# 13 - The Path of the Storm

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRZX45ZVY/akagi)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[01:13] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi and Urabe's fight was<br>&nbsp;&nbsp;&nbsp;&nbsp;at last entering its final stage.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Episode 13
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Path of the Storm
<br>**[01:22] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi is in a naked wait.<br>**[01:30] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[01:31] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you're saying is crazy!<br>**[01:33] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say Urabe will definitely<br>&nbsp;&nbsp;&nbsp;&nbsp;deal into your naked wait?<br>**[01:37] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you be so sure?<br>**[01:40] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he was also in a naked<br>&nbsp;&nbsp;&nbsp;&nbsp;wait, then I could see it.<br>**[01:42] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he hasn't declared<br>&nbsp;&nbsp;&nbsp;&nbsp;riichi or called any tiles.<br>**[01:45] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can choose from any of<br>&nbsp;&nbsp;&nbsp;&nbsp;the 14 tiles in his hand.<br>**[01:48] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;The odds that he'll deal into your hand<br>&nbsp;&nbsp;&nbsp;&nbsp;are low, no matter how you look at it!<br>**[01:52] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Definitely deal into it?*<br>**[01:55] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's nothing but a bluff.*<br>**[01:57] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*His magic could only get his haitei,*<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Haitei - Another name for houtei raoyui.  1 han is added if the player wins on the last discard.
<br>**[02:00] ura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;four dora hand into tenpai,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;but nothing more.*<br>**[02:06] ura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;I have twelve different tiles in*<br>*&nbsp;&nbsp;&nbsp;&nbsp;my hand, and can pick any of them.*<br>**[02:10] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I will be choosing, not him!*<br>**[02:13] ura**<br>*&nbsp;&nbsp;&nbsp;&nbsp;Even if I have his winning tile in my*<br>*&nbsp;&nbsp;&nbsp;&nbsp;hand, it's a one in twelve chance.*<br>**[02:18] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't deal into his hand!*<br>**[02:19] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll dodge it!*<br>**[02:20] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm sure!*<br>**[02:23] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Is this it?*<br>**[02:25] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Or this?*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Damn it!*<br>**[02:28] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This one!*<br>**[02:36] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*How about it?*<br>**[02:37] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This can't be it.*<br>**[02:39] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's no way it's the 2 of circles!*<br>**[02:43] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't tell me...<br>**[02:46] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is this...<br>**[02:48] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dream?<br>**[03:01] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ron...<br>**[03:02] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haitei, four dora. Mangan.<br>**[03:07] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's taken the lead.<br>**[03:09] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Impossible...<br>**[03:11] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[03:12] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could this be?<br>**[03:18] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;An upset.<br>**[03:20] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;An unprecedented upset.<br>**[03:22] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;The deathmatch between<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi and Urabe is over!<br>**[03:27] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;The miracle happened again.<br>**[03:29] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six years ago on that devilish night, Akagi,<br>**[03:32] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was just a beginner,<br>&nbsp;&nbsp;&nbsp;&nbsp;defeated the blind master, Ichikawa.<br>**[03:36] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;That miraculous game was<br>&nbsp;&nbsp;&nbsp;&nbsp;recreated here tonight.<br>**[03:45] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Osamu.<br>**[03:46] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going home.<br>**[03:47] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm done here.<br>**[03:49] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beat Urabe who in<br>&nbsp;&nbsp;&nbsp;&nbsp;turn defeated the fake.<br>**[03:52] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt there's anything left to do.<br>**[03:53] osa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't seem to be that way.<br>**[03:58] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi, you're the real deal,<br>&nbsp;&nbsp;&nbsp;&nbsp;without a shadow of a doubt.<br>**[04:05] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[04:07] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't come here to try something<br>&nbsp;&nbsp;&nbsp;&nbsp;cheap like recruiting you.<br>**[04:09] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want you to explain.<br>**[04:16] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you know that Urabe would pick<br>**[04:18] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;and discard the 2 of circles<br>&nbsp;&nbsp;&nbsp;&nbsp;in that last hand?