# 19 - His Butler, Imprisoned

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYQ43P3E6/black-butler)<br>
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Editor:<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you believe it?<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say there was a time long ago<br>&nbsp;&nbsp;&nbsp;&nbsp;when people could bathe in this river.<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though now it might as<br>&nbsp;&nbsp;&nbsp;&nbsp;well be a rubbish heap,<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since all the filth of<br>&nbsp;&nbsp;&nbsp;&nbsp;London gets poured into it.<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Havock, look!<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's the Cutty Sark.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say she was built<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to carry new tea from China for the nobility.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she faster than a steamship?<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to the sailors, as long as<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a wind, she's faster than anything.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Cutty Sark...<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the name of that witch.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you stare at her too long,<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll have you by the tail.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could she take me to a faraway country?<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows? I hear that canal in<br>&nbsp;&nbsp;&nbsp;&nbsp;Egypt put her out of the tea races.<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The age of the old ships is passing.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A new age is beginning.<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cutty Sark...?<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Black Butler"<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Since then, I've actually<br>
&nbsp;&nbsp;&nbsp;&nbsp;come to like the night somewhat*<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a sea of dependence,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I forget even to breathe*<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When I'm right on the verge<br>
&nbsp;&nbsp;&nbsp;&nbsp;of losing my head over you*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You just leave me lukewarm*<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The aesthetic of leave-taking<br>
&nbsp;&nbsp;&nbsp;&nbsp;despises a self-satisfied kiss*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't leave me alone, show me<br>
&nbsp;&nbsp;&nbsp;&nbsp;compassion, paint me with death*<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In your room, all words slip away*<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to end like this, cloaked*<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the night ignores that <br>
&nbsp;&nbsp;&nbsp;&nbsp;wish and brings morning*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With your gentle,<br>
&nbsp;&nbsp;&nbsp;&nbsp;passionate, and dastardly kiss*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Paint this final night*<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The moon illuminates us*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"His Butler, Imprisoned"<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems no one from this<br>&nbsp;&nbsp;&nbsp;&nbsp;area recognizes him.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must have been a robbery.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I imagine he was murdered<br>&nbsp;&nbsp;&nbsp;&nbsp;elsewhere and his body dumped.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The victim was killed with<br>&nbsp;&nbsp;&nbsp;&nbsp;one well-placed blow.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's rather neat work for a common thief...<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it was probably Mafia infighting.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Italians, or the Chinese...<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The word is that there's a queer<br>&nbsp;&nbsp;&nbsp;&nbsp;new drug on the market, after all.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we'll have to<br>&nbsp;&nbsp;&nbsp;&nbsp;begin by identifying him.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't be necessary.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is John Stanley.<br>&nbsp;&nbsp;&nbsp;&nbsp;Here are his particulars.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what are you playing at?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's our civic duty to<br>&nbsp;&nbsp;&nbsp;&nbsp;provide information to the police.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that what you always say?<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spare me the playacting.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you after? Just say it.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, Sir Arthur, I shall.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to show me this man's belongings.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, he didn't have anything on him.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wasn't even any proof of identity.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'm happy I could<br>&nbsp;&nbsp;&nbsp;&nbsp;be of service, Inspector Abberline.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Sebastian.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very good.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That brat...<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would Her Majesty<br>&nbsp;&nbsp;&nbsp;&nbsp;keep trusting a child like that?<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "Queen's guard dog"...<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, my lord?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem even more cynical than usual.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who could look pleasant at a time like this?<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are too modest, my lord.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your face looks quite pleasant to me.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm simply at a bit of a loss.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have enough information.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man's body washed up at<br>&nbsp;&nbsp;&nbsp;&nbsp;Regent's Canal Dock this morning.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name was John Stanley.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was in the merchant ship business.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was operating in the underworld<br>&nbsp;&nbsp;&nbsp;&nbsp;on secret orders from Her Majesty.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like you, Lord Phantomhive.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her Majesty bids me tell you,<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'd like you to find something<br>&nbsp;&nbsp;&nbsp;&nbsp;he carried on his person<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and destroy it."<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not find the killer?<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct. The Queen desires<br>&nbsp;&nbsp;&nbsp;&nbsp;you to dispose of his belongings.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is all.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And? What is this object?<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a secret.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there's no way for me to find it.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something Her Majesty<br>&nbsp;&nbsp;&nbsp;&nbsp;hesitates to discuss even with you,<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the loyal dog she trusts above all others.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure curiosity doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;drive you to examine its contents.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first thing we need is<br>&nbsp;&nbsp;&nbsp;&nbsp;a better view of the situation.