# Season 2 - Railgun S

# E1 - Railgun

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GYMG3X3WY/railgun)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez...<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They sure are late, huh?<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What could they be up to?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right...<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, some weirdos<br>&nbsp;&nbsp;&nbsp;&nbsp;are trying to start some trouble!<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hey,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I *was* just walking normally!<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop running away like that.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Wait up!<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not getting away from us!<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, just hurry!<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, right. Just a little longer...<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've pinpointed Miss Saten's<br>&nbsp;&nbsp;&nbsp;&nbsp;cell phone's location!<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nicely done, Uiharu. Now...<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just a moment please!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get my armband...<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold up!<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you just give up, already?<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah!<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, you see? You get all<br>&nbsp;&nbsp;&nbsp;&nbsp;hasty, and you take a tumble.<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh...<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yow!<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment!<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu? Shirai!<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're under arrest for attempted assault!<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment?<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, she's got an ability.<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that!<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen anyone teleport before.<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, even with her ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;once all of us surround her...<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud, learn your place--<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, here you are!<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, you guys were so late.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you all doing here?<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, wait--<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you friends with these others?<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're interfering with us,<br>&nbsp;&nbsp;&nbsp;&nbsp;then why don't we start with you, huh?<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, she says...<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What was that just now?<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lightning?<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's get going.<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, the stores<br>&nbsp;&nbsp;&nbsp;&nbsp;are going to close.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way,<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are these guys, anyway?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zap first and ask<br>&nbsp;&nbsp;&nbsp;&nbsp;questions later, huh?<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With a population of 2.3 million,<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;eighty percent of which is<br>&nbsp;&nbsp;&nbsp;&nbsp;taken up by students,<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;focused daily on nurturing<br>&nbsp;&nbsp;&nbsp;&nbsp;and improving their abilities,<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is Academy City.<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of the only seven Level 5<br>&nbsp;&nbsp;&nbsp;&nbsp;people that dominate here,<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you are the third-ranked<br>&nbsp;&nbsp;&nbsp;&nbsp;"Railgun," Misaka Mikoto.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, are you even aware of who you are?<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What do you mean?<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you "What do you mean?" me!<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, your ability is simultaneously<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an aspiration and an object of jealousy.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like yesterday, when your<br>&nbsp;&nbsp;&nbsp;&nbsp;rash actions drew attention to you,<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are those even now who<br>&nbsp;&nbsp;&nbsp;&nbsp;would exploit you, or use foul play to--<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Why are you<br>&nbsp;&nbsp;&nbsp;&nbsp;answering that text message?!<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from Miss Uiharu.<br>&nbsp;&nbsp;&nbsp;&nbsp;She just left the dorm.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, you should hurry up<br>&nbsp;&nbsp;&nbsp;&nbsp;and finish your work, too.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah...<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man...<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gee whiz, Sissy.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man!<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was so cool-looking!<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you call it?<br>&nbsp;&nbsp;&nbsp;&nbsp;An instant takedown?<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With just one shot,<br>&nbsp;&nbsp;&nbsp;&nbsp;she blasted all those punks!<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impressive.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same old Miss Saten<br>&nbsp;&nbsp;&nbsp;&nbsp;as always, I see.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you wander those<br>&nbsp;&nbsp;&nbsp;&nbsp;back alleyways that this happens.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... Ah!<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru'ue, we're almost there!<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see, the invitation, the invitation...<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go again, changing the subject.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why are we meeting up at<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka and Shirai's school today?<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Miss Misaka...<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Kongo.<br>&nbsp;&nbsp;&nbsp;&nbsp;And Miss Wannai and Miss Awatsuki, as well.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Miss Misaka.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you?<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are those...?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, these?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Materials for our assignments.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to this school,<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the summer vacation<br>&nbsp;&nbsp;&nbsp;&nbsp;assignments are voluminous!<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, it is a real pain.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah. Just choosing the<br>&nbsp;&nbsp;&nbsp;&nbsp;material is a chore by itself, huh?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, Miss Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;is that why you're here today?<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm just killing some<br>&nbsp;&nbsp;&nbsp;&nbsp;time until I have to meet someone.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already finished my assignments.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we're sure you did.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-If I really wanted to, I could<br>&nbsp;&nbsp;&nbsp;&nbsp;have done these in half a day.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh...<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you okay, Miss Kongo?<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear. How could I let this happen?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, there's one over here, too...<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, Miss Kongo.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh!<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These, too.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Miss Shokuho.<br>&nbsp;&nbsp;&nbsp;&nbsp;And she's surrounded by her little clique.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the fifth-ranked Level 5 for you.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no wonder they call<br>&nbsp;&nbsp;&nbsp;&nbsp;her the queen of this school, is it?<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a single thing<br>&nbsp;&nbsp;&nbsp;&nbsp;about her that I find likeable.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How could I let myself say that?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-By no means did I mean<br>&nbsp;&nbsp;&nbsp;&nbsp;that to sound like backbiting!<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what to say!<br>&nbsp;&nbsp;&nbsp;&nbsp;It just slipped out!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We get it!<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well then, we should be on our way.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we should.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you around, Miss Misaka.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, mm-hmm.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no talking allowed in the library.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on!<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were chatting up<br>&nbsp;&nbsp;&nbsp;&nbsp;a storm just a moment ago.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless, maybe,<br>
&nbsp;&nbsp;&nbsp;&nbsp;you just don't want to talk to *me*?<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? What have we here?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Could you not touch my<br>&nbsp;&nbsp;&nbsp;&nbsp;things without asking?!<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, how scary!<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, is it a present<br>&nbsp;&nbsp;&nbsp;&nbsp;for your boyfriend, or anything?<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to pick a fight with me?<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not.<br>&nbsp;&nbsp;&nbsp;&nbsp;Going one-on-one is so difficult.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all...<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...!<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, my tampering<br>&nbsp;&nbsp;&nbsp;&nbsp;powers don't work on you.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That EM barrier of yours is a real bother.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, you!<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Qu-Queen?<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that Miss Misaka and Miss Shokuho?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are those two together?<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed. But...<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...while going one-on-one is too difficult...<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...going up against this<br>&nbsp;&nbsp;&nbsp;&nbsp;many Tokiwadai students...<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...would be intense,<br>&nbsp;&nbsp;&nbsp;&nbsp;even for you, wouldn't it?<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just kidding.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What was I just...?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why am I out of my chair?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, have a look over there!<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So then, Queen, that was you?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Miss Misaka and Shokuho!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see your ability is<br>&nbsp;&nbsp;&nbsp;&nbsp;as utterly depraved as ever,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's greatest mental ability user,<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mental Out," Shokuho Misaki!<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make such an angry face.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as a warning, you seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to be making friends in vain lately.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you make any moves into my territory,<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is going to cost you.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind...<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if I asked you a question?<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're just asking, feel free.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you're a middle-schooler?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a good question!<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I've ended up as,<br>&nbsp;&nbsp;&nbsp;&nbsp;for the time being,<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but with my tampering abilities,<br>&nbsp;&nbsp;&nbsp;&nbsp;anything could happen, you know?<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu and the others have arrived!<br>&nbsp;&nbsp;&nbsp;&nbsp;Come, come! Let's go! Let's go!<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop teleporting in out of the blue!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for waiting!<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Shirai, what happened to you?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same touchy-feeliness as always.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Miss Haru'ue, for having<br>&nbsp;&nbsp;&nbsp;&nbsp;to drag you all the way out here.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, I'm having a terribly good time.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bought a lot of<br>&nbsp;&nbsp;&nbsp;&nbsp;tasty-looking goodies, too.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are a lot of<br>&nbsp;&nbsp;&nbsp;&nbsp;especially famous shops,<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even for Academy City,<br>&nbsp;&nbsp;&nbsp;&nbsp;gathered around here, after all.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, you sure did enjoy<br>&nbsp;&nbsp;&nbsp;&nbsp;being able to show them to Haru'ue.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's such a fantastic part of town.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, no matter how you look<br>&nbsp;&nbsp;&nbsp;&nbsp;at it there's a fancy atmosphere here!<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like *Le Mademoiselle*!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Even the air smells like roses!<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that why?<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I wondered why you<br>&nbsp;&nbsp;&nbsp;&nbsp;went with something in that vein today.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that vein? What do you mean by--<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-H-How do you know about that?!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it was earlier.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While you were picking<br>&nbsp;&nbsp;&nbsp;&nbsp;out your cake, I had a peek.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were pretty, and so full of roses.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not you, too, Miss Haru'ue!<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are so terrible!<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry. But it's just not<br>&nbsp;&nbsp;&nbsp;&nbsp;as satisfying without that reaction.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I mean--<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now!<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's not stick around here squabbling,<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;come on!<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#1 "Railgun"<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry and get going!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you visiting someone?<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, please fill in<br>&nbsp;&nbsp;&nbsp;&nbsp;the required items on here.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you sure have gotten this down, huh?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, guys!<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Miss Yomikawa and Miss Tesso!<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with you today?<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, you're visiting someone?<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you, ma'am?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has there been an incident,<br>&nbsp;&nbsp;&nbsp;&nbsp;or something?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the pseudo-radicals we<br>&nbsp;&nbsp;&nbsp;&nbsp;went up against is being treated here.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's finally recovered,<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we're relocating him to<br>&nbsp;&nbsp;&nbsp;&nbsp;an Antiskill-affiliated hospital,<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where we'll put the<br>&nbsp;&nbsp;&nbsp;&nbsp;squeeze on him good and hard.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, take it easy.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pseudo-radical?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Well,<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you know, there are always<br>&nbsp;&nbsp;&nbsp;&nbsp;all sorts of problems in this town.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Banri!<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Erii! Hmm?<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong--<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello!<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, everyone!<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Edasaki Banri"<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delicious!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is really delicious, Erii!<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it? Earlier, Miss Uiharu and<br>&nbsp;&nbsp;&nbsp;&nbsp;I had all we could eat at this shop.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of you must have<br>&nbsp;&nbsp;&nbsp;&nbsp;eaten about twenty of them, huh?<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking so much better, huh?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Well, the<br>&nbsp;&nbsp;&nbsp;&nbsp;rehab is a little bit hard,<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but having all of you come see<br>&nbsp;&nbsp;&nbsp;&nbsp;me like this makes me work harder!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! Hurry up and finish your rehabilitation,<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and starting from second term,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll go to school together!<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Say, i-is anyone thirsty?<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am. Why don't<br>&nbsp;&nbsp;&nbsp;&nbsp;we go buy some sodas?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great idea! Well, Miss Haru'ue,<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're all going to step out for a moment.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're...<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...*all*...?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come along, let's go.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Miss Shirai...<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Misaka?<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, come on, hurry! Okay,<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll be right back!<br>&nbsp;&nbsp;&nbsp;&nbsp;Make yourselves comfortable!<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come along, Sissy.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's go!<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that about?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that about?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's going on, really?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, sodas come first.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's... their rehabilitation, right?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Edasaki really<br>&nbsp;&nbsp;&nbsp;&nbsp;is working hard, huh?<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-mm. Nothing at all.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A surprise, you say?<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that just handing over our present<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be lacking in impact somehow.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The important thing when it<br>&nbsp;&nbsp;&nbsp;&nbsp;comes to these things is the mood.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, having it come out of a cake,<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or sitting at the bottom of champagne,<br>&nbsp;&nbsp;&nbsp;&nbsp;is what I'd like to do,<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but something like<br>&nbsp;&nbsp;&nbsp;&nbsp;that is out of the question.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how serious is she?<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there are those!<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those...?<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flowers?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I call it, "Operation: Oh, a Bouquet of<br>&nbsp;&nbsp;&nbsp;&nbsp;Flowers, But What's This Inside?"<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That sounds nice, doesn't it?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't it?! Okay, I'll go buy them!<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai!<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai!<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you know Sissy.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, no...<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's that?<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's Miss Misaka's.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, how could I have done that?!<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now...<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess there is nothing we can do.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. But as long as<br>&nbsp;&nbsp;&nbsp;&nbsp;we can get our feelings across...<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we can still pull this off!<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko, I need your power!<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, while you're holding me,<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sissy, just take it easy...<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll teleport our way in, and...<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, we even called ahead.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much time does it take<br>&nbsp;&nbsp;&nbsp;&nbsp;to process a simple relocation?<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now...<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Yomikawa...?<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? The guard is gone--<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You, there! Hold up!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was...?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fire?<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, hurry!<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tesso!<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call below and have<br>&nbsp;&nbsp;&nbsp;&nbsp;them scramble! Hurry!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's stopped.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The emergency bell has just rung,<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we can't confirm any<br>&nbsp;&nbsp;&nbsp;&nbsp;fires in the building.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu!<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to go check<br>&nbsp;&nbsp;&nbsp;&nbsp;on the situation, just in case.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you and Miss Saten<br>&nbsp;&nbsp;&nbsp;&nbsp;head back to Miss Edasaki without us.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and one other thing...<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what happens,<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please refrain from any<br>&nbsp;&nbsp;&nbsp;&nbsp;activities similar to yesterday's.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, I know.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What could it be?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if something has happened.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go have a look.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful, okay?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, I know.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hurry up and open it!<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freeze!<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use! You can't get away!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an all-points bulletin<br>&nbsp;&nbsp;&nbsp;&nbsp;for you throughout Academy City!<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nowhere you can--<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep your mouth shut!<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't try anything funny.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll blow this girl's head off.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The criminal scheduled<br>&nbsp;&nbsp;&nbsp;&nbsp;for transfer has escaped?<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, please keep walking.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain Yomikawa is in pursuit.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remain calm.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reinforcements are on their way.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could use your help to<br>&nbsp;&nbsp;&nbsp;&nbsp;make sure a panic doesn't spread...<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez...<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who does Kuroko think I am, anyway?<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just concerned about you.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, you're always so<br>&nbsp;&nbsp;&nbsp;&nbsp;reckless, after all.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, Misaka, that's what...<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Maintain your positions.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, don't provoke them<br>&nbsp;&nbsp;&nbsp;&nbsp;for no reason. They have a--<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Yomikawa...?<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has something happened...?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pseudo-radicals<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have blocked off the roof,<br>&nbsp;&nbsp;&nbsp;&nbsp;and are holed up there.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should hurry<br>&nbsp;&nbsp;&nbsp;&nbsp;and find someplace safe.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Edasaki!<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's the matter?<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erii... Erii didn't come back...<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...?<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your friend has been taken hostage.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten!<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. But, um, what about Erii?!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka...?<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you...?!<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Misaka!<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Let me go!<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be quiet, and stop squirming around!<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, we're good! Take off!<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing...<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to one of my friends?!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-She has an ability, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, give it more power!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am! But my controls are...<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, she's one of her<br>&nbsp;&nbsp;&nbsp;&nbsp;friends? In that case...!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you go!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saten!<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon...<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too... hard...<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yow-w-w-w-w!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Miss Saten...<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...h-hang in there...<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm...<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko!<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I...<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...emphatically told you not to...<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well, you see, I couldn't help<br>&nbsp;&nbsp;&nbsp;&nbsp;it, could I? For one thing...<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue! Are you all right?<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't get hurt, did you?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, I'm all right.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness!<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry if I worried you. Ahh--!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bag!<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka's bag is...<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess there is little choice, is there?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hold on! Misaka!<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, whoa, whoa, whoa, Sissy!<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like it went well enough.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you saved my skin. Huh?<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's that kid's, right?<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of kids, that girl<br>&nbsp;&nbsp;&nbsp;&nbsp;with the ability was incredible, huh?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that what's called an "electromaster"?<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. And I'm pretty sure<br>&nbsp;&nbsp;&nbsp;&nbsp;that uniform was from Tokiwadai.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You mean, that prestigious school?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second!<br>&nbsp;&nbsp;&nbsp;&nbsp;The electromaster from Tokiwadai is...<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kuroko...<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy--<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will see you later,<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember now!<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The electromaster from<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai happens to be...<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the greatest electric shock<br>&nbsp;&nbsp;&nbsp;&nbsp;user in the whole town!<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Level 5...<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Railgun"...!<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back, pseudo-radicals.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It ended up being the<br>&nbsp;&nbsp;&nbsp;&nbsp;same old Miss Misaka, huh?<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but then...<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that's what's so great about Misaka, huh?<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That felt good!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, Miss Edasaki!<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Isn't this...<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka's...<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind, just open it!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mm-hmm...<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A uniform? For Banri?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please keep up the hard work,<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can wear that soon.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We all went out<br>&nbsp;&nbsp;&nbsp;&nbsp;together yesterday to buy it.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprised?<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, every--<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Miss Edasaki!<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was actually thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;of an even better surprise,<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but with all of the commotion earlier,<br>&nbsp;&nbsp;&nbsp;&nbsp;the stores closed, and...<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was awfully surprised,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I am awfully happy.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief.<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is never a dull moment, huh?<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in this town.<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka looked as cool as always, huh?<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#2 Critical"<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue is safe, too.<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd call it a rosy, promising start!<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what color it will be next week.<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, please don't lift my skirt up!<br>

