br>&nbsp;&nbsp;&nbsp;&nbsp;agreed to our suggestion.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As of this moment, we will form a<br>&nbsp;&nbsp;&nbsp;&nbsp;common front with the Hong Kong Triad.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Send a message to our fellow comrades.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Standby for assumed battle,<br>&nbsp;&nbsp;&nbsp;&nbsp;from nineteen-o-five hours.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recite "Regulation 217, Case Five."<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Standby for assumed battle,<br>&nbsp;&nbsp;&nbsp;&nbsp;from nineteen-o-five hours.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A snatch mission within the<br>&nbsp;&nbsp;&nbsp;&nbsp;city's controlled battlegrounds.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct. Chaos is to be expected.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The city is like a festival with everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to get their hands on the reward.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The festive spirit is a good thing, *Kapitän*.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the better if it comes from<br>&nbsp;&nbsp;&nbsp;&nbsp;the sound of bullets being fired.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right about that, Sergeant.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the only type of war we<br>&nbsp;&nbsp;&nbsp;&nbsp;can be involved in right now.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll deal with it with respect.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, the Bosses of Palermo<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have expressed an interest<br>&nbsp;&nbsp;&nbsp;&nbsp;in this damn, boring city!<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're fed up with me because I<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't been able to take control!<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen very carefully, you damn bastards!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless I do something about it now,<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you know what will happen to me at<br>&nbsp;&nbsp;&nbsp;&nbsp;the next meeting of the top brass?!<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... um, Boss?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... um... the twins...<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Those kids...<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I thought I told you not to come here!<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?!<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of us talked it<br>&nbsp;&nbsp;&nbsp;&nbsp;over and made a decision.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?!<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have borscht for our main dish.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll start with macaroni.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't mess with me, y-you damn brats!<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like the macaroni is thoroughly boiled.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You damn kids!<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna die now, do you?!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss Chang. We've completely<br>&nbsp;&nbsp;&nbsp;&nbsp;surrounded the building.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll move in as soon as you give the order.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cho.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd be wise to keep your head low.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our job has just been changed to hunting.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Contact Hotel Moscow.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to do them a favor they'll<br>&nbsp;&nbsp;&nbsp;&nbsp;feel obliged to pay back.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. The police are on the move.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're about to close off the main street.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There appears to have been some<br>&nbsp;&nbsp;&nbsp;&nbsp;movement around the Verrocchio family.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! We'll never reach the<br>&nbsp;&nbsp;&nbsp;&nbsp;prize from the bleachers!<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. Stop shouting, Eda.<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where do we meet?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Joey got a room at the<br>&nbsp;&nbsp;&nbsp;&nbsp;Palcana Square. Get here quickly!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, boy. The blasting fuse has been lit.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no stopping the<br>&nbsp;&nbsp;&nbsp;&nbsp;bomb from exploding now.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All units, attention!<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fellow comrades. Earlier tonight,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Verrocchio Family was assaulted.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there are no changes to our<br>&nbsp;&nbsp;&nbsp;&nbsp;plan. We expected this to happen.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We commence our plan now!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My brave fellow comrades.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Private Sakharov and Corporal Menshov<br>&nbsp;&nbsp;&nbsp;&nbsp;were very special comrades.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will light the sacred light of repose!<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The souls of our passed comrades will<br>&nbsp;&nbsp;&nbsp;&nbsp;turn our guns into a goddess of revenge!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the judgment of our Kalashnikovs,<br>&nbsp;&nbsp;&nbsp;&nbsp;tear apart their gills<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with your 5.45-millimeter AK-47s!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss Chang. A message from Hotel Moscow.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We have a dangerous<br>&nbsp;&nbsp;&nbsp;&nbsp;situation. Retreat at once."<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty clever.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, it's too late now. Cho. Duck!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Duck!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad! You're pretty good!<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, young lady!<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, we don't have the<br>&nbsp;&nbsp;&nbsp;&nbsp;time to be dealing with you.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe some other time.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a relief.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The source of the fire is<br>&nbsp;&nbsp;&nbsp;&nbsp;the Verrocchio Family.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watsap is questioning the Triad.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This route is now much closer to the gold.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the opening of a Carnival Night Party.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hallelujah!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen. It's a Japanese-make black sedan.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if they get rid of the car,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have no way of knowing.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't matter. Shoot anyone who passes by.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't push!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Come here.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Eda?<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just realized a moment ago.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something odd about this, Revy.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop beating around the bush.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Balalaika.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no one in this world that<br>&nbsp;&nbsp;&nbsp;&nbsp;wants revenge more than that lady,<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;yet she hasn't appeared on this street.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, come to think of it.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? If this were really where it's going<br>&nbsp;&nbsp;&nbsp;&nbsp;down, we'd be shut out of here by now.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where would those twins go?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're two kids with no logic,<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if they were after anyone,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'd be Balalaika herself.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything else would be a feint, or rather<br>&nbsp;&nbsp;&nbsp;&nbsp;a stopover to get to their destination.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balalaika got the Visotonikis moving so<br>&nbsp;&nbsp;&nbsp;&nbsp;that she could fuck those twins herself.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The soldiers are all pragmatists.<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't act on speculation.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The twins will try to outwit them.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's treating this like they're<br>&nbsp;&nbsp;&nbsp;&nbsp;hunting deer in the mountains of Montana.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But these are no deer. The twins are<br>&nbsp;&nbsp;&nbsp;&nbsp;coyotes. They won't be easy prey.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. If they were the type to get<br>&nbsp;&nbsp;&nbsp;&nbsp;their asses stuck in this kinda trap,<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd have been resting<br>&nbsp;&nbsp;&nbsp;&nbsp;below a tombstone long ago.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You catch on quickly for someone<br>&nbsp;&nbsp;&nbsp;&nbsp;with no education, Revy.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, which alley will get us to<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Moscow quickest from here?<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Through the Chalquam Market and<br>&nbsp;&nbsp;&nbsp;&nbsp;straight along Saatanam Street.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But more importantly, you have no<br>&nbsp;&nbsp;&nbsp;&nbsp;education either, you lust demon!<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for your loss, Chang.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'd have known those kids were there,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've brought some of my top guys.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, I've gotta walk<br>&nbsp;&nbsp;&nbsp;&nbsp;home now. This is too much.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I took care of Watsap for you.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured you could do<br>&nbsp;&nbsp;&nbsp;&nbsp;without him in your way,<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I sent him off to<br>&nbsp;&nbsp;&nbsp;&nbsp;nowhere on a hunting spree.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can pay me back later somehow.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You certainly have all the<br>&nbsp;&nbsp;&nbsp;&nbsp;angles covered. I owe you one.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything's going according<br>&nbsp;&nbsp;&nbsp;&nbsp;to plan on our end, Chang.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first march will commence any time now.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There it is! It's that car!<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no mistake about it.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a Japanese-make black sedan!<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are the twins in it?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't see through the tinted windows!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wait to check? Blast 'em!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! You idiot!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to hell!<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did we get 'em?<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That kid isn't white!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's one of the local kids! Damn it!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We missed! Shit!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watsap's headed south for the fishing port.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where the catch is!<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring the car around!<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll smoke those kids out!<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As we expected, right, Big Sister?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having someone take over your identity<br>&nbsp;&nbsp;&nbsp;&nbsp;for 5,000 baht? Now that's pretty cheap.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I kinda feel sorry for him.<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he was an orphan.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be helped, Big Sister.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You either kill or get killed in this world.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right, Big Brother.<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be helped.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Big Sister.<br>&nbsp;&nbsp;&nbsp;&nbsp;So, let's kill. Let's kill more.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enemy located.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The squad behind Chalquam Street<br>&nbsp;&nbsp;&nbsp;&nbsp;has located the enemy.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A diversionary attack was executed.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which direction are they headed now?<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;East, as planned.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should come to<br>&nbsp;&nbsp;&nbsp;&nbsp;Ladoga Point any time now.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target has turned left.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're proceeding along<br>&nbsp;&nbsp;&nbsp;&nbsp;the course properly.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After Squad Three opened fire on them,<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they left Ladoga Point and are now<br>&nbsp;&nbsp;&nbsp;&nbsp;headed to Livinsk. We'll be standing by.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Send a squad over to Hamipon Street.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make certain there's only one floodgate.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have the squads retreat as soon<br>&nbsp;&nbsp;&nbsp;&nbsp;as they've done their part.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their main objective is to guide the enemy.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which squad was that?<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not fully set up in that direction yet.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be a hunter. All units report back!<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get rid of anyone who gets in our way.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. Don't move, damn brats.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll find yourself in trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;roaming the streets this late at night.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially tonight when the<br>&nbsp;&nbsp;&nbsp;&nbsp;whole town is out on a manhunt.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really should think about<br>&nbsp;&nbsp;&nbsp;&nbsp;worshipping God more often.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, hey, hey.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I ask you a question?<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the bounty being<br>&nbsp;&nbsp;&nbsp;&nbsp;offered on our heads?<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eighty grand. Don't move!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. That's pretty good.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'd like to discuss something with you.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have with me money I<br>&nbsp;&nbsp;&nbsp;&nbsp;brought from Verrocchio's office.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could go at it here, but there<br>&nbsp;&nbsp;&nbsp;&nbsp;are things we wanna take care of.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you accept 100,000 and<br>&nbsp;&nbsp;&nbsp;&nbsp;pretend you never saw us?<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta be kidding me.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not gonna be used by some kid.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what about 150,000?!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... Um, well, let's see...<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do, Revy?!<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you hesitating for, Eda?<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;80 grand, 150 grand,<br>&nbsp;&nbsp;&nbsp;&nbsp;and their lives! We'll take it all!<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've relocated the target.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Chinese woman from Lagoon Company<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the sister from the<br>&nbsp;&nbsp;&nbsp;&nbsp;Ripoff Church are also there.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have nothing to do with our operation.<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have to, crush them.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smell of blood and rotten sewers.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I are the same thing!<br>

# 15 - Swan Song at Dawn

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I'm offering 150 thousand?<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't matter! Kill them.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then don't forget to pick up the cash<br>&nbsp;&nbsp;&nbsp;&nbsp;on the ground when you're done!<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Do not move, guys!<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negotiations have been broken off.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There they are!<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jodorowsky here!<br>&nbsp;&nbsp;&nbsp;&nbsp;Encountered enemy at Point Pskov!<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you!<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it, Eda! It's Hotel Moscow!<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've come out, Big Sister.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Russians!<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Big Sister, let's confuse the Russians.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can randomly eliminate a few,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll return to their main base for sure.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well, Big Brother.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take separate routes<br>&nbsp;&nbsp;&nbsp;&nbsp;and corner the Russians!<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you success, Big Sister.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Big Brother.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love you.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I love you.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We lost the targets during combat.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we've clearly shown<br>&nbsp;&nbsp;&nbsp;&nbsp;ourselves to the enemy.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instruct them to proceed and assume<br>&nbsp;&nbsp;&nbsp;&nbsp;that the enemy has taken the bait.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. All units, continue with the plan.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lavochek Unit, Lobosfski Unit,<br>&nbsp;&nbsp;&nbsp;&nbsp;complete level two preparations<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and proceed to the final location.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target Two located behind<br>&nbsp;&nbsp;&nbsp;&nbsp;Jodorowsky as he's retreating.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confirm the number of targets. At once!<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Baronin to Okchabriagin.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have only sighted Target Two.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I repeat, I have only sighted Target Two.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Private Eugene here. We have located<br>&nbsp;&nbsp;&nbsp;&nbsp;the target that is following Jodorowsky.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We only see one body from here as well.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target Two is securely locked<br>&nbsp;&nbsp;&nbsp;&nbsp;on to Jodorowsky's ass.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll drag him along to the planned location.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, only Target Two has taken the bait?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's correct.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine. Then make sure to<br>&nbsp;&nbsp;&nbsp;&nbsp;corner that one without mistake.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take anything for granted.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're extremely clever.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let them believe that<br>&nbsp;&nbsp;&nbsp;&nbsp;they have the advantage.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With that in mind, proceed to the<br>&nbsp;&nbsp;&nbsp;&nbsp;next stage and stir up confusion.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have my subordinates<br>&nbsp;&nbsp;&nbsp;&nbsp;take them on mafia-style.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to worry, we're almost at the park<br>&nbsp;&nbsp;&nbsp;&nbsp;entrance. We'll make the first shot.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focus all your efforts on getting<br>&nbsp;&nbsp;&nbsp;&nbsp;the target disturbed and furious.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frustration will dull the target's senses.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when we'll turn the tables.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant, it's time.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take command of the final unit.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Best of luck to you, Captain.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. And you be careful, too.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, guess it's about time we put an<br>&nbsp;&nbsp;&nbsp;&nbsp;end to this boisterous merrymaking.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you expect me to return<br>&nbsp;&nbsp;&nbsp;&nbsp;to the church empty-handed?<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should've agreed to that offer!<br>&nbsp;&nbsp;&nbsp;&nbsp;You got too greedy!<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you!<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think it was that saved you<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from getting your balls torn off by<br>&nbsp;&nbsp;&nbsp;&nbsp;those guys from Hotel Moscow?! Well?!<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was born without balls,<br>&nbsp;&nbsp;&nbsp;&nbsp;you monkey-girl! Idiot!<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're asking for it, you shit!<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have a duel!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like fun, Revy!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, it will be more fun after<br>&nbsp;&nbsp;&nbsp;&nbsp;you get more holes in your ass!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I really don't care anymore.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't get a penny outta this.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going back to the office.<br>&nbsp;&nbsp;&nbsp;&nbsp;Call me if something comes up.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait! What about me?!<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna walk into the line<br>&nbsp;&nbsp;&nbsp;&nbsp;of fire alone to go get my car!<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me, Revy! We're friends, right?<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can go on your own. You're not a kid.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha...<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you be so cruel?!<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, miss.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long have you been there?<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting until you were alone.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't wanna face the<br>&nbsp;&nbsp;&nbsp;&nbsp;two of you all by myself.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I want<br>&nbsp;&nbsp;&nbsp;&nbsp;you to help me with.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as Big Brother kills the<br>&nbsp;&nbsp;&nbsp;&nbsp;Russian lady, we'll have to flee.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we killed Verocchio and his men,<br>&nbsp;&nbsp;&nbsp;&nbsp;who were supposed to arrange all that.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fool. You knew all that,<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet you killed your guardian?<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, now you no longer have<br>&nbsp;&nbsp;&nbsp;&nbsp;an obligation to kill Balalaika.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, why continue? Why?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Why, you ask? What a<br>&nbsp;&nbsp;&nbsp;&nbsp;question. That's so funny!<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because we want to. There's no other<br>&nbsp;&nbsp;&nbsp;&nbsp;reason at all. We want to, so we do it.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's not important right now.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to introduce me<br>&nbsp;&nbsp;&nbsp;&nbsp;to an escape specialist.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want someone who takes their<br>&nbsp;&nbsp;&nbsp;&nbsp;job seriously. Tell me, miss.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to hide. Come out here.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could tell I was here.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're amazing, lady.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no wonder your<br>&nbsp;&nbsp;&nbsp;&nbsp;subordinates are so skilled.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I chased them all over,<br>&nbsp;&nbsp;&nbsp;&nbsp;but couldn't kill a single one.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, what do you suggest we do, lady?<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we take advantage of<br>&nbsp;&nbsp;&nbsp;&nbsp;this opportunity and talk?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps we can talk<br>&nbsp;&nbsp;&nbsp;&nbsp;about that man we killed.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone else would've died a lot sooner,<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that man lasted for quite some time.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He kept yelling to the very end,<br>&nbsp;&nbsp;&nbsp;&nbsp;"Captain! Captain!"<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over and over, while spitting out blood.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a cold person, lady.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know what? You'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;like that man soon enough.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a shame that you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have much time left.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That really is a shame.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to say this, little boy,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is the end of the road for you.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before that,<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to apologize for<br>&nbsp;&nbsp;&nbsp;&nbsp;your mischievous pranks.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, kid.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all, kneel there before me.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not serious.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kneel!<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the end for you, kid.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only you had the ability to use<br>&nbsp;&nbsp;&nbsp;&nbsp;reason, you would've realized...<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that you walked straight into a trap.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you're gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;die here, as nothing but...<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a brat beyond repair.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lady, you're funny. What are you saying?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not die. I'm not gonna die.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I've killed so many people!<br>&nbsp;&nbsp;&nbsp;&nbsp;We've killed many, many...<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...many, many...<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...people. Therefore we can live on...<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that much longer.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can... We can add on to our life.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will never die. Yes.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll live on eternally.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's your religion, is it?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a wonderful way of thinking.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the correct answer is, as the<br>&nbsp;&nbsp;&nbsp;&nbsp;song goes, "No one lives forever."<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you have it.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I could kill you<br>&nbsp;&nbsp;&nbsp;&nbsp;by torturing you cruelly.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the least I could do<br>&nbsp;&nbsp;&nbsp;&nbsp;to even come close<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to what you did to my subordinates.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But unfortunately,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not as vulgar as you are.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I'm just going to<br>&nbsp;&nbsp;&nbsp;&nbsp;watch you die from here.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging from your wounds,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have ten minutes at the most.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dedicate these few minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;before you leave this world<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to Saharov and Menshov's souls.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You probably wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to understand.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't cry, you fool.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain?<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm finished on my end.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That wasn't good, Captain.<br>&nbsp;&nbsp;&nbsp;&nbsp;I was chilled to the bone.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had you stick with me<br>&nbsp;&nbsp;&nbsp;&nbsp;through all this selfishness.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting too old for this.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little exhausted.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's got a great singing voice.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to believe it's the voice<br>&nbsp;&nbsp;&nbsp;&nbsp;of a crazed, bloodthirsty murderer.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her voice alone is that of an angel.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this has really taken an odd turn.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can say that again.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bloodthirsty murderer that starred<br>&nbsp;&nbsp;&nbsp;&nbsp;in the night of terror in Roanapur<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is now our client.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's fine by me. She's a client,<br>&nbsp;&nbsp;&nbsp;&nbsp;just the same. So, where's Revy?<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, she was really<br>&nbsp;&nbsp;&nbsp;&nbsp;pissed off about that girl,<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but right now, she's outside<br>&nbsp;&nbsp;&nbsp;&nbsp;guarding the cabin,<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just in case something happens to Rock.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a beautiful song.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you learn it?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard it on TV. This<br>&nbsp;&nbsp;&nbsp;&nbsp;song's one of my favorites.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know what? You're the first<br>&nbsp;&nbsp;&nbsp;&nbsp;person besides my big brother...<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that I've sung it to.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem different from everyone else.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like you're in a different place.<br>&nbsp;&nbsp;&nbsp;&nbsp;A different world.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess I'm just not used to this job yet.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a nice person.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I'm really good at figuring<br>&nbsp;&nbsp;&nbsp;&nbsp;out who's good and who's not.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me. Balalaika?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I presume you know why I'm calling.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, I expected this call sooner.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Dutch. Do you realize<br>&nbsp;&nbsp;&nbsp;&nbsp;what you're doing?<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're being paid extra for<br>&nbsp;&nbsp;&nbsp;&nbsp;the additional risks involved.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not doing this for some<br>&nbsp;&nbsp;&nbsp;&nbsp;obligation or sympathy, are you?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I look like a philanthropist to you?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just checking.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It allows me to determine the<br>&nbsp;&nbsp;&nbsp;&nbsp;position I should be taking.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We both just gotta do what we<br>&nbsp;&nbsp;&nbsp;&nbsp;gotta do. Am I wrong, Balalaika?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch. We're swaying south.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right, Dutch.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already taken a number of steps.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I just noticed some guys that<br>&nbsp;&nbsp;&nbsp;&nbsp;may have something to do with that.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No regrets and no grudges. Good luck.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger, Captain.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get me the E File of the trouble list.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E?<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Insurance with a good return.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Vietnamese Navy?<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite impressive.<br>&nbsp;&nbsp;&nbsp;&nbsp;The power of Hotel Moscow.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we gonna fight them?<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're a torpedo boat and<br>&nbsp;&nbsp;&nbsp;&nbsp;we're up against missile ships.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn frustrating, but that<br>&nbsp;&nbsp;&nbsp;&nbsp;eliminates the Hainan Island route.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Brunei? Where Mary Lee is.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. It'll take too long.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then the only remaining option<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;within the range this boat will<br>&nbsp;&nbsp;&nbsp;&nbsp;take us is Elroy in Pangkal Pinang.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Horn Elroy.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that's where we'll go.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll contact him at once.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're out on the sea, but I'm not able<br>&nbsp;&nbsp;&nbsp;&nbsp;to see any of it. How disappointing.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. I'm used to it.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you never seen the sea?<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back when we were in Sicily<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and at the orphanage,<br>&nbsp;&nbsp;&nbsp;&nbsp;all we saw were gray walls.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was born in the rocky<br>&nbsp;&nbsp;&nbsp;&nbsp;Carpathian mountain range.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was always cloudy. A very lonely place.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A particular dictator prohibited his<br>&nbsp;&nbsp;&nbsp;&nbsp;citizens from having an abortion.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The purpose was to create more<br>&nbsp;&nbsp;&nbsp;&nbsp;workers for this poor country,<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the fact was if they were poor,<br>&nbsp;&nbsp;&nbsp;&nbsp;they could not raise their children.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Massive numbers of abandoned children<br>&nbsp;&nbsp;&nbsp;&nbsp;were taken in by state-run orphanages.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The children would become prime<br>&nbsp;&nbsp;&nbsp;&nbsp;candidates for the secret police.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dictator was killed<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and what remained were the countless<br>&nbsp;&nbsp;&nbsp;&nbsp;orphans who received no love.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we were handed over to Sicily,<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we were continually surrounded<br>&nbsp;&nbsp;&nbsp;&nbsp;by blood and darkness.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were kicked until we no longer moved<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there were nights that<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have red pee all night.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother and I would often<br>&nbsp;&nbsp;&nbsp;&nbsp;ask why God is so cruel to us.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know what? Both Big Brother<br>&nbsp;&nbsp;&nbsp;&nbsp;and I realized something.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other children would be brought before us.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then as they cried, they'd be<br>&nbsp;&nbsp;&nbsp;&nbsp;beaten with bats. You know what then?<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grown-ups were laughing.<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother and I also laughed.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We thought as we laughed,<br>&nbsp;&nbsp;&nbsp;&nbsp;that it was all fixed.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. If the world keeps turning<br>&nbsp;&nbsp;&nbsp;&nbsp;because of the people that are killed,<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then our purpose in this world is just that.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People kill, get killed, and kill again,<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this creates a ring in this world.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But aren't you sad that your big<br>&nbsp;&nbsp;&nbsp;&nbsp;brother got killed because of that?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm right here. I'm always with Big Sister.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because we will live eternally,<br>&nbsp;&nbsp;&nbsp;&nbsp;above this ring that continues forever.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will continue killing and the world,<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the people, and the two of us<br>&nbsp;&nbsp;&nbsp;&nbsp;will always exist so we can kill.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why we're no longer sad.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've learned to love the smell<br>&nbsp;&nbsp;&nbsp;&nbsp;of blood, the sound of screaming,<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the warmth of bowels.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong. This world is<br>&nbsp;&nbsp;&nbsp;&nbsp;really here to make you happy.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen. Blood and darkness are only<br>&nbsp;&nbsp;&nbsp;&nbsp;very small fragments of this world.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's far from everything<br>&nbsp;&nbsp;&nbsp;&nbsp;the world has to offer!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Don't cry, mister.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time I ever met<br>&nbsp;&nbsp;&nbsp;&nbsp;such a kind person like you! So...<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. A gift for you.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny!<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go check on him!<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take care of the kid!<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, I see that the blood of<br>&nbsp;&nbsp;&nbsp;&nbsp;your kind is also red. Hey, stupid brat.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not only the sis's.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm also really disappointed<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're not already dead.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you have the same smell.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smell of blood and rotten sewers.<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I are the same thing!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't care less about any of that.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You try teasing him one<br>&nbsp;&nbsp;&nbsp;&nbsp;more time and I'll kill you.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, if you say anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to piss me off, I'll kill you.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Why? Why did<br>&nbsp;&nbsp;&nbsp;&nbsp;all this have to happen?<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone ganged up on her<br>&nbsp;&nbsp;&nbsp;&nbsp;and turned her into a tiger.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man-eating tiger! Damn it!<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. You can't look<br>&nbsp;&nbsp;&nbsp;&nbsp;directly at these things.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is that sort of place,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it would be best.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll... I'll...<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Adopt her? Impossible.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That kid can never stop killing.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only someone was just<br>&nbsp;&nbsp;&nbsp;&nbsp;a little kinder to them,<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they might've gone to school,<br>&nbsp;&nbsp;&nbsp;&nbsp;made friends, and lived happily.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that didn't happen, Rock.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, this story ends here, Rock.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch. Long time no see.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's been a while.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's your cargo this time?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to rush you, but were<br>&nbsp;&nbsp;&nbsp;&nbsp;you able to get her a passport?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gathered everything she'll need, as always.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you again, mister.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope to meet you again someday!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, we'll put together a<br>&nbsp;&nbsp;&nbsp;&nbsp;lunch basket. Just the two of us.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds wonderful.<br>&nbsp;&nbsp;&nbsp;&nbsp;That really would be wonderful.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How beautiful. The sky.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Hotel Moscow, Dutch. Who else?<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know you just trashed<br>&nbsp;&nbsp;&nbsp;&nbsp;your career as a getaway man.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm done. I have a son in South Africa.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a letter from his wife. He's only 34,<br>&nbsp;&nbsp;&nbsp;&nbsp;but has been diagnosed with cancer.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, I've grown tired of walking<br>&nbsp;&nbsp;&nbsp;&nbsp;the tightrope. This is my last job.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Moscow is paying me a<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty attractive amount for it.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, see ya.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her last words were, "How beautiful.<br>&nbsp;&nbsp;&nbsp;&nbsp;The sky." That's so unfitting.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Bring a canvas.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd better cover the body.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't be necessary. Dutch.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is fine. Just as she is.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can look up at the sky and<br>&nbsp;&nbsp;&nbsp;&nbsp;gaze at the ocean as she sleeps.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason I accepted this job<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because I was told I'd be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to make perfect counterfeit money.<br>

# 16 - Greenback Jane

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your selfishness is causing<br>&nbsp;&nbsp;&nbsp;&nbsp;us problems, young lady.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, we'd prefer a better product.<br>&nbsp;&nbsp;&nbsp;&nbsp;But everything has a time limit to it.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soccer, baseball, the stock exchange,<br>&nbsp;&nbsp;&nbsp;&nbsp;and even fucking.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You people are fools.<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's incomplete. Too incomplete.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't allow something<br>&nbsp;&nbsp;&nbsp;&nbsp;like this into the world.<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not trying to trick the<br>&nbsp;&nbsp;&nbsp;&nbsp;people of the Mint Bureau.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and that fellow<br>&nbsp;&nbsp;&nbsp;&nbsp;from the computer shop<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are the only ones in this<br>&nbsp;&nbsp;&nbsp;&nbsp;room saying anything like that.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, you've already gone over<br>&nbsp;&nbsp;&nbsp;&nbsp;the estimate you initially submitted<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by two hundred thousand dollars.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the promised completion<br>&nbsp;&nbsp;&nbsp;&nbsp;date was two months ago!<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't think such a thing,<br>&nbsp;&nbsp;&nbsp;&nbsp;but a few of the directors tell me that,<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;well, this girl is screwing with us,<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as if she thinks we have<br>&nbsp;&nbsp;&nbsp;&nbsp;the brains of a reptile.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Theo. Don't stop.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that girl would be you.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. Of course,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would not think such a thing.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were true, sadly, I might end<br>&nbsp;&nbsp;&nbsp;&nbsp;up crushing you to smithereens.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I look like a man who would raise<br>&nbsp;&nbsp;&nbsp;&nbsp;his hand to a woman? I don't, do I?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not much that I can do.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Put yourself in the position<br>&nbsp;&nbsp;&nbsp;&nbsp;of the guy who has to clean up this mess.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What did you do that for?! Now, now..<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, stop screaming.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have the time to stand<br>&nbsp;&nbsp;&nbsp;&nbsp;around enjoying your hobby with you.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we're not wealthy enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to be wasting money on you.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have something impressive<br>&nbsp;&nbsp;&nbsp;&nbsp;completed within 48 hours, young lady.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, it's hot! Oww.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh! How much did I drink last night?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm known as Revy,<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the girl who becomes stingier<br>&nbsp;&nbsp;&nbsp;&nbsp;the more drunk she gets.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But oh, boy.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit! It's damn hot enough as it is.<br>&nbsp;&nbsp;&nbsp;&nbsp;What a pathetic start to a day.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about this?<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all mine!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking a piss. We'll start<br>&nbsp;&nbsp;&nbsp;&nbsp;over when I get back.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There. No, I wasn't fixing the<br>&nbsp;&nbsp;&nbsp;&nbsp;game or anything. I was just...<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me out! Hey!<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man. What's with this city?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so damn shady.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shepherd. What would his weapon be?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Book of Psalms. Psalm 23, verse 15.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Though I walk through the<br>&nbsp;&nbsp;&nbsp;&nbsp;valley of the shadow of death."<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I wanna know is what did<br>&nbsp;&nbsp;&nbsp;&nbsp;the shepherd take with him?<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Model Jericho, 941 FBL.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You serious? That's lame.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what's your answer?<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it obvious? This guy.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's stupid. He was Jewish, right?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then he had to have taken<br>&nbsp;&nbsp;&nbsp;&nbsp;something made in Israel.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit your impertinent talk.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're nothing but a monkey.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hot. If I knew your air conditioner<br>&nbsp;&nbsp;&nbsp;&nbsp;was broken, I wouldn't have come.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the boat's way out in<br>&nbsp;&nbsp;&nbsp;&nbsp;the dock. It's not my day.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to tell me over and over.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not a broken jukebox.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, that guy, your handsome sailor.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost a year now since he came, right?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's nothing special. He won't get<br>&nbsp;&nbsp;&nbsp;&nbsp;rid of that stupid business suit.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he encounters an enemy,<br>&nbsp;&nbsp;&nbsp;&nbsp;he gets kidnapped.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And his jokes are so lame, damn it!<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares about any of that?! I wanna<br>&nbsp;&nbsp;&nbsp;&nbsp;know whether or not you did it with him.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's wrong? You're no fun.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, it's hot!<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello! Hello! I'm being chased!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone's calling.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We're closed!<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hurry! Open it! Open up! Please!<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open this door!<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what Jesus said in John 5?<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Don't bring trouble into<br>&nbsp;&nbsp;&nbsp;&nbsp;my home, you bitch!"<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is a church, right?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? God's not in. He's gone<br>&nbsp;&nbsp;&nbsp;&nbsp;to Las Vegas on vacation.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! I'm being chased!<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't count on anyone in this<br>&nbsp;&nbsp;&nbsp;&nbsp;city and I'm not from here.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was told that the church<br>&nbsp;&nbsp;&nbsp;&nbsp;might be able to help, and...<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe this! And<br>&nbsp;&nbsp;&nbsp;&nbsp;you're supposed to be a sister?<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back on Judgment Day.<br>&nbsp;&nbsp;&nbsp;&nbsp;You do that, and God will--<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jane. Don't make things any more difficult.<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. It's time to go home.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister Elvis. Put your gun away.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've told you repeatedly that this isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;the same as the cities you're used to.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister, I need to have a<br>&nbsp;&nbsp;&nbsp;&nbsp;little talk with that girl.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda!<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bastards!<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any idiot who dares to fire at us...<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...has gotta be prepared for some payback!<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?! Shit!<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot at them! Kill them!<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it! Don't fire! Guys, do not<br>&nbsp;&nbsp;&nbsp;&nbsp;fire back no matter what!<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! Fire!<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're pissing me off!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sis! I've come to help!<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call me Sister! Dimwit!<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen you. You new here?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! I'm Ricardo, in training<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a priest.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard a lot about you<br>&nbsp;&nbsp;&nbsp;&nbsp;from Sis. Call me Rico.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rico! I'm telling you, don't call me Sis!<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Can you hear me, Revy?! It's Lobos!<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please put away your guns.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a misunderstanding!<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! We got a little crossed<br>&nbsp;&nbsp;&nbsp;&nbsp;up in our communication!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take me for some idiot!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't try and brush this<br>&nbsp;&nbsp;&nbsp;&nbsp;off as some accident!<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like she says! You *Manneken Pis*!<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think you can walk away unharmed<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after drilling bullets into the church,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've got another thing coming!<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear God! We're doomed!<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my. What's this here? Oh, boy.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda!<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have I told you about<br>&nbsp;&nbsp;&nbsp;&nbsp;doing this in the chapel?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well that, Sister...<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can deal with that later.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must first take care of these unbelievers<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the same way as the people of Beit Shemesh.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit! Guys! We're leaving! Mister, you too!<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Those damn bitches! I'll be back!<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make minced meat outta you!<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's gonna pay for the repairs?<br>&nbsp;&nbsp;&nbsp;&nbsp;And for the bullets we used.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cash just keeps floating away.<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a break.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, you've got a lot of<br>&nbsp;&nbsp;&nbsp;&nbsp;explaining to do, young lady.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys are from the<br>&nbsp;&nbsp;&nbsp;&nbsp;Nouveau Laredo Cartel.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The organization works directly<br>&nbsp;&nbsp;&nbsp;&nbsp;under the Gerolamo Familia,<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who claims Florida as its territory.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hired by the cartel to<br>&nbsp;&nbsp;&nbsp;&nbsp;fabricate old dollar bills.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, my counterfeit bill design<br>&nbsp;&nbsp;&nbsp;&nbsp;team is scattered all over the world,<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to the internet, we've never<br>&nbsp;&nbsp;&nbsp;&nbsp;had any problems with the work I do.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the team's chief organizer.<br>&nbsp;&nbsp;&nbsp;&nbsp;The leader, if you will.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did you screw up to<br>&nbsp;&nbsp;&nbsp;&nbsp;end up having them chase you?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't screw up!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was rude. It's just that<br>&nbsp;&nbsp;&nbsp;&nbsp;those guys had no patience.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me make this clear.<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason I accepted the job<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because I was told I'd be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to make perfect counterfeit money.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was shocked with the Super-Z.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The paper it created was absolutely perfect.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's most impressive is<br>&nbsp;&nbsp;&nbsp;&nbsp;the composition percentage.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The percentage of cotton to linen pulp<br>&nbsp;&nbsp;&nbsp;&nbsp;is controlled at exactly 23 to 76.8.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, there are those out there who'll<br>&nbsp;&nbsp;&nbsp;&nbsp;produce their product on a laser printer,<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in my opinion, that is unacceptable!<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In comparison, these guys are pros.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a printing machine<br>&nbsp;&nbsp;&nbsp;&nbsp;custom made in Switzerland.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We would do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to get our hands on it,<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but security is so damn tight<br>&nbsp;&nbsp;&nbsp;&nbsp;that it's really difficult.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, we print ours<br>&nbsp;&nbsp;&nbsp;&nbsp;on a Heidelberg MF521,<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it has its limits and it shows.<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty pathetic, don't you think?<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But those guys, they give it a name<br>&nbsp;&nbsp;&nbsp;&nbsp;like "enemy nation assault bills"<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and create a budget for it!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be able to make something<br>&nbsp;&nbsp;&nbsp;&nbsp;just as good for a lot less! Really!<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that machine causes a<br>&nbsp;&nbsp;&nbsp;&nbsp;strain in the progress of work.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take the pressure along the<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of the faceplate number.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We use an adjustment method<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for applying rubber in order to change<br>&nbsp;&nbsp;&nbsp;&nbsp;the ink pressure in each section.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But frankly, this method isn't too clever.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason being<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using infrared hardening ink will allow<br>&nbsp;&nbsp;&nbsp;&nbsp;the red blow ink to print naturally.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've had no problems with the green<br>&nbsp;&nbsp;&nbsp;&nbsp;and black double layer printing sections.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But with the method I just explained,<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd have to really perfect the details<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Department of Treasury label.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, the mounted section on<br>&nbsp;&nbsp;&nbsp;&nbsp;the outside would come out uneven.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then...<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, hey! Question!<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, yes?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to interrupt you, but...<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where does this story end?<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we get a bathroom break like<br>
&nbsp;&nbsp;&nbsp;&nbsp;they had in *Battle of the Bulge*?<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the ones who asked why I'm in this<br>&nbsp;&nbsp;&nbsp;&nbsp;mess. What's wrong? Are you bored?<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda. This girl's attitude just reminded me.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just like the bitch at<br>&nbsp;&nbsp;&nbsp;&nbsp;my childhood welfare center.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, this type of research<br>&nbsp;&nbsp;&nbsp;&nbsp;requires money and time. And so--<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, all right. I get the<br>&nbsp;&nbsp;&nbsp;&nbsp;general picture. That's enough.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you tried to screw those<br>&nbsp;&nbsp;&nbsp;&nbsp;fellows with that introduction.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say the same thing that<br>&nbsp;&nbsp;&nbsp;&nbsp;those fools were saying.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. Proof over theory.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to judge your work?<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell with a glance. This is stupid.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look here. On this one,<br>&nbsp;&nbsp;&nbsp;&nbsp;the print is off by half an inch<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the green of the Department<br>&nbsp;&nbsp;&nbsp;&nbsp;of Treasury mark is too strong.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, the thread work on<br>&nbsp;&nbsp;&nbsp;&nbsp;this one is very detailed. Bingo, right?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Then you'd take<br>&nbsp;&nbsp;&nbsp;&nbsp;that bill in your right hand<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and hope to enjoy a day<br>&nbsp;&nbsp;&nbsp;&nbsp;of shopping at Sears?<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I feel sorry for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're on your way to jail.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look carefully at the<br>&nbsp;&nbsp;&nbsp;&nbsp;Federal Reserve Bank seal.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was certain you would be fooled.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not unusual to see a printing shear<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or unevenness in the<br>&nbsp;&nbsp;&nbsp;&nbsp;bills from the seventies.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there is no bill printed by the<br>&nbsp;&nbsp;&nbsp;&nbsp;Mint Bureau with an "M" in its label.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's clear now that Miss Revy's eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;are made out of glass.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I believe you. Now then,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's get to the core of this story.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We missed our deadline<br>&nbsp;&nbsp;&nbsp;&nbsp;by a significant margin.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since I had an objective,<br>&nbsp;&nbsp;&nbsp;&nbsp;I refused to compromise.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then they came and shot our operator<br>&nbsp;&nbsp;&nbsp;&nbsp;who came with me from Germany!<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His job was to manage the data created<br>&nbsp;&nbsp;&nbsp;&nbsp;by other members over the internet.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All our effort so far has<br>&nbsp;&nbsp;&nbsp;&nbsp;gone down the drain.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't get it!<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, then I got fed up with everything and<br>&nbsp;&nbsp;&nbsp;&nbsp;said goodbye to that band of wild gorillas.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's everything.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one at fault here.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah. You are.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You made a promise.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't expect you to understand!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not anyone who spends<br>&nbsp;&nbsp;&nbsp;&nbsp;their day, sunrise to sunset,<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wasting their time either fiddling with<br>
&nbsp;&nbsp;&nbsp;&nbsp;their gun or watching *NYPD Blue*.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you wouldn't believe it if I told<br>
&nbsp;&nbsp;&nbsp;&nbsp;you I watch *The Oprah Winfrey Show.*<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The correct answer,<br>&nbsp;&nbsp;&nbsp;&nbsp;after the sound of gunfire.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young lady. You've been<br>&nbsp;&nbsp;&nbsp;&nbsp;guided here by the Lord.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're very fortunate.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl pointing her gun at<br>&nbsp;&nbsp;&nbsp;&nbsp;you is an escape specialist.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I wouldn't mind making<br>&nbsp;&nbsp;&nbsp;&nbsp;a deal with you for that plate.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna give you<br>&nbsp;&nbsp;&nbsp;&nbsp;anything that's not complete!<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm pressed for time,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can't be picky.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't you buy it for thirty grand,<br>&nbsp;&nbsp;&nbsp;&nbsp;separately from my escape expenses?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're on your own.<br>&nbsp;&nbsp;&nbsp;&nbsp;Make your request to some other god.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha... But you people serve God, right?!<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luke says, "You shall make friends,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if you use false money to do so."<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind her, Eda. You can go<br>&nbsp;&nbsp;&nbsp;&nbsp;ahead and die if you want, girl.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need your help, anyway.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I do thank you for saving me<br>&nbsp;&nbsp;&nbsp;&nbsp;from a difficult situation. Goodbye.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Wait one moment.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you staying tonight?<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll find some place.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any one of the regular motels and<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have fresh holes in your ass<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before you have a chance<br>&nbsp;&nbsp;&nbsp;&nbsp;to take your socks off.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, to avoid that,<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a cheap lodge called Ramsap Inn<br>&nbsp;&nbsp;&nbsp;&nbsp;just past the Chalquam market.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell them you came from the church<br>&nbsp;&nbsp;&nbsp;&nbsp;and they'll get you a room.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like how this feels.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, I'm not telling you this for free.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Place an offering of about three<br>&nbsp;&nbsp;&nbsp;&nbsp;hundred dollars in that tray there.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Although it's rotten, this is a<br>&nbsp;&nbsp;&nbsp;&nbsp;church after all. I can agree to that.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, hey. What's the big idea, Eda?<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well done, Sister Eda.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a tree that grows gold. Keep a<br>&nbsp;&nbsp;&nbsp;&nbsp;close eye on her so you don't lose sight.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Sister.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those from the country<br>&nbsp;&nbsp;&nbsp;&nbsp;are so easy to manipulate.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, Leroy! Long time no see!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that girl that Choros<br>&nbsp;&nbsp;&nbsp;&nbsp;and the guys are chasing after?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that East Indian girl.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the going rate for<br>&nbsp;&nbsp;&nbsp;&nbsp;info on her whereabouts?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're playing dirty!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You found out where Jane is?<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, boss.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard Lobos is nothing but a<br>&nbsp;&nbsp;&nbsp;&nbsp;cowardly airhead. You go instead.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, boss.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Russell!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aside from the clothes they wear,<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the people living in this city<br>&nbsp;&nbsp;&nbsp;&nbsp;are no different from the Moros!<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you believe it?! Even nuns at<br>&nbsp;&nbsp;&nbsp;&nbsp;the church are firing guns! Ow, ow!<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna leave this God's manure<br>&nbsp;&nbsp;&nbsp;&nbsp;sink made of overcooked lunatics<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and return to civilized Florida.<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna get back right away, damn it!<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, boss.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Russell.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Capture the Indian girl and bring<br>&nbsp;&nbsp;&nbsp;&nbsp;her to me, no matter what it takes.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give her a beating that'll<br>&nbsp;&nbsp;&nbsp;&nbsp;make Dachau seem like paradise.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, boss. I accompanied you<br>&nbsp;&nbsp;&nbsp;&nbsp;from Florida for times like this.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In three days,<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be watching the Caribbean<br>&nbsp;&nbsp;&nbsp;&nbsp;sunset with Don Gerolamo, boss.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to this trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;buster, "Groovy Guy" Russell.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Get pricked by a thorn?<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna kill you! Making money off<br>&nbsp;&nbsp;&nbsp;&nbsp;a cheap trick like that! Gimme half!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said. You're being a fool.<br>&nbsp;&nbsp;&nbsp;&nbsp;With something like that,<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've gotta let it rest<br>&nbsp;&nbsp;&nbsp;&nbsp;before you feast on it.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let it rest?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean "let it rest"?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like the slot machines at the casino.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show them how easy it is to win,<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then they all come throwing<br>&nbsp;&nbsp;&nbsp;&nbsp;their money at you.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you planning?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here, carpool customers.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got that evil look on your face, Eda.<br>&nbsp;&nbsp;&nbsp;&nbsp;What trick do you have up your sleeve?<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. I work under<br>&nbsp;&nbsp;&nbsp;&nbsp;an extraordinary trickster,<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the man who walked on the Sea of Galilee.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A trick like this is nothing.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, Rock's bringing the<br>&nbsp;&nbsp;&nbsp;&nbsp;car around, right? Let's go.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, tell me. Where are we going?<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dunno.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Eda. Eda, come on!<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A nun?<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Hey, Eda!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are the guys Lobos called here?!<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone you see sitting at these tables.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. I'll give out your orders.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One thousand dollars per person.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's staying in a motel called Ramsap Inn.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your job is to bring her back alive.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she retaliates, you're<br>&nbsp;&nbsp;&nbsp;&nbsp;free to beat her up.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an easy job that even a child could do.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget the unnecessary<br>&nbsp;&nbsp;&nbsp;&nbsp;comments, stupid idiot!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only because we have the free time<br>&nbsp;&nbsp;&nbsp;&nbsp;that we're accepting such a cheap job!<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shen Hua's right, cowboy! Get back to<br>&nbsp;&nbsp;&nbsp;&nbsp;inseminating your cows in Austin!<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare some guy who just arrived<br>&nbsp;&nbsp;&nbsp;&nbsp;here try to order us around!<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get Lobos here! You won't do!<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you shut up and listen to<br>&nbsp;&nbsp;&nbsp;&nbsp;what I have to say, you bastards?!<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just introduce us to the new faces,<br>&nbsp;&nbsp;&nbsp;&nbsp;and there will be no trouble.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a face I recognize either.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which organization is she<br>&nbsp;&nbsp;&nbsp;&nbsp;getting her work from?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about? Shen Hua,<br>&nbsp;&nbsp;&nbsp;&nbsp;you hired me for a job last Tuesday.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi! I'm late, I'm late.<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that. Are you ready?<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how to cut him up? Boss Chang<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to make an example outta him.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't tell me whether he<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted the meat chopped or minced.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it doesn't matter which.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, he's all yours now. You can<br>&nbsp;&nbsp;&nbsp;&nbsp;take care of things from here.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Sawyer the Cleaner?!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's what you look like.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're always wearing those<br>&nbsp;&nbsp;&nbsp;&nbsp;goggles and white facemask.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder we didn't recognize you.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Hurry up and get to work, guys.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are new faces over there.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're right. Haven't seen them before.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two. What are your names?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Claude "Torch" Weaver.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lotton the Wizard.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to bother you while you're showing<br>&nbsp;&nbsp;&nbsp;&nbsp;off, but is that milk you're drinking?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a non-drinker. Beer makes me puke.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't drink for religious reasons.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How unfitting.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you use for hunting?<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you? Doesn't look like you have a gun.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! Are you trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to burn down the bar?!<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Y-You guys cut it out, already!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well. At least now we<br>&nbsp;&nbsp;&nbsp;&nbsp;know what we'll be using.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is everyone okay with that?!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right on.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Let's get this over with and have a drink.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey, is Ramsap Inn far from here?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take our cars.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're picking up the bill.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cowboy.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you just standing there for?<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll leave without you.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, this path is good.<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it to the side and stop.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alright, thank you, sir.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure this spot will be okay?<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand the logic behind this.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. Just wait here and something<br>&nbsp;&nbsp;&nbsp;&nbsp;very favorable for us will happen.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, there's this ominous<br>&nbsp;&nbsp;&nbsp;&nbsp;tone to what you just said.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, guys! Let's get going!<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To our clownish one-grand-a-person job.<br>