<br>**[04:22] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I let you go without hearing that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be able to sleep tonight.<br>**[04:27] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be torture.<br>**[04:29] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be polite to<br>&nbsp;&nbsp;&nbsp;&nbsp;explain it before you go.<br>**[04:31] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I wrong?<br>**[04:35] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[04:37] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't take long to explain.<br>**[04:43] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;The others left, but the<br>&nbsp;&nbsp;&nbsp;&nbsp;tiles are left untouched.<br>**[04:47] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it would be easier<br>&nbsp;&nbsp;&nbsp;&nbsp;to explain that way.<br>**[04:49] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[04:50] guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[04:55] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you know that he would<br>**[04:58] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;definitely discard a 2 of<br>&nbsp;&nbsp;&nbsp;&nbsp;circles from this hand?<br>**[05:01] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before that, how did you even know<br>&nbsp;&nbsp;&nbsp;&nbsp;he had a 2 of circles at all?<br>**[05:06] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boss, the reason that Urabe had<br>&nbsp;&nbsp;&nbsp;&nbsp;and discarded the 2 of circles<br>**[05:13] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the pinnacle of the building block<br>&nbsp;&nbsp;&nbsp;&nbsp;structure that I call strategy.<br>**[05:21] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explaining just that will be hard to follow,<br>**[05:24] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll start at the bottom.<br>**[05:26] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bottom?<br>**[05:27] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is actually the most important.<br>**[05:31] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to win at Mahjong,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to understand how<br>**[05:34] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;your opponent thinks on<br>&nbsp;&nbsp;&nbsp;&nbsp;the most primal level.<br>**[05:37] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the foundation.<br>**[05:40] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I built a strategy on top of that foundation.<br>**[05:44] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kept building it higher and higher.<br>**[05:50] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;By doing so, I was able to guide Urabe<br>**[05:53] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the hell of discarding<br>&nbsp;&nbsp;&nbsp;&nbsp;the 2 of circles in the end.<br>**[05:57] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;People show their true nature<br>&nbsp;&nbsp;&nbsp;&nbsp;when they're faced with danger.<br>**[06:00] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to measure that<br>**[06:02] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;when he's in his normal state<br>&nbsp;&nbsp;&nbsp;&nbsp;to be certain it's accurate.<br>**[06:06] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's crucial to determine his<br>&nbsp;&nbsp;&nbsp;&nbsp;true nature in the beginning.<br>**[06:10] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sending in Osamu as<br>&nbsp;&nbsp;&nbsp;&nbsp;bait was part of that.<br>**[06:15] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe let Osamu play freely for a while.<br>**[06:18] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone like him should have instantly<br>**[06:21] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;had a good idea of Osamu's<br>&nbsp;&nbsp;&nbsp;&nbsp;skill the moment he sat down.<br>**[06:24] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite that, he opted<br>&nbsp;&nbsp;&nbsp;&nbsp;to observe him longer.<br>**[06:28] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when I started to sense something.<br>**[06:32] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sense what?<br>**[06:34] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The psychological habit rooted<br>&nbsp;&nbsp;&nbsp;&nbsp;in the deepest recesses of his mind.<br>**[06:38] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its tendency started to shimmer through.<br>**[06:42] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply put, when he's facing danger,<br>&nbsp;&nbsp;&nbsp;&nbsp;he will neither charge in nor retreat.<br>**[06:49] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the kind of player who will stand still.<br>**[06:52] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deferring was the true<br>&nbsp;&nbsp;&nbsp;&nbsp;nature of his game style.<br>**[06:54] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why he just observed<br>&nbsp;&nbsp;&nbsp;&nbsp;Osamu, to see what was up.<br>**[07:00] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This tendency continued even<br>&nbsp;&nbsp;&nbsp;&nbsp;after I joined the game.<br>**[07:03] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I declared my empty riichi,<br>&nbsp;&nbsp;&nbsp;&nbsp;he meticulously played it safe.<br>**[07:08] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;While he skillfully evaded my wait and won,<br>**[07:10] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;he lost something important in return.<br>**[07:13] ish**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something important?