# Season 3 - Railgun T

# E1 - Super-powered (Level 5)

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GR0X55G4Y/super-powered-level-5)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"<br>**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Side Story"<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, what are you doing?<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, jeez...<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah!<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not working anymore!<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe the battery is run down.<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just barely charged it.<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, let me see it.<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, maybe it really is broken.<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, dummy?<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see it.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My telekinesis just isn't enough.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll use *my* ability now!<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dummy! You'll just burn it!<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I see it?<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?!<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She shocked it!<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it. It's<br>&nbsp;&nbsp;&nbsp;&nbsp;disconnected on the inside.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, let me handle this.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, use your telekinesis to hold<br>&nbsp;&nbsp;&nbsp;&nbsp;that wire down to the base plate.<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this?<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Now, use the heat of<br>&nbsp;&nbsp;&nbsp;&nbsp;your pyrokinesis to melt this solder.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I doing it right?<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's it.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome!<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fixed!<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, miss--<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was there just a moment ago.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, she had on a<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai Middle School uniform, right?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That super-prestigious<br>&nbsp;&nbsp;&nbsp;&nbsp;school for young ladies?<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Thank you, shorts-wearing lady.<br>&nbsp;&nbsp;&nbsp;&nbsp;--That super-prestigious school for young ladies?<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Thank you, shorts-wearing lady.<br>&nbsp;&nbsp;&nbsp;&nbsp;--So that's what that was?<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Thank you, shorts-wearing lady.<br>&nbsp;&nbsp;&nbsp;&nbsp;--That's right.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really do make too many pit-stops!<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City--<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It occupies a whopping one-third of Tokyo,<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a total population of 2.3 million.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The students, who make up<br>&nbsp;&nbsp;&nbsp;&nbsp;roughly 80 percent of that figure,<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;devote themselves to nurturing<br>&nbsp;&nbsp;&nbsp;&nbsp;and improving their abilities daily.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pinnacle of which are the Level 5s.<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As expansive as Academy City is,<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;only seven people are recognized<br>&nbsp;&nbsp;&nbsp;&nbsp;to have met that qualification.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And they are the ones<br>&nbsp;&nbsp;&nbsp;&nbsp;who are our current targets!<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious, sir?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're talking about a bunch of pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;conspicuously morally bankrupt people!<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear that some are<br>&nbsp;&nbsp;&nbsp;&nbsp;members of dark side outfits,<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Second-ranked: Kakine Teitoku"<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose hands are dirty<br>&nbsp;&nbsp;&nbsp;&nbsp;with illegal activities.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Fourth-ranked: Mugino Shizuri"<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think we can really win them over?<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, this will be transmitted to not<br>&nbsp;&nbsp;&nbsp;&nbsp;just Academy City, but the entire world,<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so to put on a real demonstration,<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the higher-ups have instructed us<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the top-class espers.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but still...<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the decision comes from above,<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Steering Committee"<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we have no other choice.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need at least two Level 5s<br>&nbsp;&nbsp;&nbsp;&nbsp;to take the athlete's pledge.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make use of all your connections<br>&nbsp;&nbsp;&nbsp;&nbsp;to negotiate with them!<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival"<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they're holding this event now.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, I can't wait for the Daihasei Festival.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of Academy City's schools come together,<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Site for the three-legged race"<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for seven days, at that,<br>&nbsp;&nbsp;&nbsp;&nbsp;and hold a sports festival.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing like it anywhere else.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed...<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu?<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, during the Daihasei Festival,<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of people will be coming into<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City from the outside, right?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a member of Judgment,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to remain focused.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides...<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if something else were to happen<br>&nbsp;&nbsp;&nbsp;&nbsp;because I make a mistake...<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-i-ha-ru!!<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, polka-dots!<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, the standards never go out of style.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do that for, Saten?!<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you're off-duty from Judgment, at least,<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could stand to relax a little.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone knows that you always do your best.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Saten...<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu! Miss Saten!<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sissy!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hello!<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you doing, Shirai?<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We came to check up on you.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, okay, okay, thank you very--<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--How are you, Kuroko?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, okay, okay, thank you very--<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feeling any better?<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? The athlete's pledge<br>&nbsp;&nbsp;&nbsp;&nbsp;at the opening ceremonies?<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, for the Daihasei Festival?!<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They want you, Sissy?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the teachers grabbed me<br>&nbsp;&nbsp;&nbsp;&nbsp;while I was leaving.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka,<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've had experience<br>&nbsp;&nbsp;&nbsp;&nbsp;doing demonstrations in Russia,<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there are some who think<br>&nbsp;&nbsp;&nbsp;&nbsp;you would be a fitting representative<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Tokiwadai Middle School.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The final decision is yours.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that incredible, Misaka?<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival opening ceremony<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is supposed to be broadcast<br>&nbsp;&nbsp;&nbsp;&nbsp;to the entire world, right?<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, you'll be going worldwide!<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course Sissy would be.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, that sort of thing<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't really my style.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again,<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure your parents<br>&nbsp;&nbsp;&nbsp;&nbsp;will be delighted, won't they?<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I'm not so sure.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose no longer having<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy all to myself<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is something that I will lament.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll all be rooting for you together.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Shirai, can you make it<br>&nbsp;&nbsp;&nbsp;&nbsp;to the opening ceremony?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am scheduled to be discharged by then.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I will not be able to compete.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pity that all that training<br>&nbsp;&nbsp;&nbsp;&nbsp;I did with you will be for nothing.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, "training."<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Easy! Kuroko! Enough...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sissy! Tighter! Hold me tighter!<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...already!<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, well, nothing anyone can do about that.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. I will not leave you<br>&nbsp;&nbsp;&nbsp;&nbsp;in the lurch, Sissy.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just let old Kuroko take care of this!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, then let's all go there together<br>&nbsp;&nbsp;&nbsp;&nbsp;that day to show our support!<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I appreciate the invitation,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have my work with Judgment.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Miss Shirai,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're returning to work already?<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I am.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I am out of the hospital,<br>&nbsp;&nbsp;&nbsp;&nbsp;there are any number of things I can do.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is great that Shirai<br>&nbsp;&nbsp;&nbsp;&nbsp;is in good spirits, huh?<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but still,<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she seemed like she was only acting happy.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acting happy?<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep. To keep from worrying us.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. That's just like Kuroko.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. All right,<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to try hard, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;so Miss Shirai doesn't worry about me!<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but you always try hard, Uiharu.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even harder!<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, maybe I will, too--<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as Miss Shirai has you,<br>&nbsp;&nbsp;&nbsp;&nbsp;she doesn't need anything else.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does she really not need<br>&nbsp;&nbsp;&nbsp;&nbsp;anything else, though?<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo, and Miss Wannai<br>&nbsp;&nbsp;&nbsp;&nbsp;and Miss Awatsuki, too.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good afternoon, Miss Misaka.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good afternoon.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, no, not really.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there is something troubling you,<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by all means, turn to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;your best partner, Kongo Mitsuko!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Partner?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't supposed to talk about that.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Ah! H-How could I do such a thing?!<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko did?<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Yesterday, when we went to visit her.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must have just missed<br>&nbsp;&nbsp;&nbsp;&nbsp;each other, Miss Misaka.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyhow, Miss Shirai<br>&nbsp;&nbsp;&nbsp;&nbsp;said that she wanted me<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to pair up with you during the competition.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai said that she would<br>&nbsp;&nbsp;&nbsp;&nbsp;tell you directly, but look what I did.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what she meant<br>&nbsp;&nbsp;&nbsp;&nbsp;when she said she'd take care of it?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, thanks. I second<br>&nbsp;&nbsp;&nbsp;&nbsp;that request for help.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to it, Miss Kongo.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right! I-I, um... look<br>&nbsp;&nbsp;&nbsp;&nbsp;forward to it as well.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to go and thank Kuroko, too.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, in that case...<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh... there are a lot of shops<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm unfamiliar with.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This looks yummy.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Queen?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Misaka!<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's against the rules to read<br>&nbsp;&nbsp;&nbsp;&nbsp;something like that at school.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For someone important enough to be<br>&nbsp;&nbsp;&nbsp;&nbsp;chosen for the Daihasei athlete's pledge<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's a pretty brash attitude.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though I've been chosen yet.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I'm sure you've<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten an offer, too, right,<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shokuho Misaki, Level 5?<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that right, Queen?<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep quiet.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something like that would be<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing but a bother for me.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why I stepped<br>&nbsp;&nbsp;&nbsp;&nbsp;aside for you, Miss Misaka.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, you!<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That EM barrier of yours is such a nuisance.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It keeps my Mental Out tampering<br>&nbsp;&nbsp;&nbsp;&nbsp;powers from working on you.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shokuho Misaki"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Fifth Ranked"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mental Out"<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I know!<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps some endorsements would be useful.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, everyone?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We think that Miss Misaka would be<br>&nbsp;&nbsp;&nbsp;&nbsp;fitting for the athlete's pledge.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just kidding.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Misaka, good afternoon.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, when did I stand up?<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something the matter with you.<br>&nbsp;&nbsp;&nbsp;&nbsp;All that, just to knock me?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say whatever you will, it's who I am.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, stop harassing me.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am well aware of how much you dislike me.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be more than just simple "dislike."<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#1: Super-powered (Level 5)"<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival athlete's pledge?<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mugino Shizuri"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Fourth Ranked"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Meltdowner"<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What possible benefit is there for me,<br>&nbsp;&nbsp;&nbsp;&nbsp;who works on the dark side,<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to have my face publicly revealed?<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares? Your public face<br>&nbsp;&nbsp;&nbsp;&nbsp;could be that of an idol,<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and your other face can be<br>&nbsp;&nbsp;&nbsp;&nbsp;that of a hunter in the darkness.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your face is pretty, at least.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really enjoying yourself, aren't you?<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not doing it.<br>&nbsp;&nbsp;&nbsp;&nbsp;And stop asking me for things like this.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's always like this with you.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could say the same about you.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello! Say, I wouldn't mind<br>&nbsp;&nbsp;&nbsp;&nbsp;doing it in her place.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You! Work! On! The! Dark! Side! Too!<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'Sup? Sorry I'm late--<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened here?! An enemy attack?!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just went a little crazy.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He very nearly dragged me in, too.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, Kakine?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got a call from our usual agent, see?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asking if he'd take the<br>&nbsp;&nbsp;&nbsp;&nbsp;Daihasei Festival athlete's pledge.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, of course, he refused,<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they wouldn't take no for an answer.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when the annoyance built up...<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that! The Daihasei Festival<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a game for kids who still believe<br>&nbsp;&nbsp;&nbsp;&nbsp;in things like "effort" and "hope."<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Then they came back with "But visually,<br>&nbsp;&nbsp;&nbsp;&nbsp;you appeal to those kinds of kids."<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Come along, children!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Then they came back with "But visually,<br>&nbsp;&nbsp;&nbsp;&nbsp;you appeal to those kinds of kids."<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you just laugh?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kakine Teitoku"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Second Ranked"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Dark Matter"<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking good, there,<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Accelerator"<br>&nbsp;&nbsp;&nbsp;&nbsp;"First Ranked"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Accelerator"<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been awhile.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not since Project Level<br>&nbsp;&nbsp;&nbsp;&nbsp;6 Shift got derailed--<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want from me *now*?<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to have me<br>&nbsp;&nbsp;&nbsp;&nbsp;kill some more clones for you?<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No!<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hear me out!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Get lost.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just let me finish!<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here about the Daiha--<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm too busy babysitting.<br>&nbsp;&nbsp;&nbsp;&nbsp;Never speak to me again.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there you have it.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negotiating with the fourth-,<br>&nbsp;&nbsp;&nbsp;&nbsp;second-, and first-ranked was a bust.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that the negotiator<br>&nbsp;&nbsp;&nbsp;&nbsp;we assigned to the first-ranked<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was discovered gravely injured<br>&nbsp;&nbsp;&nbsp;&nbsp;and clinging to life.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this request really<br>&nbsp;&nbsp;&nbsp;&nbsp;that disagreeable to them?<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what about the sixth-ranked?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing is, we have intel on so<br>&nbsp;&nbsp;&nbsp;&nbsp;many people who he's supposed to be.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we just start<br>&nbsp;&nbsp;&nbsp;&nbsp;negotiating with all of them?<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's okay. I get the feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;we're better off not even going there.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means,<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"3rd-ranked: Misaka Mikoto"<br>&nbsp;&nbsp;&nbsp;&nbsp;"5th-ranked: Shokuho Misaki"<br>&nbsp;&nbsp;&nbsp;&nbsp;"6th-ranked: Aihana Etsu"<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the only remaining Level 5s are...<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, a line?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must have something to do with this.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like I just saw<br>&nbsp;&nbsp;&nbsp;&nbsp;that girl inside the store.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, like a doppelgänger?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're supposed to be in the hospital.<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What is Misaka doing?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it look like something<br>&nbsp;&nbsp;&nbsp;&nbsp;other than purchasing cake?"<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, presenting a question.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I mean...<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We heard a rumor about some delicious cake.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Owing to the contest that followed,<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this Misaka came here<br>&nbsp;&nbsp;&nbsp;&nbsp;as the delegate to buy one,"<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, remembering the fierce<br>&nbsp;&nbsp;&nbsp;&nbsp;competition and wiping away her sweat.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty independent, huh?<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how cute!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Twins?<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be middle-schoolers.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure is neat, being twins<br>&nbsp;&nbsp;&nbsp;&nbsp;with matching uniforms.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"However, as your clones, Big Sister,<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when we are occasionally spotted<br>&nbsp;&nbsp;&nbsp;&nbsp;in your sphere of activity,<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it must be an inconvenience for you.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--From here on--"<br>&nbsp;&nbsp;&nbsp;&nbsp;--It sure is.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It gets to be a pain explaining it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's okay.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did promise that I would<br>&nbsp;&nbsp;&nbsp;&nbsp;help you all find a meaning in life.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister...<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, so I'm going to start<br>&nbsp;&nbsp;&nbsp;&nbsp;by buying myself a cake--<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"By the way...<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to purchase any items in that store,<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will need a numbered ticket,<br>&nbsp;&nbsp;&nbsp;&nbsp;which have already all been distributed.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have one of those?" inquires Misaka.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, you have to have one?<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man, that means...<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are four cakes in here for the<br>&nbsp;&nbsp;&nbsp;&nbsp;Misakas who are waiting at the hospital.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, for this Misaka, who was to<br>&nbsp;&nbsp;&nbsp;&nbsp;have had a cake for coming to buy them,<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is an extra one.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, things are sure getting festive, huh?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are doing a lot of<br>&nbsp;&nbsp;&nbsp;&nbsp;dry runs today all over.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Konori said that we need to be careful,<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since there will be more people getting<br>&nbsp;&nbsp;&nbsp;&nbsp;carried away and causing disturbances.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Fight! Fight! There's a fight<br>&nbsp;&nbsp;&nbsp;&nbsp;in the plaza where the stage is!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, we were here first!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't even try to pull that!<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were clearly here first!<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Yeah! Yeah!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been waiting here since yesterday!<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We were here two days ago!<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wow, they're really going at it.<br>&nbsp;&nbsp;&nbsp;&nbsp;--We were here two days ago!<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wow, they're really going at it.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah, screw you!<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Is this getting out of hand?<br>
&nbsp;&nbsp;&nbsp;&nbsp;--No, screw *you*!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe we should contact Antiskill.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this is going nowhere!<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could say the same!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stronger side wins!<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the rule here in Academy City!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on!<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you wave *this* big of a squad flag?!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your strength is only<br>&nbsp;&nbsp;&nbsp;&nbsp;because of your ability!<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it comes with<br>&nbsp;&nbsp;&nbsp;&nbsp;the condition of being unable to move!<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't underestimate<br>&nbsp;&nbsp;&nbsp;&nbsp;our aptitude for surveillance!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And my ability is one that lets me<br>&nbsp;&nbsp;&nbsp;&nbsp;briefly cause a gust of wind!<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you make this many flags flutter?!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They both have fairly<br>&nbsp;&nbsp;&nbsp;&nbsp;niche abilities. Right, Uiharu--<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You are bothering everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;else, so please stop fighting!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Who the hell are you?!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what reason are you<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to rein in our activities?!<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I am with Judgment!<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Uiharu! Come on!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Judgment? So what?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to accepted convention,<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is clear that you have no right<br>&nbsp;&nbsp;&nbsp;&nbsp;to stop a quarrel among men!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you keep out of this, girly!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It doesn't have anything to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with being boys or girls!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed not!<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are correct.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's important isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;whether you're a boy or a girl.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's guts!<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't been to school?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not for two or three days now.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure he's all right?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, at times like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's usually off helping someone.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but everything is all right.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He accepts your request.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I need to hear it from him.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's someone who can never turn down a favor.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just the sort of boy Sogiita Gunha is.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sogiita Gunha"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Seventh Ranked"<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why, you...!<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you kick<br>&nbsp;&nbsp;&nbsp;&nbsp;a cheer squad's precious flag!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a challenge to those<br>&nbsp;&nbsp;&nbsp;&nbsp;of us on the cheer squads!<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds good.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?!<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, show me the kind of guts you've got!<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing...<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Punch!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Did you hear something?<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An explosion?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fireworks?<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We really did hear something, huh?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, that's about right.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh--<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?!<br>&nbsp;&nbsp;&nbsp;&nbsp;P-People shouldn't hit people...!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Oh, it's okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;I made sure to pull my punch.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how gutless they are,<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will take more than this to kill them.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than *this*?<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compared to them,<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've got some considerable guts, miss.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you around!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on! I'm coming, too!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that just now?<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An explosion, right?<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Amazing...<br>&nbsp;&nbsp;&nbsp;&nbsp;--He just flew away!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey, that's bad, isn't it?<br>&nbsp;&nbsp;&nbsp;&nbsp;--What kind of ability was that?<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Judgment girl is still in there!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Watch out, Uiharu!<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already contacted Antiskill!<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, you should get to safety!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind about me! Come on, let's hurry!<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down!<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing!<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl...<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wearing a Tokiwadai uniform...<br>&nbsp;&nbsp;&nbsp;&nbsp;with that ability...<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the third-ranked... Railgun of Tokiwadai!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka Mikoto"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Third Ranked"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Railgun"<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she takes the athlete's pledge,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival will be...<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On that subject...<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Watanabe?<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While she is a good student,<br>&nbsp;&nbsp;&nbsp;&nbsp;but perhaps due to her notoriety,<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she often gets caught up in trouble.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking of leaving it<br>&nbsp;&nbsp;&nbsp;&nbsp;up to her to decide,<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but given the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;of it creating more problems,<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we should forget<br>&nbsp;&nbsp;&nbsp;&nbsp;we ever said anything.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it looks like Antiskill has arrived.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go report<br>&nbsp;&nbsp;&nbsp;&nbsp;to them. See you later!<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, thanks!<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we should get going, too.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to go see Shirai again today?<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, and I have a gift<br>&nbsp;&nbsp;&nbsp;&nbsp;to deliver to her...<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tokiwadai Middle School"<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At last, our Queen has a proper offer.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm,<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after what I said to Miss Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;it just doesn't feel like a challenge.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not accept the offer?<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having you in the public notice<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;makes my job easier, as well.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, but who are you?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, I can't have you<br>&nbsp;&nbsp;&nbsp;&nbsp;talking to me out of nowhere.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes more work for me<br>&nbsp;&nbsp;&nbsp;&nbsp;having to alter memories.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, have you found out<br>&nbsp;&nbsp;&nbsp;&nbsp;anything about that matter?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then go ahead and tell me...<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...about Misaka Mikoto's clones--<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sisters.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're no longer<br>&nbsp;&nbsp;&nbsp;&nbsp;taking the athlete's pledge?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm. They said they<br>&nbsp;&nbsp;&nbsp;&nbsp;settled on someone else.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My word, there is no one<br>&nbsp;&nbsp;&nbsp;&nbsp;more suitable than you, Sissy.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's okay. Never mind that... Here!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, it's quite the hot item.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, this is nice once in a while.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy--<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it!<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We made it.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've done well, everyone.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still,<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why do I have an awfully<br>&nbsp;&nbsp;&nbsp;&nbsp;bad feeling about this?<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I'm late. It took a while<br>&nbsp;&nbsp;&nbsp;&nbsp;to explain everything... Huh?<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Sissy? I can explain...<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ku-ro-ko!!<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, the Daihasei Festival is beginning!<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#2 The Daihasei Festival"<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai, is something the matter?<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the frustration<br>&nbsp;&nbsp;&nbsp;&nbsp;of not being able to compete<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;together with Miss Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;is finally getting to her.<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But wasn't she the one who asked Kongo?<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E2 - The Daihasei Festival

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GR5P775ER/the-daihasei-festival)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly,<br>**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's quite the favor you're asking.<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry, Miss Konori.<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using only what is here in the hospital<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a little inadequate<br>&nbsp;&nbsp;&nbsp;&nbsp;to perform my Judgment duties.<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, your wounds aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;even completely healed yet.<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, those look painful.<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Could you please not use<br>&nbsp;&nbsp;&nbsp;&nbsp;your clairvoyance ability in here?!<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I'm serious.<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't push yourself too hard.<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu is worried about you.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu...<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...must feel somewhat<br>&nbsp;&nbsp;&nbsp;&nbsp;responsible for me getting hurt.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was the one who helped<br>&nbsp;&nbsp;&nbsp;&nbsp;steer me into this situation.<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true.<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is exactly why I must<br>&nbsp;&nbsp;&nbsp;&nbsp;get better as soon as possible.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To keep her from taking more<br>&nbsp;&nbsp;&nbsp;&nbsp;upon herself than is necessary.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns out you two are cut<br>&nbsp;&nbsp;&nbsp;&nbsp;from the same cloth, huh?<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, nothing.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it!<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We made it.<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've done well, everyone.<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still,<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why do I have an awfully bad feeling about this?<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival is about to begin!<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival"<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in the main stadium,<br>&nbsp;&nbsp;&nbsp;&nbsp;during one of the few times<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Academy City opens<br>&nbsp;&nbsp;&nbsp;&nbsp;its doors to the outside world,<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the parents of the students,<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as many others, have come to visit.<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Watanabe!<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see!<br>&nbsp;&nbsp;&nbsp;&nbsp;Another year's festival is starting.<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Tsukuyomi,<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why are you dressed like that?<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have cheerleading to do.<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand that you're all worked up, but...<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that's right, Shokuho is taking<br>&nbsp;&nbsp;&nbsp;&nbsp;the athlete's pledge this year.<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The plan was to have Level 5s<br>&nbsp;&nbsp;&nbsp;&nbsp;carry out demonstrations this year.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--The athlete's pledge!<br>&nbsp;&nbsp;&nbsp;&nbsp;--The athlete's pledge!<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will...<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will...<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...adhere to the ideals of sportsmanship<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as we undertake this year's Daihasei Festival...<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...use our youthful dreams<br>&nbsp;&nbsp;&nbsp;&nbsp;and fervent wills as our strength...<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and forge undying bonds with... bonds with...<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, what was it again?<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever! Do something or other<br>&nbsp;&nbsp;&nbsp;&nbsp;with undying bonds and overflowing guts...<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--demonstrating what we learn daily,<br>&nbsp;&nbsp;&nbsp;&nbsp;--showing off our daily training and guts,<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--showing our gratitude to our families...<br>&nbsp;&nbsp;&nbsp;&nbsp;--displaying our bravery and guts<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--by showing the growth we've made...<br>&nbsp;&nbsp;&nbsp;&nbsp;--to those who are rotten to the core,<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ensuring that this event<br>&nbsp;&nbsp;&nbsp;&nbsp;creates fantastic gutsy memories,<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we pledge to overcome<br>&nbsp;&nbsp;&nbsp;&nbsp;all obstacles and hardships,<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;getting back on our feet every time we stumble,<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and surmounting everything we must with guts!<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like that got botched, huh?<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, this concludes our opening ceremonies.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He upstaged me.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Railgun T"<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival.<br>&nbsp;&nbsp;&nbsp;&nbsp;An event that spans seven days,<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that gets held in Academy City every year--<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of like a large-scale field day!<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike conventional athletic festivals,<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival has all<br>&nbsp;&nbsp;&nbsp;&nbsp;of Academy City's students<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;compete with their schools.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The TV stations broadcast what's<br>&nbsp;&nbsp;&nbsp;&nbsp;happening to the whole world!<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the biggest difference<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that all of the events<br>&nbsp;&nbsp;&nbsp;&nbsp;have espers competing in them!<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you know what?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The result of all those<br>&nbsp;&nbsp;&nbsp;&nbsp;espers' fierce competition<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is said to create a phenomenon<br>&nbsp;&nbsp;&nbsp;&nbsp;that can't be seen anywhere else!<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bean dat urban wegend aboud<br>&nbsp;&nbsp;&nbsp;&nbsp;dat whadeber-ids-cawwed metal?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Non, non! Shadow metal! Shadow metal!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When dozens, even hundreds<br>&nbsp;&nbsp;&nbsp;&nbsp;of esper abilities clash together,<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they say a new metal,<br>&nbsp;&nbsp;&nbsp;&nbsp;one not found in nature, is created!<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only chance of that happening<br>&nbsp;&nbsp;&nbsp;&nbsp;is during the Daihasei Festival!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, it's so rare that it<br>&nbsp;&nbsp;&nbsp;&nbsp;fetches an incredibly high price.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--There's no choice but to look for it--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Saten!!<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you taking those rumors seriously again?!<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, no. I was just kidding.<br>&nbsp;&nbsp;&nbsp;&nbsp;Rumors are rumors. Even I know that.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--One strawberry *yakisoba*, please.<br>
&nbsp;&nbsp;&nbsp;&nbsp;--Oh, no! You always say that,<br>
&nbsp;&nbsp;&nbsp;&nbsp;then get yourself into trouble!<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Coming up.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, no! You always say that,<br>&nbsp;&nbsp;&nbsp;&nbsp;then get yourself into trouble!<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being curious is fine, but please take<br>&nbsp;&nbsp;&nbsp;&nbsp;a moment to consider the consequences!<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah!<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka in her gym uniform, up on the monitor!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Lane 4 is this pair,<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from Tokiwadai Middle School,<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto and Kongo Mitsuko!<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Block 7, Event 3"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Three-legged Race"<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that is the lineup for the third<br>&nbsp;&nbsp;&nbsp;&nbsp;event of Block 7, the three-legged race!<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now to explain the rules.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the band around their ankles<br>&nbsp;&nbsp;&nbsp;&nbsp;comes off, they are disqualified.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use of their abilities to directly<br>&nbsp;&nbsp;&nbsp;&nbsp;harm other competitors is prohibited.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Further, as a restriction<br>&nbsp;&nbsp;&nbsp;&nbsp;on higher-level espers,<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka is not permitted<br>&nbsp;&nbsp;&nbsp;&nbsp;to use her electric shock ability.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, any non-electrical<br>&nbsp;&nbsp;&nbsp;&nbsp;abilities are still okay, right?<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On your marks!<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, is it fair to say that<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai is the favorite for this race?<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they were simply<br>&nbsp;&nbsp;&nbsp;&nbsp;throwing their abilities around<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until the others are knocked out, maybe,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but within the framework of winning a race,<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;depending on the tactics used,<br>&nbsp;&nbsp;&nbsp;&nbsp;this could be quite eventful.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha-ha, thinking the others<br>&nbsp;&nbsp;&nbsp;&nbsp;can do anything with their tricks?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *do* realize that we are Tokiwadai's<br>
&nbsp;&nbsp;&nbsp;&nbsp;Gods of Thunder when you say that, yes?<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We practiced a whole lot, too.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we fell down just as much.<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what's with that nickname?<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, providing your play-by-play<br>&nbsp;&nbsp;&nbsp;&nbsp;will be your usual pirate radio DJ, and...<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...your belly-button-baring Katyusha.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here comes the starting gun!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get set!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is this?!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later!<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Right from the start,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the wrappings from the<br>&nbsp;&nbsp;&nbsp;&nbsp;Airin Girls' High School contestants<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are clinging to the other like snakes!<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now they are dashing off!<br>&nbsp;&nbsp;&nbsp;&nbsp;What is happening?<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to my data, she is a telekinesist.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can control anything she is in contact with.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her partner is an esper who can reduce<br>&nbsp;&nbsp;&nbsp;&nbsp;anything she touches into raw materials.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that she broke<br>&nbsp;&nbsp;&nbsp;&nbsp;down the track's pavement.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That explains it. So the black<br>&nbsp;&nbsp;&nbsp;&nbsp;on the wrappings is asphalt.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's sticky and starting to harden.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a bad move<br>&nbsp;&nbsp;&nbsp;&nbsp;using it right out of the gate.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you mean?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With a few exceptions,<br>&nbsp;&nbsp;&nbsp;&nbsp;most abilities have a limited range.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once they leave that range<br>&nbsp;&nbsp;&nbsp;&nbsp;after first slowing the others down,<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can leave the competition in the dust.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That follows. Now,<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the other teams are starting<br>&nbsp;&nbsp;&nbsp;&nbsp;to break their bonds.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, my clothes are sticky and heavy now.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a straight shot to<br>&nbsp;&nbsp;&nbsp;&nbsp;the finish line for us now!<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there's been a development!<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this now?<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-A hamster! But why?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's likely that Ninoude<br>&nbsp;&nbsp;&nbsp;&nbsp;Affiliated Middle School<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;set this up before the race.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those two are both rodent-specific telepaths.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But won't it take more<br>&nbsp;&nbsp;&nbsp;&nbsp;than that to slow them down?<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sneaky little...!<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe the target is<br>&nbsp;&nbsp;&nbsp;&nbsp;the band around their ankles.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it! The goal is to have<br>&nbsp;&nbsp;&nbsp;&nbsp;the hamsters cut that, and disqualify them!<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no you don't--<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, where are you--?<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, they chewed through<br>&nbsp;&nbsp;&nbsp;&nbsp;their underwear straps by mistake.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it!<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've slumped down unable to move!<br>&nbsp;&nbsp;&nbsp;&nbsp;Good job, hamsters!<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, coming up from behind<br>&nbsp;&nbsp;&nbsp;&nbsp;are Habatobi High and Tokiwadai.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here come the tiny assassins!<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that seems about right.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What are you doing<br>&nbsp;&nbsp;&nbsp;&nbsp;to my cute little Kotaro?!<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cram it! You don't like it,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't send them after us!<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? Contestant Misaka is on her knees.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her EM field must be<br>&nbsp;&nbsp;&nbsp;&nbsp;keeping the assassins at bay,<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she appears to be in shock because of it.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"100m dash contestant rendezvous point"<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, the strength of<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone's youth is on display,<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and things are a confused mess.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if it were me, I would control the<br>&nbsp;&nbsp;&nbsp;&nbsp;contestants and judges with Mental Out,<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and walk away as the winner<br>&nbsp;&nbsp;&nbsp;&nbsp;without breaking a sweat.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, using it on those not<br>&nbsp;&nbsp;&nbsp;&nbsp;in the race is against the rules.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take this.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#2 The Daihasei Festival"<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, the third event of Block 7,<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the three-legged race,<br>&nbsp;&nbsp;&nbsp;&nbsp;is entering the home stretch!<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once they round this last corner,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a straight shot to the finish line!<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Habatobi High team,<br>&nbsp;&nbsp;&nbsp;&nbsp;which has been pouring it on thus far,<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is now in the lead as they turn the last corner!<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai and Ninoude are close behind!<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't over yet!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure we can overtake them!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Suits us just fine--<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, what just happened?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Both teams have inexplicably slipped!<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai has stayed upright, thanks<br>&nbsp;&nbsp;&nbsp;&nbsp;to Contestant Misaka's magnetism!<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Contestant Amime from Habatobi High's ability<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;allows him to control the frictional<br>&nbsp;&nbsp;&nbsp;&nbsp;coefficient of anything he touches.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As we were rounding the corner,<br>&nbsp;&nbsp;&nbsp;&nbsp;I touched the inside track!<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It only lasts a short time though,<br>&nbsp;&nbsp;&nbsp;&nbsp;which can sometimes be a drag.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai uses the<br>&nbsp;&nbsp;&nbsp;&nbsp;centrifugal force to close the gap!<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, it wasn't that easy.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still...!<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Contestant Amime has used his ability<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;allowing them to speed up by skating!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can collect the moisture form the air,<br>&nbsp;&nbsp;&nbsp;&nbsp;break it down, and ignite it!<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Harnessing the blast creates a rocket boost!<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just have to make a break<br>&nbsp;&nbsp;&nbsp;&nbsp;for the finish line! This is in the bag!<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, that's hot!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh! Habatobi High has<br>&nbsp;&nbsp;&nbsp;&nbsp;gone off course and out of bounds!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?! A gym mat has flown<br>&nbsp;&nbsp;&nbsp;&nbsp;through the air, catching the pair!<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This dramatic rescue was<br>&nbsp;&nbsp;&nbsp;&nbsp;of course performed by this team!<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Contestant Misaka pulled up<br>&nbsp;&nbsp;&nbsp;&nbsp;the gym mat with her magnetism,<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Contestant Kongo launched it<br>&nbsp;&nbsp;&nbsp;&nbsp;toward them with her Aero Hand!<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One false step would have spelled a disaster,<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that was an outstanding combination!<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. If we hadn't screwed<br>&nbsp;&nbsp;&nbsp;&nbsp;that up, we would have won.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Iron filings?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back from when we were<br>&nbsp;&nbsp;&nbsp;&nbsp;wrapped up in those bandages.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mixed iron into the<br>&nbsp;&nbsp;&nbsp;&nbsp;asphalt before it hardened.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was planning to stop you<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if it looked like you were<br>&nbsp;&nbsp;&nbsp;&nbsp;crossing the finish line first.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you saved me the trouble.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't miss a trick.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that something someone from<br>&nbsp;&nbsp;&nbsp;&nbsp;such a prestigious school would do?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turns out we wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have won no matter what we did.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now...<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Tokiwadai team crosses the finish line!<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such is the way things ended up,<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if all the other schools<br>&nbsp;&nbsp;&nbsp;&nbsp;had teamed up against Tokiwadai...<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, amazing!<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leabe id do dose dwo.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were not for my injuries,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would be the one standing next to her!<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Kongo Mitsuko!<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot see Sissy if you stand there!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, how do I talk on this?<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be the latest model. I wish<br>&nbsp;&nbsp;&nbsp;&nbsp;they hadn't given me this crazy phone.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can use a regular cell phone...<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you pull that out on the side,<br>&nbsp;&nbsp;&nbsp;&nbsp;the screen appears,<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can call them back<br>&nbsp;&nbsp;&nbsp;&nbsp;from your call history.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're right. That was extremely helpful...<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, er, no...<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mish Shaden, we're weabing!<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm, okay!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is something wrong?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have we met somewhere before?<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you must be imagining it.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha-ha, I guess so!<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mish Shaden!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, coming!<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you run into any trouble?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I was just unreachable for a bit.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've safely managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to get into Academy City, then?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your first mission for MEMBER.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to fulfill your duty,<br>&nbsp;&nbsp;&nbsp;&nbsp;my Aztecan young lady.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Nagatenjouki Academy<br>&nbsp;&nbsp;&nbsp;&nbsp;breaks ahead of the pack<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is first across the finish line!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have not lost an event yet!<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival...<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka does not go to any school<br>&nbsp;&nbsp;&nbsp;&nbsp;and is not allowed to participate.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to go back to the hospital.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka!<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We saw you in the three-legged race!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As impressive as always.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad we won, but we got awfully dirty, too.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We saw before that, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, you're pretty fast, huh?<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was so cool how you passed<br>&nbsp;&nbsp;&nbsp;&nbsp;those boys in the same year at school.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you really think so?<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since I was little, I've been pretty--<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto has been fast ever<br>&nbsp;&nbsp;&nbsp;&nbsp;since she was in kindergarten.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Mama!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoo-hoo!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up? I thought we were meeting up later--<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Mama?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Mama?!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... "Mama" is what I used to call<br>&nbsp;&nbsp;&nbsp;&nbsp;her as a child, and it just slipped out.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I'm not independent of her--<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mama," as in her mother?!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Not her older sister, but her *mother*?!<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You like you're only around 20!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, *that's* what you meant.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, are you two Mikoto's friends?<br>&nbsp;&nbsp;&nbsp;&nbsp;What a kind thing for you to say.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, but no w that I'm looking,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see parts of Misaka here and there.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bustline excepted.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Miss Saten,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's have a nice long chat later.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the two of us.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah-ha-ha, I'm kidding! I'm kidding, okay?<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh.<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to think of it, where's Kuroko?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai went out on Judgment patrol.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you need her for something, I can call her.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, that's okay. I was just<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking that if I asked Kuroko,<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she could teleport me back to Tokiwadai<br>&nbsp;&nbsp;&nbsp;&nbsp;and I could change out of this.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I can see why you would want to change.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as late as it is...<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think I can make it<br>&nbsp;&nbsp;&nbsp;&nbsp;back in time for the next race.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if you asked someone<br>&nbsp;&nbsp;&nbsp;&nbsp;to fill in for you in the meantime?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, maybe.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have my showdown<br>&nbsp;&nbsp;&nbsp;&nbsp;with that idiot coming up, though.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if letting someone else--<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which "that idiot" is that? Mama is curious!<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh? D-D-Don't make too much of it. H-H-He...<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, you mean *that* guy?<br>
&nbsp;&nbsp;&nbsp;&nbsp;--Huh? D-D-Don't make too much of it. H-H-He...<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's this, now?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, he's someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka apparently owes a lot to.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho-ho, tell me more, tell me more.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I was watching the<br>&nbsp;&nbsp;&nbsp;&nbsp;scavenger hunt coverage earlier,<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Miss Misaka was with a spiky-haired boy.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spiky-haired? Ah, *that* boy!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know who he is?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happened to see them this morning.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was talking to a high-school-aged boy,<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and said that if he beat her, she<br>&nbsp;&nbsp;&nbsp;&nbsp;would do anything he said, or something.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Th-There are three of them against me now...?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh? You don't say!<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Th-There are three of them against me now...?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Anything he says?!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My...<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might say this is gruesome.<br>&nbsp;&nbsp;&nbsp;&nbsp;What incredible force!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Awatsuki...<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever been in a fight before?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been taught all this time<br>&nbsp;&nbsp;&nbsp;&nbsp;that the enemy is within us,<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that we are not training ourselves<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to prove that we are better than others.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But looking at the other schools' students,<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if our competitive psyches<br>&nbsp;&nbsp;&nbsp;&nbsp;are not somewhat lacking.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, we may not be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to duplicate that kind of<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;force and power in the pursuit of victory.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that it isn't right to<br>&nbsp;&nbsp;&nbsp;&nbsp;hurt others or look down on them.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I do wonder if we<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't learn the skills we need<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to fight competitively.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never even gotten angry,<br>&nbsp;&nbsp;&nbsp;&nbsp;let alone gotten into a fight.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why you asked me about that earlier.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I was thinking the same--<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have it!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Awatsuki, would you<br>&nbsp;&nbsp;&nbsp;&nbsp;mind trying to get angry with me?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-H--<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you!<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Down with Tokiwadai Middle School!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Down with Tokiwadai Middle School!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Elite school my eye! They're all girls,<br>&nbsp;&nbsp;&nbsp;&nbsp;and middle-schoolers, at that!<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't let ourselves be outdone by them!<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, goodness.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is nice that you have so much spirit.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, we are one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the five fingers competing<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for Daihasei supremacy.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not going to roll over<br>&nbsp;&nbsp;&nbsp;&nbsp;and be beaten that easily.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be telling your grandchildren how<br>&nbsp;&nbsp;&nbsp;&nbsp;fearsome Tokiwadai Middle School is.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, wow, Miss Kongo!<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such grand poise in the face of<br>&nbsp;&nbsp;&nbsp;&nbsp;those gentlemen! How impressive!<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time for us to cheer, as well! Tokiwadai, yeah!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Y-Yeah...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Y-Yeah...<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot hear you! One more time!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah!<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh dear, what are we going to do?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, the contest is about to start,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't see Miss Misaka anywhere.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Once again, Misaka is<br>&nbsp;&nbsp;&nbsp;&nbsp;here to watch the games.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Not that she is depressed about<br>&nbsp;&nbsp;&nbsp;&nbsp;being unable to compete, you understand,"<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, offering a *tsundere* rationale.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she cannot deny that there<br>&nbsp;&nbsp;&nbsp;&nbsp;is some feeling of alienation.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Miss Misaka!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Why aren't you wearing your gym uniform?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it,<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your gym uniform got pretty dirty<br>&nbsp;&nbsp;&nbsp;&nbsp;in that three-legged race earlier.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and you have nothing else<br>&nbsp;&nbsp;&nbsp;&nbsp;to change into, right?<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, you may borrow mine.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man!<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that if I used my ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could dash there and back in time,<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is pushing it!<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry I'm late--<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not too small, is it?<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing that will obstruct any movement.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, it is extra roomy across the chest.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will hold on to your cat for you.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I just thought I saw someone over there...<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is she doing?!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is the matter coming along?<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is in place.<br>&nbsp;&nbsp;&nbsp;&nbsp;There will be no problem at all.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will render her powerless,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like you want.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Baba, we're getting started.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sorry. I'm on my way.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, he sure sounds sure of things.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I should expect as much<br>&nbsp;&nbsp;&nbsp;&nbsp;from someone from MEMBER,<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the dark side outfit under the<br>&nbsp;&nbsp;&nbsp;&nbsp;direct thumb of the governing board.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see what he's actually capable of.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Oh dear. Misaka has<br>&nbsp;&nbsp;&nbsp;&nbsp;been mistaken for Big Sister,<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#3 Balloon Hunter"<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ends up having to compete in the games,<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she must do her best for the others,"<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;enthuses Misaka, in the style<br>&nbsp;&nbsp;&nbsp;&nbsp;of a morning anime show preview.<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, well, at least<br>&nbsp;&nbsp;&nbsp;&nbsp;you sounded determined.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E3 - Balloon Hunter

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRW4W7XMY/balloon-hunter)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, the next competition is...<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Balloon Hunter"<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Balloon Hunter!<br>**[00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hazamaya Kana, Class 1-3"<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this contest, 30 students<br>&nbsp;&nbsp;&nbsp;&nbsp;chosen from each school<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will compete to break the paper balloons<br>&nbsp;&nbsp;&nbsp;&nbsp;attached to their opponents' heads<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using the designated beanbags!<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Contestants whose balloons<br>&nbsp;&nbsp;&nbsp;&nbsp;are popped are disqualified,<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the team with the most<br>&nbsp;&nbsp;&nbsp;&nbsp;students remaining at the end wins.<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The game area is spread out,<br>&nbsp;&nbsp;&nbsp;&nbsp;but going onto roads open to the public<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and going indoors is prohibited!<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Also, as with the other games,<br>&nbsp;&nbsp;&nbsp;&nbsp;direct attacks with one's ability are off-limits!<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--All right, let's get going. Miss Misaka...?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Also, as with the other games,<br>&nbsp;&nbsp;&nbsp;&nbsp;direct attacks with one's ability are off-limits!<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Miss Kongo, we're getting started!<br>&nbsp;&nbsp;&nbsp;&nbsp;--All right, are all of the school teams ready?<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you points for not<br>&nbsp;&nbsp;&nbsp;&nbsp;tucking your tail and running away.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! *You* might be laughing on the<br>
&nbsp;&nbsp;&nbsp;&nbsp;other side of your face when this is over!<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay,<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ready...!<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just keep running as far as you can!<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we all make it through<br>&nbsp;&nbsp;&nbsp;&nbsp;this, it'll be a tie!<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How negative!<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go after them!<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Pursuing them individually is dangerous.<br>&nbsp;&nbsp;&nbsp;&nbsp;We should act in three-man teams,"<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;proposes Misaka...<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh well, then.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How in the world did this end up happening?<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I can pretty well imagine.<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, the fact<br>&nbsp;&nbsp;&nbsp;&nbsp;that no one could tell she isn't me<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is kind of lucky, but<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of dejecting, too...<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there's no helping what's already done.<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're competing in my place,<br>&nbsp;&nbsp;&nbsp;&nbsp;so go ahead and tear it up.<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Railgun T"<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, are you sure you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have to patrol?<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm about to go, but it will be over the net.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a large-scale event like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;they anticipate a number of cyberattacks.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, and that's right up your alley, isn't it?<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, three minutes have passed<br>&nbsp;&nbsp;&nbsp;&nbsp;since the start of the balloon hunter game,<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there is still no one<br>&nbsp;&nbsp;&nbsp;&nbsp;out from either team.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who will be the one to break this tie?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that the event that Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;said she was competing in next?<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It probably is. I wonder if<br>&nbsp;&nbsp;&nbsp;&nbsp;she changed her clothes in time.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this is Misaka we're<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about. I think she's fine.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Kongo!<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to split up, everyone.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Right!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Right!<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A competition to break the<br>&nbsp;&nbsp;&nbsp;&nbsp;balloons on each other's heads, huh?<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai has lots of other espers<br>&nbsp;&nbsp;&nbsp;&nbsp;besides Misaka who are amazing, right?<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going to win<br>&nbsp;&nbsp;&nbsp;&nbsp;with no trouble, aren't they?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... good question.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you give up already?<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A telekinesist...<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me guess, you lured me here?<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh-heh, it seems pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;juvenile to do this against a girl,<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but don't worry, I'm not<br>&nbsp;&nbsp;&nbsp;&nbsp;going to hit you in your face!<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's your best,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're not even a Level 3, are you?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, too, am a telekinesist.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One who is in a class way<br>&nbsp;&nbsp;&nbsp;&nbsp;above yours, to boot.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you can keep dodging them all?<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Contestant Omoshi is out!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate,<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could take all of you on,<br>&nbsp;&nbsp;&nbsp;&nbsp;and still have change left over.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your schoolmates will soon be--<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Contestant Kirifu is out!<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But didn't that attack happen<br>&nbsp;&nbsp;&nbsp;&nbsp;after he was disqualified?<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was completely invalid!<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It *would* be, if I had done it.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hi, there.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the one who<br>&nbsp;&nbsp;&nbsp;&nbsp;telekinetically threw it at you.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dropped your guard, thinking it was over,<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 4 telekinesist Kirifu Megumi.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you know my full name?<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because we're all weak.<br>&nbsp;&nbsp;&nbsp;&nbsp;We checked out everything to know about you,<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and came up with some strategies.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is everyone in position?<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can confirm that moments ago,<br>&nbsp;&nbsp;&nbsp;&nbsp;at least five members of the other team<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;came into this alleyway.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are in control of all three<br>&nbsp;&nbsp;&nbsp;&nbsp;exits leading out of it.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will telepathically give<br>&nbsp;&nbsp;&nbsp;&nbsp;the signal to move in.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right then, three... two...<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...one...?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Miss Kobayashi, take it easy...<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screams that are delivered<br>&nbsp;&nbsp;&nbsp;&nbsp;telepathically echo directly within the brain.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It amounts to a sonic weapon<br>&nbsp;&nbsp;&nbsp;&nbsp;that can't be blocked out.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and that's just a toy, so relax.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kobayashi Satori: LV3 telepath"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Weaknesses: bugs (especially spiders)"<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They just keep scampering away.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't know when to quit!<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mud?<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to go through there?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our shoes are going to get dirty.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about we go around?<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, let's do that.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There they go.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't even realize<br>&nbsp;&nbsp;&nbsp;&nbsp;they're being led around.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incredible. We're playing<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai like a violin.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like you said we would, Baba.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I just collected some<br>&nbsp;&nbsp;&nbsp;&nbsp;data and made some suggestions.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how did you get such<br>&nbsp;&nbsp;&nbsp;&nbsp;detailed information?<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including personalities and weaknesses?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a friend over at<br>&nbsp;&nbsp;&nbsp;&nbsp;the Garden of Learning.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do we do next?<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hold on a second.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sure enough, wars are won<br>&nbsp;&nbsp;&nbsp;&nbsp;by detailed intelligence<br>&nbsp;&nbsp;&nbsp;&nbsp;--Let's see... Next, we move.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and a leader who can make effective use of it.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Let's see... Next, we move.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and a leader who can make effective use of it.<br>&nbsp;&nbsp;&nbsp;&nbsp;--We rendezvous with Nomura and the others at Point 5A.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and a leader who can make effective use of it.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Where is Point 5A again?<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Know the enemy and know yourself,<br>&nbsp;&nbsp;&nbsp;&nbsp;--Where is Point 5A again?<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Know the enemy and know yourself,<br>&nbsp;&nbsp;&nbsp;&nbsp;--That would be...<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and even these knuckle-draggers<br>&nbsp;&nbsp;&nbsp;&nbsp;will make good pawns.<br>&nbsp;&nbsp;&nbsp;&nbsp;--That would be...<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and even these knuckle-draggers<br>&nbsp;&nbsp;&nbsp;&nbsp;will make good pawns.<br>&nbsp;&nbsp;&nbsp;&nbsp;--...the stockyard over on Block 2.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over there, huh?<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's get going...<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Baba?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Okay, let's get going.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are going pretty smoothly so far.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're way in the lead.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay on your toes, though.<br>&nbsp;&nbsp;&nbsp;&nbsp;They have Misaka Mikoto on their team.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That radar warning thing she does<br>&nbsp;&nbsp;&nbsp;&nbsp;means sneak attacks won't work.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's like her own fortress.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still,<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no need to eliminate <br>
&nbsp;&nbsp;&nbsp;&nbsp;*all* of them, is there?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. No reason to go out on a limb.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should spread the word to not go near her.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that the way?<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we didn't have enough numbers,<br>&nbsp;&nbsp;&nbsp;&nbsp;we couldn't move the plan forward,<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I intervened here and there,<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now that we're overwhelming them,<br>&nbsp;&nbsp;&nbsp;&nbsp;the real goal is getting left behind.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a pain.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, let's see what shakes out.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! No way!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did I have to run into the Level 5?!<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is she gone?<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was an incident in<br>&nbsp;&nbsp;&nbsp;&nbsp;this alleyway previously,<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the layout, not to mention<br>&nbsp;&nbsp;&nbsp;&nbsp;the locations to hide<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and from which to attack are all familiar.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, that was a stretch, all right!<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that way is dangerous.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There, you see?" says Misaka with a sigh.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Contestant Misaka defeats<br>&nbsp;&nbsp;&nbsp;&nbsp;her second opponent!<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can Tokiwadai bounce back<br>&nbsp;&nbsp;&nbsp;&nbsp;in the time remaining?!<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you see that, kitty?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka is amazing.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That really is an adorable cat, huh?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks as though this is<br>&nbsp;&nbsp;&nbsp;&nbsp;the end of the line for me...<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ecaterina, limit yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;to only one rat per day...<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine and all, but please<br>&nbsp;&nbsp;&nbsp;&nbsp;hurry along to the sidelines, okay?<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, really?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were awesome. There<br>&nbsp;&nbsp;&nbsp;&nbsp;were seven of us, too.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given the power of Kongo Mitsuko,<br>&nbsp;&nbsp;&nbsp;&nbsp;it is no surprise!<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--She apparently just transferred in,<br>&nbsp;&nbsp;&nbsp;&nbsp;so there was hardly any data on her.<br>&nbsp;&nbsp;&nbsp;&nbsp;--You should be proud that you managed to beat me at all!<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just transferred in, and<br>&nbsp;&nbsp;&nbsp;&nbsp;she's still that pompous?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad news! Nomura and the<br>&nbsp;&nbsp;&nbsp;&nbsp;others were wiped out!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real?!<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad. Our lead has<br>&nbsp;&nbsp;&nbsp;&nbsp;been nearly eliminated.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's worse, so is our precious Level 3.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice!<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe we should go after<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto after all.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, the other team<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't acting cohesively,<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but with the time limit<br>&nbsp;&nbsp;&nbsp;&nbsp;approaching and no time to spare,<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they might start working together.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they team up against us,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be hard to maintain our slim lead.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we take out their head right now,<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can shake them up,<br>&nbsp;&nbsp;&nbsp;&nbsp;and their leadership will get muddled.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, we get that, but...<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there's no way to beat her.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you worry.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a stunningly simple way...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#3 Balloon Hunter"<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to bring her down.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh-heh, looks like I got away clean!<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment!<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are under arrest for<br>&nbsp;&nbsp;&nbsp;&nbsp;flagrant snatch and grab-- Huh?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You would be better off not<br>&nbsp;&nbsp;&nbsp;&nbsp;making this harder for both of us.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in an especially poor mood right now!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, so far today...<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--...I have not seen Sissy even once.<br>&nbsp;&nbsp;&nbsp;&nbsp;--What is this?! Damn it! Pull them out!<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy must be competing right about now.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is the largest street<br>&nbsp;&nbsp;&nbsp;&nbsp;monitor around here again?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Strange," says Misaka, tilting her head.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl does not appear<br>&nbsp;&nbsp;&nbsp;&nbsp;to have any desire to fight,<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she also does not seem to<br>&nbsp;&nbsp;&nbsp;&nbsp;be running away in any random direction.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather, perhaps the reason she came<br>&nbsp;&nbsp;&nbsp;&nbsp;to an area with open vantage points<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;may have something to do with her ability,<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or perhaps...<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...this is a trap.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't hit your opponent<br>&nbsp;&nbsp;&nbsp;&nbsp;by throwing at them,<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then don't throw anything.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rules of the competition<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;state that you have to break the paper<br>&nbsp;&nbsp;&nbsp;&nbsp;balloons using the designated beanbags,<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that's all they say.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you can break them<br>&nbsp;&nbsp;&nbsp;&nbsp;by holding the beanbag in your hand.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Misaka Mikoto tries to use<br>&nbsp;&nbsp;&nbsp;&nbsp;her electric shocks against the beanbags,<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it counts as attacking an opponent<br>&nbsp;&nbsp;&nbsp;&nbsp;with her ability, and she'll be disqualified.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By simply holding the beanbags in<br>&nbsp;&nbsp;&nbsp;&nbsp;our hands, we can lock down her shocks.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she can't use her ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;then the playing field is level!<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're mine!<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka has engaged in combat<br>&nbsp;&nbsp;&nbsp;&nbsp;over 10,000 times with someone<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who could take her life with a single touch.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will not be a simple matter<br>&nbsp;&nbsp;&nbsp;&nbsp;to catch her," warns Misaka.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let up! Everyone charge her together!<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Contestant Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;faced with a flurry of hands,<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;dodges, dodges, and dodges!<br>&nbsp;&nbsp;&nbsp;&nbsp;This is incredible!<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief,<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it took a lot of work<br>&nbsp;&nbsp;&nbsp;&nbsp;to set up those conditions.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Typically, Misaka Mikoto<br>&nbsp;&nbsp;&nbsp;&nbsp;emits faint EM waves around her,<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which can serve as a kind of radar<br>&nbsp;&nbsp;&nbsp;&nbsp;if she pays attention to them.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's nearly impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;for an electronic device,<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--even a small one, to get near her undetected.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Everybody, close the gap!<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--even a small one, to get near her undetected.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Don't give her any room to dodge!<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, under these circumstances,<br>&nbsp;&nbsp;&nbsp;&nbsp;with her focus distracted by the contestants closing in,<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the rules of the game preventing<br>&nbsp;&nbsp;&nbsp;&nbsp;her from using her ability...<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen!<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody, together--<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hole in the wall has opened up.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now is the chance to--<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Contestant Misaka is eliminated!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? No way! We did it!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We beat her!<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka is...<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...defeated.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mission accomplished.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, that was an unusual mission, though.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, incapacitate Misaka Mikoto?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Balloon Hunter competition is now over!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai Middle School,<br>&nbsp;&nbsp;&nbsp;&nbsp;which was favored to win,<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been beaten by a razor-thin margin!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their first black mark in the tournament.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One might say this is the greatest takeaway<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from competing in the Daihasei Festival.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. There is much that<br>&nbsp;&nbsp;&nbsp;&nbsp;can be learned from defeat.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For those who are conceited<br>&nbsp;&nbsp;&nbsp;&nbsp;because of their Level or status,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's just what the doctor ordered.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't do to have them worrying<br>&nbsp;&nbsp;&nbsp;&nbsp;about soiling their clothes over winning.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I add scrubbing toilets<br>&nbsp;&nbsp;&nbsp;&nbsp;to their dorm chore rotation?<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a good idea.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka did not remain vigilant,<br>&nbsp;&nbsp;&nbsp;&nbsp;and fell for the opposing team's plan,"<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, reflecting on her own mistake.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was unable to fulfil<br>&nbsp;&nbsp;&nbsp;&nbsp;her role as your substitute.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have fun?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have fun competing?<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there's nothing to feel down about.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The switch itself wasn't fair play,<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you couldn't help it<br>&nbsp;&nbsp;&nbsp;&nbsp;that you got mistaken for me,<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it's also my own fault for being late.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, there at the end,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you held out longer than I would have.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just about lunchtime.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you had anything to eat?<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are street stall vouchers<br>&nbsp;&nbsp;&nbsp;&nbsp;that they gave out to the students.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a date to eat lunch with my mama,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can use them if you like.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Street stalls, you say?<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The festival is going on anyway,<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so let's both enjoy ourselves.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you still have the gym clothes<br>&nbsp;&nbsp;&nbsp;&nbsp;on that you borrowed from Miss Wannai.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get them back to her as soon as you can.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it's okay to bring your own food in,<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not so sure that includes<br>&nbsp;&nbsp;&nbsp;&nbsp;cheese fondue with your own pot.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, now, mother and daughter,<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sitting around a pot during<br>&nbsp;&nbsp;&nbsp;&nbsp;the sports festival is pretty nice, isn't it?<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How so?<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, but it's gonna take a<br>&nbsp;&nbsp;&nbsp;&nbsp;while before the cheese is melted.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have cut these up smaller first.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll go buy us something to drink.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd sure like some wine.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way they have that here.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, man...<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is crowded, huh?<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, too, huh?<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, too? This is aggravating, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;There are lines everywhere you go.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Ol' Kamijo here very nearly<br>&nbsp;&nbsp;&nbsp;&nbsp;wet himself, even as old as he is.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How the restrooms are so crowded,<br>&nbsp;&nbsp;&nbsp;&nbsp;you nearly whiz in your pants, right?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just came here to buy some drinks!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, *that*.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really do have no delicacy...<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go buy enough for you all, too.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What my old lady prepared<br>&nbsp;&nbsp;&nbsp;&nbsp;for us probably won't be enough.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just sit tight for a bit, okay?<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus, he's an unusually nice guy...<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? Just like I told you, right?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I'm surprised you could<br>&nbsp;&nbsp;&nbsp;&nbsp;tell from the video footage.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mental Out can be used many different ways.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not telling, though.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then. I guess I should<br>&nbsp;&nbsp;&nbsp;&nbsp;expect as much from a Level 5.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can skip the brown-nosing.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just keep up your fine powers of observation.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well...<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, enjoying a relaxed lunchtime?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relaxed?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, are you training somewhere<br>&nbsp;&nbsp;&nbsp;&nbsp;out of sight during the lunch break?<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be silly.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had all my afternoon<br>&nbsp;&nbsp;&nbsp;&nbsp;competitions cancelled.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After everything this morning, I'm exhausted.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to you.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think this will be enough for lunch?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's mostly tea, though...<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, and who is this lady here?<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My classmate.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sort of.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's in your... class...?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, she's your classmate, huh? Okay, okay.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I detected his gaze dropping 30 cm just now!<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you,<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Kamijo.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Miss Misaka's friend, Shokuho Misaki.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you calling a friend?!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, how scary!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka doesn't seem to like me.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's always so bristly with me.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, she's always prickly with me, too...<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? So she's bristly<br>&nbsp;&nbsp;&nbsp;&nbsp;and prickly, huh? How funny!<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop describing me...<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like I was a sound effect,<br>&nbsp;&nbsp;&nbsp;&nbsp;and hitting it off after just meeting!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later, Miss Misaka.<br>&nbsp;&nbsp;&nbsp;&nbsp;Compete hard enough for the both of us!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>&nbsp;&nbsp;&nbsp;&nbsp;You look unusually lost in thought.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, how's work going?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were three fairly<br>&nbsp;&nbsp;&nbsp;&nbsp;large-scale server attacks,<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they were only slightly<br>&nbsp;&nbsp;&nbsp;&nbsp;worse than amateur level,<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I dealt with them in no time at all.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, yeah?<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Miss Saten?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me,<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where would Shadow Metal be lying around?<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we still talking about that?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's created wherever esper<br>&nbsp;&nbsp;&nbsp;&nbsp;powers engage with each other,<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would probably be on the grounds<br>&nbsp;&nbsp;&nbsp;&nbsp;where powerhouse schools competed.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't Miss Shirai warn you about this?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not having financial trouble, are you?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-uh.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I'm not exactly well-to-do, either.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I put this?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the adventure, you know?<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of obtaining something that<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't conventionally recognized,<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and which you'd otherwise<br>&nbsp;&nbsp;&nbsp;&nbsp;never find in your day-to-day life.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like being a Level 5.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, what the hey.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll follow your lead on this.<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shadow Metal," did you call it?<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check around for<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever information I can find.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's my Uiharu!<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come you're wearing<br>&nbsp;&nbsp;&nbsp;&nbsp;gym shorts under here?<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I can go out and compete right away.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, please don't tug.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cotton candy...<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and candy apples...<br>&nbsp;&nbsp;&nbsp;&nbsp;What must they taste like?<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The *yakisoba* might<br>
&nbsp;&nbsp;&nbsp;&nbsp;have egg in it, so rule that out.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ah, cats are able to eat <br>
&nbsp;&nbsp;&nbsp;&nbsp;*ikayaki*," says Misaka...<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...no... These clothes...<br>&nbsp;&nbsp;&nbsp;&nbsp;are borrowed, too...<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now they're dirty...<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, at last, the two<br>&nbsp;&nbsp;&nbsp;&nbsp;of us are alone together!<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#4 Tampering"<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that big a deal.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! It has been 23 episodes<br>&nbsp;&nbsp;&nbsp;&nbsp;since the two of us did a preview together!<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Sissy, go ahead and lay one<br>&nbsp;&nbsp;&nbsp;&nbsp;of your usual passionate kisses on--<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not even get to make a quip?!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E4 - Tampering

