# Season 2

# 1 - Collateral Massacre

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think we only<br>&nbsp;&nbsp;&nbsp;&nbsp;spared that brat, Lieutenant?<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut the crap!<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tryin' to act like the great<br>&nbsp;&nbsp;&nbsp;&nbsp;"Man of the West" Paladin, huh?<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just wanna bang that<br>&nbsp;&nbsp;&nbsp;&nbsp;brat yourself, dontcha?<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's cool. If you wait<br>&nbsp;&nbsp;&nbsp;&nbsp;your turn, I'll consider--<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you're a vile scumbag,<br>&nbsp;&nbsp;&nbsp;&nbsp;worse than any beast.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you so much<br>&nbsp;&nbsp;&nbsp;&nbsp;as lay a finger on her!<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on, Larkin!<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you man enough?<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Quebec?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Sierra Niner.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morales has just arrived.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morales is moving toward the hall.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Quebec? This is Lima Four.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation is proceeding to Phase 3.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Santa Anna has taken his seat.<br>&nbsp;&nbsp;&nbsp;&nbsp;Same for Morales and Sesma.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger. Hotel Quebec orders all<br>&nbsp;&nbsp;&nbsp;&nbsp;surveillance teams to leave the area<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and relocate to the meeting spot.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Hotel Quebec.<br>&nbsp;&nbsp;&nbsp;&nbsp;Get this over with, Gulf One.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Davy Crockett is going to see Lone Star.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I repeat, Davy Crockett is<br>&nbsp;&nbsp;&nbsp;&nbsp;going to see Lone Star.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Code confirmed.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explosion confirmed.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then initiate retreat. Do so perfectly.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a beloved father and friend.<br>&nbsp;&nbsp;&nbsp;&nbsp;He loved and protected so many.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad didn't do anything wrong.<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Master, laid to rest facing the sky.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no shame in<br>&nbsp;&nbsp;&nbsp;&nbsp;the way he led his life.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, God... Why?!<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was not the Lord.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones who kill people<br>&nbsp;&nbsp;&nbsp;&nbsp;have always been... humans.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did that make them feel?<br>&nbsp;&nbsp;&nbsp;&nbsp;What was their reasoning?<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know the answer to that.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it all too well!<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is precisely why I cannot tell you.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on out, Rosarita. They're gone.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for the trouble. I shall<br>&nbsp;&nbsp;&nbsp;&nbsp;leave as soon as the sun sets.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be in such a rush.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would hurt my family's name if I<br>&nbsp;&nbsp;&nbsp;&nbsp;let my best friend's daughter leave<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without giving a proper<br>&nbsp;&nbsp;&nbsp;&nbsp;welcome after traveling so far.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could contemplate your<br>&nbsp;&nbsp;&nbsp;&nbsp;future together. Sound good?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stumbling through the<br>&nbsp;&nbsp;&nbsp;&nbsp;mountains as you flee can wait.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Señor Diego?<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for the unsightly display.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather is so lovely that I<br>&nbsp;&nbsp;&nbsp;&nbsp;thought I would tend to the garden.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? You should leave that to the gardener.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This old manor does not have any employees.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Señor, where should I begin?<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's okay. As my guest,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should take it easy.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be improper to merely loaf about.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It pains my heart to only borrow<br>&nbsp;&nbsp;&nbsp;&nbsp;the appearance of a maid.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least treat me as if I<br>&nbsp;&nbsp;&nbsp;&nbsp;were truly the hired help.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here they are, Roberta.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they? I only<br>&nbsp;&nbsp;&nbsp;&nbsp;know that they are guns.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These weapons have been with<br>&nbsp;&nbsp;&nbsp;&nbsp;our family since the first Lovelace<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;stepped ashore on the<br>&nbsp;&nbsp;&nbsp;&nbsp;New World with Pizarro.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There have been good times and bad times,<br>&nbsp;&nbsp;&nbsp;&nbsp;but seeing the weapons slumber<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;makes the chaotic days when we fostered<br>&nbsp;&nbsp;&nbsp;&nbsp;our family motto seem so long ago.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A blessing for the living."<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Flowers for the dead."<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wield a sword for justice."<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The punishment of death for the villains."<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we...<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, I was unable to<br>&nbsp;&nbsp;&nbsp;&nbsp;tell you, for it is much too cruel.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive me!<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did they feel when they killed him?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They felt nothing.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no need for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to even harden their hearts.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because...<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...they were not emotionally<br>&nbsp;&nbsp;&nbsp;&nbsp;involved to begin with.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His death did not matter to them.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His death was simply a<br>&nbsp;&nbsp;&nbsp;&nbsp;matter of convenience.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a path I have traversed myself.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand if I burn in the final days.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But neither the Master, let alone the<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, should pay for my sins!<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, I had believed that<br>&nbsp;&nbsp;&nbsp;&nbsp;night in the demonic city of Roanapur<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would be the last time<br>&nbsp;&nbsp;&nbsp;&nbsp;I ever held a gun's grip.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't whitewash this and call it revenge.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is about befouled<br>&nbsp;&nbsp;&nbsp;&nbsp;dogs eating each other!<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear by Santa Maria,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall crush all that is immoral!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;NSA's attitude in this affair was despicable.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their encroachment upon our<br>&nbsp;&nbsp;&nbsp;&nbsp;land stood out far too much.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The final location that unit will acquire<br>&nbsp;&nbsp;&nbsp;&nbsp;is in Manila, if you can believe that!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how much they hate the<br>&nbsp;&nbsp;&nbsp;&nbsp;garden we lovingly raised, eh?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cathy, another cup! Put in enough<br>&nbsp;&nbsp;&nbsp;&nbsp;sugar and milk to make pancakes.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm putting Dr. Kaufman on the line.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodness gracious.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, fellow intelligence officers.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must see what we can get<br>&nbsp;&nbsp;&nbsp;&nbsp;for what while avoiding war.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how this works.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No changes in the situation.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Laos' borders are still<br>&nbsp;&nbsp;&nbsp;&nbsp;in a state of emergency.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering our relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Thai Air Force,<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;flying in near the target is a negative.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, we have to stay on standby?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're trying to get<br>&nbsp;&nbsp;&nbsp;&nbsp;their hands in on CIA turf.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's politics, Major.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a break.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ray, the name of this town?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the name of this town?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's Roanapur, Major.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a disquieting city.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second we arrived, seven of<br>&nbsp;&nbsp;&nbsp;&nbsp;our men nearly lost their luggage.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prostitutes are out in broad daylight<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the ones pimping them out<br>&nbsp;&nbsp;&nbsp;&nbsp;are officers in uniform!<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks too much like that<br>&nbsp;&nbsp;&nbsp;&nbsp;one city back in the day.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had the same thought.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;1969, Saigon in South Vietnam.<br>&nbsp;&nbsp;&nbsp;&nbsp;It had a horrible stench of decay.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now there's a Japanese businessman.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He really stands out. I see.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's even civil enough to wear a<br>&nbsp;&nbsp;&nbsp;&nbsp;necktie, despite this wretched heat!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems rather<br>&nbsp;&nbsp;&nbsp;&nbsp;unconcerned about his safety.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What're you doing?!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know who I am?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lagoon...<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The owner of this wallet<br>&nbsp;&nbsp;&nbsp;&nbsp;is a member of our crew.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sets a bad example if<br>&nbsp;&nbsp;&nbsp;&nbsp;I let people take us lightly.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start teaching your apprentice<br>&nbsp;&nbsp;&nbsp;&nbsp;the pecking order around here.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now beat it.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is about our payment,<br>&nbsp;&nbsp;&nbsp;&nbsp;please give us more--<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do not believe in working on credit.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We only made an exception because a<br>&nbsp;&nbsp;&nbsp;&nbsp;Columbian Cartel introduced you to us.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful you don't soil their name.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this isn't the best place<br>&nbsp;&nbsp;&nbsp;&nbsp;to talk. It's a bit noisy, but...<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, a game just ended.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, come in.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No thanks. There is a trusty gun<br>&nbsp;&nbsp;&nbsp;&nbsp;behind me aimed right at you.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bear that in mind.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. At any rate, please<br>&nbsp;&nbsp;&nbsp;&nbsp;give me until tomorrow.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see you tomorrow.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock!<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have let the street<br>&nbsp;&nbsp;&nbsp;&nbsp;urchin take that pocket change.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I go through my whole income anyway.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After your generosity, the brat<br>&nbsp;&nbsp;&nbsp;&nbsp;would go after even fatter wallets.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before too long, he'd wind up<br>&nbsp;&nbsp;&nbsp;&nbsp;floating in the water over there.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dang, you're always trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to blindly help people.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For starters, there's that girl in the<br>&nbsp;&nbsp;&nbsp;&nbsp;picture you have stuffed in here.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You looked?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took a glimpse.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bullets don't hit the same hole twice.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you believe me if I said<br>&nbsp;&nbsp;&nbsp;&nbsp;I keep it as a good luck charm?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to keep at this, Rock?<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't just one or two people here.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The skeletons on the U-boat.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Romanian twins.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then that Yakuza's daughter.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything you sacrificed to help them<br>&nbsp;&nbsp;&nbsp;&nbsp;turned to nothing and vanished, Rock.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Nothing" is this city's keyword.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too many people meet their end<br>&nbsp;&nbsp;&nbsp;&nbsp;and wind up in a coffin in Roanapur?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's what makes it fun!<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lagoon Company.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you ask?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me. I'm just the messenger boy.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Chief just told me to ask you.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sucks.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trouble brewing?<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I was asked if we are<br>&nbsp;&nbsp;&nbsp;&nbsp;entertaining an unusual guest.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again? That's creepy! How many<br>&nbsp;&nbsp;&nbsp;&nbsp;calls have we gotten about that?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this unusual guest that has<br>&nbsp;&nbsp;&nbsp;&nbsp;stolen the hearts of everyone in town,<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from Isaac, the stolen goods dealer by the<br>&nbsp;&nbsp;&nbsp;&nbsp;port, to Watsap from the police station?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just heard something juicy.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came from Hotel Moscow's<br>&nbsp;&nbsp;&nbsp;&nbsp;seller, Kowalski.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he saw her.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saw who?<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maid, Dutch.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one packing loads of weapons<br>&nbsp;&nbsp;&nbsp;&nbsp;who came from the boonies in Venezuela<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to rescue her kidnapped young master.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the four-eyed expert terrorist.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a killer joke.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy. I want to avoid getting<br>&nbsp;&nbsp;&nbsp;&nbsp;blown up before I know what's what.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check out two or three places.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's meet up at Yellow Flag.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found out the name of that guest.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes me want to groan.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell no!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This bar has been half destroyed<br>&nbsp;&nbsp;&nbsp;&nbsp;15 times since I built it in '78<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and mostly destroyed six times.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The worst of those<br>&nbsp;&nbsp;&nbsp;&nbsp;incidents was the last time<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that maid-model killing machine showed up.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have my condolences. But it<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't worth losing your hair over.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked the women upstairs,<br>&nbsp;&nbsp;&nbsp;&nbsp;but they were clueless.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me know if anything happens.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hong Kong's Triad is searching<br>&nbsp;&nbsp;&nbsp;&nbsp;for the maid as well?<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like the whole city is starting to squirm.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, here's our next group!<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, they're Columbians.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Gustavo!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Lagoon's Duo.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Señor Abrego?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boss is at our office.<br>&nbsp;&nbsp;&nbsp;&nbsp;A bit of a problem's come up.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soldiers direct from HQ are coming,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we don't have a place for them.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pain in the ass.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Maria must love me today.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was needing to talk to you.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it about the maid, Gustavo?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just said you're getting<br>&nbsp;&nbsp;&nbsp;&nbsp;soldiers straight from HQ.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly would that be all about?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wipe that nasty look off your face.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's happily share our info!<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it. It's a waste of time.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't let this leak. Fair enough?<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, damn it! You're going first.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. So, where should we start?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of us actually saw that<br>&nbsp;&nbsp;&nbsp;&nbsp;maid the last time she came.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Appearance, personality,<br>&nbsp;&nbsp;&nbsp;&nbsp;special traits. Start there.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has black hair.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's Hispanic, but has white skin.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard she's dressed as a waitress.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's totally nuts.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has a SPAS-12 umbrella.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are small arms and grenades in<br>&nbsp;&nbsp;&nbsp;&nbsp;her trunk, enough for a full squadron.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, this sucks!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, remember? She's nuts.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-what type of sick joke is this?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Lagoon Company's<br>&nbsp;&nbsp;&nbsp;&nbsp;office seems to be closed.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master knew of this joint,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have come searching here.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master is waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Sankan Palace Hotel.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you do me the favor of going to him?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you related to the Lovelace family?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me! I am a maid<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Lovelace family,<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the great thirteen<br>&nbsp;&nbsp;&nbsp;&nbsp;families of South America.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Fabiola Iglesias.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't stand her! She talks just<br>&nbsp;&nbsp;&nbsp;&nbsp;like that dog in the glasses.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dare say, our head maid<br>&nbsp;&nbsp;&nbsp;&nbsp;is not a "dog in glasses."<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take that back.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bro, is this that maid?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, but dang, are we lucky!<br>&nbsp;&nbsp;&nbsp;&nbsp;The quiz's hint sprang out in front of us.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This brat's heavy.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This article came up<br>&nbsp;&nbsp;&nbsp;&nbsp;when I started my search.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last October, there was a terrorist<br>&nbsp;&nbsp;&nbsp;&nbsp;explosion in Barinas, Venezuela.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In South America, that's like<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about the weather.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It went off at the newly formed<br>&nbsp;&nbsp;&nbsp;&nbsp;MVR political party's inauguration.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were popular with the poor, but<br>&nbsp;&nbsp;&nbsp;&nbsp;the bourgeois weren't too fond of them.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is that the head of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Lovelace family was also up on that platform.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although unusual for his class,<br>&nbsp;&nbsp;&nbsp;&nbsp;he was a liberal thinker.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it doesn't add up. How does<br>&nbsp;&nbsp;&nbsp;&nbsp;any of that tie in with our city?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shrimp, you see, all of us here<br>&nbsp;&nbsp;&nbsp;&nbsp;are fans of your head maid.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not aware of her location, myself.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't we go look<br>&nbsp;&nbsp;&nbsp;&nbsp;for her together, amigo?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll drop by that Sankan Palace Hotel, too.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was careless. I suspected that<br>&nbsp;&nbsp;&nbsp;&nbsp;this town was filled with ruffians,<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to think our family's mortal<br>&nbsp;&nbsp;&nbsp;&nbsp;enemy stinks of dirty stables!<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can go whenever, bro!<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-damn brat!<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-she stabbed me in the balls!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, no guns allowed in--<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no ordinary maid!<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just like their head maid!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, I was afraid you would draw.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping to avoid this.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hidalgo!<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sí,* boss!<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frisk her! Approach her slowly.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows what she's equipped with!<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's roll.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She uses buckshot! Be careful!<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, dammit! You set this up, didn't you?<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't it liven things up?<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! Damn it! I need the phone!<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come back here!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap!<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. This is just a guess,<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I doubt we'll get any<br>&nbsp;&nbsp;&nbsp;&nbsp;drinks when we reach the joint.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. With our luck, the place is<br>&nbsp;&nbsp;&nbsp;&nbsp;going to be a whole lot breezier!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry!<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's pretty good.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, we just arrived!<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot at the bar like nuts!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moron, don't fire!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire!<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maid's here! It's *that* maid!<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marrero, shoot the bar!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that maid! Don't go easy on her.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This hurts!<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, Christ!<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like Roberta said!<br>&nbsp;&nbsp;&nbsp;&nbsp;This town is horrible!<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up, punks! Your buddies<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't care less about you!<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what will it be?<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recommend you carry<br>&nbsp;&nbsp;&nbsp;&nbsp;your injured and scram!<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Retreat! Retreat!<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, this place is horrible.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bitch!<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it.<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This match is already over.<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang, it would seem the<br>&nbsp;&nbsp;&nbsp;&nbsp;Columbians are on the move.<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is nothing to gain<br>&nbsp;&nbsp;&nbsp;&nbsp;from rushing over now.<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially if the rumors are<br>&nbsp;&nbsp;&nbsp;&nbsp;true about the maid's past.<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, her goal is to avenge her master?<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Boss.<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What bugs me like an<br>&nbsp;&nbsp;&nbsp;&nbsp;endless stream of piss...<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir?<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is how we can't find<br>&nbsp;&nbsp;&nbsp;&nbsp;that maid in question.