# 17 - The Roanapur Freakshow Circus

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The noose hanging at the entrance of the city<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;warns all who wish to go further<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that if you pass through this gate,<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will automatically be<br>&nbsp;&nbsp;&nbsp;&nbsp;marked as a reckless one.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The worst of the worst villains<br>&nbsp;&nbsp;&nbsp;&nbsp;from around the world gather here,<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;butting heads with each other.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place was born in the<br>&nbsp;&nbsp;&nbsp;&nbsp;midst of the Cold War.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was nurtured by a continent that<br>&nbsp;&nbsp;&nbsp;&nbsp;uses drugs as its secret weapon.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An evil city.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The end of this world.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A crucible of hypocrisy.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stomping grounds for people<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose souls have been<br>&nbsp;&nbsp;&nbsp;&nbsp;destroyed and sent to hell.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only reason I'm surviving<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because I'm recognized as a member<br>&nbsp;&nbsp;&nbsp;&nbsp;of the well-known Lagoon Company.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name of this city is spoken of<br>&nbsp;&nbsp;&nbsp;&nbsp;amongst the villains of the world.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But many of those who come<br>&nbsp;&nbsp;&nbsp;&nbsp;to make a name for themselves<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;never set foot on their home soil again.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cruel fate awaits any<br>&nbsp;&nbsp;&nbsp;&nbsp;halfhearted, small-time crook<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;stepping foot into Roanapur.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, there is a sacrificial lamb<br>&nbsp;&nbsp;&nbsp;&nbsp;who has wandered into this city.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, guys!<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The night's just right to make our way<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to our clownish one-grand-a-person job.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get going!<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. What in the world<br>&nbsp;&nbsp;&nbsp;&nbsp;are we waiting here for?<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By my calculations, a total<br>&nbsp;&nbsp;&nbsp;&nbsp;of about one million dollars.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if there really is such a great deal.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just another gunfight.<br>&nbsp;&nbsp;&nbsp;&nbsp;A gunfight's coming.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be grateful for a gunfight. That rotten<br>&nbsp;&nbsp;&nbsp;&nbsp;nun is just blinded by her own greed.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who's gonna come? No one's coming.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get all pumped up just<br>&nbsp;&nbsp;&nbsp;&nbsp;because you're bored, Revy.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything's gonna be okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, handsome boy?<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's gonna be a gunfight, right?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Rock, it's not like you're<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna get holes drilled in your body.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Eda. Mind if I crack your jaw?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my, jealousy isn't like you.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's about the right time.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I can tell you what's going down<br>&nbsp;&nbsp;&nbsp;&nbsp;right now in a certain place in Roanapur.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bitch!<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all, that certain<br>&nbsp;&nbsp;&nbsp;&nbsp;place is the Ramsap Inn.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The place I introduced that girl to.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know what? Right about now,<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a bunch of useless thugs<br>&nbsp;&nbsp;&nbsp;&nbsp;are rushing into the place.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's going something like this...<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the room they raid will<br>&nbsp;&nbsp;&nbsp;&nbsp;be the one next to hers.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would something<br>&nbsp;&nbsp;&nbsp;&nbsp;convenient like that happen?<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because I gave them<br>&nbsp;&nbsp;&nbsp;&nbsp;the room number next to hers.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That stupid woman will be scared<br>&nbsp;&nbsp;&nbsp;&nbsp;outta her bed because of the gunfire<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and run to the hallway<br>&nbsp;&nbsp;&nbsp;&nbsp;to see what's going on.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she naturally would in that situation.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That woman's instincts are devastatingly bad.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially given the fact that her room<br>&nbsp;&nbsp;&nbsp;&nbsp;is the only one behind a fireproof wall.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The moment she opens the door,<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll be facing off with those bastards.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the guys probably<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't have guessed<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there's a room behind<br>&nbsp;&nbsp;&nbsp;&nbsp;the fireproof wall.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gathered all the "ifs"<br>&nbsp;&nbsp;&nbsp;&nbsp;in the world for this story.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, now. If she gets<br>&nbsp;&nbsp;&nbsp;&nbsp;killed now, then so be it.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But normally, one would be alert<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to close that fireproof door.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although it's not much,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll still buy her time.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when the guys break through<br>&nbsp;&nbsp;&nbsp;&nbsp;the door and burst into the room,<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be empty.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come? As if things will fall into<br>&nbsp;&nbsp;&nbsp;&nbsp;place for you like that, you dumb-ass.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've given her a way out, you see.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you stretch out on that bed even once,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should be able to see it.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, you'll only understand<br>&nbsp;&nbsp;&nbsp;&nbsp;its meaning when the time comes.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's way too simple.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's like graffiti in bathrooms.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look up. Look down. Jack-ass.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's fine. It's<br>&nbsp;&nbsp;&nbsp;&nbsp;better to keep it simple!<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, after that, she'll be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;make a touchdown like Brett Favre.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as she escapes according<br>&nbsp;&nbsp;&nbsp;&nbsp;to the route marked by the signs.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that sound?<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have come with you.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go home, Rock. Turn the ignition.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold up, Revy. That room's<br>&nbsp;&nbsp;&nbsp;&nbsp;worked four times outta seven!<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See?! See?! What did I tell you?! Bingo!<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, after her!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, young lady.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jogging this late at night?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's very impressive.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You! You tricked me!<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not nice. How can you talk<br>&nbsp;&nbsp;&nbsp;&nbsp;like that to your guardian angel?<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you expect!<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I was gonna die!<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, really? Well, whatever.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want us to save you?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think hard. If you don't wanna hand over<br>&nbsp;&nbsp;&nbsp;&nbsp;the plates, I guess we have no choice.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suggest you run to a mosque<br>&nbsp;&nbsp;&nbsp;&nbsp;next time. What do you think?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the worst. Really.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thirty thousand dollars!<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, it's almost my bedtime.<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me back to the church.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You monster! Ten thousand!<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hand it over at no charge!<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, they're after you.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine! I'll accept your conditions!<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, contract complete.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't actually<br>&nbsp;&nbsp;&nbsp;&nbsp;save me, I'll haunt you!<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. If I went on with my evil ways,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd only scare away my customers.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Eda! What are you doing here?!<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi! What's up? You guys out<br>&nbsp;&nbsp;&nbsp;&nbsp;for a late night walk, too?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have business with that woman!<br>&nbsp;&nbsp;&nbsp;&nbsp;A senseless one-grand-a-person job!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a nice way to get pocket change.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it? So, how about it, Eda? You want--<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bitch!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean "bitch," you bastards?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm on a big million-dollar job.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From here on in, she's ours.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're her recently purchased<br>&nbsp;&nbsp;&nbsp;&nbsp;getaway driver and bodyguard.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, eat 'em up!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right on!<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring the cars around! After them! Get 'em!<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're coming out to the main road!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our job, Rock! Head for the ocean!<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like things are getting complicated.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Complicated is an understatement.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Ripoff Church<br>&nbsp;&nbsp;&nbsp;&nbsp;and Lagoon's gun-woman.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't the same as going<br>&nbsp;&nbsp;&nbsp;&nbsp;after a single amateur.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deer hunting just turned into tiger hunting.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?! Will you<br>&nbsp;&nbsp;&nbsp;&nbsp;hurry up and go after them?!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cowboy! The situation's changed.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you pay us thirty<br>&nbsp;&nbsp;&nbsp;&nbsp;grand a head, we're leaving.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! You serious?! I did hear<br>&nbsp;&nbsp;&nbsp;&nbsp;that two punks are now on her side!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But thirty grand for that?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're all unbelievable cowards!<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cowboy, this is no Florida. It's Roanapur.<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand what I'm telling you?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our opponents are not<br>&nbsp;&nbsp;&nbsp;&nbsp;like the punks you know<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that get off by scribbling on walls.<br>&nbsp;&nbsp;&nbsp;&nbsp;And neither are we.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We make a living by killing<br>&nbsp;&nbsp;&nbsp;&nbsp;and offering to kill.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wanna continue being cheap,<br>&nbsp;&nbsp;&nbsp;&nbsp;then go at it alone with your own men!<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand what I'm telling you?<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're full of confidence. I pray it's<br>&nbsp;&nbsp;&nbsp;&nbsp;not just bravado. But wait a second!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you're telling me this,<br>&nbsp;&nbsp;&nbsp;&nbsp;it sounds like you know them.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course we know them. Anyone who<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't know about those two fools<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can't be from this city.<br>&nbsp;&nbsp;&nbsp;&nbsp;Get my point, cowboy?!<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You better hurry and call Lobos. Got it?!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call him and you'll know exactly what I mean.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where now? Where are you taking<br>&nbsp;&nbsp;&nbsp;&nbsp;me now?! Is this another trap?!<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you try to up the price, I--<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't do anything so roundabout.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you right into the getaway pod.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you're on, you can say goodbye<br>&nbsp;&nbsp;&nbsp;&nbsp;to this wonderful Roanapur.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as you can, please.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda, you promised me payment up front.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I've got it here.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ocean? A port? A boat?! Is it fast?<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you ask the<br>&nbsp;&nbsp;&nbsp;&nbsp;handsome man in the tie?<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll see in a minute.<br>&nbsp;&nbsp;&nbsp;&nbsp;Get this, it's a torpedo boat.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to say it, Eda,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you won't see the boat.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey! Hey! This isn't at<br>&nbsp;&nbsp;&nbsp;&nbsp;all how it's supposed to go!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most important thing isn't here!<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, we're receiving a shipment.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got a rush job a short while ago.<br>&nbsp;&nbsp;&nbsp;&nbsp;Want something to drink?<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've only got piss.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see that you've got<br>&nbsp;&nbsp;&nbsp;&nbsp;Ardbeg Providence. Gimme that.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you nuts? That's Dutch's.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You even lick that once, I'll throw you<br>&nbsp;&nbsp;&nbsp;&nbsp;around and shove a beer up your ass.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stingy bitch.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will Jim Beam do? We have plenty of this.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're gonna be picky, then you can<br>&nbsp;&nbsp;&nbsp;&nbsp;help yourself to toilet water, you idiot.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, is Eda there, too?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, she is. Sorry to interrupt.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine. Now back to where we left off.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the situation is neither<br>&nbsp;&nbsp;&nbsp;&nbsp;good nor bad, right?<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we've got all the goods.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. We have<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda and we have weapons.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've also taken the two<br>&nbsp;&nbsp;&nbsp;&nbsp;useless ones into account.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Wait a sec. Benny's here.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suggest we dump what we just picked up.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'll get us to the port a little quicker.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we'll have to. We'll also need<br>&nbsp;&nbsp;&nbsp;&nbsp;to compensate for breaking the deal.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll contact Isaac about that from here.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything and everything will be<br>&nbsp;&nbsp;&nbsp;&nbsp;covered by the Ripoff Church.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh well, fine. It's not much.<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what's that girl up to?<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her? She's been in the storage<br>&nbsp;&nbsp;&nbsp;&nbsp;room ever since we got here.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She hasn't come out for about an hour.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Space. Scan with box.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;TSIG root-authority.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Auto one. 192, 168. DNS server?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this it?<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No good. The port shell's being booted.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel so foolish not being able<br>&nbsp;&nbsp;&nbsp;&nbsp;to get into my own bank.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to go, Theo. I'm in big trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to your valuable skills.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Dutch. I'm really sorry.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Lobos.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's from my country, but I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;having trouble with him, too.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't realize they're like countrymen<br>&nbsp;&nbsp;&nbsp;&nbsp;from afar in this lawless world.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess not. Roanapur is where the<br>&nbsp;&nbsp;&nbsp;&nbsp;worst of the worst villains gather.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell, even we've been<br>&nbsp;&nbsp;&nbsp;&nbsp;thoroughly tainted by it.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys need to be refined<br>&nbsp;&nbsp;&nbsp;&nbsp;by true villainy, as well.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, please, give me more time.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny-boy, did you hear that?<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, every word.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are men playing with fire,<br>&nbsp;&nbsp;&nbsp;&nbsp;unaware of the demonic energy of this city.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's dangerous. Anyway, let's hurry.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, everyone is tainted by<br>&nbsp;&nbsp;&nbsp;&nbsp;the villainy of this city, huh?<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had always thought Rock<br>&nbsp;&nbsp;&nbsp;&nbsp;and I were exceptions.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying, Benny?<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've sensed it all along. Even what's<br>&nbsp;&nbsp;&nbsp;&nbsp;deep down within you guys.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks a lot.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit! Damn it! How long will this<br>&nbsp;&nbsp;&nbsp;&nbsp;take you?! Would you hurry and...<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more try. TSIG, root-authority.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from here that...<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You forgot to say, "good evening."<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiots.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! What's up with that?!<br>&nbsp;&nbsp;&nbsp;&nbsp;They're using our car as a shield!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for your loss.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! They just finished fixing<br>&nbsp;&nbsp;&nbsp;&nbsp;it after that damn maid tore it up!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it's leaking gas!<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops, you've done it.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, more guys?!<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Can you make it to<br>&nbsp;&nbsp;&nbsp;&nbsp;the back door with that girl?<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give it a try! As long<br>&nbsp;&nbsp;&nbsp;&nbsp;as you hold them there.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to me!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's go!<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's pretty manly of him!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's still got a ways to go.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't go this way! Revy!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Rock?!<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?!<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and shoot her!<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't! I don't have a gun!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you stupid or something?!<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking the same thing.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Damn it.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Damn it. Are you all right, Rock?!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't have an answer for you.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Come back! That door<br>&nbsp;&nbsp;&nbsp;&nbsp;leads down to the dock!<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta be kidding! If I stay up here,<br>&nbsp;&nbsp;&nbsp;&nbsp;it wouldn't matter how many lives...<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi. I've got one favor to ask.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you let me get past you?<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you like grill parties, young lady?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, get away from her!<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot! Shoot 'em all!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! The guys across the<br>&nbsp;&nbsp;&nbsp;&nbsp;street are being a nuisance!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you do anything?!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Girl! Give that box to her!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got something this nice,<br>&nbsp;&nbsp;&nbsp;&nbsp;bring it out to begin with, you monkey.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was for sale!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't matter! We've only got one life!<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, hurry!<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, you too!<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead, Rock!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit. If we stick our heads out,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll be targets at a firing range.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same with the front door. There are<br>&nbsp;&nbsp;&nbsp;&nbsp;two or three snipers positioned out there.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Something smells burnt.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gimme a break. That just isn't fair.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some idiot set fire to the dock exit.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We really have no choice<br>&nbsp;&nbsp;&nbsp;&nbsp;but to go to the roof.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad idea. That'll be our last stop.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. But our enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;shares the same concerns.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless they do something,<br>&nbsp;&nbsp;&nbsp;&nbsp;the moneymaker they're after<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will perish along with the building.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what would you do if you were them?<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's obvious. I'd force my way in<br>&nbsp;&nbsp;&nbsp;&nbsp;and take out the guards, of course.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the timing?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll spray us all at once any second now.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we're pinned to a spot,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll rush in to this second floor.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we're not just gonna sit and wait.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy!<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you, Shen Hua?!<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, good guess!<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's that? You know her?<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. She's the worst to face<br>&nbsp;&nbsp;&nbsp;&nbsp;as part of their shock troops.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yes it is" lady! Is your partner here?!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Leigharch?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He relaxed too much and finally<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't make it back home from Mars.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's living happily with his live-in nurse!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a shame!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda. Listen up.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say "hi" to him for me!<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's using the duct as a foothold.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but knowing that<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't gonna help us much.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That fire down below isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;a joking matter anymore.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. It's a matter of time.<br>&nbsp;&nbsp;&nbsp;&nbsp;This place isn't gonna last much longer.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate endurance contests. I'll draw<br>&nbsp;&nbsp;&nbsp;&nbsp;her out before she draws us out.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll chase out that female fox on the<br>&nbsp;&nbsp;&nbsp;&nbsp;duct to the front. Can you nail her?<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, blockhead.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you just draw her out,<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can easily do my part.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then here I go.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's headed your way!<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do now?<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking about it.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't go up any higher.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a plan?<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking about it.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's your plan?<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how dependable of you. Let's see...<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we pray and pray<br>&nbsp;&nbsp;&nbsp;&nbsp;and pray our hearts out<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until a golden chain comes down from above?<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking about it.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am here to take your life!<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Wizard! Lotton the Wizard!<br>

# 18 - Mr Benny's Good Fortune

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do now? We can't go<br>&nbsp;&nbsp;&nbsp;&nbsp;up any higher. Do you have a plan?<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking about it.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch!<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where the real fight begins!<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's headed your way!<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get her?<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dunno.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got you! Yes I did!<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! I thought I'd be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to take your head off.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That voice tells me it's<br>&nbsp;&nbsp;&nbsp;&nbsp;the nun that got caught.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your turn, Sawyer!<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit!<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, the knife-wielder's just a distraction.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real attacker is her. Hurry and get her.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. Helping you won't<br>&nbsp;&nbsp;&nbsp;&nbsp;earn me a single penny.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get through this.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feint operation is a success.<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss hostage nun.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, listen up, slut!<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Throw away your gun and come out!<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll go to hell if you let a nun die!<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not a good thing!<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Don't worry about me and shoot her!<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice acting, nun. The slut's not inside.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now...<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, hey!<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Wait! Give me a sec.<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to what I hafta say.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not stupid. I'm not letting you buy time.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you'd go to hell for killing a nun.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an atheist. Your religion<br>&nbsp;&nbsp;&nbsp;&nbsp;has nothing to do with me.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye, nun!<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fool. The hell express is here<br>&nbsp;&nbsp;&nbsp;&nbsp;for you a lot faster than you think.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look behind you!<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's here! She's here! She's here!<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do something about her!<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, hold on. This is no time to panic.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No time to panic? Are you stupid?!<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what else do you suggest we do?<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a pitfall? That's just stupid!<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't call it stupid! The wood below the<br>&nbsp;&nbsp;&nbsp;&nbsp;roof between us is conveniently rotten.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I got you.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're almost in port. We'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;close enough to see them soon.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? Can you see anything?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. Just the Buddha by<br>&nbsp;&nbsp;&nbsp;&nbsp;the inlet and the city's lights.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, that's... Damn it!<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, shit! Fucking wonderful!<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Dutch?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Roanapur under nuclear attack?<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be a lot better<br>&nbsp;&nbsp;&nbsp;&nbsp;than this. Damn it!<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I wouldn't be the<br>&nbsp;&nbsp;&nbsp;&nbsp;only one who's at a loss.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some idiot's started a<br>&nbsp;&nbsp;&nbsp;&nbsp;huge-ass bonfire at my dock!<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hurts, damn it!<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda, you stupid bitch! I can't believe you<br>&nbsp;&nbsp;&nbsp;&nbsp;gave away that I was sneaking up on her.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been skewered!<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You whore.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I hadn't distracted her, I wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have been able to drill bullets in her.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's not important right now.<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on above?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ladder's no good. That ghost<br>&nbsp;&nbsp;&nbsp;&nbsp;woman cut it down. Damn, this hurts!<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? Who told you<br>&nbsp;&nbsp;&nbsp;&nbsp;to start a Valencian fire festival?<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Torch! My orders were to capture<br>&nbsp;&nbsp;&nbsp;&nbsp;Jane, not to burn anything!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're on the roof.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fire's so fierce, I can't get up there.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now come on. Come right this way.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Straight over here.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seems to be in a really<br>&nbsp;&nbsp;&nbsp;&nbsp;good mood for some reason.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Usually, I just dismember and my job's over.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jobs like this are nice,<br>&nbsp;&nbsp;&nbsp;&nbsp;every once in a while.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't kill you today.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you gonna do? She started talking!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I might help myself to a<br>&nbsp;&nbsp;&nbsp;&nbsp;couple of your hands and feet.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a cleaner. Always<br>&nbsp;&nbsp;&nbsp;&nbsp;cleaning up after people.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But today is different. Today, I'm stepping<br>&nbsp;&nbsp;&nbsp;&nbsp;over everyone to reach higher.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm playing the position of the Forward.<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, shall we begin?<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take responsibility for this.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. I had my throat slit,<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm still alive.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What now?!<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fire got to the high-octane<br>&nbsp;&nbsp;&nbsp;&nbsp;gasoline in the dock! Damn it!<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still smiling!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gonna start talking all<br>&nbsp;&nbsp;&nbsp;&nbsp;creepy again and cut me up!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do something!<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous!<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? Explain this!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I know? I have no<br>&nbsp;&nbsp;&nbsp;&nbsp;idea what's going on either.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Are you all right?<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to that ghost woman?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, well... she's here.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm having trouble comprehending<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation. What did you do?<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing really comes to mind.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true. She dropped her voice machine<br>&nbsp;&nbsp;&nbsp;&nbsp;and suddenly started acting like that.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's one of those. I bet<br>&nbsp;&nbsp;&nbsp;&nbsp;she's got emotional issues.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen people like this before.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a problem.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Ghost woman.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot. This is what you get for<br>&nbsp;&nbsp;&nbsp;&nbsp;doing stuff you're not used to.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. You're hurt.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm all right. It's not as deep as it looks.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hey, hey, hey!<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this building collapsing?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dock's breaking up in the fire!<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you see Revy and the others?<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't confirm it.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we do something, she'll work in<br>&nbsp;&nbsp;&nbsp;&nbsp;sync. She has a knack for doing that.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny! Rush in and pull a 180<br>&nbsp;&nbsp;&nbsp;&nbsp;just before we get to the pier!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! I'm pretty good at docking.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, hey!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am here to take your life! I have<br>&nbsp;&nbsp;&nbsp;&nbsp;my reasons for joining this hunt!<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Wizard! Lotton the Wizard!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I have no grudge against you...<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. It's been completely destroyed.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's our boat!<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About time.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. It's coming in. Get to the pier!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There they are! It's them! After them!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Touchdown, Dutch!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, Benny!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! A few got onto the boat!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! Get that girl inside!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here!<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're alive, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're extremely lucky.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you watching?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Well, mostly.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I look good?<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You looked no better than the king of idiots.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suggest you stop<br>&nbsp;&nbsp;&nbsp;&nbsp;making entrances like that.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I look like I'm in shape<br>&nbsp;&nbsp;&nbsp;&nbsp;to do the Lion Dance to you?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, you should<br>&nbsp;&nbsp;&nbsp;&nbsp;wear a bulletproof vest.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's assuring to have, just in case.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A real weapon is one of offense.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, there won't be<br>&nbsp;&nbsp;&nbsp;&nbsp;a next time with this wound.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you to a doctor.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't allow a girl to<br>&nbsp;&nbsp;&nbsp;&nbsp;die right in front of me.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not cut out to be<br>&nbsp;&nbsp;&nbsp;&nbsp;killing in a city like this.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd make a great host at a bordello.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am much too clumsy for that.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's alive, let's take her with us.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's lucky, too.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lobos! Where's that shithead Lobos?!<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You called?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Russell?!<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why hasn't he come back yet?!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't ask for the impossible.<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, he's having trouble.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you explain the mud pasted all<br>&nbsp;&nbsp;&nbsp;&nbsp;over my face in front of Don Geralamo?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand how you feel, but--<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got a head capable<br>&nbsp;&nbsp;&nbsp;&nbsp;of understanding anything,<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;start requesting soldiers from our homeland!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that'll start a war with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Russians and Chinese in this city.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine by me! Take me to a phone right now!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm making an international call!<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give me a moment.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a door here. I'm going down.<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys get rid of their gunmen.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. I'm going back to the controls.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're shorthanded here, Dutch!<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take them on a rodeo. Even Tuff<br>&nbsp;&nbsp;&nbsp;&nbsp;Hedeman would be scared of this bull.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like fun, Dutch. Let me<br>&nbsp;&nbsp;&nbsp;&nbsp;know when you're about to go wild.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oww.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right? Sorry for rushing you.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, thanks to you, I fell in face-first.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I let Dutch take over the<br>&nbsp;&nbsp;&nbsp;&nbsp;driving. Is this our guest?<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome aboard the Lagoon.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just call me Benny.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Janet Bhai. Call me Jane.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've actually got some<br>&nbsp;&nbsp;&nbsp;&nbsp;uninvited guests on board.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, relax in my room.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're downsizing our defense line.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and please don't touch the hardware.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a single thing.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're about to start the<br>&nbsp;&nbsp;&nbsp;&nbsp;rough stock. You ready?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. Eda. Hang on to this.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you up to?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, make this bull dance!<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Eda?! You happy?!<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?!<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die!<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a question. Is this boat<br>&nbsp;&nbsp;&nbsp;&nbsp;always driven like this?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only today, just by chance.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a second, I thought your real<br>&nbsp;&nbsp;&nbsp;&nbsp;job was to kill customers this way.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bastard! Don't get so excited, you punk!<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was careless of you, Revy.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're outta bullets?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll earn my wings when I get rid of you.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Use this.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you like that rodeo?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great. It was a lot of fun.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta be kidding me.<br>&nbsp;&nbsp;&nbsp;&nbsp;I never wanna go through that again.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take care of this one.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got one more that<br>&nbsp;&nbsp;&nbsp;&nbsp;snuck into the engine room.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda. Take care of that one.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing, partner.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this place? Jane! Where are you?!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long before we reach<br>&nbsp;&nbsp;&nbsp;&nbsp;the port we're headed to?<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say roughly eight hours.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. That's plenty of time.<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Japanese, get my laptop from my bag.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any bag.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't? Why not? Are you stupid?!<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean by that?!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I know? If it was so important,<br>&nbsp;&nbsp;&nbsp;&nbsp;why didn't you take care of it yourself?!<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't get it!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get what?!<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get rough. You'll<br>&nbsp;&nbsp;&nbsp;&nbsp;damage the electronics.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do anything without my things!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't have my laptop computer,<br>&nbsp;&nbsp;&nbsp;&nbsp;if I can't access the web...<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Computer?<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jane! Where are you?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Come out!<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shit! Shit! Shit!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no path from here to<br>&nbsp;&nbsp;&nbsp;&nbsp;the front. How dare it mock me.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you, stupid engine! When this<br>&nbsp;&nbsp;&nbsp;&nbsp;is over, I'll drink until I get sick of it!<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll run all over Rawhide and I'll fuck<br>&nbsp;&nbsp;&nbsp;&nbsp;expensive women until my balls hurt!<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really excited about this.<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to go, cowboy. You're a true stud.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before you do that, why don't<br>&nbsp;&nbsp;&nbsp;&nbsp;you give God a call and ask<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you should be worried about your<br>&nbsp;&nbsp;&nbsp;&nbsp;balls being blown to heaven first.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch. He's blocking my<br>&nbsp;&nbsp;&nbsp;&nbsp;field of vision with his fire.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a pain.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need another bull ride.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you do it? That guy's<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty quick for a fatso.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll signal you once I lure him to his grave.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. That should be easy enough.<br>&nbsp;&nbsp;&nbsp;&nbsp;What are your chances?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It depends on your timing. Here I go!<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get in my way, you damned nun!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sick of dealing with you guys!<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I care, country bumpkin!<br>&nbsp;&nbsp;&nbsp;&nbsp;Then get off this boat!<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do that!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Shut up!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--The plates are mine, shithead!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--The plates are mine, shithead!<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have the plates?<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The plates are in the ocean of the web.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that was left was for us to<br>&nbsp;&nbsp;&nbsp;&nbsp;collect all the engineering data<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;scattered around the world and create them.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But because the data manager<br>&nbsp;&nbsp;&nbsp;&nbsp;died, I can't get to it.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The encryption is automatically<br>&nbsp;&nbsp;&nbsp;&nbsp;changed every day. I give up.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've already been paid by the<br>&nbsp;&nbsp;&nbsp;&nbsp;Ripoff Church, so we're fine, but...<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is Eda.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The moment she finds out that<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't have the plates,<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll find a new way to crucify you<br>&nbsp;&nbsp;&nbsp;&nbsp;that would impress even Jesus Christ.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a joke, right?<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur is the kind of place where all<br>&nbsp;&nbsp;&nbsp;&nbsp;jokes of a violent nature come true.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will you let me use your machines,<br>&nbsp;&nbsp;&nbsp;&nbsp;just for a short time?!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I refuse.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?! Stingy, stingy, stingy!<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't lend them to you<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter what you say.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather drink a pint of castor oil<br>&nbsp;&nbsp;&nbsp;&nbsp;than let anyone use my machines.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as long as I'm using them,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's a different story.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little interested in what<br>&nbsp;&nbsp;&nbsp;&nbsp;tricks your operator used.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't disappoint me.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's something a junior high school<br>&nbsp;&nbsp;&nbsp;&nbsp;student could've come up with,<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll charge you a fee for my time.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my. I get a kick outta playing<br>&nbsp;&nbsp;&nbsp;&nbsp;chase with a young lady like you.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But frankly, my body just can't keep up.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you give up and be burned?<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll only take an instant. My wife<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't even take five minutes.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be content as long as I can smell<br>&nbsp;&nbsp;&nbsp;&nbsp;the scent of your skin charring.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather is perfect, young lady.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a perfect day for a barbecue party.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch! Ride!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a rocket man, baby!<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand. This boat<br>&nbsp;&nbsp;&nbsp;&nbsp;really is out to kill me.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's just by chance. By chance.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so? Well, at least let<br>&nbsp;&nbsp;&nbsp;&nbsp;me see the data before I die.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not an IFSR or an exchange code.<br>&nbsp;&nbsp;&nbsp;&nbsp;My gut tells me it's a GOST type.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could also cause a buffer<br>&nbsp;&nbsp;&nbsp;&nbsp;overflow and take control quickly.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But using force isn't very elegant.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares about elegance?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't rush it. I'm running six paths<br>&nbsp;&nbsp;&nbsp;&nbsp;in parallel against the GOST.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If one of the indicators on the screen is<br>&nbsp;&nbsp;&nbsp;&nbsp;a hit, it'll start downloading any moment.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like my partner<br>&nbsp;&nbsp;&nbsp;&nbsp;just took care of the fatso.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one left, cowboy.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you resist, I'll blow your head<br>&nbsp;&nbsp;&nbsp;&nbsp;off and toss you in the ocean.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got it. I got it. Damn it.<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't even funny.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I possibly go back to the boss?<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to do that.<br>&nbsp;&nbsp;&nbsp;&nbsp;Lobos will take care of him.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He knows very well how<br>&nbsp;&nbsp;&nbsp;&nbsp;things work in Roanapur.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Lobos guy? Finish Mr. Elvis?<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like he could do that.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a second. I've seen<br>&nbsp;&nbsp;&nbsp;&nbsp;you before. In Florida?<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I know. It was Dirty City,<br>&nbsp;&nbsp;&nbsp;&nbsp;Washington D.C. I'm sure of it!<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so? I don't know you. I was born<br>&nbsp;&nbsp;&nbsp;&nbsp;in Alabama. I've never been to D.C.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll rephrase that and say a<br>&nbsp;&nbsp;&nbsp;&nbsp;woman who looked just like you.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been wearing those<br>&nbsp;&nbsp;&nbsp;&nbsp;sunglasses and that outfit,<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I didn't realize it until now.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, when was it? It was when<br>&nbsp;&nbsp;&nbsp;&nbsp;Don Geralamo was in D.C., so...<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was him. That man!<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. You'd better stop there, cowboy.<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got the wrong person, anyway.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember! That stupid<br>&nbsp;&nbsp;&nbsp;&nbsp;senator, Jack Bonham!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tally ho! It was a GOST!<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your operator was skilled,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he wasn't thorough enough.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm as great as Kevin Mitnick.<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I'm amazing!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There. I won the bet. What's my prize?<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you're so cute and sexy.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That woman was wearing<br>&nbsp;&nbsp;&nbsp;&nbsp;a navy blue suit, right?<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was having a dinner meeting with<br>&nbsp;&nbsp;&nbsp;&nbsp;the senator and several other men.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At a French restaurant<br>&nbsp;&nbsp;&nbsp;&nbsp;called the Fontainebleau.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right! The Fontainebleau!<br>&nbsp;&nbsp;&nbsp;&nbsp;But why were you with a senator?<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that time, she and her<br>&nbsp;&nbsp;&nbsp;&nbsp;superiors were talking about<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;contact with foreign countries<br>&nbsp;&nbsp;&nbsp;&nbsp;within the EAEC that opposed NAFTA<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and how to deal with them.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't be...<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're mistaken.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's someone else. I'm just a<br>&nbsp;&nbsp;&nbsp;&nbsp;damned nun from the Ripoff Church.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll tell you one thing that's true.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't born in Alabama.<br>&nbsp;&nbsp;&nbsp;&nbsp;My hometown is Langley, Virginia.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're CIA?!<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it sure took you long enough.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you send him off to hell?<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're almost in port. Let's take it easy.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure thing. God's in heaven<br>&nbsp;&nbsp;&nbsp;&nbsp;and all's well in the world.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I won't be too long.<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, I'm leaving, partner.<br>

