# 4 - Terrorist Butler

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYQ43P3E6/black-butler)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye, young master.<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you have a nice trip, yes!<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See that you behave<br>&nbsp;&nbsp;&nbsp;&nbsp;yourselves while we're away.<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, a train trip sounds marvelous!<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to try it sometime!<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brilliant!<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finny! Quit running about like that!<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry!<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right, yes?!<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't touch that!<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a valuable scholarly resource!<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea<br>&nbsp;&nbsp;&nbsp;&nbsp;how much it's worth?!<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mummy, eh?<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe there's been somewhat<br>&nbsp;&nbsp;&nbsp;&nbsp;of an Egyptian antiquities boom<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;amongst the moneyed classes recently.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mummy would be a<br>&nbsp;&nbsp;&nbsp;&nbsp;valuable collector's item.<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Collector's item"?!<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive us, O Lord.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pack it up this instant!<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Sir!<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And be gentle about it.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pray no calamity shall befall you.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tatoe owaru koto no nai<br>
&nbsp;&nbsp;&nbsp;&nbsp;kanashimi ga anata ubatte mo*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hanarete yuku kokoro<br>
&nbsp;&nbsp;&nbsp;&nbsp;nado koko ni wa nai to itte*<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Black Butler II"<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kakeyotta senaka ni toikakeru*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Asu ga donna katachi demo<br>
&nbsp;&nbsp;&nbsp;&nbsp;yuruganakatta no wa mou*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shinjiru koto wo wasuretakunakatta kara*<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Me wo sorasu kuse mo aimai<br>
&nbsp;&nbsp;&nbsp;&nbsp;na kaitou mo waraenu uso mo*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tonari ni inakereba imi sae nijinde yuku*<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tatoe owaru koto no nai<br>
&nbsp;&nbsp;&nbsp;&nbsp;kanashimi ga anata ubatte mo*<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wasurenaide "sayonara"<br>
&nbsp;&nbsp;&nbsp;&nbsp;ga uso to omoeta hibi wo*<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tatoe owaru koto no nai<br>
&nbsp;&nbsp;&nbsp;&nbsp;kanashimi ga anata ubatte mo*<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hanarete yuku kokoro<br>
&nbsp;&nbsp;&nbsp;&nbsp;nado koko ni wa nai to itte*<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like your tea, young master?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I find the aroma of Williamson<br>&nbsp;&nbsp;&nbsp;&nbsp;& Magor's summer Darjeeling<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;perfectly suited to the sight of<br>&nbsp;&nbsp;&nbsp;&nbsp;greenery through a train window.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young master, we're meant<br>&nbsp;&nbsp;&nbsp;&nbsp;to seem as if we're on holiday.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The criminal will spot us like this.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please try to look a bit pleasanter.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, I know.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really that preoccupied<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Trancys, my lord?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am curious, of course,<br>&nbsp;&nbsp;&nbsp;&nbsp;but for the moment that's all.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now the Queen's orders take priority.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Lord Ackroyd, then?<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the boy kidnapped was his only son.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the police find out, the<br>&nbsp;&nbsp;&nbsp;&nbsp;hostage will be killed.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was instructed to bring<br>&nbsp;&nbsp;&nbsp;&nbsp;the ransom aboard this train.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the ransom is 5,000 pounds...<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take it that's the price<br>&nbsp;&nbsp;&nbsp;&nbsp;humans set for their own souls.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kidnapper must be<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhere on this train.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll find him, capture him,<br>&nbsp;&nbsp;&nbsp;&nbsp;and safely rescue the hostage.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the only way to<br>&nbsp;&nbsp;&nbsp;&nbsp;dispel Her Majesty's distress.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very good.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Terrorist Butler"<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the find of the century!<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because what yours truly discovered<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the pharaoh Smenkhkare,<br>&nbsp;&nbsp;&nbsp;&nbsp;hidden in the Valley of the Kings!<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so crass to brag about robbing a grave.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I met him once during his lifetime.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was an affable man of great virtue.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still... Even taking the<br>&nbsp;&nbsp;&nbsp;&nbsp;desiccation into account,<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;his face really seems quite different.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then he's a fake?<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mean that<br>&nbsp;&nbsp;&nbsp;&nbsp;archaeologist is the kidnapper?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't say, my lord.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The train that left<br>&nbsp;&nbsp;&nbsp;&nbsp;St. Pancras station at exactly 9:00<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will cross the Cambridge-bound<br>&nbsp;&nbsp;&nbsp;&nbsp;route at Bedford at 10:18!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is thrilling! This is not to be missed!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll pull in to Derby Station at 1:05...<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we'll definitely have a time lag!<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering the weather, the<br>&nbsp;&nbsp;&nbsp;&nbsp;porters will have a hard time of it!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be about seven minutes, I'd wager!<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he reading the timetables?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, he seems to have a<br>&nbsp;&nbsp;&nbsp;&nbsp;bizarre obsession with railways.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're<br>&nbsp;&nbsp;&nbsp;&nbsp;doing, you damned brat?!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you're from Japan.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scrollwork on that<br>