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G64P5250R/tampering)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you sighing about?<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You would sigh, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I am, finally out of the hospital,<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when I think of how I must again<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;spend the next several<br>&nbsp;&nbsp;&nbsp;&nbsp;nights without you, Sissy...<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can I say? Tokiwadai's<br>&nbsp;&nbsp;&nbsp;&nbsp;custom during the Daihasei Festival<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is for their students to stay<br>&nbsp;&nbsp;&nbsp;&nbsp;with their families at a hotel.<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I realize that.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will suffer through the nights of loneliness.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in exchange,<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as the Daihasei Festival is over,<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will share a hot, passionate night...<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, what are you talking about?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, mister...<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...one extra-large, please.<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it! One extra-large,<br>&nbsp;&nbsp;&nbsp;&nbsp;coming up. Just a moment.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder...<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what she decided to get.<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. Listen, Kuroko,<br>&nbsp;&nbsp;&nbsp;&nbsp;is there anything you'd like to eat?<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time it's my treat.<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should get something<br>&nbsp;&nbsp;&nbsp;&nbsp;for Miss Uiharu and Miss Saten, too.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Something light to snack on...<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I-If it is coming from you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, anything will be fine...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Something light to snack on...<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, if you are offering anything...<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like some of your half-eaten--<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here...!<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, it almost looks like there was a war here.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Uiharu?<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This field isn't scheduled to be used again today.<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can search it all I want.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm waiting on you for more information.<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay, I'm way ahead of you.<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I wonder what it looks like.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's in tiny grains, like gold dust.<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any information on the color or shape?<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, about that--<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My searches are returning<br>&nbsp;&nbsp;&nbsp;&nbsp;an unusually large number of hits,<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet there's nothing but vague<br>&nbsp;&nbsp;&nbsp;&nbsp;nonsense written in any of them.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but like they say,<br>&nbsp;&nbsp;&nbsp;&nbsp;where there's smoke, there's fire.<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have that many hits,<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it must mean there's something to it, right?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's certainly positive thinking.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All righty!<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to find some Shadow Metal!<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a little bit weird, huh?<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Railgun T"<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not finding anything here that's metallic.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt this scorched stone<br>&nbsp;&nbsp;&nbsp;&nbsp;here is Shadow Metal, either.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing new on my end, either.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, I can't find the site<br>&nbsp;&nbsp;&nbsp;&nbsp;that you said you browsed earlier.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's strange.<br>&nbsp;&nbsp;&nbsp;&nbsp;I just looked at it a week ago.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it, Kazari! A conspiracy! A conspiracy!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A conspiracy?<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you go after Shadow Metal,<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;some people say you'll get<br>&nbsp;&nbsp;&nbsp;&nbsp;targeted by a mysterious organization!<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If those stories are true,<br>&nbsp;&nbsp;&nbsp;&nbsp;we may be closer than we think!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you working?<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here dropping off Kuroko.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. While I'm at it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill some time before my next competition.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, any way you look at it, that must be it!<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't get a move on,<br>&nbsp;&nbsp;&nbsp;&nbsp;the organization will snatch it all away!<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes sense. But Miss Saten,<br>&nbsp;&nbsp;&nbsp;&nbsp;if these people actually exist,<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--doesn't that put you in<br>&nbsp;&nbsp;&nbsp;&nbsp;considerable danger right now?<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It sounds like you are up<br>&nbsp;&nbsp;&nbsp;&nbsp;to more funny business.<br>&nbsp;&nbsp;&nbsp;&nbsp;--doesn't that put you in considerable danger right now?<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Danger?<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If any organization that would manipulate<br>&nbsp;&nbsp;&nbsp;&nbsp;data to monopolize Shadow Metal<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were to find you there now...<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on, Uiharu...?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say that; you're scaring me.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm joking, I'm joking.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you get<br>&nbsp;&nbsp;&nbsp;&nbsp;for always flipping up my skirt.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, brother...<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Who are--?! Hey! Wait--<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten?!<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, what's the matter?!<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has something happened?<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It sounded like Miss Saten<br>&nbsp;&nbsp;&nbsp;&nbsp;was attacked by someone!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, where is she?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grounds at Kirigaoka, in School District 18!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, we are off!<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm coming, too--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Uiharu, you stay here to back us up.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on what we find,<br>&nbsp;&nbsp;&nbsp;&nbsp;we might need you to contact Antiskill.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--But--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Miss Uiharu...<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got this.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...!<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! All right, already, just let me go!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're hurting me! You're hurting me!<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those look like...<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think...<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sissy,<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--...you're doing?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--just a moment!<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We're sorry!<br>&nbsp;&nbsp;&nbsp;&nbsp;--We're sorry!<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our job is securing the<br>&nbsp;&nbsp;&nbsp;&nbsp;school grounds and prep rooms,<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Contestant Locker Room"<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and thoroughly cleaning them.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never know; somebody might show<br>&nbsp;&nbsp;&nbsp;&nbsp;up trying to collect high-level esper DNA.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, there have been many<br>&nbsp;&nbsp;&nbsp;&nbsp;unsuccessful attempts in the past.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given all that, it's only natural that<br>&nbsp;&nbsp;&nbsp;&nbsp;we'd take in a prowler if we found one.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then you go and attack us, to boot.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're absolutely right.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are terribly sorry!<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've learned your lesson,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm willing to let you off today--<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On a side note, have you<br>&nbsp;&nbsp;&nbsp;&nbsp;ever heard of Shadow Metal?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saten...<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So not even those people<br>&nbsp;&nbsp;&nbsp;&nbsp;have ever seen Shadow Metal.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idle gossip springing<br>&nbsp;&nbsp;&nbsp;&nbsp;from people who were suspicious<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the tight security around school grounds,<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;meant to prevent the leaking of DNA maps--<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that appears to be the<br>&nbsp;&nbsp;&nbsp;&nbsp;true story behind Shadow Metal.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is why I cautioned you about<br>&nbsp;&nbsp;&nbsp;&nbsp;not getting caught up in baseless stories.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, too, Sissy!<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've learned my lesson.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to me.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--If you will pay attention to what I say every day...<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ugh, this is going to be a long one.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ugh, this is going to be a long one.<br>&nbsp;&nbsp;&nbsp;&nbsp;--If you will pay attention to what I say every day...<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness they're safe, anyway.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten really is a handful.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These results really are abnormal, aren't they?<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it possible that someone<br>&nbsp;&nbsp;&nbsp;&nbsp;spammed all of this dummy data<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep anyone from finding<br>&nbsp;&nbsp;&nbsp;&nbsp;the site that she said she looked at?<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To conceal some embarrassing<br>&nbsp;&nbsp;&nbsp;&nbsp;information that was on it?<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, please. Maybe Miss Saten<br>&nbsp;&nbsp;&nbsp;&nbsp;is starting to rub off on me.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if this dummy data is something<br>&nbsp;&nbsp;&nbsp;&nbsp;that was automatically generated,<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then by analyzing its pattern,<br>&nbsp;&nbsp;&nbsp;&nbsp;I may be able to recreate the original site.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a tall order, though...<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Boom."<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, what have we here?<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, this is exactly the<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of site Miss Saten told me about.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the strange thing about this is...<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the information it has on<br>&nbsp;&nbsp;&nbsp;&nbsp;Shadow Metal is roughly the same<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as what she was saying.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A very precious orange color."<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Disciplinary Guides."<br>&nbsp;&nbsp;&nbsp;&nbsp;"A DNA computer that produces abilities"?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Isn't the person in that picture...?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're back.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, welcome back!<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, I'm sorry, Misaka.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I acted without thinking, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're both to blame.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, I'm sorry to drag you into this, too.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm just glad you're all right.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, have you found out anything new since we--<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you *really* learned your lesson?!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, uh...<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I did check into it my own<br>&nbsp;&nbsp;&nbsp;&nbsp;way after everything happened,<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I didn't find anything special.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"File has been deleted"<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind that, I did find some good news.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a secret spot among secret spots<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where we can watch<br>&nbsp;&nbsp;&nbsp;&nbsp;the night parade fireworks up close.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? For real?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this someplace we can legally get to?<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. I confirmed everything.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Doesn't that sound nice? Let's go see.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are so pretty.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They do this every night during<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival, right?<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, they do.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, let's all meet up here again, okay?<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Okay.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just isn't the same not<br>&nbsp;&nbsp;&nbsp;&nbsp;sleeping on your own pillow.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So where is the Queen?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one has seen her since last night.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Misaka, good morning.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, good morning.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You mean, she wasn't at the hotel?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Members of Shokuho's clique, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;--You mean, she wasn't at the hotel?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Members of Shokuho's clique, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;--No.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Wannai, morning.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning. Um,<br>&nbsp;&nbsp;&nbsp;&nbsp;if I may be bold enough to ask,<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when can I expect my gym clothes back?<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your gym clothes...?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? She hasn't come to return them yet?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I mean... sorry... I, uh...<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coffee! I spilled coffee on them,<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even having them cleaned,<br>&nbsp;&nbsp;&nbsp;&nbsp;there will still be a stain,<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so let me buy you new ones.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll order another set to be delivered.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, you needn't go to that much trouble.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm... Oh, Tabikake...<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A whole night has passed,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she hasn't returned the clothes yet?<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has she not had enough fun<br>&nbsp;&nbsp;&nbsp;&nbsp;and is trying to pass herself off as me?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, she isn't like that.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting...<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#4 Tampering"<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a bad feeling about this.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are the surveillance cameras<br>&nbsp;&nbsp;&nbsp;&nbsp;near where we parted ways yesterday.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I look through the recordings,<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be able to pick up her trail.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing here. Next.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have more free time in my schedule today.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'm worried over nothing.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But those girls' bodies need<br>&nbsp;&nbsp;&nbsp;&nbsp;regular maintenance, and all.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If something has happened to her...<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An ambulance?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is. It's her!<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's passed out. Is she hurt? Sick?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, this is no time<br>&nbsp;&nbsp;&nbsp;&nbsp;to let emotions take over.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which jurisdiction is this?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"School District 7 Fire Station 3"<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found it.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has the same number as the one on the camera.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was driving this yesterday?<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yesterday? Me and him.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you transport a girl<br>&nbsp;&nbsp;&nbsp;&nbsp;with shoulder-length brownish hair<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a little before noon?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that girl?<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, we took her.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl is a friend of mine.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you please be able to tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;which hospital you transported her to?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the one right over there. You see it?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one...<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the real-life Gekota doctor's hospital.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He knows the situation with the Sisters.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she was taken there, then I'm sure...<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Reception"<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? She wasn't brought here?<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. There are no records of<br>&nbsp;&nbsp;&nbsp;&nbsp;any emergency cases at that time.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the ambulance crew<br>&nbsp;&nbsp;&nbsp;&nbsp;told me they brought her here.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps they confused us with another hospital?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there's no mistake. Right?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. We definitely took her to that hospital.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they don't have any record--<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, something's wrong.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was wearing gym clothes from Tokiwadai.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--If they took her, then regardless of the hospital,<br>&nbsp;&nbsp;&nbsp;&nbsp;--We got the call, and drove to the scene...<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--they would have also contacted the school.<br>&nbsp;&nbsp;&nbsp;&nbsp;--We got the call, and drove to the scene...<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--they would have also contacted the school.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Right, and we picked up the girl, who was unconscious.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It's strange that a whole night has<br>&nbsp;&nbsp;&nbsp;&nbsp;gone by with no action from the school!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Right, and we picked up the girl, who was unconscious.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It's strange that a whole night has<br>&nbsp;&nbsp;&nbsp;&nbsp;gone by with no action from the school!<br>&nbsp;&nbsp;&nbsp;&nbsp;--We contacted base, like we always do...<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me,<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but are you telling the truth?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, can you tell me the name of<br>&nbsp;&nbsp;&nbsp;&nbsp;the hospital staff you turned her over to,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or tell me what else happened when you did so?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course we can. You see...<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you going addle-brained?<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember, we... Huh?<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, hey!<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I check the ambulance's route history...<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it. They didn't go to the hospital.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They went to an underground<br>&nbsp;&nbsp;&nbsp;&nbsp;parking garage, then came back!<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come down out of there!<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was taken there in this ambulance and<br>&nbsp;&nbsp;&nbsp;&nbsp;moved to another car in the parking garage?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Then, where is she now--<br>&nbsp;&nbsp;&nbsp;&nbsp;--That's enough, already!<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?!<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I see on your route history,<br>&nbsp;&nbsp;&nbsp;&nbsp;you never went to the hospital!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you explain that, if you can?!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That can't be right.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have conclusive proof!<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't talk your way out of this!<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're the girl from yesterday...?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would the same girl we transported<br>&nbsp;&nbsp;&nbsp;&nbsp;be faking like she went nowhere?<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're wrong! I'm...<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew I'd seen you before somewhere.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that Level 5 girl, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;The one that controls electricity or whatever.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure you didn't use your ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to tamper with the route history?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha-- There's no way I'd do that!<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for keeping my identity a secret.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--But don't lie to me! Tell me the truth!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey! What are you doing?!<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I-I'm not lying to you!<br>&nbsp;&nbsp;&nbsp;&nbsp;--S-Somebody! Somebody, come here!<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're not lying,<br>&nbsp;&nbsp;&nbsp;&nbsp;then what's wrong with your memories?!<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything you told me is untrue--<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Memories...? Tampering...?<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be...<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there! Take your hands off of him!<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There just isn't any spark<br>&nbsp;&nbsp;&nbsp;&nbsp;of life in her face, you know?<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said that the thought of<br>&nbsp;&nbsp;&nbsp;&nbsp;five more nights away from Miss Misaka<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is sapping her will to live.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that explains it.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Uiharu?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This street is not on our patrol route.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? That can't be true. I remember this was...<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See for yourself.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're right.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, before you second-guess others,<br>&nbsp;&nbsp;&nbsp;&nbsp;please pull yourself together.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I have made that mistake?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, it's no problem to circle back around.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a moment?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ladies with Judgment?<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, y-yes.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a spectator from the outside,<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I just got robbed right over there.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's awful!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did they steal from you?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Also, please tell me whatever you<br>&nbsp;&nbsp;&nbsp;&nbsp;can about what the culprit looked like,<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It turns out that taking the<br>&nbsp;&nbsp;&nbsp;&nbsp;wrong route worked out all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Also, please tell me whatever you can about what the culprit looked like,<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey! Watch what you say.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Also, please tell me whatever you<br>&nbsp;&nbsp;&nbsp;&nbsp;can about what the culprit looked like,<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey! Watch what you say.<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;--and which way they ran.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't...<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...move...<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or teleport...<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was taken was... let's see...<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...your memories of Misaka Mikoto, let's say.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am terribly sorry about this!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's go.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For heaven's sake, what were you thinking?<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very nearly committing assault<br>&nbsp;&nbsp;&nbsp;&nbsp;while pranking a public agency?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's lucky for us that they<br>&nbsp;&nbsp;&nbsp;&nbsp;were accommodating enough<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to not let this become a big incident.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly brought this on?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While waiting for Miss Watanabe to arrive,<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried asking all kinds of trick questions,<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they didn't seem to be lying.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that sure enough...<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suspect that Shokuho Misaki<br>&nbsp;&nbsp;&nbsp;&nbsp;is misusing her ability<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to cover up her committing crimes.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that is true, it is a serious matter.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any evidence<br>&nbsp;&nbsp;&nbsp;&nbsp;that forces you to that conclusion?<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I...<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use. Any way I explain this,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to mention the Sisters.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't say what is going on, specifically...<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that makes it difficult<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to do anything.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka,<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival is currently underway.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The attention of the world<br>&nbsp;&nbsp;&nbsp;&nbsp;is focused on Academy City.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a Level 5, you must conduct yourself<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not only as a representative of our school,<br>&nbsp;&nbsp;&nbsp;&nbsp;but of all of Academy City.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do realize the tremendous<br>&nbsp;&nbsp;&nbsp;&nbsp;pressure this places upon you,<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but please refrain from thoughtless<br>&nbsp;&nbsp;&nbsp;&nbsp;behavior even more than usual.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can understand that, right?<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it. Assuming Shokuho<br>&nbsp;&nbsp;&nbsp;&nbsp;manipulated the ambulance crew<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to turn them into traffickers,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is her objective?<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, right now, that doesn't matter.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the case, once the<br>&nbsp;&nbsp;&nbsp;&nbsp;competition gets started, I'll slip out.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The underground parking garage where<br>&nbsp;&nbsp;&nbsp;&nbsp;the ambulance went is my only lead.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this works out perfectly. Ladies,<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could I ask you for a favor?<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka here is feeling a<br>&nbsp;&nbsp;&nbsp;&nbsp;little emotionally unstable right now,<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'd like for you to keep your eyes on her.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, we don't mind.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guards? And of all people,<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;members of Shokuho Misaki's clique?<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, Miss Misaka,<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have long wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;have a nice long chat with you.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be looking forward to it.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shouldn't be causing<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble for our teachers.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, you're such a mischievous girl.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? I can't take it.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that telepathy?<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since I'm going to be watching you,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've connected a line to you.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--While this line is connected,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be aware of your general whereabouts.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Miss Misaka?<br>&nbsp;&nbsp;&nbsp;&nbsp;--While this line is connected,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be aware of your general whereabouts.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you run away,<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will come after you at full force.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please start driving.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, ma'am.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sorry, Miss Misaka.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was not my hope to throw<br>&nbsp;&nbsp;&nbsp;&nbsp;a wet blanket over this nice festival...<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Miss Shokuho's "Optimization" is absolute.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can shake them off if I really try...<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least I think so...<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But collecting more information<br>&nbsp;&nbsp;&nbsp;&nbsp;while on the run will be really hard.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't sense any open hostility<br>&nbsp;&nbsp;&nbsp;&nbsp;from the clique members.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean that Shokuho<br>&nbsp;&nbsp;&nbsp;&nbsp;hasn't told them anything?<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko! And Miss Uiharu and Miss Saten, too!<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, could I go and talk<br>&nbsp;&nbsp;&nbsp;&nbsp;to my friends really quick?<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't run away.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Okay.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't say too much about this.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get them to help me<br>&nbsp;&nbsp;&nbsp;&nbsp;without causing them any trouble.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko! I need a little fa--<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--vor...<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I ask you to not<br>&nbsp;&nbsp;&nbsp;&nbsp;call out my name so casually?<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How overly familiar.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, is she a friend of yours?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Misaka Mikoto,<br>&nbsp;&nbsp;&nbsp;&nbsp;an upperclassman at my school.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're famous! They call you "Railgun,"<br>&nbsp;&nbsp;&nbsp;&nbsp;if I remember correctly!<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kuroko,<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you aren't all collectively<br>&nbsp;&nbsp;&nbsp;&nbsp;pulling my leg, are you?<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu... and Miss Saten...<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does she know our names?<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, did you tell her?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. We are not even acquainted.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know where you heard about us,<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you are in some trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will hear what you have to say,<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a member of Judgment.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that's okay.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've really done it now...<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho!<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you're messing with my friends, too. This...<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...has gone way beyond just horsing around!<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho, what do you think you're doing,<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#5 Trust"<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;tampering with Kuroko and the others' memories?<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention having<br>&nbsp;&nbsp;&nbsp;&nbsp;your clique stand guard over me,<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and keeping me from looking for her!<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to do something...<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, please let me,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kongo Mitsuko, deal with this!<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E5 - Trust

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRW43EJ3Y/trust)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kuroko,<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you aren't all collectively<br>&nbsp;&nbsp;&nbsp;&nbsp;pulling my leg, are you?<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu... and Miss Saten...<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does she know our names?<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, did you tell her?<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. We are not even acquainted.<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know where you heard about us,<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you are in some trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will hear what you have to say,<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a member of Judgment.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that's okay.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've really done it now...<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho!<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you're messing with my friends, too. This...<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...has gone way beyond just horsing around!<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I show Kuroko and the others<br>&nbsp;&nbsp;&nbsp;&nbsp;our dorm room or some photo albums,<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be able to explain to them that<br>&nbsp;&nbsp;&nbsp;&nbsp;their memories are being manipulated.<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will they even cooperate with me<br>&nbsp;&nbsp;&nbsp;&nbsp;when they see me as a total stranger?<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to drag them into it like this.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to start getting<br>&nbsp;&nbsp;&nbsp;&nbsp;ready for the next competition.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is her objective<br>&nbsp;&nbsp;&nbsp;&nbsp;if she's taking things this far?<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that she has me immobilized like this,<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what can I even do?<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Railgun T"<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are in top form, Miss Kongo.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Even the color commentary<br>&nbsp;&nbsp;&nbsp;&nbsp;person complimented you.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like the color commentary<br>&nbsp;&nbsp;&nbsp;&nbsp;person has a keen eye.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that all about?<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to talk to her a little longer.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were just infatuated<br>&nbsp;&nbsp;&nbsp;&nbsp;by meeting someone famous.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, it seemed to me like<br>&nbsp;&nbsp;&nbsp;&nbsp;she wanted to say something.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai? And Miss Saten<br>&nbsp;&nbsp;&nbsp;&nbsp;and Miss Uiharu, too...<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Kongo, hi there.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, how are you feeling?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the one who took over<br>&nbsp;&nbsp;&nbsp;&nbsp;in the competition for you,<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have made sure to take first place.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why are you acting so sullen?<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a girl they call<br>&nbsp;&nbsp;&nbsp;&nbsp;"Railgun" at our school, right?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She just lashed out at us a moment ago.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She* came up to *us*<br>
&nbsp;&nbsp;&nbsp;&nbsp;and asked if we were pulling her leg.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, would you please continue<br>&nbsp;&nbsp;&nbsp;&nbsp;taking my place in the competition?<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure...<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu!<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, bye.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take care.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could Miss Shirai be having<br>&nbsp;&nbsp;&nbsp;&nbsp;a fight with Miss Misaka or something?<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They usually seem to get along<br>&nbsp;&nbsp;&nbsp;&nbsp;so well with each other.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, you sure were signed up<br>&nbsp;&nbsp;&nbsp;&nbsp;to compete in a lot of events.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Yeah, you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;And they're all pairs events, too.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Pairs?<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our next pairs event is the Balloon Sandwich!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each team of two holds a balloon<br>&nbsp;&nbsp;&nbsp;&nbsp;between them without using their hands,<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and races to carry it to the goal line!<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--As soon as the balloon breaks,<br>&nbsp;&nbsp;&nbsp;&nbsp;the team is disqualified!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as the balloon breaks,<br>&nbsp;&nbsp;&nbsp;&nbsp;the team is disqualified!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Now really isn't the time to be doing this.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to get out of this somehow<br>&nbsp;&nbsp;&nbsp;&nbsp;and go looking for her.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it all right if I blow up our balloon?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead, Sissy!<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please embrace me!<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, if the balloon breaks, we're out, you know!<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko couldn't control herself,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we didn't get any practice done.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I ask you to not<br>&nbsp;&nbsp;&nbsp;&nbsp;call out my name so casually?<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Miss Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was not aware you had a twin sister.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yesterday, during the Balloon Hunter,<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was your sister who entered, was it not?<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo,<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could tell that wasn't me?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I have quite the eye<br>&nbsp;&nbsp;&nbsp;&nbsp;when it comes to sizing people up.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us just say that there is a<br>&nbsp;&nbsp;&nbsp;&nbsp;subtle difference in the air about her.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Miss Kongo,<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to ask you for a favor.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Tokiwadai sure is a powerhouse, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;--They're one of the five fingers, and all.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, thanks.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y--<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take sneaky cruelty to<br>&nbsp;&nbsp;&nbsp;&nbsp;a whole new level, Shokuho Misaki!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo, keep it down, keep it down!<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To kidnap your sister,<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to say nothing of manipulating<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai and the others' memories?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is not fit to be a student at Tokiwadai.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand what you are telling me.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will look into what happened with your sister,<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so Miss Misaka, please keep<br>&nbsp;&nbsp;&nbsp;&nbsp;the Shokuho clique's attention off of me.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for getting you involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in my personal business.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But whatever you do,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't get in over your head.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scary thing about her is that<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't know what she's thinking.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only I had a lead,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could do something about this myself.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, you should not<br>&nbsp;&nbsp;&nbsp;&nbsp;trust any information I give you.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why not?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I may have already<br>&nbsp;&nbsp;&nbsp;&nbsp;been brainwashed by Shokuho Misaki.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any and all information<br>&nbsp;&nbsp;&nbsp;&nbsp;I give you will be false.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should consider that possibility.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man...<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. No one would trust me<br>&nbsp;&nbsp;&nbsp;&nbsp;after I said something like that, right?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I will bring you not information,<br>&nbsp;&nbsp;&nbsp;&nbsp;but your sister herself.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this after<br>&nbsp;&nbsp;&nbsp;&nbsp;telling you not to trust me,<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but please believe me and wait for me to return.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo...<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to win first place.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As impressive as always.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thanks.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason she did not turn Miss Shirai<br>&nbsp;&nbsp;&nbsp;&nbsp;and the others against Miss Misaka<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was probably because she did<br>&nbsp;&nbsp;&nbsp;&nbsp;not feel it was necessary to go that far.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If her objective is the sister,<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the whole course of events<br>&nbsp;&nbsp;&nbsp;&nbsp;was simply meant to buy some time.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And at best, all she needed<br>&nbsp;&nbsp;&nbsp;&nbsp;was a stopgap measure, at that.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I had better hurry this up.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do anything crazy, Miss Kongo.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you put yourself in danger,<br>&nbsp;&nbsp;&nbsp;&nbsp;even to help her...<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your cell phone...<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, has she gotten suspicious?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is the Lovely Mitten Gekota model, isn't it?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why yes, it is.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens, I have one, too.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pyonko?!<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw the Gekota strap on your bag<br>&nbsp;&nbsp;&nbsp;&nbsp;and wondered if you were into them.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so that's why...<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, I have long wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to have a nice long chat with you.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure do wish that they weren't labeled<br>&nbsp;&nbsp;&nbsp;&nbsp;as being for children, you know?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always get funny looks from mothers<br>&nbsp;&nbsp;&nbsp;&nbsp;who have their children with them.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know what you mean.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dorm rules keep me from lining up<br>&nbsp;&nbsp;&nbsp;&nbsp;early on the day the new ones come out.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of new releases, you know<br>&nbsp;&nbsp;&nbsp;&nbsp;the regional series that just went on sale?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think they're thumbing<br>&nbsp;&nbsp;&nbsp;&nbsp;their noses at us Gekoers?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They aren't paying enough<br>&nbsp;&nbsp;&nbsp;&nbsp;respect to the original story!<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--They're really getting into it over there.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I wish they'd learn from this year's<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Fest mail-order limited editions.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, I still haven't gotten my hands on one.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They haven't come up<br>&nbsp;&nbsp;&nbsp;&nbsp;on any net auctions, either.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, in that case, I have two of<br>&nbsp;&nbsp;&nbsp;&nbsp;them--one to enjoy, and one to save.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have *two*?!<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell you what. If you do<br>&nbsp;&nbsp;&nbsp;&nbsp;your best in today's events,<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you the one I'm saving.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Really--<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a sophisticated trap!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, Misaka Mikoto<br>&nbsp;&nbsp;&nbsp;&nbsp;has definitely been neutralized.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I injected her with that nanodevice,<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's no way she can move.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, securing her is *your* job, isn't it?<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure she wasn't taken<br>&nbsp;&nbsp;&nbsp;&nbsp;to some hospital somewhere?<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess that's good enough for now.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Baba, I have another job for you to do.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another?<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your target...<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will be Misaka Mikoto's clones...<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#5 Trust"<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Sisters.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to what Miss Misaka said,<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is the location where she and<br>&nbsp;&nbsp;&nbsp;&nbsp;her sister last saw each other. Which means,<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is also likely that this is where she<br>&nbsp;&nbsp;&nbsp;&nbsp;came into contact with Shokuho Misaki.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is something not quite right about this.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Miss Misaka's sister not at a<br>&nbsp;&nbsp;&nbsp;&nbsp;high enough Level to avoid Mental Out?<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She could have simply used her ability<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to order her to go someplace<br>&nbsp;&nbsp;&nbsp;&nbsp;where she would not be seen.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would she have gone to the<br>&nbsp;&nbsp;&nbsp;&nbsp;extra steps of capturing and relocating her?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if it was not her ability<br>&nbsp;&nbsp;&nbsp;&nbsp;that incapacitated her sister,<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but some other circumstance,<br>&nbsp;&nbsp;&nbsp;&nbsp;unforeseen to Shokuho Misaki, as well?<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that is true,<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then there may be a clue around here.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the character Miss Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;likes so much--Kerozo, was it?<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that...?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, you!<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should not pick on those weaker than you!<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are all right now.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, I know you must still<br>&nbsp;&nbsp;&nbsp;&nbsp;be uneasy, but right now,<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not have a moment to spare.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really do not have time for this.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, I will take you to Judgment.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Miss Kongo!<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be in a hurry. What is happen--<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect timing! I hate to do this to you,<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--but could you hang on to--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh?<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this kitty cat belong to Miss Misaka?<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not 100% sure, myself,<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks like the cat I looked after<br>&nbsp;&nbsp;&nbsp;&nbsp;during the Balloon Hunter competition.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Balloon Hunter?<br>&nbsp;&nbsp;&nbsp;&nbsp;Then this is Miss Misaka's sister's...<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka has a sister?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, um, I do not have time<br>&nbsp;&nbsp;&nbsp;&nbsp;to go into detail right now,<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Miss Misaka asked me to help look<br>&nbsp;&nbsp;&nbsp;&nbsp;for her sister, who has gone missing.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Missing?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This cat was where I believe<br>&nbsp;&nbsp;&nbsp;&nbsp;her sister got into some trouble.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I am not sure what<br>&nbsp;&nbsp;&nbsp;&nbsp;all the circumstances are,<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I know a psychometrist on<br>&nbsp;&nbsp;&nbsp;&nbsp;the swim team who can mediate with animals.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing her, she may be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to make contact with this cat.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my!<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mama, look!<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A robot dog!<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you're right.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Academy City for you.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Nagatenjouki is running away with this.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whoa, look at all these people!<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wow, who's going to have this strawberry *yakisoba*?<br>
&nbsp;&nbsp;&nbsp;&nbsp;--Are they doing the night parade again tonight?<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That girl in pink is so cute!<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Then it might provide a clue<br>&nbsp;&nbsp;&nbsp;&nbsp;to finding Miss Misaka's sister!<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Tokiwadai student... Misaka... sister?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go call her.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait here a moment.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, then.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, this little kitty being a clue.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A girl who possesses psychometry<br>&nbsp;&nbsp;&nbsp;&nbsp;would be too far removed from Miss Misaka,<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Shokuho Misaki's reach<br>&nbsp;&nbsp;&nbsp;&nbsp;would not have extended to her.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought your sister back, just as I promised!<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Miss Kongo! You saved the day!<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh yeah! Oh yeah!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Excuse me...<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can I do for you?<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping to have a word with you.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I am afraid I have little time right now--<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It concerns Misaka Mikoto's sister.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are so many people around here.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we go somewhere else?<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Daihasei Festival limited edition.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's already been checked off,<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd better ask, just to be sure.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask *who*...?<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo? With...<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...who is that?<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say her "sister," does<br>&nbsp;&nbsp;&nbsp;&nbsp;that come from the "Sisters" nickname?<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or were you introduced<br>&nbsp;&nbsp;&nbsp;&nbsp;to her as being her actual sister?<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess it doesn't matter either way.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, I, too, was asked<br>&nbsp;&nbsp;&nbsp;&nbsp;to safeguard this "sister" of hers.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wouldn't mind,<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could we compare our notes on what we each know?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I appreciate your offer,<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am afraid that I will first need you<br>&nbsp;&nbsp;&nbsp;&nbsp;to explain to me who you are,<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and for what purpose<br>&nbsp;&nbsp;&nbsp;&nbsp;you are looking for her sister.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I suppose you would. However,<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;perhaps you'd rather just<br>&nbsp;&nbsp;&nbsp;&nbsp;blindly tell me what your "lead" is.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if you don't...<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A robot?!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I will end up using drugs<br>&nbsp;&nbsp;&nbsp;&nbsp;to force it out of you.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just keep your distance, please!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My suspicions exploded from the very start,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I figured he was working with Shokuho Misaki,<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if he really is looking for her sister,<br>&nbsp;&nbsp;&nbsp;&nbsp;is he with a different interest?<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tagged along, thinking that maybe<br>
&nbsp;&nbsp;&nbsp;&nbsp;I could get some information out of *him*,<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but whatever the case,<br>&nbsp;&nbsp;&nbsp;&nbsp;it does not change the fact...<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that he is Miss Misaka's enemy.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look! Look!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I need to find a way to get away from here.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--All right, while we wait for the<br>&nbsp;&nbsp;&nbsp;&nbsp;next competition to start, we should--<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! My balloon!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it!<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Thanks, miss!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Miss Misaka, look out!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa. I accidentally jumped aboard.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I can't get down.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, that was just an unfortunate accident,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's not my fault, right?<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka...<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you should wait for us at the next stop...<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm outside of her effective<br>&nbsp;&nbsp;&nbsp;&nbsp;telepathic range. Now...<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hurt, Miss Misaka?<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we caught up to her. She's safe.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll get off at the next station,<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and if we can't catch a train back,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll call a taxi.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--So you can easily catch up to a<br>&nbsp;&nbsp;&nbsp;&nbsp;train running away from you, can you?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and if we can't catch a train back, we'll call a taxi.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--So you can easily catch up to a<br>&nbsp;&nbsp;&nbsp;&nbsp;train running away from you, can you?<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yes, we will.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry about this...<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't getting away.<br>&nbsp;&nbsp;&nbsp;&nbsp;I researched your ability after your race.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ability involves creating air jets<br>&nbsp;&nbsp;&nbsp;&nbsp;on objects and launching them.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then,<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is nothing here<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to use your ability on.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the reason I brought you here.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'll just give in and talk to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;you won't have to get hurt here.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you don't...!<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have made two mistakes<br>&nbsp;&nbsp;&nbsp;&nbsp;concerning Aero Hand, my ability!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First,<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no restriction on<br>&nbsp;&nbsp;&nbsp;&nbsp;where I can place my jets.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You created a jet on the ground?<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And secondly...<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The parabolic antenna?!<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if I bundle my jets together,<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can produce enough output to launch<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even heavy equipment into the stratosphere!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is nothing that I cannot send flying!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can just pay for whatever I destroy!<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like *you* are<br>
&nbsp;&nbsp;&nbsp;&nbsp;the one who will be giving in!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had no idea she possessed this much power!<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Great Dane Types don't pack enough punch.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can just create a brief opening...<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, Miss Kongo is not here, is she?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure this is the right place?<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes. This is where I told her to wait for us.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for making you come all the way here.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay. If you find her,<br>&nbsp;&nbsp;&nbsp;&nbsp;please feel free to call me again.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye, now.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where could she have gone?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten?<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we keep running into each other.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you happen to see Miss Kongo?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suddenly... I'm feeling faint...<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went for the cat,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you actually leapt in to defend it.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't help.<br>&nbsp;&nbsp;&nbsp;&nbsp;I just injected you with a nanodevice<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that deprives you of control over your body.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're quite valuable,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I was hoping I wouldn't have to use it.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least... let the cat...<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...find its way... back to Miss Misaka...<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, are you doing this<br>&nbsp;&nbsp;&nbsp;&nbsp;because Misaka Mikoto asked you to?<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For nothing in return? All for someone else?<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hilarious that you ended up<br>&nbsp;&nbsp;&nbsp;&nbsp;having this happen to you as a result.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, what a terrible girl she is.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To snow-job you into this,<br>&nbsp;&nbsp;&nbsp;&nbsp;when it has nothing to do with you.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those Level 5s really are all the same...<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take...<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that back...<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is not... Miss Misaka is not<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who uses other people... This is...<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...something I decided to do all on my own...<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone like you... might not understand that...<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Buzz off, will you?!<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you talk down to me! You ended up...<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...not being able...<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to do anything, did you?! Huh?!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're completely useless, you know that?!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that Misaka Mikoto<br>&nbsp;&nbsp;&nbsp;&nbsp;can only use trash like you<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;proves she's a complete disaster--<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, that was a close one.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be screwed if she dies before<br>&nbsp;&nbsp;&nbsp;&nbsp;I get any information out of her.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, what a drag. The lower the life form,<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the easier it is for them to piss someone off.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great Dane Types, carry this girl away--<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo?!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How awful. How did...?<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* did this to her?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what if I did? It doesn't matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how human debris ends up, does it?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl said she was here acting<br>&nbsp;&nbsp;&nbsp;&nbsp;on behalf of Misaka Mikoto.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that she yielded her will<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone else makes her second-class.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since she wasn't able<br>&nbsp;&nbsp;&nbsp;&nbsp;to carry out the role she was given,<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes her worse than third-class!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Truly human debris.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten,<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to ask this, but could<br>&nbsp;&nbsp;&nbsp;&nbsp;you take Miss Kongo and the cat...<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and move them someplace safe for me?<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we do not keep that cat safe,<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of Miss Kongo's effort<br>&nbsp;&nbsp;&nbsp;&nbsp;will have been for nothing.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides...<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you are not the only one...<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...who is having trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;controlling their anger...<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...at having one of their friends being insulted.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Awatsuki, I have never felt<br>&nbsp;&nbsp;&nbsp;&nbsp;such a strong impulse as this before.<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#6 The Battle Begins"<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither have I. Miss Wannai,<br>&nbsp;&nbsp;&nbsp;&nbsp;we need to have a word with that gentleman<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who insulted Miss Kongo like that!<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a high-schooler, you have the<br>&nbsp;&nbsp;&nbsp;&nbsp;verbal skills of someone in middle school!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E6 - The Battle Begins

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6ME78GPR/the-battle-begins)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides...<br>**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you are not the only one...<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...who is having trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;controlling their anger...<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...at having one of<br>&nbsp;&nbsp;&nbsp;&nbsp;their friends being insulted.<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anger at having your friend insulted?<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is psychological dependence on<br>&nbsp;&nbsp;&nbsp;&nbsp;others becoming a trend or something?<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You try to look like a hero,<br>&nbsp;&nbsp;&nbsp;&nbsp;doing something for someone else,<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when you find yourself stuck<br>&nbsp;&nbsp;&nbsp;&nbsp;in a situation you can't get out of,<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you just blame it on them and wish you hadn't.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like people<br>&nbsp;&nbsp;&nbsp;&nbsp;with no sense of imagination<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can't understand that unless<br>&nbsp;&nbsp;&nbsp;&nbsp;they experience it for themselves.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Water?<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always heard that<br>&nbsp;&nbsp;&nbsp;&nbsp;unconscious people were heavy, but...<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gotten lighter...?<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your ability, Awatsuki?<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't last very long.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please hurry off, while you have the chance.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, there!<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'm just going<br>&nbsp;&nbsp;&nbsp;&nbsp;to let you walk away from this?<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo!<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's all you've got,<br>&nbsp;&nbsp;&nbsp;&nbsp;my Great Dane Types can leap over them!<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only lead I have...!<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right.<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after injecting its nanodevice,<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Mosquito Type can still come<br>&nbsp;&nbsp;&nbsp;&nbsp;in handy for its GPS transmitter.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I have her trail,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do whatever I have to once I finish here.<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for right now...<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I'll have to take care of these two.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Railgun T"<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to call an ambulance and Antiskill.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope Wannai and Awatsuki are all right.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Baba? Is everything moving along smoothly?<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, without a hitch.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great Dane Types, you've gotta get in there!<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this, now?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Baba, are you in the middle of a fight?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just sort of happened.<br>&nbsp;&nbsp;&nbsp;&nbsp;So this might take a little more time.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay? Should I send in reinforcements?<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there's no need.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so worried about you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do anything else.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's such a liar.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, how about I just retrieve your leads?<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, I still don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have any helpful intel yet.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tweak the data to delay<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill's arrival, if you would.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot. You think I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to let you steal all my credit?<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, those two didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;compete in the Balloon Hunter,<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I haven't checked out their abilities,<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the chestnut-haired<br>&nbsp;&nbsp;&nbsp;&nbsp;one's ability is Hydro Hand.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the Great Dane Types get drawn into<br>&nbsp;&nbsp;&nbsp;&nbsp;the water, even they could be in danger,<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's not so strong that she can<br>&nbsp;&nbsp;&nbsp;&nbsp;land a fatal blow while fighting on land.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The braided-hair one uses telekinesis, is it?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But seeing as how she<br>&nbsp;&nbsp;&nbsp;&nbsp;can't pin down a Great Dane Type,<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she doesn't have all that much power.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their abilities put them both around Level 3.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt they've had much combat experience,<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they seem to be making<br>&nbsp;&nbsp;&nbsp;&nbsp;do pretty well by attacking in sync.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a limited number of pawns to use, myself.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, not too shabby at all.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am looking for Misaka Mikoto's Sis--<br>&nbsp;&nbsp;&nbsp;&nbsp;er, her twin, you see.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there, with the chestnut hair--<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you called that girl earlier<br>&nbsp;&nbsp;&nbsp;&nbsp;Kongo Mitsuko, right?<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were discussing something<br>&nbsp;&nbsp;&nbsp;&nbsp;about a lead on her sister, weren't you?<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind telling me what that lead is?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not asking you to give it<br>&nbsp;&nbsp;&nbsp;&nbsp;to me for free, of course.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a nanodevice inside here.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A real high-caliber model,<br>&nbsp;&nbsp;&nbsp;&nbsp;which can immobilize whoever it's used on.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I injected one of these<br>&nbsp;&nbsp;&nbsp;&nbsp;into Kongo Mitsuko earlier.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the truth. Using a mosquito-shaped<br>&nbsp;&nbsp;&nbsp;&nbsp;robot, with just a little "pfft."<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I touched Miss Kongo,<br>&nbsp;&nbsp;&nbsp;&nbsp;she had a pretty high fever.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think there's probably at least<br>&nbsp;&nbsp;&nbsp;&nbsp;some truth to what he is saying.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's tricky to remove a<br>&nbsp;&nbsp;&nbsp;&nbsp;nanodevice once it's been injected.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you had this, you may be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to find a shutdown command.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to exchange<br>&nbsp;&nbsp;&nbsp;&nbsp;your information for it?<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to help your friend, don't you?<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot tell what it is to someone like you.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, we *will* be taking that nanodevice.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Even if we have to take it by force!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Even if we have to take it by force!<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, negotiations<br>&nbsp;&nbsp;&nbsp;&nbsp;have broken down. Oh, well...<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of these two has already<br>&nbsp;&nbsp;&nbsp;&nbsp;been used and is empty.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other one has the nanodevice inside it.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one is the right one?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Awatsuki!<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They know it's a trap, and still they split up.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These girls are a couple of pushovers.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop right there! Where are you--?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, now! You have<br>&nbsp;&nbsp;&nbsp;&nbsp;to start chasing me, or I'll get away!<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the Balloon Sandwich,<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival News"<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like Miss Kongo and<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka competed together.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if those two are good friends.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgun...<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever I think about that girl,<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get an uneasy feeling across my chest!<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not even want to think about that<br>&nbsp;&nbsp;&nbsp;&nbsp;conceited girl, who is just a pretty face!<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're that mindful of her, then<br>&nbsp;&nbsp;&nbsp;&nbsp;that must have been one fateful encounter.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of you may make<br>&nbsp;&nbsp;&nbsp;&nbsp;a surprisingly good pair.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? M-Me, and *that* girl?!<br>
&nbsp;&nbsp;&nbsp;&nbsp;There is absolutely no way!<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...? Ah, just a moment, please!<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be fine on my own now!<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us split up now<br>&nbsp;&nbsp;&nbsp;&nbsp;and start patrolling separately!<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sure was a long line to get a taxi.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The place is packed with<br>&nbsp;&nbsp;&nbsp;&nbsp;spectators wherever you go.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just wait for the next bus.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't leave all of this in Miss Kongo's lap.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to get out of here...<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I wonder what that's about.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear there has been an<br>&nbsp;&nbsp;&nbsp;&nbsp;upswing in cases of heatstroke.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should be careful, as well.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hydration and electrolytes are key.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...?<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten!<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Miss Misaka, wait up!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah, um, Miss Misaka...?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you in an ambulance--<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop right there!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh... Even away from the pond,<br>&nbsp;&nbsp;&nbsp;&nbsp;she can control a decent amount of water.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Great Dane Type that took<br>&nbsp;&nbsp;&nbsp;&nbsp;in the water chestnut-hair controlled<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was destroyed from the inside.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that once the water<br>&nbsp;&nbsp;&nbsp;&nbsp;is under her command,<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she can control it without even seeing it.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pretty much have her analyzed.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For one thing, there's an upper limit<br>&nbsp;&nbsp;&nbsp;&nbsp;to the weight and effective range<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that those with powers like hers can control,<br>&nbsp;&nbsp;&nbsp;&nbsp;depending on their power level.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I get her far enough away from the pond,<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she can no longer replenish her water supply.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, once I pretend to leave myself<br>&nbsp;&nbsp;&nbsp;&nbsp;open within her effective range...<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a shame.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, she loses control<br>&nbsp;&nbsp;&nbsp;&nbsp;over water that becomes detached.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One other limitation<br>&nbsp;&nbsp;&nbsp;&nbsp;that espers with Hydro Hand have<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the count of the water<br>&nbsp;&nbsp;&nbsp;&nbsp;that they can control at once!<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Physical attacks against water<br>&nbsp;&nbsp;&nbsp;&nbsp;may look futile at first glance,<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but every time she deflects,<br>&nbsp;&nbsp;&nbsp;&nbsp;her watery armor gets ablated away.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll watch and enjoy as this young girl,<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who only knows how to fight head-on,<br>&nbsp;&nbsp;&nbsp;&nbsp;is overcome with despair!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Critical Care Center"<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I got to the park,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kongo was lying on the ground,<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Wannai and Awatsuki confronted<br>&nbsp;&nbsp;&nbsp;&nbsp;an icky guy who was controlling robot dogs.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my fault.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was naive.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it was an extension<br>&nbsp;&nbsp;&nbsp;&nbsp;of the usual rivalry between cliques.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought she was just messing<br>&nbsp;&nbsp;&nbsp;&nbsp;with me because she doesn't like me.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that not even she would do anything<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to hurt someone who went to the same school.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're ready. Those of you who<br>&nbsp;&nbsp;&nbsp;&nbsp;are her friends, please wait over here.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sure.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Miss Misaka?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something appears to have happened here--<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to wait for other<br>&nbsp;&nbsp;&nbsp;&nbsp;members of the clique to arrive--<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you're prepared<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill me to stop me, then move.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#6 The Battle Begins"<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka...<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By my reckoning,<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should have run out of water<br>&nbsp;&nbsp;&nbsp;&nbsp;with two of them still remaining.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed that you beat them all,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if you did use up your water.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you have no more water to protect<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself with. Now what will you do?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As part of my studies as a Tokiwadai student,<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have learned a few self-defense techniques.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are unarmed, then I will take<br>&nbsp;&nbsp;&nbsp;&nbsp;you on without my abilities, too!<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, how courageous of you.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I dislike the barbarity of duking it out.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead, I'll put these reserve forces<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd been saving to work.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's basic strategy to always have<br>&nbsp;&nbsp;&nbsp;&nbsp;a move ready to make in any situation.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not getting clean away,<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's also maintaining a<br>&nbsp;&nbsp;&nbsp;&nbsp;certain distance from me as it runs.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's trying to buy time by<br>&nbsp;&nbsp;&nbsp;&nbsp;keeping me separated from Miss Wannai.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to hurry.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should work.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a successful shortcut.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all...<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the aftermath of where<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo used her ability.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did a complete lap without even realizing it.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm actually surprisingly strong.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or am I?<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had any water left,<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm guessing this line<br>&nbsp;&nbsp;&nbsp;&nbsp;would be the limit of your range.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you're someone as<br>&nbsp;&nbsp;&nbsp;&nbsp;exceptionally perceptive as I am,<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it isn't too hard to figure out<br>&nbsp;&nbsp;&nbsp;&nbsp;that your effective range is 18 meters.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's not all.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell that the maximum volume<br>&nbsp;&nbsp;&nbsp;&nbsp;you can control is 300 liters,<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that the number of streams of<br>&nbsp;&nbsp;&nbsp;&nbsp;water you can control at once is three.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what will you do now?<br>&nbsp;&nbsp;&nbsp;&nbsp;Fight me hand to hand and go out a hero?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bow down and beg for your life?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or here, under these clear skies,<br>&nbsp;&nbsp;&nbsp;&nbsp;pray to God for a sudden cloudburst?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hopeless. The only option<br>&nbsp;&nbsp;&nbsp;&nbsp;you have is to curse yourself<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for thoughtlessly sticking your neck<br>&nbsp;&nbsp;&nbsp;&nbsp;out where it doesn't belong.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to meet<br>&nbsp;&nbsp;&nbsp;&nbsp;the same fate as your friend.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rain...<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you noticed?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This park has a network<br>&nbsp;&nbsp;&nbsp;&nbsp;of drains buried underneath it,<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that when it rains heavily,<br>&nbsp;&nbsp;&nbsp;&nbsp;the water will flow into the pond.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your finesse in analyzing<br>&nbsp;&nbsp;&nbsp;&nbsp;my ability was quite skillful,<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you should have paid more<br>&nbsp;&nbsp;&nbsp;&nbsp;attention to things you can't see, too!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Water?! Where is it coming from?!<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a water drain?!<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me she had that water<br>&nbsp;&nbsp;&nbsp;&nbsp;hidden down there all the way from the pond!<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My limit for controlling<br>
&nbsp;&nbsp;&nbsp;&nbsp;water streams is *four*at once.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Always having a move ready<br>&nbsp;&nbsp;&nbsp;&nbsp;to make in any situation--<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even *I'm* crafty enough to know that.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My fingers! They're doing nothing! I'm drowning!<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this keeps up, I'm gonna drown!<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great Dane Types, suck up this water!<br>&nbsp;&nbsp;&nbsp;&nbsp;Suck up all this water!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, crap!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all of your robots, then?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad! This is bad!<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad! This is bad!<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have zero Great Dane Types left!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no other choice!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means using the last one of<br>&nbsp;&nbsp;&nbsp;&nbsp;these that I got from the Doctor, but...<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you give up yet?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I didn't like duking it out,<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that doesn't mean<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not good at it, either.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been trained in specialized<br>&nbsp;&nbsp;&nbsp;&nbsp;assassin skills since I was a child.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Family situation, you see.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are taboo moves whose use is forbidden,<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I see no other choice but to use them<br>&nbsp;&nbsp;&nbsp;&nbsp;against someone as strong as you.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bluff my way through keeping her attention,<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and use the Mosquito Type<br>&nbsp;&nbsp;&nbsp;&nbsp;to inject her with a nanodevice!<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost there...! Almost there...!<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It dropped?!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dead battery? Impossible! I just activated it!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, but wait, the way it's moving...<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you're safe.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Awatsuki!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The case I went after was empty,<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I figured that if you got the upper hand,<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he would use his nanodevice on you,<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I reduced the buoyancy force<br>&nbsp;&nbsp;&nbsp;&nbsp;around you down to zero.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like that was the right decision.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Buoyancy? The braided-hair<br>&nbsp;&nbsp;&nbsp;&nbsp;girl's ability isn't telekinesis?<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's buoyancy manipulation?!<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on a minute!<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you two espers planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to both hit an unarmed man?!<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I was just hired to do a job!<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Mosquito Type with the<br>&nbsp;&nbsp;&nbsp;&nbsp;nanodevice is lying right over there!<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I may have been<br>&nbsp;&nbsp;&nbsp;&nbsp;a little too rough on your friend,<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but can we just agree<br>&nbsp;&nbsp;&nbsp;&nbsp;to call it quits for today--<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I may be presumptuous enough to say so,<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the reason you disdain the trust and<br>&nbsp;&nbsp;&nbsp;&nbsp;connections people have for each other<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because you don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone worthy of your trust.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is a result of<br>&nbsp;&nbsp;&nbsp;&nbsp;you looking down on others<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and not letting anyone else in.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you acknowledge the people you know<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and show that you are willing<br>&nbsp;&nbsp;&nbsp;&nbsp;to meet them halfway,<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no one is ever going to help you.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There I go, a novice, sounding<br>&nbsp;&nbsp;&nbsp;&nbsp;like she knows what she is saying.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I think it was something that<br>&nbsp;&nbsp;&nbsp;&nbsp;had to be said, for his sake, as well.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope he takes advantage of<br>&nbsp;&nbsp;&nbsp;&nbsp;the opportunity to rethink his ways.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn them!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn those girls!<br>&nbsp;&nbsp;&nbsp;&nbsp;They looked down their noses at me!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's intel, all right.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'd only known what<br>&nbsp;&nbsp;&nbsp;&nbsp;their abilities were from the start,<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was no way I could<br>&nbsp;&nbsp;&nbsp;&nbsp;have been beaten by them!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mantis Type!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was reluctant to use you, since you stand out,<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but your power is in a whole other league<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from those Great Dane Types meant for searching!<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I know the specs of<br>&nbsp;&nbsp;&nbsp;&nbsp;their abilities, I can't possibly lose!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, Mantis Type!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the humiliation they put me through,<br>&nbsp;&nbsp;&nbsp;&nbsp;merely killing them isn't good enough!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tear them up, then capture them!<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make them sorry they were ever born female!<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stream their indignity<br>&nbsp;&nbsp;&nbsp;&nbsp;to the world over the Internet,<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and not only shatter them<br>&nbsp;&nbsp;&nbsp;&nbsp;both mentally and physically;<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll destroy them socially, as well!<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll beg me in tears, "Please kill me"--<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The GPS signal from the Mosquito Type<br>&nbsp;&nbsp;&nbsp;&nbsp;I affixed to Kongo Mitsuko?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's it doing here? If it keeps<br>&nbsp;&nbsp;&nbsp;&nbsp;going that direction, then pretty soon...<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why?!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is Misaka Mikoto here?!<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible!<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She shouldn't be able to move,<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to the nanodevice injected into her!<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it! She just looks like Misaka Mikoto!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's one of the Sisters!<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in luck! As long as I capture her,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll redeem myself!<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can deal with those<br>&nbsp;&nbsp;&nbsp;&nbsp;other girls afterward! Mantis Type,<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seize that girl!<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's...<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's really her...?<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stay back!<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can hear me, right?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I avoided the communications system<br>&nbsp;&nbsp;&nbsp;&nbsp;when I smashed this thing.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pinpointed your location<br>&nbsp;&nbsp;&nbsp;&nbsp;by following your comm signal.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It won't open! Don't tell me she's<br>&nbsp;&nbsp;&nbsp;&nbsp;already taken over all the systems!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be there shortly to do<br>&nbsp;&nbsp;&nbsp;&nbsp;the same thing to you as I did to this.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least I'd like to,<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but taking into account that you<br>&nbsp;&nbsp;&nbsp;&nbsp;might be under that girl's control,<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to let you off<br>&nbsp;&nbsp;&nbsp;&nbsp;this one time. However...<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...from here on, if I ever see one of these,<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or one goes near one of my friends,<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even for an instant,<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then no matter where you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear I will find you...<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and crush you.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh...<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man. Baba is out of the picture.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of the picture?<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of his mechanical pawns are wiped out.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says he's looking<br>&nbsp;&nbsp;&nbsp;&nbsp;for a shelter to hide out in.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is cryptic. He says he failed<br>&nbsp;&nbsp;&nbsp;&nbsp;to neutralize Misaka Mikoto.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess this means I'll have to get involved.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's formidable.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this, now? You know her?<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once before,<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got to see her fighting close-up.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, now, it's not like<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to pound her to death.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can manage as long as this<br>&nbsp;&nbsp;&nbsp;&nbsp;gets settled by the end of the day.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The key to unlocking this mystery is<br>&nbsp;&nbsp;&nbsp;&nbsp;"Auribus oculi fideliores sunt."<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#7 Auribus oculi fideliores sunt<br>&nbsp;&nbsp;&nbsp;&nbsp;(The eyes are more trustworthy than the ears)"<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Auribus oculi fideliores sunt."<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Auribus oculi fideliores sunt."<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, everyone, all together, now!<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--"Auribus oculi fideliores sunt."<br>&nbsp;&nbsp;&nbsp;&nbsp;--"Auribus oculi fideliores sunt."<br>&nbsp;&nbsp;&nbsp;&nbsp;--"Auribus oculi fideliores conto."<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did one of us say something different?<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E7 - Auribus oculi fideliores sunt