# 19 - Fujiyama Gangsta Paradise

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over this past year, I've woken up with<br>&nbsp;&nbsp;&nbsp;&nbsp;hangovers in the following places...<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes I might wake up in the<br>&nbsp;&nbsp;&nbsp;&nbsp;cabin aboard the torpedo boat,<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sometimes the office<br>&nbsp;&nbsp;&nbsp;&nbsp;of a pirating company.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But generally, this is my place of rest.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cheap hotel room looking<br>&nbsp;&nbsp;&nbsp;&nbsp;down over downtown Roanapur.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the first time in a year, I'm leaving<br>&nbsp;&nbsp;&nbsp;&nbsp;this country for a far away location.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A place that is too far removed<br>&nbsp;&nbsp;&nbsp;&nbsp;from the current me. That country...<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that you, Rock? Happy New Year.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though it's hard to get into that mood here.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing but the<br>&nbsp;&nbsp;&nbsp;&nbsp;Chinese setting off fireworks.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Everything's decorated<br>&nbsp;&nbsp;&nbsp;&nbsp;nicely for the New Year here.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's Revy doing?<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All she does is complain. She didn't<br>
&nbsp;&nbsp;&nbsp;&nbsp;like the *Tokarev* she was given.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was in a bad mood<br>&nbsp;&nbsp;&nbsp;&nbsp;over that yesterday, too.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure are a lady's man.<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She went with you because she<br>&nbsp;&nbsp;&nbsp;&nbsp;was worried about you, right?<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I should be going now.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll call you again.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's starting to snow.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It snows worse in New York,<br>&nbsp;&nbsp;&nbsp;&nbsp;but still, this is nostalgic.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been ages since I last saw snow.<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since I left that city.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you like Japan?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been hit on by a few guys.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I talk back, they make a face<br>
&nbsp;&nbsp;&nbsp;&nbsp;and repeat the word "*gaijin*."<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This country pisses me off.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, today we meet face-to-face<br>&nbsp;&nbsp;&nbsp;&nbsp;for the first time.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for coming from so far away.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys are my men.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, how shall I address you?<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just Balalaika is fine.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been briefed by Laptev.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been eager to set up<br>&nbsp;&nbsp;&nbsp;&nbsp;base in Tokyo for some time.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do appreciate your assistance.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you join forces with us,<br>&nbsp;&nbsp;&nbsp;&nbsp;there'll be nothing to fear.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you've heard,<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Kanto Peace Council is making<br>&nbsp;&nbsp;&nbsp;&nbsp;an effort to keep foreigners out.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Laptev from Russia is one example<br>&nbsp;&nbsp;&nbsp;&nbsp;of someone who was thrown out.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I was thinking... we could<br>&nbsp;&nbsp;&nbsp;&nbsp;reach out a helping hand.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But isn't the Washimine<br>&nbsp;&nbsp;&nbsp;&nbsp;clan a part of the Council?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can only go so far in<br>&nbsp;&nbsp;&nbsp;&nbsp;meeting their call to duty.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gone to great lengths to fulfill<br>&nbsp;&nbsp;&nbsp;&nbsp;our obligation to the Kousa clan.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think we've done a<br>&nbsp;&nbsp;&nbsp;&nbsp;lot for the Peace Council.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we can't stay at the bottom of the<br>&nbsp;&nbsp;&nbsp;&nbsp;pile forever, simply outta obligation.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our interests are mutually<br>&nbsp;&nbsp;&nbsp;&nbsp;beneficial, Mr. Bando.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You expand your reach with our help<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while we will set up a new<br>&nbsp;&nbsp;&nbsp;&nbsp;enterprise in this city.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're quick to understand.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you suppress the Kousa<br>&nbsp;&nbsp;&nbsp;&nbsp;clan with your power,<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the Peace Council cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;afford to go against us.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our emblem will gain power.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear that among the Russians,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're most used to being in a fire.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're concerned about our forces?<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our forces are nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;like those in this nation.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are a military force.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me show you.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me. Are you in position?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Interpreter?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's now speaking in Russian.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect. Go ahead and begin.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To start things off, we've blown up one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the clubs owned by the Kousa clan.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blown up?! You idiot!<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you thinking?!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Intimidation with handguns<br>&nbsp;&nbsp;&nbsp;&nbsp;amounts to nothing.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will make our strength<br>&nbsp;&nbsp;&nbsp;&nbsp;very clear with our first strike.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how Hotel Moscow<br>&nbsp;&nbsp;&nbsp;&nbsp;makes a show of force.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will decimate anything... that<br>&nbsp;&nbsp;&nbsp;&nbsp;stands in our way, you understand.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why we have come here.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine by me. It's one hell of a firework<br>&nbsp;&nbsp;&nbsp;&nbsp;to start off the Washimine clan's fight.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've taken a liking to you, Miss Balalaika.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...on the 3rd, at 6 p.m., there was<br>&nbsp;&nbsp;&nbsp;&nbsp;an explosion in Kabuki-cho, Shinjuku."<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All those yakuza guys<br>&nbsp;&nbsp;&nbsp;&nbsp;were paralyzed with fear.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a little much to return to,<br>&nbsp;&nbsp;&nbsp;&nbsp;after being away for some time.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish they wouldn't turn my<br>&nbsp;&nbsp;&nbsp;&nbsp;country into a battlefield.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sis was in a really good mood.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There hasn't been a big fight<br>&nbsp;&nbsp;&nbsp;&nbsp;in Roanapur lately, after all.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Reserved"<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the type to give up fucking<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if there's a war to be fought.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something wrong with her.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a war maniac.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She left a few important<br>&nbsp;&nbsp;&nbsp;&nbsp;screws back in Afghanistan.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Rock. What's that?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. They have a fair up.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's for the New Year season.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it's a carnival.<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like fun. Hey, driver!<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see any Ferris wheels.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't find them at a<br>&nbsp;&nbsp;&nbsp;&nbsp;traditional Japanese fair, Revy.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's my third one!<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're living up to the name of Two-Hands.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got that right. Who do you think I am?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Miss Rebecca. Just give me a gun<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll show you why I'm the best!<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my fourth. It's a shame<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have my Cutlass.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could close this shop<br>&nbsp;&nbsp;&nbsp;&nbsp;down in three seconds.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, this is the hardest country<br>&nbsp;&nbsp;&nbsp;&nbsp;in the world to have a gunfight in.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you can't bribe the cops<br>&nbsp;&nbsp;&nbsp;&nbsp;here like in Roanapur.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to be thrown in jail.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remembering something?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like what?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, "Like what?"<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your country.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have anyone?<br>&nbsp;&nbsp;&nbsp;&nbsp;You know. Like, family.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like you were born<br>&nbsp;&nbsp;&nbsp;&nbsp;from the crotch of a tree.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought snoops weren't well-liked.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing. Just wondering<br>&nbsp;&nbsp;&nbsp;&nbsp;what you were thinking.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You looked like you were deep<br>&nbsp;&nbsp;&nbsp;&nbsp;in thought about something.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the time you pulled<br>&nbsp;&nbsp;&nbsp;&nbsp;a gun on me on that boat,<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a year has already passed. Time flies.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand it.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a place I knew well,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I feel like I don't know it at all.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My family doesn't get along.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My older brother turned out<br>&nbsp;&nbsp;&nbsp;&nbsp;well and got a government job.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I got into college a year late<br>&nbsp;&nbsp;&nbsp;&nbsp;and ended up in a normal company.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They didn't expect much of me.<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess they really didn't care.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But your parents are alive, right?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least contact them.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't been arrested yet.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your only chance.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep this up, one day, you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;never be able to see them again.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From our point of view, yours is a normal<br>&nbsp;&nbsp;&nbsp;&nbsp;home. Isn't it worth going home to?<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got this far without stealing or killing.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't misunderstand me. I'm just saying<br>&nbsp;&nbsp;&nbsp;&nbsp;you should at least go give them a visit.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't say I'm really normal. Hanging<br>&nbsp;&nbsp;&nbsp;&nbsp;around you guys is clear proof of that.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more and I get the top score!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! I bet it's weighed down!<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey!<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Hey, Rock!<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, she says she scored enough points<br>&nbsp;&nbsp;&nbsp;&nbsp;for first place, so give her the prize.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. She can't cheat.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says it doesn't count. Because<br>&nbsp;&nbsp;&nbsp;&nbsp;you poked it and pushed it down.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! You bastard!<br>&nbsp;&nbsp;&nbsp;&nbsp;What the fuck?! Bullshit!<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not gonna take this<br>&nbsp;&nbsp;&nbsp;&nbsp;kinda crap, you dickweed!<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?! Speak Japanese!<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?!<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You just cussed at me, didn't you?!<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What the hell are you saying?!<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, cut it out!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Son of a bitch!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you! We're in Japan! Speak Japanese!<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss customer. Excuse me.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in the middle of the New Year's week.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we all just have fun?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please lay your aggression aside.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the hell are you?!<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Let's go! We're being a nuisance.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, baby. Are you taking his side?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're gonna be unreasonable,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a problem with that.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life is short, so we'd all like to just<br>&nbsp;&nbsp;&nbsp;&nbsp;enjoy what we have left of it.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had your fun,<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so please take advantage of<br>&nbsp;&nbsp;&nbsp;&nbsp;this opportunity to save face.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Let it go, Revy! Come on!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... um, sweet sake...<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't you join me for some sweet sake?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's chilly, so rather than<br>&nbsp;&nbsp;&nbsp;&nbsp;standing around in the cold...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the fuck are you?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I agree. I prefer not to fight,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let's do it. Okay?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sweet Sake"<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how did we end up like this?<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. There's nothing to<br>&nbsp;&nbsp;&nbsp;&nbsp;gain from making a big scene.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not even in the mood<br>&nbsp;&nbsp;&nbsp;&nbsp;anymore. Lost the buzz.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, thank God Almighty.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really glad things calmed down, too.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah, well, um...<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah, well, um...<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry!<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, please go ahead.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um... then sure.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like a student. Or are you a vendor?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yes. They're both correct.<br>&nbsp;&nbsp;&nbsp;&nbsp;My father was, um...<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father was a vendor. That man...<br>&nbsp;&nbsp;&nbsp;&nbsp;Ginji is like my father's student.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's an argument here,<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone goes to Ginji.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's big, right? His body.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before he realized it, he was<br>&nbsp;&nbsp;&nbsp;&nbsp;like the arbitrator of Takamachi.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I would help close shop today<br>&nbsp;&nbsp;&nbsp;&nbsp;after my college entrance exam classes.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that was a little shock to me.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's ultra-short tempered to the core.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just glad she didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;end up causing a big scene.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she Japanese?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. She's Chinese-American. How<br>&nbsp;&nbsp;&nbsp;&nbsp;should I put it... She works with me.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to translate for a Russian,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she came with me.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An international occupation<br>&nbsp;&nbsp;&nbsp;&nbsp;is very impressive.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really. It's a small company and<br>&nbsp;&nbsp;&nbsp;&nbsp;we're always dealing with trouble.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a lot of hard work, and it's dangerous.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's dangerous?<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, well...<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, something like that.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with him?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you laughing at, asshole?<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss. You're not a decent woman, are you?<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There. Those eyes.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those aren't good eyes.<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are the eyes of a dog.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no fucking idea what<br>&nbsp;&nbsp;&nbsp;&nbsp;you just said, but... I can tell.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the same kind as me. You stink<br>&nbsp;&nbsp;&nbsp;&nbsp;of blood and guts. A smell I know.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's getting cold. Miss, sitting<br>&nbsp;&nbsp;&nbsp;&nbsp;out here isn't good for your body.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how we met.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, by the way, what's your name?<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. It's Yukio. Yuki, as in snow,<br>&nbsp;&nbsp;&nbsp;&nbsp;and O, as in sandal straps.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That day...<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I still didn't know just how<br>&nbsp;&nbsp;&nbsp;&nbsp;powerful the underground world was.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;0230 hours. We have assaulted<br>&nbsp;&nbsp;&nbsp;&nbsp;a Kousa clan office.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confirmed result--twelve kills,<br>&nbsp;&nbsp;&nbsp;&nbsp;no fatalities, no casualties.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All men left the scene by 0237 hours.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I have them prepare Russian tea?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't want to make a fuss.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then some toast?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like some, Sergeant?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm fine.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't skip breakfast,<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant. It's not healthy.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the situation with<br>&nbsp;&nbsp;&nbsp;&nbsp;police force intervention?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. They closed off<br>&nbsp;&nbsp;&nbsp;&nbsp;the scene at 0305 hours.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're on heightened security status.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a member of the Washimine clan<br>&nbsp;&nbsp;&nbsp;&nbsp;transcribe their wireless communications.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must wait for Rock's<br>&nbsp;&nbsp;&nbsp;&nbsp;translation for the details.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reliability of information<br>&nbsp;&nbsp;&nbsp;&nbsp;could mean life or death.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have him translate it immediately.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I would expect from you, Balalaika.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see why Boss Slevenin<br>&nbsp;&nbsp;&nbsp;&nbsp;acknowledges you.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whose ass do you think I'm wiping, Vasily?<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've disgraced the reputation<br>&nbsp;&nbsp;&nbsp;&nbsp;of the organization.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't even take control<br>&nbsp;&nbsp;&nbsp;&nbsp;of a single playground.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to wrap up the operation<br>&nbsp;&nbsp;&nbsp;&nbsp;here and get back to Roanapur.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That place is full of gunpowder, so I<br>&nbsp;&nbsp;&nbsp;&nbsp;can't leave it unattended for long.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye. I'll see you in six hours.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't overstep your boundaries, Balalaika!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back in Moscow, I'm one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the respected bosses!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to remember those who<br>&nbsp;&nbsp;&nbsp;&nbsp;rose up using money instead of skill.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I better write your name down<br>&nbsp;&nbsp;&nbsp;&nbsp;on a dollar bill so I can remember.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize, you ex-military bitch!<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm warning you. There are two<br>&nbsp;&nbsp;&nbsp;&nbsp;things in this world I can't stand.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is cold blintzes, and the other<br>&nbsp;&nbsp;&nbsp;&nbsp;is dimwitted ex-KGB shitheads.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Live with your head low so<br>&nbsp;&nbsp;&nbsp;&nbsp;the bullets don't hit you.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, kids nowadays would<br>&nbsp;&nbsp;&nbsp;&nbsp;rather have video games than these.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much longer do you<br>&nbsp;&nbsp;&nbsp;&nbsp;plan on enduring this?<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the true job of a vendor.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a lot better than<br>&nbsp;&nbsp;&nbsp;&nbsp;selling drugs or women.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you implying that I do<br>&nbsp;&nbsp;&nbsp;&nbsp;this because I like it?<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the old man died, he left us this<br>&nbsp;&nbsp;&nbsp;&nbsp;group that can barely get tribute.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only reason we've<br>&nbsp;&nbsp;&nbsp;&nbsp;come this far is because<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the old man and the Kousa clan's last<br>&nbsp;&nbsp;&nbsp;&nbsp;head took each other as brothers.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now with that gone, those guys haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;let anyone take the head of our group,<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even now, three years later.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're the only ones left with any<br>&nbsp;&nbsp;&nbsp;&nbsp;sense of obligation to the old man.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He took care of me when I<br>&nbsp;&nbsp;&nbsp;&nbsp;came from the Kansai region.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you see, we've gotta do something.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin-boy. You said that dealing with<br>&nbsp;&nbsp;&nbsp;&nbsp;low-lifes was a shame upon the yakuza.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that only matters if we have a name.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what the old man said.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pulling off a big job right now.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Joining up with Russians to<br>&nbsp;&nbsp;&nbsp;&nbsp;take out the guys above us.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss. Do you realize what you're saying?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They tried to take us out first!<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Russians are Russians,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how you cut it.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't have a shred of honor. So, we<br>&nbsp;&nbsp;&nbsp;&nbsp;need to stay in control of certain areas.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you trying to say?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to take it up again.<br>&nbsp;&nbsp;&nbsp;&nbsp;That white scabbard.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name that still puts fear into<br>&nbsp;&nbsp;&nbsp;&nbsp;all yakuza--Man-slayer Ginji.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't you show that to me once more?<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss. I'm grateful that you're<br>&nbsp;&nbsp;&nbsp;&nbsp;looking after the young lady.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also understand what<br>&nbsp;&nbsp;&nbsp;&nbsp;you're saying. However,<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what you're suggesting now<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't bear a shred of justice.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I held the white scabbard for the<br>&nbsp;&nbsp;&nbsp;&nbsp;old man, it was because he had that.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I guess that's that. I'll come again.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those Russians...<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did they bring their own interpreter?<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, they did.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kinda guy is he?<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, just a young guy with a pretty,<br>&nbsp;&nbsp;&nbsp;&nbsp;but naughty, girl by his side.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't look like anything<br>&nbsp;&nbsp;&nbsp;&nbsp;more than a normal guy.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to make an analogy, he's like<br>&nbsp;&nbsp;&nbsp;&nbsp;a bird that arrives at the doorstep<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with soup, onions, and even<br>&nbsp;&nbsp;&nbsp;&nbsp;the pot to cook himself in.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I won't be too long.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoo. Hurry up and go. Shoo, shoo.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll wait for you, but not for too long.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just until I finish drinking this.<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, I'm leaving, partner.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Okajima"<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sky looks the same<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter where you are.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, or in Mott Street.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You goddamn brats!<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna shoot each other up,<br>&nbsp;&nbsp;&nbsp;&nbsp;then head on out to Lebanon!<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey now, so you're a real gunman, aren't ya?<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just look at this sorry excuse for a gun.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, brats! Now watch those cans<br>&nbsp;&nbsp;&nbsp;&nbsp;we got lined up there, all right?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bang! Bang! Bang!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's amazing!<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like magic!<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like Annie Oakley, right?<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jack McCall! I'm here to avenge Wild Bill!<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you defeat me, the incredible Jane?<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, come at me.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hit!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, wait a sec!<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, you got it all wrong.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only place you'll see people go down<br>&nbsp;&nbsp;&nbsp;&nbsp;like that is in the movies or on TV shows.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen. In reality, you suddenly lose<br>&nbsp;&nbsp;&nbsp;&nbsp;all your strength. Do you understand?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like everything below your knees<br>&nbsp;&nbsp;&nbsp;&nbsp;disappears and your feet stagger,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and unable to position yourself,<br>&nbsp;&nbsp;&nbsp;&nbsp;you go down head first.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you how it happens. You.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, that's not very cool-looking, lady.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's always like this when you die.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's really not that cool.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long have you been watching?<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since about the time you charged<br>&nbsp;&nbsp;&nbsp;&nbsp;into the Deadwood saloon.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I noticed the scenario<br>&nbsp;&nbsp;&nbsp;&nbsp;changed partway through.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calamity Jane didn't die at that location.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My toy pistol!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Listen up!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow, ow!<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You tell Dutch or Benny about this<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll cut off your balls and<br>&nbsp;&nbsp;&nbsp;&nbsp;pole and feed them to you!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't! I won't say a thing!<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? Were you able to meet your folks?<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, I did go to the house,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I wasn't able to see them.<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They weren't home.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's nothing. But we still<br>&nbsp;&nbsp;&nbsp;&nbsp;have a few more days here.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why doesn't he go home?<br>&nbsp;&nbsp;&nbsp;&nbsp;This place suits him so perfectly.<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it with this guy?<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss! The Russians aren't holding back!<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've b-blown something up again today!<br>

# 20 - The Succession

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? I told you so.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go again sometime.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Who the hell are you?!<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Miss.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This probably isn't a very<br>&nbsp;&nbsp;&nbsp;&nbsp;amusing place for a woman.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No bother. But I do rather<br>&nbsp;&nbsp;&nbsp;&nbsp;dislike noisy places.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Kousa clan is on the move.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in Roppongi, we don't<br>&nbsp;&nbsp;&nbsp;&nbsp;stand out like a sore thumb.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our neutralization of enemy targets<br>&nbsp;&nbsp;&nbsp;&nbsp;is proceeding according to plan.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Kousa clan is a very large outfit.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to go further to squeeze them.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We move on to phase two<br>&nbsp;&nbsp;&nbsp;&nbsp;and institute a shift.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A shift?<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we shift gears.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we clamp down on<br>&nbsp;&nbsp;&nbsp;&nbsp;their income sources,<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;retailers, entertainment venues,<br>&nbsp;&nbsp;&nbsp;&nbsp;waste management.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys aren't amateurs.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we keep this up, they're bound<br>&nbsp;&nbsp;&nbsp;&nbsp;to notice what we're doing.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just to rattle their cage, of course.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our main target is something else.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will resort to a tactic<br>&nbsp;&nbsp;&nbsp;&nbsp;that works in every nation.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abduction. An abduction, Mr. Bando.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll target the family of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Kousa clan head, Masami Kousa.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Boss!<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to dampen the mood,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's the one thing you can't do.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said, "We can't do that."<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we are looking for is a fight where<br>&nbsp;&nbsp;&nbsp;&nbsp;the Kousa clan loosens their grip.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just make a ruckus for a while.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go overboard and make<br>&nbsp;&nbsp;&nbsp;&nbsp;things difficult for us later on.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear that, Sergeant?<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't get it at all.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, translate this carefully, okay?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Bando.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will employ any means<br>&nbsp;&nbsp;&nbsp;&nbsp;necessary to secure profits.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are taking on most of the risks here.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, the decision-making<br>&nbsp;&nbsp;&nbsp;&nbsp;belongs to us, not you.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait a minute.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you, Rumi.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you not to call me at<br>&nbsp;&nbsp;&nbsp;&nbsp;this time of day. Huh? Prada?<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want any. I've got<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to sell. You talk too much.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch it or I'll take two of your teeth<br>&nbsp;&nbsp;&nbsp;&nbsp;out later. Huh? Then get false teeth.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I gotta go.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Chaka! What the hell are you doing?!<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you realize what we're<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about here, you idiot?!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry about that. That stupid bitch.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get outta here!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah, sure. I'll go.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I apologize for making a scene.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Martin Heidegger's *Holzwege"*<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Yukio, you're still here.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, Maki. Oh, my. Look at the time.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you reading now, Yukio?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This? Martin Heidegger.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's philosophical, but<br>&nbsp;&nbsp;&nbsp;&nbsp;very powerful. I like it.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pass on it. I like skincare<br>&nbsp;&nbsp;&nbsp;&nbsp;guides and modern horror books.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did say you like Anne Rice.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you like for light reading, Yukio?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see. Umm...<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind. It's all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget that I asked.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you were just thinking about<br>&nbsp;&nbsp;&nbsp;&nbsp;probably wasn't light reading at all.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so? I like any book that<br>&nbsp;&nbsp;&nbsp;&nbsp;makes me feel like I'm out in the sea.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Swallowing knowledge and<br>&nbsp;&nbsp;&nbsp;&nbsp;emotion and everything else.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Endlessly expanding, yet<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhat different from reality.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's what I like.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get into reading the<br>&nbsp;&nbsp;&nbsp;&nbsp;difficult ones. How about King?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care for scary novels.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's a bit surprising.<br>&nbsp;&nbsp;&nbsp;&nbsp;I would've thought you'd like Poe.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like the ones that<br>&nbsp;&nbsp;&nbsp;&nbsp;make you imagine the night.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So dark and lonely and sorrowful.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like the night.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get really scared, thinking I'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be sucked into this darkness.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not romantic. Not at all.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear we've got trouble.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're waiting for you.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target 012 confirmed.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;012 confirmed.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't I have a little more time<br>&nbsp;&nbsp;&nbsp;&nbsp;before you go ahead with that?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I'll wait, so long as it does<br>&nbsp;&nbsp;&nbsp;&nbsp;not interfere with the operation.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that we can raise a toast to each other.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mr. Taka. What's with that girl?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! Haven't you<br>&nbsp;&nbsp;&nbsp;&nbsp;learned your lesson yet?<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not what you think.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's that skinny interpreter's<br>&nbsp;&nbsp;&nbsp;&nbsp;bodyguard. From Roanapur.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? She's a woman and she<br>&nbsp;&nbsp;&nbsp;&nbsp;can fight?! Are you serious?!<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaka, you idiot! Cut it out! They're guests!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, Mr. Taka. But you'd like to<br>&nbsp;&nbsp;&nbsp;&nbsp;see what she can do, wouldn't you?<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't we go home yet?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time for socializing now.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste of time.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't complain, Revy.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a way to keep things moving smoothly.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it takes care of things without incident,<br>&nbsp;&nbsp;&nbsp;&nbsp;then it's a small price to pay.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand it. It'd be<br>&nbsp;&nbsp;&nbsp;&nbsp;faster to make them drink...<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...cresol cocktails.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there she is.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I hear you're a gunman.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't speak no stinking<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese. Speak English.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. How's this,<br>&nbsp;&nbsp;&nbsp;&nbsp;then? This is my place.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't run a place like this<br>&nbsp;&nbsp;&nbsp;&nbsp;without speaking English.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, cutie. You from Roanapur, right?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rumor says that place has more bad-ass<br>&nbsp;&nbsp;&nbsp;&nbsp;motherfuckers than a supermax prison.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Have you ever shot anyone?<br>&nbsp;&nbsp;&nbsp;&nbsp;I've shot about ten guys.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Romeo. Can I tell you one thing?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your breath stinks, dimwit.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can smell it over your cologne.<br>&nbsp;&nbsp;&nbsp;&nbsp;Your insides are rotten.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Revy, let's go.<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Balalaika is waiting. Come on.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mr. Interpreter.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you tell? We're talking.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't barge in.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Go on ahead.<br>&nbsp;&nbsp;&nbsp;&nbsp;Go back and get Mr. Bando or--<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Who do you think you are?!<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you ignore me. When I snap,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have trouble controlling myself.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You listening?! Hey!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, lady. He's getting beat up<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty bad. Not very cool, is it?<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not give me a try? You can't be<br>&nbsp;&nbsp;&nbsp;&nbsp;satisfied being with a weakling like this.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?! Bastard!<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say something!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you doing,<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaka?! What is this?!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not the time or place for this!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just playing around.<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Mr. Yoshida.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terribly sorry.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have a talk with him later.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An incompetent officer and a<br>&nbsp;&nbsp;&nbsp;&nbsp;soldier who ignores orders.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hardly stand it, Sergeant.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would have been better<br>&nbsp;&nbsp;&nbsp;&nbsp;if it were a battlefield.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'd be killed off in battle and discarded.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Rock.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had his hand on his gun the whole time.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wasn't after me. He wanted you to draw.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're beginning to develop a soul of<br>&nbsp;&nbsp;&nbsp;&nbsp;diamond. You're absolutely right, Rock.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may need my Cutlass, after all.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't plan on starting anything.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at some point, that guy<br>&nbsp;&nbsp;&nbsp;&nbsp;will turn his gun on us.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is a pea brain who can't<br>&nbsp;&nbsp;&nbsp;&nbsp;tell his ass from his head.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's accept his challenge.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll just wait until then, Rock.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that time comes,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill him, for sure.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you please pass me the miso?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. We don't have enough power<br>&nbsp;&nbsp;&nbsp;&nbsp;to shut the Kousa clan up.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a good plan, despite the<br>&nbsp;&nbsp;&nbsp;&nbsp;Peacekeeping Council's decision.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought money would take care of<br>&nbsp;&nbsp;&nbsp;&nbsp;matters instead of reasoning with them.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But because of those Russians...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, the sweetened sake, please.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, this isn't good.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything else you need, Benny?<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks a lot. You're a great help.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I prefer not to go through<br>&nbsp;&nbsp;&nbsp;&nbsp;the black market in Bangkok.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, Revy wanted something.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wants you to send her Sword Cutlass.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A troubling request, I must say.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is a storm brewing?<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know yet.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I sure hope not.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So do I. I'll take care of it.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Due to difficulties caused by the snow,<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yoyogi"<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;trains in both directions aren't running.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good. I guess I'll get a cab.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We apologize for the inconvenience.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--...the other day...<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You're from...<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's been a while since<br>&nbsp;&nbsp;&nbsp;&nbsp;I experienced the cold.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, with you being from a subtropical zone.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you gone home yet, Mr. Okajima?<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Home? Well...<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I don't really wanna go home.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Okajima, you're like the old me.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to hate my home.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I realized it's the place to return to.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a family that raised me.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have your head on straight<br>&nbsp;&nbsp;&nbsp;&nbsp;for someone your age.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My friends say I'm like an old lady.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, no, that's not what I mean!<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kidding.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anything like that.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I'm just hanging in between.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel too attached to just discard it,<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't have the resolution<br>&nbsp;&nbsp;&nbsp;&nbsp;to go forward.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A certain Frenchman said<br>&nbsp;&nbsp;&nbsp;&nbsp;that people are like dice.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You throw yourself in the<br>&nbsp;&nbsp;&nbsp;&nbsp;direction of your choice.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are free because they<br>&nbsp;&nbsp;&nbsp;&nbsp;have the ability to do that.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's circumstances are different,<br>&nbsp;&nbsp;&nbsp;&nbsp;but no matter how small the choice,<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the very least, you can throw yourself.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not chance or fate. It's the<br>&nbsp;&nbsp;&nbsp;&nbsp;result of the choice you make.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can be pretty harsh.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me for a moment.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, this is Yukio. Oh,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's you, Gin. I know.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You worry too much.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm out of the snow with Mr. Okajima.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, the person we met at the festival.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? What is it?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today...<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Mr. Bando's there?<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'd better hurry home.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I understand.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Mr. Okajima. I've gotta go.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio. Um...<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... I hadn't asked yet<br>&nbsp;&nbsp;&nbsp;&nbsp;what your last name is.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. It's Washimine. Sounds<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty solemn, doesn't it?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm against this.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has nothing to do with the Miss.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine if the Peacekeeping<br>&nbsp;&nbsp;&nbsp;&nbsp;Council heard about this.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only would they not<br>&nbsp;&nbsp;&nbsp;&nbsp;allow us to rebuild our clan,<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd kick us out of the region.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were already home.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for not noticing.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Bando. About what you<br>&nbsp;&nbsp;&nbsp;&nbsp;were just talking about...<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, Miss...<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as the old man passed on,<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they immediately came to us<br>&nbsp;&nbsp;&nbsp;&nbsp;about not having a boss.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said they'd accept<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone of direct relation.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiots, they knew very<br>&nbsp;&nbsp;&nbsp;&nbsp;well what that would mean.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. A direct relation.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, Miss, are the only one.<br>&nbsp;&nbsp;&nbsp;&nbsp;Those dirty bastards.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they'll slowly come<br>&nbsp;&nbsp;&nbsp;&nbsp;to strangle us with it.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoshida?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss! Is it you, Boss?!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a tail behind me.<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not anyone local.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss!<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're from higher up.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I get the chance, I'll lose<br>&nbsp;&nbsp;&nbsp;&nbsp;them and head to a hideout.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss! The Russians aren't holding back!<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They blew up a car in front of a police<br>&nbsp;&nbsp;&nbsp;&nbsp;station when a man from Kousa<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;tried to turn himself in!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those evil bastards thinking?!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear you. I'll contact you again.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare for some trouble, and clean up.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything from the Washimine clan?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing yet.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a waste of time.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earlier, at 0600 hours,<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a detective approached the<br>&nbsp;&nbsp;&nbsp;&nbsp;Washimine office for information.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only a matter of time<br>&nbsp;&nbsp;&nbsp;&nbsp;until we're discovered.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell the main unit to move<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Maria Zeleska.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am. What should we tell Laptev?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to tell him anything.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Miss Balalaika.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um...<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if the Washimine clan<br>&nbsp;&nbsp;&nbsp;&nbsp;abandons the agreement?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it concern you in any way?<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't misinterpret your position in this.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Sis. You're not being too nice.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not really a secret,<br>&nbsp;&nbsp;&nbsp;&nbsp;so why not tell him?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're certainly taking his side,<br>&nbsp;&nbsp;&nbsp;&nbsp;Two-Hands. Silence is golden.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true, but Rock's on our side, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Trusting each other is important, too.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've become a much better talker, I see.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, fine. Let's suppose they<br>&nbsp;&nbsp;&nbsp;&nbsp;did something stupid like that.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we'd have one more name<br>&nbsp;&nbsp;&nbsp;&nbsp;to add to our target list.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our job won't change and the<br>&nbsp;&nbsp;&nbsp;&nbsp;world will continue the same.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's as simple as that.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Reading Room"<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuki!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. We'll stay late<br>&nbsp;&nbsp;&nbsp;&nbsp;with you to help next time.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about it.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it easy at work.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Yukio, my last finals were really bad,<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Mom made a big fuss about<br>&nbsp;&nbsp;&nbsp;&nbsp;wanting me to quit my job...<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin. I am involved in this.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was raised in this house. I am the<br>&nbsp;&nbsp;&nbsp;&nbsp;daughter of Ryuzo Washimine.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and she would keep<br>&nbsp;&nbsp;&nbsp;&nbsp;nagging me to quit my job...<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About that guy, Okajima.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is involved in this matter.<br>&nbsp;&nbsp;&nbsp;&nbsp;On the Russian's side.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio! Yukio!<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Are you listening to me at all?<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a big concern for me.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Maki...<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Never mind. On second thought,<br>&nbsp;&nbsp;&nbsp;&nbsp;discussing it isn't gonna help.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, don't leave me hanging like that!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you, Yoshida.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just out for a walk. There's<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing interesting about it.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro! You're off to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;the Russians, aren't you?!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a long time<br>&nbsp;&nbsp;&nbsp;&nbsp;since you called me Bro.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Bro! I'll go too!<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoshida. Take this.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask Gin about what to do next.<br>&nbsp;&nbsp;&nbsp;&nbsp;You may not like him, but he's a good man.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, goodbye.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or something like that.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did this happen?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This morning.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a suitcase sitting in front of<br>&nbsp;&nbsp;&nbsp;&nbsp;our office. Those goddamned Russians!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoshida, no matter who did it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would've ended this way.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had to do something about Kousa.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boss was just too smart<br>&nbsp;&nbsp;&nbsp;&nbsp;for his own good. That's all.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do now?!<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dark and lonely.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The snowy night sky.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop right there! You low-life!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to translate this<br>&nbsp;&nbsp;&nbsp;&nbsp;in strong, blunt Japanese.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But...<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight, I'll tell you about the truth.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I seek is destruction and domination.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any interest in anything else.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm only interested in how much<br>&nbsp;&nbsp;&nbsp;&nbsp;I can dance in the pit of Hell.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you, eventually.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hey, Rock! Are you all right?!<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sweating like crazy.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I asleep?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were breathing like an old Buick engine.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not good to drink so heavily.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about to get wild.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're moving.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moving?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Visotoniki are splitting<br>&nbsp;&nbsp;&nbsp;&nbsp;up into two groups,<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the cargo ship and the Russian Embassy.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, this is really gonna be war.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure it is. Hotel Moscow is serious.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A storm is coming, Rock.<br>&nbsp;&nbsp;&nbsp;&nbsp;A storm of steel and blood.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're planning on going, aren't you, Gin?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only I walk a path in the sun,<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll all end up wandering in darkness.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss. You mustn't.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't run from this.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I feel the night inside of you, Gin.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's body warmth. Very sorrowful,<br>&nbsp;&nbsp;&nbsp;&nbsp;but therefore, not cold.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss. I...<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted you to walk the path of a human<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and get hold of honest happiness.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To this day, I have lived<br>&nbsp;&nbsp;&nbsp;&nbsp;for that reason only.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kousa's rats and the Russian villains.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all trying to ruin us!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will do what we can,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if it's on our own.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they will accept me on equal<br>&nbsp;&nbsp;&nbsp;&nbsp;terms, then it shall be me.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Ginji.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The snowy night is beautiful.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time I ever thought that.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ginji.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you protect me, Ginji?<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though unworthy, I am Ginji Matsuzaki,<br>&nbsp;&nbsp;&nbsp;&nbsp;lieutenant of the Washimine Clan.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to protect you with<br>&nbsp;&nbsp;&nbsp;&nbsp;all seven of my incarnations!<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are just like dice.<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Man is, before all else,<br>&nbsp;&nbsp;&nbsp;&nbsp;something which propels itself"<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We throw ourselves into our lives.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin. This is your first job.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please work cautiously.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take care of this quickly.<br>

