# BARTENDER Glass of God

At Eden Hall, each glass has a story. A quiet bar lies tucked away in the streets of Tokyo, and it seems only the most desperate souls burdened by their own troubles manage to find its doors. But after a glass of God poured by the brilliant bartender Ryu, they leave renewed. Ryu has a gift—he knows how to soothe the soul with the perfect drink. Who will he meet next?

# Season 1

# E1 - A Gentle Perch

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G50UZV03E/a-gentle-perch)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world,<br>**[00:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are two types of professions that<br>&nbsp;&nbsp;&nbsp;&nbsp;absolutely must not deceive the customer.<br>**[00:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is the physician or pharmacist.<br>**[00:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the other is...<br>**[02:03] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much for participating in<br>&nbsp;&nbsp;&nbsp;&nbsp;today's bartender test for Hotel Cardinal.<br>**[02:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm from the Business Planning Division.<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Kurushima.<br>**[02:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This hotel opened two months ago.<br>**[02:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In addition to this large lounge,<br>**[02:23] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;we would also like to open an<br>&nbsp;&nbsp;&nbsp;&nbsp;authentic counter-type bar.<br>**[02:29] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will offer the position of bartender<br>&nbsp;&nbsp;&nbsp;&nbsp;to a person who passes this test.<br>**[02:36] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Business Planning Division Chief Kamishima<br>&nbsp;&nbsp;&nbsp;&nbsp;shall now proceed with the test.<br>**[02:41] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'd like each of you to<br>&nbsp;&nbsp;&nbsp;&nbsp;make me your specialty cocktail.<br>**[02:46] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;You first.<br>**[02:47] Bartender 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[02:49] Bartender 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will make a martini.<br>**[02:53] Bartender 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[02:57] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you...<br>**[02:59] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;even know if I've eaten yet or not?<br>**[03:01] Bartender 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:02] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I drinking before or after my meal?<br>**[03:05] Bartender 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't heard either way.<br>**[03:09] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;The martini is a strong cocktail.<br>**[03:11] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you offer one without knowing<br>&nbsp;&nbsp;&nbsp;&nbsp;if I'm drinking on an empty stomach?<br>**[03:14] Bartender 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you asked us to make our specialty!<br>**[03:17] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like before.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Criteria             Observations
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Impression
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Technique
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Communication
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Quality of greeting <br>
&nbsp;&nbsp;&nbsp;&nbsp;Proper response and attitude <br>
&nbsp;&nbsp;&nbsp;&nbsp;Dress <br>
&nbsp;&nbsp;&nbsp;&nbsp;Appearance <br>
&nbsp;&nbsp;&nbsp;&nbsp;Fingernails <br>
&nbsp;&nbsp;&nbsp;&nbsp;Shoes<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Behaves proactively <br>
&nbsp;&nbsp;&nbsp;&nbsp;Attitude toward guests <br>
&nbsp;&nbsp;&nbsp;&nbsp;Knowledge of bar culture <br>
&nbsp;&nbsp;&nbsp;&nbsp;Handling of orders <br>
&nbsp;&nbsp;&nbsp;&nbsp;Conversational ability<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Use of equipment <br>
&nbsp;&nbsp;&nbsp;&nbsp;Beauty of gestures <br>
&nbsp;&nbsp;&nbsp;&nbsp;Smoothness of gestures <br>
&nbsp;&nbsp;&nbsp;&nbsp;Cocktail crafting technique <br>
&nbsp;&nbsp;&nbsp;&nbsp;Cocktail presentation <br>
&nbsp;&nbsp;&nbsp;&nbsp;Cocktail taste
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E<br>
&nbsp;&nbsp;&nbsp;&nbsp;A B C D E
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 155 69 155 67 3 0
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 155 69 155 67 3 0
<br>**[03:20] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough. Next!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Not Evaluated
<br>**[03:23] Bartender 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will prepare a Grasshopper.<br>**[03:26] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'll take it<br>&nbsp;&nbsp;&nbsp;&nbsp;in pousse-café style.<br>**[03:30] Bartender 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:31] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surely you know what that is.<br>**[03:33] Bartender 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yes.<br>**[03:35] Bartender 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a method for layering ingredients<br>&nbsp;&nbsp;&nbsp;&nbsp;of different densities so they don't mix.<br>**[03:42] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pro would have no trouble at all,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stopwatch
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Reset
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Start
<br>**[03:45] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they got mixed up.<br>**[03:47] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you took too long.<br>**[03:49] Bartender 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I wasn't expecting an order like that.<br>**[03:52] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must expect the customers to test you.<br>**[03:54] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next!<br>**[03:58] Bartender 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Sup.<br>**[04:01] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kurushima-kun...<br>**[04:03] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was this one your idea?<br>**[04:05] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it was Higuchi-san's.<br>**[04:06] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's all the buzz right now!<br>**[04:09] Bartender 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[04:10] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;That isn't what we're looking for.<br>**[04:10] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's so cool!<br>**[04:15] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is Chief Kamishima<br>&nbsp;&nbsp;&nbsp;&nbsp;always so prickly, anyway?<br>**[04:20] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder the bartenders were upset.<br>**[04:24] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hotel is already operating for business,<br>**[04:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the bar still hasn't opened yet.<br>**[04:32] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, that door<br>&nbsp;&nbsp;&nbsp;&nbsp;will never be unsealed.<br>**[04:35] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought it would be<br>&nbsp;&nbsp;&nbsp;&nbsp;this hard to find a bartender.<br>**[04:39] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's making me as prickly as the chief.<br>&nbsp;&nbsp;&nbsp;&nbsp;Giving me stomachaches, too.<br>**[04:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm jealous of you, Yukari-chan.<br>**[04:47] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You almost make it sound<br>&nbsp;&nbsp;&nbsp;&nbsp;like I'm not working at all.<br>**[04:51] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm under pressure too, you know.<br>**[04:54] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we start again from scratch.<br>**[04:57] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;The search criteria are just too vague!<br>**[05:00] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then he gets so picky<br>&nbsp;&nbsp;&nbsp;&nbsp;over the littlest things.<br>**[05:02] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, take a look at this!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cocktail presentation
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cocktail taste
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We need a bartender who can make the "Glass of God."
<br>**[05:04] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;What even is a Glass of God?<br>**[05:07] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chairman insists on it.<br>**[05:09] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know. But what<br>&nbsp;&nbsp;&nbsp;&nbsp;is it supposed to mean?<br>**[05:13] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can't figure that out, that door<br>&nbsp;&nbsp;&nbsp;&nbsp;really is going to stay sealed forever.<br>**[05:17] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're probably right.<br>**[05:22] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Glass of God, huh?<br>**[05:39] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes? I'm coming!<br>**[05:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Let's see...<br>**[05:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does this thing work?<br>**[05:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, excuse me.<br>**[05:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mind if I ask you something?<br>**[05:59] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me?<br>**[06:00] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to swipe right here.<br>**[06:02] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sue-wipe?<br>**[06:03] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Touch it.<br>**[06:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[06:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then slide.<br>**[06:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[06:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah! You saved my neck! Thanks!<br>**[06:07] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hello? Hello?*<br>**[06:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hello? It's me.<br>**[06:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Maki-san? All right.<br>**[06:13] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was up with him?<br>**[06:14] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a disaster, Miwa-senpai.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Return By
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bar Mania Press
<br>**[06:18] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did that guy leave this?<br>**[06:20] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Excuse me! Hey!<br>**[06:25] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's gone.<br>**[06:27] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokyo Bar Book*?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bar Mania Press
<br>**[06:29] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if this is...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Return By      <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;April 7 <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;1. TOKYO BAR BOOK<br>
&nbsp;&nbsp;&nbsp;&nbsp;Bar Mania Press <br>
&nbsp;&nbsp;&nbsp;&nbsp;Item ID: 013648713012 <br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Minato-ku Library
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Azabu Area
<br>**[06:33] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is.<br>**[06:35] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a library book.<br>**[06:37] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, come on.<br>**[06:40] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is this happening?<br>**[06:44] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please accept my apologies.<br>**[06:45] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did they all fail again?<br>**[06:48] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. That brings us to thirty people.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Cat's
<br>**[06:52] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he was easy to find,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have done so long ago.<br>**[06:56] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you please at least provide me<br>&nbsp;&nbsp;&nbsp;&nbsp;with more concrete criteria?<br>**[07:01] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is a Glass of God?<br>**[07:05] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, about that...<br>**[07:08] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You'll know it when you drink it"?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Business Planning Division
<br>**[07:10] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure that's what the chairman said?<br>**[07:13] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would I lie to you?<br>**[07:16] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how can we search for that?<br>**[07:19] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your complaints to the chairman.<br>**[07:23] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're the only ones stuck with this.<br>**[07:27] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:29] Female employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to your coverage, our number<br>&nbsp;&nbsp;&nbsp;&nbsp;of reservations has greatly increased.<br>**[07:32] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[07:33] Male employee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regarding the event, correct?<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we would love to!<br>**[07:34] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone's getting work done.<br>**[07:37] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, we'll be left behind.<br>**[07:40] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, we can't leave things like this.<br>**[07:43] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find someone as soon as you can.<br>**[07:45] Miwa & Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bar Hopper (bar_ztta)<br>
&nbsp;&nbsp;&nbsp;&nbsp;1 hour ago<br>
&nbsp;&nbsp;&nbsp;&nbsp;First drink of the day
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Maru Maru @ Bartender (maru_BAR)<br>
&nbsp;&nbsp;&nbsp;&nbsp;2 hours ago<br>
&nbsp;&nbsp;&nbsp;&nbsp;Original cocktail ordered<br>
&nbsp;&nbsp;&nbsp;&nbsp;by a regular customer<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Watari Niwatori (toritarii)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Trending
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Calories!
<br>**[08:11] Female customer(s)**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look this way!<br>**[08:12] Bartender 3**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Sup.<br>**[08:14] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Sup!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sumida River
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ogura
<br>**[08:21] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[08:22] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, expenses aren't covered?<br>**[08:25] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accounting said they won't pay any more.<br>**[08:28] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean we have to pay for all of it?<br>&nbsp;&nbsp;&nbsp;&nbsp;There goes my salary!<br>**[08:33] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still haven't found someone<br>**[08:35] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the bartender behind that sealed door?<br>**[08:37] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[08:39] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;We may never find one.<br>**[08:42] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know anyone?<br>**[08:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any bartenders who can<br>&nbsp;&nbsp;&nbsp;&nbsp;make the "Glass of God"?<br>**[08:49] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure I do.<br>**[08:50] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:51] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where? Where is he?<br>**[08:54] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's right here.<br>**[08:57] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;I keep this place open so late,<br>&nbsp;&nbsp;&nbsp;&nbsp;it basically makes me a god.<br>**[09:02] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you please refrain<br>&nbsp;&nbsp;&nbsp;&nbsp;from the unfunny jokes?<br>**[09:04] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that how you talk to a god?<br>**[09:07] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>**[09:08] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're a god, get our expenses paid!<br>**[09:11] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Welcome.<br>**[09:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello. Highball, please.<br>**[09:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you...?<br>**[09:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[09:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It *is* you! From before!<br>**[09:21] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy who can't use a smartphone!<br>**[09:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm no good with those.<br>**[09:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Did you happen to see a book?<br>&nbsp;&nbsp;&nbsp;&nbsp;I might have forgotten it there.<br>**[09:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I have it.<br>**[09:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[09:34] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have it on me right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll return it for you.<br>**[09:37] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The library is near my office.<br>**[09:40] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you? Thank you so much!<br>**[09:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I shouldn't give up on Japan just yet.<br>**[09:47] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, your highball.<br>**[09:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, great. Thank you.<br>**[09:51] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is so weak! You call this a highball?<br>**[09:54] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you skimp on the whisky?<br>**[09:56] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ice melted because<br>&nbsp;&nbsp;&nbsp;&nbsp;you weren't drinking it.<br>**[09:59] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. Speaking of bartenders,<br>&nbsp;&nbsp;&nbsp;&nbsp;this guy is a bartender too.<br>**[10:03] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to thank you for before.<br>**[10:07] Ojisan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[10:08] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senpai, this must be fate.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get him to take the bartender test.<br>**[10:15] Ojisan**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinda silly to have forgotten your wallet.<br>**[10:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry. But I remembered it today.<br>**[10:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. I forgot to go to the bank.<br>**[10:24] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe not.<br>**[10:26] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Definitely.<br>**[10:28] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But where are we going to find him?<br>**[10:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our bartender...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[11:02] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Edenhall in Ginza?<br>**[11:05] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It says the bartender there once<br>&nbsp;&nbsp;&nbsp;&nbsp;won a cocktail competition in Europe.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bar Hopper<br>
&nbsp;&nbsp;&nbsp;&nbsp;Local Guide - 1024 Reviews<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;A great place to enjoy drinks.<br>
&nbsp;&nbsp;&nbsp;&nbsp;He'll pinpoint your tastes and thrill you.<br>
&nbsp;&nbsp;&nbsp;&nbsp;The service is excellent.<br>
&nbsp;&nbsp;&nbsp;&nbsp;You'll want to keep going back<br>
&nbsp;&nbsp;&nbsp;&nbsp;knowing that each time you do,<br>
&nbsp;&nbsp;&nbsp;&nbsp;he'll thrill you with new pleasures.<br>
&nbsp;&nbsp;&nbsp;&nbsp;The bartender is named Sasakura.<br>
&nbsp;&nbsp;&nbsp;&nbsp;He won a cocktail competition<br>
&nbsp;&nbsp;&nbsp;&nbsp;in Europe and has top-notch skills.<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;taka yamano<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;...but at some point they reopened.
<br>**[11:11] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't Edenhall supposed to have closed down?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza
<br>**[11:15] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says, "The private bar with the<br>&nbsp;&nbsp;&nbsp;&nbsp;irregular schedule finally reopened."<br>**[11:20] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a private bar? If he's so amazing,<br>&nbsp;&nbsp;&nbsp;&nbsp;then why's it private?<br>**[11:25] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does sound a little strange,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it might be worth a visit.<br>**[11:30] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;If our expenses are covered.<br>**[11:32] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[11:33] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If our expenses are covered.<br>**[11:40] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. Here's a donation.<br>**[11:42] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[11:42] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! You're a saint, Chief Kamishima!<br>**[11:46] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it should be around here.<br>**[11:52] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that it over there?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[11:55] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;See?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;French
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>**[11:56] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been down this street<br>&nbsp;&nbsp;&nbsp;&nbsp;more times than I remember,<br>**[12:00] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I never even noticed this place.<br>**[12:30] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure seems like a nice place.<br>**[12:33] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, maybe.<br>**[12:35] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-kun, you have customers.<br>**[12:39] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly. On my way.<br>**[12:44] Miwa & Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[12:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[12:49] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's you... again?<br>**[12:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. We keep running into each other.<br>**[12:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your help the other day.<br>**[12:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, take a seat.<br>**[12:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[13:00] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acquaintances of yours?<br>**[13:02] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, well, sort of.<br>**[13:04] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems kind of different from before.<br>**[13:16] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senpai, what do you think?<br>**[13:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is an impressive selection.<br>**[13:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[13:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[13:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised you found this place.<br>**[13:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you ask the owner of Ogura?<br>**[13:32] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found reviews online<br>**[13:34] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about an incredibly skilled bartender.<br>**[13:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Have people been saying that?<br>**[13:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what would you like?<br>**[13:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*So he really was a bartender.*<br>**[13:45] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. Let me think a minute.<br>**[13:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder if the reviews are accurate.*<br>**[13:52] Itami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-kun, I'll take a Grasshopper.<br>**[13:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly. Shall I prepare it<br>&nbsp;&nbsp;&nbsp;&nbsp;pousse-café style?<br>**[14:00] Itami**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is nice once in a while.<br>**[14:02] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pousse-café? Like the one from the test?<br>**[14:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. Your Grasshopper.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Stopwatch
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Reset
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Start
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lap 1
<br>**[14:17] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thirty seconds?!<br>**[14:19] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's pretty amazing, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;And it isn't mixed at all.<br>**[14:23] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[14:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your chaser.<br>**[14:26] Itami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[14:27] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In that case...*<br>**[14:28] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[14:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? Have you decided?<br>**[14:31] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like a martini, please.<br>**[14:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A martini?<br>**[14:39] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears you haven't dined yet.<br>**[14:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps you would prefer a lighter beverage<br>&nbsp;&nbsp;&nbsp;&nbsp;with a lower percentage of alcohol?<br>**[14:47] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that would be the correct move.<br>**[14:50] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then please make me something lighter<br>&nbsp;&nbsp;&nbsp;&nbsp;than a martini. Something shaken, please.<br>**[14:56] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and colored pink.<br>**[14:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you wish.<br>**[15:20] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know why, but when I see a<br>&nbsp;&nbsp;&nbsp;&nbsp;hard-working man use his fingers like that,<br>**[15:27] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's super sexy!<br>**[15:29] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, sexy?<br>**[15:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. A Cosmopolitan.<br>**[15:44] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! This is really delicious!<br>**[15:47] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that good?<br>**[15:49] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is!<br>**[15:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what would you like?<br>**[15:53] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is so good!<br>**[15:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If...*<br>**[15:59] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If this person truly is*<br>*&nbsp;&nbsp;&nbsp;&nbsp;an amazing bartender...*<br>**[16:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you recommend.<br>**[16:07] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senpai, you shouldn't do that.<br>&nbsp;&nbsp;&nbsp;&nbsp;It really puts bartenders on the spot.<br>**[16:12] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right.*<br>**[16:13] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He doesn't know if I prefer strong drinks,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;or what kinds of liquor I don't like.*<br>**[16:19] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He doesn't know enough about me*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to know what to make.*<br>**[16:24] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;And that's exactly why*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it will test his skills.*<br>**[16:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you recommend.<br>**[16:28] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please make a cocktail that you<br>&nbsp;&nbsp;&nbsp;&nbsp;think would be perfect for me.<br>**[16:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[17:00] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A whisky base.*<br>**[17:02] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With a whisky base, the obvious choices*<br>*&nbsp;&nbsp;&nbsp;&nbsp;would be a Manhattan or a Godfather.*<br>**[17:08] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Or in that glass, a Whisky Buck.*<br>**[17:12] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Since he's using scotch,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;maybe a Highland Cooler.*<br>**[17:20] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Soda?*<br>**[17:22] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Whisky and soda?*<br>**[17:29] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that just...<br>**[17:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A highball.<br>**[17:33] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A highball? That's the perfect drink for me?*<br>**[17:39] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's just whisky diluted in soda.*<br>**[17:43] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Anyone could make something like that.*<br>**[17:50] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's drink these and leave.<br>**[17:53] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senpai?<br>**[17:54] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It turns out*<br>**[17:56] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was let down after all.*<br>**[17:59] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;We'll have to start the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;search all over again.*<br>**[18:15] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has such a smooth, gentle flavor.<br>**[18:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this really just a highball?<br>**[18:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, it is a delicious highball.<br>**[18:32] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is it so good?<br>**[18:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world,<br>**[18:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are two types of professions that<br>&nbsp;&nbsp;&nbsp;&nbsp;absolutely must not deceive the customer.<br>**[18:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is the physician or pharmacist.<br>**[18:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the other is...<br>**[18:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other is...?<br>**[18:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bartender.<br>**[18:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In either job, one small<br>&nbsp;&nbsp;&nbsp;&nbsp;change to the formula<br>**[18:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the difference between<br>&nbsp;&nbsp;&nbsp;&nbsp;serving poison or medicine.<br>**[18:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Medicine?<br>**[19:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an exhausted customer.<br>**[19:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has been so busy with work,<br>&nbsp;&nbsp;&nbsp;&nbsp;she can't pay attention to anything else.<br>**[19:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such as a loose sleeve button.<br>**[19:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears it finally came off.<br>**[19:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're also wearing your watch differently.<br>**[19:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? How did you...?<br>**[19:23] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it...<br>**[19:25] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;that one time before?<br>**[19:28] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You paid attention to such tiny details<br>&nbsp;&nbsp;&nbsp;&nbsp;and remembered them?<br>**[19:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a body under so much stress,<br>**[19:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt a normal highball<br>&nbsp;&nbsp;&nbsp;&nbsp;recipe would be too strong.<br>**[19:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I reduced the amount of alcohol.<br>**[19:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. Then why isn't the flavor any weaker?<br>**[19:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the ice.<br>**[19:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although I reduced the<br>&nbsp;&nbsp;&nbsp;&nbsp;alcohol as much as I could,<br>**[19:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used hard ice to maintain<br>&nbsp;&nbsp;&nbsp;&nbsp;the flavor balance.<br>**[19:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you freeze ice over a long period,<br>&nbsp;&nbsp;&nbsp;&nbsp;it becomes even harder.<br>**[20:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, if you cut out the core parts and<br>&nbsp;&nbsp;&nbsp;&nbsp;rest them in a freezer for a few days,<br>**[20:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ice becomes denser and harder to melt.<br>**[20:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You put this much thought<br>&nbsp;&nbsp;&nbsp;&nbsp;into just one drink?<br>**[20:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know the meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;of the word "bartender"?<br>**[20:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A "bar" is a perch upon which to rest.<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tender" means gentle or kind.<br>**[20:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So bartender means a "gentle perch."<br>**[20:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is merely a piece of wood<br>&nbsp;&nbsp;&nbsp;&nbsp;to place liquor on. A bar.<br>**[20:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there is also a bartender here.<br>**[20:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bar and tender. A place<br>&nbsp;&nbsp;&nbsp;&nbsp;where tenderness grows.<br>**[20:43] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that explains this highball.<br>**[20:46] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here I was trying to test you.<br>**[20:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want the customer on the other side of the<br>&nbsp;&nbsp;&nbsp;&nbsp;counter to enjoy the perfect drink for them.<br>**[20:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, that's all there is to it.<br>**[21:05] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've finally found him!<br>**[21:07] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu. I'm sure the<br>&nbsp;&nbsp;&nbsp;&nbsp;chairman will like him, too!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza
<br>**[21:11] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief bartender at the Ratz Hotel in Paris.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 100 0 100
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu (29 Years Old)<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Served as chief bartender at Sky Bar,<br>
&nbsp;&nbsp;&nbsp;&nbsp;a bar on the top floor of the five-star<br>
&nbsp;&nbsp;&nbsp;&nbsp;Ratz Hotel in the outskirts of Paris.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Took top prize at the International<br>
&nbsp;&nbsp;&nbsp;&nbsp;Cocktail Competition in Europe.<br>
&nbsp;&nbsp;&nbsp;&nbsp;After returning to Japan, went back<br>
&nbsp;&nbsp;&nbsp;&nbsp;to work as a bartender at Edenhall<br>
&nbsp;&nbsp;&nbsp;&nbsp;in Ginza.<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>
&nbsp;&nbsp;&nbsp;&nbsp;Points of Investigation<br>
&nbsp;&nbsp;&nbsp;&nbsp;° Assessment in Paris in addition<br>
&nbsp;&nbsp;&nbsp;&nbsp;to experiences after returning<br>
&nbsp;&nbsp;&nbsp;&nbsp;° Accomplishments in Japan<br>
&nbsp;&nbsp;&nbsp;&nbsp;before going overseas<br>
&nbsp;&nbsp;&nbsp;&nbsp;° Assessment at Edenhall
<br>**[21:15] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he lived abroad?<br>**[21:17] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder he wasn't picked up as a candidate.<br>**[21:20] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know he's the one who<br>&nbsp;&nbsp;&nbsp;&nbsp;can make the Glass of God!<br>**[21:23] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll know it when you drink it, too, Chief!<br>**[21:26] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure?<br>**[21:27] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why did he come back to Japan?<br>**[21:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering about that myself.<br>**[21:34] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's beside the point. The problem is<br>&nbsp;&nbsp;&nbsp;&nbsp;whether or not he'll come work for us.<br>**[21:38] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;And whether or not he measures up<br>&nbsp;&nbsp;&nbsp;&nbsp;to the chairman's expectations.<br>**[21:41] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and put a proposal together.<br>**[21:42] Miwa & Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>**[21:44] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[21:49] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[21:51] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Weren't you going to return it?<br>**[21:54] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I totally forgot!<br>**[23:45] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Episode 2<br>**[23:45] Sign**<br>&nbsp;&nbsp;&nbsp;&nbsp;Old Pal<br>