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRVDVXX4R/auribus-oculi-fideliores-sunt)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can hear me, right?<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I avoided the communications system<br>&nbsp;&nbsp;&nbsp;&nbsp;when I smashed this thing.<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From here on, if I ever see one of these<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or one goes near one of my friends,<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even for an instant,<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then no matter where you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear I will find you...<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and crush you.<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He ran away.<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, any memories linked to Shokuho<br>&nbsp;&nbsp;&nbsp;&nbsp;are either erased or overwritten,<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it wouldn't matter.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't much information<br>&nbsp;&nbsp;&nbsp;&nbsp;to speak of in the truck, either.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are careful, anyway.<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could tell as soon<br>&nbsp;&nbsp;&nbsp;&nbsp;as they sent that robot out,<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this isn't the work of amateurs.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A vehicle this big would have<br>&nbsp;&nbsp;&nbsp;&nbsp;no choice but to take the main roads.<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only so many<br>&nbsp;&nbsp;&nbsp;&nbsp;routes it could have taken.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I trace back where it came<br>&nbsp;&nbsp;&nbsp;&nbsp;from using the security cameras,<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be able to find<br>&nbsp;&nbsp;&nbsp;&nbsp;where they're holding her.<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you still not picked<br>&nbsp;&nbsp;&nbsp;&nbsp;up Miss Misaka's trail?<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's that. Well, let's go<br>&nbsp;&nbsp;&nbsp;&nbsp;in teams of three again and search--<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but we have a<br>&nbsp;&nbsp;&nbsp;&nbsp;competition that's about to start.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we can't really have<br>&nbsp;&nbsp;&nbsp;&nbsp;this many of us skip out.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man!<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, those of us who are<br>&nbsp;&nbsp;&nbsp;&nbsp;left will start looking!<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only our Queen were here right now.<br>&nbsp;&nbsp;&nbsp;&nbsp;Has anyone been in contact with her?<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not since last night.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Um, who's the "Queen"?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Where could she be?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They mean Miss Shokuho<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaki, from our school.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girls in her clique<br>&nbsp;&nbsp;&nbsp;&nbsp;refer to her as their Queen.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Queen, huh?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't Shokuho Misaki someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who could manipulate memories?<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those blue-blood girls really are unusual.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Wannai, what is Miss Kongo's condition?<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to what the doctor said,<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;luckily, none of her trauma<br>&nbsp;&nbsp;&nbsp;&nbsp;should leave any permanent scars.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for the nanodevice, they are sending it<br>&nbsp;&nbsp;&nbsp;&nbsp;to an agency that specializes in them.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's safe for us to breathe easy, then?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe so. There is one<br>&nbsp;&nbsp;&nbsp;&nbsp;other thing we can do...<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to keep troubling you about this.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, um,<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you able to speak to cats?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. My ability is psychometry.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a completely<br>&nbsp;&nbsp;&nbsp;&nbsp;different class than telepathy,<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's not as though<br>&nbsp;&nbsp;&nbsp;&nbsp;I can communicate with them.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I can do is read the<br>&nbsp;&nbsp;&nbsp;&nbsp;fragments of an animal's qualia--<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;meaning their sensory experiences,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it does have the benefit<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of being able to pick up on information<br>&nbsp;&nbsp;&nbsp;&nbsp;that the cat itself may not be able to understand.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said yesterday around noon, right?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that is what we heard.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right...<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was... at a construction<br>&nbsp;&nbsp;&nbsp;&nbsp;site or a stockyard.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Development Permit Notice"<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a tall man there.<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and someone else--a girl, it looks like.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They started talking.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One way or another, we have the initiative."<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We don't have time to bother with that now."<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What's happening with<br>
&nbsp;&nbsp;&nbsp;&nbsp;*Auribus oculi fideliores sunt*?"<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Latin. "The eyes are<br>&nbsp;&nbsp;&nbsp;&nbsp;more trustworthy than the ears."<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could that be some kind of cipher?<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I think anything beyond<br>&nbsp;&nbsp;&nbsp;&nbsp;that might be difficult.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kitty seems to have<br>&nbsp;&nbsp;&nbsp;&nbsp;been pretty shaken up.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, thank you very much.<br>&nbsp;&nbsp;&nbsp;&nbsp;While it might not mean anything to us,<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it could prove to be useful<br>&nbsp;&nbsp;&nbsp;&nbsp;information to Miss Misaka.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, do you have your cell phone?<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes, right here.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation being what it is,<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's best if we<br>&nbsp;&nbsp;&nbsp;&nbsp;contact Miss Misaka right away.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could we ask you to call her for us?<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bet.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, thanks for your assistance.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will be in Miss Kongo's<br>&nbsp;&nbsp;&nbsp;&nbsp;hospital room if anything comes up.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger that! Now then...<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, I don't know Misaka's phone...<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...num... ber...?<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka Mikoto"<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have her saved?<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's taking too much time checking<br>&nbsp;&nbsp;&nbsp;&nbsp;the cameras at all key intersections.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They could make a run for it<br>&nbsp;&nbsp;&nbsp;&nbsp;before I even find them.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tokiwadai Middle School<br>&nbsp;&nbsp;&nbsp;&nbsp;takes 1st in Balloon Sandwich"<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like Mikoto is<br>&nbsp;&nbsp;&nbsp;&nbsp;doing pretty well. Nice, nice.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there, everything will be okay.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You don't need to worry.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stay with you.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I know that head.<br>&nbsp;&nbsp;&nbsp;&nbsp;--You don't need to worry. I'll stay with you.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu!<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misuzu!<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is that?<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lost boy.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? In this crowd? That's a big deal.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want some help?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I've already asked<br>&nbsp;&nbsp;&nbsp;&nbsp;his father to come to us.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Everyone's entrance pass is<br>&nbsp;&nbsp;&nbsp;&nbsp;equipped with GPS, including your own,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so our headquarters can<br>&nbsp;&nbsp;&nbsp;&nbsp;look up the location of any visitor.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Papa! Papa!<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please be careful, okay?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Entrance pass"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka Misuzu"<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering how you were able<br>&nbsp;&nbsp;&nbsp;&nbsp;to manage this many spectators.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have everything under control, don't you?<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but, if you hack into that system,<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it makes it easy to locate<br>&nbsp;&nbsp;&nbsp;&nbsp;specific visitors...<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto's mother.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought one hostage would be enough,<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this *is* the third-ranked<br>
&nbsp;&nbsp;&nbsp;&nbsp;Level 5 I'm dealing with.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think having one<br>&nbsp;&nbsp;&nbsp;&nbsp;other would be more reassuring.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what is this urgent matter<br>&nbsp;&nbsp;&nbsp;&nbsp;you wanted to talk to me about?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um...<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have many things to do.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please make this quick.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm...<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing is...<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what is her condition?<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her life isn't in any danger,<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Wannai and Awatsuki are watching her,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I think she'll be okay.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. All of that happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to Kongo Mitsuko...<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Misaka seemed awfully angry about it.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think maybe she feels responsible.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once again with Misaka Mikoto.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I have a handle on the situation.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the part about Misaka Mikoto<br>&nbsp;&nbsp;&nbsp;&nbsp;possibly being one of our friends<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a bit of a leap, is it not?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka Mikoto"<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm just saying, "possibly."<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an esper at Tokiwadai<br>&nbsp;&nbsp;&nbsp;&nbsp;who can manipulate memories, right?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think that Shokuho Misaki<br>&nbsp;&nbsp;&nbsp;&nbsp;tampered with our memories?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what reason?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, if you believe that,<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you not contact Uiharu?<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if my guess is correct,<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;telling Uiharu about it might not be...<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-In any case,<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a message for Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;so why don't we ask her directly?<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose you leave me no choice.<br>&nbsp;&nbsp;&nbsp;&nbsp;As a member of Judgment,<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this does not appear to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a situation I can ignore.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who would be calling me now?<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hello?<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um,<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is this Miss Misaka? My name is Saten Ruiko.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm. Thanks for<br>&nbsp;&nbsp;&nbsp;&nbsp;everything at the hospital.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate you telling me what happened.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, well, um, I heard from Wannai...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Why is she so nervous?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that you're looking<br>&nbsp;&nbsp;&nbsp;&nbsp;for your sister, right?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, we had someone who can<br>&nbsp;&nbsp;&nbsp;&nbsp;do psychometry check out her cat.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I'm sorry. I appreciate<br>&nbsp;&nbsp;&nbsp;&nbsp;you investigating,<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I have no idea what<br>&nbsp;&nbsp;&nbsp;&nbsp;this girl who could be Shokuho<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the man who was with<br>&nbsp;&nbsp;&nbsp;&nbsp;her were talking about.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well, about that, they did mention<br>&nbsp;&nbsp;&nbsp;&nbsp;a name I'm quite familiar with.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Really?<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to find out more about<br>&nbsp;&nbsp;&nbsp;&nbsp;our relationship with you, too.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there someplace where we could meet up?<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, all right.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you right now?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The plaza in front of the terminal station<br>&nbsp;&nbsp;&nbsp;&nbsp;building in School District 15,<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the upper level.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we're pretty close to there.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, you wait there, and I'll have<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai pick you up and bring you here.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I am not a taxi!<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko is there with you?!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I told you, please do not<br>
&nbsp;&nbsp;&nbsp;&nbsp;use my name so casually!<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a little something<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping you might tell me.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little busy right now.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have time to be<br>&nbsp;&nbsp;&nbsp;&nbsp;chatting with strangers.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if you have something to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with the people who hurt my friend,<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then that's another matter.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, just like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're in combat mode. But then,<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you say to *this*?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#7 Auribus oculi fideliores sunt.<br>&nbsp;&nbsp;&nbsp;&nbsp;(The eyes are more trustworthy than the ears)"<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu?!<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, let's start with having you<br>&nbsp;&nbsp;&nbsp;&nbsp;hang up the phone you're holding<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and getting rid of it.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good, good.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to introduce myself, do I?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you attacked so many of<br>&nbsp;&nbsp;&nbsp;&nbsp;our villas and made off with our data.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Villas? Attacked?<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Non, non, you can't play dumb.<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been sniffing around,<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you know what I'm about to ask, don't you?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The clones of you that<br>&nbsp;&nbsp;&nbsp;&nbsp;are known as "Sisters"--<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where exactly are they hiding?<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done a thorough investigation<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into how you interfered<br>&nbsp;&nbsp;&nbsp;&nbsp;with Project Level 6 Shift.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like you wouldn't know<br>&nbsp;&nbsp;&nbsp;&nbsp;what happened to your "Sisters"<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once the project went belly up.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are the clones who are<br>&nbsp;&nbsp;&nbsp;&nbsp;still in Academy City being kept?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she not working together with Shokuho?<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're scouring dark side<br>&nbsp;&nbsp;&nbsp;&nbsp;intelligence networks in high gear,<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but whenever we search for "Sisters,"<br>&nbsp;&nbsp;&nbsp;&nbsp;our leads always come up empty.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which organization has<br>&nbsp;&nbsp;&nbsp;&nbsp;the souped-up security to keep them?<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who you people are,<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what is it you want to do<br>&nbsp;&nbsp;&nbsp;&nbsp;so badly that you'd assault my friends?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, after everything else,<br>
&nbsp;&nbsp;&nbsp;&nbsp;you can ask something like *that*?<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask me, you're the one who's messed up<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you can just blithely<br>&nbsp;&nbsp;&nbsp;&nbsp;live here in the city like this.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you know, after<br>&nbsp;&nbsp;&nbsp;&nbsp;everything you've seen.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The inhuman atrocities that<br>&nbsp;&nbsp;&nbsp;&nbsp;were carried out to achieve Level 6;<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the human experimentation<br>&nbsp;&nbsp;&nbsp;&nbsp;that went on using Child Errors;<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using negotiators to swindle<br>&nbsp;&nbsp;&nbsp;&nbsp;people out of their DNA maps--<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like activities such as these<br>&nbsp;&nbsp;&nbsp;&nbsp;were carried on by only one organization.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you trace them backward,<br>&nbsp;&nbsp;&nbsp;&nbsp;they all lead back to Academy City's higher-ups.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are aware that this whole city<br>&nbsp;&nbsp;&nbsp;&nbsp;is one big proving ground.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you aren't like the other<br>&nbsp;&nbsp;&nbsp;&nbsp;students who know nothing about this.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet you turn a blind eye to the truth<br>&nbsp;&nbsp;&nbsp;&nbsp;and live your non-committal life here.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed that you<br>&nbsp;&nbsp;&nbsp;&nbsp;could be so nonchalant.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I...<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That has nothing to do with this.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unrelated to the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;you brought harm upon my friends.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have nothing to tell you.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now let Miss Uiharu go.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My shocks will go through<br>&nbsp;&nbsp;&nbsp;&nbsp;you much faster than that knife.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Miss Uiharu," huh?<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you do know her!<br>&nbsp;&nbsp;&nbsp;&nbsp;She was pretty chummy with your mother,<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I suspected as much.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mother...?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...? Mama!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A second hostage!<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even you can take out<br>&nbsp;&nbsp;&nbsp;&nbsp;two people at once, can you?<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lives of these two far outweigh<br>&nbsp;&nbsp;&nbsp;&nbsp;the location of the clones, right?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'll ask you again, where are the Sisters?<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'll say this one more time, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have nothing to tell you.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, you don't think I'm bluffing, do you?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you willing to abandon both of them?<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...am going to save Miss Uiharu.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it costs me my life.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;need your mother? How mean--<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, seriously?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, negotiations have broken down.<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about this, Mom.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to have to end this<br>&nbsp;&nbsp;&nbsp;&nbsp;with her taking me so lightly,<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you must blame someone,<br>&nbsp;&nbsp;&nbsp;&nbsp;blame Mikoto for letting you die--<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She had a friend lurking nearby?!<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her breathing, pulse,<br>&nbsp;&nbsp;&nbsp;&nbsp;and body temperature are normal.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I can see, she is not injured.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She ran away.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to go after her,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the safety of the hostage comes first.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I can ask *her* what happened.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu is all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't appear to be hurt.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please back away!<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hold on...<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are under arrest<br>&nbsp;&nbsp;&nbsp;&nbsp;for kidnapping and assault--<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko! Get away from her!<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl... isn't human?!<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My bolts have no effect.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko, teleport these two someplace safe.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My shocks didn't work, either.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I blow her away with my railgun?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She melted?<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;some kind of liquid metal?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looked like she was controlling<br>&nbsp;&nbsp;&nbsp;&nbsp;it remotely like a puppet.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why did she suddenly stop?<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is that girl's ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;then maybe she fled out of range.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, having Mikoto die<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't work for us anyhow.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to admit,<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;negotiating with her head-on is difficult.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't help it, though. She can do lots<br>&nbsp;&nbsp;&nbsp;&nbsp;of stuff on the other end of the camera.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I should be glad<br>&nbsp;&nbsp;&nbsp;&nbsp;I got anything at all out of this.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Villas? Attacked?<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brushed it off back there,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she would gain nothing by denying it.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eyewitness reports had me<br>&nbsp;&nbsp;&nbsp;&nbsp;convinced that it was Mikoto,<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but maybe it's possible that<br>&nbsp;&nbsp;&nbsp;&nbsp;the testimony was false. Meaning...<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's also possible that the<br>&nbsp;&nbsp;&nbsp;&nbsp;witnesses' memories were altered.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'd better reconsider this. Besides...<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I...<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there may still be some hope for her.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, would you mind explaining<br>&nbsp;&nbsp;&nbsp;&nbsp;to me what happened here?<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;who that was, either--<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am bothered by that, as well,<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but first, tell me about what just happened.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were acting as though<br>&nbsp;&nbsp;&nbsp;&nbsp;you were sure I would be there.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you said that you were going<br>&nbsp;&nbsp;&nbsp;&nbsp;to save Uiharu and not your mother.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a declaration to me, was it not?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um, after I hung up on our call,<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could sense the EM signal of<br>&nbsp;&nbsp;&nbsp;&nbsp;an incoming call to Miss Uiharu's cell,<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and figured that Miss Saten was calling<br>&nbsp;&nbsp;&nbsp;&nbsp;her to check on what was happening.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had already told you where I was,<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and knowing you, you could<br>&nbsp;&nbsp;&nbsp;&nbsp;be here in less than ten seconds,<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I assumed you were<br>&nbsp;&nbsp;&nbsp;&nbsp;hiding somewhere nearby...<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you...<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...for letting me take care<br>&nbsp;&nbsp;&nbsp;&nbsp;of rescuing your friend.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu is with Judgment.<br>&nbsp;&nbsp;&nbsp;&nbsp;It is only natural to give priority<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to a civilian over a colleague.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could *you* leave your<br>
&nbsp;&nbsp;&nbsp;&nbsp;own mother's life up to a stranger?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I *had* put Mama ahead of a friend,<br>
&nbsp;&nbsp;&nbsp;&nbsp;that would have made her angry at me.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides...<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I had faith in you, Kuroko,<br>&nbsp;&nbsp;&nbsp;&nbsp;and was sure that you would save her.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, that *is* my job,<br>
&nbsp;&nbsp;&nbsp;&nbsp;after all, so naturally--<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I must have overexerted<br>&nbsp;&nbsp;&nbsp;&nbsp;you when you're still injured.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I-I am all right!<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not require your unwelcome concern!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, hold on to me tight.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Let go of me, please!<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My tastes do not run that way!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like neither of them were hurt.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said they should<br>&nbsp;&nbsp;&nbsp;&nbsp;both wake up in no time.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? You said you needed to speak with us?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, the person who kidnapped your<br>&nbsp;&nbsp;&nbsp;&nbsp;sister--the girl in that kitten's memory...<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure it's Shokuho Misaki, then?<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think there can be any question.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway,<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that *Auribus*-whatever-it-was Latin<br>
&nbsp;&nbsp;&nbsp;&nbsp;that we heard from the psychometry<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the same name as the<br>&nbsp;&nbsp;&nbsp;&nbsp;urban legend site that I browsed.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urban legend site?<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would Shokuho Misaki be<br>&nbsp;&nbsp;&nbsp;&nbsp;concerned with something like that?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The site doesn't just<br>&nbsp;&nbsp;&nbsp;&nbsp;collect different rumors;<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;its lure is that it actually goes<br>&nbsp;&nbsp;&nbsp;&nbsp;around validating their details.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yesterday, when I was off<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to find Shadow Metal,<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu was searching that site for me,<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but said she couldn't find it.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So a little earlier, I tried<br>&nbsp;&nbsp;&nbsp;&nbsp;searching for it again,<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sure enough, the results<br>&nbsp;&nbsp;&nbsp;&nbsp;are plastered with similar pages,<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't find the<br>&nbsp;&nbsp;&nbsp;&nbsp;original site in there anywhere.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's impossible to completely erase<br>&nbsp;&nbsp;&nbsp;&nbsp;any data once it's uploaded on the net.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I was thinking that<br>&nbsp;&nbsp;&nbsp;&nbsp;somebody must have distributed<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a bunch of dummy data<br>&nbsp;&nbsp;&nbsp;&nbsp;with much higher search rankings<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep people from actually<br>&nbsp;&nbsp;&nbsp;&nbsp;reaching the site.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or put another way,<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was something on that site<br>&nbsp;&nbsp;&nbsp;&nbsp;that this somebody considers problematic.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing Uiharu, she would<br>&nbsp;&nbsp;&nbsp;&nbsp;sense something out of place<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and try to hunt down the cause of it.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She also has the skill to find it.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this somebody detected<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu's actions on this end<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and attacked her.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming it was Shokuho,<br>&nbsp;&nbsp;&nbsp;&nbsp;she would have had Uiharu erase the data,<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then, after searching her memories,<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she would also learn that she is my friend.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It all fits together.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sounds like a crazy conclusion<br>&nbsp;&nbsp;&nbsp;&nbsp;to draw from connecting the dots,<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if it is true, then that computer...<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is worth checking out, isn't it?<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The erased data has been reconstructed!<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There it is!<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A secret technique lying behind fortified lines?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Track down the cutting-edge<br>&nbsp;&nbsp;&nbsp;&nbsp;DNA computer that generates abilities!"<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho...!<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Railgun of Tokiwadai,<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#8 Railgun ✕ Mental Out"<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the disagreeable girl who<br>&nbsp;&nbsp;&nbsp;&nbsp;brags about being a Level 5!<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or so I thought, but what<br>&nbsp;&nbsp;&nbsp;&nbsp;is the deal with her smile?!<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is my heart churning so much inside me?!<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe because you're a degenerate?<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E8 - Railgun ✕ Mental Out

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6XJPV38R/railgun--mental-out)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The erased data has been reconstructed!<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There it is!<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho...!<br>**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A DNA computer that generates abilities?<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean this Shokuho person<br>&nbsp;&nbsp;&nbsp;&nbsp;is involved in that research?<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't tell you that much, but it is likely<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Shokuho didn't want it known<br>&nbsp;&nbsp;&nbsp;&nbsp;that she was at this place.<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which also means that it's<br>&nbsp;&nbsp;&nbsp;&nbsp;highly likely that it's her hideout.<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm sure *she's* there, too.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...can you tell from the building<br>&nbsp;&nbsp;&nbsp;&nbsp;on the screen where this is?<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I mean, why do you keep using<br>&nbsp;&nbsp;&nbsp;&nbsp;my name so casually? This building here?<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks a lot like the<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment branch in School District 2.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 2, you say? I'll go have a look.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to ask, but when my mama wakes up...<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I will explain to her that<br>&nbsp;&nbsp;&nbsp;&nbsp;she collapsed from heat exhaustion<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and keep her here under the excuse<br>&nbsp;&nbsp;&nbsp;&nbsp;that we need to reissue her entrance pass.<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know how to handle this.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. Miss Saten,<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks for the information, too.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sure...<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Miss Misaka?<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have our memories really been manipulated?<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's why we don't know you?<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. Once this is all over,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll grab Shokuho by the scruff of her neck<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bring her back here.<br>&nbsp;&nbsp;&nbsp;&nbsp;So just sit tight for a bit.<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is really turning into a hassle.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"September 19th"<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this all about, now?<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like she fell victim<br>&nbsp;&nbsp;&nbsp;&nbsp;to a military nanodevice.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure that vaccine software<br>&nbsp;&nbsp;&nbsp;&nbsp;alone will be able to treat her,<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since her electrical abilities<br>&nbsp;&nbsp;&nbsp;&nbsp;might interfere with it.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I think we should still take her in.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One might say this situation<br>&nbsp;&nbsp;&nbsp;&nbsp;provides us with an opportunity.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One way or another, we have the initiative.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If her life is at risk,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll raise the white flag to Miss Misaka.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be an annoyance, but by then,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's nothing more we can do.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, could you call her an ambulance?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll mind control them and<br>&nbsp;&nbsp;&nbsp;&nbsp;have them take us part of the way.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the cat belong to her?<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't have a collar. Could just be a stray.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have time to bother<br>&nbsp;&nbsp;&nbsp;&nbsp;with that now. Leave it be.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're right.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening with<br>&nbsp;&nbsp;&nbsp;&nbsp;Auribus oculi fideliores sunt?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that urban legends site?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had our security turned all the way up<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I couldn't be followed or detected, too.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then to be captured from a distance<br>&nbsp;&nbsp;&nbsp;&nbsp;by a psychic photography esper<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who can use a drop of water as a lens...<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does the administrator<br>&nbsp;&nbsp;&nbsp;&nbsp;of an urban legend leisure site<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have that kind of power?<br>&nbsp;&nbsp;&nbsp;&nbsp;Espers really are the worst, huh?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look who's talking.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say something?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, don't worry about that.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a program running that is<br>&nbsp;&nbsp;&nbsp;&nbsp;automatically generating dummy sites.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That site will never see the light of day again.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"September 20th"<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, what have we here?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like we have someone<br>&nbsp;&nbsp;&nbsp;&nbsp;analyzing the dummy data generator,<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to trace down the original site.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, you! Didn't you say<br>&nbsp;&nbsp;&nbsp;&nbsp;there was nothing to worry about?!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on a second, please.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I set up the means to do a trace<br>&nbsp;&nbsp;&nbsp;&nbsp;if we had an intruder, just in case.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There they are.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment Branch 177?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Learning that the Judgment girl<br>&nbsp;&nbsp;&nbsp;&nbsp;I found when I got there<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was a friend of yours was probably the point<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when my expectations starting going astray.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, at the time, there wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;anything else I could have done.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps this situation was simply unavoidable.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Miss Misaka?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, fancy meeting *you* here.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty audacious of you to<br>&nbsp;&nbsp;&nbsp;&nbsp;blatantly show yourself off like that<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to every security camera in sight.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is she?<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I'm sure you're aware,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's in the building on the website.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the most reliable hiding place I have.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's safe, then?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Torturing people isn't my thing,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how much they look like you.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, are you happy now?<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. I have a whole<br>&nbsp;&nbsp;&nbsp;&nbsp;ton of questions I want to ask you.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we can't have that, can we?<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you see, I'm pressed for time, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you want to talk, come with me.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if there's anything<br>&nbsp;&nbsp;&nbsp;&nbsp;I could be doing, too.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said herself to wait here for her,<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I do not think you need to stress about it.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I am only 50% sure<br>&nbsp;&nbsp;&nbsp;&nbsp;that my memories were manipulated.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what if it is true? Having your friends<br>&nbsp;&nbsp;&nbsp;&nbsp;forget you would be miserable.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you'd be cool if<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu and I forgot about you<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and treated you like a perfect stranger?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I...<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would hate it.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that you've been looking at?<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Bank list.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The person who took Uiharu hostage earlier--<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only saw her face, and do not<br>&nbsp;&nbsp;&nbsp;&nbsp;even know in which school she is enrolled,<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can surmise what her ability must be.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her ability allowed her<br>&nbsp;&nbsp;&nbsp;&nbsp;to remotely control a liquid metal,<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and create a likeness of herself out of it.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, if she is either a Level 3 or a Level 4,<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that should narrow it down considerably.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. That could prove helpful to Misaka.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am only acting as a member of Judgment<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;pursuing a criminal wanted for attempted murder.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cavalierly telling a civilian<br>&nbsp;&nbsp;&nbsp;&nbsp;about investigative information<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not something that I would do.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However!<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I determine the situation to be urgent,<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or if sharing the information<br>&nbsp;&nbsp;&nbsp;&nbsp;would be beneficial,<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that may not necessarily be true.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Why are you looking at me like that?!<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! I'll help you<br>&nbsp;&nbsp;&nbsp;&nbsp;dig through that material!<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Would you please not ignore me?!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We seem to be moving away<br>&nbsp;&nbsp;&nbsp;&nbsp;from the place in the photo.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I'm pressed for time.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to talk, then don't complain.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone going near that place.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to worry.<br>&nbsp;&nbsp;&nbsp;&nbsp;Once this is over, I'll give her back to you.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like she got<br>&nbsp;&nbsp;&nbsp;&nbsp;injected with a nanodevice,<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm a little concerned<br>&nbsp;&nbsp;&nbsp;&nbsp;about her immune system,<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but her life is in no danger.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people who injected this "nanodevice" thing<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are the ones who are<br>&nbsp;&nbsp;&nbsp;&nbsp;looking for the Sisters, right?<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the story with them?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought they were operating<br>&nbsp;&nbsp;&nbsp;&nbsp;under your orders at first,<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they've kept on looking,<br>&nbsp;&nbsp;&nbsp;&nbsp;even after her disappearance<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they're poking around,<br>
&nbsp;&nbsp;&nbsp;&nbsp;asking about things *you* wouldn't have to.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, I'm guessing you<br>&nbsp;&nbsp;&nbsp;&nbsp;two are on opposite sides.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep. And right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're headed to where their boss is.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It started when I heard<br>&nbsp;&nbsp;&nbsp;&nbsp;about Project Level 6 Shift,<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiment that I know<br>&nbsp;&nbsp;&nbsp;&nbsp;you're quite familiar with.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some of the researchers at the facility<br>&nbsp;&nbsp;&nbsp;&nbsp;I was with were whispering about it.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, the project was at a standstill,<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and its data had leaked<br>&nbsp;&nbsp;&nbsp;&nbsp;into the underworld community.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Did you hear about the Level 6 Shift project?<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you...<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to tell me all about it.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that they were trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to elevate the first-ranked, Accelerator,<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to Level 6 using mass-produced clones<br>&nbsp;&nbsp;&nbsp;&nbsp;of the third-ranked, Misaka Mikoto.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the project seems to<br>&nbsp;&nbsp;&nbsp;&nbsp;have stalled midway through.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what happened to the clones they've made?<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm guessing they were disposed of?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, have you found out what's<br>&nbsp;&nbsp;&nbsp;&nbsp;become of the post-experiment Sisters?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, not yet.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What gives? You were involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in the experiment, right?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's part of the reason why I hired you.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was merely in charge of stepping up security.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after the project was suspended,<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sisters were taken in<br>&nbsp;&nbsp;&nbsp;&nbsp;by some other institution. But,<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will check with my contacts<br>&nbsp;&nbsp;&nbsp;&nbsp;and see what I can find.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would appreciate it if you did so quickly.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is one thing that's bothering me, though.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's another organization that<br>&nbsp;&nbsp;&nbsp;&nbsp;is also trying to track down the Sisters.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is? Then do a concurrent<br>&nbsp;&nbsp;&nbsp;&nbsp;investigation of them, too.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what turned up from that...<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...were these other guys.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one you came in contact<br>&nbsp;&nbsp;&nbsp;&nbsp;with was just a hired hand.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks as though their directive<br>&nbsp;&nbsp;&nbsp;&nbsp;was to get rid of you<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to search for the Sisters.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get rid of me?<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have your record of throwing<br>&nbsp;&nbsp;&nbsp;&nbsp;a monkey wrench into the Sisters project,<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you're on their radar.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now she's paying the price instead of me...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm wondering why they only tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to immobilize you with a nanodevice.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can guess the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why they want the Sisters, can't you?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their objective is almost certainly...<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Misaka Network.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep. The network formed<br>&nbsp;&nbsp;&nbsp;&nbsp;by the Sisters' brainwave link.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the extent of that processing<br>&nbsp;&nbsp;&nbsp;&nbsp;power were to be misused,<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*bad* things could happen.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I've taken steps<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent individual Sisters<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from infecting others with electrical viruses<br>&nbsp;&nbsp;&nbsp;&nbsp;by collapsing those pathways.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using my powers of ingenuity.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, even if one of the other Sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;were to fall into their hands,<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they won't be able to meddle<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Misaka Network.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you meant by having the initiative.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are they planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the Misaka Network for?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I can say for sure is<br>&nbsp;&nbsp;&nbsp;&nbsp;that it won't be anything good.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, we're dealing with the<br>&nbsp;&nbsp;&nbsp;&nbsp;advocate for Project Level 6 Shift,<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#8 Railgun ✕ Mental Out"<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara Gensei.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara Gensei...<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never met him directly,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've heard his name a number of times.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know he was<br>&nbsp;&nbsp;&nbsp;&nbsp;the advocate for that project.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not just that project, either.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The man will stop at nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;in his quest for the truth.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the granddaddy of Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;field of study into SYSTEM<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and has brought down many<br>&nbsp;&nbsp;&nbsp;&nbsp;a researcher and research institution.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wouldn't propose something<br>&nbsp;&nbsp;&nbsp;&nbsp;as small-minded as restarting the project,<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm sure there's something up his sleeve.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that being said,<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're currently on our way<br>&nbsp;&nbsp;&nbsp;&nbsp;to where Kihara Gensei is.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he that easy to reach?<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not. The old man appears<br>&nbsp;&nbsp;&nbsp;&nbsp;and disappears like a ghost,<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it took a lot of work to track him down.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that he's secretly coming<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the International<br>&nbsp;&nbsp;&nbsp;&nbsp;Ability Researchers Conference<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about to be held in School District 9.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I read the mind of one of his insiders,<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's no doubt about it.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm planning to use<br>&nbsp;&nbsp;&nbsp;&nbsp;this once-in-a-lifetime chance<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to settle everything in one shot.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't happen to manipulate<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko and the others' memories<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that they wouldn't be exposed to any danger<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as your own weird way of<br>&nbsp;&nbsp;&nbsp;&nbsp;being considerate, did you?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if those girls didn't know what<br>&nbsp;&nbsp;&nbsp;&nbsp;they were getting into with that old man,<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they would meet an untimely death.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even if it didn't come to that,<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the irregularity of their actions<br>&nbsp;&nbsp;&nbsp;&nbsp;might mess up my own plan.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things would have turned out<br>&nbsp;&nbsp;&nbsp;&nbsp;unfortunately for all involved.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why...<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...didn't you tell me about this from the start?<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you even erase Kuroko<br>&nbsp;&nbsp;&nbsp;&nbsp;and the others' memories to hide it?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remember me saying earlier<br>&nbsp;&nbsp;&nbsp;&nbsp;that they're wary about you?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we'd teamed up,<br>&nbsp;&nbsp;&nbsp;&nbsp;they would know all about me, too.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, there were any number of ways<br>&nbsp;&nbsp;&nbsp;&nbsp;you could have gone about this!<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo is...!<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I was the one who got her involved,<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if she did come into<br>&nbsp;&nbsp;&nbsp;&nbsp;contact with them by accident,<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then blaming you for it<br>&nbsp;&nbsp;&nbsp;&nbsp;might be misdirected. But still,<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you and I had teamed up from the start,<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo wouldn't have had<br>&nbsp;&nbsp;&nbsp;&nbsp;to go through what she did!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do feel bad about what happened to her.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know what?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She ended up taking down a piece<br>&nbsp;&nbsp;&nbsp;&nbsp;of trash that I don't get along with,<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I appreciated the help.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm telling you,<br>
&nbsp;&nbsp;&nbsp;&nbsp;you should have let *me* handle him!<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if you had set off their alarms,<br>&nbsp;&nbsp;&nbsp;&nbsp;and Kihara Gensei didn't show up?<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if you had sold me out,<br>&nbsp;&nbsp;&nbsp;&nbsp;and served me up to them?<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'd never do something like that--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Cooperation?<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trust? How can you believe<br>&nbsp;&nbsp;&nbsp;&nbsp;in such unreliable things?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The end result of you readily<br>&nbsp;&nbsp;&nbsp;&nbsp;taking people at their word<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was Project Radio Noise<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Project Level 6 Shift, wasn't it?<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I make certain to peek around inside<br>&nbsp;&nbsp;&nbsp;&nbsp;the head of anyone working with me.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What their motives and<br>&nbsp;&nbsp;&nbsp;&nbsp;standards of behavior are.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in some cases,<br>&nbsp;&nbsp;&nbsp;&nbsp;I manipulate their emotions and actions.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;so partnering with you was something...<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I was never interested in.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason we're together now<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is out of respect for<br>&nbsp;&nbsp;&nbsp;&nbsp;your commitment to your friends,<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and so that we can settle this quickly,<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before they find out we're together.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, you and I<br>&nbsp;&nbsp;&nbsp;&nbsp;are never going to get along.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I ask you something?<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does someone as inhuman<br>&nbsp;&nbsp;&nbsp;&nbsp;as you are care about the Sisters?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question. But I'm under<br>&nbsp;&nbsp;&nbsp;&nbsp;no obligation to tell you.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides,<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like we're almost there.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misuzu?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the nap room<br>&nbsp;&nbsp;&nbsp;&nbsp;at the 177th Branch office...<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your supposition is correct,<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would mean that Uiharu has<br>&nbsp;&nbsp;&nbsp;&nbsp;been controlled since yesterday.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm...<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They went to such pains to hide the site,<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they would probably try to<br>&nbsp;&nbsp;&nbsp;&nbsp;investigate Uiharu when she found it.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think they altered her memories<br>&nbsp;&nbsp;&nbsp;&nbsp;to suit them while she was being read.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that the reason why she made<br>&nbsp;&nbsp;&nbsp;&nbsp;that patrol route mistake, too?<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Either way,<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't tell Uiharu about this, okay?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has the tendency<br>&nbsp;&nbsp;&nbsp;&nbsp;to feel guilty about these things.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uihar--?<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, would you mind telling me<br>&nbsp;&nbsp;&nbsp;&nbsp;exactly what you're talking about?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um...<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you wish.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, before I do,<br>&nbsp;&nbsp;&nbsp;&nbsp;would you please make us some tea?<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to ask after you just got up, but...<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sure.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Shirai!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your thoughtfulness in not wishing<br>&nbsp;&nbsp;&nbsp;&nbsp;to hurt one of your friends is wonderful,<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Uiharu is not so fragile a girl<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that something like this would break her.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mind control...?<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I've been gumming up<br>&nbsp;&nbsp;&nbsp;&nbsp;the works without even knowing it.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, now that we have taken a moment,<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is time to restart the investigation.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, please pick out any<br>&nbsp;&nbsp;&nbsp;&nbsp;suspicious individuals from the Bank.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you sure?<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may still be under whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;mind control is obstructing us.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do not have time for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to undergo a thorough exam.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, Uiharu, we need your abilities.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are concerned,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can do your work in front of us.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or do you still need more sleep?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! I'll get the ball rolling right now!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was impressive.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to be fair, we were *also*<br>
&nbsp;&nbsp;&nbsp;&nbsp;affected by her mind control.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not saying a word.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then,<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're free to go back to your usual business.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The conference is being held up ahead.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The security on the way<br>&nbsp;&nbsp;&nbsp;&nbsp;there has been neutralized.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where Kihara Gensei is, right?<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you don't do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to interfere with me,<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can stay here and watch if you'd like.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you kidding? Against folks who can't<br>&nbsp;&nbsp;&nbsp;&nbsp;do anything without victimizing others?<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pulling the plug on them!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, wait just a second!<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 6...<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A domain that can't conceivably<br>&nbsp;&nbsp;&nbsp;&nbsp;be reached by existing abilities alone...<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something even Accelerator would have<br>&nbsp;&nbsp;&nbsp;&nbsp;to sacrifice 20,000 clones to achieve...<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever Kihara Gensei might be planning,<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will likely carry a cost<br>&nbsp;&nbsp;&nbsp;&nbsp;even higher than before.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he can find that great<br>&nbsp;&nbsp;&nbsp;&nbsp;a price acceptable, then...<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A godly brain...<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The nature of this city<br>&nbsp;&nbsp;&nbsp;&nbsp;in pursuing that really is...<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, now.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I be preoccupied with my own thoughts<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when I'm about to charge into enemy territory?<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho...?<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not there.<br>&nbsp;&nbsp;&nbsp;&nbsp;The way here was a straight shot.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way we could get separated.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She set me up!<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe she thought she could<br>&nbsp;&nbsp;&nbsp;&nbsp;rope me in with all that slick talk,<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if she wants to tangle...!<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey... I told you... to wait up... okay...?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have... any attentiveness...?<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go off...<br>&nbsp;&nbsp;&nbsp;&nbsp;getting charged up... without me...<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who brought you here...<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's only right...<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that we stick together...<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go dashing off at full speed...<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I think that was more like jogging.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, I am heavier in<br>&nbsp;&nbsp;&nbsp;&nbsp;certain areas than you are,<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you have less wind resistance.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can understand how hard it is for me, right?<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually,<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're just lousy at sports, aren't you?<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Huh?! Who's lousy at--<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, I don't remember<br>&nbsp;&nbsp;&nbsp;&nbsp;ever seeing you take a gym class.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what, people who are athletic are better?<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, in grade school?!<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that must be why you<br>&nbsp;&nbsp;&nbsp;&nbsp;have the figure of a little girl!<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My figure has nothing to do with this!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you? What's with those<br>&nbsp;&nbsp;&nbsp;&nbsp;sparkles in your eyes? Shojo manga?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was born this way!<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't anyone ever teach you not<br>&nbsp;&nbsp;&nbsp;&nbsp;to make fun of others' appearances?!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?! Look who's talking!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think back on it,<br>&nbsp;&nbsp;&nbsp;&nbsp;bringing you here was an irregularity.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always planned to take care<br>&nbsp;&nbsp;&nbsp;&nbsp;of things here by myself.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need for us to charge<br>&nbsp;&nbsp;&nbsp;&nbsp;in hand in hand, is there?<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I feel uneasy trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to partner with you, myself.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Let's do this independently.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Let's do this independently.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do anything to slow me down, okay?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right back at you!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see, I'd better report what I found.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as the person who stole the data<br>&nbsp;&nbsp;&nbsp;&nbsp;from our villas, it wasn't Misaka Mikoto;<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like it was the<br>&nbsp;&nbsp;&nbsp;&nbsp;fifth-ranked, Shokuho Misaki.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must have set her up to be the fall guy<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to mask whatever traces she<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't hide with memory manipulation.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like she also knew about<br>&nbsp;&nbsp;&nbsp;&nbsp;the do-not-kill bulletin on Misaka Mikoto<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that got sent out to MEMBER.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you finally figure it out, Kozaku Mitori?<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hold on, you mean you knew?<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you could have told me.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Letting you know would not<br>&nbsp;&nbsp;&nbsp;&nbsp;have changed your jobs, right?<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku, you just get things<br>&nbsp;&nbsp;&nbsp;&nbsp;ready on your end. Understood?<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But are you sure about this?<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho Misaki's objective in getting<br>&nbsp;&nbsp;&nbsp;&nbsp;the data from the villas was definitely...<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. No need to worry.<br>&nbsp;&nbsp;&nbsp;&nbsp;All green. In fact...<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm almost afraid that things<br>
&nbsp;&nbsp;&nbsp;&nbsp;are going *too* smoothly.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's charge in there!<br>&nbsp;&nbsp;&nbsp;&nbsp;You immobilize any security guards,<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll blast my way through<br>&nbsp;&nbsp;&nbsp;&nbsp;any walls using my railgun!<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Mental Out doesn't work on Miss Misaka.<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if that isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;because of her EM barrier<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but because her brains are made of muscle.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E9 - Kozaku Mitori

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G63KQXDV6/kozaku-mitori)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Area B, what's your status?<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing out of the ordinary.<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Continue to maintain security.<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief, even with all these security robots,<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they still call in a private service like us?<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of bigshot do they have coming here?<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What happened? A malfunction?<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, who are you?! That's my tablet!<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Kihara Gensei is here...<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--...he's in the VIP room. From the map...<br>&nbsp;&nbsp;&nbsp;&nbsp;--What did you just...? Hey!<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like cutting through<br>&nbsp;&nbsp;&nbsp;&nbsp;here would be quickest.<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a little bit violent,<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't let Shokuho get the jump on me.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's as barbaric as ever, huh?<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't she behave with a little more elegance?<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry! That came from Area B!<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it!<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's someone here, too!<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Halt! I don't know how you got in here,<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we're authorized to detain<br>&nbsp;&nbsp;&nbsp;&nbsp;anybody who doesn't belong here!<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop or we'll shoot.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, then. Shoot her.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's wrong with you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you hear my order?!<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're free to fire.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why, you...!<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been expecting you.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work, everyone.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just quickly erase this man's memories.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, the rest of you, take a seat.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Block off any exits that will<br>&nbsp;&nbsp;&nbsp;&nbsp;let anyone break out of here.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want even a single ant to get out.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure to capture Kihara Gensei.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yes, ma'am!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yes, ma'am!<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Metal that can turn liquid...<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you find something out?<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, a little while ago,<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the stuff was really popular,<br>&nbsp;&nbsp;&nbsp;&nbsp;and a number of companies developed it,<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it turns out that only two<br>&nbsp;&nbsp;&nbsp;&nbsp;of those companies are still around.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but neither of them<br>&nbsp;&nbsp;&nbsp;&nbsp;have any record of loss or theft.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, we cannot dismiss the<br>&nbsp;&nbsp;&nbsp;&nbsp;possibility of there being a mole, either.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, I sent you the<br>&nbsp;&nbsp;&nbsp;&nbsp;Bank list that I narrowed down.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I will look at it now.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? They have a shuttered<br>&nbsp;&nbsp;&nbsp;&nbsp;factory in School District 7.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is! I found her!<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her name is Kozaku Mitori.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a 3rd-year at Kirigaoka Middle School.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Age 15. Dropped out? Huh?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Non-public information?<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just cross-referenced Antiskill's database.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She committed attempted terrorism 14 months ago<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and was sent to a reform school.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? So then, if she attacked you,<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;does that mean that she broke out or something?<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that were the case,<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment would have gotten a notice.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you positive this is the right person?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She *was* wearing a hood low over her eyes.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I cannot be absolutely certain.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the deep-seated darkness in this girl's eyes<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;makes me think this is the same person.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't we go to the<br>&nbsp;&nbsp;&nbsp;&nbsp;Bank Control Center to double-check?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We might be able to find something out.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then... Oh--<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what do we do about Ms. Misuzu?<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I explained the situation to Miss Konori.<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not think it will be an issue.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, what are you going to do?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saten, only members of Judgment<br>&nbsp;&nbsp;&nbsp;&nbsp;will be allowed inside the control center.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you don't say.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, I guess I'll pass.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll find something else to pass the time.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah,<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's still the middle of the Daihasei Festival.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So much has happened,<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I almost forgot.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Good luck charm"<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing a scavenger hunt!<br>&nbsp;&nbsp;&nbsp;&nbsp;Does anyone have a good-luck charm?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody has one? Okay...<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in Academy City,<br>&nbsp;&nbsp;&nbsp;&nbsp;where science is everything,<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *would* get stuck with this one, of all things.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!!<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A good luck charm?<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have the one I got from Mama<br>&nbsp;&nbsp;&nbsp;&nbsp;when I came to Academy City,<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it is kind of important to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I couldn't just let a stranger take it.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, spiky-haired guy.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, you wouldn't happen to have<br>&nbsp;&nbsp;&nbsp;&nbsp;a good luck charm, would you?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but no.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, forgive me for asking.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's still at it.<br>&nbsp;&nbsp;&nbsp;&nbsp;And we've come quite a way, too.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As late as it is, he has to be in last place.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but then, if you quit the<br>&nbsp;&nbsp;&nbsp;&nbsp;scavenger hunt, you get zero points,<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so as long as he crosses the finish line,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll at least get last place.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--He's still at it, and not giving up.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Does anyone have a good luck charm?!<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--He seems nice enough.<br>&nbsp;&nbsp;&nbsp;&nbsp;He wouldn't toss it away, or anything.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Excuse me! Anyone?!<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--He seems nice enough.<br>&nbsp;&nbsp;&nbsp;&nbsp;He wouldn't toss it away, or anything.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Does anyone have a good luck charm?!<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have one.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? R-Really? Would you let me borrow it?<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. Let's see...<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a lifesaver!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, I can't go erasing its luck, can I?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? So um, it may look pretty beat up,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's still important to me.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Oh, I understand, of course.<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I cross the finish line, I'll return it.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I can't just<br>&nbsp;&nbsp;&nbsp;&nbsp;ask you to wait here until then.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, how about we<br>&nbsp;&nbsp;&nbsp;&nbsp;meet up in one hour over there?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, you got it.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if we don't see each other,<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could you deliver it to Judgement Branch 177?<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right...<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...um...<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm Saten.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kamijo Toma. Thanks.<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise I'll get it back to you!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye!<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that closed-down factory is around here.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Keep out"<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shinohara Liquid Material Factory"<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? This says that Kozaku Mitori is deceased!<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, excuse me...<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this data accurate?<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or at least, it's true that your<br>&nbsp;&nbsp;&nbsp;&nbsp;person was filed under "deceased."<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two months ago,<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the reform school.<br>&nbsp;&nbsp;&nbsp;&nbsp;Cause of death was heart failure.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps I was mistaken about this after all.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't you think this is a little strange?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to this timestamp,<br>&nbsp;&nbsp;&nbsp;&nbsp;her remains would have had to be cremated<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right after they were discovered.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed so. There would have<br>&nbsp;&nbsp;&nbsp;&nbsp;been no time for an autopsy.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps they didn't do one.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean by that?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, maybe there was<br>&nbsp;&nbsp;&nbsp;&nbsp;something they wanted hidden,<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they destroyed the evidence<br>&nbsp;&nbsp;&nbsp;&nbsp;before cause of death could be determined.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter,<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe your person isn't even dead!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, do you have any grounds<br>&nbsp;&nbsp;&nbsp;&nbsp;why you would think that?<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I do love a good conspiracy theory.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and Miss Saten would get along nicely.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard a rumor, you see,<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that once in a while, for whatever reason,<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the students who are taken in<br>&nbsp;&nbsp;&nbsp;&nbsp;by Academy City's reform schools<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;end up disappearing out of the blue.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guards report it to their superiors,<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it ends up getting swept under<br>&nbsp;&nbsp;&nbsp;&nbsp;the rug without much of an investigation.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even worse, it's always the high-level espers<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and outstanding students who vanish.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the story goes that there's a deal<br>&nbsp;&nbsp;&nbsp;&nbsp;between Academy City and the inmates,<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that they must be secretly<br>&nbsp;&nbsp;&nbsp;&nbsp;getting discharged from there.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably more convenient<br>&nbsp;&nbsp;&nbsp;&nbsp;for them if they're labeled as dead.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really though, at the end of the day,<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#9 Kozaku Mitori"<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;rumors are just rumors.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ended up not really<br>&nbsp;&nbsp;&nbsp;&nbsp;learning anything for sure.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so,<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we suppose that it really was<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku Mitori who abducted you two,<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that there is someone<br>&nbsp;&nbsp;&nbsp;&nbsp;with enough influence to fake her death<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;behind what is going on.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming that's true,<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what would she want with Ms. Misuzu and myself?<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering what the situation was,<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku Mitori's target was likely Misaka Mikoto.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I cannot begin<br>&nbsp;&nbsp;&nbsp;&nbsp;to guess what the objective was.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why indeed?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are concerned, aren't you?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About Miss Misaka?<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Wh-Wh-What are you talking about?!<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was only speaking as a member of Judgment!<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I am by no means interested in that girl!<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, sure, her manner earlier<br>&nbsp;&nbsp;&nbsp;&nbsp;was quite distinguished, but even so--<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! What the hell is going on?!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are our own people ambushing us?<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You all right? What do you make of this--<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay back!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell, man?!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Are you telling me *you're* the mole?!<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, *you* are! You traitor!<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could say the same!<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Her ability has them unable<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell who's a friend or foe.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Why, you! Hey, stop that, dumbass! --Damn you!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that they can't rely on<br>&nbsp;&nbsp;&nbsp;&nbsp;their cooperation or communications,<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can no longer function as an organization.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the VIP room floor.<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara Gensei's room would be...<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing there?!<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're with Q Squad?<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know you're in D Squad's section, right?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um,<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it sounded like you had an<br>&nbsp;&nbsp;&nbsp;&nbsp;emergency here, so I came to help.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. Our visitor has already taken shelter.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to stick close.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Follow me.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could knock him out right here,<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if Gensei is inside,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would be better to let him take me there.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one is sketchy.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Q Squad shouldn't even be on duty right now.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, she didn't respond to the signal.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as I turn this next corner...<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'll turn around and put a bullet in her.<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'll turn around and put a bullet in her.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what he's thinking.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need you to tell me.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My radar has already picked up on him.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with the getup?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hush!<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike you, I can't afford to<br>&nbsp;&nbsp;&nbsp;&nbsp;let my face or gym clothes be seen.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind me, where is Gensei?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm putting my investigative<br>&nbsp;&nbsp;&nbsp;&nbsp;powers to work right now.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He better not have gotten away.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seized control of all the escape routes,<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the underground passageways<br>&nbsp;&nbsp;&nbsp;&nbsp;to the heliport on the roof.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speak of the devil...<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said that Gensei is in custody.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing here, which is no surprise.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about one step short of collapsing.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And any materials that were left<br>&nbsp;&nbsp;&nbsp;&nbsp;over were probably already looted.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or so I thought...<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone's here!<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, that cosplay girl is a real slave driver.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah, but we're being paid well enough.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What are they doing in here?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah, but we're being paid well enough.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The electricity is on?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's closing!<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew, just barely made it!<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why did I even come in here?<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It won't open!<br>&nbsp;&nbsp;&nbsp;&nbsp;I need a special card or something.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Wh-What do I do?<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I should call Uiharu-- Uh-oh!<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--So anyway, what's she<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be cosplaying as?<br>&nbsp;&nbsp;&nbsp;&nbsp;--I should call Uiharu-- Uh-oh!<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Beats me. A nurse, maybe?<br>&nbsp;&nbsp;&nbsp;&nbsp;--I should call Uiharu-- Uh-oh!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could this place actually be...?<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not turn around.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure...<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing in here?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, um, I-I just...<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...got a little lost...<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget everything you saw,<br>&nbsp;&nbsp;&nbsp;&nbsp;and get out of here without another word.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, I will. I'm leaving right now.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bingo! Why did my sense about<br>
&nbsp;&nbsp;&nbsp;&nbsp;these things have to be right *this time*?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, I can't get out of here by myself--<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you not to turn around, you idiot!<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is...?<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What are you doing?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just letting her get away.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This plan business is<br>&nbsp;&nbsp;&nbsp;&nbsp;already in its final stage, right?<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured that no matter what<br>&nbsp;&nbsp;&nbsp;&nbsp;happened here, it wouldn't interfere.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, you have<br>&nbsp;&nbsp;&nbsp;&nbsp;no reason to let her live, do you?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, what's all the commotion--<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An intruder. Go catch<br>&nbsp;&nbsp;&nbsp;&nbsp;the girl who just ran away.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Idiot.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why'd you have to stick your nose in here?<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Doctor?<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Xóchitl, I need you to listen closely.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens, I finally was<br>&nbsp;&nbsp;&nbsp;&nbsp;able to inquire of the members<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Academy City's Governing Board<br>&nbsp;&nbsp;&nbsp;&nbsp;and get everything arranged.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! No!<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Let go of me!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Well, well, well, what a lively little rat.<br>&nbsp;&nbsp;&nbsp;&nbsp;--I said let me go!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we gonna do with this kid?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hmm... Once you get her<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell you why she snuck in,<br>&nbsp;&nbsp;&nbsp;&nbsp;--Put me down, you big...!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;dispose of her any way you see fit.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I've got places I have to go.<br>&nbsp;&nbsp;&nbsp;&nbsp;--No!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh-ho...<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? Betrayal?<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or do you have some kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;sentiment for the rat behind you?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really care what happens to this idiot.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the real backstabber<br>&nbsp;&nbsp;&nbsp;&nbsp;here is you, isn't it, Kozaku?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;MEMBER, the dark side organization I belong to,<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is supposed to work under the direction<br>&nbsp;&nbsp;&nbsp;&nbsp;of Academy City's Governing Board.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So naturally, we thought that your<br>&nbsp;&nbsp;&nbsp;&nbsp;orders came from the governing board.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Doctor had some doubts<br>&nbsp;&nbsp;&nbsp;&nbsp;and did some fact checking.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He discovered that this job has<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing to do with the governing board.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You conspired with an outside client<br>&nbsp;&nbsp;&nbsp;&nbsp;and used your position as a go-between<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to get Baba and me to do your work.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you?<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as I'm concerned,<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't matter who's giving the instructions.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when it comes to traitors,<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they must be punished.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my, if we go at it right here,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be a one-sided massacre.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about that?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may think you can<br>&nbsp;&nbsp;&nbsp;&nbsp;sit back and watch from afar,<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I doubt you're aware of<br>&nbsp;&nbsp;&nbsp;&nbsp;the full extent of my techniques.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm willing to bet 90% of that is hot air,<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's true, her unusual powers<br>&nbsp;&nbsp;&nbsp;&nbsp;are unlike anything in Academy City.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may conjure up some phenomenon<br>&nbsp;&nbsp;&nbsp;&nbsp;I would never even imagine.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't exactly afford<br>&nbsp;&nbsp;&nbsp;&nbsp;any setbacks at this point, either.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh! Okay, fine.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm out of here.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But one word of warning before I go.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have somewhere to go home to,<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right now would be a<br>&nbsp;&nbsp;&nbsp;&nbsp;good time to leave Academy City.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to live to an old age, that is.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have nowhere to return to. Besides,<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's someone here I have<br>&nbsp;&nbsp;&nbsp;&nbsp;to hunt down even if it costs me my life.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you a little lady?<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much for sparing me!<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're that girl I met yesterday, right?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your way of thanking me<br>&nbsp;&nbsp;&nbsp;&nbsp;for showing you how to use your cell--<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's self-defense techniques,<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's martyr's resolve,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if you don't have either of them,<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't go thoughtlessly wandering<br>&nbsp;&nbsp;&nbsp;&nbsp;into the dark side's business.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Follow me.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you to the exit.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where was he?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We found him hiding in the safe room.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This...<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is Kihara Gensei?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I pull his tape off?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I don't need him to talk.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll consult his brain directly.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?!<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A disguise?<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Shokuho! What's going on?!<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho!<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Kihara Gensei duplicate, using special makeup?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some business<br>&nbsp;&nbsp;&nbsp;&nbsp;that I just could not get out of.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, sir...<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you have to do at the<br>&nbsp;&nbsp;&nbsp;&nbsp;forum is nod and say "mm-hmm."<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, if you're reading his memories,<br>&nbsp;&nbsp;&nbsp;&nbsp;you know what the situation is.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir?<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're there now,<br>&nbsp;&nbsp;&nbsp;&nbsp;then you can't be at you-know-where.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think Exterior<br>&nbsp;&nbsp;&nbsp;&nbsp;can be kept safe without you,<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho Misaki?<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would Gensei do that?<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold up! Shokuho!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least explain what's going on!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drive! As fast as you can!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow!<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming around, are you?<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in a certain<br>&nbsp;&nbsp;&nbsp;&nbsp;building in School District 2.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Did you rescue Misaka?"<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, expressing her gratitude.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this is all just part of the job.<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not need any thanks.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she's back asleep again.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, here I thought I had finally<br>&nbsp;&nbsp;&nbsp;&nbsp;found some respectable work again...<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but it looks like things<br>&nbsp;&nbsp;&nbsp;&nbsp;have taken an ugly turn.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is "Exterior"?<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#10 Clone Dolly"<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, you know, it's that legendary sword.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's "Excalibur."<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The big light fixture?<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a "chandelier."<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dog?<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a "terrier."<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who does hairdos<br>&nbsp;&nbsp;&nbsp;&nbsp;with only their own hair?<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are extensions--no, wait!<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's the big idea?<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E10 - Clone Dolly