# 21 - Two Father's Little Soldier Girls

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, Uncle? To the Olympics?<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. One day, you should aim<br>&nbsp;&nbsp;&nbsp;&nbsp;for something like that.<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to worry.<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the skills for it.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I do that, will I be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to regain my father's honor?<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a member of your father's family,<br>&nbsp;&nbsp;&nbsp;&nbsp;that is the one thing you can do.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I do that, then once again...<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before you do,<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you might need some qualifications.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant? Lieutenant!<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Menshov! The *Dragunov*!<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excellent. If this were Los Angeles,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd get the gold medal!<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first lieutenant has paved the way!<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, move out!<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave behind the chemicals!<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The women's fifty meter rifle, third place.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gold medal goes to<br>&nbsp;&nbsp;&nbsp;&nbsp;Launi Meili of the USA!<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meili finished in sixth<br>&nbsp;&nbsp;&nbsp;&nbsp;place four years ago...<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what do you want me to do?<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having been stripped of my<br>&nbsp;&nbsp;&nbsp;&nbsp;military rank, I'm no longer a captain.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you aren't in my company anymore.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Soviet Union,<br>&nbsp;&nbsp;&nbsp;&nbsp;the country we fought for,<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no longer exists in this world.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what battlefield we're on,<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as we fight under you, a path<br>&nbsp;&nbsp;&nbsp;&nbsp;will surely open. We all believe that.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even through this shameful poverty.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never imagined that<br>&nbsp;&nbsp;&nbsp;&nbsp;my second-in-command<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would lose his life because of dirty money.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Comrades, raise your fists!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From this moment, we will return<br>&nbsp;&nbsp;&nbsp;&nbsp;to our own active military duty!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've fought through many battlefields<br>&nbsp;&nbsp;&nbsp;&nbsp;since that day at the cemetery.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we're doing now is<br>&nbsp;&nbsp;&nbsp;&nbsp;no more than a checkpoint.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take care of things swiftly.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After Bando, she's the next<br>&nbsp;&nbsp;&nbsp;&nbsp;leader of the Washimine Clan.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just a little girl.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sun's setting a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;earlier these days, isn't it?<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio, what's gotten into you?<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sorted all those<br>&nbsp;&nbsp;&nbsp;&nbsp;library cards in one day.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad that you finished, but...<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's even starting to snow!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a nice evening.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But Yukio, didn't you say<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't like snowy nights?<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maki.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to get along with your mother.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a very good girl.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yukio?<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Yukio. You sound like<br>&nbsp;&nbsp;&nbsp;&nbsp;you're about to die or something.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio!<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Deputy, we've come for you.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get started then.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... Uh...<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take care.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I don't get what's going on. But...<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio!<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you found Balalaika's whereabouts?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. It won't be easy to figure<br>&nbsp;&nbsp;&nbsp;&nbsp;out where they'll come out from.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got people looking for them now.<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how they get around,<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;people are gonna notice a bunch<br>&nbsp;&nbsp;&nbsp;&nbsp;of Russians roaming around.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Send people to Azabu as well.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to the Russian Embassy and any other<br>&nbsp;&nbsp;&nbsp;&nbsp;place they may be expected to frequent.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a political group in<br>&nbsp;&nbsp;&nbsp;&nbsp;that area that we know well.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask them to investigate.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't we send soldiers to Narita<br>&nbsp;&nbsp;&nbsp;&nbsp;and Haneda airports as well, Deputy?<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they've taken any<br>&nbsp;&nbsp;&nbsp;&nbsp;counterattack by us into consideration.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe they have<br>&nbsp;&nbsp;&nbsp;&nbsp;any intention of fleeing.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That woman is willing to fight.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deputy. Shall I stop somewhere?<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm all right. I'll just<br>&nbsp;&nbsp;&nbsp;&nbsp;have to get used to this.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Yoshida.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't thanked you yet...<br>&nbsp;&nbsp;&nbsp;&nbsp;for that time at the meeting.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deputy! That was nothing!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That time...<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a wake! The Miss is here,<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that you won't get taken by<br>&nbsp;&nbsp;&nbsp;&nbsp;Kousa's bastards, only to be thrown out!<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's putting her own life on the line!<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's any time to show your<br>&nbsp;&nbsp;&nbsp;&nbsp;chivalry, it's right here and now!<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were not even involved, Miss,<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you still said you would avenge our boss.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The least a yakuza can do is<br>&nbsp;&nbsp;&nbsp;&nbsp;put his life on the line for you.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deputy, I will begin now.<br>&nbsp;&nbsp;&nbsp;&nbsp;I will see you later at home.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin!<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your first job.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please work carefully tonight.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can count on me.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's answering, Boss.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't reach Balalaika or<br>&nbsp;&nbsp;&nbsp;&nbsp;any of the other members.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try again. Keep calling until you<br>&nbsp;&nbsp;&nbsp;&nbsp;get a hold of someone, Makaruska.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've left the hotel and we<br>&nbsp;&nbsp;&nbsp;&nbsp;have no clue as to where they'd go.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps we should ask for<br>&nbsp;&nbsp;&nbsp;&nbsp;direction from Moscow.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you ever blurt anything stupid<br>&nbsp;&nbsp;&nbsp;&nbsp;like "ask for direction" again!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I say try again, I mean try again!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. Damn it, damn it!<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That woman must have<br>&nbsp;&nbsp;&nbsp;&nbsp;worked them up against me.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, there's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;Slevnin would betray me!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why would she frame us?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not you guys, it's me! She hates the KGB!<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But not only the KGB. The GRU<br>
&nbsp;&nbsp;&nbsp;&nbsp;and the *Nomenklatura*, as well!<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are plenty of others who<br>&nbsp;&nbsp;&nbsp;&nbsp;were crushed by that woman!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did Slevnin say about this woman?<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the yakuza!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it over?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Souga's *Sukeroku* has come to play.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, where can I find Ikyu the Bearded?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His only weapon is that sword! Kill him!<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister. Where are you headed?<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, I have quite a few<br>&nbsp;&nbsp;&nbsp;&nbsp;things I'd like to ask you.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First of all, I need the phone<br>&nbsp;&nbsp;&nbsp;&nbsp;number of that lady boss of yours.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a minute! Don't kill me!<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I was framed, damn it, lower your sword!<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, you don't understand Japanese.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're of no use to me.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell those Ivans to pay us better tips.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The higher-ups have been annoying lately.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gotta be compensated<br>&nbsp;&nbsp;&nbsp;&nbsp;for it in some way.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell them yourself, bro.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting, Rock. She's<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna be pissed. Now, let's hurry back.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally get to say goodbye to that *Tokarev*.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get far without these guys.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's started.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...a shooting incident at a restaurant."<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, the battle.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Several foreigners killed. Russian mafia..."<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet she's laughing<br>&nbsp;&nbsp;&nbsp;&nbsp;her head off right now.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A big riot, just like she wanted.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, I can't leave her alone. Will you<br>&nbsp;&nbsp;&nbsp;&nbsp;please come with me to her place?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be stupid. Think again for<br>&nbsp;&nbsp;&nbsp;&nbsp;a moment what we are to them.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, we are their enemy.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Revy! If she's at all<br>&nbsp;&nbsp;&nbsp;&nbsp;associated with Washimine,<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it's certain that she's<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna get dragged into this!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I've seen how Miss<br>&nbsp;&nbsp;&nbsp;&nbsp;Balalaika handles things,<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm even more sure of it!<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl is not like us!<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just a normal girl!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this isn't Roanapur!<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it different?<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it any different, Rock?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's living on our side<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the sis will sort<br>&nbsp;&nbsp;&nbsp;&nbsp;things out, Roanapur-style.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no difference anywhere.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, I...<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Rock.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in a watershed.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you leave this territory,<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have no place to return to.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're sold out of the Ameri-Pass<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Greyhound will never<br>&nbsp;&nbsp;&nbsp;&nbsp;travel this road again.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I'm saying is this is your country.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you get what I'm saying?<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure I do. But still...<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. Sorry 'bout that.<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget what I said, Rock.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot something important.<br>&nbsp;&nbsp;&nbsp;&nbsp;While we're here, I'm your gun.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My job is to protect your life,<br>&nbsp;&nbsp;&nbsp;&nbsp;not to interfere with it.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I'll follow you, Master.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, so...<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't connect any phone calls unless<br>&nbsp;&nbsp;&nbsp;&nbsp;they're from the Russian Embassy.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that correct? Um, Miss Vladilena?<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Thank you very much.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you need anything else,<br>&nbsp;&nbsp;&nbsp;&nbsp;please call for me by name.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That boy is at the peak of his<br>&nbsp;&nbsp;&nbsp;&nbsp;adorableness. Now, Sergeant.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Captain. We have a report<br>&nbsp;&nbsp;&nbsp;&nbsp;from the reconnaissance team.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attack Point Two is in stage yellow.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The area surrounding the<br>&nbsp;&nbsp;&nbsp;&nbsp;Kousa Clan office is heavily guarded.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police of this country<br>&nbsp;&nbsp;&nbsp;&nbsp;are very competent.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Police who do not accept<br>&nbsp;&nbsp;&nbsp;&nbsp;bribes are always competent.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a matter of quality, Sergeant.<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you seen the news?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Comrade Laptev did a fine job.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. He reconnoitered<br>&nbsp;&nbsp;&nbsp;&nbsp;the enemy well for a KGB agent.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His successor to the Tokyo post<br>&nbsp;&nbsp;&nbsp;&nbsp;will be Bulgazivry the Priest.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's very skilled with the abacus.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we'll handle the violence.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us begin our work.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Job well done, Miss. They will be<br>&nbsp;&nbsp;&nbsp;&nbsp;contacting the office with the results.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Thank you, Mr. Yoshida.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Umm, Miss...<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry about what<br>&nbsp;&nbsp;&nbsp;&nbsp;happened at your school.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it would cause you trouble, but...<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's something I would eventually<br>&nbsp;&nbsp;&nbsp;&nbsp;have to tell her at some point, anyway.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In retrospect, that was<br>&nbsp;&nbsp;&nbsp;&nbsp;perhaps the best timing.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Mr. Yoshida.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being much too kind!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's chilly tonight, so hurry in.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're here sooner than I expected!<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it would take you longer!<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaka! What the hell are you doing here?!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got your station!<br>&nbsp;&nbsp;&nbsp;&nbsp;Why aren't you there?!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, man. Think of the<br>&nbsp;&nbsp;&nbsp;&nbsp;current situation. Right, Miss?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaka! You need to know your place!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody would allow this!<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you listening to me, you shit?!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaka, are these your guys?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Yoshida. Let me tell you something.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're much too kind.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did that hurt? Sorry 'bout that, Mr. Yoshida.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, how should I put it, it's our policy<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not to associate ourselves with<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone we can't benefit from.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we don't care if it's the<br>&nbsp;&nbsp;&nbsp;&nbsp;Kousa Clan or the Russians.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not gonna treat us badly<br>&nbsp;&nbsp;&nbsp;&nbsp;if we can bring them a present.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Miss?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss. Hurry up and run!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you stop being such a pest,<br>&nbsp;&nbsp;&nbsp;&nbsp;old timer?! Aw, the hell with you.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and die.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have another one!<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That hurt!<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bitch.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, boy.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hana can be scary when he snaps.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel sorry for that girl.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can hurt people when<br>&nbsp;&nbsp;&nbsp;&nbsp;you run into them like that.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said it hurt! I'm serious!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're asking for it!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have anything to say to me?!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like "I'm sorry"? Or "I apologize"?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stand up!<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, Hanada.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who told you to beat the shit<br>&nbsp;&nbsp;&nbsp;&nbsp;out of her? If you go too far,<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I owe you an apology, Yuki.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our group is full of guys who<br>&nbsp;&nbsp;&nbsp;&nbsp;lose control when they snap.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look lame, Hanada.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me!<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you better listen to us and follow<br>&nbsp;&nbsp;&nbsp;&nbsp;orders, or it could get dangerous.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Washimine"<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, is this the only entrance?<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're uninvited guests here.<br>&nbsp;&nbsp;&nbsp;&nbsp;The backdoor would be...<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not it. Haven't you noticed, Rock?<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place is filled with a smell<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm much too familiar with.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Footprints? Oh, no! Yukio!<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't rush in, Rock!<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio!<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Balalaika do this?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, the girl would be lying here, too.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl doesn't have enough value<br>&nbsp;&nbsp;&nbsp;&nbsp;as a hostage to Hotel Moscow.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sis uses a *Stechkin*. The other<br>
&nbsp;&nbsp;&nbsp;&nbsp;guys use military autos, like *Varjags*.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An AKS wouldn't be out of the<br>&nbsp;&nbsp;&nbsp;&nbsp;question either, but look at the floor.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why aren't there any cases?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A revolver was used.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that would be it.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How unfortunate for Yoshida. The breeze<br>&nbsp;&nbsp;&nbsp;&nbsp;goes right through his body now. Look.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These holes are huge.<br>&nbsp;&nbsp;&nbsp;&nbsp;A large caliber gun was used.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show-offs who own these kind of guns<br>&nbsp;&nbsp;&nbsp;&nbsp;are idiots beyond all salvation.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One guy that fits that<br>&nbsp;&nbsp;&nbsp;&nbsp;description comes to mind.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's him! But why would he betray them?<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it. There's no<br>&nbsp;&nbsp;&nbsp;&nbsp;smell of gunpowder.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get it, Jumbo?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My gun had nothing to do with<br>&nbsp;&nbsp;&nbsp;&nbsp;how Yoshida bought the farm.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Ginji.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't do this. Hotel Moscow<br>&nbsp;&nbsp;&nbsp;&nbsp;hasn't made it this far yet.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We came to get Yukio so we could<br>&nbsp;&nbsp;&nbsp;&nbsp;keep her away from this sort of stuff<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when we walked into this. Please trust me.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have nothing to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with Hotel Moscow's...<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Mr. Ginji! I'm not done talking!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't hear a car when you arrived.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You returned here on foot, alone.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are tire marks everywhere out front.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging from the footprints here,<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like they came in<br>&nbsp;&nbsp;&nbsp;&nbsp;numbers from a distance.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you planning on going alone?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has nothing to do with you.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have time! The one who<br>&nbsp;&nbsp;&nbsp;&nbsp;did this is one of your own guys!<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And he knows you'll be coming to<br>&nbsp;&nbsp;&nbsp;&nbsp;take her back, and he'll be waiting.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what if a skilled<br>&nbsp;&nbsp;&nbsp;&nbsp;gunman was at your side?<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be outside of his calculations.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you want to know where he is?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a fax from one of our listeners.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all Japanese talk.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you play any music?<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea what they're saying.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about FEN?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The DJ keeps playing lousy songs.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's Guitar Wolf! I know these guys!<br>&nbsp;&nbsp;&nbsp;&nbsp;They play some cool tunes.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Interpreter. Turn left<br>&nbsp;&nbsp;&nbsp;&nbsp;at the next intersection.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand why you're helping.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Ginji. She's not the kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;person who belongs on this side.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I felt.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate the idea that a kid who<br>&nbsp;&nbsp;&nbsp;&nbsp;could've grown up normally didn't.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone had allowed her to,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would have been good for her.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only someone had allowed her to...<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strike!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I get one more point, take one<br>&nbsp;&nbsp;&nbsp;&nbsp;more off. What do you think, Okazaki?<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Top? Or bottom?<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ahh, I say bottom.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's completely naked,<br>&nbsp;&nbsp;&nbsp;&nbsp;then the bet's over.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then when that happens, let's do it!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's shave her pubes.<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be hilarious!<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hirano Bowl"<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Dark Tower.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The knight has arrived to save the princess.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, we'll charge in from the front.<br>&nbsp;&nbsp;&nbsp;&nbsp;You go in from the back.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simple.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just cover our backs when we need you to.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, can you two communicate?!<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the fight begins,<br>&nbsp;&nbsp;&nbsp;&nbsp;our bodies will move on their own.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the way we're made.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Hell's Motel. Run away if you can,<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or the boogeyman's gonna eat you up!<br>

# 22 - The Dark Tower

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with those eyes?<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had all that done to you<br>&nbsp;&nbsp;&nbsp;&nbsp;and you act like nothing's wrong.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on. Keep looking down on us.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, after we've<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten rid of your sword-boy<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if we have trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;finding a buyer for you,<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let you have fun with this<br>&nbsp;&nbsp;&nbsp;&nbsp;pervert I know, shooting drugs<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from dawn 'til dusk, every day.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy can't get a hard-on<br>&nbsp;&nbsp;&nbsp;&nbsp;unless it's hardcore S&M.<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have him get you hooked on drugs,<br>&nbsp;&nbsp;&nbsp;&nbsp;shake your ass, and eat his shit,<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm sure you'll see things differently.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? But don't worry.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the video comes out,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be sure to buy a copy.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dumb-ass. You can't win<br>&nbsp;&nbsp;&nbsp;&nbsp;that much with Mahjong.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! You wanna fight? Huh?<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, any of you got Zippo oil?<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, by the way, did you hear?<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the guy who pulled off<br>&nbsp;&nbsp;&nbsp;&nbsp;a robbery at Shin-Okubo?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, the news about the Iranian being<br>&nbsp;&nbsp;&nbsp;&nbsp;chased by a guy with knife in hand, right?<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there's a warrant out<br>&nbsp;&nbsp;&nbsp;&nbsp;for the guy's arrest, and...<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep it down over there!<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, so you really did show up.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand you.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, my dearest Revy,<br>&nbsp;&nbsp;&nbsp;&nbsp;what are you doing here?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you did wanna fuck, eh? Cool!<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin. Gin!<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've really gone overboard this time.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you wanna see my sword that badly?!<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll all make the march to hell together!<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill 'em all, baby!<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look! Look at this!<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen such a fight!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, guys! Don't hide! Show some balls!<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Run! Run!<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's all yours.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Amazing! I'd better get<br>&nbsp;&nbsp;&nbsp;&nbsp;serious or I could be in trouble.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Yuki! Come here!<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss!<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Try catching up with me!<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow! Ow!<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Amazing! That woman's amazing!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought I'd have the chance<br>&nbsp;&nbsp;&nbsp;&nbsp;to do it with her in a place like this!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd better prepare the stage if I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna do this right! Right, Yu--<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goddamn it! Who did this?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cleaning fluid?<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a strike!<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait! I give up! I really give up!<br>&nbsp;&nbsp;&nbsp;&nbsp;I give! Give! You know, give, give, give!<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give? Give me what?<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I cannot speak... ah...<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're gonna give me something, right?<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, come on, what the<br>&nbsp;&nbsp;&nbsp;&nbsp;fuck are you trying to say?<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, give up, so give!<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously! I give, give! Give!<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit yapping, you goofball.<br>&nbsp;&nbsp;&nbsp;&nbsp;You gonna give it to me or not? C'mon!<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey Jumbo! The game's up.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, we made a mess, all we got<br>&nbsp;&nbsp;&nbsp;&nbsp;left is to mop up the place.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's split up and look for our<br>&nbsp;&nbsp;&nbsp;&nbsp;princess and that sack o' shit.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Pool / Locker rooms / Restaurant"<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll go around the corridor<br>&nbsp;&nbsp;&nbsp;&nbsp;and meet at the pool, okay?<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you see Rock, bring him with you.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're lucky, he may be with the princess.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'm counting on you, partner.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a stubborn guy. Let's see...<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've run outta luck. I pity you guys.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's getting outta here alive.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a single one of you.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Hell's Motel. Run away if you can,<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or the boogeyman's gonna eat you up!<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to live forever, baby.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't hear anything.<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chaka, have the other guys...?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Mr. Chaka!<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hear you! Shut up. What was that?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say they're probably dead.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell, you bastard?!<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you say that?<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tired of following you!<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Parking lot"<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got time to bitch,<br>&nbsp;&nbsp;&nbsp;&nbsp;go look for the girl.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do?<br>&nbsp;&nbsp;&nbsp;&nbsp;The plan's screwed.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on now!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You're running from me? Fine then!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, what a surprise.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shot your own subordinates.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen such despicable scum.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seeing that you're still running around,<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you haven't met up with Jumbo yet.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, who cares? I've been<br>&nbsp;&nbsp;&nbsp;&nbsp;wanting to meet you.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never met a female gunman before.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The opportunity has finally come.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sleep with me, Revy.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-ha, yeah. So, that's it. What a joker.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The moment this can hits the<br>&nbsp;&nbsp;&nbsp;&nbsp;floor is our signal, kitty-cat.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready?<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten, nine, eight, seven...<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted to challenge me as<br>&nbsp;&nbsp;&nbsp;&nbsp;a gunman? Don't make me laugh.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not about to duel against a<br>&nbsp;&nbsp;&nbsp;&nbsp;below-third-rate sack o' shit like you, punk.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have a desire to kill you.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you're happy to die,<br>&nbsp;&nbsp;&nbsp;&nbsp;then it's a different story.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let Jumbo finish you off.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you. Stop, bitch!<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sack o' shit.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Wait! Wait, damn it!<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting, Jumbo.<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought you your prom date.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't funny. You get on<br>&nbsp;&nbsp;&nbsp;&nbsp;my nerves, sword man.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Miss isn't here anymore.<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I shot her.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're done here, right? I suggest you<br>&nbsp;&nbsp;&nbsp;&nbsp;go home and cook some octopus dumplings.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way a pathetic little dog like you<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would ever drop your own<br>&nbsp;&nbsp;&nbsp;&nbsp;wallet with cash in it.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I right?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-All right then, you bastard!<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, show me how good you are.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Draw in any manner you wish.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard! I'll kill you, bastard!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you!<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gotten quiet.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet Revy and Gin are<br>&nbsp;&nbsp;&nbsp;&nbsp;getting their job done.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's stay here a little<br>&nbsp;&nbsp;&nbsp;&nbsp;longer, just in case.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Okajima, why are you here?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't leave you alone<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I found out that you were<br>&nbsp;&nbsp;&nbsp;&nbsp;being dragged into this incident, our job.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So, you didn't know.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. You just said that<br>&nbsp;&nbsp;&nbsp;&nbsp;I was being dragged into this.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're mistaken, Mr. Okajima.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm... I'm the person at<br>&nbsp;&nbsp;&nbsp;&nbsp;the core of this incident.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And... you are my enemy.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll say it again. You are my enemy.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio! What are you saying?<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Okajima,<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have accepted the position of<br>&nbsp;&nbsp;&nbsp;&nbsp;fourteenth Washimine Clan Deputy.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, right now, I hold the<br>&nbsp;&nbsp;&nbsp;&nbsp;highest rank within the Washimine Clan.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I wasn't dragged into this.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am at the core of it all.<br>&nbsp;&nbsp;&nbsp;&nbsp;And you are... my enemy.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're...<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew what kind of world this was,<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet you stepped in?!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've seen it, right?! They're filled with<br>&nbsp;&nbsp;&nbsp;&nbsp;evil and don't have a shred of decency!<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a world where people like<br>&nbsp;&nbsp;&nbsp;&nbsp;that betray and kill one another!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Okajima. I'll ask you again.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you come here?<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said it before.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't just watch you<br>&nbsp;&nbsp;&nbsp;&nbsp;get dragged into this.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Couldn't just watch"?<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe Mr. Bando's<br>&nbsp;&nbsp;&nbsp;&nbsp;cause of death was suicide.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have been there, too.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When your clan's lost its driving force<br>&nbsp;&nbsp;&nbsp;&nbsp;and the parent clan is neglecting you.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it's necessary to stand up<br>&nbsp;&nbsp;&nbsp;&nbsp;against a stronger power.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suppose you're the only one<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who can save the clan from<br>&nbsp;&nbsp;&nbsp;&nbsp;that predicament. Then what?<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To renew the brotherhood,<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;only someone from the direct bloodline<br>&nbsp;&nbsp;&nbsp;&nbsp;will be recognized as a successor.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the rule.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But--<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to say it. I know.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an old tradition that<br>&nbsp;&nbsp;&nbsp;&nbsp;no one's bothered to change.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no matter how ridiculous it sounds,<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we only know how to live<br>&nbsp;&nbsp;&nbsp;&nbsp;within those guidelines.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the order we abide by.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's crazy!<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what happens to your life?<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody wanted this!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not Mr. Bando, not Mr. Gin, and not you!<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone was desperate to keep you<br>&nbsp;&nbsp;&nbsp;&nbsp;away from the fighting, right?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were keeping you from standing here!<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had been standing here sooner,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this would not have happened.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! It's the Kousa Clan who is to be blamed!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are... You are forcefully trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to bear this burden by yourself.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the only way I see it.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember what we<br>&nbsp;&nbsp;&nbsp;&nbsp;talked about at the café?<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are like dice.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A certain Frenchman said<br>&nbsp;&nbsp;&nbsp;&nbsp;that people are like dice.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You throw yourself in the<br>&nbsp;&nbsp;&nbsp;&nbsp;direction of your choice.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't forced. I chose this.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing all I can for my father<br>&nbsp;&nbsp;&nbsp;&nbsp;and the people who loved him.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! You didn't have a choice!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you lose sight of that,<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be forced to live with a burden<br>&nbsp;&nbsp;&nbsp;&nbsp;that you don't have to carry!<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are in the twilight.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can say these things because<br>&nbsp;&nbsp;&nbsp;&nbsp;you've stayed in the twilight like this!<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had no choice but to come here!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot have resolve unless<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that I chose this!<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone's life, honor,<br>&nbsp;&nbsp;&nbsp;&nbsp;and future depend on me,<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what else can I do but fight for them?!<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like tonight! If I didn't believe that<br>&nbsp;&nbsp;&nbsp;&nbsp;I had chosen this responsibility,<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't have endured<br>&nbsp;&nbsp;&nbsp;&nbsp;what I went through!<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I believed in God,<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right up to the day cops beat the hell<br>&nbsp;&nbsp;&nbsp;&nbsp;outta me for something I didn't do.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the next time you try<br>&nbsp;&nbsp;&nbsp;&nbsp;telling me what's proper,<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll no longer be one of us.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing's changed since then.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the midst of this night<br>&nbsp;&nbsp;&nbsp;&nbsp;that she has experienced,<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am completely powerless.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no words to give this girl before me,<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who's stumbling towards your side.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am where I'm standing. Nowhere else.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a lie. I'm not standing anywhere!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You devil!<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is too easy a way for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to die, but the style suits you.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided that it would be acceptable<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to carry it all on my shoulders,<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if it means saving Gin and the others.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio, do you--<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Okajima. Answer me.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you try to make a stand here?<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I couldn't understand what<br>&nbsp;&nbsp;&nbsp;&nbsp;you were talking to me about in the café.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think I can say this clearly now.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason you submerged yourself<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Southeast Asian<br>&nbsp;&nbsp;&nbsp;&nbsp;underworld is possibly because<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were seeking something different<br>&nbsp;&nbsp;&nbsp;&nbsp;from Japan. Different from your daily life.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the end, you haven't chosen anything.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not returning to your<br>&nbsp;&nbsp;&nbsp;&nbsp;casual life under the sun, yet you<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;refuse to sink further into<br>&nbsp;&nbsp;&nbsp;&nbsp;darkness where the evil roams.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just remain standing where you are.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No... I...<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said it earlier, that<br>&nbsp;&nbsp;&nbsp;&nbsp;you wanted to save me.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then save me! Save the Washimine Clan!<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Save Gin, the members, everyone!<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you can. Because you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't actually want to save me.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want to lose that normal life<br>&nbsp;&nbsp;&nbsp;&nbsp;that you thought you threw away.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you sit back and watch me die,<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you lose the very last of<br>&nbsp;&nbsp;&nbsp;&nbsp;your recollections of Japan.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you don't want to lose anything.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still have yearnings for that<br>&nbsp;&nbsp;&nbsp;&nbsp;which you've thrown away.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who could you possibly protect,<br>&nbsp;&nbsp;&nbsp;&nbsp;feeling like that?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With you like that, who could<br>&nbsp;&nbsp;&nbsp;&nbsp;you possibly save?! Answer me!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer me now!<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to live a normal life.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be in the same place as you,<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a guy who chose not to live a life of pain.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio...<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay away.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. But I'm upset.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help but be upset about it.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why I hate you.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a sec.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did something amazing.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bullet, baby. You cut the bullet.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you show that to me again?<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. Please?<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being short tempered<br>&nbsp;&nbsp;&nbsp;&nbsp;won't do you any good.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I owe you and the interpreter.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to waste that.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're lucky,<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or rather, if you're unlucky, there will<br>&nbsp;&nbsp;&nbsp;&nbsp;be other opportunities for us to fight.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for tonight. But I pray...<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pray we never meet again.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock still hasn't returned to his room.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where could he be wasting his time?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just as well. There's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;for him to do for a while, anyway.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The assault on the Washimine<br>&nbsp;&nbsp;&nbsp;&nbsp;Group will begin at 0750 hours.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Form two squads to go in and<br>&nbsp;&nbsp;&nbsp;&nbsp;destroy their headquarters,<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;offices, and all confirmed hideouts.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The attack team has already moved out.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall destroy all of the Washimine<br>&nbsp;&nbsp;&nbsp;&nbsp;forces thoroughly and immediately.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teach these Japanese the etiquette of war.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're thinking,<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you should not wish for<br>&nbsp;&nbsp;&nbsp;&nbsp;the same way of life as his.<br>

# 23 - Snow White's Payback

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You made a mess*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For Christ sakes, this rotten world*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shit out of luck*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go with my vision*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Light up the fire*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right on the power*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Who the hell slashed my tires?<br>&nbsp;&nbsp;&nbsp;&nbsp;What a cheap thing to do.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd better not be scratched...<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing. I can't find any trace of them.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who told you that this place<br>&nbsp;&nbsp;&nbsp;&nbsp;was suspicious, anyway?<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fax?<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Ogami's being attacked!<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check to see if we can get backup! Hurry!<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell? Leave the<br>&nbsp;&nbsp;&nbsp;&nbsp;deliveries for later!<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deputy, I can't get a hold<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Sagamihara office.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I haven't had any word<br>&nbsp;&nbsp;&nbsp;&nbsp;from Taguchi since last night.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Taguchi and his team...<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are dead.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police contacted me.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They found their bodies<br>
&nbsp;&nbsp;&nbsp;&nbsp;at our *bokuto* lumber yard.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be heading to the station<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow for questioning.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will do my best to avoid charges<br>&nbsp;&nbsp;&nbsp;&nbsp;regarding an employer's duties<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;under the Anti-Organized<br>&nbsp;&nbsp;&nbsp;&nbsp;Crime Law. I understand now.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their style of fighting isn't that of<br>&nbsp;&nbsp;&nbsp;&nbsp;the mafia. It's like that of an army.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. That's why they call<br>&nbsp;&nbsp;&nbsp;&nbsp;her "Captain." I miscalculated.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're moving into the final stages of<br>&nbsp;&nbsp;&nbsp;&nbsp;crushing the Washimine Clan's locations.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sites 371 and 372 have been wiped out.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daniel's team is currently headed for site<br>&nbsp;&nbsp;&nbsp;&nbsp;221. They will commence at 1505 hours.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has Corporal Razal met his objective?<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're tied up in traffic on the highway.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they should still meet<br>&nbsp;&nbsp;&nbsp;&nbsp;the activation time.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Okchabri-skiajin.* This is<br>
&nbsp;&nbsp;&nbsp;&nbsp;Corporal Jodorowsky.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Report.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've completed our objectives<br>&nbsp;&nbsp;&nbsp;&nbsp;within the planned time.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will now be withdrawing<br>&nbsp;&nbsp;&nbsp;&nbsp;from our operation zone.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. Return to base.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Site 215 is under our control.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are looking good.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The death of Officer Shigeru Ito<br>&nbsp;&nbsp;&nbsp;&nbsp;has been confirmed at site 317.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Good work, men.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In three more moves, the princess<br>&nbsp;&nbsp;&nbsp;&nbsp;will be completely stripped.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yakitori Restaurant"<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a hold of the sis.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're done for the day.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She says we've got another job tomorrow.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it? You look gloomy.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem like you're having a good time.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been together for so long,<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you can tell these things.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meeting a guy like that surely<br>&nbsp;&nbsp;&nbsp;&nbsp;makes a gunman happy.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you believe it, baby?<br>&nbsp;&nbsp;&nbsp;&nbsp;He sliced a bullet right in front of me.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It blew my mind all the way to heaven.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to have a<br>&nbsp;&nbsp;&nbsp;&nbsp;duel with that big guy.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What benefit is there in<br>&nbsp;&nbsp;&nbsp;&nbsp;rushing yourself to your death?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rushing myself to my death?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're missing the point, Rock.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're already the walking dead.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch, the sis, Chang, and the others.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of us running around in Roanapur.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's one difference<br>&nbsp;&nbsp;&nbsp;&nbsp;between us and the real dead...<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Difference?<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, difference.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether we live or die isn't a big issue.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you focus on being alive, you<br>&nbsp;&nbsp;&nbsp;&nbsp;develop fear. Your eyes get clouded.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you have no such feelings,<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're capable of fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;right to the end of the world.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you prefer to die<br>&nbsp;&nbsp;&nbsp;&nbsp;in the gutter like that?<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, Roanapur feels so far away.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Rock. What's going on here?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure snapping back at me a lot today.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sorry. Drinking's bringing<br>&nbsp;&nbsp;&nbsp;&nbsp;out the worst in me today.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Don't worry about it.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ryotei Restaurant"<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young lady,<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you mustn't go around<br>&nbsp;&nbsp;&nbsp;&nbsp;teasing adults like this.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who brought up the point<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that it's conditional that the<br>&nbsp;&nbsp;&nbsp;&nbsp;successor be a direct blood relative.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has been acknowledged<br>&nbsp;&nbsp;&nbsp;&nbsp;by the Peacekeeping Council--<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't fool with me, you little brat!<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, Morozumi.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't plan on allowing you to succeed.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, what are you gonna do about<br>&nbsp;&nbsp;&nbsp;&nbsp;those crazy Russians you brought in?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you say, that's an error on our part.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The entire Washimine Clan<br>&nbsp;&nbsp;&nbsp;&nbsp;is doing everything we can<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to expel those Russians.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're missing the point, Washimine girl.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I'm asking is how are you gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;repay us for all that's happened.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, but you haven't forgotten<br>&nbsp;&nbsp;&nbsp;&nbsp;the reason why our last boss, Bando,<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;took this desperate measure, have you?<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that was some<br>&nbsp;&nbsp;&nbsp;&nbsp;grudge you had against us.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We even sent you a replacement head<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to try and protect our brother organization.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who turned that down?<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. We shall eventually settle<br>&nbsp;&nbsp;&nbsp;&nbsp;this with the Peacekeeping Council.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You little brat! You're in over your head,<br>&nbsp;&nbsp;&nbsp;&nbsp;taking a position like that!<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Peacekeeping Council has the<br>&nbsp;&nbsp;&nbsp;&nbsp;authority to direct mediation<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we have gathered enough<br>&nbsp;&nbsp;&nbsp;&nbsp;material to justify our actions.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little brat!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you have to say?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given Boss Kousa's attitude,<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it may be useless to get the<br>&nbsp;&nbsp;&nbsp;&nbsp;Peacekeeping Council involved.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people in this world<br>&nbsp;&nbsp;&nbsp;&nbsp;are all controlled by greed.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's clear which side would be more<br>&nbsp;&nbsp;&nbsp;&nbsp;beneficial for them to support.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Justice has fallen.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for the painful reminder,<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the current Washimine Clan is only<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one-third the force we had<br>&nbsp;&nbsp;&nbsp;&nbsp;at the start of the fighting.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Russians' attacks are too severe.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They started by targeting and<br>&nbsp;&nbsp;&nbsp;&nbsp;eliminating the guys heading our forces.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we're still here. You and I.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Inoue.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop the car.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Miss.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss! But then...<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. Please send a message<br>&nbsp;&nbsp;&nbsp;&nbsp;to everyone who is still alive.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, Miss!<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot allow those who have<br>&nbsp;&nbsp;&nbsp;&nbsp;been protecting Washimine<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be eliminated at this point.<br>&nbsp;&nbsp;&nbsp;&nbsp;And that includes you, Mr. Inoue.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will create an opportunity on our own.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, please stay alive and wait.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, Miss...<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, I will not<br>&nbsp;&nbsp;&nbsp;&nbsp;let things end this way.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, every group's office entrance<br>&nbsp;&nbsp;&nbsp;&nbsp;is protected with a surveillance camera.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they're well aware of that.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although heavily damaged, this is a<br>&nbsp;&nbsp;&nbsp;&nbsp;video tape that survived the scene.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I succeeded in taking it before the police<br>&nbsp;&nbsp;&nbsp;&nbsp;closed off the place for investigation.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you see that?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite clearly.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're moving around in<br>&nbsp;&nbsp;&nbsp;&nbsp;electric repair shop vans.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only we knew where these<br>&nbsp;&nbsp;&nbsp;&nbsp;cars were coming from.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I envy the police for that N-system they use.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's such a thrill to be a villain!<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're Bonnie and Clyde!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like that.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next up, we're gonna rob a bank in Bolivia!<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A robbery has occurred at the<br>&nbsp;&nbsp;&nbsp;&nbsp;credit union on the fourth block of Inoue.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two suspects are escaping by car.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A white van with a red<br>&nbsp;&nbsp;&nbsp;&nbsp;spade mark on the side door.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All patrol cars in the area,<br>&nbsp;&nbsp;&nbsp;&nbsp;be on the lookout. I repeat...<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That world that Mr. Okajima<br>&nbsp;&nbsp;&nbsp;&nbsp;is standing on the border of,<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a city where only<br>&nbsp;&nbsp;&nbsp;&nbsp;gangsters gather and live.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds good to me.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To become a yakuza, making a name<br>&nbsp;&nbsp;&nbsp;&nbsp;for himself in a place like that.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name of the city is Roanapur.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say Balalaika's from there, as well.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kept thinking how great it would be<br>&nbsp;&nbsp;&nbsp;&nbsp;if life in Takamachi would last forever.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss...<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With musical bands, all the stores, and you<br>&nbsp;&nbsp;&nbsp;&nbsp;by my side, it's bound to be enjoyable.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is... This is<br>&nbsp;&nbsp;&nbsp;&nbsp;even more fun than that.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, we're gonna have to<br>&nbsp;&nbsp;&nbsp;&nbsp;deal with the Russian lady<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we're gonna live in that city.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is gonna be exciting.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is patrol car Shinagawa 142.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We spotted a van with a red spade<br>&nbsp;&nbsp;&nbsp;&nbsp;heading north along the shoreline.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ordered them to pull over,<br>&nbsp;&nbsp;&nbsp;&nbsp;but they picked up speed instead.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We need reinforcements.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We've got them, Gin.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shoreline, close to Tokyo Port.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Jodorowsky.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're being chased by a police car.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lose them.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balalaika. They came<br>&nbsp;&nbsp;&nbsp;&nbsp;from Roanapur. But how?<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With all those weapons and equipment,<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could never get through<br>&nbsp;&nbsp;&nbsp;&nbsp;an airport. Which means...<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ship? Balalaika's at the port.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He lost them. We'll get rid of the car now.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How? How did the police find<br>&nbsp;&nbsp;&nbsp;&nbsp;out what car we were using?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that girl challenging me with<br>&nbsp;&nbsp;&nbsp;&nbsp;her first effective countermeasure?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amusing. We'll just have to<br>&nbsp;&nbsp;&nbsp;&nbsp;crush her especially thoroughly.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowledge exists so that<br>&nbsp;&nbsp;&nbsp;&nbsp;we may forget reality.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The intoxication of reality<br>&nbsp;&nbsp;&nbsp;&nbsp;that cannot be found in books.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A land that symbolizes that, Roanapur.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, boy. With Balalaika away,<br>&nbsp;&nbsp;&nbsp;&nbsp;this place is falling to pieces.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are things outside?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number of gunshots has gone up again.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Triad's doing a pretty good job<br>&nbsp;&nbsp;&nbsp;&nbsp;keeping things together, but...<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a gun paradise, Benny.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the true appearance of this city.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's in a great mood.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang really understands<br>&nbsp;&nbsp;&nbsp;&nbsp;that about this place.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a good thing Rock's not here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Guns are just not his thing.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta realize that<br>&nbsp;&nbsp;&nbsp;&nbsp;one of our biggest blessings<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the fact Rock hasn't had to hold a gun.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he fires, his bullets will<br>&nbsp;&nbsp;&nbsp;&nbsp;ricochet right back at us.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too damned dangerous.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm serious, man. Really.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I made you wait.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to worry. So, what's the next job?<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another meeting with the Japanese.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can finalize this sufficiently,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can return to Roanapur.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A meeting? But the Washimine Clan is...<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people we're talking<br>&nbsp;&nbsp;&nbsp;&nbsp;to now are the Kousa Clan.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will get rid of all of our troubles.<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be very helpful.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you don't actually want to save me.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want to lose that normal life<br>&nbsp;&nbsp;&nbsp;&nbsp;that you thought you threw away.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, as long as what they have to say<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't insulting, maybe we can<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--consider one of their conditions.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey, Rock?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to stay in the<br>&nbsp;&nbsp;&nbsp;&nbsp;twilight like that again?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Balalaika.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no reason to ally<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself with the Kousa Clan.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather than destroying the<br>&nbsp;&nbsp;&nbsp;&nbsp;Washimine Clan, you'd be better off<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;destroying the Kousa Clan.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Washimine Clan is already weakened.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no longer a threat<br>&nbsp;&nbsp;&nbsp;&nbsp;to Moscow. Am I right?<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the Washimine Group's--<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't misunderstand your position.<br>&nbsp;&nbsp;&nbsp;&nbsp;You are my interpreter.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not my fellow soldier, comrade,<br>&nbsp;&nbsp;&nbsp;&nbsp;or a member of Moscow. You understand?<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The new leader of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Washimine Clan is still a teenager!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey! Let's stop there!<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's gotta be a justice<br>&nbsp;&nbsp;&nbsp;&nbsp;that you believe in!<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough, Rock. You're being a pain!<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's all calm down, sis.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't wanna reenact a scene from<br>
&nbsp;&nbsp;&nbsp;&nbsp;*My Bloody Valentine* here, do we?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop howling, Revy. Rock, look at me.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Justice?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no other word<br>&nbsp;&nbsp;&nbsp;&nbsp;more loved by the people.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a wonderful word. However,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without exercising your own strength,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you seek the death of others<br>&nbsp;&nbsp;&nbsp;&nbsp;by the hands of someone else.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The justice you refer to<br>&nbsp;&nbsp;&nbsp;&nbsp;smells pretty rotten, too.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stench of a bloodbath lingers.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you agree?<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look at me like that.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not upset with you.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sis!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just never thought I'd hear<br>&nbsp;&nbsp;&nbsp;&nbsp;words like that coming from you.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so amused, I can't help myself.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've made your point. Now let him go.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My fingers are getting tense.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our lives are very insignificant.<br>&nbsp;&nbsp;&nbsp;&nbsp;Much like a candy wrapper.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yours is, and so is his.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really care to talk.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just let him go.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two-Hands, I have something<br>&nbsp;&nbsp;&nbsp;&nbsp;to say to you, too.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're thinking,<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you should not wish for<br>&nbsp;&nbsp;&nbsp;&nbsp;the same way of life as his.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I know what you're saying.<br>&nbsp;&nbsp;&nbsp;&nbsp;So, please shut up.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't keep my fingers<br>&nbsp;&nbsp;&nbsp;&nbsp;still for much longer.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Balalaika. Your victory is assured<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you no longer have<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to lose. Yet still...<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it still not enough?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, Rock!<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it isn't enough.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember, there are two<br>&nbsp;&nbsp;&nbsp;&nbsp;successful ways to beg for your life.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is to entertain the person<br>&nbsp;&nbsp;&nbsp;&nbsp;who's about to take your life.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other is to give that person<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a persuasive reason to keep you alive.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't fulfilled either one yet.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, dance!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What obligation do you have<br>&nbsp;&nbsp;&nbsp;&nbsp;to save them, anyway?!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're misunderstanding.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not an obligation.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And justice is just a convenient word.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only have one reason. It's my hobby.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hobby?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, my hobby.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some people consider it a<br>&nbsp;&nbsp;&nbsp;&nbsp;hobby to die in the gutters,<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then there are hobbies like mine.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep down inside, I'm just like you.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are gonna pick up<br>&nbsp;&nbsp;&nbsp;&nbsp;again tomorrow, Rock.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, you'd be wise not to<br>&nbsp;&nbsp;&nbsp;&nbsp;risk your life on stupid games.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Park the car in the garage, okay?<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! You piece of shit!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only reason we're still breathing<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because of God's grace and the fact<br>&nbsp;&nbsp;&nbsp;&nbsp;that the crazy war maniac in the coat<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for some reason decided<br>&nbsp;&nbsp;&nbsp;&nbsp;to put her gun away!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure, I'm your gun here!<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm confident I can protect you<br>&nbsp;&nbsp;&nbsp;&nbsp;through Tarawa or the Alamo.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, you know, it's just not<br>&nbsp;&nbsp;&nbsp;&nbsp;possible to protect a guy<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who's trying damn hard to<br>&nbsp;&nbsp;&nbsp;&nbsp;get killed, you blockhead!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you mad?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even close. I'm damn pissed!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it wasn't you, I would've shot<br>&nbsp;&nbsp;&nbsp;&nbsp;two or three holes into you by now!<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a favor to ask. Will you<br>&nbsp;&nbsp;&nbsp;&nbsp;come to my town one more time?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to have the sis tell me.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your place is a good place.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I got a little lost.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's so far away,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way I could reach it.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until now, I've lived my<br>&nbsp;&nbsp;&nbsp;&nbsp;life breathing rotten air.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had even forgotten that I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;know how to live anywhere else.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, it's just the sis.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's always had her eyes set only on war.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, and never look back. You're<br>&nbsp;&nbsp;&nbsp;&nbsp;about to wake up from your nightmare.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy. Have you forgotten? I'm already dead.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I died that day I met you.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Roanapur is the city of the walking dead,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is the city of the living.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being so familiar with this view,<br>&nbsp;&nbsp;&nbsp;&nbsp;I had almost forgotten that.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a dead man, this is like a mirage.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. This may have been a mirage<br>&nbsp;&nbsp;&nbsp;&nbsp;even back when I lived here.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy...<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't come here to<br>&nbsp;&nbsp;&nbsp;&nbsp;return to my former life.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came here to forget.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came here to keep watching<br>&nbsp;&nbsp;&nbsp;&nbsp;everything that will happen.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'll regret it.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finished regretting a year ago.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just didn't have enough resolve,<br>&nbsp;&nbsp;&nbsp;&nbsp;but now I think I've got that, too.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! It's the lady from the other day!<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you show us what you did last time?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, shoot those cans down again!<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Rock?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put on a show for them, Revy.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of gun is that?<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks real.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This here's a Beretta M92 Custom,<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Praiyachat Sword Cutlass Special.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now watch those cans carefully, you brats.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those cans, watch them close, okay?!<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your mommy's waiting for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;Now go home, you kids!<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin. I'd like to have a more powerful gun.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There should be one in this house.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not very familiar with projectiles.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one's apparently a<br>
&nbsp;&nbsp;&nbsp;&nbsp;Russian *Stechkin* handgun.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand the bullets are big and<br>&nbsp;&nbsp;&nbsp;&nbsp;it can keep firing like a machine gun.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This may be too much for you, Miss.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I want to be less of a burden.<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will do.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode"<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city, Roanapur...<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a wonderful place, where you can blow<br>&nbsp;&nbsp;&nbsp;&nbsp;away everything with barbaric power.<br>