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning...?<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to know why Stanley was killed.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was he just in the wrong<br>&nbsp;&nbsp;&nbsp;&nbsp;place at the wrong time, or...<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...was he killed because of his mission?<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then how shall we go about<br>&nbsp;&nbsp;&nbsp;&nbsp;searching for witnesses, my lord?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to the Yard. The best<br>&nbsp;&nbsp;&nbsp;&nbsp;person to ask about Rome is a Roman.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murder happened in his territory.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a foul smell.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you've finally<br>&nbsp;&nbsp;&nbsp;&nbsp;found this place, my lord.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's strange that we should<br>&nbsp;&nbsp;&nbsp;&nbsp;face each other like this.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know, I rather<br>&nbsp;&nbsp;&nbsp;&nbsp;thought this day might come.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What* day?!<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome, my lord! Long time no see.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not interested in pleasantries.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a question for you, Lau.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so impatient.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You coming all the way to a den<br>&nbsp;&nbsp;&nbsp;&nbsp;like this to see me can only mean...<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...one thing.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you've heard?<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what I'd expect from<br>&nbsp;&nbsp;&nbsp;&nbsp;the head of the English branch<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Chinese trading company Kunlun...<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or rather, from an officer of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Shanghai Mafia's Green Gang.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't much fancy being called that.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so stiff and formal.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Ran-Mao?<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I left you in charge of this area.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I assume you're aware of<br>&nbsp;&nbsp;&nbsp;&nbsp;all the neighborhood disputes.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally. I've done just as you ordered.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the protection fee I pay so<br>&nbsp;&nbsp;&nbsp;&nbsp;you let me do business in England.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, my lord,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a question for you, too.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you!<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you were just talking<br>&nbsp;&nbsp;&nbsp;&nbsp;through your hat... again.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, shall we go upstairs?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a bit stuffy in here.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you before: get out<br>&nbsp;&nbsp;&nbsp;&nbsp;of this business while you can.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One night, Zhuang Zhou<br>&nbsp;&nbsp;&nbsp;&nbsp;dreamt he was a butterfly.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a happily fluttering butterfly."<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are people in this world, my lord,<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who find reality too painful to live through.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm selling those people dreams.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you, I'd do anything to help,<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm afraid I've never seen that man.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, never mind that.<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you and Maria getting along?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Ma'am, the truth is...<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodness me! Congratulations, my boy!<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you've been doing a bit<br>&nbsp;&nbsp;&nbsp;&nbsp;of slap-and-tickle, eh?<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But won't there be a scandal? <br>
&nbsp;&nbsp;&nbsp;&nbsp;You *are* a police inspector, after all...<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd best get married right away.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already proposed.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did she say?!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wonderful! I'm so happy for you.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll finally have a family,<br>&nbsp;&nbsp;&nbsp;&nbsp;after all those years as an orphan!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why I want to make London safer.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want it to be a city where<br>&nbsp;&nbsp;&nbsp;&nbsp;children can safely be children.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, my boy.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything happens, I'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be sure to let you know.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you, Ma'am.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, nowadays all the gang fights<br>&nbsp;&nbsp;&nbsp;&nbsp;in this area<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have been over drugs.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recently someone's been<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading a new product around.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frankly, it's an inconvenience for me, too.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A new product?<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone says it's cheaper, lighter,<br>&nbsp;&nbsp;&nbsp;&nbsp;and more effective than opium.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's known as "Lady Blanc."<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Lady Blanc"? A white woman?<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong?<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was the name of the man they<br>&nbsp;&nbsp;&nbsp;&nbsp;found at Regent's Canal Dock, again?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;John Stanley, though that's<br>&nbsp;&nbsp;&nbsp;&nbsp;most likely an alias.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't look familiar.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe I'd recognize just<br>&nbsp;&nbsp;&nbsp;&nbsp;about any drug dealer around, but...<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Ran-Mao?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you have it.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking for something<br>&nbsp;&nbsp;&nbsp;&nbsp;this man is supposed to have had.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Something"?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It's possible he was killed for it.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to do.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, my lord?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to spread a rumor<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I got something valuable<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the dead man at the dock.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing simpler. But might I ask why?<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that rumor spreads, the person<br>&nbsp;&nbsp;&nbsp;&nbsp;who killed him and stole this object<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;should fear it wasn't the<br>&nbsp;&nbsp;&nbsp;&nbsp;genuine article,<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and come after me.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, you mean to use yourself as bait.