<br>**[07:14] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Through his discards as well<br>&nbsp;&nbsp;&nbsp;&nbsp;as his own winning hand,<br>**[07:18] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was able to discern the<br>&nbsp;&nbsp;&nbsp;&nbsp;habits and tendencies<br>**[07:20] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;that applied to what he considered safe,<br>**[07:22] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and what he considered dangerous.<br>**[07:25] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Basically his playing style.<br>**[07:28] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is the kind of information<br>**[07:30] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;that decides a game of Mahjong in the end.<br>**[07:33] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What he lost was information<br>&nbsp;&nbsp;&nbsp;&nbsp;about himself.<br>**[07:36] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, on the other hand, hid everything.<br>**[07:39] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In South Hand 2, I even went<br>&nbsp;&nbsp;&nbsp;&nbsp;so far as to declare riichi<br>**[07:42] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then cover my tiles despite<br>&nbsp;&nbsp;&nbsp;&nbsp;having to pay the 8,000 point penalty.<br>**[07:46] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that moment, Urabe gained a<br>&nbsp;&nbsp;&nbsp;&nbsp;lot of land in terms of points,<br>**[07:50] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in terms of intelligence,<br>&nbsp;&nbsp;&nbsp;&nbsp;I had crushed him.<br>**[07:53] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't have any tangible<br>&nbsp;&nbsp;&nbsp;&nbsp;information about me.<br>**[07:58] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was my plan.<br>**[08:01] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next hand, I pulled<br>&nbsp;&nbsp;&nbsp;&nbsp;the suu ankou open riichi.<br>**[08:04] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;On top of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I took the suu ankou win<br>**[08:06] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;not just once, but three times,<br>**[08:08] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;effectively losing because<br>&nbsp;&nbsp;&nbsp;&nbsp;of my recklessness.<br>**[08:10] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a play style that<br>&nbsp;&nbsp;&nbsp;&nbsp;absolutely didn't fit<br>**[08:13] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe's logic and experience,<br>&nbsp;&nbsp;&nbsp;&nbsp;so he was unable to process it.<br>**[08:16] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe picked up more points that hand,<br>**[08:18] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but his impression of<br>&nbsp;&nbsp;&nbsp;&nbsp;me became even murkier.<br>**[08:22] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wasn't able to shake this<br>&nbsp;&nbsp;&nbsp;&nbsp;eerie impression whatsoever,<br>**[08:26] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he had a giant lead<br>&nbsp;&nbsp;&nbsp;&nbsp;of 70,000 at that point.<br>**[08:29] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why he began to run away.<br>**[08:32] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I based my attack on his escape route.<br>**[08:34] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The wait on coincidence for the north wind.<br>**[08:36] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, this impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;wait would be hopeless.<br>**[08:40] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, this sanbaiman<br>&nbsp;&nbsp;&nbsp;&nbsp;hand with ten dora<br>**[08:41] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;shrank our point difference in a big way.<br>**[08:44] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one blow put him<br>&nbsp;&nbsp;&nbsp;&nbsp;in range for an upset.<br>**[08:47] (Flashback) fuj**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe.<br>**[08:48] (Flashback) fuj**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you do this?<br>**[08:50] (Flashback) ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry.<br>**[08:52] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that time,<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe pretended to be calm,<br>**[08:55] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he was quite shaken on the inside.<br>**[08:57] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the final stage,<br>&nbsp;&nbsp;&nbsp;&nbsp;his ass was already on fire,<br>**[09:01] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he still didn't know anything about me.<br>**[09:04] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a huge amount of<br>&nbsp;&nbsp;&nbsp;&nbsp;money riding on this match,<br>**[09:06] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he couldn't even see the<br>&nbsp;&nbsp;&nbsp;&nbsp;opponent he was fighting.<br>**[09:15] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that situation, the only thing<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe had left to rely on was logic.<br>**[09:20] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rational thinking he<br>&nbsp;&nbsp;&nbsp;&nbsp;cultivated over many years.<br>**[09:23] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that rationality is the very<br>&nbsp;&nbsp;&nbsp;&nbsp;thing that created another opening.<br>**[09:27] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;For me as the pursuer,<br>&nbsp;&nbsp;&nbsp;&nbsp;making him think that way was my goal.<br>**[09:33] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the final hand of the game, I was dealer.<br>**[09:35] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could cause an upset<br>&nbsp;&nbsp;&nbsp;&nbsp;with a haneman tsumo win,<br>**[09:37] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;or with a mangan hit off Urabe.<br>**[09:40] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the beginning of the hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe was still on the offensive.