# 24 - The Gunslingers

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've woken you. Excuse my impoliteness.<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dream you drew for us...<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To leave this dirty country and<br>&nbsp;&nbsp;&nbsp;&nbsp;raise a flag of justice on foreign soil.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd eventually call in members of<br>&nbsp;&nbsp;&nbsp;&nbsp;the clan and take on the city of villains.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was quite attractive.<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've learned from experience how much<br>&nbsp;&nbsp;&nbsp;&nbsp;those Russian soldiers are capable of.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will cut a path through them<br>&nbsp;&nbsp;&nbsp;&nbsp;until I reach Balalaika,<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then challenge her one-on-one.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is undoubtedly worthy<br>&nbsp;&nbsp;&nbsp;&nbsp;of this white sheath.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come this far with you, Gin.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I'll be with you from now on, as well.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even to Roanapur?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, our job here<br>&nbsp;&nbsp;&nbsp;&nbsp;will end without incident.<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My work here is done.<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone from Moscow<br>&nbsp;&nbsp;&nbsp;&nbsp;will take over from here.<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a shame I won't get<br>&nbsp;&nbsp;&nbsp;&nbsp;to see the aftermath.<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is a shame.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kousa"<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Ishiguro. About those<br>&nbsp;&nbsp;&nbsp;&nbsp;three that came here.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What about them?<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, "huh?"<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two Caucasians and one<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese that came here.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you check into them?<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm having someone check<br>&nbsp;&nbsp;&nbsp;&nbsp;the ICPO data, but nothing...<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening with the request to<br>&nbsp;&nbsp;&nbsp;&nbsp;have an international specialist on it?<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Someone named Kouno is<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be on his way here.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That white woman is definitely<br>&nbsp;&nbsp;&nbsp;&nbsp;involved in the conflict<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;between the Washimine Clan<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Kousa Clan.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may even have something<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with the shooting incident at<br>&nbsp;&nbsp;&nbsp;&nbsp;the bowling center in Adachi. Listen.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, don't you take<br>&nbsp;&nbsp;&nbsp;&nbsp;your eyes off of them.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;you have something to say.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it my imagination?<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Balalaika.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock,<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is this about what we talked about last time?<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already spared your life.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something else you desire?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were possible.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll listen, but that's all.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One thing. Just let me say one thing.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If everything is about to settle down,<br>&nbsp;&nbsp;&nbsp;&nbsp;then before that,<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to completely<br>&nbsp;&nbsp;&nbsp;&nbsp;crush the Washimine Clan!<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the point that the group will<br>&nbsp;&nbsp;&nbsp;&nbsp;no longer be able to survive.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wipe them out completely so not a<br>&nbsp;&nbsp;&nbsp;&nbsp;single withered tree remains standing.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the only way to free her.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see your point.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I see. Indeed.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That certainly is the only way to push<br>&nbsp;&nbsp;&nbsp;&nbsp;the princess back into a normal life.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a villain, Rock.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the correct decision.<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll become a good villain.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive my delay.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm certain you must be exhausted<br>&nbsp;&nbsp;&nbsp;&nbsp;from these long discussions.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't worry about it. This<br>&nbsp;&nbsp;&nbsp;&nbsp;accomplishes one of our goals, as well.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's wipe the slate clean and move forward.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Kousa.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must prepare plans over<br>&nbsp;&nbsp;&nbsp;&nbsp;who will succeed us in the future.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If certain contingencies<br>&nbsp;&nbsp;&nbsp;&nbsp;should occur in our absence,<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be difficult for<br>&nbsp;&nbsp;&nbsp;&nbsp;us to respond properly.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish to know your state<br>&nbsp;&nbsp;&nbsp;&nbsp;of readiness over firearms.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it adequate?<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, ah, I can't say it too loud,<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but compared to other clans,<br>&nbsp;&nbsp;&nbsp;&nbsp;we have many more guns by far.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've even bought a machine gun<br>&nbsp;&nbsp;&nbsp;&nbsp;from the guys in Hawaii.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you oblige me?<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morozumi.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to see the bullets, as well.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Quite the competent<br>&nbsp;&nbsp;&nbsp;&nbsp;bodyguard you have.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any backup<br>&nbsp;&nbsp;&nbsp;&nbsp;means of protection?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss...<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There'd be no profit in having a shootout<br>&nbsp;&nbsp;&nbsp;&nbsp;at this point in our discussions.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want any trouble later.<br>&nbsp;&nbsp;&nbsp;&nbsp;Hand it to her.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely atrocious!<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep up with me, okay, Rock?<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is a terrible gun.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a look, Sergeant. Atrocious, isn't it?<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is simply terrible.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt if even low-life punks in<br>&nbsp;&nbsp;&nbsp;&nbsp;the gutter would use guns like this.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely atrocious.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a hideous gun.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever stopped to consider<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what it would feel like to be<br>&nbsp;&nbsp;&nbsp;&nbsp;shot with a gun like this?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it. I can't work with<br>&nbsp;&nbsp;&nbsp;&nbsp;scum who shamelessly<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sport shoddy guns like this.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Yasuda! Gunshots! Go in!<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enter the premises!<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open up! Open this door!<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open up! If you don't open this door,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll force our way in!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? This gun isn't all that bad.<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant, how are we for time?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a problem, Captain.<br>&nbsp;&nbsp;&nbsp;&nbsp;But how do we explain this to the boss?<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pyotr told me to start a war<br>&nbsp;&nbsp;&nbsp;&nbsp;and burn it all to ashes.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I simply followed orders obediently.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock. This is your gun.<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna take it as a souvenir?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like guns.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I don't carry things I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;not accustomed to. However,<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not forget that I pulled this trigger.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm returning this to you.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sergeant, throw that gun away here,<br>&nbsp;&nbsp;&nbsp;&nbsp;as well. We're returning to base.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone on the premises! Nobody move!<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Yasuzawa of Department Four!<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Ishiguro of Department One.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in charge of this case.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to ask a few questions<br>&nbsp;&nbsp;&nbsp;&nbsp;about the gunshots we just heard.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please come with us.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are we doing?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right on time.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, give this message<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Washimine girl.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Moscow will cease all<br>&nbsp;&nbsp;&nbsp;&nbsp;attacks as of this moment.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Washimine Clan you seek to destroy<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has already dispersed underground.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl thinks more<br>&nbsp;&nbsp;&nbsp;&nbsp;flexibly than you imagine.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to the information<br>&nbsp;&nbsp;&nbsp;&nbsp;Bulgaziviri gathered,<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;their clan members believe that<br>&nbsp;&nbsp;&nbsp;&nbsp;their princess will eventually<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;invite them to Roanapur to raise their flag.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all places, she chose Roanapur.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ride will be arriving.<br>&nbsp;&nbsp;&nbsp;&nbsp;Make way, civilian policemen!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! I'm not done talking.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ambassador is waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;at Mamiana, Miss Vladilena.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't, Mr. Yasuda.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a diplomatic number.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get him!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down!<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're the ones you want to talk to.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so easily<br>&nbsp;&nbsp;&nbsp;&nbsp;distracted by the small fry.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, Mr. Civilian Cop. If you<br>&nbsp;&nbsp;&nbsp;&nbsp;ever need to reach me, please contact<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;V. N. Valezhnov, First Secretary,<br>&nbsp;&nbsp;&nbsp;&nbsp;Embassy of the Russian Federation.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Visit me whenever you wish.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! I didn't make it in time!<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kouno with International Investigations.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you arrest them<br>&nbsp;&nbsp;&nbsp;&nbsp;if you witnessed gunshots?<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It occurred within the premises,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it was only based on assumption.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who was she? Did you find out?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's an incredible big shot.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a mafia group called Hotel Moscow<br>&nbsp;&nbsp;&nbsp;&nbsp;who have their headquarters in Moscow,<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as a powerful presence in<br>&nbsp;&nbsp;&nbsp;&nbsp;places like Chechnya and New York.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's known as "Balalaika."<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a high-ranking<br>&nbsp;&nbsp;&nbsp;&nbsp;officer of Hotel Moscow!<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emergency! Crime scene to headquarters!<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Send an urgent message to<br>&nbsp;&nbsp;&nbsp;&nbsp;all patrol cars in the area!<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did we get a picture of her face?<br>&nbsp;&nbsp;&nbsp;&nbsp;A description of her appearance?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then put together a profile or something.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll at least find out who<br>&nbsp;&nbsp;&nbsp;&nbsp;her Japanese contacts are!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! We need to tell<br>&nbsp;&nbsp;&nbsp;&nbsp;her that the war's over!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're outta your mind!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In just over thirty minutes,<br>&nbsp;&nbsp;&nbsp;&nbsp;this area is going to be quarantined!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not gonna see her!<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have time.<br>&nbsp;&nbsp;&nbsp;&nbsp;Contact them from the ship.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're close to departure time!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But!<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Okajima.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yukio?<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Okajima.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please escort us to the Marya Zeleska.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! I can't believe it! He's even<br>&nbsp;&nbsp;&nbsp;&nbsp;been kidnapped by a high school girl!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You drive, too?<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm a delinquent, aren't I?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio, what's with the talk<br>&nbsp;&nbsp;&nbsp;&nbsp;about taking over Roanapur?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm standing in the twilight,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like you say.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are some things<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see because of that.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't it sound like fun?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Moscow has announced<br>&nbsp;&nbsp;&nbsp;&nbsp;an end to the fighting! It's over!<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of promise is Balalaika's word?<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukio.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can anyone trust that rabid dog,<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has broken all promises,<br>&nbsp;&nbsp;&nbsp;&nbsp;betrayed us, and spit on faith.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hey! This is a hold up!<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you understand?<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could have honestly believed that<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be able to rebuild the clan in Roanapur,<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would have been wonderful.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it was just a passing wish.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as Gin and I are here,<br>&nbsp;&nbsp;&nbsp;&nbsp;Washimine and its emblem exist.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has not fallen to Earth.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're coming back to that again.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was born into the side of the night,<br>&nbsp;&nbsp;&nbsp;&nbsp;and grew up with the night.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I have enjoyed pretending<br>&nbsp;&nbsp;&nbsp;&nbsp;I was meant to lead a normal life.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bottom line, this is the path of reality.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no value as a hostage<br>&nbsp;&nbsp;&nbsp;&nbsp;against Hotel Moscow.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we'll use you as a shield.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or I'll have you witness where this<br>&nbsp;&nbsp;&nbsp;&nbsp;all-or-nothing decision is headed.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing but a<br>&nbsp;&nbsp;&nbsp;&nbsp;massacre waiting for you!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there is a flower that may bloom there.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you forgotten? We are yakuza.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gentlemen, our operation is complete.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us return to Roanapur.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not letting you get away!<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot be the ones to hit<br>&nbsp;&nbsp;&nbsp;&nbsp;the brakes first in this battle.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off!<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock! I told you!<br>&nbsp;&nbsp;&nbsp;&nbsp;She's already the walking dead.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy!<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear that the Kousa Council has been<br>&nbsp;&nbsp;&nbsp;&nbsp;dissolved as a result of an internal dispute.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the one who betrayed<br>&nbsp;&nbsp;&nbsp;&nbsp;and slaughtered Tsugio Bando,<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;our clan's leader, still lives.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is Balalaika, the head of<br>&nbsp;&nbsp;&nbsp;&nbsp;our enemy, Hotel Moscow.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We pride ourselves in living with honor,<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing justice through, and rewarding honor.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no duty that you must be<br>&nbsp;&nbsp;&nbsp;&nbsp;bound to! That's simply a front!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please allow us to pass.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gin.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Gin is no longer with you.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have brought the Miss here.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all the same. No matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how far we go, we're not normal.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a place where only<br>&nbsp;&nbsp;&nbsp;&nbsp;those like us should be,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't you agree, lady?<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was an option that you could've taken<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would've allowed you to avoid<br>&nbsp;&nbsp;&nbsp;&nbsp;taking the same path as Miss Balalaika.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I assumed you would choose that.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where I was wrong.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not here to save face as yakuza.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You struggled against being<br>&nbsp;&nbsp;&nbsp;&nbsp;absorbed into the night, that's why.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are things that I can see<br>&nbsp;&nbsp;&nbsp;&nbsp;because I stand here in the twilight.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should've forced Gin to throw<br>&nbsp;&nbsp;&nbsp;&nbsp;away his sword and run away with him.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And become wanderers together, seek a<br>&nbsp;&nbsp;&nbsp;&nbsp;faraway land, and open some shop.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a joke, as well.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no joke! Where is the real you?!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. I often wondered,<br>&nbsp;&nbsp;&nbsp;&nbsp;"What if I were able to live like that?"<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I had already thrown my dice.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kept thinking how great it would be<br>&nbsp;&nbsp;&nbsp;&nbsp;if life in Takamachi would last forever.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With musical bands, all the stores,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you by my side,<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's bound to be enjoyable.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too late. You were too damn late.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that the only place<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll end up is in a coffin of mud.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you tried to live.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I screwed up.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy! Revy!<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm all right. Damn. I'm seeing black.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those words you made her say.<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the real bullet.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it weren't for that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be the one on the ground.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk! This is gonna hurt.<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have to withstand it.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raise your leg, Revy! I'm gonna rewrap it!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did it have to come to this?<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where you became distorted is when you<br>&nbsp;&nbsp;&nbsp;&nbsp;lied to yourself that you wanted this.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were too smart to fool yourself.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eleven.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the number of people<br>&nbsp;&nbsp;&nbsp;&nbsp;who have been killed under my orders<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since that night I threw the dice.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our city is filled with people<br>&nbsp;&nbsp;&nbsp;&nbsp;who live their lives like that!<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I've woken up,<br>&nbsp;&nbsp;&nbsp;&nbsp;that land is too far away for me.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for having troubled you.<br>&nbsp;&nbsp;&nbsp;&nbsp;As of this moment,<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will bring everything to an end.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look at her, Rock! It'll scar you!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you, Rock? I feel like I haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;seen you in ten thousand years.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How'd you like that fake<br>&nbsp;&nbsp;&nbsp;&nbsp;Chinese-Canadian passport I got you?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came in handy, didn't it?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I heard.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"People are like dice,<br>&nbsp;&nbsp;&nbsp;&nbsp;we throw ourselves into life."<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know about the<br>&nbsp;&nbsp;&nbsp;&nbsp;Frenchman who said that?<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jean-Paul Sartre.<br>&nbsp;&nbsp;&nbsp;&nbsp;An existentialist philosopher.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the phrase, "Quickly put a hole in a guy<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who tries to put five eggs into three<br>&nbsp;&nbsp;&nbsp;&nbsp;baskets," hits closer to home for me.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I hear you.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's work waiting for you<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as you get back.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They want us to deliver a pile of guns<br>&nbsp;&nbsp;&nbsp;&nbsp;to Tsanwi by the day after tomorrow.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right then. Later.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time for our flight, partner.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From Miss Balalaika to you.<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city, Roanapur. You've got the<br>&nbsp;&nbsp;&nbsp;&nbsp;power of guns and the power of liquor.<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wonderful place where you can blow<br>&nbsp;&nbsp;&nbsp;&nbsp;away everything with barbaric power.<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not such a bad place.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'm beginning to think.<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's not bad.<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I plan to see everything that<br>&nbsp;&nbsp;&nbsp;&nbsp;goes on here, from the twilight.<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Let's go then.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Into our city.<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? How was Japan?<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Balalaika was there and we<br>&nbsp;&nbsp;&nbsp;&nbsp;were there. It's the same anywhere.<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking about Rock!<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two were away together for so long.<br>&nbsp;&nbsp;&nbsp;&nbsp;You did do it this time, right?<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't wanna say.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to you.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you just die?<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We villains don't die so easily. Bang.<br>

# Season 2

# 1 - Collateral Massacre

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think we only<br>&nbsp;&nbsp;&nbsp;&nbsp;spared that brat, Lieutenant?<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut the crap!<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tryin' to act like the great<br>&nbsp;&nbsp;&nbsp;&nbsp;"Man of the West" Paladin, huh?<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just wanna bang that<br>&nbsp;&nbsp;&nbsp;&nbsp;brat yourself, dontcha?<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's cool. If you wait<br>&nbsp;&nbsp;&nbsp;&nbsp;your turn, I'll consider--<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you're a vile scumbag,<br>&nbsp;&nbsp;&nbsp;&nbsp;worse than any beast.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you so much<br>&nbsp;&nbsp;&nbsp;&nbsp;as lay a finger on her!<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on, Larkin!<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you man enough?<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Quebec?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Sierra Niner.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morales has just arrived.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morales is moving toward the hall.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Quebec? This is Lima Four.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation is proceeding to Phase 3.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Santa Anna has taken his seat.<br>&nbsp;&nbsp;&nbsp;&nbsp;Same for Morales and Sesma.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. Hotel Quebec orders all<br>&nbsp;&nbsp;&nbsp;&nbsp;surveillance teams to leave the area<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and relocate to the meeting spot.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Hotel Quebec.<br>&nbsp;&nbsp;&nbsp;&nbsp;Get this over with, Gulf One.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Davy Crockett is going to see Lone Star.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I repeat, Davy Crockett is<br>&nbsp;&nbsp;&nbsp;&nbsp;going to see Lone Star.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Code confirmed.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explosion confirmed.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then initiate retreat. Do so perfectly.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a beloved father and friend.<br>&nbsp;&nbsp;&nbsp;&nbsp;He loved and protected so many.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad didn't do anything wrong.<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Master, laid to rest facing the sky.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no shame in<br>&nbsp;&nbsp;&nbsp;&nbsp;the way he led his life.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, God... Why?!<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was not the Lord.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones who kill people<br>&nbsp;&nbsp;&nbsp;&nbsp;have always been... humans.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did that make them feel?<br>&nbsp;&nbsp;&nbsp;&nbsp;What was their reasoning?<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know the answer to that.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it all too well!<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is precisely why I cannot tell you.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on out, Rosarita. They're gone.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for the trouble. I shall<br>&nbsp;&nbsp;&nbsp;&nbsp;leave as soon as the sun sets.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be in such a rush.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would hurt my family's name if I<br>&nbsp;&nbsp;&nbsp;&nbsp;let my best friend's daughter leave<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without giving a proper<br>&nbsp;&nbsp;&nbsp;&nbsp;welcome after traveling so far.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could contemplate your<br>&nbsp;&nbsp;&nbsp;&nbsp;future together. Sound good?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stumbling through the<br>&nbsp;&nbsp;&nbsp;&nbsp;mountains as you flee can wait.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Señor Diego?<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for the unsightly display.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather is so lovely that I<br>&nbsp;&nbsp;&nbsp;&nbsp;thought I would tend to the garden.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? You should leave that to the gardener.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This old manor does not have any employees.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Señor, where should I begin?<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's okay. As my guest,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should take it easy.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be improper to merely loaf about.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It pains my heart to only borrow<br>&nbsp;&nbsp;&nbsp;&nbsp;the appearance of a maid.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least treat me as if I<br>&nbsp;&nbsp;&nbsp;&nbsp;were truly the hired help.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here they are, Roberta.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they? I only<br>&nbsp;&nbsp;&nbsp;&nbsp;know that they are guns.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These weapons have been with<br>&nbsp;&nbsp;&nbsp;&nbsp;our family since the first Lovelace<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;stepped ashore on the<br>&nbsp;&nbsp;&nbsp;&nbsp;New World with Pizarro.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There have been good times and bad times,<br>&nbsp;&nbsp;&nbsp;&nbsp;but seeing the weapons slumber<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;makes the chaotic days when we fostered<br>&nbsp;&nbsp;&nbsp;&nbsp;our family motto seem so long ago.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A blessing for the living."<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Flowers for the dead."<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wield a sword for justice."<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The punishment of death for the villains."<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we...<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, I was unable to<br>&nbsp;&nbsp;&nbsp;&nbsp;tell you, for it is much too cruel.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did they feel when they killed him?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They felt nothing.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no need for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to even harden their hearts.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because...<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...they were not emotionally<br>&nbsp;&nbsp;&nbsp;&nbsp;involved to begin with.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His death did not matter to them.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His death was simply a<br>&nbsp;&nbsp;&nbsp;&nbsp;matter of convenience.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a path I have traversed myself.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand if I burn in the final days.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But neither the Master, let alone the<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, should pay for my sins!<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, I had believed that<br>&nbsp;&nbsp;&nbsp;&nbsp;night in the demonic city of Roanapur<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would be the last time<br>&nbsp;&nbsp;&nbsp;&nbsp;I ever held a gun's grip.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't whitewash this and call it revenge.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is about befouled<br>&nbsp;&nbsp;&nbsp;&nbsp;dogs eating each other!<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear by Santa Maria,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall crush all that is immoral!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;NSA's attitude in this affair was despicable.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their encroachment upon our<br>&nbsp;&nbsp;&nbsp;&nbsp;land stood out far too much.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The final location that unit will acquire<br>&nbsp;&nbsp;&nbsp;&nbsp;is in Manila, if you can believe that!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how much they hate the<br>&nbsp;&nbsp;&nbsp;&nbsp;garden we lovingly raised, eh?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cathy, another cup! Put in enough<br>&nbsp;&nbsp;&nbsp;&nbsp;sugar and milk to make pancakes.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm putting Dr. Kaufman on the line.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodness gracious.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, fellow intelligence officers.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must see what we can get<br>&nbsp;&nbsp;&nbsp;&nbsp;for what while avoiding war.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how this works.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No changes in the situation.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Laos' borders are still<br>&nbsp;&nbsp;&nbsp;&nbsp;in a state of emergency.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering our relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Thai Air Force,<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;flying in near the target is a negative.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, we have to stay on standby?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're trying to get<br>&nbsp;&nbsp;&nbsp;&nbsp;their hands in on CIA turf.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's politics, Major.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a break.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ray, the name of this town?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the name of this town?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's Roanapur, Major.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a disquieting city.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second we arrived, seven of<br>&nbsp;&nbsp;&nbsp;&nbsp;our men nearly lost their luggage.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prostitutes are out in broad daylight<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the ones pimping them out<br>&nbsp;&nbsp;&nbsp;&nbsp;are officers in uniform!<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks too much like that<br>&nbsp;&nbsp;&nbsp;&nbsp;one city back in the day.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had the same thought.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;1969, Saigon in South Vietnam.<br>&nbsp;&nbsp;&nbsp;&nbsp;It had a horrible stench of decay.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now there's a Japanese businessman.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He really stands out. I see.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's even civil enough to wear a<br>&nbsp;&nbsp;&nbsp;&nbsp;necktie, despite this wretched heat!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems rather<br>&nbsp;&nbsp;&nbsp;&nbsp;unconcerned about his safety.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you doing?!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know who I am?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lagoon...<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The owner of this wallet<br>&nbsp;&nbsp;&nbsp;&nbsp;is a member of our crew.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sets a bad example if<br>&nbsp;&nbsp;&nbsp;&nbsp;I let people take us lightly.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start teaching your apprentice<br>&nbsp;&nbsp;&nbsp;&nbsp;the pecking order around here.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now beat it.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is about our payment,<br>&nbsp;&nbsp;&nbsp;&nbsp;please give us more--<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do not believe in working on credit.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We only made an exception because a<br>&nbsp;&nbsp;&nbsp;&nbsp;Columbian Cartel introduced you to us.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful you don't soil their name.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this isn't the best place<br>&nbsp;&nbsp;&nbsp;&nbsp;to talk. It's a bit noisy, but...<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, a game just ended.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, come in.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No thanks. There is a trusty gun<br>&nbsp;&nbsp;&nbsp;&nbsp;behind me aimed right at you.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bear that in mind.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. At any rate, please<br>&nbsp;&nbsp;&nbsp;&nbsp;give me until tomorrow.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see you tomorrow.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have let the street<br>&nbsp;&nbsp;&nbsp;&nbsp;urchin take that pocket change.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I go through my whole income anyway.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After your generosity, the brat<br>&nbsp;&nbsp;&nbsp;&nbsp;would go after even fatter wallets.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before too long, he'd wind up<br>&nbsp;&nbsp;&nbsp;&nbsp;floating in the water over there.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dang, you're always trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to blindly help people.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For starters, there's that girl in the<br>&nbsp;&nbsp;&nbsp;&nbsp;picture you have stuffed in here.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You looked?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took a glimpse.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bullets don't hit the same hole twice.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you believe me if I said<br>&nbsp;&nbsp;&nbsp;&nbsp;I keep it as a good luck charm?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to keep at this, Rock?<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't just one or two people here.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The skeletons on the U-boat.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Romanian twins.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then that Yakuza's daughter.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything you sacrificed to help them<br>&nbsp;&nbsp;&nbsp;&nbsp;turned to nothing and vanished, Rock.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Nothing" is this city's keyword.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too many people meet their end<br>&nbsp;&nbsp;&nbsp;&nbsp;and wind up in a coffin in Roanapur?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's what makes it fun!<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lagoon Company.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you ask?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me. I'm just the messenger boy.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Chief just told me to ask you.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sucks.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trouble brewing?<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I was asked if we are<br>&nbsp;&nbsp;&nbsp;&nbsp;entertaining an unusual guest.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again? That's creepy! How many<br>&nbsp;&nbsp;&nbsp;&nbsp;calls have we gotten about that?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this unusual guest that has<br>&nbsp;&nbsp;&nbsp;&nbsp;stolen the hearts of everyone in town,<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from Isaac, the stolen goods dealer by the<br>&nbsp;&nbsp;&nbsp;&nbsp;port, to Watsap from the police station?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just heard something juicy.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came from Hotel Moscow's<br>&nbsp;&nbsp;&nbsp;&nbsp;seller, Kowalski.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he saw her.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saw who?<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maid, Dutch.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one packing loads of weapons<br>&nbsp;&nbsp;&nbsp;&nbsp;who came from the boonies in Venezuela<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to rescue her kidnapped young master.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the four-eyed expert terrorist.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a killer joke.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy. I want to avoid getting<br>&nbsp;&nbsp;&nbsp;&nbsp;blown up before I know what's what.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check out two or three places.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's meet up at Yellow Flag.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found out the name of that guest.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes me want to groan.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell no!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This bar has been half destroyed<br>&nbsp;&nbsp;&nbsp;&nbsp;15 times since I built it in '78<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and mostly destroyed six times.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The worst of those<br>&nbsp;&nbsp;&nbsp;&nbsp;incidents was the last time<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that maid-model killing machine showed up.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have my condolences. But it<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't worth losing your hair over.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked the women upstairs,<br>&nbsp;&nbsp;&nbsp;&nbsp;but they were clueless.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me know if anything happens.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hong Kong's Triad is searching<br>&nbsp;&nbsp;&nbsp;&nbsp;for the maid as well?<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like the whole city is starting to squirm.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, here's our next group!<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, they're Columbians.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Gustavo!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Lagoon's Duo.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Señor Abrego?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boss is at our office.<br>&nbsp;&nbsp;&nbsp;&nbsp;A bit of a problem's come up.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soldiers direct from HQ are coming,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we don't have a place for them.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pain in the ass.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Maria must love me today.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was needing to talk to you.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it about the maid, Gustavo?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just said you're getting<br>&nbsp;&nbsp;&nbsp;&nbsp;soldiers straight from HQ.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly would that be all about?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wipe that nasty look off your face.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's happily share our info!<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it. It's a waste of time.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't let this leak. Fair enough?<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, damn it! You're going first.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. So, where should we start?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of us actually saw that<br>&nbsp;&nbsp;&nbsp;&nbsp;maid the last time she came.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Appearance, personality,<br>&nbsp;&nbsp;&nbsp;&nbsp;special traits. Start there.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has black hair.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's Hispanic, but has white skin.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard she's dressed as a waitress.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's totally nuts.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has a SPAS-12 umbrella.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are small arms and grenades in<br>&nbsp;&nbsp;&nbsp;&nbsp;her trunk, enough for a full squadron.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, this sucks!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, remember? She's nuts.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-what type of sick joke is this?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Lagoon Company's<br>&nbsp;&nbsp;&nbsp;&nbsp;office seems to be closed.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master knew of this joint,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have come searching here.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master is waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Sankan Palace Hotel.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you do me the favor of going to him?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you related to the Lovelace family?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me! I am a maid<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Lovelace family,<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the great thirteen<br>&nbsp;&nbsp;&nbsp;&nbsp;families of South America.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Fabiola Iglesias.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't stand her! She talks just<br>&nbsp;&nbsp;&nbsp;&nbsp;like that dog in the glasses.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dare say, our head maid<br>&nbsp;&nbsp;&nbsp;&nbsp;is not a "dog in glasses."<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take that back.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro, is this that maid?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, but dang, are we lucky!<br>&nbsp;&nbsp;&nbsp;&nbsp;The quiz's hint sprang out in front of us.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This brat's heavy.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This article came up<br>&nbsp;&nbsp;&nbsp;&nbsp;when I started my search.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last October, there was a terrorist<br>&nbsp;&nbsp;&nbsp;&nbsp;explosion in Barinas, Venezuela.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In South America, that's like<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about the weather.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It went off at the newly formed<br>&nbsp;&nbsp;&nbsp;&nbsp;MVR political party's inauguration.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were popular with the poor, but<br>&nbsp;&nbsp;&nbsp;&nbsp;the bourgeois weren't too fond of them.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is that the head of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Lovelace family was also up on that platform.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although unusual for his class,<br>&nbsp;&nbsp;&nbsp;&nbsp;he was a liberal thinker.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it doesn't add up. How does<br>&nbsp;&nbsp;&nbsp;&nbsp;any of that tie in with our city?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shrimp, you see, all of us here<br>&nbsp;&nbsp;&nbsp;&nbsp;are fans of your head maid.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not aware of her location, myself.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't we go look<br>&nbsp;&nbsp;&nbsp;&nbsp;for her together, amigo?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll drop by that Sankan Palace Hotel, too.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was careless. I suspected that<br>&nbsp;&nbsp;&nbsp;&nbsp;this town was filled with ruffians,<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to think our family's mortal<br>&nbsp;&nbsp;&nbsp;&nbsp;enemy stinks of dirty stables!<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can go whenever, bro!<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-damn brat!<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-she stabbed me in the balls!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, no guns allowed in--<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no ordinary maid!<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just like their head maid!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, I was afraid you would draw.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping to avoid this.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hidalgo!<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sí,* boss!<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frisk her! Approach her slowly.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows what she's equipped with!<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's roll.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She uses buckshot! Be careful!<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, dammit! You set this up, didn't you?<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't it liven things up?<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! Damn it! I need the phone!<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come back here!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap!<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. This is just a guess,<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I doubt we'll get any<br>&nbsp;&nbsp;&nbsp;&nbsp;drinks when we reach the joint.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. With our luck, the place is<br>&nbsp;&nbsp;&nbsp;&nbsp;going to be a whole lot breezier!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry!<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's pretty good.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, we just arrived!<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot at the bar like nuts!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moron, don't fire!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire!<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maid's here! It's *that* maid!<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marrero, shoot the bar!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that maid! Don't go easy on her.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This hurts!<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, Christ!<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like Roberta said!<br>&nbsp;&nbsp;&nbsp;&nbsp;This town is horrible!<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up, punks! Your buddies<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't care less about you!<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what will it be?<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recommend you carry<br>&nbsp;&nbsp;&nbsp;&nbsp;your injured and scram!<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Retreat! Retreat!<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, this place is horrible.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bitch!<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it.<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This match is already over.<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang, it would seem the<br>&nbsp;&nbsp;&nbsp;&nbsp;Columbians are on the move.<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is nothing to gain<br>&nbsp;&nbsp;&nbsp;&nbsp;from rushing over now.<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially if the rumors are<br>&nbsp;&nbsp;&nbsp;&nbsp;true about the maid's past.<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, her goal is to avenge her master?<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Boss.<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What bugs me like an<br>&nbsp;&nbsp;&nbsp;&nbsp;endless stream of piss...<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir?<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is how we can't find<br>&nbsp;&nbsp;&nbsp;&nbsp;that maid in question.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some stranger is hiding in our town.<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I don't like that.<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm speechless. Does everyone in<br>&nbsp;&nbsp;&nbsp;&nbsp;your manor carry weapons like that?<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's cool!<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the head maid and I.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including me, there are a total of five maids,<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the others don't even<br>&nbsp;&nbsp;&nbsp;&nbsp;know that I’m strapped with guns.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hired specifically to protect the<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master when the head maid is away.<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sankan Palace. It's the<br>&nbsp;&nbsp;&nbsp;&nbsp;fanciest hotel in town.<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm jealous that you get to stay here.<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to remind you,<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is the twelfth head<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Lovelace family,<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the great thirteen<br>&nbsp;&nbsp;&nbsp;&nbsp;families of South America.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Master Garcia<br>&nbsp;&nbsp;&nbsp;&nbsp;Fernando Lovelace's room...<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was expecting you sooner,<br>&nbsp;&nbsp;&nbsp;&nbsp;members of Lagoon.<br>**[24:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chill out, darling maid.<br>**[24:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, he is only here to talk.<br>&nbsp;&nbsp;&nbsp;&nbsp;We have his word.<br>**[24:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not let your guard down.<br>&nbsp;&nbsp;&nbsp;&nbsp;This city is filled with vile humans.<br>**[24:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to interrupt, but<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you want us to do?<br>**[24:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize. Please come in.<br>**[24:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today I...<br>**[24:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, ask for permission<br>&nbsp;&nbsp;&nbsp;&nbsp;if you want to smoke.<br>**[24:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, man! Like I'm gonna--<br>**[24:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy!<br>**[25:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, fine!<br>**[25:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiddo, may I enjoy a smoke?<br>**[25:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have an ashtray.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please save it for later.<br>**[25:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Upon my father's death, members of a<br>&nbsp;&nbsp;&nbsp;&nbsp;right-wing militia group were arrested.<br>**[25:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lame uprising left-wing<br>&nbsp;&nbsp;&nbsp;&nbsp;group set up a bomb?<br>**[25:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds reasonable enough.<br>**[25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So logical that it can't be legit.<br>**[25:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta felt the same.<br>**[25:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They lack the technology to pull off that<br>&nbsp;&nbsp;&nbsp;&nbsp;bombing and there was no call for it.<br>**[25:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the police are acting<br>&nbsp;&nbsp;&nbsp;&nbsp;as if the case was closed.<br>**[25:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when officers from the<br>&nbsp;&nbsp;&nbsp;&nbsp;airborne forces came to my manor.<br>**[25:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The MVR--Fifth Republic Movement.<br>**[25:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This campaign was launched by the officers<br>&nbsp;&nbsp;&nbsp;&nbsp;from that Venezuelan airborne unit.<br>**[25:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are a lot of sympathizers in the unit.<br>**[25:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They came to report the<br>&nbsp;&nbsp;&nbsp;&nbsp;progress of their investigation.<br>**[26:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They reviewed the staff<br>&nbsp;&nbsp;&nbsp;&nbsp;register for that ceremony.<br>**[26:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some men we have not<br>&nbsp;&nbsp;&nbsp;&nbsp;heard from since the explosion.<br>**[26:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We reviewed their records<br>&nbsp;&nbsp;&nbsp;&nbsp;for anything suspicious.<br>**[26:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And hit a bull's eye?<br>**[26:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. The names of those six men<br>&nbsp;&nbsp;&nbsp;&nbsp;appeared in other reports as well.<br>**[26:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were enlisted in<br>&nbsp;&nbsp;&nbsp;&nbsp;foreign military intelligence.<br>**[26:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if pre-planned, all six men left<br>&nbsp;&nbsp;&nbsp;&nbsp;the secret service two months ago.<br>**[26:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They had been working on guard duty<br>&nbsp;&nbsp;&nbsp;&nbsp;for the stage the day of the explosion.<br>**[26:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dang, this is dumb! Those worthless<br>&nbsp;&nbsp;&nbsp;&nbsp;dicks are sloppy at best.<br>**[26:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go pluck your nose hairs<br>&nbsp;&nbsp;&nbsp;&nbsp;in your manor or something.<br>**[26:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four-eyes will go home<br>&nbsp;&nbsp;&nbsp;&nbsp;after she massacres them.<br>**[26:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, Fabiola.<br>**[26:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[26:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take a look at this.<br>**[26:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The officers we spoke of<br>&nbsp;&nbsp;&nbsp;&nbsp;provided us with this photograph.<br>**[26:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was taken in Caracas half<br>&nbsp;&nbsp;&nbsp;&nbsp;a year before the bombing.<br>**[26:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The military police just so<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to take a picture of them<br>**[26:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while investigating an<br>&nbsp;&nbsp;&nbsp;&nbsp;embezzlement case in the unit.<br>**[27:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The man to the far right is the leader<br>&nbsp;&nbsp;&nbsp;&nbsp;of this suspicious group of six.<br>**[27:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's Marcos José Lucientes, a major<br>&nbsp;&nbsp;&nbsp;&nbsp;in the foreign military intelligence.<br>**[27:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the others?<br>**[27:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Foreigners?<br>**[27:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The day after she saw the picture, Roberta...<br>**[27:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master...<br>**[27:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember that night in Roanapur?<br>**[27:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I forget?<br>**[27:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Columbian Cartel sold<br>&nbsp;&nbsp;&nbsp;&nbsp;me, as if I were a thing.<br>**[27:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Roberta, you crossed<br>&nbsp;&nbsp;&nbsp;&nbsp;the ocean to save me!<br>**[27:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did so much for me.<br>**[27:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, the Master opposed my<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving clear until the very end.<br>**[27:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If--<br>**[27:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[27:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I was in my father's place,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have said the same thing.<br>**[27:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodness, you are both so eccentric.<br>**[27:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Roberta...<br>**[27:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well, Young Master.<br>**[28:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall always be by your side.<br>**[28:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next day, she was gone.<br>**[28:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, who is she?<br>**[28:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mendes, it's me! Someone is<br>&nbsp;&nbsp;&nbsp;&nbsp;trailing me. Hurry and--<br>**[28:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am afraid that Mendes is<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to answer the phone.<br>**[28:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the heck are you?!<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why do you have his cell phone?"<br>**[28:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you mean to say?<br>**[28:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just Mendes' cell.<br>**[29:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it would appear that you are the<br>&nbsp;&nbsp;&nbsp;&nbsp;only one with the answer to my question.<br>**[29:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;José Lucientes was found dead in<br>&nbsp;&nbsp;&nbsp;&nbsp;a canal in the suburbs of Calabozo.<br>**[29:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was able to identify him and<br>&nbsp;&nbsp;&nbsp;&nbsp;hunt him down off of a picture?<br>**[29:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her title of "Bloodhound" isn't for nothing.<br>**[29:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She isn't a bloodhound! She's my family.<br>**[29:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me, Señor Garcia.<br>&nbsp;&nbsp;&nbsp;&nbsp;Now let's return to the topic.<br>**[29:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes,<br>**[29:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's get back on topic.<br>**[29:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next one she went after was<br>&nbsp;&nbsp;&nbsp;&nbsp;the second man from the right.<br>**[29:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you doing this with full<br>&nbsp;&nbsp;&nbsp;&nbsp;knowledge of who I am?<br>**[29:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You're with the NSA, the<br>&nbsp;&nbsp;&nbsp;&nbsp;USA's National Security Agency.<br>**[29:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a special officer<br>&nbsp;&nbsp;&nbsp;&nbsp;and the presiding officer<br>**[29:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;over a unique program, dealing with<br>&nbsp;&nbsp;&nbsp;&nbsp;Central American policy analysis.<br>**[30:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Colonel Simon Dickens.<br>**[30:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed you knew!<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you want?<br>**[30:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to Marcos José Lucientes,<br>**[30:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you and your men planned and executed<br>**[30:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the terrorist bombing in<br>&nbsp;&nbsp;&nbsp;&nbsp;Caracas last October.<br>**[30:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! You wouldn't!<br>**[30:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where... are your hounds?<br>**[30:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would save me some time<br>**[30:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you talked while you're still<br>&nbsp;&nbsp;&nbsp;&nbsp;at normal human temperature.<br>**[30:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You freaking crazy bitch!<br>**[30:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll turn the United States<br>&nbsp;&nbsp;&nbsp;&nbsp;government against you if you harm me!<br>**[30:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on.<br>**[30:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We found Colonel Dickens'<br>&nbsp;&nbsp;&nbsp;&nbsp;body in a fire that broke out<br>**[30:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in some ruins in the suburbs of Caracas.<br>**[31:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lady serving as the<br>&nbsp;&nbsp;&nbsp;&nbsp;primary witness for the fire<br>**[31:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was looking to buy a plane ticket<br>&nbsp;&nbsp;&nbsp;&nbsp;from Caracas to Thailand via Miami.<br>**[31:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She also reserved a ticket<br>&nbsp;&nbsp;&nbsp;&nbsp;for a long-distance bus<br>**[31:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to take her from the airport to Roanapur.<br>**[31:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She went after an active US<br>&nbsp;&nbsp;&nbsp;&nbsp;officer? You're sure of that?<br>**[31:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[31:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This doesn't bode well, kiddo.<br>**[31:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did you want from us?<br>**[31:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[31:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, damn, damn!<br>**[31:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Bao? Closed today, too?<br>**[31:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shuddup!<br>**[31:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll always serve up some<br>&nbsp;&nbsp;&nbsp;&nbsp;booze if you wanna drink.<br>**[31:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! Can't you see the state of<br>&nbsp;&nbsp;&nbsp;&nbsp;my joint? If you're here to tease--<br>**[31:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;War.<br>**[32:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang, I can see why you're so nervous.<br>**[32:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a money problem.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're keeping out of this one.<br>**[32:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, why?!<br>**[32:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you get it?<br>**[32:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your head maid is wanting to scuffle<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone's buddy, the USA.<br>**[32:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say?<br>**[32:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me of all the stores I<br>&nbsp;&nbsp;&nbsp;&nbsp;need to visit in order to wage a war.<br>**[32:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I said.<br>**[32:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone who tried to defy<br>&nbsp;&nbsp;&nbsp;&nbsp;something too powerful and failed<br>**[32:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;comes to this city and perishes.<br>**[32:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do not wish to<br>&nbsp;&nbsp;&nbsp;&nbsp;commission Lagoon Company.<br>**[32:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want to commission<br>&nbsp;&nbsp;&nbsp;&nbsp;that Japanese man there.<br>**[32:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-wait a sec.<br>**[32:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me?<br>**[32:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Why me?<br>**[33:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please assist in finding our head maid!<br>**[33:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand that what I am asking<br>&nbsp;&nbsp;&nbsp;&nbsp;is unreasonable, but please!<br>**[33:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it! I'm...<br>**[34:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next episode<br>**[34:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are the gun, then I am the bullets.<br>**[34:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I am nothing more than a shard of lead.<br>**[34:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only a gun can ignite the gunpowder.<br>**[34:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 2 - An Office Man's Tactics