# E2 - Critical

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GY3VE3EQR/critical)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that boy doing?<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has a disease<br>&nbsp;&nbsp;&nbsp;&nbsp;called muscular dystrophy.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Muscular dys...?<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a disease that makes his<br>&nbsp;&nbsp;&nbsp;&nbsp;muscles grow gradually weaker.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was born with this unfair disease.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, he is fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;to overcome the disease.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, no matter how hard he tries,<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he cannot recover from his disease.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With our current medical science,<br>&nbsp;&nbsp;&nbsp;&nbsp;there isn't any basic treatment.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His muscles will continue to weaken,<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and in time, he won't<br>&nbsp;&nbsp;&nbsp;&nbsp;even be able to stand up.<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, finally, his breathing<br>&nbsp;&nbsp;&nbsp;&nbsp;and heart activity will also stop.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, that is, as I say, only currently.<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By using your ability, he,<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and other sick people like him,<br>&nbsp;&nbsp;&nbsp;&nbsp;may be helped by you.<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to offer your DNA map to us?<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dream...? Why was I dreaming<br>&nbsp;&nbsp;&nbsp;&nbsp;about something so long ago?<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right--I went to see<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Edasaki yesterday, and...<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Sissy, please wait for me!<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, you perv!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I just wanted to feel<br>&nbsp;&nbsp;&nbsp;&nbsp;the warmth of someone else.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, you can't come<br>&nbsp;&nbsp;&nbsp;&nbsp;crawling into my bed. Hmph!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Be that as it may, Sissy,<br>&nbsp;&nbsp;&nbsp;&nbsp;where are you off to today?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a regional field trip<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the beginning<br>&nbsp;&nbsp;&nbsp;&nbsp;of September, isn't there?<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, yes.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking of getting ready for it<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by getting together the little<br>&nbsp;&nbsp;&nbsp;&nbsp;sundries I'll need to travel with.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are going to go<br>&nbsp;&nbsp;&nbsp;&nbsp;shopping for more of your<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhat childish goods, are you not?<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though our tiny<br>&nbsp;&nbsp;&nbsp;&nbsp;room is already overflowing<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with Made-In-Nowhere fancy<br>&nbsp;&nbsp;&nbsp;&nbsp;knockoffs of famous characters?<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say something?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, today, we are having<br>&nbsp;&nbsp;&nbsp;&nbsp;a shopping date, then?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh...<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't really have to tag along.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all! Let's see... Is there<br>&nbsp;&nbsp;&nbsp;&nbsp;anything else that you might need?<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe something to intercept<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;intruding gropers sneaking into my bed?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are still angry about that, are you?<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I can be of all sorts of help to you.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, look!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are on your<br>&nbsp;&nbsp;&nbsp;&nbsp;way to the shopping mall,<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this way will be much shorter.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you, Sissy.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, but if you get me<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhere out of public view<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then start clinging on me or anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be responsible.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why, I would not do something like *that*...<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so narrow.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And how do you know<br>&nbsp;&nbsp;&nbsp;&nbsp;about this back alley, anyway?<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It comes with the job.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have maps of the city memorized,<br>&nbsp;&nbsp;&nbsp;&nbsp;down to the nooks and crannies.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, go right ahead.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the way is this narrow,<br>&nbsp;&nbsp;&nbsp;&nbsp;this can be a hassle, huh?<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this does not happen very often, so...<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, go right ahead.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, is this a major back alley,<br>&nbsp;&nbsp;&nbsp;&nbsp;or something?<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, nothing like that.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This sure is strange, huh?<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why today, of all days...<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...does this...<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you all right?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is it?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing, something just fell under here...<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An envelope?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no address<br>&nbsp;&nbsp;&nbsp;&nbsp;or name written on it.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Money Card.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Miss Shirai, you found one, too?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over the past few days,<br>&nbsp;&nbsp;&nbsp;&nbsp;we've been receiving reports<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about found Money Cards<br>&nbsp;&nbsp;&nbsp;&nbsp;all across School District 7.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are now forty-eight incidents...<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it just went up to fifty-six incidents!<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That many?<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since there are others,<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which haven't been reported,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's actually more.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be some kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;organized card counterfeiting?<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing of it is,<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the cards that were<br>&nbsp;&nbsp;&nbsp;&nbsp;turned into us were genuine.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right, Miss Konori?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why? I have not heard<br>&nbsp;&nbsp;&nbsp;&nbsp;a single thing about this case.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While intentionally destroying<br>&nbsp;&nbsp;&nbsp;&nbsp;or abandoning money is prohibited,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Money Cards are exempt,<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there haven't been<br>&nbsp;&nbsp;&nbsp;&nbsp;any particular notices about it.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that is why.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The amounts on the cards have varied,<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from as little as 1000<br>&nbsp;&nbsp;&nbsp;&nbsp;yen to well over 50,000 yen.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each of them was left in<br>&nbsp;&nbsp;&nbsp;&nbsp;a place with little human traffic,<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and each one was<br>&nbsp;&nbsp;&nbsp;&nbsp;inserted into an envelope.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, someone is<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading these around on purpose.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's awfully involved<br>&nbsp;&nbsp;&nbsp;&nbsp;for this to just be a prank.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were no fingerprints<br>&nbsp;&nbsp;&nbsp;&nbsp;left on the cards or the envelopes.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rumors have just been spreading around,<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there are more<br>&nbsp;&nbsp;&nbsp;&nbsp;people prowling the alleyways,<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;looking for treasure.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. That's why<br>&nbsp;&nbsp;&nbsp;&nbsp;there was so much traffic.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just that.<br>&nbsp;&nbsp;&nbsp;&nbsp;Some students are stealing cards,<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and others are getting into fights<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for stumbling into Skill Out territory.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot let this stand, can we?<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, unfortunately, our date<br>&nbsp;&nbsp;&nbsp;&nbsp;will have to wait for another time.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, I can always go by<br>&nbsp;&nbsp;&nbsp;&nbsp;myself, so don't worry about it.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye!<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just means that I will be lonely.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Miss Shirai, please start<br>&nbsp;&nbsp;&nbsp;&nbsp;looking around this area, okay?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I can take my<br>&nbsp;&nbsp;&nbsp;&nbsp;time and enjoy a little shopping!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Excuse me!<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, it's okay.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, it doesn't look<br>&nbsp;&nbsp;&nbsp;&nbsp;like there are any here.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that story<br>&nbsp;&nbsp;&nbsp;&nbsp;was just a rumor after all?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I heard that Rit-*chan<br>
&nbsp;&nbsp;&nbsp;&nbsp;*in Class B found one.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Really?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rumors, huh? Kuroko<br>&nbsp;&nbsp;&nbsp;&nbsp;and I aren't very up on those.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff) (sniff, sniff)<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff)<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff) (sniff, sniff)<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, maybe there<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't any more around here.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Miss Saten...?<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Misaka!<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, what was up earlier,<br>&nbsp;&nbsp;&nbsp;&nbsp;walking off without saying anything?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Earlier?<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't play dumb.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, you were walking in<br>&nbsp;&nbsp;&nbsp;&nbsp;front of Seventh Mist, weren't you?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I called out to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you ignored me like crazy.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that was me.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? But I was certain you<br>&nbsp;&nbsp;&nbsp;&nbsp;were wearing a Tokiwadai uniform.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been with Kuroko and the others.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, maybe it *wasn't* you.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Miss Saten,<br>&nbsp;&nbsp;&nbsp;&nbsp;what were you doing?<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, were you searching<br>&nbsp;&nbsp;&nbsp;&nbsp;for those rumored Money Cards?<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know about that?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-da!<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Amazing.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just seem to have a keen<br>&nbsp;&nbsp;&nbsp;&nbsp;nose for these kinds of rumors, huh?<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff)<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff, sniff)<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You don't say.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff)<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go check over there, next!<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? I-I don't really...<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just come on, come on!<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Full school curfew is<br>&nbsp;&nbsp;&nbsp;&nbsp;approaching. All students,<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please return home at once.<br>&nbsp;&nbsp;&nbsp;&nbsp;Full school curfew is approaching.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, now it's gone and<br>&nbsp;&nbsp;&nbsp;&nbsp;become evening time, huh?<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. This is your share, Misaka.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. No, wait, I can't!<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those have to be turned over!<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'm sure you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll contact Uiharu later on.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind that, Miss Saten...<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you heard any rumors<br>&nbsp;&nbsp;&nbsp;&nbsp;about who was distributing those cards?<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh... I haven't heard<br>&nbsp;&nbsp;&nbsp;&nbsp;very much about that, have I?<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Misaka! Let's bring<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu along next time, too!<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, see you!<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later!<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, I ended up wasting<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole day. What am I doing?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, I tell you!<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going into an<br>&nbsp;&nbsp;&nbsp;&nbsp;alley in Block E to take a leak,<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I saw a girl placing<br>&nbsp;&nbsp;&nbsp;&nbsp;this envelope. So I followed her.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she went into a<br>&nbsp;&nbsp;&nbsp;&nbsp;multi-tenant building in Block C.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must be her base!<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the one girl?<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's got others with her, doesn't she?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I checked it out!<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is just the one girl!<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, let's go have a look.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you check it out?<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I staked her out.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so devoted, huh?<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been a long time since<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard anything this good.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Kuroko? Mm-hmm, listen...<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#2 Critical"<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need a little favor.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, welcome back.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you finish the tabulation?<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's total is... seventy-three incidents.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's growing more<br>&nbsp;&nbsp;&nbsp;&nbsp;and more each day, isn't it?<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where is Miss Shirai?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said something important<br>&nbsp;&nbsp;&nbsp;&nbsp;came up, and that she had to leave.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She did?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll be having dinner.<br>&nbsp;&nbsp;&nbsp;&nbsp;Dinner... Dinner...<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Miss Saten. Huh?<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you found a Money Card, too?<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, tomorrow, or whenever.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but never mind that...<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm... Mm-hmm... All right.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need to stay with<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue until you get back, then?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's not too much trouble.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, hold on, Uiharu!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I wanted to ask you.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Miss Misaka?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, she came here<br>&nbsp;&nbsp;&nbsp;&nbsp;this afternoon with Miss Shirai,<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to drop off one of the Money Cards.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She did, huh? Then I guess<br>&nbsp;&nbsp;&nbsp;&nbsp;I just mistook someone else for her.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, it's nothing. See you!<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was I really mistaken about her?<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A look-alike of Miss Misaka?<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Miss Saten said she saw one.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;there were stories long ago<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about there being Level 5 clones.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clones?<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some research facility<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhere used cloning technology<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to try mass-producing Level 5's...<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or so the story goes.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That does sort of sound like Academy City...<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and like something Miss Saten<br>&nbsp;&nbsp;&nbsp;&nbsp;would sink her teeth into, huh?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the truth!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good evening, Head Resident.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to commend<br>&nbsp;&nbsp;&nbsp;&nbsp;you on your diligent patrol.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, where is Misaka?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kuroko, we're out of shampoo!<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! Oh, my poor Sissy.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry, Head Resident.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a moment, please!<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry it up, Kuroko!<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko, my towel is...<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Why are you coming in--<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sissy,<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to think that I would<br>&nbsp;&nbsp;&nbsp;&nbsp;have to fool the head resident<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you did not<br>&nbsp;&nbsp;&nbsp;&nbsp;make it back before curfew...<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever would have<br>&nbsp;&nbsp;&nbsp;&nbsp;happened if I had not had my little<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Secret Sissy Voice Collection" here?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has been a long<br>&nbsp;&nbsp;&nbsp;&nbsp;time since this has happened.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It used to happen quite often.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi! Forgive the intrusion.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just take it nice and easy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and things won't get violent.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you need something?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see,<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you know those cards that<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been spreading around?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were thinking of<br>&nbsp;&nbsp;&nbsp;&nbsp;getting all of them from you.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, there!<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Setting off a security buzzer<br>&nbsp;&nbsp;&nbsp;&nbsp;would cause us too much trouble,<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I think we'll have a<br>&nbsp;&nbsp;&nbsp;&nbsp;look inside there ourselves. Hey!<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You betcha.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? There're only two of them.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None over here, either.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming all the way here<br>&nbsp;&nbsp;&nbsp;&nbsp;for just this is a complete joke.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...raising my hands<br>&nbsp;&nbsp;&nbsp;&nbsp;against women is not my style.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell us right now where--<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't any here.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Equals...<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my whole stock.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way that's true!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And also, aren't you fairly relaxed,<br>&nbsp;&nbsp;&nbsp;&nbsp;given your situation? Huh?<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't suppose she has an ability!<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the case, not too many of them<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can do anything against this many of us.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, let's make a thorough search.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you keep your eyes on her.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you so spooked about?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm not spooked!<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, just get to it, already.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything over there?<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. Damn it, where are they?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up and keep looking.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, I don't know what,<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but something about her is creepy.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That school badge--I've seen it somewhere...<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nagatenjoki Academy?!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the greatest,<br>&nbsp;&nbsp;&nbsp;&nbsp;most elite school in all of Academy City!<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that, sure enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's a high-level ability user!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, hold on, just calm down...<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike Tokiwadai,<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they take those who excel<br>&nbsp;&nbsp;&nbsp;&nbsp;in other fields besides abilities.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she may not necessarily<br>&nbsp;&nbsp;&nbsp;&nbsp;have any abilities...<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look a little pale.<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you're okay?<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Leave me alone!<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're breathing hard, too.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's a nasty cold sweat.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be shaking something awful.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost as though...<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How did you know that?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because...<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's wrong?!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the hell did you do to him?!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-She's got some ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;all right, doesn't she?!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she did, she'd have attacked<br>&nbsp;&nbsp;&nbsp;&nbsp;us earlier, and been done with it!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But she isn't packing<br>&nbsp;&nbsp;&nbsp;&nbsp;something, or anything!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a condition to activate it.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability is called "Critical."<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It only activates against<br>&nbsp;&nbsp;&nbsp;&nbsp;those I've come into contact with.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...once I touch you,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter where you run,<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am able to end your life.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, what are you talking about?<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never heard of<br>&nbsp;&nbsp;&nbsp;&nbsp;an ability as weird as that.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether you believe me or not is up to you.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the ability to acquire and<br>&nbsp;&nbsp;&nbsp;&nbsp;tamper with others<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose AIM diffusion fields<br>&nbsp;&nbsp;&nbsp;&nbsp;have been traced has many variations.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, to Level 0's such as yourselves,<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it may be a sensation<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't mean much to you.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a load of worthless hot air.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's with you?!<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I happened to touch her earlier!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If what she says is true, then I...<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't freak out. I'm telling you,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's a bunch of hot air.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, but...<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, knock off the division<br>&nbsp;&nbsp;&nbsp;&nbsp;in the ranks, here!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fighting among friends is a bad thing.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what am I supposed to do now?!<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it easy!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up. I'll do this.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Huh?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What was that?! Hey, you guys...<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, what the hell is going on?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one left, right?<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, again?!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get her!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get her!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you are!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My pipe...<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's my iron pipe?!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?! What is it?!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?!<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, you are the<br>&nbsp;&nbsp;&nbsp;&nbsp;subject of my ability, as well.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like it was with<br>&nbsp;&nbsp;&nbsp;&nbsp;your friends, it will all be over,<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before you can feel any pain.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait a minute! I'm sorry!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get out of here, right now!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please...!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now...<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I just have to lower my hand.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three...<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;two...<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No...<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one...<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't!!<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well,<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was just a paper popper.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that was a<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty good show you put on.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going to step in if it got ugly,<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but imagine, you neutralizing<br>&nbsp;&nbsp;&nbsp;&nbsp;this many Skill Outs so easily...<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with just narrative,<br>&nbsp;&nbsp;&nbsp;&nbsp;showmanship, and...<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what is that,<br>&nbsp;&nbsp;&nbsp;&nbsp;anesthesia, or something?<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are the Original, huh?<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#3 Project Radio Noise"<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the Original, huh?<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! In this episode,<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my original "Secret Sissy Voice Collection"<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;played a major part!<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no it didn't!<br>

# E3 - Project Radio Noise

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G62P0VDK6/project-radio-noise)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, anyway...<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning!<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka? Um...<br>&nbsp;&nbsp;&nbsp;&nbsp;that was awfully timely, huh?<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Timely? But I always<br>&nbsp;&nbsp;&nbsp;&nbsp;get here around this time.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I mean, after seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;you in town earlier.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We saw you walking in the<br>&nbsp;&nbsp;&nbsp;&nbsp;opposite direction from the school.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there's no way you could<br>&nbsp;&nbsp;&nbsp;&nbsp;have seen that, is there?<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you must have just seen<br>&nbsp;&nbsp;&nbsp;&nbsp;someone you thought was me.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clones?<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of story about a project<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where they're trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to make clones of Level 5s.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't heard of it?<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, it's news to me.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it sounds amazing, huh?<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, of all the stories...<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it does. You know what else I heard?<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what?<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear they're mass-producing<br>&nbsp;&nbsp;&nbsp;&nbsp;them as military weapons.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, and that they'll<br>&nbsp;&nbsp;&nbsp;&nbsp;soon be in common use.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?!<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously, seriously!<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonsense.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but there are only seven<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 5s in Academy City, right?<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder whose clones they are.<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is nonsense.<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, you know what?<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard who it was.<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Level 5 is<br>&nbsp;&nbsp;&nbsp;&nbsp;supposedly that "Railgun" girl.<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are the Original, huh?<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Origi... nal...?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have at least<br>&nbsp;&nbsp;&nbsp;&nbsp;heard the rumors, right?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rumors?<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, of all things,<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are curiosity-seekers at<br>&nbsp;&nbsp;&nbsp;&nbsp;Nagatenjoki Academy, too, huh?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what? Do you know<br>&nbsp;&nbsp;&nbsp;&nbsp;anything about these rumors--<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a middle-schooler.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a high-schooler.<br>&nbsp;&nbsp;&nbsp;&nbsp;You will observe my seniority.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In brief,<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;mind your tone with me.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Do you have any<br>&nbsp;&nbsp;&nbsp;&nbsp;information about these rumors?<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than you do.<br>&nbsp;&nbsp;&nbsp;&nbsp;Their substance and objectives<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seem to have changed<br>&nbsp;&nbsp;&nbsp;&nbsp;considerably since I was there.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing would<br>&nbsp;&nbsp;&nbsp;&nbsp;just be painful for you.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing you can<br>&nbsp;&nbsp;&nbsp;&nbsp;do about it yourself, after all.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you what you knew<br>&nbsp;&nbsp;&nbsp;&nbsp;about this! And I can't do anything?<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then does that mean<br>
&nbsp;&nbsp;&nbsp;&nbsp;there's anything *you* can--<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it that<br>&nbsp;&nbsp;&nbsp;&nbsp;you might be able to do?<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just a humble individual, myself.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Distributing those<br>&nbsp;&nbsp;&nbsp;&nbsp;Money Cards is part of the plan.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To eliminate<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's blind spots.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By placing the Money Cards all over,<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it directs people's attention<br>&nbsp;&nbsp;&nbsp;&nbsp;to the alleys and back streets<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the surveillance<br>&nbsp;&nbsp;&nbsp;&nbsp;cameras don't reach.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By doing so,<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;perhaps I can put a<br>&nbsp;&nbsp;&nbsp;&nbsp;stop to the "experiments"<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that have to be<br>&nbsp;&nbsp;&nbsp;&nbsp;taking place there.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I was careless enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to let myself be spotted<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then followed back here.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Esper Mass-Production Project"<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they had seen this, it could<br>&nbsp;&nbsp;&nbsp;&nbsp;have created even more problems.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, leaving anything<br>&nbsp;&nbsp;&nbsp;&nbsp;physical behind is bad.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just took up office here<br>&nbsp;&nbsp;&nbsp;&nbsp;without asking anyone, either.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should get out of here<br>&nbsp;&nbsp;&nbsp;&nbsp;before these men wake up.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just a minute!<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Please.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have you been<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about all this time?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just who exactly are you...?<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed... As long as<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm destroying the evidence,<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you think I should eliminate<br>&nbsp;&nbsp;&nbsp;&nbsp;the location and witnesses.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, I do not!<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Let's just get these guys...<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not my concern.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?!<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, what is it? Is it a fire?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, a small one. Doesn't look<br>&nbsp;&nbsp;&nbsp;&nbsp;like anyone was hurt, though.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot! Why that violent girl...!<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She popped me two good ones,<br>&nbsp;&nbsp;&nbsp;&nbsp;and said nothing I understood...<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why am I taking anything<br>&nbsp;&nbsp;&nbsp;&nbsp;she said seriously?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, what a waste of time.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll head home,<br>&nbsp;&nbsp;&nbsp;&nbsp;take a shower, and get to bed.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nonsense.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I thought,<br>&nbsp;&nbsp;&nbsp;&nbsp;every time I heard the rumor.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;there could be clones of me.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as such,<br>&nbsp;&nbsp;&nbsp;&nbsp;the model DNA information<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is indispensable<br>&nbsp;&nbsp;&nbsp;&nbsp;to cloning technology...<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, I did<br>&nbsp;&nbsp;&nbsp;&nbsp;once offer my DNA map.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that was a long time ago,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it was for a different purpose.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it was put to good use.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, soon afterward,<br>&nbsp;&nbsp;&nbsp;&nbsp;that hospital closed down, and now...<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's a Nagatenjoki student,<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I hack into<br>&nbsp;&nbsp;&nbsp;&nbsp;the student records...<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's public telephone<br>&nbsp;&nbsp;&nbsp;&nbsp;net terminal security is Rank D.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The data terminals used by the<br>&nbsp;&nbsp;&nbsp;&nbsp;school faculty are Rank B.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But by using my ability...<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is!<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Nunotaba Shinobu, high school<br>&nbsp;&nbsp;&nbsp;&nbsp;3rd-Year, age 17...<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has distinguished herself in<br>&nbsp;&nbsp;&nbsp;&nbsp;the field of biological psychiatry<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the time she was a little girl.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spent time with Yamashita<br>&nbsp;&nbsp;&nbsp;&nbsp;University Hospital Network,<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Higuchi Pharmaceuticals..."<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamashita University?!<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the one...!<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was there?<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean, she really was...<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...and Higuchi Pharmaceuticals,<br>&nbsp;&nbsp;&nbsp;&nbsp;in a term of research<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the 7th Research Center,<br>&nbsp;&nbsp;&nbsp;&nbsp;then re-enrolled in school."<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where my DNA map is?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing would<br>&nbsp;&nbsp;&nbsp;&nbsp;just be painful for you.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing you can<br>&nbsp;&nbsp;&nbsp;&nbsp;do about it yourself, after all.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I ask that scorny-eyed<br>&nbsp;&nbsp;&nbsp;&nbsp;girl for answers again,<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she may just keep<br>&nbsp;&nbsp;&nbsp;&nbsp;evading the question, but still...<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! I'll go sneak<br>&nbsp;&nbsp;&nbsp;&nbsp;into the place right now!<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, going in this<br>&nbsp;&nbsp;&nbsp;&nbsp;uniform would be a bad idea.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one, too, please.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Let's see, that will<br>&nbsp;&nbsp;&nbsp;&nbsp;be ¥37,000. How are you paying?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... cash, please.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, I just need<br>&nbsp;&nbsp;&nbsp;&nbsp;to find a suitable place to...<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately,<br>&nbsp;&nbsp;&nbsp;&nbsp;all of our single rooms are taken.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doubles, however...<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'll take that, please.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just going to use it as a<br>&nbsp;&nbsp;&nbsp;&nbsp;changing room, though. Oh, well.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Money Cards?<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Money Cards!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka helped me find them.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, they say Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;is a big place,<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll bet getting this many<br>&nbsp;&nbsp;&nbsp;&nbsp;in one day has to be a new record.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you put them all together,<br>&nbsp;&nbsp;&nbsp;&nbsp;it adds up to a tidy sum.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I wonder if I'm rich, too.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Miss Haru'ue, are those...?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I would learn the<br>&nbsp;&nbsp;&nbsp;&nbsp;streets before the new term starts,<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and collected these<br>&nbsp;&nbsp;&nbsp;&nbsp;while I was testing myself.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home! I know it's late.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to ask you to do me this<br>&nbsp;&nbsp;&nbsp;&nbsp;favor out of the blue, Miss Saten.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, Miss Saten...?<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lost.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... I-I bought all sorts<br>&nbsp;&nbsp;&nbsp;&nbsp;of things, so let's have supper!<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supper!<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Strawberry Oden"<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, that smells good.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Uiharu...<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;strawberry oden is fine and all,<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you'd at least<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten something cold...<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cold oden is no oden at all.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hot summer is the<br>&nbsp;&nbsp;&nbsp;&nbsp;best time to have hot meals.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's delicious!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've broken her spirit.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These *onigiri* are really good!<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue, you've been<br>&nbsp;&nbsp;&nbsp;&nbsp;learning how to cook lately, huh?<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I still have much to learn.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, the fish powder and stuff<br>
&nbsp;&nbsp;&nbsp;&nbsp;in this *onigiri* are really tasty!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? My secret is to<br>&nbsp;&nbsp;&nbsp;&nbsp;add ginger and oyster sauce.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's very delicious.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, it goes extremely<br>&nbsp;&nbsp;&nbsp;&nbsp;well with strawberry oden.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It complements the strawberries'<br>&nbsp;&nbsp;&nbsp;&nbsp;sweetness, doesn't it?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure does!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I used up all the breakfast rice, too.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll just have bread tomorrow.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, it would be nice if<br>&nbsp;&nbsp;&nbsp;&nbsp;we had a little larger rice cooker.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two *do* eat a lot of it, huh?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You think so?<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to think of it, Miss Saten...<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you mean by what<br>&nbsp;&nbsp;&nbsp;&nbsp;you said on the phone earlier?<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? About what?<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About Miss Misaka. Something about<br>&nbsp;&nbsp;&nbsp;&nbsp;a mistaken identity, or something?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was nothing, it was nothing.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just happened to see<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who looked like her.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then...<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, never mind.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say there are three<br>&nbsp;&nbsp;&nbsp;&nbsp;look-alikes for everyone in the world.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I was so convinced<br>&nbsp;&nbsp;&nbsp;&nbsp;that it was Misaka<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because she was<br>&nbsp;&nbsp;&nbsp;&nbsp;wearing a Tokiwadai uniform.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it,<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka and Miss Shirai<br>&nbsp;&nbsp;&nbsp;&nbsp;are always wearing their uniforms.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai Middle School<br>&nbsp;&nbsp;&nbsp;&nbsp;prohibits anything but uniforms,<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even outside of school.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that strict?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might say so, but to<br>&nbsp;&nbsp;&nbsp;&nbsp;put it the other way around,<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those uniforms attest<br>&nbsp;&nbsp;&nbsp;&nbsp;that they are young ladies.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't imagine Miss Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;in anything besides her uniform.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but still,<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to see them in street<br>&nbsp;&nbsp;&nbsp;&nbsp;clothes once in a while, you know?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Higuchi Pharmaceuticals"<br>&nbsp;&nbsp;&nbsp;&nbsp;"7th Research Center"<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here I go!<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#3 Project Radio Noise"<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must say, the head resident<br>&nbsp;&nbsp;&nbsp;&nbsp;sure was determined tonight.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You certainly are<br>&nbsp;&nbsp;&nbsp;&nbsp;late tonight, aren't you?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!!<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, how improper of<br>&nbsp;&nbsp;&nbsp;&nbsp;me to do something like this.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then... it really<br>&nbsp;&nbsp;&nbsp;&nbsp;has been a long time.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What was that? I just<br>&nbsp;&nbsp;&nbsp;&nbsp;had an awful chill down my back...<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, well...<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Transform!<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magical Powered Kanami--<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh?<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's strange.<br>&nbsp;&nbsp;&nbsp;&nbsp;I just barely bought this.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight, I'm gonna inject a whole bunch of power!<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that fixed it.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah! I lost again!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, you get to make rounds.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, me again?<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a facility that has<br>&nbsp;&nbsp;&nbsp;&nbsp;such airtight security,<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no need to<br>&nbsp;&nbsp;&nbsp;&nbsp;do rounds, is there?<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, stop your<br>&nbsp;&nbsp;&nbsp;&nbsp;griping and get to it.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Security cameras,<br>&nbsp;&nbsp;&nbsp;&nbsp;infrared sensors,<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and electronic locks, huh?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since all of their security<br>&nbsp;&nbsp;&nbsp;&nbsp;is electronic, I'll be fine.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, as long as I watch<br>&nbsp;&nbsp;&nbsp;&nbsp;out for the staff and guards...<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? That's strange. There are<br>&nbsp;&nbsp;&nbsp;&nbsp;no departments like I'm looking for?<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there is a section that has power,<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but is disconnected from the network.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was curious about there only<br>&nbsp;&nbsp;&nbsp;&nbsp;being cameras in the hallways,<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I guess they don't<br>&nbsp;&nbsp;&nbsp;&nbsp;want other departments<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;knowing about what<br>&nbsp;&nbsp;&nbsp;&nbsp;they're researching, huh?<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I think I'll<br>&nbsp;&nbsp;&nbsp;&nbsp;start by checking in there.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's there?!<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I heard some kind of sound...<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there somebody over there?!<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Worst case, if I shock<br>&nbsp;&nbsp;&nbsp;&nbsp;him and knock him out,<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can get myself out of this,<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if possible, I don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to leave any trace that I was here.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything...<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A security robot, huh?<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure. There's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone could be in here.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything out of the ordinary?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No abnormalities detected.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, all right, keep it up.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, huh?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I think<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll skip the rest of the patrol.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The alarm?! What the hell?!<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come?!<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sensors shouldn't be picking<br>&nbsp;&nbsp;&nbsp;&nbsp;me up! Did I miss something?<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, at least...<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! W-What's the matter?!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give up on tonight<br>&nbsp;&nbsp;&nbsp;&nbsp;and get out of here? No...<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't appear to<br>&nbsp;&nbsp;&nbsp;&nbsp;be me that they found,<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and in all this confusion,<br>&nbsp;&nbsp;&nbsp;&nbsp;it could instead be my big chance.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right... proceed!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What the hell is going on?!<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry!<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot we had visitors today.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? It's too loud to hear!<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and turn it off!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At last, it stopped.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's there?!<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see... over here.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those?<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incubators? Big enough<br>&nbsp;&nbsp;&nbsp;&nbsp;for people to fit inside.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't... lost, are you?<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How exactly did you get in here?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, never mind about her.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got word that she was coming.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's here to clear her<br>&nbsp;&nbsp;&nbsp;&nbsp;data for that frozen project.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idiot watchman<br>&nbsp;&nbsp;&nbsp;&nbsp;forgot to give her a staff card.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While you're at it, escort<br>&nbsp;&nbsp;&nbsp;&nbsp;her to the secret base for me.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is *that* what all this was about?<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, put this on.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are traces of<br>&nbsp;&nbsp;&nbsp;&nbsp;a number of erased files...<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but I can restore those.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The goal of this<br>&nbsp;&nbsp;&nbsp;&nbsp;project will be to resolve<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the genetic sequence pattern<br>&nbsp;&nbsp;&nbsp;&nbsp;that gives rise to a Level 5,<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;allowing a Level 5<br>&nbsp;&nbsp;&nbsp;&nbsp;that is born by chance<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to then be produced with<br>&nbsp;&nbsp;&nbsp;&nbsp;100-percent certainty. Further...<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...for this project, it is decided<br>&nbsp;&nbsp;&nbsp;&nbsp;that... Railgun--Misaka Mikoto,<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be the model...<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of story about a project<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where they're trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;make clones of Level 5s.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, don't play dumb.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, you were walking in<br>&nbsp;&nbsp;&nbsp;&nbsp;front of Seventh Mist, weren't you?<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there really is...<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a project...<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to clone me...<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To create a Railgun,<br>&nbsp;&nbsp;&nbsp;&nbsp;we employ a fertilized egg,<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using a cell extracted<br>&nbsp;&nbsp;&nbsp;&nbsp;from Railgun's hair follicle.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prior to this,<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we obtained the necessary<br>&nbsp;&nbsp;&nbsp;&nbsp;genetic sequence pattern sample,<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;successfully registering her DNA<br>&nbsp;&nbsp;&nbsp;&nbsp;map in Academy City's databank.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to shorten the<br>&nbsp;&nbsp;&nbsp;&nbsp;time required to secure a test<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;subject, it is necessary to curtail<br>&nbsp;&nbsp;&nbsp;&nbsp;the developmental process<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of both the body<br>&nbsp;&nbsp;&nbsp;&nbsp;and the persona.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for the former,<br>&nbsp;&nbsp;&nbsp;&nbsp;ZID-02, RIZ-13,<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and HEL-03 is administered,<br>&nbsp;&nbsp;&nbsp;&nbsp;and in roughly fourteen days,<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we successfully formed a subject<br>&nbsp;&nbsp;&nbsp;&nbsp;physically identical to Railgun.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for the latter, this was dealt with<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;under the direction of external<br>&nbsp;&nbsp;&nbsp;&nbsp;staff member Nunotaba Shinobu,<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using Testament to install<br>&nbsp;&nbsp;&nbsp;&nbsp;basic information within the brain.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With everything in readiness,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once the results<br>&nbsp;&nbsp;&nbsp;&nbsp;had been confirmed,<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the project was set to<br>&nbsp;&nbsp;&nbsp;&nbsp;move on to the next phase,<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that of the mass-production of Sisters...<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what they were after from the start?!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to<br>&nbsp;&nbsp;&nbsp;&nbsp;offer your DNA map to us?<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only that...<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only that had<br>&nbsp;&nbsp;&nbsp;&nbsp;never happened... but...<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...at the final stage of the project,<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a result of the projections<br>&nbsp;&nbsp;&nbsp;&nbsp;calculated by Tree Diagram,<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an unforeseen circumstance<br>&nbsp;&nbsp;&nbsp;&nbsp;became evident.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;greatest supercomputer,<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;hovering up there in orbit?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Sisters' specs<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were less than one percent<br>&nbsp;&nbsp;&nbsp;&nbsp;of the model Railgun's.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their ratings fell at<br>&nbsp;&nbsp;&nbsp;&nbsp;average around Level 2,<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even the most powerful<br>&nbsp;&nbsp;&nbsp;&nbsp;individuals did not exceed Level 3.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They could only produce<br>&nbsp;&nbsp;&nbsp;&nbsp;deteriorated versions of me?<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they'd mass-produced<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of Level 2s...<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regardless of genetic manipulation<br>&nbsp;&nbsp;&nbsp;&nbsp;or acquired development,<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was impossible to produce<br>&nbsp;&nbsp;&nbsp;&nbsp;a Level 5 from the clones.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, having received<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram's computed results,<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to minimize the<br>&nbsp;&nbsp;&nbsp;&nbsp;losses incurred on this project,<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the committee ordered<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the research in progress<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be terminated at once.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Railgun mass-production<br>&nbsp;&nbsp;&nbsp;&nbsp;project "Sisters" was halted,<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"frozen in perpetuity."<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is frozen in perpetuity.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, there aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;any clones of me, are there?<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure word of this<br>&nbsp;&nbsp;&nbsp;&nbsp;cockamamie project leaked out,<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the rumor mill<br>&nbsp;&nbsp;&nbsp;&nbsp;took care of the rest.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew...<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, it's a bit chilling.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, using my<br>&nbsp;&nbsp;&nbsp;&nbsp;DNA map from back then...<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess what's past is past.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I think I'll head home.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if Kuroko managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to trick the head resident for me.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, how much longer is<br>&nbsp;&nbsp;&nbsp;&nbsp;this procedure going to take?<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Total deletion will require<br>&nbsp;&nbsp;&nbsp;&nbsp;another 42.28 seconds,"<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka, with the precise time.<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, there aren't any clones of me, are there?<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#4 Sisters"<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that's a weight off my chest!<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, as if your bust wasn't petite enough,<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you take away more away--<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean *that* kind of weight!<br>