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some stranger is hiding in our town.<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I don't like that.<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm speechless. Does everyone in<br>&nbsp;&nbsp;&nbsp;&nbsp;your manor carry weapons like that?<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's cool!<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the head maid and I.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including me, there are a total of five maids,<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the others don't even<br>&nbsp;&nbsp;&nbsp;&nbsp;know that I’m strapped with guns.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hired specifically to protect the<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master when the head maid is away.<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sankan Palace. It's the<br>&nbsp;&nbsp;&nbsp;&nbsp;fanciest hotel in town.<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm jealous that you get to stay here.<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to remind you,<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is the twelfth head<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Lovelace family,<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the great thirteen<br>&nbsp;&nbsp;&nbsp;&nbsp;families of South America.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Master Garcia<br>&nbsp;&nbsp;&nbsp;&nbsp;Fernando Lovelace's room...<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was expecting you sooner,<br>&nbsp;&nbsp;&nbsp;&nbsp;members of Lagoon.<br>**[24:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chill out, darling maid.<br>**[24:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, he is only here to talk.<br>&nbsp;&nbsp;&nbsp;&nbsp;We have his word.<br>**[24:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not let your guard down.<br>&nbsp;&nbsp;&nbsp;&nbsp;This city is filled with vile humans.<br>**[24:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to interrupt, but<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you want us to do?<br>**[24:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize. Please come in.<br>**[24:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today I...<br>**[24:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, ask for permission<br>&nbsp;&nbsp;&nbsp;&nbsp;if you want to smoke.<br>**[24:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, man! Like I'm gonna--<br>**[24:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy!<br>**[25:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, fine!<br>**[25:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiddo, may I enjoy a smoke?<br>**[25:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have an ashtray.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please save it for later.<br>**[25:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Upon my father's death, members of a<br>&nbsp;&nbsp;&nbsp;&nbsp;right-wing militia group were arrested.<br>**[25:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lame uprising left-wing<br>&nbsp;&nbsp;&nbsp;&nbsp;group set up a bomb?<br>**[25:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds reasonable enough.<br>**[25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So logical that it can't be legit.<br>**[25:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta felt the same.<br>**[25:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They lack the technology to pull off that<br>&nbsp;&nbsp;&nbsp;&nbsp;bombing and there was no call for it.<br>**[25:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the police are acting<br>&nbsp;&nbsp;&nbsp;&nbsp;as if the case was closed.<br>**[25:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when officers from the<br>&nbsp;&nbsp;&nbsp;&nbsp;airborne forces came to my manor.<br>**[25:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The MVR--Fifth Republic Movement.<br>**[25:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This campaign was launched by the officers<br>&nbsp;&nbsp;&nbsp;&nbsp;from that Venezuelan airborne unit.<br>**[25:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are a lot of sympathizers in the unit.<br>**[25:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They came to report the<br>&nbsp;&nbsp;&nbsp;&nbsp;progress of their investigation.<br>**[26:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They reviewed the staff<br>&nbsp;&nbsp;&nbsp;&nbsp;register for that ceremony.<br>**[26:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some men we have not<br>&nbsp;&nbsp;&nbsp;&nbsp;heard from since the explosion.<br>**[26:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We reviewed their records<br>&nbsp;&nbsp;&nbsp;&nbsp;for anything suspicious.<br>**[26:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And hit a bull's eye?<br>**[26:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. The names of those six men<br>&nbsp;&nbsp;&nbsp;&nbsp;appeared in other reports as well.<br>**[26:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were enlisted in<br>&nbsp;&nbsp;&nbsp;&nbsp;foreign military intelligence.<br>**[26:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if pre-planned, all six men left<br>&nbsp;&nbsp;&nbsp;&nbsp;the secret service two months ago.<br>**[26:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They had been working on guard duty<br>&nbsp;&nbsp;&nbsp;&nbsp;for the stage the day of the explosion.<br>**[26:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dang, this is dumb! Those worthless<br>&nbsp;&nbsp;&nbsp;&nbsp;dicks are sloppy at best.<br>**[26:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go pluck your nose hairs<br>&nbsp;&nbsp;&nbsp;&nbsp;in your manor or something.<br>**[26:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Four-eyes will go home<br>&nbsp;&nbsp;&nbsp;&nbsp;after she massacres them.<br>**[26:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, Fabiola.<br>**[26:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[26:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take a look at this.<br>**[26:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The officers we spoke of<br>&nbsp;&nbsp;&nbsp;&nbsp;provided us with this photograph.<br>**[26:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was taken in Caracas half<br>&nbsp;&nbsp;&nbsp;&nbsp;a year before the bombing.<br>**[26:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The military police just so<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to take a picture of them<br>**[26:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while investigating an<br>&nbsp;&nbsp;&nbsp;&nbsp;embezzlement case in the unit.<br>**[27:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The man to the far right is the leader<br>&nbsp;&nbsp;&nbsp;&nbsp;of this suspicious group of six.<br>**[27:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's Marcos José Lucientes, a major<br>&nbsp;&nbsp;&nbsp;&nbsp;in the foreign military intelligence.<br>**[27:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the others?<br>**[27:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Foreigners?<br>**[27:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The day after she saw the picture, Roberta...<br>**[27:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master...<br>**[27:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember that night in Roanapur?<br>**[27:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I forget?<br>**[27:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Columbian Cartel sold<br>&nbsp;&nbsp;&nbsp;&nbsp;me, as if I were a thing.<br>**[27:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Roberta, you crossed<br>&nbsp;&nbsp;&nbsp;&nbsp;the ocean to save me!<br>**[27:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did so much for me.<br>**[27:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, the Master opposed my<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving clear until the very end.<br>**[27:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If--<br>**[27:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[27:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I was in my father's place,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have said the same thing.<br>**[27:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodness, you are both so eccentric.<br>**[27:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Roberta...<br>**[27:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well, Young Master.<br>**[28:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall always be by your side.<br>**[28:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next day, she was gone.<br>**[28:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, who is she?<br>**[28:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mendes, it's me! Someone is<br>&nbsp;&nbsp;&nbsp;&nbsp;trailing me. Hurry and--<br>**[28:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am afraid that Mendes is<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to answer the phone.<br>**[28:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who the heck are you?!<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why do you have his cell phone?"<br>**[28:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you mean to say?<br>**[28:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just Mendes' cell.<br>**[29:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it would appear that you are the<br>&nbsp;&nbsp;&nbsp;&nbsp;only one with the answer to my question.<br>**[29:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;José Lucientes was found dead in<br>&nbsp;&nbsp;&nbsp;&nbsp;a canal in the suburbs of Calabozo.<br>**[29:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was able to identify him and<br>&nbsp;&nbsp;&nbsp;&nbsp;hunt him down off of a picture?<br>**[29:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her title of "Bloodhound" isn't for nothing.<br>**[29:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She isn't a bloodhound! She's my family.<br>**[29:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me, Señor Garcia.<br>&nbsp;&nbsp;&nbsp;&nbsp;Now let's return to the topic.<br>**[29:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes,<br>**[29:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's get back on topic.<br>**[29:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next one she went after was<br>&nbsp;&nbsp;&nbsp;&nbsp;the second man from the right.<br>**[29:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you doing this with full<br>&nbsp;&nbsp;&nbsp;&nbsp;knowledge of who I am?<br>**[29:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You're with the NSA, the<br>&nbsp;&nbsp;&nbsp;&nbsp;USA's National Security Agency.<br>**[29:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a special officer<br>&nbsp;&nbsp;&nbsp;&nbsp;and the presiding officer<br>**[29:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;over a unique program, dealing with<br>&nbsp;&nbsp;&nbsp;&nbsp;Central American policy analysis.<br>**[30:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Colonel Simon Dickens.<br>**[30:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm amazed you knew!<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you want?<br>**[30:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to Marcos José Lucientes,<br>**[30:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you and your men planned and executed<br>**[30:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the terrorist bombing in<br>&nbsp;&nbsp;&nbsp;&nbsp;Caracas last October.<br>**[30:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! You wouldn't!<br>**[30:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where... are your hounds?<br>**[30:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would save me some time<br>**[30:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you talked while you're still<br>&nbsp;&nbsp;&nbsp;&nbsp;at normal human temperature.<br>**[30:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You freaking crazy bitch!<br>**[30:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll turn the United States<br>&nbsp;&nbsp;&nbsp;&nbsp;government against you if you harm me!<br>**[30:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on.<br>**[30:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We found Colonel Dickens'<br>&nbsp;&nbsp;&nbsp;&nbsp;body in a fire that broke out<br>**[30:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in some ruins in the suburbs of Caracas.<br>**[31:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lady serving as the<br>&nbsp;&nbsp;&nbsp;&nbsp;primary witness for the fire<br>**[31:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was looking to buy a plane ticket<br>&nbsp;&nbsp;&nbsp;&nbsp;from Caracas to Thailand via Miami.<br>**[31:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She also reserved a ticket<br>&nbsp;&nbsp;&nbsp;&nbsp;for a long-distance bus<br>**[31:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to take her from the airport to Roanapur.<br>**[31:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She went after an active US<br>&nbsp;&nbsp;&nbsp;&nbsp;officer? You're sure of that?<br>**[31:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[31:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This doesn't bode well, kiddo.<br>**[31:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did you want from us?<br>**[31:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[31:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, damn, damn!<br>**[31:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Bao? Closed today, too?<br>**[31:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shuddup!<br>**[31:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll always serve up some<br>&nbsp;&nbsp;&nbsp;&nbsp;booze if you wanna drink.<br>**[31:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! Can't you see the state of<br>&nbsp;&nbsp;&nbsp;&nbsp;my joint? If you're here to tease--<br>**[31:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;War.<br>**[32:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang, I can see why you're so nervous.<br>**[32:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a money problem.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're keeping out of this one.<br>**[32:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, why?!<br>**[32:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you get it?<br>**[32:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your head maid is wanting to scuffle<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone's buddy, the USA.<br>**[32:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say?<br>**[32:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me of all the stores I<br>&nbsp;&nbsp;&nbsp;&nbsp;need to visit in order to wage a war.<br>**[32:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I said.<br>**[32:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone who tried to defy<br>&nbsp;&nbsp;&nbsp;&nbsp;something too powerful and failed<br>**[32:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;comes to this city and perishes.<br>**[32:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do not wish to<br>&nbsp;&nbsp;&nbsp;&nbsp;commission Lagoon Company.<br>**[32:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want to commission<br>&nbsp;&nbsp;&nbsp;&nbsp;that Japanese man there.<br>**[32:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-wait a sec.<br>**[32:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me?<br>**[32:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Why me?<br>**[33:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please assist in finding our head maid!<br>**[33:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand that what I am asking<br>&nbsp;&nbsp;&nbsp;&nbsp;is unreasonable, but please!<br>**[33:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it! I'm...<br>**[34:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next episode<br>**[34:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are the gun, then I am the bullets.<br>**[34:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I am nothing more than a shard of lead.<br>**[34:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only a gun can ignite the gunpowder.<br>**[34:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 2 - An Office Man's Tactics

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I get it.<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I won't lend Rock to you.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're keeping out of this one.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, why?!<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your head maid is wanting to scuffle<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone's buddy, Uncle Sam.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how you look at it, that's nuts!<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly. She is trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;fight the USA itself.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all the more reason!<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is part of my family.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the only person in the<br>&nbsp;&nbsp;&nbsp;&nbsp;whole world who can protect her.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's precisely why!<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is so annoying. Did you come to<br>&nbsp;&nbsp;&nbsp;&nbsp;the backside of the planet just to cry?<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you're here, fill a<br>&nbsp;&nbsp;&nbsp;&nbsp;bucket with your tears!<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe a comic book hero<br>&nbsp;&nbsp;&nbsp;&nbsp;will rush to your rescue.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you!<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, it's okay.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just as she said. There is no<br>&nbsp;&nbsp;&nbsp;&nbsp;point in pushing our request.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall continue to<br>&nbsp;&nbsp;&nbsp;&nbsp;search for her on our own.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... truly have changed.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just like... an adult.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Father and Roberta gone,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no one to rely on.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's all there is to it.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you have to say, Rock?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea of throwing these two kids<br>&nbsp;&nbsp;&nbsp;&nbsp;out on the streets pains my heart.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If possible, I'd like them to return<br>&nbsp;&nbsp;&nbsp;&nbsp;to their manor in Venezuela<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and leave the rest to us.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you mean...?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like you, Chang.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what you're thinking at all!<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I overacting, Dutch?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's obvious that the maid is going to<br>&nbsp;&nbsp;&nbsp;&nbsp;clash with the US Army eventually.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is neither good for me nor our city.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not my problem.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maintaining the peace is your job.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off, Dutch.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the lay of the land<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and can visit various places<br>&nbsp;&nbsp;&nbsp;&nbsp;because of your line of work.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, you've maintained a neutral<br>&nbsp;&nbsp;&nbsp;&nbsp;enough stance to avoid conflict,<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;making you risk-free.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the right choice,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if they didn't call on you, Rock.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on and help those kiddies out.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On behalf of the city,<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you want that maid out of here<br>&nbsp;&nbsp;&nbsp;&nbsp;before things get sticky.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could avoid trouble if I<br>&nbsp;&nbsp;&nbsp;&nbsp;helped Garcia and this girl<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;find their maid before she<br>&nbsp;&nbsp;&nbsp;&nbsp;runs into any soldiers.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you want, Mr. Chang?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty simple rules, eh?<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want some time.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to think about it.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, you need to leave this place<br>&nbsp;&nbsp;&nbsp;&nbsp;immediately if he doesn't help you.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should do as adults tell you.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, at this rate he is going<br>&nbsp;&nbsp;&nbsp;&nbsp;to go gray before he turns 20.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Consider that well.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Consider that well.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you around, Young Master.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just like searching<br>&nbsp;&nbsp;&nbsp;&nbsp;for a runaway kitty.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you seriously think I'm going to let<br>&nbsp;&nbsp;&nbsp;&nbsp;you work on this between jobs, Rock?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem starts after<br>&nbsp;&nbsp;&nbsp;&nbsp;you find the kitty cat.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The second you open the closet door,<br>&nbsp;&nbsp;&nbsp;&nbsp;she will gnaw off the top half of your body.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me make one thing clear.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I am your boss,<br>&nbsp;&nbsp;&nbsp;&nbsp;this isn't up for debate.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, if the maid runs into the<br>&nbsp;&nbsp;&nbsp;&nbsp;US Army before you find her,<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let the case go. That's a must!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And thus, I get another simple rule, huh?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will he accept?<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the type of guy he is.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's an unusual type of person<br>&nbsp;&nbsp;&nbsp;&nbsp;around here. He's easily moved.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city, Roanapur, is a nesting<br>&nbsp;&nbsp;&nbsp;&nbsp;ground for powerful houses.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Hong Kong Triad.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Moscow.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cosa Nostra.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Columbian Cartel.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And countless others.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;During World War II, the Japanese<br>&nbsp;&nbsp;&nbsp;&nbsp;Army began dredging up Roanapur<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make it their naval port.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After the war, it turned into a<br>&nbsp;&nbsp;&nbsp;&nbsp;port where people smuggled drugs.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even now, it continues<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a maze of contraband.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to save those<br>&nbsp;&nbsp;&nbsp;&nbsp;kids in a place like this?!<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think! Think and forget all your anxieties.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell myself I can do it!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What factors intersect with what?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the source of the drug<br>&nbsp;&nbsp;&nbsp;&nbsp;flow and the mouth of the river.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how far do you have to<br>&nbsp;&nbsp;&nbsp;&nbsp;back someone into a corner?!<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, first I must...<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...eliminate groups. The Italians<br>&nbsp;&nbsp;&nbsp;&nbsp;fall outside of this situation.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the South American Cartel...<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...they are one of the instigators.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their motherland is sending in<br>&nbsp;&nbsp;&nbsp;&nbsp;soldiers. That's what Gustavo said.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;FARC's main forces will<br>&nbsp;&nbsp;&nbsp;&nbsp;personally pursue the maid.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be a three-way fight<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the maid, the US Army, and the<br>&nbsp;&nbsp;&nbsp;&nbsp;Revolutionary Armed Forces of Columbia.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll take place in town...<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...with real soldiers?!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a question.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is it about your requirements to resign?<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being stubborn.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty much.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You once said that<br>&nbsp;&nbsp;&nbsp;&nbsp;Balalaika owes you big time.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly does that mean?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're taking this in a strange direction.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may come into play during this job.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where should I begin?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the start.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This'll take a while.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Got it, Dutch.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's the deal. Yeah.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That connects...<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...another piece of the puzzle.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many pieces are left?<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these all of the factions<br>&nbsp;&nbsp;&nbsp;&nbsp;nesting in Roanapur? Really?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I've got a full house!<br>&nbsp;&nbsp;&nbsp;&nbsp;I just won me a full $300!<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gosh darn it!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Lord loves those<br>&nbsp;&nbsp;&nbsp;&nbsp;who are nice and pay up.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, you only get annoyed and raise<br>&nbsp;&nbsp;&nbsp;&nbsp;the stakes when the kid's done something.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? Why are you being so hard<br>&nbsp;&nbsp;&nbsp;&nbsp;on Rock this time, Two-Hands?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stick to him like glue--<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too dangerous.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is who that maid is going after.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? And what did they do?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They blew the maid's master to the moon.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explosive experts?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From Uncle Sam's merry men.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The US Army...<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...killed him?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The maid's raging.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's trying to tear the flesh off<br>&nbsp;&nbsp;&nbsp;&nbsp;the soldiers and make meat pies.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what would bring those<br>&nbsp;&nbsp;&nbsp;&nbsp;soldiers to this cesspool?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me. I can't help him with<br>&nbsp;&nbsp;&nbsp;&nbsp;crap like this over and over again.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not with his crap.