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I get it.<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I won't lend Rock to you.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're keeping out of this one.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, why?!<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your head maid is wanting to scuffle<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone's buddy, Uncle Sam.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how you look at it, that's nuts!<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly. She is trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;fight the USA itself.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all the more reason!<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is part of my family.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the only person in the<br>&nbsp;&nbsp;&nbsp;&nbsp;whole world who can protect her.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's precisely why!<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is so annoying. Did you come to<br>&nbsp;&nbsp;&nbsp;&nbsp;the backside of the planet just to cry?<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you're here, fill a<br>&nbsp;&nbsp;&nbsp;&nbsp;bucket with your tears!<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe a comic book hero<br>&nbsp;&nbsp;&nbsp;&nbsp;will rush to your rescue.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you!<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, it's okay.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just as she said. There is no<br>&nbsp;&nbsp;&nbsp;&nbsp;point in pushing our request.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall continue to<br>&nbsp;&nbsp;&nbsp;&nbsp;search for her on our own.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... truly have changed.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just like... an adult.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Father and Roberta gone,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no one to rely on.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's all there is to it.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you have to say, Rock?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea of throwing these two kids<br>&nbsp;&nbsp;&nbsp;&nbsp;out on the streets pains my heart.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If possible, I'd like them to return<br>&nbsp;&nbsp;&nbsp;&nbsp;to their manor in Venezuela<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and leave the rest to us.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you mean...?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like you, Chang.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what you're thinking at all!<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I overacting, Dutch?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's obvious that the maid is going to<br>&nbsp;&nbsp;&nbsp;&nbsp;clash with the US Army eventually.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is neither good for me nor our city.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not my problem.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maintaining the peace is your job.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off, Dutch.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the lay of the land<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and can visit various places<br>&nbsp;&nbsp;&nbsp;&nbsp;because of your line of work.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, you've maintained a neutral<br>&nbsp;&nbsp;&nbsp;&nbsp;enough stance to avoid conflict,<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;making you risk-free.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the right choice,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if they didn't call on you, Rock.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on and help those kiddies out.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On behalf of the city,<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you want that maid out of here<br>&nbsp;&nbsp;&nbsp;&nbsp;before things get sticky.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could avoid trouble if I<br>&nbsp;&nbsp;&nbsp;&nbsp;helped Garcia and this girl<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;find their maid before she<br>&nbsp;&nbsp;&nbsp;&nbsp;runs into any soldiers.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you want, Mr. Chang?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty simple rules, eh?<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want some time.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to think about it.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, you need to leave this place<br>&nbsp;&nbsp;&nbsp;&nbsp;immediately if he doesn't help you.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should do as adults tell you.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, at this rate he is going<br>&nbsp;&nbsp;&nbsp;&nbsp;to go gray before he turns 20.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Consider that well.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Consider that well.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you around, Young Master.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just like searching<br>&nbsp;&nbsp;&nbsp;&nbsp;for a runaway kitty.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you seriously think I'm going to let<br>&nbsp;&nbsp;&nbsp;&nbsp;you work on this between jobs, Rock?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem starts after<br>&nbsp;&nbsp;&nbsp;&nbsp;you find the kitty cat.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second you open the closet door,<br>&nbsp;&nbsp;&nbsp;&nbsp;she will gnaw off the top half of your body.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me make one thing clear.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I am your boss,<br>&nbsp;&nbsp;&nbsp;&nbsp;this isn't up for debate.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, if the maid runs into the<br>&nbsp;&nbsp;&nbsp;&nbsp;US Army before you find her,<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let the case go. That's a must!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And thus, I get another simple rule, huh?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will he accept?<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the type of guy he is.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's an unusual type of person<br>&nbsp;&nbsp;&nbsp;&nbsp;around here. He's easily moved.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city, Roanapur, is a nesting<br>&nbsp;&nbsp;&nbsp;&nbsp;ground for powerful houses.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Hong Kong Triad.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Moscow.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cosa Nostra.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Columbian Cartel.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And countless others.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;During World War II, the Japanese<br>&nbsp;&nbsp;&nbsp;&nbsp;Army began dredging up Roanapur<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make it their naval port.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After the war, it turned into a<br>&nbsp;&nbsp;&nbsp;&nbsp;port where people smuggled drugs.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even now, it continues<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a maze of contraband.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to save those<br>&nbsp;&nbsp;&nbsp;&nbsp;kids in a place like this?!<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think! Think and forget all your anxieties.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell myself I can do it!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What factors intersect with what?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the source of the drug<br>&nbsp;&nbsp;&nbsp;&nbsp;flow and the mouth of the river.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how far do you have to<br>&nbsp;&nbsp;&nbsp;&nbsp;back someone into a corner?!<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, first I must...<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...eliminate groups. The Italians<br>&nbsp;&nbsp;&nbsp;&nbsp;fall outside of this situation.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the South American Cartel...<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...they are one of the instigators.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their motherland is sending in<br>&nbsp;&nbsp;&nbsp;&nbsp;soldiers. That's what Gustavo said.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;FARC's main forces will<br>&nbsp;&nbsp;&nbsp;&nbsp;personally pursue the maid.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be a three-way fight<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the maid, the US Army, and the<br>&nbsp;&nbsp;&nbsp;&nbsp;Revolutionary Armed Forces of Columbia.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll take place in town...<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...with real soldiers?!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a question.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is it about your requirements to resign?<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being stubborn.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty much.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You once said that<br>&nbsp;&nbsp;&nbsp;&nbsp;Balalaika owes you big time.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly does that mean?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're taking this in a strange direction.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may come into play during this job.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where should I begin?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the start.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This'll take a while.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Got it, Dutch.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's the deal. Yeah.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That connects...<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...another piece of the puzzle.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many pieces are left?<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these all of the factions<br>&nbsp;&nbsp;&nbsp;&nbsp;nesting in Roanapur? Really?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I've got a full house!<br>&nbsp;&nbsp;&nbsp;&nbsp;I just won me a full $300!<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gosh darn it!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Lord loves those<br>&nbsp;&nbsp;&nbsp;&nbsp;who are nice and pay up.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, you only get annoyed and raise<br>&nbsp;&nbsp;&nbsp;&nbsp;the stakes when the kid's done something.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? Why are you being so hard<br>&nbsp;&nbsp;&nbsp;&nbsp;on Rock this time, Two-Hands?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stick to him like glue--<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too dangerous.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is who that maid is going after.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? And what did they do?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They blew the maid's master to the moon.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explosive experts?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From Uncle Sam's merry men.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The US Army...<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...killed him?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The maid's raging.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's trying to tear the flesh off<br>&nbsp;&nbsp;&nbsp;&nbsp;the soldiers and make meat pies.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what would bring those<br>&nbsp;&nbsp;&nbsp;&nbsp;soldiers to this cesspool?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me. I can't help him with<br>&nbsp;&nbsp;&nbsp;&nbsp;crap like this over and over again.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not with his crap.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought up everything I can imagine.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time I will--<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you. What's up?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, have you heard from Mr. Rock?<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is your fourth time<br>&nbsp;&nbsp;&nbsp;&nbsp;asking that since sunrise.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall go make a run through the city.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may find some hints or clues.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I took so long.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Is it really all that shocking?<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. To be honest, I did not<br>&nbsp;&nbsp;&nbsp;&nbsp;expect you to come back.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Solving puzzles is fun. That's what I thought.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like I said on the phone.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maid came and left.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know where she went.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, what brought this on?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My shop wasn't the only thing busted.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The brothel on the second floor<br>&nbsp;&nbsp;&nbsp;&nbsp;is shut down thanks to that brat.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are what they are, so I'm chilling<br>&nbsp;&nbsp;&nbsp;&nbsp;out with the girls from upstairs.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You destroyed this bar?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see...<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to deal with this peacefully.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terribly sorry.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bao, did you help the maid?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope!<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, tch, tch! I'm not obligated<br>&nbsp;&nbsp;&nbsp;&nbsp;to disclose that info.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you, Bao.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-Fine. But under this condition--<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this case gets worse, tell people<br>&nbsp;&nbsp;&nbsp;&nbsp;that this has nothing to do with me.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have you put that in writing later.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is putting my life on the line.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, about last night?<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, last night...<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say?<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me of all the stores I<br>&nbsp;&nbsp;&nbsp;&nbsp;need to visit in order to wage a war.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-Forget it! That's not even fu--<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'm joking or fooling around?<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I was calling around as her agent,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was munching on antidepressants.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd think she was stuffing her<br>&nbsp;&nbsp;&nbsp;&nbsp;face with popcorn at the theater.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you introduced her to Praiyachat, Torchy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the underground doctor, Dr. Heartland.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was the doctor so she could get refills?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't ask for the nitty-gritty<br>&nbsp;&nbsp;&nbsp;&nbsp;and I didn't want to hear it!<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for everything.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll repay you someday.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, it's unusual<br>&nbsp;&nbsp;&nbsp;&nbsp;for Two-Hands not to be with you.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have a fight?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? No.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Señor Rock!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, yes? What is it?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We spent the whole day walking around<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all three people we went<br>&nbsp;&nbsp;&nbsp;&nbsp;to visit for clues were out.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly do you make of that?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, well...<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't what you promised! Not at all!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get so upset. This is only natural.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your head maid is rather infamous here.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a girl wearing the same maid uniform<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a kid more refined than<br>&nbsp;&nbsp;&nbsp;&nbsp;any they've ever seen before.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a single person here<br>&nbsp;&nbsp;&nbsp;&nbsp;who would give the time of day<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone dragging you two around.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, we cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;afford to end in failure.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will search for her by myself tomorrow.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, I'm sorry,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is too much for us.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But--!<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't seem intimidated by this city at all.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hometown was full of idiots<br>&nbsp;&nbsp;&nbsp;&nbsp;and scum, just like here.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm somewhat accustomed to it.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is from the Barrios of Caracas.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Barrios?<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what it's called.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is the slums of Caracas,<br>&nbsp;&nbsp;&nbsp;&nbsp;where the homeless live.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At night, that area shines in<br>&nbsp;&nbsp;&nbsp;&nbsp;Caracas like the Milky Way.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're curious as to why such<br>&nbsp;&nbsp;&nbsp;&nbsp;impoverished homes are lit up,<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's because everyone steals their<br>&nbsp;&nbsp;&nbsp;&nbsp;electricity from the power company.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They sound resourceful.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're overestimating them.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now you are a member of my family.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I come from a family of 11,<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so entering your service decreases<br>&nbsp;&nbsp;&nbsp;&nbsp;the strain on my parents.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, did you learn gunnery and<br>&nbsp;&nbsp;&nbsp;&nbsp;those foot techniques there?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Foot techniques?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your trap shut!<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does he mean by "foot techniques"?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is referring to capoeira, Young Master.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, an elder in the neighborhood<br>&nbsp;&nbsp;&nbsp;&nbsp;was studying at a dojo.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned it while having<br>&nbsp;&nbsp;&nbsp;&nbsp;fun trying to mimic him.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard of capoeira!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a cool martial art!<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, you must show it to me sometime!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, I'm self-taught, but if you like...<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I just said, I did not live<br>&nbsp;&nbsp;&nbsp;&nbsp;in the nice part of town,<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I needed to protect myself.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can accidentally kill<br>&nbsp;&nbsp;&nbsp;&nbsp;people if you use guns,<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this way, I could hold back.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why I deemed it worthwhile to learn.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well said. I feel the same.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I totally agree with your beliefs,<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not sure if that<br>&nbsp;&nbsp;&nbsp;&nbsp;will work in this town.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giving advice really isn't my thing,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when you need to pull the<br>&nbsp;&nbsp;&nbsp;&nbsp;trigger, you shouldn't hesitate.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim for your opponent's biggest weak spot.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is terribly seductive.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even Roberta could not defy it.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want Fabiola to<br>&nbsp;&nbsp;&nbsp;&nbsp;follow her footsteps.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, from tonight on, you will be<br>&nbsp;&nbsp;&nbsp;&nbsp;staying at Mr. Chang's yacht house.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a hideout equipped<br>&nbsp;&nbsp;&nbsp;&nbsp;with bodyguards and a pool.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll call it a day after we drop you off.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be waiting in the car.<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry over after you finish eating.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unusual for you to<br>&nbsp;&nbsp;&nbsp;&nbsp;say something like that.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I don't much care for<br>&nbsp;&nbsp;&nbsp;&nbsp;letting kids get themselves killed.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is the most I can do for those kids.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many hearts of steel do you<br>&nbsp;&nbsp;&nbsp;&nbsp;need to overcome another's death?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I don't delve too deep.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, can you bear that burden?<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, I see.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it's a turf war between<br>&nbsp;&nbsp;&nbsp;&nbsp;the NSA and the CIA, eh?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the intelligence community<br>&nbsp;&nbsp;&nbsp;&nbsp;approved of the operation,<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;us members of the CIA<br>&nbsp;&nbsp;&nbsp;&nbsp;would have heard of it.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on how they move,<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe we may need to use<br>&nbsp;&nbsp;&nbsp;&nbsp;our information network.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The root of our problem comes from<br>&nbsp;&nbsp;&nbsp;&nbsp;Venezuelan political sabotage program 114,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which was organized and<br>&nbsp;&nbsp;&nbsp;&nbsp;enacted outside of our reach.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The CIA's primary mission<br>&nbsp;&nbsp;&nbsp;&nbsp;is to take advantage of<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this switch to economic<br>&nbsp;&nbsp;&nbsp;&nbsp;information warfare<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they can covertly expand their authority.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is truly an offensive move.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's tough when an organization grows large.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever. As for the whereabouts<br>&nbsp;&nbsp;&nbsp;&nbsp;of the NSA agents hiding in town,<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's take our time shuffling<br>&nbsp;&nbsp;&nbsp;&nbsp;through that information.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our specialty.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. My supervisor will contact<br>&nbsp;&nbsp;&nbsp;&nbsp;you about compensation and such later.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, they should be holding a meeting<br>&nbsp;&nbsp;&nbsp;&nbsp;at Golden Swingy Night Club about now.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Triad organized it.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The young master aside, even the maid<br>&nbsp;&nbsp;&nbsp;&nbsp;was excited about Mr. Chang's yacht house.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a weak response.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the mafia groups.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are they going with that procession?<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To a liaison meeting about<br>&nbsp;&nbsp;&nbsp;&nbsp;that one case we're linked to.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, makes sense.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reality is approaching my<br>&nbsp;&nbsp;&nbsp;&nbsp;predictions from last night.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, their meeting tonight<br>&nbsp;&nbsp;&nbsp;&nbsp;will decide her fate, huh?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, they won't make that decision tonight.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't? But they don't have much time.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same goes for us and the young master.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember what Dutch said?<br>&nbsp;&nbsp;&nbsp;&nbsp;Evaluate the divide.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The divide will happen later.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The divide we see the second<br>&nbsp;&nbsp;&nbsp;&nbsp;they crash is even further out.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Balalaika! Are we holding<br>&nbsp;&nbsp;&nbsp;&nbsp;a birthday party for you today?<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about grand!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does today's agenda<br>&nbsp;&nbsp;&nbsp;&nbsp;include a wop's comic act?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humph! May I leave now?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't, Tomaso.<br>&nbsp;&nbsp;&nbsp;&nbsp;This babe's a country hick.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't understand civilized society.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amigo, sorry to ruin the party,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I want to get this show on the road.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About right now, Chang<br>&nbsp;&nbsp;&nbsp;&nbsp;has come before them<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to begin discussing the maid<br>&nbsp;&nbsp;&nbsp;&nbsp;and who the maid is after.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the guys who still don't realize<br>&nbsp;&nbsp;&nbsp;&nbsp;how dire the situation is will interrupt.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see! This is certainly easy enough.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll hold a party where the maid<br>&nbsp;&nbsp;&nbsp;&nbsp;and her foes can kiss and make up.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's pull out the champagne<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have some busty dancers<br>&nbsp;&nbsp;&nbsp;&nbsp;jump out of a massive cake!<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you start up a comic gig<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Sicilian countryside?<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can it, you Ivan bitch!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me continue.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The terrorist bombers who killed<br>&nbsp;&nbsp;&nbsp;&nbsp;that maid's master are active soldiers.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang will tell them the<br>&nbsp;&nbsp;&nbsp;&nbsp;identity of Roberta's enemies.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That will perk Balalaika's ears right up.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is because the Russian mafia<br>&nbsp;&nbsp;&nbsp;&nbsp;she leads are ex-Soviet paratroopers.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These soldiers were trained for the purpose<br>&nbsp;&nbsp;&nbsp;&nbsp;of fighting the US Army in World War III.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Columbian Cartel will have<br>&nbsp;&nbsp;&nbsp;&nbsp;a completely different reaction.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to serve that maid's<br>&nbsp;&nbsp;&nbsp;&nbsp;head on a silver platter<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to iron out our<br>&nbsp;&nbsp;&nbsp;&nbsp;relationship with FARC.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to hunt that maid down.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got more of a<br>&nbsp;&nbsp;&nbsp;&nbsp;backbone than I thought,<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but our opponent is not<br>&nbsp;&nbsp;&nbsp;&nbsp;the maid, but her enemies.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those Yankees' goals<br>&nbsp;&nbsp;&nbsp;&nbsp;are easy enough to guess.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a strategy to eliminate narcotics!<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's immediately eliminate them<br>&nbsp;&nbsp;&nbsp;&nbsp;before they can scheme against our town.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has been 35 years since this rotten port<br>&nbsp;&nbsp;&nbsp;&nbsp;town turned into the capital for crooks.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason Roanapur has not appeared<br>&nbsp;&nbsp;&nbsp;&nbsp;on the New York evening news<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and been the talk of all the ladies<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because those here, those who rule<br>&nbsp;&nbsp;&nbsp;&nbsp;this town, were all after the same thing.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our city is weak and fragile.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we permit intervention from those<br>&nbsp;&nbsp;&nbsp;&nbsp;who work under the sun just once,<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who do you think will be the<br>&nbsp;&nbsp;&nbsp;&nbsp;last ones standing in the ring?<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one will be left, gents.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be there, nor will<br>&nbsp;&nbsp;&nbsp;&nbsp;you or even the ring.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if they realize<br>&nbsp;&nbsp;&nbsp;&nbsp;how dangerous this is,<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they won't be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;find Roberta immediately.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is she? My only guideposts<br>&nbsp;&nbsp;&nbsp;&nbsp;are the information I've obtained.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even follow their path! Damn it!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O Lord, thou knowest my weakness<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that none could do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything without Thy grace.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer my prayers and give me the strength<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to shun all the evils Thou admonish,<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to do good as Thou hath commanded,<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to accept and endure the hardships...<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't take that medicine anymore.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thou hast bestowed upon me...<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're already having an overdose.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O Lord, thou knowest my weakness<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that none could do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything without Thy grace.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you intend to return to that<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer my prayers and give me the strength<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to shun all the evils Thou admonish,<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;courtyard filled with blooming orchids?<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to do good as Thou hath commanded,<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That boy will be there waiting for you.<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to accept and endure the hardships<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thou hast bestowed upon me.<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you truly after revenge? Or is it...<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Master and the Young Master should<br>&nbsp;&nbsp;&nbsp;&nbsp;have received the blessings of Heaven.<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I alone should<br>&nbsp;&nbsp;&nbsp;&nbsp;bear my sins! And yet--!<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you seek every form of atonement,<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot atone for your past sins,<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if you destroy yourself.<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be silent!<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be silent! Be silent! Be silent!<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, hey! Wait, wait, wait!<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't shoot! It's me, Leroy!<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What gives? What the hell?!<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I did was buy the clothes<br>&nbsp;&nbsp;&nbsp;&nbsp;you ordered! And then you--<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the recruiter?<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I talked with him. Now we just<br>&nbsp;&nbsp;&nbsp;&nbsp;have to deal with the money.<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weren't you just...<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who exactly were you talking to?<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And? What do you want me to do?<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're pressed on time.<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to catch up with<br>&nbsp;&nbsp;&nbsp;&nbsp;the maid immediately.<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is about how you couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;save that top boss schoolgirl<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;back in your homeland, isn't it?<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this atonement?<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or did something in your blood<br>&nbsp;&nbsp;&nbsp;&nbsp;ignite after your desperate situation<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you tried to defy<br>&nbsp;&nbsp;&nbsp;&nbsp;the sis and save that girl?<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is that not it?<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hobby?<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, my hobby. I'm just like you.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that's what you said.<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your own dangerous hobby.<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then where does that put me<br>&nbsp;&nbsp;&nbsp;&nbsp;if I tag along with you?<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'd like to know.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always supported me<br>&nbsp;&nbsp;&nbsp;&nbsp;when I'm standing on the edge.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You appreciate it, huh?<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you think?<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want me to join you at<br>&nbsp;&nbsp;&nbsp;&nbsp;the casino, a ritual is in order.<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Under what pretext should I go along<br>&nbsp;&nbsp;&nbsp;&nbsp;with your recklessness? Enough.<br>**[24:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had enough of playing it by ear.<br>**[24:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my homeland, you called yourself my gun.<br>**[24:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are the gun, then I am the bullets.<br>**[24:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I am nothing more than a shard of lead.<br>**[24:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I hadn't come to this city,<br>**[24:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I probably would have spent<br>&nbsp;&nbsp;&nbsp;&nbsp;my life as a piece of lead.<br>**[24:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I came. I've always been waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;for the gunpowder to explode.<br>**[24:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only a gun can ignite the gunpowder.<br>**[24:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Light My Fire," eh?<br>**[24:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[24:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you know?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's one of The Doors' songs.<br>**[25:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, what type of warhead are you?<br>**[25:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A full metal jacket? A hollow-point bullet?<br>**[25:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you a Glaser Safety Slug?<br>**[25:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. You're a silver bullet and<br>&nbsp;&nbsp;&nbsp;&nbsp;no one knows where you'll go flying.<br>**[25:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can kill invincible monsters.<br>**[25:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's expensive, but it's the ultimate shell.<br>**[25:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're finished if you<br>&nbsp;&nbsp;&nbsp;&nbsp;use it at the wrong time.<br>**[25:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get eaten by the monster.<br>**[25:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're out of water.<br>**[25:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, there's a vending machine downstairs.<br>**[25:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you get me some more water?<br>**[25:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, use bahts! Don't use<br>&nbsp;&nbsp;&nbsp;&nbsp;nickels or it'll break down.<br>**[25:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[25:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, it's not fair!<br>**[26:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Revy? I was just about<br>&nbsp;&nbsp;&nbsp;&nbsp;to take up your water.<br>**[26:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Praiyachat should be in around right now.<br>**[26:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to be back to the ship by evening.<br>**[26:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry and get this over, Rock.<br>**[26:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[26:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sleeping?<br>**[26:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweet!<br>**[26:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem cheery. You happy, you flat board?<br>**[26:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a pool back in Venezuela, too.<br>**[26:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had simply never swum in a pool before!<br>**[26:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So, I just wanted to try it for a while...<br>**[26:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wasn't any need<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to swim in secret.<br>**[26:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry!<br>**[27:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Young Master!<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't tell you she wants to chill<br>**[27:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're so bent out of<br>&nbsp;&nbsp;&nbsp;&nbsp;shape over finding Four-Eyes.<br>**[27:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that just goes to show<br>&nbsp;&nbsp;&nbsp;&nbsp;how loyal she is to you.<br>**[27:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to bear your family's name<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can't even figure that out? Well?<br>**[27:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[27:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not let you speak so rudely to the Young Master!<br>**[27:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[27:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, we'll follow the same route we took yesterday.<br>**[27:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off!<br>**[27:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the old fart in? It's Rebecca<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Lagoon Company.<br>**[27:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, if it isn't Revy! How are<br>&nbsp;&nbsp;&nbsp;&nbsp;your Cutlasses holding up?<br>**[27:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just fine! But that isn't what brought<br>&nbsp;&nbsp;&nbsp;&nbsp;me here today. Something else did.<br>**[27:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not this again.<br>**[27:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, do you want me to make<br>&nbsp;&nbsp;&nbsp;&nbsp;a getup for her this time?<br>**[27:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means she's been here, doesn't it?<br>**[27:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The woman looked like her if you stretched<br>&nbsp;&nbsp;&nbsp;&nbsp;her out and gave her glasses, right?<br>**[27:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bao introduced her.<br>**[27:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I let her in, even though it<br>&nbsp;&nbsp;&nbsp;&nbsp;was my first time seeing her.<br>**[27:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did she come to request? Guns?<br>**[28:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, no. She had already<br>&nbsp;&nbsp;&nbsp;&nbsp;provided herself with a gun.<br>**[28:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a rather old-fashioned Flintlock rifle.<br>**[28:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was made in Spain in the 18th Century.<br>**[28:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[28:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, Fabiola.<br>**[28:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the gun we had on display in the saloon.<br>**[28:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wanted me to make it<br>&nbsp;&nbsp;&nbsp;&nbsp;over so she could use it.<br>**[28:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what the woman told me.<br>&nbsp;&nbsp;&nbsp;&nbsp;It was in meh condition.<br>**[28:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't give me any trouble.<br>**[28:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aside from that, she wanted cordite<br>&nbsp;&nbsp;&nbsp;&nbsp;gunpowder or black powder, but...<br>**[28:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's why she went to<br>&nbsp;&nbsp;&nbsp;&nbsp;Torchy, the gunpowder dealer.<br>**[28:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[28:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy! Your grip is warped.<br>**[28:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't the base of the gun what you<br>&nbsp;&nbsp;&nbsp;&nbsp;use to crack open people's heads?<br>**[28:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You moron! This is a high-end piece!<br>**[28:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Torchy! Hey, Torchy, the gunpowder dealer!<br>**[28:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Y-You bitch! I thought I jammed your<br>&nbsp;&nbsp;&nbsp;&nbsp;murderous signals with my aluminum foil!<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you've personally come to kill me, huh?<br>**[28:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on! I'll take you on, fucker!<br>**[28:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What the heck?!<br>**[28:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's tripping. Just play along.<br>**[28:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey! Calm down.<br>**[29:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This alien may be an alien,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's a good alien.<br>**[29:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't trust her!<br>**[29:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you're as punctual as ever, Mr. Chang.<br>**[29:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's one of my virtues.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's skip to the problem.<br>**[29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? A woman didn't come by?<br>**[29:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty sure the man was<br>&nbsp;&nbsp;&nbsp;&nbsp;a PI or a tipster or somethin'.<br>**[29:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was it again?<br>**[29:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't dope up when you're<br>&nbsp;&nbsp;&nbsp;&nbsp;talking to someone, moron!<br>**[29:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is the tipster?<br>**[29:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, damn it! I can't remember.<br>**[29:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might remember right<br>&nbsp;&nbsp;&nbsp;&nbsp;quick if I had some heroin.<br>**[29:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mind, right, Revy?<br>**[29:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like hell I don't!<br>**[29:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The infiltrators compose a unit that<br>**[29:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;executes high-level political<br>&nbsp;&nbsp;&nbsp;&nbsp;decisions under the NSA's directions.<br>**[30:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are Task Force 9<br>**[30:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and belong to the Pentagon's<br>&nbsp;&nbsp;&nbsp;&nbsp;special operation command, SOCOM.<br>**[30:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By military rank, they are listed<br>&nbsp;&nbsp;&nbsp;&nbsp;as the 56th Construction Battalion.<br>**[30:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Joint Chiefs of Staff refer to<br>&nbsp;&nbsp;&nbsp;&nbsp;them as the "Gray Fox Command Group."<br>**[30:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the maid is a bloodhound and the<br>&nbsp;&nbsp;&nbsp;&nbsp;people she is after are foxes, huh?<br>**[30:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their primary mission this time<br>&nbsp;&nbsp;&nbsp;&nbsp;is to handcuff General Shi Yan,<br>**[30:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greatest warlord under<br>&nbsp;&nbsp;&nbsp;&nbsp;Golden Triangle Khun Sa's command,<br>**[30:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make him appear in the<br>&nbsp;&nbsp;&nbsp;&nbsp;United States' Supreme Court.<br>**[30:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that would be most<br>&nbsp;&nbsp;&nbsp;&nbsp;unfortunate for the Triad.<br>**[30:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Triad's heroin refinement plant<br>**[30:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is nothing without the<br>&nbsp;&nbsp;&nbsp;&nbsp;General's poppy fields.<br>**[30:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When will it be carried out?<br>**[30:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The end of this month. The attack<br>&nbsp;&nbsp;&nbsp;&nbsp;force will be composed of 18 men.<br>**[30:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have infiltrated town as backpackers<br>**[30:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and are staying at a motel<br>&nbsp;&nbsp;&nbsp;&nbsp;in the red-light district.<br>**[30:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are awaiting the code to take action.<br>**[30:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Standby locations are as follows:<br>&nbsp;&nbsp;&nbsp;&nbsp;the Alpha Unit is at Tokaina Hotel,<br>**[31:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Bravo Unit is at Blue Moon Motel,<br>**[31:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Charlie Unit is at Ramsap Inn,<br>**[31:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and commanding officer Major Shane<br>&nbsp;&nbsp;&nbsp;&nbsp;Charlie Caxton is with the Alpha Unit.<br>**[31:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've done enough, Mr. CIA Agent.<br>**[31:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not done yet.<br>**[31:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me your countermeasures.<br>**[31:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there that much trust between us?<br>**[31:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wretched government toady!<br>**[31:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think you're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;use us to do your dirty work.<br>**[31:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got the wrong idea altogether.<br>**[31:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a warning--<br>**[31:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not the government's toadies.<br>**[31:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The United States as a nation is a<br>&nbsp;&nbsp;&nbsp;&nbsp;giant hydra with countless heads.<br>**[31:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the power to make<br>&nbsp;&nbsp;&nbsp;&nbsp;individuals and companies submit,<br>**[31:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we have enough power<br>&nbsp;&nbsp;&nbsp;&nbsp;to annihilate an entire country.<br>**[31:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no others like us.<br>**[31:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we are the ultimate being.<br>**[32:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, don't underestimate my company, thug.<br>**[32:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Roy, Roy, Roy, Leroy--that's it!<br>**[32:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Richie Leroy!<br>**[32:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Richie Leroy is mixed up with the maid.<br>**[32:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the final piece to the puzzle. Let's go!<br>**[33:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next episode<br>**[33:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master is waiting at the manor<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to bring back the foxes' heads.<br>**[33:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master will smile at me and<br>&nbsp;&nbsp;&nbsp;&nbsp;everything will return to how it was.<br>**[33:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 3 - Angels in the Crosshairs