# E2 - Old Pal/One for the Road

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GWDU8J2ZK/old-palone-for-the-road)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have our eyes on the target now.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's give it our best shot.<br>**[00:07] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is how to get Sasakura-san<br>&nbsp;&nbsp;&nbsp;&nbsp;to come and work for us, isn't it?<br>**[00:13] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[00:14] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For travelers from overseas who arrive<br>&nbsp;&nbsp;&nbsp;&nbsp;at the hotel late at night,<br>**[00:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;the first human being they speak<br>&nbsp;&nbsp;&nbsp;&nbsp;to in this country is the hotel bartender.<br>**[00:24] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;With just one smile, with just one gesture,<br>**[00:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;he gives them their first<br>&nbsp;&nbsp;&nbsp;&nbsp;impressions of this country.<br>**[00:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't a job that just anybody can do.<br>**[00:34] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll definitely get him to say "yes"!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Closed Today Due to<br>
&nbsp;&nbsp;&nbsp;&nbsp;Personal Circumstances
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Edenhall
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[02:15] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a real lifesaver!<br>**[02:18] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to ask you on such short notice.<br>**[02:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we've got to help each other out.<br>**[02:23] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's anything you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;understand, feel free to ask.<br>**[02:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[02:29] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I forgot! Today is the 22nd.<br>**[02:39] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[02:44] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi.<br>**[02:45] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome!<br>**[02:47] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been expecting you.<br>**[02:49] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ups-a-daisy.<br>**[02:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[02:57] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A new employee?<br>**[02:59] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's helping out today.<br>**[03:01] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another employee got ill, and Maki-san<br>&nbsp;&nbsp;&nbsp;&nbsp; introduced this fellow to me.<br>**[03:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Sasakura. Pleased to meet you.<br>**[03:09] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura? Hmm. All right, then.<br>**[03:15] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what can you make?<br>**[03:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe I can handle most requests.<br>**[03:20] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't you make me a cocktail<br>&nbsp;&nbsp;&nbsp;&nbsp;that you think I'd appreciate right now.<br>**[03:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[03:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gin and tonic.<br>**[03:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been hot recently,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I added some bitters.<br>**[03:41] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awful.<br>**[03:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My apologies. It appears it<br>&nbsp;&nbsp;&nbsp;&nbsp;did not appeal to your tastes.<br>**[03:48] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even worth talking about.<br>**[03:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sincerely apologize. Well then...<br>**[03:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;a daiquiri.<br>**[03:58] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awful.<br>**[04:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Bellini.<br>**[04:03] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awful!<br>**[04:05] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every single one is really awful.<br>**[04:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My apologies.<br>**[04:14] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Phone call. Hello?<br>**[04:21] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really sorry, Sasakura-kun!<br>**[04:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. What do you know about him?<br>**[04:28] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the late owner here<br>&nbsp;&nbsp;&nbsp;&nbsp;was still in training in Yokohama,<br>**[04:32] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;that gentleman used to be his customer.<br>**[04:34] Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;He comes every month on the day of the<br>&nbsp;&nbsp;&nbsp;&nbsp;owner's death, and he always acts like that.<br>**[04:39] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So he's a long-time customer.<br>**[04:45] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san wasn't here either.<br>**[04:49] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it said it's closed today,<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe we won't be able to find him.<br>**[04:54] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Edenhall has an unscheduled off day today."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bar Hopper
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;         Edenhall has an unscheduled off day today.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;When this happens, he usually goes to help at other bars.
<br>**[04:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"When this happens, he usually<br>&nbsp;&nbsp;&nbsp;&nbsp;goes to help at other bars."<br>**[05:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are 300 bars in Ginza,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the night is still young.<br>**[05:08] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go, Yukari-chan!<br>**[05:10] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[05:20] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ups-a-daisy.<br>**[05:22] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what are you planning to make me next?<br>**[05:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something orthodox.<br>**[05:28] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A martini.<br>**[05:32] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a strange odor.<br>**[05:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a Holland-style martini.<br>**[05:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, it's common to use London gin<br>&nbsp;&nbsp;&nbsp;&nbsp;that has been distilled in a column still,<br>**[05:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but instead, I tried using Holland gin that<br>&nbsp;&nbsp;&nbsp;&nbsp;has been aged for 15 years in the old style.<br>**[05:49] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need a lecture on booze.<br>**[05:52] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gave me old liquor because I'm old.<br>**[05:55] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have the imagination of a school kid?<br>**[05:59] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also,<br>**[06:00] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;that one is best drank chilled and straight.<br>**[06:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're quite knowledgeable.<br>**[06:06] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the owner was still alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd never serve something like this.<br>**[06:12] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh well. I'll give you credit for trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to squeeze something out of those brains.<br>**[06:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're very kind.<br>**[06:19] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But anyway, about the next drink...<br>**[06:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I can mix whatever you like.<br>**[06:25] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The liquor shop on the corner has<br>&nbsp;&nbsp;&nbsp;&nbsp;a vending machine out front, right?<br>**[06:28] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go and buy me a cup of Japanese sake.<br>**[06:33] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can keep the change.<br>**[06:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ogura
<br>**[06:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awful.<br>**[06:46] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah? Well, too bad.<br>**[06:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not what I mean.<br>**[06:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[06:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should've asked you what you'd do<br>&nbsp;&nbsp;&nbsp;&nbsp;if a customer says your drinks are all "awful."<br>**[06:57] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:58] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[06:59] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah!<br>**[07:00] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all places!<br>**[07:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you...<br>**[07:06] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, "of all places"?<br>**[07:07] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;We went back to your bar today.<br>**[07:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... sorry. The owner asked me<br>&nbsp;&nbsp;&nbsp;&nbsp;to fill in at a different bar today.<br>**[07:15] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We searched all over for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;at bar after bar.<br>**[07:19] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though we can't expense it.<br>**[07:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why were you searching for me?<br>**[07:23] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, please read this.<br>**[07:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pleased to meet you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hotel Cardinal<br>
&nbsp;&nbsp;&nbsp;&nbsp; Business Planning Division<br>
&nbsp;&nbsp;&nbsp;&nbsp;Kurushima Miwa
<br>**[07:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Cardinal... Kijima?<br>**[07:32] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Kurushima. Kurushima Miwa.<br>**[07:36] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Higuchi Yukari.<br>**[07:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[07:39] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get straight to the point.<br>**[07:41] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you come and work for us?<br>**[07:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[07:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like to hire you to work behind<br>&nbsp;&nbsp;&nbsp;&nbsp;the bar as the Hotel Cardinal's bartender.<br>**[07:50] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! The bartender you were<br>&nbsp;&nbsp;&nbsp;&nbsp;searching for was him?!<br>**[07:54] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy who can make the Glass of God?<br>**[07:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate that, but I did<br>&nbsp;&nbsp;&nbsp;&nbsp;just start working at Edenhall.<br>**[08:02] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the conditions aren't acceptable,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're willing to review them.<br>**[08:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That isn't really the problem.<br>**[08:07] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it the benefits? The pay?<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give us a number to work with.<br>**[08:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... It's actually...<br>**[08:15] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're paying that much?!<br>**[08:17] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm happy to go instead.<br>**[08:19] Miwa & Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;We never asked you.<br>**[08:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what to think.<br>**[08:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have another, Chief.<br>**[08:27] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long as you don't mind if it's awful.<br>**[08:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I didn't mean your drink was awful!<br>**[08:32] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that all about?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[08:41] (Flashback) Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the late owner here<br>&nbsp;&nbsp;&nbsp;&nbsp;was still in training in Yokohama,<br>**[08:45] (Flashback) Chief of Lapin**<br>&nbsp;&nbsp;&nbsp;&nbsp;that gentleman used to be his customer.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Closed Today Due to<br>
&nbsp;&nbsp;&nbsp;&nbsp;Personal Circumstances
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Edenhall
<br>**[08:56] Miwa & Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again?<br>**[09:01] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a call from Maki-kun.<br>**[09:04] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted to see me?<br>**[09:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[09:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for requesting<br>&nbsp;&nbsp;&nbsp;&nbsp;your company like this.<br>**[09:09] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kinds of awful drinks<br>&nbsp;&nbsp;&nbsp;&nbsp;are you going to serve me this time?<br>**[09:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, would you mind<br>&nbsp;&nbsp;&nbsp;&nbsp;listening to an old story?<br>**[09:16] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[09:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time is right after the war.<br>**[09:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The place is Yokohama.<br>**[09:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The history of Japanese bars<br>&nbsp;&nbsp;&nbsp;&nbsp;begins in the harbor.<br>**[09:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imported Western liquors<br>&nbsp;&nbsp;&nbsp;&nbsp;weren't accessible to common folk<br>**[09:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;because the bars all started out of hotels.<br>**[09:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brilliant colors that you had<br>&nbsp;&nbsp;&nbsp;&nbsp;never seen. Complex odors.<br>**[09:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I imagine that the drinks served then were<br>&nbsp;&nbsp;&nbsp;&nbsp;rich with flavor and sparkled with color.<br>**[09:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[09:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;An Old Pal.<br>**[09:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name means...<br>**[09:54] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dear old friend, huh.<br>**[09:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You visit us every month on the 22nd,<br>**[10:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;the day that the former owner passed away.<br>**[10:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suspect that you are coming here<br>&nbsp;&nbsp;&nbsp;&nbsp;to meet him, in a sense.<br>**[10:08] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure sound like you know it all.<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm sure this is just another...<br>**[10:15] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good! This is exactly the flavor...<br>**[10:19] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flavor that the late owner made!<br>**[10:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In an age when ice and<br>&nbsp;&nbsp;&nbsp;&nbsp;refrigerators were still rare,<br>**[10:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;it wasn't possible to chill<br>&nbsp;&nbsp;&nbsp;&nbsp;the liquors or the glasses,<br>**[10:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;so apparently, cocktails<br>&nbsp;&nbsp;&nbsp;&nbsp;weren't as cold as they are today.<br>**[10:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, at a time with<br>&nbsp;&nbsp;&nbsp;&nbsp;little air conditioning,<br>**[10:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;even a slightly cooler flavor<br>&nbsp;&nbsp;&nbsp;&nbsp;could be quite refreshing.<br>**[10:41] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. This reminds me of that time.<br>**[10:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do not change the flavor of the liquor."<br>**[10:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something I learned from my mentor.<br>**[10:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because then you can be<br>&nbsp;&nbsp;&nbsp;&nbsp;reacquainted with your older self.<br>**[10:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sure that no matter how the times<br>&nbsp;&nbsp;&nbsp;&nbsp;changed, the late owner here<br>**[11:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;continued to serve drinks with their<br>&nbsp;&nbsp;&nbsp;&nbsp;classic flavors unchanged, just for you.<br>**[11:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because, for you, they hold<br>&nbsp;&nbsp;&nbsp;&nbsp; memories of irreplaceable friends.<br>**[11:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how much time passes, the<br>&nbsp;&nbsp;&nbsp;&nbsp;memories of those flavors will always remain.<br>**[11:15] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of respect for him, I never<br>&nbsp;&nbsp;&nbsp;&nbsp;drank anyone else's cocktails.<br>**[11:21] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never enjoyed them.<br>**[11:24] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[11:31] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;To tell the truth, I may have been<br>&nbsp;&nbsp;&nbsp;&nbsp;searching for a man like you all along.<br>**[11:38] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting today, you can be my new pal.<br>**[11:43] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever get into any trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;just give me a call.<br>**[11:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[11:56] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu? The Glass of God?<br>**[12:02] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got me thinking back<br>&nbsp;&nbsp;&nbsp;&nbsp;on my times with the missus.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kurushima Industries Chairman<br>
&nbsp;&nbsp;&nbsp;&nbsp;Hotel Cardinal CEO <br>
&nbsp;&nbsp;&nbsp;&nbsp;Kurushima Taizo
<br>**[12:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Cardinal?<br>**[12:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kurushima? I'm sure I've heard that before.<br>**[12:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But where was it?<br>**[12:21] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww! Where in the world did he go?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[12:29] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;He turned us down.<br>**[12:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;His response is still pending.<br>**[12:33] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;So which one is it?<br>**[12:34] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll definitely get him to say "yes."<br>**[12:37] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure you can handle this?<br>**[12:39] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Please leave it to us.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;French
<br>**[12:43] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, you can keep telling us "no,"<br>&nbsp;&nbsp;&nbsp;&nbsp;but our position hasn't changed.<br>**[12:49] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We would like you to come work for us.<br>**[12:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's like I told you before...<br>**[12:53] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there something we can do?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;French
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[12:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're putting me<br>&nbsp;&nbsp;&nbsp;&nbsp;in an uncomfortable position.<br>**[13:12] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please help us out here!<br>**[13:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;what would you like to drink next?<br>**[13:18] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Um, let's see.<br>**[13:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[13:30] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if you'd let me have one drink,<br>&nbsp;&nbsp;&nbsp;&nbsp; just to get out of the rain.<br>**[13:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, of course.<br>**[13:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, have a seat.<br>**[13:42] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't expect to find a bar<br>&nbsp;&nbsp;&nbsp;&nbsp;in a place like this.<br>**[13:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were closed for a period of time.<br>**[13:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please. Use this to dry off.<br>**[13:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I take your order?<br>**[13:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have any special preferences,<br>&nbsp;&nbsp;&nbsp;&nbsp;please let me know.<br>**[14:00] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to get more drunk,<br>&nbsp;&nbsp;&nbsp;&nbsp; but I'm kind of sick of alcohol tonight.<br>**[14:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:09] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that sounds impossible,<br>&nbsp;&nbsp;&nbsp;&nbsp;just give me something strong.<br>**[14:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Very well.<br>**[14:21] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;People really are disgusting, aren't they?<br>**[14:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disgusting? Are they?<br>**[14:29] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you with that forced smile on your face,<br>**[14:32] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're really thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;"now this is a nasty customer."<br>**[14:36] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;But keeping that to yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;is part of the job, right?<br>**[14:40] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the end of the day, a bartender earns<br>&nbsp;&nbsp;&nbsp;&nbsp;money just listening to people bitch.<br>**[14:45] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a job for assholes.<br>**[14:52] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone is afraid of me.<br>**[14:55] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I've got a dirty mouth,<br>&nbsp;&nbsp;&nbsp;&nbsp;as you can tell.<br>**[14:57] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;But despite that, they still come to me<br>&nbsp;&nbsp;&nbsp;&nbsp;with their ridiculous demands.<br>**[15:02] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the customer gets to be selfish.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what they're paying me for.<br>**[15:09] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you even listening to me?<br>**[15:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Pardon me.<br>**[15:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had been thinking about<br>&nbsp;&nbsp;&nbsp;&nbsp;what drink to serve you.<br>**[15:19] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever the hypocrite, I see.<br>**[15:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the other option is to be called a<br>&nbsp;&nbsp;&nbsp;&nbsp;hypocrite, I'd rather be an asshole.<br>**[15:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is one drink, although<br>&nbsp;&nbsp;&nbsp;&nbsp;it may take a little time.<br>**[15:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind waiting?<br>**[15:37] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead. But one thing.<br>**[15:40] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you let me down,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to be happy.<br>**[15:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He stepped out even though he has customers?<br>**[15:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wants to get drunk,<br>&nbsp;&nbsp;&nbsp;&nbsp; but doesn't want to drink alcohol...<br>**[15:51] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what he's going to do.<br>**[15:52] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;That really is selfish.<br>**[16:02] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your patience. I asked<br>&nbsp;&nbsp;&nbsp;&nbsp;the restaurant upstairs to share some.<br>**[16:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll mix it straight away.<br>**[16:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pot?<br>**[16:13] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a pot.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Worcester<br>
&nbsp;&nbsp;&nbsp;&nbsp;Sauce
<br>**[16:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting.<br>**[16:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a cocktail called the bull shot.<br>**[16:30] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cocktail? Isn't it just soup?<br>**[16:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it would be perfect<br>&nbsp;&nbsp;&nbsp;&nbsp;for you right now.<br>**[16:53] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;This...<br>**[16:55] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like soup.<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there really alcohol in it?<br>**[16:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It's beef bouillon with vodka in it.<br>**[17:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was conceived by the owner of an<br>&nbsp;&nbsp;&nbsp;&nbsp;American steak restaurant in the 1950s.<br>**[17:13] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delicious.<br>**[17:15] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like it's warming my body to the core<br>&nbsp;&nbsp;&nbsp;&nbsp;and bringing me back to life.<br>**[17:23] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today...<br>**[17:24] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to sit through three terrible parties.<br>**[17:28] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each one made me hate<br>&nbsp;&nbsp;&nbsp;&nbsp;how much of an asshole I am.<br>**[17:32] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I tried to take that out on you.<br>**[17:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know the phrase<br>**[17:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"one for the road" and what it means?<br>**[17:41] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[17:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dictionary says, "a final round shared<br>&nbsp;&nbsp;&nbsp;&nbsp;with someone before reluctantly separating."<br>**[17:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, who would you be<br>&nbsp;&nbsp;&nbsp;&nbsp;reluctant to separate from?<br>**[17:51] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's over a round of drinks,<br>**[17:53] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;a bartender?<br>**[17:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may also be true. However,<br>**[17:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;sometimes deceiving and fooling<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself can be part of adult life.<br>**[18:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even then, not every day will be a good one.<br>**[18:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, with that one last drink<br>&nbsp;&nbsp;&nbsp;&nbsp;before returning home...<br>**[18:12] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One for the road"...<br>**[18:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The person you're toasting<br>&nbsp;&nbsp;&nbsp;&nbsp;farewell to with that final drink<br>**[18:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;may be the bad part of yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;you struggled with that day.<br>**[18:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The asshole inside yourself.<br>&nbsp;&nbsp;&nbsp;&nbsp;It might just be.<br>**[18:32] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[18:33] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it be against the rules<br>&nbsp;&nbsp;&nbsp;&nbsp;to get one more "one for the road"?<br>**[18:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's perfectly okay.<br>**[18:40] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, how about I add lemon and tomato<br>&nbsp;&nbsp;&nbsp;&nbsp;juice to make the bull shot a bloody bull?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[18:51] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[18:53] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came in to get out of the rain,<br>&nbsp;&nbsp;&nbsp;&nbsp;but then gave you a hard time. I'm sorry.<br>**[18:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[18:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were kind enough to rely on me<br>&nbsp;&nbsp;&nbsp;&nbsp;as your bartender in a very difficult moment.<br>**[19:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's another way to think about it.<br>**[19:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's the same for you<br>**[19:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the clients you work with.<br>**[19:20] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same? But what kind of work does she do?<br>**[19:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, didn't you notice?<br>**[19:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She had a particular kind of bag.<br>**[19:31] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looked heavy, didn't it?<br>**[19:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[19:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A former American Secretary of State<br>&nbsp;&nbsp;&nbsp;&nbsp;used to prefer a bag like that,<br>**[19:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it was called a Dulles bag.<br>**[19:40] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's very sturdy and can carry<br>&nbsp;&nbsp;&nbsp;&nbsp;a large amount of paperwork,<br>**[19:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's sometimes also called a lawyer's bag.<br>**[19:46] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bag for lawyers and people working in law?<br>**[19:49] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you can figure out<br>&nbsp;&nbsp;&nbsp;&nbsp;someone's job from just a bag?<br>**[19:55] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san.<br>**[19:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[19:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please come to work at our hotel.<br>**[20:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't we already discussed that?<br>**[20:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can say "no" all you want, but<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll still recruit you one way or another.<br>**[20:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I have no choice.<br>**[20:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:11] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...?<br>**[20:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want to tell you this until now...<br>**[20:16] Miwa & Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[20:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but... I'm actually afraid of heights.<br>**[20:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm very sorry that<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot accept your offer.<br>**[20:26] Miwa & Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[20:31] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bar at the Latz Hotel is on the<br>&nbsp;&nbsp;&nbsp;&nbsp;top floor! That's super high up!<br>**[20:38] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Afraid of heights, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would he tell such a transparent lie?<br>**[20:45] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu? That sounds very interesting.<br>**[20:49] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do whatever's necessary to<br>&nbsp;&nbsp;&nbsp;&nbsp;get him behind the counter.<br>**[20:53] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Got it?*<br>**[20:54] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[20:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's easy for Grandpa to say,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this isn't going to be a walk in the park.<br>**[21:07] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yajima-kun, what's on the books for today?<br>**[21:10] Yajima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, estate division and child custody.<br>&nbsp;&nbsp;&nbsp;&nbsp;And there are two divorces.<br>**[21:17] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assholes!<br>**[21:18] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is every single one of them "me, me, me"?<br>**[21:22] Yajima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure I have the answer.<br>**[21:24] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I shouldn't say that. They're relying<br>&nbsp;&nbsp;&nbsp;&nbsp;on my help in a very difficult moment.<br>**[21:30] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's another way to think about it.<br>**[21:35] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yajima-kun.<br>**[21:37] Yajima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[21:38] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever heard of a bull shot?<br>**[21:40] Yajima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have. The cocktail, right?<br>**[21:44] Yajima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or do you mean the mystery novel?<br>**[21:47] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mystery novel?<br>**[21:49] Yajima**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a story about a lawyer who acts really<br>&nbsp;&nbsp;&nbsp;&nbsp;tough but actually has a gentle heart.<br>**[21:54] Yajima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who calls everyone "assholes."<br>**[21:59] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yajima-kun, when we're done,<br>&nbsp;&nbsp;&nbsp;&nbsp;want to go out for a drink?<br>**[22:03] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found a really nice bar.<br>**[22:05] Yajima**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds great!<br>**[22:07] Goshima**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bartender is a complete asshole, though.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 3
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Perfect Taste
<br>

# E3 - The Perfect Taste

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GG1U2NJP0/the-perfect-taste)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find a different candidate?<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he really say something like that?<br>**[00:08] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[00:09] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The manager did?<br>**[00:11] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;He did!<br>**[00:12] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I overheard him in the lounge talking<br>&nbsp;&nbsp;&nbsp;&nbsp;to chief bartender Nishizawa about it!<br>**[00:17] (Flashback) Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A new candidate? Do you mean as insurance?<br>**[00:22] (Flashback) Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[00:23] (Flashback) Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chairman has his<br>&nbsp;&nbsp;&nbsp;&nbsp;sights set on Sasakura Ryu,<br>**[00:26] (Flashback) Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if that guy doesn't give us the nod,<br>&nbsp;&nbsp;&nbsp;&nbsp; then we're dead in the water.<br>**[00:29] (Flashback) Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chairman must be so<br>&nbsp;&nbsp;&nbsp;&nbsp;fixated on the counter bar<br>**[00:33] (Flashback) Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;because he wants to compete against<br>&nbsp;&nbsp;&nbsp;&nbsp;Bar K at the Hotel Diamondstar.<br>**[00:39] (Flashback) Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a top-class bar that caters<br>&nbsp;&nbsp;&nbsp;&nbsp;to heavyweights in the financial world.<br>**[00:43] (Flashback) Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it earned that reputation...<br>**[00:45] (Flashback) Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to the presence of its<br>&nbsp;&nbsp;&nbsp;&nbsp;bartender, Kuzuhara Ryuichi.<br>**[00:50] (Flashback) Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;People call him Mister Perfect.<br>**[00:52] (Flashback) Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know of anybody else<br>&nbsp;&nbsp;&nbsp;&nbsp;who is even near his level.<br>**[00:56] (Flashback) Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which leaves us right back where we started.<br>**[00:59] (Flashback) Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got to find someone<br>&nbsp;&nbsp;&nbsp;&nbsp;whose name we can put in lights.<br>**[01:04] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;But searching for<br>&nbsp;&nbsp;&nbsp;&nbsp;someone else at this point?<br>**[01:07] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senpai?<br>**[01:08] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Yukari-chan! You can<br>&nbsp;&nbsp;&nbsp;&nbsp;tell me all about it tomorrow.<br>**[01:11] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hold on!<br>**[01:14] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's odd. Senpai always<br>&nbsp;&nbsp;&nbsp;&nbsp;seems married to her work.<br>**[01:19] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she going on a date?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 60 0 60
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bar K Bartender
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kuzuhara Ryuichi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Award Presentation Party
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hotel Diamondstar
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Star Hall
<br>**[02:54] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never heard of a bartender<br>&nbsp;&nbsp;&nbsp;&nbsp;receiving a medal before.<br>**[02:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuzuhara-san must be really amazing.<br>**[03:01] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's considered to be a pioneer<br>**[03:03] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;who raised the status of Japanese<br>&nbsp;&nbsp;&nbsp;&nbsp;bartenders to a world-class level.<br>**[03:08] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even customers are awestruck<br>&nbsp;&nbsp;&nbsp;&nbsp;by his perfect technique.<br>**[03:12] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why they call him Mister Perfect.<br>**[03:18] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Congrats.<br>**[03:20] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now this is a pleasant surprise,<br>&nbsp;&nbsp;&nbsp;&nbsp;Chairman Kurushima!<br>**[03:24] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is quite an honor to welcome<br>**[03:26] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;the man who only drank cocktails<br>&nbsp;&nbsp;&nbsp;&nbsp;from the late owner of Lapin.<br>**[03:29] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, allow me to make you something.<br>**[03:31] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recently, I've been very impressed<br>&nbsp;&nbsp;&nbsp;&nbsp;with the bartender at Edenhall.<br>**[03:38] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't been in the position long,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's a fairly interesting fellow.<br>**[03:43] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the new bartender there?<br>**[03:46] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's still a bit wet<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the ears, though.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[03:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[03:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[03:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you're together today.<br>**[03:58] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, this is my lover.<br>**[04:02] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In general, I don't care to inquire<br>&nbsp;&nbsp;&nbsp;&nbsp;about customers' personal relationships,<br>**[04:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I suspect that while you two are close,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's actually your granddaughter.<br>**[04:13] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess he now knows that<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to change your diapers.<br>**[04:15] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[04:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I take your order?<br>**[04:20] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about something<br>&nbsp;&nbsp;&nbsp;&nbsp;that's good for a stiff neck?<br>**[04:22] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too.<br>**[04:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm.<br>**[04:24] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had to stop by a pretty uptight party.<br>**[04:28] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a little exhausting.<br>**[04:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Very well, then.<br>**[04:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[04:39] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, am I still all right?<br>**[04:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're referring to closing time,<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't need to worry.<br>**[04:45] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. Then...<br>**[04:48] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like a B&B, please.<br>**[04:54] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A B&B<br>**[04:56] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a cocktail you make by just mixing equal<br>&nbsp;&nbsp;&nbsp;&nbsp;amounts of brandy and Bénédictine, right?<br>**[05:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Its name comes from the<br>&nbsp;&nbsp;&nbsp;&nbsp;first letter of each word. B&B.<br>**[05:06] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the best way to drink it?<br>**[05:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a nightcap.<br>**[05:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's said to be best enjoyed<br>&nbsp;&nbsp;&nbsp;&nbsp;just before bed.<br>**[05:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It combines the rich flavor of brandy<br>&nbsp;&nbsp;&nbsp;&nbsp;with the unique sweetness of Bénédictine.<br>**[05:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is quickly intoxicating,<br>&nbsp;&nbsp;&nbsp;&nbsp;which may help the drinker fall asleep,<br>**[05:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose.<br>**[05:28] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your B&B. Enjoy.<br>**[05:41] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bartender, have you been<br>&nbsp;&nbsp;&nbsp;&nbsp;in this line of work long?<br>**[05:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost eight years.<br>**[05:46] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eight years?<br>**[05:50] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that lady doing?<br>**[05:53] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still can't read people well, can you?<br>**[05:56] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:58] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[06:01] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally worked up the courage<br>&nbsp;&nbsp;&nbsp;&nbsp;to quit my job today.<br>**[06:07] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for allowing me to stay so late.<br>**[06:14] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was she crying?<br>**[06:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what happened.<br>&nbsp;&nbsp;&nbsp;&nbsp; Why would she want to quit bartending?<br>**[06:21] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she a bartender?<br>**[06:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A normal customer wouldn't have asked<br>&nbsp;&nbsp;&nbsp;&nbsp;about the bar hours when she came in<br>**[06:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;or stared at the way I swirled<br>&nbsp;&nbsp;&nbsp;&nbsp;the bar spoon so aggressively.<br>**[06:34] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure notice a lot, don't you?<br>**[06:36] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm more certain than ever that you<br>&nbsp;&nbsp;&nbsp;&nbsp;would be a valuable asset to our bar.<br>**[06:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe I already declined that offer.<br>**[06:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm simply too afraid of heights.<br>**[06:48] (Flashback) Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bar at the Latz Hotel<br>&nbsp;&nbsp;&nbsp;&nbsp;is on the top floor!<br>**[06:53] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san, about that fear of heights...<br>**[07:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[07:03] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still open?<br>**[07:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. Please come in.<br>**[07:10] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you'd show up.<br>**[07:15] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[07:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;An acquaintance of yours?<br>**[07:18] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's say we were acquainted through<br>&nbsp;&nbsp;&nbsp;&nbsp;a certain business transaction.<br>**[07:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so.<br>**[07:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your order, sir?<br>**[07:26] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take a Gin Fizz.<br>**[07:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[07:40] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Gin Fizz is a famous cocktail.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you happen to know who invented it?<br>**[07:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In 1888, in New Orleans,<br>**[07:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Imperial Cabinet Saloon, a bartender<br>&nbsp;&nbsp;&nbsp;&nbsp;named Ramos was credited with inventing it.<br>**[07:55] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the "fizz" part?<br>**[07:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It supposedly comes from the sound<br>&nbsp;&nbsp;&nbsp;&nbsp;of the bubbles in soda water,<br>**[08:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it certainly doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;sound like "fizz fizz" to me.<br>**[08:06] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that something you tell<br>&nbsp;&nbsp;&nbsp;&nbsp;someone like Mister Perfect?<br>**[08:10] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's right.*<br>**[08:12] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He trained in France, so he doesn't*<br>*&nbsp;&nbsp;&nbsp;&nbsp;know anything about Kuzuhara-san.*<br>**[08:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. One Gin Fizz.<br>**[08:27] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;This flavor...<br>**[08:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you not find it to your liking?<br>**[08:31] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's good. However,<br>**[08:34] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;what is this slightly rich flavor?<br>**[08:37] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like an old, aged rum.<br>**[08:40] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your own recipe?<br>**[08:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I suspected that the standard<br>&nbsp;&nbsp;&nbsp;&nbsp;recipe might be somewhat boring<br>**[08:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;for someone who's a professional and,<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect, a first-rate bartender.<br>**[08:52] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you know that I'm a bartender?<br>**[08:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two reasons.<br>**[08:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;When a pro visits a new bar, what would<br>&nbsp;&nbsp;&nbsp;&nbsp;he order to test the bartender's abilities?<br>**[09:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Gin Fizz.<br>**[09:06] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that true?<br>**[09:07] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Cause of this.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Eternity
<br>**[09:13] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eternity?<br>**[09:14] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:16] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The character for "eternity"<br>&nbsp;&nbsp;&nbsp;&nbsp;has vertical, horizontal,<br>**[09:18] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;point, jump, stop, and sweep strokes.<br>**[09:21] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the basic strokes<br>&nbsp;&nbsp;&nbsp;&nbsp;in Japanese calligraphy.<br>**[09:24] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the same way, from the shaking,<br>&nbsp;&nbsp;&nbsp;&nbsp;to the ratio of alcohol and juice,<br>**[09:29] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the ice and the soda,<br>**[09:31] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;the one drink that includes<br>&nbsp;&nbsp;&nbsp;&nbsp; all the essential bartending techniques<br>**[09:35] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the Gin Fizz.<br>**[09:38] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what was the other reason?<br>**[09:40] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pinky finger on your right hand.<br>**[09:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears to be a callus developed<br>&nbsp;&nbsp;&nbsp;&nbsp;from many years of shaking.<br>**[09:48] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you observed all that in<br>&nbsp;&nbsp;&nbsp;&nbsp;such a short amount of time.<br>**[09:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're always evaluating and criticizing,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you only drink for work,<br>**[09:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I want you to enjoy your experience<br>&nbsp;&nbsp;&nbsp;&nbsp;as a customer on the other side of the bar.<br>**[10:05] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enjoy?<br>**[10:07] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm enjoying<br>&nbsp;&nbsp;&nbsp;&nbsp;this little guessing game?<br>**[10:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that was presumptuous of me, I apologize.<br>**[10:15] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why you put rum in the Gin Fizz?<br>**[10:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. That's wasanbon sugar.<br>**[10:21] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:22] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[10:23] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasanbon? The sugar used<br>&nbsp;&nbsp;&nbsp;&nbsp;in Japanese confections?<br>**[10:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Wasanbon is known for<br>&nbsp;&nbsp;&nbsp;&nbsp;its very delicate sweetness.<br>**[10:30] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the flavor is similar to rum,<br>&nbsp;&nbsp;&nbsp;&nbsp;so he got them mixed up.<br>**[10:35] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You managed to put one<br>&nbsp;&nbsp;&nbsp;&nbsp;over on Mister Perfect!<br>**[10:39] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[10:41] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;You certainly are an amusing<br>&nbsp;&nbsp;&nbsp;&nbsp;bartender. However...<br>**[10:47] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've known countless failed bartenders who<br>&nbsp;&nbsp;&nbsp;&nbsp;once tried to impress with eccentric drinks.<br>**[10:56] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you intend to keep working as a bartender,<br>&nbsp;&nbsp;&nbsp;&nbsp;allow me to enlighten you on something.<br>**[11:02] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your cocktail is still far from perfect.<br>**[11:12] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that upset him.<br>**[11:14] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't someone to take offense<br>&nbsp;&nbsp;&nbsp;&nbsp;over something so trivial.<br>**[11:18] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But more importantly, would you make me<br>&nbsp;&nbsp;&nbsp;&nbsp;one of those Gin Fizzes with wasanbon sugar?<br>**[11:23] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Me too!<br>**[11:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[11:33] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was your date yesterday?<br>**[11:35] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Date? I went out with my grandfather.<br>**[11:38] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:40] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must get along really well<br>&nbsp;&nbsp;&nbsp;&nbsp;with your grandpa, then.<br>**[11:43] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's more like a father to me.<br>**[11:46] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of my parents passed away<br>&nbsp;&nbsp;&nbsp;&nbsp;when I was little.<br>**[11:49] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, really? I'm so sorry.<br>**[11:52] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[11:54] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Less talk, more work!<br>**[11:57] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 130 0 130
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kuzuhara Ryuichi, Recipient of<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Yellow Ribbon Medal of Honor
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kuzuhara Ryuichi, bartender at Hotel<br>
&nbsp;&nbsp;&nbsp;&nbsp;Diamondstar, has been announced as<br>
&nbsp;&nbsp;&nbsp;&nbsp;the recipient of the spring Medal. An<br>
&nbsp;&nbsp;&nbsp;&nbsp;award reception honoring Kuzuhara with<br>
&nbsp;&nbsp;&nbsp;&nbsp;the Yellow Ribbon Medal was held at his<br>
&nbsp;&nbsp;&nbsp;&nbsp; own hotel.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Yellow Ribbon Medal honors<br>
&nbsp;&nbsp;&nbsp;&nbsp;individuals in farming, business, and<br>
&nbsp;&nbsp;&nbsp;&nbsp;industry who have shown diligence in<br>
&nbsp;&nbsp;&nbsp;&nbsp;their professional activities and proven<br>
&nbsp;&nbsp;&nbsp;&nbsp;themselves as role models to the public.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;It is very rare for members of the food<br>
&nbsp;&nbsp;&nbsp;&nbsp;service industry to be awarded. As such,<br>
&nbsp;&nbsp;&nbsp;&nbsp;this medal recognizes Kuzuhara's vast<br>
&nbsp;&nbsp;&nbsp;&nbsp;contributions to culture through his<br>
&nbsp;&nbsp;&nbsp;&nbsp;exceedingly high skills as a bartender.
<br>**[12:00] (Flashback) Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your cocktail is still far from perfect.<br>**[12:05] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That was a really harsh thing*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to say to Sasakura-san.*<br>**[12:08] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I wonder if he's okay.*<br>**[12:10] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Senpai.<br>**[12:12] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boyfriend. You don't have one?<br>**[12:15] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Higuchi!<br>**[12:16] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine!<br>**[12:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Palm<br>
&nbsp;&nbsp;&nbsp;&nbsp;Reader
<br>**[12:29] Fortune Teller**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't seem very confident<br>&nbsp;&nbsp;&nbsp;&nbsp;in your present job.<br>**[12:32] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, do you think I should quit, too?<br>**[12:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you haven't quit bartending yet.<br>**[12:47] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're that guy from before.<br>**[12:53] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, that day...<br>**[12:56] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the first time I'd made<br>&nbsp;&nbsp;&nbsp;&nbsp;a B&B for a customer.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami
<br>**[13:01] (Flashback) Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. A B&B.<br>**[13:03] (Flashback) Itami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Let's see.<br>**[13:08] (Flashback) Itami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm.<br>**[13:10] (Flashback) Itami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not quite there yet.<br>**[13:12] (Flashback) Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still don't understand how to stir.<br>**[13:17] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what a regular<br>&nbsp;&nbsp;&nbsp;&nbsp;and the owner told me.<br>**[13:21] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;To stir quickly so the ice doesn't melt<br>&nbsp;&nbsp;&nbsp;&nbsp;but the drink still blends evenly...<br>**[13:27] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kept practicing that over and over,<br>&nbsp;&nbsp;&nbsp;&nbsp;until even my blisters split open.<br>**[13:31] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's still no good.<br>**[13:33] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else am I supposed to do to get better?<br>**[13:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it that bartenders are actually<br>&nbsp;&nbsp;&nbsp;&nbsp;stirring when they're mixing a drink?<br>**[13:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know?<br>**[13:44] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their imagination of what<br>&nbsp;&nbsp;&nbsp;&nbsp;the drink should become.<br>**[13:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How will the drink move in the glass?<br>**[13:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How will it have changed when<br>&nbsp;&nbsp;&nbsp;&nbsp;it touches the customer's lips?<br>**[13:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stirring brandy and Bénédictine<br>&nbsp;&nbsp;&nbsp;&nbsp;together in a way<br>**[14:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes them reach the customer's<br>&nbsp;&nbsp;&nbsp;&nbsp;mouth in the ideal condition...<br>**[14:04] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;...requires imagination, I guess.<br>**[14:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A B&B appears simple,<br>&nbsp;&nbsp;&nbsp;&nbsp; but that's where it catches people.<br>**[14:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a mistake that probably every<br>&nbsp;&nbsp;&nbsp;&nbsp;bartender in the world makes once.<br>**[14:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the important thing is what comes after.<br>**[14:20] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What comes after?<br>**[14:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is enough to make you run away,<br>**[14:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;you probably shouldn't try to become<br>&nbsp;&nbsp;&nbsp;&nbsp;a bartender in the first place.<br>**[14:30] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you!<br>**[14:31] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do I have to take that from you?<br>**[14:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're that frustrated, then put<br>&nbsp;&nbsp;&nbsp;&nbsp;that energy into making a better cocktail.<br>**[14:40] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the bartender at Bar Minami.<br>**[14:43] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawakami Kyoko.<br>**[14:45] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feel free to grace us<br>&nbsp;&nbsp;&nbsp;&nbsp;with your presence any time.<br>**[14:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck.<br>**[15:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Right now?<br>**[15:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I doubt we'll get<br>&nbsp;&nbsp;&nbsp;&nbsp;many customers in this rain.<br>**[15:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as the owner says it's all right.<br>**[15:21] Door man**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[15:27] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[15:30] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Sorry for the short notice.<br>**[15:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[15:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you and the owner... Maki-san...<br>&nbsp;&nbsp;&nbsp;&nbsp;were already acquainted, weren't you?<br>**[15:38] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah.<br>**[15:39] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But today, I have a somewhat<br>&nbsp;&nbsp;&nbsp;&nbsp;unreasonable request to make.<br>**[15:43] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What might that be?<br>**[15:44] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I'd like you and him<br>&nbsp;&nbsp;&nbsp;&nbsp;to make the same cocktail.<br>**[15:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:50] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, we don't engage<br>&nbsp;&nbsp;&nbsp;&nbsp;in that sort of thing here.<br>**[15:53] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen.<br>**[15:54] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Close the bar.<br>**[15:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it this time, Grandpa?<br>**[16:00] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You made me race over here just<br>&nbsp;&nbsp;&nbsp;&nbsp;to show me something "interesting"?<br>**[16:03] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;These two are going to make the same thing.<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want to drink?<br>**[16:09] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? But why?<br>**[16:12] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make the same cocktail?<br>&nbsp;&nbsp;&nbsp;&nbsp;At least give me a minute to think.<br>**[16:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Red...<br>**[16:21] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about a Manhattan or something?<br>**[16:23] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh. If the king of cocktails is the Martini,<br>&nbsp;&nbsp;&nbsp;&nbsp; then the Manhattan is queen.<br>**[16:29] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. That's what we'll have.<br>**[16:31] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I make one request?<br>**[16:34] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;If my Manhattan is more delicious,<br>**[16:38] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like you to drink<br>&nbsp;&nbsp;&nbsp;&nbsp;one of my cocktails, Chairman.<br>**[16:42] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would a bartender of your status<br>&nbsp;&nbsp;&nbsp;&nbsp;care about something like that?<br>**[16:46] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps you could say it<br>&nbsp;&nbsp;&nbsp;&nbsp;is my pride as a bartender.<br>**[16:50] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[16:51] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you happen to lose?<br>**[16:55] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll take off my jacket and<br>&nbsp;&nbsp;&nbsp;&nbsp;retire from bartending here and now.<br>**[17:00] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, shall we begin?<br>**[17:05] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think is the most<br>&nbsp;&nbsp;&nbsp;&nbsp;important thing in a cocktail?<br>**[17:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balance, perhaps?<br>**[17:10] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:12] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that cannot be merely about addition.<br>**[17:14] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must become a question of multiplication.<br>**[17:18] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The back of the spoon touches<br>&nbsp;&nbsp;&nbsp;&nbsp;the inside of the mixing glass<br>**[17:22] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;and turns in the same direction as the ice.<br>**[17:26] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you stir too much, the ice<br>&nbsp;&nbsp;&nbsp;&nbsp;melts and the drink weakens.<br>**[17:30] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't stir enough, the drink<br>&nbsp;&nbsp;&nbsp;&nbsp;will not taste complete.<br>**[17:36] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miwa.<br>**[17:37] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please close your eyes.<br>**[17:40] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[17:44] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[17:49] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[17:50] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be boring if you already<br>&nbsp;&nbsp;&nbsp;&nbsp;knew who made which one.<br>**[17:56] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other than the different glasses,<br>&nbsp;&nbsp;&nbsp;&nbsp;they look identical.<br>**[18:01] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I'll try them.<br>**[18:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one first.<br>**[18:08] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delicious! Even with a whisky base,<br>&nbsp;&nbsp;&nbsp;&nbsp;the flavor is light and refreshing!<br>**[18:15] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now this one.<br>**[18:20] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I like this one more!<br>&nbsp;&nbsp;&nbsp;&nbsp;The flavor is well-rounded and delicious.<br>**[18:25] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one is Sasakura-kun's Manhattan.<br>**[18:29] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is it? But... why do they taste different?<br>**[18:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the human tongue.<br>**[18:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It registers temperatures that are 25 to 30<br>&nbsp;&nbsp;&nbsp;&nbsp;degrees lower or higher than body temperature<br>**[18:40] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;as having a more delicious flavor.<br>**[18:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suspect that the drink I made was just a<br>&nbsp;&nbsp;&nbsp;&nbsp;little... perhaps one to two degrees warmer.<br>**[18:49] (Flashback) Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it this time, Grandpa?<br>**[18:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You rushed over here to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;your grandfather so quickly,<br>**[18:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;your body temperature rose,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you broke a sweat.<br>**[18:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so...<br>**[19:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was careful not to make<br>&nbsp;&nbsp;&nbsp;&nbsp;the drink too cold for you.<br>**[19:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You put that much thought into one drink...<br>**[19:07] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a way, such inexperience can be<br>**[19:10] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;quite a heartwarming thing to witness.<br>**[19:15] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cocktail is a luxury item, so of course<br>&nbsp;&nbsp;&nbsp;&nbsp;personal preference comes into consideration.<br>**[19:19] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the question here is, as a cocktail,<br>&nbsp;&nbsp;&nbsp;&nbsp;is this fit to be called a Manhattan or not?<br>**[19:25] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san made a proper,<br>&nbsp;&nbsp;&nbsp;&nbsp;delicious Manhattan!<br>**[19:28] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps I could ask you to take another sip.<br>**[19:42] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flavor has changed.<br>**[19:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mind.<br>**[19:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my gosh.<br>**[19:54] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand now?<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the perfect flavor.<br>**[19:59] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you start trying to please customers<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than craft the perfect cocktail,<br>**[20:04] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be the beginning<br>&nbsp;&nbsp;&nbsp;&nbsp;of your decline as a bartender.<br>**[20:07] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bartender must aspire to create<br>&nbsp;&nbsp;&nbsp;&nbsp;cocktails with such perfect flavor<br>**[20:11] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;that they bring customers to their knees.<br>**[20:14] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you realize now how green<br>&nbsp;&nbsp;&nbsp;&nbsp;you are, you may leave.<br>**[20:21] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san! Wait!<br>**[20:25] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is nice being young.<br>**[20:28] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lacking experience now means<br>**[20:30] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you still have the potential<br>&nbsp;&nbsp;&nbsp;&nbsp;to gain much more.<br>**[20:34] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to put him<br>&nbsp;&nbsp;&nbsp;&nbsp;in charge of your counter bar?<br>**[20:36] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows? We'll see.<br>**[20:39] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then. As you promised,<br>&nbsp;&nbsp;&nbsp;&nbsp;Chairman, what shall it be?<br>**[20:45] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[20:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Wait up a minute!<br>**[20:50] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You lost today, but you won<br>&nbsp;&nbsp;&nbsp;&nbsp;the last time, right?<br>**[20:54] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, yours really did taste<br>&nbsp;&nbsp;&nbsp;&nbsp;better at the beginning.<br>**[20:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'll make a better one next time!<br>**[21:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;An amateur like you wouldn't understand!<br>**[21:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you... I'm just worried about you!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ogura
<br>**[21:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's more to his cocktails<br>&nbsp;&nbsp;&nbsp;&nbsp;than simple mixing.<br>**[21:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's transforming the ingredients into<br>&nbsp;&nbsp;&nbsp;&nbsp;a completely different beverage. A Manhattan.<br>**[21:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why the flavor doesn't change,<br>&nbsp;&nbsp;&nbsp;&nbsp;even after a while.<br>**[21:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mister Perfect," huh.<br>**[21:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I absolutely lost to him today.<br>**[21:32] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really think so.<br>**[21:36] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;With experience and effort, you can<br>&nbsp;&nbsp;&nbsp;&nbsp;improve your skills as a bartender, right?<br>**[21:41] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the desire to please customers<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't something you can get so easily.<br>**[21:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You made that one drink just for me.<br>**[21:52] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that sense, I don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;you lost to Kuzuhara-san at all.<br>**[21:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[22:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[22:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you're a pretty nice girl after all.<br>**[22:06] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look at me like that<br>&nbsp;&nbsp;&nbsp;&nbsp;when you compliment me!<br>**[22:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[22:10] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're making me blush!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ogura
<br>**[22:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I finally dried off?!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 4
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Bar's Hidden Flavor
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Face of a Martini
<br>