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought up everything I can imagine.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time I will--<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you. What's up?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, have you heard from Mr. Rock?<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is your fourth time<br>&nbsp;&nbsp;&nbsp;&nbsp;asking that since sunrise.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall go make a run through the city.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may find some hints or clues.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I took so long.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Is it really all that shocking?<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. To be honest, I did not<br>&nbsp;&nbsp;&nbsp;&nbsp;expect you to come back.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Solving puzzles is fun. That's what I thought.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just like I said on the phone.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maid came and left.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know where she went.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, what brought this on?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My shop wasn't the only thing busted.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The brothel on the second floor<br>&nbsp;&nbsp;&nbsp;&nbsp;is shut down thanks to that brat.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are what they are, so I'm chilling<br>&nbsp;&nbsp;&nbsp;&nbsp;out with the girls from upstairs.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You destroyed this bar?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see...<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to deal with this peacefully.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terribly sorry.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bao, did you help the maid?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope!<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, tch, tch! I'm not obligated<br>&nbsp;&nbsp;&nbsp;&nbsp;to disclose that info.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you, Bao.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-Fine. But under this condition--<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this case gets worse, tell people<br>&nbsp;&nbsp;&nbsp;&nbsp;that this has nothing to do with me.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have you put that in writing later.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is putting my life on the line.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, about last night?<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, last night...<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say?<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell me of all the stores I<br>&nbsp;&nbsp;&nbsp;&nbsp;need to visit in order to wage a war.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-Forget it! That's not even fu--<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'm joking or fooling around?<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I was calling around as her agent,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was munching on antidepressants.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd think she was stuffing her<br>&nbsp;&nbsp;&nbsp;&nbsp;face with popcorn at the theater.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you introduced her to Praiyachat, Torchy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the underground doctor, Dr. Heartland.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was the doctor so she could get refills?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't ask for the nitty-gritty<br>&nbsp;&nbsp;&nbsp;&nbsp;and I didn't want to hear it!<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for everything.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll repay you someday.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, it's unusual<br>&nbsp;&nbsp;&nbsp;&nbsp;for Two-Hands not to be with you.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have a fight?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? No.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Señor Rock!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, yes? What is it?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We spent the whole day walking around<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all three people we went<br>&nbsp;&nbsp;&nbsp;&nbsp;to visit for clues were out.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly do you make of that?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, well...<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't what you promised! Not at all!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get so upset. This is only natural.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your head maid is rather infamous here.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a girl wearing the same maid uniform<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a kid more refined than<br>&nbsp;&nbsp;&nbsp;&nbsp;any they've ever seen before.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a single person here<br>&nbsp;&nbsp;&nbsp;&nbsp;who would give the time of day<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone dragging you two around.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, we cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;afford to end in failure.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will search for her by myself tomorrow.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, I'm sorry,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is too much for us.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But--!<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't seem intimidated by this city at all.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hometown was full of idiots<br>&nbsp;&nbsp;&nbsp;&nbsp;and scum, just like here.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm somewhat accustomed to it.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is from the Barrios of Caracas.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Barrios?<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what it's called.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is the slums of Caracas,<br>&nbsp;&nbsp;&nbsp;&nbsp;where the homeless live.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At night, that area shines in<br>&nbsp;&nbsp;&nbsp;&nbsp;Caracas like the Milky Way.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're curious as to why such<br>&nbsp;&nbsp;&nbsp;&nbsp;impoverished homes are lit up,<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's because everyone steals their<br>&nbsp;&nbsp;&nbsp;&nbsp;electricity from the power company.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They sound resourceful.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're overestimating them.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now you are a member of my family.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I come from a family of 11,<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so entering your service decreases<br>&nbsp;&nbsp;&nbsp;&nbsp;the strain on my parents.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, did you learn gunnery and<br>&nbsp;&nbsp;&nbsp;&nbsp;those foot techniques there?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Foot techniques?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your trap shut!<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does he mean by "foot techniques"?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is referring to capoeira, Young Master.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, an elder in the neighborhood<br>&nbsp;&nbsp;&nbsp;&nbsp;was studying at a dojo.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned it while having<br>&nbsp;&nbsp;&nbsp;&nbsp;fun trying to mimic him.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard of capoeira!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a cool martial art!<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, you must show it to me sometime!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, I'm self-taught, but if you like...<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I just said, I did not live<br>&nbsp;&nbsp;&nbsp;&nbsp;in the nice part of town,<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I needed to protect myself.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can accidentally kill<br>&nbsp;&nbsp;&nbsp;&nbsp;people if you use guns,<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this way, I could hold back.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why I deemed it worthwhile to learn.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well said. I feel the same.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I totally agree with your beliefs,<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not sure if that<br>&nbsp;&nbsp;&nbsp;&nbsp;will work in this town.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giving advice really isn't my thing,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when you need to pull the<br>&nbsp;&nbsp;&nbsp;&nbsp;trigger, you shouldn't hesitate.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim for your opponent's biggest weak spot.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is terribly seductive.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even Roberta could not defy it.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want Fabiola to<br>&nbsp;&nbsp;&nbsp;&nbsp;follow her footsteps.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, from tonight on, you will be<br>&nbsp;&nbsp;&nbsp;&nbsp;staying at Mr. Chang's yacht house.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a hideout equipped<br>&nbsp;&nbsp;&nbsp;&nbsp;with bodyguards and a pool.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll call it a day after we drop you off.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be waiting in the car.<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry over after you finish eating.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unusual for you to<br>&nbsp;&nbsp;&nbsp;&nbsp;say something like that.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I don't much care for<br>&nbsp;&nbsp;&nbsp;&nbsp;letting kids get themselves killed.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is the most I can do for those kids.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many hearts of steel do you<br>&nbsp;&nbsp;&nbsp;&nbsp;need to overcome another's death?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I don't delve too deep.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, can you bear that burden?<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, I see.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it's a turf war between<br>&nbsp;&nbsp;&nbsp;&nbsp;the NSA and the CIA, eh?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the intelligence community<br>&nbsp;&nbsp;&nbsp;&nbsp;approved of the operation,<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;us members of the CIA<br>&nbsp;&nbsp;&nbsp;&nbsp;would have heard of it.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on how they move,<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe we may need to use<br>&nbsp;&nbsp;&nbsp;&nbsp;our information network.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The root of our problem comes from<br>&nbsp;&nbsp;&nbsp;&nbsp;Venezuelan political sabotage program 114,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which was organized and<br>&nbsp;&nbsp;&nbsp;&nbsp;enacted outside of our reach.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The CIA's primary mission<br>&nbsp;&nbsp;&nbsp;&nbsp;is to take advantage of<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this switch to economic<br>&nbsp;&nbsp;&nbsp;&nbsp;information warfare<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they can covertly expand their authority.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is truly an offensive move.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's tough when an organization grows large.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever. As for the whereabouts<br>&nbsp;&nbsp;&nbsp;&nbsp;of the NSA agents hiding in town,<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's take our time shuffling<br>&nbsp;&nbsp;&nbsp;&nbsp;through that information.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our specialty.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. My supervisor will contact<br>&nbsp;&nbsp;&nbsp;&nbsp;you about compensation and such later.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, they should be holding a meeting<br>&nbsp;&nbsp;&nbsp;&nbsp;at Golden Swingy Night Club about now.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Triad organized it.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The young master aside, even the maid<br>&nbsp;&nbsp;&nbsp;&nbsp;was excited about Mr. Chang's yacht house.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a weak response.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the mafia groups.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are they going with that procession?<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To a liaison meeting about<br>&nbsp;&nbsp;&nbsp;&nbsp;that one case we're linked to.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, makes sense.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reality is approaching my<br>&nbsp;&nbsp;&nbsp;&nbsp;predictions from last night.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, their meeting tonight<br>&nbsp;&nbsp;&nbsp;&nbsp;will decide her fate, huh?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, they won't make that decision tonight.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't? But they don't have much time.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same goes for us and the young master.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember what Dutch said?<br>&nbsp;&nbsp;&nbsp;&nbsp;Evaluate the divide.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The divide will happen later.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The divide we see the second<br>&nbsp;&nbsp;&nbsp;&nbsp;they crash is even further out.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Balalaika! Are we holding<br>&nbsp;&nbsp;&nbsp;&nbsp;a birthday party for you today?<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about grand!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does today's agenda<br>&nbsp;&nbsp;&nbsp;&nbsp;include a wop's comic act?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humph! May I leave now?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't, Tomaso.<br>&nbsp;&nbsp;&nbsp;&nbsp;This babe's a country hick.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't understand civilized society.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amigo, sorry to ruin the party,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I want to get this show on the road.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About right now, Chang<br>&nbsp;&nbsp;&nbsp;&nbsp;has come before them<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to begin discussing the maid<br>&nbsp;&nbsp;&nbsp;&nbsp;and who the maid is after.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the guys who still don't realize<br>&nbsp;&nbsp;&nbsp;&nbsp;how dire the situation is will interrupt.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see! This is certainly easy enough.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll hold a party where the maid<br>&nbsp;&nbsp;&nbsp;&nbsp;and her foes can kiss and make up.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's pull out the champagne<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have some busty dancers<br>&nbsp;&nbsp;&nbsp;&nbsp;jump out of a massive cake!<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you start up a comic gig<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Sicilian countryside?<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can it, you Ivan bitch!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me continue.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The terrorist bombers who killed<br>&nbsp;&nbsp;&nbsp;&nbsp;that maid's master are active soldiers.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang will tell them the<br>&nbsp;&nbsp;&nbsp;&nbsp;identity of Roberta's enemies.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That will perk Balalaika's ears right up.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is because the Russian mafia<br>&nbsp;&nbsp;&nbsp;&nbsp;she leads are ex-Soviet paratroopers.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These soldiers were trained for the purpose<br>&nbsp;&nbsp;&nbsp;&nbsp;of fighting the US Army in World War III.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Columbian Cartel will have<br>&nbsp;&nbsp;&nbsp;&nbsp;a completely different reaction.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to serve that maid's<br>&nbsp;&nbsp;&nbsp;&nbsp;head on a silver platter<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to iron out our<br>&nbsp;&nbsp;&nbsp;&nbsp;relationship with FARC.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to hunt that maid down.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got more of a<br>&nbsp;&nbsp;&nbsp;&nbsp;backbone than I thought,<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but our opponent is not<br>&nbsp;&nbsp;&nbsp;&nbsp;the maid, but her enemies.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those Yankees' goals<br>&nbsp;&nbsp;&nbsp;&nbsp;are easy enough to guess.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a strategy to eliminate narcotics!<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's immediately eliminate them<br>&nbsp;&nbsp;&nbsp;&nbsp;before they can scheme against our town.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has been 35 years since this rotten port<br>&nbsp;&nbsp;&nbsp;&nbsp;town turned into the capital for crooks.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason Roanapur has not appeared<br>&nbsp;&nbsp;&nbsp;&nbsp;on the New York evening news<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and been the talk of all the ladies<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because those here, those who rule<br>&nbsp;&nbsp;&nbsp;&nbsp;this town, were all after the same thing.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our city is weak and fragile.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we permit intervention from those<br>&nbsp;&nbsp;&nbsp;&nbsp;who work under the sun just once,<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who do you think will be the<br>&nbsp;&nbsp;&nbsp;&nbsp;last ones standing in the ring?<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one will be left, gents.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be there, nor will<br>&nbsp;&nbsp;&nbsp;&nbsp;you or even the ring.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if they realize<br>&nbsp;&nbsp;&nbsp;&nbsp;how dangerous this is,<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they won't be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;find Roberta immediately.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is she? My only guideposts<br>&nbsp;&nbsp;&nbsp;&nbsp;are the information I've obtained.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even follow their path! Damn it!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O Lord, thou knowest my weakness<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that none could do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything without Thy grace.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer my prayers and give me the strength<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to shun all the evils Thou admonish,<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to do good as Thou hath commanded,<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to accept and endure the hardships...<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't take that medicine anymore.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thou hast bestowed upon me...<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're already having an overdose.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O Lord, thou knowest my weakness<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that none could do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything without Thy grace.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you intend to return to that<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer my prayers and give me the strength<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to shun all the evils Thou admonish,<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;courtyard filled with blooming orchids?<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to do good as Thou hath commanded,<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That boy will be there waiting for you.<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to accept and endure the hardships<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thou hast bestowed upon me.<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you truly after revenge? Or is it...<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Master and the Young Master should<br>&nbsp;&nbsp;&nbsp;&nbsp;have received the blessings of Heaven.<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I alone should<br>&nbsp;&nbsp;&nbsp;&nbsp;bear my sins! And yet--!<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you seek every form of atonement,<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot atone for your past sins,<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if you destroy yourself.<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be silent!<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be silent! Be silent! Be silent!<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey, hey! Wait, wait, wait!<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't shoot! It's me, Leroy!<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What gives? What the hell?!<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I did was buy the clothes<br>&nbsp;&nbsp;&nbsp;&nbsp;you ordered! And then you--<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the recruiter?<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I talked with him. Now we just<br>&nbsp;&nbsp;&nbsp;&nbsp;have to deal with the money.<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weren't you just...<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who exactly were you talking to?<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And? What do you want me to do?<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're pressed on time.<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to catch up with<br>&nbsp;&nbsp;&nbsp;&nbsp;the maid immediately.<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is about how you couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;save that top boss schoolgirl<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;back in your homeland, isn't it?<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this atonement?<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or did something in your blood<br>&nbsp;&nbsp;&nbsp;&nbsp;ignite after your desperate situation<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you tried to defy<br>&nbsp;&nbsp;&nbsp;&nbsp;the sis and save that girl?<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is that not it?<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hobby?<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, my hobby. I'm just like you.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that's what you said.<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your own dangerous hobby.<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then where does that put me<br>&nbsp;&nbsp;&nbsp;&nbsp;if I tag along with you?<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'd like to know.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always supported me<br>&nbsp;&nbsp;&nbsp;&nbsp;when I'm standing on the edge.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You appreciate it, huh?<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you think?<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want me to join you at<br>&nbsp;&nbsp;&nbsp;&nbsp;the casino, a ritual is in order.<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Under what pretext should I go along<br>&nbsp;&nbsp;&nbsp;&nbsp;with your recklessness? Enough.<br>**[24:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had enough of playing it by ear.<br>**[24:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my homeland, you called yourself my gun.<br>**[24:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are the gun, then I am the bullets.<br>**[24:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I am nothing more than a shard of lead.<br>**[24:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I hadn't come to this city,<br>**[24:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I probably would have spent<br>&nbsp;&nbsp;&nbsp;&nbsp;my life as a piece of lead.<br>**[24:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I came. I've always been waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;for the gunpowder to explode.<br>**[24:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only a gun can ignite the gunpowder.<br>**[24:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Light My Fire," eh?<br>**[24:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[24:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you know?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's one of The Doors' songs.<br>**[25:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, what type of warhead are you?<br>**[25:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A full metal jacket? A hollow-point bullet?<br>**[25:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you a Glaser Safety Slug?<br>**[25:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. You're a silver bullet and<br>&nbsp;&nbsp;&nbsp;&nbsp;no one knows where you'll go flying.<br>**[25:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can kill invincible monsters.<br>**[25:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's expensive, but it's the ultimate shell.<br>**[25:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're finished if you<br>&nbsp;&nbsp;&nbsp;&nbsp;use it at the wrong time.<br>**[25:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get eaten by the monster.<br>**[25:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're out of water.<br>**[25:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, there's a vending machine downstairs.<br>**[25:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you get me some more water?<br>**[25:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, use bahts! Don't use<br>&nbsp;&nbsp;&nbsp;&nbsp;nickels or it'll break down.<br>**[25:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[25:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, it's not fair!<br>**[26:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Revy? I was just about<br>&nbsp;&nbsp;&nbsp;&nbsp;to take up your water.<br>**[26:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Praiyachat should be in around right now.<br>**[26:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to be back to the ship by evening.<br>**[26:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry and get this over, Rock.<br>**[26:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[26:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sleeping?<br>**[26:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweet!<br>**[26:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem cheery. You happy, you flat board?<br>**[26:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a pool back in Venezuela, too.<br>**[26:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had simply never swum in a pool before!<br>**[26:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So, I just wanted to try it for a while...<br>**[26:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wasn't any need<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to swim in secret.<br>**[26:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry!<br>**[27:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Young Master!<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't tell you she wants to chill<br>**[27:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're so bent out of<br>&nbsp;&nbsp;&nbsp;&nbsp;shape over finding Four-Eyes.