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, you know what my trade is!<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm going to blab?<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back at you. You know<br>&nbsp;&nbsp;&nbsp;&nbsp;what my trade is, eh, Leroy?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon!<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oink, oink, oink!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In 1994, the Japanese Army created<br>&nbsp;&nbsp;&nbsp;&nbsp;a massive underground shelter<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to wage a war of attrition here.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hide in there and no one'll find you.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to obtain this information, Leroy...<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, watch it!<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She won't kill the informer.<br>&nbsp;&nbsp;&nbsp;&nbsp;You buy information with money.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tab is going on this kid's bill.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just made him remember that the<br>&nbsp;&nbsp;&nbsp;&nbsp;maid wasn't paying him enough.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean--!<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You found Roberta?<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where we're headed.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caxton! It's Will!<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here!<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got some bad news, Will.<br>&nbsp;&nbsp;&nbsp;&nbsp;Something in the air feels wrong.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just sending my subordinates<br>&nbsp;&nbsp;&nbsp;&nbsp;to check the perimeter.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ditto. For several hours now, our lines have<br>&nbsp;&nbsp;&nbsp;&nbsp;been making noises that indicate wiretapping.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This contains the latest information on<br>&nbsp;&nbsp;&nbsp;&nbsp;the location and your new game plan.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from Brigadier General Wilder.<br>&nbsp;&nbsp;&nbsp;&nbsp;This operation will proceed.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Continue your report.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, the roads to Chalquam and Manthey<br>&nbsp;&nbsp;&nbsp;&nbsp;Street are closed off due to construction.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there is no indication<br>&nbsp;&nbsp;&nbsp;&nbsp;that any work is being done.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The street vendors and prostitutes<br>&nbsp;&nbsp;&nbsp;&nbsp;have left the surrounding area.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are roughly nine guards within<br>&nbsp;&nbsp;&nbsp;&nbsp;200 yards of the outskirts of town<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and four trackers.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I have decided to begin<br>&nbsp;&nbsp;&nbsp;&nbsp;Operation: Clean the Streets.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will, you should leave<br>&nbsp;&nbsp;&nbsp;&nbsp;before bullets start flying.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have taken position across from<br>&nbsp;&nbsp;&nbsp;&nbsp;the hotel Abrego informed us of.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are the US Army, FARC and the<br>&nbsp;&nbsp;&nbsp;&nbsp;guys the maid made arrangements with.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a major melee ahead of us.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop there!<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, where are you going?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if we'll make it in<br>&nbsp;&nbsp;&nbsp;&nbsp;time, but let's get some help!<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, the phone has<br>&nbsp;&nbsp;&nbsp;&nbsp;been ringing for a while!<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're unbelievable!<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, hi!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Shen Hua!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a job for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get to kill a whole lot!<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be willing to slice you up for free.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who attacked me.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so spiteful.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The job has been commissioned by<br>&nbsp;&nbsp;&nbsp;&nbsp;a stinking rich South American.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much is he paying?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charlie to Alpha. Present situation: D4.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What appears to be an armed<br>&nbsp;&nbsp;&nbsp;&nbsp;force is headed your way.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your guard up.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger, Charlie.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bravo and Charlie are<br>&nbsp;&nbsp;&nbsp;&nbsp;to prepare to move out.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not really sure what<br>&nbsp;&nbsp;&nbsp;&nbsp;we've gotten caught up in,<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but our boring wait is over.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, time for work, gentlemen.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is D1. The armed force has<br>&nbsp;&nbsp;&nbsp;&nbsp;infiltrated the target building.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get the bloodhound within eyesight.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our target is Rosarita Cisneros.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it true that the hillbilly mafioso ran off<br>&nbsp;&nbsp;&nbsp;&nbsp;to this place? Is he on the second floor?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leroy's info is always right.<br>&nbsp;&nbsp;&nbsp;&nbsp;This has got to be the place.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Count down--three, two, one!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cease fire!<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm detonating the Claymore.<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, get down!<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! What's going on?!<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone who went upstairs is dead!<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's keeping you? Get up there!<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! What happened up there?<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's in the hallway. Not a soul!<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bugsy!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're gone! Even the walls are gone!<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? Where did they go?!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane, we've got trouble!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hostile across the bank.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's on top of the highest billboard!<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, get down!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, what are we up against?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wright, Horner! Subdue enemy fire!<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else, move out on the double!<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cross the river fast!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't make it in time!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, she's got vintage toys!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a real war zone!<br>&nbsp;&nbsp;&nbsp;&nbsp;I am going to increase my fees.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's fighting, that<br>&nbsp;&nbsp;&nbsp;&nbsp;means Roberta is still alive!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia, Dutch kept telling me to<br>&nbsp;&nbsp;&nbsp;&nbsp;pull back if things came to this.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you want to see this through,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall go along with you.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going. If Roberta is waiting,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I must go to her.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well said. You have the heart of a warrior.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have found the target's position.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is on the roof of a multi-floor<br>&nbsp;&nbsp;&nbsp;&nbsp;building. I am sending in my men.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia, take this.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not now.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's in case you lose<br>&nbsp;&nbsp;&nbsp;&nbsp;sight of what path to follow.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't coming? Why not?<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's best suited for drinking canned coffee<br>&nbsp;&nbsp;&nbsp;&nbsp;while basking in the sun on a bench.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let's go!<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, the same<br>&nbsp;&nbsp;&nbsp;&nbsp;goes for the Young Master.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your first time<br>&nbsp;&nbsp;&nbsp;&nbsp;at the bar, wasn't it?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the first time you fired at humans.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shots from your gun<br>&nbsp;&nbsp;&nbsp;&nbsp;and the enemy fire.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were practically declaring that<br>&nbsp;&nbsp;&nbsp;&nbsp;you couldn't get in a one-shot kill.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look at me like that.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a tip--think of them as signboards.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're just rotten and rusty signboards.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can pull that off and survive,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be a full-fledged gunslinger.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't intend to walk the same--<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're close!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now! Cross over!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sound of gunfire has stopped!<br>&nbsp;&nbsp;&nbsp;&nbsp;This is D1! We're engaging the enemy!<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've chased her to the roof!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no good! We can't take shelter!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D3, go help them.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the bloodhound is--<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's hunting something down.<br>&nbsp;&nbsp;&nbsp;&nbsp;There is an unknown group ahead of us.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rendezvous with D3 and collaborate with<br>&nbsp;&nbsp;&nbsp;&nbsp;them to chase down the bloodhound.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, so that's the deal.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't trust those cartel hooligans.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the sound of a US Army carbine.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry! Rendezvous with D3!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shen Hua, go!<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're countering the<br>&nbsp;&nbsp;&nbsp;&nbsp;rifles by outranging them!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have we let the enemy lure<br>&nbsp;&nbsp;&nbsp;&nbsp;us into her own territory?<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gosh darn it! What'll we do<br>&nbsp;&nbsp;&nbsp;&nbsp;now that they're all dead?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have held back when killing them.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't at least one of them<br>&nbsp;&nbsp;&nbsp;&nbsp;hanging on by a thread?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's alive.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This the guy? Good find!<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, beaner!<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be rough with him. He's on the brink.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Translate "Where is Roberta?"<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tell me and I'll take you to a doctor."<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell him that.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We mean you no harm.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did Roberta go?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want to know where she is.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you tell us, we will take you to a hospital.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosarita is chasing after someone else.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is moving toward the<br>&nbsp;&nbsp;&nbsp;&nbsp;intersection to the west.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will I make it?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, the Lord will save you.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is chasing the US troop. She's<br>&nbsp;&nbsp;&nbsp;&nbsp;headed toward the western intersection.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's going west? All right.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beaner, does it hurt?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll treat you right now.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All set. That's the intersection<br>&nbsp;&nbsp;&nbsp;&nbsp;at Ramsap and Nankroy.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go there for now. We're short on time.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shrimp, follow me.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola!<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now. You've got the wrong end<br>&nbsp;&nbsp;&nbsp;&nbsp;of that puppy pointing my way.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you thinking?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you do that?!<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fight was over! Why did you shoot him?!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fight's on until the final blow.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your barrio any different?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same, isn't it?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he was dying and<br>&nbsp;&nbsp;&nbsp;&nbsp;genuinely wanted to be saved!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you shot him!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you did was *aniquilación*!<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use English, *chiquita*.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said that was overkill, Ms. Rebecca.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Part of you kills just for the fun of it.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're no different than Jeffrey Merdah!<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Dahmer.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maid, is your ethics time over yet?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, everyone will bail out.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry. We haven't caught up to her yet.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to go, Young Master. That was wise.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sawyer, lead the way.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a defiled land where everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;participates in the Dance of Death.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we need right now are<br>&nbsp;&nbsp;&nbsp;&nbsp;professional trouble busters.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be those ladies.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is precisely why I want<br>&nbsp;&nbsp;&nbsp;&nbsp;you to follow your own beliefs.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then we're all going to go<br>&nbsp;&nbsp;&nbsp;&nbsp;back home. Back to our home.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I believe.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As do I, Young Master.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of us will definitely go home together.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why we came here.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will Garcia catch up to Roberta?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The odds are close.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, there is nowhere<br>&nbsp;&nbsp;&nbsp;&nbsp;for the US soldiers to hide.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In all reality, it is impossible for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to lose the Bloodhound of Florencia.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to help the US soldiers escape,<br>&nbsp;&nbsp;&nbsp;&nbsp;I must complete the formation.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That requires one more powerhouse<br>&nbsp;&nbsp;&nbsp;&nbsp;that lurks within the shadows of our town.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must wait for them to<br>&nbsp;&nbsp;&nbsp;&nbsp;make their appearance.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you didn't make it in time, Rock.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see the smoke signs from here.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't need a call from<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang right now. Damn it!<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Close up shop. Dutch must be<br>&nbsp;&nbsp;&nbsp;&nbsp;in one foul mood by now.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang, I cannot do that.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The actors are still here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Same for that boy and the maid.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot leave the stage<br>&nbsp;&nbsp;&nbsp;&nbsp;just yet. That's why--<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what? You called checkmate in this<br>&nbsp;&nbsp;&nbsp;&nbsp;game of chess and I set the odds.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that enough? Now that<br>&nbsp;&nbsp;&nbsp;&nbsp;things have come to this,<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why bother worrying about<br>&nbsp;&nbsp;&nbsp;&nbsp;that boy and his maid?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, the thing I hate the most<br>&nbsp;&nbsp;&nbsp;&nbsp;in this world is hypocrisy.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's even nastier than evil.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a poison that deludes<br>&nbsp;&nbsp;&nbsp;&nbsp;the target and user.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it smells of roses, you cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;hide the fact that shit is shit.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what's happening, Rock.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, both you and I view<br>&nbsp;&nbsp;&nbsp;&nbsp;the Lovelace boy and his maid<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as nothing more than chess pieces.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang, you're a<br>&nbsp;&nbsp;&nbsp;&nbsp;good-for-nothing piece of shit!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love it! I haven't had someone<br>&nbsp;&nbsp;&nbsp;&nbsp;say that to me in ages.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I like about you.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your anger comes from one--being a sore<br>&nbsp;&nbsp;&nbsp;&nbsp;loser because you know this game is lost.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two--at having me concisely guess<br>&nbsp;&nbsp;&nbsp;&nbsp;at what you think deep down.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have delved far deeper into<br>&nbsp;&nbsp;&nbsp;&nbsp;people's hearts than you ever have.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you speak of human hearts<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're a gangster<br>&nbsp;&nbsp;&nbsp;&nbsp;living in a world of violence?<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want an explanation?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because the man you're speaking with<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;used to be a guard dog of the law<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that burned with an inane sense of<br>&nbsp;&nbsp;&nbsp;&nbsp;justice with the Hong Kong police.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's nothing impressive.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not unusual for people here<br>&nbsp;&nbsp;&nbsp;&nbsp;to lead contradicting lives.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Re-evaluate yourself as nothing more<br>&nbsp;&nbsp;&nbsp;&nbsp;than a mere pawn and step down.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it for the sake of your own soul.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let this come to an end, Mr. Chang.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. Then do as you like.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that declaration of defiance,<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect you to put up a decent fight.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Tracking Team D2.<br>&nbsp;&nbsp;&nbsp;&nbsp;Target is in our sights.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a block away.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Draw in closer.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, we're still going<br>&nbsp;&nbsp;&nbsp;&nbsp;after her? We're down to--<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, José!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we pull back now,<br>&nbsp;&nbsp;&nbsp;&nbsp;the dead will have died like dogs!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, what a pain! Think they'll let<br>&nbsp;&nbsp;&nbsp;&nbsp;us through if we explain ourselves?<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll just have to kill<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone blocking our path.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am cool with charging in.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have one question for you.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you? You can actually talk?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is it?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That elevated stage! Wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;making our entrance from here...<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...look cool?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why did you bring that freak with us?!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let it slide. He's a bit "special."<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sound of gunfire isn't letting up.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is shooting who?<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let the hostiles go through and<br>&nbsp;&nbsp;&nbsp;&nbsp;send the Diversion Team after them.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eventually, they will join Bravo<br>&nbsp;&nbsp;&nbsp;&nbsp;and Charlie for a pincer attack.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, check your ammo.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't waste your cylinders.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about after the operation?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll lay low outside of town<br>&nbsp;&nbsp;&nbsp;&nbsp;and wait for orders from the NSA.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But first, we need to put<br>&nbsp;&nbsp;&nbsp;&nbsp;all our concentration into<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;catching and obliterating our opponent.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a blessing if she took the bait.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go around.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this! We've got your asses!<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is on the other<br>&nbsp;&nbsp;&nbsp;&nbsp;side of this crazy fight.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh huh!<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is D4. We are rushing to D2's aid.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall now enter the--<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freeze!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, take shelter over there.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But--<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move it, you brats!<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can pull through if I'm by myself. Hurry!<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O villains who direct your<br>&nbsp;&nbsp;&nbsp;&nbsp;vile blades at children<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on this night with its clear blue moon!<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any foe my beloved gun goes after<br>&nbsp;&nbsp;&nbsp;&nbsp;shall be blown to smithereens!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God is here, watching over me.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, none are more suited than<br>&nbsp;&nbsp;&nbsp;&nbsp;I to execute you in the name of Hea--<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola!<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get over to you! Stay back and hide!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it! You hide too, Fabiola!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A different opponent is holding D4 back.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph! That is not our true foe.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I was the American commander,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would stage a pincer attack.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a US imperialist tactic.<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what we taught Rosarita.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, the bloodhound<br>&nbsp;&nbsp;&nbsp;&nbsp;should have taken position here.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find her!<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola?<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not her! It's the enemy!<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're still shooting.<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A central nervous system stimulant.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what Roberta<br>&nbsp;&nbsp;&nbsp;&nbsp;ordered from Dr. Heartland!<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've lost contact with Lopez,<br>&nbsp;&nbsp;&nbsp;&nbsp;who went to the third floor.<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've found her. She's upstairs.<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is here!<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally! I finally caught up with her!<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lopez?! Lopez, any anomalies upstairs?<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What's wrong, Lopez?<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. I'll make it in time.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way Roberta could lose!<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't lose! Have faith in her!<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you haven't lost<br>&nbsp;&nbsp;&nbsp;&nbsp;your touch, Bloodhound.<br>**[24:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use. I know all of your moves.<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come from Habana.<br>**[24:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're from the Cuban Navy's Special Forces.<br>**[24:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precisely. The request came directly<br>&nbsp;&nbsp;&nbsp;&nbsp;from FARC's Commander Marulanda.<br>**[24:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why don't you shoot me?"<br>&nbsp;&nbsp;&nbsp;&nbsp;It's written all over your face.<br>**[24:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have had several<br>&nbsp;&nbsp;&nbsp;&nbsp;opportunities to shoot you.<br>**[25:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The commander is dying to<br>&nbsp;&nbsp;&nbsp;&nbsp;have your head, but not me.<br>**[25:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the activist who received the<br>&nbsp;&nbsp;&nbsp;&nbsp;most attention in Central's guerrilla meetings.<br>**[25:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the only one meant to<br>&nbsp;&nbsp;&nbsp;&nbsp;inherit old Carlos' name as Jackal.<br>**[25:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is imperative that our organization<br>&nbsp;&nbsp;&nbsp;&nbsp;has one skilled such as you.<br>**[25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back with me, Bloodhound.<br>**[25:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you are kept as a<br>&nbsp;&nbsp;&nbsp;&nbsp;maid in a country manor,<br>**[25:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot defy the smell of blood.<br>**[25:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[25:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That place was boring.<br>**[25:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was nothing,<br>&nbsp;&nbsp;&nbsp;&nbsp;not even blood or gunfire.<br>**[25:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is time to go, now that the Master is dead.<br>**[25:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I avenge him,<br>&nbsp;&nbsp;&nbsp;&nbsp;my debt will have been paid.<br>**[25:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a peculiar thought, Rosarita.<br>**[25:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will finish this soon, so don't interfere.<br>**[26:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. Some American heads<br>&nbsp;&nbsp;&nbsp;&nbsp;will make for nice souvenirs.<br>**[26:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt the commander<br>&nbsp;&nbsp;&nbsp;&nbsp;will simply forgive me.<br>**[26:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't underestimate me.<br>&nbsp;&nbsp;&nbsp;&nbsp;My will is Habana's will.<br>**[26:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not allow those FARC dogs to object.<br>**[26:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say...<br>**[26:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering what is to come,<br>**[26:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would it be wise of me<br>&nbsp;&nbsp;&nbsp;&nbsp;to attach myself to you?<br>**[26:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have to hunt down<br>&nbsp;&nbsp;&nbsp;&nbsp;those American soldiers first?<br>**[26:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They cannot move until<br>&nbsp;&nbsp;&nbsp;&nbsp;I take the bait, anyway.<br>**[26:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, this is just like a greenhouse<br>&nbsp;&nbsp;&nbsp;&nbsp;filled with the warmth of death.<br>**[26:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns me on.<br>**[26:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bloodhound, are you testing me?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one testing you.<br>**[27:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you my dog?<br>**[27:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are, then act like a dog<br>&nbsp;&nbsp;&nbsp;&nbsp;and stick out your tongue.<br>**[27:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Don't shred my clothes.<br>**[27:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to fight the Americans naked.<br>**[27:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you take off my pants?<br>**[27:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make me laugh. Do it yourself.<br>**[27:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so cautious. Fine then.<br>**[27:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take them off nice and slow,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't shoot.<br>**[28:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You bitch!<br>**[28:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't enough. You should have<br>&nbsp;&nbsp;&nbsp;&nbsp;been far, far, far more cautious.<br>**[28:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never ally myself with you!<br>**[28:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason is because you and<br>&nbsp;&nbsp;&nbsp;&nbsp;those foxes serve the same master!<br>**[28:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Principles and ideals!<br>**[28:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will never serve under<br>&nbsp;&nbsp;&nbsp;&nbsp;those detestable scams again!<br>**[28:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is only one person in this world<br>&nbsp;&nbsp;&nbsp;&nbsp;who may put a leash on my collar...<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia Fernando Lovelace.<br>**[28:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is destined to be my master.<br>**[28:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is the only one I would slurp<br>&nbsp;&nbsp;&nbsp;&nbsp;mud and risk my life to protect.<br>**[29:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is for him alone that<br>&nbsp;&nbsp;&nbsp;&nbsp;I seek revenge and kill!<br>**[29:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will crush all of my bad family relations!<br>**[29:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are no longer a bloodhound.<br>**[29:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a lone wolf that has grown sick.<br>**[29:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, stop it! No, stop it!<br>**[29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it! Stop it! Stop it!<br>**[29:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[29:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young...<br>**[29:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master?<br>**[29:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master?<br>**[30:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! Young Master, don't look at me!<br>**[30:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't... Don't...<br>**[30:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>**[30:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No more...<br>**[30:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>**[30:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?!<br>**[30:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?! What should I do?!<br>**[30:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you continue to gaze upon me<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to prevent this outcome?<br>**[30:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long...? How long must you haunt me?!<br>**[30:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am? No, you're wrong.<br>**[30:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You simply cannot forget<br>**[30:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you attacked Taisho<br>&nbsp;&nbsp;&nbsp;&nbsp;Electric's Magnarelli office<br>**[30:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and shot two Japanese technicians.<br>**[30:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. That happened seven years ago.<br>**[30:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before my execution, you tore<br>&nbsp;&nbsp;&nbsp;&nbsp;apart a picture of my family.<br>**[30:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of those minor injuries melded<br>&nbsp;&nbsp;&nbsp;&nbsp;into one and stayed with you.<br>**[31:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it pus and fester as you<br>&nbsp;&nbsp;&nbsp;&nbsp;spent your days in peace and quiet?<br>**[31:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had walked through<br>&nbsp;&nbsp;&nbsp;&nbsp;life with that child,<br>**[31:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those wounds may have healed someday.<br>**[31:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you are the one who spoiled that life.<br>**[31:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what would it have<br>&nbsp;&nbsp;&nbsp;&nbsp;taken to obtain forgiveness?<br>**[31:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I cannot be forgiven for all eternity,<br>**[31:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how was I supposed to act<br>&nbsp;&nbsp;&nbsp;&nbsp;as I resided in that manor?<br>**[31:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always hounded me!<br>**[31:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't let me forget!<br>&nbsp;&nbsp;&nbsp;&nbsp;You will never let me forget!<br>**[31:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sacrificed my Master and now you<br>&nbsp;&nbsp;&nbsp;&nbsp;have done this to the Young Master!<br>**[31:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it.<br>**[31:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. So, that's it.<br>**[31:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you showed this to me.<br>**[31:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that how desperate you are to kill me?<br>**[31:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. There is no way my<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master would be here!<br>**[32:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master is waiting at the manor<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to bring back the foxes' heads.<br>**[32:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master will smile at me and<br>&nbsp;&nbsp;&nbsp;&nbsp;everything will return to how it was.<br>**[32:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet you had to show me an image of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Young Master in this sorry state!<br>**[32:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You showed me the one thing<br>&nbsp;&nbsp;&nbsp;&nbsp;I never wanted to see!<br>**[32:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never forgive you!<br>**[32:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master isn't here.<br>**[32:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't really here, just like you aren't!<br>**[32:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll prove that right now.<br>**[32:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Burroughs!<br>**[32:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While on patrol, we stumbled<br>&nbsp;&nbsp;&nbsp;&nbsp;upon the target in a building.<br>**[32:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used a tear gas grenade.<br>**[32:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first sergeant saved a boy.<br>**[32:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is First Sergeant Horner.<br>&nbsp;&nbsp;&nbsp;&nbsp;We have canceled the feint<br>**[33:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and are returning to Point A.<br>**[33:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[34:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next episode<br>**[34:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock, you said to read<br>&nbsp;&nbsp;&nbsp;&nbsp;this when I lose my way.<br>**[34:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock, did you realize who you<br>&nbsp;&nbsp;&nbsp;&nbsp;were talking about when you said that?!<br>**[34:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 4 - Oversaturation Kill Box

