# Season 3

# 101 - Ciel in Wonderland Part I

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYQ43P3E6/black-butler)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Prologue"<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another ordinary day in the same old room...<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice was beginning to get<br>&nbsp;&nbsp;&nbsp;&nbsp;very tired of it. Because, you see...<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her financial report was a dreary thing<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with no murders,<br>&nbsp;&nbsp;&nbsp;&nbsp;violence, or tragic partings in it.<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say something?<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing.<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian. Tea.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very good, my lord.<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Are my eyes playing tricks on me?*<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How late it's getting! Two minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;and forty seconds behind schedule!<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't I catch him up?<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think she fell right<br>&nbsp;&nbsp;&nbsp;&nbsp;into such an elementary trap!<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though she may pass herself off<br>&nbsp;&nbsp;&nbsp;&nbsp;as cautious, she's really quite daft--<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me, I meant to say, "Oh, poor Alice!<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever shall become of her?<br>&nbsp;&nbsp;&nbsp;&nbsp;I do so look forward to finding out."<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chapter One: Down the Rabbit-Hole"<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't recall any room<br>&nbsp;&nbsp;&nbsp;&nbsp;like this below the manor.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not this one, either?<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh dear! I'm late!<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm late, I'm late! I'm late, I'm late!<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian!<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I shall be three minutes late!<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he just *ignore* me?<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then *lock the door*?!<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how *cute*!<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lady!<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That voice...<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice!<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lizzie?!<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my lady the Mouse.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I am the Dodo!<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So cute, so cute, so cute!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice, why are you wearing such<br>&nbsp;&nbsp;&nbsp;&nbsp;plain clothes? They're not cute at all!<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what I always wear.<br>&nbsp;&nbsp;&nbsp;&nbsp;More to the point, who is this "Alice"?<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, really! *You're* Alice, aren't you?<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My teacher at Mouse School told me,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"When in the country,<br>&nbsp;&nbsp;&nbsp;&nbsp;do as the country folk do;<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when in Rome, do as the Romans do;<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the cat in gloves catches no mice!"<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I take it we're in Rome, then...?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you on about?<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in Wonderland, naturally!<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, as soon as you've<br>&nbsp;&nbsp;&nbsp;&nbsp;changed clothes, we'll have a snack!<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wonderland"?!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the devil is this?!<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ea... "Eat Me"...<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is the name of this cake.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how cute!<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's got very peculiar coloring<br>&nbsp;&nbsp;&nbsp;&nbsp;for a cake... is it really edible?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm told the flavor is most amusing.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I beg you'll enjoy every crumb of it.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lovely! Let's tuck in!<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lizzie, wait! Let's be cautious about--<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's very nice!<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has a sort of mixed flavor of<br>
&nbsp;&nbsp;&nbsp;&nbsp;lemon meringue pie, *gâteau au chocolat*,<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Victoria sponge, scone, cottage pie,<br>&nbsp;&nbsp;&nbsp;&nbsp;roast hare, and lobster curry!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does *that* taste like?<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Are you all right?<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lady?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I have a curious feeling...<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lizzie!<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, what's this?!<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lady!<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lizzie!<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll not be cute anymore if I'm this big!<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lizzie, please, don't cry!<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big or not, you're still<br>&nbsp;&nbsp;&nbsp;&nbsp;adorable as ever, my lady!<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but I shan't be able to wear<br>&nbsp;&nbsp;&nbsp;&nbsp;the cute new boots I bought yesterday!<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you should be<br>&nbsp;&nbsp;&nbsp;&nbsp;worrying about right now?!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Is there anything here we can use?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dr... "Drink Me"...<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you get that from?!<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'd be too embarrassed to say.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do anything to save my lady!<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I'm her maid!<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lizzie! Drink this!<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! That's right! If I have no cake,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can simply drink strawberry juice!<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lady the Mouse's only faults<br>&nbsp;&nbsp;&nbsp;&nbsp;were that she didn't listen to others<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that she had just a *dribble* of egotism.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The journey through<br>&nbsp;&nbsp;&nbsp;&nbsp;Wonderland has only just begun,<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and our poor Alice has<br>&nbsp;&nbsp;&nbsp;&nbsp;her work cut out for her.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chapter Two: The Rabbit Gleams on the Water"<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way, Alice! Come quickly!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It looks as though she <br>
&nbsp;&nbsp;&nbsp;&nbsp;turned back to normal...*<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Catch! Row! Catch! Row!<br>&nbsp;&nbsp;&nbsp;&nbsp;Catch! Row! Catch! Row!<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, Alice! Hangin' in there?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not far to the shore now!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No grim faces! Smile, smile, yes!<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's on the other<br>&nbsp;&nbsp;&nbsp;&nbsp;side of this lake, you three?<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lake?!<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I say, is this a lake?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sea, I thought--was that a mistake?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're off by a mile!<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep, I've known it for a while:<br>
&nbsp;&nbsp;&nbsp;&nbsp;the only place *this* wet is the Nile!<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Nile? Shouldn't the water there be nil?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, it's nil in Nigeria!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Algeria has it all!<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Splashing of water / as the great<br>&nbsp;&nbsp;&nbsp;&nbsp;frog makes his jump / into the old lake."<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this place really is a lake?!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sea, I thought--was that a mistake?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're off by a mile!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaps, put your thinking caps on:<br>
&nbsp;&nbsp;&nbsp;&nbsp;the only place *this* wet is the Amazon!<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit repeating yourselves, you dodos!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-B-But I'm the Dodo.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm very sorry! Do forgive me!<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look! It's the White Rabbit!<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's terrific, yes!<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be land after all,<br>&nbsp;&nbsp;&nbsp;&nbsp;if the White Rabbit can run here!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mark my words: if a rabbit is in<br>&nbsp;&nbsp;&nbsp;&nbsp;the lead, a turtle will come in second!<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop this instant, Sebastian!<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't leave me behind!<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that voice, yes.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Puppy!<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look sharp, you two!<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, yes, Sir!<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a puppy, isn't it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you so...?<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here he comes! Don't let him unseat you!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no "puppy"!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lady!<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice!<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's salty... a sea? Oh, <br>
&nbsp;&nbsp;&nbsp;&nbsp;right, these are tears.*<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sebastian...*<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Many suspected that<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice couldn't swim a stroke.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She claimed she merely found<br>&nbsp;&nbsp;&nbsp;&nbsp;breathing difficult, but setting that aside...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice truly excelled at being<br>&nbsp;&nbsp;&nbsp;&nbsp;kidnapped, attacked, and drowned.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish she'd have a little<br>&nbsp;&nbsp;&nbsp;&nbsp;consideration for her rescuers.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chapter Three: The Mock Turtle Blossoms"<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll catch a cold if I don't get dry soon!<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to change clothes...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had no choice.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not dressed like this by choice!<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you talking to,<br>&nbsp;&nbsp;&nbsp;&nbsp;my playful little robin?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking forward to meeting you!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't touch me!<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're charming even<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're standoffish!<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, how about a<br>&nbsp;&nbsp;&nbsp;&nbsp;dance with the Mock Turtle?<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drat, drat! You won't<br>&nbsp;&nbsp;&nbsp;&nbsp;join me in the dance?!<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after cutting a pretty figure to<br>&nbsp;&nbsp;&nbsp;&nbsp;seduce me like that! Oh, how sinful!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not flirting with you!<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, ought this little robin's<br>&nbsp;&nbsp;&nbsp;&nbsp;unrobinlike sin of pride to be forgiven?!<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Even if Her Majesty<br>&nbsp;&nbsp;&nbsp;&nbsp;forgives it, I never shall!<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, my lady, give me your hand.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a moment. There's a<br>&nbsp;&nbsp;&nbsp;&nbsp;Queen in this country, too?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But of course. The Queen of Hearts<br>&nbsp;&nbsp;&nbsp;&nbsp;is a woman of exquisite beauty.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want an audience with her?<br>&nbsp;&nbsp;&nbsp;&nbsp;All the more reason...<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll dance with me, won't you?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Un, deux, trois! Un, deux, trois!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right; you're doing<br>&nbsp;&nbsp;&nbsp;&nbsp;splendidly, my little robin.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When will this humiliation be over?<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you dance well enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to suit your appearance.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dancing is an essential skill for a<br>&nbsp;&nbsp;&nbsp;&nbsp;maiden bound for the royal palace!<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back to the beginning!<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid I'll never be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;give you a passing grade at this rate.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although personally, I'd love to<br>&nbsp;&nbsp;&nbsp;&nbsp;dance an eternal waltz with you...<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, lift your face, and let everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;see how fit for the ball you are!<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't-- Stop it! Don't look at me!<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't what? Flowers<br>&nbsp;&nbsp;&nbsp;&nbsp;are meant to be admired.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more people behold them,<br>&nbsp;&nbsp;&nbsp;&nbsp;the more beautiful they become!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian?!<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mustn't allow yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;to be distracted mid-dance.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, concentrate.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go. Let me go!<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got to follow him!<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Why are you<br>&nbsp;&nbsp;&nbsp;&nbsp;chasing a rabbit, of all things?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because...!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because... well...<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, stop this spin at once!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't stop! I just keep going!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, I won't stop!<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to go on forever!<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so much fun, I can't stop myself!<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because, my little robin, this spin is<br>&nbsp;&nbsp;&nbsp;&nbsp;the outpouring of my feelings for you!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting... dizzy...!<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see it! I can see it!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A flock of angels soaring<br>&nbsp;&nbsp;&nbsp;&nbsp;through the night skies!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, you are the<br>&nbsp;&nbsp;&nbsp;&nbsp;fruit of our lost paradise!<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I would violate any<br>&nbsp;&nbsp;&nbsp;&nbsp;taboo to admire this beauty!<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it... Stop!<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let my feelings reach you, here and now!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lobster-Quadrille!<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her body, slender as a<br>&nbsp;&nbsp;&nbsp;&nbsp;twig and light as a feather,<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could go quite a distance when thrown.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so Alice flew far, far away.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beautiful!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ciel in Wonderland.*<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ciel in Wonderland.*<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chapter Four: Pepper Wafts Through the Air"<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my palace!<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I am the Duchess!<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is my esteemed cook!<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turmeric, coriander,<br>&nbsp;&nbsp;&nbsp;&nbsp;cloves, cinnamon, cardamom,<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;cumin, fennel, anise, caraway...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the trump card is...<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...black pepper!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've only just begun!<br>&nbsp;&nbsp;&nbsp;&nbsp;The ultimate curry will not be perfected<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until I've added another 3,000 spices!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excellent! I'd expect<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing less from my cook!<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now our final member--Kitchen Maid Alice!<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't involve me in this!<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, no need to get upset.<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you eaten too much chilli powder?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't do!<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Less chilli powder, more ginger!<br>&nbsp;&nbsp;&nbsp;&nbsp;And the trump card is...<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...black pepper!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! This! This is it! The piquancy<br>&nbsp;&nbsp;&nbsp;&nbsp;of our great Mother Nature!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off!<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I forgot one more<br>&nbsp;&nbsp;&nbsp;&nbsp;member of the household.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mee-ow!<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did the perverted-looking<br>&nbsp;&nbsp;&nbsp;&nbsp;red thing get here?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meow.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you on about?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been here all along.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not a pervert; it's a Cheshire-Cat!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meow!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meow.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What sort of cat grins like that?<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All cats grin.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know much,<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice, and that's a fact.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cats and tigers and people are all the same!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you treat them kindly,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll give you affection in return!<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite right, quite right!<br>&nbsp;&nbsp;&nbsp;&nbsp;And the trump card is...<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...black pepper!<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you...<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...stop it!<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relations between master and<br>&nbsp;&nbsp;&nbsp;&nbsp;butler follow the same principle!<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, even a high-born Duchess such<br>&nbsp;&nbsp;&nbsp;&nbsp;as I and a lowly kitchen maid such as you<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;might easily develop a<br>&nbsp;&nbsp;&nbsp;&nbsp;friendship that transcends station!<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bravo, Duchess!<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pointless to speak<br>&nbsp;&nbsp;&nbsp;&nbsp;with you! I'm leaving!<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you ever waste food!