<br>**[27:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that just goes to show<br>&nbsp;&nbsp;&nbsp;&nbsp;how loyal she is to you.<br>**[27:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to bear your family's name<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can't even figure that out? Well?<br>**[27:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[27:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not let you speak so rudely to the Young Master!<br>**[27:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[27:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, we'll follow the same route we took yesterday.<br>**[27:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off!<br>**[27:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the old fart in? It's Rebecca<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Lagoon Company.<br>**[27:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, if it isn't Revy! How are<br>&nbsp;&nbsp;&nbsp;&nbsp;your Cutlasses holding up?<br>**[27:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just fine! But that isn't what brought<br>&nbsp;&nbsp;&nbsp;&nbsp;me here today. Something else did.<br>**[27:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not this again.<br>**[27:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, do you want me to make<br>&nbsp;&nbsp;&nbsp;&nbsp;a getup for her this time?<br>**[27:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means she's been here, doesn't it?<br>**[27:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The woman looked like her if you stretched<br>&nbsp;&nbsp;&nbsp;&nbsp;her out and gave her glasses, right?<br>**[27:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bao introduced her.<br>**[27:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I let her in, even though it<br>&nbsp;&nbsp;&nbsp;&nbsp;was my first time seeing her.<br>**[27:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did she come to request? Guns?<br>**[28:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, no. She had already<br>&nbsp;&nbsp;&nbsp;&nbsp;provided herself with a gun.<br>**[28:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a rather old-fashioned Flintlock rifle.<br>**[28:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was made in Spain in the 18th Century.<br>**[28:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[28:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, Fabiola.<br>**[28:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the gun we had on display in the saloon.<br>**[28:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wanted me to make it<br>&nbsp;&nbsp;&nbsp;&nbsp;over so she could use it.<br>**[28:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what the woman told me.<br>&nbsp;&nbsp;&nbsp;&nbsp;It was in meh condition.<br>**[28:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't give me any trouble.<br>**[28:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aside from that, she wanted cordite<br>&nbsp;&nbsp;&nbsp;&nbsp;gunpowder or black powder, but...<br>**[28:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that's why she went to<br>&nbsp;&nbsp;&nbsp;&nbsp;Torchy, the gunpowder dealer.<br>**[28:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[28:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy! Your grip is warped.<br>**[28:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't the base of the gun what you<br>&nbsp;&nbsp;&nbsp;&nbsp;use to crack open people's heads?<br>**[28:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You moron! This is a high-end piece!<br>**[28:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Torchy! Hey, Torchy, the gunpowder dealer!<br>**[28:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Y-You bitch! I thought I jammed your<br>&nbsp;&nbsp;&nbsp;&nbsp;murderous signals with my aluminum foil!<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you've personally come to kill me, huh?<br>**[28:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on! I'll take you on, fucker!<br>**[28:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What the heck?!<br>**[28:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's tripping. Just play along.<br>**[28:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hey! Calm down.<br>**[29:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This alien may be an alien,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's a good alien.<br>**[29:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't trust her!<br>**[29:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you're as punctual as ever, Mr. Chang.<br>**[29:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's one of my virtues.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's skip to the problem.<br>**[29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? A woman didn't come by?<br>**[29:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pretty sure the man was<br>&nbsp;&nbsp;&nbsp;&nbsp;a PI or a tipster or somethin'.<br>**[29:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was it again?<br>**[29:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't dope up when you're<br>&nbsp;&nbsp;&nbsp;&nbsp;talking to someone, moron!<br>**[29:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is the tipster?<br>**[29:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, damn it! I can't remember.<br>**[29:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might remember right<br>&nbsp;&nbsp;&nbsp;&nbsp;quick if I had some heroin.<br>**[29:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mind, right, Revy?<br>**[29:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like hell I don't!<br>**[29:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The infiltrators compose a unit that<br>**[29:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;executes high-level political<br>&nbsp;&nbsp;&nbsp;&nbsp;decisions under the NSA's directions.<br>**[30:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are Task Force 9<br>**[30:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and belong to the Pentagon's<br>&nbsp;&nbsp;&nbsp;&nbsp;special operation command, SOCOM.<br>**[30:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By military rank, they are listed<br>&nbsp;&nbsp;&nbsp;&nbsp;as the 56th Construction Battalion.<br>**[30:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the Joint Chiefs of Staff refer to<br>&nbsp;&nbsp;&nbsp;&nbsp;them as the "Gray Fox Command Group."<br>**[30:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the maid is a bloodhound and the<br>&nbsp;&nbsp;&nbsp;&nbsp;people she is after are foxes, huh?<br>**[30:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their primary mission this time<br>&nbsp;&nbsp;&nbsp;&nbsp;is to handcuff General Shi Yan,<br>**[30:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greatest warlord under<br>&nbsp;&nbsp;&nbsp;&nbsp;Golden Triangle Khun Sa's command,<br>**[30:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make him appear in the<br>&nbsp;&nbsp;&nbsp;&nbsp;United States' Supreme Court.<br>**[30:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that would be most<br>&nbsp;&nbsp;&nbsp;&nbsp;unfortunate for the Triad.<br>**[30:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Triad's heroin refinement plant<br>**[30:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is nothing without the<br>&nbsp;&nbsp;&nbsp;&nbsp;General's poppy fields.<br>**[30:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When will it be carried out?<br>**[30:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The end of this month. The attack<br>&nbsp;&nbsp;&nbsp;&nbsp;force will be composed of 18 men.<br>**[30:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have infiltrated town as backpackers<br>**[30:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and are staying at a motel<br>&nbsp;&nbsp;&nbsp;&nbsp;in the red-light district.<br>**[30:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are awaiting the code to take action.<br>**[30:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Standby locations are as follows:<br>&nbsp;&nbsp;&nbsp;&nbsp;the Alpha Unit is at Tokaina Hotel,<br>**[31:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Bravo Unit is at Blue Moon Motel,<br>**[31:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Charlie Unit is at Ramsap Inn,<br>**[31:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and commanding officer Major Shane<br>&nbsp;&nbsp;&nbsp;&nbsp;Charlie Caxton is with the Alpha Unit.<br>**[31:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've done enough, Mr. CIA Agent.<br>**[31:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not done yet.<br>**[31:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me your countermeasures.<br>**[31:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there that much trust between us?<br>**[31:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wretched government toady!<br>**[31:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think you're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;use us to do your dirty work.<br>**[31:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got the wrong idea altogether.<br>**[31:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a warning--<br>**[31:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not the government's toadies.<br>**[31:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The United States as a nation is a<br>&nbsp;&nbsp;&nbsp;&nbsp;giant hydra with countless heads.<br>**[31:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the power to make<br>&nbsp;&nbsp;&nbsp;&nbsp;individuals and companies submit,<br>**[31:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we have enough power<br>&nbsp;&nbsp;&nbsp;&nbsp;to annihilate an entire country.<br>**[31:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no others like us.<br>**[31:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we are the ultimate being.<br>**[32:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, don't underestimate my company, thug.<br>**[32:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Roy, Roy, Roy, Leroy--that's it!<br>**[32:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Richie Leroy!<br>**[32:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Richie Leroy is mixed up with the maid.<br>**[32:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the final piece to the puzzle. Let's go!<br>**[33:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next episode<br>**[33:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master is waiting at the manor<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to bring back the foxes' heads.<br>**[33:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master will smile at me and<br>&nbsp;&nbsp;&nbsp;&nbsp;everything will return to how it was.<br>**[33:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 3 - Angels in the Crosshairs

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, you know what my trade is!<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm going to blab?<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back at you. You know<br>&nbsp;&nbsp;&nbsp;&nbsp;what my trade is, eh, Leroy?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon!<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oink, oink, oink!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In 1994, the Japanese Army created<br>&nbsp;&nbsp;&nbsp;&nbsp;a massive underground shelter<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to wage a war of attrition here.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hide in there and no one'll find you.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to obtain this information, Leroy...<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, watch it!<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She won't kill the informer.<br>&nbsp;&nbsp;&nbsp;&nbsp;You buy information with money.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tab is going on this kid's bill.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just made him remember that the<br>&nbsp;&nbsp;&nbsp;&nbsp;maid wasn't paying him enough.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean--!<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You found Roberta?<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where we're headed.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caxton! It's Will!<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here!<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got some bad news, Will.<br>&nbsp;&nbsp;&nbsp;&nbsp;Something in the air feels wrong.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just sending my subordinates<br>&nbsp;&nbsp;&nbsp;&nbsp;to check the perimeter.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ditto. For several hours now, our lines have<br>&nbsp;&nbsp;&nbsp;&nbsp;been making noises that indicate wiretapping.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This contains the latest information on<br>&nbsp;&nbsp;&nbsp;&nbsp;the location and your new game plan.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from Brigadier General Wilder.<br>&nbsp;&nbsp;&nbsp;&nbsp;This operation will proceed.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Continue your report.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, the roads to Chalquam and Manthey<br>&nbsp;&nbsp;&nbsp;&nbsp;Street are closed off due to construction.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there is no indication<br>&nbsp;&nbsp;&nbsp;&nbsp;that any work is being done.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The street vendors and prostitutes<br>&nbsp;&nbsp;&nbsp;&nbsp;have left the surrounding area.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are roughly nine guards within<br>&nbsp;&nbsp;&nbsp;&nbsp;200 yards of the outskirts of town<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and four trackers.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I have decided to begin<br>&nbsp;&nbsp;&nbsp;&nbsp;Operation: Clean the Streets.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will, you should leave<br>&nbsp;&nbsp;&nbsp;&nbsp;before bullets start flying.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have taken position across from<br>&nbsp;&nbsp;&nbsp;&nbsp;the hotel Abrego informed us of.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are the US Army, FARC and the<br>&nbsp;&nbsp;&nbsp;&nbsp;guys the maid made arrangements with.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a major melee ahead of us.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop there!<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, where are you going?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if we'll make it in<br>&nbsp;&nbsp;&nbsp;&nbsp;time, but let's get some help!<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, the phone has<br>&nbsp;&nbsp;&nbsp;&nbsp;been ringing for a while!<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're unbelievable!<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, hi!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Shen Hua!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a job for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get to kill a whole lot!<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be willing to slice you up for free.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who attacked me.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so spiteful.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The job has been commissioned by<br>&nbsp;&nbsp;&nbsp;&nbsp;a stinking rich South American.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much is he paying?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charlie to Alpha. Present situation: D4.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What appears to be an armed<br>&nbsp;&nbsp;&nbsp;&nbsp;force is headed your way.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your guard up.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger, Charlie.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bravo and Charlie are<br>&nbsp;&nbsp;&nbsp;&nbsp;to prepare to move out.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not really sure what<br>&nbsp;&nbsp;&nbsp;&nbsp;we've gotten caught up in,<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but our boring wait is over.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, time for work, gentlemen.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is D1. The armed force has<br>&nbsp;&nbsp;&nbsp;&nbsp;infiltrated the target building.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get the bloodhound within eyesight.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our target is Rosarita Cisneros.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it true that the hillbilly mafioso ran off<br>&nbsp;&nbsp;&nbsp;&nbsp;to this place? Is he on the second floor?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leroy's info is always right.<br>&nbsp;&nbsp;&nbsp;&nbsp;This has got to be the place.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Count down--three, two, one!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cease fire!<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm detonating the Claymore.<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, get down!<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! What's going on?!<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone who went upstairs is dead!<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's keeping you? Get up there!<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! What happened up there?<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one's in the hallway. Not a soul!<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bugsy!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're gone! Even the walls are gone!<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? Where did they go?!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane, we've got trouble!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hostile across the bank.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's on top of the highest billboard!<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, get down!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, what are we up against?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wright, Horner! Subdue enemy fire!<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else, move out on the double!<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cross the river fast!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't make it in time!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, she's got vintage toys!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a real war zone!<br>&nbsp;&nbsp;&nbsp;&nbsp;I am going to increase my fees.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's fighting, that<br>&nbsp;&nbsp;&nbsp;&nbsp;means Roberta is still alive!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia, Dutch kept telling me to<br>&nbsp;&nbsp;&nbsp;&nbsp;pull back if things came to this.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you want to see this through,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall go along with you.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going. If Roberta is waiting,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I must go to her.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well said. You have the heart of a warrior.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have found the target's position.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is on the roof of a multi-floor<br>&nbsp;&nbsp;&nbsp;&nbsp;building. I am sending in my men.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia, take this.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not now.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's in case you lose<br>&nbsp;&nbsp;&nbsp;&nbsp;sight of what path to follow.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't coming? Why not?<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's best suited for drinking canned coffee<br>&nbsp;&nbsp;&nbsp;&nbsp;while basking in the sun on a bench.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let's go!<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, the same<br>&nbsp;&nbsp;&nbsp;&nbsp;goes for the Young Master.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your first time<br>&nbsp;&nbsp;&nbsp;&nbsp;at the bar, wasn't it?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the first time you fired at humans.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shots from your gun<br>&nbsp;&nbsp;&nbsp;&nbsp;and the enemy fire.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were practically declaring that<br>&nbsp;&nbsp;&nbsp;&nbsp;you couldn't get in a one-shot kill.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look at me like that.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a tip--think of them as signboards.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're just rotten and rusty signboards.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can pull that off and survive,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be a full-fledged gunslinger.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't intend to walk the same--<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're close!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now! Cross over!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sound of gunfire has stopped!<br>&nbsp;&nbsp;&nbsp;&nbsp;This is D1! We're engaging the enemy!<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've chased her to the roof!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no good! We can't take shelter!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D3, go help them.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the bloodhound is--<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's hunting something down.<br>&nbsp;&nbsp;&nbsp;&nbsp;There is an unknown group ahead of us.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rendezvous with D3 and collaborate with<br>&nbsp;&nbsp;&nbsp;&nbsp;them to chase down the bloodhound.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, so that's the deal.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't trust those cartel hooligans.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the sound of a US Army carbine.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry! Rendezvous with D3!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shen Hua, go!<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're countering the<br>&nbsp;&nbsp;&nbsp;&nbsp;rifles by outranging them!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have we let the enemy lure<br>&nbsp;&nbsp;&nbsp;&nbsp;us into her own territory?<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gosh darn it! What'll we do<br>&nbsp;&nbsp;&nbsp;&nbsp;now that they're all dead?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have held back when killing them.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't at least one of them<br>&nbsp;&nbsp;&nbsp;&nbsp;hanging on by a thread?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's alive.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This the guy? Good find!<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, beaner!<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be rough with him. He's on the brink.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Translate "Where is Roberta?"<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tell me and I'll take you to a doctor."<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell him that.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We mean you no harm.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did Roberta go?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want to know where she is.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you tell us, we will take you to a hospital.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rosarita is chasing after someone else.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is moving toward the<br>&nbsp;&nbsp;&nbsp;&nbsp;intersection to the west.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will I make it?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, the Lord will save you.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is chasing the US troop. She's<br>&nbsp;&nbsp;&nbsp;&nbsp;headed toward the western intersection.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's going west? All right.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beaner, does it hurt?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll treat you right now.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All set. That's the intersection<br>&nbsp;&nbsp;&nbsp;&nbsp;at Ramsap and Nankroy.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go there for now. We're short on time.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shrimp, follow me.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola!<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now. You've got the wrong end<br>&nbsp;&nbsp;&nbsp;&nbsp;of that puppy pointing my way.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you thinking?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you do that?!<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fight was over! Why did you shoot him?!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fight's on until the final blow.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your barrio any different?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same, isn't it?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he was dying and<br>&nbsp;&nbsp;&nbsp;&nbsp;genuinely wanted to be saved!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you shot him!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you did was *aniquilación*!<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use English, *chiquita*.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said that was overkill, Ms. Rebecca.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Part of you kills just for the fun of it.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're no different than Jeffrey Merdah!<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Dahmer.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maid, is your ethics time over yet?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, everyone will bail out.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry. We haven't caught up to her yet.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to go, Young Master. That was wise.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sawyer, lead the way.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a defiled land where everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;participates in the Dance of Death.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we need right now are<br>&nbsp;&nbsp;&nbsp;&nbsp;professional trouble busters.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be those ladies.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is precisely why I want<br>&nbsp;&nbsp;&nbsp;&nbsp;you to follow your own beliefs.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then we're all going to go<br>&nbsp;&nbsp;&nbsp;&nbsp;back home. Back to our home.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I believe.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As do I, Young Master.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of us will definitely go home together.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why we came here.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will Garcia catch up to Roberta?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The odds are close.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, there is nowhere<br>&nbsp;&nbsp;&nbsp;&nbsp;for the US soldiers to hide.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In all reality, it is impossible for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to lose the Bloodhound of Florencia.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to help the US soldiers escape,<br>&nbsp;&nbsp;&nbsp;&nbsp;I must complete the formation.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That requires one more powerhouse<br>&nbsp;&nbsp;&nbsp;&nbsp;that lurks within the shadows of our town.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must wait for them to<br>&nbsp;&nbsp;&nbsp;&nbsp;make their appearance.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you didn't make it in time, Rock.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see the smoke signs from here.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't need a call from<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang right now. Damn it!