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Sergeant Horner, what happened?<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We heard gunshots, so we went<br>&nbsp;&nbsp;&nbsp;&nbsp;to apprehend the target.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There we found a kid and--ah, I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;sorry. We've complicated the issue.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Burroughs!<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kid would have died if the<br>&nbsp;&nbsp;&nbsp;&nbsp;First Sergeant didn't save him.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll prove that right now.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe the First Sergeant<br>&nbsp;&nbsp;&nbsp;&nbsp;made the right call.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, abandon the pincer attack<br>&nbsp;&nbsp;&nbsp;&nbsp;and switch to maneuver warfare.<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will rendezvous at Dagger 6.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Sergeant, the situation<br>&nbsp;&nbsp;&nbsp;&nbsp;has grown more severe.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But allowing a child to die is<br>&nbsp;&nbsp;&nbsp;&nbsp;unacceptable. You've done well.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation has changed.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have the courage for this?<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir! Yes, sir!<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master... is gone?<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's gone... because of those foxes?<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smell of death is growing strong.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful, Shen Hua.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be terrible if<br>&nbsp;&nbsp;&nbsp;&nbsp;we lost our money bag.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go over there! Pull back!<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi-ya!<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't! She's not sane!<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go! Roberta, it's me!<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me, Fabiola!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've obeyed the Young Master's<br>&nbsp;&nbsp;&nbsp;&nbsp;wishes to come get you.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am, the Young Master is...<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola?<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you finished cleaning the lounge?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Master is searching for his newspaper.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must retrieve the Young Master from<br>&nbsp;&nbsp;&nbsp;&nbsp;the farm before it starts to rain.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bridge is out. They'll jump us.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is the only way out of town by foot.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, kiddo! We're on your side.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you feel, boy?<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you understand me?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are with the American Army. We saved<br>&nbsp;&nbsp;&nbsp;&nbsp;you when you got caught in the gunfire.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall protect you until we<br>&nbsp;&nbsp;&nbsp;&nbsp;make it to somewhere safe.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a promise between men,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't you worry.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta has overdosed on her meds.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's questionable if she will<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to recognize Garcia.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't gamble over something so precarious.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we fail to recover Roberta via Garcia,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;his role will undoubtedly change.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to understand that, Garcia.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? Want some water?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, First Sergeant? Scaring<br>&nbsp;&nbsp;&nbsp;&nbsp;kids again with that face of yours?<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't be stupid!<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Staff Sergeant Sanchez.<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you!<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite his appearance,<br>&nbsp;&nbsp;&nbsp;&nbsp;First Sergeant Horner here is a daddy,<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who fawns over his daughter<br>&nbsp;&nbsp;&nbsp;&nbsp;that's about to turn seven.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no need to tell him all that!<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Burroughs, do you have a candy bar?<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have one. But L.G. might.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, he's got a real sweet tooth...<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... If it weren't for you...!<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it... If it weren't for you...!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming Garcia follows<br>&nbsp;&nbsp;&nbsp;&nbsp;through to the end...<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The main problem comes after that.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I spent two days advertising my mission.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who it is, but the person<br>&nbsp;&nbsp;&nbsp;&nbsp;who never overlooks the state of this town<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will definitely give me a call.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's late.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L.G., tell Bravo and Charlie<br>&nbsp;&nbsp;&nbsp;&nbsp;we're changing the meeting spot.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it!<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, kid?!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't aim your gun at a child!<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Major, he was going to--<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Horner, let him go.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, why did you do that?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you? It was no coincidence<br>&nbsp;&nbsp;&nbsp;&nbsp;that you were in that building.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was--that was no coincidence!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is all your fault.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the ones who ruined our lives!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would seem that our situation<br>&nbsp;&nbsp;&nbsp;&nbsp;is even worse than we had feared.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you tell? Last October<br>&nbsp;&nbsp;&nbsp;&nbsp;in Barinas, Venezuela.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten lives were lost at a political meeting.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of them was my-my father!<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Presidential Order 114 for outsiders.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You took my father from me!<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the other person dear to me<br>&nbsp;&nbsp;&nbsp;&nbsp;will probably never come back!<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, you have the right<br>&nbsp;&nbsp;&nbsp;&nbsp;to take revenge on me.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it, Shane!<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a big boy. You can decide<br>&nbsp;&nbsp;&nbsp;&nbsp;for yourself what to do, can't you?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What don't you understand? Let me see it.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposedly, there are four<br>&nbsp;&nbsp;&nbsp;&nbsp;hidden items in that picture.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no matter how I look at it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's just a picture of a hunting spot.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emilio brought it to brag<br>&nbsp;&nbsp;&nbsp;&nbsp;about it, but he's just lying.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't casually call people liars.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the back.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, it's important to look<br>&nbsp;&nbsp;&nbsp;&nbsp;at things from different angles.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do, look. Here is a<br>&nbsp;&nbsp;&nbsp;&nbsp;horned owl and here is an angel.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And look here!<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Christ!<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. I wonder why<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't see it before.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were probably just looking at it<br>&nbsp;&nbsp;&nbsp;&nbsp;from the same angle as the picture.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to see things properly,<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you must look at them from<br>&nbsp;&nbsp;&nbsp;&nbsp;every possible direction.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane, stop it!<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lower your guns. That is an order!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? It's you?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a hello! And who were you expecting?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dropped the stuff you ordered<br>&nbsp;&nbsp;&nbsp;&nbsp;over the phone this morning<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the location you indicated.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how's it going? About done?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not over yet. I won't let it end!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On my way here, I passed by some<br>&nbsp;&nbsp;&nbsp;&nbsp;Ivan dudes up on the rooftops.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have located the Americans' main troop!<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take position for battle immediately.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That shouldn't affect my gamble.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The proud *desantniki* are about to<br>
&nbsp;&nbsp;&nbsp;&nbsp;stand before their old enemy.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he shoots, I will consider him a hostile<br>&nbsp;&nbsp;&nbsp;&nbsp;threat, going by the Rules of Engagement.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you hear my order?!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, we've been catching<br>&nbsp;&nbsp;&nbsp;&nbsp;some strange radio signals.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're in Russian!<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enemies sighted.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can the Gray Fox hear me, Major?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is right above you. You better act fast.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally caught up!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run some more, Foxy!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane!<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major!<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't,<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll skin you!<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is she?!<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't hurt her, too!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's one of the people<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that has been broken by your hands!<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it isn't the Young Master.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as the hunt is over,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall prepare some tea for you.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait a little while longer.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target has retreated.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well done, Corporal Zachamin.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What unit is up on the roof?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are affiliated with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Soviet Union's paratroopers.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name? Let's see, it is Captain Jane Doe.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, the Bloodhound is still nearby.<br>&nbsp;&nbsp;&nbsp;&nbsp;Retreat immediately.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather than fight with the US Army<br>&nbsp;&nbsp;&nbsp;&nbsp;and kill each other off,<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balalaika will probably use this as the<br>&nbsp;&nbsp;&nbsp;&nbsp;pretext to settle her score with Chang.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Hong Kong Triad and Hotel Moscow<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have been battling for<br>&nbsp;&nbsp;&nbsp;&nbsp;supremacy over this town.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that battle has yet to be concluded.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In their last duel before the truce,<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of Chang's shots<br>&nbsp;&nbsp;&nbsp;&nbsp;pierced through Balalaika.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason she feels in debt to Dutch<br>&nbsp;&nbsp;&nbsp;&nbsp;for saving her when she was in peril<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because he left her the<br>&nbsp;&nbsp;&nbsp;&nbsp;opportunity to exact vengeance.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang will dangle that opportunity<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of Balalaika and--<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to gambling, you win.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going by the military radio<br>&nbsp;&nbsp;&nbsp;&nbsp;signals I'm picking up,<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's how things are proceeding.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We headed toward Central Avenue...<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's your next gamble?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well done. We shall continue to offer our support.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The American soldiers' goals<br>&nbsp;&nbsp;&nbsp;&nbsp;have been set askew.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they try to resume their mission, they<br>&nbsp;&nbsp;&nbsp;&nbsp;will need a means with which to execute it.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will give it to them.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what if they give up<br>&nbsp;&nbsp;&nbsp;&nbsp;and cancel the mission?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're on the right track, Rock.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Canceling the mission<br>&nbsp;&nbsp;&nbsp;&nbsp;would make them lose face.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll go through with it<br>&nbsp;&nbsp;&nbsp;&nbsp;out of sheer stubbornness.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, minus Roberta, all of the cards<br>&nbsp;&nbsp;&nbsp;&nbsp;will fall into my hands if things go well.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that is when the goodies you ordered<br>&nbsp;&nbsp;&nbsp;&nbsp;from me will first come into play.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Americans and that rich<br>&nbsp;&nbsp;&nbsp;&nbsp;South American will foot the bill.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as I'm concerned, I win either way.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got hope for you yet, Rock!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you're getting?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You--<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have thought that the Hong Kong<br>&nbsp;&nbsp;&nbsp;&nbsp;Triad would be paying you as well.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're in need of a patron.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though the mafias claim<br>&nbsp;&nbsp;&nbsp;&nbsp;to coexist and prosper,<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang is the one who truly rules this town.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty much.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Chang has someone backing him.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how much influence a lowly<br>&nbsp;&nbsp;&nbsp;&nbsp;Hong Kong mafioso fights for,<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way he could survive in<br>&nbsp;&nbsp;&nbsp;&nbsp;this city without major support.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm searching for the<br>&nbsp;&nbsp;&nbsp;&nbsp;person who controls Chang--<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the true ruler of Roanapur,<br>&nbsp;&nbsp;&nbsp;&nbsp;who hides behind Chang. That's--<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't, Rock.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to willingly rush<br>&nbsp;&nbsp;&nbsp;&nbsp;and see the deep-sea leviathan.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, did you know, Rock?<br>&nbsp;&nbsp;&nbsp;&nbsp;Not all gods get along.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all good!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should give him a call.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're impressive. They're<br>&nbsp;&nbsp;&nbsp;&nbsp;covering our heads perfectly.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they are also somewhat rude.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane, are they seriously<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Soviet Union's army?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Soviet Union isn't a country anymore.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she introduced herself as Jane Doe,<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is slang for "unidentified person."<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ray, I just want to get out of this<br>&nbsp;&nbsp;&nbsp;&nbsp;crazy town as soon as possible.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I feel the same.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said to read this when I lose my way.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock, did you realize who you were<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about when you said that?!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Rock! The boss is pissed.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I get the feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;you shouldn't talk to him.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'll give you the phone.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a coworker, I couldn't bear<br>&nbsp;&nbsp;&nbsp;&nbsp;to lose you. Patch things up.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me. What do you have<br>&nbsp;&nbsp;&nbsp;&nbsp;to say for yourself?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so worked up, I can't even sleep.<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch, first let me apologize.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may know your manners, but I should<br>&nbsp;&nbsp;&nbsp;&nbsp;have you take a look at our dress code.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, but what happens<br>&nbsp;&nbsp;&nbsp;&nbsp;next won't affect just me.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an over-exaggeration, Rock.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I bring over Perry Mason<br>&nbsp;&nbsp;&nbsp;&nbsp;for your attorney?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a job for you, Dutch.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The client is an organization<br>&nbsp;&nbsp;&nbsp;&nbsp;from the American government.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an official job for Lagoon Company.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city has gone past the point of no return<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it was our duty to remove<br>&nbsp;&nbsp;&nbsp;&nbsp;the pests at the very end.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we act as the transport service<br>&nbsp;&nbsp;&nbsp;&nbsp;and take them out of town,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the other pest will leave, as well.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get what you're saying, Rock.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're in a sorry state.<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, you're just like--<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch,<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're the only ones who will get to enjoy the<br>&nbsp;&nbsp;&nbsp;&nbsp;end of this mayhem as it comes to a finale.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch! Hang it up!<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on earth did he say?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll need doctors for more<br>&nbsp;&nbsp;&nbsp;&nbsp;people than just the maid.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell him I absolutely refuse.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not him.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from Chang of the Triad.<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposedly, he has a job for us.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found them, gothic chic?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that Garcia?<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear! Our money bag<br>&nbsp;&nbsp;&nbsp;&nbsp;is with the US Army.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That kid is such a handful.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only a few of them.<br>&nbsp;&nbsp;&nbsp;&nbsp;We could finish them off now.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you down to?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just these.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect!<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, it didn't go through.<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you get hit?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that monster of a woman<br>&nbsp;&nbsp;&nbsp;&nbsp;flew down a minute ago.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That boy was in danger.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tall guy in the center can't move, can he?<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll deal with the black guy.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take care of the leader-looking guy.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. We'll kill them<br>&nbsp;&nbsp;&nbsp;&nbsp;on the count of three.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready? Three, two, one!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need these arms for work<br>&nbsp;&nbsp;&nbsp;&nbsp;and you shot both of them!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two-Hands, here's a<br>&nbsp;&nbsp;&nbsp;&nbsp;message from the captain--<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This war is ours and ours alone."<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We will not tolerate others defiling it."<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next time, we will aim for your<br>&nbsp;&nbsp;&nbsp;&nbsp;head or throat." That is all!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister, look.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No sign of booby-traps.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The engine works!<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We followed the boy's map to this location.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised to find you here, Will.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going to use this informer<br>&nbsp;&nbsp;&nbsp;&nbsp;to look for a mediator.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And much to my surprise, I wound up<br>&nbsp;&nbsp;&nbsp;&nbsp;getting the Catholic church on the hill.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing would surprise me now.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We even managed to get a boat that<br>&nbsp;&nbsp;&nbsp;&nbsp;will take us to our operations site.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section B is joining us.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great!<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid we can't cancel our operation.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section C is joining us.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quickly finish the roll call and<br>&nbsp;&nbsp;&nbsp;&nbsp;get everyone in the trucks.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like this, but let's stand steadfast.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane!<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two kids now.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll bring both of them with us.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after all that shooting,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is still no sign of the police!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a mere five blocks over<br>&nbsp;&nbsp;&nbsp;&nbsp;and the town is as busy as ever.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Jane Doe, I appreciate<br>&nbsp;&nbsp;&nbsp;&nbsp;all of your support.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a pleasure, Major.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But truth be told, you are the<br>&nbsp;&nbsp;&nbsp;&nbsp;ones we truly wanted to fight.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have since we still lived<br>&nbsp;&nbsp;&nbsp;&nbsp;in the world of humans.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have waited and waited<br>&nbsp;&nbsp;&nbsp;&nbsp;for this war to come<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since we stumbled over<br>&nbsp;&nbsp;&nbsp;&nbsp;the sands of Afghanistan.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fought in Afghanistan?<br>&nbsp;&nbsp;&nbsp;&nbsp;Our grimy past was in Vietnam.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we were in different<br>&nbsp;&nbsp;&nbsp;&nbsp;countries and locations,<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my unit saw and fought<br>&nbsp;&nbsp;&nbsp;&nbsp;the same things as you!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we have fallen to the<br>&nbsp;&nbsp;&nbsp;&nbsp;point that our emotions sway<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;over duels with thugs,<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than fights in war!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being a corpse is repugnant.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly jealous and<br>&nbsp;&nbsp;&nbsp;&nbsp;envious of the living.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, at the very least,<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to remember<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the discipline and power<br>&nbsp;&nbsp;&nbsp;&nbsp;we have maintained.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I would like to brand<br>&nbsp;&nbsp;&nbsp;&nbsp;a sense of fear into you.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Major!<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, a moment please.<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare for battle!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Concentrate fire on the port side.<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare to fire!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Major. I cannot wait any longer.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall hereby see you off.<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare the salute!<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim! Fire!<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All shots were within vicinity of the target.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excellent. Major?<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Jane Doe, you have masterfully<br>&nbsp;&nbsp;&nbsp;&nbsp;stationed your small forces.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The skill with which you executed<br>&nbsp;&nbsp;&nbsp;&nbsp;that artillery assault was admirable.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall take your compliments as an honor.<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why must our paths<br>&nbsp;&nbsp;&nbsp;&nbsp;be so different from yours<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when we are such skilled soldiers?!<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, this is difficult for me to ask,<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but were you discharged due to illness?<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is no surprise that you would think that.<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was called "voluntary discharge,"<br>&nbsp;&nbsp;&nbsp;&nbsp;but in reality, it was desertion.<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason was extremely simple.<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While on an internationally illegal<br>&nbsp;&nbsp;&nbsp;&nbsp;operation that had us cross the border,<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we saved a child who was in a refugee<br>&nbsp;&nbsp;&nbsp;&nbsp;camp. The mass media recorded that.<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. This happened in April of 1986.<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hurry and leave this town, Major.<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And make sure I never see you again.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is growing saturated.<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for this town as well as my head.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I trying to do here?<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, can you still see the path?<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, of course.<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then good. But don't<br>&nbsp;&nbsp;&nbsp;&nbsp;count me in your forces.<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine. From here out,<br>&nbsp;&nbsp;&nbsp;&nbsp;that won't be a problem.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That right?<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be okay.<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear he's too efficient!<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fake registration, river passes,<br>&nbsp;&nbsp;&nbsp;&nbsp;boating licenses for three countries<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and an NGO permit! All in<br>&nbsp;&nbsp;&nbsp;&nbsp;the style of press cards!<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we got a mountain of armament for<br>&nbsp;&nbsp;&nbsp;&nbsp;the US Army to fight in open battle.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He ordered all of that<br>&nbsp;&nbsp;&nbsp;&nbsp;from that violent church?<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the finishing touch, he even had<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang call to commission the job.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, damn it! There was<br>&nbsp;&nbsp;&nbsp;&nbsp;no way I could refuse.<br>**[24:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when was he a skilled businessman?<br>**[24:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lagoon has left the port.<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the maid is alive, she will undoubtedly<br>&nbsp;&nbsp;&nbsp;&nbsp;leave this city to chase after them.<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, it's sickening how well this turned out.<br>**[24:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you manipulated<br>&nbsp;&nbsp;&nbsp;&nbsp;that battle-hungry vixen!<br>**[24:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention, what that Japanese<br>&nbsp;&nbsp;&nbsp;&nbsp;coward's done because of your bet.<br>**[24:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mind my saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;now I finally understand why<br>**[24:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Dai Lo picked up and cared for a<br>&nbsp;&nbsp;&nbsp;&nbsp;rotten cop that killed all his comrades.<br>**[24:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got the most grit!<br>**[24:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me an ego boost.<br>**[24:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gentlemen, I am the captain of this ship.<br>**[25:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will refuel out in the ocean soon.<br>**[25:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After which, I will take you<br>&nbsp;&nbsp;&nbsp;&nbsp;to your target location.<br>**[25:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am their leader, Caxton.<br>**[25:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bluntly put, can we trust you?<br>**[25:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as you will. I don't welcome the idea<br>&nbsp;&nbsp;&nbsp;&nbsp;of that cyborg woman coming after me.<br>**[25:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this affair has turned into a paying job.<br>**[25:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, I will fulfill my contract.<br>**[25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I doubt that was<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to kill that woman.<br>**[25:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, well, he's in a bit of a bad mood,<br>&nbsp;&nbsp;&nbsp;&nbsp;but don't worry about him.<br>**[25:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's familiar with this course and all.<br>**[25:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's familiar with it?<br>**[25:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was on a riverboat unit<br>&nbsp;&nbsp;&nbsp;&nbsp;during the Vietnam War.<br>**[25:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This boat is going to go<br>&nbsp;&nbsp;&nbsp;&nbsp;up the Mekong River.<br>**[25:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll enter from the Mekong<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta and go up the river<br>**[25:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the border of Thailand, Burma, and Laos.<br>**[25:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, we're headed<br>&nbsp;&nbsp;&nbsp;&nbsp;straight toward the Golden Triangle.<br>**[26:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and the area beyond this<br>&nbsp;&nbsp;&nbsp;&nbsp;door is my personal space.<br>**[26:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better not come in.<br>**[26:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for flying with<br>&nbsp;&nbsp;&nbsp;&nbsp;Bangkok Airlines today.<br>**[26:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This flight will be leaving from<br>&nbsp;&nbsp;&nbsp;&nbsp;Don Muang International Airport...<br>**[26:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and landing at Mandalay Airport at 2:30pm...<br>**[26:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you stink horribly.<br>**[26:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you have time for a shower?<br>**[26:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The destination has clear skies<br>**[26:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a temperature of 29°C...<br>**[26:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, I understand how impatient foxes can be.<br>**[26:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, I see you found<br>**[26:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait a while longer for take off...<br>**[26:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the airplane ticket I left in your hideout.<br>**[26:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's wonderful! I set it up so that<br>&nbsp;&nbsp;&nbsp;&nbsp;they would let you through the gate<br>**[26:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;despite your somewhat<br>&nbsp;&nbsp;&nbsp;&nbsp;suspicious appearance.<br>**[26:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Within 36 hours, they--<br>**[26:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who...<br>**[26:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you?<br>**[26:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you an American lackey?<br>**[26:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case--!<br>**[26:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being too freaking loud, moron!<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up and listen to me!<br>**[26:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to tell you<br>&nbsp;&nbsp;&nbsp;&nbsp;where the foxes are going.<br>**[27:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even prepared transportation<br>&nbsp;&nbsp;&nbsp;&nbsp;to get you there!<br>**[27:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate your assistance.<br>**[27:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's commendable.<br>**[27:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the end of my hunt, I will<br>&nbsp;&nbsp;&nbsp;&nbsp;give you a painless death.<br>**[27:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the designated area.<br>**[27:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dropping anchor and we'll<br>&nbsp;&nbsp;&nbsp;&nbsp;wait for the fueling ship here.<br>**[27:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll enter the Mekong tomorrow.<br>**[27:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shrimp!<br>**[27:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't turn on a light. Shut it off.<br>**[27:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you doing?<br>**[27:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Studying English.<br>**[27:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured I should have a better<br>&nbsp;&nbsp;&nbsp;&nbsp;grasp on what you're saying.<br>**[27:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a hard worker!<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the kiddo up to?<br>**[28:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's down at the stern by himself.<br>**[28:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master keeps whispering<br>&nbsp;&nbsp;&nbsp;&nbsp;that Roberta is still alive.<br>**[28:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I think so as well.<br>**[28:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as a result, Rock intends<br>&nbsp;&nbsp;&nbsp;&nbsp;to pull another stunt...<br>**[28:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another one.<br>**[28:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But look at the shape I'm in.<br>**[28:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do a thing. If anything happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll need to rely on your gunmanship.<br>**[28:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were the ones who originally<br>&nbsp;&nbsp;&nbsp;&nbsp;presented this proposal,<br>**[28:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm starting to think that<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese guy is too dangerous.<br>**[28:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master ran into the<br>&nbsp;&nbsp;&nbsp;&nbsp;US Army just as he contrived.<br>**[28:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master has taken<br>&nbsp;&nbsp;&nbsp;&nbsp;some serious damage.<br>**[28:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I'm always saying,<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock is best suited for peacefully<br>&nbsp;&nbsp;&nbsp;&nbsp;basking in the sun on a bench.<br>**[28:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, he's not used to taking gambles.<br>**[28:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes, people take on<br>&nbsp;&nbsp;&nbsp;&nbsp;more than they can chew.<br>**[29:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what happened this time.<br>**[29:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toughen him up if you<br>&nbsp;&nbsp;&nbsp;&nbsp;think he wasn't up to it.<br>**[29:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why haven't you already?<br>**[29:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want from him?<br>**[29:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so that's it.<br>**[29:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[29:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're afraid that you won't<br>&nbsp;&nbsp;&nbsp;&nbsp;find what you so admire<br>**[29:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you delve too deeply with him.<br>**[29:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Admire?! You don't know a thing!<br>**[29:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one in the dark.<br>**[29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way I see that man, he isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;the type of guy you take him for.<br>**[29:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want to touch his true nature<br>**[29:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you would no longer be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to view him as being radiant.<br>**[29:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he really is a laidback and<br>&nbsp;&nbsp;&nbsp;&nbsp;peaceful person like you think<br>**[29:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you hold those traits dear,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should escape<br>**[29:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the South American countryside<br>&nbsp;&nbsp;&nbsp;&nbsp;and sell cheap food for a living.<br>**[29:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you won't do that.<br>**[29:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is stupid!<br>**[29:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think that I am the same as you.<br>**[30:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you tried to view him as<br>&nbsp;&nbsp;&nbsp;&nbsp;the exact opposite as yourself.<br>**[30:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because you want<br>&nbsp;&nbsp;&nbsp;&nbsp;those beliefs to save you.<br>**[30:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm not one to talk, since I've had<br>&nbsp;&nbsp;&nbsp;&nbsp;to rely on using and deceiving him.<br>**[30:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done that all so I can<br>&nbsp;&nbsp;&nbsp;&nbsp;retrieve our head maid<br>**[30:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and fill his--the Young Master's--<br>&nbsp;&nbsp;&nbsp;&nbsp;heart with peace once more.<br>**[30:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are we different?<br>**[30:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[30:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said that we're different.<br>**[30:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me how we are different.<br>**[30:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those feral dog-like eyes.<br>**[30:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen a bunch of people<br>&nbsp;&nbsp;&nbsp;&nbsp;like you in my hometown.<br>**[30:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your family was terribly messed up.<br>**[30:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right?<br>**[30:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So?<br>**[30:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But my family was different.<br>**[30:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father worked thriftily at a parking lot.<br>**[30:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mother was never tolerant<br>&nbsp;&nbsp;&nbsp;&nbsp;of anything sinful.<br>**[30:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I stole a CD player<br>&nbsp;&nbsp;&nbsp;&nbsp;my younger brother wanted,<br>**[31:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my mother hit me mercilessly.<br>**[31:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? She was violent.<br>**[31:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there was something akin to love!<br>**[31:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now. You grew up in the worst<br>&nbsp;&nbsp;&nbsp;&nbsp;impoverished dump in the world.<br>**[31:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you've convinced yourself<br>**[31:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're the same type of<br>&nbsp;&nbsp;&nbsp;&nbsp;person as your young master.<br>**[31:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the world look like<br>&nbsp;&nbsp;&nbsp;&nbsp;a flower garden to you?<br>**[31:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this is stupid! You really are a moron.<br>**[31:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it! Why are you calling me stupid?!<br>**[31:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with calling a moron stupid?!<br>**[31:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You believe...<br>**[31:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You believe that man is a flower garden.<br>**[31:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia, we need to talk.<br>**[31:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about our next move.<br>**[31:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the cast are present.<br>**[31:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to do something again?<br>**[31:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's on the house.<br>**[32:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We even have an unexpectedly small prop.<br>**[32:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't miss my mark this time either.<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the golden key, Garcia.<br>**[32:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[33:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next episode<br>**[33:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great! Great, great!<br>**[33:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great! We're going to hit the jackpot!<br>**[33:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's lost, Benny!<br>**[33:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang is going to lose!<br>**[33:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 5 - Codename Paradise, Status MIA

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The expression on your face<br>&nbsp;&nbsp;&nbsp;&nbsp;has changed, Mr. Rock.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I look the way I do because I have<br>&nbsp;&nbsp;&nbsp;&nbsp;one more thing to ask of you.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want more of me?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I can't discuss it<br>&nbsp;&nbsp;&nbsp;&nbsp;without making this face.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is very little different between us<br>&nbsp;&nbsp;&nbsp;&nbsp;since we were born into similar situations.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was just a matter of who we met in life.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why even you may have...<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were no other possibilities.<br>&nbsp;&nbsp;&nbsp;&nbsp;What happens is simply what happens.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, your footwork<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot defeat my guns.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is providence.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, the one with the final word is the<br>&nbsp;&nbsp;&nbsp;&nbsp;one with the power to shut the other up.<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that simple.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to use this and...?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly! Do it and this game<br>&nbsp;&nbsp;&nbsp;&nbsp;will come to an end.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever look in a mirror when you<br>&nbsp;&nbsp;&nbsp;&nbsp;laugh scornfully at others?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the laugh of a skeleton<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Festival of the Dead.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right! I'm amazed<br>&nbsp;&nbsp;&nbsp;&nbsp;you caught on, missy.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come strapped with a gun<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way from the Land of the Dead.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for me, your head maid,<br>&nbsp;&nbsp;&nbsp;&nbsp;those soldiers, and everyone!<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, missy, leave marigolds<br>&nbsp;&nbsp;&nbsp;&nbsp;and tequilas at my grave.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do, I'll dedicate some<br>&nbsp;&nbsp;&nbsp;&nbsp;chocolates to your soul,<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since you intend to die here in the<br>&nbsp;&nbsp;&nbsp;&nbsp;outskirts of Asia, pitiable missy.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here we go! Take my<br>&nbsp;&nbsp;&nbsp;&nbsp;cock and start sucking it!<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I spoke with that Japanese man.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I talked with that lady gunman.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sick of letting them whirl us around.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Young Master?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This feels great!<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you say that, Young Master?<br>&nbsp;&nbsp;&nbsp;&nbsp;Now come over here.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too, Fabiola!<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that!<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, wai--!<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe these kids.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't, Young Master!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, putting Rock aside, what is Revy up to?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought she was chatting<br>&nbsp;&nbsp;&nbsp;&nbsp;with that mini maid,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then she went to the cabin<br>&nbsp;&nbsp;&nbsp;&nbsp;near the bow and won't come out.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, Fabiola.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You thought my mind was<br>&nbsp;&nbsp;&nbsp;&nbsp;going to pot, didn't you?<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I would never!<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't falter any longer.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm sick of letting others<br>&nbsp;&nbsp;&nbsp;&nbsp;twist me around their fingers.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, you ran into<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta as well, didn't you?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The head maid is... Well,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was in a terrible state.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she successfully avenged your father,<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt she would still remember<br>&nbsp;&nbsp;&nbsp;&nbsp;who she killed them for and why.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may be a mess right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but what Roberta is truly seeking<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a way to atone for her past sins.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The head maid is serious and clumsy.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She believes that applying a vague sense<br>&nbsp;&nbsp;&nbsp;&nbsp;of right and wrong to murder is insincere.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, listen carefully. This is important.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear I am going to save her.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how that Japanese guy tempts me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will do it of my own accord<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if it will serve my purposes.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind if you go back<br>&nbsp;&nbsp;&nbsp;&nbsp;to Venezuela ahead of me.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I'm on my own, I will save<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta and take her back home!<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will become her cane and<br>&nbsp;&nbsp;&nbsp;&nbsp;we shall walk together forever.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, this is unrelated<br>&nbsp;&nbsp;&nbsp;&nbsp;to our master-servant relationship.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep that in mind as you listen.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The head maid will probably stay like that.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, by now she may have<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten far, far worse.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't make believe!<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she does go back with us,<br>&nbsp;&nbsp;&nbsp;&nbsp;she will continue to suffer.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, Fabiola.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So, you're going to do it.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I thought you<br>&nbsp;&nbsp;&nbsp;&nbsp;were ready to give up.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially since you saw<br>&nbsp;&nbsp;&nbsp;&nbsp;how horrible she's doing.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how kindhearted and<br>&nbsp;&nbsp;&nbsp;&nbsp;levelheaded you are, you're still a rich kid.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought this would be it.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even after all that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're sticking with this.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I can't let her die in a<br>&nbsp;&nbsp;&nbsp;&nbsp;ditch amongst those monsters.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand. Let's save her!<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of us can do it!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure of it!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. May God protect us.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh huh, may God protect us.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Family love? That's a load of crap!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You damn bitch!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I grew up in a place where no one would protect me.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit! Dammit!<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit!<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bitch!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die! Die!<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to hell!<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit! You bastard! Dammit!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Becky, you bitch! Go get some booze--<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn bastard!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! She made me<br>&nbsp;&nbsp;&nbsp;&nbsp;remember some nasty crap.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've entered the Mekong Delta<br>&nbsp;&nbsp;&nbsp;&nbsp;right on schedule.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the sun comes up, you can see how<br>&nbsp;&nbsp;&nbsp;&nbsp;the water has turned from blue to brown.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a familiar old US<br>&nbsp;&nbsp;&nbsp;&nbsp;brown-water navy haunt,<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I wanted to pass through<br>&nbsp;&nbsp;&nbsp;&nbsp;here in the cover of night.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny!<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From here on, we'll need to rely<br>&nbsp;&nbsp;&nbsp;&nbsp;on our GPS and echo sounder.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, we currently have a mining<br>&nbsp;&nbsp;&nbsp;&nbsp;company's latest survey data.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sucks how the river is<br>&nbsp;&nbsp;&nbsp;&nbsp;too shallow for us to zoom.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maid is coming right up<br>&nbsp;&nbsp;&nbsp;&nbsp;at us. Tell yourself that.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, this is freaking me out!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Japanese man said that<br>&nbsp;&nbsp;&nbsp;&nbsp;you were waiting in here.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, this is something that you gave to me.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot forget what I have done.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot forgive me.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what your eyes say, isn't it?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to shoot me?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, if that is how you feel,<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I want you to listen to me for the<br>&nbsp;&nbsp;&nbsp;&nbsp;sake of the justice you so believe in.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I've heard what you had to say.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I alone am responsible for what<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to you, your father, and your maid.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will have my subordinates fight<br>&nbsp;&nbsp;&nbsp;&nbsp;like normal to protect themselves.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that acceptable?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, there!<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you put in the<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master's head?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will tell you half of the story.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attention!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gentlemen, we will reach the<br>&nbsp;&nbsp;&nbsp;&nbsp;site of our operation tonight.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But tell yourselves that the tracker that<br>&nbsp;&nbsp;&nbsp;&nbsp;we ran into in Roanapur will be there.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be certain of it! Eliminate all<br>&nbsp;&nbsp;&nbsp;&nbsp;obstacles as necessary!<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane, isn't that woman related to this boy?<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I will take full responsibility for this.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gentlemen, put all of your strength<br>&nbsp;&nbsp;&nbsp;&nbsp;into this mission and fight for justice.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way he could do that!<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let me ask you this--<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is your situation such that you<br>&nbsp;&nbsp;&nbsp;&nbsp;can succeed without taking risks?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You planned on this from the start.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I blacked out<br>&nbsp;&nbsp;&nbsp;&nbsp;everything except for the army.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the main principle behind this gamble.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When nothing remains at the<br>&nbsp;&nbsp;&nbsp;&nbsp;very end but a test of luck,<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the betting game reaches its peak.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're...<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a lot of crap!<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All passengers, we're here.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in the dead center<br>&nbsp;&nbsp;&nbsp;&nbsp;of three countries' borders.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a context area where the three countries<br>&nbsp;&nbsp;&nbsp;&nbsp;can't do a thing since they're in a standoff.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Golden Triangle.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have my thanks.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That isn't necessary.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bill has already been<br>&nbsp;&nbsp;&nbsp;&nbsp;covered. Now beat it!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I wasn't civil with you.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good hunting! And I hope we<br>&nbsp;&nbsp;&nbsp;&nbsp;don't get involved in your mess.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Garcia leave with the major?<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, he did.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great!<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great, great! Great!<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to hit the jackpot!<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's lost, Benny.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang is going to lose.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo to Alpha. We have reached<br>&nbsp;&nbsp;&nbsp;&nbsp;the enemy line. All is well.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will not alter our coordinates.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alpha rogers that. Stay on standby.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Delta. We're 200 yards<br>&nbsp;&nbsp;&nbsp;&nbsp;from the enemy line.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alpha rogers that. All teams,<br>&nbsp;&nbsp;&nbsp;&nbsp;surround the area by 0230.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta rogers that.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo rogers that.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we should hurry to<br>&nbsp;&nbsp;&nbsp;&nbsp;the designated area, as well.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major! Major!<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Delta! We have found some<br>&nbsp;&nbsp;&nbsp;&nbsp;abnormalities in front of the village.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the abnormality? Tell me!<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rods. There are countless 30 inch long<br>&nbsp;&nbsp;&nbsp;&nbsp;rod-like objects going down our path.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charlie, Echo, have you sighted<br>&nbsp;&nbsp;&nbsp;&nbsp;any abnormalities in your vicinity?<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are 30 inch long--<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Echo. We verify<br>&nbsp;&nbsp;&nbsp;&nbsp;that they are here, as well.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are just rod-like<br>&nbsp;&nbsp;&nbsp;&nbsp;objects without any rattles.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are dozens of them<br>&nbsp;&nbsp;&nbsp;&nbsp;spaced roughly three feet apart.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They do not appear to<br>&nbsp;&nbsp;&nbsp;&nbsp;be wired to explosives.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Charlie. There are rods around<br>&nbsp;&nbsp;&nbsp;&nbsp;the village's entrance here, too!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What gives? These are just like barriers.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those rods?<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think they're religious items<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Shan or Wazu tribes?<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never heard of something like this.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master...<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh huh. She is already here.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo to Alpha. Major, please respond!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Alpha.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have reached our lookout post.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But something doesn't look right.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a sign of movement.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has it been abandoned?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Major.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alpha to Charlie. How are things to the east?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Charlie. There is no sign of activity.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see the plant, but<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no sign of anyone.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, there's a corpse!<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo to Alpha! We have<br>&nbsp;&nbsp;&nbsp;&nbsp;identified corpses, as well!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are several corpses near the gate.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see a single light out toward the east.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ray, we're the furthest away. Let's hurry!<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Package Romeo!<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have sighted Package Romeo!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, listen. The opium plants<br>&nbsp;&nbsp;&nbsp;&nbsp;have already been subdued.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only ones here are<br>&nbsp;&nbsp;&nbsp;&nbsp;us and Package Romeo.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Package Romeo has started<br>&nbsp;&nbsp;&nbsp;&nbsp;running in the 10:00 direction!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target is racing toward the jungle.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta to Alpha! She has<br>&nbsp;&nbsp;&nbsp;&nbsp;stopped right in front of us.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She appears to have taken a hostage.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target has disappeared into the forest!<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on, Decherd?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target has taken a prisoner.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She just cut off his ear!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The prisoner is still alive, he screamed.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is the prisoner?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Shi Yan. He's the bait to draw us in.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Delta the team closest to her?<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then follow her,<br>&nbsp;&nbsp;&nbsp;&nbsp;but do not get too close.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep a lock on the target's location.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta rogers that!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All teams, take support positions for Delta.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta to Alpha. We cannot see the target!<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alpha to Echo. Can you see her?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Echo. Give me a minute.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've found her!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Can you hear me,<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta? Please respond!<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear by the name Santa Maria,<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall crush all that is immoral!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She got Murdoch and Garraty!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Sniper Unit 2! We lost<br>&nbsp;&nbsp;&nbsp;&nbsp;the target! One shot hit target.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn her!<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's targeting our heads since they lack body armor!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do all teams copy?<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aside from your team captains,<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone remove their night goggles.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put on your face masks!<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare for close-range combat!<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get your face masks on fast!<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are on our way to help Delta. Come on!<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo to Alpha.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo, report.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We found the package in the jungle.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful! There should<br>&nbsp;&nbsp;&nbsp;&nbsp;be some booby traps.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had more than my share of<br>&nbsp;&nbsp;&nbsp;&nbsp;the vile battlefield in Vietnam.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am also accustomed to<br>&nbsp;&nbsp;&nbsp;&nbsp;fighting in the jungle.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this were Guadalcanal,<br>&nbsp;&nbsp;&nbsp;&nbsp;there would be mortars.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this were Vietnam, we'd burn<br>&nbsp;&nbsp;&nbsp;&nbsp;down the forest with napalm,<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;along with the person you so care for.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo to Alpha. There is a detonator.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like it uses a number code.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Package Romeo wants to capture you<br>&nbsp;&nbsp;&nbsp;&nbsp;while you're trying to decode the thing.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... Wait, Gardner!<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole setup is the trap!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get away from there immediately!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team Echo, pull ba--<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Gardner,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is something over--!<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Echo's captain. She killed Wright!<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy shell pierced<br>&nbsp;&nbsp;&nbsp;&nbsp;through his bulletproof vest.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Package Romeo is using flechette rounds!<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's firing those rods with a musket!<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has come to hunt us<br>&nbsp;&nbsp;&nbsp;&nbsp;with an antique weapon.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We saw the muzzle flash!<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we've caught sight of her! Let's go!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The countless rods she planted<br>&nbsp;&nbsp;&nbsp;&nbsp;were her silent declaration<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she will not let a single<br>&nbsp;&nbsp;&nbsp;&nbsp;one of us leave here alive.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All teams, slowly pull back out of the forest.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let your guard down.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sanchez, get into position.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sniper Team is in position to<br>&nbsp;&nbsp;&nbsp;&nbsp;assist in everyone's retreat.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't move with all these traps!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, prepare for an enemy attack there.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The teams in the forest<br>&nbsp;&nbsp;&nbsp;&nbsp;are like rats in a trap.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What direction will she strike from?<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sniper Team, be careful!<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still headed your way.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made a direct hit. I aimed for<br>&nbsp;&nbsp;&nbsp;&nbsp;her leg to avoid a fatal blow,<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she kept running!<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it!<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your tactics are only going to<br>&nbsp;&nbsp;&nbsp;&nbsp;turn her into an injured tiger.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, once Team Alpha is<br>&nbsp;&nbsp;&nbsp;&nbsp;within range for us to help them,<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're getting out of this place!<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang strong until then!<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use! Dammit! Dammit! Dammit!<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sanchez, where is she? Answer me!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Return to base immediately!<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your baby foxes...<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are dropping like flies.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They will until I skin all of their coats!<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hunt is still on.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major...<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit! Goddamn it!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta...<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me? I finally<br>&nbsp;&nbsp;&nbsp;&nbsp;caught up with you, Roberta.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to tell you my<br>&nbsp;&nbsp;&nbsp;&nbsp;location, so listen carefully.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And please come to me.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be waiting for you.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, I get it!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know good and well what I am.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy. It's almost time.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soon, it will all come to a close.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw that.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I've been thinking about a whole<br>&nbsp;&nbsp;&nbsp;&nbsp;bunch of crap I didn't want to remember.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's your fault!<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, everything is dancing<br>&nbsp;&nbsp;&nbsp;&nbsp;in the palm of my hand, Revy.<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I control the fate of everyone in that town.<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with that attitude?<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, it's just like that twit said.<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, you've spent too<br>&nbsp;&nbsp;&nbsp;&nbsp;much time in that city.<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been overly tainted by<br>&nbsp;&nbsp;&nbsp;&nbsp;that rotten town, Roanapur.<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once this job is done, leave.<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, Revy?<br>&nbsp;&nbsp;&nbsp;&nbsp;The end is in sight.<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost over.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand you!<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master?<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Fabiola. Honestly, I'm scared.<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared of what's going to happen.<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what that<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese man told you,<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you can pull it off,<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! You can!<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God isn't the one who will save her.<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's people like you.<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do it.<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be morning soon.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once it's morning, the opium<br>&nbsp;&nbsp;&nbsp;&nbsp;army will go on its patrol.<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation will become clear then.<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But by then, this game will be over.<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What game, Rock? Do you even know<br>&nbsp;&nbsp;&nbsp;&nbsp;what your own weaknesses are?<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The game will end within seconds.<br>&nbsp;&nbsp;&nbsp;&nbsp;That will decide everything.<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, do you realize what--<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, I know.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see what is<br>&nbsp;&nbsp;&nbsp;&nbsp;going to happen along this path.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[24:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is he doing here?!<br>**[24:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, I can no longer tell<br>&nbsp;&nbsp;&nbsp;&nbsp;if you are truly here or not.<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time has become so obscure.<br>**[24:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dead keep talking to me!<br>**[24:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even tell if I'm dead or alive.<br>**[24:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's okay! I'll come<br>&nbsp;&nbsp;&nbsp;&nbsp;back once I exact vengeance!<br>**[24:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will return to that manor<br>&nbsp;&nbsp;&nbsp;&nbsp;blooming in Canaima!<br>**[24:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, vengeance was never<br>&nbsp;&nbsp;&nbsp;&nbsp;something that mattered to me.<br>**[24:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang allowed me to leave with<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia, despite my constant defiance.<br>**[24:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[24:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Balalaika went along<br>&nbsp;&nbsp;&nbsp;&nbsp;with Chang's wishes<br>**[25:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and let Roberta easily escape,<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than killing her.<br>**[25:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[25:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, Chang's goal wasn't to merely hide<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur from the eyes of the world,<br>**[25:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but also to use Roberta to<br>&nbsp;&nbsp;&nbsp;&nbsp;break the US Army's will.<br>**[25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a drug production site and<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur is the port that exports it.<br>**[25:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang had Roberta attack the American army<br>**[25:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in an attempt to prevent America from<br>&nbsp;&nbsp;&nbsp;&nbsp;exacting justice on the Golden Triangle.<br>**[25:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he couldn't get away with that.<br>**[25:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, what's the point? What are you after?<br>**[25:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does too matter! They killed your father!<br>**[25:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They made you sad!<br>**[25:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They tried to steal everything from me!<br>**[25:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, that's why I must--<br>**[25:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, you're wrong.<br>**[25:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter who you judge and punish,<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot atone for your sins.<br>**[25:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you won't be the<br>&nbsp;&nbsp;&nbsp;&nbsp;one to put an end to this.<br>**[26:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! You can't! You can't do that!<br>**[26:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now it is all over.<br>**[26:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! The Young Master would never say that!<br>**[26:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That isn't payback!<br>**[26:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now no one will be saved!<br>**[26:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't the Young Master!<br>**[26:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your vengeance against Roanapur?<br>**[26:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even when I offered them my hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was unable to save a single soul<br>**[26:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that had been broken because of that town.<br>**[26:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still going on about that Tokyo--<br>**[26:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this time, I will bring an end to<br>&nbsp;&nbsp;&nbsp;&nbsp;the sadness induced by that place.<br>**[26:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking this whole time, Roberta.<br>**[26:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I found you, what should I say?<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I tell you?<br>**[26:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But words cannot express how I feel.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I realized.<br>**[26:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[26:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am going to bet everything on this.<br>**[26:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Roberta. If you trust me,<br>**[27:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the bullet I am about<br>&nbsp;&nbsp;&nbsp;&nbsp;to fire will not hurt you.<br>**[27:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will definitely not die.<br>**[27:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us put this long-going dance of death,<br>**[27:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this chain of miserable stories of revenge,<br>&nbsp;&nbsp;&nbsp;&nbsp;to an end with this one gamble.<br>**[27:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I go, Roberta.<br>**[27:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what will happen to us? And yourself?<br>**[27:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't go back to your<br>&nbsp;&nbsp;&nbsp;&nbsp;peaceful hometown anymore.<br>**[27:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to ask you something.<br>**[27:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you leave the<br>&nbsp;&nbsp;&nbsp;&nbsp;twilight to come join us?<br>**[27:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why have you slipped into<br>&nbsp;&nbsp;&nbsp;&nbsp;the darkness of night?<br>**[27:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was the only way to finish the game.<br>**[27:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's all cool. I came to a realization.<br>**[27:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, this is how you've<br>&nbsp;&nbsp;&nbsp;&nbsp;felt all this time, isn't it?<br>**[28:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't act like you know me!<br>**[28:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>&nbsp;&nbsp;&nbsp;&nbsp;My hand wouldn't listen to me!<br>**[28:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean to shoot you, Young Master!<br>**[28:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, look! You're still alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;even though I definitely shot you.<br>**[28:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, it's all over now.<br>**[28:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, you're bleeding!<br>**[28:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm okay.<br>**[28:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, the bullet I shot--!<br>**[28:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lower your weapon, Ray.<br>**[28:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. You put on such a good act<br>&nbsp;&nbsp;&nbsp;&nbsp;that I nearly started shooting.<br>**[29:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It packed a worse punch than I'd expected.<br>**[29:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See here! Quit blabbering<br>&nbsp;&nbsp;&nbsp;&nbsp;and tend to the Young Master!<br>**[29:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! Why is he still alive?!<br>**[29:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[29:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has died by my hands once now.<br>&nbsp;&nbsp;&nbsp;&nbsp;Same for you... and me.<br>**[29:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no victors here.<br>**[29:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that is left are our sins.<br>**[29:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will bear your burden together with you.<br>**[29:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will support you as we live<br>&nbsp;&nbsp;&nbsp;&nbsp;out our lives together.<br>**[29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master...<br>**[29:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. What happened this time?<br>**[29:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, Rock. They're back.<br>**[29:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did the Americans apprehend their target?<br>**[29:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it. There are three stretchers.<br>**[29:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great!<br>**[29:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ended with the best-case scenario.<br>**[29:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew that you could pull it off, Garcia.<br>**[30:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, I finally<br>&nbsp;&nbsp;&nbsp;&nbsp;managed to save someone.<br>**[30:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock.<br>**[30:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really... Really we were just lucky. And...<br>**[30:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that goes for you, too.<br>**[30:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You took advantage of the Young Master's<br>&nbsp;&nbsp;&nbsp;&nbsp;benevolence and used him as a pawn.<br>**[30:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a bastard that made him play<br>&nbsp;&nbsp;&nbsp;&nbsp;a round of Cambodian roulette!<br>**[30:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, it's a blank.<br>**[30:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your magic trick took the<br>&nbsp;&nbsp;&nbsp;&nbsp;form of a fake brass bullet.<br>**[30:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will never see the likes of<br>&nbsp;&nbsp;&nbsp;&nbsp;you or that town ever again.<br>**[30:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dance the waltz with the<br>&nbsp;&nbsp;&nbsp;&nbsp;dead in that defiled town<br>**[30:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until God grows weary of watching!<br>**[30:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what you say,<br>&nbsp;&nbsp;&nbsp;&nbsp;we managed to win something.<br>**[30:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Cathy! Put in so much sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;and milk, you could make pancakes!<br>**[31:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, how are your sugar levels?<br>**[31:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, we only get to live once.<br>**[31:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the director held a private luncheon<br>&nbsp;&nbsp;&nbsp;&nbsp;with NSA's assistant to the President.<br>**[31:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will make things perfectly clear<br>&nbsp;&nbsp;&nbsp;&nbsp;at our next security meeting.<br>**[31:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, we will get jurisdiction<br>&nbsp;&nbsp;&nbsp;&nbsp;and custody of Shi Yan.<br>**[31:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right in front of the President.<br>**[31:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't he most upset?<br>**[31:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He gave a parade of four letter<br>&nbsp;&nbsp;&nbsp;&nbsp;words in a French restaurant.<br>**[31:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome!<br>**[31:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it?<br>**[31:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who did he take you for?<br>**[31:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously!<br>**[31:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look horrible.<br>**[31:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's courtesy of Chang.<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, it's our bonus.<br>**[31:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all this time?<br>**[31:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Several months have passed,<br>&nbsp;&nbsp;&nbsp;&nbsp;but nothing in Roanapur has changed.<br>**[31:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Money and guns determine<br>&nbsp;&nbsp;&nbsp;&nbsp;something's worth.<br>**[31:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not going to change anytime soon.<br>**[31:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somewhere in this world,<br>&nbsp;&nbsp;&nbsp;&nbsp;someone undermined me.<br>**[32:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't save anyone.<br>**[33:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it painful to look upon that city<br>&nbsp;&nbsp;&nbsp;&nbsp;with the eyes of the living?<br>**[33:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's the path you chose.<br>**[33:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, you'll have no choice<br>&nbsp;&nbsp;&nbsp;&nbsp;but to become a true corpse.<br>**[33:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bang!<br>**[33:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you made it there once.<br>**[33:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I did. But this wasn't the time, Revy.<br>&nbsp;&nbsp;&nbsp;&nbsp;It will come eventually, someday.<br>**[33:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>