<br>**[09:43] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, that was only because<br>&nbsp;&nbsp;&nbsp;&nbsp;logic told him to do so,<br>**[09:47] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and not because he had<br>&nbsp;&nbsp;&nbsp;&nbsp;the conviction to win.<br>**[09:50] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That kind of offensive can be easily<br>&nbsp;&nbsp;&nbsp;&nbsp;overturned with just the slightest change.<br>**[09:55] (Flashback) aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kan.<br>**[10:00] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe was visibly shaken, in shock.<br>**[10:04] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he didn't give up yet.<br>**[10:05] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because I could potentially<br>&nbsp;&nbsp;&nbsp;&nbsp;get a haneman tsumo.<br>**[10:08] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, he didn't come straight at me.<br>**[10:11] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He played it safe.<br>**[10:13] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Discarding the 2 of circles.<br>**[10:14] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is his true nature.<br>**[10:16] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;His primal nature that comes<br>&nbsp;&nbsp;&nbsp;&nbsp;out when he's in a tough spot.<br>**[10:18] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;His tendency of deferring.<br>**[10:20] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither attacking nor defending.<br>**[10:22] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;His mind forces him into a standstill.<br>**[10:26] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That move was the proof that<br>&nbsp;&nbsp;&nbsp;&nbsp;his will was weakening.<br>**[10:32] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I called the 2 of characters and<br>**[10:34] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;the location of all the<br>&nbsp;&nbsp;&nbsp;&nbsp;dora became apparent.<br>**[10:37] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the only risk was a<br>&nbsp;&nbsp;&nbsp;&nbsp;direct mangan hit off him,<br>**[10:39] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;he couldn't handle it anymore.<br>**[10:42] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;After he drew a risky tile next,<br>**[10:44] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;he was out of the game and<br>&nbsp;&nbsp;&nbsp;&nbsp;discarded the 4 of circles.<br>**[10:48] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was also inspired by<br>&nbsp;&nbsp;&nbsp;&nbsp;the tendency of deferring.<br>**[10:50] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idea was to settle the match<br>**[10:51] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the next game instead<br>&nbsp;&nbsp;&nbsp;&nbsp;of the current one.<br>**[10:54] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Running away and calling it deferring.<br>**[10:57] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;As expected, after the 4 of circles,<br>&nbsp;&nbsp;&nbsp;&nbsp;he only discarded safe tiles.<br>**[11:00] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was out the game.<br>**[11:02] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now the possibility of him<br>&nbsp;&nbsp;&nbsp;&nbsp;winning that hand was gone.<br>**[11:05] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He retreated in the moment of truth.<br>**[11:08] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "three turns in the future" that I<br>&nbsp;&nbsp;&nbsp;&nbsp;went so far as to pay the 8,000 penalty for<br>**[11:12] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;were these three discards:<br>**[11:14] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The red dragon, the 6 of characters<br>&nbsp;&nbsp;&nbsp;&nbsp;that made the dora safe,<br>**[11:18] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the 4 of circles.<br>**[11:21] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially the 4 of circles in the ninth turn.<br>**[11:23] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to coax out his decision to retreat.<br>**[11:28] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he had still been<br>&nbsp;&nbsp;&nbsp;&nbsp;on the offensive there,<br>**[11:31] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know how the game<br>&nbsp;&nbsp;&nbsp;&nbsp;would have ended up.<br>**[11:34] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;His final hand looked like this,<br>**[11:37] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;so from his discards, you could tell<br>&nbsp;&nbsp;&nbsp;&nbsp;there were many ways he could've won.<br>**[11:41] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, he could<br>&nbsp;&nbsp;&nbsp;&nbsp;have won like this.<br>**[11:45] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is pointless as there<br>&nbsp;&nbsp;&nbsp;&nbsp;is no end to these speculations.<br>**[11:52] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, it is my style of Mahjong<br>**[11:55] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;to restrict his ability to move.<br>**[11:56] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody was captivated<br>&nbsp;&nbsp;&nbsp;&nbsp;and couldn't say a word.<br>**[11:59] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi's logic that flowed<br>&nbsp;&nbsp;&nbsp;&nbsp;quietly through his explanation<br>**[12:02] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't just simple probabilities.<br>**[12:05] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi's logic kept evolving according to<br>**[12:09] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;his opponent's state of mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;through which one could almost hear<br>**[12:11] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe's blood flowing, the air<br>&nbsp;&nbsp;&nbsp;&nbsp;he breathed in and out...