# E4 - A Bar's Secret Ingredient - The Face of a Martini

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G0DUNK2E5/a-bars-secret-ingredient---the-face-of-a-martini)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:05] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Monsieur* Yamanouchi, was it?<br>**[00:09] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[00:10] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a chef at the most difficult restaurant<br>&nbsp;&nbsp;&nbsp;&nbsp;to get reservations for in Paris right now.<br>**[00:15] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our French chef had to suddenly return home<br>&nbsp;&nbsp;&nbsp;&nbsp;due to an illness in his family.<br>**[00:21] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[00:23] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I scouted out a replacement,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we're in talks now,<br>**[00:28] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;but his conditions are extremely<br>&nbsp;&nbsp;&nbsp;&nbsp;specific, as you can see.<br>**[00:31] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All provided ingredients must be<br>&nbsp;&nbsp;&nbsp;&nbsp;identical to those used in Paris"?<br>**[00:35] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the water and vegetables?<br>**[00:37] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be different<br>&nbsp;&nbsp;&nbsp;&nbsp;with a small restaurant,<br>**[00:39] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;but on the scale of a hotel,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be horrible for profits.<br>**[00:42] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose you'll have to negotiate<br>&nbsp;&nbsp;&nbsp;&nbsp;and convince him to compromise on things.<br>**[00:47] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly right.<br>**[00:48] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a tough opponent,<br>&nbsp;&nbsp;&nbsp;&nbsp; but he'd be great for the hotel.<br>**[00:52] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's in your hands now, Kamishima-kun.<br>**[00:55] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What? Do I have to do it?<br>**[00:58] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how. Pray to a higher<br>&nbsp;&nbsp;&nbsp;&nbsp;power for help if you have to.<br>**[01:02] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or, maybe, pray for the Glass of God.<br>**[01:05] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[02:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. A Moscow Mule.<br>**[02:57] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa.<br>**[02:59] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never had such a delicious<br>&nbsp;&nbsp;&nbsp;&nbsp;Moscow Mule before!<br>**[03:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[03:04] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;My boss and my staff kept saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;"You'll know it when you drink it."<br>**[03:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would that be Kurushima-san?<br>**[03:11] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? How did you know?<br>**[03:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have excellent posture when seated, so<br>&nbsp;&nbsp;&nbsp;&nbsp;I assumed you might be employed at the hotel.<br>**[03:18] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. You really do have a sharp eye.<br>**[03:23] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, before I came here, I wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;really sure what "Glass of God" meant.<br>**[03:29] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until now, with this one drink.<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't simply delicious.<br>**[03:35] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it feels like it gave me a nudge.<br>**[03:38] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little push to give things another shot.<br>**[03:40] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your cocktails really can give people<br>&nbsp;&nbsp;&nbsp;&nbsp;an emotional boost.<br>**[03:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's very flattering.<br>**[03:47] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why I'm here.<br>**[03:49] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want your help with something.<br>**[03:51] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to use your drinks<br>&nbsp;&nbsp;&nbsp;&nbsp;to change someone's mind.<br>**[03:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[03:58] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! You'd be saving my neck!<br>**[04:01] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you! I mean it!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ogura
<br>**[04:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh. Why does it have to be me?<br>**[04:10] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were those girls asking the impossible again?<br>**[04:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, their boss asked me for a favor.<br>**[04:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief, did you change the recipe?<br>**[04:24] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed you noticed.<br>&nbsp;&nbsp;&nbsp;&nbsp;I added a secret ingredient.<br>**[04:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miso? But there's something else.<br>**[04:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[04:34] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honey.<br>**[04:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[04:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You put honey in gyoza?<br>**[04:38] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds crazy, right?<br>**[04:40] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just goes to show that if you can<br>&nbsp;&nbsp;&nbsp;&nbsp;overcome your preconceptions,<br>**[04:43] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;you open yourself to discovering new flavors.<br>**[04:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Preconceptions, huh.<br>**[04:51] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You went to Edenhall by yourself, Boss?<br>**[04:55] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Sasakura-san say<br>&nbsp;&nbsp;&nbsp;&nbsp;that he would work for us?<br>**[04:59] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it was for something else.<br>&nbsp;&nbsp;&nbsp;&nbsp;The chairman sent me.<br>**[05:03] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to rope in Monsieur Yamanouchi.<br>**[05:06] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? That famous three-star chef?<br>**[05:09] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:10] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's really asking the impossible!<br>**[05:12] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I played the hand I had.<br>**[05:13] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mean... Is that why<br>&nbsp;&nbsp;&nbsp;&nbsp;you went to Sasakura-san's bar?<br>**[05:18] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. This weekend,<br>&nbsp;&nbsp;&nbsp;&nbsp; we'll attend to Chef Yamanouchi.<br>**[05:24] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll finish the night at Edenhall.<br>**[05:26] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't make any mistakes.<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you both there in top form.<br>**[05:41] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, hello there.<br>**[05:58] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamishima-san.<br>**[05:59] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[06:00] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not telling you to source ingredients<br>&nbsp;&nbsp;&nbsp;&nbsp;from France because I'm a Francophile.<br>**[06:07] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine if I wanted to start<br>&nbsp;&nbsp;&nbsp;&nbsp;a yakitori restaurant in Paris.<br>**[06:10] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The meat is one thing,<br>&nbsp;&nbsp;&nbsp;&nbsp;but what about the sauce?<br>**[06:14] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you make the sauce for yakitori<br>&nbsp;&nbsp;&nbsp;&nbsp;without mirin, soy sauce, and zarame?<br>**[06:18] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it be an unreasonable request<br>&nbsp;&nbsp;&nbsp;&nbsp;to have those ingredients shipped from Japan?<br>**[06:23] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, no.<br>**[06:25] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, when you're talking about<br>&nbsp;&nbsp;&nbsp;&nbsp;the water for cooking and the vegetables...<br>**[06:31] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it would be impossible, then I have<br>&nbsp;&nbsp;&nbsp;&nbsp;no interest in discussing this further.<br>**[06:35] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll finish eating and<br>&nbsp;&nbsp;&nbsp;&nbsp;then go back to the hotel.<br>**[06:38] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Please let me take you<br>&nbsp;&nbsp;&nbsp;&nbsp;to one more place.<br>**[06:41] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please allow us to take you there.<br>**[06:43] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, please!<br>**[06:45] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you insist.<br>**[06:48] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[06:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[06:55] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only came because they forced me.<br>**[06:58] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you supposed to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the bartender serving me?<br>**[07:02] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. There is a beverage<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like you to try.<br>**[07:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it is.<br>**[07:09] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please drink this and<br>&nbsp;&nbsp;&nbsp;&nbsp;try to guess what it is.<br>**[07:13] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Like a blind tasting?<br>**[07:16] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:17] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are able to guess correctly,<br>&nbsp;&nbsp;&nbsp;&nbsp;then we will stop pressuring you.<br>**[07:21] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you don't guess correctly...<br>**[07:23] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I have to consider<br>&nbsp;&nbsp;&nbsp;&nbsp;your offer. Is that right?<br>**[07:28] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a chef of French cuisine. I'm rather<br>&nbsp;&nbsp;&nbsp;&nbsp;confident in my knowledge of alcohol.<br>**[07:35] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you still want to test me?<br>**[07:41] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[07:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[07:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I prepared the beverage<br>&nbsp;&nbsp;&nbsp;&nbsp;that Kamishima-sama selected.<br>**[07:52] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:53] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm.<br>**[07:57] Yamanouchi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's more of an amber color,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;like tea, than it is red.*<br>**[08:01] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's the shade of a vintage port wine.*<br>**[08:05] Yamanouchi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The legs are about average. It must*<br>*&nbsp;&nbsp;&nbsp;&nbsp;not have a high percentage of alcohol.*<br>**[08:11] Yamanouchi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The odor has slight notes of yeast,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;like Japanese miso.*<br>**[08:25] Yamanouchi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If they chose this for me to taste,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it must be a wine.*<br>**[08:30] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And this aftertaste...*<br>**[08:33] Yamanouchi**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's definitely a sherry, either*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Amontillado or an oloroso.*<br>**[08:39] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[08:42] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;an oloroso that has been aged<br>&nbsp;&nbsp;&nbsp;&nbsp;about twenty years.<br>**[08:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer is...<br>**[08:51] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[08:53] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...?<br>**[08:55] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san, is that it?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;True Mirin
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Original Recipe Made with Pure Glutinous Rice
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sanshu Mikawa Mirin
<br>**[09:02] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mirin?!<br>**[09:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[09:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true mirin that was aged<br>&nbsp;&nbsp;&nbsp;&nbsp;for ten years to let it mature.<br>**[09:09] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mirin, like the cooking ingredient?<br>**[09:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sanshu<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mikawa<br>
&nbsp;&nbsp;&nbsp;&nbsp;Mirin
<br>**[09:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;True mirin is made by adding<br>&nbsp;&nbsp;&nbsp;&nbsp;glutinous rice and koji mold to shochu.<br>**[09:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's actually a sweet alcohol.<br>**[09:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would like, why don't<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of you try it as well?<br>**[09:27] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never thought mirin could taste like this.<br>**[09:29] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can understand why he<br>&nbsp;&nbsp;&nbsp;&nbsp;said it tasted like a sherry.<br>**[09:36] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[09:38] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;This wasn't a fair challenge!<br>**[09:40] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You tried to trick me! I refuse<br>&nbsp;&nbsp;&nbsp;&nbsp;to work with people like that!<br>**[09:44] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait!<br>**[09:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You truly are...<br>**[09:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;a world-class chef...<br>**[09:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you guessed it was oloroso from the faint,<br>&nbsp;&nbsp;&nbsp;&nbsp;lingering odor of the koji mold.<br>**[09:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect you may have heard this before,<br>&nbsp;&nbsp;&nbsp;&nbsp;but please allow me to share a story.<br>**[10:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a sommelier<br>&nbsp;&nbsp;&nbsp;&nbsp;competition held in Tokyo once.<br>**[10:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One participant said that a Northern<br>&nbsp;&nbsp;&nbsp;&nbsp;European alcohol was Japanese umeshu.<br>**[10:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the event was held in Japan, his<br>&nbsp;&nbsp;&nbsp;&nbsp;preconceptions probably affected his tasting.<br>**[10:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But later, that same man was recognized<br>&nbsp;&nbsp;&nbsp;&nbsp;as the most talented sommelier in the world,<br>**[10:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;which proves that he did have<br>&nbsp;&nbsp;&nbsp;&nbsp;an excellent sense of taste.<br>**[10:24] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could such a top-class sommelier<br>&nbsp;&nbsp;&nbsp;&nbsp;confuse a European liquor for umeshu?<br>**[10:30] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Preconceptions, huh.<br>**[10:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I imagine that you have also been burdened<br>&nbsp;&nbsp;&nbsp;&nbsp;by preconceptions of Japaneseness,<br>**[10:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chef Yamanouchi.<br>**[10:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were told that if you used<br>&nbsp;&nbsp;&nbsp;&nbsp;ingredients from outside of France,<br>**[10:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;your cuisine could not be called French.<br>**[10:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you carefully<br>&nbsp;&nbsp;&nbsp;&nbsp;followed authentic recipes,<br>**[10:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would be criticized<br>&nbsp;&nbsp;&nbsp;&nbsp;for using the wrong technique.<br>**[10:54] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why he was so insistent<br>&nbsp;&nbsp;&nbsp;&nbsp;on using French ingredients.<br>**[10:58] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you possibly know that about me?<br>**[11:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I had the same experience.<br>**[11:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Can a Japanese person understand Western<br>&nbsp;&nbsp;&nbsp;&nbsp;flavors? Can he really make our cocktails?"<br>**[11:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The message you wanted<br>&nbsp;&nbsp;&nbsp;&nbsp; to express, Kamishima-sama,<br>**[11:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to not lose yourself to<br>&nbsp;&nbsp;&nbsp;&nbsp;such trivial preconceptions, I assume.<br>**[11:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why you chose<br>&nbsp;&nbsp;&nbsp;&nbsp;such a tricky alcohol.<br>**[11:22] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you really put<br>&nbsp;&nbsp;&nbsp;&nbsp;that much thought into this?<br>**[11:24] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He certainly did. Right, Kamishima-san?<br>**[11:27] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, well... yes.<br>**[11:33] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamishima-san.<br>**[11:34] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[11:35] Yamanouchi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose I would be interested in hearing<br>&nbsp;&nbsp;&nbsp;&nbsp;a little more about your hotel's offer.<br>**[11:42] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[11:46] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did a great job.<br>**[11:48] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it was all thanks to your advice.<br>**[11:52] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I had been there to see<br>&nbsp;&nbsp;&nbsp;&nbsp;the look on Monsieur Yamanouchi's face.<br>**[11:57] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that Sasakura sure is impressive!<br>**[12:00] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you become such a thoughtful and<br>&nbsp;&nbsp;&nbsp;&nbsp;considerate bartender at such a young age?<br>**[12:06] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you feel that way, then don't waste<br>&nbsp;&nbsp;&nbsp;&nbsp;any more time bringing him here.<br>**[12:11] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[12:13] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamanouchi-san saw through<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole thing, though.<br>**[12:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way the manager would<br>&nbsp;&nbsp;&nbsp;&nbsp;have known about that mirin.<br>**[12:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bartender is no different than mirin.<br>&nbsp;&nbsp;&nbsp;&nbsp;He is merely the bar's secret ingredient.<br>**[12:25] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what are the guests?<br>**[12:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are the main dish, of course.<br>&nbsp;&nbsp;&nbsp;&nbsp;The lead characters.<br>**[12:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the truest sense, the people who<br>&nbsp;&nbsp;&nbsp;&nbsp;actually make the bar are the customers.<br>**[12:37] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello. Good evening.<br>**[12:39] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[12:41] (Flashback) Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally worked up the courage<br>&nbsp;&nbsp;&nbsp;&nbsp;to quit my job today.<br>**[12:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please have a seat.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[12:52] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You were here that day?<br>**[12:55] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. Please forget about it!<br>**[12:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about your bartending job?<br>**[12:59] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided to stay on<br>&nbsp;&nbsp;&nbsp;&nbsp;after this guy lectured me.<br>**[13:03] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Sasakura-san did?<br>**[13:07] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, I gave it my best shot, and<br>&nbsp;&nbsp;&nbsp;&nbsp;now I'm finally allowed to mix cocktails.<br>**[13:14] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still...<br>**[13:18] (Flashback) Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[13:19] (Flashback) Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Martini.<br>**[13:27] (Flashback) Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Martini...<br>**[13:29] (Flashback) Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;has no face.<br>**[13:33] (Flashback) Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think making Martinis<br>&nbsp;&nbsp;&nbsp;&nbsp;like this will help your training.<br>**[13:38] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez.<br>**[13:40] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A "face"? What? I don't get it at all.<br>**[13:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you like?<br>**[13:48] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please use Beefeater gin and Noilly<br>&nbsp;&nbsp;&nbsp;&nbsp;vermouth at a three-to-one ratio<br>**[13:53] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make me a Martini that has a face.<br>**[13:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[13:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Martini uses only gin and vermouth<br>&nbsp;&nbsp;&nbsp;&nbsp;and is very simple to make.<br>**[14:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why is it called the king of cocktails?<br>**[14:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because there are<br>&nbsp;&nbsp;&nbsp;&nbsp;infinite combinations.<br>**[14:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which brands will you use?<br>&nbsp;&nbsp;&nbsp;&nbsp;What ratio will you use?<br>**[14:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on who makes it,<br>**[14:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;the coupling of gin and vermouth could<br>&nbsp;&nbsp;&nbsp;&nbsp;produce many different expressions.<br>**[14:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why the Martini is...<br>**[14:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;a very special cocktail.<br>**[14:35] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It gives off a fragrance.<br>**[14:41] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is totally different from my Martinis.<br>**[14:45] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I try to make them<br>&nbsp;&nbsp;&nbsp;&nbsp;the same way Minami-san does.<br>**[14:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely, you haven't been drawing out<br>&nbsp;&nbsp;&nbsp;&nbsp;the character of the Beefeater.<br>**[14:54] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Character?<br>**[14:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you water down Beefeater too much,<br>&nbsp;&nbsp;&nbsp;&nbsp;it starts to lose its fragrance.<br>**[15:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you stir it to mix air in,<br>&nbsp;&nbsp;&nbsp;&nbsp;but without melting the ice,<br>**[15:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;it starts to release a citrusy fragrance.<br>**[15:08] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minami-san never taught me that.<br>**[15:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawakami-san, why did you<br>&nbsp;&nbsp;&nbsp;&nbsp;choose Beefeater for the gin?<br>**[15:17] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's because it's what<br>&nbsp;&nbsp;&nbsp;&nbsp;Minami-san always used at the bar.<br>**[15:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regardless of which gin you use,<br>&nbsp;&nbsp;&nbsp;&nbsp;if you don't bring out its character,<br>**[15:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;bartenders will tell you,<br>**[15:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This Martini has no face."<br>**[15:33] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's what it meant.<br>**[15:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel the same way as Minami-san.<br>**[15:38] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:39] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's impossible to learn something<br>&nbsp;&nbsp;&nbsp;&nbsp;from words alone.<br>**[15:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The anxiety, the uncertainty you feel,<br>**[15:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the blood you shed doing something by<br>&nbsp;&nbsp;&nbsp;&nbsp; yourself are the only things that can teach you.<br>**[15:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's too difficult for you, perhaps<br>&nbsp;&nbsp;&nbsp;&nbsp;you would find it more enjoyable<br>**[15:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;to remain seated on that side of the bar.<br>**[15:58] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you talk to me like that?<br>&nbsp;&nbsp;&nbsp;&nbsp;That time before, and now today...<br>**[16:02] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think you are, anyway?<br>**[16:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san, that was a little harsh.<br>**[16:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you still have the energy<br>&nbsp;&nbsp;&nbsp;&nbsp;to get that angry,<br>**[16:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you like to go out<br>&nbsp;&nbsp;&nbsp;&nbsp;to have one more Martini?<br>**[16:12] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:14] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are we going?<br>**[16:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;To a bar I was taken to back<br>&nbsp;&nbsp;&nbsp;&nbsp;when I was still an apprentice.<br>**[16:21] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell's arms?<br>**[16:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't been here in a long time.<br>**[16:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. It's a music bar!<br>**[16:34] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came for the Martini,<br>&nbsp;&nbsp;&nbsp;&nbsp;but isn't this a place for music?<br>**[16:41] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the bartender is a woman.<br>**[16:43] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're right.<br>**[16:46] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[16:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Uehara-san here today?<br>**[16:52] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the owner took the day off.<br>**[16:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay. Well, I'd like a Martini, please.<br>**[16:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too.<br>**[16:59] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too, please.<br>**[17:00] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three Martinis. Got it.<br>**[17:06] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Vodka Martini?<br>**[17:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Overseas, Martinis are often<br>&nbsp;&nbsp;&nbsp;&nbsp;made shaken with vodka.<br>**[17:20] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. Three Martinis.<br>**[17:29] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did expect it would have<br>&nbsp;&nbsp;&nbsp;&nbsp;sharper flavor than a Gin Martini,<br>**[17:33] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it goes down easy<br>&nbsp;&nbsp;&nbsp;&nbsp;and has a strong punch.<br>**[17:37] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess this is still a Martini.<br>**[17:39] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The peel sinks to the bottom.<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes it a lot easier to drink.<br>**[17:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed that you noticed!<br>**[17:46] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:48] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Normally,<br>&nbsp;&nbsp;&nbsp;&nbsp;the lemon peel floats to the top.<br>**[17:53] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you do this?<br>**[17:56] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Secret of the trade.<br>**[18:01] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must be...<br>**[18:02] (Flashback) Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a little something I thought of.<br>**[18:05] (Flashback) Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way, the customer won't have to<br>&nbsp;&nbsp;&nbsp;&nbsp;move the lemon peel aside to drink it.<br>**[18:13] (Flashback) Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to have a good eye<br>&nbsp;&nbsp;&nbsp;&nbsp;to work in the service industry<br>**[18:17] (Flashback) Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;and be able to notice little things<br>&nbsp;&nbsp;&nbsp;&nbsp;that most people wouldn't.<br>**[18:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned that from<br>&nbsp;&nbsp;&nbsp;&nbsp;Uehara-san a long time ago.<br>**[18:27] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me, but who are you?<br>**[18:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to work at Bar Kaze.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu
<br>**[18:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Sasakura.<br>**[18:35] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I forgot to introduce myself.<br>**[18:38] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I work at Bar Minami in Ginza.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kawakami Kyoko.<br>**[18:41] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're in the business too?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kinjo Yuri
<br>**[18:44] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Kinjo Yuri.<br>**[18:46] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just started bartending,<br>&nbsp;&nbsp;&nbsp;&nbsp;so this is only my third year.<br>**[18:49] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third year? But this is so delicious.<br>**[18:53] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though you've only been<br>&nbsp;&nbsp;&nbsp;&nbsp;working as long as I have.<br>**[18:56] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you like next?<br>**[18:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, what should I go with?<br>**[19:01] Kyoko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I wonder what kind of "face"*<br>*&nbsp;&nbsp;&nbsp;&nbsp;it will have when she makes it.*<br>**[19:06] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Gin Martini, please.<br>**[19:13] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You freeze the gin?<br>**[19:15] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not quite freeze, but I keep it<br>&nbsp;&nbsp;&nbsp;&nbsp;at minus five or six degrees.<br>**[19:19] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;60 milliliters of gin.<br>**[19:20] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for vermouth, I use<br>&nbsp;&nbsp;&nbsp;&nbsp;Martini Extra Dry. Two dashes.<br>**[19:25] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dry and dry.<br>**[19:27] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Then I stir it a little longer<br>&nbsp;&nbsp;&nbsp;&nbsp;than normal to raise the temperature a bit.<br>**[19:34] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You raise the temperature?<br>**[19:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the temperature goes up<br>&nbsp;&nbsp;&nbsp;&nbsp;by one degree,<br>**[19:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fragrance and flavor<br>&nbsp;&nbsp;&nbsp;&nbsp;of the gin really open up.<br>**[19:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it maintains its coldness,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like when you chill it with ice.<br>**[19:46] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always thought that stirring and shaking<br>&nbsp;&nbsp;&nbsp;&nbsp;were only to lower the temperature.<br>**[19:52] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it all right for you to be sharing<br>&nbsp;&nbsp;&nbsp;&nbsp;your technique with other bartenders?<br>**[19:56] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if the amounts are exactly the same,<br>**[19:58] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;different people can't necessarily<br>&nbsp;&nbsp;&nbsp;&nbsp;create the exact same flavor.<br>**[20:02] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Martini is my very own Martini.<br>**[20:10] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is her own Martini.*<br>**[20:14] Kyoko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It does have a kick, but the fragrance*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and character of the gin comes through well.*<br>**[20:21] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ashamed to admit it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is delicious.<br>**[20:24] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[20:25] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Different Martinis really<br>&nbsp;&nbsp;&nbsp;&nbsp;can have different characters.<br>**[20:29] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The face of a Martini...<br>**[20:32] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the character of<br>&nbsp;&nbsp;&nbsp;&nbsp;the bartender who makes it.<br>**[20:37] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I still don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;what kind of bartender I am.<br>**[20:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only person<br>&nbsp;&nbsp;&nbsp;&nbsp;who can make your Martini.<br>**[20:45] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'll find it eventually.<br>**[20:49] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided to enter a competition<br>&nbsp;&nbsp;&nbsp;&nbsp;for that exact reason.<br>**[20:53] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Competition?<br>**[20:55] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've heard of the Cocktail Award, right?<br>**[20:57] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[20:59] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one where you're told to create<br>&nbsp;&nbsp;&nbsp;&nbsp;an original version of a specified cocktail.<br>**[21:03] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought if I competed in that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be able to see a lot more clearly...<br>**[21:09] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;what kind of bartender I want to become.<br>**[21:12] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[21:14] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, enjoy.<br>**[21:19] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of bartender, huh.<br>**[21:25] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Sasakura-kun dropped by?<br>**[21:29] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "Glass of God" guy, huh?<br>**[21:32] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Glass of God?<br>**[21:33] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:35] (Flashback) Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're the new guy at Bar Kaze?<br>**[21:38] (Flashback) Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of bartender<br>&nbsp;&nbsp;&nbsp;&nbsp;do you want to become?<br>**[21:41] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One that can make the Glass of God<br>**[21:44] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and relieve all of the guests'<br>&nbsp;&nbsp;&nbsp;&nbsp;worries with a single drink.<br>**[21:49] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. He had a real hungry look<br>&nbsp;&nbsp;&nbsp;&nbsp;in his eye when he told me that.<br>**[21:53] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't look that way to me, though.<br>**[21:56] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[22:01] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I can do that.<br>**[22:02] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize how presumptuous it is of me<br>&nbsp;&nbsp;&nbsp;&nbsp;to request that from you, Chairman.<br>**[22:07] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine. Don't sweat it.<br>**[22:10] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I have a good idea, anyway.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 5
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The First Drop
<br>