# E4 - Sisters

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6ZXK0WXR/sisters)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Three months earlier"<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After just two weeks,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's already gotten so big!<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's the ZID-02 and<br>&nbsp;&nbsp;&nbsp;&nbsp;so forth, to stimulate her growth.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you've been through training, right?<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you should already<br>&nbsp;&nbsp;&nbsp;&nbsp;be cognizant of this much.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry. Yes, I did know about it.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But after seeing the real deal,<br>&nbsp;&nbsp;&nbsp;&nbsp;I just got excited.<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get started.<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go get ready right now.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sun streaming through<br>&nbsp;&nbsp;&nbsp;&nbsp;those leaves is so bright!<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I should<br>&nbsp;&nbsp;&nbsp;&nbsp;be worried about sunburn,<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it just doesn't feel like<br>&nbsp;&nbsp;&nbsp;&nbsp;summer otherwise, you know?<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, a cicada shell.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have never seen<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy acting so gross.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still some time<br>&nbsp;&nbsp;&nbsp;&nbsp;before we're supposed to meet up.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko!<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes?<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you like?<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my treat!<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The busted-down vending machine<br>&nbsp;&nbsp;&nbsp;&nbsp;that she always spin-kicks?<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's more,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's paying for mine, too?<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-All right, an iced coffee, please.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I am so sorry!<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By no means did I mean to<br>&nbsp;&nbsp;&nbsp;&nbsp;dive headlong into your breasts,<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or do anything with<br>&nbsp;&nbsp;&nbsp;&nbsp;an unclean conscience!<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be more careful.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, what should I get?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Something is wrong!<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What has come over my fair Sissy?<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Could she be an impostor?<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'll get the coconut cider.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you are wearing orange<br>&nbsp;&nbsp;&nbsp;&nbsp;polka-dotted underwear today<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a winking Gekota-aaah!<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did *that* come from,<br>
&nbsp;&nbsp;&nbsp;&nbsp;out of nowhere?<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, i-it is really you...<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, there they are!<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's golden brown...<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where should we start today?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a few things to<br>&nbsp;&nbsp;&nbsp;&nbsp;buy for my regional field trip.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, come to mention it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not far off, huh?<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, where are you all going?<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it was called "Liberal Arts City"--<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, the artificial<br>&nbsp;&nbsp;&nbsp;&nbsp;island in California?<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, mm-hmm.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the same as us!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>&nbsp;&nbsp;&nbsp;&nbsp;We're in the same group!<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that means the five of us<br>&nbsp;&nbsp;&nbsp;&nbsp;can have fun together there, too!<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll eat our meals together,<br>&nbsp;&nbsp;&nbsp;&nbsp;and go shopping...<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, and there's the beach, too, huh?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, I'm starting to get excited about this!<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll get a new swimsuit!<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, there are a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of other things I need to buy first.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only I had those<br>&nbsp;&nbsp;&nbsp;&nbsp;money cards at a time like this...<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on, Miss Saten!<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! I was just kidding.<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to mention it,<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what's happened<br>&nbsp;&nbsp;&nbsp;&nbsp;with the case since before?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has been so soon,<br>&nbsp;&nbsp;&nbsp;&nbsp;of course nothing new has developed.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a bit obsessed with it, huh?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... I *am* kind of hooked on it.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like there's a larger case<br>&nbsp;&nbsp;&nbsp;&nbsp;hiding behind it, or something.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you basing that on anything?<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my instincts as<br>&nbsp;&nbsp;&nbsp;&nbsp;an urban legend hunter!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are starting<br>&nbsp;&nbsp;&nbsp;&nbsp;with that again, are you?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again? What do you mean, again?!<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such as what, for example?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there really another case?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No there isn't, Miss Haru'ue.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is another one of<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten's typical jokes.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa--Uiharu?!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's drop the subject,<br>&nbsp;&nbsp;&nbsp;&nbsp;why don't we?<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's go, everyone!<br>&nbsp;&nbsp;&nbsp;&nbsp;Time's a-wasting!<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Sissy!<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, all done!<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you're getting?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I just wanted to buy<br>&nbsp;&nbsp;&nbsp;&nbsp;more of something I was short on.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the rest of you?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well...<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rice cooker?<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Ever since Miss Haru'ue<br>&nbsp;&nbsp;&nbsp;&nbsp;became my roommate,<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we've started cooking for ourselves.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But you have one, right?<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course we have one, but...<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, now that you mention it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you said it was too small yesterday.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm not blaming you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue! I eat a lot, too!<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah! Uiharu<br>&nbsp;&nbsp;&nbsp;&nbsp;can be quite the glutton!<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about this one?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks pretty amazing.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure does. Then again,<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not really in our budget.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, can't you come down a bit?<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I'm just saying...<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I say no?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow... We bought a really nice one!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who would have guessed that<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka had such bargaining power?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can start our dream life of<br>&nbsp;&nbsp;&nbsp;&nbsp;cooking at home, Miss Haru'ue!<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have yummy food!<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There sure are a lot of them, huh?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't there? This place<br>&nbsp;&nbsp;&nbsp;&nbsp;has a huge assortment of things!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is this?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But these would be just<br>&nbsp;&nbsp;&nbsp;&nbsp;too cute! I couldn't eat them!<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just kidding! Of course,<br>&nbsp;&nbsp;&nbsp;&nbsp;that wouldn't be true!<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Miss Haru'ue,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you see a swimsuit you like?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there are so<br>&nbsp;&nbsp;&nbsp;&nbsp;many of them, I can't choose.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never picked out a<br>&nbsp;&nbsp;&nbsp;&nbsp;swimsuit for myself before.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll give you a hand!<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm opening up!<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it might be a little too childish.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one is still a little childish.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Really?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then try this one, next!<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka is a bit hyper today, huh?<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one, too.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Well, how about *this* one?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so, too, Uiharu?<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she have something good<br>&nbsp;&nbsp;&nbsp;&nbsp;happen to her, or anything?<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this one?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it nice that we got<br>&nbsp;&nbsp;&nbsp;&nbsp;such a good one, Miss Haru'ue?<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is where I saw "you," Misaka.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you mean the look-alike?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still going on about that?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, it really<br>&nbsp;&nbsp;&nbsp;&nbsp;did look like you. She might be...<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a possibility that<br>&nbsp;&nbsp;&nbsp;&nbsp;she's your doppelganger, Misaka!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah!<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking of look-alikes,<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard a rumor from Miss Konori.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something to do with using<br>&nbsp;&nbsp;&nbsp;&nbsp;cloning technology to make Level 5s...<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean... um...<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clones, huh?<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;rumors go, that one is right up there.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had my own clone...<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, what would you do?<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were me... Let's see...<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'd split my summer<br>&nbsp;&nbsp;&nbsp;&nbsp;vacation homework with her.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I left mine in our room,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could fool the head resident.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could eat enough for two people.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a great idea! If you<br>&nbsp;&nbsp;&nbsp;&nbsp;ever can't choose from a menu,<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could get two things!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, both of you<br>&nbsp;&nbsp;&nbsp;&nbsp;could only eat half a serving.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's right.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah...<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you do, Sissy...<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if a clone of yourself were to show up?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question...<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She looks like a real person.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, sure she does.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a clone,<br>&nbsp;&nbsp;&nbsp;&nbsp;who was made to look that way.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, in her condition,<br>&nbsp;&nbsp;&nbsp;&nbsp;her mental age is that of a newborn.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't understand language,<br>&nbsp;&nbsp;&nbsp;&nbsp;nor can she even walk by herself.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, I was thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;she might catch a cold like this.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't have time to worry<br>&nbsp;&nbsp;&nbsp;&nbsp;about that for much longer.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is we're creating<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of them in one batch.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Language, motor skills,<br>&nbsp;&nbsp;&nbsp;&nbsp;and ethical data<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are input like this using<br>&nbsp;&nbsp;&nbsp;&nbsp;Testament, whereby the data<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is transmitted electrically<br>&nbsp;&nbsp;&nbsp;&nbsp;via all five senses,<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;forcibly writing itself into her brain.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you keeping up so far?<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, about what you said earlier...<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this inefficient?<br>&nbsp;&nbsp;&nbsp;&nbsp;Without repeated conditioning,<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not going to take that well, is it?<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't they make them<br>&nbsp;&nbsp;&nbsp;&nbsp;in series, according to usage?<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The higher-ups have<br>&nbsp;&nbsp;&nbsp;&nbsp;their own way of thinking.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we can do is proceed<br>&nbsp;&nbsp;&nbsp;&nbsp;according to their orders.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, is the day over already?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, summer vacation<br>&nbsp;&nbsp;&nbsp;&nbsp;will be over all too soon.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out in the world,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's Obon festival time, huh?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. It's that time of year, is it?<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in Academy City,<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't really feel like it, huh?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Barely anyone goes back home for it.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nice, though, isn't it?<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, we can all be together.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, you're right.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's enjoy ourselves. There is still...<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#4 Sisters"<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...plenty of summer ahead of us.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Breakfast, at this hour?<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well aren't you<br>&nbsp;&nbsp;&nbsp;&nbsp;living the good life, Misaka.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not? I don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to do today, after all.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are Shirai and the others up to?<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko and Miss Uiharu<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have been roped into a<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment summer recruiting function.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten and the<br>&nbsp;&nbsp;&nbsp;&nbsp;others said they had plans.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got this much<br>&nbsp;&nbsp;&nbsp;&nbsp;free time on your hands,<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've got quite the<br>&nbsp;&nbsp;&nbsp;&nbsp;lonesome adolescence, huh?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who asked you?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;just hurry up and eat.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, I'll never be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to get everything straightened up.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? At least let me eat at my leisure.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really not have anything to do?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything to do, huh?<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How come...?<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh... Nothing's worse<br>&nbsp;&nbsp;&nbsp;&nbsp;than the letdown you get<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're poised<br>&nbsp;&nbsp;&nbsp;&nbsp;to browse your magazine,<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's the same double issue<br>&nbsp;&nbsp;&nbsp;&nbsp;from the week before.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, I've got nothing to do.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're that girl who was<br>&nbsp;&nbsp;&nbsp;&nbsp;looking for your bag that one time.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got time,<br>&nbsp;&nbsp;&nbsp;&nbsp;come and play with us!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I'm kind of busy...<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fibber! You just said<br>&nbsp;&nbsp;&nbsp;&nbsp;you had nothing to do!<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep!<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice do I have, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Big Sister will hang out with you.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hooray!<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! "Big Sister," she says!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said it.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we play?<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's at the age where she<br>&nbsp;&nbsp;&nbsp;&nbsp;thinks she's a grown-up.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, what should we do?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question...<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give your elders their due!<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rats! She got us again!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, hurry and get away!<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't go kicking it that far!<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you *always* go all-out<br>
&nbsp;&nbsp;&nbsp;&nbsp;against grade-schoolers?!<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? But I'm a child,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like you guys, right?<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You goony devil! You subhuman!<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sticks and stones--<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shorts-wearing tramp!<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you call me, you little brat?!<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the mouth that<br>&nbsp;&nbsp;&nbsp;&nbsp;that smart-talk came out of?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut it out, tramp!<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday, I'll become a Level 5,<br>&nbsp;&nbsp;&nbsp;&nbsp;and then I'll get back at you!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you on whenever you like.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister, you're a<br>&nbsp;&nbsp;&nbsp;&nbsp;bigshot electrical user, right?<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you're the same as Nao, huh?<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. But...<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try as I might,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's about all I can do.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true of<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone at the beginning.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you practice,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll be able to do all sorts of things.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then will Nao be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;cellphone with you, Big Sister?<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cellphone"?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use electricity to talk to each other.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, no.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Far from talking to them, I can't<br>
&nbsp;&nbsp;&nbsp;&nbsp;even tell where the person *is*.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's no interference,<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like if we were at sea,<br>&nbsp;&nbsp;&nbsp;&nbsp;it might be possible...<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but here in the city, where EM<br>&nbsp;&nbsp;&nbsp;&nbsp;waves are flying around all over,<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's just too much noise.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Oh...<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, there are<br>&nbsp;&nbsp;&nbsp;&nbsp;the cases of the Level Uppers,<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as long as the brainwaves'<br>&nbsp;&nbsp;&nbsp;&nbsp;waveforms are close,<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they might be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;construct a network... but then...<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...like that will ever happen.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand what that means?<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The instigation of daily conversation,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;otherwise called<br>&nbsp;&nbsp;&nbsp;&nbsp;a greeting," affirms Misaka.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is your specimen number?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 9982.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are plugged right<br>&nbsp;&nbsp;&nbsp;&nbsp;into the Misaka Net, all right.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's start by putting this on.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Parading around so openly like this<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is starting to<br>&nbsp;&nbsp;&nbsp;&nbsp;make me uncomfortable.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't we maybe add a<br>&nbsp;&nbsp;&nbsp;&nbsp;little bit of a sense of shame?<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we add any unnecessary emotions,<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they start rebelling,<br>&nbsp;&nbsp;&nbsp;&nbsp;that becomes a problem.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "safety devices"<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't exactly perfect, after all.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is... that right...?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. And we don't have the skills<br>&nbsp;&nbsp;&nbsp;&nbsp;it takes to add emotions anyhow.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this machine--<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was overseen by<br>&nbsp;&nbsp;&nbsp;&nbsp;Nuno-something-or-other, the girl genius,<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she just barely<br>&nbsp;&nbsp;&nbsp;&nbsp;managed to get it functioning.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Children sure have energy.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting to get sweaty.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young lady!<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From whom did you get that badge?!<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? From the vending<br>&nbsp;&nbsp;&nbsp;&nbsp;machines in the shopping district.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the turn the knob to<br>&nbsp;&nbsp;&nbsp;&nbsp;drop the capsule type, huh?<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's far too analog for<br>&nbsp;&nbsp;&nbsp;&nbsp;my abilities to come into play.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so...!<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at that.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A girl from Tokiwadai is playing<br>&nbsp;&nbsp;&nbsp;&nbsp;those vending machines.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. I'm sure she must<br>&nbsp;&nbsp;&nbsp;&nbsp;be buying them for those children.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't gotten a single one...<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but can you get me some change?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why *me*...!?<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't defy her.<br>&nbsp;&nbsp;&nbsp;&nbsp;She has a scary look in her eye.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wasn't a single one, huh?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... If you want to, I'll trade--<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah! There are<br>&nbsp;&nbsp;&nbsp;&nbsp;more in front of the train station!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good for you!<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, thank goodness.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go get some bags or something.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, me too!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, now that I've finally gotten it...<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I going to use this for?<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;that collector's fever,<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where you want to obtain<br>&nbsp;&nbsp;&nbsp;&nbsp;every tie-in product there is<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for some product you like,<br>&nbsp;&nbsp;&nbsp;&nbsp;and go out of control,<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not considering the consequences?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even I know that attaching<br>&nbsp;&nbsp;&nbsp;&nbsp;it to my clothing, like this girl,<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is out of the question.<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter,<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can just imagine the pitiful<br>&nbsp;&nbsp;&nbsp;&nbsp;look that Kuroko will give me<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when she sees this.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again?<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but on a bag,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's just barely... cool? Cool, right?<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Look at the time!<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to go home now.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My whole day...<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, if you go under the water,<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how long can you hold your breath?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We played all day today!<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can go for one minute!<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because it's summer vacation,<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Really?! A whole minute?!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't just play around<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to do your homework, too--<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Big Sister?<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-mm, nothing at all.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's go.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Boarding"<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, goodbye, Big Sister.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for playing today.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, sure.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful going home, now.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that sensation earlier?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A power very similar to mine... no,<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was like my<br>&nbsp;&nbsp;&nbsp;&nbsp;very own power was emitted,<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and washed over me from the outside in...<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not possible!<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not possible... but...<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but...!<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... that looks about right.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Muscle strength, stamina, and<br>&nbsp;&nbsp;&nbsp;&nbsp;cardiovascular capacity check out.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, if you pass your<br>&nbsp;&nbsp;&nbsp;&nbsp;interpersonal response test,<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can move on to your external training.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka already mastered how<br>&nbsp;&nbsp;&nbsp;&nbsp;to order a hamburger<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;through how to turn down a con man.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is confident that she<br>&nbsp;&nbsp;&nbsp;&nbsp;can blend in with outside people,<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she has some concern<br>&nbsp;&nbsp;&nbsp;&nbsp;about the necessity of such a test.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are times on the outside<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when what you learned<br>&nbsp;&nbsp;&nbsp;&nbsp;using Testament will not work.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, the chances of<br>&nbsp;&nbsp;&nbsp;&nbsp;you running into the Original<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are greater than zero.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, even so, it should<br>&nbsp;&nbsp;&nbsp;&nbsp;not interfere with the experiment.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the Original?<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the model for the Sisters.<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to say,<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she's kind of like your "older sister."<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Older sister...<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it came from around here...<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're...<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Now for your clothing.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been provided<br>&nbsp;&nbsp;&nbsp;&nbsp;with a set, so put them on.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, before you do,<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you mind cleaning those up,<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before the next experiment starts?<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged.<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? The same face? The same hair?<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#5 Project Level 6 Shift"<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She looks the same as me from A to Z!<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just who are you?!<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy? What are you doing in<br>&nbsp;&nbsp;&nbsp;&nbsp;front of that full-length mirror?<br>