<br>**[12:14] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;This logic was a living entity.<br>**[12:23] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, this 4 of<br>&nbsp;&nbsp;&nbsp;&nbsp;circles was the crossroads.<br>**[12:26] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, Urabe was on full defense.<br>**[12:29] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing but safe tiles.<br>&nbsp;&nbsp;&nbsp;&nbsp;He was out of the game.<br>**[12:32] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's only natural if you think about it.<br>**[12:34] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that point, I had exposed two<br>&nbsp;&nbsp;&nbsp;&nbsp;parts of my hand and discarded a dora.<br>**[12:38] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Additionally, Urabe had wagered<br>&nbsp;&nbsp;&nbsp;&nbsp;money that far surpassed his capacity.<br>**[12:43] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wouldn't jump to risky conclusions.<br>**[12:45] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had to assume I was in tenpai.<br>**[12:46] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which meant he couldn't discard<br>&nbsp;&nbsp;&nbsp;&nbsp;any risky tiles whatsoever.<br>**[12:49] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He discarded safe tiles<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as he had them.<br>**[12:52] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that inflexibility<br>&nbsp;&nbsp;&nbsp;&nbsp;was actually his downfall.<br>**[12:56] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that point, I was still far from tenpai.<br>**[12:59] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he didn't even<br>&nbsp;&nbsp;&nbsp;&nbsp;consider that possibility.<br>**[13:02] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was just afraid, wasting<br>&nbsp;&nbsp;&nbsp;&nbsp;his lifelines, the safe tiles.<br>**[13:08] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it actually mattered, he ran out.<br>**[13:12] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the very last discard,<br>&nbsp;&nbsp;&nbsp;&nbsp;he had no more safe tiles.<br>**[13:16] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;What he assumed to be a tanyao<br>&nbsp;&nbsp;&nbsp;&nbsp;hand was actually a hand<br>**[13:18] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was specialized to go for one<br>&nbsp;&nbsp;&nbsp;&nbsp;single discard, his last tile.<br>**[13:22] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only that, it was a single wait.<br>**[13:25] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not something he can predict.<br>**[13:26] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's far beyond his ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to predict anyway.<br>**[13:30] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, he should have just<br>&nbsp;&nbsp;&nbsp;&nbsp;directly discarded the west wind he drew.<br>**[13:33] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was a random tile, it couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have been part of the trap.<br>**[13:38] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he couldn't do that.<br>**[13:40] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how deep the roots<br>&nbsp;&nbsp;&nbsp;&nbsp;of his suspicions went.<br>**[13:43] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that moment, every single tile<br>&nbsp;&nbsp;&nbsp;&nbsp;in his hand looked risky to him.<br>**[13:47] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, he couldn't immediately<br>&nbsp;&nbsp;&nbsp;&nbsp;discard the west wind he drew.<br>**[13:50] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last draw was from my wall.<br>**[13:53] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A west wind he was forced to draw<br>&nbsp;&nbsp;&nbsp;&nbsp;because of the north I called earlier.<br>**[13:55] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might've made him draw it on purpose.<br>**[13:57] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once he thought that,<br>&nbsp;&nbsp;&nbsp;&nbsp;he couldn't discard it.<br>**[14:00] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next, the green dragon.<br>**[14:01] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He couldn't discard it, either.<br>**[14:03] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The honor tiles in his hands were the<br>**[14:05] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;safe tiles against the tanyao<br>&nbsp;&nbsp;&nbsp;&nbsp;hand I kept hinting at.<br>**[14:08] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;To him, those must have been the<br>&nbsp;&nbsp;&nbsp;&nbsp;most obvious tiles for me to target.<br>**[14:12] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;6, 8, and 9 of bamboo are<br>&nbsp;&nbsp;&nbsp;&nbsp;out of the question, too.<br>**[14:14] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're too close to the<br>&nbsp;&nbsp;&nbsp;&nbsp;7 of bamboo in my kan.<br>**[14:17] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, tiles around there<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't be in my hand,<br>**[14:20] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm someone who might<br>&nbsp;&nbsp;&nbsp;&nbsp;secretly keep just one.<br>**[14:24] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Similarly, the tiles around the<br>&nbsp;&nbsp;&nbsp;&nbsp;7 of circles I called are out.<br>**[14:27] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 7 of characters is out, too.<br>**[14:29] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the remaining tile<br>&nbsp;&nbsp;&nbsp;&nbsp;of the sanshoku doukou.<br>**[14:31] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm going for the sanshoku doukou,<br>**[14:33] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's highly likely that I have a tile leftover.