# E5 - The First Drop

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GEVUZD7V2/the-first-drop)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kodama
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shin-Osaka
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nozomi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hakata
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nozomi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hakata
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nozomi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nozomi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nozomi
<br>**[00:05] announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The train arriving at*<br>*&nbsp;&nbsp;&nbsp;&nbsp;track number 17 is Kodama 718.*<br>**[00:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already so hot at this hour.<br>**[00:14] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is July already.<br>**[00:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh. I want to cool off<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhere air conditioned.<br>**[00:21] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning!<br>**[00:24] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi.<br>**[00:25] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much for inviting us!<br>**[00:28] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very much a morning person, I see.<br>**[00:30] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've really been looking forward to this!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Commitment to Cask Aging
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Making the Various Pure Whiskies
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Distillation
<br>**[00:32] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's holy ground that any bartender<br>&nbsp;&nbsp;&nbsp;&nbsp;would want to see once.<br>**[00:35] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Yamazaki Distillery!<br>**[00:38] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised you were<br>&nbsp;&nbsp;&nbsp;&nbsp;able to get reservations.<br>**[00:40] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear it's really popular among tourists.<br>**[00:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just say I pulled some strings.<br>**[00:46] (Flashback) Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already made arrangements<br>&nbsp;&nbsp;&nbsp;&nbsp;with the people there.<br>**[00:50] (Flashback) Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has great historical value, and you<br>&nbsp;&nbsp;&nbsp;&nbsp;can study their production process.<br>**[00:54] (Flashback) Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a must-see for bartenders<br>&nbsp;&nbsp;&nbsp;&nbsp;who want to expand their knowledge.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nozomi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shin-Osaka
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Reserved
<br>**[01:00] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, is it just the four of us going?<br>**[01:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there's one more...<br>**[01:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. There he is.<br>**[01:07] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:08] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check out that stud over there!<br>**[01:11] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. I just can't.<br>**[01:12] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't what?<br>**[01:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Chen-kun!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[03:01] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kawakami Kyoko from Bar Minami!<br>**[03:05] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kelvin Chen. Bar K.<br>**[03:07] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Kuzuhara-san's place.<br>**[03:10] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm from Hell's arms. Kinjo Yur—<br>**[03:12] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Chen-san, have you been in Japan long?<br>**[03:16] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[03:17] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But your Japanese is super good!<br>**[03:21] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mother is Japanese.<br>**[03:22] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is this your first trip<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Yamazaki Distillery?<br>**[03:26] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[03:27] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you wanted to see the holy ground<br>&nbsp;&nbsp;&nbsp;&nbsp;of Japanese whisky once?<br>**[03:31] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuzuhara-sensei sent me.<br>**[03:34] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah. Sounds tough.<br>**[03:36] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your first trip to Kyoto?<br>**[03:39] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been once.<br>**[03:40] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? On vacation?<br>**[03:44] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What is up with this guy?<br>**[03:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[03:47] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like we have a long trip ahead.<br>**[03:52] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! We made it!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Taxi <br>
&nbsp;&nbsp;&nbsp;&nbsp;Stand
<br>**[03:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew.<br>**[03:54] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[03:55] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I can see it!<br>**[03:57] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Designated Parking Lot for Buses and Wheelchairs
<br>**[03:59] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since 1923, huh?<br>**[04:01] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hundred years ago.<br>**[04:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Yamazaki Distillery is the oldest<br>&nbsp;&nbsp;&nbsp;&nbsp;distillery of malt whisky in Japan.<br>**[04:09] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow.<br>**[04:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think they built it here?<br>**[04:13] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why?<br>**[04:16] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Close to the station?<br>**[04:17] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the rent?<br>**[04:18] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the rivers.<br>**[04:20] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Uji River, the Kizu River,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Katsura River.<br>**[04:24] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those three rivers converge here,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the area often gets covered in fog.<br>**[04:29] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mild temperatures and a humid climate are<br>&nbsp;&nbsp;&nbsp;&nbsp;said to be ideal conditions for aging whisky.<br>**[04:35] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure know a lot about it.<br>**[04:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good on you for studying up beforehand!<br>**[04:39] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't want to reflect<br>&nbsp;&nbsp;&nbsp;&nbsp;poorly on the Bar K name.<br>**[04:43] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that would mean I'm...<br>**[04:45] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;...dragging the Bar Minami<br>&nbsp;&nbsp;&nbsp;&nbsp;name through the mud.<br>**[04:48] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you're no better!<br>**[04:50] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, now. We're all here to learn.<br>**[04:53] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall now begin the educational tour.<br>**[04:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The main ingredient<br>&nbsp;&nbsp;&nbsp;&nbsp;in malt whisky is barley.<br>**[05:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They use barley and water to make wort...<br>**[05:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then add yeast to ferment it.<br>**[05:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They then take that unrefined liquid and<br>&nbsp;&nbsp;&nbsp;&nbsp;distill it to make what's called a new pot.<br>**[05:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's clear, even though it's whisky?<br>**[05:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After it's aged, it takes on a golden color.<br>**[05:23] Miwa & Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[05:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the whisky world,<br>**[05:28] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;it takes five or ten years for the flavor<br>&nbsp;&nbsp;&nbsp;&nbsp;you've created to be appreciated.<br>**[05:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't make excuses for failures<br>&nbsp;&nbsp;&nbsp;&nbsp; to drinkers in the future.<br>**[05:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So makers put their heart and soul<br>&nbsp;&nbsp;&nbsp;&nbsp; into crafting each batch.<br>**[05:44] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this cask! It's from 1924!<br>**[05:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[05:49] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's 100 years old.<br>**[05:51] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what it tastes like.<br>**[05:54] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the contents<br>&nbsp;&nbsp;&nbsp;&nbsp;have all evaporated by now.<br>**[05:57] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously. You don't need to tell us.<br>**[06:00] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. That cask is as old as me.<br>**[06:02] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I wonder if there's one<br>&nbsp;&nbsp;&nbsp;&nbsp;from the year I was born.<br>**[06:05] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I want to look too.<br>**[06:25] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that concludes our<br>&nbsp;&nbsp;&nbsp;&nbsp;pure whisky tasting.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yamazaki
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Wine Cask <br>
&nbsp;&nbsp;&nbsp;&nbsp;Pure Whisky
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Mongolian Oak <br>
&nbsp;&nbsp;&nbsp;&nbsp;Cask Pure Whisky
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Spanish Oak <br>
&nbsp;&nbsp;&nbsp;&nbsp;Cask Pure <br>
&nbsp;&nbsp;&nbsp;&nbsp;Whisky
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;White Oak <br>
&nbsp;&nbsp;&nbsp;&nbsp;Cask Pure <br>
&nbsp;&nbsp;&nbsp;&nbsp;Whisky
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thank You Very Much Today
<br>**[06:30] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a normal program, we always ask guests<br>&nbsp;&nbsp;&nbsp;&nbsp;to make Highballs at the end,<br>**[06:36] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in this case, I'd love to learn from<br>&nbsp;&nbsp;&nbsp;&nbsp;professionals how to make a delicious drink.<br>**[06:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then.<br>**[06:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen-kun, would you do the honors?<br>**[06:48] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[07:16] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;One Highball.<br>**[07:17] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One Highball"?<br>**[07:20] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she wanted to learn. Don't you have<br>&nbsp;&nbsp;&nbsp;&nbsp;some techniques or tricks you can share?<br>**[07:24] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[07:26] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you're putting our guide on the spot.<br>**[07:28] Guide**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that was very helpful.<br>**[07:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, why don't we go try a new pot?<br>**[07:34] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You can drink it?<br>**[07:36] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. What about this Highball?<br>**[07:37] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could we leave it without drinking it?!<br>**[07:43] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, it tastes like barley shochu.<br>**[07:46] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this eventually turns into that flavor?<br>**[07:48] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't imagine that at all.<br>**[07:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[07:52] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The aging process must be really important.<br>**[07:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen-kun, don't you want some?<br>**[07:58] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine.<br>**[08:00] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never serve this to guests anyway.<br>**[08:03] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why you didn't try<br>&nbsp;&nbsp;&nbsp;&nbsp;the pure whisky either.<br>**[08:06] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't you get in trouble if Kuzuhara-san<br>&nbsp;&nbsp;&nbsp;&nbsp;asks you what you thought?<br>**[08:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[08:16] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quite harsh.<br>**[08:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you won't serve it, there's no harm<br>&nbsp;&nbsp;&nbsp;&nbsp;in learning what it tastes like, right?<br>**[08:22] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I still think it's rather meaningless.<br>**[08:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather meaningless, huh.<br>**[08:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So you're competing<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Cocktail Award.<br>**[08:36] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that time you came,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoko came back to the bar alone.<br>**[08:40] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said, "I'm going to compete too!"<br>&nbsp;&nbsp;&nbsp;&nbsp;She just wanted to toot her own horn.<br>**[08:43] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we've decided to go visit a bunch<br>&nbsp;&nbsp;&nbsp;&nbsp;of different bars later to study.<br>**[08:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. Now that's dedication.<br>**[08:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to Chen-kun?<br>**[08:54] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he had something to do<br>&nbsp;&nbsp;&nbsp;&nbsp;and wanted to go off on his own.<br>**[08:57] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what is up with Chen-kun anyway?<br>&nbsp;&nbsp;&nbsp;&nbsp;He's really unfriendly and stubborn.<br>**[09:03] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since his mentor is Mister Perfect,<br>&nbsp;&nbsp;&nbsp;&nbsp;does the disciple have to be Mister Robot?<br>**[09:07] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a waste of his good looks.<br>**[09:09] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if he's like that<br>&nbsp;&nbsp;&nbsp;&nbsp; with guests at the bar too.<br>**[09:13] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he treats customers like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're gonna leave!<br>**[09:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. That's why<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought him on the tour.<br>**[09:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;To spend time with other bartenders.<br>**[09:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope the trip helps him<br>&nbsp;&nbsp;&nbsp;&nbsp;figure something out.<br>**[09:40] Passerby**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, if you mean the Takeyas,<br>&nbsp;&nbsp;&nbsp;&nbsp;they quit a long time ago.<br>**[09:45] Passerby**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody else bought the property<br>&nbsp;&nbsp;&nbsp;&nbsp;and left the place as it is, though.<br>**[09:57] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we really gonna go?<br>**[10:03] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chitose...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minase Shrine
<br>**[10:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[10:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were out pretty late yesterday.<br>**[10:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What time did you get back to the hotel?<br>**[10:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[10:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We went to K6, right?<br>**[10:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then Calvador,<br>**[10:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gion Samboa,<br>**[10:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiyamachi Samboa,<br>**[10:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;El Tesoro,<br>**[10:32] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talisker,<br>**[10:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Finlandia.<br>**[10:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then Rocking Chair.<br>**[10:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea what time it was.<br>**[10:42] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen-san, did you sleep well?<br>**[10:46] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[10:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go. There's something<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to show you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 75 0 75 45 0 45
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Nadamiya Water<br>
&nbsp;&nbsp;&nbsp;&nbsp;Please bring your<br>
&nbsp;&nbsp;&nbsp;&nbsp; own clean container<br>
&nbsp;&nbsp;&nbsp;&nbsp;from home to draw water.
<br>**[10:54] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this what you wanted to show me?<br>**[10:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[10:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a source of famous spring water.<br>&nbsp;&nbsp;&nbsp;&nbsp;It was even mentioned in the Manyoshu.<br>**[11:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say Sen no Rikyu liked this water so much<br>&nbsp;&nbsp;&nbsp;&nbsp;that he decided to set up a tea room.<br>**[11:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The distillery uses this water, too.<br>**[11:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water is the lifeblood of whisky, after all.<br>**[11:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It all begins with one drop.<br>**[11:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The droplets slowly trickle downward,<br>**[11:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;eventually into a creek,<br>&nbsp;&nbsp;&nbsp;&nbsp;which irrigates the trees.<br>**[11:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After dozens or hundreds of years,<br>&nbsp;&nbsp;&nbsp;&nbsp;that becomes a river<br>**[11:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;which nurtures abundant life.<br>**[11:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each glass of whisky contains memories<br>&nbsp;&nbsp;&nbsp;&nbsp;of a very, very long history.<br>**[11:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think that, rather than<br>&nbsp;&nbsp;&nbsp;&nbsp;serving customers drinks unknowingly,<br>**[11:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's better to know what<br>&nbsp;&nbsp;&nbsp;&nbsp;that glass represents<br>**[11:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can convey something to them<br>&nbsp;&nbsp;&nbsp;&nbsp;with the drink that transcends mere flavor?<br>**[11:53] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for waiting.<br>**[11:55] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My grandpa asked me<br>&nbsp;&nbsp;&nbsp;&nbsp;to get some water for him.<br>**[11:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, since we're here...<br>**[12:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. It's a good luck charm.<br>**[12:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minase Shrine's charms are<br>&nbsp;&nbsp;&nbsp;&nbsp;said to help improve skills.<br>**[12:11] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;A charm...<br>**[12:12] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, is this also a good luck charm?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hosho Yama Amulet
<br>**[12:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does have "amulet" written on it.<br>**[12:22] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amulet?<br>**[12:23] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Um...<br>**[12:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hosho Yama is one of the decorative<br>&nbsp;&nbsp;&nbsp;&nbsp;floats used in the Gion Festival.<br>**[12:32] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Gion Festival?<br>**[12:33] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That amulet is one you can buy<br>&nbsp;&nbsp;&nbsp;&nbsp;after dark at the festival.<br>**[12:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they only sell it during the festival?<br>**[12:41] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's named after a story about<br>&nbsp;&nbsp;&nbsp;&nbsp;the fulfillment of true love.<br>**[12:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[13:05] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It was 12 years ago.*<br>**[13:18] (Flashback) Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right about now is when they<br>&nbsp;&nbsp;&nbsp;&nbsp;start putting the floats together.<br>**[13:23] (Flashback) Driver**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you come to see the Gion Festival?<br>**[13:27] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kelvin.<br>**[13:29] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;We aren't here to sightsee.<br>**[13:31] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to keep your excitement to yourself.<br>**[13:34] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are my heir, after all.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takeya
<br>**[13:40] (Flashback) Mistress**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello there! Thanks for coming.<br>**[13:42] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for having us.<br>**[13:44] (Flashback) Mistress**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be all tired out.<br>**[13:47] (Flashback) Mistress**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you to your room right away.<br>**[13:52] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[13:54] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello there. Thanks for coming.<br>**[13:57] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... "Welcome"?<br>**[13:59] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese is fine.<br>**[14:01] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a relief!<br>**[14:04] (Flashback) Mistress**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please excuse her. This way, then.<br>**[14:12] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. You can leave your footwear there.<br>**[14:15] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[14:16] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're heading out as soon<br>&nbsp;&nbsp;&nbsp;&nbsp;as we put our luggage away.<br>**[14:19] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't drag your feet.<br>**[14:21] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[14:24] (Flashback) Mistress**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll prepare your meals.<br>**[14:34] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? How clever of you to notice<br>&nbsp;&nbsp;&nbsp;&nbsp;that my son is left-handed.<br>**[14:40] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;I watched when he put his shoes away.<br>**[14:44] (Flashback) Mistress**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my daughter, Chitose.<br>**[14:46] (Flashback) Mistress**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll eventually be my successor.<br>**[14:49] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[14:50] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm also thinking of leaving<br>&nbsp;&nbsp;&nbsp;&nbsp;my hotel in Singapore to my son.<br>**[14:55] (Flashback) Mistress**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, to the boy?<br>**[14:57] (Flashback) Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is Kelvin.<br>**[14:58] (Flashback) Mistress**<br>&nbsp;&nbsp;&nbsp;&nbsp;He looks like a fine young man.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kyoto - Gion Festival
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Floats Appear
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Takeya
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boys and Girls<br>
&nbsp;&nbsp;&nbsp;&nbsp;Literature Collection
<br>**[16:22] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop saying that!<br>**[16:24] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;You decided all by yourself that<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to follow in your footsteps!<br>**[16:27] (Flashback) Mistress**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chitose!<br>**[16:35] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;It pisses me off so much!<br>**[16:38] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to decide what to do with my life!<br>**[16:42] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chitose-san.<br>**[16:43] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just call me Chitose.<br>**[16:46] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chitose, do you want to become a dancer?<br>**[16:48] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? How'd you know?<br>**[16:51] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw you practicing.<br>**[16:53] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:54] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no! That's so embarrassing!<br>**[16:56] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that is my dream. Just a dream.<br>**[16:59] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so cool. You have<br>&nbsp;&nbsp;&nbsp;&nbsp;something to aim for.<br>**[17:04] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't happen, though.<br>**[17:06] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the only child.<br>**[17:10] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't take over,<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll make my mom really sad.<br>**[17:15] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're just gonna do what you're told?<br>**[17:18] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen-kun too, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;You follow your dad's orders every day.<br>**[17:23] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't want to<br>&nbsp;&nbsp;&nbsp;&nbsp;just follow orders forever.<br>**[17:27] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to destroy the tracks<br>&nbsp;&nbsp;&nbsp;&nbsp;that my parents put down for me.<br>**[17:32] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, wanna destroy them?<br>**[17:34] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:35] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your ice cream stick has "winner" on it,<br>**[17:40] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you have to boycott the plans<br>&nbsp;&nbsp;&nbsp;&nbsp;you were given for tomorrow.<br>**[17:45] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then if yours is a winner,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to boycott your chores at the inn.<br>**[17:51] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a deal.<br>**[17:53] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then if we both get winners...<br>**[17:57] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go see the festival!<br>**[17:59] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Gion Festival!<br>**[18:03] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine with me.<br>**[18:05] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Winner
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Winner
<br>**[18:08] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, a winner!<br>**[18:09] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of them? You're kidding me!<br>**[18:12] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;No kidding!<br>**[18:14] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[18:17] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we really gonna go?<br>**[18:21] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, let's go.<br>**[18:23] (Flashback) Chitose**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! It'll be fun!<br>**[18:25] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:36] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[18:38] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't go after all.<br>**[18:41] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't defy my father.<br>**[18:45] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've always wondered about it.<br>**[18:48] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she went to the Gion Festival<br>&nbsp;&nbsp;&nbsp;&nbsp;or if she didn't.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hosho<br>
&nbsp;&nbsp;&nbsp;&nbsp;Yama<br>
&nbsp;&nbsp;&nbsp;&nbsp;Amulet
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hosho<br>
&nbsp;&nbsp;&nbsp;&nbsp;Yama<br>
&nbsp;&nbsp;&nbsp;&nbsp;Amulet
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Come back and <br>
&nbsp;&nbsp;&nbsp;&nbsp;visit sometime.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chitose
<br>**[18:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she told you she had gone, maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;she thought it would hurt your feelings.<br>**[19:03] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So maybe she put her feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;into this amulet instead.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hosho<br>
&nbsp;&nbsp;&nbsp;&nbsp;Yama<br>
&nbsp;&nbsp;&nbsp;&nbsp;Amulet
<br>**[19:11] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what Chitose is doing now.<br>**[19:16] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;The inn she was at went out of business.<br>**[19:20] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no way to apologize anymore.<br>**[19:24] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I broke my promise to Chitose.<br>&nbsp;&nbsp;&nbsp;&nbsp;I hurt her feelings.<br>**[19:30] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a terrible person.<br>**[19:36] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[19:39] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamazaki 12 Year.<br>**[19:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in it...<br>**[19:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;a little water.<br>**[19:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a sip.<br>**[20:06] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just by adding water,<br>&nbsp;&nbsp;&nbsp;&nbsp;the flavor really opens up.<br>**[20:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the flavor of twelve years passing.<br>**[20:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even that harsh new pot whisky<br>**[20:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;matures into this kind of flavor<br>&nbsp;&nbsp;&nbsp;&nbsp; after twelve years.<br>**[20:25] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flavor of time.<br>**[20:28] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the same way, Chen-kun.<br>**[20:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most people don't hold<br>&nbsp;&nbsp;&nbsp;&nbsp;on to their regrets for twelve years.<br>**[20:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think that people who hold<br>&nbsp;&nbsp;&nbsp;&nbsp;on to difficult memories and regrets,<br>**[20:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and let those feelings mature over time,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hosho<br>
&nbsp;&nbsp;&nbsp;&nbsp; Yama <br>
&nbsp;&nbsp;&nbsp;&nbsp;Amulet
<br>**[20:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;are the only ones able to grow into adults.<br>**[20:56] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Chitose.<br>**[21:02] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for allowing us<br>&nbsp;&nbsp;&nbsp;&nbsp;to use your bar on such short notice.<br>**[21:05] Manager**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all! Please send<br>&nbsp;&nbsp;&nbsp;&nbsp;Chairman Kurushima my regards.<br>**[21:09] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[21:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, we just need to get<br>&nbsp;&nbsp;&nbsp;&nbsp;Kyoko-san and Yuri-san.<br>**[21:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did they go, anyway?<br>**[21:16] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh! This is so good!<br>**[21:20] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tastes good. Looks good.<br>&nbsp;&nbsp;&nbsp;&nbsp; No complaints!<br>**[21:23] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;They aren't picking up.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tokaido, Sanyo Shinkansen Platforms
<br>**[21:29] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much. Really.<br>**[21:32] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I finally understand what<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of work bartending actually is.<br>**[21:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you glad you tried it? The new pot.<br>**[21:42] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tap Here
<br>**[21:49] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Chen. I'm headed to the bar now.<br>**[21:54] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh! It's so good!<br>**[21:57] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tastes good. Looks good.<br>&nbsp;&nbsp;&nbsp;&nbsp; No complaints!<br>**[22:01] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss, are you planning<br>&nbsp;&nbsp;&nbsp;&nbsp;on staying in town tonight?<br>**[22:04] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, we're goin' back. On the Shinkansen.<br>**[22:10] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what time is it?<br>**[22:12] Bartender**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't any more trains today.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 6
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The True Face
<br>

# E6 - The True Face

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G7PU417NE/the-true-face)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[00:02] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;You forgot to send it to Accounting?<br>**[00:04] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we going to do if we<br>&nbsp;&nbsp;&nbsp;&nbsp;don't get the expenses covered?<br>**[00:07] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna end up taking the heat for that.<br>**[00:10] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you get it together?<br>**[00:12] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize.<br>**[00:13] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, just be careful in the future.<br>**[00:16] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[00:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? It isn't like you<br>&nbsp;&nbsp;&nbsp;&nbsp;to screw up like that, Yukari-chan.<br>**[00:23] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[00:25] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ogura
<br>**[00:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop right there!<br>**[00:29] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marriage?<br>**[00:30] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marriage, as in... *that* kind of marriage?<br>**[00:32] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no other kind of marriage, Senpai.<br>**[00:36] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, there. Are you serious?<br>**[00:38] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, thank you! I, Higuchi Yukari,<br>&nbsp;&nbsp;&nbsp;&nbsp;am going to be happily married!<br>**[00:44] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good thing you found a partner<br>&nbsp;&nbsp;&nbsp;&nbsp;with such odd tastes!<br>**[00:46] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[00:47] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you gotta have<br>&nbsp;&nbsp;&nbsp;&nbsp;a good comeback for that!<br>**[00:50] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, "Who the heck are you<br>&nbsp;&nbsp;&nbsp;&nbsp;calling odd?" or something.<br>**[00:53] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're right.<br>**[00:55] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I am really happy I found someone odd.<br>**[00:59] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So who is he? Where did you meet him?<br>**[01:02] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it one of those<br>&nbsp;&nbsp;&nbsp;&nbsp;trendy online dating sites?<br>**[01:03] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you meant to say dating app.<br>**[01:06] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just another way of putting it.<br>**[01:08] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;But anyway, aren't you<br>&nbsp;&nbsp;&nbsp;&nbsp;going to celebrate with me?<br>**[01:11] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's celebrate!<br>**[01:12] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Today I'll treat you!<br>**[01:16] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! I love you, Chief!<br>**[01:19] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;To a 20 percent discount.<br>**[01:20] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're so cheap!<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you do a little better than that?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[02:56] Exec 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a mistake in the customs documents?<br>**[02:58] Exec 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why we missed<br>&nbsp;&nbsp;&nbsp;&nbsp;the delivery deadline?<br>**[03:01] Exec 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Industrial Machinery Department<br>&nbsp;&nbsp;&nbsp;&nbsp;has a decent performance record,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boardroom
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;In Use
<br>**[03:05] Exec 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;but maybe you're letting<br>&nbsp;&nbsp;&nbsp;&nbsp;that go to your head.<br>**[03:08] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, absolutely not.<br>**[03:10] Exec 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hayase-kun, you're a pushover as a manager.<br>**[03:14] Exec 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make someone on your staff<br>&nbsp;&nbsp;&nbsp;&nbsp;take the fall for this.<br>**[03:17] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[03:19] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;The responsibility is entirely my own.<br>**[03:24] Exec**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ridiculous.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;room
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;In Use
<br>**[03:29] Exec 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;A manager covering for his staff?<br>**[03:32] Exec 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;No wonder your underlings look up to you.<br>**[03:36] Female Employee 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;I deeply apologize for<br>&nbsp;&nbsp;&nbsp;&nbsp;causing so much trouble.<br>**[03:41] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it. Just go home.<br>**[03:50] Female Employee 2**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it go?<br>**[03:51] Female Employee 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I guess.<br>**[03:53] Female Employee 1**<br>&nbsp;&nbsp;&nbsp;&nbsp;But is that really how he's gonna act?<br>&nbsp;&nbsp;&nbsp;&nbsp;I totally apologized.<br>**[04:04] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This is my third day.*<br>**[04:07] Hayase**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I picked the worst possible time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to quit smoking.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[04:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[04:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you care to take a seat here?<br>**[04:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will you be having?<br>**[04:54] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want something light. A Bamboo.<br>**[04:57] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[04:59] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never heard of a cocktail<br>&nbsp;&nbsp;&nbsp;&nbsp;called a Bamboo.<br>**[05:03] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it come served in a bamboo cup?<br>**[05:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[05:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's actually a Japanese cocktail.<br>**[05:08] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is it?<br>**[05:11] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll try one of those next.<br>**[05:16] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me, but if you<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't going to smoke it,<br>**[05:19] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you mind putting that cigar away?<br>**[05:22] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are cigars prohibited here?<br>**[05:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[05:26] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Bamboo is a cocktail<br>&nbsp;&nbsp;&nbsp;&nbsp;with a very delicate aroma.<br>**[05:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, would you prefer to<br>&nbsp;&nbsp;&nbsp;&nbsp;sit over there instead?<br>**[05:33] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm good here.<br>**[05:34] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's a non-smoker present.<br>**[05:36] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;That cigar is bothering me,<br>&nbsp;&nbsp;&nbsp;&nbsp;so please put it out.<br>**[05:39] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;No thanks.<br>**[05:40] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smoke from this cigar is just as<br>&nbsp;&nbsp;&nbsp;&nbsp;important to me as that cocktail is to you.<br>**[05:48] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, a bar isn't a place<br>&nbsp;&nbsp;&nbsp;&nbsp;for self-centered people like you.<br>**[05:53] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just put it out.<br>**[05:55] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get so angry just because<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't get your way.<br>**[05:59] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life doesn't always go<br>&nbsp;&nbsp;&nbsp;&nbsp;the way you want it to.<br>**[06:03] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They're all the same.*<br>**[06:08] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They only think about themselves!*<br>**[06:14] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[06:17] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should cover it.<br>**[06:40] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[06:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my.<br>**[06:44] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terribly sorry about yesterday.<br>**[06:48] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I behaved in an inexcusably childish way.<br>**[06:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, please don't worry about it.<br>**[06:54] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just quit smoking, so the smell<br>&nbsp;&nbsp;&nbsp;&nbsp;of the cigar really bothered me.<br>**[07:00] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize that's a pathetic excuse, though.<br>**[07:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mind...<br>**[07:07] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[07:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you care to step<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the counter for a moment?<br>**[07:11] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:19] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never knew. So this is how<br>&nbsp;&nbsp;&nbsp;&nbsp;things look from the other side.<br>**[07:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's taboo for a bartender to share one<br>&nbsp;&nbsp;&nbsp;&nbsp;guest's private information with another.<br>**[07:32] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please consider what I'm about to say<br>&nbsp;&nbsp;&nbsp;&nbsp;just one bartender thinking aloud.<br>**[07:39] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a cigar band.<br>**[07:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the West, it's a tradition to share<br>&nbsp;&nbsp;&nbsp;&nbsp;cigars among friends when a child is born.<br>**[07:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A child was born recently.<br>&nbsp;&nbsp;&nbsp;&nbsp;The doctor was given cigars to celebrate.<br>**[07:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the child was born<br>&nbsp;&nbsp;&nbsp;&nbsp;with a serious disease.<br>**[07:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the doctor in charge decided she would<br>&nbsp;&nbsp;&nbsp;&nbsp;smoke the cigars once the child recovered.<br>**[08:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she spent the last six months<br>&nbsp;&nbsp;&nbsp;&nbsp;working tirelessly to save the child.<br>**[08:10] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doctor... was it<br>&nbsp;&nbsp;&nbsp;&nbsp;the woman from yesterday?<br>**[08:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, the doctor<br>&nbsp;&nbsp;&nbsp;&nbsp;was not able to save the child.<br>**[08:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So when she did light a cigar,<br>**[08:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;she did not smoke a single puff of it.<br>**[08:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;She didn't feel that she had the right to.<br>**[08:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bar sure is a strange thing.<br>&nbsp;&nbsp;&nbsp;&nbsp;When I look at the guests from here,<br>**[08:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;sometimes, I can see their true<br>&nbsp;&nbsp;&nbsp;&nbsp;feelings in their expressions.<br>**[08:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like two coworkers who seem to be enjoying<br>&nbsp;&nbsp;&nbsp;&nbsp;talking but actually despise each other.<br>**[08:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or a couple who are arguing, but in the midst<br>&nbsp;&nbsp;&nbsp;&nbsp;of that are searching for a way to make up.<br>**[09:04] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what kind of true<br>&nbsp;&nbsp;&nbsp;&nbsp;feelings she was expressing.<br>**[09:12] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does she come here often?<br>**[09:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recently, she often<br>&nbsp;&nbsp;&nbsp;&nbsp;comes late at night, alone.<br>**[09:19] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:22] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mind if I take this?<br>**[09:28] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anywhere I want, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;And whatever I want, right?<br>**[09:32] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how much it costs, right?<br>**[09:34] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course! We're celebrating<br>&nbsp;&nbsp;&nbsp;&nbsp;your marriage, Yukari-chan.<br>**[09:38] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;French! Italian! Japanese!<br>**[09:42] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't decide!<br>**[09:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[09:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please accept my congratulations.<br>**[09:51] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[09:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I should prepare a drink<br>&nbsp;&nbsp;&nbsp;&nbsp;for you that is fit for the occasion.<br>**[09:58] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! The Glass of God!<br>**[10:00] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Sasakura special Glass of God!<br>**[10:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something champagne-based<br>&nbsp;&nbsp;&nbsp;&nbsp;would be too obvious.<br>**[10:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[10:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One-third brandy, one-third crème de cacao,<br>**[10:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and one-third fresh cream.<br>**[10:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shake this well,<br>**[10:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then strain it with a sieve.<br>**[10:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally, a touch of nutmeg.<br>**[10:30] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. It's like you're making candy.<br>**[10:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. An Alexander.<br>**[10:39] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all foamy.<br>**[10:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Alexander was invented in 1863.<br>**[10:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's said to have been presented<br>&nbsp;&nbsp;&nbsp;&nbsp;at the wedding ceremony of<br>**[10:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Edward VII of England<br>&nbsp;&nbsp;&nbsp;&nbsp;and Princess Alexandra.<br>**[10:56] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's deliciously sweet!<br>**[10:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations on your marriage.<br>**[11:04] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[11:12] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;One Bamboo.<br>**[11:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[11:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you waiting for someone, Hayase-sama?<br>**[11:22] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Uh, no.<br>**[11:26] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not exactly, anyway.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;French
<br>**[12:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Bamboo.<br>**[12:18] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to give something to someone.<br>**[12:22] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been bothering me all this time.<br>**[12:24] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although I know buying a replacement<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't excuse my behavior.<br>**[12:28] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other guest from that day<br>&nbsp;&nbsp;&nbsp;&nbsp;seemed bothered as well.<br>**[12:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I acted very childishly," she said.<br>**[12:34] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;She did?<br>**[12:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even among Cuban cigars,<br>&nbsp;&nbsp;&nbsp;&nbsp;these cigars are very famous.<br>**[12:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Churchill apparently used to smoke them.<br>**[12:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Spanish, they're called Romeo y Julieta.<br>**[12:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In English...<br>**[12:50] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Romeo and Juliet?<br>**[12:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:53] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a very romantic name.<br>**[12:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[13:08] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We meet again. What a coincidence.<br>**[13:11] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Mister Cigar Hater.<br>**[13:16] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[13:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please have a seat here.<br>**[13:18] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? Do bartenders<br>&nbsp;&nbsp;&nbsp;&nbsp;always serve as wingman?<br>**[13:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that isn't my intention.<br>**[13:26] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then is this a "from the gentleman<br>&nbsp;&nbsp;&nbsp;&nbsp;over there" sort of thing?<br>**[13:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most Japanese bartenders wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;permit anything like that.<br>**[13:34] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. Guess you're out of luck.<br>**[13:37] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't do something like that at a bar.<br>**[13:39] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just joking! No need to get angry.<br>**[13:50] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[13:54] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you.<br>**[13:55] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:55] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;My behavior the other day was inexcusable.<br>**[14:00] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't worry about it. So was mine.<br>**[14:04] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, aren't these cigars really expensive?<br>**[14:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe so. One box could pay<br>&nbsp;&nbsp;&nbsp;&nbsp;for ten nights drinking here.<br>**[14:13] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I can't accept something so expensive!<br>**[14:16] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, please do.<br>**[14:18] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please accept it with my apologies.<br>**[14:20] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[14:21] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just take it.<br>**[14:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, why don't I store<br>&nbsp;&nbsp;&nbsp;&nbsp;those cigars here for both of you?<br>**[14:29] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean so we can only<br>&nbsp;&nbsp;&nbsp;&nbsp;smoke them when we're here?<br>**[14:32] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[14:34] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've quit smoking.<br>**[14:36] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've also told my work that I don't smoke.<br>**[14:42] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's okay if I keep quiet about it.<br>**[14:44] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's okay if I just stick to cigars.<br>**[14:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be a secret between the two of you.<br>**[14:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cigars are quite appropriate for that.<br>**[14:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the past, cigar boxes were<br>&nbsp;&nbsp;&nbsp;&nbsp;used to exchange love letters.<br>**[14:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the Russian Revolution, they were<br>&nbsp;&nbsp;&nbsp;&nbsp;apparently used to smuggle secret documents.<br>**[15:03] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! What a nice aroma!<br>**[15:06] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's ten, huh.<br>**[15:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must apologize to you both, but some of<br>&nbsp;&nbsp;&nbsp;&nbsp;our other guests don't appreciate cigars.<br>**[15:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind taking those seats over there?<br>**[15:17] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[15:23] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Hayase.<br>**[15:25] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kimishima. Kimishima Rumi.<br>**[15:28] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kimishima-san.<br>**[15:29] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am very sorry about how I acted before.<br>**[15:33] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be the one to apologize.<br>**[15:35] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was pathetic of me to take<br>&nbsp;&nbsp;&nbsp;&nbsp;my frustrations out on you.<br>**[15:38] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I basically did the same thing.<br>**[15:41] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was feeling depressed and<br>&nbsp;&nbsp;&nbsp;&nbsp;acted up over something silly.<br>**[15:46] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem... different all of a sudden.<br>**[15:50] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were so feisty a minute ago.<br>**[15:52] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I act like that when my guard is up.<br>**[15:56] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[15:58] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you like the other me better...<br>**[16:02] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, my bad for spoiling your fun, Mister.<br>**[16:13] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yukari-chan, be sure to mark your<br>&nbsp;&nbsp;&nbsp;&nbsp;appointments down on the calendar.<br>**[16:17] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;What for?<br>**[16:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have a bunch of meetings<br>&nbsp;&nbsp;&nbsp;&nbsp;to plan for the wedding?<br>**[16:25] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[16:26] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;The wedding...<br>**[16:29] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to worry about that.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got plenty of time.<br>**[16:34] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That doesn't seem right.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Good night
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yukari, congratulations on <br>
&nbsp;&nbsp;&nbsp;&nbsp;your marriage. I can't wait <br>
&nbsp;&nbsp;&nbsp;&nbsp;for the wedding.
<br>**[16:52] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grandma...<br>**[17:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[17:01] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good evening!<br>**[17:03] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm by myself today. Is that all right?<br>**[17:08] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like another Alexander.<br>**[17:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[17:13] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You drink it to celebrate marriage, right?<br>**[17:16] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those people overseas... who was it again?<br>**[17:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Edward VII and Princess Alexandra.<br>**[17:23] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right!<br>**[17:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's actually one other famous<br>&nbsp;&nbsp;&nbsp;&nbsp;story about the Alexander.<br>**[17:30] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;One other?<br>**[17:32] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the film *Days of Wine and Roses*,<br>**[17:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;the protagonist pressures his wife, who<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't drink at all, to drink an Alexander.<br>**[17:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, as a result of that one drink,<br>&nbsp;&nbsp;&nbsp;&nbsp;the wife eventually becomes an alcoholic,<br>**[17:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and their life together falls apart.<br>**[17:50] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[17:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's sweet and has a good texture,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's actually a very strong cocktail.<br>**[17:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the Alexander.<br>**[18:05] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. It is strong.<br>**[18:07] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;And sweet, like my dreams about marriage.<br>**[18:11] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe this is a sign that<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't rush into it.<br>**[18:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweetness and bitterness, comedy and<br>&nbsp;&nbsp;&nbsp;&nbsp;tragedy, fortune and misfortune.<br>**[18:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose everything in life<br>&nbsp;&nbsp;&nbsp;&nbsp;has two different faces.<br>**[18:26] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two faces...<br>**[18:31] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm actually full of doubt.<br>**[18:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;About your marriage?<br>**[18:39] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;My grandma, who I love, is really sick.<br>**[18:42] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;The doctors told me she doesn't have long.<br>**[18:46] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted her to see me in a wedding dress<br>&nbsp;&nbsp;&nbsp;&nbsp;so she wouldn't worry about me.<br>**[18:53] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I know that's a bad reason<br>&nbsp;&nbsp;&nbsp;&nbsp;to get married.<br>**[18:58] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, but still...<br>**[19:02] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I didn't mean to cry.<br>**[19:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know why the lighting<br>&nbsp;&nbsp;&nbsp;&nbsp;in bars is so dim?<br>**[19:13] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's to hide the guests' tears.<br>**[19:21] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always come up with the perfect line.<br>**[19:41] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Higuchi-kun, got a minute?<br>**[19:43] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[19:43] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the wedding speech...<br>**[19:46] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regardless of who you pick, it'll take<br>&nbsp;&nbsp;&nbsp;&nbsp;time to write, so you should hurry—<br>**[19:51] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[19:52] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;About that... I called it off.<br>**[19:55] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Called it off?<br>**[19:56] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, you called it off?<br>**[19:58] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided not to get married.<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized I wasn't ready for it yet.<br>**[20:06] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:07] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, so my speech is...<br>**[20:09] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Canceled!<br>**[20:10] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess so.<br>**[20:11] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like Sasakura-san<br>&nbsp;&nbsp;&nbsp;&nbsp;already saw this coming, though.<br>**[20:15] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:16] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's why he made me an Alexander.<br>**[20:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have asked her about it after all.<br>**[20:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all? Was something<br>&nbsp;&nbsp;&nbsp;&nbsp;about it bothering you?<br>**[20:35] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[20:38] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the minute she said she was<br>&nbsp;&nbsp;&nbsp;&nbsp;getting married, something felt off.<br>**[20:42] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you notice it too, Sasakura-san?<br>**[20:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Have you ever heard this saying?<br>**[20:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The moment someone realizes they<br>&nbsp;&nbsp;&nbsp;&nbsp;are asleep, they are already half awake."<br>**[20:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep inside, everybody probably already<br>&nbsp;&nbsp;&nbsp;&nbsp;knows what the right choice is for them.<br>**[21:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you're right.<br>**[21:10] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only two left.<br>**[21:13] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we smoke these, it's all over.<br>**[21:16] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really enjoyed drinking<br>&nbsp;&nbsp;&nbsp;&nbsp;with you, Hayase-san.<br>**[21:19] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the moments that the smoke was rising,<br>**[21:22] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like you shared<br>&nbsp;&nbsp;&nbsp;&nbsp;a wonderful dream with me.<br>**[21:26] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-kun. The bill, please.<br>**[21:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[21:31] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I...<br>**[21:32] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting next week, I'm being sent<br>&nbsp;&nbsp;&nbsp;&nbsp; to a hospital in Sendai for two years.<br>**[21:37] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[21:39] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope I can find a bar like this there.<br>**[21:44] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're willing to put up with me,<br>**[21:48] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;can I invite you to dinner?<br>**[21:49] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:51] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well, you're probably too busy.<br>**[21:57] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're willing to put up<br>&nbsp;&nbsp;&nbsp;&nbsp;with me, I'd love to.<br>**[22:01] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, next week?<br>**[22:04] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's meet here at seven.<br>**[22:06] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 7
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Bartender's Resolve
<br>