<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Duchess is quite right.<br>&nbsp;&nbsp;&nbsp;&nbsp;All foods are gifts from the gods.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must not waste even one grain of pepper!<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you need to be punished. Go, cook!<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jo ājñā*!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a curry bun I prepared in<br>&nbsp;&nbsp;&nbsp;&nbsp;advance, for just such an occasion!<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what were you<br>&nbsp;&nbsp;&nbsp;&nbsp;mixing all those spices for?!<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind trifles like that.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just eat up.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? My cook makes<br>&nbsp;&nbsp;&nbsp;&nbsp;good curry buns, doesn't she?<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's surprisingly good.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Alice? Stomachache?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...!<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this like what happened to Lizzie earlier?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't stop!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Duchess!<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cook!<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meow, meow!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Squeak, squeak, squeak!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precious lives were sacrificed today.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erect a gravestone for<br>&nbsp;&nbsp;&nbsp;&nbsp;them when you have a chance.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jo ājñā*.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, Duchess, there isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;much time before your next appointment.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an invitation from the Queen for you.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, let's go, then.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, Alice!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it, you! Turn me<br>&nbsp;&nbsp;&nbsp;&nbsp;back to normal before you go!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In through the roof and then<br>&nbsp;&nbsp;&nbsp;&nbsp;out through the roof again?<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What dreadful manners.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poor Alice's appearance had<br>&nbsp;&nbsp;&nbsp;&nbsp;become exceedingly embarrassing.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, against all her expectations,<br>&nbsp;&nbsp;&nbsp;&nbsp;still greater disgrace awaited her.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chapter Five: The Lizard<br>&nbsp;&nbsp;&nbsp;&nbsp;Passionately Promises"<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe him, just leaving his<br>&nbsp;&nbsp;&nbsp;&nbsp;master without permission like that!<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when he notices me, he ignores me!<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to that "butler<br>&nbsp;&nbsp;&nbsp;&nbsp;aesthetic" he likes to talk about?!<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there! Eiffel Tower! Halt!<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that sound?<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, you're looking in<br>&nbsp;&nbsp;&nbsp;&nbsp;the wrong place! Down here!<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the shadow of your right shoe!<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Lizard policeman who<br>&nbsp;&nbsp;&nbsp;&nbsp;just happens to be passing by.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pleased to meet you, Alice!<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking for the White Rabbit.<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you seen him?<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got split up?<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that means you're lost! This is serious!<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose so...<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's all right! Not to worry.<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be on your side!<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Do you know the way?<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes or no?!<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm!<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Alice! It seems<br>&nbsp;&nbsp;&nbsp;&nbsp;I've brought the wrong map!<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make rash promises<br>&nbsp;&nbsp;&nbsp;&nbsp;you're not capable of keeping!<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* should check your belongings<br>
&nbsp;&nbsp;&nbsp;&nbsp;before you get into trouble.<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My belongings?<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a magic candy that<br>&nbsp;&nbsp;&nbsp;&nbsp;will make you feel quite nice.<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you eat it, something<br>&nbsp;&nbsp;&nbsp;&nbsp;interesting is sure to happen!<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;True, it seems something always<br>&nbsp;&nbsp;&nbsp;&nbsp;happens when one eats or drinks here...<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But will I grow larger or smaller?<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, I'll be able to get out of this.<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the ticket!<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go! You can do it, Alice!<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there, Alice! Protect world peace!<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, Alice, go!<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which way?<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, she's let that stuffy<br>&nbsp;&nbsp;&nbsp;&nbsp;lizard talk her into eating the candy.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, Alice is such a glutton.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What just deserts--pardon me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I meant "adventures" --lie in store?<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the devil is *this*?!<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find out in Part II.<br>**[24:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Advice from a mysterious Caterpillar,<br>
&nbsp;&nbsp;&nbsp;&nbsp;a mushroom that toys with mind and body,*<br>**[24:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a reunion with the Cheshire-Cat,*<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and then the Hatter's mad tea<br>
&nbsp;&nbsp;&nbsp;&nbsp;beckons Alice to a sweet interlude.*<br>**[24:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next time on Black Butler:<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Ciel in Wonderland Part II."*<br>**[24:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You see, I am merely<br>
&nbsp;&nbsp;&nbsp;&nbsp;one hell of a White Rabbit.*<br>**[24:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 102 - Welcome to the Phantomhives

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYQ43P3E6/black-butler)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Ciel's manor, dear.<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure to see you, Lady Elizabeth.<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Sebastian!<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ciel, Ciel, Ciel!<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been expecting you, Miss.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dear, this is Ciel, Earl Phantomhive.<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ciel, this is the friend<br>&nbsp;&nbsp;&nbsp;&nbsp;I wrote you about in my letter.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I met her at a ball last month,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I liked her straight away!<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She knows ever so many things.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to introduce her to<br>&nbsp;&nbsp;&nbsp;&nbsp;you so much, I brought her along!<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I to do with you?<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Ciel Phantomhive,<br>&nbsp;&nbsp;&nbsp;&nbsp;head of the house of Phantomhive.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you'll enjoy tonight's ball.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian, see that she's<br>&nbsp;&nbsp;&nbsp;&nbsp;offered the utmost hospitality.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very good, my lord.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pleased to make your acquaintance, Miss.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Sebastian Michaelis,<br>&nbsp;&nbsp;&nbsp;&nbsp;butler to the Phantomhives.<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please enjoy the famed<br>&nbsp;&nbsp;&nbsp;&nbsp;Phantomhive hospitality.<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to the Phantomhive manor.<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the guest room.<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say it's lovely? Thank you.<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The furnishings here are<br>&nbsp;&nbsp;&nbsp;&nbsp;historic masterpieces<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;collected by generations of Phantomhives.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are all suitable<br>&nbsp;&nbsp;&nbsp;&nbsp;articles for a gentlewoman,<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so please feel free to use them as you like.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the previous earl,<br>&nbsp;&nbsp;&nbsp;&nbsp;Vincent Phantomhive, and his wife Rachel.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only were they<br>&nbsp;&nbsp;&nbsp;&nbsp;passionate about aiding the poor,<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they also worked to improve<br>&nbsp;&nbsp;&nbsp;&nbsp;medical care and river drainage.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm told they were prominent<br>&nbsp;&nbsp;&nbsp;&nbsp;figures much beloved by their community.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen evidently placed a<br>&nbsp;&nbsp;&nbsp;&nbsp;great deal of trust in them as well.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might ask my master<br>&nbsp;&nbsp;&nbsp;&nbsp;for more details at teatime.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, please wait he--<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait here.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me for a moment.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you three were behind this.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's this newfangled burner!<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, work, you piece of junk!<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mustn't come any closer!<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hurt, Miss?<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that. I almost<br>&nbsp;&nbsp;&nbsp;&nbsp;charred things there.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *did* char them, yes!<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right, Sebastian?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I say, who's that?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a friend of Lady Elizabeth's,<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and one of our esteemed<br>&nbsp;&nbsp;&nbsp;&nbsp;guests at tonight's party.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's charming!<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like a porcelain doll!<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a beaut, she is!<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry you had to see that, and<br>&nbsp;&nbsp;&nbsp;&nbsp;that you were exposed to danger besides.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot apologize enough.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I recall asking you to wait here.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every household has<br>&nbsp;&nbsp;&nbsp;&nbsp;places it wants no one to see,<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;secrets it wants no one to know.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strolling about a manor<br>&nbsp;&nbsp;&nbsp;&nbsp;you've only just arrived at<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;strikes me as a bit ill-mannered.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if you'd like to know<br>&nbsp;&nbsp;&nbsp;&nbsp;those very things, that's another matter.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your first time at such a large<br>&nbsp;&nbsp;&nbsp;&nbsp;estate, and you got carried away?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a lively curiosity, don't you, Miss?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite like an innocent<br>&nbsp;&nbsp;&nbsp;&nbsp;puppy who knows no fear...<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a little time before tea.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I take the liberty of<br>&nbsp;&nbsp;&nbsp;&nbsp;showing you around the manor?<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then with your permission,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall escort you.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, give me your hand.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the games room.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's furnished with a billiard<br>&nbsp;&nbsp;&nbsp;&nbsp;table and various other equipment,<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as most of the playthings<br>&nbsp;&nbsp;&nbsp;&nbsp;devised by the Funtom Company,<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the hopes of affording<br>&nbsp;&nbsp;&nbsp;&nbsp;our guests a pleasant time here.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what do we have here?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it's not much, but<br>&nbsp;&nbsp;&nbsp;&nbsp;please make yourself comfortable.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in the games room, we have<br>&nbsp;&nbsp;&nbsp;&nbsp;a billiard table, among other things,<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as most of the playthings<br>&nbsp;&nbsp;&nbsp;&nbsp;invented by the Funtom Company,<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that everyone who enters<br>&nbsp;&nbsp;&nbsp;&nbsp;can spend a pleasant time here.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do make yourself at home.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for that detailed explanation.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I must say, it didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;materially differ from the one I just gave...<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss, meet Mr. Lau, head<br>&nbsp;&nbsp;&nbsp;&nbsp;of the English branch<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Chinese trading company Kunlun.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is a friend of Lady Elizabeth's.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better be careful.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, this place is<br>&nbsp;&nbsp;&nbsp;&nbsp;crawling with dangerous beasts.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take care not to get eaten.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the pride of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Phantomhive estate: the library.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The family heads have<br>&nbsp;&nbsp;&nbsp;&nbsp;enjoyed reading for generations,<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we pride ourselves on a<br>&nbsp;&nbsp;&nbsp;&nbsp;collection that rivals those at Oxford--<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brilliant timing! I was just feeling bored.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prince Soma, we're in the<br>&nbsp;&nbsp;&nbsp;&nbsp;middle of our studies.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's important to rest now and then, Agni.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get the impression<br>&nbsp;&nbsp;&nbsp;&nbsp;that you were studying...<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today we've invited Lady<br>&nbsp;&nbsp;&nbsp;&nbsp;Elizabeth's friend here for tea,<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she'll be our guest at<br>&nbsp;&nbsp;&nbsp;&nbsp;a ball we're holding tonight.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's her, I take it?<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss, meet a friend of my young master's:<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 26th child of the king of<br>&nbsp;&nbsp;&nbsp;&nbsp;Bengal, Prince Soma Asman Kadar,<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with his butler Agni.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Namaste jī*.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prince Soma, this is...<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's charming!<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon?<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm Soma Asman Kadar.<br>&nbsp;&nbsp;&nbsp;&nbsp;I fancy you! Will you be my handmaid?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or if you'd like, my... er... w-wife...<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prince Soma! At last... at last,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've found your soul mate!<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your happiness is my happiness!<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O Kali, please, please<br>&nbsp;&nbsp;&nbsp;&nbsp;bless their future together!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agni!<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mustn't make this young<br>&nbsp;&nbsp;&nbsp;&nbsp;lady uncomfortable, you two.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wish to propose, please do<br>&nbsp;&nbsp;&nbsp;&nbsp;so formally at a later point in time...<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost time for tea.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we go, Miss?<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today we have a Nilgiri tea, which features<br>&nbsp;&nbsp;&nbsp;&nbsp;both a refreshing aroma and a rich flavor.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nilgiri, eh? That scent brings back memories.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I remember rightly, "Nilgiri"<br>&nbsp;&nbsp;&nbsp;&nbsp;means "blue mountain," doesn't it?<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This tea fetches quite a good price.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accompanying it we have a Dundee Cake.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A batter with rum and dried fruits,<br>&nbsp;&nbsp;&nbsp;&nbsp;studded with roast almonds.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it looks scrumptious!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, not bad.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, my lord.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you fancy that teacup?<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I say, isn't that...<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it's a Vienna Rose.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought the flower blooming on this cup<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would set the loveliness of<br>&nbsp;&nbsp;&nbsp;&nbsp;the young lady off to advantage.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me it's genuine?!<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it's the genuine article.<br>&nbsp;&nbsp;&nbsp;&nbsp;Empress Maria Theresa reportedly loved it.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fine thing worthy of an earl.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even imagine what it<br>&nbsp;&nbsp;&nbsp;&nbsp;would be worth on the open market.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dear!<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is no good.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it would be awful<br>&nbsp;&nbsp;&nbsp;&nbsp;if she'd cracked the cup.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian, see that she's all right,<br>&nbsp;&nbsp;&nbsp;&nbsp;and prepare a change of clothing.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give her the frock in the dressing room.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But young master, that dress...<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very good.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me, Miss.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinarily one such as I has no<br>&nbsp;&nbsp;&nbsp;&nbsp;place seeing or touching your skin,<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is an emergency situation.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, please forgive my rudeness.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That will do nicely, Miss.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps that teacup was<br>&nbsp;&nbsp;&nbsp;&nbsp;a bit too heavy for you.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for my lack of consideration.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the idea is agreeable to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;my master would like you to have this dress.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please accept it with our compliments.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would we go to such lengths, you ask?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are our honored guest.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only right that we should do this much.