# E5 - Project Level 6 Shift

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GYQ43N096/project-level-6-shift)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it came from around here...<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're...<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you...?<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Meow*.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mya"?<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What does that mean?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is her name Mya?<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she with an organization called Mya?<br>&nbsp;&nbsp;&nbsp;&nbsp;Or did I just mishear her?<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it possible she wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;speaking Japanese?<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...says the four-legged<br>&nbsp;&nbsp;&nbsp;&nbsp;creature who is in trouble.<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(meow)<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cat?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Earlier, while passing by this way,<br>&nbsp;&nbsp;&nbsp;&nbsp;I discovered a baby<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was left inside a car<br>&nbsp;&nbsp;&nbsp;&nbsp;that was parked on the street.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since there was<br>&nbsp;&nbsp;&nbsp;&nbsp;the danger of heat stroke,<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka used her electrical power<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to unlock the door and<br>&nbsp;&nbsp;&nbsp;&nbsp;open the window, but then...<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The startled creature<br>&nbsp;&nbsp;&nbsp;&nbsp;climbed up the tree,<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and became unable to<br>&nbsp;&nbsp;&nbsp;&nbsp;come back down,"<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;kindly explaining the situation.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... Wait, none of that really matters!<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you who you were, didn't I?!<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Apparently, it has gotten into<br>&nbsp;&nbsp;&nbsp;&nbsp;an even more precarious situation.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you certain<br>&nbsp;&nbsp;&nbsp;&nbsp;we should not help," asks--<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He may be small, but he's a cat,<br>&nbsp;&nbsp;&nbsp;&nbsp;so he'll be fine at that height!<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind him--<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so?<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;saying that you do not care<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if that creature is slammed<br>&nbsp;&nbsp;&nbsp;&nbsp;against the ground, then?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if as a result, it is badly hurt,<br>&nbsp;&nbsp;&nbsp;&nbsp;becomes functionally impaired,<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;such that its vital<br>&nbsp;&nbsp;&nbsp;&nbsp;activities are suspended,<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is not your concern?<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, all right!<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want me to do?<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If you get on all<br>&nbsp;&nbsp;&nbsp;&nbsp;fours and I climb up,<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe I will<br>&nbsp;&nbsp;&nbsp;&nbsp;just barely reach,"<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;proposes Misaka.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's true, there's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;else around to use as a base.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What am<br>&nbsp;&nbsp;&nbsp;&nbsp;I doing on the bottom?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister, a little farther left.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be crazy!<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Look, you...!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I managed to safely secure it, says--<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, come on! What are<br>&nbsp;&nbsp;&nbsp;&nbsp;you holding your skirt up for?!<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a nice young lady!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a nice young lady!<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to share<br>&nbsp;&nbsp;&nbsp;&nbsp;my face, you've got to...<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-On closer look, he's a<br>&nbsp;&nbsp;&nbsp;&nbsp;very cute kiddy-kitty, isn't he?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kiddy-kitty?<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a cat's little kid,<br>&nbsp;&nbsp;&nbsp;&nbsp;so he's a kiddy-kitty.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too bad he's<br>&nbsp;&nbsp;&nbsp;&nbsp;spooked by me, though.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They react to the<br>&nbsp;&nbsp;&nbsp;&nbsp;slight electrical field<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is produced by my body.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like Misaka does, as well.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this isn't what I meant!<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep saying "Big Sister"<br>&nbsp;&nbsp;&nbsp;&nbsp;and "Misaka"! Are you... my...<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...c-clone, then?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like that...<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that project was<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to have been frozen.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why... does someone<br>&nbsp;&nbsp;&nbsp;&nbsp;like you even exist?<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"ZXC741...<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ASD852... QWE963-Dash,"<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;replies Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;seeking password confirmation.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, Big Sister,<br>&nbsp;&nbsp;&nbsp;&nbsp;you are not involved in the experiment.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot answer the question you asked.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is in charge of this project?<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a confidential matter.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what reason were you created?<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is classified.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to get hurt?<br>&nbsp;&nbsp;&nbsp;&nbsp;If I have to force it out of you...<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. Get going.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just follow after you on my own.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'll head back to some<br>&nbsp;&nbsp;&nbsp;&nbsp;facility or laboratory sometime.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once there, I'll snatch up<br>&nbsp;&nbsp;&nbsp;&nbsp;your manufacturer,<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and get my answers straight from them.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters...<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she wasn't right<br>&nbsp;&nbsp;&nbsp;&nbsp;here in front of my face,<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd find it pretty hard to believe.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, for a long time now,<br>&nbsp;&nbsp;&nbsp;&nbsp;in the back of my mind,<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been scared that someday,<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a clone who looked<br>&nbsp;&nbsp;&nbsp;&nbsp;just like me would show up.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That it should be... *this*...<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not exactly what I imagined.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pictured it as more of a black op,<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where there's a plot<br>&nbsp;&nbsp;&nbsp;&nbsp;to put the subject to death,<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then replace<br>&nbsp;&nbsp;&nbsp;&nbsp;them with the other one.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, this is completely throwing me off.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sister-S"!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just a minute!<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, just a minute, I said!<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it sounds crazy,<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there aren't another five<br>&nbsp;&nbsp;&nbsp;&nbsp;or ten others like you, are there?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kiddy-kitty."<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether you say it forwards<br>&nbsp;&nbsp;&nbsp;&nbsp;or backwards, it's "kiddy-kitty."<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't give me<br>&nbsp;&nbsp;&nbsp;&nbsp;any nonsense; answer me!<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kiddy-kitty."<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I just told you...!<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, for Pete's sake...!<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you two twins!<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not good for sisters to fight.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not my sister!<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, you shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;ever say that, even in jest.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a second.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are!<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are my blue-ribbon flavors!<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm letting you have them,<br>&nbsp;&nbsp;&nbsp;&nbsp;so make up with each other.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, I hate to say this, but this<br>&nbsp;&nbsp;&nbsp;&nbsp;is no time to be eating ice cream.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rich and refreshing sweetness<br>&nbsp;&nbsp;&nbsp;&nbsp;without a greasy aftertaste.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is obvious that the milk is good,<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but unless you use well-ground sugar,<br>&nbsp;&nbsp;&nbsp;&nbsp;you do not get this texture.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cone yields a crust<br>&nbsp;&nbsp;&nbsp;&nbsp;of crushed cookies, right?<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Good job!"<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...says Misaka, offering her<br>&nbsp;&nbsp;&nbsp;&nbsp;generous praise.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, when a couple breaks up,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're perfect strangers again,<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but sisters share their blood for life.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My old lady might turn perfect stranger<br>&nbsp;&nbsp;&nbsp;&nbsp;on me if I don't make some money.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, we're not interested.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, be nice sisters to each other!<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, it's not like that!<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, based on outward appearances,<br>&nbsp;&nbsp;&nbsp;&nbsp;what are you supposed to think?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't know that we share<br>&nbsp;&nbsp;&nbsp;&nbsp;not just blood, but even our genes.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why, what is the matter?"<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...asks Misaka, enjoying the<br>&nbsp;&nbsp;&nbsp;&nbsp;refreshing aftertaste<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of choco-mint,<br>&nbsp;&nbsp;&nbsp;&nbsp;while playing innocent.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even supposing that you are<br>&nbsp;&nbsp;&nbsp;&nbsp;my clone, you can't be such a pig--<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Now that I am chilled,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to have some hot tea,"<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;coaxes Misaka, as though<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing had happened.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I may not look it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I am pretty fussy about my tea,"<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, raising a hurdle in advance.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Incidentally, my order will be milk tea,"<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, already settling on her order--<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop screwing with me!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That milk tea was quite good.<br>&nbsp;&nbsp;&nbsp;&nbsp;The strawberry shortcake was, too,"<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, offering her candid opinion.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, when are you going to head back?<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot to mention this,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Misaka is now<br>&nbsp;&nbsp;&nbsp;&nbsp;headed for her experiment,<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she is not<br>&nbsp;&nbsp;&nbsp;&nbsp;returning to the facility.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister,<br>&nbsp;&nbsp;&nbsp;&nbsp;you are free to follow me,<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you will not see<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's manufacturer.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why did you wait until now to...<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you did not ask.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would it be quicker trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;decode her password,<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and search for<br>&nbsp;&nbsp;&nbsp;&nbsp;more information that way?<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have my PDA with me.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, just a prize I got<br>&nbsp;&nbsp;&nbsp;&nbsp;from a vending machine.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just hold still, will you?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, this is a lot more<br>&nbsp;&nbsp;&nbsp;&nbsp;straightforward and objective<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than looking in a mirror.<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking at it this way, it's quite passable.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No, no, it ain't," says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;shocked by Misaka's model's<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;childish sense of fashion.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What did you say?!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Obviously, I was just joking.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know it's bad when your own clone...<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, I just put it on<br>&nbsp;&nbsp;&nbsp;&nbsp;you to see how it looked.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...shoots you down.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's the big idea?!<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The moment you put it on Misaka,<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ownership of this badge<br>&nbsp;&nbsp;&nbsp;&nbsp;transferred to her," she asserts.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Big Sister's actions constitute<br>&nbsp;&nbsp;&nbsp;&nbsp;robbery," charges Misaka.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of sophistry is that?!<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not sophistry. Besides, this...<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is the first present<br>&nbsp;&nbsp;&nbsp;&nbsp;ever received from Big Sister.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wasn't there anything<br>&nbsp;&nbsp;&nbsp;&nbsp;better she could have given,"<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;grumbles Misaka to herself with a sigh.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it! Give it back!<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, don't let her trip you up again.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't get anywhere at this rate.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check the net, instead.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine. I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to call it quits for today.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Was there something else?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, Big Sister.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, mm-hmm. See you.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, what was her deal?<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything she did had<br>&nbsp;&nbsp;&nbsp;&nbsp;me thrown off of my game.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting frisky together with that cat...<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...eating ice cream together...<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...scrambling for that metal badge...<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost like she was...<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, first thing I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to do is let her manufacturer have it!<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#5 Project Level 6 Shift"<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much, Miss Haru'ue!<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, you're always<br>&nbsp;&nbsp;&nbsp;&nbsp;helping me out, after all.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm very happy to help you with<br>&nbsp;&nbsp;&nbsp;&nbsp;your summer vacation homework.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Judgment recruiting drive<br>&nbsp;&nbsp;&nbsp;&nbsp;took so much time, I was in a real fix.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This really saves my neck!<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done. Is this all of it?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, hello?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu? Sorry for calling so late.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me for<br>&nbsp;&nbsp;&nbsp;&nbsp;coming right to the point,<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but do you know what<br>&nbsp;&nbsp;&nbsp;&nbsp;ZXC741-ASD852-QWE963-Dash means?<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I've seen this<br>&nbsp;&nbsp;&nbsp;&nbsp;pattern before somewhere...<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This code looks like a<br>&nbsp;&nbsp;&nbsp;&nbsp;password attached to information<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of security Rank A or above.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've tried to crack this before, myself.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks! You're a big help!<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Um, Miss Misaka...?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter with Miss Misaka?<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh... I'm not sure.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The current time is 20:58.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two minutes remain<br>&nbsp;&nbsp;&nbsp;&nbsp;until Experiment number 9982.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How to shift an absolute esper<br>&nbsp;&nbsp;&nbsp;&nbsp;to Level 6 through the use of Sisters."<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is this?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is now 21:00 hours.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will now commence<br>&nbsp;&nbsp;&nbsp;&nbsp;Experiment number 9982.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How to shift the<br>&nbsp;&nbsp;&nbsp;&nbsp;absolute esper to Level 6<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;through the use of Sisters.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Academy City, there are<br>&nbsp;&nbsp;&nbsp;&nbsp;seven people who are Level 5s,<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as a result of the projections<br>&nbsp;&nbsp;&nbsp;&nbsp;calculated by Tree Diagram,<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is ascertained that there<br>&nbsp;&nbsp;&nbsp;&nbsp;is only one person able to reach<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the as-yet unseen Level 6."<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If this subject were to<br>&nbsp;&nbsp;&nbsp;&nbsp;undergo a normal curriculum...<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it would require 250 years<br>&nbsp;&nbsp;&nbsp;&nbsp;for him to reach Level 6.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are suspending this plan,<br>&nbsp;&nbsp;&nbsp;&nbsp;and have considered fostering<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;esper ability development via combat.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will prepare a number<br>&nbsp;&nbsp;&nbsp;&nbsp;of specific battlefields,<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and by proceeding through<br>&nbsp;&nbsp;&nbsp;&nbsp;combat according to these scenarios,<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will manipulate the<br>&nbsp;&nbsp;&nbsp;&nbsp;direction of his development.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result of the calculations,<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;128 different types of<br>&nbsp;&nbsp;&nbsp;&nbsp;battlefields will be prepared,<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and by killing Railgun 128 times,<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is ascertained that<br>&nbsp;&nbsp;&nbsp;&nbsp;he will shift to Level 6.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, since it is impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;to secure multiple Railguns...<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Sisters from the<br>&nbsp;&nbsp;&nbsp;&nbsp;frozen 'Project Radio Noise'<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be repurposed,<br>&nbsp;&nbsp;&nbsp;&nbsp;and serve as substitutes here."<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Through already?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"By pumping out mass<br>&nbsp;&nbsp;&nbsp;&nbsp;numbers of armed Sisters,<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the specs will be bridged..."<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"By means of combat<br>&nbsp;&nbsp;&nbsp;&nbsp;scenarios with 20,000 'Sisters'"<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"the shift to 'Level 6' will be achieved."<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>&nbsp;&nbsp;&nbsp;&nbsp;Horsing around only goes so far.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This stuff in here about killing me,<br>&nbsp;&nbsp;&nbsp;&nbsp;and using clones as proxies...<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Experiment 9982" "Begins 8/15 21:00"<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way a project like<br>&nbsp;&nbsp;&nbsp;&nbsp;this could be carried out...<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, Big Sister.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man...!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run away, run away!<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The longer you do,<br>&nbsp;&nbsp;&nbsp;&nbsp;the longer you get to live.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, this is a<br>&nbsp;&nbsp;&nbsp;&nbsp;life-or-death game of tag.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I catch up to you,<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's game over.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too slow!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;got any time for falling down.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you, are you all<br>&nbsp;&nbsp;&nbsp;&nbsp;broken already? That's no fun.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if I can<br>&nbsp;&nbsp;&nbsp;&nbsp;really make Level 6 like this.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho...? Very nice.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a tough one, aren't you?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's more like it!<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right. There's no<br>&nbsp;&nbsp;&nbsp;&nbsp;way such a ridiculous project is--<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, what's wrong?<br>&nbsp;&nbsp;&nbsp;&nbsp;Finally running out of steam?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or have you just given up already?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misa... ka...<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...does not have an accurate grasp<br>&nbsp;&nbsp;&nbsp;&nbsp;of the target's ability... however...<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...going by the experimental<br>&nbsp;&nbsp;&nbsp;&nbsp;results up to now...<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...assuming the target projects<br>&nbsp;&nbsp;&nbsp;&nbsp;some kind of barrier around him...<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...seeing as how he steps on<br>&nbsp;&nbsp;&nbsp;&nbsp;the ground to walk...<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it is believed that his ability<br>&nbsp;&nbsp;&nbsp;&nbsp;does not extend downward...<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or at least to the soles<br>&nbsp;&nbsp;&nbsp;&nbsp;of his feet, and as such...<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it is concluded that a surprise<br>&nbsp;&nbsp;&nbsp;&nbsp;attack from such a direction...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...would be the most effective...<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you mumbling about?<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you won't run away,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll finish you off.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I am not running away.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As per my plan...<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have succeeded in leading<br>&nbsp;&nbsp;&nbsp;&nbsp;you to the target location..."<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;seeking for correction...<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target... completely neutrali--<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, too bad.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your idea...<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...was *so* off the mark!<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we can't play tag anymore, huh?<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I just leave you there,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll probably croak on your own,<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I hate to just stand around waiting.<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hey, are you still running away?<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, that way's a dead end.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or do you have something<br>&nbsp;&nbsp;&nbsp;&nbsp;else up your sleeve?<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had enough of you.<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna finish this.<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way... It can't be...!<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's experiment is all done!<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made quite a mess<br>&nbsp;&nbsp;&nbsp;&nbsp;of things this time, though.<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if they'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to clean this up.<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess it doesn't matter.<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll stop at the convenience<br>&nbsp;&nbsp;&nbsp;&nbsp;store on the way home--<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, what's going on here?!<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#6 I... Can See All Of You"<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;be one experiment tonight!<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on! I get it! So then, you're...!<br>

# E6 - I... Can See All Of You

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRWEK512R/i-can-see-all-of-you)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you do, Sissy...<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if a clone of yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;were to show up?<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question...<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd probably think<br>&nbsp;&nbsp;&nbsp;&nbsp;it was a little creepy,<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and wish they would<br>&nbsp;&nbsp;&nbsp;&nbsp;get away from me.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's experiment is all done!<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made quite a mess<br>&nbsp;&nbsp;&nbsp;&nbsp;of things this time, though.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if they'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to clean this up.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess it doesn't matter.<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll stop at the convenience<br>&nbsp;&nbsp;&nbsp;&nbsp;store on the way home--<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome, awesome!<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this, a new technique?<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Controlling the ironsand<br>&nbsp;&nbsp;&nbsp;&nbsp;with magnetism, huh?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an interesting way to use it.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, once you know<br>&nbsp;&nbsp;&nbsp;&nbsp;how it's done, it's no big deal.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He took that,<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's not a scratch<br>&nbsp;&nbsp;&nbsp;&nbsp;on him? What the...?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Such power...<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you...?<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an esper that's<br>&nbsp;&nbsp;&nbsp;&nbsp;capable of shrugging off my attacks?<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so that's it.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering what this was,<br>&nbsp;&nbsp;&nbsp;&nbsp;since it wasn't scheduled.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're... the Original, huh?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The clones are supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to take the Original's place,<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I go against you, that means,<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can condense these<br>&nbsp;&nbsp;&nbsp;&nbsp;lame chores considerably, right?<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting to get awfully tired<br>&nbsp;&nbsp;&nbsp;&nbsp;of doing those. Would you mind,<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Original?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you<br>&nbsp;&nbsp;&nbsp;&nbsp;complicit in this project?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? This is so sudden--<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer me!<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the kind of power you've got,<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not like they're<br>&nbsp;&nbsp;&nbsp;&nbsp;forcing you to do it, right?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is your reason for<br>&nbsp;&nbsp;&nbsp;&nbsp;working with this crazy project?!<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have something<br>&nbsp;&nbsp;&nbsp;&nbsp;against her, or something?!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reason? Reason, huh? Well...<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it's to acquire absolute power.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean being Level 5,<br>&nbsp;&nbsp;&nbsp;&nbsp;or Academy City's top dog,<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything else<br>&nbsp;&nbsp;&nbsp;&nbsp;as piddling as that.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kind of absolute power that<br>&nbsp;&nbsp;&nbsp;&nbsp;will not condone people<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even thinking of challenging me.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want "invincibility."<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being a Level 5,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can understand that.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolute power? Invincibility?<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That... That's why you're...<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the reason why...<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you killed her?!<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You make it sound so dirty.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk like it's murder.<br>&nbsp;&nbsp;&nbsp;&nbsp;The things I'm taking on<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are manufactured<br>&nbsp;&nbsp;&nbsp;&nbsp;with the push of a button.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you so uptight about?<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Ah, I get it. Sorry, sorry.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your ace-in-the-hole<br>&nbsp;&nbsp;&nbsp;&nbsp;move, wasn't it?<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, even granted that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're a Level 5, like me,<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd never expected it to<br>&nbsp;&nbsp;&nbsp;&nbsp;be anything so miserable.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right...<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...now it's my turn.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you're looking,<br>&nbsp;&nbsp;&nbsp;&nbsp;though, I'm not expecting a whole lot,<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but do try to at least<br>&nbsp;&nbsp;&nbsp;&nbsp;keep me amused, third-string.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Just a moment, please.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is feared that any<br>&nbsp;&nbsp;&nbsp;&nbsp;combat outside of the project<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will introduce errors into<br>&nbsp;&nbsp;&nbsp;&nbsp;the computational predictions,"<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Especially since Big Sister is Level 5."<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The skew caused by such<br>&nbsp;&nbsp;&nbsp;&nbsp;combat would be extremely large."<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is feared that far<br>&nbsp;&nbsp;&nbsp;&nbsp;from a shortening of time,"<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"the very project itself..."<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...would be at risk of being ruined."<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Further, Misaka has..."<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"in anticipation of the experiments<br>&nbsp;&nbsp;&nbsp;&nbsp;scheduled to take place later,"<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"undergone various tuning,"<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"and any alterations to the project<br>&nbsp;&nbsp;&nbsp;&nbsp;would be extraordinarily difficult,"<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;explains Misaka.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, all right, I get it.<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just teasing, that's all.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And stop talking round<br>&nbsp;&nbsp;&nbsp;&nbsp;robin-style. It's creepy.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't introduced myself, huh?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not satisfied with<br>&nbsp;&nbsp;&nbsp;&nbsp;just being the strongest...<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one looking after your clones.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're helping me<br>&nbsp;&nbsp;&nbsp;&nbsp;to achieve my "invincibility."<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a Level 5 who aims<br>&nbsp;&nbsp;&nbsp;&nbsp;for something even greater.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No doubt about it, this boy is...<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be grateful to you.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's first-ranked<br>&nbsp;&nbsp;&nbsp;&nbsp;at controlling all vectors...<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Accelerator.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Numbers 9995 through 10007, clear the rails.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Numbers 10008 onward--<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is wrong with you?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is messed up.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you going along with this project?<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to get killed.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand<br>&nbsp;&nbsp;&nbsp;&nbsp;how this can happen!<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?!<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're alive, aren't you?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You have life, don't you?!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even such as you are?!<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is this...?<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka is a product<br>&nbsp;&nbsp;&nbsp;&nbsp;created for this project.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Artificial bodies with artificial minds.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a laboratory animal,<br>&nbsp;&nbsp;&nbsp;&nbsp;at a unit price of ¥180,000 each.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye then, Big Sister.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, that is right.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has not come back here yet,<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I thought, maybe she<br>&nbsp;&nbsp;&nbsp;&nbsp;is at Miss Saten's place...<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She hasn't come over here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you tried over at Uiharu's?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did hear from Uiharu--<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, I mean... Yes, indeed.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she is not at your place,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, then...<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai, I'm just guessing here,<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but is it possible<br>&nbsp;&nbsp;&nbsp;&nbsp;that Misaka has a boyfr--<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there is no way<br>&nbsp;&nbsp;&nbsp;&nbsp;something like that could happen!<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My Sissy would never do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything so improper!<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten,<br>&nbsp;&nbsp;&nbsp;&nbsp;I am disappointed in you!<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy belongs to me!<br>&nbsp;&nbsp;&nbsp;&nbsp;She belongs to me, alone!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kidding!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kidding! Uh, Shirai?<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that about?<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to<br>&nbsp;&nbsp;&nbsp;&nbsp;offer your DNA map to us?<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not going to use our<br>&nbsp;&nbsp;&nbsp;&nbsp;DNA map to treat muscular dystrophy!<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going to use it<br>&nbsp;&nbsp;&nbsp;&nbsp;as the basis to make clones!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going to start<br>&nbsp;&nbsp;&nbsp;&nbsp;their ridiculous experiment!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why...<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to me! Please, listen--<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So you were<br>&nbsp;&nbsp;&nbsp;&nbsp;the cause of this, Big Sister.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason Misaka was made...<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason Misaka is killed...<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of it...<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been here all night.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#6 I... Can See All Of You"<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I saw a delinquent girl<br>&nbsp;&nbsp;&nbsp;&nbsp;staying up all night on the bench.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regrettably, it looks like you<br>&nbsp;&nbsp;&nbsp;&nbsp;found out about the project, huh?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way for<br>&nbsp;&nbsp;&nbsp;&nbsp;you to put a stop to it,<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is why I told<br>&nbsp;&nbsp;&nbsp;&nbsp;you not to get involved.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you didn't.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear. Is that right?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are they able<br>&nbsp;&nbsp;&nbsp;&nbsp;to do something like that?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about Level 6, or whatever,<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but is it something they<br>&nbsp;&nbsp;&nbsp;&nbsp;want so badly, they'll kill so many?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in that experiment is crazy.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not quite like that.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't deny that there is<br>&nbsp;&nbsp;&nbsp;&nbsp;something crazy about them,<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if we're talking about right<br>&nbsp;&nbsp;&nbsp;&nbsp;and wrong, that's another matter.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, suppose there<br>&nbsp;&nbsp;&nbsp;&nbsp;were a way to develop a miracle drug,<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which could cure cancer,<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it required experimental<br>&nbsp;&nbsp;&nbsp;&nbsp;data from 20,000 guinea pigs.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just thought to yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;that there'd be no choice, didn't you?<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a different argument.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though both are alive?<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are the same thing<br>&nbsp;&nbsp;&nbsp;&nbsp;to researchers, at least.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are artificially produced<br>&nbsp;&nbsp;&nbsp;&nbsp;guinea pigs, made for the sake<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of reaching Level 6. Of course,<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are those who are in<br>&nbsp;&nbsp;&nbsp;&nbsp;it for their personal interests,<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there are a few of them<br>&nbsp;&nbsp;&nbsp;&nbsp;who really do have a screw loose.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they do not recognize<br>&nbsp;&nbsp;&nbsp;&nbsp;this as being murder.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And neither did I.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason you were spreading<br>&nbsp;&nbsp;&nbsp;&nbsp;those Money Cards around<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to interfere with<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiments, right?<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you protect those creations,<br>&nbsp;&nbsp;&nbsp;&nbsp;who aren't even human?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Project Radio Noise,<br>&nbsp;&nbsp;&nbsp;&nbsp;which would mass produce Level 5s,<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was frozen, I left the<br>&nbsp;&nbsp;&nbsp;&nbsp;team temporarily. But...<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...when the Sisters were<br>&nbsp;&nbsp;&nbsp;&nbsp;taken over by Project Level 6 Shift,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was called in once again.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Following the start<br>&nbsp;&nbsp;&nbsp;&nbsp;of in-house experiments,<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are no particular problems<br>&nbsp;&nbsp;&nbsp;&nbsp;with their individual minds.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Misaka Net also<br>&nbsp;&nbsp;&nbsp;&nbsp;appears to be problem-free.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Care for some? It beats being<br>&nbsp;&nbsp;&nbsp;&nbsp;looked at that way from over there.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tea.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should be in with<br>&nbsp;&nbsp;&nbsp;&nbsp;the data input by Testament.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is tea...<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is somewhat different from<br>&nbsp;&nbsp;&nbsp;&nbsp;the Testament data," reports Misaka.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In addition to the tea leaves' flavor,<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a subtle<br>&nbsp;&nbsp;&nbsp;&nbsp;sweetness and fullness to--<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well, that's<br>&nbsp;&nbsp;&nbsp;&nbsp;because it's milk tea.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's tea with milk<br>&nbsp;&nbsp;&nbsp;&nbsp;added to it. It's my favorite.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Milk tea...<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it's been a long<br>&nbsp;&nbsp;&nbsp;&nbsp;time since we've met like this,<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you haven't changed<br>&nbsp;&nbsp;&nbsp;&nbsp;at all since the first "you," huh?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;8911 units have been consumed<br>&nbsp;&nbsp;&nbsp;&nbsp;so far in in-house experiments.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that time, your emotional<br>&nbsp;&nbsp;&nbsp;&nbsp;aspects haven't developed at all,<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but rather, your memories<br>&nbsp;&nbsp;&nbsp;&nbsp;and experiences,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in pure data form, are all that<br>&nbsp;&nbsp;&nbsp;&nbsp;have been shared and gathered,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;via the Misaka Network.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that the next unit<br>&nbsp;&nbsp;&nbsp;&nbsp;will know the flavor of milk tea.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an absolutely fantastic<br>&nbsp;&nbsp;&nbsp;&nbsp;system, the Misaka Network.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is also thanks to<br>&nbsp;&nbsp;&nbsp;&nbsp;Testament," Misaka adds.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is through it that<br>&nbsp;&nbsp;&nbsp;&nbsp;the Misakas are programmed<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to conceptualize feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;and remember them as data.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, the Misakas are<br>&nbsp;&nbsp;&nbsp;&nbsp;able to readily face the experiments,"<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, expressing gratitude.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have anything to ask<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before heading<br>&nbsp;&nbsp;&nbsp;&nbsp;out for external training?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Is the air outside sweet?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it spicy?<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was told that the<br>&nbsp;&nbsp;&nbsp;&nbsp;air outside is delicious.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka prefers things<br>&nbsp;&nbsp;&nbsp;&nbsp;sweet, you see," says Misaka,<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;revealing her tastes.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you'll find out<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself once you head out.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The glare from the<br>&nbsp;&nbsp;&nbsp;&nbsp;sun is pretty strong today.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, are you disappointed?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not at all.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A number of aromas are<br>&nbsp;&nbsp;&nbsp;&nbsp;stimulating my nasal cavities,<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and filling my breast.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An irregular breeze blows through<br>&nbsp;&nbsp;&nbsp;&nbsp;my hair, sweeping past my body.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Light rays from the<br>&nbsp;&nbsp;&nbsp;&nbsp;sun beam down on my skin,<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I can feel my<br>&nbsp;&nbsp;&nbsp;&nbsp;cheeks taking in their heat.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world... is such<br>&nbsp;&nbsp;&nbsp;&nbsp;a dazzling place, isn't it?<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to come across as so simple,<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but from that moment, I could<br>&nbsp;&nbsp;&nbsp;&nbsp;no longer think of them as creations.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All because she seemed<br>&nbsp;&nbsp;&nbsp;&nbsp;so much more human than me,<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who could only see the<br>&nbsp;&nbsp;&nbsp;&nbsp;world as this warped, ugly thing.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you see them?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...don't want to consider<br>&nbsp;&nbsp;&nbsp;&nbsp;clones to be human.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why help them, if they accept<br>&nbsp;&nbsp;&nbsp;&nbsp;that they're going to be killed?<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However,<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as for the folks who used my<br>&nbsp;&nbsp;&nbsp;&nbsp;DNA map in their two-bit experiment...<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't intend to overlook them.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. She called<br>&nbsp;&nbsp;&nbsp;&nbsp;here out of the blue,<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asked me about some<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of code, and... Wait,<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;know about this, either?<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy! What were you<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking by not even calling...<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your clothes...<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to you?<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well, you know...<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same thing as always.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to grab a shower, okay?<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu? Y-Yes,<br>&nbsp;&nbsp;&nbsp;&nbsp;just n-- I mean, late last night.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, so there is<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing to worry about.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please relay the same to<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue for me, okay? Bye.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Ah, Miss Saten...<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, late last night.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I told you,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have it wrong, did I not?!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, so really, there<br>&nbsp;&nbsp;&nbsp;&nbsp;is no need to worry. Yes...<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Kuroko,<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you have a minute?<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to worry you, everyone!<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By way of apology, this<br>&nbsp;&nbsp;&nbsp;&nbsp;is my treat! Go on, dig right in!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is amazing.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tell us, Misaka,<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where were you,<br>&nbsp;&nbsp;&nbsp;&nbsp;and what were you up to?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to see the stars.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stars?<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep, the stars.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now and then, you get into kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of a schmaltzy mood, you know?<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanting to sit on the swing<br>&nbsp;&nbsp;&nbsp;&nbsp;at the park, swaying by yourself,<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;humming the Gondola Song to yourself,<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and just stare up endlessly<br>&nbsp;&nbsp;&nbsp;&nbsp;into the starry sky, don't you?<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't. I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;even know what that means.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, huh? Well, it doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;matter. It's just my mood!<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;did you figure out what<br>&nbsp;&nbsp;&nbsp;&nbsp;the code yesterday was for?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What code?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh...<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Ah, that!<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was... you see...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...?<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka,<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you all right?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you all...<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... can see all of you...<br>&nbsp;&nbsp;&nbsp;&nbsp;really... so...<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The arcade!<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go to the arcade, Misaka!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been so long, and I want<br>&nbsp;&nbsp;&nbsp;&nbsp;to take on the punching machine!<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great idea! The arcade!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... Then I want to do *this* again!<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, isn't that...<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great idea!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, let's go!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go clear our heads.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys...<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, please<br>&nbsp;&nbsp;&nbsp;&nbsp;do not forget one thing--<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, we're all here for you.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever have<br>&nbsp;&nbsp;&nbsp;&nbsp;too much on your plate,<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just say the word, any time, okay?<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really has been a long time, huh?<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long has it been?<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if the moles are still there.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will show you my technique.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, but you're not going to beat me!<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes... I can see now...<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes I can!<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is all the more reason...<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, as for<br>&nbsp;&nbsp;&nbsp;&nbsp;the folks who used<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my DNA map in<br>&nbsp;&nbsp;&nbsp;&nbsp;their two-bit experiment...<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't intend to overlook them.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kind of defiant, huh?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are over twenty<br>&nbsp;&nbsp;&nbsp;&nbsp;facilities involved in this project.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you planning to do this alone?<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you take me for?<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the one who sowed this seed.<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be the one...<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to clean it up.<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#7 I... I Want To Be Of Help To You, Sissy"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I'm still worried about Misaka.<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed.<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Summertime *manju* buns!<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai?<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anshindo's summertime *manju<br>
&nbsp;&nbsp;&nbsp;&nbsp;*buns, for a limited time only!<br>