# E7 - A Bartender's Resolve

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G9DUEM0V8/a-bartenders-resolve)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on. A welcome drink means<br>&nbsp;&nbsp;&nbsp;&nbsp; one thing and one thing only.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Business Planning Division
<br>**[00:05] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go into your room,<br>&nbsp;&nbsp;&nbsp;&nbsp;open the fridge, pull out a beer...<br>**[00:12] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;And "ahh!" That's about it.<br>**[00:15] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that might be good<br>&nbsp;&nbsp;&nbsp;&nbsp;enough for you, Boss.<br>**[00:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In five-star hotels,<br>&nbsp;&nbsp;&nbsp;&nbsp;guests who stay in suites receive<br>**[00:24] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;a welcome drink, champagne,<br>&nbsp;&nbsp;&nbsp;&nbsp;fruit, and a flower bouquet.<br>**[00:30] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hotel bar is the first place<br>&nbsp;&nbsp;&nbsp;&nbsp;a traveler visits in a different country.<br>**[00:35] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It determines their first<br>&nbsp;&nbsp;&nbsp;&nbsp;impression of that country.<br>**[00:38] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The welcome drink is also<br>&nbsp;&nbsp;&nbsp;&nbsp;a foreign guest's first drink in Japan.<br>**[00:44] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be best to serve a memorable drink.<br>&nbsp;&nbsp;&nbsp;&nbsp;One that leaves an impression.<br>**[00:49] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, on that note,<br>**[00:51] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judy-san and Leslie-san,<br>&nbsp;&nbsp;&nbsp;&nbsp;we would love to hear your thoughts.<br>**[00:56] Judy**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really think it should be one that makes<br>&nbsp;&nbsp;&nbsp;&nbsp;the feeling of being in Japan sink in.<br>**[01:00] Leslie**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the past, when I stayed at a Japanese inn,<br>**[01:03] Leslie**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was given a zunda rice cake and<br>&nbsp;&nbsp;&nbsp;&nbsp;zunda shake. It was a real surprise!<br>**[01:06] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would definitely have an impact!<br>**[01:09] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The welcome drink was originally<br>&nbsp;&nbsp;&nbsp;&nbsp;something sweet for tired guests<br>**[01:14] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;who traveled from far away,<br>&nbsp;&nbsp;&nbsp;&nbsp;to comfort them after an exhausting trip.<br>**[01:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The important thing is<br>&nbsp;&nbsp;&nbsp;&nbsp;to show them hospitality.<br>**[01:22] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one drink has to let the guest know<br>**[01:25] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the Cardinal welcomes them<br>&nbsp;&nbsp;&nbsp;&nbsp;from the bottom of our hearts.<br>**[01:29] Leslie**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's nice if it's something flashy.<br>**[01:31] Judy**<br>&nbsp;&nbsp;&nbsp;&nbsp;And something seasonal!<br>**[01:33] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Developing this menu is an important task...<br>**[01:36] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why we're here.<br>**[01:38] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Sasakura-san! Well you help us<br>&nbsp;&nbsp;&nbsp;&nbsp;develop our welcome drink menu?<br>**[01:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder this every time, but why me?<br>**[01:47] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always say that, but then<br>&nbsp;&nbsp;&nbsp;&nbsp;end up helping us anyway.<br>**[01:51] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're counting on you again!<br>**[01:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[01:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen-san?<br>**[02:00] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Senpai, do you know<br>&nbsp;&nbsp;&nbsp;&nbsp;this guy? He's so hot!<br>**[02:05] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Kelvin Chen from Bar K.<br>**[02:08] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Bar K? You mean Kuzuhara-san's place?<br>**[02:13] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san, please let me work here.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[03:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to work here?<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Kuzuhara-san's bar?<br>**[03:55] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was forced to quit.<br>**[03:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean you were kicked out?<br>**[03:59] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[04:02] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you take a seat for now?<br>**[04:04] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[04:08] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamazaki, straight.<br>**[04:11] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give me a little water to add.<br>**[04:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[04:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[04:19] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[04:27] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where should I even begin?<br>**[04:33] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know this hotel?<br>**[04:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not really familiar<br>&nbsp;&nbsp;&nbsp;&nbsp;with that sort of place.<br>**[04:38] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know it? It's super famous.<br>**[04:42] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a hotel in Singapore, right?<br>**[04:44] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my father's hotel.<br>**[04:45] Yukari & Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:46] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean you're the heir<br>&nbsp;&nbsp;&nbsp;&nbsp;to that famous hotel?<br>**[04:50] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;My brother was actually<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to take over.<br>**[04:55] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was much older than me,<br>&nbsp;&nbsp;&nbsp;&nbsp;and my parents' pride and joy.<br>**[05:02] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before he was able to<br>&nbsp;&nbsp;&nbsp;&nbsp;take over, there was...<br>**[05:07] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;an accident. Right when the<br>&nbsp;&nbsp;&nbsp;&nbsp;cherry blossoms were blooming.<br>**[05:12] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;We came to visit Japan as a family but<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't see the cherry blossoms together.<br>**[05:19] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm my brother's replacement.<br>**[05:22] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sent to work at Bar K<br>&nbsp;&nbsp;&nbsp;&nbsp;to study customer service.<br>**[05:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, why did you become a bartender?<br>**[05:30] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was only doing what my father told me.<br>**[05:33] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, until that tour we took together.<br>**[05:40] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the first time I seriously thought<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to be a bartender.<br>**[05:45] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, when I told my father<br>&nbsp;&nbsp;&nbsp;&nbsp;that, he made me quit.<br>**[05:51] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no.<br>**[05:52] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;How cruel.<br>**[05:53] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father is coming to Japan<br>&nbsp;&nbsp;&nbsp;&nbsp;soon to take me home.<br>**[05:58] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I can get him to recognize<br>&nbsp;&nbsp;&nbsp;&nbsp;my skills as a bartender,<br>**[06:01] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be able to change his mind.<br>**[06:04] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san, please, I want you to<br>&nbsp;&nbsp;&nbsp;&nbsp;teach me how to make the Glass of God!<br>**[06:10] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to be able to make the perfect drink!<br>**[06:13] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;One that will force my father<br>&nbsp;&nbsp;&nbsp;&nbsp;to acknowledge my abilities.<br>**[06:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That I cannot do.<br>**[06:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Glass of God isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;something you learn from others.<br>**[06:25] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still...!<br>**[06:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one thing I can do<br>&nbsp;&nbsp;&nbsp;&nbsp;is give you a place here.<br>**[06:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll talk to the owner about it.<br>**[06:34] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[06:36] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[06:55] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how it's gonna turn out.<br>**[06:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is taking a long time.<br>**[07:00] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, of course it is. It's absolutely<br>&nbsp;&nbsp;&nbsp;&nbsp;crucial that it convinces him.<br>**[07:05] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he always makes them so<br>&nbsp;&nbsp;&nbsp;&nbsp;quickly. This is so unusual.<br>**[07:10] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Always"? What are you<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about, Senpai?<br>**[07:14] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san's welcome drink. What else?<br>**[07:18] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what are you<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about, Yukari-chan?<br>**[07:21] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen-san, of course!<br>**[07:23] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today is the day his father arrives.<br>**[07:28] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me to Ginza.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[07:35] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm so nervous!<br>**[07:37] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it'll be all right.<br>**[07:40] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a deep breath, Chen-kun.<br>**[07:42] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[07:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[07:56] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[07:58] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting for you, Father.<br>**[08:04] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please have a seat.<br>**[08:09] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just one drink.<br>**[08:11] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[08:32] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. A Singapore Sling.<br>**[08:42] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check, please.<br>**[08:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[08:46] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he hasn't even taken a sip.<br>**[08:50] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your flight is in one week.<br>**[08:53] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going home!<br>**[08:54] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm serious! I've decided<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a bartender!<br>**[08:57] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serious? And yet you still don't<br>&nbsp;&nbsp;&nbsp;&nbsp;understand a thing about service.<br>**[09:04] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for watching over my son.<br>**[09:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[09:11] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait, Dad!<br>**[09:13] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just give me one more chance!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sumida<br>
&nbsp;&nbsp;&nbsp;&nbsp;River
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ogura
<br>**[09:21] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be fine!<br>**[09:23] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll get it next time. Next time.<br>**[09:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tasted your Singapore Sling afterwards,<br>**[09:29] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I thought it was delicious, Chen-san.<br>**[09:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen-kun,<br>**[09:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you choose a Raffles style Singapore<br>&nbsp;&nbsp;&nbsp;&nbsp;Sling as the one drink to serve your father?<br>**[09:42] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because Singapore is the one thing<br>&nbsp;&nbsp;&nbsp;&nbsp;connecting me to my father.<br>**[09:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it?<br>**[09:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Singapore Sling can be made<br>&nbsp;&nbsp;&nbsp;&nbsp;Raffles style or Savoy style,<br>**[09:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but these days, it's more common<br>&nbsp;&nbsp;&nbsp;&nbsp;to make it Savoy style.<br>**[10:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there a reason you chose<br>&nbsp;&nbsp;&nbsp;&nbsp;the more difficult Raffles style?<br>**[10:05] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[10:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard of the word "hospes"?<br>**[10:09] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[10:10] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you mean "hospice"?<br>**[10:12] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Latin. It means someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who watches over guests.<br>**[10:15] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;In ancient Rome, there were<br>&nbsp;&nbsp;&nbsp;&nbsp;people who would reach out<br>**[10:19] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;to help travelers who were tired or hungry.<br>**[10:22] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like me.<br>**[10:24] Yukari & Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[10:25] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;That looks so good!<br>**[10:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The English word "hospitality"<br>&nbsp;&nbsp;&nbsp;&nbsp;originally came from hospes.<br>**[10:32] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's also the origin for words<br>&nbsp;&nbsp;&nbsp;&nbsp;like "hotel" and "hospital."<br>**[10:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bartenders are the same.<br>**[10:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They make drinks for weary travelers,<br>&nbsp;&nbsp;&nbsp;&nbsp;for the guests who sit before them.<br>**[10:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did your father look that day?<br>**[10:50] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seemed exhausted.<br>**[10:53] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was only thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;about showing off my skills<br>**[10:57] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;and didn't pay attention to my father,<br>&nbsp;&nbsp;&nbsp;&nbsp;who was sitting right in front of me.<br>**[11:01] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When he said you don't understand service,<br>&nbsp;&nbsp;&nbsp;&nbsp;that must have been what he meant.<br>**[11:09] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon in.<br>**[11:10] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so hot!<br>**[11:14] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[11:16] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's all riding on that second chance, huh.<br>**[11:19] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chibariyo!<br>**[11:21] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chiba...?<br>**[11:22] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, it's an Okinawan word<br>&nbsp;&nbsp;&nbsp;&nbsp;that means "do your best."<br>**[11:26] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do your best, okay? Chen-kun.<br>**[11:29] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will.<br>**[11:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you two, how's your prep<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Cocktail Award going?<br>**[11:34] Kyoko & Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh.<br>**[11:36] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see it in my mind, but still...<br>**[11:39] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;My enemy is time.<br>**[11:42] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to make drinks for all of<br>&nbsp;&nbsp;&nbsp;&nbsp;the judges at once in a limited time.<br>**[11:48] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never do that, so I'm not used to it.<br>**[11:51] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell us what to do, Sasakura-san.<br>**[11:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all about practice.<br>**[11:57] Kyoko & Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh.<br>**[11:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beyond that, you just have to<br>&nbsp;&nbsp;&nbsp;&nbsp;build up more hidden ice.<br>**[12:03] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hidden ice?<br>**[12:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like an iceberg that is held afloat<br>&nbsp;&nbsp;&nbsp;&nbsp;by the part that's hidden under the water.<br>**[12:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should watch movies and plays.<br>**[12:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at paintings.<br>&nbsp;&nbsp;&nbsp;&nbsp;Read books. Listen to music.<br>**[12:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Develop an artistic sensibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that's reflected in your technique.<br>**[12:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feeling love, feeling pain,<br>&nbsp;&nbsp;&nbsp;&nbsp;feeling sadness, feeling regret...<br>**[12:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of that will help you.<br>**[12:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't much time left until the awards.<br>**[12:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Build up your bartending skills<br>&nbsp;&nbsp;&nbsp;&nbsp;and do your best!<br>**[12:34] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[12:36] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Sasakura-san,<br>**[12:38] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uehara-san told me that you once<br>&nbsp;&nbsp;&nbsp;&nbsp;won a famous cocktail contest.<br>**[12:42] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is that true?<br>**[12:44] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please tell us more.<br>**[12:46] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been wondering about that myself.<br>**[12:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of cocktail did you make?<br>**[12:51] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough talk about work.<br>**[12:54] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Whereof one cannot speak,<br>&nbsp;&nbsp;&nbsp;&nbsp;thereof one must be silent."<br>**[12:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:59] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;From Wittgenstein's<br>
&nbsp;&nbsp;&nbsp;&nbsp; *Tractatus Logico-Philosophicus*.<br>**[13:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, geez.<br>**[13:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you get when the bar owner<br>&nbsp;&nbsp;&nbsp;&nbsp;is a Kyoto U philosophy major.<br>**[13:07] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You went to Kyoto University?<br>**[13:10] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't seem like that type at all!<br>**[13:11] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough from you.<br>**[13:12] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, Sasakura-san. How's your<br>&nbsp;&nbsp;&nbsp;&nbsp;welcome drink recipe coming along?<br>**[13:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I'm sort of struggling with it.<br>**[13:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have it by the start of next week.<br>**[13:22] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll look forward to it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[13:29] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is?<br>**[13:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Kir Royal.<br>**[13:33] Leslie**<br>&nbsp;&nbsp;&nbsp;&nbsp;Royal?<br>**[13:34] Judy**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it different from a Kir?<br>**[13:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Kir is made by combining white wine<br>&nbsp;&nbsp;&nbsp;&nbsp;and crème de cassis at a ratio of three to one.<br>**[13:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you use champagne instead of<br>&nbsp;&nbsp;&nbsp;&nbsp;white wine, it becomes a Kir Royal.<br>**[13:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's famous for being<br>&nbsp;&nbsp;&nbsp;&nbsp;a somewhat luxurious aperitif.<br>**[13:54] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This doesn't taste like cassis.<br>**[13:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct. I used kyoho grape wine.<br>**[14:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one has pear wine,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this one fig wine.<br>**[14:05] Judy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delicious!<br>**[14:07] Leslie**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's very good!<br>**[14:09] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it does taste good, but...<br>**[14:13] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a Glass of God?<br>**[14:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What's going on?*<br>**[14:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That isn't like Sasakura-san at all.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[14:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terribly sorry.<br>**[14:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, cut that out!<br>**[14:30] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're always asking too much of you.<br>&nbsp;&nbsp;&nbsp;&nbsp;We should be the ones apologizing to you!<br>**[14:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I wasn't able to serve my<br>&nbsp;&nbsp;&nbsp;&nbsp;customers well. I'm ashamed.<br>**[14:41] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you feeling ill or something?<br>**[14:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You usually think of great<br>&nbsp;&nbsp;&nbsp;&nbsp;drinks on the spot. So...<br>**[14:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bartender makes cocktails to soothe<br>&nbsp;&nbsp;&nbsp;&nbsp;the soul of the one person sitting before them.<br>**[14:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the same thing you told Chen-san.<br>**[15:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I guess you're right.<br>**[15:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter who your guest is, sometimes<br>&nbsp;&nbsp;&nbsp;&nbsp;they may be feeling hurt or lonely.<br>**[15:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;One drink from the bartender<br>&nbsp;&nbsp;&nbsp;&nbsp;should be able to soothe those feelings.<br>**[15:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I might not be fit to create<br>&nbsp;&nbsp;&nbsp;&nbsp;welcome drinks for guests I've never met.<br>**[15:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's what you meant.<br>**[15:29] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Soothe their soul," huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a lovely way to put it.<br>**[15:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something I learned from my mentor.<br>**[15:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your mentor, Sasakura-san?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to meet him someday.<br>**[15:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have work after this?<br>**[15:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mind, why don't you allow me<br>&nbsp;&nbsp;&nbsp;&nbsp;to make you a drink to apologize for today?<br>**[15:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Thank you very much.<br>**[16:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Gin and Tonic.<br>**[16:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delicious!<br>**[16:29] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It tastes totally different than at other bars.<br>**[16:32] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The amount of tonic, the shape of<br>&nbsp;&nbsp;&nbsp;&nbsp;the ice, the method of stirring...<br>**[16:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Combining those small efforts<br>&nbsp;&nbsp;&nbsp;&nbsp;is how a pro creates his flavor.<br>**[16:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I've always believed.<br>**[16:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I'm unsure, when I lose confidence<br>&nbsp;&nbsp;&nbsp;&nbsp;in myself, this is the cocktail I always make.<br>**[16:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like after the mistake I made today.<br>**[16:52] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san, you really<br>&nbsp;&nbsp;&nbsp;&nbsp;don't need to worry about that.<br>**[16:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how I get back to my roots.<br>**[17:00] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I lucked out, getting<br>&nbsp;&nbsp;&nbsp;&nbsp;to drink something this delicious.<br>**[17:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the contrary, you gave me an opportunity<br>&nbsp;&nbsp;&nbsp;&nbsp;to rehabilitate myself. Thank you very much.<br>**[17:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Oh, good. He's back to his old self again.*<br>**[17:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. I'd better get going.<br>**[17:24] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Soothe the soul"...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[17:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's today, right? Your father's visit.<br>**[17:36] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The important thing is<br>&nbsp;&nbsp;&nbsp;&nbsp;to learn from your mistakes.<br>**[17:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's pretty much<br>&nbsp;&nbsp;&nbsp;&nbsp;the only thing I can teach you.<br>**[17:46] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many mistakes did you have to make<br>&nbsp;&nbsp;&nbsp;&nbsp;to become the person you are today?<br>**[17:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question. So many<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to remember.<br>**[17:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, was that a laugh?<br>**[17:57] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize, but that gave me<br>&nbsp;&nbsp;&nbsp;&nbsp;a little confidence boost.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;French
<br>**[18:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[18:11] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[18:15] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;You appear to be well rested today. I'm glad.<br>**[18:18] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you started to actually<br>&nbsp;&nbsp;&nbsp;&nbsp;think about your guests?<br>**[18:22] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you plan to serve me today?<br>**[18:40] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raffles style didn't work out,<br>&nbsp;&nbsp;&nbsp;&nbsp;so now you're trying Savoy style?<br>**[18:45] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're nothing but a disappointment to me.<br>**[18:49] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to see it, Father.<br>**[18:53] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scenery we were<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to see that day.<br>**[18:56] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[19:06] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this...?<br>**[19:11] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cherry blossoms?<br>**[19:14] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[19:16] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were supposed to go see<br>&nbsp;&nbsp;&nbsp;&nbsp;them together as a family.<br>**[19:19] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cherry blossoms.<br>&nbsp;&nbsp;&nbsp;&nbsp;But then we weren't able to.<br>**[19:25] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?<br>**[19:29] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese craft gin?<br>**[19:32] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;The four seasons of Japan<br>&nbsp;&nbsp;&nbsp;&nbsp;are captured in this one bottle.<br>**[19:35] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Green and jade dew tea for summer.<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese pepper for autumn.<br>**[19:39] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuzu for winter. Finally,<br>&nbsp;&nbsp;&nbsp;&nbsp;cherry blossoms for spring.<br>**[19:44] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every new spring I experience<br>&nbsp;&nbsp;&nbsp;&nbsp;without my brother,<br>**[19:48] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think of how I wouldn't have to take<br>&nbsp;&nbsp;&nbsp;&nbsp;over the hotel if he was still alive...<br>**[19:53] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;and how the gentle father I knew<br>&nbsp;&nbsp;&nbsp;&nbsp;in the past has somehow disappeared.<br>**[19:58] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally realized it.<br>**[20:02] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;That I'm not the only person who<br>&nbsp;&nbsp;&nbsp;&nbsp;struggles with feelings like this.<br>**[20:07] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bartender makes drinks to soothe<br>&nbsp;&nbsp;&nbsp;&nbsp;the soul of the one guest sitting before him.<br>**[20:14] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I've learned.<br>**[20:16] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your regret and anger over losing an heir,<br>**[20:19] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;your sadness and helplessness<br>&nbsp;&nbsp;&nbsp;&nbsp;at losing a son,<br>**[20:23] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;your frustration and irritation with me.<br>**[20:26] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried to take your feelings into<br>&nbsp;&nbsp;&nbsp;&nbsp;consideration when I made this drink.<br>**[20:47] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with this variation yourself?<br>**[20:49] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[20:51] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Running a bar requires all<br>&nbsp;&nbsp;&nbsp;&nbsp;of the skills of customer service.<br>**[20:54] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sending you to train here<br>&nbsp;&nbsp;&nbsp;&nbsp;was the right move.<br>**[21:01] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was delicious. A perfect drink.<br>**[21:05] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then... does that mean<br>&nbsp;&nbsp;&nbsp;&nbsp;I have your approval, Dad?<br>**[21:09] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your flight is tomorrow. Don't be late.<br>**[21:13] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are my successor.<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you become a bartender.<br>**[21:18] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad, wait!<br>**[21:19] Lee**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to make cocktails,<br>&nbsp;&nbsp;&nbsp;&nbsp;build a bar in a room at home.<br>**[21:24] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to live my life as a bartender!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sumida<br>
&nbsp;&nbsp;&nbsp;&nbsp;River
<br>**[21:39] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else can I possibly do?<br>**[21:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's up to you alone now, Chen-kun.<br>**[21:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your father won't<br>&nbsp;&nbsp;&nbsp;&nbsp;accept it, will you give up?<br>**[22:11] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 8
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Challenge
<br>

# E8 - A Challenge

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GX9UQWE80/a-challenge)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[00:02] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You want... *me* for that?<br>**[00:06] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. My grandfather absolutely insists.<br>**[00:10] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I'd like you to.<br>**[00:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think it's my place to comment<br>&nbsp;&nbsp;&nbsp;&nbsp;on who you hire at the hotel.<br>**[00:17] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm not asking you to act like<br>&nbsp;&nbsp;&nbsp;&nbsp;you work in the HR department.<br>**[00:23] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've heard of the Cocktail Award, right?<br>**[00:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Some bartenders I know are competing.<br>**[00:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been hearing a lot about it.<br>**[00:34] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Cocktail Award is a competition<br>&nbsp;&nbsp;&nbsp;&nbsp;for original cocktails.<br>**[00:39] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't just about demonstrating<br>&nbsp;&nbsp;&nbsp;&nbsp;your abilities to the judges.<br>**[00:43] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's also a test of your imagination<br>&nbsp;&nbsp;&nbsp;&nbsp;in creating a new cocktail.<br>**[00:48] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hotel's lounge bar is a kind of stage<br>&nbsp;&nbsp;&nbsp;&nbsp;where one performs for a large audience.<br>**[00:52] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not looking for mere skill.<br>**[00:55] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want a bartender<br>&nbsp;&nbsp;&nbsp;&nbsp;who's willing to try new things.<br>**[01:00] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yes, that's about it.<br>**[01:03] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we'd like to ask you to observe the<br>&nbsp;&nbsp;&nbsp;&nbsp;Cocktail Award finals and share your opinions.<br>**[01:10] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to put<br>&nbsp;&nbsp;&nbsp;&nbsp;too much thought into it.<br>**[01:12] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we ask is that you tell us<br>&nbsp;&nbsp;&nbsp;&nbsp; which contestants you found interesting.<br>**[01:18] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, would that be all right with you?<br>**[01:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always ask the impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;as if it's nothing.<br>**[01:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure this is difficult<br>&nbsp;&nbsp;&nbsp;&nbsp;for the contestants too, though.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[03:02] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a good evening.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami
<br>**[03:04] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work today.<br>**[03:05] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to stay and practice again?<br>**[03:07] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'll be sure to clean up afterward.<br>**[03:11] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't wear yourself out, okay?<br>**[03:14] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[03:18] Kyoko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That's easy to say, but I've got to practice*<br>*&nbsp;&nbsp;&nbsp;&nbsp;a lot more to compete for the award.*<br>**[03:26] Kyoko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've got to make a cocktail*<br>*&nbsp;&nbsp;&nbsp;&nbsp;in front of all of those judges,*<br>**[03:30] Kyoko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;so I'd better be confident*<br>*&nbsp;&nbsp;&nbsp;&nbsp;about what I'm doing.*<br>**[03:34] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ouch.<br>**[03:36] Kyoko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If they see how clumsy I am, it'll tarnish*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the reputation of Bar Minami.*<br>**[03:43] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Anyway, it's all about practice!*<br>**[03:48] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how's it going? Decide on a recipe yet?<br>**[03:51] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet.<br>**[03:53] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Are those past winners?<br>**[03:55] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought they might give me a hint.<br>**[03:58] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;The award is a competition<br>&nbsp;&nbsp;&nbsp;&nbsp;for original cocktails.<br>**[04:01] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;That "original" part is<br>&nbsp;&nbsp;&nbsp;&nbsp;the real tricky part, huh?<br>**[04:04] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Every year, many<br>&nbsp;&nbsp;&nbsp;&nbsp;new recipes are submitted.<br>**[04:09] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to make something different<br>&nbsp;&nbsp;&nbsp;&nbsp;from all of them. A real original.<br>**[04:12] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess, historically speaking,<br>&nbsp;&nbsp;&nbsp;&nbsp;the most famous one was Snow Country.<br>**[04:17] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems so.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 17 0 13 5 0 5
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 70 0 70
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;RECIPE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Snow Country
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Yukiguni
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Japanese Craft Vodka HAKU (White)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hermes White Curaçao
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suntory Cocktail Lime
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1. Shake, then pour into a cocktail glass that<br>
&nbsp;&nbsp;&nbsp;&nbsp;has been rimmed snow-style with sugar.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2. Decorate with a mint cherry.
<br>**[04:19] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;1959, huh.<br>**[04:22] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;How old were you then?<br>**[04:24] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I wasn't born yet. That was even<br>&nbsp;&nbsp;&nbsp;&nbsp;before Okinawa was returned to Japan.<br>**[04:29] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? What a surprise.<br>**[04:31] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's a surprise?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;1. Shake and pour into cocktail glass.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2. Garnish with candy, heavenly bamboo leaf,<br>
&nbsp;&nbsp;&nbsp;&nbsp;glass noodle, dragée, black olive.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Umemiyabi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 17 0 13 5 0 5
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 75 0 75
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;RECIPE
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suntory Plum Liqueur 20ml<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Blended with Sakura Barrel-Aged Plum Liqueur<br>
&nbsp;&nbsp;&nbsp;&nbsp; from Yamazaki Distillery)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lejay Crème de Cassis 15ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Calvados Boulard Grand Solage 10ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fresh Orange Juice 10ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sandeman Ruby Porto 5ml
<br>**[04:33] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that one?<br>**[04:34] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cocktail that won last year.<br>&nbsp;&nbsp;&nbsp;&nbsp;The Umemiyabi.<br>**[04:37] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The plum wine-based Japanese craft cocktail<br>&nbsp;&nbsp;&nbsp;&nbsp;that enchanted the world," huh.<br>**[04:43] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;People sure think up<br>&nbsp;&nbsp;&nbsp;&nbsp;some interesting drinks.<br>**[04:46] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;The recipe is hard enough, but the part<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm struggling with most is the name.<br>**[04:52] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has to be memorable,<br>&nbsp;&nbsp;&nbsp;&nbsp;easy to order at a bar,<br>**[04:56] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have some kind of story behind it.<br>**[04:58] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always have an eye<br>&nbsp;&nbsp;&nbsp;&nbsp;for details like that.<br>**[05:01] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think *eye*'m right?<br>**[05:03] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could just figure out the name,<br>&nbsp;&nbsp;&nbsp;&nbsp;everything else would fall into place.<br>**[05:07] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, don't overthink it, or else<br>&nbsp;&nbsp;&nbsp;&nbsp;you're gonna make your chiburu yamu.<br>**[05:12] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody says "head hurts"<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Okinawan dialect anymore.<br>**[05:17] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nankuru nai! It'll all work out!<br>**[05:19] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okinawan dialect, huh...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ryukyu Aged
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Shimakiku
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ryukyu Awamori<br>
&nbsp;&nbsp;&nbsp;&nbsp;30 Percent
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oukyu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ryukyu<br>
&nbsp;&nbsp;&nbsp;&nbsp;Awamori
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Umikaze
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Imaizumi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ogura
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sharpen<br>
&nbsp;&nbsp;&nbsp;&nbsp;Up
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami
<br>**[06:00] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a good evening.<br>**[06:06] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work today.<br>**[06:07] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Minami-san!<br>**[06:09] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I start to worry<br>&nbsp;&nbsp;&nbsp;&nbsp;when I'm not practicing.<br>**[06:14] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two things that are crucial for a<br>&nbsp;&nbsp;&nbsp;&nbsp;bartender are to see and to be seen.<br>**[06:20] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your customers are also watching you,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like the judges will.<br>**[06:25] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mustn't make your guests<br>&nbsp;&nbsp;&nbsp;&nbsp;feel uncomfortable.<br>**[06:28] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[06:29] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you actually take a look<br>&nbsp;&nbsp;&nbsp;&nbsp;at yourself? To see how you look?<br>**[06:35] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:38] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Good idea.*<br>**[06:39] Kyoko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If I watch a video of myself, I may spot*<br>*&nbsp;&nbsp;&nbsp;&nbsp;some mistakes and things I need to change.*<br>**[06:47] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I shouldn't get so nervous recording myself.*<br>**[06:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you already went to the semi-finals?<br>**[06:55] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Last weekend.<br>**[06:58] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it go?<br>**[06:59] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it went well.<br>**[07:02] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I just have to wait for<br>&nbsp;&nbsp;&nbsp;&nbsp;the judges' decision.<br>**[07:05] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I continue practicing, of course.<br>**[07:08] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been shaking that big shaker<br>&nbsp;&nbsp;&nbsp;&nbsp;so much that I built some muscle!<br>**[07:12] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must have been really tough.<br>**[07:15] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right.<br>&nbsp;&nbsp;&nbsp;&nbsp;He was one of the contestants!<br>**[07:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:20] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen-kun! Chen-kun. I was so surprised.<br>**[07:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen-kun was there?<br>**[07:26] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I heard that he quit Bar K, but I wonder<br>&nbsp;&nbsp;&nbsp;&nbsp;if he's been training at another bar.<br>**[07:32] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did he seem then?<br>**[07:35] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, he was unfriendly, as usual,<br>**[07:39] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what really frustrated me was that...<br>**[07:45] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;he was still so hot.<br>**[07:49] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san, have you heard anything?<br>**[07:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I haven't heard anything<br>&nbsp;&nbsp;&nbsp;&nbsp;since the meeting with his father.<br>**[07:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I guess he didn't give up<br>&nbsp;&nbsp;&nbsp;&nbsp;on being a bartender.<br>**[08:14] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad that everybody<br>&nbsp;&nbsp;&nbsp;&nbsp;made it into the finals!<br>**[08:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So am I. They've spent every waking moment<br>&nbsp;&nbsp;&nbsp;&nbsp;practicing for their big performance.<br>**[08:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope everything goes well.<br>**[08:38] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haisai, gang!<br>**[08:42] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought something for you all to eat.<br>**[08:45] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sata andagi.<br>**[08:48] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to keep your composure.<br>**[08:50] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get so flustered you <br>
&nbsp;&nbsp;&nbsp;&nbsp;can't speak a *ward*. Yeah.<br>**[08:54] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just go grab that *award*.<br>**[08:57] Contestant**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that? Some kind of dad joke?<br>**[09:01] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuri-chan.<br>**[09:03] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chibariyo!<br>**[09:06] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will!<br>**[09:14] (Flashback) Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to live my life as a bartender!<br>**[09:22] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If Dad doesn't want to allow it,*<br>**[09:29] Chen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;then I'll have to force him*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to accept the fact*<br>**[09:33] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I'm a bartender!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God 
<br>**[09:49] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Ladies and gentlemen,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;thank you for joining us today.*<br>**[09:53] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It's time for the Suntory*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Cocktail Award finals to begin.*<br>**[09:59] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;But first, we would like to ask*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the representative from the judges,*<br>**[10:03] Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kuzuhara Ryuichi, to say a few words.*<br>**[10:07] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;In 1931, The Cocktail Award was established<br>&nbsp;&nbsp;&nbsp;&nbsp;as the first cocktail competition in Japan.<br>**[10:15] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was held to facilitate the spread<br>&nbsp;&nbsp;&nbsp;&nbsp;of Western cocktail culture in Japan.<br>**[10:19] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we ask of you bartenders<br>&nbsp;&nbsp;&nbsp;&nbsp; is your unfaltering discipline<br>**[10:24] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;and creative innovation.<br>**[10:27] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;We hope that each of you can fully<br>&nbsp;&nbsp;&nbsp;&nbsp;demonstrate the fruits of your labor today<br>**[10:31] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;and wish you the best of luck.<br>**[10:35] Announcer**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Well then, on to entry*<br>*&nbsp;&nbsp;&nbsp;&nbsp;number one: Kinjo Yuri.*<br>**[11:11] Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*And now, please present your cocktail.*<br>**[11:15] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;This cocktail is called the Chimugukuru.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chimugukuru
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 80 0 80 60 0 60
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Japanese Craft Vodka 30ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lejay Pear 10ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hermes Blue Curaçao 10ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suntory Sudachi Watsunagi 5ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fresh Lime Juice 5ml
<br>**[11:19] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I left my home in Okinawa and was<br>&nbsp;&nbsp;&nbsp;&nbsp;struggling to fit into a new environment,<br>**[11:24] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;my bartending senpai, who was also<br>&nbsp;&nbsp;&nbsp;&nbsp;from Okinawa, came to my rescue.<br>**[11:29] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name is an Okinawan word<br>&nbsp;&nbsp;&nbsp;&nbsp;that means "heart" or "empathy."<br>**[11:34] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;The drink expresses the warmth<br>&nbsp;&nbsp;&nbsp;&nbsp;of friendship with a vodka that,<br>**[11:38] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;like Okinawan Awamori,<br>&nbsp;&nbsp;&nbsp;&nbsp;is made from rice. Haku.<br>**[11:41] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is also made to be<br>&nbsp;&nbsp;&nbsp;&nbsp;reminiscent of the blue sea.<br>**[11:46] Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Thank you very much.*<br>**[11:53] Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next up is entry number two: Kawakami Kyoko.*<br>**[11:59] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The glasses are chilled.*<br>**[12:01] Kyoko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The positioning of the shaker,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;measuring cup, and bottles is okay.*<br>**[12:06] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now I just have to do what I practiced.*<br>**[12:22] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why... can't I move?*<br>**[12:26] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I practiced so much for this.*<br>**[12:30] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm gonna run out of time.*<br>**[12:33] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I fail now, it'll look bad for Bar Minami!*<br>**[12:40] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Minami-san... came to root for me?*<br>**[12:48] Kyoko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He's the one who sent me to the*<br>*&nbsp;&nbsp;&nbsp;&nbsp;competition to represent his bar.*<br>**[12:54] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He believes in me!*<br>**[13:18] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;My cocktail is called the Headwind.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 80 0 80 60 0 60
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Headwind
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;(Mukaikaze)
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suntory World Whiskey Ao 30ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kimia 10ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Drambuie 10ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suntory Ginger Watsunagi  5ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fresh Lemon Juice 5ml
<br>**[13:21] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since deciding to become a bartender,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've faced a lot of challenges and setbacks.<br>**[13:27] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided to to face that wind of pain<br>&nbsp;&nbsp;&nbsp;&nbsp;and confusion head on and inhale all of it!<br>**[13:33] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I made this drink.<br>**[13:35] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flavor has a big kick to it.<br>**[13:38] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't give up. Face it head on!<br>**[13:53] Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Next up is entry number 12: Kelvin Chen.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kelvin Chen
<br>**[14:05] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;His movements really are graceful.<br>**[14:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. But...<br>**[14:16] Chen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I thoroughly researched cocktail contests*<br>*&nbsp;&nbsp;&nbsp;&nbsp;around the world, not only those in Japan,*<br>**[14:20] Chen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;and studied what points*<br>*&nbsp;&nbsp;&nbsp;&nbsp;they were evaluated on.*<br>**[14:23] Chen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Movements have to be big, but smooth.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Use your whole hand, down to the fingertips.*<br>**[14:29] Chen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;That said, I never expected*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kuzuhara-sensei to be one of the judges,*<br>**[14:33] Chen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;but he isn't the type of person to let*<br>*&nbsp;&nbsp;&nbsp;&nbsp;personal feelings cloud his judgment.*<br>**[14:36] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no need to hesitate.*<br>**[14:39] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll serve an equal amount with each pour.*<br>**[14:44] Chen**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I sent my dad the address for the online*<br>*&nbsp;&nbsp;&nbsp;&nbsp;video stream. This is my response to him.*<br>**[14:50] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now they'll all have to accept me.*<br>**[14:52] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The judges... as well as my dad!*<br>**[15:08] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've failed?*<br>**[15:10] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can't expect a decent result now.*<br>**[15:15] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is this the end of my life as a bartender?*<br>**[15:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:30] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[15:33] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I named this Lion City.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 80 0 80 65 0 65
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lion City
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Japanese Craft Gin 20ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lejay Framboise 20ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suntory Yuzu Watsunagi 10ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suntory Grenadine Syrup 10ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fresh Pineapple Juice 20ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fresh Lemon Juice 10ml
<br>**[15:36] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to make a cocktail that would<br>&nbsp;&nbsp;&nbsp;&nbsp;represent my home, Singapore.<br>**[15:43] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I ask a question?<br>**[15:44] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you only finish one cocktail?<br>**[15:48] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you couldn't make the required five<br>&nbsp;&nbsp;&nbsp;&nbsp;cocktails, you at least could have made four.<br>**[15:56] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided to participate in the award<br>&nbsp;&nbsp;&nbsp;&nbsp;because I wanted to be praised and accepted.<br>**[16:05] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I realized that, for a very long time,<br>**[16:07] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;all I've cared about<br>&nbsp;&nbsp;&nbsp;&nbsp;is being accepted by others.<br>**[16:12] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that wasn't because<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to improve myself.<br>**[16:15] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I was simply afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;of not being accepted.<br>**[16:20] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, after I made that mistake, I still<br>&nbsp;&nbsp;&nbsp;&nbsp;strongly felt that I didn't want to give up.<br>**[16:28] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I am disqualified for this, I wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to complete the cocktail that I created.<br>**[16:33] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I put all of those feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;into this one glass.<br>**[16:38] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, why did you use a recipe<br>&nbsp;&nbsp;&nbsp;&nbsp;different from the one you submitted?<br>**[16:43] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;That recipe shows only one chrysanthemum,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kelvin Chen
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lion City
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 80 0 80 65 0 65
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Japanese Craft Gin 20ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Lejay Framboise 20ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suntory Yuzu Watsunagi 10ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suntory Grenadine Syrup 10ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fresh Pineapple Juice 20ml
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Fresh Lemon Juice 10ml
<br>**[16:47] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;but your final drink is garnished with two.<br>**[16:52] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made this cocktail to represent Singapore.<br>**[16:56] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I then realized that wasn't enough.<br>**[17:01] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have one home country.<br>**[17:04] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also have roots in the country<br>&nbsp;&nbsp;&nbsp;&nbsp;with a flag of red and white. Japan.<br>**[17:09] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;In addition to my pride in my fatherland,<br>**[17:12] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to show my respect to the country<br>&nbsp;&nbsp;&nbsp;&nbsp;that taught me how to live as a bartender.<br>**[17:15] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the culture of Japan.<br>**[17:17] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is the cocktail I wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to make. This is my cocktail.<br>**[17:23] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no further questions.<br>**[17:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chen-san!<br>**[17:34] Announcer**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Well then, it is time to present the winner.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Keypad
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Speaker
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Others
<br>**[17:44] Chen**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chimugukuru
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kinjo Yuri
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Congratulations! <br>
&nbsp;&nbsp;&nbsp;&nbsp;Winner
<br>**[18:00] Uehara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuri-chan, one more Chimugukuru.<br>**[18:03] Yuri**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming up.<br>**[18:08] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to Chen-san after that.<br>**[18:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear he's continuing to train<br>&nbsp;&nbsp;&nbsp;&nbsp;as a bartender in Singapore<br>**[18:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the bar in his father's hotel.<br>**[18:18] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? I'm glad.<br>**[18:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you decided on a bartender<br>&nbsp;&nbsp;&nbsp;&nbsp;to work in your lounge yet?<br>**[18:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Following your recommendation,<br>&nbsp;&nbsp;&nbsp;&nbsp;we made an offer to Kyoko-san.<br>**[18:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My grandfather was happily saying, "I bet<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll put a new wind in this bar's sails."<br>**[18:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad to hear it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Minami
<br>**[18:43] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawakami-kun.<br>**[18:45] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[18:46] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going out for a bit.<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep an eye on things.<br>**[18:49] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[18:54] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been four years<br>&nbsp;&nbsp;&nbsp;&nbsp;since I first came to this bar.<br>**[19:01] (Flashback) Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, shove it! I'm not drunk at all!<br>**[19:05] Kyoko**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I drowned my sorrows a little too much*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and was an awful customer.*<br>**[19:11] (Flashback) Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what kind of job<br>&nbsp;&nbsp;&nbsp;&nbsp;bartending really is?<br>**[19:16] (Flashback) Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's to make sure that<br>&nbsp;&nbsp;&nbsp;&nbsp;when a guest goes home,<br>**[19:21] (Flashback) Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're just a little happier than<br>&nbsp;&nbsp;&nbsp;&nbsp;when they walked through the door.<br>**[19:26] (Flashback) Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what this work is for.<br>**[19:30] (Flashback) Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, perhaps it's best to<br>&nbsp;&nbsp;&nbsp;&nbsp;make that your last drink.<br>**[19:37] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now I'm standing here behind the bar.<br>**[19:44] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[19:45] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh. Minami-san?<br>**[19:48] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came alone. Is that all right?<br>**[19:52] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like a Horse's Neck.<br>**[19:56] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, sure. As you wish.<br>**[20:03] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Could this possibly mean...?*<br>**[20:08] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. A Horse's Neck.<br>**[20:23] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[20:24] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kawakami Kyoko, would like<br>&nbsp;&nbsp;&nbsp;&nbsp;to move on from Bar Minami.<br>**[20:29] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all right?<br>**[20:31] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bartender never moves on.<br>**[20:35] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;From day to day, from second to second,<br>&nbsp;&nbsp;&nbsp;&nbsp;a person is always changing.<br>**[20:39] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cocktails you mix for guests<br>&nbsp;&nbsp;&nbsp;&nbsp;should also always be changing.<br>**[20:44] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bartending is a job with<br>&nbsp;&nbsp;&nbsp;&nbsp;a beginning but no end.<br>**[20:50] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much. I wish you<br>&nbsp;&nbsp;&nbsp;&nbsp;the best of luck at your new position.<br>**[20:56] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir!<br>**[20:58] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I able to make you just a little happier<br>&nbsp;&nbsp;&nbsp;&nbsp;than when you walked through the door?<br>**[21:08] Minami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[21:14] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[22:49] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how did things go<br>&nbsp;&nbsp;&nbsp;&nbsp;with that fellow from Singapore?<br>**[22:53] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was extremely immature. Very green.<br>**[22:57] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds like he has promise.<br>**[23:00] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Western cocktail was<br>&nbsp;&nbsp;&nbsp;&nbsp;originally an imported culture,<br>**[23:03] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Japanese bars made<br>&nbsp;&nbsp;&nbsp;&nbsp;their own new developments,<br>**[23:06] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now young people come<br>&nbsp;&nbsp;&nbsp;&nbsp;from overseas to study that.<br>**[23:09] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;How the times have changed.<br>**[23:13] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of green, do you still have<br>&nbsp;&nbsp;&nbsp;&nbsp;your sights set on that one bartender?<br>**[23:19] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nobody else worth<br>&nbsp;&nbsp;&nbsp;&nbsp;opening up the counter bar for.<br>**[23:26] Kuzuhara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think he'll eventually<br>&nbsp;&nbsp;&nbsp;&nbsp;make his way there?<br>**[23:27] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the Glass of God?<br>**[23:30] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're certainly making progress toward that.<br>**[23:34] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he is moving very slowly.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;We apologize for the <br>
&nbsp;&nbsp;&nbsp;&nbsp;inconvenience caused by construction. <br>
&nbsp;&nbsp;&nbsp;&nbsp;We are conscious of the local <br>
&nbsp;&nbsp;&nbsp;&nbsp;environment and are<br>
&nbsp;&nbsp;&nbsp;&nbsp;taking pains to work as safely<br>
&nbsp;&nbsp;&nbsp;&nbsp; as possible, so we hope you <br>
&nbsp;&nbsp;&nbsp;&nbsp;can please forgive this temporary intrusion.
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Planned Work Days This Week
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Monday
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Tuesday
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Wednesday
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thursday
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Friday
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Message to the Neighborhood
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 9
<br>