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodness, the guests for the<br>&nbsp;&nbsp;&nbsp;&nbsp;ball will be arriving any moment.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must excuse myself.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait in the guest<br>&nbsp;&nbsp;&nbsp;&nbsp;room with Lady Elizabeth.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to the Phantomhive manor.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to barge in like this, Ciel.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, it's Inspector Abberline.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What brings the Yard to my ball?<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's been a rash of<br>&nbsp;&nbsp;&nbsp;&nbsp;disappearances happening at balls,<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm here on patrol.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disappearances?<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the criminal is a cowardly<br>&nbsp;&nbsp;&nbsp;&nbsp;scoundrel who targets only young maidens.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's simply unforgivable!<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can be sure<br>&nbsp;&nbsp;&nbsp;&nbsp;Scotland Yard will catch him.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ask for your cooperation!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, your scheduled call.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to have infiltrated<br>&nbsp;&nbsp;&nbsp;&nbsp;them successfully.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's bloody simple-minded if she<br>&nbsp;&nbsp;&nbsp;&nbsp;took you for a respectable young lady<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and happily invited you to the Phantomhives.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you know your job.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You be sure to kill that damned<br>&nbsp;&nbsp;&nbsp;&nbsp;butler and bring Ciel Phantomhive to me.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our revenge for<br>&nbsp;&nbsp;&nbsp;&nbsp;Azzurro and the Ferro family!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The butler uses strange tricks, so watch out.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I suppose this will be an easy task<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the expert assassin they<br>&nbsp;&nbsp;&nbsp;&nbsp;call the "Mad Dog of Venezia."<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So here you are.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ball is about to begin.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tighter! Make it tighter!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today is a special day, so cinch it tightly!<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, my lady...!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hello dear!<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this dress! Isn't it just too cute?<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, good! And you look ever so cu--<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This dress...<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It suits you ever so well.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So make sure Ciel sees you in it...<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...during the ball...<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lady!<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to fear.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look darling even asleep.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally have you...<br>&nbsp;&nbsp;&nbsp;&nbsp;my charming song thrush.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to the Phantomhive manor.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to the Phantomhive manor.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's vanished?!<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what should we do?<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lady...<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take Lady Elizabeth to the guest room.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bring up some warm milk.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, my lady, here we go.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were signs that a sleep-inducing<br>&nbsp;&nbsp;&nbsp;&nbsp;drug had been pumped into the guest room.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he put her to sleep<br>&nbsp;&nbsp;&nbsp;&nbsp;and then carried her off, eh?<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a very bold sort of criminal.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, he managed to get past *you*.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My apologies, my lord. You had<br>&nbsp;&nbsp;&nbsp;&nbsp;ordered me to entertain our guests.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having a visitor stolen from me<br>&nbsp;&nbsp;&nbsp;&nbsp;would stain the name of "Phantomhive"...<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And of the "Queen's guard dog."<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian, this is an order: Get her back!<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, my lord.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're alone at last, my song thrush.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since I found you at that ball<br>&nbsp;&nbsp;&nbsp;&nbsp;the other day and you stole my heart,<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been pursuing you.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a sinful little bird you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;to make me so wild for you.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right; no one will come after us.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the luxury liner I built just<br>
&nbsp;&nbsp;&nbsp;&nbsp;for you: the *Song Thrush's Warble*!<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come, let us set out for a tropical island!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll run away and live together!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're leaving, do so by yourself.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're...!<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're behind this, Lord Dru--<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the servant of the goddess<br>&nbsp;&nbsp;&nbsp;&nbsp;of beauty--Masque de Vicomte!<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be taking the young lady<br>&nbsp;&nbsp;&nbsp;&nbsp;back now, Mr. Masque de Vicomte.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So our love truly is forbidden, then.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...!<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My goodness. Poison, is it?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us go together, my song thrush.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Heaven, where no one can follow us!<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over my deadly body, honey!☆<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not scheduled to die until<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow, so you can't kill her yet!<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grell.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, if it isn't Sebas-*chan*!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Fancy meeting *you* here!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you stand in the way of our love!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss...<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing to be<br>&nbsp;&nbsp;&nbsp;&nbsp;afraid of, if we're together.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does he mean to take<br>&nbsp;&nbsp;&nbsp;&nbsp;that woman down with him?!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a nuisance he is.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We who live for forbidden<br>&nbsp;&nbsp;&nbsp;&nbsp;love shall be wed in Heaven!<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like Tristan and Isolde!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us pass away together as<br>&nbsp;&nbsp;&nbsp;&nbsp;this dream ends, my song thrush.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe I've already told you:<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're leaving, do so by yourself.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You thrill me, Sebas-*chan*.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thrill and throb!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to spin it more than usual!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Unbelievable!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Song thrush! I love--<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mere "servant of the goddess of beauty"<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't stand a chance<br>&nbsp;&nbsp;&nbsp;&nbsp;against a grim reaper and a demon!<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awake, Miss?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness you're all right.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Sebas-*chan*, I lent a hand too, right?<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So won't you hold me in your arms too?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief, I cannot believe you<br>&nbsp;&nbsp;&nbsp;&nbsp;made me come all the way out here.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will?!<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long will you play about<br>&nbsp;&nbsp;&nbsp;&nbsp;before you do your work, Grell Sutcliff?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, wouldn't I love to play with Sebas-*chan*!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could get oiled up and<br>&nbsp;&nbsp;&nbsp;&nbsp;have a nice, slippery roll in the...<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, I *am* working!<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you be kind enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell me your name?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that for?!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This soul isn't scheduled for death.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look closely at the spelling.<br>&nbsp;&nbsp;&nbsp;&nbsp;The two names are one letter off.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the wrong person.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, I got it wrong?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm such a silly-billy.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, it's such hard work<br>&nbsp;&nbsp;&nbsp;&nbsp;having an addlebrained colleague...<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're leaving.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we dawdle, the soul we're meant<br>&nbsp;&nbsp;&nbsp;&nbsp;to reap might be stolen as well...<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...by some demon.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do be careful on your way home.<br>&nbsp;&nbsp;&nbsp;&nbsp;The sea is dangerous at night.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and paddle, won't you?<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're a slave-driver!<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-ta, Sebas-*chan*! Bye-bye, seaweed pie!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we head back to the estate, then?<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be sure not to tell anyone what you just saw.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my dear, I'm so glad you're all right!<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lizzie, let's let her rest for a while.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodness, that poor girl!<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's so charming, I can see<br>&nbsp;&nbsp;&nbsp;&nbsp;why a man might want to kidnap her.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mustn't wake him up.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I was away,<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my young master was forced<br>&nbsp;&nbsp;&nbsp;&nbsp;to entertain all the guests alone.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, it seems he took pains<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent anyone from finding out<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what had happened in this very manor.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must have quite worn him out.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My apologies, young master.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look as though you're wondering why.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I listened to your entire telephone call.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your lithe figure, and the heavy<br>&nbsp;&nbsp;&nbsp;&nbsp;scent of death rising from your skin...<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see now. Who could suppose<br>&nbsp;&nbsp;&nbsp;&nbsp;you were the Ferros' hired assassin?<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a villain you are,<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using Lady Elizabeth to<br>&nbsp;&nbsp;&nbsp;&nbsp;infiltrate the Phantomhive estate.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would explain your unfamiliarity<br>&nbsp;&nbsp;&nbsp;&nbsp;with mansions and tea parties.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad I gave you a tour of the manor.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you came to this room,<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can dispose of you without anyone noticing.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, where are you going?<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian?<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I asleep?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, with your mouth hanging<br>&nbsp;&nbsp;&nbsp;&nbsp;open in the most undignified way.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could have woken me, then.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care for your sense of humor.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? You're...<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's come to offer you her thanks.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please accept my apologies.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You suffered a terrible<br>&nbsp;&nbsp;&nbsp;&nbsp;experience because of our lax security.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As head of the house of Phantomhive,<br>&nbsp;&nbsp;&nbsp;&nbsp;I bear responsibility for all of this.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can find it in your heart<br>&nbsp;&nbsp;&nbsp;&nbsp;to forgive me, take my hand.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ball in your honor has yet to begin.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Happy Birthday!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I present to you today's guest of honor.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what do we have here?<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That dress suits you splendidly!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of these people gathered<br>&nbsp;&nbsp;&nbsp;&nbsp;to celebrate your birthday, dear!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My young master and Lady<br>&nbsp;&nbsp;&nbsp;&nbsp;Elizabeth have been secretly planning<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this surprise party for you.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I assume the date you gave Lady<br>&nbsp;&nbsp;&nbsp;&nbsp;Elizabeth wasn't your real birthday?<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, today has become a special day,<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not only for her, but for the<br>&nbsp;&nbsp;&nbsp;&nbsp;Phantomhive household as well.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it is, Sebastian!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that cake is amazing!<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We pulled out all the stops to<br>&nbsp;&nbsp;&nbsp;&nbsp;make you a memorable cake, Miss.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, Sebastian, now you sing!<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, my lady? I fear it would be presumptuous.<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever there's a<br>&nbsp;&nbsp;&nbsp;&nbsp;birthday cake, someone must sing!<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please? Do it for her!<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't refuse a request<br>&nbsp;&nbsp;&nbsp;&nbsp;from you, Lady Elizabeth.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Happy birthday to you ♪<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Happy birthday to you ♪<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Happy birthday dear... ♪<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Happy birthday to you ♪<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss...<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your wrist must still<br>&nbsp;&nbsp;&nbsp;&nbsp;hurt where I gripped it.<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With your permission, I'll assist you.<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This birthday cake was<br>&nbsp;&nbsp;&nbsp;&nbsp;baked for you, you know.<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, say "ah."<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, the ball is beginning.<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that you and I are<br>&nbsp;&nbsp;&nbsp;&nbsp;the only ones without partners.<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I lead you through the steps?<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I dare say you're not<br>&nbsp;&nbsp;&nbsp;&nbsp;familiar with balls, either.<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right: stay relaxed...<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be serene, just as you are<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're killing someone.<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look as though you'd like<br>&nbsp;&nbsp;&nbsp;&nbsp;to ask me why I don't kill you.<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My duty as butler is to ensure<br>&nbsp;&nbsp;&nbsp;&nbsp;that this ball goes off without a hitch.<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like to sully my carefully<br>&nbsp;&nbsp;&nbsp;&nbsp;planned ball with human blood,<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my master ordered<br>&nbsp;&nbsp;&nbsp;&nbsp;me to offer you hospitality.<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you were to come after him again,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would kill you without mercy.<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, any time you are a guest here,<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall show you the utmost hospitality.<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand me?<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, give a little yelp for me.<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say "woof," just like a dog.<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good girl. Now, this<br>&nbsp;&nbsp;&nbsp;&nbsp;promise will be our little secret.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I a colleague, you ask?<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I am no assassin.<br>**[24:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am merely one hell of a butler.<br>**[24:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ciel... And my dear...<br>**[24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lizzie seems to be quite taken with you.<br>**[24:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad to have met you as well.<br>**[24:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That dress belonged to my late<br>&nbsp;&nbsp;&nbsp;&nbsp;mother, but I'd like you to have it.<br>**[24:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your carriage is ready, Miss.<br>**[24:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for coming today.<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope to see you here again.<br>**[24:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll always be ready to welcome<br>&nbsp;&nbsp;&nbsp;&nbsp;you to the Phantomhive manor.<br>**[24:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, good night.<br>**[25:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was far too much trouble.<br>**[25:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize, my lord.<br>**[25:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tired. Bring me some tea.<br>**[25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly.<br>**[25:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 103 - The Making of Black Butler II

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYQ43P3E6/black-butler)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tell me that even if a<br>
&nbsp;&nbsp;&nbsp;&nbsp;never-ending sorrow steals you away*<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Our two hearts will never grow apart*<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Black Butler II"<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I run up to you from<br>
&nbsp;&nbsp;&nbsp;&nbsp;behind asking questions*<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The reason I never wavered,<br>
&nbsp;&nbsp;&nbsp;&nbsp;no matter what the future looked like*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Was because I didn't want to<br>
&nbsp;&nbsp;&nbsp;&nbsp;forget what I believed in anymore*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My habit of averting my eyes, my<br>
&nbsp;&nbsp;&nbsp;&nbsp;vague answers, and my not-funny lies--*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If you're not by my side,<br>