<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Close up shop. Dutch must be<br>&nbsp;&nbsp;&nbsp;&nbsp;in one foul mood by now.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang, I cannot do that.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The actors are still here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Same for that boy and the maid.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot leave the stage<br>&nbsp;&nbsp;&nbsp;&nbsp;just yet. That's why--<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what? You called checkmate in this<br>&nbsp;&nbsp;&nbsp;&nbsp;game of chess and I set the odds.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that enough? Now that<br>&nbsp;&nbsp;&nbsp;&nbsp;things have come to this,<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why bother worrying about<br>&nbsp;&nbsp;&nbsp;&nbsp;that boy and his maid?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, the thing I hate the most<br>&nbsp;&nbsp;&nbsp;&nbsp;in this world is hypocrisy.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's even nastier than evil.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a poison that deludes<br>&nbsp;&nbsp;&nbsp;&nbsp;the target and user.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it smells of roses, you cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;hide the fact that shit is shit.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what's happening, Rock.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, both you and I view<br>&nbsp;&nbsp;&nbsp;&nbsp;the Lovelace boy and his maid<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as nothing more than chess pieces.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang, you're a<br>&nbsp;&nbsp;&nbsp;&nbsp;good-for-nothing piece of shit!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love it! I haven't had someone<br>&nbsp;&nbsp;&nbsp;&nbsp;say that to me in ages.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I like about you.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your anger comes from one--being a sore<br>&nbsp;&nbsp;&nbsp;&nbsp;loser because you know this game is lost.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two--at having me concisely guess<br>&nbsp;&nbsp;&nbsp;&nbsp;at what you think deep down.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have delved far deeper into<br>&nbsp;&nbsp;&nbsp;&nbsp;people's hearts than you ever have.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you speak of human hearts<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're a gangster<br>&nbsp;&nbsp;&nbsp;&nbsp;living in a world of violence?<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want an explanation?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because the man you're speaking with<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;used to be a guard dog of the law<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that burned with an inane sense of<br>&nbsp;&nbsp;&nbsp;&nbsp;justice with the Hong Kong police.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's nothing impressive.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not unusual for people here<br>&nbsp;&nbsp;&nbsp;&nbsp;to lead contradicting lives.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Re-evaluate yourself as nothing more<br>&nbsp;&nbsp;&nbsp;&nbsp;than a mere pawn and step down.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it for the sake of your own soul.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let this come to an end, Mr. Chang.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. Then do as you like.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that declaration of defiance,<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect you to put up a decent fight.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Tracking Team D2.<br>&nbsp;&nbsp;&nbsp;&nbsp;Target is in our sights.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a block away.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Draw in closer.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, we're still going<br>&nbsp;&nbsp;&nbsp;&nbsp;after her? We're down to--<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, José!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we pull back now,<br>&nbsp;&nbsp;&nbsp;&nbsp;the dead will have died like dogs!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, what a pain! Think they'll let<br>&nbsp;&nbsp;&nbsp;&nbsp;us through if we explain ourselves?<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll just have to kill<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone blocking our path.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am cool with charging in.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have one question for you.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you? You can actually talk?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is it?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That elevated stage! Wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;making our entrance from here...<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...look cool?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why did you bring that freak with us?!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let it slide. He's a bit "special."<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sound of gunfire isn't letting up.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is shooting who?<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let the hostiles go through and<br>&nbsp;&nbsp;&nbsp;&nbsp;send the Diversion Team after them.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eventually, they will join Bravo<br>&nbsp;&nbsp;&nbsp;&nbsp;and Charlie for a pincer attack.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, check your ammo.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't waste your cylinders.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about after the operation?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll lay low outside of town<br>&nbsp;&nbsp;&nbsp;&nbsp;and wait for orders from the NSA.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But first, we need to put<br>&nbsp;&nbsp;&nbsp;&nbsp;all our concentration into<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;catching and obliterating our opponent.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a blessing if she took the bait.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go around.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this! We've got your asses!<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is on the other<br>&nbsp;&nbsp;&nbsp;&nbsp;side of this crazy fight.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh huh!<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is D4. We are rushing to D2's aid.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall now enter the--<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freeze!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, take shelter over there.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But--<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move it, you brats!<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can pull through if I'm by myself. Hurry!<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O villains who direct your<br>&nbsp;&nbsp;&nbsp;&nbsp;vile blades at children<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on this night with its clear blue moon!<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any foe my beloved gun goes after<br>&nbsp;&nbsp;&nbsp;&nbsp;shall be blown to smithereens!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God is here, watching over me.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, none are more suited than<br>&nbsp;&nbsp;&nbsp;&nbsp;I to execute you in the name of Hea--<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola!<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get over to you! Stay back and hide!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it! You hide too, Fabiola!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A different opponent is holding D4 back.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph! That is not our true foe.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I was the American commander,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would stage a pincer attack.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a US imperialist tactic.<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what we taught Rosarita.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, the bloodhound<br>&nbsp;&nbsp;&nbsp;&nbsp;should have taken position here.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find her!<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola?<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not her! It's the enemy!<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're still shooting.<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A central nervous system stimulant.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what Roberta<br>&nbsp;&nbsp;&nbsp;&nbsp;ordered from Dr. Heartland!<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've lost contact with Lopez,<br>&nbsp;&nbsp;&nbsp;&nbsp;who went to the third floor.<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've found her. She's upstairs.<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta is here!<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally! I finally caught up with her!<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lopez?! Lopez, any anomalies upstairs?<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What's wrong, Lopez?<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. I'll make it in time.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way Roberta could lose!<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't lose! Have faith in her!<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you haven't lost<br>&nbsp;&nbsp;&nbsp;&nbsp;your touch, Bloodhound.<br>**[24:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use. I know all of your moves.<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come from Habana.<br>**[24:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're from the Cuban Navy's Special Forces.<br>**[24:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precisely. The request came directly<br>&nbsp;&nbsp;&nbsp;&nbsp;from FARC's Commander Marulanda.<br>**[24:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why don't you shoot me?"<br>&nbsp;&nbsp;&nbsp;&nbsp;It's written all over your face.<br>**[24:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have had several<br>&nbsp;&nbsp;&nbsp;&nbsp;opportunities to shoot you.<br>**[25:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The commander is dying to<br>&nbsp;&nbsp;&nbsp;&nbsp;have your head, but not me.<br>**[25:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the activist who received the<br>&nbsp;&nbsp;&nbsp;&nbsp;most attention in Central's guerrilla meetings.<br>**[25:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the only one meant to<br>&nbsp;&nbsp;&nbsp;&nbsp;inherit old Carlos' name as Jackal.<br>**[25:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is imperative that our organization<br>&nbsp;&nbsp;&nbsp;&nbsp;has one skilled such as you.<br>**[25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back with me, Bloodhound.<br>**[25:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you are kept as a<br>&nbsp;&nbsp;&nbsp;&nbsp;maid in a country manor,<br>**[25:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot defy the smell of blood.<br>**[25:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[25:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That place was boring.<br>**[25:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was nothing,<br>&nbsp;&nbsp;&nbsp;&nbsp;not even blood or gunfire.<br>**[25:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is time to go, now that the Master is dead.<br>**[25:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I avenge him,<br>&nbsp;&nbsp;&nbsp;&nbsp;my debt will have been paid.<br>**[25:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a peculiar thought, Rosarita.<br>**[25:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will finish this soon, so don't interfere.<br>**[26:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. Some American heads<br>&nbsp;&nbsp;&nbsp;&nbsp;will make for nice souvenirs.<br>**[26:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt the commander<br>&nbsp;&nbsp;&nbsp;&nbsp;will simply forgive me.<br>**[26:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't underestimate me.<br>&nbsp;&nbsp;&nbsp;&nbsp;My will is Habana's will.<br>**[26:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not allow those FARC dogs to object.<br>**[26:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say...<br>**[26:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering what is to come,<br>**[26:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would it be wise of me<br>&nbsp;&nbsp;&nbsp;&nbsp;to attach myself to you?<br>**[26:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have to hunt down<br>&nbsp;&nbsp;&nbsp;&nbsp;those American soldiers first?<br>**[26:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They cannot move until<br>&nbsp;&nbsp;&nbsp;&nbsp;I take the bait, anyway.<br>**[26:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, this is just like a greenhouse<br>&nbsp;&nbsp;&nbsp;&nbsp;filled with the warmth of death.<br>**[26:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns me on.<br>**[26:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bloodhound, are you testing me?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one testing you.<br>**[27:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you my dog?<br>**[27:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are, then act like a dog<br>&nbsp;&nbsp;&nbsp;&nbsp;and stick out your tongue.<br>**[27:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Don't shred my clothes.<br>**[27:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to fight the Americans naked.<br>**[27:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you take off my pants?<br>**[27:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make me laugh. Do it yourself.<br>**[27:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so cautious. Fine then.<br>**[27:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take them off nice and slow,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't shoot.<br>**[28:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You bitch!<br>**[28:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't enough. You should have<br>&nbsp;&nbsp;&nbsp;&nbsp;been far, far, far more cautious.<br>**[28:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never ally myself with you!<br>**[28:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason is because you and<br>&nbsp;&nbsp;&nbsp;&nbsp;those foxes serve the same master!<br>**[28:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Principles and ideals!<br>**[28:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will never serve under<br>&nbsp;&nbsp;&nbsp;&nbsp;those detestable scams again!<br>**[28:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is only one person in this world<br>&nbsp;&nbsp;&nbsp;&nbsp;who may put a leash on my collar...<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia Fernando Lovelace.<br>**[28:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is destined to be my master.<br>**[28:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is the only one I would slurp<br>&nbsp;&nbsp;&nbsp;&nbsp;mud and risk my life to protect.<br>**[29:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is for him alone that<br>&nbsp;&nbsp;&nbsp;&nbsp;I seek revenge and kill!<br>**[29:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will crush all of my bad family relations!<br>**[29:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are no longer a bloodhound.<br>**[29:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a lone wolf that has grown sick.<br>**[29:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, stop it! No, stop it!<br>**[29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it! Stop it! Stop it!<br>**[29:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[29:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young...<br>**[29:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master?<br>**[29:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master?<br>**[30:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! Young Master, don't look at me!<br>**[30:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't... Don't...<br>**[30:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>**[30:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No more...<br>**[30:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>**[30:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?!<br>**[30:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I do?! What should I do?!<br>**[30:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you continue to gaze upon me<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to prevent this outcome?<br>**[30:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long...? How long must you haunt me?!<br>**[30:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am? No, you're wrong.<br>**[30:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You simply cannot forget<br>**[30:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you attacked Taisho<br>&nbsp;&nbsp;&nbsp;&nbsp;Electric's Magnarelli office<br>**[30:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and shot two Japanese technicians.<br>**[30:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. That happened seven years ago.<br>**[30:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before my execution, you tore<br>&nbsp;&nbsp;&nbsp;&nbsp;apart a picture of my family.<br>**[30:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of those minor injuries melded<br>&nbsp;&nbsp;&nbsp;&nbsp;into one and stayed with you.<br>**[31:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it pus and fester as you<br>&nbsp;&nbsp;&nbsp;&nbsp;spent your days in peace and quiet?<br>**[31:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had walked through<br>&nbsp;&nbsp;&nbsp;&nbsp;life with that child,<br>**[31:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those wounds may have healed someday.<br>**[31:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you are the one who spoiled that life.<br>**[31:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what would it have<br>&nbsp;&nbsp;&nbsp;&nbsp;taken to obtain forgiveness?<br>**[31:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I cannot be forgiven for all eternity,<br>**[31:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how was I supposed to act<br>&nbsp;&nbsp;&nbsp;&nbsp;as I resided in that manor?<br>**[31:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've always hounded me!<br>**[31:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't let me forget!<br>&nbsp;&nbsp;&nbsp;&nbsp;You will never let me forget!<br>**[31:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sacrificed my Master and now you<br>&nbsp;&nbsp;&nbsp;&nbsp;have done this to the Young Master!<br>**[31:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it.<br>**[31:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. So, that's it.<br>**[31:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you showed this to me.<br>**[31:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that how desperate you are to kill me?<br>**[31:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. There is no way my<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master would be here!<br>**[32:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master is waiting at the manor<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to bring back the foxes' heads.<br>**[32:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master will smile at me and<br>&nbsp;&nbsp;&nbsp;&nbsp;everything will return to how it was.<br>**[32:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet you had to show me an image of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Young Master in this sorry state!<br>**[32:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You showed me the one thing<br>&nbsp;&nbsp;&nbsp;&nbsp;I never wanted to see!<br>**[32:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never forgive you!<br>**[32:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master isn't here.<br>**[32:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't really here, just like you aren't!<br>**[32:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll prove that right now.<br>**[32:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Burroughs!<br>**[32:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While on patrol, we stumbled<br>&nbsp;&nbsp;&nbsp;&nbsp;upon the target in a building.<br>**[32:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used a tear gas grenade.<br>**[32:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first sergeant saved a boy.<br>**[32:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is First Sergeant Horner.<br>&nbsp;&nbsp;&nbsp;&nbsp;We have canceled the feint<br>**[33:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and are returning to Point A.<br>**[33:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[34:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next episode<br>**[34:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock, you said to read<br>&nbsp;&nbsp;&nbsp;&nbsp;this when I lose my way.<br>**[34:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock, did you realize who you<br>&nbsp;&nbsp;&nbsp;&nbsp;were talking about when you said that?!<br>**[34:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 4 - Oversaturation Kill Box

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Sergeant Horner, what happened?<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We heard gunshots, so we went<br>&nbsp;&nbsp;&nbsp;&nbsp;to apprehend the target.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There we found a kid and--ah, I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;sorry. We've complicated the issue.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Burroughs!<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kid would have died if the<br>&nbsp;&nbsp;&nbsp;&nbsp;First Sergeant didn't save him.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll prove that right now.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe the First Sergeant<br>&nbsp;&nbsp;&nbsp;&nbsp;made the right call.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, abandon the pincer attack<br>&nbsp;&nbsp;&nbsp;&nbsp;and switch to maneuver warfare.<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will rendezvous at Dagger 6.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Sergeant, the situation<br>&nbsp;&nbsp;&nbsp;&nbsp;has grown more severe.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But allowing a child to die is<br>&nbsp;&nbsp;&nbsp;&nbsp;unacceptable. You've done well.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation has changed.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have the courage for this?<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir! Yes, sir!<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master... is gone?<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's gone... because of those foxes?<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smell of death is growing strong.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful, Shen Hua.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be terrible if<br>&nbsp;&nbsp;&nbsp;&nbsp;we lost our money bag.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go over there! Pull back!<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi-ya!<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't! She's not sane!<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go! Roberta, it's me!<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me, Fabiola!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've obeyed the Young Master's<br>&nbsp;&nbsp;&nbsp;&nbsp;wishes to come get you.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am, the Young Master is...<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola?<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you finished cleaning the lounge?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Master is searching for his newspaper.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must retrieve the Young Master from<br>&nbsp;&nbsp;&nbsp;&nbsp;the farm before it starts to rain.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bridge is out. They'll jump us.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is the only way out of town by foot.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, kiddo! We're on your side.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you feel, boy?<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you understand me?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are with the American Army. We saved<br>&nbsp;&nbsp;&nbsp;&nbsp;you when you got caught in the gunfire.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall protect you until we<br>&nbsp;&nbsp;&nbsp;&nbsp;make it to somewhere safe.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a promise between men,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't you worry.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta has overdosed on her meds.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's questionable if she will<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to recognize Garcia.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't gamble over something so precarious.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we fail to recover Roberta via Garcia,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;his role will undoubtedly change.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to understand that, Garcia.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? Want some water?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, First Sergeant? Scaring<br>&nbsp;&nbsp;&nbsp;&nbsp;kids again with that face of yours?<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't be stupid!<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Staff Sergeant Sanchez.<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you!<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite his appearance,<br>&nbsp;&nbsp;&nbsp;&nbsp;First Sergeant Horner here is a daddy,<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who fawns over his daughter<br>&nbsp;&nbsp;&nbsp;&nbsp;that's about to turn seven.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no need to tell him all that!<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Burroughs, do you have a candy bar?<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have one. But L.G. might.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, he's got a real sweet tooth...<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... If it weren't for you...!<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it... If it weren't for you...!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming Garcia follows<br>&nbsp;&nbsp;&nbsp;&nbsp;through to the end...<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The main problem comes after that.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I spent two days advertising my mission.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who it is, but the person<br>&nbsp;&nbsp;&nbsp;&nbsp;who never overlooks the state of this town<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will definitely give me a call.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's late.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L.G., tell Bravo and Charlie<br>&nbsp;&nbsp;&nbsp;&nbsp;we're changing the meeting spot.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it!<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, kid?!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't aim your gun at a child!<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Major, he was going to--<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Horner, let him go.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, why did you do that?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you? It was no coincidence<br>&nbsp;&nbsp;&nbsp;&nbsp;that you were in that building.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was--that was no coincidence!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is all your fault.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the ones who ruined our lives!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would seem that our situation<br>&nbsp;&nbsp;&nbsp;&nbsp;is even worse than we had feared.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you tell? Last October<br>&nbsp;&nbsp;&nbsp;&nbsp;in Barinas, Venezuela.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten lives were lost at a political meeting.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of them was my-my father!<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Presidential Order 114 for outsiders.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You took my father from me!<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the other person dear to me<br>&nbsp;&nbsp;&nbsp;&nbsp;will probably never come back!<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy, you have the right<br>&nbsp;&nbsp;&nbsp;&nbsp;to take revenge on me.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it, Shane!<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a big boy. You can decide<br>&nbsp;&nbsp;&nbsp;&nbsp;for yourself what to do, can't you?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What don't you understand? Let me see it.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposedly, there are four<br>&nbsp;&nbsp;&nbsp;&nbsp;hidden items in that picture.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no matter how I look at it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's just a picture of a hunting spot.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emilio brought it to brag<br>&nbsp;&nbsp;&nbsp;&nbsp;about it, but he's just lying.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't casually call people liars.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the back.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, it's important to look<br>&nbsp;&nbsp;&nbsp;&nbsp;at things from different angles.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do, look. Here is a<br>&nbsp;&nbsp;&nbsp;&nbsp;horned owl and here is an angel.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And look here!<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Christ!<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. I wonder why<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't see it before.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were probably just looking at it<br>&nbsp;&nbsp;&nbsp;&nbsp;from the same angle as the picture.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to see things properly,<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you must look at them from<br>&nbsp;&nbsp;&nbsp;&nbsp;every possible direction.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane, stop it!<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lower your guns. That is an order!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? It's you?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a hello! And who were you expecting?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dropped the stuff you ordered<br>&nbsp;&nbsp;&nbsp;&nbsp;over the phone this morning<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the location you indicated.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how's it going? About done?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not over yet. I won't let it end!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On my way here, I passed by some<br>&nbsp;&nbsp;&nbsp;&nbsp;Ivan dudes up on the rooftops.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have located the Americans' main troop!<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take position for battle immediately.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That shouldn't affect my gamble.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The proud *desantniki* are about to<br>