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't call you the Queen's<br>&nbsp;&nbsp;&nbsp;&nbsp;loyal guard dog for nothing.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, my lord, I've been wanting to ask you...<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How *can* you be so loyal to her?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She just asks you for the unreasonable.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't understand.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You left your country<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to travel the world,<br>&nbsp;&nbsp;&nbsp;&nbsp;never putting down roots.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got me there.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, Cáo, will you do me a favor<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and spread the rumor the Earl wanted?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell everyone that he got a<br>&nbsp;&nbsp;&nbsp;&nbsp;certain document from the dead man.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A document?<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lord, this may turn out to be<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greatest of all the games<br>&nbsp;&nbsp;&nbsp;&nbsp;we've been involved in.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello there, my good boy.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Havock told me you<br>&nbsp;&nbsp;&nbsp;&nbsp;were collecting rubbish<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at Regent's Canal Dock this morning.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes...<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then would you mind telling me<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about this "witch" you saw... Cutty Sark?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oof!<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These, please, yes!<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Mey-Rin, you serve at the<br>&nbsp;&nbsp;&nbsp;&nbsp;Phantomhive estate, don't you?<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes...<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you give me some?<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some what?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A "white woman"...<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian, do you think that<br>&nbsp;&nbsp;&nbsp;&nbsp;woman is involved in this case, too?<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're like a lost puppy<br>&nbsp;&nbsp;&nbsp;&nbsp;right now, aren't you?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am merely one hell of a good pawn.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it rather absurd for a<br>&nbsp;&nbsp;&nbsp;&nbsp;player to ask a pawn his opinion?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still here.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that my wish<br>&nbsp;&nbsp;&nbsp;&nbsp;hasn't been fulfilled.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite right, my lord.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as a man of the Phantomhive line,<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will play the guard<br>&nbsp;&nbsp;&nbsp;&nbsp;dog again on her orders,<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like so many of my ancestors before me.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it's just how it's always been.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing is different.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet...<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Bad dog, no!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get off her, you stupid mutt!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mustn't do that, Plu-Plu!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to get off her!<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian, do something<br>&nbsp;&nbsp;&nbsp;&nbsp;about that stupid dog.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kennel, Pluto.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was *that* all about?<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe he's rutting?<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Rutting?!<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seemed extremely interested<br>&nbsp;&nbsp;&nbsp;&nbsp;in Mey-Rin's pocket.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My pocket?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's one of Funtom's sweets.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone gave it to me, yes.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the rage all over London!<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear it's sold out almost everywhere, yes!<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when we said we'd never heard of it,<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a nice lady gave us some so we could try it!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said even adults fancied<br>&nbsp;&nbsp;&nbsp;&nbsp;it. Amazing, isn't it?<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's supposed to make you feel all wonderful!<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She says it's addictive, yes!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh, let's have a look.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lord, this sweet was not<br>&nbsp;&nbsp;&nbsp;&nbsp;produced by our company.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This wrapper is genuine,<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but our quality control is not so lax<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as to permit a shipment<br>&nbsp;&nbsp;&nbsp;&nbsp;of something so unshapely.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His time ran out!<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a narcotic.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe it's a form of morphine,<br>&nbsp;&nbsp;&nbsp;&nbsp;derived from the opium poppy<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then even further refined.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Presumably it's the new<br>&nbsp;&nbsp;&nbsp;&nbsp;drug Mr. Lau spoke of.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lady Blanc...<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A visitor? For me?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! What right do<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to sit there?!<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my seat!<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chair of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Commissioner of Scotland Yard!<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quite comfortable, isn't it...<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Sir Arthur?<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're...!<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bring a message from<br>&nbsp;&nbsp;&nbsp;&nbsp;Her Majesty, Sir Arthur Randall.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me to the sweets factory,<br>&nbsp;&nbsp;&nbsp;&nbsp;and be quick about it!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn and blast! Why have <br>
&nbsp;&nbsp;&nbsp;&nbsp;our products become drugs?!*<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And those secret orders from Her Majesty...*<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How is this connected to <br>