# E7 - I... I Want To Be Of Help To You, Sissy

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G609WK3M6/i-i-want-to-be-of-help-to-you-sissy)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on,<br>&nbsp;&nbsp;&nbsp;&nbsp;at this hour of the night?<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but there has<br>&nbsp;&nbsp;&nbsp;&nbsp;been a fire at the first wing<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the DNA map analysis lab<br>&nbsp;&nbsp;&nbsp;&nbsp;attached to Shiname University.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cause and level of damage?<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently under investigation.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-Bad news!<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a fire at the lab!<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean the fire<br>&nbsp;&nbsp;&nbsp;&nbsp;at the DNA map lab, I heard.<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, another one!<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The research data at Rangaku<br>&nbsp;&nbsp;&nbsp;&nbsp;Medical Labs has been lost?<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bio-labs' system is down!<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Hello?<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't get through to<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 12's Thought Labs.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are fires in Shiname's<br>&nbsp;&nbsp;&nbsp;&nbsp;2nd, 3rd, and 5th wings, too!<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A coordinated terrorist attack.<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the terrorists'<br>&nbsp;&nbsp;&nbsp;&nbsp;method of attack?<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no traces of<br>&nbsp;&nbsp;&nbsp;&nbsp;any attacks from the outside,<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and no eyewitness<br>&nbsp;&nbsp;&nbsp;&nbsp;reports of any intruders.<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that the equipment<br>&nbsp;&nbsp;&nbsp;&nbsp;just suddenly exploded.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The culprits are delivering<br>&nbsp;&nbsp;&nbsp;&nbsp;attacks via communications lines!<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please block all external<br>&nbsp;&nbsp;&nbsp;&nbsp;communications at once.<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, sir!<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're onto me, huh?<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu probably could have done<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a better job of hacking in<br>&nbsp;&nbsp;&nbsp;&nbsp;this situation, but...<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, that should more<br>&nbsp;&nbsp;&nbsp;&nbsp;or less take out seventy percent of it.<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I just have to go around<br>&nbsp;&nbsp;&nbsp;&nbsp;and take the rest down directly.<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to keep it up.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even at this very moment,<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiment could be going on.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't afford to collapse<br>&nbsp;&nbsp;&nbsp;&nbsp;before the project does.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! M-Miss Head Resident!<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What is it, Shirai?<br>&nbsp;&nbsp;&nbsp;&nbsp;You are acting downright suspicious.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I am not<br>&nbsp;&nbsp;&nbsp;&nbsp;particularly doing anything...<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're acting even more suspicious!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are back home again, are you?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something wrong<br>&nbsp;&nbsp;&nbsp;&nbsp;with me being in my own room?<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I would not say that,<br>&nbsp;&nbsp;&nbsp;&nbsp;necessarily.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you just were not<br>&nbsp;&nbsp;&nbsp;&nbsp;home all day yesterday, so...<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just some business<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to take care of.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Well, you are just in time.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-da! I got some of Anshindo's<br>
&nbsp;&nbsp;&nbsp;&nbsp;limited-time-only summer *manju* buns!<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you said before that you<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to have some, right? So...<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm okay. Not very hungry right now.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but I'm heading<br>&nbsp;&nbsp;&nbsp;&nbsp;out again for a bit.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But if the head resident<br>&nbsp;&nbsp;&nbsp;&nbsp;does another surprise check tonight...<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she does, just trick<br>&nbsp;&nbsp;&nbsp;&nbsp;her again for me, okay?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is as plain as day that you<br>&nbsp;&nbsp;&nbsp;&nbsp;are wrapped up in something serious.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something you cannot turn to me for.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, those are Anshindo<br>
&nbsp;&nbsp;&nbsp;&nbsp;summer *manju* buns, aren't they?<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are ultra-rare,<br>&nbsp;&nbsp;&nbsp;&nbsp;limited-time-only products, right?<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably...<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How nice, how nice!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd sure like one, too!<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, well, you see...<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you both want one,<br>&nbsp;&nbsp;&nbsp;&nbsp;help yourselves.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Are you sure? Wait, huh...?<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>
&nbsp;&nbsp;&nbsp;&nbsp;are these summer *manju* buns<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ones you were bringing<br>&nbsp;&nbsp;&nbsp;&nbsp;home for Misaka yesterday, Shirai?<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, Sissy was not in the<br>&nbsp;&nbsp;&nbsp;&nbsp;mood for Japanese sweets yesterday.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she seemed to be<br>&nbsp;&nbsp;&nbsp;&nbsp;doing just fine, so do not worry.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Those are Anshindo<br>
&nbsp;&nbsp;&nbsp;&nbsp;summer *manju* buns, right?<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rare, limited-time-only ones!<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did someone hear me<br>&nbsp;&nbsp;&nbsp;&nbsp;saying that I wanted to have some?<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so considerate!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, come and have some with us!<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I am fine.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh come on, why don't you?<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go make some of<br>&nbsp;&nbsp;&nbsp;&nbsp;the tea I've been saving.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm, these are good!<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the flavor from a<br>&nbsp;&nbsp;&nbsp;&nbsp;long-established shop for you.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arson, you say?<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Lately, there have<br>&nbsp;&nbsp;&nbsp;&nbsp;been some unexplained fires<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that have broken out<br>&nbsp;&nbsp;&nbsp;&nbsp;in research facilities all over.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't received any<br>&nbsp;&nbsp;&nbsp;&nbsp;requests for assistance from them,<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it doesn't appear to be too serious.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bunch of false alarms,<br>&nbsp;&nbsp;&nbsp;&nbsp;for crying out loud.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah!<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My *manju* bun! Miss Saten,<br>
&nbsp;&nbsp;&nbsp;&nbsp;you ate it, didn't you?!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, when you set me up like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought, "how could I not"?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am going to go out on patrol for a bit.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because we have<br>&nbsp;&nbsp;&nbsp;&nbsp;not been requested to assist,<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it does not change the<br>&nbsp;&nbsp;&nbsp;&nbsp;fact that arson is involved.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, once something *does<br>
&nbsp;&nbsp;&nbsp;&nbsp;*happen, we'd be too late.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we should<br>&nbsp;&nbsp;&nbsp;&nbsp;increase our patrols from now on.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing particularly out<br>&nbsp;&nbsp;&nbsp;&nbsp;of the ordinary in this district.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh, you really mean it?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really, really mean it!<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? That can't be right.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it *is* right!<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not being wary enough.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not be much help to Sissy.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this is one, isn't it?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, Minori, that is amazing!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's the number?<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there...<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing back here?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we doing?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lucky card?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, that money card?<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, but this one is a miss.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A miss?<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? If you get a<br>&nbsp;&nbsp;&nbsp;&nbsp;card whose serial number<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has the same number in a row,<br>&nbsp;&nbsp;&nbsp;&nbsp;it means you're lucky.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One with three sevens in a row is<br>&nbsp;&nbsp;&nbsp;&nbsp;the best! It grants any wish you want!<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say one person who found<br>&nbsp;&nbsp;&nbsp;&nbsp;one even became a billionaire!<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that is it.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder who that might have been.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An urban legend which grew<br>&nbsp;&nbsp;&nbsp;&nbsp;out of the Money Card hullabaloo<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the other day.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? How come?<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We aren't hurting anything, are we?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no you don't.<br>&nbsp;&nbsp;&nbsp;&nbsp;This area can be dangerous.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of you, hurry on<br>&nbsp;&nbsp;&nbsp;&nbsp;back to your dormitories.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, man...<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, as a member of Judgment,<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall take custody<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of this dropped Money Card.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, geez, what is this?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I'm worn out.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Minori!<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you doing?<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing really.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? That really happened?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But lucky cards are such an<br>&nbsp;&nbsp;&nbsp;&nbsp;adorable urban legend.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might even call it childish.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Childish"?<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's rich, coming from you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, wearing those underpants.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it is just a cute urban legend,<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once people get caught up in it,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a possibility<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that they will become involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in unexpected accidents or incidents.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is the matter<br>&nbsp;&nbsp;&nbsp;&nbsp;of the suspicious fires, too.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should all be more watchful.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but lucky cards...<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were to get my hands<br>&nbsp;&nbsp;&nbsp;&nbsp;on such a card, I'd...<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are so many things I'd<br>&nbsp;&nbsp;&nbsp;&nbsp;wish for, I can't make up my mind!<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go again, Miss Saten.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, what would you do?<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? About what?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had a card that would<br>&nbsp;&nbsp;&nbsp;&nbsp;grant you a wish, what would it be?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would...<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such an unscientific idea is ridiculous.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the world-famous<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City, you know!<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regarding the other facility<br>&nbsp;&nbsp;&nbsp;&nbsp;that was attacked last night,<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;according to our investigation,<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it appears that<br>&nbsp;&nbsp;&nbsp;&nbsp;someone broke in directly,<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and engaged in acts of destruction.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were no casualties among the staff.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, most of the<br>&nbsp;&nbsp;&nbsp;&nbsp;equipment and data was destroyed.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At each facility,<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are signs that the locks<br>&nbsp;&nbsp;&nbsp;&nbsp;were deactivated from the outside;<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;none of the infrared<br>&nbsp;&nbsp;&nbsp;&nbsp;sensors were triggered,<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and none of the surveillance<br>&nbsp;&nbsp;&nbsp;&nbsp;cameras picked up the attackers.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, there are reports that<br>&nbsp;&nbsp;&nbsp;&nbsp;while the incidents were occurring,<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the nearby wind turbines were<br>&nbsp;&nbsp;&nbsp;&nbsp;rotating in the opposite direction.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are cases where such phenomena<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are caused by excessive<br>&nbsp;&nbsp;&nbsp;&nbsp;electromagnetic interference, right?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If *she* is the culprit, then indeed,<br>
&nbsp;&nbsp;&nbsp;&nbsp;our security is of no use.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, we do not have<br>&nbsp;&nbsp;&nbsp;&nbsp;the force it would take to stop her.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if this keeps up,<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiment will be...<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps as far as *we* go...<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My goodness gracious, Sissy,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you look so<br>&nbsp;&nbsp;&nbsp;&nbsp;vulnerable like that!<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost as though you were<br>&nbsp;&nbsp;&nbsp;&nbsp;asking me to sleep next to you!<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again,<br>&nbsp;&nbsp;&nbsp;&nbsp;how many days has it been...<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...since I've been able to feel<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy as close as this?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If...<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had a card that would grant<br>&nbsp;&nbsp;&nbsp;&nbsp;you a wish, what would it be?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is perfectly obvious. I...<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#7 I... I Want To Be Of Help To You, Sissy"<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...want to be of help to you, Sissy.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Sissy.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am going to give it my best, too!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing here...<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, nothing here, either.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh?<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I saw... Oh, well.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;where were your eyes...?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I talked to you yesterday.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you not learned?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still looking for cards?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, it's not like that!<br>
&nbsp;&nbsp;&nbsp;&nbsp;I mean, it *is*, but it isn't...<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I mean... you see...<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it now.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to give your friend<br>&nbsp;&nbsp;&nbsp;&nbsp;a lucky card as a present.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, I am not<br>&nbsp;&nbsp;&nbsp;&nbsp;very impressed by you<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doing something<br>&nbsp;&nbsp;&nbsp;&nbsp;so dangerous to get one.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we're going to be split up soon.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she's moving.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already been decided,<br>&nbsp;&nbsp;&nbsp;&nbsp;so there's nothing she can do.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So before she leaves, I want to<br>&nbsp;&nbsp;&nbsp;&nbsp;give her a present, no matter what.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been friends<br>&nbsp;&nbsp;&nbsp;&nbsp;for a long time.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's nice,<br>&nbsp;&nbsp;&nbsp;&nbsp;and always hangs out with me.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... So I...<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, use this.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must be a dear friend, huh?<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, how far are<br>&nbsp;&nbsp;&nbsp;&nbsp;you going to take us?<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have some faith in my instincts!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's close...<br>&nbsp;&nbsp;&nbsp;&nbsp;The lucky card is close!<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff) (sniff, sniff)<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's stop, already!<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right there! Wait, huh?<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if it isn't Shirai.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff)<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff)<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff) (sniff, sniff)<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really find them like that?<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who believe shall<br>&nbsp;&nbsp;&nbsp;&nbsp;be saved. To see is to believe!<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, come and join me!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff) (sniff, sniff)<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,<br>&nbsp;&nbsp;&nbsp;&nbsp;what are they doing?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I was patrolling,<br>&nbsp;&nbsp;&nbsp;&nbsp;like I was supposed to be!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though<br>&nbsp;&nbsp;&nbsp;&nbsp;I looked the way I did...<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, this is surprising, isn't it?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you would help<br>&nbsp;&nbsp;&nbsp;&nbsp;hunt for cards, Miss Shirai.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was not exactly *helping*.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If she got into an accident<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while looking around by herself,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would have been big trouble.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In effect, it was all part of<br>&nbsp;&nbsp;&nbsp;&nbsp;my Judgment duties.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm...<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Shirai,<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't give up easy.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that you're<br>&nbsp;&nbsp;&nbsp;&nbsp;really doing it for her<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is written all over your face--<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing.<br>&nbsp;&nbsp;&nbsp;&nbsp;But really, what should we do?<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About what?<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we really do find a<br>&nbsp;&nbsp;&nbsp;&nbsp;lucky card, it's still a lost item,<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so giving it away<br>&nbsp;&nbsp;&nbsp;&nbsp;as a present would be...<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just not going to work, is it?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you two...<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing down there?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(sniff, sniff) (sniff, sniff)<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, so that's it.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly, as Judgment,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think we can turn a blind eye...<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lost item is a lost item,<br>&nbsp;&nbsp;&nbsp;&nbsp;after all. This could be difficult.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it could.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, in which case...<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just had a great idea.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, you two!<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, what is this good idea?<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just leave everything to me!<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to this,<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always preferred the<br>&nbsp;&nbsp;&nbsp;&nbsp;more low-tech route, you know?<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though, it is a bit cliché.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cliché is fantastic!<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Miss Konori for you!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's about to happen?<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, you ask?<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all going to help look!<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the classic lucky item!<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The four-leaf clover!<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes!<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Wait up!<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Uh, j-just<br>&nbsp;&nbsp;&nbsp;&nbsp;a moment, please!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say "look,"<br>&nbsp;&nbsp;&nbsp;&nbsp;you mean, this whole place?<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is right.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As in all things,<br>&nbsp;&nbsp;&nbsp;&nbsp;you will never know until you try.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can start by doing everything<br>&nbsp;&nbsp;&nbsp;&nbsp;that you can by yourself.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not here... Not here...<br>&nbsp;&nbsp;&nbsp;&nbsp;Not here, either...<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, happiness<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't something you come by easily.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Saten...<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true, is it, Miss Shirai?<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I am not so sure.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at what I found!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you find a four-leaf clover?<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not that.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A butterfly!<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and there's another one!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must be friends!<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be nice, huh?<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being able to connect with<br>&nbsp;&nbsp;&nbsp;&nbsp;each other without saying anything,<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like those butterflies do.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, your all-out efforts...<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think they definitely<br>&nbsp;&nbsp;&nbsp;&nbsp;get through to Miss Misaka.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not especially...<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not just Miss Misaka, either.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for us, too.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please don't try<br>&nbsp;&nbsp;&nbsp;&nbsp;to do everything by yourself.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here for you, too, after all.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh,<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai?<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just saying, uh, you know...<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah...<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found one!<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! A four-leaf clover!<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! A four-leaf clover!<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing! You really did find one!<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although,<br>&nbsp;&nbsp;&nbsp;&nbsp;it is a bit on the small side.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but even so,<br>&nbsp;&nbsp;&nbsp;&nbsp;it still is amazing!<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Minori!<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here--<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found one!<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look! Look! There are<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of them growing here!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Well, good for you!<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And one over here, too!<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's quite a haul, huh?<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you heading out again, Sissy?<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some business<br>&nbsp;&nbsp;&nbsp;&nbsp;to take care of.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... that is...<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back safely!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm off.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be waiting for your return...<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Sissy.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They got us again!<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the third<br>&nbsp;&nbsp;&nbsp;&nbsp;facility tonight, alone!<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now...<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That leaves...<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there's only...<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...two more to go!<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A clover that makes wishes come true...<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only have one wish.<br>&nbsp;&nbsp;&nbsp;&nbsp;If that comes true,<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will sit still and wait here,<br>&nbsp;&nbsp;&nbsp;&nbsp;believing in you, Sister.<br>