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GR2489M56/clone-dolly)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming around, are you?<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in a certain building<br>&nbsp;&nbsp;&nbsp;&nbsp;in School District 2.<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Did you rescue Misaka?"<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, expressing her gratitude.<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this is all just part of the job.<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not need any thanks.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she's back asleep again.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, here I thought I had finally<br>&nbsp;&nbsp;&nbsp;&nbsp;found some respectable work again...<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're saying that Kihara Gensei<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is after the place on the<br>&nbsp;&nbsp;&nbsp;&nbsp;urban legends website?<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how did he find out about it?<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't me!<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that. Chronologically,<br>&nbsp;&nbsp;&nbsp;&nbsp;the order of events doesn't fit.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could the information be a trap,<br>&nbsp;&nbsp;&nbsp;&nbsp;and he's leading you on?<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like he doesn't really know<br>&nbsp;&nbsp;&nbsp;&nbsp;where it is, and he's tailing us?<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is possible.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if that's the case,<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if he does find out where it is,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can still manage.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the worst-case scenario...<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Why did you stop?!<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A traffic jam?<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?!<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the unmanned buses that goes<br>&nbsp;&nbsp;&nbsp;&nbsp;around Academy City burst into flames.<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the buses have been shut down<br>&nbsp;&nbsp;&nbsp;&nbsp;while they determine the cause.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with one of the main means of<br>&nbsp;&nbsp;&nbsp;&nbsp;travel during the Daihasei Festival gone,<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are traffic jams all over<br>&nbsp;&nbsp;&nbsp;&nbsp;that extend for several kilometers.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're blocked in from behind, too.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there's no other choice.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exterior, commence voluntary<br>&nbsp;&nbsp;&nbsp;&nbsp;will reversal past the 13th pair.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho...?<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way ahead...!<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drive between them, as fast as you can!<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Shokuho do this?<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thousands of people,<br>&nbsp;&nbsp;&nbsp;&nbsp;extending several kilometers ahead?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if she is Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;greatest mental ability esper,<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way she could exert<br>&nbsp;&nbsp;&nbsp;&nbsp;this much nightmarish power.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How exactly did she do this?<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever else happens,<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to keep it from falling<br>&nbsp;&nbsp;&nbsp;&nbsp;into their hands while I'm away.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Makuwa, what's that you're eating?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Melon slices, as you can see.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What food do you hate?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apples.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. Shokuho?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like your abilities<br>&nbsp;&nbsp;&nbsp;&nbsp;are coming along nicely.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once Exterior is complete...<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think you really need that thing.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't say that. This project<br>&nbsp;&nbsp;&nbsp;&nbsp;will not only benefit us greatly,<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you, as well.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, can I leave now?<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, before you go,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's someone I'd like you to meet.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, how are you feeling today?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to introduce you.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Prototype,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we just call her "Dolly."<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prototype?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, now, say hello.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No!<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, pipe down.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because I saw your tiny boobs...<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look at me.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well, I guess I don't need<br>&nbsp;&nbsp;&nbsp;&nbsp;to go to the trouble of explaining now.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was born with a kind of illness, you see.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without those devices implanted<br>&nbsp;&nbsp;&nbsp;&nbsp;inside her body, she couldn't live.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty... gross, wasn't it?<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I wouldn't say that.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, I can't help it.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to have a friend.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi...<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She used to come here every day<br>&nbsp;&nbsp;&nbsp;&nbsp;since I couldn't go out.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We talked about all sorts of things<br>&nbsp;&nbsp;&nbsp;&nbsp;and played together a lot.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then she got a look at my body.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting the next day, she stopped coming.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is my body like this?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It disgusted my one<br>&nbsp;&nbsp;&nbsp;&nbsp;and only friend. I miss her...<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Clone Dolly Research Lab 2"<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what was your goal in putting<br>&nbsp;&nbsp;&nbsp;&nbsp;the two of us together, anyway?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're collecting some<br>&nbsp;&nbsp;&nbsp;&nbsp;data from Dolly, you see.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shock of losing her friend is so great<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that we can't read any<br>&nbsp;&nbsp;&nbsp;&nbsp;normal values from her right now.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want you to help her<br>&nbsp;&nbsp;&nbsp;&nbsp;to restore her inner peace.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you expect *me* to do.<br>
&nbsp;&nbsp;&nbsp;&nbsp;With my ability the way it is now,<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't completely erase<br>&nbsp;&nbsp;&nbsp;&nbsp;the memories of her friend,<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even overwriting them is difficult.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. But what about her sense of recognition?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came back today,<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi!<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why am I the one who has to do this?<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, what are you doing--<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you sure you're in middle school?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Mmm... yes, I am.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Here.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what the teacher says.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I've never actually gone to a school.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi, do you enjoy school?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh, that's a good question.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability makes it easy<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to get ostracized.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ostracized?<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, to get on people's<br>&nbsp;&nbsp;&nbsp;&nbsp;bad side, I guess.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, Mi, I love your ability.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't. They told me<br>&nbsp;&nbsp;&nbsp;&nbsp;to refrain from using my ability.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww...<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it like outside the research lab?<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to see what they call the ocean.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, Academy<br>&nbsp;&nbsp;&nbsp;&nbsp;City isn't on the ocean.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the checks are so stringent,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not easy to get out of the city.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, if we could get an exit pass,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be happy to take you to the beach.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Mi!<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Easy!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Wh-What gives?<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good progress.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Let's watch how this progresses.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm out!<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay! I win again!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it!<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's bad manners.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi, you always have to go up<br>&nbsp;&nbsp;&nbsp;&nbsp;next to it to throw things away.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Of course I do! Just so you know,<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when girls get to be my age,<br>&nbsp;&nbsp;&nbsp;&nbsp;literally throwing garbage away<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the greatest breach<br>&nbsp;&nbsp;&nbsp;&nbsp;of manners I can think of!<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It might be fine right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but once you leave the research facility,<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the boys will be sizing up<br>&nbsp;&nbsp;&nbsp;&nbsp;your every move, you know.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to adopt a more refined attitude--<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't make it go in?<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Huh?! I could easily do it!<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine. Just watch this.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That one was...<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My finger just got a little caught on it!<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I neglected air resistance!<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! I had something in my eye!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'll sink it this time for sure.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She keeps getting closer.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man!<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focus! Focus!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It went in! You see that, Dolly?<br>&nbsp;&nbsp;&nbsp;&nbsp;When I really mean it...<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody!<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Status?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They will come and collect her shortly.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh. I knew it wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be much longer, but...<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to shake it off.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, this is...<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me... your name...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaki... Shokuho Misaki...<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaki... thank you for being... my friend...<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-She's going to be okay, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll recover and be right back, won't she?<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this is goodbye for Dolly.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her body gave out a long time ago.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;scientific capabilities,<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would be impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;to extend her life any longer.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Dolly herself...<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#10 Clone Dolly"<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...was well aware of that.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you in here again?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't do this;<br>&nbsp;&nbsp;&nbsp;&nbsp;you're falling behind in your curriculum.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, I got the report,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll tell you, too.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that she died.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief,<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;now it's Shokuho who's having problems?<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even that little girl has feelings.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if you reveal to her<br>&nbsp;&nbsp;&nbsp;&nbsp;that Dolly was just a clone?<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she knows she was artificially made,<br>&nbsp;&nbsp;&nbsp;&nbsp;she might take it better.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, well, if the present<br>&nbsp;&nbsp;&nbsp;&nbsp;situation continues, I'll consider it.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Exterior project is not<br>&nbsp;&nbsp;&nbsp;&nbsp;some project forced on us from above,<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose objective isn't even clear,<br>&nbsp;&nbsp;&nbsp;&nbsp;which has us playing with dolls.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the fulfillment of<br>&nbsp;&nbsp;&nbsp;&nbsp;our Clone Dolly aspirations.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what do we do?<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Shokuho Misaki keeps developing like this,<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one day, our mental guards won't<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to keep her out anymore.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once that happens,<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be much harder to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;the project's true purpose a secret.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, that's not such a big problem.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no? Why not?<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once Exterior is complete,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have no more use for the girl.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll just wait for the right<br>&nbsp;&nbsp;&nbsp;&nbsp;opportunity to dispose of her.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, this concludes<br>&nbsp;&nbsp;&nbsp;&nbsp;our regular meeting.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work, everyone.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's about what I figured.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that,<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I extended my control beneath the surface.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the personnel involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in Exterior were brainwashed,<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;such that no matter what kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of interrogation they underwent,<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they would never reveal that information.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So how did Gensei find the location?<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Objective passing target point.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Copy.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All units, fall back!<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew...<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I managed to get it to count.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All thanks to this thing.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see, Miss Saten, wasn't it?<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we were going to meet here.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man...<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No signal"<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No signal?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use. There are powerful<br>&nbsp;&nbsp;&nbsp;&nbsp;radio jammers being used around here.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks as though it wasn't a bluff.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strange, huh? It's too quiet.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't sense any unmanned weapons, either.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe they were staying alert<br>&nbsp;&nbsp;&nbsp;&nbsp;for Miss Misaka and beat a hasty retreat.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, where is the crew<br>&nbsp;&nbsp;&nbsp;&nbsp;that was working here?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me. They're needed to<br>&nbsp;&nbsp;&nbsp;&nbsp;maintain Exterior, so maybe they got killed.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exterior?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw it earlier, remember?<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earlier?<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exterior is a booster that<br>&nbsp;&nbsp;&nbsp;&nbsp;amplifies and extends my ability,<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess is the way I'd describe it.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ostensibly, anyhow.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ostensibly?<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The original purpose of the Exterior Project<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to allow anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;to be able to use my ability.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Huh?!<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether the registered person<br>&nbsp;&nbsp;&nbsp;&nbsp;was an esper or a regular person,<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they would gain the power to use Mental Out.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of toy it is.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This place, Clone Dolly,<br>&nbsp;&nbsp;&nbsp;&nbsp;was originally a research institution<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose goal was to produce geniuses<br>&nbsp;&nbsp;&nbsp;&nbsp;and super-power-leveled people.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they were blinded by<br>&nbsp;&nbsp;&nbsp;&nbsp;my powers of ingenuity,<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when the researchers<br>&nbsp;&nbsp;&nbsp;&nbsp;took the shortcut of saying,<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's quicker to brainwash great<br>&nbsp;&nbsp;&nbsp;&nbsp;figures than it is to create them,"<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what they developed was "Exterior."<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, I took the project<br>&nbsp;&nbsp;&nbsp;&nbsp;over once I shut them down.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mental Out is a power that I,<br>&nbsp;&nbsp;&nbsp;&nbsp;as a person of virtuous character, can control.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If any common lowbrows got it,<br>&nbsp;&nbsp;&nbsp;&nbsp;they might wield it carelessly,<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that would be dangerous.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amplifying your ability<br>&nbsp;&nbsp;&nbsp;&nbsp;by itself sounds pretty farfetched,<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to transfer it to someone else?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the "DNA computer<br>&nbsp;&nbsp;&nbsp;&nbsp;that can produce abilities"<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was on that urban legends website?<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where would a rumor like that<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ever get started, anyway? For one thing,<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it isn't exactly a "computer."<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want anyone else to know about this,<br>&nbsp;&nbsp;&nbsp;&nbsp;and now I'm letting you see it.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They cut out a piece of my cerebral cortex,<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;cultivated it, and created<br>&nbsp;&nbsp;&nbsp;&nbsp;a gargantuan brain.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Exterior is.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Kihara Gensei is<br>&nbsp;&nbsp;&nbsp;&nbsp;plotting to do something with this?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably. But I didn't think<br>&nbsp;&nbsp;&nbsp;&nbsp;he could take it with him,<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it takes several days to "register"<br>&nbsp;&nbsp;&nbsp;&nbsp;someone to be able to use it.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, even in his control,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's meaningless in the short term.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So is the Sister who he was really after?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I used my ability to place<br>&nbsp;&nbsp;&nbsp;&nbsp;many levels of protection around her.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To get through them all,<br>&nbsp;&nbsp;&nbsp;&nbsp;he would need Exterior.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He won't ever find<br>&nbsp;&nbsp;&nbsp;&nbsp;the critical seam in my defenses.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The room where we were<br>&nbsp;&nbsp;&nbsp;&nbsp;treating your sister is in here.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Follow me.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A signal...?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?!<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At last, I made it through.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm currently right in front of Exterior.<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you?<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the roof. She's here with me, too.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excellent work! The roof? I'll be right--<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones who attacked us<br>&nbsp;&nbsp;&nbsp;&nbsp;were a squad of skilled special forces.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I very much doubt they let me,<br>&nbsp;&nbsp;&nbsp;&nbsp;carrying someone else, just get away.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's safe to assume they're trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to lead you up here. Please be careful.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. I have an Amazon here<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose bust size got swallowed up<br>&nbsp;&nbsp;&nbsp;&nbsp;by her fighting ability,<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's no need to worry.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, whoever do you mean?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. If she's with you--<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't what I planned,<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it does save me some trouble.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't move...<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this...?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Keitz Nokleben"<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be!<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Complicating the registration process<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent it from being taken over?<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wishful thinking.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even without registering, if I tune<br>&nbsp;&nbsp;&nbsp;&nbsp;the giant brain to my own brainwaves,<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ability will be mine.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you've at least heard<br>&nbsp;&nbsp;&nbsp;&nbsp;the stories, haven't you?<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Level Upper...<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who gave Kiyama<br>&nbsp;&nbsp;&nbsp;&nbsp;her instructions on how to tune brainwaves.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The multiple layers of protection<br>&nbsp;&nbsp;&nbsp;&nbsp;you placed on the Sister<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are now a simple matter for me to undo.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No way!<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is impossible!" says Misaka Misaka...<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's wrong?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All of the protection placed<br>&nbsp;&nbsp;&nbsp;&nbsp;on 10032 has been removed,"<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka...<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, I am able to inject a<br>&nbsp;&nbsp;&nbsp;&nbsp;custom virus into the Misaka Network.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Removing the force on a body will...<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this...<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Misaka Network? No...<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this I'm sensing?<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, get going already.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what reason is that<br>&nbsp;&nbsp;&nbsp;&nbsp;gooey girl doing all this stuff?<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know exactly.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just got led around<br>&nbsp;&nbsp;&nbsp;&nbsp;following fake orders, after all.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there was one puzzling thing<br>&nbsp;&nbsp;&nbsp;&nbsp;about this assignment,<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I asked what their intention was.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer was a bunch of doublespeak,<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--but given their attitude at the time,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can pretty well guess.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whoa...<br>&nbsp;&nbsp;&nbsp;&nbsp;--but given their attitude at the time,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can pretty well guess.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magnificent, isn't it?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But all of this enormous power<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is nothing more than a light show<br>&nbsp;&nbsp;&nbsp;&nbsp;without a use for it.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would be the most<br>&nbsp;&nbsp;&nbsp;&nbsp;interesting use for it?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What have you...<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...done to her?!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister's favorite, kept tucked away<br>&nbsp;&nbsp;&nbsp;&nbsp;in the shadow of the main plan...<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I were to use it as a trigger<br>&nbsp;&nbsp;&nbsp;&nbsp;to awaken your dormant powers?<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their true objective...<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is Misaka Mikoto.<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let the experiment begin.<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see if Misaka can reach...<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the divine will of Level 6?<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just like that, Miss Misaka was beaten.<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#11 Joining the Battle"<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Starting next week at this time,<br>
&nbsp;&nbsp;&nbsp;&nbsp;*A Certain Scientific Mental Out*,<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;starring me, will begin in this timeslot.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an old-fashioned next episode preview.<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really a middle-schooler?<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been beaten, so you keep quiet!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E11 - Joining the Battle

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRZJ8Z9D6/joining-the-battle)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this...<br>**[00:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Misaka Network? No...<br>**[00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What have you...<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...done to her?!<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister's favorite, kept tucked away<br>&nbsp;&nbsp;&nbsp;&nbsp;in the shadow of the main plan...<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I were to use it as a trigger<br>&nbsp;&nbsp;&nbsp;&nbsp;to awaken your dormant powers?<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let the experiment begin.<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see if Misaka can reach...<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the divine will of Level 6?<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their true objective...<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is Misaka Mikoto.<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you let me know...<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...exactly what that means, too?<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then sure enough,<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto was their true objective.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know any other details beyond that,<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that is definitely what she said.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten is right.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an electrical discharge phenomenon<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;happening in School District 2.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Electrical discharge?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was I just doing?<br>&nbsp;&nbsp;&nbsp;&nbsp;My head feels so groggy for some reason.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, who am I?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me,<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how can you be so unconcerned when you know<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;everything that's happening in this city?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city? You mean what's<br>&nbsp;&nbsp;&nbsp;&nbsp;happening in Academy City?<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like what?<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've seen it, right? You know about it.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How clones are not treated as people--<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no, even when dealing with real-life people,<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're still only seen as lab rats.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The true face of this city<br>&nbsp;&nbsp;&nbsp;&nbsp;where human dignity is trampled upon...<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...in the name of science.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. I remember.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll pay for that. No matter<br>&nbsp;&nbsp;&nbsp;&nbsp;what reasons they may have had,<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone who would do something like they did...<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never again.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to stop them... I have to stop them...<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to stop them...<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how...?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right over there.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That building.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one at the center of the city.<br>&nbsp;&nbsp;&nbsp;&nbsp;The control tower.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as that's there,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll keep doing it over and over again.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone will be brought to tears again.<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone will get hurt again.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what do you say?<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should wreck it, okay?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, that was even more than I imagined.<br>&nbsp;&nbsp;&nbsp;&nbsp;I might just wet myself.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But after that...<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unharmed? H-Hold on, what gives here?<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like<br>&nbsp;&nbsp;&nbsp;&nbsp;there's been any damage at all!<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well...<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that had dozens of times as much<br>&nbsp;&nbsp;&nbsp;&nbsp;firepower as Misaka ordinarily packs,<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if she physically strikes it head-on,<br>&nbsp;&nbsp;&nbsp;&nbsp;it won't even put a dent in it.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That's not what you said--<br>&nbsp;&nbsp;&nbsp;&nbsp;--You young people today have no patience.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is still developing.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would say she's about 2% of her way<br>&nbsp;&nbsp;&nbsp;&nbsp;along her evolution toward Level 6.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku, if you want to achieve your own goal,<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to carry out your role now.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and there's one other thing<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to ask of you.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The governing board building<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just had the largest<br>&nbsp;&nbsp;&nbsp;&nbsp;lighting strike ever recorded,<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there was an massive electrical<br>&nbsp;&nbsp;&nbsp;&nbsp;discharge phenomenon observed<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a section of School District 2.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Send rescue teams with<br>&nbsp;&nbsp;&nbsp;&nbsp;investigators to both sites at once.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Yes, acknowledged.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll get right on--<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we don't need the issue of having<br>&nbsp;&nbsp;&nbsp;&nbsp;outsider casualties during the festival.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our priority is the evacuation<br>&nbsp;&nbsp;&nbsp;&nbsp;of tourists and local residents.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But sir, that's another matter--<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both sites are closed off.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a soul is to be allowed<br>&nbsp;&nbsp;&nbsp;&nbsp;to go in, not even Antiskill.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, sir.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, even if Antiskill did head there,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'd just pile up a body count.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we *could* use someone<br>
&nbsp;&nbsp;&nbsp;&nbsp;who could offer resistance...<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my goodness gracious.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His timing in showing up<br>&nbsp;&nbsp;&nbsp;&nbsp;is almost too convenient.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I weren't involved in this,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be out of here.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the right place...<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...since I *am* involved,<br>
&nbsp;&nbsp;&nbsp;&nbsp;he looks more like a prince.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Girls sure are capricious, huh?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...coming at it from above,<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to get the angle right...<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be...<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is that?!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's going straight into my mind--<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, let me just say up front,<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you touch your head with your right hand,<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;everything I'm about to tell you<br>&nbsp;&nbsp;&nbsp;&nbsp;will vanish away, so no touching.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, unlike a telepath, I'll be writing<br>&nbsp;&nbsp;&nbsp;&nbsp;everything into your brain at once,<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I won't hear any arguments.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My brain?<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To explain the situation, my ability<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Misaka Network are being misused,<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Miss Misaka has been put in a bad way.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that really is Misaka?<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, listen to me!<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--...if you stay near her<br>&nbsp;&nbsp;&nbsp;&nbsp;and keep countering her,<br>&nbsp;&nbsp;&nbsp;&nbsp;--I guess she can't hear me.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be able to delay the Network alterations.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In all likelihood. Probably.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you don't sound very certain!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, since brainwashing<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't have any effect on her,<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if that stuff is manipulating<br>&nbsp;&nbsp;&nbsp;&nbsp;the Network to trigger her deep psyche.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, why are you asking me?<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you touch her directly,<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe it will return her to normal.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take the challenge!<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another thing, who *are* you?<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Challenge, she says...<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu! Where's Shirai?!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Already on her way.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything *I* can do to help?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks so much.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There they are. But I don't see Gensei.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he planning to keep out of sight<br>&nbsp;&nbsp;&nbsp;&nbsp;and watch from a safe distance?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a second.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might have been ordered<br>&nbsp;&nbsp;&nbsp;&nbsp;to attack me as soon as you're freed,<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll program you to "do me no harm."<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, would you get her<br>&nbsp;&nbsp;&nbsp;&nbsp;to a safe location for me?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming such a place even exists.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going after Gensei.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone but me could be brainwashed,<br>&nbsp;&nbsp;&nbsp;&nbsp;and that would be the end of it.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only one who can go up against Mental Out<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is someone who has the same ability--<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh,<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't work on something<br>&nbsp;&nbsp;&nbsp;&nbsp;being remotely controlled, huh?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't do any good.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to ask,<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but could you hang out with me for a bit?<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't try to fight me,<br>&nbsp;&nbsp;&nbsp;&nbsp;just behave yourself, okay?<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would seem that the situation<br>&nbsp;&nbsp;&nbsp;&nbsp;is getting even more out of hand.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you all to explain<br>&nbsp;&nbsp;&nbsp;&nbsp;to me exactly what is going on.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially you, Kozaku Mitori.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have much that I need to investigate,<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;beginning with falsifying Bank data.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai?<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say what you will, but you can't exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;question suspects up here, can you?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to impose,<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you could you zap<br>&nbsp;&nbsp;&nbsp;&nbsp;those two out of here first?<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that Misaka Mikoto?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, too?<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Could I get you to warp<br>&nbsp;&nbsp;&nbsp;&nbsp;the two of us inside the building?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rats.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not bad, finding my data<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Bank in so short a time.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Miss Shirai. You saved me.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it to find out what is going on.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should warn you, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;that I do not trust you,<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my suspicion that you attacked<br>&nbsp;&nbsp;&nbsp;&nbsp;the 177th Branch office hangs on this.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't it be better for both of us<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we cooperated with each other?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing to worry about.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just going to send you<br>&nbsp;&nbsp;&nbsp;&nbsp;my observations of the current situation.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will save me the trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;of saying it out loud.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there you have it. Thank you.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You are going to explain all of this later!<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck!<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some extra-large cumulonimbus clouds<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;now passing over Academy City.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All outdoor competitions are being suspended.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Further, some competitions<br>&nbsp;&nbsp;&nbsp;&nbsp;will now be held at the Dome.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Mama, she said the Dome.<br>&nbsp;&nbsp;&nbsp;&nbsp;--To ensure the safety<br>&nbsp;&nbsp;&nbsp;&nbsp;of all of our visitors today,<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please follow the instructions<br>&nbsp;&nbsp;&nbsp;&nbsp;of your nearest attendants...<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's packing some awesome guts.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's lighting coming out of the ground.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#11 Joining the Battle"<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll go over there for a look.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still... not enough.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To wreck that thing...<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll need something more...<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay... pretty soon...<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Noise...?<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can reach her if I time it right--<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A nasty pest that's trying to interfere.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should swat all of those guys away!<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess...<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it wasn't going to be that easy.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is where Miss Misaka is.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to direct<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka's barbaric strength,<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's safe to guess that Mental Out<br>&nbsp;&nbsp;&nbsp;&nbsp;will be absolutely essential.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kozaku, was it?<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability has no effect on her puppets,<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you'd ordinarily have to assume<br>&nbsp;&nbsp;&nbsp;&nbsp;that she is Gensei's bodyguard,<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's hard to accept that at this stage,<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the few pawns that<br>&nbsp;&nbsp;&nbsp;&nbsp;he has is just a bodyguard, isn't it?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing the old man,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll be making use of Level Upper<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to share Exterior with her, too.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My guess is that her role is that of "inductor."<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know even know that word,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it feels incredibly odd that I more<br>&nbsp;&nbsp;&nbsp;&nbsp;or less understand what it means.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging by the high quality<br>&nbsp;&nbsp;&nbsp;&nbsp;and precision of her puppets,<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her range can't be all that great,<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I need you to find the person<br>&nbsp;&nbsp;&nbsp;&nbsp;who's controlling the puppets<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can stop Miss Misaka.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For goodness' sake!<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone is telling me what I have to do!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment is not your handyman!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, here *she* comes.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, I failed to capture Shokuho Misaki.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this, but I have<br>&nbsp;&nbsp;&nbsp;&nbsp;to think about protecting myself now.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you handle the rest there on your own?<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh well, I guess that's that.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do this! Her force is insane,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can nullify it with my right hand!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means...!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no, no, no, no...<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that's not playing fair!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyper Eccentric Ultra Great Giga Extreme...<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Hyper again...<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Amazing Punch!<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You okay?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, you saved me.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something pretty wicked over there, huh?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty gutsy to grow horns and all.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay,<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let me take care of things from here.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, no...<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know her, such that she is.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, but I can't leave this to anyone else.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she's nothing to sneeze at.<br>&nbsp;&nbsp;&nbsp;&nbsp;You should really take shelter.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, I'm not trying kill her.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I hear, it's pretty close<br>&nbsp;&nbsp;&nbsp;&nbsp;to say she's being controlled.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being controlled? Then she's short on guts, huh?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll knock some into her!<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not the matter here.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, she's just lost her way a little<br>&nbsp;&nbsp;&nbsp;&nbsp;and is acting up. If she had more guts...<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to me, will you?!<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He slapped the lightning away?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He canceled out the lightning?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Who is this guy?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Who is this guy?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Sogiita Gunha. And you are?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try not to get in my way, Kamijo!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right back at you!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If what Shokuho Misaki said is true,<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then Kozaku Mitori must be hiding herself<br>&nbsp;&nbsp;&nbsp;&nbsp;in a building near Misaka Mikoto.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That being said, this area is packed<br>&nbsp;&nbsp;&nbsp;&nbsp;with research facilities.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finding a single person<br>&nbsp;&nbsp;&nbsp;&nbsp;among all this will be hard.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I have little choice.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run all of the cameras<br>&nbsp;&nbsp;&nbsp;&nbsp;within an 800-meter radius<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--of the Judgment building in School District 2.<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'll help with that.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check to see if Kozaku shows up on any of them.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, calculate the blind spots<br>&nbsp;&nbsp;&nbsp;&nbsp;of the cameras and send them to me.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will sweep around those.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Miss Shirai, all by yourself?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You need more help--<br>&nbsp;&nbsp;&nbsp;&nbsp;--There is no time for that.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides...<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides...<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had faith in you, Kuroko,<br>&nbsp;&nbsp;&nbsp;&nbsp;and was sure that you would save her.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Working not only as a member of Judgment,<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but also having her trust<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;did not feel all that bad, surprisingly enough.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An interesting technique you have there,<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm starting to grow tired of it!<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Sogii--<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...an iron-sand barrier?<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Iron sand?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Playing in the sandbox, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;She still doesn't understand what guts are.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--? Again?!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stand back, Kamijo.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That right hand of yours<br>&nbsp;&nbsp;&nbsp;&nbsp;really is fascinating, huh?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. If I can, I'd like to touch her with it,<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and see if it will turn her back to normal.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't even get close to her like this.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see,<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that's the situation.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, leave that to me.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Super...<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Amazing...<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Punch!<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome--<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now's your chance!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no, no! Just a second,<br>&nbsp;&nbsp;&nbsp;&nbsp;just a second, just a--<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Off you go!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, what the hell...<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, how am I supposed to land?!<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found you...<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Kihara Gensei.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My goodness, things certainly<br>&nbsp;&nbsp;&nbsp;&nbsp;have taken a strange turn.<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#12 Exterior"<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to question<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho a little bit more,<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but at the moment, Kozaku Misaki comes first.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, how resolute you are, Miss Shirai.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking pretty good.<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I ask you to please stop<br>&nbsp;&nbsp;&nbsp;&nbsp;speaking directly into my mind?<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E12 - Exterior

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GYNV9Z19R/exterior)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Super...<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Amazing...<br>**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Punch!<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome--<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now's your chance!<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--No, no, no, no! Just a second,<br>&nbsp;&nbsp;&nbsp;&nbsp;just a second, just a--<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Off you go!<br>&nbsp;&nbsp;&nbsp;&nbsp;--No, no, no, no! Just a second,<br>&nbsp;&nbsp;&nbsp;&nbsp;just a second, just a--<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, what the hell...<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, how am I supposed to land?!<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...th-thank you... Although it was also<br>&nbsp;&nbsp;&nbsp;&nbsp;because of you that I had that close call.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No good. It's like there's a power<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't quite understand<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that keeps coming in from the outside,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I can't cancel it all.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It worked for a second where I did touch her<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but went back again right after.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do we do?<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's someone else who's trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to turn her back to normal... apparently.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who it is, though.<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But until she can shut down<br>&nbsp;&nbsp;&nbsp;&nbsp;this power at the source,<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all we can do is slow *her* down.<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what this person was saying,<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;having me near her is supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep her transformation under control.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, looks like things are still changing.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well,<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I meant slow her down, not stop her--<br>&nbsp;&nbsp;&nbsp;&nbsp;--What is it she's trying to do--<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sogiita!<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was pathetic. I let my guard down.<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're all right? If you're unhurt after *that*,<br>
&nbsp;&nbsp;&nbsp;&nbsp;then just how strong are you...?<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I'm gonna have<br>&nbsp;&nbsp;&nbsp;&nbsp;to put some more guts into this.<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What Kihara Gensei is after--<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what made that puppet try<br>&nbsp;&nbsp;&nbsp;&nbsp;to capture me, rather than kill me--<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has to be some new information<br>&nbsp;&nbsp;&nbsp;&nbsp;that's come up that he wants from me.<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And more than likely,<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's the limiter release code for Exterior.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is her camera?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There it is!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the data in the Bank is correct,<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku's puppets do not<br>&nbsp;&nbsp;&nbsp;&nbsp;have any kind of sight organs.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She senses her surroundings...<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...using echolocation, the way a bat does.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her sensitivity is sharp enough<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to pick up even a heartbeat<br>&nbsp;&nbsp;&nbsp;&nbsp;within a few dozen meters.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The camera is ultimately<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing more than an auxiliary.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which calls for...<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the portable anti-eavesdropping<br>&nbsp;&nbsp;&nbsp;&nbsp;devices I have for security.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have now deprived Kozaku of both<br>&nbsp;&nbsp;&nbsp;&nbsp;her eyes and ears, at least momentarily.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And during that time...<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good heavens,<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho really is the cautious sort.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She hasn't left anything here on<br>&nbsp;&nbsp;&nbsp;&nbsp;how to unlock the limiter on Exterior.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a wild goose chase this is.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, it's just as I thought.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be able to accurately control<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka in that condition,<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he must need more<br>&nbsp;&nbsp;&nbsp;&nbsp;than Exterior's current output.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why he has to unlock the limiter.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of the major function codes<br>&nbsp;&nbsp;&nbsp;&nbsp;for Exterior remain on external memory;<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're all implanted in my brain alone.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the key to its defense is covertness--<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not letting anyone on<br>&nbsp;&nbsp;&nbsp;&nbsp;the outside know it even exists.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I do have measures in place,<br>&nbsp;&nbsp;&nbsp;&nbsp;just in case something like this happens.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This building and the ones around it<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have a security system unlike any normal kind,<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;including having multiple stand-alone<br>&nbsp;&nbsp;&nbsp;&nbsp;traps set that only I can activate.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things would sure be easy<br>&nbsp;&nbsp;&nbsp;&nbsp;if he just goes to sleep.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Multiskill. I don't have 10,000 others<br>&nbsp;&nbsp;&nbsp;&nbsp;behind it, like Kiyama did, though.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I do have a number of<br>&nbsp;&nbsp;&nbsp;&nbsp;interesting people that I've kidnapped--<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, secured--and borrowed their powers.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you didn't anticipate me doing so.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rats.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is one despicable old man.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this isn't over yet.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If sleeping gas won't work, then...<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No soap.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mind if I ask you something?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I recall,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you concluded that the only esper<br>&nbsp;&nbsp;&nbsp;&nbsp;who had what it takes to reach Level 6<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the first-ranked, wasn't it?<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, at present, he is the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;who can achieve a stable Level 6.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stable?<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, the state Misaka is in<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is making her power run out of control<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to steamroll her into approaching Level 6.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she keeps going like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;then theoretically,<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when she reaches 53 percent completion,<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her mind will transform into<br>&nbsp;&nbsp;&nbsp;&nbsp;an other-dimensional entity.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, after that,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll need the limiter unlock code<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep her enmeshed in our world. And then...<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the moment she reaches<br>&nbsp;&nbsp;&nbsp;&nbsp;100 percent and Level 6,<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her mind and body will<br>&nbsp;&nbsp;&nbsp;&nbsp;both be strained to the limit,<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the way I see it,<br>&nbsp;&nbsp;&nbsp;&nbsp;she will come apart as an individual.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka cannot attain a stable Level 6.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the cost of losing everything, for a moment--<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even shorter than the blink of an eye,<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she will be permitted a glimpse<br>&nbsp;&nbsp;&nbsp;&nbsp;of the realm of gods. As a result,<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she will either wither away like<br>&nbsp;&nbsp;&nbsp;&nbsp;an ill-defined white dwarf star, or...<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...she will burst like a supernova,<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with enough force to open<br>&nbsp;&nbsp;&nbsp;&nbsp;a doorway to a new world.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And whatever the outcome,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is certain is that something will happen<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that will be big enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to wipe this city off the map.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Academy City gets blown away,<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be caught in the middle of it, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you even realize what you're saying?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, get caught in the middle of it?<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The advancement of science requires sacrifice.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is why I hate dealing<br>&nbsp;&nbsp;&nbsp;&nbsp;with people who are short on sanity.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making use of this "clairvoyance"<br>&nbsp;&nbsp;&nbsp;&nbsp;business is surprisingly inconvenient.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may be able to filter out the obstacles,<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I can't narrow down<br>&nbsp;&nbsp;&nbsp;&nbsp;the range and direction just right,<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get a line on my target.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's eaten up a whole<br>&nbsp;&nbsp;&nbsp;&nbsp;lot of my time as a result.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now,<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if I were to use<br>&nbsp;&nbsp;&nbsp;&nbsp;Mental Out to read your memories,<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could just use the same ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to block my intrusion into your brain.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if I drive you into a state<br>&nbsp;&nbsp;&nbsp;&nbsp;where you can't use your ability,<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;such as inflicting an intolerable<br>&nbsp;&nbsp;&nbsp;&nbsp;level of pain, or knocking you out,<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be possible to get though.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My breath... the air...!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho, you're a delicate one,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm hoping you'll give in quickly.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Misaka must be coming along, as well.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Whoo! I had anticipated<br>&nbsp;&nbsp;&nbsp;&nbsp;some interference from Kamijo,<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I wouldn't have dreamed<br>&nbsp;&nbsp;&nbsp;&nbsp;that Sogiita would join in, as well!<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In addition to the stimulus of Imagine Breaker,<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I now have the extraordinary power<br>&nbsp;&nbsp;&nbsp;&nbsp;of the seventh-ranked!<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a sight to behold as exceptional<br>&nbsp;&nbsp;&nbsp;&nbsp;as dividing the universe by zero!<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Misaka were to be multiplied by<br>&nbsp;&nbsp;&nbsp;&nbsp;the both of them, how great would that be?!<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't stick around here! I have<br>&nbsp;&nbsp;&nbsp;&nbsp;to rally all of the analytical espers<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the equipment I have on hand to observe--<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, no!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is he, an idiot?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, from what<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard of the idiot's commentary,<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as I can keep<br>&nbsp;&nbsp;&nbsp;&nbsp;the limiter unlock code safe,<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then Academy City will be saved,<br>&nbsp;&nbsp;&nbsp;&nbsp;with Miss Misaka being the only casualty.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't forget you for at least a week.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if that's what happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's nothing I can do about it.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt he's going to<br>&nbsp;&nbsp;&nbsp;&nbsp;let me off that easily, though.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief, if Mental Out were<br>&nbsp;&nbsp;&nbsp;&nbsp;his only ability, I could deal with him.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I supposed to do with an<br>&nbsp;&nbsp;&nbsp;&nbsp;old coot who cheats by using Multiskill?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My own private system can<br>&nbsp;&nbsp;&nbsp;&nbsp;only buy me time at this point.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Graviton panels...?<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#12 Exterior"<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I was wrong.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is taking too<br>&nbsp;&nbsp;&nbsp;&nbsp;much time to search blindly.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need some kind of lead.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found her!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This person is Kozaku, right?<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten located the suspect on video.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forwarding you the information.<br>&nbsp;&nbsp;&nbsp;&nbsp;The timestamp is three minutes ago.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She hasn't shown up<br>&nbsp;&nbsp;&nbsp;&nbsp;on any other surveillance cameras,<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can determine<br>&nbsp;&nbsp;&nbsp;&nbsp;which building she is hiding in!<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On my way!<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's coming straight this way?<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, the surveillance cameras!<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are those guys only covering their own tracks?!<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are sure that she has not<br>&nbsp;&nbsp;&nbsp;&nbsp;shown up on any other cameras, right?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. She hasn't shown up anywhere.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she were trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to move to a different building,<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she would be sure to show up<br>&nbsp;&nbsp;&nbsp;&nbsp;on surveillance cameras.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In there...<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, fix all of the nearby movable<br>&nbsp;&nbsp;&nbsp;&nbsp;cameras on the target building!<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the rate she's going,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's sure to catch her, huh?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Please focus.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The computer detects anything<br>&nbsp;&nbsp;&nbsp;&nbsp;that moves and lets us know, right?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it? Did you find something?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, be quiet!<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, there she is!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sewer pipe?!<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, the puppet is<br>&nbsp;&nbsp;&nbsp;&nbsp;heading your way at incredible speed!<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no question, then?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she having her puppet destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;the surveillance cameras?<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;True, we cannot have<br>&nbsp;&nbsp;&nbsp;&nbsp;her knocking the cameras out<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and getting away in a blind spot.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, all of the directional cameras<br>&nbsp;&nbsp;&nbsp;&nbsp;in the area are trained on this building.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She would need a lot of time to take out<br>&nbsp;&nbsp;&nbsp;&nbsp;enough of them to secure a blind spot.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to end this before that happens.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku's objective is not the<br>&nbsp;&nbsp;&nbsp;&nbsp;camera network, but eliminating me?<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could not ask for more!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will take advantage of her impatience...<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and run her down even farther!<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I know her ability<br>&nbsp;&nbsp;&nbsp;&nbsp;and how to counter it,<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the threat her puppet poses is...<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Miss Shirai? Did something--<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I messed up.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I caught a bit of her counteroffensive.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you all right?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not a big deal.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She only grazed my side,<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the one on my arm went a lot deeper.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here my wounds from earlier<br>&nbsp;&nbsp;&nbsp;&nbsp;had finally started to heal, too!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm supposed to be saving<br>&nbsp;&nbsp;&nbsp;&nbsp;this body for when I get married!<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still,<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;now I am certain.<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku really is here. Moreover...<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...she is on the upper floors.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The attack I just took found me,<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;despite my anti-listening<br>&nbsp;&nbsp;&nbsp;&nbsp;devices still being operational.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that Kozaku herself saw me.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Further, the attack came all in one line.<br>&nbsp;&nbsp;&nbsp;&nbsp;She was trying to catch me linearly.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is likely that since<br>&nbsp;&nbsp;&nbsp;&nbsp;she was watching from above,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she could not determine my precise location<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and had no choice but to split her attacks.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I come at her from below,<br>&nbsp;&nbsp;&nbsp;&nbsp;she has nowhere to run.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is only a matter of time<br>&nbsp;&nbsp;&nbsp;&nbsp;before I catch her in person.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, something has felt slightly out of place.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like there is something<br>&nbsp;&nbsp;&nbsp;&nbsp;that I have overlooked...<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Shokuho!<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...forgive me for getting so excited earlier.<br>&nbsp;&nbsp;&nbsp;&nbsp;I should act my age.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of my shortcomings is that<br>&nbsp;&nbsp;&nbsp;&nbsp;when I see something I'm not expecting,<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tend to become blinded to<br>&nbsp;&nbsp;&nbsp;&nbsp;everything else around me, you see.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've nearly died because of it, many times.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why couldn't you have<br>&nbsp;&nbsp;&nbsp;&nbsp;just died and be done with it?<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is unexpected.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having you standing there, waiting for me?<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was certain you'd be running away.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt I could get away from you,<br>&nbsp;&nbsp;&nbsp;&nbsp;with your clairvoyance.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you catch me outside the building,<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be completely exposed,<br>&nbsp;&nbsp;&nbsp;&nbsp;without any of my security.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I came to make a deal.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of deal?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you what the limiter unlock code is,<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'll let me go.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho...?<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After thinking about it, it doesn't matter<br>&nbsp;&nbsp;&nbsp;&nbsp;to me what happens to Miss Misaka.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if Academy City is<br>&nbsp;&nbsp;&nbsp;&nbsp;getting blown off the map,<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to get out of here first.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was waiting here because<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want to run around for nothing,<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and use up all the time I have to get away.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, that makes sense.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good, almost there...<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's nothing in<br>&nbsp;&nbsp;&nbsp;&nbsp;that deal for me, is there?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Mental Out doesn't work on you.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if it weren't for my ability,<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd just be an ordinary adorable<br>&nbsp;&nbsp;&nbsp;&nbsp;knockout beauty with a smoking figure.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or do you have a thing<br>&nbsp;&nbsp;&nbsp;&nbsp;for hurting delicate girls like me?<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Four more steps...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Not a shriveled-up old man like yourself, right?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Three more steps...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Not a shriveled-up old man like yourself, right?<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two more steps...<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ultra-high-power-oscillator-embedded<br>&nbsp;&nbsp;&nbsp;&nbsp;trap, the "Hag's Hug."<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you step on it, you're finished.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vibrations that shoot up through the foot<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reverberate and become amplified<br>&nbsp;&nbsp;&nbsp;&nbsp;as they move throughout the body,<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;converging up at your head!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only does it destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;your ears' semicircular canals,<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it gives your brain a good shake!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more st--<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be sure, if I get my hands<br>&nbsp;&nbsp;&nbsp;&nbsp;on the limiter unlock code,<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't have any need for you anymore.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there is one thing that concerns me.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been staring<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty intensely at this spot.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something here?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew...!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, as if.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a decoy!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real trap was<br>&nbsp;&nbsp;&nbsp;&nbsp;under your feet the whole time!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Graviton panels.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, they are here<br>&nbsp;&nbsp;&nbsp;&nbsp;to create my own private shortcut,<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but today, I had them impersonating<br>&nbsp;&nbsp;&nbsp;&nbsp;the floor from the get-go.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you'll be stuck in between there...<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are his feet exploding?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, he's compressing the air<br>&nbsp;&nbsp;&nbsp;&nbsp;under his feet into footholds.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earlier, when he tried to choke me<br>&nbsp;&nbsp;&nbsp;&nbsp;and turned aside those flames...<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has the Aero Shooter ability, all right!<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't possibly spend any more time on you.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't get away from me.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'm going to...<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you like that?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've set many layers of traps.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the one I've been saving.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They compress slowly,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I had to catch you off your guard,<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but graviton panels also have this application.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The technology was developed<br>&nbsp;&nbsp;&nbsp;&nbsp;as scaffolding for construction work,<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they can also be deployed to crush<br>&nbsp;&nbsp;&nbsp;&nbsp;the spindly arms of old men, too.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With all that intense pain,<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will you be able to defend<br>&nbsp;&nbsp;&nbsp;&nbsp;against my Mental Out?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you're so mean.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, picking on a frail,<br>&nbsp;&nbsp;&nbsp;&nbsp;little old man like this!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, I'd have to *have*<br>
&nbsp;&nbsp;&nbsp;&nbsp;a wrist for you to crush it.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A p-prosthetic...?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't I tell you?<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My experiments have nearly killed me many times.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My whole body is like a trade fair<br>&nbsp;&nbsp;&nbsp;&nbsp;for replacement technology.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, I more or less predicted<br>&nbsp;&nbsp;&nbsp;&nbsp;what you were after even before this.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who is pretending<br>&nbsp;&nbsp;&nbsp;&nbsp;to run away but still has some ploy<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;displays telltale signs of what they're after.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't let those hints that they're<br>&nbsp;&nbsp;&nbsp;&nbsp;about to turn the tables go unnoticed.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is exactly why I can tell<br>&nbsp;&nbsp;&nbsp;&nbsp;just by looking at you now...<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that you have nothing up<br>&nbsp;&nbsp;&nbsp;&nbsp;your sleeve to reverse this situation.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The limiter unlock code...<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is mine.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#13 SYSTEM"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I should already be on top of<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku Mitori, but I cannot reach her.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What feels so out of place, here?<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter, I will still find her,<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever it takes.<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Shokuho is not<br>&nbsp;&nbsp;&nbsp;&nbsp;speaking in this one, is she?<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E13 - SYSTEM (Those Who Arrive at Heaven's Will in an Only Human Body)

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6ME7ZV4R/system-those-who-arrive-at-heavens-will-in-an-only-human-body)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Previously, on *A Certain Scientific Railgun T*...<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Shirai Kuroko. I am a member of Judgment,<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which works to keep the peace in Academy City.<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, Academy City is in the middle<br>&nbsp;&nbsp;&nbsp;&nbsp;of a huge event, the Daihasei Festival.<br>**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While it was going on, I was walking along<br>&nbsp;&nbsp;&nbsp;&nbsp;with my friends Uiharu and Saten<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when suddenly, we were stopped.<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Standing there was<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's third-ranked Level 5,<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgun, or Misaka Mikoto.<br>&nbsp;&nbsp;&nbsp;&nbsp;Though we both attend Tokiwadai Middle School,<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she casually called out to me<br>&nbsp;&nbsp;&nbsp;&nbsp;when we are not even acquainted.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who exactly does she think she is?!<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, later on,<br>&nbsp;&nbsp;&nbsp;&nbsp;Saten started to say something peculiar.<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She suggested that perhaps<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto and the rest of us<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were actually friends going way back.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that another Level 5<br>&nbsp;&nbsp;&nbsp;&nbsp;at Tokiwadai Middle School,<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mental Out, or Shokuho Misaki,<br>&nbsp;&nbsp;&nbsp;&nbsp;was actually controlling us.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, could there be a<br>&nbsp;&nbsp;&nbsp;&nbsp;more ridiculous hypothesis?<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, at that same moment, an incident arose<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where Uiharu and Misaka Mikoto's<br>&nbsp;&nbsp;&nbsp;&nbsp;mother were both taken hostage.<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sight of Misaka Mikoto's<br>&nbsp;&nbsp;&nbsp;&nbsp;smile at that moment,<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as though she had complete trust in me...<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is burned into my eyes,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I cannot shake it.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just thinking about it makes<br>&nbsp;&nbsp;&nbsp;&nbsp;my chest grow warmer--<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that does not matter!<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto said she<br>&nbsp;&nbsp;&nbsp;&nbsp;was going after Shokuho Misaki,<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who apparently knows something<br>&nbsp;&nbsp;&nbsp;&nbsp;about what is happening, and left.<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu and I began an investigation<br>&nbsp;&nbsp;&nbsp;&nbsp;into the hostage-taker, Kozaku Mitori.<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just then, Saten came bursting in<br>&nbsp;&nbsp;&nbsp;&nbsp;with some new information.<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She had gone off on her own<br>&nbsp;&nbsp;&nbsp;&nbsp;and snuck into a factory,<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and said she was assaulted by<br>&nbsp;&nbsp;&nbsp;&nbsp;a metal puppet controlled by Kozaku Mitori.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl really does do<br>&nbsp;&nbsp;&nbsp;&nbsp;the most reckless things!<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortunately, one of Kozaku Mitori's<br>&nbsp;&nbsp;&nbsp;&nbsp;associates, a girl named Xóchitl,<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;came to her rescue for some reason.<br>&nbsp;&nbsp;&nbsp;&nbsp;From what that girl said,<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the true target of the plan that<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku Mitori was moving forward<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was Misaka Mikoto!<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was going on here?<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at that very moment, the skies clouded over,<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lighting struck a certain building.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sight that greeted me<br>&nbsp;&nbsp;&nbsp;&nbsp;when I dashed over there<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was Kozaku Mitori's metal puppet<br>&nbsp;&nbsp;&nbsp;&nbsp;attacking Shokuho Misaki.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took the man who was there,<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;along with a girl who resembled<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto, to a safe place.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also rescued Shokuho,<br>&nbsp;&nbsp;&nbsp;&nbsp;but when I tried to ask her what was going on,<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and why Misaka Mikoto<br>&nbsp;&nbsp;&nbsp;&nbsp;and herself were involved in it,<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she instead used her ability to transmit<br>&nbsp;&nbsp;&nbsp;&nbsp;the information directly into my brain.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to it, the ringleader behind the plan<br>&nbsp;&nbsp;&nbsp;&nbsp;was a mad scientist named Kihara Gensei.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had taken control of a<br>&nbsp;&nbsp;&nbsp;&nbsp;giant facility that housed Exterior,<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which allowed him to use<br>&nbsp;&nbsp;&nbsp;&nbsp;the same ability that Shokuho has,<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and was apparently using its power<br>&nbsp;&nbsp;&nbsp;&nbsp;to propel Misaka Mikoto to Level 6.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what Shokuho says,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku Mitori was an inductor<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would lead Misaka Mikoto to reach Level 6.<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An important element in stopping<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto would be to neutralize her.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, Shokuho Misaki<br>&nbsp;&nbsp;&nbsp;&nbsp;anticipated Kihara Gensei coming to her<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to learn Exterior's limiter unlock code,<br>&nbsp;&nbsp;&nbsp;&nbsp;which only she knew,<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and set all kinds of traps to stop him.<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope that works out for her.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beyond that, there are a couple of boys outside<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are doing something<br>&nbsp;&nbsp;&nbsp;&nbsp;to cause all kinds of commotion.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they trying to stop the runaway<br>
&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto, or what *are* they doing?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I am sure that they must be<br>&nbsp;&nbsp;&nbsp;&nbsp;playing some important role, as well.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any event, what I must do is locate<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku Mitori and take her into custody.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if peril is waiting for me,<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a member of Judgment,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will save Academy City!<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who is pretending<br>&nbsp;&nbsp;&nbsp;&nbsp;to run away but still has some ploy<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;displays telltale signs of what they're after.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't let those hints that they're<br>&nbsp;&nbsp;&nbsp;&nbsp;about to turn the tables go unnoticed.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is exactly why I can tell<br>&nbsp;&nbsp;&nbsp;&nbsp;just by looking at you now...<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that you have nothing up<br>&nbsp;&nbsp;&nbsp;&nbsp;your sleeve to reverse this situation.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The limiter unlock code...<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is mine.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew, I can't wait to see this.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly will happen<br>&nbsp;&nbsp;&nbsp;&nbsp;to Academy City at that moment?<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I don't suppose<br>&nbsp;&nbsp;&nbsp;&nbsp;you will be alive that long.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not here.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not here.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not here, either.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is Kozaku Mitori?<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I destroyed her puppet's camera at the start<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and rendered her echolocation<br>&nbsp;&nbsp;&nbsp;&nbsp;unusable with my anti-listening devices.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've covered her puppet's<br>&nbsp;&nbsp;&nbsp;&nbsp;eyes and ears. And yet...<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...her puppet knew my exact location<br>&nbsp;&nbsp;&nbsp;&nbsp;and attacked me.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging from her actions,<br>&nbsp;&nbsp;&nbsp;&nbsp;I guessed that Kozaku Mitori herself<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was watching me from the upper floors.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I have looked this much<br>&nbsp;&nbsp;&nbsp;&nbsp;and still have not found her...<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be something that I have overlooked.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think Shirai's injuries<br>&nbsp;&nbsp;&nbsp;&nbsp;really aren't that bad?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going by all of our cases up to now,<br>&nbsp;&nbsp;&nbsp;&nbsp;no, she may not be all right.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, huh? We can't tell what's going on<br>&nbsp;&nbsp;&nbsp;&nbsp;without being able to see inside.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a relay camera from the festival?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one here, too. But why?<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't any competitions here.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They flew in a little while ago.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were so focused on<br>&nbsp;&nbsp;&nbsp;&nbsp;the building you didn't notice them.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill must have sent them in<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to see if there was anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who hasn't evacuated yet.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like the EM waves at<br>&nbsp;&nbsp;&nbsp;&nbsp;the heart of electrical phenomenon<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are too strong for them to get near there.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got it, Uiharu! Let's borrow those cameras!<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be able to tell what's<br>&nbsp;&nbsp;&nbsp;&nbsp;happening in the building,<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we'll be able to help out Shirai.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a great idea, coming from you!<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll start hacking--I mean,<br>&nbsp;&nbsp;&nbsp;&nbsp;accessing them right away<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and transfer command over to me...<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, when did these cameras go in there?!<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Like I said,<br>&nbsp;&nbsp;&nbsp;&nbsp;when Shirai entered the building.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai!<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is only a possibility, but...<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only did she dig up<br>&nbsp;&nbsp;&nbsp;&nbsp;who I am in this short a time,<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she also had countermeasures<br>&nbsp;&nbsp;&nbsp;&nbsp;to shut down my echolocation on hand.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, luck is still on my side.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seized control of a<br>&nbsp;&nbsp;&nbsp;&nbsp;festival relay camera being used<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to direct the evacuation<br>&nbsp;&nbsp;&nbsp;&nbsp;and succeeded in hacking it.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using it, I've gained the means<br>&nbsp;&nbsp;&nbsp;&nbsp;to control my Liquid Shadow.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even without echolocation,<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have eyes on the tactical situation.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, go ahead and search around all you like.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the last place.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those were all of the places<br>&nbsp;&nbsp;&nbsp;&nbsp;where she could hide herself.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even supposing we crossed paths,<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the motion sensor sheets I placed in<br>&nbsp;&nbsp;&nbsp;&nbsp;key locations would have picked her up.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it all for nothing?<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing what Shokuho said is true,<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then if we are to return Miss Misaka to normal,<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we must neutralize Kozaku as soon as possible.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, I...<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even assuming I have this completely wrong,<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kozaku would still not be so<br>&nbsp;&nbsp;&nbsp;&nbsp;relentless in coming after me. In fact...<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...she would be concealing<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that she is not here.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is time to calmly reassess the facts.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she is not lying in wait here,<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then where exactly is she?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The surveillance cameras caught Kozaku<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;going onto the street in front of the building.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meanwhile, there has been no<br>&nbsp;&nbsp;&nbsp;&nbsp;sight of Kozaku on the cameras since.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the only building<br>&nbsp;&nbsp;&nbsp;&nbsp;in which she could be hiding.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only... "building"...<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't work!<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell exactly where you are!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll drive her into a corner such<br>&nbsp;&nbsp;&nbsp;&nbsp;that she'll have no choice but to teleport!<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible that she<br>&nbsp;&nbsp;&nbsp;&nbsp;could jump to another floor,<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as long as she doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;know exactly where I am,<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she's going to want to jump into<br>&nbsp;&nbsp;&nbsp;&nbsp;a safe space that she can see.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When she uses her<br>&nbsp;&nbsp;&nbsp;&nbsp;ability consecutively like this,<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've identified that it creates a brief lag.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can predict where she's moving to<br>&nbsp;&nbsp;&nbsp;&nbsp;and catch her at that instant...<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There!<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I get her?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that,<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you hadn't interfered,<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have killed you.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, if Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;is about to be destroyed,<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would have met<br>&nbsp;&nbsp;&nbsp;&nbsp;the same fate later than sooner.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just going on ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;before the rest of us.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There it is!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sogiita!<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's working!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure this will...<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho, we're already at the unlock stage, are we?<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;a single moment to spare.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inputting the limiter unlock code<br>&nbsp;&nbsp;&nbsp;&nbsp;I got from Shokuho into Exterior...<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Input complete.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The city may be wiped out<br>&nbsp;&nbsp;&nbsp;&nbsp;once Mikoto reaches Level 6,<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I have to make sure that you,<br>&nbsp;&nbsp;&nbsp;&nbsp;at least, get blown away!<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can apologize to *her* in<br>
&nbsp;&nbsp;&nbsp;&nbsp;the next life! Go ahead and pop!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#13 SYSTEM<br>&nbsp;&nbsp;&nbsp;&nbsp;(Those Who Arrive at Heaven's Will<br>&nbsp;&nbsp;&nbsp;&nbsp;in an Only Human Body)"<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found you!<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you were in the sewers after all.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, you were seen on<br>&nbsp;&nbsp;&nbsp;&nbsp;the street in front of the building,<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you were not inside.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I knew that you must have gone in here.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How are you alive?<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you're still here on the camera...!<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A composite?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From that moment on?<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible! There are tens<br>&nbsp;&nbsp;&nbsp;&nbsp;of thousands of relay cameras!<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying you singled out<br>&nbsp;&nbsp;&nbsp;&nbsp;the one under my control and took it over?!<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have the best partner, who can do just that.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is nowhere left for you to run.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Liquid Shadow is still aboveground.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not enough time<br>&nbsp;&nbsp;&nbsp;&nbsp;to call it back here! But...!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is so dark. I have to get closer,<br>&nbsp;&nbsp;&nbsp;&nbsp;or I cannot precisely judge the distance!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hiding myself wasn't the only reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why I fled into the sewer.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was to be ready, in the off-chance<br>&nbsp;&nbsp;&nbsp;&nbsp;that you caught up with me!<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aboveground, you can jump<br>&nbsp;&nbsp;&nbsp;&nbsp;around just about anywhere,<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but down here, your movements<br>&nbsp;&nbsp;&nbsp;&nbsp;are limited to one straight line!<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you teleport away to avoid my first knife,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my second knife will get you<br>&nbsp;&nbsp;&nbsp;&nbsp;wherever you jump to!<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forward? To the side? Up?<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter where you run...<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I will take you down that instant!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She didn't teleport?!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I'm too slow--<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dolly...<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see... making me think...<br>&nbsp;&nbsp;&nbsp;&nbsp;that you had no further plan remaining...<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...was itself your plan, then...<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess...<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you win this round...<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Graviton panels... What if I used<br>&nbsp;&nbsp;&nbsp;&nbsp;these to create a pitfall trap?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe use them to capture Gensei directly?<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, would these really<br>&nbsp;&nbsp;&nbsp;&nbsp;be enough to snare Gensei? No,<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it could prove difficult to one-up<br>&nbsp;&nbsp;&nbsp;&nbsp;that old coot with trickery.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not when he's taken over Exterior.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, maybe I don't need it anymore.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've thought this for a while,<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in return for the trouble of keeping<br>&nbsp;&nbsp;&nbsp;&nbsp;this hidden, and the cost of its upkeep,<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not to mention having it taken over,<br>&nbsp;&nbsp;&nbsp;&nbsp;like right now, just for a boost in ability...<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...has more going against it<br>&nbsp;&nbsp;&nbsp;&nbsp;than for it, doesn't it? Besides,<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a disturbance as big as this one,<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;other organizations will find out about it.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, how am I supposed to decommission it?<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's designed to withstand<br>&nbsp;&nbsp;&nbsp;&nbsp;five times the seismic force<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the greatest earthquake ever recorded.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More immediately,<br>&nbsp;&nbsp;&nbsp;&nbsp;if I don't go about it just right,<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;any damage to the giant brain could<br>&nbsp;&nbsp;&nbsp;&nbsp;bounce back onto the Mental Out user,<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving them crippled.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To circumvent that damage,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have to input the self-destruct code.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Gensei currently has<br>&nbsp;&nbsp;&nbsp;&nbsp;the access privileges to Exterior.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm going to steal those privileges back,<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to undo his Level Upper first.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I could do that,<br>&nbsp;&nbsp;&nbsp;&nbsp;this would be all too easy.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if, instead, I could manipulate Gensei<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into entering the self-destruct code himself...<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I've got the cart before the horse again.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do it!<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still... the risk is more than a little bit high.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he sees through it,<br>&nbsp;&nbsp;&nbsp;&nbsp;then naturally, it's game over.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even if it does work,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I'm no longer of any use to him,<br>&nbsp;&nbsp;&nbsp;&nbsp;he might dispose of me first.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter to me<br>&nbsp;&nbsp;&nbsp;&nbsp;what happens to Miss Misaka...<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but there's no guarantee that the virus<br>&nbsp;&nbsp;&nbsp;&nbsp;that was injected into the Sisters<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can be treated by the research facilities.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in order to understand<br>&nbsp;&nbsp;&nbsp;&nbsp;the virus's configuration,<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have to take a peek inside Gensei's head.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, if I miss this chance<br>&nbsp;&nbsp;&nbsp;&nbsp;to catch Gensei, I won't get another.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a gamble...<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even after pursuing victory<br>&nbsp;&nbsp;&nbsp;&nbsp;to the very last second,<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to wager that I'll lose, then?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After swapping my own recognition<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of which is the limiter unlock code<br>&nbsp;&nbsp;&nbsp;&nbsp;and which is the self-destruct code,<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to erase all memory of doing so.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it looks like you up and entered<br>&nbsp;&nbsp;&nbsp;&nbsp;the self-destruct code into Exterior, huh?<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to me, I guess you might say...<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't remember doing it, though.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she... changing?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean what's-her-name<br>&nbsp;&nbsp;&nbsp;&nbsp;shut off the power at the source?<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was I...?<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... is that...?<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Stop! Please!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't stop!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening?!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...hold it back...!<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This...<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...isn't over yet, apparently.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zapper has gotten all screwy,<br>&nbsp;&nbsp;&nbsp;&nbsp;but what exactly can I do to help her?<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#14 Dragon Strike<br>&nbsp;&nbsp;&nbsp;&nbsp;(Jaw of the Dragon King)"<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Dragon Strike."<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got some guts,<br>&nbsp;&nbsp;&nbsp;&nbsp;doing that preview over on this show!<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Was that out of line?<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E14 - Dragon Strike (Jaw of the Dragon King)