<br>**[14:35] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't discard it.<br>**[14:37] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 4 and 5 of characters<br>**[14:38] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;are too close to my last discard,<br>&nbsp;&nbsp;&nbsp;&nbsp;the 3 of characters.<br>**[14:41] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, he can't discard them, either.<br>**[14:45] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, the only two tiles<br>**[14:47] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe could even consider<br>&nbsp;&nbsp;&nbsp;&nbsp;discarding out of his 14 tiles<br>**[14:50] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;were the 2 of circles and the 4 of bamboo.<br>**[14:53] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 4 of bamboo is right next<br>&nbsp;&nbsp;&nbsp;&nbsp;to the 5 of bamboo<br>**[14:56] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I discarded from<br>&nbsp;&nbsp;&nbsp;&nbsp;my hand after my kan.<br>**[14:58] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means I could have had a<br>&nbsp;&nbsp;&nbsp;&nbsp;4 and 5 of bamboo in my hand<br>**[15:02] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;and discarded the 5 after<br>&nbsp;&nbsp;&nbsp;&nbsp;my 7 of bamboo kan.<br>**[15:05] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that were the case, I'd be<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting for the 4 of bamboo.<br>**[15:08] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;the 2 of circles had its neighbors,<br>**[15:12] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;1, 3, 4 of circles, immediately<br>&nbsp;&nbsp;&nbsp;&nbsp;discarded the entire time.<br>**[15:18] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Urabe would think.<br>**[15:23] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for someone who's setting a trap,<br>**[15:25] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;the very same reason I just used<br>**[15:28] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;for why the tile might be safe<br>&nbsp;&nbsp;&nbsp;&nbsp;becomes the reason to wait for it.<br>**[15:32] (Flashback) aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pon.<br>**[15:48] (Flashback) ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it!<br>**[15:57] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a good wait, wasn't it?<br>**[16:01] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Osamu, let's go.<br>**[16:03] osa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, sure.<br>**[16:06] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait.<br>**[16:06] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was only half of it.<br>**[16:11] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get why the 2 of circles had a<br>&nbsp;&nbsp;&nbsp;&nbsp;high chance of being discarded.<br>**[16:14] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no matter how high the chance is,<br>**[16:16] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;if he doesn't have it, it's meaningless.<br>**[16:18] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means you knew he had<br>&nbsp;&nbsp;&nbsp;&nbsp;that tile in his hand, didn't you?<br>**[16:23] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise there'd be no reason<br>&nbsp;&nbsp;&nbsp;&nbsp;to wait for that 2 of circles.<br>**[16:27] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to know how you knew.<br>**[16:33] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got that 2 of circles on the seventh turn.<br>**[16:36] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the previous turn,<br>&nbsp;&nbsp;&nbsp;&nbsp;when Urabe discarded that tile,<br>**[16:40] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;a scent was left on it.<br>**[16:43] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;A scent?<br>**[16:44] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[16:45] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before he discarded that tile,<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe was still on the offensive.<br>**[16:50] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was in tenpai at that moment.<br>**[16:54] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he drew a live tile, the red dragon.<br>**[16:57] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering my four dora,<br>&nbsp;&nbsp;&nbsp;&nbsp;he couldn't discard it,<br>**[17:00] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he couldn't get out<br>&nbsp;&nbsp;&nbsp;&nbsp;of the game, either.<br>**[17:02] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he went for a safe tile.<br>**[17:04] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tile he picked for that was<br>&nbsp;&nbsp;&nbsp;&nbsp;the 2 of circles from his pair.<br>**[17:08] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was his habit to use the<br>&nbsp;&nbsp;&nbsp;&nbsp;pair in situations like this.<br>**[17:13] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, I saw Urabe do<br>&nbsp;&nbsp;&nbsp;&nbsp;that many times tonight.<br>**[17:16] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it was when faced with<br>&nbsp;&nbsp;&nbsp;&nbsp;Osamu or my riichi after that.<br>**[17:22] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a habit he couldn't shake.<br>**[17:25] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pattern ingrained in his body.<br>**[17:27] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that 2 of circles he<br>&nbsp;&nbsp;&nbsp;&nbsp;discarded last was the<br>**[17:30] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;leftover tile from the pair<br>&nbsp;&nbsp;&nbsp;&nbsp;he broke up in the sixth turn.<br>**[17:33] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the fatal baggage<br>&nbsp;&nbsp;&nbsp;&nbsp;he failed to take care of.