&nbsp;&nbsp;&nbsp;&nbsp;*furoshiki* wrapping cloth is lovely.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't touch it! This is a<br>&nbsp;&nbsp;&nbsp;&nbsp;precious family heirloom!<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's inside? Is he hiding something?*<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, my boy. He's just so stubborn.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, a token of our apologies.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No thank you, Ma'am.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then, would anyone else like one?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have plenty.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some with *bonito<br>
&nbsp;&nbsp;&nbsp;&nbsp;*flakes and some with pickled plums!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, please take one.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of your bloody Oriental food.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone says cholera is rampant in Asia!<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoo, shoo!<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an outrageous falsehood!<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think it's rude<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to take that attitude<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with travelers who<br>&nbsp;&nbsp;&nbsp;&nbsp;have come all this way?<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sod off!<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--As the Holy Book tells us,<br>&nbsp;&nbsp;&nbsp;&nbsp;those who travel will be blessed.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Eyes front!<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--And the 14:45 train isn't to<br>&nbsp;&nbsp;&nbsp;&nbsp;be dismissed lightly, either!<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm sure it's God's will<br>&nbsp;&nbsp;&nbsp;&nbsp;that brought us together here.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A tattoo on a priest?*<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone please calm down!<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cool down and sit down!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can understand your unease!<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we're transporting<br>&nbsp;&nbsp;&nbsp;&nbsp;an assassin on this train.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However! He is being<br>&nbsp;&nbsp;&nbsp;&nbsp;kept under strict armed guard,<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to move a muscle!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to wor--<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recognize him.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Why, you're the Phantomhive--<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eel pie and mash really<br>&nbsp;&nbsp;&nbsp;&nbsp;brings back memories!<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Traditional English food,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like Mum used to make!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I say, that was quite a<br>&nbsp;&nbsp;&nbsp;&nbsp;fuss back there, wasn't it?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And whose fault is that?<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, Sir Arthur will call<br>&nbsp;&nbsp;&nbsp;&nbsp;you on the carpet for dining with me.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pish posh. I've wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;get better acquainted with you.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, my twin brother<br>&nbsp;&nbsp;&nbsp;&nbsp;talked so much about you.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brother?<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's another one<br>&nbsp;&nbsp;&nbsp;&nbsp;of these stuffy men?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I wish he could have tasted this...<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It doesn't look like he<br>
&nbsp;&nbsp;&nbsp;&nbsp;knows about the kidnapping.*<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. Shall we go, young master?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Ciel! If you don't take a rest<br>&nbsp;&nbsp;&nbsp;&nbsp;after meals, you'll ruin your stomach!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Leave the suitcase<br>&nbsp;&nbsp;&nbsp;&nbsp;with the ransom money<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the very last lounge car."<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must say, there are quite a few<br>&nbsp;&nbsp;&nbsp;&nbsp;suspicious characters on this train.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A priest with a tattoo,<br>&nbsp;&nbsp;&nbsp;&nbsp;a sham archaeologist,<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a surly Japanese, a man<br>&nbsp;&nbsp;&nbsp;&nbsp;in a frenzy over timetables...<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all too blatantly suspicious.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if there's an assassin onboard as well...<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that porter from the station.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing on this<br>&nbsp;&nbsp;&nbsp;&nbsp;train dressed like a traveler?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the kidnapper!<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, I can't get the bloody thing to...<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let him get away, Sebastian!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very good.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hand that over.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't make it quick,<br>&nbsp;&nbsp;&nbsp;&nbsp;the boy's life is over.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm more concerned<br>&nbsp;&nbsp;&nbsp;&nbsp;about your life, frankly.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?!<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is your young hostage?<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Onboard that train.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can't save<br>&nbsp;&nbsp;&nbsp;&nbsp;him now. What a shame!<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By which you mean...?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I rigged a bomb to explode<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as the train stops.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd put on a<br>&nbsp;&nbsp;&nbsp;&nbsp;nice big fireworks display<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after I got the ransom money!<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have ten minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;before the next stop.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serves you right!<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not much time.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A car's been decoupled?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?!<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ciel! What do you mean,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to the goods wagon?!<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can leave the kidnapper to Sebastian.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's left is the child.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The criminal must have<br>