&nbsp;&nbsp;&nbsp;&nbsp;their very meaning blurs*<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if a never-ending<br>
&nbsp;&nbsp;&nbsp;&nbsp;sorrow steals you away*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't forget the days when we<br>
&nbsp;&nbsp;&nbsp;&nbsp;couldn't imagine a true "goodbye"*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tell me that even if a<br>
&nbsp;&nbsp;&nbsp;&nbsp;never-ending sorrow steals you away*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Our two hearts will never grow apart*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In 2008, the legendary work Black Butler*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"*Black Butler*"<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*drew audiences into a whirlpool<br>
&nbsp;&nbsp;&nbsp;&nbsp;of excitement and fanaticism.*<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Its dazzling characters, stylish visuals,*<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*impressive action scenes,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and beautiful yet cruel story*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*won it enthusiastic fans and gave<br>
&nbsp;&nbsp;&nbsp;&nbsp;birth to a global social phenomenon.*<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Black Butler.*<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Black Butler.*<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Black Butler.*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Black Butler.*<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home!<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mommy, I'm hungry!<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nagayama-en proudly presents<br>
&nbsp;&nbsp;&nbsp;&nbsp;"*Black Butler* Rice Seasoning."<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have curry as well, young master.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"And N.Y. Once Again"<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And now, in 2010, the silence is broken...*<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...and the legend is reborn!*<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Black Butler II is publicly unveiled at last!*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In this program, I'll be<br>
&nbsp;&nbsp;&nbsp;&nbsp;taking you behind the scenes.*<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had no interest in doing a sequel.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would be the point of<br>&nbsp;&nbsp;&nbsp;&nbsp;doing the same thing twice?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, my young<br>&nbsp;&nbsp;&nbsp;&nbsp;master wasn't keen on the idea.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said that sequels<br>&nbsp;&nbsp;&nbsp;&nbsp;weren't truly creative works.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only went to the studio<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I felt it would be rude to<br>&nbsp;&nbsp;&nbsp;&nbsp;say no without hearing them out first.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The staff had scripts ready for me.<br>&nbsp;&nbsp;&nbsp;&nbsp;They asked me to read them.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they said if I turned them down<br>&nbsp;&nbsp;&nbsp;&nbsp;after that, they would accept defeat.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their eyes were earnest.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a story worth performing in.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there is to it.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, Sir? I have no opinions.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only abide by what my<br>&nbsp;&nbsp;&nbsp;&nbsp;young master has decided.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, I am merely one hell of a butler.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They agreed to take part.*<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, to resurrect the<br>
&nbsp;&nbsp;&nbsp;&nbsp;legend, more help was needed.*<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes: the help of the comrades*<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who had created the<br>
&nbsp;&nbsp;&nbsp;&nbsp;original legend along with them.*<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guuuuuuuuuyyysss!<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time, no see!<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We came back to *Black Butler*, yes!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Away on Business"<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-W-W-Wonderful!<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Black Butler* is back! It's the<br>
&nbsp;&nbsp;&nbsp;&nbsp;veritable Big Bang of the TV world!<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, let us toast this miracle.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sequel seemed unimaginable, frankly.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Ran-Mao?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially considering<br>&nbsp;&nbsp;&nbsp;&nbsp;how the original show ended.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that might be exactly why<br>&nbsp;&nbsp;&nbsp;&nbsp;there's meaning in doing a sequel.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Why?<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Audiences always want to be surprised.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To develop a story out of an ending<br>&nbsp;&nbsp;&nbsp;&nbsp;like that is the work of a true pro.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I look forward to seeing how it turns out.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, so do I!<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how *did* the original one end?<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I only watched<br>&nbsp;&nbsp;&nbsp;&nbsp;the parts I was in, you know?<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Green Room"<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never change.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could we *not* be in the sequel?<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, Ciel is like a brother<br>&nbsp;&nbsp;&nbsp;&nbsp;to me. I have to look after him.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you, Agni.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Jo ājñā*!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though we haven't filmed together yet,<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I look forward to seeing my friend, too.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't film me.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have my makeup on,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't you dare film me!<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An appealing story needs an appealing rival.*<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*These two will be the ones to make<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ciel and Sebastian suffer this time.*<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'd seen the original series.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boy I'm playing is out to get Ciel.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, or maybe Sebastian?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please look forward to<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing me take down that brat Ciel<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like the piece of shit he is.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't familiar with it.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care about this sort of thing.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever. It's my job.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there! I'm Thompson!<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Timber.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Canterbury.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as you see, there's no<br>&nbsp;&nbsp;&nbsp;&nbsp;consistency between them!<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's really just one of me.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing three roles!<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm only getting paid<br>&nbsp;&nbsp;&nbsp;&nbsp;as one. But I'll do my best!<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An interview?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do apologize, but may I have a moment?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Two Months Earlier"<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One Week Earlier"<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Previous Night"<br>&nbsp;&nbsp;&nbsp;&nbsp; One, two...<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One Hour Earlier"<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"On Set"<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, two, three...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Actions speak louder than words.  Actors do not speak; they perform.  I respectfully refuse all interviews. --Claude Faustus"
<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The actors have gathered. <br>
&nbsp;&nbsp;&nbsp;&nbsp;Time to begin filming.*<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"First Day of Filming"<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we're going to start filming!<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ciel Phantomhive as "Ciel" and<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian Michaelis as "Sebastian"!<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll start with your scenes! Get in here!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good to work with you again!<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're going to do this, we're<br>&nbsp;&nbsp;&nbsp;&nbsp;going to surpass the first season.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very good, my lord.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's you.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just been *dying* to see you!☆<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you've been pulling the<br>&nbsp;&nbsp;&nbsp;&nbsp;strings behind the scenes, Grell?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I've been pulling are the red<br>&nbsp;&nbsp;&nbsp;&nbsp;threads of fate that bind our hearts!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Finished Video"<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't the blocking we talked about...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But in reality..."<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These actually bite into<br>&nbsp;&nbsp;&nbsp;&nbsp;the skin quite painfully.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rolling!<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Action!<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stay away...<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...from my Sebas-*chan*!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut!<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ash. Angela.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those movements were *filthy*.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's change the order.<br>&nbsp;&nbsp;&nbsp;&nbsp;First Claude will come in from the right.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was great, Hannah.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the first season we appeared onstage<br>&nbsp;&nbsp;&nbsp;&nbsp;as well, but we're primarily action directors.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I direct the men...<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and I direct the women.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also do Sebastian's stunts<br>&nbsp;&nbsp;&nbsp;&nbsp;in the more dangerous scenes.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Likewise, I do stunts for Grell and Hannah.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do the majority of my<br>&nbsp;&nbsp;&nbsp;&nbsp;scenes myself, however.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that's the Phantomfive--<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Give me another shot at it.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Take 2"<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that's the Hansom--<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Take 3"<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that's the Phantam--<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that's the Hya--<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Take 4"<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get it together, you sorry<br>&nbsp;&nbsp;&nbsp;&nbsp;excuse for an actor!<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, look at that. He's<br>&nbsp;&nbsp;&nbsp;&nbsp;perfect for the role.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Cheer! Cheer!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Please calm down, my prince.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Phantomhive! Phantomhive!<br>&nbsp;&nbsp;&nbsp;&nbsp;Phantomhive! Phantomhive!<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Take 5"<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that's the Phantomhive way,<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still believe in Ciel!<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He did it!!"<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so sorry!<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're good. That was superb timing.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Filming proceeds peacefully.*<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The teamwork between<br>
&nbsp;&nbsp;&nbsp;&nbsp;the cast and staff is excellent.*<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, we mustn't get complacent.*<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There is a monster lurking in the wings.*<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The monster called "Accident."*<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what tragedy!<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that the set would be<br>&nbsp;&nbsp;&nbsp;&nbsp;destroyed by a torrential downpour!<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the face of Mother Nature, human<br>&nbsp;&nbsp;&nbsp;&nbsp;efforts are fleeting and insubstantial!<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, this is the modern-day<br>&nbsp;&nbsp;&nbsp;&nbsp;Mu, the legend of Atlantis!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, a toast to the<br>&nbsp;&nbsp;&nbsp;&nbsp;cancellation of filming!<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This line is entirely unsatisfactory.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you people<br>&nbsp;&nbsp;&nbsp;&nbsp;interpreting Claude's character?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to meet with the screenwriter and--<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're filming?<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call for an ambulance!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here! Hurry up!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, turn that off! Get out of here, you cad!<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's comforting to think that my<br>&nbsp;&nbsp;&nbsp;&nbsp;young master wasn't hurt, at least.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That day, Sebastian fractured<br>
&nbsp;&nbsp;&nbsp;&nbsp;bones in his right ankle: a serious injury.*<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However...*<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He returned to the set the very next day,*<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept the injury a<br>
&nbsp;&nbsp;&nbsp;&nbsp;secret until filming wrapped.*<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Phantomhive butler who can't<br>&nbsp;&nbsp;&nbsp;&nbsp;do that much isn't worth his salt.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Home shopping with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Grim Reaper Cultural Center.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today we're presenting a<br>&nbsp;&nbsp;&nbsp;&nbsp;super-high-performance pruning hook.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can reach any plant, no<br>&nbsp;&nbsp;&nbsp;&nbsp;matter how high up or far away.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can cut down a hundred people.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It telescopes at the touch<br>&nbsp;&nbsp;&nbsp;&nbsp;of a button for easy storage.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you order now, we'll throw<br>&nbsp;&nbsp;&nbsp;&nbsp;in this lawn mower for free.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Recommended by Ronald"<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number is 444-444-444.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, the "fatal fours." Call now.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll also provide a receipt.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's *Charge! Lizzie's<br>
&nbsp;&nbsp;&nbsp;&nbsp;"I'm Merely One Hell of a Fiancée"*!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Elizabeth Ethel Cordelia Midford.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Camerawork by Elizabeth"<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call me "Lizzie"!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today I'm going to take you<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the scenes of the show's filming!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're breaking my concentration. Go away.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, not that old excuse again!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Randall to the death.☆<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here, as you can see, we have snacks!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He really loves his snacks. How cute!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Marmite!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm obsessed with the<br>&nbsp;&nbsp;&nbsp;&nbsp;stuff lately. I eat a jar a day!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before that it was vegetable<br>&nbsp;&nbsp;&nbsp;&nbsp;juice, wasn't it?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Lau, what are you doing over there?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, he's always like that.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enjoy.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is great! Soma and<br>&nbsp;&nbsp;&nbsp;&nbsp;Agni brought home-made curry!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agni poured his heart into<br>&nbsp;&nbsp;&nbsp;&nbsp;making this curry. Savor it!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Happy birthday!<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Thompson! Have some cake!<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They insisted we celebrate. I had no choice.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd better be grateful!<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll be.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Happy Birthday Tianseba"<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Happy birthday!<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does that A.D., Edward or<br>&nbsp;&nbsp;&nbsp;&nbsp;whoever, act like such a big shot?<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear he comes from a noble family.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, this is good.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'll have some, too!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't, no!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The camerawoman has to do her job.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! But I want cake!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now we'll visit the ladies!<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strip.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Self-Imposed Broadcast Restrictions"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Please enjoy with sound only for the time being."<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll change my own clothes, yes!<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First up is Ran-Mao!<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're taping this, Father!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing!<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry, you look adorable!<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next up is Mey-Rin!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now just look at this, Father!<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cute, cute, *cute*!<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Lovely Fortunetelling"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Today your luck is... BAD"<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-N-Nothing!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the CG studio.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're creating the CG for the train now.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait... aren't you...?<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abberline, the director wants you.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming! All right, I'll see you later.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God, this is trash.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, I didn't know<br>&nbsp;&nbsp;&nbsp;&nbsp;the camera was rolling!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give this show my all.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Grell!<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you... don't film me<br>&nbsp;&nbsp;&nbsp;&nbsp;when I don't have my makeup on!<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we sang for ourselves...<br>