# E8 - ITEM

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6754GQ4R/item)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confirm. It's already three<br>&nbsp;&nbsp;&nbsp;&nbsp;minutes past the designated time.<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Point A.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't anyone in sight.<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? They ran out on us?<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess they decided they were<br>&nbsp;&nbsp;&nbsp;&nbsp;messing with the wrong people.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't say that.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, whose voice<br>&nbsp;&nbsp;&nbsp;&nbsp;was that just now?!<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here, all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Right next to you.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Do you read me?!<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The deal is off! It's off!<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out of there immedi--<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Who are you...?<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why, you...!<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Again? Well, all right...<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who is it?<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pharmaceutical company?<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that a little outside our purview?<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well, that may be true and all, but...<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all told, the whole purpose of<br>&nbsp;&nbsp;&nbsp;&nbsp;the swimsuits is to show off to others,<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so if we go to a private pool<br>&nbsp;&nbsp;&nbsp;&nbsp;with no one around, there's no point.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but,<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;public pools and beaches<br>&nbsp;&nbsp;&nbsp;&nbsp;are ultra-crowded,<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's ultra-next-to-no-room to swim.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, all told,<br>&nbsp;&nbsp;&nbsp;&nbsp;you are right about that.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Takitsubo?<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as there's space to<br>&nbsp;&nbsp;&nbsp;&nbsp;just float along, it doesn't matter.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh...<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, no chit-chatting<br>&nbsp;&nbsp;&nbsp;&nbsp;while we're at work.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinuhata, that's enough.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got a new request,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we're heading back.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When?<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a hazy request.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our job sounds like a simple one.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is this?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you mean.<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, if you say so,<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino, then all right.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the job?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Facility protection detail<br>&nbsp;&nbsp;&nbsp;&nbsp;against a mysterious invader.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pay isn't too bad, either.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's perfect, isn't it?<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the job for us members of ITEM.<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An esper that controls electricity, huh?<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Due to terrorist activities<br>&nbsp;&nbsp;&nbsp;&nbsp;using communications lines,<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as not being<br>&nbsp;&nbsp;&nbsp;&nbsp;caught by electronic security,<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's what they are assuming.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, the client seems to<br>&nbsp;&nbsp;&nbsp;&nbsp;have this rather narrowly profiled.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they have a suspect already,<br>&nbsp;&nbsp;&nbsp;&nbsp;why not ultra-attack themselves?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think taking them by<br>&nbsp;&nbsp;&nbsp;&nbsp;surprise would be an ultra-cinch.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are only to act once<br>&nbsp;&nbsp;&nbsp;&nbsp;the target is within the facility.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are not to pry into their particulars,<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as per the client's orders.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is this?<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, I don't get this at all.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want? It's not like<br>&nbsp;&nbsp;&nbsp;&nbsp;I accepted because I wanted to.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, they have their reasons<br>&nbsp;&nbsp;&nbsp;&nbsp;for wanting you on a job like this.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now stop your griping and get to work!<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The job is to just lie in wait,<br>&nbsp;&nbsp;&nbsp;&nbsp;and then take out our opponent?<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps so,<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the problem is<br>&nbsp;&nbsp;&nbsp;&nbsp;that there are two locations<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that could be potentially targeted.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh! I'll go cover<br>&nbsp;&nbsp;&nbsp;&nbsp;one of them by myself!<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come? You seemed<br>&nbsp;&nbsp;&nbsp;&nbsp;ultra-unhappy about this.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's a separate<br>&nbsp;&nbsp;&nbsp;&nbsp;matter from this.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, if I defeat them myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll earn a killshot bonus, right?<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Just make<br>&nbsp;&nbsp;&nbsp;&nbsp;sure to stay in contact.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get in over your head.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only two<br>&nbsp;&nbsp;&nbsp;&nbsp;places left, including this one.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not at all interested in finding out<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at what pace the<br>&nbsp;&nbsp;&nbsp;&nbsp;experiment is proceeding...<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but before the night is over...<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bringing an end to all of it!<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gave in, because the pay was so enticing,<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but all told, waiting for someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who may not ever come<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sure is boring, huh?<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's worse, if they go the<br>&nbsp;&nbsp;&nbsp;&nbsp;other way, then there's a chance...<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that all told, all this boredom<br>&nbsp;&nbsp;&nbsp;&nbsp;will have been for nothing.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're here, they're here, they're here!<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, they're just<br>&nbsp;&nbsp;&nbsp;&nbsp;following normal behavior!<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right,<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the target research<br>&nbsp;&nbsp;&nbsp;&nbsp;facility is on the top floor.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope things go off without any hitches.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not going to be that easy.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even one of them hit her?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she use magnetism to<br>&nbsp;&nbsp;&nbsp;&nbsp;divert the path of the falling objects?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the intel about her<br>&nbsp;&nbsp;&nbsp;&nbsp;being an electrical esper was right.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There... Ordinarily,<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is a tool to burn<br>&nbsp;&nbsp;&nbsp;&nbsp;through doors and walls, but...<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bomb?!<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would folks like this...<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...be putting bombs<br>&nbsp;&nbsp;&nbsp;&nbsp;inside stuffed animals?!<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're using fuses they<br>&nbsp;&nbsp;&nbsp;&nbsp;set up in the room ahead of time<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to ignite them? But then,<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what are they thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;making such a big production?<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha-- A bomb in the rubble?!<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've predicted my moves!<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean the word is out<br>&nbsp;&nbsp;&nbsp;&nbsp;about me being an Electromaster?<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yow...!<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An emergency retreat<br>&nbsp;&nbsp;&nbsp;&nbsp;using my maximum magnetism...<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does a lot of damage,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I didn't want to use it.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind that, where are they?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're even in here?<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I follow where these lead...<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her, huh?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean it?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Word is that they showed up<br>&nbsp;&nbsp;&nbsp;&nbsp;at the pathological analysis lab.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They did, huh?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They went over there, did they?<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry and get our<br>&nbsp;&nbsp;&nbsp;&nbsp;move here taken care of, too.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, we have a visitor.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... Sorry to keep you<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting. It's nice to meet you.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, uh, you are...?<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who was in charge of<br>&nbsp;&nbsp;&nbsp;&nbsp;your company's Testament oversight,<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nunotaba.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girder is in the way, huh?<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need any<br>&nbsp;&nbsp;&nbsp;&nbsp;more interference later on,<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll take care of this first!<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's really put on quite a<br>&nbsp;&nbsp;&nbsp;&nbsp;spectacle so far, huh?<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hunch is that if I'd used<br>&nbsp;&nbsp;&nbsp;&nbsp;my usual remote-control bombs,<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she'd be long dead by now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but with an Electromaster of her level,<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she might have taken<br>&nbsp;&nbsp;&nbsp;&nbsp;control of them, instead.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, it was the right choice.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How... ever...<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She also deflects ceramic bombs?!<br>&nbsp;&nbsp;&nbsp;&nbsp;She's on a different level<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than any other<br>&nbsp;&nbsp;&nbsp;&nbsp;esper I've gone up against.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't get away! I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;know if you're directly involved,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or if you're a hired goon...<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but anyone supporting<br>&nbsp;&nbsp;&nbsp;&nbsp;this experiment must pay!<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, what a terrifying look!<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad!<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she catches me,<br>&nbsp;&nbsp;&nbsp;&nbsp;she might tear me apart!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, as if!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lured you up as close as I could,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you were pretty high up!<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter how high-level<br>&nbsp;&nbsp;&nbsp;&nbsp;an esper you are after... that?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It can't be...<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wanted to send me falling,<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to rebuild<br>&nbsp;&nbsp;&nbsp;&nbsp;the entire facility,<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this time, leave out the steel!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?! No fair!<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like a dead end, huh?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never expected to be<br>&nbsp;&nbsp;&nbsp;&nbsp;backed this far into the corner.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pretty simple mistake to make.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps you panicked,<br>&nbsp;&nbsp;&nbsp;&nbsp;and made an error in judgment.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe...<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think?<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I beg your pardon.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though there's<br>&nbsp;&nbsp;&nbsp;&nbsp;anything specific we need from you.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention, we've never<br>&nbsp;&nbsp;&nbsp;&nbsp;done as large-scale a move as this one.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, I figure,<br>&nbsp;&nbsp;&nbsp;&nbsp;in case anything happens,<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we could have the pleasure<br>&nbsp;&nbsp;&nbsp;&nbsp;of your company, Miss Nunotaba,<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since you've been involved<br>&nbsp;&nbsp;&nbsp;&nbsp;since Project Radio Noise...<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, please wait here for a moment.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I want to<br>&nbsp;&nbsp;&nbsp;&nbsp;ask you now, while I can.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is it that hired you?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now is not the time to think about loyalties.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This facility is part<br>&nbsp;&nbsp;&nbsp;&nbsp;of that insane experiment--<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, never mind about that.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What my employer's objectives are,<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whether the opponent<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm eliminating is good or evil,<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or what kind of life they've led...<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, those sorts of things...<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...don't really matter to me.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you still not understand your situation?<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, you often hear stories<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about the hunter becoming the hunted.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take a close look<br>&nbsp;&nbsp;&nbsp;&nbsp;at where you're standing.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your retreat is cut off, and there<br>&nbsp;&nbsp;&nbsp;&nbsp;is nothing to shield yourself with!<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and get out of<br>&nbsp;&nbsp;&nbsp;&nbsp;this predicament, if you can!<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, that was dumb.<br>&nbsp;&nbsp;&nbsp;&nbsp;You give thought to talking it out,<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is what happens.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really need to save as<br>&nbsp;&nbsp;&nbsp;&nbsp;much of my strength as I can.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She lifted up the floor with magnetism?!<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh! Could she<br>&nbsp;&nbsp;&nbsp;&nbsp;actually be a Level 5 esper?!<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you made your peace?!<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, having too much<br>&nbsp;&nbsp;&nbsp;&nbsp;power can lead to carelessness.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops...!<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you get<br>&nbsp;&nbsp;&nbsp;&nbsp;for coming at me so candidly!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A stun grenade? I got sloppy!<br>&nbsp;&nbsp;&nbsp;&nbsp;My eyes and ears...!<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the moment when the<br>&nbsp;&nbsp;&nbsp;&nbsp;self-assured esper becomes trapped<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes me feel<br>&nbsp;&nbsp;&nbsp;&nbsp;like I'm on top of the world!<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, when you mess with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is what happens to you!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! That's half the paycheck!<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What shall I buy?<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Half the paycheck! Half the paycheck!<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, what shall I buy?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gone? That wasn't enough firepower<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to blow her up without a trace.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that means, all told...<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you've done<br>&nbsp;&nbsp;&nbsp;&nbsp;your homework on Electromasters,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when you get to my level,<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;EM waves provide me with<br>&nbsp;&nbsp;&nbsp;&nbsp;a picture of the space around me.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, there!<br>&nbsp;&nbsp;&nbsp;&nbsp;Best not to make any false moves.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sight is coming back to my eyes now,<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and at this range,<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing is faster than my electric shocks.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miji...<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miji cavi capri citeva...<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is she saying?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sgichovire sgicacci slano...<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not English or French. Huh?<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;happa fumifumi!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that there sounded like Japanese...<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there *is* no such language!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explosive? She doesn't know when to quit.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's specially-made<br>&nbsp;&nbsp;&nbsp;&nbsp;gaseous explosive,<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ignis."<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't do any harm to breathe it,<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but with the force on<br>&nbsp;&nbsp;&nbsp;&nbsp;that canister earlier...<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this room has now<br>&nbsp;&nbsp;&nbsp;&nbsp;become one gigantic bomb.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what would<br>&nbsp;&nbsp;&nbsp;&nbsp;happen if you used electricity now?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll kill you, nice and slow!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good.<br>&nbsp;&nbsp;&nbsp;&nbsp;Electricity is out of the question,<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and manipulating objects with<br>&nbsp;&nbsp;&nbsp;&nbsp;magnetism runs the risk of friction.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is with her?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not impossible that<br>&nbsp;&nbsp;&nbsp;&nbsp;she could kick up a spark<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the shock of her stamping around!<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like you're watching<br>&nbsp;&nbsp;&nbsp;&nbsp;someone with a death wish.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The work I do is for the underworld.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I can do that<br>&nbsp;&nbsp;&nbsp;&nbsp;and still be afraid of dying?!<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right! As if that were true!<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll die together with<br>&nbsp;&nbsp;&nbsp;&nbsp;you over my dead body!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I tossed at you<br>&nbsp;&nbsp;&nbsp;&nbsp;first was the real thing, all right,<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what I dispersed afterward<br>&nbsp;&nbsp;&nbsp;&nbsp;is just ordinary nitrogen gas.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think you'd fall for it so badly!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with the underworld cleaner<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they've got standing by?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing much.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's just a little girl, not even that old.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind her, I wonder<br>&nbsp;&nbsp;&nbsp;&nbsp;what's happening over there.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows? Any means of external<br>&nbsp;&nbsp;&nbsp;&nbsp;identification have been cut off.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to hurry and<br>&nbsp;&nbsp;&nbsp;&nbsp;get this move taken care of.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if something happens...<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why we called in a patsy,<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who we can pin the<br>&nbsp;&nbsp;&nbsp;&nbsp;responsibility on, just in case, right?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is that.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Nunotaba--<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she in the restroom?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moving the Sisters that are<br>&nbsp;&nbsp;&nbsp;&nbsp;being adjusted would come last.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the abrupt transfer of control<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a watch out for attackers,<br>&nbsp;&nbsp;&nbsp;&nbsp;they've ignored internal security.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm going to put this<br>&nbsp;&nbsp;&nbsp;&nbsp;into action, it's now or never.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're hanging in<br>&nbsp;&nbsp;&nbsp;&nbsp;there pretty well, aren't you?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so, if I don't end this soon,<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino and the others will show up.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said before that I didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;care about my target's life,<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this time, there is something<br>&nbsp;&nbsp;&nbsp;&nbsp;deeply moving about you.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That very moment when I take a life,<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in control of someone else's destiny.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, it's as though this<br>&nbsp;&nbsp;&nbsp;&nbsp;person was born,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just so they could be killed by me.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then,<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let me hear one good,<br>&nbsp;&nbsp;&nbsp;&nbsp;final scream out of you!<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be born, just to be killed, you say?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To just accept it, to take it for granted,<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and not try to escape, or struggle<br>&nbsp;&nbsp;&nbsp;&nbsp;against it, or even seek any help<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from such a godforsaken destiny as that...?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To hell with that!<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A choke hold?<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it. She can get her<br>&nbsp;&nbsp;&nbsp;&nbsp;opponent without using shocks...<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad!<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a bad idea, but still not--<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oof... That was a close call!<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came this close to blowing<br>&nbsp;&nbsp;&nbsp;&nbsp;my bottom half off in my own trap!<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief, my shapely legs would have--<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... I get it, I get it. So that's how it is.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, I went and fell for quite<br>&nbsp;&nbsp;&nbsp;&nbsp;the rudimentary bluff, huh?<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, well, that is...<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All told," I said. It<br>&nbsp;&nbsp;&nbsp;&nbsp;must be rubbing off on me.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tee-hee!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm holding back<br>&nbsp;&nbsp;&nbsp;&nbsp;while shocking someone,<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll sleep just fine if they<br>&nbsp;&nbsp;&nbsp;&nbsp;end up dying, so you know.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me every last detail<br>&nbsp;&nbsp;&nbsp;&nbsp;you know about the project.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's the one in charge?<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is it that hired you?<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, see, it went through an intermediary.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you said someone was coming, huh?<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I'm telling you that!<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you want to be burned to a cinder,<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've got three seconds to answer me.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three...<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! I'll talk, I'll talk, I'll talk! I...<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two...<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My tongue!<br>&nbsp;&nbsp;&nbsp;&nbsp;That last shock made me...<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a minute! My tongue is<br>&nbsp;&nbsp;&nbsp;&nbsp;too numb to move! I can't talk, so...<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One...<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So you're not going<br>&nbsp;&nbsp;&nbsp;&nbsp;to sell out your friends, huh?<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, my tongue is just too numb.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I can't say<br>&nbsp;&nbsp;&nbsp;&nbsp;I hold that against you--<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It got so quiet in here...<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure that you'd been finished off.<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I got here<br>&nbsp;&nbsp;&nbsp;&nbsp;in the nick of time, huh,<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frenda?<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto...<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#9 AIM Stalker"<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bringing down the project!<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't allow her to fight them by herself.<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to save the rest of them!<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I will do what I can.<br>

# E9 - AIM Stalker

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GYX02WQ5R/aim-stalker)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're not going to<br>&nbsp;&nbsp;&nbsp;&nbsp;sell out your friends, huh?<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, my tongue is just too numb.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I can't say<br>&nbsp;&nbsp;&nbsp;&nbsp;I hold that against you--<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moving the Sisters that are<br>&nbsp;&nbsp;&nbsp;&nbsp;being adjusted would come last.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the abrupt transfer of control<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a watch put out for attackers,<br>&nbsp;&nbsp;&nbsp;&nbsp;they've ignored internal security.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm going to put this<br>&nbsp;&nbsp;&nbsp;&nbsp;into action, it's now or never.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S Processor--the institute for<br>&nbsp;&nbsp;&nbsp;&nbsp;practical neuroscience analysis?<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I apologize for the sudden notice,<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I was wondering if you<br>&nbsp;&nbsp;&nbsp;&nbsp;could come over here at once.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can fill you in later, once you arrive.<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are over twenty facilities<br>&nbsp;&nbsp;&nbsp;&nbsp;involved in this project.<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you planning to do this alone?<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you take me for?<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the one who sowed this seed.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be the one...<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to clean it up.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I will be the one," is right.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It got so quiet in here,<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure that<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd been finished off.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I got here in<br>&nbsp;&nbsp;&nbsp;&nbsp;the nick of time, huh, Frenda?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino! Thank goodness!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake, I told you<br>&nbsp;&nbsp;&nbsp;&nbsp;to stick to keeping her confined<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until the rest of us could join you.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You drove her this far,<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had her turn the tables on you,<br>&nbsp;&nbsp;&nbsp;&nbsp;and got caught, of all things.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were you thinking? You were<br>&nbsp;&nbsp;&nbsp;&nbsp;blinded by the quick-kill bonus.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, Frenda. I support<br>&nbsp;&nbsp;&nbsp;&nbsp;you when you get like that.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, when I get like that?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you must be the<br>&nbsp;&nbsp;&nbsp;&nbsp;invader we've heard about.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She guarded against it...<br>&nbsp;&nbsp;&nbsp;&nbsp;No, she blew it away!<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a pretty nimble trick, huh--<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;darting about,<br>&nbsp;&nbsp;&nbsp;&nbsp;and sticking to the wall like that?<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost like a spider.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, that...<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo...<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use them.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you see her?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, she wasn't this way.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where on earth did she disappear to?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud, *now*,<br>
&nbsp;&nbsp;&nbsp;&nbsp;when we're so busy...<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we should contact<br>&nbsp;&nbsp;&nbsp;&nbsp;those cleaner people, just in case.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope this doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;turn into a whole affair.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... let's get started.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She evaded it? No, she's<br>&nbsp;&nbsp;&nbsp;&nbsp;forcibly turning away my shocks!<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo, what a spectacle!<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know why, but I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;getting a whiff of danger from her.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trying to blind us, are you?<br>&nbsp;&nbsp;&nbsp;&nbsp;This won't even buy you time to...<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch... she got away.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo?<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. I've memorized<br>&nbsp;&nbsp;&nbsp;&nbsp;the target's AIM diffusion field.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The odds are against even me,<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;going up against three of them like that.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Destroying the facility comes first.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've overused my ability! My power...!<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How? I've been moving in a random,<br>&nbsp;&nbsp;&nbsp;&nbsp;roundabout way, so how did she...?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lucky guess?<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not this.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's dodging us.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scanned target remains.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, did she leap up to the ceiling?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her moving around in<br>&nbsp;&nbsp;&nbsp;&nbsp;three dimensions is a real pain.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo...<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo...<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As amazing as ever.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you get from<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's 4th-ranked Level 5,<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Meltdowner,"<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as,<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ability to scan someone's location data,<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if they flee to the other<br>&nbsp;&nbsp;&nbsp;&nbsp;side of the world--Takitsubo's...<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"AIM Stalker."<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ITEM boasts this powerful<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 5 and Level 4 combo.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anyone who<br>&nbsp;&nbsp;&nbsp;&nbsp;can escape from this duo?<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww towd, not vewy wikewy!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, I can tawk!<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who that was,<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but her capture is only a matter of time.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that's left is to box<br>&nbsp;&nbsp;&nbsp;&nbsp;her in so she can't escape.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto is raiding that facility...<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she is successful,<br>&nbsp;&nbsp;&nbsp;&nbsp;it probably won't stall the project.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The murkiness that<br>&nbsp;&nbsp;&nbsp;&nbsp;is Level 6 is ever so dark...<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and deep...<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all the emotional data the<br>&nbsp;&nbsp;&nbsp;&nbsp;research has gathered up to now.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to install<br>&nbsp;&nbsp;&nbsp;&nbsp;this into their brains.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt that they will<br>&nbsp;&nbsp;&nbsp;&nbsp;sprout any genuine feelings<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from a program as minor as this one,<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it should at least<br>&nbsp;&nbsp;&nbsp;&nbsp;provide a simulated response.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preparing installation..."<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know whether<br>&nbsp;&nbsp;&nbsp;&nbsp;this will drive them<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to suspend the project or not.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it should at<br>&nbsp;&nbsp;&nbsp;&nbsp;least show the girls another path,<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;besides the hopeless<br>&nbsp;&nbsp;&nbsp;&nbsp;railway of death they are on.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps from among all the Sisters,<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are resigned to<br>&nbsp;&nbsp;&nbsp;&nbsp;dying as a matter of course,<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;some will emerge<br>&nbsp;&nbsp;&nbsp;&nbsp;who lament their fate.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps some researchers will<br>&nbsp;&nbsp;&nbsp;&nbsp;emerge who have gained a sense<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that they are more than just<br>&nbsp;&nbsp;&nbsp;&nbsp;guinea pigs when they see them.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, as unlikely<br>&nbsp;&nbsp;&nbsp;&nbsp;as it might be...<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the cries of the girls who<br>&nbsp;&nbsp;&nbsp;&nbsp;do not want to fight anymore...<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...might just touch someone's heart.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It probably is ridiculous,<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it is probably<br>&nbsp;&nbsp;&nbsp;&nbsp;pointless to be doing this,<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but...<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what I felt at that moment...<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I considered that you might<br>&nbsp;&nbsp;&nbsp;&nbsp;be an authorized staff member,<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I checked with the people upstairs,<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they said that until the<br>&nbsp;&nbsp;&nbsp;&nbsp;data relocation had been completed,<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this place was ultra-off-limits.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They suspect that the attacks<br>&nbsp;&nbsp;&nbsp;&nbsp;are the work of one person,<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's best not dismiss<br>&nbsp;&nbsp;&nbsp;&nbsp;the possibility that one attack<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could be just an ultra-diversion.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, while the defense<br>&nbsp;&nbsp;&nbsp;&nbsp;team has been alerted<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the attack on the *other* facility,<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the commando unit<br>&nbsp;&nbsp;&nbsp;&nbsp;should deal with that,<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while ultra-tightening<br>&nbsp;&nbsp;&nbsp;&nbsp;their own defenses.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, Mugino's insight<br>&nbsp;&nbsp;&nbsp;&nbsp;was ultra-on-the-money, huh?<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#9 AIM Stalker"<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming!<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch! Frenda!<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, setting up over the<br>&nbsp;&nbsp;&nbsp;&nbsp;whole facility was the right move!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, they're aware<br>&nbsp;&nbsp;&nbsp;&nbsp;of every move I'm making.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no question, they've got<br>&nbsp;&nbsp;&nbsp;&nbsp;a psychometrist or a clairvoyant.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, there's an esper<br>&nbsp;&nbsp;&nbsp;&nbsp;there who can pinpoint my location.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief! I am definitely at<br>&nbsp;&nbsp;&nbsp;&nbsp;a disadvantage here. However...<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stop your pointless struggling.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm turning you over to my<br>&nbsp;&nbsp;&nbsp;&nbsp;client now. Resistance is ultra-futile.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Resistance is futile...<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe... You might be right...<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This project isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;the only thing at issue...<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even supposing I am<br>&nbsp;&nbsp;&nbsp;&nbsp;able to derail this project...<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...can the clones live out normal lives?<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their soulless, human eyes...<br>&nbsp;&nbsp;&nbsp;&nbsp;their shortened lifespans...<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An even crueler fate<br>&nbsp;&nbsp;&nbsp;&nbsp;awaits them, does it not?<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, better to stay this course.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet...<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has had to bear<br>&nbsp;&nbsp;&nbsp;&nbsp;the weight of all of this alone.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Truly... a foolish girl.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, this is a sin that we<br>&nbsp;&nbsp;&nbsp;&nbsp;should have been the ones to bear.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a chance for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to carve out their own destinies.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The installation is complete.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Installation complete."<br>&nbsp;&nbsp;&nbsp;&nbsp;"Connecting to Misaka Network."<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are all connected<br>&nbsp;&nbsp;&nbsp;&nbsp;via a brainwave link,<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;called the "Misaka Network."<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The emotion program that I installed<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is shared by all of the Sisters.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody can stop it now.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Connection has been<br>&nbsp;&nbsp;&nbsp;&nbsp;terminated by the network."<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not entirely sure,<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks like your plan ultra-failed.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It can't be...<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did they put this security in?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do with her?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll ultra-haul her upstairs.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, get up!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, start walking!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why, you--<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to not have<br>&nbsp;&nbsp;&nbsp;&nbsp;to use this, if possible.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, just back off.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ultra-can't do that.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this stage of the game,<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your consideration in<br>&nbsp;&nbsp;&nbsp;&nbsp;not shooting anything vital<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is ultra-commendable.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But my "Offense Armor" cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;be penetrated by a mere pistol.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please carry her<br>&nbsp;&nbsp;&nbsp;&nbsp;upstairs, ultra-post-haste.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh... Damn...<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? That capsule in there--<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like someone's inside it.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep ultra-staring<br>&nbsp;&nbsp;&nbsp;&nbsp;at stuff unrelated to the job,<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you could be ultra-eliminated,<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep your mouth shut.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, now, please make it snappy.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think will happen to her?<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just ultra-doing our jobs.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's of any use,<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll probably have<br>&nbsp;&nbsp;&nbsp;&nbsp;her life spared, at least.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then,<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an ultra-piece-of-crap existence,<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where she's lost everything<br>&nbsp;&nbsp;&nbsp;&nbsp;but her life, is what awaits her.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target has moved<br>&nbsp;&nbsp;&nbsp;&nbsp;twenty meters northwest.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just can't seem to hit her, huh?<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just that she's<br>&nbsp;&nbsp;&nbsp;&nbsp;moving in three dimensions.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may be able to detect my attacks.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only espers who could do that...<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, I'm fine.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo's "AIM Stalker" comes in handy,<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's a power difficult to invoke,<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which must be intentionally overdriven,<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and has a limit to its usage.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The distance the intruder has<br>&nbsp;&nbsp;&nbsp;&nbsp;been moving is starting to shrink.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no doubt that<br>&nbsp;&nbsp;&nbsp;&nbsp;she's near her breaking point.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not worth it to<br>&nbsp;&nbsp;&nbsp;&nbsp;use Takitsubo any longer.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we've pushed her this far,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she still hasn't run away,<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that there's some factor<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is compelling<br>&nbsp;&nbsp;&nbsp;&nbsp;her to destroy this place.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that if we<br>&nbsp;&nbsp;&nbsp;&nbsp;wait for her at her destination,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is certain to show up.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a wounded beast,<br>&nbsp;&nbsp;&nbsp;&nbsp;not only completely worn out,<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but also lacking her composure.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's risky, but if I keep<br>&nbsp;&nbsp;&nbsp;&nbsp;my cool dealing with her,<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have to worry<br>&nbsp;&nbsp;&nbsp;&nbsp;about being left in her dust.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so unlike me to<br>&nbsp;&nbsp;&nbsp;&nbsp;set up an ambush, huh?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frenda!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, move, Misaka Mikoto!<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have time... to take it easy!<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, don't they give up?!<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, go on, go on!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye-bye, spider-girl.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming! I can't avoid it!<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it. I surmised as much<br>&nbsp;&nbsp;&nbsp;&nbsp;from the moment she curved my shock.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her ability, at its root,<br>&nbsp;&nbsp;&nbsp;&nbsp;is the same variety as my own...<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Meltdowner...<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter, Mugino?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. So that's it.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Whoa, Takitsubo!<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are... you... all... right...<br>&nbsp;&nbsp;&nbsp;&nbsp;Taki... tsubo...?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frenda, take Takitsubo<br>&nbsp;&nbsp;&nbsp;&nbsp;and meet up with Kinuhata.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can still help.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't just for your sake, Takitsubo.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frenda, the damage you took<br>&nbsp;&nbsp;&nbsp;&nbsp;from that spider-girl is serious, huh?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're playing through the pain,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're still lumbering around.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Takitsubo reaches her limit,<br>&nbsp;&nbsp;&nbsp;&nbsp;she can't detect enemy attacks.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too hard even for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to protect both of you alone.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry we're holding you back.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I'm blaming you for it.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, you did quite well.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you two,<br>&nbsp;&nbsp;&nbsp;&nbsp;our opponent is on the ropes.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let Kinuhata bring up<br>&nbsp;&nbsp;&nbsp;&nbsp;the rear, and get some rest.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino...<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was kind of... nice to us.<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I'd hate for anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;to say that I managed to win<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I overpowered her with numbers.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's 3rd-ranked Level 5...<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Railgun of Tokiwadai!<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgun of Tokiwadai,<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#10 Meltdowner"<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why don't you come and face me head-on?!<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come this far,<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and while I'm here doing<br>&nbsp;&nbsp;&nbsp;&nbsp;this, those girls are...<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay out of my way!<br>