&nbsp;&nbsp;&nbsp;&nbsp;stand before their old enemy.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he shoots, I will consider him a hostile<br>&nbsp;&nbsp;&nbsp;&nbsp;threat, going by the Rules of Engagement.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you hear my order?!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, we've been catching<br>&nbsp;&nbsp;&nbsp;&nbsp;some strange radio signals.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're in Russian!<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enemies sighted.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can the Gray Fox hear me, Major?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is right above you. You better act fast.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally caught up!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run some more, Foxy!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane!<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major!<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't,<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll skin you!<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is she?!<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't hurt her, too!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boy?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's one of the people<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that has been broken by your hands!<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it isn't the Young Master.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as the hunt is over,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall prepare some tea for you.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait a little while longer.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target has retreated.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well done, Corporal Zachamin.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What unit is up on the roof?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are affiliated with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Soviet Union's paratroopers.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name? Let's see, it is Captain Jane Doe.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, the Bloodhound is still nearby.<br>&nbsp;&nbsp;&nbsp;&nbsp;Retreat immediately.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather than fight with the US Army<br>&nbsp;&nbsp;&nbsp;&nbsp;and kill each other off,<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balalaika will probably use this as the<br>&nbsp;&nbsp;&nbsp;&nbsp;pretext to settle her score with Chang.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Hong Kong Triad and Hotel Moscow<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have been battling for<br>&nbsp;&nbsp;&nbsp;&nbsp;supremacy over this town.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that battle has yet to be concluded.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In their last duel before the truce,<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of Chang's shots<br>&nbsp;&nbsp;&nbsp;&nbsp;pierced through Balalaika.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason she feels in debt to Dutch<br>&nbsp;&nbsp;&nbsp;&nbsp;for saving her when she was in peril<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because he left her the<br>&nbsp;&nbsp;&nbsp;&nbsp;opportunity to exact vengeance.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang will dangle that opportunity<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of Balalaika and--<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to gambling, you win.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going by the military radio<br>&nbsp;&nbsp;&nbsp;&nbsp;signals I'm picking up,<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's how things are proceeding.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We headed toward Central Avenue...<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's your next gamble?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well done. We shall continue to offer our support.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The American soldiers' goals<br>&nbsp;&nbsp;&nbsp;&nbsp;have been set askew.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they try to resume their mission, they<br>&nbsp;&nbsp;&nbsp;&nbsp;will need a means with which to execute it.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will give it to them.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what if they give up<br>&nbsp;&nbsp;&nbsp;&nbsp;and cancel the mission?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're on the right track, Rock.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Canceling the mission<br>&nbsp;&nbsp;&nbsp;&nbsp;would make them lose face.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll go through with it<br>&nbsp;&nbsp;&nbsp;&nbsp;out of sheer stubbornness.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, minus Roberta, all of the cards<br>&nbsp;&nbsp;&nbsp;&nbsp;will fall into my hands if things go well.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that is when the goodies you ordered<br>&nbsp;&nbsp;&nbsp;&nbsp;from me will first come into play.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Americans and that rich<br>&nbsp;&nbsp;&nbsp;&nbsp;South American will foot the bill.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as I'm concerned, I win either way.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got hope for you yet, Rock!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eda!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you're getting?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You--<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have thought that the Hong Kong<br>&nbsp;&nbsp;&nbsp;&nbsp;Triad would be paying you as well.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're in need of a patron.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though the mafias claim<br>&nbsp;&nbsp;&nbsp;&nbsp;to coexist and prosper,<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang is the one who truly rules this town.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty much.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Chang has someone backing him.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how much influence a lowly<br>&nbsp;&nbsp;&nbsp;&nbsp;Hong Kong mafioso fights for,<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way he could survive in<br>&nbsp;&nbsp;&nbsp;&nbsp;this city without major support.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm searching for the<br>&nbsp;&nbsp;&nbsp;&nbsp;person who controls Chang--<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the true ruler of Roanapur,<br>&nbsp;&nbsp;&nbsp;&nbsp;who hides behind Chang. That's--<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't, Rock.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to willingly rush<br>&nbsp;&nbsp;&nbsp;&nbsp;and see the deep-sea leviathan.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, did you know, Rock?<br>&nbsp;&nbsp;&nbsp;&nbsp;Not all gods get along.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all good!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should give him a call.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're impressive. They're<br>&nbsp;&nbsp;&nbsp;&nbsp;covering our heads perfectly.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they are also somewhat rude.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane, are they seriously<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Soviet Union's army?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Soviet Union isn't a country anymore.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she introduced herself as Jane Doe,<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is slang for "unidentified person."<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ray, I just want to get out of this<br>&nbsp;&nbsp;&nbsp;&nbsp;crazy town as soon as possible.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I feel the same.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said to read this when I lose my way.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock, did you realize who you were<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about when you said that?!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Rock! The boss is pissed.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I get the feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;you shouldn't talk to him.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'll give you the phone.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a coworker, I couldn't bear<br>&nbsp;&nbsp;&nbsp;&nbsp;to lose you. Patch things up.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me. What do you have<br>&nbsp;&nbsp;&nbsp;&nbsp;to say for yourself?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so worked up, I can't even sleep.<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch, first let me apologize.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may know your manners, but I should<br>&nbsp;&nbsp;&nbsp;&nbsp;have you take a look at our dress code.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, but what happens<br>&nbsp;&nbsp;&nbsp;&nbsp;next won't affect just me.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an over-exaggeration, Rock.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I bring over Perry Mason<br>&nbsp;&nbsp;&nbsp;&nbsp;for your attorney?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a job for you, Dutch.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The client is an organization<br>&nbsp;&nbsp;&nbsp;&nbsp;from the American government.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an official job for Lagoon Company.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city has gone past the point of no return<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it was our duty to remove<br>&nbsp;&nbsp;&nbsp;&nbsp;the pests at the very end.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we act as the transport service<br>&nbsp;&nbsp;&nbsp;&nbsp;and take them out of town,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the other pest will leave, as well.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get what you're saying, Rock.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're in a sorry state.<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, you're just like--<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dutch,<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're the only ones who will get to enjoy the<br>&nbsp;&nbsp;&nbsp;&nbsp;end of this mayhem as it comes to a finale.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch! Hang it up!<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on earth did he say?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll need doctors for more<br>&nbsp;&nbsp;&nbsp;&nbsp;people than just the maid.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell him I absolutely refuse.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not him.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from Chang of the Triad.<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposedly, he has a job for us.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found them, gothic chic?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that Garcia?<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear! Our money bag<br>&nbsp;&nbsp;&nbsp;&nbsp;is with the US Army.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That kid is such a handful.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only a few of them.<br>&nbsp;&nbsp;&nbsp;&nbsp;We could finish them off now.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you down to?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just these.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect!<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, it didn't go through.<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you get hit?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that monster of a woman<br>&nbsp;&nbsp;&nbsp;&nbsp;flew down a minute ago.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That boy was in danger.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tall guy in the center can't move, can he?<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll deal with the black guy.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take care of the leader-looking guy.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. We'll kill them<br>&nbsp;&nbsp;&nbsp;&nbsp;on the count of three.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready? Three, two, one!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need these arms for work<br>&nbsp;&nbsp;&nbsp;&nbsp;and you shot both of them!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two-Hands, here's a<br>&nbsp;&nbsp;&nbsp;&nbsp;message from the captain--<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This war is ours and ours alone."<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We will not tolerate others defiling it."<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next time, we will aim for your<br>&nbsp;&nbsp;&nbsp;&nbsp;head or throat." That is all!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mister, look.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No sign of booby-traps.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The engine works!<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We followed the boy's map to this location.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised to find you here, Will.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going to use this informer<br>&nbsp;&nbsp;&nbsp;&nbsp;to look for a mediator.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And much to my surprise, I wound up<br>&nbsp;&nbsp;&nbsp;&nbsp;getting the Catholic church on the hill.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing would surprise me now.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We even managed to get a boat that<br>&nbsp;&nbsp;&nbsp;&nbsp;will take us to our operations site.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section B is joining us.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great!<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid we can't cancel our operation.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Section C is joining us.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quickly finish the roll call and<br>&nbsp;&nbsp;&nbsp;&nbsp;get everyone in the trucks.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like this, but let's stand steadfast.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane!<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two kids now.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll bring both of them with us.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after all that shooting,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is still no sign of the police!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a mere five blocks over<br>&nbsp;&nbsp;&nbsp;&nbsp;and the town is as busy as ever.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Jane Doe, I appreciate<br>&nbsp;&nbsp;&nbsp;&nbsp;all of your support.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a pleasure, Major.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But truth be told, you are the<br>&nbsp;&nbsp;&nbsp;&nbsp;ones we truly wanted to fight.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have since we still lived<br>&nbsp;&nbsp;&nbsp;&nbsp;in the world of humans.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have waited and waited<br>&nbsp;&nbsp;&nbsp;&nbsp;for this war to come<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since we stumbled over<br>&nbsp;&nbsp;&nbsp;&nbsp;the sands of Afghanistan.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fought in Afghanistan?<br>&nbsp;&nbsp;&nbsp;&nbsp;Our grimy past was in Vietnam.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we were in different<br>&nbsp;&nbsp;&nbsp;&nbsp;countries and locations,<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my unit saw and fought<br>&nbsp;&nbsp;&nbsp;&nbsp;the same things as you!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we have fallen to the<br>&nbsp;&nbsp;&nbsp;&nbsp;point that our emotions sway<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;over duels with thugs,<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than fights in war!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being a corpse is repugnant.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly jealous and<br>&nbsp;&nbsp;&nbsp;&nbsp;envious of the living.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, at the very least,<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to remember<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the discipline and power<br>&nbsp;&nbsp;&nbsp;&nbsp;we have maintained.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I would like to brand<br>&nbsp;&nbsp;&nbsp;&nbsp;a sense of fear into you.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Major!<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, a moment please.<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare for battle!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Concentrate fire on the port side.<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare to fire!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Major. I cannot wait any longer.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall hereby see you off.<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare the salute!<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aim! Fire!<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All shots were within vicinity of the target.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excellent. Major?<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Jane Doe, you have masterfully<br>&nbsp;&nbsp;&nbsp;&nbsp;stationed your small forces.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The skill with which you executed<br>&nbsp;&nbsp;&nbsp;&nbsp;that artillery assault was admirable.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall take your compliments as an honor.<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why must our paths<br>&nbsp;&nbsp;&nbsp;&nbsp;be so different from yours<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when we are such skilled soldiers?!<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, this is difficult for me to ask,<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but were you discharged due to illness?<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is no surprise that you would think that.<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was called "voluntary discharge,"<br>&nbsp;&nbsp;&nbsp;&nbsp;but in reality, it was desertion.<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason was extremely simple.<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While on an internationally illegal<br>&nbsp;&nbsp;&nbsp;&nbsp;operation that had us cross the border,<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we saved a child who was in a refugee<br>&nbsp;&nbsp;&nbsp;&nbsp;camp. The mass media recorded that.<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. This happened in April of 1986.<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hurry and leave this town, Major.<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And make sure I never see you again.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is growing saturated.<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for this town as well as my head.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I trying to do here?<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, can you still see the path?<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, of course.<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then good. But don't<br>&nbsp;&nbsp;&nbsp;&nbsp;count me in your forces.<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine. From here out,<br>&nbsp;&nbsp;&nbsp;&nbsp;that won't be a problem.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That right?<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be okay.<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear he's too efficient!<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fake registration, river passes,<br>&nbsp;&nbsp;&nbsp;&nbsp;boating licenses for three countries<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and an NGO permit! All in<br>&nbsp;&nbsp;&nbsp;&nbsp;the style of press cards!<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we got a mountain of armament for<br>&nbsp;&nbsp;&nbsp;&nbsp;the US Army to fight in open battle.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He ordered all of that<br>&nbsp;&nbsp;&nbsp;&nbsp;from that violent church?<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the finishing touch, he even had<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang call to commission the job.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, damn it! There was<br>&nbsp;&nbsp;&nbsp;&nbsp;no way I could refuse.<br>**[24:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when was he a skilled businessman?<br>**[24:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lagoon has left the port.<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the maid is alive, she will undoubtedly<br>&nbsp;&nbsp;&nbsp;&nbsp;leave this city to chase after them.<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, it's sickening how well this turned out.<br>**[24:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you manipulated<br>&nbsp;&nbsp;&nbsp;&nbsp;that battle-hungry vixen!<br>**[24:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention, what that Japanese<br>&nbsp;&nbsp;&nbsp;&nbsp;coward's done because of your bet.<br>**[24:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mind my saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;now I finally understand why<br>**[24:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Dai Lo picked up and cared for a<br>&nbsp;&nbsp;&nbsp;&nbsp;rotten cop that killed all his comrades.<br>**[24:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got the most grit!<br>**[24:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me an ego boost.<br>**[24:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gentlemen, I am the captain of this ship.<br>**[25:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will refuel out in the ocean soon.<br>**[25:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After which, I will take you<br>&nbsp;&nbsp;&nbsp;&nbsp;to your target location.<br>**[25:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am their leader, Caxton.<br>**[25:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bluntly put, can we trust you?<br>**[25:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as you will. I don't welcome the idea<br>&nbsp;&nbsp;&nbsp;&nbsp;of that cyborg woman coming after me.<br>**[25:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this affair has turned into a paying job.<br>**[25:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, I will fulfill my contract.<br>**[25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I doubt that was<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to kill that woman.<br>**[25:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, well, he's in a bit of a bad mood,<br>&nbsp;&nbsp;&nbsp;&nbsp;but don't worry about him.<br>**[25:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's familiar with this course and all.<br>**[25:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's familiar with it?<br>**[25:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was on a riverboat unit<br>&nbsp;&nbsp;&nbsp;&nbsp;during the Vietnam War.<br>**[25:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This boat is going to go<br>&nbsp;&nbsp;&nbsp;&nbsp;up the Mekong River.<br>**[25:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll enter from the Mekong<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta and go up the river<br>**[25:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the border of Thailand, Burma, and Laos.<br>**[25:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, we're headed<br>&nbsp;&nbsp;&nbsp;&nbsp;straight toward the Golden Triangle.<br>**[26:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and the area beyond this<br>&nbsp;&nbsp;&nbsp;&nbsp;door is my personal space.<br>**[26:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better not come in.<br>**[26:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for flying with<br>&nbsp;&nbsp;&nbsp;&nbsp;Bangkok Airlines today.<br>**[26:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This flight will be leaving from<br>&nbsp;&nbsp;&nbsp;&nbsp;Don Muang International Airport...<br>**[26:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and landing at Mandalay Airport at 2:30pm...