&nbsp;&nbsp;&nbsp;&nbsp;the theme song for *Black Butler II*.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I composed it for myself...<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a mental image of it through<br>&nbsp;&nbsp;&nbsp;&nbsp;talking with Ciel and Sebastian.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The result was a great song.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not a "visual-kei" band!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're "Dro & Cell"!<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nobody else in this<br>&nbsp;&nbsp;&nbsp;&nbsp;world with a sound like Dro & Cell's.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're Dro & Cell, and Dro & Cell is us,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Dro & Cell sound is our sound!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I say to him, "Pluto, stop it!"<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, boy! Bad boy! No, bo--!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, boy! Bad boy! Okay, boy!<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good boy! Good boy! No, boy!<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad boy! Okay, boy! Good boy! No, boy!<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad boy! Okay, boy!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The actors and the staff...*<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...bring all of their combined<br>
&nbsp;&nbsp;&nbsp;&nbsp;passion and skill to bear.*<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's the long-awaited new series<br>
&nbsp;&nbsp;&nbsp;&nbsp;that will go out to the whole world!*<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A legend is about to awaken!*<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Alois Trancy, a mysterious<br>
&nbsp;&nbsp;&nbsp;&nbsp;boy who appears before Ciel,*<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and Claude, his butler.*<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Who are they?*<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is Sebastian after?*<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And what in the world happened to Ciel?*<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The plot just keeps thickening, yes!<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a moron, so I don't really get it.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ditto!<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fully believe you'll all<br>&nbsp;&nbsp;&nbsp;&nbsp;be satisfied with the series.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't make mistakes.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The story accelerates faster and faster.*<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pathetic, Ciel Phantomhive.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?!<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Please be all right, Ciel!*<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Intense action!*<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Ciel...<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lizzie!<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The looming terror of death!*<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want to fight you.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care about laughter anymore.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A fated showdown!*<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A loss of innocence...*<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young master...<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And--*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*London faces crisis once again!*<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you ever wondered<br>&nbsp;&nbsp;&nbsp;&nbsp;about your family's destiny?<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About your family's secrets?<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Secrets, you say?<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you have the Queen's black tears.<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right, Ran-Mao?<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the meaning of this?!<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My real name is Vincent Phantomhive.<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am your father.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad, stop!<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If... If you're going to kill<br>&nbsp;&nbsp;&nbsp;&nbsp;my brother Ciel, kill me too!<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I refuse to allow my son and<br>&nbsp;&nbsp;&nbsp;&nbsp;grandson to fight a death match!<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mey-Rin? Father?!<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking for you.<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad I finally get<br>&nbsp;&nbsp;&nbsp;&nbsp;to see you, little brother.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big brother!<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember this?<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my dead mother's pendant!<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean you... No! It's not true!<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When this battle is over,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's go back to our homeland.<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll see the sparkling<br>&nbsp;&nbsp;&nbsp;&nbsp;Ganges again together!<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My prince...<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came here from the<br>&nbsp;&nbsp;&nbsp;&nbsp;future. The 23rd century.<br>**[24:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian Michaelis, I am your<br>&nbsp;&nbsp;&nbsp;&nbsp;and Ciel's... your and Ciel's...<br>**[24:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. I know he'll come back.<br>**[24:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, I'm carrying his...<br>**[24:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Day into night, tranquility into the<br>&nbsp;&nbsp;&nbsp;&nbsp;maelstrom of war, and the moon into Earth.<br>**[24:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what makes a Trancy butler.<br>**[24:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, moon! Turn the Earth<br>&nbsp;&nbsp;&nbsp;&nbsp;into a world of darkness!<br>**[24:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must not allow any more<br>&nbsp;&nbsp;&nbsp;&nbsp;young lives to be sacrificed.<br>**[24:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems the time has come for us to go.<br>**[25:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall give our lives for their future!<br>**[25:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Game-changing humanoid weapon<br>&nbsp;&nbsp;&nbsp;&nbsp;designed to protect the capital...<br>**[25:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Launch!<br>**[25:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deploy QV Field at maximum!<br>**[25:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Engines at full power. We'll thrust<br>&nbsp;&nbsp;&nbsp;&nbsp;it right out of the solar system.<br>**[26:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I leave the rest to you, butler.<br>**[26:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wasn't able to serve you to the<br>
&nbsp;&nbsp;&nbsp;&nbsp;end as I vowed. Please forgive me...*<br>**[26:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...my young master.<br>**[26:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian!<br>**[26:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"*Black Butler II*"<br>**[26:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We made that up. We're sorry."<br>**[26:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We're putting all we've<br>&nbsp;&nbsp;&nbsp;&nbsp;got into producing it."<br>**[27:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Asleep, you look so sad*<br>**[27:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You look as though<br>
&nbsp;&nbsp;&nbsp;&nbsp;you're having bad dreams*<br>**[27:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How do I live without you?*<br>**[27:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Lock me up, and only me*<br>**[27:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Within the sky of yourself*<br>**[27:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I mourn that I can't go in search*<br>**[27:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Of that blue sky I once saw*<br>**[27:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But everyone is in the sky*<br>**[28:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the cage of freedom*<br>**[28:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a starless night sky*<br>**[28:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Unable to see where I'm going... I wander*<br>

# 104 - Ciel in Wonderland Part II

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYQ43P3E6/black-butler)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our story so far:<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice fell into Wonderland<br>&nbsp;&nbsp;&nbsp;&nbsp;while chasing the White Rabbit.<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, she...<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...got soaked wet as a<br>&nbsp;&nbsp;&nbsp;&nbsp;drowned rat in a pool of tears...<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...got spun in circles by<br>&nbsp;&nbsp;&nbsp;&nbsp;a perverted Mock Turtle...<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...had her mouth stuffed full of curry bun...<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and shamelessly erected<br>&nbsp;&nbsp;&nbsp;&nbsp;her Eiffel Tower in public.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poor Alice was growing quite sick of<br>&nbsp;&nbsp;&nbsp;&nbsp;Wonderland after these awful experiences...<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but if anything, her trials were<br>&nbsp;&nbsp;&nbsp;&nbsp;about to become even more grueling.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chapter Six: The Caterpillar Talks of Joy"<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blast it, where did the White Rabbit go?!<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why the devil am I this size?<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you've finally found this place.<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the Caterpillar.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I rather thought this day might come.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been eagerly waiting.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Waiting? Do you know what I should do, then?<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? I haven't the least idea what you mean.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit evading the issue and just tell me!<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The right side will make you grow taller,<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the left side will make you grow shorter.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the law of the land here.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that supposed to mean?<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushroom.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushroom?<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushroom.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are you going to do?<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suck.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop--<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodness, you're all grown up.<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough games! Put me<br>&nbsp;&nbsp;&nbsp;&nbsp;back to normal this instant!<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? But that would be such a waste!<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are *ever* so many<br>
&nbsp;&nbsp;&nbsp;&nbsp;pleasures that only adults can savor...<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just put me back!<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mushroom.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Isn't there another way to do this?<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, why not relax and enjoy it?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suck.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't right either!<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! But that form comes<br>&nbsp;&nbsp;&nbsp;&nbsp;with its own unique pleasures...<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so picky.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just put me back! Or I'll crush you!<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, all right.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Valley.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So in the end, I'm just the way I was before?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way--<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ali... Hmm, what was your name, again?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been talking to me<br>&nbsp;&nbsp;&nbsp;&nbsp;without even knowing that?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you were in such a<br>&nbsp;&nbsp;&nbsp;&nbsp;hurry to get larger and smaller!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you hardly know yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;who you are anymore, do you?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Ciel Phantomhive!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, really? That doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;seem to fit, somehow.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm looking for the White Rabbit.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Well, why didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;you say so in the first place?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where he is?!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't the foggiest!<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had enough of you!<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was an utter waste of time.<br>&nbsp;&nbsp;&nbsp;&nbsp;Delayed by a useless caterpillar--<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Useless"? Is that really what you think?<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the Caterpillar.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what shall happen, in time?<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Presently I'll turn into a chrysalis,<br>&nbsp;&nbsp;&nbsp;&nbsp;and after that--you know, don't you?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean...?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can come along, Alice.<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to spread those wings...<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now!<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She's* the one transforming?!<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more one hurries, the later one becomes.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more intently one pursues,<br>&nbsp;&nbsp;&nbsp;&nbsp;the greater the distance grows.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that rate, not only will they never meet;<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I imagine they'll have trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;even passing each other by.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll set aside the question of<br>&nbsp;&nbsp;&nbsp;&nbsp;why the mushroom had wings...<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, Alice flew through the sky<br>&nbsp;&nbsp;&nbsp;&nbsp;once more, carried needlessly far away.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was an excessively fast woman.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chapter Seven: The Cheshire-Cat<br>&nbsp;&nbsp;&nbsp;&nbsp;Stands on Its Hind Legs"<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blast her for letting go<br>&nbsp;&nbsp;&nbsp;&nbsp;of me there, of all places!<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Rabbit! Mr. Rabbit!<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you, Mr. Rabbit?<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meow...<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show your whole self or don't<br>&nbsp;&nbsp;&nbsp;&nbsp;come at all! Don't do it by halves!<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or I'll teach you a lesson!<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, but I'm a creature of halves!<br>&nbsp;&nbsp;&nbsp;&nbsp;Who can say if I'm woman or man?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why I'm punished! Yes, I see!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough cant! Come out here!<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look troubled!<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on the circumstances,<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be willing to help you.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you're just as useless<br>&nbsp;&nbsp;&nbsp;&nbsp;as everyone else I've met today.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cruelty! Such cruelty! And after<br>&nbsp;&nbsp;&nbsp;&nbsp;I came here to show you the way, too!<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me ask you this, then:<br>&nbsp;&nbsp;&nbsp;&nbsp;which way ought I to go from here?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Which one do I take?<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Personally, I'd take *both*! <br>
&nbsp;&nbsp;&nbsp;&nbsp;A boy in every port!<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't possibly narrow it down<br>&nbsp;&nbsp;&nbsp;&nbsp;to just one; it'd be such a shame!<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, they may be very different types,<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they're both thrillingly handsome!<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not asking about your taste in men!<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm asking you which path I ought to choose!<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Being* loved is the easiest path,<br>
&nbsp;&nbsp;&nbsp;&nbsp;yet I always choose to be the lover!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A poor, lost kitten am I.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lost when you're supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be showing me the way?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Love is a labyrinth, you know.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where has the red thread of my fate gone?<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't much care where I go,<br>&nbsp;&nbsp;&nbsp;&nbsp;so long as I get somewhere.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, no need to worry: whichever<br>&nbsp;&nbsp;&nbsp;&nbsp;way you go, you'll only find a madman.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm simply *mad<br>
&nbsp;&nbsp;&nbsp;&nbsp;*about those madmen, you see!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't I refuse to go either way?<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dear me, can you afford to be so picky?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's show time!<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I'm on fire!<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Y-junction of a lost boy in love...<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...twists and turns until it's an M.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M!<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When all's said and done,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a single-hearted I!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this Cat is asking for you by name.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, don't you think we've at least<br>&nbsp;&nbsp;&nbsp;&nbsp;put to rest any fear of getting lost?<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there are no choices now, then?<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dead right about that!☆<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best time to snag your<br>&nbsp;&nbsp;&nbsp;&nbsp;prey is the moment you want it.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, I must be off on my hunt for love.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give my best to the<br>&nbsp;&nbsp;&nbsp;&nbsp;White Rabbit! Bye-bye, meow!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a moment!<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What now?<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just mentioned the<br>&nbsp;&nbsp;&nbsp;&nbsp;White Rabbit. Where did he go?<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're desperate to see him?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I didn't say that...<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you desperate to see him?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you chasing the<br>&nbsp;&nbsp;&nbsp;&nbsp;White Rabbit, of all things?<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because he's my butler!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He belongs to me.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'll get him back. That's all.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just not fair! I<br>&nbsp;&nbsp;&nbsp;&nbsp;want him too, you know!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, right now I'm even one<br>&nbsp;&nbsp;&nbsp;&nbsp;of his beloved pussy cats! Meow!<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can disappear now.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know, if the White Rabbit prefers,<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could always play the role of<br>