# E10 - Meltdowner

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GR19GD376/meltdowner)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The attacks have stopped?<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that<br>&nbsp;&nbsp;&nbsp;&nbsp;means they're letting me go.<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they waiting to see my next move?<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they have an esper who<br>&nbsp;&nbsp;&nbsp;&nbsp;can pinpoint someone's location,<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then trying to hide<br>&nbsp;&nbsp;&nbsp;&nbsp;would completely backfire.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I do run into them,<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have very<br>&nbsp;&nbsp;&nbsp;&nbsp;much power left to fight them.<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this tape from that blond girl...?<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has this stuff laid<br>&nbsp;&nbsp;&nbsp;&nbsp;out all over the facility?<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's trouble.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that means...<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I use these?<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work in there.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're meeting up with Kinuhata.<br>&nbsp;&nbsp;&nbsp;&nbsp;Take us to S Processor.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two wait here<br>&nbsp;&nbsp;&nbsp;&nbsp;until Mugino comes out.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you wish.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Phew, I'm exhausted.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frenda...<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frenda, if it was just you,<br>&nbsp;&nbsp;&nbsp;&nbsp;you wouldn't have to withdraw.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to worry, not to worry.<br>&nbsp;&nbsp;&nbsp;&nbsp;We can let Mugino handle it from here.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, she was being<br>&nbsp;&nbsp;&nbsp;&nbsp;driven pretty lopsidedly,<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to you, Takitsubo.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind that,<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you sure you should be<br>&nbsp;&nbsp;&nbsp;&nbsp;using your power so recklessly?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was starting to get<br>&nbsp;&nbsp;&nbsp;&nbsp;alarmed, watching you.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, I'm fine.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the only place...<br>&nbsp;&nbsp;&nbsp;&nbsp;I belong, after all.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope someday, you have somewhere<br>&nbsp;&nbsp;&nbsp;&nbsp;else to belong, too, Takitsubo.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My bombs...<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot to retrieve them...!<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're finally here, huh?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be running on<br>&nbsp;&nbsp;&nbsp;&nbsp;boardroom standard time, huh?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frenda...! You just bolted<br>&nbsp;&nbsp;&nbsp;&nbsp;without cleaning up after yourself?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are your other pals?<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sent them away.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to take<br>&nbsp;&nbsp;&nbsp;&nbsp;you on one-on-one,<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgun.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cat's out of the bag, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's okay.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her wanting this<br>&nbsp;&nbsp;&nbsp;&nbsp;to be person-to-person...<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...happens to work out...<br>&nbsp;&nbsp;&nbsp;&nbsp;better for me!<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so that's it.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're using Frenda's bombs<br>&nbsp;&nbsp;&nbsp;&nbsp;to make up for your diminished power?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But by doing so,<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're as much as admitting<br>&nbsp;&nbsp;&nbsp;&nbsp;that you can't defeat me on your own!<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her ability can even<br>&nbsp;&nbsp;&nbsp;&nbsp;deflect blast waves? In that case...!<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same thing will happen every time.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No--she's planning to<br>&nbsp;&nbsp;&nbsp;&nbsp;use the blast to hide herself,<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and swing around behind?<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe she's blowing me off,<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and charging her way<br>&nbsp;&nbsp;&nbsp;&nbsp;to the database inside?<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, if I shoot it down first...<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! Did you rig the dolls somehow?!<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I put metal in them,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could control them magnetically!<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, you're a real pain in the neck!<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph!<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you can shoot it down,<br>&nbsp;&nbsp;&nbsp;&nbsp;when there's just one of them...<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what about when there's<br>
&nbsp;&nbsp;&nbsp;&nbsp;*this* many of them?!<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I can see,<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she can't lay down a curtain of<br>&nbsp;&nbsp;&nbsp;&nbsp;fire with her type of ability.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means...<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, if you overwhelm me with numbers,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can incapacitate me?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Silicon Burn."<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of *course* I'm going to take<br>
&nbsp;&nbsp;&nbsp;&nbsp;steps to shore up my weaknesses.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give ITEM its due, you dirty brat!<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to that imbecile Frenda,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go to a bit of trouble...<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but I guess that's the best<br>&nbsp;&nbsp;&nbsp;&nbsp;your middle-school brain can do.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third-ranked my ass!<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Measured by the profits generated<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by the research applications of your ability,<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* get ranked third,<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while *I* get ranked fourth?!<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I slaughter you right now,<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bet I can prove that's got<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing to do with it!<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fourth-ranked Level 5?<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means,<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's "Meltdowner"? Her?<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only three left, are there?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you've run out of<br>&nbsp;&nbsp;&nbsp;&nbsp;moves, now, have you?<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You little brat.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An all-or-nothing suicide<br>&nbsp;&nbsp;&nbsp;&nbsp;attack, is it?<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, not only are you a hack,<br>&nbsp;&nbsp;&nbsp;&nbsp;you already blew your wad?<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! Another one?!<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had one down her back?!<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A shield!<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, at this range, there's not<br>&nbsp;&nbsp;&nbsp;&nbsp;enough time! Damn it!<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right!<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you forgotten? I can also<br>&nbsp;&nbsp;&nbsp;&nbsp;interfere with your shocks.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't really think "I won!"<br>&nbsp;&nbsp;&nbsp;&nbsp;just now, did you?<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This fight was over as soon as it started,<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgu--<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have *you* forgotten?<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I rigged these<br>&nbsp;&nbsp;&nbsp;&nbsp;things with metal.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're lethal enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;even without exploding.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the place?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that should<br>&nbsp;&nbsp;&nbsp;&nbsp;just about do it for now.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have liked to have<br>&nbsp;&nbsp;&nbsp;&nbsp;made sure everything burned,<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in the shape I'm in,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd end up being caught up in it myself.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is that other facility.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there are espers there of the<br>&nbsp;&nbsp;&nbsp;&nbsp;same level as there were here,<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not very...<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That woman is gone!<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way she should have<br>&nbsp;&nbsp;&nbsp;&nbsp;been able to move so soon!<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, don't go lounging around on me.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to pay you<br>&nbsp;&nbsp;&nbsp;&nbsp;back a trillion times over<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for what you did to me, starting right now!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#10 Meltdowner"<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on, what's the matter?<br>&nbsp;&nbsp;&nbsp;&nbsp;Get up, already,<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or I'll turn you to charcoal<br>&nbsp;&nbsp;&nbsp;&nbsp;where you lie!<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spry little girl, huh?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucky for me, I haven't had<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to eat these last few days.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop running away, you hussy!<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get up on your high horse as soon<br>&nbsp;&nbsp;&nbsp;&nbsp;as you're out of bombs, will you?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a disgrace<br>&nbsp;&nbsp;&nbsp;&nbsp;to your third-place rank!<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it will manage to<br>&nbsp;&nbsp;&nbsp;&nbsp;get over it, somehow!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've accomplished my goal.<br>&nbsp;&nbsp;&nbsp;&nbsp;All I have to do now is get out.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that the electrical<br>&nbsp;&nbsp;&nbsp;&nbsp;systems are shot,<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got three escape routes.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I go down the emergency stairs--<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no, given her ability, she can<br>&nbsp;&nbsp;&nbsp;&nbsp;punch through the whole staircase.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's also very little<br>&nbsp;&nbsp;&nbsp;&nbsp;space in which to dodge her.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I could take the mazelike<br>&nbsp;&nbsp;&nbsp;&nbsp;route to the freight entrance.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, there's only one way through.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's blocked in even one place,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be trapped like a rat.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which leaves...<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh-h, you really want this to be a draw?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scampering away from me like that,<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you're not a spider,<br>&nbsp;&nbsp;&nbsp;&nbsp;but a cockroach, aren't you?!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'll squash you accordingly!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Kinuhata.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I'm at the ultra-best part<br>&nbsp;&nbsp;&nbsp;&nbsp;right now, so keep it short.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've ultra-finished their<br>&nbsp;&nbsp;&nbsp;&nbsp;preparations to relocate.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo and Frenda<br>&nbsp;&nbsp;&nbsp;&nbsp;have just arrived, too.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless something comes up,<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So not even collapsing her<br>&nbsp;&nbsp;&nbsp;&nbsp;footing works, does it?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can ultra-escort them, and...<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'll get her directly...<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes... Yes...<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultra-acknowledged.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You want me to tell her<br>&nbsp;&nbsp;&nbsp;&nbsp;ultra-word-for-word?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Bye, then.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She says we can ultra-proceed.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh, listen...<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did Mugino, you know, sound like<br>&nbsp;&nbsp;&nbsp;&nbsp;she was mad, or anything?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, about the bombs?<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. She did sound<br>&nbsp;&nbsp;&nbsp;&nbsp;ultra-keyed-up, though.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, she did have an<br>&nbsp;&nbsp;&nbsp;&nbsp;ultra-message for you Frenda.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What, what?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Your punishment is guaranteed,"<br>&nbsp;&nbsp;&nbsp;&nbsp;she said.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I make it all<br>&nbsp;&nbsp;&nbsp;&nbsp;the way out this way?<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Parry, parry, parry! Is that it?!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make me laugh, you little brat!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you can do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about the "darkness" of this town<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by fighting like you're on<br>&nbsp;&nbsp;&nbsp;&nbsp;the playground?!<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, make this<br>&nbsp;&nbsp;&nbsp;&nbsp;more entertaining for me!<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you want to become a<br>
&nbsp;&nbsp;&nbsp;&nbsp;quaint *objet d'art* with a modernist flair!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you're desperate,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you sure picked a place to flee to<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that all but says "Please, kill me."<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third-ranked, in a pig's eye!<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just a wet-behind-the-ears<br>&nbsp;&nbsp;&nbsp;&nbsp;little girl, aren't you?!<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you're here,<br>&nbsp;&nbsp;&nbsp;&nbsp;why don't you show some gumption,<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and shoot off that Railgun that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're so good at, one last time?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it's no fun if you go<br>&nbsp;&nbsp;&nbsp;&nbsp;crazy before I can torture you.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I don't have enough power left<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to avoid one of your blasts,<br>&nbsp;&nbsp;&nbsp;&nbsp;much less use my Railgun.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I gambled on taking this route.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That blond pal of yours<br>&nbsp;&nbsp;&nbsp;&nbsp;really gave me a hard time of it.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blowing me away with her bombs,<br>&nbsp;&nbsp;&nbsp;&nbsp;tricking me, and kicking me. Also,<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she nearly made me fall,<br>&nbsp;&nbsp;&nbsp;&nbsp;along with the floor beneath me.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I wagered<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that if she set up traps all<br>&nbsp;&nbsp;&nbsp;&nbsp;over the place,<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was sure to be something set up,<br>&nbsp;&nbsp;&nbsp;&nbsp;even in a place like this.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even in my present state,<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can still take the<br>&nbsp;&nbsp;&nbsp;&nbsp;place of that tool she used.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't scoff at playground<br>&nbsp;&nbsp;&nbsp;&nbsp;fighting, should you, Auntie?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frenda!!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grab hold!<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way... She didn't just...<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, get down here!<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't over yet!<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not dead?! She's tough!<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She ran away, did she? Ow!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Meltdowner rays<br>&nbsp;&nbsp;&nbsp;&nbsp;may have slowed me down,<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they did not make<br>&nbsp;&nbsp;&nbsp;&nbsp;for a very smart landing.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guess I'll have to adjust that.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll call Takitsubo back right away,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this time, for sure...<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... That girl is a student at<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai isn't she?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was she after here in the first place?<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I accomplished my objective here.<br>&nbsp;&nbsp;&nbsp;&nbsp;But that final location...<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My power is all gone.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot...<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hurry! Most of upstairs<br>&nbsp;&nbsp;&nbsp;&nbsp;is engulfed in flames!<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But they're still here!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just leave that junk there!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! They hired someone<br>&nbsp;&nbsp;&nbsp;&nbsp;from the underworld...<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weren't we supposed to be safe?<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud, they're useless--<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What...?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've become interested in the project<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Railgun came here to destroy.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-There's no way I can do that!<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I leaked anything outside the<br>
&nbsp;&nbsp;&nbsp;&nbsp;company, *I'd* be eliminated--<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between becoming a greasy lump<br>&nbsp;&nbsp;&nbsp;&nbsp;of flesh, right here and now,<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and taking the very slim chance<br>&nbsp;&nbsp;&nbsp;&nbsp;of living life on the run,<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which would you like?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This* is what they're putting the<br>
&nbsp;&nbsp;&nbsp;&nbsp;great first-ranked up to?!<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leveling up by pummeling<br>&nbsp;&nbsp;&nbsp;&nbsp;20,000 pieces of slime?!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the governing board of<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City thinking...?<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so *that's* it.<br>
&nbsp;&nbsp;&nbsp;&nbsp;And then, those of us in ITEM...<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That should be interesting, shouldn't it?<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can just go down, writhing in pain.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Down to the bottom of<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's darkness, huh?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's morning already?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, I look like a mess.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S Processor, the institute for<br>&nbsp;&nbsp;&nbsp;&nbsp;practical neuroscience analysis...<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last location,<br>&nbsp;&nbsp;&nbsp;&nbsp;which I failed to bring down yesterday.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or at least it should be.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is weird. It's not just<br>&nbsp;&nbsp;&nbsp;&nbsp;the lack of traffic in and out.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind security, there isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;a single electrical device at work.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it a trap?<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no one here, all right.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not only that,<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the data has been erased.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After yesterday's battle,<br>&nbsp;&nbsp;&nbsp;&nbsp;did they give up on carrying it out?<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"S Processor Goes Bankrupt<br>&nbsp;&nbsp;&nbsp;&nbsp;/ School District 7"<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if they can't sustain<br>&nbsp;&nbsp;&nbsp;&nbsp;the project with just one location.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I drove them...<br>&nbsp;&nbsp;&nbsp;&nbsp;until they backed down.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean...<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it's over?<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Somehow,<br>&nbsp;&nbsp;&nbsp;&nbsp;that seems unrealistic.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe because of the string<br>&nbsp;&nbsp;&nbsp;&nbsp;of surreal events I've been through.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Farewell, Big Sister.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so that's it.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering what this was,<br>&nbsp;&nbsp;&nbsp;&nbsp;since it wasn't scheduled.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're... the Original, huh?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Accelerator.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?!<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're alive, aren't you?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You have life, don't you?!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even such as you are?!<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka is a product<br>&nbsp;&nbsp;&nbsp;&nbsp;created for this project.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Artificial bodies with artificial minds.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a laboratory animal,<br>&nbsp;&nbsp;&nbsp;&nbsp;at a unit price of ¥180,000 each.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like everything that<br>&nbsp;&nbsp;&nbsp;&nbsp;happened is just going to vanish.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are still many things that<br>&nbsp;&nbsp;&nbsp;&nbsp;I am going to have to do.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still...<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the experiments are over.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those girls...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those girls...<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have to die anymore...<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, we're all here for you.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever have too much on your plate,<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just say the word, any time, okay?<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, I'm coming home now.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it with this thing?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's strange...<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't suppose there's any<br>&nbsp;&nbsp;&nbsp;&nbsp;chance it's out of order.<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma,<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#11 The Vending Machine"<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who suddenly appeared before Misaka Mikoto,<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;together with Misaka Mikoto,<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who suddenly appeared before me, Kamijo Toma,<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are off on a grand journey<br>&nbsp;&nbsp;&nbsp;&nbsp;to track down the mystery<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not! And why are you<br>&nbsp;&nbsp;&nbsp;&nbsp;even doing the preview?!<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of exactly which...<br>