&nbsp;&nbsp;&nbsp;&nbsp;disguised himself as a porter*<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to hide the hostage in someone's luggage.*<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And...*<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only piece of luggage<br>&nbsp;&nbsp;&nbsp;&nbsp;big enough to hide a child<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that mummy's coffin!<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My stomach... My stomach hurts!<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't right... I know<br>&nbsp;&nbsp;&nbsp;&nbsp;I rested enough after I ate!<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't suppose it's cholera, do you?!<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out of here!<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay away!<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you bastards<br>&nbsp;&nbsp;&nbsp;&nbsp;treat my wife that way?!<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you eat one of those rice balls?<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was delicious.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it?<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Help me...<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just hang on!<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a bomb on this train<br>&nbsp;&nbsp;&nbsp;&nbsp;set to go off when we stop.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not brake under any circumstances.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you Ciel's butler?<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is my young master?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He went to the goods<br>&nbsp;&nbsp;&nbsp;&nbsp;wagon to save the child...<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I have an announcement to make!<br>&nbsp;&nbsp;&nbsp;&nbsp;The points have just been changed,<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we're now bound<br>&nbsp;&nbsp;&nbsp;&nbsp;for a different destination!<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be passing over a<br>&nbsp;&nbsp;&nbsp;&nbsp;railway bridge no longer in use.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't be able to bear<br>&nbsp;&nbsp;&nbsp;&nbsp;the weight of this train,<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and therefore our final stop...<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will most likely be Heaven!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we'd best stop this thing fast.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're...<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hostage again, young master?<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do believe you enjoy being captured.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you on about?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it *was* you...<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bloodbath Johnny.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if it isn't Jackknife Heyward!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* ought to know what'll happen<br>
&nbsp;&nbsp;&nbsp;&nbsp;to the kid if you don't stop the train.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to stop it myself,<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm afraid there's a bomb<br>&nbsp;&nbsp;&nbsp;&nbsp;onboard that will explode if we stop...<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Not to mention we have a<br>&nbsp;&nbsp;&nbsp;&nbsp;cholera outbreak in this carriage!<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may already be infected!<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying a train<br>&nbsp;&nbsp;&nbsp;&nbsp;with a bomb onboard<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is headed for a run-down bridge,<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and* there's cholera?!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's certainly a full-course menu of crises.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough of this farce. Sebastian,<br>&nbsp;&nbsp;&nbsp;&nbsp;hurry up and do something about this.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an order!<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, my lord.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To hell with your cholera and your bombs!<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting out of here!<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young master--<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not so fast! This is too much<br>&nbsp;&nbsp;&nbsp;&nbsp;for an ordinary butler to handle!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At times like these, we get assistance<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from various professionals<br>&nbsp;&nbsp;&nbsp;&nbsp;who just happen to be onboard!<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll all band together<br>&nbsp;&nbsp;&nbsp;&nbsp;to take a stand against evil!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. What wishful thinking.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not necessarily.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to be in the killing business myself.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But after he killed someone precious to me,<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went straight and became a priest.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the Holy Book tells us,<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ye are your own enemies."<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time to settle the score.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now I don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;a weapon to face him with.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use this!<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the family treasure passed<br>&nbsp;&nbsp;&nbsp;&nbsp;down for generations: the Zantomaru!<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought it here to give it to<br>&nbsp;&nbsp;&nbsp;&nbsp;my son, an exchange student.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm sure this katana would<br>&nbsp;&nbsp;&nbsp;&nbsp;be happier being useful here!<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, leave the bomb to me!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've used time bombs in my excavations!<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They generally have two<br>&nbsp;&nbsp;&nbsp;&nbsp;wires: a black one and a red one.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is a dummy. If you cut<br>&nbsp;&nbsp;&nbsp;&nbsp;the right one, you can disable it,<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you pick the wrong one--*boom*!