# E9 - North Wind

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G4VUQV548/north-wind)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabukicho Ichi Bangai
<br>**[00:03] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's around here somewhere.<br>**[00:06] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's supposed to be really fancy.<br>**[00:09] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't even have a sign. A hidden bar!<br>**[00:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[00:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like we're headed somewhere sketchy.<br>**[00:17] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be fine! I checked<br>&nbsp;&nbsp;&nbsp;&nbsp;the reviews online and...<br>**[00:21] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. It's probably over there.<br>**[00:24] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes the best bars are<br>&nbsp;&nbsp;&nbsp;&nbsp;the hardest to find, right?<br>**[00:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you might have a point.<br>**[00:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today is my treat.<br>**[00:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, is this Bar Grace?<br>**[00:53] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Upstairs.<br>**[00:55] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez. Ever since a bar like that<br>&nbsp;&nbsp;&nbsp;&nbsp;moved into this building,<br>**[01:01] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had to deal with these brats<br>&nbsp;&nbsp;&nbsp;&nbsp;wandering in. What a pain.<br>**[01:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like this. Let's leave.<br>**[01:09] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[01:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a long time, Kitakata-san.<br>**[01:22] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[03:00] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at you, eyeballing the place<br>&nbsp;&nbsp;&nbsp;&nbsp;like some detective.<br>**[03:04] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the thing with these damn bartenders.<br>**[03:07] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[03:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[03:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should go on home.<br>**[03:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But...<br>**[03:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been eight years.<br>**[03:16] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but this isn't the type of place<br>&nbsp;&nbsp;&nbsp;&nbsp;to reminisce about the good old days.<br>**[03:21] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what you're here for,<br>&nbsp;&nbsp;&nbsp;&nbsp;try somewhere else,<br>**[03:24] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;sir.<br>**[03:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;may I order just one drink?<br>**[03:32] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about your girlfriend?<br>**[03:34] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't make flashy cocktails here.<br>&nbsp;&nbsp;&nbsp;&nbsp;I also don't allow lovers' quarrels.<br>**[03:41] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll order one too.<br>**[03:46] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, what do you want?<br>**[03:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Bloody Mary.<br>**[03:56] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Bloody Mary. Sure.<br>**[04:06] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey. Eight years since what?<br>**[04:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's my senpai.<br>**[04:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We used to work at the same bar.<br>**[04:15] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[04:18] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I don't think Sasakura-san has ever*<br>*&nbsp;&nbsp;&nbsp;&nbsp;talked about his past with me.*<br>**[04:25] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good evening!<br>**[04:27] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo.<br>**[04:29] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kitakata-san, the usual.<br>**[04:31] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it.<br>**[04:34] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you really will go with me<br>&nbsp;&nbsp;&nbsp;&nbsp;after this drink?<br>**[04:39] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, totally. But the Bloody Mary here<br>&nbsp;&nbsp;&nbsp;&nbsp;is the best in the world.<br>**[04:55] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's shaking just the vodka first?<br>**[05:04] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, sir, "Bloody Mary" was<br>&nbsp;&nbsp;&nbsp;&nbsp;the nickname of an infamous tyrant.<br>**[05:10] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I'm about to make<br>&nbsp;&nbsp;&nbsp;&nbsp;is a little different.<br>**[05:14] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Bloody Caesar.<br>**[05:16] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is that different?<br>**[05:17] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I use tomato juice with clam broth in it.<br>**[05:22] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That clam?<br>**[05:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, the shellfish.<br>**[05:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The extract from the clam<br>&nbsp;&nbsp;&nbsp;&nbsp;gives it a more complex flavor.<br>**[05:29] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two good with the same?<br>**[05:34] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. It looks just like a Bloody Mary.<br>**[05:43] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, down the hatch.<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight's the night I'm finally—<br>**[05:47] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops!<br>**[05:47] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[05:48] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the he—? That wan't<br>&nbsp;&nbsp;&nbsp;&nbsp;enouf to gemme drunk.<br>**[05:52] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too bad. I guess you'll have<br>&nbsp;&nbsp;&nbsp;&nbsp;to head home for today.<br>**[05:56] Man**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... uh...<br>**[05:59] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on.<br>**[06:00] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This really is delicious!<br>**[06:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You already drank it all?<br>**[06:07] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Bloody Caesar uses<br>&nbsp;&nbsp;&nbsp;&nbsp;extremely strong vodka.<br>**[06:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's 88 percent alcohol.<br>**[06:18] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that strong?<br>**[06:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He shook the vodka first to mix air into it<br>**[06:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you don't notice how strong it is.<br>**[06:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kitakata-san, a bar is like<br>&nbsp;&nbsp;&nbsp;&nbsp;a hospital to heal wounded souls.<br>**[06:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bartender is the physician<br>&nbsp;&nbsp;&nbsp;&nbsp;who cares for those guests' souls.<br>**[06:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know who taught me that? It was you.<br>**[06:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alcohol can be a poison or<br>&nbsp;&nbsp;&nbsp;&nbsp;a medicine. It has two sides.<br>**[06:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you serve drinks to get people drunk,<br>&nbsp;&nbsp;&nbsp;&nbsp;it becomes a poison that harms them.<br>**[06:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't a bartender's job<br>&nbsp;&nbsp;&nbsp;&nbsp;to serve drinks like that.<br>**[07:04] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ryu, listen up.<br>**[07:06] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't some frilly Ginza bar<br>**[07:08] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;where guests come to hear you<br>&nbsp;&nbsp;&nbsp;&nbsp;show off your knowledge of booze.<br>**[07:12] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;That hostess who was just here,<br>**[07:15] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;she had a kid at 16, was sold off<br>&nbsp;&nbsp;&nbsp;&nbsp;to some debt collector at 19,<br>**[07:19] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;and tried to kill herself at 25.<br>**[07:22] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;She piles on the makeup, tricks horny<br>&nbsp;&nbsp;&nbsp;&nbsp;old men into thinking she likes them,<br>**[07:27] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;and takes their money.<br>**[07:29] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, a bar is a hospital for the soul.<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are all kinds of hospitals.<br>**[07:35] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a field hospital on the front lines.<br>**[07:39] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guests come in here all bloodied<br>**[07:41] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;to drink that one drink that might<br>&nbsp;&nbsp;&nbsp;&nbsp;somehow get them through the day.<br>**[07:46] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't matter if it's poison or something.<br>**[07:49] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, some guests need that drink <br>
&nbsp;&nbsp;&nbsp;&nbsp;*because* it's a poison.<br>**[07:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, our mentor...<br>**[07:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kase-san never would have<br>&nbsp;&nbsp;&nbsp;&nbsp;allowed something like this.<br>**[08:02] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, come on. I even got your girl drunk<br>&nbsp;&nbsp;&nbsp;&nbsp;so you could get her in the sack.<br>**[08:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[08:10] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[08:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry about today.<br>**[08:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you were kind enough to ask me out.<br>**[08:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. I'll see you<br>&nbsp;&nbsp;&nbsp;&nbsp;another time at Edenhall.<br>**[08:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night.<br>**[08:43] Kitakara**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Pops.<br>**[08:47] Kitakara**<br>&nbsp;&nbsp;&nbsp;&nbsp;That kid—that Ryu kid who went<br>&nbsp;&nbsp;&nbsp;&nbsp;off to France—he came back.<br>**[08:53] Kitakara**<br>&nbsp;&nbsp;&nbsp;&nbsp;That same amateur who always had a cloud<br>&nbsp;&nbsp;&nbsp;&nbsp;hanging over him when he was shaking a drink.<br>**[08:57] Kitakara**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then he shows up here<br>&nbsp;&nbsp;&nbsp;&nbsp;to try to lecture me.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;15 Authentic Bars
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Cheers to Bars That Let You Feel the Past
<br>**[09:08] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the guy from yesterday.<br>**[09:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then this must be Sasakura-san's mentor.<br>**[09:16] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senpai!<br>**[09:17] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what is that? A new bar?<br>**[09:21] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. It's where Sasakura-san<br>&nbsp;&nbsp;&nbsp;&nbsp;worked a long time ago.<br>**[09:25] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! I'd love to try it out!<br>**[09:28] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get Sasakura-san to take us.<br>**[09:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I don't know. He doesn't seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to want to talk about the past.<br>**[09:36] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be fine! You're good friends<br>&nbsp;&nbsp;&nbsp;&nbsp;with him, right?<br>**[09:42] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just gotta keep attacking!<br>**[09:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Kitakata-san was my senpai at Bar Kaze.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>**[09:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course he taught me<br>&nbsp;&nbsp;&nbsp;&nbsp;how to make cocktails,<br>**[09:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but also how to clean the bathroom<br>&nbsp;&nbsp;&nbsp;&nbsp;and deal with drunk guests.<br>**[10:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned a lot from him.<br>**[10:03] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like he was a good senpai.<br>**[10:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but as you saw, he isn't very friendly.<br>**[10:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like me to make you something?<br>**[10:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, okay...<br>**[10:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcom—<br>**[10:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[10:26] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;For two.<br>**[10:38] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kitakata-san.<br>**[10:41] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came because you said you're buying,<br>**[10:43] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;but why don't we go to a more<br>&nbsp;&nbsp;&nbsp;&nbsp;laid-back place, like an izakaya?<br>**[10:46] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;My kohai is working here.<br>**[10:48] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a responsibility to<br>&nbsp;&nbsp;&nbsp;&nbsp;stop by at least once, right?<br>**[10:52] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I also want to see what<br>&nbsp;&nbsp;&nbsp;&nbsp;kinds of drinks he's making now.<br>**[10:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will you be having?<br>**[11:00] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a good question. I usually<br>&nbsp;&nbsp;&nbsp;&nbsp;only drink beer and shochu.<br>**[11:06] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's a problem.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think this place even has shochu.<br>**[11:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel really out of place here.<br>**[11:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bar is a place for everyone.<br>**[11:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a bar makes you feel uncomfortable,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's the bartender's fault.<br>**[11:24] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you like shochu, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't mind, just leave it to me.<br>**[11:31] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have the same as her.<br>**[11:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[11:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, cut half of a lime into<br>&nbsp;&nbsp;&nbsp;&nbsp;large chunks with the peel on.<br>**[11:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put that in a glass, add sugar,<br>**[11:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then use this to muddle<br>&nbsp;&nbsp;&nbsp;&nbsp;the lime and mix the sugar in.<br>**[11:54] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That seems kind of rough.<br>**[11:56] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you'd try to show off or something.<br>**[11:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, no bartender does this just to show off.<br>**[12:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And finally, add Cachaça.<br>&nbsp;&nbsp;&nbsp;&nbsp;The popular Brazilian liquor.<br>**[12:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's made from squeezing the juice of<br>&nbsp;&nbsp;&nbsp;&nbsp;fermented sugar cane and then distilling it.<br>**[12:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same process as shochu.<br>**[12:19] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[12:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. A Caipirinha.<br>**[12:24] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caipirinha?<br>**[12:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. In Portuguese,<br>&nbsp;&nbsp;&nbsp;&nbsp;it means "peasant maiden."<br>**[12:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps to invoke the image<br>&nbsp;&nbsp;&nbsp;&nbsp;of a simple, unadorned beauty.<br>**[12:34] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[12:37] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is delicious!<br>**[12:39] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's refreshing, but it has<br>&nbsp;&nbsp;&nbsp;&nbsp;a slightly sweet and rich flavor.<br>**[12:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't it?<br>**[12:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The government of Brazil has established<br>&nbsp;&nbsp;&nbsp;&nbsp;an official recipe for the Caipirinha.<br>**[12:50] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like it's quite a big deal.<br>**[12:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how much the people adore it.<br>**[12:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be an indication of<br>&nbsp;&nbsp;&nbsp;&nbsp;how much they love this liquor.<br>**[13:02] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[13:12] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess your skills improved a bit.<br>**[13:16] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kitakata-san.<br>**[13:18] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know there were<br>&nbsp;&nbsp;&nbsp;&nbsp;cocktails that tasted like shochu!<br>**[13:22] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try a sip of mine.<br>**[13:24] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But...<br>**[13:26] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same Caipirinha, right?<br>**[13:31] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! It's totally different!<br>**[13:33] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't have the same bite as the<br>&nbsp;&nbsp;&nbsp;&nbsp;other one. It's refreshing and light!<br>**[13:37] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because he made them differently.<br>**[13:39] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;In one, he muddled the limes with<br>&nbsp;&nbsp;&nbsp;&nbsp;the peel on to give it a wilder taste.<br>**[13:44] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the other, he squeezed the limes<br>&nbsp;&nbsp;&nbsp;&nbsp;gently to reduce the bitterness.<br>**[13:48] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;He also used brown sugar<br>&nbsp;&nbsp;&nbsp;&nbsp;to bring out a shochu-like richness.<br>**[13:54] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the other, he used granulated<br>&nbsp;&nbsp;&nbsp;&nbsp;sugar for a milder flavor.<br>**[13:58] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ordered the same thing,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you did all that?<br>**[14:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, as you informed me that<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't normally drink cocktails.<br>**[14:08] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's really unusual these days<br>**[14:11] Keiko**<br>&nbsp;&nbsp;&nbsp;&nbsp;to find a business that puts<br>&nbsp;&nbsp;&nbsp;&nbsp;so much thought into good service.<br>**[14:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, bartending isn't a business.<br>**[14:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The man who mentored Kitakata-san<br>&nbsp;&nbsp;&nbsp;&nbsp;and I had a favorite saying.<br>**[14:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We heard it so often, we got sick of it.<br>**[14:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bartending isn't a job<br>&nbsp;&nbsp;&nbsp;&nbsp;people are hired to do.<br>**[14:32] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bartending is a lifestyle that one chooses."<br>**[14:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's physically taxing, and<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't really pay that well.<br>**[14:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But despite that, I'm very happy to have<br>&nbsp;&nbsp;&nbsp;&nbsp;discovered the profession of bartending.<br>**[14:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm grateful to my mentor, my senpai, and<br>&nbsp;&nbsp;&nbsp;&nbsp;even the guests who helped me realize that.<br>**[14:56] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bartending isn't a profession."<br>**[15:00] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand what that means?<br>**[15:05] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Pops always said.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where he is now?<br>**[15:10] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know how he's doing?<br>**[15:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where Kase-san is right now?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kawasaki Station
<br>**[15:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Kase-san did leave Tokyo?<br>**[15:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did he move to a different bar?<br>**[15:33] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll find out soon enough.<br>**[15:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are we driving up this hill?<br>**[15:50] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kawasaki General Hospital
<br>**[15:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's in the hospital? Since when?<br>**[15:58] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven years ago, he collapsed at work.<br>**[16:01] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;He never fully recovered after that.<br>&nbsp;&nbsp;&nbsp;&nbsp;He eventually had to close the bar.<br>**[16:06] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, he couldn't speak<br>&nbsp;&nbsp;&nbsp;&nbsp;or even move very well.<br>**[16:10] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's finally gotten a little better recently.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kase Goro
<br>**[16:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kase-san, it's me!<br>**[16:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu!<br>**[16:25] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ryu...<br>**[16:38] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[16:40] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bar in Ginza?<br>**[16:42] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm just an employee, though.<br>**[16:45] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure have grown up.<br>**[16:49] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[16:53] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take this.<br>**[16:55] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't finish it all by myself.<br>**[17:03] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pops kept the bar open every day<br>&nbsp;&nbsp;&nbsp;&nbsp;so guests could come anytime.<br>**[17:07] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;He never took a single day off.<br>**[17:11] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bartending is a way of life"<br>**[17:16] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;and devote yourself totally to this job,<br>&nbsp;&nbsp;&nbsp;&nbsp; that's how you end up.<br>**[17:22] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still young. Why don't you<br>&nbsp;&nbsp;&nbsp;&nbsp;quit bartending and get a proper job?<br>**[17:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't say things you don't mean.<br>**[17:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's how you really felt,<br>&nbsp;&nbsp;&nbsp;&nbsp;why name your bar "North Wind"?<br>**[17:40] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "North" comes from "Kita" in your name,<br>**[17:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the "Wind" comes from<br>&nbsp;&nbsp;&nbsp;&nbsp;Kase-san's "Bar Kaze," right?<br>**[17:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, for the last seven years,<br>&nbsp;&nbsp;&nbsp;&nbsp; you've been watching over Kase-san?<br>**[17:52] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pops doesn't have any relatives.<br>**[17:55] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;He kept working for the sake<br>&nbsp;&nbsp;&nbsp;&nbsp;of his customers,<br>**[17:59] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now nobody gives a hoot about him.<br>**[18:02] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's downright cruel.<br>**[18:05] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know, the guests will never forget<br>&nbsp;&nbsp;&nbsp;&nbsp;that one drink that gave them relief.<br>**[18:11] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me and Pops are fine with that.<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't regret anything.<br>**[18:18] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still one way to live a bartender's life.<br>**[18:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A way of life...<br>**[18:25] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still chasing the Glass of God?<br>**[18:29] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still going after that one last drink<br>&nbsp;&nbsp;&nbsp;&nbsp;that will soothe your customers' souls?<br>**[18:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:36] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never change, do you?<br>**[18:38] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still that same punk<br>&nbsp;&nbsp;&nbsp;&nbsp;who showed up at the bar<br>**[18:40] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a look in his eyes that<br>&nbsp;&nbsp;&nbsp;&nbsp;would scare a yakuza away.<br>**[18:48] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's review today's guest reservation list.<br>**[18:51] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, at 5 PM, we have...<br>**[18:53] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like things are working out<br>&nbsp;&nbsp;&nbsp;&nbsp;with staff for the lounge bar.<br>**[18:57] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that's left is...<br>**[19:00] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one sealed door, right?<br>**[19:02] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't call it that. It's creepy!<br>**[19:05] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a break.<br>**[19:06] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how are things with that one bartender?<br>**[19:10] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Senpai! Hurry up and talk him into it!<br>**[19:13] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your job too, Higuchi!<br>**[19:15] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Osada<br>
&nbsp;&nbsp;&nbsp;&nbsp;Hiroshi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Two<br>
&nbsp;&nbsp;&nbsp;&nbsp;Poems
<br>**[19:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unusual to see you here alone.<br>**[19:36] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really?<br>**[19:39] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does my granddaughter come often?<br>**[19:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I believe she's taken<br>&nbsp;&nbsp;&nbsp;&nbsp;a liking to this bar.<br>**[19:44] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'm sure you've<br>&nbsp;&nbsp;&nbsp;&nbsp;been asked this countless times,<br>**[19:48] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;but have you made up your mind to join us?<br>**[19:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[19:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm very sorry, but I must refuse.<br>**[19:57] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're worried about this place,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already spoken to Maki about it.<br>**[20:02] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, but...<br>**[20:04] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, son, when I've made up<br>&nbsp;&nbsp;&nbsp;&nbsp;my mind, I always get what I want.<br>**[20:09] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to get you behind the bar at the<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotel Cardinal. No matter what it takes.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Thank You for Your Patronage
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabukicho Ichi Bangai
<br>**[20:39] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you want him for your hotel bar?<br>**[20:43] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Opening the ideal hotel bar was always<br>&nbsp;&nbsp;&nbsp;&nbsp;Grandpa's... my grandfather's dream.<br>**[20:50] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agreed that if we were making the ideal bar,<br>**[20:53] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;the bartender needed to be Sasakura-san.<br>**[20:56] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't imagine anyone else doing it.<br>**[21:00] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now, the more I visit Edenhall,<br>**[21:05] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;after watching the service Sasakura-san<br>&nbsp;&nbsp;&nbsp;&nbsp;always provides for his guests,<br>**[21:10] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've started thinking I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;want to interfere with that.<br>**[21:14] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did Ryu say?<br>**[21:15] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He turned us down.<br>**[21:17] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I ask him why, he dodges the question.<br>**[21:20] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[21:22] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to make Grandpa's dream come true,<br>**[21:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I doubt that I can convince Sasakura-san.<br>**[21:30] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should stop pushing.<br>**[21:34] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if he does have some reason,<br>&nbsp;&nbsp;&nbsp;&nbsp;why doesn't he just tell me?<br>**[21:42] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss, can you keep a secret?<br>**[21:45] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:46] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;He took first prize at a<br>&nbsp;&nbsp;&nbsp;&nbsp;European cocktail competition<br>**[21:49] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;and got a job at a top-class hotel in Paris.<br>**[21:52] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a bartender, he had an unbeatable record.<br>**[21:56] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then he came back to Japan.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think he did that?<br>**[22:03] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of him, a customer died.<br>**[22:08] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu, at least,<br>&nbsp;&nbsp;&nbsp;&nbsp;is convinced it's his fault.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 10
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Thorn in the Heart
<br>