<br>**[17:39] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the 2 of circles.<br>**[18:05] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a high price to pay.<br>**[18:08] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because I left such<br>&nbsp;&nbsp;&nbsp;&nbsp;a subtle sign behind.<br>**[18:12] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;The debt of 32 million...<br>**[18:14] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;and on top of that...<br>**[18:17] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;this!<br>**[18:21] osa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi-san, let's go.<br>**[18:24] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[18:27] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mark my words, Akagi!<br>**[18:29] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will defeat you!<br>**[18:31] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once my wounds are healed<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've paid off this debt,<br>**[18:34] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how long it takes,<br>**[18:36] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will defeat you someday! I swear!<br>**[18:42] osa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi-san, let's leave him.<br>**[18:44] osa**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's desperate now,<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't know what he might do.<br>**[18:48] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Desperate?<br>**[18:49] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not that kind of person.<br>**[18:55] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi!<br>**[18:59] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe, you'll defeat me someday?<br>**[19:02] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not possible.<br>**[19:06] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[19:07] ura**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want me to kill you?!<br>**[19:09] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urabe, you don't have to do it someday.<br>**[19:12] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do it now.<br>**[19:14] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll play one East-South match with you.<br>**[19:16] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I lose, I'll take over your entire debt.<br>**[19:20] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if I win,<br>**[19:23] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will take both of your hands.<br>**[19:27] osa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi-san!<br>**[19:28] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's ridiculous.<br>**[19:30] kaw**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no benefit for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;regardless of the outcome.<br>**[19:34] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never made a bet in my life<br>&nbsp;&nbsp;&nbsp;&nbsp;based on what I could gain.<br>**[19:38] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;People just die meaningless deaths<br>&nbsp;&nbsp;&nbsp;&nbsp;because of the outcome of a gamble.<br>**[19:42] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's better that way.<br>**[19:44] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way, we can get closer<br>&nbsp;&nbsp;&nbsp;&nbsp;to the essence of gambling,<br>**[19:49] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;the grip of unreasonable death.<br>**[19:54] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the real thrill of<br>&nbsp;&nbsp;&nbsp;&nbsp;gambling, right, Urabe?<br>**[20:11] osa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Akagi-san!<br>**[20:14] osa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a break!<br>**[20:16] osa**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you going to<br>&nbsp;&nbsp;&nbsp;&nbsp;do if he had accepted?<br>**[20:19] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That wouldn't have happened.<br>**[20:22] osa**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he was so...<br>**[20:24] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;His anger wasn't real anger.<br>**[20:27] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why he passed on<br>&nbsp;&nbsp;&nbsp;&nbsp;his chance at revenge.<br>**[20:32] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just shows what kind of man he was.<br>**[20:34] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's only a regular guy<br>**[20:36] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;who weighs even the pros<br>&nbsp;&nbsp;&nbsp;&nbsp;and cons of getting angry.<br>**[20:38] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That man will never experience<br>&nbsp;&nbsp;&nbsp;&nbsp;genuine anger in his life.<br>**[20:42] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like he'll never be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to have a true match.<br>**[20:46] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also can't have a true match...<br>**[20:49] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;not against someone like him.<br>**[20:51] aka**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not enough.<br>**[20:54] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;What Akagi really desires is a true match<br>&nbsp;&nbsp;&nbsp;&nbsp;where one's life is literally on the line.<br>**[21:03] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;One year later, Akagi would<br>&nbsp;&nbsp;&nbsp;&nbsp;actually have that match.<br>**[22:16] nar**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time,<br>&nbsp;&nbsp;&nbsp;&nbsp;"A New Chapter of the Rakshasa."<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Episode
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;A New Chapter of the Rakshasa
<br>