<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, do we have enough<br>&nbsp;&nbsp;&nbsp;&nbsp;time to find the bomb...?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should be fine!<br>&nbsp;&nbsp;&nbsp;&nbsp;This point up ahead is crucial!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Change the point and<br>&nbsp;&nbsp;&nbsp;&nbsp;enter the High Peak Railway!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if we change the next point, too...<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can gain twenty<br>&nbsp;&nbsp;&nbsp;&nbsp;whole minutes of extra time!<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brilliant! We'll all join forces<br>&nbsp;&nbsp;&nbsp;&nbsp;and find our way out of this!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do appreciate the thought,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can handle this myself.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I say! Butler?!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man has no notion of<br>&nbsp;&nbsp;&nbsp;&nbsp;the austere Japanese aesthetic!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a right stubborn bastard!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pass me the young master.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, you just wait there. I'll be right...<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I win!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come, young master.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're a monster!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, then, Mr. Assassin...<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a pleasant trip.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, the bomb.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There may be a red wire and a black wire...<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's certainly no<br>&nbsp;&nbsp;&nbsp;&nbsp;need for me to choose one.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! If there were<br>&nbsp;&nbsp;&nbsp;&nbsp;passengers in that carriage...<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to worry, my lord.<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the roof of the dining car.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And *that* passenger...<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now...<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a close shave, but you managed.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Phantomhive butler who can't<br>
&nbsp;&nbsp;&nbsp;&nbsp;handle *this* little full-course menu of crises<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't worth his salt.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That was magnificent, butler.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right! What about the cholera?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole train might be infected by now.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need for concern, my lord.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those whose stomachs<br>&nbsp;&nbsp;&nbsp;&nbsp;ail them should take this.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't recall there being<br>&nbsp;&nbsp;&nbsp;&nbsp;an instant cure for cholera.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, this is just a digestive tonic.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Digestive tonic?<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese tradition has always held<br>&nbsp;&nbsp;&nbsp;&nbsp;certain food pairings to be harmful.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watermelon and tempura,<br>&nbsp;&nbsp;&nbsp;&nbsp;eel and pickled plum...<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I imagine his stomachache is from<br>&nbsp;&nbsp;&nbsp;&nbsp;eating a rice ball with pickled plum<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;despite having been<br>&nbsp;&nbsp;&nbsp;&nbsp;served eel pie in the dining car.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm cured! I'm cured!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It shouldn't work that fast.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Butler, you are no ordinary butler at--<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am merely one hell of a butler.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Bring it down slowly!<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Father!<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My tea spilled in all the commotion.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A true butler should have<br>&nbsp;&nbsp;&nbsp;&nbsp;been able to sort that out<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without the slightest rocking of the train.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I can see you<br>&nbsp;&nbsp;&nbsp;&nbsp;took some damage as well.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wish to investigate my master,<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;march into the Trancy mansion<br>&nbsp;&nbsp;&nbsp;&nbsp;right through the front gate.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to help young master<br>&nbsp;&nbsp;&nbsp;&nbsp;Ciel take his revenge, don't you?<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nemuru anata wa kanashisou de*<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Warui yume demo miteru you da*<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How do I live without you*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Anata to iu sora no naka*<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Boku dake wo tojikomete*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Itsuka mita aozora wo*<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sagasezu ni nageku kedo*<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hito wa mina sora no naka*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jiyuu to iu kago no naka*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hoshi mo nai yoru no sora*<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yuku ate mo mienai me de... samayou*<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yesterday was tiring even for me.<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An invitation to a<br>&nbsp;&nbsp;&nbsp;&nbsp;ball at the Trancy estate.<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trancy...<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An invitation to a ball,<br>
&nbsp;&nbsp;&nbsp;&nbsp;sent by the Trancy estate.*<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Very well. I'll let you<br>
&nbsp;&nbsp;&nbsp;&nbsp;dance to my tune all you like.*<br>**[24:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though it appears I'm<br>
&nbsp;&nbsp;&nbsp;&nbsp;the one more accustomed*<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to wearing the constrictive<br>
&nbsp;&nbsp;&nbsp;&nbsp;dancing shoes of butlerhood...*<br>**[24:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time: "Beacon Butler."*<br>**[24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A Phantomhive butler who can't <br>
&nbsp;&nbsp;&nbsp;&nbsp;dance that isn't worth his salt.*<br>**[24:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Time: Beacon Butler"<br>