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6KEGDK16/dragon-strike-jaw-of-the-dragon-king)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While you're still alive,<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be taking the data on<br>&nbsp;&nbsp;&nbsp;&nbsp;that virus you injected the girl with.<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right... That girl...<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not have nearly enough<br>&nbsp;&nbsp;&nbsp;&nbsp;strength left to teleport her away right now.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see no choice but to contact Uiharu<br>&nbsp;&nbsp;&nbsp;&nbsp;and request someone to pick her up.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how Miss Misaka is doing.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sogiita? You can still move?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem. If I put my guts into it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can stop my bleeding<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and get my bones to stick together.<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind me,<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were about to charge in there, weren't you?<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something different about her now.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe whatever the girl who put<br>&nbsp;&nbsp;&nbsp;&nbsp;this data inside my head was planning<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;worked out all right.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure? I can't tell either way.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, it doesn't look like<br>&nbsp;&nbsp;&nbsp;&nbsp;she can control all that power.<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why...<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what your right hand is made of,<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that all over there is a whole lot<br>&nbsp;&nbsp;&nbsp;&nbsp;more trouble than it was a moment ago.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It felt more like it was a<br>&nbsp;&nbsp;&nbsp;&nbsp;mass of compressed energy earlier,<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that looks like something<br>&nbsp;&nbsp;&nbsp;&nbsp;from another world now,<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something literally beyond our understanding.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me deal with this.<br>&nbsp;&nbsp;&nbsp;&nbsp;I may be able to risk my neck<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to do a self-destruct move that will smother it.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said earlier, I know her.<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to be the one who does this for her.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may not be strong enough, like you say,<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I don't really have<br>&nbsp;&nbsp;&nbsp;&nbsp;a handle on this situation,<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can't say for sure that this is<br>&nbsp;&nbsp;&nbsp;&nbsp;the best move. But ultimately, I mean...<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just have to make up<br>&nbsp;&nbsp;&nbsp;&nbsp;for whatever I'm lacking with guts.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I right?<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are a fascinating one, huh?<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's that, then.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go lay some smack down!<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A path...!<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Behave...<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...your damn self!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? This isn't my ability!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be...<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. If this gets unleashed, it will do<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot more than blow Academy City away!<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I can let that happen!<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can compress it down to a size<br>&nbsp;&nbsp;&nbsp;&nbsp;I can cover up with my body,<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then blow it up while<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm holding it, then maybe...<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Him? Don't tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;he's thinking of stopping this!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! This isn't my ability!<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is something my mind<br>&nbsp;&nbsp;&nbsp;&nbsp;conjured up that wants to smash up...<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and wipe away everything<br>&nbsp;&nbsp;&nbsp;&nbsp;bad about Academy City!<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So let *me*--<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that there are some really<br>&nbsp;&nbsp;&nbsp;&nbsp;lousy facets to Academy City, too.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also know that there are elites<br>&nbsp;&nbsp;&nbsp;&nbsp;controlling things behind the scenes<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who you and I can't touch.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to try to purge those things by force...?<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even supposing you succeed,<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think the world<br>&nbsp;&nbsp;&nbsp;&nbsp;will end up the way you want it.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can probably think of others besides me<br>&nbsp;&nbsp;&nbsp;&nbsp;who are trying to help you, right?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just have to change things<br>&nbsp;&nbsp;&nbsp;&nbsp;a little at a time with them.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'll help you, too, of course.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But your arm! You need a hospital!<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It works like normal.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the deal with your body?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that was quite a show.<br>&nbsp;&nbsp;&nbsp;&nbsp;I never expected dragons to appear.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome guts!<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take you on sometime.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand...<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with that metal?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that there before?<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#14 Dragon Strike<br>&nbsp;&nbsp;&nbsp;&nbsp;(Jaw of the Dragon King)"<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, she's all right, then?<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, more or less.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not long after she was brought in here,<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the data on the virus she<br>&nbsp;&nbsp;&nbsp;&nbsp;was injected with was sent here.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was able to synthesize a vaccine.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be a few days<br>&nbsp;&nbsp;&nbsp;&nbsp;before she completely recovers,<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she should be as good as new.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um,<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe one of my friends from Tokiwadai<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was brought to this hospital earlier today.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, so your sister is in good health?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am most pleased to hear that.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm sorry!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For dragging you into all this,<br>&nbsp;&nbsp;&nbsp;&nbsp;and even getting you hurt...<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply saying I'm sorry isn't enough...<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I should be the one apologizing<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for boasting that I would bring<br>&nbsp;&nbsp;&nbsp;&nbsp;your sister back, and ending up like this.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am pretty pathetic.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it could have been so much worse...<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that is true.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However,<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if that had happened, I can assure you<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I would not have<br>&nbsp;&nbsp;&nbsp;&nbsp;regretted any of my own actions.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo...<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am still not a very seasoned person,<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I cannot afford to lay down<br>&nbsp;&nbsp;&nbsp;&nbsp;my life for just anyone.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was because it was my desire<br>&nbsp;&nbsp;&nbsp;&nbsp;to relieve you of your anguish<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I can consider it as such.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know the expression<br>&nbsp;&nbsp;&nbsp;&nbsp;"Peaches and plums their own paths create"?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though peach and plum blossoms say nothing,<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;trails spontaneously form beneath them.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Likewise, men of virtue may not say much,<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but people naturally beat a path to them.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what the expression means.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot say yet that I fully<br>&nbsp;&nbsp;&nbsp;&nbsp;appreciate its true meaning,<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but by looking up to your character,<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do think that I have become someone<br>&nbsp;&nbsp;&nbsp;&nbsp;more compassionate towards others.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not all that great a person.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is something<br>&nbsp;&nbsp;&nbsp;&nbsp;for those around you to decide.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, on the other hand, you tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to play yourself off as someone great,<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would be meaningless<br>&nbsp;&nbsp;&nbsp;&nbsp;if those around you did not agree.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have been all alone, going nowhere,<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to do just that, so...<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not true!<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo, to me, and to Miss Wannai<br>&nbsp;&nbsp;&nbsp;&nbsp;and Miss Awatsuki, you've been, um...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Wannai and Miss Awatsuki?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you bringing those two up right now?<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens, the ones who saved you were...<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those two did that for me?<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What do I do, Miss Misaka?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should feel inconsolable for<br>&nbsp;&nbsp;&nbsp;&nbsp;getting those two mixed up in fisticuffs,<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet, I...<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...cannot help but feel happy about it...<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Visiting hours are now over, so...<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be back again tomorrow, Miss Kongo.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...am truly glad to be a student at Tokiwadai.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka, would you like to watch<br>&nbsp;&nbsp;&nbsp;&nbsp;the fireworks at that spot again tonight?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu and Shirai and I will<br>&nbsp;&nbsp;&nbsp;&nbsp;be coming too. Let's go together!"<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Judgment girl isn't here...<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Handcuffs? These are<br>&nbsp;&nbsp;&nbsp;&nbsp;meaningless with my ability...<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why bother?<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm still alive, it means that<br>&nbsp;&nbsp;&nbsp;&nbsp;the project must have failed.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could just stay here and be rat food...<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho Misaki...?<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka!<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here! Over here!<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've had a long day!<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this, Misaka!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu is having another crazy concoction!<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Strawberry *monja* is not a crazy concoction!<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could at least call it quirky!<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is the same thing either way.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, you'll eat anything<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as it has strawberries.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true!<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, everyone.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say something?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, would you like a bite?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, no thanks.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko and the others' memories of me<br>&nbsp;&nbsp;&nbsp;&nbsp;that were erased had been put back.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On top of which, the events that happened today<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had been altered to make it<br>&nbsp;&nbsp;&nbsp;&nbsp;harder for contradictions to arise<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and were made out to be the capture of<br>&nbsp;&nbsp;&nbsp;&nbsp;a terrorist threatening the festival.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, my boycott of the<br>&nbsp;&nbsp;&nbsp;&nbsp;competition had been rewritten, as well,<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that was not done by Shokuho<br>&nbsp;&nbsp;&nbsp;&nbsp;out of consideration for me,<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but probably because she herself didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;want word of Exterior to be made public.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonetheless, it's an undeniable fact<br>&nbsp;&nbsp;&nbsp;&nbsp;that her virus was eliminated<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a result of Shokuho's help,<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and while I thought she was a despicable<br>
&nbsp;&nbsp;&nbsp;&nbsp;person--actually, I *still* think that--<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if she has her own brand<br>&nbsp;&nbsp;&nbsp;&nbsp;of justice and convictions,<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then someday, we may be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to meet each other halfway.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I think.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to think of it, Misaka,<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is your stomach doing all right?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's that?<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got sick from some of the<br>&nbsp;&nbsp;&nbsp;&nbsp;street stall food and upset your stomach.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were stuck in the bathroom all day<br>&nbsp;&nbsp;&nbsp;&nbsp;and couldn't come out, right?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You intimidated the Shokuho clique<br>&nbsp;&nbsp;&nbsp;&nbsp;when they came to get you,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;confining yourself to the restroom.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? The restroom?<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you're prepared<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill me to stop me, then move.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole school is abuzz with talk of<br>&nbsp;&nbsp;&nbsp;&nbsp;just how urgent things were for you.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. I'll kill you, Shokuho Misaki.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival: Day Three"<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so dizzy, my ability won't work...<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, you're first!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh-heh, bat-handling skills<br>&nbsp;&nbsp;&nbsp;&nbsp;are right up my alley...<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival: Day Five"<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're light...<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival: Day Seven"<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Gods of Wind and Thunder combo...<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is back in action!<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival is just about over.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like it's been so long,<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet so short.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ended up not getting<br>&nbsp;&nbsp;&nbsp;&nbsp;to compete in a single event.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had not gotten hurt on the second day,<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have at least competed<br>&nbsp;&nbsp;&nbsp;&nbsp;with Sissy on the last day.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice was there?<br>&nbsp;&nbsp;&nbsp;&nbsp;You sacrificed your body to stop a terrorist.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should consider them scars of honor.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose that is true.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I think about the events of that day,<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it feels like there is something<br>&nbsp;&nbsp;&nbsp;&nbsp;important that I am forgetting.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, too, Miss Shirai?<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens, I feel the same.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm going to go buy us some drinks.<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you all like?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure?<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, to celebrate<br>&nbsp;&nbsp;&nbsp;&nbsp;a well-fought Daihasei Festival.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll take a Coconut Cider.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Habanero Pineapple for me.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One Watermelon Tea, please.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, give me a minute!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at that! They're holding a folk dance!<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That looks like fun.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to bust out some dance moves, myself.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though I don't have anyone else to dance with.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same over here.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only I were in tip-top shape,<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy and I could be--<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Miss Saten?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Kamijo.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never got to properly thank you<br>&nbsp;&nbsp;&nbsp;&nbsp;for the scavenger hunt.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that right?<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me treat you to something,<br>&nbsp;&nbsp;&nbsp;&nbsp;if you'd like. Nothing expensive, though.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, that's much too thoughtful of you.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for waiting!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh?!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are you doing here?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you know Miss Saten?!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She lent me her good-luck charm.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Good-luck charm? What do you mean?<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I needed a good-luck charm for<br>&nbsp;&nbsp;&nbsp;&nbsp;my scavenger hunt, and she lent me hers.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the scavenger hunt... S-Sure, okay...<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah, she really saved my neck.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Kamijo...<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This might sound funny,<br>&nbsp;&nbsp;&nbsp;&nbsp;but in return for the good-luck charm...<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...would you like to go to the folk dance?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine with me, but is that really all you want?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but would you mind going on ahead?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to wet my whistle first.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now...<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, the effects of the obstacle<br>&nbsp;&nbsp;&nbsp;&nbsp;course just caught up to me!<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, are you all right?<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I think I might have twisted my ankle!<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It hurts!<br>&nbsp;&nbsp;&nbsp;&nbsp;--No, Sissy, this is a trap--<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, it's going to be hard doing<br>&nbsp;&nbsp;&nbsp;&nbsp;any strenuous activity like this.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I know! Misaka, would you dance in my place?<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why me? B-Besides,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, you're the dancer here...<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. I didn't say<br>&nbsp;&nbsp;&nbsp;&nbsp;anything about dancing "with me."<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-B-But this is all so sudden...<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not ready... Maybe next time...<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but you *do* wanna dance, don'tchu?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, I do...<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka?<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, what are we...?<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, she's so stiff, huh?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No interrupting them.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see, when the right hand<br>&nbsp;&nbsp;&nbsp;&nbsp;goes up, what comes next?<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You went and saved me, again.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I just helped a little bit<br>&nbsp;&nbsp;&nbsp;&nbsp;there at the end, though.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there were others who were<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to help you too, remember?<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had a whole lot of my friends helping me.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...really can't stand<br>&nbsp;&nbsp;&nbsp;&nbsp;the lousy way that Academy City<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sees espers as nothing but lab rats.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I did meet all of you after coming<br>&nbsp;&nbsp;&nbsp;&nbsp;to this city, and those encounters<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are something that I treasure.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So next time, I want to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the one protecting the others.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's really the least<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do to pay them back.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's all I wanted to say!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, I never knew. To you,<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;meeting me has been<br>&nbsp;&nbsp;&nbsp;&nbsp;something you treasured, huh?<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I mean, the way you said it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it includes me, too, right?<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say, huh?<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Miss Misaka?<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your cue...<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your time is up!!<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, she jumped.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She lasted a good while, there, too.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#15 Promise"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The best thing to do to<br>&nbsp;&nbsp;&nbsp;&nbsp;make your way in Academy City<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to suck up to the researchers here.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I wasn't counting on having<br>&nbsp;&nbsp;&nbsp;&nbsp;that girl forced on me as a result."<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, who said you could read<br>&nbsp;&nbsp;&nbsp;&nbsp;my mind without asking?!<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E15 - Promise

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRVD09MQR/promise)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best thing to do to make<br>&nbsp;&nbsp;&nbsp;&nbsp;your way in Academy City<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to suck up to the researchers here.<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your rating has gone up since last time.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow? Really? I'm so happy!<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because of all of you!<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Effort pays off" is a lie.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like the school you attend<br>&nbsp;&nbsp;&nbsp;&nbsp;influences your employment prospects,<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the research facility you're associated<br>&nbsp;&nbsp;&nbsp;&nbsp;with determines your future.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I got really good at the forced<br>&nbsp;&nbsp;&nbsp;&nbsp;smiles that made others like me.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Thanks for all you do!<br>&nbsp;&nbsp;&nbsp;&nbsp;--I got really good at the forced<br>&nbsp;&nbsp;&nbsp;&nbsp;smiles that made others like me.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to more again tomorrow!<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, all this acting friendly is<br>&nbsp;&nbsp;&nbsp;&nbsp;more exhausting than the experiments.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I wasn't counting on having<br>&nbsp;&nbsp;&nbsp;&nbsp;that girl forced on me as a result.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Kozaku?<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, could you come and play<br>&nbsp;&nbsp;&nbsp;&nbsp;with this girl in your free time?<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dolly has lived her whole<br>&nbsp;&nbsp;&nbsp;&nbsp;life at the facility.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stress is affecting her observational data.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she had someone to play with,<br>&nbsp;&nbsp;&nbsp;&nbsp;it should lower her stress, right?<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, if you think I will do...<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, what's your name?<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Kozaku Mitori.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll call you "Mi" then!<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So simple...<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From then on, once my experiments<br>&nbsp;&nbsp;&nbsp;&nbsp;were over, it never failed.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew, finally done for the day.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Dolly?!<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would end up being hounded like this.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my turn!<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I go!<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six! One, two, three, four, five, six.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I had two kids! My<br>&nbsp;&nbsp;&nbsp;&nbsp;congratulations, please!<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me something, Dolly,<br>&nbsp;&nbsp;&nbsp;&nbsp;why can't you go outside?<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said it was something<br>&nbsp;&nbsp;&nbsp;&nbsp;about my treatment.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Treatment?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At an ability development facility?<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say it will help my young sister.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a sister?<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never met her, though.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the treatment goes well,<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they say I'll have lots of younger sisters.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't follow.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your turn, Mi.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi, that's amazing! It's really pretty!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really. It isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;even that interesting, is it?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you go out to the ocean,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can see the real thing.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ocean? I know that one! I read it in my book!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a place with lots of water!<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, I wondered why I was stuck<br>&nbsp;&nbsp;&nbsp;&nbsp;with this simpleminded girl.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Dolly--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Mi!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so cute!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you have to hug me<br>&nbsp;&nbsp;&nbsp;&nbsp;over every little thing?<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And stop smelling me, too!<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like the smell of people.<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi, you have a warm smell.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dolly smells like chemicals.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whad are you doig dad for, Mi?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you won't do what I say.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back ad you!<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, whenever I was with her,<br>&nbsp;&nbsp;&nbsp;&nbsp;my smiles were genuine and not put on.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how it felt to me.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for everything!<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experiment ended early.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we play today?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dolly!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those devices...?<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kozaku, come with me.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have heard that she is here<br>&nbsp;&nbsp;&nbsp;&nbsp;to get treatment, right?<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She needs some life support equipment<br>&nbsp;&nbsp;&nbsp;&nbsp;to allow her to keep on living.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, go on back home.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life support equipment...<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anyone finds out,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll be more than just angry at me.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Parameter List." That's not it.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Planned Exterior construction site."<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that, either.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best thing to do to make<br>&nbsp;&nbsp;&nbsp;&nbsp;your way in Academy City<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to suck up to the researchers here.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interfering with their work<br>&nbsp;&nbsp;&nbsp;&nbsp;would be out of the question.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop medicating Dolly!<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah. I'd gotten a report that we had<br>&nbsp;&nbsp;&nbsp;&nbsp;a break-in at the data center. It was you?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, then you now know<br>&nbsp;&nbsp;&nbsp;&nbsp;what she is, don't you?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dolly is a c-clone,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she's your g-guinea pig for research<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that will help you make<br>&nbsp;&nbsp;&nbsp;&nbsp;mass-produced clones that live longer.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dosing Dolly with all kinds of drugs,<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with no regard for her health,<br>&nbsp;&nbsp;&nbsp;&nbsp;just to collect your data!<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your crazy drugs are making<br>&nbsp;&nbsp;&nbsp;&nbsp;her already short life even shorter!<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clones are just like us! They are alive!<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop the experiments!<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I say we can't?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Then I'll go public<br>&nbsp;&nbsp;&nbsp;&nbsp;with this research data!<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's going to believe<br>&nbsp;&nbsp;&nbsp;&nbsp;the wild stories of a child?<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, if I talk to<br>&nbsp;&nbsp;&nbsp;&nbsp;the governing board about it,<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll do an on-site inspection...<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't happen.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones who spearheaded these experiments<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are the governing board.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clones are just like us, are they?<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you're right.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clones and you espers are<br>&nbsp;&nbsp;&nbsp;&nbsp;both the same in Academy City--<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing more than experiment fodder.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to leave her alive?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For better or worse,<br>&nbsp;&nbsp;&nbsp;&nbsp;she does have a high dormant ability.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once Exterior is complete,<br>&nbsp;&nbsp;&nbsp;&nbsp;she is likely to come in handy.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dolly...<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was held in confinement for months--<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no, it might have been even longer than that.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then suddenly, one day,<br>&nbsp;&nbsp;&nbsp;&nbsp;the guard disappeared...<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and when I went outside...<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the research facility<br>&nbsp;&nbsp;&nbsp;&nbsp;was completely deserted.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and look down on us from on high.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you that even lab rats...<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...have fangs that can still bite into you.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But from that moment on,<br>&nbsp;&nbsp;&nbsp;&nbsp;my days were spent tormented<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by disappointment and<br>&nbsp;&nbsp;&nbsp;&nbsp;feelings of powerlessness.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My carefully-planned assassination<br>&nbsp;&nbsp;&nbsp;&nbsp;mission ended in failure.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I learned was that<br>&nbsp;&nbsp;&nbsp;&nbsp;even if there were 10,000 of me,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact remained that the<br>&nbsp;&nbsp;&nbsp;&nbsp;governing board was out of my reach.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take the mask off of her for me.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's this old geezer?<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, you have a keen look in your eye.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eyes smoldering with<br>&nbsp;&nbsp;&nbsp;&nbsp;the smoke of the embers of hatred.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me come right to the point.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How would you like the power to<br>&nbsp;&nbsp;&nbsp;&nbsp;blow away Academy City without a trace?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds too good to be true.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why me?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Dogma, perhaps?<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;High-minded ideals and rapacious ambitions<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;both unravel when a person's capacity<br>&nbsp;&nbsp;&nbsp;&nbsp;to tolerate stress is exceeded, you see.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why...<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I place no trust in resolve,<br>&nbsp;&nbsp;&nbsp;&nbsp;whether it's by nature, or by nurture.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it doesn't kick in when it's crunch time,<br>&nbsp;&nbsp;&nbsp;&nbsp;it can be a real turnoff.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, tremendous<br>&nbsp;&nbsp;&nbsp;&nbsp;hatred is unwaveringly beautiful.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One won't think twice about giving<br>&nbsp;&nbsp;&nbsp;&nbsp;their life for the sake of vengeance.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm banking on the dogma of hatred.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Judgment girl isn't here...<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Handcuffs? These are<br>&nbsp;&nbsp;&nbsp;&nbsp;meaningless with my ability...<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why bother?<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm still alive, it means<br>&nbsp;&nbsp;&nbsp;&nbsp;that the project must have failed.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could just stay here and be rat food...<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho Misaki...?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I peeked inside Gensei's memories,<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking "just maybe," and sure enough...<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were "Mi," weren't you?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering why I had to play<br>&nbsp;&nbsp;&nbsp;&nbsp;the part of the girl who abandoned Dolly,<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but maybe I should have looked<br>&nbsp;&nbsp;&nbsp;&nbsp;into it closer a lot sooner.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't be fair to Miss Shirai,<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll have you turn yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;in soon enough, but first,<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to come with me for a bit.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned something<br>&nbsp;&nbsp;&nbsp;&nbsp;when I read Gensei's memories.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dolly had a sister that was<br>&nbsp;&nbsp;&nbsp;&nbsp;created around the same time.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The purpose of Dolly's creation<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't just to establish<br>&nbsp;&nbsp;&nbsp;&nbsp;the technical skills of cloning.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was also a specimen used<br>&nbsp;&nbsp;&nbsp;&nbsp;to help create a network<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would conduct data<br>&nbsp;&nbsp;&nbsp;&nbsp;sharing between the clones.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dolly's memories and experiences were<br>&nbsp;&nbsp;&nbsp;&nbsp;all transferred into another individual,<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where they still remain.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This "younger sister" is lying asleep<br>&nbsp;&nbsp;&nbsp;&nbsp;in a certain research facility.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And while she shares her memories<br>&nbsp;&nbsp;&nbsp;&nbsp;and experiences, she is not Dolly.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, we can't just leave her there, right?<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing beats having a stronger hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I need you to come with me.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't have to explain all that to me.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could have just used<br>&nbsp;&nbsp;&nbsp;&nbsp;your ability to control me.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I *need* to control you, though?<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you didn't.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#15 Promise"<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, here's to<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai's complete recovery...<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Cheers!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Cheers!<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Congratulations, Shirai Kuroko"<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, you are making too much of it.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Congratulations"<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has been a whole week<br>&nbsp;&nbsp;&nbsp;&nbsp;since I got out of the hospital.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, with the Daihasei Festival going on,<br>&nbsp;&nbsp;&nbsp;&nbsp;we never properly celebrated.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, today's the day you stopped<br>&nbsp;&nbsp;&nbsp;&nbsp;needing your wheelchair. Here.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well whatever the occasion,<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am always happy to eat<br>&nbsp;&nbsp;&nbsp;&nbsp;anything that you prepare, Sissy.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonetheless, why are you doing it here?<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, don't be so rigid.<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, let me refill your drink, Miss Konori!<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make an exception today.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, Miss Misaka,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how has your mother been since the incident?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Mama?<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um, I think she's fine.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? That's great.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu is concerned about involving<br>&nbsp;&nbsp;&nbsp;&nbsp;your mother in that affair, Sissy.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They still have memories<br>&nbsp;&nbsp;&nbsp;&nbsp;of that incident... Then,<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how do they remember me being there, too?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Shokuho must<br>&nbsp;&nbsp;&nbsp;&nbsp;have made some revisions...<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, Uiharu, you got caught up<br>&nbsp;&nbsp;&nbsp;&nbsp;in that business, too, right?<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you got knocked out by the bad guy.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's true, but...<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a member of Judgment,<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I wasn't good for anything.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Miss Shirai came along<br>&nbsp;&nbsp;&nbsp;&nbsp;and ended things without incident,<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we'll call it all good.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wish you had informed me of<br>&nbsp;&nbsp;&nbsp;&nbsp;the incident when it happened, though.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, you are right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder why I did not contact you.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry for that, Miss Konori.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like she just erased<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that I was there at all.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, she had me stuck<br>&nbsp;&nbsp;&nbsp;&nbsp;in the bathroom with an upset stomach.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you're prepared<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill me to stop me...<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Congratulations, Shirai Kuroko"<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, let's use this party today<br>&nbsp;&nbsp;&nbsp;&nbsp;to wipe the slate clean!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saying that does not cancel out your<br>&nbsp;&nbsp;&nbsp;&nbsp;involvement with Shadow Metal, Saten.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a big deal, huh?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this, now?<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--As it happens, Miss Saten was--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Here, Uiharu! Aah...!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--There you go. Do you want some more?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good, huh? Go ahead.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hold on! Sissy made that especially for me!<br>&nbsp;&nbsp;&nbsp;&nbsp;--There you go. Do you want some more?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good, huh? Go ahead.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter, Sissy?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Oh, mm-mm, I was just thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;how nice it was to have friends.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am glad I'm not out of<br>&nbsp;&nbsp;&nbsp;&nbsp;their circle anymore, the way I was.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here. You can have this.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need it to make<br>&nbsp;&nbsp;&nbsp;&nbsp;your ability work, don't you?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what she wanted to see.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you're saying Dolly<br>&nbsp;&nbsp;&nbsp;&nbsp;recognized you as being me?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. At the time, I didn't yet have<br>&nbsp;&nbsp;&nbsp;&nbsp;the power to alter memories.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, at some point, I think she<br>&nbsp;&nbsp;&nbsp;&nbsp;figured out that I wasn't really you.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. She had some<br>&nbsp;&nbsp;&nbsp;&nbsp;surprisingly keen instincts.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, Dolly wasn't alone at the end.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the thing that's stayed<br>&nbsp;&nbsp;&nbsp;&nbsp;with me more than anything.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dolly...<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi...<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi...?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you, Mi?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've missed you.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was afraid you didn't like me anymore...<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was afraid you thought<br>&nbsp;&nbsp;&nbsp;&nbsp;I was disgusting... so...<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dummy. That's not true at all.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember this smell...<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I love your smell...<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Misaki, right?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, whoever might that be?<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaki, I know it's you.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were both together with me<br>&nbsp;&nbsp;&nbsp;&nbsp;in my dream for so long, after all.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The times we spent with you are<br>&nbsp;&nbsp;&nbsp;&nbsp;the only memories we have.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for tricking you for so long!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I didn't catch on to their lies!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for butting into<br>&nbsp;&nbsp;&nbsp;&nbsp;your memories without your knowledge!<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to have become<br>&nbsp;&nbsp;&nbsp;&nbsp;so preoccupied in a feel-good lie.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only I had looked into who "Mi" was...<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have reunited her with Dolly.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have learned what the<br>&nbsp;&nbsp;&nbsp;&nbsp;experiment was about,<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm sure Dolly wouldn't have had to die.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all my fault for wedging<br>&nbsp;&nbsp;&nbsp;&nbsp;my way in between you two!<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do anything to make up for it...<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, take me to the ocean.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, I want to ride a<br>&nbsp;&nbsp;&nbsp;&nbsp;roller coaster at an amusement park,<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and see a hippo at the zoo...<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and I also want to go on a plane.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I want to see the auroras in Finland,<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and play with the dolphins in Hawaii,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the llamas in Machu Picchu.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, that's too much.<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to go around the world?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually,<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as the three of us<br>&nbsp;&nbsp;&nbsp;&nbsp;are together, anywhere is fine.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that... too much?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, you always ignore<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever I say, and assert your own ideas.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your willfulness is through the roof.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really don't know what to do about you.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like your fever is down, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we can rest easy now.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"However, while Misaka was lying in bed,<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival concluded,"<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, bemoaning her situation.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't pout.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you out somewhere, okay?<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where would you like to go?<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ocean...<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ocean? Beach season is already over.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"For some unknown reason,<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka wants to make an exciting<br>&nbsp;&nbsp;&nbsp;&nbsp;promise with someone dear to her,"<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, having a strange sense<br>&nbsp;&nbsp;&nbsp;&nbsp;of déjà vu and feeling sentimental.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#16 Dream Ranker"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you could dream any dream you wanted,<br>&nbsp;&nbsp;&nbsp;&nbsp;what would you dream, Uiharu?<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... would dream of eating all kinds<br>&nbsp;&nbsp;&nbsp;&nbsp;of delicious food willy-nilly!<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do that all the time anyway.<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Shirai?<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would, of course--<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, on second thought, never mind.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E16 - Dream Ranker

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GR79EQN06/dream-ranker)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, that's all for today.<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;3rd-years, go on in first.<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;1st-years, you're dismissed<br>&nbsp;&nbsp;&nbsp;&nbsp;after everything is put away.<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pleasant day to you, Miss Misaka.<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh...<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is that?<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I have not properly introduced myself.<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hokaze Junko, 3rd-year.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the Shokuho clique.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think we've had a chance<br>&nbsp;&nbsp;&nbsp;&nbsp;to speak since the Daihasei Festival.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyhow, Miss Misaka,<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is something I've very<br>&nbsp;&nbsp;&nbsp;&nbsp;much been meaning to ask you.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Handy Antenna Service pair contract strap--<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure a fellow Gekoer<br>&nbsp;&nbsp;&nbsp;&nbsp;such as yourself is aware,<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it is something impossible for a<br>&nbsp;&nbsp;&nbsp;&nbsp;girl to get by herself. What will you do?<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--W-Well, I, um--<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--My, my, look at you two, getting along well.<br>&nbsp;&nbsp;&nbsp;&nbsp;--W-Well, I, um--<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you flirting with one of my girls now?<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Queen!<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying I can't make<br>&nbsp;&nbsp;&nbsp;&nbsp;small talk without your permission?<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why are you dressed like that?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you cutting class again?<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Girls have a legitimate reason<br>&nbsp;&nbsp;&nbsp;&nbsp;for getting out of phys ed.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're always doing so.<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You always find some reason or other,<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the fact is, you just can't swim, can you?<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Unless you're prepared to kill me to stop me...<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--...then move."<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wha--?<br>&nbsp;&nbsp;&nbsp;&nbsp;--...then move."<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how badly you needed to use the bathroom?<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something *you* fabricated!<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were both pretty taken aback.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of you, I had to...<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to do a lot of covering up<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep everything under wraps, you know.<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are any number of<br>&nbsp;&nbsp;&nbsp;&nbsp;other ways you could have done so!<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You should be thanking me,<br>&nbsp;&nbsp;&nbsp;&nbsp;not blaming me for what I did!<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--U-Um, there's no need<br>&nbsp;&nbsp;&nbsp;&nbsp;to get so heated about this...<br>&nbsp;&nbsp;&nbsp;&nbsp;--You should be thanking me, not blaming me for what I did!<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You keep quiet!<br>&nbsp;&nbsp;&nbsp;&nbsp;--You keep quiet!<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm so sorry!<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, if you had left well enough alone,<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--none of that would have had to happen!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Uh, I just remembered something I have to do.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh? Hey, are you running away?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--M-My Queen, just a moment...<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not done with you--<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it is after swim class,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you still have energy to spare, Misaka.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How would you like to give up<br>&nbsp;&nbsp;&nbsp;&nbsp;your lunch break to clean the pool, hmm?<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No...<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh.<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's really good at starting fights.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for earlier.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if this will make up for it,<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd like you to have this.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh...<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have become quite popular in our circle.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right...<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker, right?<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker?<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a card that lets you<br>&nbsp;&nbsp;&nbsp;&nbsp;have another person's dreams.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're homebrew cards that<br>&nbsp;&nbsp;&nbsp;&nbsp;are part of an underground craze<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in Academy City right now.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, the person putting up their dreams<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;connects to the card fabricator<br>&nbsp;&nbsp;&nbsp;&nbsp;and goes to sleep.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, the events of their dreams<br>&nbsp;&nbsp;&nbsp;&nbsp;get written onto a special card.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, whoever is receiving the dreams<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;puts the card on their<br>&nbsp;&nbsp;&nbsp;&nbsp;forehead and goes to sleep...<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bam! They're supposed to be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to have the exact same dream!<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It reacts with your brainwaves<br>&nbsp;&nbsp;&nbsp;&nbsp;while you're sleeping<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and emits a faint electric signal.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are integrated aromas formulated<br>&nbsp;&nbsp;&nbsp;&nbsp;to go with the content of the dreams.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it uses both effects to<br>&nbsp;&nbsp;&nbsp;&nbsp;reproduce another person's dreams, huh?<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rumor has it that there are a few<br>&nbsp;&nbsp;&nbsp;&nbsp;rare people who can regularly provide<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"S-Rank" dreams that are funny,<br>&nbsp;&nbsp;&nbsp;&nbsp;or dreams that are beneficial,<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ones that everyone wants to have.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These charismatic people are<br>&nbsp;&nbsp;&nbsp;&nbsp;supposedly called "Dream Rankers."<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, the color<br>&nbsp;&nbsp;&nbsp;&nbsp;and pattern of the card varies<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;depending on the type of dream written to it.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orange ones are supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be enjoyable, happy dreams.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she went to the trouble to give it to me.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had the choice, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;a horror dream sounds more fun.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...!<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came over because I was feeling cold.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's sleep togeth--<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is this?<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a dream?<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Keroyon... Pyonkichi... Pyonko...<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G--<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gekota!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? What is this?<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Indian Poker is the best!<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're going to introduce me<br>&nbsp;&nbsp;&nbsp;&nbsp;to the queen of the castle?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so there's a queen.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Queen?<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, this dream is...<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...?<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you my new maid?<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho!<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it!<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you calling a maid--<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? When did *that* happen?!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you start with massaging my shoulders?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, me?!<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh...?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you giving me that sad look?<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it because I'm about<br>&nbsp;&nbsp;&nbsp;&nbsp;to turn down Shokuho's order?<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that feels so good.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so hard to be so busty, you know?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shine my shoes.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rub some oil on me.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now pour me some tea.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why me? Why me? Why me?<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my goodness! How clumsy of you.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it wasn't! The handle came off by itself...<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an absent-minded girl you are.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again,<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have been a lot of help, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;You show promise.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why...<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I'm giving you permission to wait<br>&nbsp;&nbsp;&nbsp;&nbsp;on me for the rest of your life!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you are so beautiful when you are asleep.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinarily, this is when I would<br>&nbsp;&nbsp;&nbsp;&nbsp;try to wake you up with a kiss,<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you are so bashful,<br>&nbsp;&nbsp;&nbsp;&nbsp;you always turn me away with a shock.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry, Sissy! When someone<br>&nbsp;&nbsp;&nbsp;&nbsp;is only seeking a physical connection,<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an emotional connection can be so unsettling!<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, such a thing is not to be,<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Sissy, to have wound you up<br>&nbsp;&nbsp;&nbsp;&nbsp;is the greatest indiscretion of my life!<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow my sincerity to set your mind at ease!<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To prove that my love for you is true,<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I offer my entire body and soul to you!<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want it!<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time I've woken up more<br>&nbsp;&nbsp;&nbsp;&nbsp;exhausted than when I went to sleep.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning!<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter with Shirai?<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Search me.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been like that all morning.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how was it?<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Indian Poker?<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was an incredibly...<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...hideous dream.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting goosebumps just remembering it.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The card's color said<br>&nbsp;&nbsp;&nbsp;&nbsp;it was supposed to be a fun one.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that reminds me, Misaka,<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you familiar with this app?<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found it yesterday.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a kind of treasure hunt...<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu!<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, something just came up.<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-i-ha-ru!<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker, huh?<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had all I can stand of it.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you like my Indian Poker card?<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um...<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How would you like to start one, yourself?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I, uh...<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe we can discuss it over tea after school.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... sure.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So,<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what is Miss Misaka doing here?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could ask the same about you.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to take this opportunity<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to strengthen the friendship between you two.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--No way!<br>&nbsp;&nbsp;&nbsp;&nbsp;--No way!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker has been<br>&nbsp;&nbsp;&nbsp;&nbsp;gaining popularity among us lately.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard of it.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, in that case, I will make this brief.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have invited Miss Misaka to join in, as well.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but I'm not...<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you, too, my Queen?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not interested.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should call it off, too.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, as you wish!<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Just like that?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen has expressed her intention.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you tell the others<br>&nbsp;&nbsp;&nbsp;&nbsp;to stop doing it as well?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry.<br>&nbsp;&nbsp;&nbsp;&nbsp;And after I invited you here, too.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's okay.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean really, what a childish game--<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--BLAU! It is an honor to meet you!<br>&nbsp;&nbsp;&nbsp;&nbsp;--BLAU! It is an honor to meet you!<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...?<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, you're being too loud.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're disturbing the other guests here.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry, sir. I'm just so nervous,<br>&nbsp;&nbsp;&nbsp;&nbsp;being in the presence of a legendary S-Ranker.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to stand on ceremony, take it easy.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right...<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Rank? Like in, those Dream Rankers<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten was talking about?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The card you gave us the other day<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was a sublime masterpiece<br>&nbsp;&nbsp;&nbsp;&nbsp;that defies description.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I honestly felt like I never<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to wake up from it!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That good?!<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This might not cover it,<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but would you please let me have it, as well?!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay. You don't have to give me that.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm able to use my dreams<br>&nbsp;&nbsp;&nbsp;&nbsp;to spread joy to others.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm happy enough to do so.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--B-BLAU...!<br>&nbsp;&nbsp;&nbsp;&nbsp;--B-BLAU...!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, there's an S-Ranker<br>&nbsp;&nbsp;&nbsp;&nbsp;who gives out his cards for nothing.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what kind of dream could make people...<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--...as enthusiastic as that.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Really, it was too much!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, Iris from the Goddess Club,<br>&nbsp;&nbsp;&nbsp;&nbsp;doing Full S*rvice Maid Pl*y!<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BLAU, your dreams feature everything<br>&nbsp;&nbsp;&nbsp;&nbsp;from supermodels to virtual idols!<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You make epic interaction<br>&nbsp;&nbsp;&nbsp;&nbsp;limitless for us ordinary guys<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when normally, it wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;even be possible to imagine!<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like getting the weather girl,<br>&nbsp;&nbsp;&nbsp;&nbsp;Uzuki Ana, in her TV studio,<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and forecasting a<br>&nbsp;&nbsp;&nbsp;&nbsp;100 perc*nt chance of moist*re!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or taking pleasantly plump<br>&nbsp;&nbsp;&nbsp;&nbsp;glamor idol Fugu Iruka,<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and putting on an aqu*rium<br>&nbsp;&nbsp;&nbsp;&nbsp;nature show in any outfit we want!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you to be able to produce cards<br>&nbsp;&nbsp;&nbsp;&nbsp;like that, BLAU, you truly are a god!<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just thinking about tonight,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't stop the rush of excitement!<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only a matter of time before<br>&nbsp;&nbsp;&nbsp;&nbsp;your dreams take Academy City by storm!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just entertainers, either.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the two Level 5s<br>&nbsp;&nbsp;&nbsp;&nbsp;from Tokiwadai Middle School?<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're both exquisite beauties<br>&nbsp;&nbsp;&nbsp;&nbsp;that could put professional idols to shame.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BLAU, you don't mean...<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The third-ranked, Misaka Mikoto,<br>&nbsp;&nbsp;&nbsp;&nbsp;seems pretty strong-minded, right?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once you ***** her,<br>&nbsp;&nbsp;&nbsp;&nbsp;put on kitty ears and a tail and make her *****,<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can ******** all night long!<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can use a ******* on<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho Misaki in her school swimsuit,<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;take her too-big-for-middle-school *****,<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and reach Level 6* before you *****!<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're going where even angels fear to tread!<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're one shockingly formidable dude!<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, Level 5s are as good<br>&nbsp;&nbsp;&nbsp;&nbsp;as stripped bare before me. Literally.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--BLAU! BLAU! BLAU! BLAU!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Th-They sure do seem excited about something.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what, exactly.<br>&nbsp;&nbsp;&nbsp;&nbsp;--BLAU! BLAU! BLAU! BLAU!<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I thought I heard both<br>&nbsp;&nbsp;&nbsp;&nbsp;of your names come up, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;--BLAU! BLAU! BLAU! BLAU!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You are, after all, our school Level 5s--<br>&nbsp;&nbsp;&nbsp;&nbsp;--BLAU! BLAU! BLAU! BLAU!<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just going to go stroll<br>&nbsp;&nbsp;&nbsp;&nbsp;over to the shop next door...<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Huh? She had that killer look in her eye...<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Queen! You have to stop her!<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today only, I'm going to alter<br>&nbsp;&nbsp;&nbsp;&nbsp;the memories of any witnesses.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, oh no. If these two team up,<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's so easy for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to commit the perfect crime.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only their cards were destroyed<br>&nbsp;&nbsp;&nbsp;&nbsp;and memories altered.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly...<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help it if someone<br>&nbsp;&nbsp;&nbsp;&nbsp;has those dreams on their own,<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but passing them around like<br>&nbsp;&nbsp;&nbsp;&nbsp;it's some kind of show is going too far.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dreaming about the object of<br>&nbsp;&nbsp;&nbsp;&nbsp;your affection is unavoidable in your youth,<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to traffic in them in<br>&nbsp;&nbsp;&nbsp;&nbsp;back-alley deals like that is just...<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, are the two of you dreaming<br>&nbsp;&nbsp;&nbsp;&nbsp;about boys you're interested in?<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear...<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I just remembered,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a thing I need to do with a thing.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, too... have a thing to do,<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you'll excuse me...<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#16 Dream Ranker<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai?<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai? Anyone home? Miss Shirai Kuroko?<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The degenerate Miss Shirai of Judgment!<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, oh... Uiharu?<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on patrol. Please keep it together.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an app Miss Saten<br>&nbsp;&nbsp;&nbsp;&nbsp;told me about this morning.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, have you<br>&nbsp;&nbsp;&nbsp;&nbsp;heard of treasure hunt apps?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I have seen many students lately<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around with<br>&nbsp;&nbsp;&nbsp;&nbsp;their cell phones in their hands.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This app is similar to those.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you train the camera like this,<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it isn't a treasure reward that gets displayed,<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the time when an accident<br>&nbsp;&nbsp;&nbsp;&nbsp;occurred at that location.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone had a fall down these stairs<br>&nbsp;&nbsp;&nbsp;&nbsp;this morning, and that's being displayed.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luckily, it didn't end up<br>&nbsp;&nbsp;&nbsp;&nbsp;being anything serious.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not in very good taste, is it?<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No,<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if that were all it was,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would just be misguided,<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that would be the end of it, but apparently,<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this app also has future accidents,<br>&nbsp;&nbsp;&nbsp;&nbsp;which haven't happened yet, on record.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Future accidents? What is that supposed to mean?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what it sounds like.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Among the incidents that the app specifies<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are accidents recorded before they've happened,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and at the indicated time,<br>&nbsp;&nbsp;&nbsp;&nbsp;at the designated location,<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;accidents and other troubling<br>&nbsp;&nbsp;&nbsp;&nbsp;incidents have taken place.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or should I say, it's possible<br>&nbsp;&nbsp;&nbsp;&nbsp;that they only came to light afterward<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all of the data within the app was<br>&nbsp;&nbsp;&nbsp;&nbsp;drawn up before the incidents occurred.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of those that were determined<br>&nbsp;&nbsp;&nbsp;&nbsp;to be recorded before they happened,<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what is the ratio of accidents<br>&nbsp;&nbsp;&nbsp;&nbsp;that actually took place?<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Six out of six.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One hundred percent.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying that someone<br>&nbsp;&nbsp;&nbsp;&nbsp;with precognition helped create the app?<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some opinions on the net<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;saying that there's a person or even a group,<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is taking the appointed times<br>&nbsp;&nbsp;&nbsp;&nbsp;and locations from the app<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and perpetrating acts to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;that they happen just as they're foretold.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there have been no suspects<br>&nbsp;&nbsp;&nbsp;&nbsp;tied to the string of events,<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that line of reasoning<br>&nbsp;&nbsp;&nbsp;&nbsp;is seen as pretty weak.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, yesterday afternoon,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"School District 17" "School District 20" "School District 16" "School District 8" "School District 1"
<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a suspicious fire broke out in<br>&nbsp;&nbsp;&nbsp;&nbsp;a factory in School District 17,<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and in the evening, there was a<br>&nbsp;&nbsp;&nbsp;&nbsp;purse snatching in School District 16,<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and those have not been recorded yet,<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there may be some kind of methodology to it.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the case, since we cannot ignore this,<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it appears that we must look into it.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us go search for<br>&nbsp;&nbsp;&nbsp;&nbsp;some of this "foretold trouble."<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was surprisingly easy to find.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The incident is in 15 minutes.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does something happen in<br>&nbsp;&nbsp;&nbsp;&nbsp;front of these vending machines?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This being the side of the road,<br>&nbsp;&nbsp;&nbsp;&nbsp;it is likely to be a traffic accident.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this app were genuine,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to go and stop traffic.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since there's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;to corroborate it, that would be difficult.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's some kind of crime,<br>&nbsp;&nbsp;&nbsp;&nbsp;it may only get relocated as a result.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we have little choice.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us go observe from someplace<br>&nbsp;&nbsp;&nbsp;&nbsp;where we can see the whole road.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment's training is just about done, huh?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Join Judgment!!" "Come with us!! For the future of Academy City!!"
<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think we'll get any<br>&nbsp;&nbsp;&nbsp;&nbsp;new faces at the 177th Branch?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, who can say?<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then finally, I'll have someone lower than me!<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do I deal with these documents?<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do this, here like this, with this.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you know everything, Miss Uiharu!<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Miss Uiharu"!<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I can see is her being swamped<br>&nbsp;&nbsp;&nbsp;&nbsp;by doting on her subordinate.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop letting your head<br>&nbsp;&nbsp;&nbsp;&nbsp;get swollen by silly fantasies.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is just about time.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the love of...<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That new store clerk they<br>&nbsp;&nbsp;&nbsp;&nbsp;have is super-handsome, isn't he?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An incident? An accident?<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, I will make sure to stop it!<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You dumbass!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wonder if he's single.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like it was any of those people.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Two minutes later"<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Five minutes later"<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ten minutes later"<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is nothing happening here, is there?!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's odd. Oh, sometimes the indicated<br>&nbsp;&nbsp;&nbsp;&nbsp;times may be off by dozens of minutes.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might have told me that sooner!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This might all be a hoax after all...<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A truck? But it is going the<br>&nbsp;&nbsp;&nbsp;&nbsp;other direction and not speeding.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does not appear to be related to...<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Running into traffic?! And that car<br>&nbsp;&nbsp;&nbsp;&nbsp;is passing! Is this what was foretold?!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the location is off...!<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hurt?<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh,<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, um, think I'm okay.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was close.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had not been anticipating something,<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not sure I could<br>&nbsp;&nbsp;&nbsp;&nbsp;have made a rational decision.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sure I would have reflexively<br>&nbsp;&nbsp;&nbsp;&nbsp;teleported to the boy who dashed out.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have traffic control until Antiskill arrives!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Understood!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is the best vantage point?<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I assume that you<br>&nbsp;&nbsp;&nbsp;&nbsp;are the precognitive esper?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A grade-schooler?<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could, of course,<br>&nbsp;&nbsp;&nbsp;&nbsp;be a lookie-loo who saw the app,<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but my investigation will soon uncover--<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that won't be necessary.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the one who created the app. Also,<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I meant to make contact with you,<br>&nbsp;&nbsp;&nbsp;&nbsp;one way or another.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miyama Shaei, 4th-year at Matsuume Elementary.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Age 10. Precognitive esper.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Some hot milk for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Age 10. Precognitive esper.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Thanks.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Age 10. Precognitive esper.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, using this instant camera...<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you can perform psychic<br>&nbsp;&nbsp;&nbsp;&nbsp;photography to see future events.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What it produces is a marble pattern<br>&nbsp;&nbsp;&nbsp;&nbsp;that I have no idea what it will turn into.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it's run through a<br>&nbsp;&nbsp;&nbsp;&nbsp;special machine at a research facility,<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a vague image finally becomes visible.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, moments of tragedy<br>&nbsp;&nbsp;&nbsp;&nbsp;are the only things that develop.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability can only record accidents<br>&nbsp;&nbsp;&nbsp;&nbsp;that will happen in the near future.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, everything so far is already<br>&nbsp;&nbsp;&nbsp;&nbsp;written in the Bank, right?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So far?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one could have created the app<br>&nbsp;&nbsp;&nbsp;&nbsp;using only the ability he told us about.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I'm not sure<br>&nbsp;&nbsp;&nbsp;&nbsp;if I can call it the first stage,<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but by focusing my consciousness<br>&nbsp;&nbsp;&nbsp;&nbsp;to an even higher level,<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can produce photographs<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which also include the time and location<br>&nbsp;&nbsp;&nbsp;&nbsp;data of specific tragedies that will occur.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Data?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The app was originally created<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by a certain company as an analytic tool<br>&nbsp;&nbsp;&nbsp;&nbsp;for psychic photography espers.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finding lost items and people who<br>&nbsp;&nbsp;&nbsp;&nbsp;have gone missing was its intended purpose.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When psychic photos are passed to the app,<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the data analyzed from them<br>&nbsp;&nbsp;&nbsp;&nbsp;is displayed on the map.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you are circumventing<br>&nbsp;&nbsp;&nbsp;&nbsp;the research facility and using the app<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to carry out your own analysis<br>&nbsp;&nbsp;&nbsp;&nbsp;of your psychic photographs?<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For this second stage,<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted you, ribbon girl and flower girl...<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai Kuroko.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu Kazari.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted you, Shirai and Uiharu,<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep this entirely to yourselves.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, no "Miss"?<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, um, why is that?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't much use for this,<br>&nbsp;&nbsp;&nbsp;&nbsp;going by just the information in the Bank...<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but if you can come up with<br>&nbsp;&nbsp;&nbsp;&nbsp;both a time and a place,<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those who would misuse<br>&nbsp;&nbsp;&nbsp;&nbsp;the information will turn up,<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that what you are saying?<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. I promise that I will not<br>&nbsp;&nbsp;&nbsp;&nbsp;breathe a word of this to anyone.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Me, too.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That being said, it isn't an ability<br>&nbsp;&nbsp;&nbsp;&nbsp;that can be used too conveniently.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason I use the app<br>&nbsp;&nbsp;&nbsp;&nbsp;is to conceal my identity.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's another reason--<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to find an esper who can alter<br>&nbsp;&nbsp;&nbsp;&nbsp;the fate of the events I foresee.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who can alter fate?<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about doing this without asking?<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, who gets put out<br>&nbsp;&nbsp;&nbsp;&nbsp;by having flowers bloom?<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be fine. I learned all<br>&nbsp;&nbsp;&nbsp;&nbsp;about it while I was dreaming.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use my power to prevent the<br>&nbsp;&nbsp;&nbsp;&nbsp;incidents that Miyama Shaei foresees?<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#17 Precognition"<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not a bad proposal,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he seems to be holding something back.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Miss Shirai, you keep<br>&nbsp;&nbsp;&nbsp;&nbsp;your degeneracy hidden, don't you?<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not either keep it hidden.<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what did you just get me to say, Uiharu?!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E17 - Precognition