# E10 - A Thorn in the Heart

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G14U417Z9/a-thorn-in-the-heart)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of him, a customer died.<br>**[00:06] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu, at least,<br>&nbsp;&nbsp;&nbsp;&nbsp;is convinced it's his fault.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[01:47] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bars in America have an old saying.<br>**[01:53] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;When a man is considering suicide,<br>**[01:55] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll choose one of two types of people<br>&nbsp;&nbsp;&nbsp;&nbsp;to be his final companion.<br>**[01:59] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is the priest.<br>**[02:01] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the other is...<br>**[02:03] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bartender.<br>**[02:05] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I feel like dying."<br>**[02:07] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get tons of customers here<br>&nbsp;&nbsp;&nbsp;&nbsp;who tell me that.<br>**[02:12] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, I just laugh it off<br>&nbsp;&nbsp;&nbsp;&nbsp;and ignore them.<br>**[02:15] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the guest who said that<br>&nbsp;&nbsp;&nbsp;&nbsp;to Ryu that time was serious.<br>**[02:21] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of drink did<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san serve him?<br>**[02:25] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows.<br>**[02:26] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe something like the original cocktail<br>&nbsp;&nbsp;&nbsp;&nbsp; he won the competition with.<br>**[02:32] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, the next day,<br>**[02:35] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;that customer walked off<br>&nbsp;&nbsp;&nbsp;&nbsp; the top of a building into the clouds.<br>**[02:39] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that can't possibly<br>&nbsp;&nbsp;&nbsp;&nbsp;be Sasakura-san's fault!<br>**[02:45] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you're right. But still...<br>**[02:48] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What if I had just served<br>&nbsp;&nbsp;&nbsp;&nbsp;a different drink?"<br>**[02:52] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what anyone would think.<br>**[02:56] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Senpai, what do you think about this?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hotel Cardinal Counter Bar
<br>**[03:02] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the heck is that? When did that happen?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Relax and Enjoy a Drink in an <br>
&nbsp;&nbsp;&nbsp;&nbsp;Exquisite Atmosphere
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bartender<br>
&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu
<br>**[03:05] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the chairman's idea.<br>**[03:07] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Let's leave Sasakura Ryu no choice."<br>**[03:10] Bucho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means the chairman<br>&nbsp;&nbsp;&nbsp;&nbsp;is serious about this.<br>**[03:13] Bucho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Higuchi! Do it again.<br>**[03:15] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Isn't this good enough?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Relax and Enjoy a Drink in an <br>
&nbsp;&nbsp;&nbsp;&nbsp;Exquisite Atmosphere
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bartender<br>
&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu
<br>**[03:18] Bucho**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't!<br>**[03:18] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[03:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a rare pleasure for<br>&nbsp;&nbsp;&nbsp;&nbsp;the owner to visit me so early.<br>**[03:29] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I guess so.<br>**[03:33] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you made up your mind<br>&nbsp;&nbsp;&nbsp;&nbsp;to go to the Cardinal?<br>**[03:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have spoken to Chairman Kurushima.<br>**[03:38] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. He's been asking me<br>&nbsp;&nbsp;&nbsp;&nbsp;for quite a while now.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Oden
<br>**[03:43] (Flashback) Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maki-kun, what does business mean to you?<br>**[03:48] (Flashback) Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ambition, I suppose.<br>**[03:50] (Flashback) Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Greed alone can get you<br>&nbsp;&nbsp;&nbsp;&nbsp;to 500 million or a billion yen.<br>**[03:54] (Flashback) Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting to five or ten billion<br>&nbsp;&nbsp;&nbsp;&nbsp;will depend on your own ambitions.<br>**[03:57] (Flashback) Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then what comes after that?<br>**[04:00] (Flashback) Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maki-kun, the most important part of business<br>&nbsp;&nbsp;&nbsp;&nbsp;is to raise up the next generation.<br>**[04:06] (Flashback) Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;To rein in any loose obstacles blocking<br>&nbsp;&nbsp;&nbsp;&nbsp;a youngster's path and show them the way.<br>**[04:12] (Flashback) Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raise the next generation...<br>**[04:15] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like Chairman Kurushima recruits<br>&nbsp;&nbsp;&nbsp;&nbsp;the main Hotel Cardinal staff all by himself.<br>**[04:23] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He already researched your work<br>&nbsp;&nbsp;&nbsp;&nbsp;in Paris a long time ago.<br>**[04:27] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man isn't trying to force you to<br>&nbsp;&nbsp;&nbsp;&nbsp;work at the hotel because he's selfish.<br>**[04:32] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's doing it for your own sake.<br>**[04:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, what will happen to Edenhall?<br>**[04:40] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This bar accepted me when<br>&nbsp;&nbsp;&nbsp;&nbsp;I was at the end of my rope.<br>**[04:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't repaid that debt yet.<br>**[04:45] Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll shut Edenhall down.<br>**[04:56] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I've been wondering this the whole time.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;Why did he keep dodging the question?*<br>**[05:02] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*He must not want to remember the past.*<br>**[05:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[05:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is called an A-1.<br>**[05:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was created to be served<br>&nbsp;&nbsp;&nbsp;&nbsp;on luxury cruise liners<br>**[05:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is always the first drink<br>&nbsp;&nbsp;&nbsp;&nbsp;listed in any cocktail manual.<br>**[05:22] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's a top-level cocktail.<br>**[05:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My sincerest congratulations<br>&nbsp;&nbsp;&nbsp;&nbsp;on your promotion.<br>**[05:29] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[05:31] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was chosen to be a branch<br>&nbsp;&nbsp;&nbsp;&nbsp;manager in North America.<br>**[05:36] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is delicious. It's clean<br>&nbsp;&nbsp;&nbsp;&nbsp;and refreshing but still fruity.<br>**[05:42] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I get to America, I won't<br>&nbsp;&nbsp;&nbsp;&nbsp; be able to drink your cocktails.<br>**[05:45] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to miss them.<br>**[05:48] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've visited here many times now,<br>**[05:51] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I feel like you've<br>&nbsp;&nbsp;&nbsp;&nbsp;only seen me at my worst.<br>**[06:01] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-kun, do you know what makes<br>&nbsp;&nbsp;&nbsp;&nbsp;an office worker want to climb the ladder?<br>**[06:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sense of responsibility and purpose,<br>**[06:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the praise and pay that<br>&nbsp;&nbsp;&nbsp;&nbsp;is commensurate with that work.<br>**[06:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's a little too obvious, isn't it?<br>**[06:13] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's sacrifice.<br>**[06:16] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like the same drink again.<br>**[06:19] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two of them.<br>**[06:24] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody can climb the career ladder<br>&nbsp;&nbsp;&nbsp;&nbsp;without making some sacrifices.<br>**[06:29] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously, you have to put more time<br>&nbsp;&nbsp;&nbsp;&nbsp;into your work than anyone else<br>**[06:33] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sometimes drink bitter drinks<br>&nbsp;&nbsp;&nbsp;&nbsp;with people you don't want to.<br>**[06:37] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes, you begin to hate yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;because of that self-deception.<br>**[06:42] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even then, some ruin their health<br>&nbsp;&nbsp;&nbsp;&nbsp;and some get caught up in internal rivalries,<br>**[06:49] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;only to fade away<br>&nbsp;&nbsp;&nbsp;&nbsp;before reaching their goals.<br>**[06:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are.<br>**[06:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hayase-san, what did you have to sacrifice?<br>**[06:58] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;My family.<br>**[07:00] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;My late wife was born with a weak heart.<br>**[07:04] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was on a business trip overseas,<br>&nbsp;&nbsp;&nbsp;&nbsp;she suddenly became ill at home.<br>**[07:09] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think I was doing<br>&nbsp;&nbsp;&nbsp;&nbsp;at that moment?<br>**[07:12] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was at a department store<br>&nbsp;&nbsp;&nbsp;&nbsp;selecting options for a birthday party<br>**[07:16] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the wife of my client.<br>**[07:21] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do people want to move up the ladder?<br>**[07:23] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if you don't keep winning, all of<br>&nbsp;&nbsp;&nbsp;&nbsp;those sacrifices would have been in vain.<br>**[07:29] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just my late wife.<br>**[07:30] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had senpai that were far more talented<br>&nbsp;&nbsp;&nbsp;&nbsp;and very hard-working colleagues.<br>**[07:35] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I owe it to them as well to keep winning.<br>**[07:42] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kimiko, this is a cocktail from the top.<br>**[07:47] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I owe it all to you, darling.<br>**[07:52] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I didn't mean to tell<br>&nbsp;&nbsp;&nbsp;&nbsp;such a sappy story.<br>**[07:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[07:56] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this sure feels strange.<br>&nbsp;&nbsp;&nbsp;&nbsp; I've never told anyone that story before.<br>**[08:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a bartender, I'm extremely honored.<br>**[08:05] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps people are destined to be trapped<br>&nbsp;&nbsp;&nbsp;&nbsp;with all of the regrets they've piled up.<br>**[08:12] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like there's a small thorn<br>&nbsp;&nbsp;&nbsp;&nbsp;stabbed into your heart.<br>**[08:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose so.<br>**[08:18] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I guess I should get going.<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[08:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[08:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been quite a while.<br>**[08:28] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:36] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kimishima-san?<br>**[08:38] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you went to work<br>&nbsp;&nbsp;&nbsp;&nbsp;at a rural hospital.<br>**[08:42] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came back.<br>**[08:44] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was an issue with my family.<br>**[08:46] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;That other time, when I asked you out...<br>**[08:50] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm very sorry about that.<br>**[08:55] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a last-minute work assignment.<br>**[09:02] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mind, would you<br>&nbsp;&nbsp;&nbsp;&nbsp;allow me to make it up to you?<br>**[09:09] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would make me very happy.<br>**[09:13] Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you stand me up this time,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna knock you out, okay?<br>**[09:18] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah. All right.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[09:48] (Flashback) Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? America?<br>**[09:50] (Flashback) Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'll probably be there<br>&nbsp;&nbsp;&nbsp;&nbsp;for about five years.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Potato <br>
&nbsp;&nbsp;&nbsp;&nbsp;Salad
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chicken <br>
&nbsp;&nbsp;&nbsp;&nbsp;Wings
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Boiled<br>
&nbsp;&nbsp;&nbsp;&nbsp; Tofu
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Wasabi <br>
&nbsp;&nbsp;&nbsp;&nbsp;Squid
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Braised<br>
&nbsp;&nbsp;&nbsp;&nbsp; Snapper
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Miso <br>
&nbsp;&nbsp;&nbsp;&nbsp;Crab
<br>**[09:54] (Flashback) Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you tell me?<br>**[09:57] (Flashback) Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't trying to hide it!<br>**[10:02] (Flashback) Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after we finally get to<br>&nbsp;&nbsp;&nbsp;&nbsp;drink together again...<br>**[10:09] (Flashback) Rumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hayase-san, why did you come out to meet me?<br>**[10:20] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-kun, do you have a lover?<br>**[10:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lover?<br>**[10:29] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry. I shouldn't ask<br>&nbsp;&nbsp;&nbsp;&nbsp;about something so private.<br>**[10:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, unfortunately, right now<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm only in love with my work.<br>**[10:39] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the same way.<br>**[10:43] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it's almost closing time.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to have stayed so late.<br>**[10:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Hayase-san. What happened?<br>**[10:58] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mind, would you<br>&nbsp;&nbsp;&nbsp;&nbsp;join me at one more bar?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabukicho Ichi Bangai
<br>**[11:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my senpai's bar.<br>**[11:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't exactly an authentic bar, though.<br>**[11:14] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon in.<br>**[11:18] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I leave for America tomorrow.<br>**[11:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then is it all right<br>&nbsp;&nbsp;&nbsp;&nbsp;to be drinking this late?<br>**[11:25] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;That might be why I want to drink.<br>**[11:28] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something has been bothering me recently.<br>**[11:32] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm guessing you aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;being chased by loan sharks.<br>**[11:36] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;The look on your face says woman trouble.<br>**[11:40] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This bar can be very frank with its guests.<br>**[11:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a kind of field hospital.<br>**[11:46] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Woman trouble," huh?<br>**[11:49] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't wrong.<br>**[11:52] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so jealous.<br>**[11:55] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;My customers are always chasing<br>&nbsp;&nbsp;&nbsp;&nbsp;or running away from something.<br>**[11:59] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't have the leeway to hesitate.<br>**[12:03] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, why not decide it with these?<br>**[12:07] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the old days, rolling the dice<br>&nbsp;&nbsp;&nbsp;&nbsp;was a required skill for bartenders.<br>**[12:12] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this, keeping your wrist loose<br>&nbsp;&nbsp;&nbsp;&nbsp;and shaking the cup,<br>**[12:17] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was great practice for using a shaker.<br>**[12:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you imagine the movements<br>&nbsp;&nbsp;&nbsp;&nbsp;of the dice in the cup.<br>**[12:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That also helps you imagine how<br>&nbsp;&nbsp;&nbsp;&nbsp;the ice moves inside the shaker.<br>**[12:34] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is called dice stacking.<br>**[12:36] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;The odds of all five stacking are,<br>&nbsp;&nbsp;&nbsp;&nbsp;well, about 1 in 30.<br>**[12:42] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those odds make it sound<br>&nbsp;&nbsp;&nbsp;&nbsp;more like luck than skill.<br>**[12:46] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Definitely. But you know, sir, you might<br>&nbsp;&nbsp;&nbsp;&nbsp;dig your own grave betting on a long shot,<br>**[12:53] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;but life is more interesting<br>&nbsp;&nbsp;&nbsp;&nbsp;when you bet big.<br>**[12:57] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea why?<br>**[12:59] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead of hedging your bets<br>&nbsp;&nbsp;&nbsp;&nbsp;and regretting it later,<br>**[13:02] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's easier to accept<br>&nbsp;&nbsp;&nbsp;&nbsp;losing big on a big bet.<br>**[13:06] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[13:08] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please roll them one more time.<br>**[13:11] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Happy to.<br>**[13:14] Hayase**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If the five dice don't stack up,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I won't see her again.*<br>**[13:20] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But if they do stack up,*<br>**[13:23] Hayase**<br>*&nbsp;&nbsp;&nbsp;&nbsp;if a miracle like that happens,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I will go to meet her.*<br>**[13:27] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Even if it makes me lose this promotion.*<br>**[13:38] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;People, you know, sometimes<br>&nbsp;&nbsp;&nbsp;&nbsp;pretend to be unsure.<br>**[13:42] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like you, sir.<br>**[13:44] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Pretend to be unsure"?<br>**[13:46] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;The important thing is having<br>&nbsp;&nbsp;&nbsp;&nbsp;just a little confidence.<br>**[13:49] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;But cowards can't be honest with themselves.<br>**[13:52] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;They try to leave their<br>&nbsp;&nbsp;&nbsp;&nbsp;decisions in God's hands.<br>**[13:56] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might be right.<br>**[13:58] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. Let's see which one God chose.<br>**[14:03] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait a minute.<br>**[14:04] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before that, there's one cocktail<br>&nbsp;&nbsp;&nbsp;&nbsp;I have always wanted to try.<br>**[14:10] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't drink it at Sasakura-kun's bar.<br>**[14:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:13] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on the front lines here. What'll it be?<br>**[14:17] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Boilermaker.<br>**[14:24] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beer and bourbon.<br>&nbsp;&nbsp;&nbsp;&nbsp;You can handle the rest yourself?<br>**[14:28] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[14:36] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;The important thing is having<br>&nbsp;&nbsp;&nbsp;&nbsp;just a little confidence.<br>**[14:47] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[14:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whiskey has a higher alcohol<br>&nbsp;&nbsp;&nbsp;&nbsp;percentage and tries to rise to the top,<br>**[14:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;so all the foam from the beer<br>&nbsp;&nbsp;&nbsp;&nbsp;gets forced out.<br>**[14:57] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's how a smart-ass<br>&nbsp;&nbsp;&nbsp;&nbsp;bartender might explain it.<br>**[15:02] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when you drink that thing,<br>&nbsp;&nbsp;&nbsp;&nbsp;it bubbles up inside you like a boiler.<br>**[15:06] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;It gives you a little confidence.<br>**[15:08] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why it's called a Boilermaker.<br>**[15:19] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is like a boiler.<br>**[15:23] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something else I always wanted to try...<br>**[15:26] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;is this.<br>**[15:29] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. It feels like I yanked<br>&nbsp;&nbsp;&nbsp;&nbsp;the thorn out of my heart.<br>**[15:32] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. When you get stuck by a thorn,<br>&nbsp;&nbsp;&nbsp;&nbsp;you shouldn't wait to pull it out.<br>**[15:36] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what bars are for.<br>**[15:39] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'd known that before, my life<br>&nbsp;&nbsp;&nbsp;&nbsp;might have been a little easier.<br>**[15:44] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-kun, thank you.<br>**[15:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about these? Aren't you going to look?<br>**[15:49] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I know how I feel now.<br>**[15:53] Hayase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I might have known all along.<br>**[15:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A thorn in the heart, huh?<br>**[16:02] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna make a bet? You look like<br>&nbsp;&nbsp;&nbsp;&nbsp;you're struggling with something.<br>**[16:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I don't think I could<br>&nbsp;&nbsp;&nbsp;&nbsp;beat you, Kitakata-san.<br>**[16:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the time comes, I'll decide for myself.<br>**[16:16] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you don't need to ask God after all.<br>**[16:34] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. A Headwind.<br>**[16:37] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. I wanted to try this.<br>**[16:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delicious!<br>**[16:45] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has a little bite but then tastes sweet.<br>&nbsp;&nbsp;&nbsp;&nbsp;I could get hooked on these.<br>**[16:50] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[16:52] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like things are<br>&nbsp;&nbsp;&nbsp;&nbsp;all set for the counter bar.<br>**[16:55] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It actually isn't decided yet.<br>**[16:58] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But the flyer said...<br>**[17:00] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san still hasn't agreed yet.<br>**[17:03] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You jumped the gun?<br>**[17:05] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kawakami-san.<br>**[17:07] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... Pardon me.<br>**[17:10] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what's best for Sasakura-san.<br>**[17:15] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another headwind, I guess.<br>**[17:17] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[17:19] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you're running against the wind.<br>**[17:22] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you wait for the wind to die down<br>&nbsp;&nbsp;&nbsp;&nbsp;or run head-first into it?<br>**[17:25] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or something! Do I sound like Sasakura-san?<br>**[17:39] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Are you afraid to work at the hotel bar*<br>*&nbsp;&nbsp;&nbsp;&nbsp;because of what happened?*<br>**[17:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But that wasn't your fault.*<br>**[17:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I've got to say that to his face!*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;French
<br>**[18:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[18:09] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good evening.<br>**[18:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has been a while.<br>**[18:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't seen you recently, so I had<br>&nbsp;&nbsp;&nbsp;&nbsp;been wondering how you were doing.<br>**[18:20] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you like?<br>**[18:22] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say you have a guest.<br>**[18:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who is really upset.<br>**[18:30] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So much that they want to die.<br>**[18:33] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;To a guest like that, for a bartender,<br>&nbsp;&nbsp;&nbsp;&nbsp;what drink would you want to serve?<br>**[18:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have talked to Kitakata-san.<br>**[18:47] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what would you do?<br>**[18:52] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it was me, I'd slap some sense into them.<br>&nbsp;&nbsp;&nbsp;&nbsp;And say, "Quit acting like a child!"<br>**[18:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, scary.<br>**[19:01] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you'd never get over that. Ever.<br>**[19:06] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When someone close to you dies,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're the only one left behind,<br>**[19:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;you keep blaming yourself.<br>**[19:17] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did too. I lost my parents in an accident.<br>**[19:20] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought, "Why am I still alive?<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the point of living?"<br>**[19:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san, don't you feel the same way?<br>**[19:30] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't find an answer,<br>&nbsp;&nbsp;&nbsp;&nbsp; so you can't decide what to do next.<br>**[19:34] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like about working at our bar.<br>**[19:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, if a guest was so troubled<br>&nbsp;&nbsp;&nbsp;&nbsp;they were considering suicide,<br>**[19:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is the only answer I could provide.<br>**[19:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's called a Tom and Jerry.<br>**[19:51] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, like that cat and mouse?<br>**[19:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Well, not actually.<br>**[19:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, it's because it was created by<br>&nbsp;&nbsp;&nbsp;&nbsp;a 19th century bartender named Jerry Thomas.<br>**[20:05] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has a delicate sweetness,<br>&nbsp;&nbsp;&nbsp;&nbsp;like mousse, and it's warm!<br>**[20:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All a bartender can do is serve the perfect<br>&nbsp;&nbsp;&nbsp;&nbsp;drink to the guest sitting before him.<br>**[20:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure it's not too strong, not too sweet,<br>&nbsp;&nbsp;&nbsp;&nbsp;not too sour, not too hot, not too cold.<br>**[20:28] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you made this.<br>**[20:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one other thing.<br>**[20:32] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave questions of life and death to a priest.<br>**[20:36] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that something your mentor taught you?<br>**[20:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It most certainly is.<br>**[20:41] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san, have you stopped<br>&nbsp;&nbsp;&nbsp;&nbsp;worrying about what happened?<br>**[20:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[20:49] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad. I guess I made<br>&nbsp;&nbsp;&nbsp;&nbsp;a big deal out of nothing.<br>**[21:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, please use this.<br>**[21:02] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[21:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. See you later.<br>**[21:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please take care.<br>**[21:11] Ryu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Kase-san, I remember what*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you wrote in your letter to me.*<br>**[21:16] Ryu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;"No matter how much a bartender is suffering,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;he can't show those emotions to his guests.*<br>**[21:22] Ryu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;A bar is where guests come*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to seek refuge from the rain.*<br>**[21:26] Ryu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;The bartender should be*<br>*&nbsp;&nbsp;&nbsp;&nbsp;handing them an umbrella.*<br>**[21:28] Ryu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;He shouldn't be the one*<br>*&nbsp;&nbsp;&nbsp;&nbsp;telling sob stories."*<br>**[21:33] Ryu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I had thought I had cleared*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my conscience ages ago.*<br>**[21:37] Ryu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;However, a guest tonight*<br>*&nbsp;&nbsp;&nbsp;&nbsp;made me realize that I hadn't.*<br>**[21:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am still a very inexperienced bartender.*<br>**[21:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But despite that,*<br>**[21:49] Ryu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have a guest who can relate to that*<br>*&nbsp;&nbsp;&nbsp;&nbsp;inexperience, and worries about me for it.*<br>**[21:56] Ryu**<br>*&nbsp;&nbsp;&nbsp;&nbsp;All I'm able to do right now*<br>*&nbsp;&nbsp;&nbsp;&nbsp;is express this one heartfelt emotion.*<br>**[22:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Miss, thank you very much for today.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 11
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Bar Kaze
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A Heartfelt Recipe
<br>

# E11 - Bar Kaze - A Heartfelt Recipe

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GJWU20WD0/bar-kaze---a-heartfelt-recipe)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[00:10] (Flashback) Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, son, when I've made up my mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;I always get what I want.<br>**[00:16] (Flashback) Maki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll shut Edenhall down.<br>**[00:25] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ryu.<br>**[00:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Kitakata-san?<br>**[00:30] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kase-san is scheduled to be temporarily<br>&nbsp;&nbsp;&nbsp;&nbsp;discharged from the hospital.<br>**[00:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:35] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will probably be the last time<br>&nbsp;&nbsp;&nbsp;&nbsp;he's able to go out.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kawasaki Station
<br>**[02:13] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for tagging along like this.<br>**[02:18] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's no surprise that you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;want to come and meet Ryu's mentor.<br>**[02:23] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he didn't want you here,<br>&nbsp;&nbsp;&nbsp;&nbsp; he would've said so. Right?<br>**[02:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kaze
<br>**[02:45] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>**[02:47] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I saw your ad for the part-time job.<br>**[02:53] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you are?<br>**[02:55] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you accept a college student?<br>**[02:57] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[02:59] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, bartending doesn't pay much,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the hours are long.<br>**[03:04] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you think it'll make you popular<br>&nbsp;&nbsp;&nbsp;&nbsp;with girls, you're way off.<br>**[03:07] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm serious about this.<br>**[03:09] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if being a bartender means<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to get a haircut like yours,<br>**[03:14] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll happily give up on it.<br>**[03:17] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;He got you there, Kitakata.<br>**[03:19] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Kase Goro.<br>**[03:21] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't easy work, but do you<br>&nbsp;&nbsp;&nbsp;&nbsp;want to give it a shot, son?<br>**[03:27] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Sasakura Ryu.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kawasaki General Hospital
<br>**[03:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kase-san... How is your condition?<br>**[03:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And your legs? Are you<br>&nbsp;&nbsp;&nbsp;&nbsp;able to walk by yourself?<br>**[03:42] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop treating me like an old man, Ryu.<br>**[03:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[03:48] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who might the young lady be?<br>**[03:50] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[03:51] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's recruiting Ryu to work<br>&nbsp;&nbsp;&nbsp;&nbsp;at a hotel bar. Uh...<br>**[03:56] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Kurushima Miwa.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an honor to meet you.<br>**[03:59] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? Please watch over Ryu for me.<br>**[04:04] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, no, nothing has been decided yet.<br>**[04:08] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have faith that we'll get Sasakura-san<br>&nbsp;&nbsp;&nbsp;&nbsp;to mix the Glass of God at our bar.<br>**[04:15] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what made you want to become a bartender?<br>**[04:20] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have plenty<br>&nbsp;&nbsp;&nbsp;&nbsp;of other options for work.<br>**[04:23] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Glass of God.<br>**[04:24] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:26] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father told me about it.<br>**[04:28] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said there's a kind of last drink<br>&nbsp;&nbsp;&nbsp;&nbsp;that can heal someone's soul.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 50 0 50
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Users
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Images
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Barhopper <br>
&nbsp;&nbsp;&nbsp;&nbsp;Bar memories #175 Bar Kaze<br>
&nbsp;&nbsp;&nbsp;&nbsp;A legendary bar that takes <br>
&nbsp;&nbsp;&nbsp;&nbsp;you back to the good old days.<br>
&nbsp;&nbsp;&nbsp;&nbsp;The many regulars there gave it <br>
&nbsp;&nbsp;&nbsp;&nbsp;a lively atmosphere.
<br>**[04:36] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even today, you can find a lot of posts from<br>&nbsp;&nbsp;&nbsp;&nbsp;people saying they want to go to Bar Kaze.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 50 0 50
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sato<br>
&nbsp;&nbsp;&nbsp;&nbsp; I'll never forget the feeling the first<br>
&nbsp;&nbsp;&nbsp;&nbsp; time I opened the door to Bar Kaze<br>
&nbsp;&nbsp;&nbsp;&nbsp; I wish I could drink there one more <br>
&nbsp;&nbsp;&nbsp;&nbsp;time.
<br>**[04:41] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems you have many loyal fans.<br>**[04:44] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this point, the majority of<br>&nbsp;&nbsp;&nbsp;&nbsp;my customers have passed away.<br>**[04:50] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be my turn next.<br>**[04:53] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did want to stand behind<br>&nbsp;&nbsp;&nbsp;&nbsp;the counter one last time, though.<br>**[04:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, can't we<br>&nbsp;&nbsp;&nbsp;&nbsp;borrow a bar somewhere?<br>**[05:01] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right! I can close my bar for today.<br>**[05:06] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please do stand behind the counter again!<br>**[05:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kase-san?<br>**[05:12] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I feel up to that.<br>**[05:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great! Bar Kaze will live again<br>&nbsp;&nbsp;&nbsp;&nbsp;for one more day!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kabukicho Ichi Bangai
<br>**[05:21] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I see these liquor shelves,<br>&nbsp;&nbsp;&nbsp;&nbsp;built the same way as mine,<br>**[05:25] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;it feels like I've come back to Bar Kaze.<br>**[05:29] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same with the bar tools.<br>&nbsp;&nbsp;&nbsp;&nbsp;I saved all the old ones.<br>**[05:35] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I should give you<br>&nbsp;&nbsp;&nbsp;&nbsp;these while I can.<br>**[05:40] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please accept them.<br>**[05:44] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's anything else you want...<br>**[05:46] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pops.<br>**[05:48] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to have this, Pops.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kaze
<br>**[05:51] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the actual sign from the old bar.<br>**[05:54] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah.<br>**[05:57] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is...<br>**[06:02] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;where I belong.<br>**[06:09] Itami**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't fair, Kase-san.<br>**[06:12] Itami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suddenly reopening Bar Kaze for just one day?<br>**[06:15] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me! Please let me through!<br>**[06:18] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How...?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 60 0 60
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The legendary Bar Kaze is <br>
&nbsp;&nbsp;&nbsp;&nbsp;reopening for just one day!!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Has it been about 7 years? <br>
&nbsp;&nbsp;&nbsp;&nbsp;8 years?
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;And that's where I am right now!
<br>**[06:20] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, how?<br>&nbsp;&nbsp;&nbsp;&nbsp;You were the one who put out the news!<br>**[06:24] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I convinced the boss to<br>&nbsp;&nbsp;&nbsp;&nbsp;let me go and came running!<br>**[06:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize. I never meant<br>&nbsp;&nbsp;&nbsp;&nbsp;for this to become a big deal.<br>**[06:31] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, let's pull out the bar<br>&nbsp;&nbsp;&nbsp;&nbsp;chairs and let everyone in.<br>**[06:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But...<br>**[06:39] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;One or two hundred<br>&nbsp;&nbsp;&nbsp;&nbsp;cocktails will be a breeze.<br>**[06:45] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get things ready.<br>**[06:49] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to change clothes,<br>&nbsp;&nbsp;&nbsp;&nbsp;so please give me a moment.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kaze
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Kaze
<br>**[07:00] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, everyone, please<br>&nbsp;&nbsp;&nbsp;&nbsp;order whatever you would like.<br>**[07:05] Itami**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a tough one. Do I go for<br>&nbsp;&nbsp;&nbsp;&nbsp;the first drink I ordered from him?<br>**[07:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That must be a difficult decision.*<br>**[07:13] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Especially since it might be the last time*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you drink one of his cocktails.*<br>**[07:17] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! May I place an order?<br>**[07:20] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly.<br>**[07:22] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like a Bond Martini.<br>**[07:25] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One vodka Martini. Shaken, not stirred."<br>**[07:29] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like that! I always wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;drink one of those!<br>**[07:32] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding. Not stirred?<br>**[07:34] Customer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must not be a regular.<br>**[07:36] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please forgive my coworker.<br>**[07:38] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Was that a bad idea?<br>**[07:39] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. Many wonderful cocktail<br>&nbsp;&nbsp;&nbsp;&nbsp;recipes have come from the movies.<br>**[07:45] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kitakata?<br>**[07:47] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[08:16] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. One Bond Martini.<br>**[08:26] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's delicious! It's really delicious!<br>**[08:29] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for saying so.<br>**[08:32] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;What shall I make next, then?<br>**[08:35] Itami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kase-san, I'll have...<br>**[08:40] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take your orders one at a time.<br>**[08:53] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bar Kaze really is a wonderful place.<br>**[08:56] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is.<br>**[09:02] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much for coming today.<br>**[09:06] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;To tell the truth, there are some other<br>&nbsp;&nbsp;&nbsp;&nbsp;customers I'd also like to drink with.<br>**[09:18] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please turn off the lights.<br>**[09:29] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shiroyama-san, you always<br>&nbsp;&nbsp;&nbsp;&nbsp;said you'd stop at three,<br>**[09:34] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then drank five or six cocktails.<br>&nbsp;&nbsp;&nbsp;&nbsp;You drank too much.<br>**[09:41] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kimoto-san, the epicure.<br>&nbsp;&nbsp;&nbsp;&nbsp;You did enjoy your single malts.<br>**[09:46] Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even thought I kept telling you to cut back.<br>**[09:49] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "flame of the dead."<br>**[09:52] Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;A light to mourn your lost comrades in arms.<br>**[09:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess for bartenders,<br>&nbsp;&nbsp;&nbsp;&nbsp;their guests are like comrades.<br>**[10:23] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry!<br>**[10:25] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know this glass was<br>&nbsp;&nbsp;&nbsp;&nbsp;very special to you, Kase-san.<br>**[10:29] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to handle special glasses carefully.<br>**[10:33] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why this is good training.<br>**[10:35] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it breaks, then that's unfortunate.<br>**[10:39] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow, I'll go buy a replacement.<br>**[10:41] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you give a damn about a pro's craft?!<br>**[10:43] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot, that glass<br>**[10:45] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;was one of a dozen that his late wife<br>&nbsp;&nbsp;&nbsp;&nbsp;scraped together the money to buy for him.<br>**[10:49] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the last one!<br>**[10:58] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one kind of person<br>&nbsp;&nbsp;&nbsp;&nbsp;that never makes any mistakes at work.<br>**[11:02] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what kind of person that is?<br>**[11:05] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[11:06] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer is someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who doesn't work in the first place.<br>**[11:10] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;A person's mistakes are<br>&nbsp;&nbsp;&nbsp;&nbsp;the proof that he's alive.<br>**[11:12] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's exactly why...<br>**[11:15] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can work as hard<br>&nbsp;&nbsp;&nbsp;&nbsp;as you can toward something,<br>**[11:17] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you'll learn the most from<br>&nbsp;&nbsp;&nbsp;&nbsp;the mistakes you make along the way.<br>**[11:22] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'm mixing a cocktail.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what it is?<br>**[11:30] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;An Old Fashioned.<br>**[11:32] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:33] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;One month ago, when you first came to<br>&nbsp;&nbsp;&nbsp;&nbsp;this bar, you didn't even know that much.<br>**[11:39] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[11:43] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:44] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after just one month,<br>&nbsp;&nbsp;&nbsp;&nbsp;when you've been training behind the bar,<br>**[11:48] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;the same cocktails will start<br>&nbsp;&nbsp;&nbsp;&nbsp;to taste differently to you.<br>**[11:51] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's proof of how you've grown<br>&nbsp;&nbsp;&nbsp;&nbsp;over the last month.<br>**[11:57] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... will I ever be able to become<br>&nbsp;&nbsp;&nbsp;&nbsp;a bartender like you, Kase-san?<br>**[12:02] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-kun...<br>**[12:05] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bartending isn't a job<br>&nbsp;&nbsp;&nbsp;&nbsp;people are hired to do.<br>**[12:09] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bartending is a lifestyle that one chooses.<br>**[12:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In that moment, Kase-san became my mentor.*<br>**[12:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A bartender's...*<br>**[12:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;*way of life.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[12:36] Interviewer**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Hotel Cardinal will be celebrating<br>&nbsp;&nbsp;&nbsp;&nbsp;its one-year anniversary before long.<br>**[12:41] Interviewer**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chairman Kurushima, would you mind<br>&nbsp;&nbsp;&nbsp;&nbsp;telling us how you entered the hotel business?<br>**[12:47] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I was working at<br>&nbsp;&nbsp;&nbsp;&nbsp;a Japanese restaurant and inn in Yokosuka.<br>**[12:51] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was the fourth-generation owner there.<br>**[12:54] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized that the future would be<br>&nbsp;&nbsp;&nbsp;&nbsp;in hotels, so I changed tracks.<br>**[12:59] Interviewer**<br>&nbsp;&nbsp;&nbsp;&nbsp;I imagine that inns and hotels must<br>&nbsp;&nbsp;&nbsp;&nbsp;provide very different kinds of services.<br>**[13:04] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're fundamentally the same, though.<br>**[13:06] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hotels and inns both sell much<br>&nbsp;&nbsp;&nbsp;&nbsp;more than just lodging and meals.<br>**[13:11] Interviewer**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[13:13] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can remember a school trip<br>&nbsp;&nbsp;&nbsp;&nbsp;I took as a child.<br>**[13:17] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were 100 students. We walked through<br>&nbsp;&nbsp;&nbsp;&nbsp;the rain and made our way to an inn.<br>**[13:23] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our shoes were soaked from the rain and mud.<br>**[13:26] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the next morning, our shoes were<br>&nbsp;&nbsp;&nbsp;&nbsp;spick-and-span, lined up neatly on the shoe rack.<br>**[13:32] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's 100 pairs of shoes!<br>**[13:35] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our hosts stayed up all night cleaning<br>&nbsp;&nbsp;&nbsp;&nbsp;and polishing them to save us the trouble.<br>**[13:41] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sort of thing fills guests' hearts<br>&nbsp;&nbsp;&nbsp;&nbsp;with an unforgettable feeling of gratitude.<br>**[13:47] Kurushima**<br>&nbsp;&nbsp;&nbsp;&nbsp;For me, that became the foundation<br>&nbsp;&nbsp;&nbsp;&nbsp;of what I consider service work.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 115 0 115
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chairman Kurushima, praised far and<br>
&nbsp;&nbsp;&nbsp;&nbsp; wide for his ability to successfully manage <br>
&nbsp;&nbsp;&nbsp;&nbsp;numerous hotels across Japan. <br>
&nbsp;&nbsp;&nbsp;&nbsp; His Objective Moving Forward<br>
&nbsp;&nbsp;&nbsp;&nbsp;To make the Hotel Cardinal a world-class<br>
&nbsp;&nbsp;&nbsp;&nbsp; hotel. That was his late son's dream.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Originally, his decision to enter the hotel <br>
&nbsp;&nbsp;&nbsp;&nbsp;business was inspired by one thing his<br>
&nbsp;&nbsp;&nbsp;&nbsp; late son told him. "In an age of <br>
&nbsp;&nbsp;&nbsp;&nbsp;international competition, one must not<br>
&nbsp;&nbsp;&nbsp;&nbsp; simply preserve traditions, but also be<br>
&nbsp;&nbsp;&nbsp;&nbsp;able to provide a level of service that will<br>
&nbsp;&nbsp;&nbsp;&nbsp; fully satisfy guests from overseas. Taking <br>
&nbsp;&nbsp;&nbsp;&nbsp;on new challenges is the best way to <br>
&nbsp;&nbsp;&nbsp;&nbsp;preserve the generations-old family<br>
&nbsp;&nbsp;&nbsp;&nbsp; business."
<br>**[13:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"His objective moving forward is 'to make<br>&nbsp;&nbsp;&nbsp;&nbsp;the Hotel Cardinal a world-class hotel.'<br>**[13:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was also the dream of his son,<br>&nbsp;&nbsp;&nbsp;&nbsp;whose life was taken in an accident."<br>**[14:02] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[14:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[14:07] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I'd like to ask<br>&nbsp;&nbsp;&nbsp;&nbsp;for your advice on something.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 115 0 115
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chairman Kurushima, praised far and<br>
&nbsp;&nbsp;&nbsp;&nbsp; wide for his ability to successfully manage <br>
&nbsp;&nbsp;&nbsp;&nbsp;numerous hotels across Japan. <br>
&nbsp;&nbsp;&nbsp;&nbsp; His Objective Moving Forward<br>
&nbsp;&nbsp;&nbsp;&nbsp;To make the Hotel Cardinal a world-class<br>
&nbsp;&nbsp;&nbsp;&nbsp; hotel. That was his late son's dream.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Originally, his decision to enter the hotel <br>
&nbsp;&nbsp;&nbsp;&nbsp;business was inspired by one thing his<br>
&nbsp;&nbsp;&nbsp;&nbsp; late son told him. "In an age of <br>
&nbsp;&nbsp;&nbsp;&nbsp;international competition, one must not<br>
&nbsp;&nbsp;&nbsp;&nbsp; simply preserve traditions, but also be<br>
&nbsp;&nbsp;&nbsp;&nbsp;able to provide a level of service that will<br>
&nbsp;&nbsp;&nbsp;&nbsp; fully satisfy guests from overseas. Taking <br>
&nbsp;&nbsp;&nbsp;&nbsp;on new challenges is the best way to <br>
&nbsp;&nbsp;&nbsp;&nbsp;preserve the generations-old family<br>
&nbsp;&nbsp;&nbsp;&nbsp; business."
<br>**[14:12] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't about the Cardinal.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something more personal.<br>**[14:16] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what would that be?<br>**[14:17] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to find<br>&nbsp;&nbsp;&nbsp;&nbsp;a certain kind of liquor for me.<br>**[14:21] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certain people weren't able to drink it<br>&nbsp;&nbsp;&nbsp;&nbsp;because of a mistake I made 25 years ago.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Sumida<br>
&nbsp;&nbsp;&nbsp;&nbsp; River
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ogura
<br>**[14:29] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were arguing?<br>&nbsp;&nbsp;&nbsp;&nbsp;Your father and grandfather?<br>**[14:33] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[14:35] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father kept saying<br>&nbsp;&nbsp;&nbsp;&nbsp;that hotels were the future,<br>**[14:39] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;but my grandfather was<br>&nbsp;&nbsp;&nbsp;&nbsp;completely opposed to that.<br>**[14:42] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, I'm sure you've seen<br>&nbsp;&nbsp;&nbsp;&nbsp;how stubborn he can be.<br>**[14:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And at the time, he still<br>&nbsp;&nbsp;&nbsp;&nbsp;hated Western things.<br>**[14:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it, he does<br>&nbsp;&nbsp;&nbsp;&nbsp;always wear traditional Japanese clothes.<br>**[14:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they both refused to budge,<br>&nbsp;&nbsp;&nbsp;&nbsp;and that drove a wedge between them.<br>**[14:57] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not an uncommon story.<br>**[14:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, what is this liquor<br>&nbsp;&nbsp;&nbsp;&nbsp;you want me to look for?<br>**[15:03] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;One day, my father invited<br>&nbsp;&nbsp;&nbsp;&nbsp;my grandfather to our house.<br>**[15:08] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wanted to patch things up.<br>**[15:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then...<br>**[15:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He set aside a special bottle<br>&nbsp;&nbsp;&nbsp;&nbsp;for the occasion?<br>**[15:15] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[15:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that special bottle my father had...<br>**[15:20] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was still a child.<br>&nbsp;&nbsp;&nbsp;&nbsp;I knocked it over and broke it.<br>**[15:24] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they never made up after that.<br>**[15:27] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six months later, my father<br>&nbsp;&nbsp;&nbsp;&nbsp;was killed in an accident.<br>**[15:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back then, I thought that<br>&nbsp;&nbsp;&nbsp;&nbsp;if I hadn't broken the bottle,<br>**[15:34] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe things would have turned<br>&nbsp;&nbsp;&nbsp;&nbsp;out differently between them.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;m 0 0 l 100 0 100 115 0 115
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chairman Kurushima, praised far and<br>
&nbsp;&nbsp;&nbsp;&nbsp; wide for his ability to successfully manage <br>
&nbsp;&nbsp;&nbsp;&nbsp;numerous hotels across Japan. <br>
&nbsp;&nbsp;&nbsp;&nbsp; His Objective Moving Forward<br>
&nbsp;&nbsp;&nbsp;&nbsp;To make the Hotel Cardinal a world-class<br>
&nbsp;&nbsp;&nbsp;&nbsp; hotel. That was his late son's dream.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Originally, his decision to enter the hotel <br>
&nbsp;&nbsp;&nbsp;&nbsp;business was inspired by one thing his<br>
&nbsp;&nbsp;&nbsp;&nbsp; late son told him. "In an age of <br>
&nbsp;&nbsp;&nbsp;&nbsp;international competition, one must not<br>
&nbsp;&nbsp;&nbsp;&nbsp; simply preserve traditions, but also be<br>
&nbsp;&nbsp;&nbsp;&nbsp;able to provide a level of service that will<br>
&nbsp;&nbsp;&nbsp;&nbsp; fully satisfy guests from overseas. Taking <br>
&nbsp;&nbsp;&nbsp;&nbsp;on new challenges is the best way to <br>
&nbsp;&nbsp;&nbsp;&nbsp;preserve the generations-old family<br>
&nbsp;&nbsp;&nbsp;&nbsp; business."
<br>**[15:38] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever my grandfather talks about my<br>&nbsp;&nbsp;&nbsp;&nbsp;father, I can't help but think about that.<br>**[15:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I was punished.<br>&nbsp;&nbsp;&nbsp;&nbsp;They didn't blame me for it either.<br>**[15:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I still want to apologize<br>&nbsp;&nbsp;&nbsp;&nbsp;to my father and grandfather.<br>**[15:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Let's find that bottle together.<br>**[15:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you remember about your father?<br>**[16:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he have any favorite foods? Did he<br>&nbsp;&nbsp;&nbsp;&nbsp;enjoy luxury items like coffee or cigarettes?<br>**[16:07] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. All I can remember...<br>**[16:11] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that the bottle seemed to sparkle.<br>**[16:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bottle sparkled?<br>**[16:17] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be a crystal bottle, then?<br>**[16:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Definitely. In that case, maybe cognac.<br>**[16:23] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wouldn't be drinking a cheap bottle<br>&nbsp;&nbsp;&nbsp;&nbsp;on such an important occasion.<br>**[16:27] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Rémy Martin, then maybe Louis XIII.<br>&nbsp;&nbsp;&nbsp;&nbsp;If Hennessy, then Richard.<br>**[16:32] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Landing would also be<br>&nbsp;&nbsp;&nbsp;&nbsp;perfect for mending bridges.<br>**[16:35] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. That's a safe bet.<br>**[16:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there must be even better ones.<br>**[16:41] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's hard to be sure.<br>**[16:44] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[16:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. We got carried away.<br>**[16:48] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you tell me those names again?<br>**[16:50] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll buy them and take a look.<br>**[16:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, but none of them are cheap.<br>**[16:54] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they're more than just a little expensive.<br>**[16:57] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's 25 years worth of atonement.<br>**[17:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow. You have a... really nice home.<br>**[17:09] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what you call a ship bottle, right?<br>**[17:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[17:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ship bottles are one kind of crystal bottle.<br>**[17:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Yokosuka, where your grandfather grew up,<br>&nbsp;&nbsp;&nbsp;&nbsp;is intrinsically linked to ships.<br>**[17:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Do any of these look familiar?<br>**[17:23] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. They're all very pretty.<br>**[17:26] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I feel like it was more sparkly overall.<br>**[17:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>**[17:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;could it be like a decanter?<br>&nbsp;&nbsp;&nbsp;&nbsp;Like ones you pour liquor into?<br>**[17:37] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are a lot of different styles, though.<br>**[17:40] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm.<br>**[17:42] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do think it was the original bottle.<br>**[17:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[17:47] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, okay.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ogura
<br>**[17:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it isn't a ship bottle or a decanter...<br>**[17:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what's left?<br>**[17:56] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the first place...<br>**[17:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[17:58] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, her grandpa hated things<br>&nbsp;&nbsp;&nbsp;&nbsp;from the West, right?<br>**[18:03] Taisho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think his son would use<br>&nbsp;&nbsp;&nbsp;&nbsp;a Western liquor to make up?<br>**[18:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. You're right. It might<br>&nbsp;&nbsp;&nbsp;&nbsp;not be an imported bottle.<br>**[18:16] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miwa explained it to me.<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for the trouble.<br>**[18:19] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[18:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought about it one more time. I tried to<br>&nbsp;&nbsp;&nbsp;&nbsp;imagine how your father might have felt.<br>**[18:26] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it had been me, I would<br>&nbsp;&nbsp;&nbsp;&nbsp;definitely have used this.<br>**[18:32] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[18:35] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Kakubin square bottle?<br>**[18:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The person who designed<br>&nbsp;&nbsp;&nbsp;&nbsp;this bottle was Japanese.<br>**[18:42] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what this design is?<br>**[18:45] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a tortoise-shell pattern, right?<br>**[18:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. And the glass is cut<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Satsuma kiriko technique.<br>**[18:53] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;it looked like it sparkled!<br>**[18:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a bottle of whisky,<br>**[19:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's a distillation<br>&nbsp;&nbsp;&nbsp;&nbsp;of very Japanese preferences.<br>**[19:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I expect your son was trying to say that,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if the inn was replaced with a hotel,<br>**[19:09] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;that he would still be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;provide Japanese-style service.<br>**[19:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;And wanted to express that<br>&nbsp;&nbsp;&nbsp;&nbsp;while sharing this drink with you.<br>**[19:22] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;He put that much thought<br>&nbsp;&nbsp;&nbsp;&nbsp;into this one bottle?<br>**[19:28] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It tastes a little different<br>&nbsp;&nbsp;&nbsp;&nbsp;from current batches, though.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special-Grade Whisky
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Suntory Whisky
<br>**[19:32] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has the "Special-Grade" mark.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a bottle from before 1989.<br>**[19:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was able to find one.<br>**[19:39] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the flavor changes as it gets older?<br>**[19:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ingredients transform inside the bottle.<br>**[19:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, perhaps some difference in materials<br>&nbsp;&nbsp;&nbsp;&nbsp;and numbers of bottles produced.<br>**[19:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are a lot of different theories, but<br>&nbsp;&nbsp;&nbsp;&nbsp;the reason older bottles seem to taste better<br>**[19:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;may be because they hold<br>&nbsp;&nbsp;&nbsp;&nbsp;experiences that can never be relived<br>**[19:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;or perhaps memories that<br>&nbsp;&nbsp;&nbsp;&nbsp;only live on in our hearts.<br>**[20:05] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might have been working myself<br>&nbsp;&nbsp;&nbsp;&nbsp;to the bone all this time<br>**[20:08] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;to try to forget that accident 25 years ago.<br>**[20:15] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to have put you through all that.<br>**[20:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grandpa...<br>**[20:21] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for today, would you mind<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving me alone with my son?<br>**[20:26] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been 25 years. I want to<br>&nbsp;&nbsp;&nbsp;&nbsp;listen to whatever he has to say.<br>**[20:45] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm worried I might have<br>&nbsp;&nbsp;&nbsp;&nbsp;hurt Grandpa all over again.<br>**[20:53] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then! I've worked up an appetite,<br>&nbsp;&nbsp;&nbsp;&nbsp;so today will be my treat!<br>**[20:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything you want. Don't hold back.<br>**[21:01] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, what I want is a Kaku Highball.<br>**[21:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;French
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[22:43] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for coming so far out the other day.<br>**[22:47] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was nothing.<br>**[22:49] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;After my son died, I tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to build up a world-class hotel<br>**[22:55] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a way of atoning for my sins.<br>**[22:58] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was extremely lonely during those years.<br>**[23:02] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing that gave me comfort<br>&nbsp;&nbsp;&nbsp;&nbsp;was a drink from the late owner of Lapin.<br>**[23:09] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, comfort doesn't come from money<br>&nbsp;&nbsp;&nbsp;&nbsp;or possessions, but only from other people.<br>**[23:16] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all about the person.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all about the bartender.<br>**[23:19] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the reason bars exist.<br>**[23:22] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that final Glass of God, well,<br>**[23:27] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's the last salvation for a soul, hurt by<br>&nbsp;&nbsp;&nbsp;&nbsp;loneliness, that has nowhere else to go.<br>**[23:33] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I think you're able to make that.<br>**[23:35] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I absolutely want you to make that.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 12
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;An Important Job
<br>