<br>**[26:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you stink horribly.<br>**[26:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you have time for a shower?<br>**[26:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The destination has clear skies<br>**[26:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a temperature of 29°C...<br>**[26:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, I understand how impatient foxes can be.<br>**[26:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, I see you found<br>**[26:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait a while longer for take off...<br>**[26:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the airplane ticket I left in your hideout.<br>**[26:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's wonderful! I set it up so that<br>&nbsp;&nbsp;&nbsp;&nbsp;they would let you through the gate<br>**[26:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;despite your somewhat<br>&nbsp;&nbsp;&nbsp;&nbsp;suspicious appearance.<br>**[26:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Within 36 hours, they--<br>**[26:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who...<br>**[26:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you?<br>**[26:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you an American lackey?<br>**[26:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case--!<br>**[26:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being too freaking loud, moron!<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up and listen to me!<br>**[26:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to tell you<br>&nbsp;&nbsp;&nbsp;&nbsp;where the foxes are going.<br>**[27:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even prepared transportation<br>&nbsp;&nbsp;&nbsp;&nbsp;to get you there!<br>**[27:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate your assistance.<br>**[27:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? That's commendable.<br>**[27:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the end of my hunt, I will<br>&nbsp;&nbsp;&nbsp;&nbsp;give you a painless death.<br>**[27:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the designated area.<br>**[27:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dropping anchor and we'll<br>&nbsp;&nbsp;&nbsp;&nbsp;wait for the fueling ship here.<br>**[27:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll enter the Mekong tomorrow.<br>**[27:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shrimp!<br>**[27:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't turn on a light. Shut it off.<br>**[27:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you doing?<br>**[27:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Studying English.<br>**[27:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured I should have a better<br>&nbsp;&nbsp;&nbsp;&nbsp;grasp on what you're saying.<br>**[27:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a hard worker!<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the kiddo up to?<br>**[28:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's down at the stern by himself.<br>**[28:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master keeps whispering<br>&nbsp;&nbsp;&nbsp;&nbsp;that Roberta is still alive.<br>**[28:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I think so as well.<br>**[28:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as a result, Rock intends<br>&nbsp;&nbsp;&nbsp;&nbsp;to pull another stunt...<br>**[28:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another one.<br>**[28:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But look at the shape I'm in.<br>**[28:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do a thing. If anything happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll need to rely on your gunmanship.<br>**[28:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were the ones who originally<br>&nbsp;&nbsp;&nbsp;&nbsp;presented this proposal,<br>**[28:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm starting to think that<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese guy is too dangerous.<br>**[28:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master ran into the<br>&nbsp;&nbsp;&nbsp;&nbsp;US Army just as he contrived.<br>**[28:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Young Master has taken<br>&nbsp;&nbsp;&nbsp;&nbsp;some serious damage.<br>**[28:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I'm always saying,<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock is best suited for peacefully<br>&nbsp;&nbsp;&nbsp;&nbsp;basking in the sun on a bench.<br>**[28:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, he's not used to taking gambles.<br>**[28:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes, people take on<br>&nbsp;&nbsp;&nbsp;&nbsp;more than they can chew.<br>**[29:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what happened this time.<br>**[29:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toughen him up if you<br>&nbsp;&nbsp;&nbsp;&nbsp;think he wasn't up to it.<br>**[29:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why haven't you already?<br>**[29:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want from him?<br>**[29:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so that's it.<br>**[29:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[29:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're afraid that you won't<br>&nbsp;&nbsp;&nbsp;&nbsp;find what you so admire<br>**[29:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you delve too deeply with him.<br>**[29:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Admire?! You don't know a thing!<br>**[29:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one in the dark.<br>**[29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way I see that man, he isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;the type of guy you take him for.<br>**[29:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want to touch his true nature<br>**[29:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you would no longer be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to view him as being radiant.<br>**[29:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he really is a laidback and<br>&nbsp;&nbsp;&nbsp;&nbsp;peaceful person like you think<br>**[29:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you hold those traits dear,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should escape<br>**[29:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the South American countryside<br>&nbsp;&nbsp;&nbsp;&nbsp;and sell cheap food for a living.<br>**[29:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you won't do that.<br>**[29:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is stupid!<br>**[29:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think that I am the same as you.<br>**[30:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you tried to view him as<br>&nbsp;&nbsp;&nbsp;&nbsp;the exact opposite as yourself.<br>**[30:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because you want<br>&nbsp;&nbsp;&nbsp;&nbsp;those beliefs to save you.<br>**[30:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm not one to talk, since I've had<br>&nbsp;&nbsp;&nbsp;&nbsp;to rely on using and deceiving him.<br>**[30:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done that all so I can<br>&nbsp;&nbsp;&nbsp;&nbsp;retrieve our head maid<br>**[30:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and fill his--the Young Master's--<br>&nbsp;&nbsp;&nbsp;&nbsp;heart with peace once more.<br>**[30:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are we different?<br>**[30:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[30:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said that we're different.<br>**[30:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me how we are different.<br>**[30:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those feral dog-like eyes.<br>**[30:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen a bunch of people<br>&nbsp;&nbsp;&nbsp;&nbsp;like you in my hometown.<br>**[30:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your family was terribly messed up.<br>**[30:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right?<br>**[30:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So?<br>**[30:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But my family was different.<br>**[30:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father worked thriftily at a parking lot.<br>**[30:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mother was never tolerant<br>&nbsp;&nbsp;&nbsp;&nbsp;of anything sinful.<br>**[30:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I stole a CD player<br>&nbsp;&nbsp;&nbsp;&nbsp;my younger brother wanted,<br>**[31:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my mother hit me mercilessly.<br>**[31:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? She was violent.<br>**[31:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there was something akin to love!<br>**[31:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now. You grew up in the worst<br>&nbsp;&nbsp;&nbsp;&nbsp;impoverished dump in the world.<br>**[31:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you've convinced yourself<br>**[31:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're the same type of<br>&nbsp;&nbsp;&nbsp;&nbsp;person as your young master.<br>**[31:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the world look like<br>&nbsp;&nbsp;&nbsp;&nbsp;a flower garden to you?<br>**[31:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this is stupid! You really are a moron.<br>**[31:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it! Why are you calling me stupid?!<br>**[31:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with calling a moron stupid?!<br>**[31:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You believe...<br>**[31:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You believe that man is a flower garden.<br>**[31:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia, we need to talk.<br>**[31:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about our next move.<br>**[31:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the cast are present.<br>**[31:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to do something again?<br>**[31:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's on the house.<br>**[32:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We even have an unexpectedly small prop.<br>**[32:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't miss my mark this time either.<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the golden key, Garcia.<br>**[32:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[33:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next episode<br>**[33:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great! Great, great!<br>**[33:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great! We're going to hit the jackpot!<br>**[33:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's lost, Benny!<br>**[33:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang is going to lose!<br>**[33:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 5 - Codename Paradise, Status MIA

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYW4D0M86/black-lagoon)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I have a big gun*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I took it from my Lord*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sick with Justice*<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I just wanna feel you*<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm your angel*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Only a ring away*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You make me violate you*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who you are*<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's all up to you*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one lives forever*<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Been burn in the hell*<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*By all those pigs out there*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's always been hell*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From when I was born*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They make me violate them*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No matter who they are*<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get down on your knees*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Get a good head on your shoulders*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's for your guys*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Go to the end of the earth*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Do what you think*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Give it with dedication*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll put out your misery*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Weapon... I have it all*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The expression on your face<br>&nbsp;&nbsp;&nbsp;&nbsp;has changed, Mr. Rock.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I look the way I do because I have<br>&nbsp;&nbsp;&nbsp;&nbsp;one more thing to ask of you.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want more of me?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I can't discuss it<br>&nbsp;&nbsp;&nbsp;&nbsp;without making this face.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is very little different between us<br>&nbsp;&nbsp;&nbsp;&nbsp;since we were born into similar situations.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was just a matter of who we met in life.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why even you may have...<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were no other possibilities.<br>&nbsp;&nbsp;&nbsp;&nbsp;What happens is simply what happens.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, your footwork<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot defeat my guns.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is providence.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, the one with the final word is the<br>&nbsp;&nbsp;&nbsp;&nbsp;one with the power to shut the other up.<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that simple.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to use this and...?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly! Do it and this game<br>&nbsp;&nbsp;&nbsp;&nbsp;will come to an end.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever look in a mirror when you<br>&nbsp;&nbsp;&nbsp;&nbsp;laugh scornfully at others?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the laugh of a skeleton<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Festival of the Dead.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right! I'm amazed<br>&nbsp;&nbsp;&nbsp;&nbsp;you caught on, missy.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come strapped with a gun<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way from the Land of the Dead.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for me, your head maid,<br>&nbsp;&nbsp;&nbsp;&nbsp;those soldiers, and everyone!<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, missy, leave marigolds<br>&nbsp;&nbsp;&nbsp;&nbsp;and tequilas at my grave.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do, I'll dedicate some<br>&nbsp;&nbsp;&nbsp;&nbsp;chocolates to your soul,<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since you intend to die here in the<br>&nbsp;&nbsp;&nbsp;&nbsp;outskirts of Asia, pitiable missy.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here we go! Take my<br>&nbsp;&nbsp;&nbsp;&nbsp;cock and start sucking it!<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I spoke with that Japanese man.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I talked with that lady gunman.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sick of letting them whirl us around.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Young Master?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This feels great!<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you say that, Young Master?<br>&nbsp;&nbsp;&nbsp;&nbsp;Now come over here.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You too, Fabiola!<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that!<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, wai--!<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe these kids.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't, Young Master!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, putting Rock aside, what is Revy up to?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought she was chatting<br>&nbsp;&nbsp;&nbsp;&nbsp;with that mini maid,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then she went to the cabin<br>&nbsp;&nbsp;&nbsp;&nbsp;near the bow and won't come out.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, Fabiola.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You thought my mind was<br>&nbsp;&nbsp;&nbsp;&nbsp;going to pot, didn't you?<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I would never!<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't falter any longer.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm sick of letting others<br>&nbsp;&nbsp;&nbsp;&nbsp;twist me around their fingers.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, you ran into<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta as well, didn't you?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The head maid is... Well,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was in a terrible state.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she successfully avenged your father,<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt she would still remember<br>&nbsp;&nbsp;&nbsp;&nbsp;who she killed them for and why.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may be a mess right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but what Roberta is truly seeking<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a way to atone for her past sins.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The head maid is serious and clumsy.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She believes that applying a vague sense<br>&nbsp;&nbsp;&nbsp;&nbsp;of right and wrong to murder is insincere.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabiola, listen carefully. This is important.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear I am going to save her.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how that Japanese guy tempts me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will do it of my own accord<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if it will serve my purposes.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind if you go back<br>&nbsp;&nbsp;&nbsp;&nbsp;to Venezuela ahead of me.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I'm on my own, I will save<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta and take her back home!<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will become her cane and<br>&nbsp;&nbsp;&nbsp;&nbsp;we shall walk together forever.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, this is unrelated<br>&nbsp;&nbsp;&nbsp;&nbsp;to our master-servant relationship.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep that in mind as you listen.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The head maid will probably stay like that.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, by now she may have<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten far, far worse.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't make believe!<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she does go back with us,<br>&nbsp;&nbsp;&nbsp;&nbsp;she will continue to suffer.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, Fabiola.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So, you're going to do it.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I thought you<br>&nbsp;&nbsp;&nbsp;&nbsp;were ready to give up.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially since you saw<br>&nbsp;&nbsp;&nbsp;&nbsp;how horrible she's doing.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how kindhearted and<br>&nbsp;&nbsp;&nbsp;&nbsp;levelheaded you are, you're still a rich kid.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought this would be it.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even after all that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're sticking with this.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I can't let her die in a<br>&nbsp;&nbsp;&nbsp;&nbsp;ditch amongst those monsters.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand. Let's save her!<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of us can do it!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure of it!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. May God protect us.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh huh, may God protect us.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Family love? That's a load of crap!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You damn bitch!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I grew up in a place where no one would protect me.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit! Dammit!<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit!<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bitch!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die! Die!<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to hell!<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit! You bastard! Dammit!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Becky, you bitch! Go get some booze--<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn bastard!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! She made me<br>&nbsp;&nbsp;&nbsp;&nbsp;remember some nasty crap.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've entered the Mekong Delta<br>&nbsp;&nbsp;&nbsp;&nbsp;right on schedule.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the sun comes up, you can see how<br>&nbsp;&nbsp;&nbsp;&nbsp;the water has turned from blue to brown.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a familiar old US<br>&nbsp;&nbsp;&nbsp;&nbsp;brown-water navy haunt,<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I wanted to pass through<br>&nbsp;&nbsp;&nbsp;&nbsp;here in the cover of night.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Benny!<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From here on, we'll need to rely<br>&nbsp;&nbsp;&nbsp;&nbsp;on our GPS and echo sounder.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, we currently have a mining<br>&nbsp;&nbsp;&nbsp;&nbsp;company's latest survey data.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sucks how the river is<br>&nbsp;&nbsp;&nbsp;&nbsp;too shallow for us to zoom.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The maid is coming right up<br>&nbsp;&nbsp;&nbsp;&nbsp;at us. Tell yourself that.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, this is freaking me out!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Japanese man said that<br>&nbsp;&nbsp;&nbsp;&nbsp;you were waiting in here.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, this is something that you gave to me.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot forget what I have done.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot forgive me.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what your eyes say, isn't it?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to shoot me?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major, if that is how you feel,<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I want you to listen to me for the<br>&nbsp;&nbsp;&nbsp;&nbsp;sake of the justice you so believe in.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I've heard what you had to say.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I alone am responsible for what<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to you, your father, and your maid.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will have my subordinates fight<br>&nbsp;&nbsp;&nbsp;&nbsp;like normal to protect themselves.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that acceptable?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, there!<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you put in the<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master's head?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will tell you half of the story.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attention!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gentlemen, we will reach the<br>&nbsp;&nbsp;&nbsp;&nbsp;site of our operation tonight.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But tell yourselves that the tracker that<br>&nbsp;&nbsp;&nbsp;&nbsp;we ran into in Roanapur will be there.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be certain of it! Eliminate all<br>&nbsp;&nbsp;&nbsp;&nbsp;obstacles as necessary!<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane, isn't that woman related to this boy?<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I will take full responsibility for this.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gentlemen, put all of your strength<br>&nbsp;&nbsp;&nbsp;&nbsp;into this mission and fight for justice.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way he could do that!<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let me ask you this--<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is your situation such that you<br>&nbsp;&nbsp;&nbsp;&nbsp;can succeed without taking risks?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You planned on this from the start.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I blacked out<br>&nbsp;&nbsp;&nbsp;&nbsp;everything except for the army.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the main principle behind this gamble.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When nothing remains at the<br>&nbsp;&nbsp;&nbsp;&nbsp;very end but a test of luck,<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the betting game reaches its peak.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're...<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a lot of crap!<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All passengers, we're here.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in the dead center<br>&nbsp;&nbsp;&nbsp;&nbsp;of three countries' borders.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a context area where the three countries<br>&nbsp;&nbsp;&nbsp;&nbsp;can't do a thing since they're in a standoff.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Golden Triangle.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have my thanks.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That isn't necessary.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bill has already been<br>&nbsp;&nbsp;&nbsp;&nbsp;covered. Now beat it!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I wasn't civil with you.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good hunting! And I hope we<br>&nbsp;&nbsp;&nbsp;&nbsp;don't get involved in your mess.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Garcia leave with the major?<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, he did.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great!<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great, great! Great!<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to hit the jackpot!<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's lost, Benny.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Chang is going to lose.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo to Alpha. We have reached<br>&nbsp;&nbsp;&nbsp;&nbsp;the enemy line. All is well.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will not alter our coordinates.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alpha rogers that. Stay on standby.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Delta. We're 200 yards<br>&nbsp;&nbsp;&nbsp;&nbsp;from the enemy line.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alpha rogers that. All teams,<br>&nbsp;&nbsp;&nbsp;&nbsp;surround the area by 0230.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta rogers that.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo rogers that.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we should hurry to<br>&nbsp;&nbsp;&nbsp;&nbsp;the designated area, as well.