&nbsp;&nbsp;&nbsp;&nbsp;*tomcat* and let him be the pussy!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! Anytime!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut it, you poof.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cruelty! Such cruelty!<br>
&nbsp;&nbsp;&nbsp;&nbsp;*You're* the one who told me to wait!<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which reminds me--you never answered<br>&nbsp;&nbsp;&nbsp;&nbsp;my question! Where is he right now?<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll see him straight away, never fear.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eventually, if you walk straight,<br>&nbsp;&nbsp;&nbsp;&nbsp;straight, straight that way...<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now this really is bye-bye, meow!<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Straight that way," eh?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice's "guide" had never been<br>&nbsp;&nbsp;&nbsp;&nbsp;inclined to serve in that capacity;<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;really he was simply a<br>&nbsp;&nbsp;&nbsp;&nbsp;whore for... attention.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With only one road, poor Alice<br>&nbsp;&nbsp;&nbsp;&nbsp;had no choice but to go forward.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ciel in Wonderland.*<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ciel in Wonderland.*<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chapter Eight: The Hatter<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweetens Things Up"<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No room.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No room at all.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come now, don't say that. Have a seat.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say *what*? I haven't said anything!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Dormouse was talking in his sleep.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why he's called the Dormouse:<br>&nbsp;&nbsp;&nbsp;&nbsp;because he speaks endormi.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to the Mad Tea-Party. I'm the Hatter.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next to me is the March Hare.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you like tea?<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes...<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The look in your eyes says you doubt me.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing in it, I assure you!<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing but sweet, sweet sugar.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it! That's too much!<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shhh.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this...?<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Memories are such ephemeral things.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not interested in parlor tricks!<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my, just look at her drink!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I refer to the floor, of course.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you lot seen the White Rabbit?<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question! I'm sure I don't remember...<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there, with the glasses.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a rabbit too, aren't you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know anything?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll thank you not to lump<br>&nbsp;&nbsp;&nbsp;&nbsp;me in with that vulgar beast!<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rabbit is a rabbit.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those ears look good on you.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a member of the proud Hare race!<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That filthy white creature<br>&nbsp;&nbsp;&nbsp;&nbsp;is a Common Rabbit!<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, all right.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, really! The master<br>&nbsp;&nbsp;&nbsp;&nbsp;is just as the rabbit, I see!<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, you really *are* both rabbits.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I'll thank you not to lump me--<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is a raven like a writing-desk?<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to know where the<br>&nbsp;&nbsp;&nbsp;&nbsp;White Rabbit's gone, pay my price!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me the answer to my quiz question!<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll now officially begin.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you know the answer, be the<br>&nbsp;&nbsp;&nbsp;&nbsp;first to press the button in front of you.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question: "Why is a raven<br>&nbsp;&nbsp;&nbsp;&nbsp;like a writing-desk?"<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your time limit is two hours.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's long!<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start Thinking Time!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Thirty seconds to go. 29, 28, 27, 26...<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That's fast!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Thirty seconds to go. 29, 28, 27, 26...<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That's fast!<br>&nbsp;&nbsp;&nbsp;&nbsp;--...25, 24, 23, 22, 21, 20...<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I say, March Hare, wasn't your watch broken?<br>&nbsp;&nbsp;&nbsp;&nbsp;--...25, 24, 23, 22, 21, 20...<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I say, March Hare, wasn't your watch broken?<br>&nbsp;&nbsp;&nbsp;&nbsp;--...19, 18, 17, 16, 15, 14...<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...13, 12, 11, 10, 9, 8, 7--<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 1: Alice!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They both start with an "r" sound!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dum dum da-da-*dum*.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The correct answer was,<br>&nbsp;&nbsp;&nbsp;&nbsp;"They're not alike at all."<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Correct answer" my arse!<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not a proper quiz question at all!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't *you* the fool for expecting<br>
&nbsp;&nbsp;&nbsp;&nbsp;everything to have a clear answer?<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite, quite. Real life isn't so sweet.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why we all crave sweet things.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I told you I'm not<br>&nbsp;&nbsp;&nbsp;&nbsp;interested in parlor tricks!<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm through with this den of lunatics!<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you visited the Queen's castle?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not yet.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll give you a warning:<br>
&nbsp;&nbsp;&nbsp;&nbsp;you had better *not* go.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's capricious, selfish, and savage,<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and at the slightest provocation...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, she's clearly worth meeting.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She holds the highest<br>&nbsp;&nbsp;&nbsp;&nbsp;authority around here, doesn't she?<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yes, I suppose you could say that...<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my, I know that sound.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems they've come for you.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Alice. An invitation from the Queen!<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the Queen. An invitation for Alice!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An invitation. From the<br>&nbsp;&nbsp;&nbsp;&nbsp;Queen, for Alice, yes!<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now! Go!<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hip, hip, hurrah! Hip, hip, hurrah!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Stop it! Put me down! I'll walk by myself!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hip, hip, hurrah! Hip, hip, hurrah!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Halt!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice, are you all right, yes?<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did the White Rabbit go?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, he was headed for the castle, but...<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The minute I find him, he runs away!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll catch him *this* time!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me there! Take me to the castle!<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, my lord!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this world were a chessboard, the<br>&nbsp;&nbsp;&nbsp;&nbsp;Queen's castle would be on the eighth rank.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether Alice was the attacker or<br>&nbsp;&nbsp;&nbsp;&nbsp;the defender was an open question,<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but at any rate, her<br>&nbsp;&nbsp;&nbsp;&nbsp;adventure was nearing its end.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Chapter Nine: The Queen Demands Evidence"<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say...<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why was I called here?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Red Queen of Hearts! Elegant Queen!<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sovereign among sovereigns!<br>&nbsp;&nbsp;&nbsp;&nbsp;Queen among Queens!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guardian of law and<br>&nbsp;&nbsp;&nbsp;&nbsp;administrator of justice! And... um...<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guardian of stew and<br>&nbsp;&nbsp;&nbsp;&nbsp;administrator of rubbish duty!<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All bow before Her Majesty the Queen!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let the trial begin.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ruling: the accused,<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice, is sentenced to death!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silence in the court!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, off with her head!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait a moment!<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always wanted to say that.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, go on, chop it off.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Y-Yes, Your Majesty!<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Objection!<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sentence first, with no<br>&nbsp;&nbsp;&nbsp;&nbsp;accusation and no evidence given?<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stuff and nonsense!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But going through all the<br>&nbsp;&nbsp;&nbsp;&nbsp;deliberations is such a waste of time,<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it's so boring!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be beheaded<br>
&nbsp;&nbsp;&nbsp;&nbsp;simply because you're *bored*!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, fine, read the accusation,<br>&nbsp;&nbsp;&nbsp;&nbsp;then--just for form's sake.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just for form's sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall, Your Majesty!<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it for form's<br>&nbsp;&nbsp;&nbsp;&nbsp;sake; do it by the book!<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, well...<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The accused, Alice, was born on<br>&nbsp;&nbsp;&nbsp;&nbsp;14th December 1875..." And, um...<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's all.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Objection!<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's my birthday got to do with anything?!<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mean to say my birth was a crime?!<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silence,<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or I'll hold you in contempt<br>&nbsp;&nbsp;&nbsp;&nbsp;and have you chucked out of court.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now we'll call the first witness.<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First witness!<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How have you been wronged by the accused?<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell the court.<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I lost my colors!<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to wear a pink hat<br>&nbsp;&nbsp;&nbsp;&nbsp;with a flower on it today...<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a widow is only permitted<br>&nbsp;&nbsp;&nbsp;&nbsp;to wear dull black, day after day!<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is Alice's fault!<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My* fault...?<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next witness!<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lost my love!<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one woman I'd<br>&nbsp;&nbsp;&nbsp;&nbsp;believed in since I was a boy!<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now he is losing even the<br>&nbsp;&nbsp;&nbsp;&nbsp;friend he'd gained in exchange!<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is Alice's fault!<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you apologize now, I'll forgive you!<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what?<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lost my future.<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I won't say it's your fault, Alice!<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth is the truth, though.<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lost my wings!<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is Alice's fault!<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready, go.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The new home that we'd finally found...!<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've lost it once again.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is Alice's fault!<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next witness is Her Majesty the Queen!<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right...<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forever lost my peace of mind.<br>**[24:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alice, every last bit of this is your fault.<br>**[24:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't it cruel of you to<br>&nbsp;&nbsp;&nbsp;&nbsp;make so many people unhappy?<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recall doing no such thing!<br>**[24:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so you insist you're innocent, then.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Even after doing *that*, eh?<br>**[24:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying I have no memory of it!<br>**[24:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Memory." That's your crime, Alice.<br>**[24:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My crime?<br>**[24:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will the final witness come forth!<br>**[24:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't I tell you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Memories are such ephemeral things.<br>**[24:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a dreamland,<br>&nbsp;&nbsp;&nbsp;&nbsp;a realm between life and death.<br>**[24:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A place where past and future blend together.<br>**[24:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[25:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You left your memories<br>&nbsp;&nbsp;&nbsp;&nbsp;behind in the human world.<br>**[25:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a savage is Alice!<br>&nbsp;&nbsp;&nbsp;&nbsp;What a poor soul is Alice!<br>**[25:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Alice"... is that even my name?<br>**[25:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An excellent question.<br>**[25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, I can't remember<br>&nbsp;&nbsp;&nbsp;&nbsp;anything from before I came here.<br>**[25:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could answer the Caterpillar<br>&nbsp;&nbsp;&nbsp;&nbsp;when he asked my name, but now...<br>**[25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That proves it, then.<br>**[25:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The accused is hereby found guilty<br>&nbsp;&nbsp;&nbsp;&nbsp;on the charge of losing her memories!<br>**[25:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her sentence is...<br>**[25:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...death, of course.<br>**[25:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, off with her head!<br>**[25:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm innocent!<br>**[25:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Offer us proof, then.<br>**[25:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof!<br>**[25:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof!<br>**[25:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof!<br>**[25:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof!<br>**[25:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof!<br>**[25:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof!<br>**[25:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof!<br>**[26:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof!<br>**[26:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What am I meant to do?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Proof!<br>**[26:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof!<br>**[26:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof.<br>**[26:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proof that whatever else you<br>&nbsp;&nbsp;&nbsp;&nbsp;may forget, you remain yourself.<br>**[26:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, call my name.<br>**[26:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian...<br>**[26:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Louder.<br>**[26:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sebastian, Sebastian, Sebastian!<br>**[26:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to me, Sebastian:<br>**[26:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I lose everything,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still me--Ciel Phantomhive!<br>**[26:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come, Sebastian!<br>**[26:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young master!<br>**[26:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well done.<br>**[27:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an order: take me out of here!<br>**[27:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, my lord.<br>**[27:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seize them!<br>**[27:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on tight.<br>**[27:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're going home, Ciel...<br>**[27:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's meet again one day, in another dream.<br>**[27:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes: the truth is, you don't need any proof.<br>**[27:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have only to call me<br>&nbsp;&nbsp;&nbsp;&nbsp;and give me my orders.<br>**[27:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply call "Sebastian."<br>**[28:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...'You're nothing but a pack of cards!'<br>**[28:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this the whole pack rose up into<br>&nbsp;&nbsp;&nbsp;&nbsp;the air, and came flying down upon her;<br>**[28:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she gave a little scream..."<br>**[28:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and found herself lying<br>&nbsp;&nbsp;&nbsp;&nbsp;in bed in her own world.<br>**[28:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young master...<br>**[28:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sleep well.<br>