# E12 - An Important Job

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GN7UD1M3M/an-important-job)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Osada Hiroshi
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Two Poems
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;I Will Take a Flower and Go to See You
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Life is One Day in the Forest 
<br>**[00:07] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[00:09] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chairman?<br>**[00:10] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grandpa?<br>**[00:13] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late!<br>**[00:15] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The general managers and<br>&nbsp;&nbsp;&nbsp;&nbsp;board members already came to visit.<br>**[00:19] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got here as fast as we could!<br>**[00:21] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;We heard that you collapsed.<br>**[00:24] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what? I was a little anemic<br>&nbsp;&nbsp;&nbsp;&nbsp;and just got dizzy.<br>**[00:28] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at me now! I'm strong as an ox.<br>**[00:31] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[00:33] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're satisfied, then<br>&nbsp;&nbsp;&nbsp;&nbsp;hurry up and get back to work.<br>**[00:36] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww. One second you yell at us for<br>&nbsp;&nbsp;&nbsp;&nbsp;being late, the next you tell us to leave?<br>**[00:40] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have been worried about you.<br>**[00:42] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, didn't you just call him "Grandpa"?<br>&nbsp;&nbsp;&nbsp;&nbsp;Senpai, does that make you...<br>**[00:47] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;His granddaughter.<br>**[00:48] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[00:49] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't I tell you?<br>**[00:50] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you didn't!<br>**[00:52] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, settle down. Let's head back.<br>**[00:54] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse us, Chairman!<br>**[00:55] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, try to get some rest, Grandpa.<br>**[00:58] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[01:01] Nishizawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chairman, do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura Ryu will join us?<br>**[01:07] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done everything I can.<br>**[01:09] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest all depends<br>&nbsp;&nbsp;&nbsp;&nbsp;on how he feels about it.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Glass of God
<br>**[03:01] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[03:03] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this garbage?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Will
<br>**[03:06] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:09] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kurosawa-sensei, have you<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten adjusted to the hotel yet?<br>**[03:14] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's the writing coming along?<br>**[03:16] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, people say that an author's<br>&nbsp;&nbsp;&nbsp;&nbsp;first new work after winning an award<br>**[03:20] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what really cements their reputation.<br>**[03:23] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize. I'm having<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble finishing it.<br>**[03:27] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kurosawa-sensei, what's crucial<br>&nbsp;&nbsp;&nbsp;&nbsp;for a young author is speed! Speed!<br>**[03:31] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to finish your next work<br>&nbsp;&nbsp;&nbsp;&nbsp;while the public is still interested.<br>**[03:34] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that.<br>**[03:35] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do already have<br>&nbsp;&nbsp;&nbsp;&nbsp;the concept, though, right?<br>**[03:37] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ending... isn't done.<br>**[03:39] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm sure you've started writing, right?<br>**[03:43] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[03:44] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then could you at least tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;the title for now?<br>**[03:48] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need it to write an<br>&nbsp;&nbsp;&nbsp;&nbsp;announcement for advertising.<br>**[03:51] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The title is "Will."<br>**[03:55] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:56] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds a little gloomy, but something<br>&nbsp;&nbsp;&nbsp;&nbsp;unexpected like that might be good.<br>**[04:01] Editor**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, please have the<br>&nbsp;&nbsp;&nbsp;&nbsp;manuscript ready by next week.<br>**[04:05] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;A novel manuscript named "Will," huh?<br>**[04:08] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. That made me worry a little.<br>**[04:12] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean Kurosawa-sama in room 1125,<br>&nbsp;&nbsp;&nbsp;&nbsp;I do see him here often.<br>**[04:17] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says he's been holed up in the hotel<br>&nbsp;&nbsp;&nbsp;&nbsp;and comes here to let off steam.<br>**[04:21] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Holed up?<br>**[04:22] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like he's locked himself<br>&nbsp;&nbsp;&nbsp;&nbsp;in a hotel to finish a manuscript.<br>**[04:27] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean he's<br>&nbsp;&nbsp;&nbsp;&nbsp;a novelist or something?<br>**[04:30] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's Kurosawa Junichiro, then he's<br>&nbsp;&nbsp;&nbsp;&nbsp;an author who suddenly became man of the hour<br>**[04:35] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;after he won the Mystery<br>&nbsp;&nbsp;&nbsp;&nbsp;Novel Award this year.<br>**[04:37] Staff**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that right? Then I'm sorry<br>&nbsp;&nbsp;&nbsp;&nbsp;for jumping to conclusions.<br>**[04:41] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I think you made the right decision.<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for speaking up.<br>**[04:45] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;How often does Kurosawa-sama<br>&nbsp;&nbsp;&nbsp;&nbsp;come to the lounge bar, then?<br>**[04:49] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;He comes every day.<br>**[04:50] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every day?<br>**[04:51] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. He drinks here and then goes<br>&nbsp;&nbsp;&nbsp;&nbsp;barhopping around town at night.<br>**[04:56] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a daily thing for him.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza Shopping Center
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Ginza M's Building
<br>**[05:09] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san, do you like reading books?<br>**[05:12] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, quite a bit.<br>**[05:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I typically borrow them<br>&nbsp;&nbsp;&nbsp;&nbsp;from the library, though.<br>**[05:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that you mention it, you had a<br>&nbsp;&nbsp;&nbsp;&nbsp;library book with you when we first met.<br>**[05:23] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right. Thank you again<br>&nbsp;&nbsp;&nbsp;&nbsp;for your help back then.<br>**[05:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reading a variety of books gives me<br>&nbsp;&nbsp;&nbsp;&nbsp;new things to talk about with my guests.<br>**[05:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I make a habit of checking out books<br>&nbsp;&nbsp;&nbsp;&nbsp;that are currently popular.<br>**[05:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of what I've seen recently,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kurosawa Junichiro's book was quite interesting.<br>**[05:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was apparently a corporate employee<br>&nbsp;&nbsp;&nbsp;&nbsp;before becoming an author.<br>**[05:44] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He drew on that experience when<br>&nbsp;&nbsp;&nbsp;&nbsp;writing his award-winning novel.<br>**[05:48] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry. I didn't mean to ramble.<br>**[05:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[05:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. He named it "Will"?<br>**[06:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is a professional writer, so it was<br>&nbsp;&nbsp;&nbsp;&nbsp;probably just part of a manuscript...<br>**[06:14] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;a pleasant thing to talk about.<br>**[06:18] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm still a little worried about it.<br>**[06:32] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa. Oof.<br>**[06:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome. Please sit wherever you like.<br>**[06:40] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[06:46] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was walking around, lost in thought, when<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw a light coming from the basement.<br>**[06:55] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;So it's true that he goes*<br>*&nbsp;&nbsp;&nbsp;&nbsp;barhopping every night.*<br>**[07:00] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But he doesn't seem to be drunk.*<br>**[07:03] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll start off with a vodka cocktail.<br>**[07:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm very sorry, sir,<br>**[07:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but today, this bar has no alcohol<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'm able to serve you.<br>**[07:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I said that to you, what would you do?<br>**[07:22] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me one thing.<br>**[07:24] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a man can't drink alcohol,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is he supposed to drink<br>**[07:27] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;when he's given up on work and life?<br>**[07:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I ask what you think is the most<br>&nbsp;&nbsp;&nbsp;&nbsp; important job any person can perform?<br>**[07:37] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question. A pretender might answer,<br>&nbsp;&nbsp;&nbsp;&nbsp;"making oneself useful in society."<br>**[07:43] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he's trying to sound like a tough guy,<br>&nbsp;&nbsp;&nbsp;&nbsp;he might insist it's making money.<br>**[07:46] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting famous and sleeping with all of<br>&nbsp;&nbsp;&nbsp;&nbsp;the women in the world might also sound good.<br>**[07:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are all incorrect.<br>&nbsp;&nbsp;&nbsp;&nbsp;None of those matter at all.<br>**[07:54] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think so?<br>**[07:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:58] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most important job<br>&nbsp;&nbsp;&nbsp;&nbsp;that any person can perform...<br>**[08:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;is simply living. To keep on living.<br>**[08:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bar offers drinks to serve<br>&nbsp;&nbsp;&nbsp;&nbsp;that one purpose alone.<br>**[08:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;No person has the right to die.<br>**[08:14] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because your life doesn't belong to you alone.<br>**[08:18] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're telling me it belongs<br>&nbsp;&nbsp;&nbsp;&nbsp;to your parents or family?<br>**[08:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;On occasion, it may also be<br>&nbsp;&nbsp;&nbsp;&nbsp;in the hands of the bartender.<br>**[08:30] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh.<br>**[08:33] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought so.*<br>**[08:35] Miwa**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Sasakura-san also noticed*<br>*&nbsp;&nbsp;&nbsp;&nbsp;that something isn't right with him.*<br>**[08:39] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;When a man is considering suicide,<br>**[08:42] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll choose one of two types of people<br>&nbsp;&nbsp;&nbsp;&nbsp;to be his final companion.<br>**[08:46] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is the priest.<br>**[08:47] (Flashback) Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the other is...<br>**[08:50] (Flashback) Kitakata**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bartender.<br>**[08:54] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to Bernard Shaw, there are<br>&nbsp;&nbsp;&nbsp;&nbsp;apparently two tragedies in life.<br>**[09:00] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;One is not to get your heart's desire.<br>&nbsp;&nbsp;&nbsp;&nbsp;The other is to get it.<br>**[09:06] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you gain your heart's desire,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll face other tragedies.<br>**[09:09] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't realize that at the time.<br>**[09:13] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was bowing down to incompetent<br>&nbsp;&nbsp;&nbsp;&nbsp;bosses every single boring day,<br>**[09:17] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;the only chance I had to forget<br>&nbsp;&nbsp;&nbsp;&nbsp;everything else and lose myself<br>**[09:20] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;was when I was at home<br>&nbsp;&nbsp;&nbsp;&nbsp;working on my manuscripts.<br>**[09:23] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those were better days.<br>**[09:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir, do you know the difference between<br>&nbsp;&nbsp;&nbsp;&nbsp;a professional and an amateur?<br>**[09:29] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? No.<br>**[09:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Years ago, when I was depressed<br>&nbsp;&nbsp;&nbsp;&nbsp;from constantly making mistakes,<br>**[09:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;my mentor told me this.<br>**[09:36] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ryu. Becoming a professional is simple.<br>**[09:40] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truly difficult thing is<br>&nbsp;&nbsp;&nbsp;&nbsp;maintaining that professionalism.<br>**[09:44] (Flashback) Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maintaining professionalism?<br>**[09:46] (Flashback) Kase**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You should drink this.<br>&nbsp;&nbsp;&nbsp;&nbsp;I made this for that reason.<br>**[09:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I drank that cocktail,<br>**[09:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally understood what it meant<br>&nbsp;&nbsp;&nbsp;&nbsp;to maintain one's professionalism.<br>**[10:02] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. You've piqued my curiosity.<br>**[10:05] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what does it mean<br>&nbsp;&nbsp;&nbsp;&nbsp;to maintain your professionalism?<br>**[10:08] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you drink it, I'm sure you'll understand.<br>**[10:12] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nice.<br>**[10:13] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to know what kind of cocktail<br>&nbsp;&nbsp;&nbsp;&nbsp;your mentor served you, then. Make me one.<br>**[10:39] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. A Sledgehammer.<br>**[10:42] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name is a bit of an overstatement.<br>**[10:48] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It goes down easy but still packs<br>&nbsp;&nbsp;&nbsp;&nbsp;a big punch. It really is a hammer.<br>**[10:54] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sledgehammer is like a large mallet<br>&nbsp;&nbsp;&nbsp;&nbsp;that you have to swing with two hands.<br>**[11:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It lets you break down walls. That's<br>&nbsp;&nbsp;&nbsp;&nbsp;what maintaining professionalism means.<br>**[11:05] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that's what my mentor<br>&nbsp;&nbsp;&nbsp;&nbsp;was trying to tell me.<br>**[11:08] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that make this ice cube<br>&nbsp;&nbsp;&nbsp;&nbsp;a chunk of that destroyed wall?<br>**[11:12] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, what makes you think<br>&nbsp;&nbsp;&nbsp;&nbsp;I've hit a wall in the first place?<br>**[11:18] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you were walking.<br>**[11:21] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bartender can learn a lot from the few steps<br>&nbsp;&nbsp;&nbsp;&nbsp;a guest takes from the door to the bar.<br>**[11:28] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's one thing if he's drunk,<br>**[11:30] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when a guest has had nothing to drink<br>&nbsp;&nbsp;&nbsp;&nbsp;and still can't walk straight,<br>**[11:34] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's in danger.<br>**[11:36] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In danger," huh? You sound<br>&nbsp;&nbsp;&nbsp;&nbsp;like you've seen a lot.<br>**[11:40] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you speaking from your own experience?<br>**[11:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anatole France is known for saying,<br>**[11:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Dying takes a great deal of effort."<br>**[11:52] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if it takes the same amount of effort,<br>&nbsp;&nbsp;&nbsp;&nbsp;why not just live on?<br>**[11:56] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure can be preachy, you bartenders.<br>**[12:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's the life I chose.<br>**[12:04] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it is an important job.<br>**[12:13] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I'll be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;write my novel now.<br>**[12:17] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, I'm imagining a story about a nosy,<br>&nbsp;&nbsp;&nbsp;&nbsp;cocky, preachy bartender who...<br>**[12:24] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bang!" Gets murdered.<br>**[12:27] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it's done, I'll let you read it first.<br>**[12:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly. I'm looking forward to it.<br>**[12:33] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Sledgehammer was delicious.<br>**[12:37] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like it gave me<br>&nbsp;&nbsp;&nbsp;&nbsp;a good kick in the pants.<br>**[12:40] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was lost, wandering around in the dark<br>&nbsp;&nbsp;&nbsp;&nbsp;because I couldn't write a single word.<br>**[12:47] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Edenhall...<br>**[12:49] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;When my lonely soul felt like<br>&nbsp;&nbsp;&nbsp;&nbsp;it was on the verge of death,<br>**[12:53] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was saved in this underground paradise.<br>**[12:57] Kurosawa**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be back.<br>**[13:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[13:04] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a relief.<br>**[13:10] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Glass of God saved a guest's soul.<br>**[13:16] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your drink did it this time, Sasakura-san.<br>**[13:25] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Special Collection: The Soul of Japan<br>
&nbsp;&nbsp;&nbsp;&nbsp; The Four Seasons
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Contemporary <br>
&nbsp;&nbsp;&nbsp;&nbsp;French Literature
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Recommended <br>
&nbsp;&nbsp;&nbsp;&nbsp;French Literature
<br>**[13:38] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You spend your days off<br>&nbsp;&nbsp;&nbsp;&nbsp;reading library books?<br>**[13:42] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an admirable bartender you are.<br>**[13:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bartenders work for such little pay that<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't indulge in more expensive hobbies.<br>**[13:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you feeling?<br>**[13:53] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit treating me like a sick man.<br>**[13:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. My apologies.<br>**[13:57] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think of it,<br>**[13:59] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is the first time we've sat<br>&nbsp;&nbsp;&nbsp;&nbsp;next to each other to talk.<br>**[14:03] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;At Edenhall, we were always face to face.<br>**[14:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[14:08] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how about it? Wanna have<br>&nbsp;&nbsp;&nbsp;&nbsp;a drink with me now?<br>**[14:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we head to a bar somewhere?<br>**[14:14] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no need for that.<br>**[14:17] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make you a drink here.<br>**[14:22] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;British royalty sure were a playful bunch.<br>**[14:26] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;When they were out hunting, they used to<br>&nbsp;&nbsp;&nbsp;&nbsp;have a toast over the game they had just shot.<br>**[14:30] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? I filled it with brandy.<br>**[14:33] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[14:36] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers.<br>**[14:38] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a bar...<br>**[14:39] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[14:41] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are two things that the bartender<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot make, no matter how skilled.<br>**[14:46] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what they are?<br>**[14:48] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some kind of riddle?<br>**[14:49] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[14:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first is this cocktail.<br>**[14:56] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are. A Nikolaschka.<br>**[15:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Named after the nickname of<br>&nbsp;&nbsp;&nbsp;&nbsp;the last Russian emperor, Nikolai II.<br>**[15:03] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was named that because it resembled<br>&nbsp;&nbsp;&nbsp;&nbsp;the shape of the emperor's hat<br>**[15:06] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and because the emperor supposedly<br>&nbsp;&nbsp;&nbsp;&nbsp;took brandy wherever he went.<br>**[15:11] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you supposed to drink it?<br>**[15:13] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fold the lemon with sugar in half<br>&nbsp;&nbsp;&nbsp;&nbsp;and put it in your mouth,<br>**[15:17] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then pour the brandy in. It's like<br>&nbsp;&nbsp;&nbsp;&nbsp;making a Sidecar inside your mouth.<br>**[15:22] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. There's no need for a bartender<br>&nbsp;&nbsp;&nbsp;&nbsp;if you mix it in your mouth.<br>**[15:33] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It tastes very different from the kinds<br>&nbsp;&nbsp;&nbsp;&nbsp;of cocktails you get at bars at night.<br>**[15:39] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then? What's the second thing<br>&nbsp;&nbsp;&nbsp;&nbsp;a bartender can't make?<br>**[15:45] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;The mark that each guest makes there.<br>**[15:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;After serving many different drinks,<br>**[15:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to make each one<br>&nbsp;&nbsp;&nbsp;&nbsp;the ideal beverage for that one guest,<br>**[15:57] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;the memories those guests have,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the marks they leave,<br>**[16:00] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;become the history of the bar itself.<br>**[16:04] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;And whenever you go to the bar,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can meet your old self again.<br>**[16:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[16:11] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that your condition<br>&nbsp;&nbsp;&nbsp;&nbsp;for coming to work at my bar?<br>**[16:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, no. It's merely a request.<br>**[16:17] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm.<br>**[16:22] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.<br>**[16:24] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:32] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for waiting.<br>**[16:35] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you dressed like that?<br>**[16:38] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Makes me look young and fresh, right?<br>**[16:41] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll accept your condition completely.<br>**[16:43] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you really? Thank you very much.<br>**[16:46] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in exchange...<br>**[16:50] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;A glove?<br>**[16:52] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spend a little time with me.<br>**[16:57] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's brand new.<br>**[16:59] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to be your sports partner?<br>**[17:02] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never got a chance<br>&nbsp;&nbsp;&nbsp;&nbsp;to play catch with my son.<br>**[17:06] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my one and only regret in life.<br>**[17:10] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never did with my father either.<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a very busy person.<br>**[17:14] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So neither of us got a chance.<br>**[17:19] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't go easy on you!<br>**[17:22] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't strain yourself.<br>**[17:26] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[17:27] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oops.<br>**[17:31] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please try to throw it better!<br>**[17:33] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you need to catch it better!<br>**[17:36] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh boy. Here I go.<br>**[17:39] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There!<br>**[17:41] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it!<br>**[17:46] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spring already.<br>**[17:47] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;"On that spring day,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will go to see you," was it?<br>**[17:52] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't that be, "I will take<br>&nbsp;&nbsp;&nbsp;&nbsp;a flower and go to see you"?<br>**[17:56] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you know it?<br>**[18:01] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"On that spring day, I will go to see you.*<br>**[18:06] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are someone that I have lost.*<br>**[18:10] Taizo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;You are someone who is no longer here.*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I will go see you who are no longer here.*<br>**[18:17] Taizo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With a glass of pure water*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and a lovely flower in my hands.*<br>**[18:22] Taizo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;'I am no longer here? That is not true,'*<br>*&nbsp;&nbsp;&nbsp;&nbsp;the missing person says.*<br>**[18:29] Taizo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;'I am not nowhere. In fact,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;I am not going anywhere.*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Today Is<br>
&nbsp;&nbsp;&nbsp;&nbsp; We-skey
<br>**[18:35] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will always be here.'*<br>**[18:38] Taizo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;As the branches of the spring*<br>*&nbsp;&nbsp;&nbsp;&nbsp;trees race to blossom*<br>**[18:42] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and reach upward to grasp for the misty sky.*<br>**[18:47] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*On that spring day, I will go to see you.*<br>**[18:51] Taizo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;With a glass of pure water*<br>*&nbsp;&nbsp;&nbsp;&nbsp;and a lovely flower in my hands."*<br>**[18:55] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't catch, this is chase!<br>**[18:59] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're getting some good exercise, though!<br>**[19:01] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't act so high-handed!<br>**[19:07] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, take this!<br>**[19:11] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice throw!<br>**[19:12] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[19:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I go!<br>**[19:18] Taizo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;What do people leave*<br>*&nbsp;&nbsp;&nbsp;&nbsp;with others after they're gone?*<br>**[19:21] Taizo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Only the thoughts and memories*<br>*&nbsp;&nbsp;&nbsp;&nbsp;of the time they were alive.*<br>**[19:27] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Will you hold on to that memory of me?*<br>**[19:31] Taizo**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Of the day you and I played*<br>*&nbsp;&nbsp;&nbsp;&nbsp;catch together?*<br>**[19:42] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;The day has finally arrived.<br>**[19:46] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time to open the sealed door.<br>**[19:49] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure was a long road getting here, though.<br>**[19:53] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm very sorry for all the trouble.<br>**[19:54] Kamishima**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you requested, I went and borrowed<br>&nbsp;&nbsp;&nbsp;&nbsp;the exact sign from the door in Ginza.<br>**[20:00] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was something I promised him.<br>**[20:03] Miwa**<br>&nbsp;&nbsp;&nbsp;&nbsp;This marks the beginning<br>&nbsp;&nbsp;&nbsp;&nbsp;of a new age for Edenhall.<br>**[20:07] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what does "Edenhall" mean anyway?<br>**[20:11] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from an old English tale.<br>**[20:14] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;A long, long time ago, the fairies used to<br>&nbsp;&nbsp;&nbsp;&nbsp;gather to drink and carouse every night<br>**[20:18] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;at a mansion named Edenhall.<br>**[20:21] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, one day, they were<br>&nbsp;&nbsp;&nbsp;&nbsp;seen by some humans.<br>**[20:26] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fairies departed the mansion,<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving only one glass behind,<br>**[20:31] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;saying, "If you knock<br>&nbsp;&nbsp;&nbsp;&nbsp;over or break this glass,<br>**[20:34] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will say farewell to<br>&nbsp;&nbsp;&nbsp;&nbsp;the good fortune of Edenhall."<br>**[20:39] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if we hadn't carried on the Edenhall name,<br>**[20:43] Yukari**<br>&nbsp;&nbsp;&nbsp;&nbsp;we might have said farewell<br>&nbsp;&nbsp;&nbsp;&nbsp;to its good fortune too.<br>**[20:46] Taizo**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, exactly.<br>**[22:15] Ryu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome.<br>