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major! Major!<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Delta! We have found some<br>&nbsp;&nbsp;&nbsp;&nbsp;abnormalities in front of the village.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the abnormality? Tell me!<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rods. There are countless 30 inch long<br>&nbsp;&nbsp;&nbsp;&nbsp;rod-like objects going down our path.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charlie, Echo, have you sighted<br>&nbsp;&nbsp;&nbsp;&nbsp;any abnormalities in your vicinity?<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are 30 inch long--<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Echo. We verify<br>&nbsp;&nbsp;&nbsp;&nbsp;that they are here, as well.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are just rod-like<br>&nbsp;&nbsp;&nbsp;&nbsp;objects without any rattles.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are dozens of them<br>&nbsp;&nbsp;&nbsp;&nbsp;spaced roughly three feet apart.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They do not appear to<br>&nbsp;&nbsp;&nbsp;&nbsp;be wired to explosives.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Charlie. There are rods around<br>&nbsp;&nbsp;&nbsp;&nbsp;the village's entrance here, too!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What gives? These are just like barriers.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shane!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those rods?<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think they're religious items<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Shan or Wazu tribes?<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never heard of something like this.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master...<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh huh. She is already here.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo to Alpha. Major, please respond!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Alpha.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have reached our lookout post.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But something doesn't look right.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a sign of movement.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has it been abandoned?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Major.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alpha to Charlie. How are things to the east?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Charlie. There is no sign of activity.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see the plant, but<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no sign of anyone.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, there's a corpse!<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo to Alpha! We have<br>&nbsp;&nbsp;&nbsp;&nbsp;identified corpses, as well!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are several corpses near the gate.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see a single light out toward the east.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ray, we're the furthest away. Let's hurry!<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Package Romeo!<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have sighted Package Romeo!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, listen. The opium plants<br>&nbsp;&nbsp;&nbsp;&nbsp;have already been subdued.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only ones here are<br>&nbsp;&nbsp;&nbsp;&nbsp;us and Package Romeo.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Package Romeo has started<br>&nbsp;&nbsp;&nbsp;&nbsp;running in the 10:00 direction!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target is racing toward the jungle.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta to Alpha! She has<br>&nbsp;&nbsp;&nbsp;&nbsp;stopped right in front of us.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She appears to have taken a hostage.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target has disappeared into the forest!<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on, Decherd?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target has taken a prisoner.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She just cut off his ear!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The prisoner is still alive, he screamed.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is the prisoner?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Shi Yan. He's the bait to draw us in.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Delta the team closest to her?<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then follow her,<br>&nbsp;&nbsp;&nbsp;&nbsp;but do not get too close.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep a lock on the target's location.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta rogers that!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All teams, take support positions for Delta.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta to Alpha. We cannot see the target!<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alpha to Echo. Can you see her?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Echo. Give me a minute.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've found her!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Can you hear me,<br>&nbsp;&nbsp;&nbsp;&nbsp;Delta? Please respond!<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear by the name Santa Maria,<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall crush all that is immoral!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She got Murdoch and Garraty!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Sniper Unit 2! We lost<br>&nbsp;&nbsp;&nbsp;&nbsp;the target! One shot hit target.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn her!<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's targeting our heads since they lack body armor!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do all teams copy?<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aside from your team captains,<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone remove their night goggles.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put on your face masks!<br>&nbsp;&nbsp;&nbsp;&nbsp;Prepare for close-range combat!<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get your face masks on fast!<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are on our way to help Delta. Come on!<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo to Alpha.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo, report.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We found the package in the jungle.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful! There should<br>&nbsp;&nbsp;&nbsp;&nbsp;be some booby traps.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had more than my share of<br>&nbsp;&nbsp;&nbsp;&nbsp;the vile battlefield in Vietnam.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am also accustomed to<br>&nbsp;&nbsp;&nbsp;&nbsp;fighting in the jungle.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this were Guadalcanal,<br>&nbsp;&nbsp;&nbsp;&nbsp;there would be mortars.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this were Vietnam, we'd burn<br>&nbsp;&nbsp;&nbsp;&nbsp;down the forest with napalm,<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;along with the person you so care for.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Echo to Alpha. There is a detonator.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like it uses a number code.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Package Romeo wants to capture you<br>&nbsp;&nbsp;&nbsp;&nbsp;while you're trying to decode the thing.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... Wait, Gardner!<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole setup is the trap!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get away from there immediately!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger!<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team Echo, pull ba--<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lieutenant Gardner,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is something over--!<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Echo's captain. She killed Wright!<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy shell pierced<br>&nbsp;&nbsp;&nbsp;&nbsp;through his bulletproof vest.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Package Romeo is using flechette rounds!<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's firing those rods with a musket!<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has come to hunt us<br>&nbsp;&nbsp;&nbsp;&nbsp;with an antique weapon.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We saw the muzzle flash!<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we've caught sight of her! Let's go!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The countless rods she planted<br>&nbsp;&nbsp;&nbsp;&nbsp;were her silent declaration<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she will not let a single<br>&nbsp;&nbsp;&nbsp;&nbsp;one of us leave here alive.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All teams, slowly pull back out of the forest.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let your guard down.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sanchez, get into position.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sniper Team is in position to<br>&nbsp;&nbsp;&nbsp;&nbsp;assist in everyone's retreat.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't move with all these traps!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, prepare for an enemy attack there.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The teams in the forest<br>&nbsp;&nbsp;&nbsp;&nbsp;are like rats in a trap.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What direction will she strike from?<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sniper Team, be careful!<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still headed your way.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made a direct hit. I aimed for<br>&nbsp;&nbsp;&nbsp;&nbsp;her leg to avoid a fatal blow,<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she kept running!<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it!<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your tactics are only going to<br>&nbsp;&nbsp;&nbsp;&nbsp;turn her into an injured tiger.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, once Team Alpha is<br>&nbsp;&nbsp;&nbsp;&nbsp;within range for us to help them,<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're getting out of this place!<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang strong until then!<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use! Dammit! Dammit! Dammit!<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sanchez, where is she? Answer me!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Return to base immediately!<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your baby foxes...<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are dropping like flies.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They will until I skin all of their coats!<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hunt is still on.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major...<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit! Dammit! Goddamn it!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta...<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta!<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me? I finally<br>&nbsp;&nbsp;&nbsp;&nbsp;caught up with you, Roberta.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to tell you my<br>&nbsp;&nbsp;&nbsp;&nbsp;location, so listen carefully.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And please come to me.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be waiting for you.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dammit!<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, I get it!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know good and well what I am.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Revy. It's almost time.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soon, it will all come to a close.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw that.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I've been thinking about a whole<br>&nbsp;&nbsp;&nbsp;&nbsp;bunch of crap I didn't want to remember.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's your fault!<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, everything is dancing<br>&nbsp;&nbsp;&nbsp;&nbsp;in the palm of my hand, Revy.<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I control the fate of everyone in that town.<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with that attitude?<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, it's just like that twit said.<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, you've spent too<br>&nbsp;&nbsp;&nbsp;&nbsp;much time in that city.<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been overly tainted by<br>&nbsp;&nbsp;&nbsp;&nbsp;that rotten town, Roanapur.<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once this job is done, leave.<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, Revy?<br>&nbsp;&nbsp;&nbsp;&nbsp;The end is in sight.<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost over.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand you!<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master?<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Fabiola. Honestly, I'm scared.<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared of what's going to happen.<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what that<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese man told you,<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you can pull it off,<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! You can!<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God isn't the one who will save her.<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's people like you.<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do it.<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be morning soon.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once it's morning, the opium<br>&nbsp;&nbsp;&nbsp;&nbsp;army will go on its patrol.<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation will become clear then.<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But by then, this game will be over.<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What game, Rock? Do you even know<br>&nbsp;&nbsp;&nbsp;&nbsp;what your own weaknesses are?<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The game will end within seconds.<br>&nbsp;&nbsp;&nbsp;&nbsp;That will decide everything.<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, do you realize what--<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, I know.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see what is<br>&nbsp;&nbsp;&nbsp;&nbsp;going to happen along this path.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[24:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is he doing here?!<br>**[24:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, I can no longer tell<br>&nbsp;&nbsp;&nbsp;&nbsp;if you are truly here or not.<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time has become so obscure.<br>**[24:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dead keep talking to me!<br>**[24:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even tell if I'm dead or alive.<br>**[24:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's okay! I'll come<br>&nbsp;&nbsp;&nbsp;&nbsp;back once I exact vengeance!<br>**[24:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will return to that manor<br>&nbsp;&nbsp;&nbsp;&nbsp;blooming in Canaima!<br>**[24:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, vengeance was never<br>&nbsp;&nbsp;&nbsp;&nbsp;something that mattered to me.<br>**[24:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang allowed me to leave with<br>&nbsp;&nbsp;&nbsp;&nbsp;Garcia, despite my constant defiance.<br>**[24:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[24:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Balalaika went along<br>&nbsp;&nbsp;&nbsp;&nbsp;with Chang's wishes<br>**[25:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and let Roberta easily escape,<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than killing her.<br>**[25:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[25:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, Chang's goal wasn't to merely hide<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur from the eyes of the world,<br>**[25:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but also to use Roberta to<br>&nbsp;&nbsp;&nbsp;&nbsp;break the US Army's will.<br>**[25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a drug production site and<br>&nbsp;&nbsp;&nbsp;&nbsp;Roanapur is the port that exports it.<br>**[25:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chang had Roberta attack the American army<br>**[25:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in an attempt to prevent America from<br>&nbsp;&nbsp;&nbsp;&nbsp;exacting justice on the Golden Triangle.<br>**[25:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he couldn't get away with that.<br>**[25:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rock, what's the point? What are you after?<br>**[25:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does too matter! They killed your father!<br>**[25:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They made you sad!<br>**[25:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They tried to steal everything from me!<br>**[25:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, that's why I must--<br>**[25:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, you're wrong.<br>**[25:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter who you judge and punish,<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot atone for your sins.<br>**[25:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you won't be the<br>&nbsp;&nbsp;&nbsp;&nbsp;one to put an end to this.<br>**[26:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! You can't! You can't do that!<br>**[26:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now it is all over.<br>**[26:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! The Young Master would never say that!<br>**[26:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That isn't payback!<br>**[26:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now no one will be saved!<br>**[26:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't the Young Master!<br>**[26:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your vengeance against Roanapur?<br>**[26:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even when I offered them my hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was unable to save a single soul<br>**[26:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that had been broken because of that town.<br>**[26:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still going on about that Tokyo--<br>**[26:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this time, I will bring an end to<br>&nbsp;&nbsp;&nbsp;&nbsp;the sadness induced by that place.<br>**[26:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been thinking this whole time, Roberta.<br>**[26:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I found you, what should I say?<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I tell you?<br>**[26:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But words cannot express how I feel.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I realized.<br>**[26:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[26:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am going to bet everything on this.<br>**[26:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Roberta. If you trust me,<br>**[27:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the bullet I am about<br>&nbsp;&nbsp;&nbsp;&nbsp;to fire will not hurt you.<br>**[27:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will definitely not die.<br>**[27:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us put this long-going dance of death,<br>**[27:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this chain of miserable stories of revenge,<br>&nbsp;&nbsp;&nbsp;&nbsp;to an end with this one gamble.<br>**[27:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I go, Roberta.<br>**[27:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what will happen to us? And yourself?<br>**[27:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't go back to your<br>&nbsp;&nbsp;&nbsp;&nbsp;peaceful hometown anymore.<br>**[27:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to ask you something.<br>**[27:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you leave the<br>&nbsp;&nbsp;&nbsp;&nbsp;twilight to come join us?<br>**[27:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why have you slipped into<br>&nbsp;&nbsp;&nbsp;&nbsp;the darkness of night?<br>**[27:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was the only way to finish the game.<br>**[27:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's all cool. I came to a realization.<br>**[27:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revy, this is how you've<br>&nbsp;&nbsp;&nbsp;&nbsp;felt all this time, isn't it?<br>**[28:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't act like you know me!<br>**[28:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master! Young Master!<br>&nbsp;&nbsp;&nbsp;&nbsp;My hand wouldn't listen to me!<br>**[28:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean to shoot you, Young Master!<br>**[28:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, look! You're still alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;even though I definitely shot you.<br>**[28:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roberta, it's all over now.<br>**[28:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, you're bleeding!<br>**[28:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm okay.<br>**[28:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master!<br>**[28:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master, the bullet I shot--!<br>**[28:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lower your weapon, Ray.<br>**[28:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. You put on such a good act<br>&nbsp;&nbsp;&nbsp;&nbsp;that I nearly started shooting.<br>**[29:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It packed a worse punch than I'd expected.<br>**[29:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See here! Quit blabbering<br>&nbsp;&nbsp;&nbsp;&nbsp;and tend to the Young Master!<br>**[29:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! Why is he still alive?!<br>**[29:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!<br>**[29:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has died by my hands once now.<br>&nbsp;&nbsp;&nbsp;&nbsp;Same for you... and me.<br>**[29:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no victors here.<br>**[29:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that is left are our sins.<br>**[29:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will bear your burden together with you.<br>**[29:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will support you as we live<br>&nbsp;&nbsp;&nbsp;&nbsp;out our lives together.<br>**[29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Master...<br>**[29:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. What happened this time?<br>**[29:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, Rock. They're back.<br>**[29:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did the Americans apprehend their target?<br>**[29:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it. There are three stretchers.<br>**[29:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great!<br>**[29:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ended with the best-case scenario.<br>**[29:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew that you could pull it off, Garcia.<br>**[30:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, I finally<br>&nbsp;&nbsp;&nbsp;&nbsp;managed to save someone.<br>**[30:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rock.<br>**[30:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really... Really we were just lucky. And...<br>**[30:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that goes for you, too.<br>**[30:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You took advantage of the Young Master's<br>&nbsp;&nbsp;&nbsp;&nbsp;benevolence and used him as a pawn.<br>**[30:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a bastard that made him play<br>&nbsp;&nbsp;&nbsp;&nbsp;a round of Cambodian roulette!<br>**[30:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, it's a blank.<br>**[30:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your magic trick took the<br>&nbsp;&nbsp;&nbsp;&nbsp;form of a fake brass bullet.<br>**[30:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will never see the likes of<br>&nbsp;&nbsp;&nbsp;&nbsp;you or that town ever again.<br>**[30:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dance the waltz with the<br>&nbsp;&nbsp;&nbsp;&nbsp;dead in that defiled town<br>**[30:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until God grows weary of watching!<br>**[30:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what you say,<br>&nbsp;&nbsp;&nbsp;&nbsp;we managed to win something.<br>**[30:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Cathy! Put in so much sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;and milk, you could make pancakes!<br>**[31:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, how are your sugar levels?<br>**[31:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, we only get to live once.<br>**[31:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the director held a private luncheon<br>&nbsp;&nbsp;&nbsp;&nbsp;with NSA's assistant to the President.<br>**[31:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will make things perfectly clear<br>&nbsp;&nbsp;&nbsp;&nbsp;at our next security meeting.<br>**[31:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, we will get jurisdiction<br>&nbsp;&nbsp;&nbsp;&nbsp;and custody of Shi Yan.<br>**[31:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right in front of the President.<br>**[31:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't he most upset?<br>**[31:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He gave a parade of four letter<br>&nbsp;&nbsp;&nbsp;&nbsp;words in a French restaurant.<br>**[31:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome!<br>**[31:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it?<br>**[31:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who did he take you for?<br>**[31:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously!<br>**[31:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look horrible.<br>**[31:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's courtesy of Chang.<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, it's our bonus.<br>**[31:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all this time?<br>**[31:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Several months have passed,<br>&nbsp;&nbsp;&nbsp;&nbsp;but nothing in Roanapur has changed.<br>**[31:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Money and guns determine<br>&nbsp;&nbsp;&nbsp;&nbsp;something's worth.<br>**[31:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not going to change anytime soon.<br>**[31:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somewhere in this world,<br>&nbsp;&nbsp;&nbsp;&nbsp;someone undermined me.<br>**[32:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't save anyone.<br>**[33:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it painful to look upon that city<br>&nbsp;&nbsp;&nbsp;&nbsp;with the eyes of the living?<br>**[33:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's the path you chose.<br>**[33:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, you'll have no choice<br>&nbsp;&nbsp;&nbsp;&nbsp;but to become a true corpse.<br>**[33:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bang!<br>**[33:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you made it there once.<br>**[33:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I did. But this wasn't the time, Revy.<br>&nbsp;&nbsp;&nbsp;&nbsp;It will come eventually, someday.<br>**[33:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>