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRKEG813R/precognition)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"September 27th"<br>**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Foreseen phenomena<br>&nbsp;&nbsp;&nbsp;&nbsp;are basically etched in stone.<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actions that try to change them only<br>&nbsp;&nbsp;&nbsp;&nbsp;create a certain degree of divergence;<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the main gist of the event<br>&nbsp;&nbsp;&nbsp;&nbsp;ultimately turns out as foretold.<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying that there's no escaping fate?<br>**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if anything<br>&nbsp;&nbsp;&nbsp;&nbsp;as occult as fate actually exists,<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there may be some kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;unknown causative principle at work.<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precognition is still a<br>&nbsp;&nbsp;&nbsp;&nbsp;poorly understood field.<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, every future so far<br>&nbsp;&nbsp;&nbsp;&nbsp;has proved to be unavoidable...<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...until you upset the one today.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability provides an inferred outcome<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;calculated within a<br>&nbsp;&nbsp;&nbsp;&nbsp;three-dimensional framework.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinarily, there is no way<br>&nbsp;&nbsp;&nbsp;&nbsp;to divert that track.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Miss Shirai's Teleporting<br>&nbsp;&nbsp;&nbsp;&nbsp;is an 11-dimensional calculation.<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean it interferes with an<br>&nbsp;&nbsp;&nbsp;&nbsp;inescapable three-dimensional outcome?<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all just theoretical.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An ordinary penlight. When performing<br>&nbsp;&nbsp;&nbsp;&nbsp;second-stage psychic photography,<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I use it to make it easier to focus.<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A simple oral explanation won't<br>&nbsp;&nbsp;&nbsp;&nbsp;demonstrate if it's real or not, right?<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm going to foretell something<br>&nbsp;&nbsp;&nbsp;&nbsp;that isn't recorded in the app yet.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and shoot that photo with the app.<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it is. The location is less than<br>&nbsp;&nbsp;&nbsp;&nbsp;a kilometer south-southwest of here.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please allow me to verify this, as well.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time is 40 minutes from now.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too dangerous. We<br>&nbsp;&nbsp;&nbsp;&nbsp;should go get a grown-up.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'll be fine. I'm almost there...<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? I got it--!<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chisa!<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Helb!<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The location was a river,<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so bringing life rings was the right call.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that enough to certify my ability?<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I was able to reaffirm that<br>&nbsp;&nbsp;&nbsp;&nbsp;my Teleportation is effective<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in intervening with your predictions.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being able to save victims ahead of time<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't a bad proposition for Judgment, is it?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose not.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Maki!<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takkun, you really are cheating on me!<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--No, no, no, hold on a second!<br>
&nbsp;&nbsp;&nbsp;&nbsp;This girl came on to *me*!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?!<br>
&nbsp;&nbsp;&nbsp;&nbsp;--No, no, no, hold on a second!<br>
&nbsp;&nbsp;&nbsp;&nbsp;This girl came on to *me*!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know how you must feel,<br>&nbsp;&nbsp;&nbsp;&nbsp;but do not do anything hasty.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You need to hurry and step in,<br>&nbsp;&nbsp;&nbsp;&nbsp;or this will end up uglier than predicted.<br>&nbsp;&nbsp;&nbsp;&nbsp;--You dirty... rotten...!<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The crocodile they were transporting...!<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You were the ones who bumped into us.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Who do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;you're talking back to?!<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know who we are?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can introduce yourselves<br>&nbsp;&nbsp;&nbsp;&nbsp;all you want to Antiskill later.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice going.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your finesse is impressive, all right.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--And now...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Thank you.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...more information on that mass<br>&nbsp;&nbsp;&nbsp;&nbsp;unconsciousness outbreak the other day.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cause of mass unconsciousness<br>&nbsp;&nbsp;&nbsp;&nbsp;outbreak still unknown"<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to a release from Antiskill,<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the victims are not showing<br>&nbsp;&nbsp;&nbsp;&nbsp;any discernable aftereffects,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the cause is still unknown.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It looks like your ability missed that one.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Further, they are working<br>&nbsp;&nbsp;&nbsp;&nbsp;with a number of research facilities<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It looks like your ability missed that one.<br>&nbsp;&nbsp;&nbsp;&nbsp;--and are devoting all their<br>&nbsp;&nbsp;&nbsp;&nbsp;energies to determine the cause.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Maybe it didn't register<br>&nbsp;&nbsp;&nbsp;&nbsp;--and are devoting all their<br>&nbsp;&nbsp;&nbsp;&nbsp;energies to determine the cause.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since they were only asleep<br>&nbsp;&nbsp;&nbsp;&nbsp;and didn't suffer any other harm.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, it's easier for me to pick up<br>&nbsp;&nbsp;&nbsp;&nbsp;on those that are closer to me.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that sense, essentially, it may be<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot like being able to sense danger.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, since I can't change the future,<br>&nbsp;&nbsp;&nbsp;&nbsp;sensing it doesn't do me any good.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For your leg.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I must have scraped it earlier.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you use some first-aid cream,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll need something to apply it with.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may seem like a cold fish,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you do know how to treat a lady.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I believe it's best to be considerate<br>&nbsp;&nbsp;&nbsp;&nbsp;toward women as much as possible.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that's you, Kuroko.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have quit<br>&nbsp;&nbsp;&nbsp;&nbsp;while you were ahead. Good grief.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you in Judgment?<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Well, I...<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would say that it is to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;civic order in Academy City.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean the sake of justice?<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose. Though there should be<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing more to say about it.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have a good grasp of things<br>&nbsp;&nbsp;&nbsp;&nbsp;that have no logical reason or method.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a new prediction.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look a little pale.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little bit anemic.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the park?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time says tomorrow afternoon.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miyama, is something the matter?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two, in the same park? This is the<br>&nbsp;&nbsp;&nbsp;&nbsp;first time we are seeing that come up.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a prediction I<br>&nbsp;&nbsp;&nbsp;&nbsp;had before meeting you.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two predictions happen<br>&nbsp;&nbsp;&nbsp;&nbsp;at just about the same time.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it mean that they are both<br>&nbsp;&nbsp;&nbsp;&nbsp;a part of the same accident?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the two incidents are separated<br>&nbsp;&nbsp;&nbsp;&nbsp;by several hundred meters.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first photo has already been<br>&nbsp;&nbsp;&nbsp;&nbsp;visually analyzed by the research lab.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's blurry, but what looked<br>&nbsp;&nbsp;&nbsp;&nbsp;like raging flames was pictured.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flames?<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it possible for us to<br>&nbsp;&nbsp;&nbsp;&nbsp;see the image analysis?<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but it's not that easy<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to leave with lab materials.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If both predictions are<br>&nbsp;&nbsp;&nbsp;&nbsp;tied to the same matter,<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would mean that the flames<br>&nbsp;&nbsp;&nbsp;&nbsp;extend to a rather wide area.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So a fire, an explosion, or pyrokinesis.<br>&nbsp;&nbsp;&nbsp;&nbsp;That is about all I can think of.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This case stretches over a long distance.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a good chance that many people<br>&nbsp;&nbsp;&nbsp;&nbsp;will be caught in the middle of it.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, it will be beyond<br>&nbsp;&nbsp;&nbsp;&nbsp;what we alone can deal with.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will ask for assistance while<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving you out of it as much as possible.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you agree?<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This month is Crime Prevention Month.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it be all right if<br>&nbsp;&nbsp;&nbsp;&nbsp;we checked your student IDs?<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, sir.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not in possession of any<br>&nbsp;&nbsp;&nbsp;&nbsp;explosives or hazardous materials.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that checks out.<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much for your cooperation.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Checkpoints at every entrance to the park.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cross-checks with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Bank for esper abilities.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Checks for possession of hazardous materials.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A search of the park for hazardous materials.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the help from other<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment branches, there are 40 of us.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised that everyone is so cooperative<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after we gave them such a shaky explanation.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, to be honest,<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can pretty well guess<br>&nbsp;&nbsp;&nbsp;&nbsp;what the bigger picture is.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those girls have been on<br>&nbsp;&nbsp;&nbsp;&nbsp;the scene of every incident lately,<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and minimizing any damage done.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are some in Judgment asking<br>&nbsp;&nbsp;&nbsp;&nbsp;why we don't just shut down the park,<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there must be some reason why we can't.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, we don't know at what stage<br>&nbsp;&nbsp;&nbsp;&nbsp;your ability begins disrupting things.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, by closing the park,<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;fires break out in lots of different areas,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be much harder to handle them.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two more hours.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, please put this on.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Satellite imagery.<br>&nbsp;&nbsp;&nbsp;&nbsp;It can provide you with the locations<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of every person in the park in real time.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you got permission to--<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wait, did you hack into it?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Lives come first!<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, according to what I've heard around,<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there have been more stray dogs<br>&nbsp;&nbsp;&nbsp;&nbsp;and cats around waste disposal sites...<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai?<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, those cherry blossoms.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is October. Does that ever happen?<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After the temperature drops considerably<br>&nbsp;&nbsp;&nbsp;&nbsp;and then gets warm again,<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;cherry blossoms sometimes get tricked<br>&nbsp;&nbsp;&nbsp;&nbsp;into thinking spring has come.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have we had that kind of weather, though?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we haven't...<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've produced two more predictions.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of them take place inside the park.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are not in a line<br>&nbsp;&nbsp;&nbsp;&nbsp;between the previous two,<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but spread throughout the park.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. This is helpful.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we refocus our search<br>&nbsp;&nbsp;&nbsp;&nbsp;based on this layout...<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#17 Precognition"<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miyama!<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His red blood cells are damaged?<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, and as a result, their capacity<br>&nbsp;&nbsp;&nbsp;&nbsp;to carry oxygen is greatly diminished.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a phenomenon occasionally seen<br>&nbsp;&nbsp;&nbsp;&nbsp;when espers overexert their abilities.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll have to refrain from<br>&nbsp;&nbsp;&nbsp;&nbsp;using his ability for the time being.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any more than this, and he could<br>&nbsp;&nbsp;&nbsp;&nbsp;be putting his life in danger.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you do something so reckless?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okawachi?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ability lets you see when<br>&nbsp;&nbsp;&nbsp;&nbsp;bad things happen to people, right?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so morbid!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty nasty.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perro!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there you are.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability takes pictures<br>&nbsp;&nbsp;&nbsp;&nbsp;of people's suffering.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But someday, maybe my power<br>&nbsp;&nbsp;&nbsp;&nbsp;can be used to help people out.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the power to protect them.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here is the analysis of the<br>&nbsp;&nbsp;&nbsp;&nbsp;psychic photo from the other day.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...!<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be! Okawachi?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, is this me in the photo?!<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Look, I'm sorry for everything<br>&nbsp;&nbsp;&nbsp;&nbsp;I said before. Do something!<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, that's why I made a<br>&nbsp;&nbsp;&nbsp;&nbsp;copy for you without permission.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with a plan to change the future.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okawachi...<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. We ended up not<br>&nbsp;&nbsp;&nbsp;&nbsp;being able to change the future.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, change it?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure this didn't happen<br>
&nbsp;&nbsp;&nbsp;&nbsp;*because* you foresaw it?!<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you don't bring<br>&nbsp;&nbsp;&nbsp;&nbsp;about tragedy for others?!<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No--<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your fault that this<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to me, you know!<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't ever want to see<br>&nbsp;&nbsp;&nbsp;&nbsp;your face again, you big jinx!<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't help, Perro.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried as hard as I know how to do, but...<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to be able to help keep others safe.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perro?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! How is this happening again?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really because of my ability?<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Do you have a headache?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's nothing.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I recall that sensation I had before...<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tamper with the future?<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, depending on the ability,<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a possibility it could happen.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found them.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment--those who<br>&nbsp;&nbsp;&nbsp;&nbsp;voluntarily help other people.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still,<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;stray dogs aren't subjects for rescue.<br>&nbsp;&nbsp;&nbsp;&nbsp;If only somehow...<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just about time.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No explosives...<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or suspicious individuals have been found.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nor are there any gas lines<br>&nbsp;&nbsp;&nbsp;&nbsp;or shopping areas underneath here.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is hard to imagine that these<br>&nbsp;&nbsp;&nbsp;&nbsp;incidents are not actually in the park.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what exactly--<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is starting!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Konori!<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Just like we discussed,<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we need to start guarding<br>&nbsp;&nbsp;&nbsp;&nbsp;the people who get Teleported.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remain calm. I will Teleport<br>&nbsp;&nbsp;&nbsp;&nbsp;you away from here.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please follow the nearby<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment officers and evacuate.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next up...<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--? It is already this widespread?!<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fire broke out far away from me,<br>&nbsp;&nbsp;&nbsp;&nbsp;and as I was shooting video,<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the flames had gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;really close, just like that!<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flames are spreading too quickly.<br>&nbsp;&nbsp;&nbsp;&nbsp;If this were an ordinary fire...<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only things burning intensely<br>&nbsp;&nbsp;&nbsp;&nbsp;are the cherry trees?<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cherry blossoms... They do seem<br>&nbsp;&nbsp;&nbsp;&nbsp;out of place, blooming out of season...<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is causing it?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say the plant ampules?<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Whatever has been<br>&nbsp;&nbsp;&nbsp;&nbsp;injected into the base of the trees<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could be a highly flammable substance.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the case, then after it<br>&nbsp;&nbsp;&nbsp;&nbsp;has passed into the soil and trees,<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all these rows of cherry trees<br>&nbsp;&nbsp;&nbsp;&nbsp;will have become long, giant fuses.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Predicting the spread<br>&nbsp;&nbsp;&nbsp;&nbsp;of the fire based on that hypothesis.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, please patrol<br>&nbsp;&nbsp;&nbsp;&nbsp;around the park with that in mind.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perro...<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl is the last one.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for those ampules,<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I collected a number of<br>&nbsp;&nbsp;&nbsp;&nbsp;them that were nearby.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, they don't appear<br>&nbsp;&nbsp;&nbsp;&nbsp;to be commercially made.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks as though your guess is correct.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But who on earth would<br>&nbsp;&nbsp;&nbsp;&nbsp;do something like this?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko!<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Miyama?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--You there! You can't come in here!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you...<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teleport me into the middle of the park?<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may be enough to disrupt it.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Slow down, and please<br>&nbsp;&nbsp;&nbsp;&nbsp;tell me what is going on, okay?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A stray dog?<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your first prediction, right?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he's my friend. So...<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does this dog look like?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, check the satellite imagery.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smoke is too thick. But<br>&nbsp;&nbsp;&nbsp;&nbsp;if I filter out the unoccupied areas,<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's possible to narrow things down.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Konori!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought he might be<br>&nbsp;&nbsp;&nbsp;&nbsp;hiding something from us...<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but he figured we<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't rescue a stray dog.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For someone who acts as grown up as he does,<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he sure is childish in some strange ways.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, I've narrowed the area down!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next!<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next! Next!<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko!<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back here and take me with you!<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been too focused on<br>&nbsp;&nbsp;&nbsp;&nbsp;myself from the start!<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teleporting can interfere<br>&nbsp;&nbsp;&nbsp;&nbsp;with my predictions,<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that doesn't always mean<br>&nbsp;&nbsp;&nbsp;&nbsp;it changes the future for the better!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't have gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;you involved in this mess.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're liable to fall victim to it, too!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is on a much larger scale<br>&nbsp;&nbsp;&nbsp;&nbsp;than anything else up to now.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You don't have to be so--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Miyama...<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If sticking your neck out to rescue<br>&nbsp;&nbsp;&nbsp;&nbsp;a stray dog is self-centered,<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then my not backing out<br>&nbsp;&nbsp;&nbsp;&nbsp;right now is also self-centered.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found him! He's limping away from the fire!<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I am sure...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that for us, what some call<br>&nbsp;&nbsp;&nbsp;&nbsp;self-centeredness is the right thing to do!<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perro...<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was quite a close call.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By Teleporting some ampules in the opposite<br>&nbsp;&nbsp;&nbsp;&nbsp;direction the fire was surging,<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was able to change the course of the fire.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your dog, right?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Other than his left paw,<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not see any obvious injuries,<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;though he may have inhaled some smoke.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can take him to the hospital together.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boys should not be so<br>&nbsp;&nbsp;&nbsp;&nbsp;quick to show their tears.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Be quiet. Don't look at me.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"October 5th"<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, they say that those<br>&nbsp;&nbsp;&nbsp;&nbsp;ampules were the cause of the fire.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--The people who used them said that<br>&nbsp;&nbsp;&nbsp;&nbsp;they thought they had invented a drug<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm sorry! I'm sorry!<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--that would allow the cherry<br>&nbsp;&nbsp;&nbsp;&nbsp;blossoms to bloom all year round.<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm sorry! I'm sorry!<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at the same time, it<br>&nbsp;&nbsp;&nbsp;&nbsp;is a hazardous material<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that turns cherry trees into<br>&nbsp;&nbsp;&nbsp;&nbsp;powder kegs of nitrogenous compounds.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did these people specialize<br>&nbsp;&nbsp;&nbsp;&nbsp;in fertilizer chemistry?<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. According to the statement,<br>&nbsp;&nbsp;&nbsp;&nbsp;they learned it via Indian Poker.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If you ever want to see me, come by anytime.<br>&nbsp;&nbsp;&nbsp;&nbsp;When you do, I'll take the opportunity<br>&nbsp;&nbsp;&nbsp;&nbsp;to apologize. --Okawachi Megumi"<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you found someone to take Perro in.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. One of my school classmates<br>&nbsp;&nbsp;&nbsp;&nbsp;said she would keep him at her home.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you miss him?<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. But then, even if I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;see him as regularly as I have before,<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as he's alive, I can still see him.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His is a life that you saved, after all.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who saved him.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. Without your ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could not have saved Perro<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or any of those other people.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that true, though?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But using my ability is now...<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You must not exceed your limit.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...abilities are things that can grow.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stick close to your curriculum,<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when the day comes when<br>&nbsp;&nbsp;&nbsp;&nbsp;you can use it without taxing your body...<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then come and call on me again.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if my ability does improve,<br>&nbsp;&nbsp;&nbsp;&nbsp;I may not try to use it to help anyone<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;except those who are close to me, like Perro.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I do not think that will happen.<br>&nbsp;&nbsp;&nbsp;&nbsp;You are too much like me.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you?<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I mean...<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I looked up to someone, as well.<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who is a champion of justice.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I was a child at the time!<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll think about it.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, today, I have the<br>&nbsp;&nbsp;&nbsp;&nbsp;perfect product for those of you<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#18 Bust Upper"<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who want to develop yourselves<br>&nbsp;&nbsp;&nbsp;&nbsp;in certain areas. Indian Poker!<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I've had my fill of that.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can acquire knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;or skills while you sleep!<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I'm not interested--Huh?!<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bust Upper"?!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E18 - Bust Upper

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6QWV0ZZ6/bust-upper)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think of my *kendama* skills?<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was amazing.<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean you mastered all that in one night?<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You can get so you<br>&nbsp;&nbsp;&nbsp;&nbsp;can do this by just dreaming.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sleep-learning, huh? I didn't realize<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker could be used like that.<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are those who<br>&nbsp;&nbsp;&nbsp;&nbsp;mastered English conversation<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;through the dreams of<br>&nbsp;&nbsp;&nbsp;&nbsp;someone fluent in English<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and who acquired<br>&nbsp;&nbsp;&nbsp;&nbsp;professional-rank bowling skills<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;through the dreams of an ace bowler.<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And next up for me is this<br>&nbsp;&nbsp;&nbsp;&nbsp;one--a master-class pen spinner.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like her selections<br>&nbsp;&nbsp;&nbsp;&nbsp;skew pretty heavily.<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you know people who are expert<br>
&nbsp;&nbsp;&nbsp;&nbsp;*kendama* players and pen spinners?<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I get them through a Trader.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Trader?<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At first, all we could do<br>&nbsp;&nbsp;&nbsp;&nbsp;was trade cards among friends.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that inevitably got<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty humdrum after a while.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lately, there have been Traders who deal<br>&nbsp;&nbsp;&nbsp;&nbsp;in large volumes of cards classed by rank.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more popular S-Rank and A-Rank cards<br>&nbsp;&nbsp;&nbsp;&nbsp;can generally be acquired through Traders now.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By exchanging several low-ranking cards,<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or by buying them straight-out with cash.<br>&nbsp;&nbsp;&nbsp;&nbsp;I traded for this one.<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Traders, huh?<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BLAU! BLAU! BLAU! BLAU! BLAU!<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just hope there's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;funny circulating around...<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew, I can finally have a shower.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can wipe away blood,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that metallic smell still stays in your hair.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because you didn't use your ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;you just ultra-pummeled them.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's target was<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of a pain in the ass, right?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A quick Meltdowner blast didn't seem<br>&nbsp;&nbsp;&nbsp;&nbsp;like it would let me vent my stress.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo, would you mind<br>&nbsp;&nbsp;&nbsp;&nbsp;fetching me the Cybele #5?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one with the orange label?<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that one.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino and Takitsubo are<br>&nbsp;&nbsp;&nbsp;&nbsp;both sporting some spectacular goods.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But taking my age and height into<br>&nbsp;&nbsp;&nbsp;&nbsp;consideration, my figure is the ideal!<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In comprehensive terms, I can safely<br>&nbsp;&nbsp;&nbsp;&nbsp;declare that my body is ultra-perfect!<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention we also have<br>&nbsp;&nbsp;&nbsp;&nbsp;the ultra-flat-chested Frenda!<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-Frenda, have certain parts<br>&nbsp;&nbsp;&nbsp;&nbsp;of your body ultra-developed?<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Yeah, a little bit lately, huh?<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's because my<br>&nbsp;&nbsp;&nbsp;&nbsp;little sister has been rubbing them.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My bras have been fitting tighter,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've had to buy new ones more frequently.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's so many other things<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take time shopping for, too!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is getting to be a pain!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Took you long enough.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, why do I have to be an errand boy?<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit your griping and hand it over, already.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Banana tea.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Thank you.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Black bean cider.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Kinuhata, you weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;there when they ordered,<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I bought a few for you to choose from.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pomegranate cola,<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;guarana green juice,<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Musashino milk.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you have in mind<br>&nbsp;&nbsp;&nbsp;&nbsp;when you bought the milk for me?<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Musashino Milk"<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Drinking this is supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be good for growing kids.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What was that for?!<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Stop ultra-ducking me!<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't kill him. Re-staffing<br>&nbsp;&nbsp;&nbsp;&nbsp;subsidiary organizations is a hassle.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is ultra-aggravating.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Care for a card, little lady?<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Indian Poker? I *am \*Nultra-peeved right now.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it will help alleviate<br>&nbsp;&nbsp;&nbsp;&nbsp;some of my stress.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Talented rock singer"<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Omelet expert"<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Speed up your..." "*Kunoichi \*NWorld" "A Maid's Day"<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one should I choose?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll take this one,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this one, and this one, please.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, three C-Ranks. Thank you.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, thank you.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that must be one of those<br>&nbsp;&nbsp;&nbsp;&nbsp;Traders Miss Saten was talking about.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss, have you decided?<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I'm ultra-lost here.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recommend this one.<br>&nbsp;&nbsp;&nbsp;&nbsp;It was created by a Portuguese teacher<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and could let you master<br>&nbsp;&nbsp;&nbsp;&nbsp;the language in a snap.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm ultra-uninterested<br>&nbsp;&nbsp;&nbsp;&nbsp;in the knowledge or skill types.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking for something where I can<br>&nbsp;&nbsp;&nbsp;&nbsp;ultra-experience a story in the dream.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not an A-Rank one,<br>&nbsp;&nbsp;&nbsp;&nbsp;geared toward amateurs, either;<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want an ultra-incisive one,<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Rank or below, with matchless character.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh, I guess everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;wants something different.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you?<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I've had an ultra-bad<br>&nbsp;&nbsp;&nbsp;&nbsp;experience with these before, so...<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, did I do something wrong?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgun! If Mugino were here,<br>&nbsp;&nbsp;&nbsp;&nbsp;there'd be an ultra-bloodbath,<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I have the day off.<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything's ultra-fine.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho, so you drew a dud card, did you, Miss?<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know, if you give up on<br>&nbsp;&nbsp;&nbsp;&nbsp;dreams just because you had a bad one,<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then your life from here on<br>&nbsp;&nbsp;&nbsp;&nbsp;out won't be much fun.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who asked you?<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Rank"<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"B Rank"<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"C Rank"<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have any S-Rank cards out, huh?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I keep those in reserve.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I have right now is this single card.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not anything pornographic, is it?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't really deal in those here.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want one, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;we could retire to the back alley.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I didn't say I wanted one...<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then try this one out.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one has a sort of story behind it.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's loaded with the dream of a<br>&nbsp;&nbsp;&nbsp;&nbsp;certain long-lost but brilliant scientist.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, he was quite the wack job,<br>&nbsp;&nbsp;&nbsp;&nbsp;even by Academy City standards.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His final research theme<br>&nbsp;&nbsp;&nbsp;&nbsp;was called "Bust Upper"!<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a chance that the<br>&nbsp;&nbsp;&nbsp;&nbsp;essence of it is infused within here.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, whether you believe<br>&nbsp;&nbsp;&nbsp;&nbsp;that or not is up to--<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Musashino Milk"<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drinking this is supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be good for growing kids...<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...growing kids... growing kids...<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's ultra-easy to beat a whipped<br>&nbsp;&nbsp;&nbsp;&nbsp;subordinate into obeying you.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as a woman, to do so<br>&nbsp;&nbsp;&nbsp;&nbsp;makes me feel ultra-defeated.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm going to knock that stupid jerk<br>&nbsp;&nbsp;&nbsp;&nbsp;down a peg and get him to respect me...<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss, I was the first one<br>&nbsp;&nbsp;&nbsp;&nbsp;to grab this card, you know.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My fingers were the<br>&nbsp;&nbsp;&nbsp;&nbsp;ultra-first ones to touch it.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless my ears were deceiving me,<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you said you weren't interested<br>&nbsp;&nbsp;&nbsp;&nbsp;in knowledge and skill cards.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For someone who said they had<br>&nbsp;&nbsp;&nbsp;&nbsp;an ultra-bad experience with a card before<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and were done with them,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's ultra-shameful of you to call the kettle black.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your hand off the card already,<br>&nbsp;&nbsp;&nbsp;&nbsp;you dirty little runt.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep dreaming, you ultra-ironing-board jerk!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl is no ordinary customer.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given the information gap and the distance<br>&nbsp;&nbsp;&nbsp;&nbsp;between us, I'm at an ultra-advantage.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think she can beat me.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just a minute! If the film gets<br>&nbsp;&nbsp;&nbsp;&nbsp;peeled off, it will become unstable,<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then nobody will be able to use it!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My cards! Hey, hey, hey, hey, hey...<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I don't know which card is which!<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember it was silver-colored.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are several cards that look like that.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, now what do I do?<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll buy all of the cards you have here.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I-I don't have any problem<br>&nbsp;&nbsp;&nbsp;&nbsp;with that, myself, but...<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pay half of it.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#18 Bust Upper"<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you...<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Nap Room"<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After some more careful thinking,<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what we both really want is<br>&nbsp;&nbsp;&nbsp;&nbsp;the method of obtaining Bust Upper,<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and whichever one of us hits the jackpot<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can just provide that<br>&nbsp;&nbsp;&nbsp;&nbsp;information to the other, right?<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An unproductive conflict is ultra-absurd.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, if we're going to check each<br>&nbsp;&nbsp;&nbsp;&nbsp;and every one of this many cards...<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...two heads...<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are better than one.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of us share the same motive.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultra-good luck to us both.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Self-performed physical exams, done monthly.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No change at all in breast size<br>&nbsp;&nbsp;&nbsp;&nbsp;during the latter teen years?!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet my classmate's breast<br>&nbsp;&nbsp;&nbsp;&nbsp;development has been so pronounced,<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Va-va-voom! Va-va-voom! Va-va--<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--one wonders if that isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;the core of her body!<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Va-va-voom! Va-va-voom! Va-va--<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, let's think about this differently.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Va-va-voom! Va-va-voom! Va-va--<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there is no change in these measurements,<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that I'm holding on to my youth.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still in the clear.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My waist has grown three centimeters?!<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No... If I convince myself<br>&nbsp;&nbsp;&nbsp;&nbsp;baselessly that I'll develop eventually,<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be too late once I end up like that.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's this?<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a maid?<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is an ultra-plain room<br>&nbsp;&nbsp;&nbsp;&nbsp;for someone to have to hire a maid.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks more like an ordinary dorm--<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Bam!<br>&nbsp;&nbsp;&nbsp;&nbsp;--A perv!<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My super-rare Loli Leviathan Bra Maid<br>&nbsp;&nbsp;&nbsp;&nbsp;top has arrived from London!<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will look good on you even if<br>&nbsp;&nbsp;&nbsp;&nbsp;you aren't 36-24-36 like a fallen angel!<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't get that nasty thing<br>&nbsp;&nbsp;&nbsp;&nbsp;out of my sight, I'll ultra-kill you!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! Your refusal today<br>&nbsp;&nbsp;&nbsp;&nbsp;is especially extreme! However...<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I believe that the only one fit<br>&nbsp;&nbsp;&nbsp;&nbsp;for this filly from Britain is you,<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the most beautiful maid<br>&nbsp;&nbsp;&nbsp;&nbsp;in all of Academy City.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you realize that, at least.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This man is an idiot and crazy,<br>&nbsp;&nbsp;&nbsp;&nbsp;but his heart is sincere, pure, and simple.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whomever this dream belongs<br>&nbsp;&nbsp;&nbsp;&nbsp;to doesn't hate him deep down inside.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The opinions of the world<br>&nbsp;&nbsp;&nbsp;&nbsp;at large don't matter.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as the man I adore acknowledges me...<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the size of my breasts<br>&nbsp;&nbsp;&nbsp;&nbsp;is all the same. Is that how things are?<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't like that one,<br>&nbsp;&nbsp;&nbsp;&nbsp;I also have this maid swimsuit--<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, I'm ultra-against<br>&nbsp;&nbsp;&nbsp;&nbsp;this sort of perversion.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's late. How dare someone like<br>&nbsp;&nbsp;&nbsp;&nbsp;Yobou keep me waiting.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to punish him for this later.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm being watched. Is she hostile?<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, her posture is that of a regular person.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A high-class suit and shoes<br>&nbsp;&nbsp;&nbsp;&nbsp;well worn-down from walking.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A business card case in her inside pocket.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-Sh-She's not about to--!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a producer for a talent agency.<br>&nbsp;&nbsp;&nbsp;&nbsp;How would you like to be an idol?<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pure and innocent young lady<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Garden of Learning<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in her brilliant debut!<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would be an instant sensation!<br>&nbsp;&nbsp;&nbsp;&nbsp;But no, if that were to happen,<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would become alienated<br>&nbsp;&nbsp;&nbsp;&nbsp;from my class friends.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to...<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...turn her down...<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me,<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--do you have a moment?<br>&nbsp;&nbsp;&nbsp;&nbsp;--H-H-Huh?<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse my abruptness,<br>&nbsp;&nbsp;&nbsp;&nbsp;but would you like to be an idol?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a woman of discerning taste, I see!<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I am a student.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order for me to perform my part,<br>&nbsp;&nbsp;&nbsp;&nbsp;I am afraid I must decline.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are dead even in the looks department.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, I was standing *in front* of her!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's* why!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate it! I hate the<br>&nbsp;&nbsp;&nbsp;&nbsp;social stratification of bust sizes!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If my breasts were just<br>&nbsp;&nbsp;&nbsp;&nbsp;five centimeters larger...!<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, being wounded by a friend in<br>&nbsp;&nbsp;&nbsp;&nbsp;a dream from someone I don't even know...<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The uniform this girl is wearing<br>&nbsp;&nbsp;&nbsp;&nbsp;emphasizes the bust line nicely.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder where I can buy one.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First a maid, now a *kunoichi*.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Temptress Scroll"<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A temptress scroll?<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must be a technique for ultra-abducting men.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Use your feminine form to the utmost.<br>&nbsp;&nbsp;&nbsp;&nbsp;The bigger your breasts, the better.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can direct his gaze<br>&nbsp;&nbsp;&nbsp;&nbsp;to your breasts in combat,<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can create an opening to attack.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your charms can be useful in<br>&nbsp;&nbsp;&nbsp;&nbsp;seducing even insurmountable foes."<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, men really are nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;but a bunch of stupid scum!<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"On those occasions, forsake<br>&nbsp;&nbsp;&nbsp;&nbsp;all sense of shame.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, feigning bashfulness<br>&nbsp;&nbsp;&nbsp;&nbsp;is permissible."<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! Girls who are well-endowed<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have any shame to begin with!<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ooh, my shoulders are stiff."<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ooh, I don't have any cute bras."<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All they do is humblebrag!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"However, there are<br>
&nbsp;&nbsp;&nbsp;&nbsp;also underdeveloped *shinobi*."<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody ultra-asked you!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If that is you, consider your legs!<br>&nbsp;&nbsp;&nbsp;&nbsp;You can charm them with your legs.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and show off your<br>&nbsp;&nbsp;&nbsp;&nbsp;inner thighs to incite their lust."<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, well, I guess they do get it, huh?<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Though the boobs are in greater demand.<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll never beat those out."<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut the ultra-hell up!<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can always subjugate men with my fists!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you like big lumps of fat so much,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can eat fatty foods your whole life<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and die racked with gout,<br>&nbsp;&nbsp;&nbsp;&nbsp;you big dumb, dumb, dummy!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're bothering the other guests here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you please keep it down?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ultra-sorry.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a telekinesist, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;A much better one than you are.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, I remembered it again.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking so smug while jumping the gun.<br>&nbsp;&nbsp;&nbsp;&nbsp;That was really embarrassing.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still feeling down?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kobayashi?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival is<br>&nbsp;&nbsp;&nbsp;&nbsp;over. Please cheer up.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I messed up big-time, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it doesn't bother me now.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our Queen told me that feeling down<br>&nbsp;&nbsp;&nbsp;&nbsp;is a waste of our brain's resources.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, come on, shoulders back, chest out!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That may be fine for you, Miss Kobayashi,<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but with my chest like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no point in sticking it out.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have plenty!<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're saying that at your size,<br>&nbsp;&nbsp;&nbsp;&nbsp;there isn't any point,<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;does that also mean that<br>&nbsp;&nbsp;&nbsp;&nbsp;anything less is also pointless?!<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you even considered<br>&nbsp;&nbsp;&nbsp;&nbsp;the feelings of people<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who aren't even sure when<br>&nbsp;&nbsp;&nbsp;&nbsp;to start calling them boobs?!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind leaving now?<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still some cards ultra-left unchecked.<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want to do?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, there's a hotel I<br>&nbsp;&nbsp;&nbsp;&nbsp;sometimes visit nearby...<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Undergoing renovations"<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry,<br>&nbsp;&nbsp;&nbsp;&nbsp;but because of the renovations,<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;our general public rooms<br>&nbsp;&nbsp;&nbsp;&nbsp;are closed for about a week.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, my dorm, to say nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Garden of Learning,<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would need us to jump through<br>&nbsp;&nbsp;&nbsp;&nbsp;a bunch of hoops to allow a visitor in.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't very well bring<br>&nbsp;&nbsp;&nbsp;&nbsp;her back to our hideout, can I?<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, if Mugino saw me<br>&nbsp;&nbsp;&nbsp;&nbsp;hanging around with Railgun,<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;things would get ultra-messy.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the outdoor lounge still open?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It *is* nice and warm out today.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is ultra-good-enough.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? This isn't like all the others before.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't changed into anyone else.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That moment you dream of a brighter future--<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could there be any time<br>&nbsp;&nbsp;&nbsp;&nbsp;when you are filled with more hope?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, the size of a girl's breasts.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any girl would want to gain<br>&nbsp;&nbsp;&nbsp;&nbsp;a figure that people admire,<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the process of developing,<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the excitement as you<br>&nbsp;&nbsp;&nbsp;&nbsp;grow into your ideal body type--<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the period where you are able to feel *that*...<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is the sweetest time of your life.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we experience many<br>&nbsp;&nbsp;&nbsp;&nbsp;obstacles in our way during life.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They throw a wet blanket<br>&nbsp;&nbsp;&nbsp;&nbsp;over our hopes for the future.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, for instance, a<br>&nbsp;&nbsp;&nbsp;&nbsp;threat you cannot ignore.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, eliminating that threat<br>&nbsp;&nbsp;&nbsp;&nbsp;may introduce yet another threat.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would *you* do if that happened?<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of dream was that?<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We ended up viewing all of them,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and Bust Upper wasn't in *any* of them.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next time I come across<br>&nbsp;&nbsp;&nbsp;&nbsp;that Trader, I'm ultra-killing him.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought something seemed<br>&nbsp;&nbsp;&nbsp;&nbsp;off from the start.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way he would have just<br>&nbsp;&nbsp;&nbsp;&nbsp;had such a specifically-targeted item.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just an urban legend.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no basis to it.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And a scientist that just dropped off the map?<br>&nbsp;&nbsp;&nbsp;&nbsp;That seems awfully fishy, too.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even for a made-up story,<br>&nbsp;&nbsp;&nbsp;&nbsp;I ultra-wish it had been more realistic.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Avert.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, look, I'm sorry.<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know you hated milk so much.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it's the go-to beverage<br>&nbsp;&nbsp;&nbsp;&nbsp;for people to grow taller.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taller?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember, you said so earlier,<br>&nbsp;&nbsp;&nbsp;&nbsp;when I faked your student ID,<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we could go see that rated-R15 movie,<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the lady behind the counter<br>&nbsp;&nbsp;&nbsp;&nbsp;gave you that look of suspicion?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish I could be a little bit taller.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, I thought maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd like some milk.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yow! Wh-What did you<br>&nbsp;&nbsp;&nbsp;&nbsp;do that for?! M-My leg!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That was ultra-misleading!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yow! Wh-What did you do that for?! M-My leg!<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, there was this girl who<br>&nbsp;&nbsp;&nbsp;&nbsp;kept saying "ultra" this and "ultra" that.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We kind of got off on the wrong foot,<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but after we talked for a bit,<br>&nbsp;&nbsp;&nbsp;&nbsp;she seemed like a surprisingly good girl.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, it is about time<br>&nbsp;&nbsp;&nbsp;&nbsp;we should go to sleep.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I napped so much this afternoon,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not at all sleepy now.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to mention it, I had this one dream.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was this girl who<br>&nbsp;&nbsp;&nbsp;&nbsp;was a street performer.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She wasn't very endowed,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she was wearing this super-revealing outfit.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And she was so confident, too.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am ever saying that I hope to spend<br>&nbsp;&nbsp;&nbsp;&nbsp;the night together with you, Sissy,<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is not the way I meant it.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see? You see, you see? Well?<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you really got that good overnight?<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's so much fun!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next up, I'm thinking of getting<br>&nbsp;&nbsp;&nbsp;&nbsp;a card from a house-of-cards expert.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;House of cards, you say?<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds like something else<br>&nbsp;&nbsp;&nbsp;&nbsp;that will be utterly useless.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though that is just like you.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, I wish nighttime would get here, already.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you see that girl? Her breasts are huge!<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's impolite to say, Miss Saten!<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, where's the harm?<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was an ultra-awful experience.<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what are you up to, Frenda?<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#19 Strange Coincidence"<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just texting with a little someone I know.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see. "I got pounded on by<br>&nbsp;&nbsp;&nbsp;&nbsp;my associate. She has gorilla power."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, who are you talking about?<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eep! Who, indeed?<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E19 - Strange Coincidence

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6XJXQD7R/strange-coincidence)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took your uniform to the cleaners.<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also picked up your winter uniform<br>&nbsp;&nbsp;&nbsp;&nbsp;that was left there while I was at it.<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry, Sissy,<br>**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for putting you to any trouble.<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no trouble.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stopped a traffic accident<br>&nbsp;&nbsp;&nbsp;&nbsp;before it happened, right?<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's quite the feat.<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, well...<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, um, actually...<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Report"<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? A precognitive app?<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. All of the specifics are<br>&nbsp;&nbsp;&nbsp;&nbsp;yet to be understood, though.<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So starting tomorrow,<br>&nbsp;&nbsp;&nbsp;&nbsp;things are likely to get a bit more hectic.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything I can do to help?<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sissy! Just knowing you<br>&nbsp;&nbsp;&nbsp;&nbsp;feel that way is more than enough!<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But whatever you do,<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please do not stick your<br>&nbsp;&nbsp;&nbsp;&nbsp;nose in without asking first.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a civilian, after all.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, Sissy,<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;um, are you planning to use those cards<br>&nbsp;&nbsp;&nbsp;&nbsp;again tonight when you go to sleep?<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cards? You mean Indian Poker?<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I've had enough of that for a while.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a rough time of it today.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is that right?<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then yes, of course.<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that is for the best.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, did you have something happen<br>&nbsp;&nbsp;&nbsp;&nbsp;to you with those cards, too?<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, a little spot of trauma...<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"9/28: Sunny"<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"School District 7"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sakugawa Middle School"<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you say you had the day off today?<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was scheduled to, but remember<br>&nbsp;&nbsp;&nbsp;&nbsp;we found out about that app yesterday<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would display the time of accidents?<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now I have to be on<br>&nbsp;&nbsp;&nbsp;&nbsp;patrol because of them.<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see.<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's from Miss Shirai.<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, is she rushing me!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, and after you invited me out, too.<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, I get it. Good luck.<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. See you later.<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Yes, I'm hurrying there.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping we could eat<br>&nbsp;&nbsp;&nbsp;&nbsp;together for the first time in so long.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Musashino Milk"<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there they are!<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mackerel"<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Checkout"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Your total: ¥1,088"<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That will be ¥1088.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here's ¥1100, so--<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aah!<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't have it here, either...<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry about that.<br>&nbsp;&nbsp;&nbsp;&nbsp;We just sold our last one, stockroom and all.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sold out"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Canned mackerel"<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, how is it that no matter where<br>&nbsp;&nbsp;&nbsp;&nbsp;I go today, they're sold out everywhere?<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there was a newsmagazine<br>&nbsp;&nbsp;&nbsp;&nbsp;show on yesterday<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that had a segment saying<br>&nbsp;&nbsp;&nbsp;&nbsp;they were good for your looks.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how I came to buy mine...<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are you doing?!<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give... me...<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me that mackerel!<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ladies!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um...<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...how long are you going to follow me?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until you hand over that mackerel, of course!<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, I don't mean I won't pay you!<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll buy them for ten<br>&nbsp;&nbsp;&nbsp;&nbsp;times the regular price...<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I have is plastic.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, how about you trade me<br>&nbsp;&nbsp;&nbsp;&nbsp;for this shockingly cute doll?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's kind of creepy, actually.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then how about this Dangerous Cracker,<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which you can shoot at people<br>&nbsp;&nbsp;&nbsp;&nbsp;who irritate you to blow off steam?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A party popper? My walls are thin, so...<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man! What do I have to<br>&nbsp;&nbsp;&nbsp;&nbsp;trade you to get them?!<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still assume you're getting them?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really like mackerel that much?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"L-Like" doesn't even come close.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I go too long without ingesting them,<br>&nbsp;&nbsp;&nbsp;&nbsp;I get awful palpitations,<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my extremities start shaking,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I hallucinate...<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true,<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe you shouldn't be eating them.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I've been eating them every day,<br>&nbsp;&nbsp;&nbsp;&nbsp;contributing to the canned mackerel industry,<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then one TV feature comes along,<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all the dingbats rush out and<br>&nbsp;&nbsp;&nbsp;&nbsp;buy up them all up! Well I don't accept it!<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So give me yours!<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's outrageous.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, all right. I don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;you hounding me anymore.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you one of my two cans.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean it?!<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you seemed like such<br>&nbsp;&nbsp;&nbsp;&nbsp;a gullible pushover,<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure that if I kept<br>&nbsp;&nbsp;&nbsp;&nbsp;leaning on you, you'd cave,<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I was right on the money!<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's get right to it.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're going to eat them *here*?<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you... What are you...?!<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used one with too much<br>&nbsp;&nbsp;&nbsp;&nbsp;firepower by mistake!<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! W-Wait!<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was, all told,<br>&nbsp;&nbsp;&nbsp;&nbsp;just an unfortunate accident!<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need what's left for my own meal plan.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I have no pity to offer<br>&nbsp;&nbsp;&nbsp;&nbsp;people who waste food.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, Japanese people so cold.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted taste of<br>&nbsp;&nbsp;&nbsp;&nbsp;my homeland to ease homesickness.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least...<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, ignoring me really hurts!<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, all right! Come on over to<br>&nbsp;&nbsp;&nbsp;&nbsp;my place for dinner. Will that do?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Okay! Okay! Japan people<br>&nbsp;&nbsp;&nbsp;&nbsp;am so nice! Yay! Yay!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What country are you supposed to be from?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Okay! Okay! Japan people am so nice! Yay! Yay!<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C--<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curry?!<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you putting<br>&nbsp;&nbsp;&nbsp;&nbsp;the prize mackerel in curry?!<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curry is too bold a flavor,<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all the other ingredients<br>&nbsp;&nbsp;&nbsp;&nbsp;just end up tasting like curry!<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the flavor and zest<br>&nbsp;&nbsp;&nbsp;&nbsp;of the mackerel gets ruined!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way this is gonna taste--<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is so good!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The spicy curry pairs nicely<br>&nbsp;&nbsp;&nbsp;&nbsp;with the rich taste of the mackerel...<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and far from canceling it out,<br>&nbsp;&nbsp;&nbsp;&nbsp;the synergy draws out both flavors,<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which are dancing briskly atop my tongue!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't talk while you're eating.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, *deilig*!<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Die lee"?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means "delicious."<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's a foreign word?<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, anyhow, I'm glad you like it...<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mohr pweeze.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No restraint at all, huh?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you really are something else.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time we meet, it'll be my treat.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mackerel in miso,<br>&nbsp;&nbsp;&nbsp;&nbsp;or mackerel in soy sauce, or something.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Always with the mackerel.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that reminds me. Are you on FUKIDASHI?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean the messaging app?<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I do it some with my friends...<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's my ID. Take it down.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, okay.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, with that taken care of...<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ha det bra*!<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Haday"? "Bra"? What does that one mean?<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means goodbye!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you!<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She played it her way, right up to the end.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, even so, I guess that was kind of fun.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the app I told you about<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has led to you being able<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent accidents from happening?<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I can't tell you all the details,<br>&nbsp;&nbsp;&nbsp;&nbsp;but at any rate, it has.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing. That's my Uiharu for you.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more Miss Shirai's doing than mine.<br>&nbsp;&nbsp;&nbsp;&nbsp;But anyway, thank you very much.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine, it's fine.<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as thanking me goes,<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you already did,<br>&nbsp;&nbsp;&nbsp;&nbsp;with those adorable little pugs.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I didn't think you flipped my skirt today!<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you manage that?!<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm-hmm, you still have<br>&nbsp;&nbsp;&nbsp;&nbsp;much to learn, Kazari.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-Fine, have it your way!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck with your Judgment work!<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Everywhere is stocked up<br>&nbsp;&nbsp;&nbsp;&nbsp;to the gills with mackerel"<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl from yesterday...<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It was just a passing craze, huh?"<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It was just a passing craze, huh?"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Read"<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All told, we're the only ones<br>&nbsp;&nbsp;&nbsp;&nbsp;with a true love for mackerel"<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And before I knew it, we became friends.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I messed up a little and<br>&nbsp;&nbsp;&nbsp;&nbsp;got pounded on by my associate"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Gave me a huge lump"<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You mean the one who's a major jock?"<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Nothing as easygoing as that"<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The one I always goof around<br>&nbsp;&nbsp;&nbsp;&nbsp;with is really nice. Cute, too."<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mine is pretty, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's a power-mad gorilla"<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do you know about Indian Poker?"<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"My colleague has done it"<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"My colleague has done it"<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I did it and built a giant<br>&nbsp;&nbsp;&nbsp;&nbsp;house of cards using two decks"<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I did it and built a giant<br>&nbsp;&nbsp;&nbsp;&nbsp;house of cards using two decks"<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...All told, is there any point to that?"<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"After it collapsed, it was a<br>&nbsp;&nbsp;&nbsp;&nbsp;huge pain getting the two decks sorted."<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For heaven's sake, what was she thinking?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any good cards in?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One that *you* would like?<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one is from an<br>&nbsp;&nbsp;&nbsp;&nbsp;American cracker champion.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one is from a<br>&nbsp;&nbsp;&nbsp;&nbsp;coin-stacking record holder.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this one is a card from<br>&nbsp;&nbsp;&nbsp;&nbsp;a super-skillful chopstick handler.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Chopstick handling...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"I just got the Indian Poker card of an expert who can pick up anything with chopsticks, no matter how small!"
<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cards that can pass along<br>&nbsp;&nbsp;&nbsp;&nbsp;a person's experiences or skill to another.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what about them?<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's been a movement<br>&nbsp;&nbsp;&nbsp;&nbsp;around Academy City lately<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where scientists have been using these cards<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to leave behind their essence<br>&nbsp;&nbsp;&nbsp;&nbsp;as a means of insurance.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, it's a gamble whether or not<br>&nbsp;&nbsp;&nbsp;&nbsp;the data you want gets recorded.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But word is that there are quite<br>&nbsp;&nbsp;&nbsp;&nbsp;a few of them who are attempting it.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's much about what's inside<br>&nbsp;&nbsp;&nbsp;&nbsp;scientists' heads that can't be codified.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get you. You're talking about that...<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The nanoparticle object<br>&nbsp;&nbsp;&nbsp;&nbsp;interference adsorption manipulator,<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;better known as the tweezers.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A leak of that knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;in card form has been spotted.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your information about this reliable?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows? But if there's any truth<br>&nbsp;&nbsp;&nbsp;&nbsp;at all to it, we have to investigate.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let you handle the "how," so get on it.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Extract all conversations presumed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be related to Indian Poker and tweezers<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from security ranks A through D.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thirteen items returned.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thirteen, huh?<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some of them seem to be<br>&nbsp;&nbsp;&nbsp;&nbsp;just idle conversation,<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"I just got the Indian Poker card of an expert who can pick up anything with chopsticks, no matter how small!"
<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but even if there's a one-in-a-thousand,<br>&nbsp;&nbsp;&nbsp;&nbsp;or one-in-a-billion chance,<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#19: Strange Coincidence"<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to snatch them up to find out.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one? No, this one would be more...<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those people...<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are no amateurs.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not any big deal, though.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they from an opposing<br>&nbsp;&nbsp;&nbsp;&nbsp;organization? Or maybe...<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F Team. Yes,<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll reach the source soon.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait for tonight.<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, I should tell Uiharu, too.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, what are they doing?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not one to work for free...<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, I *do* owe her for dinner, and all.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Hamazura? Bring the car.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker. Is this it?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get rid of the cell phone.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. What do we do with the girl?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said she might have more information,<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we're to bring her with us.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, torture?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man...<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You're new,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you wouldn't know.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;--There's supposedly someone<br>&nbsp;&nbsp;&nbsp;&nbsp;above us who has the ability<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make a person spill all<br>&nbsp;&nbsp;&nbsp;&nbsp;their secrets with no trouble at all.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you or I think anything out of line,<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll know it immediately.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be careful how you complain.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I-I'm not hiding anything.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, get the lead out!<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, we got split up<br>&nbsp;&nbsp;&nbsp;&nbsp;because you're too slow!<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't even five minutes after you<br>&nbsp;&nbsp;&nbsp;&nbsp;called me that I got the car and arrived.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to be a capable man,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to do it in under a minute!<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, we're just about caught up to them.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now just turn left...<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! They're down there!<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing, Hamazura?!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just driving where you tell me to!<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man, what's the use?<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch it! Watch it! Wah!<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grab my legs to prop me up.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, don't jerk the wheel;<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll throw my aim off.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you, the king?!<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wind speed 2 from ahead;<br>&nbsp;&nbsp;&nbsp;&nbsp;range roughly 80; I'm not aiming for the car...<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?! What happened?!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rubble is blocking the road!<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another one?!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The back, too!<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! Bullseye! Leave it to me!<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, Hamazura, you can go now.<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm the leader of Skill Out,<br>&nbsp;&nbsp;&nbsp;&nbsp;so how did I end up like this?<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I got it.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must be dreaming. Though if I'm dreaming,<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'd rather be surrounded by bunny girls,<br>&nbsp;&nbsp;&nbsp;&nbsp;getting hot and heavy...<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hamazura, you're gross.<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'd rather be surrounded by bunny girls,<br>&nbsp;&nbsp;&nbsp;&nbsp;getting hot and heavy...<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it coming along?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The prototype is a no-go.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to make do<br>&nbsp;&nbsp;&nbsp;&nbsp;with a video for the presentation.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And last time, too, right? Everything okay?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we could be in trouble pretty soon.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just now, for a second,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was something...<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All this exhaustion must be<br>&nbsp;&nbsp;&nbsp;&nbsp;playing tricks on my eyes.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delete all the ambient sounds...<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In here, huh?<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's good and airtight, all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Cracking it will be difficult.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ignoring the alarms and<br>&nbsp;&nbsp;&nbsp;&nbsp;overpowering the security would be easy,<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd like to not leave behind<br>&nbsp;&nbsp;&nbsp;&nbsp;any trace that I'm after the tweezers.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an unused Indian Poker card<br>&nbsp;&nbsp;&nbsp;&nbsp;with nothing written to it.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skimming the vault's card data.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not airtight enough.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess they didn't count on an esper<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the ability to duplicate scent<br>&nbsp;&nbsp;&nbsp;&nbsp;components to come sneaking in.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stuffed animals...<br>&nbsp;&nbsp;&nbsp;&nbsp;The stuffed animals exploded...!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stuffed animals?<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're surrounded by smoke...<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't determine our status...<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Requesting you send backup!<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F Team is in charge of that<br>&nbsp;&nbsp;&nbsp;&nbsp;unsubstantiated Indian Poker business.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone's striking back at them,<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we must have hit an<br>&nbsp;&nbsp;&nbsp;&nbsp;unexpectedly serious jackpot.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No choice but to send that woman in.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't flip your skirt anymore...<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wake up. Hey!<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where am I?! Why am I handcuffed?!<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll burn those handcuffs off of you.<br>&nbsp;&nbsp;&nbsp;&nbsp;Lie down on your stomach.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move and you'll lose your<br>&nbsp;&nbsp;&nbsp;&nbsp;wrists, so hold still.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Garden of Learning"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shidarezakura Academy"<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Yumiya!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Yumiya!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Y-Yes?!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We would like to go venture outside<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Garden of Learning now.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to come with us?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Y-You mean me?<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yes.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yes.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-G-Gladly...<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I-I'm sorry. Excuse me a moment.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Mr. Yobou... Yes... Huh? Right now?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, um... was going out with<br>&nbsp;&nbsp;&nbsp;&nbsp;some friends at school, and... No...<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes... Yes... Yes, indeed.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry about this,<br>&nbsp;&nbsp;&nbsp;&nbsp;but something just came up.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's too bad.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, some other time, then.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging by the traces on the battlefield,<br>&nbsp;&nbsp;&nbsp;&nbsp;there are two in the quarry.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of them is the target that was taken,<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's one attacker.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Loafers and high heels. They're both female.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going by their strides,<br>&nbsp;&nbsp;&nbsp;&nbsp;one is 150cm tall, the other one 153. Also,<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from what I see of the<br>&nbsp;&nbsp;&nbsp;&nbsp;communications log and debris,<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the weapons were bombs disguised as dolls.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the first time in a year and a half,<br>&nbsp;&nbsp;&nbsp;&nbsp;I had classmates reach out to me...<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was breaking away from loneliness<br>&nbsp;&nbsp;&nbsp;&nbsp;to be one of the popular girls in class.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was set to become the school's idol,<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now that my brilliant<br>&nbsp;&nbsp;&nbsp;&nbsp;future is crushed...<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...at least...<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yumiya Rakko, sniper,<br>&nbsp;&nbsp;&nbsp;&nbsp;dark side organization SCHOOL"<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...let this hunt be something I can enjoy.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I've lost my cell phone.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, you're lucky<br>&nbsp;&nbsp;&nbsp;&nbsp;that's all that happened to you.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those weren't a couple of<br>&nbsp;&nbsp;&nbsp;&nbsp;rowdy boys out for a bit of mischief.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any idea why they might have been after you?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, nothing like that!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But shouldn't we contact Antiskill?!<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I already took care of that.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You did?<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure did.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, that card I just bought is gone, too.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiss that goodbye.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, it's only natural for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to thank me for saving you, right?<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with that in mind,<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's go to the supermarket and buy us<br>&nbsp;&nbsp;&nbsp;&nbsp;a whole bunch of canned mackerel!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mackerel again?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The blond Barbie still has on her...<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the scent of blood from the capture team.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A guide leading me to my quarry.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my,<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to turn down an invitation<br>&nbsp;&nbsp;&nbsp;&nbsp;with my school friends because of you,<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and don't you look chummy?<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That really pisses me off.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My orders are to capture the brunette alive,<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm free to hunt the other one, aren't I?<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I have you make for me?<br>&nbsp;&nbsp;&nbsp;&nbsp;Curry is, all told, a sure winner,<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as far as other dishes that are good<br>&nbsp;&nbsp;&nbsp;&nbsp;with mackerel, there's, let's see...<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Canned mackerel curry, 10-second cooking!<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#20 Ha det bra"<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Empty the can of mackerel<br>&nbsp;&nbsp;&nbsp;&nbsp;into a pot, water and all.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Add grated ginger and anything else you like.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Add a reasonable amount of water.<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring to a reasonable boil.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dissolve in a reasonable<br>&nbsp;&nbsp;&nbsp;&nbsp;amount of roux. That's it!<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For being just thrown <br>
&nbsp;&nbsp;&nbsp;&nbsp;together, this is *yum-my*!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E20 - Ha Det Bra