# 105 - The Threads of the Spider's Story

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYQ43P3E6/black-butler)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When was it, exactly...*<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...that I stopped dreaming?*<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hoheo taralna.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to get away,<br>&nbsp;&nbsp;&nbsp;&nbsp;after I was kind enough to save you?<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let you.*<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let you go anywhere.*<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll bind you in my threads forever...*<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Alois Trancy"<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Bind you.*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An insect cage?<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'll put this in it.<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt it will fly away in<br>&nbsp;&nbsp;&nbsp;&nbsp;that state, even without a cage.<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you talking back to me?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just a cage. Flowers, too!<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that when it's mad with thirst for nectar,<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it can drink as it pleases.<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly.<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You lot are always whispering.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is that, eh?<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are both ill-bred and foul-tongued,<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I've instructed them to conduct<br>&nbsp;&nbsp;&nbsp;&nbsp;their conversations a bit more softly.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ill-bred and foul-tongued"?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to goad me?<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly not, Master.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're<br>
&nbsp;&nbsp;&nbsp;&nbsp;thinking, and it *annoys me*!<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speak up!<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It annoys me not to<br>
&nbsp;&nbsp;&nbsp;&nbsp;know what they're thinking.*<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It annoys me.*<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is he thinking?*<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Done.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take care of it, then.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can I be sure he'll never<br>
&nbsp;&nbsp;&nbsp;&nbsp;try to run away from me?*<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, how I want to rip off your wings.*<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Then you'll be by my side forever...*<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've assembled the items<br>&nbsp;&nbsp;&nbsp;&nbsp;you requested, Master.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're bluebells...<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In full bloom, just like in that garden...<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master?<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claude.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know me so well...?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do this for me forever, won't you?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Master, for as long<br>&nbsp;&nbsp;&nbsp;&nbsp;as you give me enjoyment.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Terms of exchange.*<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They're the law of this cheap garden.*<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You lot are always whispering.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Triplets"<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is that, eh?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're<br>
&nbsp;&nbsp;&nbsp;&nbsp;thinking, and it *annoys me*!<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speak up!<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The master's a total hysteric.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So lame.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me about it.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time for work. Carpet the<br>&nbsp;&nbsp;&nbsp;&nbsp;master's chamber in crimson-red roses<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the sad butterfly's play.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claude, you're a total drag.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think twice before you agree to that stuff.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it yourself.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A proper butler knows to<br>&nbsp;&nbsp;&nbsp;&nbsp;delegate simpler jobs to other servants.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One too eager to involve himself in<br>&nbsp;&nbsp;&nbsp;&nbsp;everything is unworthy of the title.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so-so.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your glasses are fogged up.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master's orders or not, I believe<br>
&nbsp;&nbsp;&nbsp;&nbsp;you may be speaking rather *too* loudly.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave us alone.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hair grows clockwise from the whorl.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hair grows anticlockwise.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The master really fancies Claude, yeah?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get the appeal.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Hannah is way more--<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's Miss Hannah.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you're talking today.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master's orders.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had no choice.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's wretched.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The master's?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roses, I see.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure this flower is a better choice.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Hannah's stacked.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rocket boobs.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jiggle, jiggle.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could seriously burn down this<br>&nbsp;&nbsp;&nbsp;&nbsp;mansion if Miss Hannah didn't live here.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, to ashes.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In no time.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've assembled the items<br>&nbsp;&nbsp;&nbsp;&nbsp;you requested, Master.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're* the ones who assembled them.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Credit stealer.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The king of credit thieves.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're bluebells...<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In full bloom, just like in that garden...<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The master was crying, yeah?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He so was.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it was kinda cute, yeah?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it was.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was cute when he cried.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hear you, you know.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're more irritating<br>&nbsp;&nbsp;&nbsp;&nbsp;than gossiping old fishwives.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit being bloody nuisances and pipe down!<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hannah Annafellows"<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I tell him.*<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I speak to the master<br>
&nbsp;&nbsp;&nbsp;&nbsp;constantly, in my soul's voice.*<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Master, that is not the right path.<br>
&nbsp;&nbsp;&nbsp;&nbsp;The path you ought to walk is..."*<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making sure the master<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't get lost in the forest.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I'm already here with him?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what worries me.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That he will be lost in the dank,<br>&nbsp;&nbsp;&nbsp;&nbsp;unpleasant forest known as "Claude Faustus."<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you betray him, Claude, I will...<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think you're in a<br>&nbsp;&nbsp;&nbsp;&nbsp;position to tell me that?<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're nothing but a sheath. An empty hole.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only use for you is as a hole.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a hole for the fellows... *Annafellows*.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Know your place.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Demon.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Claude, you are not the<br>
&nbsp;&nbsp;&nbsp;&nbsp;one who ought to be there.*<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The one who ought to be in your place is...*<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Luka Macken...*<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See that swing? I played there with Brother!<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brother can swing standing up!<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says it's not scary! Amazing, huh?!<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those kids'll be all gone<br>&nbsp;&nbsp;&nbsp;&nbsp;tonight, won't they?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Know what? There used<br>&nbsp;&nbsp;&nbsp;&nbsp;to be lots of bluebells here.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brother and I used them to dress up as girls!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We put them in our hair.<br>&nbsp;&nbsp;&nbsp;&nbsp;It was so much fun...<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Claude... you don't know.*<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A demon's only path to <br>
&nbsp;&nbsp;&nbsp;&nbsp;joy is through suffering.*<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roses, I see.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure this flower is a better choice.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Blue flowers blooming at a remembered home.*<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the language of flowers,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the bluebell means...*<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...an eternal bond.*<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Claude Faustus"<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it die?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here one second, gone the next.<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't even last a day.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take revenge!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the spider that did<br>&nbsp;&nbsp;&nbsp;&nbsp;this to you--on Alois Trancy--<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;take revenge so vicious<br>&nbsp;&nbsp;&nbsp;&nbsp;it gnaws right through me.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Live!<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An unstable soul.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alois Trancy, the blond soul<br>&nbsp;&nbsp;&nbsp;&nbsp;that obsesses the demon's sheath.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Highly interesting, I must admit.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I require more heat...<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Claude, where are you?!<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Claude!<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master!<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't!<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't, Claude! You'll burn!<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Master...<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't burn, Claude!<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't burn...<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fire is out. It's all right now.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have the room back<br>&nbsp;&nbsp;&nbsp;&nbsp;to normal before you know it.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... wanted to burn it.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To give the butterfly proper funeral rites.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Funeral?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the fire spread...<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Burn it." "Don't burn."<br>
&nbsp;&nbsp;&nbsp;&nbsp;His soul wavers like a flame.*<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Master, I love how heated you are.*<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I love it as well.*<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I don't particularly love it.*<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yeah, no love here.*<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'd be willing to, a little.*<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I love it.*<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As long as your soul burns red-hot...*<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really *is* back to normal.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come, master. Best to retire<br>&nbsp;&nbsp;&nbsp;&nbsp;before the rude morning sun is upon us.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay with me.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Your Highness.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sit there.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say... am I entertaining?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, very.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This much.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a bore.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're impertinent, for such a bore.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get off your high horse and don't say<br>&nbsp;&nbsp;&nbsp;&nbsp;"as long as you give me enjoyment."<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say "as long as." That's stingy.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you burn so fiercely, you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;burn right out in no time, my master.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For the first time in a<br>
&nbsp;&nbsp;&nbsp;&nbsp;long while, I had a dream.*<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The butterfly caught in the<br>
&nbsp;&nbsp;&nbsp;&nbsp;spider's web had no wings.*<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And that butterfly...*<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...was me.*<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Threads of the Spider's Design"<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With cold tears filling your eyes*<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*With cold tears filling your eyes*<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When the time is ripe*<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You shall cut through the<br>
&nbsp;&nbsp;&nbsp;&nbsp;darkness in search of the light*<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A rose madder song stains your heart*<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the melody that dies<br>
&nbsp;&nbsp;&nbsp;&nbsp;too eagerly, longing for eternity*<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the stillness of the<br>
&nbsp;&nbsp;&nbsp;&nbsp;twinkling sky lies my garden*<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One day you will arrive*<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Beyond the shoreline*<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The darkness guarding<br>
&nbsp;&nbsp;&nbsp;&nbsp;the moon whispers a lullaby*<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Until the uncrying child's<br>
&nbsp;&nbsp;&nbsp;&nbsp;eyes are wet with dreams*<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Farewell*<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because you and I can never meet again*<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am adoring, I am distraught*<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*As though the night<br>
&nbsp;&nbsp;&nbsp;&nbsp;pierces straight through my heart*<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the stillness of the<br>
&nbsp;&nbsp;&nbsp;&nbsp;twinkling sky lies your house*<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Past the darkness where the moon sets*<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is the narrow road*<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Back to the source*<br>

# 106 - The Story of Will the Reaper

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYQ43P3E6/black-butler)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone is here, I trust?<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is William T. Spears.<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm one of the designated educators<br>&nbsp;&nbsp;&nbsp;&nbsp;for you, this year's new recruits.<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be instructing you<br>&nbsp;&nbsp;&nbsp;&nbsp;throughout your training period.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feel free to come ask me questions<br>&nbsp;&nbsp;&nbsp;&nbsp;about anything you find unclear.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My shift ends at 6:00pm.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll respond to questions asked before 5:30.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, to begin with--<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grell Sutcliff, aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;you an instructor as well?<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, honey, I'm not into children.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I came right over<br>
&nbsp;&nbsp;&nbsp;&nbsp;when I heard *you* were here!<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so happy! It's been ever so<br>
&nbsp;&nbsp;&nbsp;&nbsp;long since we were together, *Will*.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't imagine what the<br>&nbsp;&nbsp;&nbsp;&nbsp;Personnel Department was thinking.<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, you're just as standoffish<br>&nbsp;&nbsp;&nbsp;&nbsp;as ever. It's so fetching.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, to begin with, I'll give<br>&nbsp;&nbsp;&nbsp;&nbsp;tours of the Association's facilities.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We grim reapers screen those To-Die persons<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;appearing on the soul collection<br>&nbsp;&nbsp;&nbsp;&nbsp;list distributed by the higher-ups.<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using our death scythes, we<br>&nbsp;&nbsp;&nbsp;&nbsp;check each individual's memories--<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;their Cinematic Records.<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A human's Cinematic Record<br>&nbsp;&nbsp;&nbsp;&nbsp;contains all records on him: his entire life.<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Based on it, we determine<br>&nbsp;&nbsp;&nbsp;&nbsp;whether that person deserves death,<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and collect his soul.<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are there really any humans<br>&nbsp;&nbsp;&nbsp;&nbsp;who don't deserve death?<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humans capable of being<br>&nbsp;&nbsp;&nbsp;&nbsp;beneficial to the world...<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Humans whose presence<br>&nbsp;&nbsp;&nbsp;&nbsp;causes the world great change<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;may sometimes be removed<br>&nbsp;&nbsp;&nbsp;&nbsp;from the list and escape death.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, such cases are incredibly unlikely.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are merely performing due<br>&nbsp;&nbsp;&nbsp;&nbsp;diligence to prevent the worst.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply following orders from<br>&nbsp;&nbsp;&nbsp;&nbsp;on high, without attachment...<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without incident...<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our administrative department.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They oversee the To-Die<br>&nbsp;&nbsp;&nbsp;&nbsp;list and the souls collected.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's Personnel, in charge of<br>&nbsp;&nbsp;&nbsp;&nbsp;all Association personnel issues.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's General Affairs, in charge of<br>&nbsp;&nbsp;&nbsp;&nbsp;equipment, death scythes, and such.<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got us a table at that French restaurant.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soul collection? Oh, that'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be over in no time!<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's Collections.<br>&nbsp;&nbsp;&nbsp;&nbsp;They actually collect the souls on-site.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And finally...<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spectacles.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bottom.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Top.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This department is equipped to<br>&nbsp;&nbsp;&nbsp;&nbsp;handle all your glasses needs.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lower left.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the very backbone of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Grim Reaper Staffing Association.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no matter how many times<br>&nbsp;&nbsp;&nbsp;&nbsp;I see this, my heart still quivers!<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is that?<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The department head, Lawrence Anderson.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's generally known as "Pops."