&nbsp;&nbsp;&nbsp;&nbsp;the dead man at the docks?*<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're missing a vital piece of the puzzle!*<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I say, Ran-Mao...<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which do you think is worse:<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;never waking from your dreams,<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or never being able to dream?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, all things that seem eternal,<br>&nbsp;&nbsp;&nbsp;&nbsp;whether dreams or realities,<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one day end, don't they?<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shì dà gē.*<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surrender yourselves quietly!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Halt!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a reckless man.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do realize that if I were<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone else, you would be dead?<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did this *because* of who you are, Sebastian.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's all this, Sebastian?<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ciel, Earl Phantomhive,<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am detaining you for suspected<br>&nbsp;&nbsp;&nbsp;&nbsp;violation of the Pharmacy Act!<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young master.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my. You, detain *me*?<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Earl Phantomhive?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, a mere untitled police inspector?<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Ciel.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're suspected of conspiring<br>&nbsp;&nbsp;&nbsp;&nbsp;with that Chinese fellow, Lau,<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to sell a new form of narcotic.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Lau?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! Ludicrous.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's nothing but one of my pawns.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Randall knew full well<br>&nbsp;&nbsp;&nbsp;&nbsp;that he was running an opium den.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's a problem, you can just arrest him.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lau knows he operates his<br>&nbsp;&nbsp;&nbsp;&nbsp;opium business at his own risk.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a Funtom warehouse<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Docklands, am I right?<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A large store of opium was<br>&nbsp;&nbsp;&nbsp;&nbsp;just discovered there.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Far too great an amount of it<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to claim recreational use,<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sitting there with Funtom's sweet wrappers.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Lau?<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He fled.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The police team who went to arrest<br>&nbsp;&nbsp;&nbsp;&nbsp;him suffered a good many casualties.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's as good as an admission of guilt.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What shall we do, young master?<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Should I let them take me in, or...?*<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian, I order you to--<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut your mouth, brat!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abberline, I told you to separate<br>&nbsp;&nbsp;&nbsp;&nbsp;him from the butler straight away.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Randall...<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I trust you understand what<br>&nbsp;&nbsp;&nbsp;&nbsp;it means to point a gun at me.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to resist, by all means, do.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that will be the end of<br>&nbsp;&nbsp;&nbsp;&nbsp;the sullied Phantomhive crest.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just received a direct<br>&nbsp;&nbsp;&nbsp;&nbsp;order from Her Majesty the Queen.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only the criminal would know<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that what Her Majesty seeks is a document.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore,<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please arrest Lord Phantomhive and Lau.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to worry;<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll construct a suitable pretext.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-And what shall I do after I arrest him?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the name of the Queen,<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hereby suspend all the<br>&nbsp;&nbsp;&nbsp;&nbsp;Earl Phantomhive's authority<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until these suspicions are laid to rest!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you defy me, you shall be<br>&nbsp;&nbsp;&nbsp;&nbsp;stripped<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of your noble title on the<br>&nbsp;&nbsp;&nbsp;&nbsp;charge of high treason.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Furthermore, Lau, the head of<br>&nbsp;&nbsp;&nbsp;&nbsp;the English branch of Kunlun,<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is deeply involved in opium smuggling,<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;shall pay for his crimes with his death.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ciel Phantomhive,<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will you agree to confess<br>&nbsp;&nbsp;&nbsp;&nbsp;to Lau's whereabouts<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or to the whereabouts of the Queen's letter?<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid not.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A letter? So that's the missing piece!*<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should very much like to push you on that,<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but unfortunately Her Majesty forbids it.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose I'll ask your butler instead.<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Offer no resistance.*<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When the time is right, I will call for you.*<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then we will teach them*<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*what becomes of those <br>
&nbsp;&nbsp;&nbsp;&nbsp;who humiliate me.*<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Have you got that, Sebastian?*<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, my lord.*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The moonlight that reveals<br>
&nbsp;&nbsp;&nbsp;&nbsp;sorrow was coldly illuminating*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The despair and the future<br>
&nbsp;&nbsp;&nbsp;&nbsp;which grew intimate in the dark*<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With the secret you gave me as my guide*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I move through the blue night's stillness*<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Lacrimosa, I want to love once again*<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The dazzling world that<br>
&nbsp;&nbsp;&nbsp;&nbsp;crumbled and vanished in the distance*<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll hide my dreams within my eyes*<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Until the tears fall on my sullied heart*<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You intend to torture me?*<br>**[24:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Impossible, I'm afraid.*<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The only time I feel pain is<br>
&nbsp;&nbsp;&nbsp;&nbsp;when I dance with my master,*<br>**[24:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who has made no progress <br>
&nbsp;&nbsp;&nbsp;&nbsp;whatsoever in that art.*<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A whipping or two, compared to<br>
&nbsp;&nbsp;&nbsp;&nbsp;that feeling of abysmal futility?*<br>**[24:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Bring it on!*<br>**[24:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time on Black Butler: <br>
&nbsp;&nbsp;&nbsp;&nbsp;"His Butler, Escaping."*<br>**[24:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Time" "His Butler, Escaping"<br>**[24:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You see, I am merely one hell of a butler.*<br>