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GR0XN3E4Y/ha-det-bra)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I have you make for me?<br>&nbsp;&nbsp;&nbsp;&nbsp;Curry is, all told, a sure winner,<br>**[00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as far as other dishes that are good<br>&nbsp;&nbsp;&nbsp;&nbsp;with mackerel, there's, let's see...<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Blood? Wh-What just--<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, what's going on?<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're being shot at!<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But from where?<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a through-and-through. I'm all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have feeling in my left arm.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to contact Mugino and the others--<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't be visible to the<br>&nbsp;&nbsp;&nbsp;&nbsp;surrounding buildings from this angle.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a long-range shooter!<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you all right?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going inside!<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hold on!<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She sensed how much danger she was in<br>&nbsp;&nbsp;&nbsp;&nbsp;and gave up hiding behind here<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or trying to call her friends.<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After fleeing into the department<br>&nbsp;&nbsp;&nbsp;&nbsp;store and pausing a moment,<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they took the elevator to a higher floor.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do please make this fun for me.<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have they come after me?<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to buy us a little time here.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, with this many people<br>&nbsp;&nbsp;&nbsp;&nbsp;coming and going here,<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we disguise ourselves<br>&nbsp;&nbsp;&nbsp;&nbsp;and blend into the crowd,<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be easy to give them the slip--<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're shooting at me?!<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a crowd like this, with no hesitation?<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who's really exploiting this crowd is...<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am the one using<br>&nbsp;&nbsp;&nbsp;&nbsp;the crowd to my advantage.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My sniper rifle is under my clothes.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can assemble it simply by<br>&nbsp;&nbsp;&nbsp;&nbsp;bending and stretching my arms.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I can silently shoot my rounds<br>&nbsp;&nbsp;&nbsp;&nbsp;with the force of CO2 gas.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a single person here<br>&nbsp;&nbsp;&nbsp;&nbsp;who realizes I'm a sniper, aiming at you.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need the people around us to help!<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't be of any help to us!<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're more likely to panic and<br>&nbsp;&nbsp;&nbsp;&nbsp;end up hampering our movements instead.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With an enemy lurking in the crowd,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would prove fatal!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Then we could borrow a cell phone...<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone whose cell we tried to borrow<br>&nbsp;&nbsp;&nbsp;&nbsp;would just have their head blown off.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're getting driven to someplace<br>&nbsp;&nbsp;&nbsp;&nbsp;with no people around.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two types of hunters--<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the type who take delight<br>&nbsp;&nbsp;&nbsp;&nbsp;in doing a perfect job,<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without ever letting their presence be known;<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the type who take delight<br>&nbsp;&nbsp;&nbsp;&nbsp;in making their prey writhe in pain,<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as they flaunt their skill.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one is definitely the latter!<br>&nbsp;&nbsp;&nbsp;&nbsp;And the reason I know that...<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is that all told, I'm the same way!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is this happening to me...?<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Please! Let me go! I didn't have any choice!<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't double-cross you because I wanted to!<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Are they filming something?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Is that blood real?<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'll pay you anything you want! So--<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It couldn't be.<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'll pay you anything you want! So--<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;--What?<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been shot!<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, the pleasure of that last,<br>&nbsp;&nbsp;&nbsp;&nbsp;wretched scream the quarry lets out.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what sound you'll make<br>&nbsp;&nbsp;&nbsp;&nbsp;for me when you cry out.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This person probably has<br>&nbsp;&nbsp;&nbsp;&nbsp;some kind of rules that they adhere to.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If their prey deviates in<br>&nbsp;&nbsp;&nbsp;&nbsp;some way that displeases them,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they'll kill them on the spot.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or, to turn it around, we won't be killed<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as we play into their compulsion.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, that sadistic nature<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to cost them their life.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they're targeting us from the crowd...<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fell for it, you twisted sicko!<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I held up my hat to mislead you and draw you in!<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't play dumb with me!<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Whoa, is that really...<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This guy shot me twice!<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But is there any evidence<br>&nbsp;&nbsp;&nbsp;&nbsp;that he's the one who shot you?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you target someone from a crowd,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to disguise your rifle.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And glancing around the area, this guy<br>&nbsp;&nbsp;&nbsp;&nbsp;is the only one carrying something long.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, this golf bag is irrefutable proof!<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing but ordinary<br>&nbsp;&nbsp;&nbsp;&nbsp;golf clubs inside, though.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry about that!<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Tracking your actions with perfect clarity.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She spread something all over the place here.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad to be able to come over<br>&nbsp;&nbsp;&nbsp;&nbsp;to your home for dinner again, Himegami.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, we're going to flex<br>&nbsp;&nbsp;&nbsp;&nbsp;those cooking muscles!<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, what was all that about?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did I ever do to *her*?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was close. One wrong step,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we would have ended up like that.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Traps in with the merchandise...<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see that she isn't concerned<br>&nbsp;&nbsp;&nbsp;&nbsp;if she involves any bystanders.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that nice? What lovely desperation.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that it will do them any good.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They just took off half my ear! Damn it!<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have three cards,<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is a researcher<br>&nbsp;&nbsp;&nbsp;&nbsp;from the place keeping the cards.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any word from Yumiya?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing yet.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just hope she doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;fall back on any bad habits.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't *that* be rough?<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, they're not falling<br>&nbsp;&nbsp;&nbsp;&nbsp;for any of my traps or tricks.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They know everything we do.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did they stick a transmitter on her?<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--All told, if they had, it still wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;explain how they're avoiding my traps.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Um...?<br>&nbsp;&nbsp;&nbsp;&nbsp;--All told, if they had, it still wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;explain how they're avoiding my traps.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--All told, if they had, it still wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;explain how they're avoiding my traps.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? H-Hey!<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can they be aware of all our actions?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even Takitsubo's AIM Stalker can do that.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not Second Sight, either.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With all the distance between us and<br>&nbsp;&nbsp;&nbsp;&nbsp;the constantly changing sources of cover,<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they should have lost sight of us long ago.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know how to counter them...<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose it's about time. Once I shoot<br>&nbsp;&nbsp;&nbsp;&nbsp;her legs so she can't move anymore,<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll start begging for her life--<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, no! I'm on a mission, too!<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but what if they're like, "Oh, Miss Yumiya,<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what a crazy coincidence,<br>&nbsp;&nbsp;&nbsp;&nbsp;running into you here like this!<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By all means, come and join us."<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they were to invite me<br>&nbsp;&nbsp;&nbsp;&nbsp;along like that, I'd just... I'd just...<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's me, all right.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My skill as an assassin in blending<br>&nbsp;&nbsp;&nbsp;&nbsp;into my surroundings is perfect.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, by no means has my unique<br>&nbsp;&nbsp;&nbsp;&nbsp;loner's transparence been triggered.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, they're gone.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hurts... It hurts...<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, not knowing<br>&nbsp;&nbsp;&nbsp;&nbsp;where the attack is coming from,<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way to counter it.<br>&nbsp;&nbsp;&nbsp;&nbsp;How did I get stuck in this situation?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Um...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah, I'm not even the one they're after.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, I only know her because<br>&nbsp;&nbsp;&nbsp;&nbsp;we shared one canned mackerel dinner.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm under no obligation to protect her.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we both run in different directions,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the enemy will follow *her*.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I need you to lure them off.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I force us apart, she'll just come<br>&nbsp;&nbsp;&nbsp;&nbsp;following me, which would be pointless.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, I have to talk her into it--<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, we should split up!<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we go in different directions,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're more likely to come after me.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is it--<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to tell me that!<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you left my side, could you<br>&nbsp;&nbsp;&nbsp;&nbsp;protect yourself?! You're a Level 0!<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think they won't<br>&nbsp;&nbsp;&nbsp;&nbsp;kill you after they catch you?!<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what information<br>&nbsp;&nbsp;&nbsp;&nbsp;they're trying to get out of you,<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but once you give it up,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll just dispose of you!<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the way this is headed,<br>&nbsp;&nbsp;&nbsp;&nbsp;both of us are going to be done in, right?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I'm doing is slowing you down.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's all right. I can hold my own in a race.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, I thought you were just gullible.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now? You're simply being an idiot.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again...<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if you insist, why don't we do like you ask<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and turn you into a decoy?<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no, oh no, if I take too long,<br>&nbsp;&nbsp;&nbsp;&nbsp;Yobou will chew me out again.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to hurry this up.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dark-haired one is<br>&nbsp;&nbsp;&nbsp;&nbsp;coming this way all alone?<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, if you insist,<br>&nbsp;&nbsp;&nbsp;&nbsp;why don't we do like you ask<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and turn you into a decoy?<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you, a Level 0 who can only slow me down,<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are prepared to lay down your life for me,<br>&nbsp;&nbsp;&nbsp;&nbsp;it makes you the perfect soldier!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure about this?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be tricking you<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can run away on my own.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you hadn't saved me when they<br>&nbsp;&nbsp;&nbsp;&nbsp;first caught me, I'd have been done for.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even if you were to, I wouldn't blame you.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Tracking works during pursuit.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they double back toward me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell what their actions are on the way.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt she's seen through my skill;<br>&nbsp;&nbsp;&nbsp;&nbsp;this is just by chance.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I know what my quarry is up to.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Identifying me. The blond Barbie<br>&nbsp;&nbsp;&nbsp;&nbsp;is using the dark-haired one as a decoy<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she can observe the crowd.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a ploy to shoot anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who reacts to the dark-haired one.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it won't work.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As someone who has mastered<br>&nbsp;&nbsp;&nbsp;&nbsp;the art of loneli--I mean, assassination,<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can blend perfectly into<br>&nbsp;&nbsp;&nbsp;&nbsp;a crowd and not look out of place.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My line of sight, my expression,<br>&nbsp;&nbsp;&nbsp;&nbsp;the way I carry myself--all perfectly natural.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, there's the chance that she<br>&nbsp;&nbsp;&nbsp;&nbsp;ditched the dark-haired one to run away,<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that would just make things more fun for me.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Friendship is such a<br>&nbsp;&nbsp;&nbsp;&nbsp;superficial thing, after all.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I was wrong. She didn't cut her loose.<br>&nbsp;&nbsp;&nbsp;&nbsp;The blonde's objective...<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are those bombs?!<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The dark-haired one is expendable! This is bad!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will allow that damn Barbie...<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to waltz right on out of here,<br>&nbsp;&nbsp;&nbsp;&nbsp;while silencing any witnesses<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and getting rid of me in the process!<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a master stroke of<br>&nbsp;&nbsp;&nbsp;&nbsp;three birds with one stone!<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if she commits such<br>&nbsp;&nbsp;&nbsp;&nbsp;an indiscriminate mass murder,<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's inevitable that her whole<br>&nbsp;&nbsp;&nbsp;&nbsp;organization will be liquidated.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does she really think the<br>&nbsp;&nbsp;&nbsp;&nbsp;cornered mouse can attack the cat?<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! Gotta get behind the pillar!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is everything okay?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, yes, thank you.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, crap--<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found you!<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told,<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--you're the only one who recognized<br>&nbsp;&nbsp;&nbsp;&nbsp;those dolls as being bombs.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What was that?<br>&nbsp;&nbsp;&nbsp;&nbsp;--What happened?<br>&nbsp;&nbsp;&nbsp;&nbsp;--you're the only one who recognized those dolls as being bombs.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh? Was that a gun?<br>&nbsp;&nbsp;&nbsp;&nbsp;--you're the only one who recognized<br>&nbsp;&nbsp;&nbsp;&nbsp;those dolls as being bombs.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been sneaking around<br>&nbsp;&nbsp;&nbsp;&nbsp;hounding me and picking me off,<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm gonna blow you away<br>&nbsp;&nbsp;&nbsp;&nbsp;a hundred times as hard!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've turned the tables.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?!<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't stop!<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get going, already!<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't push!<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Will this really identify<br>&nbsp;&nbsp;&nbsp;&nbsp;whoever is following us?<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, if they have a way to see<br>&nbsp;&nbsp;&nbsp;&nbsp;what we're doing here, we've had it.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, if my prediction is correct,<br>&nbsp;&nbsp;&nbsp;&nbsp;then more than likely, this will reveal them.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once they're safely identified,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leap in to fight them right away.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't push against the crowd trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to escape, just get out of here.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--But I--<br>&nbsp;&nbsp;&nbsp;&nbsp;--All told...<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if you stay behind,<br>&nbsp;&nbsp;&nbsp;&nbsp;it puts me at a disadvantage.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you get taken hostage again,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will abandon you in a heartbeat.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're two people who have<br>&nbsp;&nbsp;&nbsp;&nbsp;always been from different worlds,<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I forget all about people<br>&nbsp;&nbsp;&nbsp;&nbsp;who I'm never gonna see again.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The canned mackerel!<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured you might come over to eat again,<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so as it happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;I stocked up on a whole bunch of it!<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't eat all of it by myself.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't step up and come eat it with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what I'll do!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miniature bombs?!<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They may be only good for shockwaves,<br>&nbsp;&nbsp;&nbsp;&nbsp;with no fragmentary effect,<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to use bombs in<br>&nbsp;&nbsp;&nbsp;&nbsp;close-quarters combat is nuts!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so...!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your arm is so messed up<br>&nbsp;&nbsp;&nbsp;&nbsp;that you can't throw right,<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you're no longer a threat!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, for as loud as you<br>&nbsp;&nbsp;&nbsp;&nbsp;were bragging, you're nothing.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you say something about<br>&nbsp;&nbsp;&nbsp;&nbsp;getting me back a hundredfold?<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, you can't even stand up.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't keep this up any longer, huh...?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told,<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the reason I'm not getting to my feet...<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is because it's safer down here on the floor.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mass detonation?!<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did she plant so many of them?<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While the dark-haired one was acting as a decoy?<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She might be trying to use the smoke as cover,<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it will take more than this<br>&nbsp;&nbsp;&nbsp;&nbsp;to get away from my nose.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, this situation works to my advantage.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... the...?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Low oxygen...? She was using thermobarics...?<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you were up to?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you didn't close the deal!<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no point unless it's a closed space!<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's air streaming in<br>&nbsp;&nbsp;&nbsp;&nbsp;from the windows you broke!<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ha det bra!*<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're saying you have<br>&nbsp;&nbsp;&nbsp;&nbsp;no idea why you were being targeted?<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll be going now.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew, that questioning took forever!<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad that it's over.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you, Uiharu.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the rough plan for the next little while.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Considering that there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a chance you may still be in danger,<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the next few days, you're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to be staying at an Antiskill facility.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can go back to your dorm once they decide<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the threat against you<br>&nbsp;&nbsp;&nbsp;&nbsp;has lessened to some degree,<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but even after that, Judgment will<br>&nbsp;&nbsp;&nbsp;&nbsp;continue to provide a personal escort,<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so please don't worry.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going to all this trouble over me, huh?<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's no trouble.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tell me, about the department store...<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. According to the report,<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there were signs of explosives and a struggle,<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just like all the witness statements said,<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it also says that they found<br>&nbsp;&nbsp;&nbsp;&nbsp;no bodies or anyone who was injured.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that right?<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's get you moved over there.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's anything you need,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get it ready for you.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I could use a new...<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ah--"<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you did tell me not to waste food"<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If I feel like it a week from now,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come over for dinner,<br>&nbsp;&nbsp;&nbsp;&nbsp;so have something ready. Hee-hee-hee"<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work on that lousy job.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you guys,<br>&nbsp;&nbsp;&nbsp;&nbsp;we have more data on the tweezers.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While their current whereabouts are unknown,<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's certain that within the next few days,<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're going to be used at a<br>&nbsp;&nbsp;&nbsp;&nbsp;facility near Kirigaoka Girls' School.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our source on this is supposedly assured.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll go with this group.<br>&nbsp;&nbsp;&nbsp;&nbsp;The calculations we'll need--<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before you do,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;give me the chance to hunt<br>&nbsp;&nbsp;&nbsp;&nbsp;down that damn Barbie!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, it's thanks to Yobou slipping<br>&nbsp;&nbsp;&nbsp;&nbsp;onto the scene at the last moment<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you got away with your life.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't throw it away again so soon.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, you're naturally steamed about this,<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but with the regenerative<br>&nbsp;&nbsp;&nbsp;&nbsp;treatments that Academy City has,<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your face can be restored. Not to mention,<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how are you going to pursue her<br>&nbsp;&nbsp;&nbsp;&nbsp;without that nose you're so proud of?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can find out where the<br>&nbsp;&nbsp;&nbsp;&nbsp;dark-haired one is by tracing her cell.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I don't feel angry<br>&nbsp;&nbsp;&nbsp;&nbsp;toward that damned Barbie!<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She and I had a deathmatch<br>&nbsp;&nbsp;&nbsp;&nbsp;under extreme circumstances.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She did everything in<br>&nbsp;&nbsp;&nbsp;&nbsp;her power to get close to me!<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what friendship is, isn't it?!<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She had the same whiff about her as you, right?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, you'll see her again soon<br>&nbsp;&nbsp;&nbsp;&nbsp;enough that you don't have to rush it.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't take things that easily!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she's waiting for me, too--<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many more seconds<br>&nbsp;&nbsp;&nbsp;&nbsp;do I have to waste on you?<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess he still hasn't gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;over all that trauma yet.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tweezers have first priority.<br>&nbsp;&nbsp;&nbsp;&nbsp;Personal grudges come after.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She might really be done now.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You handle it. I remember<br>&nbsp;&nbsp;&nbsp;&nbsp;we always had a spare candidate.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, there's gonna be<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of death on this one.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To hell with whatever Academy City has in mind.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna use my own little tricks<br>&nbsp;&nbsp;&nbsp;&nbsp;to do whatever I want.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Kakine Teitoku" "Leader of the dark side organization SCHOOL" "Second-ranked Level 5"
<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One week later"<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do you have any requests?"<br>&nbsp;&nbsp;&nbsp;&nbsp;"What time can you come over?"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hello~?"<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Ow...!<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, you took your sweet time!<br>&nbsp;&nbsp;&nbsp;&nbsp;Dinner is getting cold--<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Uiharu...<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, uh, have today's security report.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, there's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;really in here to report.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. I know you're injured, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;so thanks for coming.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as long as you're here,<br>&nbsp;&nbsp;&nbsp;&nbsp;why don't you come on in?<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but...<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made too much supper.<br>&nbsp;&nbsp;&nbsp;&nbsp;Come in and have some, if you'd like.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, you're always<br>&nbsp;&nbsp;&nbsp;&nbsp;breaking into places, right?<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#21 Doppelganger"<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've done it, what, 100 times?<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want now?<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you're so good at it,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's somewhere I need you to sneak into.<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations on number 101!<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that any way to ask for a favor?!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E21 - Doppelganger

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GY1XM3P9Y/doppelganger)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really haven't been getting enough sleep.<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since all that happened,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had nightmares that keep me up.<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if it isn't little Kana.<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello!<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not with your friends today?<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm.<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to the Learning Core to study!<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Good for you!<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you walk with me to the bus terminal?<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? Do you not know how to get there?<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have to go down<br>&nbsp;&nbsp;&nbsp;&nbsp;an empty street, or something?<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then do I really need to go with you?<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't doing anything<br>&nbsp;&nbsp;&nbsp;&nbsp;now anyway, so come with me!<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're off!<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... What?<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw you on TV during the Daihasei Festival.<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the live coverage.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came in first in the<br>&nbsp;&nbsp;&nbsp;&nbsp;three-legged race and scavenger hunt.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I *am* pretty quick on my feet.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that winning races means a whole lot<br>&nbsp;&nbsp;&nbsp;&nbsp;when you get out in the real world.<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You may be right about that, but still,<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter what you do,<br>&nbsp;&nbsp;&nbsp;&nbsp;it still takes physical strength.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Mikoto, you're such a muscle-head.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, Kana, you shouldn't just blurt out--<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh!<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The card dealer is gone!<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where that Trader was.<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what Indian Poker is?<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a man who sold cards there.<br>&nbsp;&nbsp;&nbsp;&nbsp;He had a lot of them,<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the best one he had was called "Bust Upper,"<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which was supposed to let you<br>&nbsp;&nbsp;&nbsp;&nbsp;dream your way to bigger boobs.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I wonder if anyone would<br>&nbsp;&nbsp;&nbsp;&nbsp;actually buy something like that.<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there were, they'd have<br>&nbsp;&nbsp;&nbsp;&nbsp;to be awfully scrawny<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have a pretty nasty complex<br>&nbsp;&nbsp;&nbsp;&nbsp;about their own figure, you know?<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they would also be<br>&nbsp;&nbsp;&nbsp;&nbsp;short-tempered and always ready to fight,<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet flirt with boys with<br>&nbsp;&nbsp;&nbsp;&nbsp;what she thinks are fancy goods--<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a minute!<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you put those awful words<br>&nbsp;&nbsp;&nbsp;&nbsp;into a little girl's mouth, Shokuho?!<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh, the jig is up.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I'm already at the bus terminal.<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's Miss Mikoto!<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed you figured it out.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Anyone* could have figured it out!<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you two friends?<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Of course we aren't.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Of course we aren't.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be sure to study hard,<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you don't turn into a muscle-head, okay?<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Muscle-head?<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later!<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, after this roundabout way<br>&nbsp;&nbsp;&nbsp;&nbsp;of getting me, what do you want?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And how did you even know about that card?!<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I needed to look into,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I read the Trader's memories.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you know...<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You looked so desperate while scrambling for it,<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't see any change at all!<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is it that your<br>&nbsp;&nbsp;&nbsp;&nbsp;flat-chestedness is so powerful<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the card didn't have any effect on you?<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! You think these<br>&nbsp;&nbsp;&nbsp;&nbsp;pudgy lumps of flesh are so special--<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka! Have you lost your mind...?<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind not assaulting people<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then going off to wallow<br>&nbsp;&nbsp;&nbsp;&nbsp;in despair by yourself?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have confirmed that the<br>&nbsp;&nbsp;&nbsp;&nbsp;blast-proofing on the student buses,<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that the shower rooms are supplied<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with theoretically pure water<br>&nbsp;&nbsp;&nbsp;&nbsp;from a solid-state plant,<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and numerous other confidential,<br>&nbsp;&nbsp;&nbsp;&nbsp;proprietary details about Tokiwadai,<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;such as the layout of various campus<br>&nbsp;&nbsp;&nbsp;&nbsp;structures and facilities,<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have been leaked.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It extends to other<br>&nbsp;&nbsp;&nbsp;&nbsp;Garden of Learning institutions<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and some large corporations, as well.<br>&nbsp;&nbsp;&nbsp;&nbsp;There are even instances<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of information pertaining to<br>&nbsp;&nbsp;&nbsp;&nbsp;security measures that have gone public.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cause of all this is thought to be...<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These cards, known as "Indian Poker."<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are devices that allow one<br>&nbsp;&nbsp;&nbsp;&nbsp;to share their dreams with someone else.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But through dreams that<br>&nbsp;&nbsp;&nbsp;&nbsp;are recorded on these cards,<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--organizational information<br>&nbsp;&nbsp;&nbsp;&nbsp;that would normally remain secret<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whoa! So this is the Garden of Learning!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--appears to be leaking externally.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whoa! So this is the Garden of Learning!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what would be run-of-the-mill<br>&nbsp;&nbsp;&nbsp;&nbsp;information for anyone involved<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ends up being precious data for<br>&nbsp;&nbsp;&nbsp;&nbsp;those outside the organization, right?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Each school has hurriedly<br>&nbsp;&nbsp;&nbsp;&nbsp;started taking measures...<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but these are handmade items,<br>&nbsp;&nbsp;&nbsp;&nbsp;not sold through commercial markets,<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we are a bit behind the curve.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill has attempted to contact the site<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to which the original plans for<br>&nbsp;&nbsp;&nbsp;&nbsp;the card writer had been uploaded...<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but identifying the uploader of<br>&nbsp;&nbsp;&nbsp;&nbsp;the plans has been extremely difficult.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuriba Ryoko.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinshikimi Middle School,<br>&nbsp;&nbsp;&nbsp;&nbsp;in School District 20. Age 14.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The photo is from when she enrolled.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying that she's the one<br>&nbsp;&nbsp;&nbsp;&nbsp;who came up with the plans for Indian Poker?<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Took you long enough.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you for this over 24 hours ago.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm not one to traffic in vague,<br>&nbsp;&nbsp;&nbsp;&nbsp;unconfirmed information.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Here, one stir-fried rice.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind if I asked<br>&nbsp;&nbsp;&nbsp;&nbsp;why you're looking into this matter?<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was something familiar about<br>&nbsp;&nbsp;&nbsp;&nbsp;the principle behind those cards.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. According to my investigation,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was once involved with Clone Dolly.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could their objective at the time<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have been to use the cards for<br>&nbsp;&nbsp;&nbsp;&nbsp;psychological doping or brainwashing?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those cards don't seem to<br>&nbsp;&nbsp;&nbsp;&nbsp;have those functions as of yet.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the intent,<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to find whatever idiot would circulate<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something like that out<br>&nbsp;&nbsp;&nbsp;&nbsp;into the world at this point.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One ramen!<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where is this girl?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, that is still under investigation.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not like you.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be more accurate,<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is affiliated with<br>&nbsp;&nbsp;&nbsp;&nbsp;a certain research institute.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I have ascertained that<br>&nbsp;&nbsp;&nbsp;&nbsp;she is living within the facility,<br>&nbsp;&nbsp;&nbsp;&nbsp;--How am I supposed to eat this?<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--so I did not pursue it any further.<br>&nbsp;&nbsp;&nbsp;&nbsp;--How am I supposed to eat this?<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I was investigating this<br>&nbsp;&nbsp;&nbsp;&nbsp;research institute, something felt off.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About whether the Kuriba Ryoko<br>&nbsp;&nbsp;&nbsp;&nbsp;at the facility was really "Kuriba Ryoko."<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that supposed to mean?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I've pinned down the creator of<br>&nbsp;&nbsp;&nbsp;&nbsp;these cards and the organization she's with.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experiments they're doing there<br>&nbsp;&nbsp;&nbsp;&nbsp;sound a little beyond unconventional.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--They must involve--<br>&nbsp;&nbsp;&nbsp;&nbsp;--I had no idea they were so...<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...heavy in one's hands...<br>&nbsp;&nbsp;&nbsp;&nbsp;So soft, even through her clothing...<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or felt so springy as<br>&nbsp;&nbsp;&nbsp;&nbsp;they pushed back against me...<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was the one grabbing them,<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it was as if they were clinging<br>&nbsp;&nbsp;&nbsp;&nbsp;to my hands, embracing--<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to hear any more<br>&nbsp;&nbsp;&nbsp;&nbsp;of you reviewing my boobs!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And how long are you going<br>&nbsp;&nbsp;&nbsp;&nbsp;to space out over there?!<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, why are<br>
&nbsp;&nbsp;&nbsp;&nbsp;you acting so shocked *now*?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to be the one to say this, but you<br>&nbsp;&nbsp;&nbsp;&nbsp;can pretty well eyeball how big they are.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking that maybe the chain<br>&nbsp;&nbsp;&nbsp;&nbsp;on your bag emphasized your cleavage,<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;making them look bigger,<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--when actually, they weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;that much different than mine...<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Has Miss Misaka always been this dumb?<br>&nbsp;&nbsp;&nbsp;&nbsp;--when actually, they weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;that much different than mine...<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, you heard what I was saying, right?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how there's a budding threat<br>&nbsp;&nbsp;&nbsp;&nbsp;to your own brainwashing territory<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you want to nip it?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That interpretation is just<br>&nbsp;&nbsp;&nbsp;&nbsp;as twisted as your disposition.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we leave me out of this for the moment?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experiment that Kuriba Ryoko was involved in<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not directly related to Indian Poker.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was more of a cyborg test subject.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cyborg?<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you hear the word cyborg,<br>&nbsp;&nbsp;&nbsp;&nbsp;you think of everything<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from artificial organs being transplanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to full-body mechanization, don't you?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the experiment she was involved<br>&nbsp;&nbsp;&nbsp;&nbsp;with was a bit more out of the ordinary.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuriba Ryoko was experimentally<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;turned into two people.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her body was used as a<br>&nbsp;&nbsp;&nbsp;&nbsp;test subject and taken apart,<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the parts that were missing<br>&nbsp;&nbsp;&nbsp;&nbsp;were then replaced by machinery.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She went from having one body<br>&nbsp;&nbsp;&nbsp;&nbsp;to being reborn as two cyborgs.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's...<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was there some circumstance<br>&nbsp;&nbsp;&nbsp;&nbsp;that forced her to do so?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there wasn't. It was entirely<br>&nbsp;&nbsp;&nbsp;&nbsp;because that was the subject matter.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two Kuribas lived separate lives,<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and after a year passed, she was<br>&nbsp;&nbsp;&nbsp;&nbsp;put back together into her original body.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no particular issue with<br>&nbsp;&nbsp;&nbsp;&nbsp;psychological fragmentation or rejection.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, she retained both halves<br>&nbsp;&nbsp;&nbsp;&nbsp;of her memories from when she was split.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like quite the gruesome experiment,<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but cyborg medical treatments<br>&nbsp;&nbsp;&nbsp;&nbsp;can help many disabled people,<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the whole affair is already over,<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I don't see that outsiders<br>&nbsp;&nbsp;&nbsp;&nbsp;like us have anything to say about it.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. We're of the same opinion<br>&nbsp;&nbsp;&nbsp;&nbsp;as far as that goes. However,<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this experiment had<br>&nbsp;&nbsp;&nbsp;&nbsp;one other objective, you see.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuriba's purpose<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to confirm the compatibility<br>&nbsp;&nbsp;&nbsp;&nbsp;of cybernetics with human bodies.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The research institute's<br>&nbsp;&nbsp;&nbsp;&nbsp;primary objective was the same,<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if something else came about<br>&nbsp;&nbsp;&nbsp;&nbsp;as a by-product, well, so much the better.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That being the generation of a soul.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, do you think the soul exists?<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean that thing about how<br>&nbsp;&nbsp;&nbsp;&nbsp;the moment a person dies,<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;their body becomes 21 grams lighter?<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This conversation has<br>&nbsp;&nbsp;&nbsp;&nbsp;suddenly taken an occult turn, huh?<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything about<br>&nbsp;&nbsp;&nbsp;&nbsp;how credible all of this is,<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but supposing that the<br>&nbsp;&nbsp;&nbsp;&nbsp;phenomenon of a soul does exist,<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what happened to Kuriba's soul<br>&nbsp;&nbsp;&nbsp;&nbsp;when she was split into two people?<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just supposing that one of<br>&nbsp;&nbsp;&nbsp;&nbsp;the split Kuribas were to lose her life,<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's hard to imagine that the other Kuriba<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a separate location would die<br>&nbsp;&nbsp;&nbsp;&nbsp;at the same time, right?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When she was split into two people,<br>&nbsp;&nbsp;&nbsp;&nbsp;did her soul also split,<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and become a second soul?<br>&nbsp;&nbsp;&nbsp;&nbsp;And once her soul was split into two,<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after being put back together,<br>&nbsp;&nbsp;&nbsp;&nbsp;her body became one whole.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, where would the<br>&nbsp;&nbsp;&nbsp;&nbsp;leftover soul have gone, then?<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, is there a soul or whatever<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;dwelling inside the mechanical body<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be put together?<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you seriously asking that?<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--? I was just using the word "soul"<br>&nbsp;&nbsp;&nbsp;&nbsp;so that you wouldn't be lost!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, what does any of<br>&nbsp;&nbsp;&nbsp;&nbsp;this have to do with Indian Poker?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, if you found out who actually created it,<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't you report that to Judgment<br>&nbsp;&nbsp;&nbsp;&nbsp;or Antiskill and be done with it?<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *could*...<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, before I do, I wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to have you break into the institute<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and verify the outcome of Kuriba's experiment.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could do it myself, but assuming<br>&nbsp;&nbsp;&nbsp;&nbsp;there's actually a mechanical person there,<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we happened to bump into each other,<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be trouble, right?<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not clear whether my brainwashing<br>&nbsp;&nbsp;&nbsp;&nbsp;would work on such a mind.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be safer to have a muscle-head<br>&nbsp;&nbsp;&nbsp;&nbsp;like you there in that eventuality.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, but why should I?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if an application for the<br>&nbsp;&nbsp;&nbsp;&nbsp;soul generation experiment were found,<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how many more hundreds of people<br>&nbsp;&nbsp;&nbsp;&nbsp;would meet a similar fate?<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They would need subjects to verify<br>&nbsp;&nbsp;&nbsp;&nbsp;their results, such as Child Errors,<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or perhaps even human clones.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, and... it would not be<br>&nbsp;&nbsp;&nbsp;&nbsp;worth the trouble and expense<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of building a cloning facility<br>&nbsp;&nbsp;&nbsp;&nbsp;solely for this experiment.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So just take it easy.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not asking you to do<br>&nbsp;&nbsp;&nbsp;&nbsp;this for nothing, of course.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Project Level 6 Sisters--<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't you want them to be able to live<br>&nbsp;&nbsp;&nbsp;&nbsp;in normal society someday down the road?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the obstacles in the way<br>&nbsp;&nbsp;&nbsp;&nbsp;of that happening are so great.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't my ability to win people over<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my network of contacts be<br>&nbsp;&nbsp;&nbsp;&nbsp;useful when the time comes?<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho, why are you so intent<br>&nbsp;&nbsp;&nbsp;&nbsp;on involving yourself in this?<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to find myself indebted to you,<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so let's make a deal.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean it about those girls, right?<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as this matter goes, at least,<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that whole charade about?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just having a harebrained<br>&nbsp;&nbsp;&nbsp;&nbsp;experiment that could claim victims<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would be enough to get Mikoto<br>&nbsp;&nbsp;&nbsp;&nbsp;to go into action on her own.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Misaki, you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;really care how things look<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when it comes to helping<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sisters, do you? And yet,<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Let's make a deal." "You mean it?" "I promise."<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long has that *tsundere* quid pro quo business<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to cover your embarrassment been going on--<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I could just as<br>&nbsp;&nbsp;&nbsp;&nbsp;easily break in and investigate.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or did you want to see how deep<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto's feelings for the Sisters ran?<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Buzz off, will you, Mitori?<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you showing off your voyeurism<br>&nbsp;&nbsp;&nbsp;&nbsp;just to wind me up?<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have *that* kind of time to waste.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I have a message from Keitz.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says that he's tracked down<br>&nbsp;&nbsp;&nbsp;&nbsp;where the real Kuriba Ryoko is.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you must go out?<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this hour?<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, I made a little deal<br>&nbsp;&nbsp;&nbsp;&nbsp;and was asked to do something.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For whom is this for, exactly?<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For whom would you go out<br>&nbsp;&nbsp;&nbsp;&nbsp;and leave me here all alone?<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't even a little bit<br>&nbsp;&nbsp;&nbsp;&nbsp;what you're thinking.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Handle the head resident for me<br>&nbsp;&nbsp;&nbsp;&nbsp;if she comes around, okay?<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose I can do that.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be the first person I call.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what can I say to that?<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#21 Doppelganger"<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back safely.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't dressed up like this in a while.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...eyewitness testimony from staff..."<br>&nbsp;&nbsp;&nbsp;&nbsp;"...teenage boy with lightning..."<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last time, they thought I was a boy at first.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, maybe I should have gone<br>&nbsp;&nbsp;&nbsp;&nbsp;with something more frilly.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All green. Good work.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey,<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how long are these routine tests going to go on?<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to leave the facility already--<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no,<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this experiment is something<br>&nbsp;&nbsp;&nbsp;&nbsp;unprecedented, you understand.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief...<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to be extra cautious<br>&nbsp;&nbsp;&nbsp;&nbsp;when doing these follow-up exams.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you're worrying too much.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief, this confined living<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to go on forever.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, shoot.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got that from my mother.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got that mug from my mother<br>&nbsp;&nbsp;&nbsp;&nbsp;before coming to Academy City.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it. But...<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't remember my mother.<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not just her--<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my father, and my friends from my hometown...<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't remember much of anything<br>&nbsp;&nbsp;&nbsp;&nbsp;from before I came to Academy City.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, even after I moved to Academy City...<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can vividly remember things<br>&nbsp;&nbsp;&nbsp;&nbsp;that happened when I was split it two.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't remember anything from before that.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that an aftereffect of the experiment?<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I...<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuriba Ryoko?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I...<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I... human?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did they know I was breaking in?!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not here?<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those banners should have<br>&nbsp;&nbsp;&nbsp;&nbsp;been able to support 100 kilos.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no. She must weigh a ton.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, could she have been...?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She ran away?!<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir. She destroyed the exterior wall,<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and jumped from the upper floor<br>&nbsp;&nbsp;&nbsp;&nbsp;and out of the facility.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She jumped?! She's supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to have a sense of self-preservation!<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, the only things that are<br>&nbsp;&nbsp;&nbsp;&nbsp;malfunctioning from the shock of the fall<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are her GPS and fast-acting restraints.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This suggests that it was a premeditated,<br>&nbsp;&nbsp;&nbsp;&nbsp;carefully-calculated risk.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Additionally, most of the research data<br>&nbsp;&nbsp;&nbsp;&nbsp;that was caught in the blast was lost.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reconstructing it will be very difficult.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! Th-The damage<br>&nbsp;&nbsp;&nbsp;&nbsp;is isolated to just here, right?!<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir. Nowhere else was affected.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay. Whatever, just hurry up<br>&nbsp;&nbsp;&nbsp;&nbsp;and recover the Doppelganger.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shinasame University DNA Map Analysis Lab"<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, weren't you selling<br>&nbsp;&nbsp;&nbsp;&nbsp;some kind of cards before this?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, those?<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you doing in here, lady?<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't happen to be a ghost<br>&nbsp;&nbsp;&nbsp;&nbsp;that haunts this place, would you?<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but you have a body and everything.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why don't you and I have a nice--<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bodies...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People's thoughts dwell in the brain.<br>&nbsp;&nbsp;&nbsp;&nbsp;Life dwells in the heart.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Emotions dwell in the face.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if you drive the soul out of a body,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you think it can be made vacant?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, already?! I can't concentrate!<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, forgive the late hour.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm with the management company.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've had some trouble with the water tanks.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The repairs are done, but we're checking<br>&nbsp;&nbsp;&nbsp;&nbsp;if the water quality is all right--<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no problem here, now leave me alone!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, can I get you<br>&nbsp;&nbsp;&nbsp;&nbsp;to sign your consent, please?<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a regulation, you understand.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, but I'm very busy,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let's hurry and--<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't on the camera--<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to be so abrupt.<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if we could have a quick word.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you people?!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I'm going to bite,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I don't want you to be afraid.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The third-ranked? Railgun?!<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not here from the research lab, right?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really. I was just running down<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker and came across you.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I was just roped into doing this by her.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But after seeing what I saw,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't very well not ask you about it.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you saw?<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I watched as your cyborg<br>&nbsp;&nbsp;&nbsp;&nbsp;broke out a little while ago.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Broke out? So, it finally happened.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then you knew about that thing.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chief and other researchers<br>&nbsp;&nbsp;&nbsp;&nbsp;called her "Doppelganger."<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw her on the monitor right after my surgery.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mechanical puppet who identifies<br>&nbsp;&nbsp;&nbsp;&nbsp;herself as a human--as Kuriba Ryoko.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chief and the others were terribly excited.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soul generation--they said it<br>&nbsp;&nbsp;&nbsp;&nbsp;was uncharted territory.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying that there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a soul inside that machine, too?<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, even after seeing it myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;I only half believe it.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But assuming that such a<br>&nbsp;&nbsp;&nbsp;&nbsp;phenomenon has actually happened,<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it could create some extremely serious problems.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serious? It may be a lot tougher,<br>&nbsp;&nbsp;&nbsp;&nbsp;compared to flesh-and-blood people,<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it *is* just a<br>
&nbsp;&nbsp;&nbsp;&nbsp;healthcare-based machine, right?<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't built for combat.<br>&nbsp;&nbsp;&nbsp;&nbsp;Is having just one of them really a threat?<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told them that someday,<br>&nbsp;&nbsp;&nbsp;&nbsp;she would realize that she isn't human,<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they said "Then we'll<br>&nbsp;&nbsp;&nbsp;&nbsp;get some more data from that,"<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and "The lower levels of the building<br>&nbsp;&nbsp;&nbsp;&nbsp;have layer after layer of security,<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;plus, she has a shutdown device<br>&nbsp;&nbsp;&nbsp;&nbsp;implanted, so it's okay."<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone refused to listen to<br>&nbsp;&nbsp;&nbsp;&nbsp;what kind of danger that thing posed.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Artificial skin.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's important to look the part,<br>&nbsp;&nbsp;&nbsp;&nbsp;after all. And while I'm at it...<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found her. An abandoned<br>&nbsp;&nbsp;&nbsp;&nbsp;facility in School District 20.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were in there a long time,<br>&nbsp;&nbsp;&nbsp;&nbsp;Yakkun. Huge dump?<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Or are we having a lady's day today?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Or are we having a lady's day today?<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock it off, Naru. Don't you realize<br>&nbsp;&nbsp;&nbsp;&nbsp;the position we've been placed in?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite correct.<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had a big job to do.<br>&nbsp;&nbsp;&nbsp;&nbsp;A request straight from the governing board,<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you guys messed it up.<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may have been going up against that monster,<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you were powerless to stop him<br>&nbsp;&nbsp;&nbsp;&nbsp;and came running back in disgrace.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your reputation as a dark side<br>&nbsp;&nbsp;&nbsp;&nbsp;subsidiary organization is in the pits.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you make one more mistake...<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We get it. If we screw up this mission,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're as good as stray dogs.<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish stray dogs is all we would be.<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that we're clear, get on the stick,<br>&nbsp;&nbsp;&nbsp;&nbsp;you leftover-eating Scavengers.<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, she talks down to us<br>&nbsp;&nbsp;&nbsp;&nbsp;just like a self-important teacher.<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't expecting us to get the<br>&nbsp;&nbsp;&nbsp;&nbsp;flushed-down-to-the-dark-side treatment.<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it easy, Leader.<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know, Seike. Okay,<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's go, guys.<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to start recovering<br>&nbsp;&nbsp;&nbsp;&nbsp;that piece of scrap metal!<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Manipulator of paper, Naru!<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#22 Scavenger"<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Controller of frictional coefficients, Seike!<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave the chemicals to me! Yakumaru!<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master of the birds-eye view, Leader!<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The four of us combined are Scavenger!<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if we introduced ourselves that way?<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Overruled.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Overruled.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E22 - Scavenger

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GYZJNW1GR/scavenger)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shinasame University DNA Map Analysis Lab"<br>**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just saying,<br>**[00:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to forget all about<br>&nbsp;&nbsp;&nbsp;&nbsp;our earlier screw up right away.<br>**[00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's the reason why we're<br>&nbsp;&nbsp;&nbsp;&nbsp;doing this detail-oriented job, right?<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean little contracted-out jobs<br>&nbsp;&nbsp;&nbsp;&nbsp;like this one, but bigger jobs,<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where we can boost<br>&nbsp;&nbsp;&nbsp;&nbsp;our reputation with a real bang!<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then maybe we can get<br>&nbsp;&nbsp;&nbsp;&nbsp;the team name I've been hoping for!<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Team name? You mean like ITEM or SCHOOL?<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right! How does "HYENA" grab you?<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yuck. That's repulsive.<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that even something you can give yourself?<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quiet.<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The puppet isn't here.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Naru's fault for<br>&nbsp;&nbsp;&nbsp;&nbsp;wanting to get popsicles.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me?! But everybody bought one!<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter. No mere puppet<br>&nbsp;&nbsp;&nbsp;&nbsp;can escape from my Predator.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The risk the Doppelganger poses?<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, or more accurately,<br>&nbsp;&nbsp;&nbsp;&nbsp;I should say the risk posed by her "soul."<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soul?<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuriba Ryoko, do you,<br>&nbsp;&nbsp;&nbsp;&nbsp;a scientist, believe in such a thing?<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hypothesized that what<br>&nbsp;&nbsp;&nbsp;&nbsp;we call a soul is linked to the body.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the body ceases to function,<br>&nbsp;&nbsp;&nbsp;&nbsp;the soul also goes away.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if the Doppelganger<br>&nbsp;&nbsp;&nbsp;&nbsp;has a soul dwelling within her,<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is only temporarily stuck<br>&nbsp;&nbsp;&nbsp;&nbsp;within the machinery.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if the vessel is broken, it does<br>&nbsp;&nbsp;&nbsp;&nbsp;not go away, it just becomes untethered.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An untethered soul will spread out<br>&nbsp;&nbsp;&nbsp;&nbsp;from the vessel into its surroundings.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ordinarily impossible "free soul"<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could then possess any material<br>&nbsp;&nbsp;&nbsp;&nbsp;and control it as it pleases.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Worst case scenario, I think that it<br>&nbsp;&nbsp;&nbsp;&nbsp;could even swallow up Academy City itself<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and take control of it.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Swallow up Academy City?<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you're saying<br>&nbsp;&nbsp;&nbsp;&nbsp;that it would be highly risky<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to physically destroy the<br>&nbsp;&nbsp;&nbsp;&nbsp;Doppelganger's body or "vessel"?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you mentioned this to the laboratory?<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I have. But the chief and the others<br>&nbsp;&nbsp;&nbsp;&nbsp;are so caught up in their success,<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they couldn't accept any negative views.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still,<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what can they do if the<br>&nbsp;&nbsp;&nbsp;&nbsp;Doppelganger decides to harm itself?<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That probably won't happen.<br>
&nbsp;&nbsp;&nbsp;&nbsp;No, I should say it *can't* happen.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The artificial body that started out<br>&nbsp;&nbsp;&nbsp;&nbsp;being a cyborg has a safety--<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a self-preservation function built into it.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of its cyborg nature,<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;shutting down any mechanical functions<br>&nbsp;&nbsp;&nbsp;&nbsp;would directly affect the biologicals,<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it is programmed not to perform<br>&nbsp;&nbsp;&nbsp;&nbsp;any action that would cause more than<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a certain level of damage to itself.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That safety was your doing?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The Doppelganger employs artificial muscles<br>&nbsp;&nbsp;&nbsp;&nbsp;that contract through chemical interaction,<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;immunosuppressive agents that inhibit the<br>&nbsp;&nbsp;&nbsp;&nbsp;body's rejection response where it makes contact<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a number of other<br>&nbsp;&nbsp;&nbsp;&nbsp;technologies that I developed.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your circulation of Indian Poker has<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with the Doppelganger, doesn't it?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What makes you think that?<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the time when you learned<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Doppelganger's existence<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;overlaps with the time when<br>&nbsp;&nbsp;&nbsp;&nbsp;those cards started going around.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only natural to assume<br>&nbsp;&nbsp;&nbsp;&nbsp;the two are connected.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker allows someone else<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to acquire a person's experiences<br>&nbsp;&nbsp;&nbsp;&nbsp;and skills through their dreams.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By exchanging through dreams the insights<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that people are unlikely<br>&nbsp;&nbsp;&nbsp;&nbsp;to come across in real-life society,<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we would expect there<br>&nbsp;&nbsp;&nbsp;&nbsp;to be radical leaps of thought.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I might be unable<br>&nbsp;&nbsp;&nbsp;&nbsp;to work out a solution myself,<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those cards might come across<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who can reverse the situation.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By creating a fad that boosts<br>&nbsp;&nbsp;&nbsp;&nbsp;the common denominator,<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it becomes a matter<br>&nbsp;&nbsp;&nbsp;&nbsp;of probability and statistics.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you think it's kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;a roundabout way of doing things.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But after pursuing what I could do myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is what I came up with.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if you think<br>&nbsp;&nbsp;&nbsp;&nbsp;any less of me for it.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now excuse me, but I have to go.<br>&nbsp;&nbsp;&nbsp;&nbsp;You interrupted me in the middle of my work.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure to do something<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Doppelganger.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to get involved.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't seem to like her too much.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that Kuriba Ryoko<br>&nbsp;&nbsp;&nbsp;&nbsp;is a victim in this weird situation,<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and I don't have any right to say<br>&nbsp;&nbsp;&nbsp;&nbsp;anything about her in all of this,<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You're free to leave now.<br>&nbsp;&nbsp;&nbsp;&nbsp;--and I don't have any right to say<br>&nbsp;&nbsp;&nbsp;&nbsp;anything about her in all of this,<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't care if this was<br>&nbsp;&nbsp;&nbsp;&nbsp;all too much for her alone,<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using Indian Poker to rope a bunch<br>&nbsp;&nbsp;&nbsp;&nbsp;of other people into the middle of this<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of bothers me, I guess.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, everyone has their own circumstances.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I have entered into<br>&nbsp;&nbsp;&nbsp;&nbsp;a partnership with Misaka Mikoto?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I doubt the chief and<br>&nbsp;&nbsp;&nbsp;&nbsp;the others will do anything as foolish<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as destroying the Doppelganger.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shouldn't ham-handedly<br>&nbsp;&nbsp;&nbsp;&nbsp;disrupt the current situation.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time will sort everything out.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miahilin--a drug used for the<br>&nbsp;&nbsp;&nbsp;&nbsp;aftereffects of cyborg treatments.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Easy to obtain, but not many people<br>&nbsp;&nbsp;&nbsp;&nbsp;order the high-quality version.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just had to access the<br>&nbsp;&nbsp;&nbsp;&nbsp;pharmaceutical company's database<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and narrowing it down from there wasn't hard.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me? The Doppel!<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're slow.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you're too much of a shut-in<br>&nbsp;&nbsp;&nbsp;&nbsp;and need some more exercise.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You also look like you're overworked<br>&nbsp;&nbsp;&nbsp;&nbsp;and not getting enough sleep.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;you're eating right, too.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, maybe it's<br>&nbsp;&nbsp;&nbsp;&nbsp;the medical equipment talking,<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't help but be concerned.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you after?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you here to take my place?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or have you found a procedure<br>&nbsp;&nbsp;&nbsp;&nbsp;to drive my soul out of me?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could be.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, you end up no longer existing.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry,<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not ready for that yet.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She had a contingency plan in place.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But one that didn't hurt me and<br>&nbsp;&nbsp;&nbsp;&nbsp;was meant to keep me here, which means...<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A truck came sliding toward me?<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got good reflexes, don't you?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking of turning you<br>&nbsp;&nbsp;&nbsp;&nbsp;into a wax figure sandwich.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reducing frictional coefficient<br>&nbsp;&nbsp;&nbsp;&nbsp;of these fixtures to zero!<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this!<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-O-Oh, crap!<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right!<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Your limbs may be one thing,<br>&nbsp;&nbsp;&nbsp;&nbsp;but when your whole body has been caught,<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's pretty hard to pluck off<br>&nbsp;&nbsp;&nbsp;&nbsp;any parts to escape, isn't it?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, come on! If you just stand around,<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the affected region is<br>&nbsp;&nbsp;&nbsp;&nbsp;just going to keep expanding!<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Paper?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Capture complete!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a piece of cake, all right.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seike,<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just before we made contact,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a woman who looked just like this.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The possibility that they switched places,<br>&nbsp;&nbsp;&nbsp;&nbsp;while low, is still not zero.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to be safe, go and check it out for me.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're always such<br>&nbsp;&nbsp;&nbsp;&nbsp;a slave driver. All right, I will.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now...<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all that's left is to take this thing<br>&nbsp;&nbsp;&nbsp;&nbsp;to the designated location.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, you look quite a bit<br>&nbsp;&nbsp;&nbsp;&nbsp;different than in the report.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Must have thought it would be easier<br>&nbsp;&nbsp;&nbsp;&nbsp;to blend in on the streets like this.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scrap iron trying desperately to be human...<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But doing this only approximates<br>&nbsp;&nbsp;&nbsp;&nbsp;the look on the outside,<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and just serves to remind you<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're an artificial creation inside.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You poor thing.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if. Was that a little too occult there?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You watch too many dramas.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leader, you're such a poet.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally...<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...as an artificial creation,<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my perception of pain is<br>&nbsp;&nbsp;&nbsp;&nbsp;represented digitally.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For my own information, would you<br>&nbsp;&nbsp;&nbsp;&nbsp;show me what reactions are correct?<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you letting up on her, Naru?!<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm at full power! Except the paper<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't responding to me! But why?!<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible! According<br>&nbsp;&nbsp;&nbsp;&nbsp;to the specs in our materials,<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she shouldn't be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to break free from Naru!<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even your extremities make bizarre motions.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if, in human terms,<br>&nbsp;&nbsp;&nbsp;&nbsp;this would be expressed as being "comical."<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you!<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let go of Leader!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll gouge out her eyeballs next.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that!<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The artificial body that started out<br>&nbsp;&nbsp;&nbsp;&nbsp;being a cyborg has a safety--<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a self-preservation function built into it.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is programmed not to perform<br>&nbsp;&nbsp;&nbsp;&nbsp;any action that would cause more than<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a certain level of damage to itself.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who... are you?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, if she's bleeding, I can assume<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's well and truly human.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the other three see her as being<br>&nbsp;&nbsp;&nbsp;&nbsp;an honor student, they might kill her.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've confirmed who she is,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could just let her go...<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing there?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... picking on a wimp.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, who do you think *you* are?<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some kind of hero that arrives<br>&nbsp;&nbsp;&nbsp;&nbsp;when a girl finds herself in trouble?<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did you...?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#22 Scavenger"<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was little,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was involved in a building collapse.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life was saved by a<br>&nbsp;&nbsp;&nbsp;&nbsp;lung transplant from my mother.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But afterward, my mother,<br>&nbsp;&nbsp;&nbsp;&nbsp;who wasn't very strong to begin with,<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;carried on in what no one<br>&nbsp;&nbsp;&nbsp;&nbsp;would call good health,<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as I grew up,<br>&nbsp;&nbsp;&nbsp;&nbsp;I devoted myself to Academy City,<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to learn about cyborg technology<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to treat my mother.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After putting in my effort<br>&nbsp;&nbsp;&nbsp;&nbsp;and starting to see some results,<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I learned that my mother<br>&nbsp;&nbsp;&nbsp;&nbsp;had taken a downturn.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pulmonary edema and an associated infection.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My mother's body was nearing<br>&nbsp;&nbsp;&nbsp;&nbsp;the breaking point.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The doctor said that administering drugs<br>&nbsp;&nbsp;&nbsp;&nbsp;could slow her decline temporarily,<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but after a year, or two at the most,<br>&nbsp;&nbsp;&nbsp;&nbsp;we couldn't expect to see any results.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have to develop cyborg parts<br>&nbsp;&nbsp;&nbsp;&nbsp;for all of the affected areas.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I was profoundly short on data.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the absolute number of<br>&nbsp;&nbsp;&nbsp;&nbsp;cyborg treatments being so low,<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was extremely hard pressed to collect<br>&nbsp;&nbsp;&nbsp;&nbsp;the data for all the necessary regions.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't going to make it<br>&nbsp;&nbsp;&nbsp;&nbsp;the way things were headed.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief,<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what is the word on that plan I proposed?<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Oh, that one?<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be an unprecedented experiment,<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can't find any volunteers--<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do it.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By dividing myself in half,<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we would gather exhaustive<br>&nbsp;&nbsp;&nbsp;&nbsp;data on my whole body,<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I would be both<br>&nbsp;&nbsp;&nbsp;&nbsp;the observer and the subject.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a sense, one could call it<br>&nbsp;&nbsp;&nbsp;&nbsp;the most ideal circumstance possible.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear...<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That seems to be the shape of things,<br>&nbsp;&nbsp;&nbsp;&nbsp;as far as I was able to investigate.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't she say anything about that?<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's probably just not gullible<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to trust anyone<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who suddenly forced themselves<br>&nbsp;&nbsp;&nbsp;&nbsp;into the picture under a false identity.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, but even so...<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe she feels responsible<br>&nbsp;&nbsp;&nbsp;&nbsp;for the creation of the Doppelganger<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the course of her pursuing<br>&nbsp;&nbsp;&nbsp;&nbsp;her personal goal of treating her mother.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that's a feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;you aren't entirely unfamiliar with.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, by her calculations,<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if Indian Poker keeps<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading the way it is currently,<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then statistically speaking,<br>&nbsp;&nbsp;&nbsp;&nbsp;in two more months,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a method of obliterating<br>&nbsp;&nbsp;&nbsp;&nbsp;the so-called soul will surface.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, until then...<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was probably planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep the secret all to herself.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All to... herself...<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko, how are things there?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The head resident was in a sour mood,<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I had an *awful* time pulling<br>
&nbsp;&nbsp;&nbsp;&nbsp;the wool over her eyes.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She might come knocking again,<br>&nbsp;&nbsp;&nbsp;&nbsp;so please come back right away, okay?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, it looks like this is going<br>&nbsp;&nbsp;&nbsp;&nbsp;to take a little while longer.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I can make it back before<br>&nbsp;&nbsp;&nbsp;&nbsp;today turns into tomorrow, though.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww... Very well, I will come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with something else, then.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, this is turning<br>&nbsp;&nbsp;&nbsp;&nbsp;into a thankless job.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, I promise to make it up<br>&nbsp;&nbsp;&nbsp;&nbsp;to you sometime soon.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really mean it, Sissy?!<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Then we can share the<br>&nbsp;&nbsp;&nbsp;&nbsp;same bed until morning--<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Something other than that. Bye now.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Then we can share the same bed until morning--<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be quite the<br>&nbsp;&nbsp;&nbsp;&nbsp;ordeal for Miss Misaka.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...an Electromaster?<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's that?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. I just ran into<br>&nbsp;&nbsp;&nbsp;&nbsp;the Doppelganger, though.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think the two must be related.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earlier, I think I might have<br>&nbsp;&nbsp;&nbsp;&nbsp;come across with a poor attitude.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was all on me.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you must have your<br>&nbsp;&nbsp;&nbsp;&nbsp;own reasons for what you're doing,<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for whatever you<br>&nbsp;&nbsp;&nbsp;&nbsp;can't handle on your own,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you'll turn to me.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So let me take care of this.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm grateful.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not actually planning on going<br>&nbsp;&nbsp;&nbsp;&nbsp;after Little Miss Patchwork there anymore.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not now that I know<br>&nbsp;&nbsp;&nbsp;&nbsp;she isn't the target I'm after.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind her,<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are *you* going to amuse me now?<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're not after her, then there's<br>&nbsp;&nbsp;&nbsp;&nbsp;no reason to mix it up with you.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Don't hold back for my sake.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may not look it, but I'm carrying<br>&nbsp;&nbsp;&nbsp;&nbsp;the same package as you.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is the hero going to chicken out on me?<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not exactly a hero.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't like picking<br>&nbsp;&nbsp;&nbsp;&nbsp;on those weaker than me.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-ho...<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...pretty big talk.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let me show you just how much I've got!<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know we were told to<br>&nbsp;&nbsp;&nbsp;&nbsp;capture it in one piece.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, if you hadn't done it,<br>
&nbsp;&nbsp;&nbsp;&nbsp;Naru, *I* would have.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, it really hurts...<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a moment. I'll mix up<br>&nbsp;&nbsp;&nbsp;&nbsp;a painkiller for you right away.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that thing's still running,<br>&nbsp;&nbsp;&nbsp;&nbsp;then we can still accomplish our mission!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of you, get back!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better to take that thing...<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and deliver a nice, thorough...<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...crushing blow, right here and now!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why is my paper protecting that thing?<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naru's...<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My...<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...paper got taken away!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How mean. I made proper skin and everything.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this is a bit unwieldly,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that doesn't hinder its movement.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being able to freely adjust<br>&nbsp;&nbsp;&nbsp;&nbsp;the friction coefficient like I can,<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not hurt by these steel beams.<br>&nbsp;&nbsp;&nbsp;&nbsp;Bullets and blades are also pointless.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I might not be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to deflect your electric shocks,<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the beams that are<br>&nbsp;&nbsp;&nbsp;&nbsp;scattered about so nicely<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will serve as grounding.<br>&nbsp;&nbsp;&nbsp;&nbsp;If the falling debris crushes you, so be it.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you're lucky enough to deflect all that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you down directly...<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are the beams coming this way?!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ability, huh?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're not an Electromaster,<br>&nbsp;&nbsp;&nbsp;&nbsp;but a psychokinesist?<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or no, a magnetism manipulator?<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you control so much mass at once?<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad. Even if I take no damage,<br>&nbsp;&nbsp;&nbsp;&nbsp;my grounding shielding is disappearing.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You leave me no choice!<br>&nbsp;&nbsp;&nbsp;&nbsp;I've underestimated you!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is going to cost me a finger,<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you won't have time to dodge this.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you shock me unconscious,<br>&nbsp;&nbsp;&nbsp;&nbsp;my momentum will still jab you!<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like *I'm* the one...<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...who underestimated you.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a girl? Wait a minute, you're...<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, look at this!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says I'll have a super-successful week!<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Horoscopes? How many people in Academy City<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even believe in anything as occult as those?<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I didn't believe in<br>&nbsp;&nbsp;&nbsp;&nbsp;them either, until just recently,<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the week we got trounced by that guy...<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it said that the greatest encounter<br>&nbsp;&nbsp;&nbsp;&nbsp;of my life would happen,<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I would have a terrible failure<br>&nbsp;&nbsp;&nbsp;&nbsp;at work as a result, and I'd lose credibility!<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My unlucky colors were red and white!<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, they really got your number there.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, right?<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, it says that this week,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have a great encounter,<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a possible catalyst for work<br>&nbsp;&nbsp;&nbsp;&nbsp;to take a turn for the better,<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that I should be positive<br>&nbsp;&nbsp;&nbsp;&nbsp;toward those I care about.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, horoscopes notwithstanding,<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we really did draw the<br>&nbsp;&nbsp;&nbsp;&nbsp;short straw on that one.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of the 2.3 million people in Academy City,<br>&nbsp;&nbsp;&nbsp;&nbsp;only seven of them are Level 5s.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was simply a rare case of<br>&nbsp;&nbsp;&nbsp;&nbsp;encountering one out of all those people.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's no way we'll run up<br>&nbsp;&nbsp;&nbsp;&nbsp;against another one any time soon.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The third-ranked Level 5, Railgun...<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess the occult really is...<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...pretty unreliable...<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's not enough to kill you.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, I can't ask you<br>&nbsp;&nbsp;&nbsp;&nbsp;any questions now, either.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just leaves one of you<br>&nbsp;&nbsp;&nbsp;&nbsp;who's still able to move.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naru!<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do? There's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;I can run away while carrying both of them.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then...!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're just going to leave<br>&nbsp;&nbsp;&nbsp;&nbsp;your friends here and run?<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blasting won't work.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming it can compensate<br>&nbsp;&nbsp;&nbsp;&nbsp;for any damage using other material,<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would be pointless.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then...<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if I can freeze it...!<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yakumaru!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wrong one.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Paper?!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we're even for before.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This scrap iron can imitate more than<br>&nbsp;&nbsp;&nbsp;&nbsp;just outward appearances, you see.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...!<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give those back.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna catch a cold!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yakkun!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *was* originally planning to let you<br>
&nbsp;&nbsp;&nbsp;&nbsp;return alive, so you could give a report...<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but I guess I'll need to press<br>&nbsp;&nbsp;&nbsp;&nbsp;my point even deeper.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should be okay,<br>&nbsp;&nbsp;&nbsp;&nbsp;now that we've made it this far...<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saved us, Naru.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Heh-heh, as Scavenger's ace,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say that's only natural.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now what do we do, Leader?<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First thing we do is rendezvous with Seike,<br>&nbsp;&nbsp;&nbsp;&nbsp;who should be back by now.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean the one in the sailor uniform,<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the kid is laid out on the ground back there.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When someone messes with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I take them down. I take it you're all together?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgun?!<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad, this is bad, this is bad!<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#23 Possession"<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're still traumatized by the memory<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Academy City's first ranked<br>&nbsp;&nbsp;&nbsp;&nbsp;beating us to a pulp,<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now we're facing the<br>&nbsp;&nbsp;&nbsp;&nbsp;third-ranked Railgun?!<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait a second! If we can pull this off,<br>&nbsp;&nbsp;&nbsp;&nbsp;we might just make our comeback!<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And all of that just took 0.1 seconds!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E23 - Possession