<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the legendary man who<br>&nbsp;&nbsp;&nbsp;&nbsp;makes all the reapers' glasses...?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we'll be able to wear<br>&nbsp;&nbsp;&nbsp;&nbsp;his glasses now, too!<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like a new pair as soon as possible.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The new-recruit spectacles are so dull.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You lads have a long, *long* way to go<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before you're ready to wear Pops's glasses.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only those who have passed the final<br>&nbsp;&nbsp;&nbsp;&nbsp;exam are permitted to wear his glasses.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, they are a sort of proof<br>&nbsp;&nbsp;&nbsp;&nbsp;that you've become a full-fledged reaper.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, what is this "final exam"?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the end of your training period,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll form groups of two<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and screen and collect a soul.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is your final exam.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screen a soul...<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, immediately?<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm worried...<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the look of it, this year's<br>&nbsp;&nbsp;&nbsp;&nbsp;recruits are going to be useless.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, we'll simply send them away.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite as standoffish as ever.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just the same now as you were then.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Then"?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* know. Our first time together...<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, what could be<br>&nbsp;&nbsp;&nbsp;&nbsp;rightly called our first night!<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only wish I could forget it.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my body will never forget.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the thought of it makes me...<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you thrust into me<br>&nbsp;&nbsp;&nbsp;&nbsp;from above and from below<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For goodness's sake.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and face to face and from behind!<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I thought my body would just give *out*!<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will now give you the details of<br>&nbsp;&nbsp;&nbsp;&nbsp;the practical portion of your exam.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grell Sutcliff, you have<br>&nbsp;&nbsp;&nbsp;&nbsp;a triple-A in practical skills,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a B in written exams, and a C in<br>&nbsp;&nbsp;&nbsp;&nbsp;ethics, giving you an A average.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;William T. Spears, you have<br>&nbsp;&nbsp;&nbsp;&nbsp;straight Bs in practical skills,<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;written exams, and ethics,<br>&nbsp;&nbsp;&nbsp;&nbsp;giving you a B average.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just why should triple-A me<br>&nbsp;&nbsp;&nbsp;&nbsp;have to pair with this straight-B cretin?!<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Objections to the Association's<br>&nbsp;&nbsp;&nbsp;&nbsp;rulings are not permitted!<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grell Sutcliff, I believe you're<br>&nbsp;&nbsp;&nbsp;&nbsp;only a triple-A in practical skills?<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I rather think a triple-A<br>&nbsp;&nbsp;&nbsp;&nbsp;in practical skills is enough.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, would you like to test my skills?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be stupid.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand what will happen<br>&nbsp;&nbsp;&nbsp;&nbsp;the next time you cause problems?!<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it. I need a *real* man<br>
&nbsp;&nbsp;&nbsp;&nbsp;who'll milk me for all I've got.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The human in question is<br>&nbsp;&nbsp;&nbsp;&nbsp;scheduled to die in one month.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll spend that month<br>&nbsp;&nbsp;&nbsp;&nbsp;examining whether he deserves death.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, you're free to give your<br>&nbsp;&nbsp;&nbsp;&nbsp;conclusion before your time runs out.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here is the data on your target.<br>&nbsp;&nbsp;&nbsp;&nbsp;I pray for your success.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't get in my way.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. I look forward to<br>&nbsp;&nbsp;&nbsp;&nbsp;working with you, Grell Sutcliff.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The living world is always so filthy.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've found him. That's our man.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thomas Wallis. Born in Bristol in 1775.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He aspires to be a novelist.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A novelist? How typical.<br>&nbsp;&nbsp;&nbsp;&nbsp;Poor, talentless, can't get a date...<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right then, he's cleared for death!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's investigate this for the full month.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going against me?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabulous.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what will you do now?<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a month for our test.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is our first screening. I think<br>&nbsp;&nbsp;&nbsp;&nbsp;we should continue to observe him,<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be sure we don't make a mistake.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a dull man you are.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as you like. And I'll do as I like, too.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, when is the collection<br>&nbsp;&nbsp;&nbsp;&nbsp;scheduled for, again?<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;4:00pm on December 16, 1799.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Observation log of William T. Spears.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target Thomas Wallis is an earnest young man.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He spends each day working at the printer's,<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and each night at the<br>&nbsp;&nbsp;&nbsp;&nbsp;boardinghouse writing his novels.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He submits them to publishers...<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but with no sign of success.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He works, writes novels,<br>&nbsp;&nbsp;&nbsp;&nbsp;and submits the manuscripts.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is his entire life.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why that attire...?<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does it matter?<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, are you ready to stamp the file yet?<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only been three days.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever. I'm sick of the living world.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there aren't any<br>&nbsp;&nbsp;&nbsp;&nbsp;handsome men here, either.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So hurry up and decide.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you do?<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is William T. Spears.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, hello...<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your prose is a tad roundabout.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The publisher told me that, too.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the devil are you playing at?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You told me to hurry up and decide.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you do *this*? Are you a fool?!<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of the notes on our test<br>&nbsp;&nbsp;&nbsp;&nbsp;forbid us from contact with our target.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why are you two carrying sickles?<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a death scythe.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Death scythe?<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like the Grim Reaper carries in the legends?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. We are grim reapers.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon?<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid you will be passing away soon.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therefore, we're investigating<br>&nbsp;&nbsp;&nbsp;&nbsp;whether you truly ought to die or--<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have killed you from the first.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of the notes forbid<br>&nbsp;&nbsp;&nbsp;&nbsp;us from identifying ourselves.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any simpleton would know better!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Are you actors, by any chance?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is a new form of avant-garde<br>&nbsp;&nbsp;&nbsp;&nbsp;theater with audience participation?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut your mouth and stay out of this, kid!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so pretty, it makes perfect sense!<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That red hair and pearly skin...<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen a man so beautiful!<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;London really is the big city, isn't it?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes!<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the world's a stage, and I am a player!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between man and woman,<br>&nbsp;&nbsp;&nbsp;&nbsp;love is a kind of warfare!<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, love is man and *man <br>
&nbsp;&nbsp;&nbsp;&nbsp;*in a tragic dream play!<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For goodness's sake! Thanks to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't able to investigate.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was your fault for<br>&nbsp;&nbsp;&nbsp;&nbsp;starting something stupid!<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a rather promising youth, wasn't he?<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grim reapers, eh?<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Story of Will the Reaper<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Story of Will the Reaper<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The title of the new novel he started...*<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...was The Story of Will the Reaper.*<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was about a new reaper named<br>
&nbsp;&nbsp;&nbsp;&nbsp;Will observing various people's lives.*<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He dispassionately gazed at dying<br>
&nbsp;&nbsp;&nbsp;&nbsp;souls, souls neither good nor evil.*<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And then Will fell in <br>
&nbsp;&nbsp;&nbsp;&nbsp;love with a human maiden.*<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*One destined for death, no less.*<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She returned Will's love.*<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An uncertain Will was caught between<br>
&nbsp;&nbsp;&nbsp;&nbsp;reaper law and the dictates of love.*<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*However, he chose love.*<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He broke reaper law and tried to save her.*<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will's fast friend lent them his aid...*<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The redheaded and<br>&nbsp;&nbsp;&nbsp;&nbsp;fair-of-heart reaper Grell."<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a perceptive boy, I'll give him that.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This novel was approved for publication.*<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His deadline was 4:00pm on December 16th.*<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But December 16th is...<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, the scheduled date of his death.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will and Grell's efforts<br>
&nbsp;&nbsp;&nbsp;&nbsp;were in vain; the maiden died.*<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will told the god ruling that<br>
&nbsp;&nbsp;&nbsp;&nbsp;world that he would disappear;*<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that he would give his soul<br>
&nbsp;&nbsp;&nbsp;&nbsp;in exchange for the maiden's.*<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And so it was agreed<br>
&nbsp;&nbsp;&nbsp;&nbsp;that her life will be spared.*<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But there was one condition:*<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All her memories of Will would be erased.*<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That was fine with him.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Even if all memory of him was lost,*<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*deep within her soul, proof<br>
&nbsp;&nbsp;&nbsp;&nbsp;of their love was sure to remain.*<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No one could ever erase that.*<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will disappeared, and she came back to life.*<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She fell in love and bore<br>
&nbsp;&nbsp;&nbsp;&nbsp;a child in the ordinary way.*<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And she named that child Will.*<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pretty good story.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather, this is a masterpiece.<br>&nbsp;&nbsp;&nbsp;&nbsp;It will go down in history as a classic.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This boy will die at 4:00 today...<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The soul of a talented writer, eh?<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if we should let him live.<br>&nbsp;&nbsp;&nbsp;&nbsp;I could contact the Association--<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll collect his soul.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, did you forget?<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Souls beneficial to the<br>&nbsp;&nbsp;&nbsp;&nbsp;world are excluded from the list.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Beneficial"? Him?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said yourself that<br>&nbsp;&nbsp;&nbsp;&nbsp;his novel is a masterpiece!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you say that might be<br>&nbsp;&nbsp;&nbsp;&nbsp;grounds to let him live, Grell Sutcliff?<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. What of it?<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For goodness's sake...<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you got a problem with that?<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no problem. However...<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are mistaken.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mistaken"? Me?<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Me*?!<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got some nerve.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Injuring my partner would affect my grade.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying you held back last time?<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A straight-Bs man like you<br>&nbsp;&nbsp;&nbsp;&nbsp;could never take down triple-A me!<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe you're only a<br>&nbsp;&nbsp;&nbsp;&nbsp;triple-A in practical skills, correct?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, the requirement<br>&nbsp;&nbsp;&nbsp;&nbsp;for admission to the Association<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was "B average or above."<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mock me!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What? What is this?*<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm...*<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm on the receiving end?!*<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From above, and from below,*<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and face to face...*<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...and from behind!*<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What is this? What is this feeling?*<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This...*<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This must be...!*<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;True, he may become a famous author<br>&nbsp;&nbsp;&nbsp;&nbsp;whose name will go down in history.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nevertheless...<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world will be no<br>&nbsp;&nbsp;&nbsp;&nbsp;different with or without him.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time. We must be off.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Released...<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Parently a carriage hit him.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Happens all the time.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will now begin collection.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I say! What are you doing?!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My glasses! I can't finish<br>&nbsp;&nbsp;&nbsp;&nbsp;my work like this...<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blast!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thomas's... Thomas Wallis's memories are...*<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*flowing into me...!*<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thomas... Thomas...*<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thomas!*<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you'd light my fire<br>
&nbsp;&nbsp;&nbsp;&nbsp;and then just go play with *him*.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take care with your glasses.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your hands off my man, you homewrecker!<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not your man.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give up quietly!<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I know why they make<br>&nbsp;&nbsp;&nbsp;&nbsp;new recruits pair up on assignments.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tying me up, eh? But it<br>&nbsp;&nbsp;&nbsp;&nbsp;won't do you any good.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* don't do it for me at all!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is the struggle of the dying...<br>
&nbsp;&nbsp;&nbsp;&nbsp;This is the weight of a life...*<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we bring him off now, Will?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Darling, this is our first collaboration!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I'm not yours.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like there are other teams at work.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Standoffish men are just too *fetching*.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're officially full-fledged grim reapers.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, go get yourselves some spectacles.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beautiful grim reaper Grell...<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...takes his first deathly breath!☆<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only those who know the<br>&nbsp;&nbsp;&nbsp;&nbsp;weight of life are given reaper glasses.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Glasses of life.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, being saved by you is<br>&nbsp;&nbsp;&nbsp;&nbsp;the only blot on my life's record.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Did you say something?<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The final exam sounds hard.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watching a human die sounds rough, somehow.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's merely a job.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no place for<br>&nbsp;&nbsp;&nbsp;&nbsp;unnecessary emotions in a job.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need only carry out our duties.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply following orders from<br>&nbsp;&nbsp;&nbsp;&nbsp;on high, without attachment...<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without incident...<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He really is fetching.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, one more thing...<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take care with your glasses.<br>