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRME9QNPY/possession)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is the worst-case scenario,<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where Academy City's third-ranked<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 5 is after us, happening?<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this?!<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't be some organization<br>&nbsp;&nbsp;&nbsp;&nbsp;that's up to no good, would you?<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it easy. I haven't heard<br>&nbsp;&nbsp;&nbsp;&nbsp;of any rival organizations<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are after the results of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Doppelganger research.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is risky, since I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;the reason why she was fighting Seike, but...<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. We're a recovery team,<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;formally hired by the research institution<br>&nbsp;&nbsp;&nbsp;&nbsp;that owns the Doppelganger.<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The person you came across is indeed<br>&nbsp;&nbsp;&nbsp;&nbsp;probably one of our team members.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I hope you realize that due<br>&nbsp;&nbsp;&nbsp;&nbsp;to the nature of our mission,<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're under mandatory orders to bar<br>&nbsp;&nbsp;&nbsp;&nbsp;any outsiders from getting involved.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your presence here doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;run counter to our objective,<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what would you say to a united front?<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this to you, Seike,<br>&nbsp;&nbsp;&nbsp;&nbsp;but your revenge will have to wait.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to use her to complete the mission.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand that you have trouble trusting us.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So for now, I'm okay with just<br>&nbsp;&nbsp;&nbsp;&nbsp;providing what information we have.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? Was the job<br>&nbsp;&nbsp;&nbsp;&nbsp;too much for you to handle alone?<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, unfortunately.<br>&nbsp;&nbsp;&nbsp;&nbsp;That thing has a strange capability.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it gets damaged,<br>&nbsp;&nbsp;&nbsp;&nbsp;it controls the matter around it,<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;incorporating it into itself--<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damaged? You hurt the Doppelganger?<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she saying that a legitimate recovery team<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't possibly damage their target?<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not good. How do I explain--?<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were surprised, too.<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we ran into her,<br>&nbsp;&nbsp;&nbsp;&nbsp;for some reason, she was already hurt.<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You picked up on it?<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course. We have to act<br>&nbsp;&nbsp;&nbsp;&nbsp;like we're not the bad guys here.<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What are you two talking about?<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was our attacks that broke that thing!<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We forgot we had an idiot with us.<br>&nbsp;&nbsp;&nbsp;&nbsp;--We forgot we had an idiot with us.<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! I still need to get you bandaged up, Naru!<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have hit your head<br>&nbsp;&nbsp;&nbsp;&nbsp;and scrambled your memory.<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She did mention the soul diffusing<br>&nbsp;&nbsp;&nbsp;&nbsp;and possessing things.<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean she can<br>&nbsp;&nbsp;&nbsp;&nbsp;control the things around her?<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounded a little far-fetched at first,<br>&nbsp;&nbsp;&nbsp;&nbsp;but now I need to see for myself.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We may have gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;beaten up by the first-ranked<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and been reduced to being dark side stooges,<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now we're going to use the third-ranked<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and stage our comeback!<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Seike!<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know this is the right area...<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you are!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe Seike got beaten.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That really must be<br>&nbsp;&nbsp;&nbsp;&nbsp;the Level 5 Misaka Mikoto, huh?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stay here. You two go and get Seike.<br>&nbsp;&nbsp;&nbsp;&nbsp;Then wait for my instructions.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leader is hurt, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;How can she let herself be alone with her?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so worried about her.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She probably thinks that<br>&nbsp;&nbsp;&nbsp;&nbsp;having you around will give us away.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's our official work request.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that answer all your questions?<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's get going.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that you've been hired by them.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you want to work together,<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to know a little more about you.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While evaluating our time fighting Accelerator,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went over some basic intel<br>&nbsp;&nbsp;&nbsp;&nbsp;on the other Level 5s.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto has bumped up<br>&nbsp;&nbsp;&nbsp;&nbsp;against dark side organizations before,<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she has never voluntarily<br>&nbsp;&nbsp;&nbsp;&nbsp;been involved with one.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, what I need<br>&nbsp;&nbsp;&nbsp;&nbsp;to do is make an impression.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have to be careful not to reveal<br>&nbsp;&nbsp;&nbsp;&nbsp;that we're a dark side organization.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you mean, who I'm with?<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most accessible<br>&nbsp;&nbsp;&nbsp;&nbsp;and trustworthy one would be...<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm with Judgment.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment? You guys? I don't see an arm band.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have one, of course.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we're dealing with<br>&nbsp;&nbsp;&nbsp;&nbsp;something inhuman on this case,<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I wasn't wearing it since<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't need to make any arrests.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a phony band, of course.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's absurd that I'm pretending to be<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a goody-two-shoes who sucks up to teachers.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one in the sailor uniform<br>
&nbsp;&nbsp;&nbsp;&nbsp;picked a fight with *me*.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not at all the way<br>&nbsp;&nbsp;&nbsp;&nbsp;I know Judgment to operate.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seike is the one who started it?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After promising never to get involved<br>&nbsp;&nbsp;&nbsp;&nbsp;with another Level 5 ever again?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You little troublemaker!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That kid is a civilian!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not all that unusual for us to have cases<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where we need to turn to those<br>&nbsp;&nbsp;&nbsp;&nbsp;with elevated abilities for help, you see.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, that one has a nasty habit<br>&nbsp;&nbsp;&nbsp;&nbsp;of picking fights with strong people.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That one might be too hard to swallow.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? That makes sense.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I stick my nose<br>&nbsp;&nbsp;&nbsp;&nbsp;into Judgment's business...<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sissy, you are a civilian!"<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is all I ever hear.<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it's not all that unusual, is it?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That being said,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like how this is being handled.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think you brought<br>&nbsp;&nbsp;&nbsp;&nbsp;them in on arrest orders.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, I'll be more careful.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure how,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I think I got through that safely.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay then...<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me a second.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you manage to find Kuriba-*san*?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho...?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Shokuho?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--How did she get my number?<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, during the Daihasei Festival.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Shokuho Misaki? *Another* Level 5?!<br>
&nbsp;&nbsp;&nbsp;&nbsp;--How did she get my number?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Oh, during the Daihasei Festival.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was I thinking? The third-ranked<br>&nbsp;&nbsp;&nbsp;&nbsp;and fifth-ranked go to the same school!<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, the two Level 5s<br>&nbsp;&nbsp;&nbsp;&nbsp;would know each other!<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did happen to see Kuriba Ryoko,<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but right before I did, she had<br>&nbsp;&nbsp;&nbsp;&nbsp;a run-in with the Doppelganger.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I'm chasing the Doppelganger down.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Need some of my help finding it?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No thank you to dragging in<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone else who's uninvolved.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, okay then.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should meet up with you.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The redevelopment district<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the airport bus terminal.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me she's coming here, too!<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad! This is really bad!<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fifth-ranked is a mental ability esper!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'll know I'm lying without a single word!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-There's no need for that!<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability is of the searching variety.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more than enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to simply track someone down.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, if a mental<br>&nbsp;&nbsp;&nbsp;&nbsp;manipulator esper is around,<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--the interference makes my sensitivity drop!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Aw, I was hoping to keep my ability a secret!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there someone else there?<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, someone from Judgment is helping me.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment? Well, whatever. And while I have you,<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let me tell you about another<br>&nbsp;&nbsp;&nbsp;&nbsp;lead I forgot to mention earlier.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a secret about the folks in the tall<br>&nbsp;&nbsp;&nbsp;&nbsp;building the Doppelganger escaped from.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Institutions that do this kind of shady research<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;tend to back up their data all over.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But *this* place is a little strange.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, their top-secret stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;is up in the skies.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The skies?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More precisely, an airship.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once per month,<br>&nbsp;&nbsp;&nbsp;&nbsp;they contact it directly via laser,<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as it passes over a designated location.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But other than that,<br>&nbsp;&nbsp;&nbsp;&nbsp;its course is entirely random.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even the institution<br>&nbsp;&nbsp;&nbsp;&nbsp;is sure where it is flying.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And apparently, the ship itself is<br>&nbsp;&nbsp;&nbsp;&nbsp;jam-packed with polarizing trickery<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all kinds of other masking.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, just file that away, okay?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like the<br>&nbsp;&nbsp;&nbsp;&nbsp;fifth-ranked isn't showing up.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was Miss Shokuho Misaki<br>&nbsp;&nbsp;&nbsp;&nbsp;you were speaking with, right?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? Mm-hmm.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw her at the Daihasei<br>&nbsp;&nbsp;&nbsp;&nbsp;Festival closing ceremonies.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was surprised by how glamorous<br>&nbsp;&nbsp;&nbsp;&nbsp;she looks for a middle-schooler.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She stands alongside you as<br>&nbsp;&nbsp;&nbsp;&nbsp;one of Tokiwadai's brightest jewels.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way she exposed that<br>&nbsp;&nbsp;&nbsp;&nbsp;scandal with the governing board<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is still fresh in my mind.<br>&nbsp;&nbsp;&nbsp;&nbsp;When I found out she uses her ability<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to transcribe letters for<br>&nbsp;&nbsp;&nbsp;&nbsp;severely handicapped students,<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't help but respect her.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, by complimenting your partner,<br>&nbsp;&nbsp;&nbsp;&nbsp;it puts me in a better light--<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? How come?<br>&nbsp;&nbsp;&nbsp;&nbsp;That isn't the reaction I was hoping for.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does more charity work than I expected.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could she actually be a good person?<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--No, there's no way--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah, I-I just remembered,<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we need a way to contact<br>&nbsp;&nbsp;&nbsp;&nbsp;each other in case of an emergency!<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, use this.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be a toy,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it has a considerable range,<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it only picks up<br>&nbsp;&nbsp;&nbsp;&nbsp;the registered user's voice,<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so even if there's a lot of noise,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll come in clearly.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, being a child's toy,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's tough, and hard to break.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why... this character...?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, crap! She must be at that age<br>&nbsp;&nbsp;&nbsp;&nbsp;where she hates being treated like a kid!<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do? Can I play it off<br>&nbsp;&nbsp;&nbsp;&nbsp;like it was just a joke?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, I mean...<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, wait!<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was so rattled by hearing Shokuho Misaki,<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it was hard to see<br>&nbsp;&nbsp;&nbsp;&nbsp;against the light from behind her,<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Misaka Mikoto's cell phone case<br>&nbsp;&nbsp;&nbsp;&nbsp;must be the same character! Probably!<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is it? The instincts<br>&nbsp;&nbsp;&nbsp;&nbsp;I developed from the dark side<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are telling me that the next words out<br>&nbsp;&nbsp;&nbsp;&nbsp;of my mouth could mean life or death!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is it?!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, I don't know much about this character,<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's so cute, I fell in love<br>&nbsp;&nbsp;&nbsp;&nbsp;with it right away. It's my favorite...<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean...<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got good taste!<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Safe!<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I peed myself a little.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, how about we go after...<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#23 Possession"<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Doppelganger?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over there.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Did you crush it?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just trapped her inside a concrete cage.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 5...<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is some incredible power, all right.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get back!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that she...<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...was only supposed to affect materials<br>&nbsp;&nbsp;&nbsp;&nbsp;around her when she's damaged.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more,<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't expecting her to bounce<br>&nbsp;&nbsp;&nbsp;&nbsp;this back to me with even greater power.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this soul possession?<br>&nbsp;&nbsp;&nbsp;&nbsp;It does indeed look as though her will<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can have an effect on the things around her.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh!<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the time we crossed paths at the facility,<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I considered the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that we would end up fighting,<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now, I'd welcome the opportunity,<br>&nbsp;&nbsp;&nbsp;&nbsp;once I advance a few more stages,<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgun.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thanks, you saved me.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who proposed a united front.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I would have done so<br>&nbsp;&nbsp;&nbsp;&nbsp;even if we didn't have that.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's lucky for us the tank she threw at us<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't have much fuel remaining.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, all of the plans<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to tie her up just got trashed.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad, though.<br>&nbsp;&nbsp;&nbsp;&nbsp;If even a Level 5 has her hands full with this...<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, let's get after her.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where she went?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Y-Yeah...<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There. Moving north-northeast.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she keeps going that way,<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll hit a high-density student dorm area.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she trying to blend<br>&nbsp;&nbsp;&nbsp;&nbsp;into the crowd there? No...<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have we here? A radar facility?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Academy City Airport<br>&nbsp;&nbsp;&nbsp;&nbsp;Administration Tracking Center"<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, that airship<br>&nbsp;&nbsp;&nbsp;&nbsp;is carrying all their top-secret info.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah. With all of the equipment there,<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she just might be able to expose the airship.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what reason would she have for doing so?<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's all based on Miss Kuriba's knowledge,<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the airship may be part of<br>&nbsp;&nbsp;&nbsp;&nbsp;their whole system for storing her data.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By blowing the airship to pieces,<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe it will affect a diffusion of her soul.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the case,<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it sounds like we're better off stopping her.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once she gets downtown,<br>&nbsp;&nbsp;&nbsp;&nbsp;the damage will be...<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This radar facility--<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Radar facility"           "Warehouse 8086"<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's close to where we were supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to deliver the Doppelganger.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Even if we can't restrain it,<br>&nbsp;&nbsp;&nbsp;&nbsp;could we change the direction it's heading?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it keeps going straight,<br>&nbsp;&nbsp;&nbsp;&nbsp;we won't be able to avoid any casualties,<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if we lead it over here,<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this area is full of warehouses<br>&nbsp;&nbsp;&nbsp;&nbsp;and abandoned facilities.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the only ones there<br>&nbsp;&nbsp;&nbsp;&nbsp;would be Skill Out, using it for a hideout.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get you. Okay, can I assume you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;issue the evacuation order to Skill Out?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm supposed to be in Judgment.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, got it. I'll contact you when I'm done.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll leave you to it.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Skill Out? Who cares about them?<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I agree, but it actually works<br>&nbsp;&nbsp;&nbsp;&nbsp;in our favor to get Misaka Mikoto<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to go through the route we set.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relocate the Skill Outs in this whole area?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we kick them out one by one?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would take too much time,<br>&nbsp;&nbsp;&nbsp;&nbsp;and if we aren't careful,<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we could provoke them into coming after us,<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is the opposite of what we want.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, just go hide and watch me.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, you know what I told him?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if I'm up against a Level 5...<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Hey, it's a girl!<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's actually a girl!<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey you, do you know whose territory this is--<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Please... run...!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey you, do you know whose territory this is--<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--She's a hottie!<br>&nbsp;&nbsp;&nbsp;&nbsp;--She's a hottie!<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was an industrial accident.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some toxic gas leaked out. It's only<br>&nbsp;&nbsp;&nbsp;&nbsp;a matter of time before it spreads here.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to leave now--<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on just a second.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's quite a story you're dropping on us.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The factory plans on covering it up!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Skill Out gets hurt,<br>&nbsp;&nbsp;&nbsp;&nbsp;they were illegally squatting here anyway,<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they say it's not that big an issue. Ow!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, are you hurt?<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine. I have to hurry<br>&nbsp;&nbsp;&nbsp;&nbsp;and go tell the others, too!<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As hurt as you are, you're more<br>
&nbsp;&nbsp;&nbsp;&nbsp;concerned about people like *us*?<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-All right, we'll go and tell the others.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. You hurry on and get to safety.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Go around to the rival teams, too!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Don't overlook even a single kitty!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. Naru, you can come out now.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't ask for anything yourself,<br>&nbsp;&nbsp;&nbsp;&nbsp;you merely put on a brave front,<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and look just miserable enough that<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't compromise your cuteness.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They didn't stand a chance.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one of you hurt my Yakkun?!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was pretending!<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's pull this a few more times.<br>&nbsp;&nbsp;&nbsp;&nbsp;Having multiple witnesses lends credibility,<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and word will spread faster.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Evacuation complete.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a single person along<br>&nbsp;&nbsp;&nbsp;&nbsp;the route we discussed earlier.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure you come through here.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially Warehouse 8086.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Copy that!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, it's too soon.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's being provided with my location.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it that girl in the mask?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew I should have eliminated her earlier.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like...<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fought something like you<br>&nbsp;&nbsp;&nbsp;&nbsp;at the end of summer vacation.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Friend of yours?<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Warehouse 8086"<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting so long.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late! Do you know how long you've taken?!<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is why I can't stand B-ranked--<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where is the Doppelganger?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be arriving shortly, don't you worry.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, arriving?<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is making all that noise?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, here it comes.<br>&nbsp;&nbsp;&nbsp;&nbsp;The Doppelganger you requested.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! How so?!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it must have put on some weight.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to have neglected to inform us,<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it has the ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to suck in the objects around it.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has no such bug--<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it couldn't be!<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there is a soul within the Doppelganger,<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no telling how the soul<br>&nbsp;&nbsp;&nbsp;&nbsp;will act if its vessel ever breaks.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what Kuriba was saying?<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, but even so, this is...<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our mission...<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to "return the Doppelganger to<br>&nbsp;&nbsp;&nbsp;&nbsp;the designated location fully operational."<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and the Doppelganger's current condition<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;derives from its original functionality,<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we do not recognize it as being abnormal.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if you will just sign off this receipt...<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I'm accepting this!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough! Start driving!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, ma'am.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you waiting for? Hurry and get going!<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have the pedal to the floor,<br>&nbsp;&nbsp;&nbsp;&nbsp;but we aren't going anywhere.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sign right here.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your doing?!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop screwing around!<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be stuck in here, too!<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screwing around?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we fail, we don't get any more chances!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been risking our lives from the start!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you prefer, the more<br>&nbsp;&nbsp;&nbsp;&nbsp;the merrier when we cash in our chips!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, all right, fine!<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, good enough?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, it is.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yakumaru!<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We're outta here!<br>&nbsp;&nbsp;&nbsp;&nbsp;--We're outta here!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye-bye!<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it, Leader!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was pretty aggressive, though.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, we got her signature, so...<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Doppelganger is up ahead--<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't your arm hurt?<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want, I can take it from here alone.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I took a painkiller, so pay it no mind.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you bail on me in<br>&nbsp;&nbsp;&nbsp;&nbsp;the middle of this, we're screwed.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that sounds about right.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What does?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some of my friends are in Judgment, too.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they get hurt,<br>&nbsp;&nbsp;&nbsp;&nbsp;they still try to carry out their duties.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the one hand, I worry and think<br>&nbsp;&nbsp;&nbsp;&nbsp;that they don't have to try so hard,<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but on the other, when they<br>&nbsp;&nbsp;&nbsp;&nbsp;stick their necks out for others,<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can respect them and put my trust in them.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm going to rely on you, too.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The teacher said she doesn't want you anymore.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said you don't show any potential,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can't be in the special class.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You poor thing, you!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, Misaka Mikoto,<br>&nbsp;&nbsp;&nbsp;&nbsp;but my duty isn't to Judgment--<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's to the dark side.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how much I bust her up,<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she just keeps regenerating immediately.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was close! But,<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm quickly starting to get this.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While my magnetism gets<br>&nbsp;&nbsp;&nbsp;&nbsp;more powerful the closer I am,<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this thing isn't affected by distance at all.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I had the upper hand with the steel beams,<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she had it over me<br>&nbsp;&nbsp;&nbsp;&nbsp;with the hunks of concrete,<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can only exert force<br>&nbsp;&nbsp;&nbsp;&nbsp;through things made of iron,<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while I guess she can exert her<br>&nbsp;&nbsp;&nbsp;&nbsp;influence over all sorts of matter.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also...<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...whatever burns up becomes<br>&nbsp;&nbsp;&nbsp;&nbsp;charred and crumbles away.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The patina on this "soul possession" business...<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is quickly starting to rub off, isn't it?<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Real-time analysis in the middle of combat...<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're more trouble than I expected, Railgun.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now...<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh?<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soul possession? Ah,<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that thing that Kuriba was talking about.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole idea is absurd.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But, sir, if that isn't it,<br>&nbsp;&nbsp;&nbsp;&nbsp;how else can you explain...<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Hello?<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't burn all of this away.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nor can you break it apart.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When faced with such an<br>&nbsp;&nbsp;&nbsp;&nbsp;overwhelming amount of mass...<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what do you do?<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The soul diffuses and possesses stuff?<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#24 Diffusion"<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what that<br>&nbsp;&nbsp;&nbsp;&nbsp;colossal monster-like thing is?<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could there be anything more dodgy than that?<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People tend to believe<br>&nbsp;&nbsp;&nbsp;&nbsp;in what they want to believe.<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like Indian Poker cards<br>&nbsp;&nbsp;&nbsp;&nbsp;that make your bust grow bigger.<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're bringing that up again?!<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E24 - Diffusion

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GY243DQ0R/diffusion)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't burn all of this away.<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nor can you break it apart.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When faced with such<br>&nbsp;&nbsp;&nbsp;&nbsp;an overwhelming amount of mass...<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what do you do?<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you've gone and done it.<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Evasion and interception--<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never done both of them<br>&nbsp;&nbsp;&nbsp;&nbsp;at full strength before.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you asked how I oppose<br>&nbsp;&nbsp;&nbsp;&nbsp;an overwhelming amount of mass?<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mass...<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...against mass!<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's hard! My iron sand blade<br>&nbsp;&nbsp;&nbsp;&nbsp;can't cut through it!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An iron sand puppet?<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can regenerate it<br>&nbsp;&nbsp;&nbsp;&nbsp;and alter its form to some degree;<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the same as me.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the parts that make it up are<br>&nbsp;&nbsp;&nbsp;&nbsp;too fine and too fragile, aren't they?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can generate more power than you can.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will end this before you can regenerate...<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better watch how you touch me.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be hazardous.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, the dust and iron<br>&nbsp;&nbsp;&nbsp;&nbsp;sand bits that comprise my body<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are rubbing each other,<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and storing up an electrical charge.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, if I piggyback on that accumulated charge<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and fire off an iron sand blast...<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I can blow right through even your armor!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive output. However...<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it doesn't change the fact<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'll end up regenerating...<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My parts *are* fine, which means<br>
&nbsp;&nbsp;&nbsp;&nbsp;they can make their way inside there.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as I thought.<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you can't control<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;individual vibrating,<br>&nbsp;&nbsp;&nbsp;&nbsp;blade-like grains of iron sand, huh?<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell by how it feels like<br>&nbsp;&nbsp;&nbsp;&nbsp;they're cutting you up on the inside!<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Followed up by another blast...<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A high-pressure gas tank?!<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not one with just leftover gas,<br>&nbsp;&nbsp;&nbsp;&nbsp;like I hit you with earlier;<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this one is loaded.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would happen<br>&nbsp;&nbsp;&nbsp;&nbsp;if I drop this into an urban area?<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An exquisite amount of force,<br>&nbsp;&nbsp;&nbsp;&nbsp;even from several kilometers away.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right,<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what if we try several of them at once?<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three?!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, are you trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to use up all of my energy?!<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a long time since<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come over to your place for dinner,<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then stayed over and spent the night.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't hear something just now?<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a big firework?<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I don't think they're<br>&nbsp;&nbsp;&nbsp;&nbsp;holding any events tonight.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! You see?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. What could it be?<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could that be...?<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I would not put that past being Sissy.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she has not called me.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be the first person I call.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Sissy! I am so frustrated!<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes...<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the last one!<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice control.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You struck them in such a way<br>&nbsp;&nbsp;&nbsp;&nbsp;that they would explode up into the sky,<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they would not cause damage to the city.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The masses of iron sand you used as bullets<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;now shroud the skies of Academy City.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The percentage of space it occupies<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is nothing compared to the amount<br>&nbsp;&nbsp;&nbsp;&nbsp;of ash in the air after a volcanic eruption,<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the iron sand powder that<br>&nbsp;&nbsp;&nbsp;&nbsp;gets caught up into the stratosphere<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will rain down on airborne bodies far and wide.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regardless of how subtly<br>&nbsp;&nbsp;&nbsp;&nbsp;it may try to conceal itself,<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;interference from solar winds<br>&nbsp;&nbsp;&nbsp;&nbsp;will disturb its magnetic field,<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Cinderella will be exposed.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found it.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all for the gas... tanks...?<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's dividing herself up?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She made dummies out of the debris?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one's the real one?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those things I just saw for a second--<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they gone?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doppelganger!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a proposition! Answer me!<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to talk to you!<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Whoa, hold on...<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're hard to make out, but there's<br>&nbsp;&nbsp;&nbsp;&nbsp;definitely something thread-like here.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these...?<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kuriba?! And...<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Doppelganger!<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the Doppelganger is really after...<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is the airship. Her fight<br>&nbsp;&nbsp;&nbsp;&nbsp;with me was a means of finding it,<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the rubble monster was only a distraction?<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is her real objective?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever it is, right now,<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to rescue Miss Kuriba!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, reach!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#24 Diffusion"<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you showed up personally,<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will at least listen to your proposal.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you give me two months?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker--<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a device I've spread around that<br>&nbsp;&nbsp;&nbsp;&nbsp;uses dreams as a medium for learning.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By my calculations,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will take two more months.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A means of eliminating<br>&nbsp;&nbsp;&nbsp;&nbsp;the soul should turn up by then.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once that happens...<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you will be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to safely dispose of my soul,<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which will diffuse without end<br>&nbsp;&nbsp;&nbsp;&nbsp;now that my vessel has been broken?<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I was familiar<br>&nbsp;&nbsp;&nbsp;&nbsp;with your thought patterns,<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now you're a fool who<br>&nbsp;&nbsp;&nbsp;&nbsp;speaks such illogical nonsense?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think you could tell<br>&nbsp;&nbsp;&nbsp;&nbsp;the subject you wish to terminate<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there is a way to do so,<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then just think that she<br>&nbsp;&nbsp;&nbsp;&nbsp;would say, "Yes, very well, then"?<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should bargain a little harder<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're trying to buy more time--<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not it!<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to eliminate...<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...my own soul!<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I die, my body will stop functioning<br>&nbsp;&nbsp;&nbsp;&nbsp;with the elimination of my soul.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't work out too favorably<br>&nbsp;&nbsp;&nbsp;&nbsp;for you, either, will it?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not if your goal is to become human.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all the things for you to say...<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're asking me to believe you?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you do find a way<br>&nbsp;&nbsp;&nbsp;&nbsp;to eradicate your soul,<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what proof can you offer that you<br>&nbsp;&nbsp;&nbsp;&nbsp;will simply turn your body over to me?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What proof can you offer<br>&nbsp;&nbsp;&nbsp;&nbsp;that you won't turn that power on me?<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me be frank.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no interest in your body. I simply...<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...want you, someone who was able<br>&nbsp;&nbsp;&nbsp;&nbsp;to create me, to no longer be in this world.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you say you are ready to give me your body,<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then go ahead and show me by dying right here.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was originally planning to burn down<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole city, but if you do that--<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be dead already.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that there are measures<br>&nbsp;&nbsp;&nbsp;&nbsp;to save my mother, I don't need my life.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kuriba!<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I lost sight of her...<br>&nbsp;&nbsp;&nbsp;&nbsp;--How do I get her back?<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Is there a way to go after her?<br>&nbsp;&nbsp;&nbsp;&nbsp;--How long before she hits the ground?<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on it.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;North-northeast. Range, 1600.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Altitude, 2,000.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you two both ready?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's being carried by the wind.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct course four degrees counterclockwise.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Range, 800.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five hundred...<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two hundred...<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We found her!<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew. Thank you.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saved her.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just paying you back. No need to thank me.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-We have a united front, after all.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't really sell it when<br>&nbsp;&nbsp;&nbsp;&nbsp;you say it so self-consciously.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do we do with her now?<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We checked into our employer, right?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could just drop her off<br>&nbsp;&nbsp;&nbsp;&nbsp;there without being seen.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That works.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Doppelganger is on top of the airship.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll support you by spotting for you.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like you're really<br>&nbsp;&nbsp;&nbsp;&nbsp;going over the top, aren't you?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hanging onto the airship<br>&nbsp;&nbsp;&nbsp;&nbsp;in question at the moment.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my goodness.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since all of the respective data<br>&nbsp;&nbsp;&nbsp;&nbsp;has been collected by the airship,<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I decided to go through Miss Kuriba's<br>&nbsp;&nbsp;&nbsp;&nbsp;papers from before her experiment.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I guess maybe I didn't need to.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, in one sense,<br>&nbsp;&nbsp;&nbsp;&nbsp;your timing couldn't be any better.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This "soul possession" business<br>&nbsp;&nbsp;&nbsp;&nbsp;always struck me as being far-fetched,<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I've postulated 20 different patterns<br>&nbsp;&nbsp;&nbsp;&nbsp;where matter could be controlled,<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've been testing them.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You found something, didn't you?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does she have any papers on artificial muscles?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Please don't worry.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a broader sense,<br>&nbsp;&nbsp;&nbsp;&nbsp;the airship that has collected the data<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is itself a part of the cyborg.<br>&nbsp;&nbsp;&nbsp;&nbsp;There are security measures in place,<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it will not come down on its own.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Destroying it would mean<br>&nbsp;&nbsp;&nbsp;&nbsp;the possibility of the soul--<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the damage spreading out further, yes.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, this is bad.<br>&nbsp;&nbsp;&nbsp;&nbsp;If the interceptor systems engage,<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of our research to<br>&nbsp;&nbsp;&nbsp;&nbsp;this point will go down the tubes.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did this happen?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, from the pushback I felt,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was certain about it,<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the specs say it's not<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be able to do that.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind...<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...forwarding that image to me, too?<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I first discovered<br>&nbsp;&nbsp;&nbsp;&nbsp;the Doppelganger with my ability,<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was using materials at an abandoned<br>&nbsp;&nbsp;&nbsp;&nbsp;factory to fabricate something.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The configuration is different,<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the resemblance is there.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Artificial muscles<br>&nbsp;&nbsp;&nbsp;&nbsp;that combine the characteristics<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of zombie ant parasites<br>&nbsp;&nbsp;&nbsp;&nbsp;and slime molds, that self-propagate<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and burrow into materials at<br>&nbsp;&nbsp;&nbsp;&nbsp;the micro level, controlling them.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does ring a bell.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But could a cyborg's artificial intelligence<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have come up with something<br>&nbsp;&nbsp;&nbsp;&nbsp;like that on its own?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just an ordinary<br>&nbsp;&nbsp;&nbsp;&nbsp;artificial intelligence.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an AI that integrated<br>&nbsp;&nbsp;&nbsp;&nbsp;with the brain of a gifted person<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who had thrust herself into cyborg research<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and learned from her inventiveness<br>&nbsp;&nbsp;&nbsp;&nbsp;and creativity for a whole year.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, when it comes to computational speed<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the capacity for simulation,<br>&nbsp;&nbsp;&nbsp;&nbsp;humans are no match for an AI.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell you at what point<br>&nbsp;&nbsp;&nbsp;&nbsp;she realized that she wasn't human,<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but one thing that isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;in doubt is that her escape<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was meticulously carried out.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not just to increase<br>&nbsp;&nbsp;&nbsp;&nbsp;her fighting chances, either.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she predicted ahead to<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kuriba's theory of soul diffusion,<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then her whole act has been a smokescreen.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough,<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was trick to your soul possession.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, this is just my gut feeling,<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but your feeling of hopelessness<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't about not being human.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your true despair is that you're<br>&nbsp;&nbsp;&nbsp;&nbsp;convinced you don't have a soul, right?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on in. I welcome you, Railgun.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well put-together, aren't they?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They combine a certain species of slime mold<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;together with large-scale<br>&nbsp;&nbsp;&nbsp;&nbsp;herbivore muscle tissue.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With just air, water, and a little light,<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they grow at an explosive rate. Although,<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once fully grown, they start to degrade,<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and in a few hours, they wither away.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...were out to take Kuriba Ryoko's life, right?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you've achieved your goal,<br>&nbsp;&nbsp;&nbsp;&nbsp;what else is it you want?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revenge against humanity, you might say.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are still over 20 gas tanks<br>&nbsp;&nbsp;&nbsp;&nbsp;that I hooked together ahead of time.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I set them up to incinerate that woman,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuriba Ryoko, along with the whole city.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You took out the main line,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the subs are still up.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would say it will take another 20 minutes<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to grow enough threads<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to control this amount of material.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In your view, I may be nothing more<br>&nbsp;&nbsp;&nbsp;&nbsp;than a dumb artificial intelligence<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that mistook herself for being a human.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now that I have been created,<br>&nbsp;&nbsp;&nbsp;&nbsp;I do feel envy and hatred for you humans.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Refer any complaints you have to the researchers<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who had me learn about<br>&nbsp;&nbsp;&nbsp;&nbsp;such unwelcome things as emotions.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no choice but to fight.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not a move an airship<br>&nbsp;&nbsp;&nbsp;&nbsp;can pull off, you know!<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I get thrown off,<br>&nbsp;&nbsp;&nbsp;&nbsp;not even I can make it back up.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Multiple duplicates?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So more decoys, then.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From your position,<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's one at one o'clock,<br>&nbsp;&nbsp;&nbsp;&nbsp;two o'clock, and seven o'clock;<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;plus two at nine o'clock.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not again!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two of them at three o'clock!<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To your five o'clock!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one is probably the main unit!<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Your line of fire is...!<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some days, I'm sad and feel depressed.<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>&nbsp;&nbsp;&nbsp;&nbsp;"#25 My Dear Friends"<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes, I feel like I'm powerless.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I have spent sleepless nights...<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I am by no means all alone.<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Because I have dear friends.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Because I have dear friends.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# E25 - My Dear Friends

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GYW4718J6/my-dear-friends)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To your five o'clock!<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one is probably the main unit!<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Your line of fire is...!<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...did you miss?<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the Doppelganger's objective really is...<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to get this city set ablaze?<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your bluffs won't work anymore.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't do that.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you just live the way you are now?<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a cruel thing to ask.<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you suddenly learned one day...<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that you were just a counterfeit<br>&nbsp;&nbsp;&nbsp;&nbsp;covered with a layer of skin,<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you have the confidence<br>&nbsp;&nbsp;&nbsp;&nbsp;in yourself to maintain your identity?<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think simply continuing<br>&nbsp;&nbsp;&nbsp;&nbsp;to operate is happiness for a machine,<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then that's your human ego.<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But,<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I mean, there are other--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Continuing to exist in this form,<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where I am reminded ad nauseum...<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that I do not possess a soul,<br>&nbsp;&nbsp;&nbsp;&nbsp;is torment all by itself.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please...<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Railgun T"<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I offer you my thanks,<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgun.<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to be kidding me!<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making me do this to you...<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are troubled by this,<br>&nbsp;&nbsp;&nbsp;&nbsp;then you are an incredibly soft touch.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is no worse than disposing<br>&nbsp;&nbsp;&nbsp;&nbsp;of a broken household appliance.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your goal was to destroy yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;and the airship with the repository of data<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would make it possible<br>&nbsp;&nbsp;&nbsp;&nbsp;to reconstruct yourself. As well as...<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...getting rid of Miss Kuriba,<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who could create them.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your safeties prevent you<br>&nbsp;&nbsp;&nbsp;&nbsp;from committing suicide,<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you were trying to use those gas tanks<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to activate Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;intercept systems, weren't you?<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I need to tell you,<br>&nbsp;&nbsp;&nbsp;&nbsp;while I still can...<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...?<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kuriba... I was just about to tell her<br>&nbsp;&nbsp;&nbsp;&nbsp;that I could reason with her to--<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the devil's own luck.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be... It can't be...<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-K-Kuriba, we can fix her!<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hurry and collect her parts!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hold on!<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just let the Doppelganger rest in peace!<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what she wants!<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you--<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief, I can't take part<br>&nbsp;&nbsp;&nbsp;&nbsp;in this experiment any longer.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actions that cause distress to the subject<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the sake of the<br>&nbsp;&nbsp;&nbsp;&nbsp;researcher's profit or fame...<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are not what I call medical care.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second, now. Do you realize<br>&nbsp;&nbsp;&nbsp;&nbsp;the good this research will bring about--<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you want<br>
&nbsp;&nbsp;&nbsp;&nbsp;isn't even *in* the Doppelganger!<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her soul doesn't exist.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a fallacy,<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;born of wishful thinking in<br>&nbsp;&nbsp;&nbsp;&nbsp;getting the results you wanted.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y--<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You expect me to believe that?!<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking her with me, no matter what!<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is ridiculous...<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turn around!<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do as I say, or else...!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell roughly where<br>&nbsp;&nbsp;&nbsp;&nbsp;they are from their EM waves.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I'm not careful,<br>&nbsp;&nbsp;&nbsp;&nbsp;my attack could hit Miss Kuriba.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a good chance that<br>&nbsp;&nbsp;&nbsp;&nbsp;masked kid is watching what's going on,<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the airship has drifted pretty far away.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no telling how long<br>&nbsp;&nbsp;&nbsp;&nbsp;it would take her to get here by car.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What nonsense is this<br>&nbsp;&nbsp;&nbsp;&nbsp;about her not having a soul?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true!<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Doppelganger was<br>&nbsp;&nbsp;&nbsp;&nbsp;just using her artificial muscles<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make it look like soul possession!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lying!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm not! This whole time,<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she's been suffering inside<br>&nbsp;&nbsp;&nbsp;&nbsp;her soulless, awkward self<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and chose the route of shutting<br>&nbsp;&nbsp;&nbsp;&nbsp;her systems down herself!<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it must be deeper inside!<br>&nbsp;&nbsp;&nbsp;&nbsp;Deeper than the artificial muscles!<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has to be!<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I have to dismantle her,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can demonstrate...<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chief, stop it, already!<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not right to trample on<br>&nbsp;&nbsp;&nbsp;&nbsp;the Doppelganger's dignity any further!<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need this wake-up call, right now,<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or we'll end up committing even more mistakes!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Let go--<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! You tugged at me!<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never meant to shoot you!<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kuriba!<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay with me!<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll call the hospital for you.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Seike and Naru are headed to you--<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'll take care of it myself.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just contact the hospital, please.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not a good place to get shot.<br>&nbsp;&nbsp;&nbsp;&nbsp;As it stands...<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Kuro--<br>&nbsp;&nbsp;&nbsp;&nbsp;--What a lucky place to get shot.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She always did... have the devil's own luck...<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a cyborg right here,<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;designed exclusively for her...<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even without administering miahilin...<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...part of me could...<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly... I learned way too much--<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy--<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko... I hate to ask,<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but could you help me carry<br>&nbsp;&nbsp;&nbsp;&nbsp;these two to the hospital?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No soul? After everything<br>&nbsp;&nbsp;&nbsp;&nbsp;we went through, that can't be true.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I know! If I do it over again,<br>&nbsp;&nbsp;&nbsp;&nbsp;then someday, even without Kuriba,<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could use a Child Error<br>&nbsp;&nbsp;&nbsp;&nbsp;right away to save time--<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even a man who sought<br>&nbsp;&nbsp;&nbsp;&nbsp;for affordable ways to save the lives<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of so-called medical refugees from all over,<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can no longer apply his<br>&nbsp;&nbsp;&nbsp;&nbsp;own brakes once he goes astray.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human avarice is a frightening thing.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll reset you to help you remember<br>&nbsp;&nbsp;&nbsp;&nbsp;what your original intentions were.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have the spirit to do it all over again,<br>&nbsp;&nbsp;&nbsp;&nbsp;then crawl your way back<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#25 My Dear Friends"<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from behind square one.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get some good news or something?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? You know that girl<br>&nbsp;&nbsp;&nbsp;&nbsp;I had you take to the hospital?<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says she's out of intensive care.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like she's recovering nicely.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the *best* news.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's all because of you.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I simply wanted to see<br>&nbsp;&nbsp;&nbsp;&nbsp;that joyful look on your face.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if you insist on displaying<br>&nbsp;&nbsp;&nbsp;&nbsp;your feelings of gratitu-u-ude...<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's okay.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my word...<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you two are as close as ever.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shokuho...<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you do, Miss Misaka, Miss Shirai?<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you do?<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah...<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is about Miss Kuriba, I heard.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's great that she pulled through.<br>&nbsp;&nbsp;&nbsp;&nbsp;That was good, hard work, Miss Misaka.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah. "Hard" is right.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this, now?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That business the other night--<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by any chance, was it Shokuho Misaki<br>&nbsp;&nbsp;&nbsp;&nbsp;with whom you were having dealings?<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, well...<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, Sissy, did you two not<br>&nbsp;&nbsp;&nbsp;&nbsp;use to have more friction between you?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you start being so chummy?!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't started being especially *anything*.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why were you keeping it a secret?!<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be feeling guilty about *something*!<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would I have done to feel guilty about?!<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not a satisfactory answer!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have nothing to worry about, Miss Shirai.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to take your Sissy away from you.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is that so?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may decide to come and take *you*.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Or not.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah!<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there, Hokaze!<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Miss Uiharu, Miss Saten.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you do?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How do you do?!<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu...<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You know each other?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. We met the other day at the 177th Branch.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are every bit "The Lovely<br>&nbsp;&nbsp;&nbsp;&nbsp;Young Lady of Tokiwadai" as ever.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially those ringlets in your hair.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, allow me to introduce you.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Miss Shokuho Misaki, our Queen.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Qu-Queen?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Qu-Queen?!<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, it's really her, it's really her!<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What do we do, Miss Saten?!<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my goodness. Nice to meet you.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Pl-Pleased to meet you!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Pl-Pleased to meet you!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my pleasure.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so shameless.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? What was that, Miss Misaka?<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing at all.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Now listen, you two.<br>&nbsp;&nbsp;&nbsp;&nbsp;--I just felt the greatest threat<br>&nbsp;&nbsp;&nbsp;&nbsp;to my virtue that I have ever felt!<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--When speaking to the Queen,<br>&nbsp;&nbsp;&nbsp;&nbsp;there are rules that must be observed.<br>&nbsp;&nbsp;&nbsp;&nbsp;--I just felt the greatest threat to my virtue that I have ever felt!<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There really never is a<br>&nbsp;&nbsp;&nbsp;&nbsp;dull moment in this city, huh?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hold on, Shokuho!<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, so now that we are coming up<br>&nbsp;&nbsp;&nbsp;&nbsp;against more difficult missions,<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are there any ideas as to how<br>&nbsp;&nbsp;&nbsp;&nbsp;we can raise Team Scavenger's standards?<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, ooh!<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does anyone *else* have any ideas?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! How come you're ignoring me?!<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well... Okay, Naru?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply put, we should take on a new member!<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who can make up for what we're missing!<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naru actually has a decent idea.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what is it we're missing?<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Yellow!<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Yellow?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name "Scavenger"...<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...sounds like a *tokusatsu* team, doesn't it?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We start with me, the Pink one,<br>&nbsp;&nbsp;&nbsp;&nbsp;and Leader, you'd be Red, right?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seike, I was thinking *maybe*<br>
&nbsp;&nbsp;&nbsp;&nbsp;you'd be Black, but no, you're Blue.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Yakkun, you're the White one,<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the only one we're missing is a Yellow!<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah,<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;w-well, if we used your ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to make paper outfits for all of us,<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we could maybe all do some<br>&nbsp;&nbsp;&nbsp;&nbsp;sort of transformation together.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a chance in hell.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm just saying...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Nice! Let's start doing that!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We should focus on polishing our skills first.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Okay, let's get started!<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your clothes off!<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We should focus on polishing our skills first.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh? Hold on a second!<br>&nbsp;&nbsp;&nbsp;&nbsp;Why me?! Try it out on yourself!<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Mm-hmm, you're right about that.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh? Hold on a second!<br>&nbsp;&nbsp;&nbsp;&nbsp;Why me?! Try it out on yourself!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't be an objective observer<br>&nbsp;&nbsp;&nbsp;&nbsp;if I do that! It will just take a second!<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You've seen me naked plenty of times!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you get naked without anyone asking you to!<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teammates don't keep secrets from<br>&nbsp;&nbsp;&nbsp;&nbsp;each other! They disclose everything!<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you have such a radical take on that?!<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My chemical stock is way down, too.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Two minutes later"<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you just...<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...stop, already?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, when you use your ability continuously,<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can only hold it for three minutes, right?<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're getting pretty close, aren't you?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was out to run down<br>&nbsp;&nbsp;&nbsp;&nbsp;the clock from the start?!<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As dumb as she is?!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well if you just wait for 30 minutes,<br>&nbsp;&nbsp;&nbsp;&nbsp;Naru will take an interest in something else.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have to kill time outside until then.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did she paper the door?!<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been waiting since we started<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the moment when I lowered<br>&nbsp;&nbsp;&nbsp;&nbsp;my ability to grab the doorknob!<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on now, Seike, Seike, let me see!<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, Seike, you're<br>&nbsp;&nbsp;&nbsp;&nbsp;more of a Blue than a Black!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of idiocy was that?<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now Scavenger has been<br>&nbsp;&nbsp;&nbsp;&nbsp;brought that much closer togeth--<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both of you, be quiet.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll start by saying good work on your mission.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like it was a<br>&nbsp;&nbsp;&nbsp;&nbsp;bigger deal than anticipated, huh?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, as I'm sure you already know,<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;our client's business went bankrupt.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've bilked us out of our fee. But,<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just consider it a stroke of bad luck and--<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a moment.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you expect us to just say "Yes, ma'am"?<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can I say? We no longer<br>&nbsp;&nbsp;&nbsp;&nbsp;have a client. What else can we do?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get paid my commission, either.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a victim, too.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We risked our lives out in the field.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a little different than your situation.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd appreciate it if you<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't get cute with us.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow,<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's some pretty fierce bite,<br>&nbsp;&nbsp;&nbsp;&nbsp;coming from a dark side farm team.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a matter of being in the big leagues,<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or the minor leagues,<br>&nbsp;&nbsp;&nbsp;&nbsp;or even a matter of the money.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we take on a mission,<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we take on the heavy risk of being<br>&nbsp;&nbsp;&nbsp;&nbsp;put on ice, demoted, or even liquidated.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When our mission contract is nonetheless broken<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you try to dismiss it with a<br>&nbsp;&nbsp;&nbsp;&nbsp;"well, that's that," it's not right.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I'm saying is, it isn't reasonable.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we won't accept it until<br>&nbsp;&nbsp;&nbsp;&nbsp;we're shown some proper good faith.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, all right.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In return for zero reward,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll restore your rank to its original level.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, you would have had to<br>&nbsp;&nbsp;&nbsp;&nbsp;carry out several more missions for this,<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's a real bargain.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Original level?<br>&nbsp;&nbsp;&nbsp;&nbsp;You could give us a team name, too--<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't press your luck, kid.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now get to sleep so you're ready<br>&nbsp;&nbsp;&nbsp;&nbsp;for your next assignment!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it!<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's our Leader!<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This means our reward will<br>&nbsp;&nbsp;&nbsp;&nbsp;increase starting with our next job.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We can buy new equipment<br>&nbsp;&nbsp;&nbsp;&nbsp;to replace our old stuff!<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What are they talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;--We can buy new equipment<br>&nbsp;&nbsp;&nbsp;&nbsp;to replace our old stuff!<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our night-vision gear is an older model.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And our rations are past their expiration date.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus our communicators are just toys.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not this one.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It still works. And besides,<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've taken quite a liking to this character.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how are you feeling?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka's test numbers are satisfactory.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, since she was told<br>&nbsp;&nbsp;&nbsp;&nbsp;to refrain from going outside,<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is craving some out-of-doors<br>&nbsp;&nbsp;&nbsp;&nbsp;stimulation," replies Misaka,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;taking the opportunity to express<br>&nbsp;&nbsp;&nbsp;&nbsp;her dissatisfaction at her situation.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What other choice is there?<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Here, I bought you the kind of cake<br>&nbsp;&nbsp;&nbsp;&nbsp;you like, so this should cheer you--<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Big Sister,<br>&nbsp;&nbsp;&nbsp;&nbsp;--Here, I bought you the kind of cake<br>&nbsp;&nbsp;&nbsp;&nbsp;you like, so this should cheer you--<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what is en vogue changes on a daily basis.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most popular item at<br>&nbsp;&nbsp;&nbsp;&nbsp;that shop is another product now.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Misaka will still take those.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, you...<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...just accept them gracefully.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, hey!<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you not that cat from once upon a time?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Misaka! Fancy meeting you here!<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you're still being hospitalized.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I am here today to finish<br>&nbsp;&nbsp;&nbsp;&nbsp;the last of the remaining paperwork.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind me, would that happen to be...?<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh...<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm,<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is my sister.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I knew it!<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Miss Kongo. I told you<br>&nbsp;&nbsp;&nbsp;&nbsp;about her before, remember?<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How when you went missing,<br>&nbsp;&nbsp;&nbsp;&nbsp;she stepped up and went all-out for you?<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, and how you were injured for Misaka's sake.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so very much for doing so.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, please do not give it another thought.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am glad that you are safe.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I get a name, if you do not mind?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Name, you say?<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On Hold.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss On Hold...? Th-That is quite a unique name.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems to like you.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm? Oh, that is the *cat's* name.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right then, what is *your* name?<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka's name? This Misaka is Misaka 10032,"<br>&nbsp;&nbsp;&nbsp;&nbsp;answers Misaka succinctly.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One... um... All right, would<br>&nbsp;&nbsp;&nbsp;&nbsp;you mind if I called you "Ichi"?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah...<br>&nbsp;&nbsp;&nbsp;&nbsp;--No, Misaka does not mind.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mind?!<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ichi, is that a Tokiwadai uniform?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. This is cosplay.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cos... play...?<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That being said, what should Misaka call you?"<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, brilliantly changing the subject.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who, me? A-All right,<br>&nbsp;&nbsp;&nbsp;&nbsp;since I am calling you "Ichi,"<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can call me "Mi."<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incredible! Is this the ocean?<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, yeah, close enough.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Don't tell her that!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's bad for her education, you know.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, remember?<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an aquarium.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are bigger versions of that thing<br>&nbsp;&nbsp;&nbsp;&nbsp;you used to make in your bottle!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not really--<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I wonder if this is<br>&nbsp;&nbsp;&nbsp;&nbsp;really the best place to take her.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to go through a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of trouble to leave Academy City,<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I use my ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I can swing something.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if we go too far away right off,<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be worried about her physical wellbeing.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't we take it slow?<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think that's best,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's good enough for me.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi! Misaki! Look! Is that a dolphin?!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? That's probably a tuna.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A tuna? I know that one!<br>&nbsp;&nbsp;&nbsp;&nbsp;I read about them in my book!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're yummy fish that dissolve on your tongue!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of books are you reading?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey...<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doppel...<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...ganger.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a dream? Or is this a hallucination,<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;brought on by my own guilty feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;as I cross the river Acheron--<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a dream.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this my chance to apologize?<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apologize?<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't try to kill you out of resentment.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was simply a requisite condition.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, maybe having requisite<br>&nbsp;&nbsp;&nbsp;&nbsp;conditions that include a tolerance<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the number of casualties<br>&nbsp;&nbsp;&nbsp;&nbsp;that accompany them is itself<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a thought pattern that<br>&nbsp;&nbsp;&nbsp;&nbsp;I picked up because of you.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew that introducing<br>&nbsp;&nbsp;&nbsp;&nbsp;Indian Poker into the world<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would bring about chaos, right?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the same, you pushed forward,<br>&nbsp;&nbsp;&nbsp;&nbsp;with the goal of saving your mother.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't even separate<br>&nbsp;&nbsp;&nbsp;&nbsp;your own life from your objective.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the kind of person<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who by your very nature can't<br>&nbsp;&nbsp;&nbsp;&nbsp;accomplish anything unless you do so.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no need to deny yourself.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not if it means becoming someone<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who never creates anything<br>&nbsp;&nbsp;&nbsp;&nbsp;in return for never hurting anyone.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if you do,<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be so dull to coexist with you.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coexist?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So first off,<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took a run at touching up the<br>&nbsp;&nbsp;&nbsp;&nbsp;cyborg you completed for your mother,<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I found three points that should be fixed.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--These designs are fine at first,<br>&nbsp;&nbsp;&nbsp;&nbsp;but there will be concerns after ten years.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh? Huh? Huh?<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I have a better knack for simulations<br>&nbsp;&nbsp;&nbsp;&nbsp;than you do, you know. First off...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh? Huh? Huh?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um...<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Doppelganger came to you in your dream?<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It's the strangest thing.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just swapped out a portion of my organs,<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that kind of phenomenon<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't be happening.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's...<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it was my own guilt<br>&nbsp;&nbsp;&nbsp;&nbsp;causing me to hallucinate at first...<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That matches perfectly<br>&nbsp;&nbsp;&nbsp;&nbsp;with the records from our fight.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, and what's more,<br>&nbsp;&nbsp;&nbsp;&nbsp;she went on and on finding fault<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a lot of the research<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done up to this point...<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um, what can we do to let you cross over?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha! I have no soul, so I can't cross over.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've finished bringing up those problems.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Next, we'll spend all night on your dark past--<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--S-Stop!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Next, we'll spend all night on your dark past--<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, I'm afraid to go to sleep.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, even so...<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it's kind of a relief.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ended up dumping all of my<br>&nbsp;&nbsp;&nbsp;&nbsp;responsibilities onto you during all this.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still,<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;normally, I might not be permitted<br>&nbsp;&nbsp;&nbsp;&nbsp;to say something like this,<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but throughout all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Doppelganger's operational runtime,<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her fight against you was the<br>&nbsp;&nbsp;&nbsp;&nbsp;only time she seemed to feel fulfilled.<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you see her in your dreams again,<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;tell her that she was pretty formidable, too.<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have been waiting for you, Sissy.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about we all go out again<br>&nbsp;&nbsp;&nbsp;&nbsp;and get something good to eat?<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, in that case, there's a café around here<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--that's the scene of an urban legend...<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Saten!<br>&nbsp;&nbsp;&nbsp;&nbsp;--that's the scene of an urban legend...<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never learn, do you, Miss Saten?<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm kidding!<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! You are always like this, Saten--<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anywhere is fine, as long as we're all together.<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's go!<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>