# E11 - The Vending Machine

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GYNQ3D5WY/the-vending-machine)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it with this thing?<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a cutie. Whoo!<br>&nbsp;&nbsp;&nbsp;&nbsp;And from Tokiwadai, at that.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna come with<br>&nbsp;&nbsp;&nbsp;&nbsp;us and have a little fun?<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take you home.<br>&nbsp;&nbsp;&nbsp;&nbsp;No telling when that will be, though.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys are idiots<br>&nbsp;&nbsp;&nbsp;&nbsp;for talking to me. And sure,<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not like those guys<br>&nbsp;&nbsp;&nbsp;&nbsp;are without pity. I can tell that.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And really, it's not like they could<br>&nbsp;&nbsp;&nbsp;&nbsp;cut in here and do something.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'd just get hurt.<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you looking at?<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone has to look out<br>&nbsp;&nbsp;&nbsp;&nbsp;for themselves. That's normal.<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And supposing there is someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who would do so for a stranger,<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then that person is just a fool.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there you are!<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, thanks for keeping her company.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know you shouldn't wander off like that.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's strange...<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't suppose there's<br>&nbsp;&nbsp;&nbsp;&nbsp;any chance it's out of order.<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on, give me a break.<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me back my money!<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, there!<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just stand there like an idiot.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're not buying anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;then stand aside!<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Huh? I am...<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to rehydrate as soon as possible,<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or I'm going to just fall apart.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's with you, pal?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have...<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a name--Misaka Mikoto!<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember it already, you idiot!<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see things are as messed up as ever.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it that my shocks don't work on you?<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know! And *you* shouldn't<br>
&nbsp;&nbsp;&nbsp;&nbsp;go using your ability without warning!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, anyhow, if you're not going<br>&nbsp;&nbsp;&nbsp;&nbsp;to buy anything, I'll go ahead.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got some serious business<br>&nbsp;&nbsp;&nbsp;&nbsp;with this vending machine.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, about this vending machine...<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It tends to eat your money.<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma,<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had what little<br>&nbsp;&nbsp;&nbsp;&nbsp;money that was on me--<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get yoinked?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Did you really get yoinked?<br>&nbsp;&nbsp;&nbsp;&nbsp;How much did you get taken for?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;¥2000.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;¥2000?! You mean<br>&nbsp;&nbsp;&nbsp;&nbsp;you used a ¥2000 bill?!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well of *course* a vending<br>
&nbsp;&nbsp;&nbsp;&nbsp;machine will munch that!<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a really good laugh out of that,<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll get it back for you.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, this thing<br>&nbsp;&nbsp;&nbsp;&nbsp;once took ¥10,000 of mine...<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. I'm just saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to get your money's worth<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for everything this<br>&nbsp;&nbsp;&nbsp;&nbsp;thing took from you.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, the only feeling I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;getting about this is a bad one...<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same old Miss Misaka as ever, huh?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had made up my mind to<br>&nbsp;&nbsp;&nbsp;&nbsp;believe in Sissy, and wait for her, too.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Sissy were to<br>&nbsp;&nbsp;&nbsp;&nbsp;see me looking like this,<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would instead be<br>&nbsp;&nbsp;&nbsp;&nbsp;the one worrying her.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am just hopeless, am I not?<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She went out every night<br>&nbsp;&nbsp;&nbsp;&nbsp;without eating anything,<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not to mention being unable<br>&nbsp;&nbsp;&nbsp;&nbsp;to provide any details<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to Shirai or either of us.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I refrained from coming out and<br>&nbsp;&nbsp;&nbsp;&nbsp;saying anything, but sure enough,<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a boy... is the only explanation.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A b--b--b--<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tell you, that is not it--<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, the reason Miss Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;has been acting strangely is...<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly. She's lovestruck.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's it! Indeed, she could not<br>&nbsp;&nbsp;&nbsp;&nbsp;turn to any of us for advice,<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there is plenty of<br>&nbsp;&nbsp;&nbsp;&nbsp;reason to keep it a secret!<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, right?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since we're talking<br>&nbsp;&nbsp;&nbsp;&nbsp;about Miss Misaka here,<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure he must be a gentleman<br>&nbsp;&nbsp;&nbsp;&nbsp;as handsome as a prince.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I think Misaka is the<br>&nbsp;&nbsp;&nbsp;&nbsp;type that is attracted to someone<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who sees her as the only girl for him.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah!<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, since she doesn't come<br>&nbsp;&nbsp;&nbsp;&nbsp;home every night until morning...<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't think Miss Misaka is...!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Uiharu?<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-There is no way...<br>&nbsp;&nbsp;&nbsp;&nbsp;Not Sissy, of all people...<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An alarm?<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, you're quick to react.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That...<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is a vending machine alarm, isn't it?<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vending machine<br>&nbsp;&nbsp;&nbsp;&nbsp;in that area? Could it be?<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Miss Shirai?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will go check it out.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Okay, I'll come, too.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, if anything happens, I will contact you.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Wait...<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait up!<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's... hopeless...<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez...<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you running away?<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got out everything that<br>&nbsp;&nbsp;&nbsp;&nbsp;machine owed you, you know.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I didn't really...<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These belong to you<br>&nbsp;&nbsp;&nbsp;&nbsp;in the first place, right?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I accept this,<br>&nbsp;&nbsp;&nbsp;&nbsp;I become an accomplice, don't I?<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's more where that came from.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! Hold on! Hold on! Ow!<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, there are hot ones mixed in!<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't help it, you know.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't choose the kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;drink that comes out, after all.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as for you,<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as strong as you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;you run away too much.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And since I lost to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;where does that leave me?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? What did you just say?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both in town and<br>&nbsp;&nbsp;&nbsp;&nbsp;out on the riverbed,<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've toyed around with<br>&nbsp;&nbsp;&nbsp;&nbsp;me time and again, haven't you?!<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I've been getting into<br>&nbsp;&nbsp;&nbsp;&nbsp;fights with a middle-school girl?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, as intense as it got,<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to let you get<br>&nbsp;&nbsp;&nbsp;&nbsp;away with saying you've forgotten!<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have I been doing?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, just drink something.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If my underclassman got a present<br>&nbsp;&nbsp;&nbsp;&nbsp;from me, she'd swoon and faint.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't some girl's manga,<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and things like that<br>&nbsp;&nbsp;&nbsp;&nbsp;don't happen in girls' schools.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, wishful thinking.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're only able to say that<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;what they call me at Tokiwadai.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard a vending machine alarm<br>&nbsp;&nbsp;&nbsp;&nbsp;and came running, and here you are!<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, speak of the devil...<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Kuro--<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's wrong with you?!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It cannot be... No way... It is true...!<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rendezvous with a gentleman caller!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now just a minute!<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pleased to meet you, gentleman caller.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? What?!<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ride shotgun for Sissy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and am her one-and-only partner,<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai Kuroko.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you appear to be<br>&nbsp;&nbsp;&nbsp;&nbsp;an acquaintance of Sissy's,<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will pay my respects,<br>&nbsp;&nbsp;&nbsp;&nbsp;out of social etiquette.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have to say,<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he is an undistinguished<br>&nbsp;&nbsp;&nbsp;&nbsp;gentleman caller, huh?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is someone like him really with Sissy?<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, if this is all it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;for him to fall into a flutter,<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a risk of him<br>&nbsp;&nbsp;&nbsp;&nbsp;having flirtatious tendencies.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look, you...<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this geekwad look<br>&nbsp;&nbsp;&nbsp;&nbsp;like my boyfriend?!<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, of course not.<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it sounded strange.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Get back down here!<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again,<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as much as I would like you to<br>&nbsp;&nbsp;&nbsp;&nbsp;wash your hands of this troglodyte<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and allow me to escort you, Sissy,<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as you have absolutely<br>&nbsp;&nbsp;&nbsp;&nbsp;no immunity to your gentleman caller,<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fear that later on, you may<br>&nbsp;&nbsp;&nbsp;&nbsp;be drawn to rather unsavory men.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On that point, I doubt I have anything to fear<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from this completely harmless monkey.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On top of which, if you become<br>&nbsp;&nbsp;&nbsp;&nbsp;disillusioned with men in general,<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing as how geeky he is,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be there to console you, Sissy...<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides...<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you listening to me, Kuroko?!<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do seem to be happy again.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you listening?!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is nothing more I can do,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I will take my leave,<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but please take care not to<br>&nbsp;&nbsp;&nbsp;&nbsp;make any missteps, okay, Sissy?<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you talking about?!<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, with that...<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She disappeared!<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make an outburst like that<br>&nbsp;&nbsp;&nbsp;&nbsp;and then run away on me, will she?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there really are people<br>&nbsp;&nbsp;&nbsp;&nbsp;who use the term "Sissy" in real life.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to Tokiwadai Middle School.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her case is kind of a special one.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it is?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man! Seriously,<br>&nbsp;&nbsp;&nbsp;&nbsp;what did I even come here for?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? She's back--huh?!<br>&nbsp;&nbsp;&nbsp;&nbsp;There's another Zapper?!<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If our appearances look the same,<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is only natural, since we<br>&nbsp;&nbsp;&nbsp;&nbsp;are identical on a genetic level,"<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka in reply.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Genetic?<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Ah, you're twins, huh?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moments ago, I identified<br>&nbsp;&nbsp;&nbsp;&nbsp;a power identical to Misaka's,<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came by to see,<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but here at the site,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a broken vending machine,<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and seeing you here with<br>&nbsp;&nbsp;&nbsp;&nbsp;that large number of drinks...<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, don't tell me that you<br>&nbsp;&nbsp;&nbsp;&nbsp;were an accomplice in stealing from it.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, your sister is the main culprit!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an innocent bystander!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result of Misaka gauging<br>&nbsp;&nbsp;&nbsp;&nbsp;the vending machine with her ability,<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the most recent fingerprints did belong to you.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding!<br>&nbsp;&nbsp;&nbsp;&nbsp;You can even tell that much?!<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kidding.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding?!<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what are they<br>&nbsp;&nbsp;&nbsp;&nbsp;teaching this sister of yours?!<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you...?!<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you wandering around here?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am training.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Train--<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Training? Did you join Judgment,<br>&nbsp;&nbsp;&nbsp;&nbsp;or something?<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment?<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah, that's what this is.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come here for a second.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Misaka has a schedule to...<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe they're just...<br>&nbsp;&nbsp;&nbsp;&nbsp;a complex family.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, how far are we going to go?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's schedule is already<br>&nbsp;&nbsp;&nbsp;&nbsp;off by thirty-eight seconds...<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experiment...<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The project was shut down,<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't it? So why...?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"By 'project,'<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you are referring<br>&nbsp;&nbsp;&nbsp;&nbsp;to Project Level 6 Shift,<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it is proceeding on schedule,"<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;replies Misaka.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! Even... now?<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Experiment 10020 was just held.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten... thousand...?<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is she saying?<br>&nbsp;&nbsp;&nbsp;&nbsp;No... How...?<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought they pulled everything out...<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are they...?<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is happening?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand,<br>&nbsp;&nbsp;&nbsp;&nbsp;but they're being killed again.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not true!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one... who killed them.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She...<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will soon also...<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all--<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! How cute!<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka found her," says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;trumpeting her achievement.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do? What more...<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...can I do?<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, there's a kiddy-kitty.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it...<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop appearing before me...<br>&nbsp;&nbsp;&nbsp;&nbsp;sounding like that...<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and looking like that!<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please excuse me.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the pits.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th--<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are heavy. Still and all,<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what was that with them back there?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yowch...!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, just my luck.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I can lend you a hand, if you need it,"<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what Misaka suggests with a sigh.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're her younger sister.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But didn't your sister<br>&nbsp;&nbsp;&nbsp;&nbsp;take you away somewhere earlier?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka just came from there,"<br>&nbsp;&nbsp;&nbsp;&nbsp;she says, pointing.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Where should we<br>&nbsp;&nbsp;&nbsp;&nbsp;carry these drinks to,"<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, that's okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;I can carry them by myself.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#11 "Where should we carry these drinks to,"<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka prods.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? You look<br>&nbsp;&nbsp;&nbsp;&nbsp;awfully flushed, Doctor Amai.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't "Hello" me!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the meaning of<br>&nbsp;&nbsp;&nbsp;&nbsp;handing off to this many facilities?!<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We're* taking the lead on Level 6 Shift!<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you scatter it around like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;the patent will never be...<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, take it easy.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There will still be plenty of profit,<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even after dividing it up this much.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you know that?!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I know.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, what's most important<br>&nbsp;&nbsp;&nbsp;&nbsp;is completing the experiments.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are 183 transferee<br>&nbsp;&nbsp;&nbsp;&nbsp;facilities in total.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that breaks our mysterious<br>&nbsp;&nbsp;&nbsp;&nbsp;attacker's spirit, then good.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even if the attacks keep going,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the more these facilities are destroyed,<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greater our share of<br>&nbsp;&nbsp;&nbsp;&nbsp;the profit becomes, doesn't it?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;183...<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did it get to be so<br>&nbsp;&nbsp;&nbsp;&nbsp;many in this short a time?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a level far greater<br>&nbsp;&nbsp;&nbsp;&nbsp;than any single firm could manage.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm... an idiot.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder why I didn't realize it.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is constantly<br>&nbsp;&nbsp;&nbsp;&nbsp;under satellite and camera surveillance.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way that Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;senior management is unaware<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that these inhuman experiments<br>&nbsp;&nbsp;&nbsp;&nbsp;are repeatedly being done out of doors.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City as a whole...<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is my foe?<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, that's nasty, all right.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a moment?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which laboratory's errand boy are you?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What makes you think that?<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone who comes<br>&nbsp;&nbsp;&nbsp;&nbsp;near me is always some guy,<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to milk me<br>&nbsp;&nbsp;&nbsp;&nbsp;for some kind of analysis,<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or some idiot, out to claim the<br>&nbsp;&nbsp;&nbsp;&nbsp;throne of Academy City's top dog.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, I see.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, in the sense that<br>&nbsp;&nbsp;&nbsp;&nbsp;both of them are full of crap,<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's not all that much difference.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 6 Shift?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. An experiment with<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram's endorsement.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! Not interested.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the first-ranked in Academy City,<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;meaning that I'm already<br>&nbsp;&nbsp;&nbsp;&nbsp;at the top of the world.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come who may, and do<br>&nbsp;&nbsp;&nbsp;&nbsp;what they will, nobody can beat me.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I do become stronger<br>&nbsp;&nbsp;&nbsp;&nbsp;than I am now, what's that to me?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;You are indeed the mightiest esper.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if you top out at "mightiest,"<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the circumstances that surround you<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will always remain the same.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then,<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you had an absolute power,<br>&nbsp;&nbsp;&nbsp;&nbsp;past that of "mightiest,"<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it just might bring about<br>&nbsp;&nbsp;&nbsp;&nbsp;some changes in your life.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Past "mightiest," he says?<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for coming.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mass-production of clones,<br>&nbsp;&nbsp;&nbsp;&nbsp;in violation of international law, eh?<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys have got screws loose<br>&nbsp;&nbsp;&nbsp;&nbsp;in your heads in just the right way.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Originally,<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they were planned for use in another project,<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but things happen, and they<br>&nbsp;&nbsp;&nbsp;&nbsp;ended up being diverted to us.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking at this,<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you still like to achieve Level 6?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another 9970 to go, huh?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a drag.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bathroom is available.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, thanks.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy was in such<br>&nbsp;&nbsp;&nbsp;&nbsp;good spirits this afternoon...<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-D-Do not tell me something<br>&nbsp;&nbsp;&nbsp;&nbsp;happened with that troglodyte!<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He shall pay for this!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I have any other moves left?<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find the mastermind and<br>&nbsp;&nbsp;&nbsp;&nbsp;put the screws to him? No,<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if Academy City is directing<br>&nbsp;&nbsp;&nbsp;&nbsp;these experiments, that won't work.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones who imposed this<br>&nbsp;&nbsp;&nbsp;&nbsp;crazy project in the first place...<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hopeless.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason they're keeping my<br>&nbsp;&nbsp;&nbsp;&nbsp;attacks under wraps is because<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they want to avoid their<br>&nbsp;&nbsp;&nbsp;&nbsp;cloning experiments going public.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But *that*... If I were to destroy *that*...<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City would<br>&nbsp;&nbsp;&nbsp;&nbsp;have nowhere left to retreat.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happens, I can<br>&nbsp;&nbsp;&nbsp;&nbsp;never go back to my previous life.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've already killed 10,000 of me,<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm still talking about<br>&nbsp;&nbsp;&nbsp;&nbsp;something so self-serving?<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Kuroko...<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes? What is it, Sissy?<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing--just supposing, now--<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did something that brought<br>&nbsp;&nbsp;&nbsp;&nbsp;calamity upon Academy City,<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what would you do?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean making off with drinks<br>&nbsp;&nbsp;&nbsp;&nbsp;from a busted vending machine,<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suggest not doing it again.<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That thing took my ¥10,000 bill<br>&nbsp;&nbsp;&nbsp;&nbsp;when I was a freshman,<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's fair game!<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something...<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something involving the foundation<br>&nbsp;&nbsp;&nbsp;&nbsp;that Academy City is built on.<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot say that I know why you<br>&nbsp;&nbsp;&nbsp;&nbsp;would ask a question such as that,<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if it is something that would<br>&nbsp;&nbsp;&nbsp;&nbsp;disrupt the safety of this city,<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it would not alter what<br>&nbsp;&nbsp;&nbsp;&nbsp;I would do, even against you, Sissy.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, then no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how much you call me "Sissy,"<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's the extent of our relationship, huh?<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, it is not!<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I know that there<br>&nbsp;&nbsp;&nbsp;&nbsp;is not even a remote chance<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you would do any such thing, Sissy!<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotcha!<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm joking.<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...!<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh... Oh, Sissy...<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I get caught by Kuroko in<br>&nbsp;&nbsp;&nbsp;&nbsp;exchange for stopping the project,<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that wouldn't be so bad.<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next Episode Preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it was a boy!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's definitely a boy!<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#12 "Tree Diagram"<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not! It absolutely cannot be!<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A boy, I say, a boy! Boy! Boy! Boy! It's a boy!<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not have it! It is not! It is not!<br>

# E12 - Tree Diagram

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6MG3XQW6/tree-diagram)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home. Oh?<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto, what are you crying about?<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, it's going to be all right.<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're a good girl,<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto, it's sure to be fixed.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real? By any chance,<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is Santa going to come make it better?<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Santa? But it's the spring.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, sure. The old fellow<br>&nbsp;&nbsp;&nbsp;&nbsp;is one of my friends, so I'll ask him.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's your friend?!<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You betcha.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you just go off to sleep, now, okay?<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, finished.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mama! Mama!<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mama!<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look! Look! See?<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all better!<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, good for you, huh?<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever I would cry as a child,<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mama would take care<br>&nbsp;&nbsp;&nbsp;&nbsp;of everything while I slept.<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only the experiment,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the events of that day,<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could all just be a bad dream,<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be gone...<br>&nbsp;&nbsp;&nbsp;&nbsp;once I opened my eyes...<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning to you, Sissy!<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now to enjoy this blissful feeling,<br>&nbsp;&nbsp;&nbsp;&nbsp;until I get slugged!<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, morning.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a nice day today, huh?<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But reality isn't so forgiving.<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mama isn't here to<br>&nbsp;&nbsp;&nbsp;&nbsp;solve every little problem.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not like praying<br>&nbsp;&nbsp;&nbsp;&nbsp;to God will work any miracles.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nor are there any heroes that<br>&nbsp;&nbsp;&nbsp;&nbsp;will come dashing in.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going out again today?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But my business<br>&nbsp;&nbsp;&nbsp;&nbsp;will be over after today.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today...<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to put an end to things myself.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just about time.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys,<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;give me any weird looks,<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because you were my friends.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tree Diagram's Final Word"<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram...<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world's greatest supercomputer,<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;loaded aboard the satellite Orihime I<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and launched by Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;under the pretense<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that it would be analyzing climate data.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once a month,<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it projects the movement of all<br>&nbsp;&nbsp;&nbsp;&nbsp;the particles in earth's atmosphere,<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;calculates the weather<br>&nbsp;&nbsp;&nbsp;&nbsp;for the whole month at once,<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and on all other days,<br>&nbsp;&nbsp;&nbsp;&nbsp;it is used for calculations<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on all sorts of other<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City research.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How to shift an absolute esper"<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"to Level 6 through the use of Sisters."<br>&nbsp;&nbsp;&nbsp;&nbsp;Also...<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it is the absolute simulator<br>&nbsp;&nbsp;&nbsp;&nbsp;that directed the creation<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and slaughter of 20,000 clones.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, there!<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you on your way<br>&nbsp;&nbsp;&nbsp;&nbsp;home from remedial lessons, too,<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;middle-school Zapper?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you. It's not "Zapper,"<br>&nbsp;&nbsp;&nbsp;&nbsp;it's Misaka Mikoto.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tired today,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'd like to save my strength,<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll skip the part where I zap you.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now *you're* the one<br>
&nbsp;&nbsp;&nbsp;&nbsp;saying "zap," aren't you?<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind that,<br>&nbsp;&nbsp;&nbsp;&nbsp;is your sister not with you today?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since she helped carry<br>&nbsp;&nbsp;&nbsp;&nbsp;my drinks home yesterday,<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to thank her, or whatever.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, you saw her again?!<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Well, yeah.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you ask? It just happened,<br>&nbsp;&nbsp;&nbsp;&nbsp;it just happened. Oh!<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's going to be sunny again tomorrow!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure do hate those airships, you know?<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why's that?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the machine sets the policy,<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the humans follow it.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why...<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to make sure it doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;give any more crazy directives...<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in addition to tampering<br>&nbsp;&nbsp;&nbsp;&nbsp;with the project...<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hey...<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll destroy it!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the deal with her,<br>&nbsp;&nbsp;&nbsp;&nbsp;for crying out loud?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's she so wound up about?<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zapper?<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weren't you just over...<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Since there are no grounds for<br>&nbsp;&nbsp;&nbsp;&nbsp;you to call me 'Zapper,'<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this cat must be designated 'Zapper,'"<br>&nbsp;&nbsp;&nbsp;&nbsp;presumes Misaka.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're her sister, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Without the goggles,<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there really is no way to tell you apart.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way,<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks for those drinks yesterday.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Your words of gratitude were<br>&nbsp;&nbsp;&nbsp;&nbsp;not my objective,"<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;replies Misaka.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The reason I took the goggles off<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that I was only following<br>&nbsp;&nbsp;&nbsp;&nbsp;previous encounters,<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since cats characteristically<br>&nbsp;&nbsp;&nbsp;&nbsp;dislike bright things like lenses,"<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;explains Misaka.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cats are like that, huh? So then,<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you put them back on?<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Because it was no longer necessary<br>&nbsp;&nbsp;&nbsp;&nbsp;to have them off," explains Misaka.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, then you already fed him.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I have not.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Then why did you put them back on?<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is not really anything to speak of,"<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, refusing explanation.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Ah, what is it? By any chance,<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;did you not want to be seen like this?<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not that, exactly.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what is it?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I refuse to explain,"<br>&nbsp;&nbsp;&nbsp;&nbsp;declares Misaka once again.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine. See you later.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Just a moment," says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;prompting you to remain still.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then tell me, what's going on?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Listen to me. There is a cat here.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you are doing,<br>&nbsp;&nbsp;&nbsp;&nbsp;walking away thoughtlessly<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from this hungry black cat," asks Misaka.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you,<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;go ahead and give him<br>&nbsp;&nbsp;&nbsp;&nbsp;some of your snack cakes.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is impossible for Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;to give food to this cat,"<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reasons Misaka.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That's because Misaka has<br>&nbsp;&nbsp;&nbsp;&nbsp;one critical defect,"<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she additionally explains.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Defect? Hey, don't put it like that.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No, 'defect' is appropriate.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's body constantly emits<br>&nbsp;&nbsp;&nbsp;&nbsp;a weak magnetic field around it,"<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;explains Misaka.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not strong enough<br>&nbsp;&nbsp;&nbsp;&nbsp;for people to detect,<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's another matter<br>&nbsp;&nbsp;&nbsp;&nbsp;for other animals.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, Misaka's sister,<br>&nbsp;&nbsp;&nbsp;&nbsp;because of your magnetic field,<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;animals tend not to like you, is that it?<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is not that they do not like me.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They find it hard to deal with me,"<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka says by way of correction.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, let me have them.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay if I feed him--<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is not that. Why do<br>&nbsp;&nbsp;&nbsp;&nbsp;you not think of taking him in,"<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she inquires once again.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do you know how animals taken<br>&nbsp;&nbsp;&nbsp;&nbsp;in by the Health Department<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are treated," asks Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;readying an illustrative tale.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, the animals are placed<br>&nbsp;&nbsp;&nbsp;&nbsp;inside a polycarbonate case.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, 20 ml of ASD-10 are--<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop rattling off such<br>&nbsp;&nbsp;&nbsp;&nbsp;disturbing talk like that!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's how you feel,<br>
&nbsp;&nbsp;&nbsp;&nbsp;then *you* take him in.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is not possible for<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka to raise this cat,"<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she answers honestly.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In addition to the critical<br>&nbsp;&nbsp;&nbsp;&nbsp;defect mentioned earlier,<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's living space is<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhat different<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from your living arrangements,"<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, stating her reason.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tree Diagram's Latest Word"<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got pain running through<br>&nbsp;&nbsp;&nbsp;&nbsp;your chest, huh?<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing especially<br>&nbsp;&nbsp;&nbsp;&nbsp;out of the ordinary here.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;10031's turn is coming up tomorrow.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;impeding the experiment, can we?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we keep looking harder?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No,<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is not something that<br>&nbsp;&nbsp;&nbsp;&nbsp;will affect the experiment,"<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;offering her self-analysis.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, since I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;actually see anything amiss,<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you say so, that's good enough.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Supposing your own clone were<br>&nbsp;&nbsp;&nbsp;&nbsp;to appear before your eyes,<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what kinds of feelings would<br>&nbsp;&nbsp;&nbsp;&nbsp;you experience," inquires Misaka.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A clone of myself?!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid I wouldn't want that.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no? It would<br>&nbsp;&nbsp;&nbsp;&nbsp;be handy, wouldn't it?<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Please, just imagine<br>&nbsp;&nbsp;&nbsp;&nbsp;a living copy of yourself,<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;standing in front of you!<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would talk to you in your own voice!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just thinking about<br>&nbsp;&nbsp;&nbsp;&nbsp;it gives me goose bumps!<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, when you put it like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;it would be creepy, huh?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop appearing before me...<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sounding like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;and looking like that!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Sissy,<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka is someone<br>&nbsp;&nbsp;&nbsp;&nbsp;she wants nothing to do with.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We offer you our sincerest<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks for choosing to ride<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Academy City Tour Bus today.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bus has just<br>&nbsp;&nbsp;&nbsp;&nbsp;entered School District 23,<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is the space<br>&nbsp;&nbsp;&nbsp;&nbsp;exploration area of the city.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Within the space exploration area,<br>&nbsp;&nbsp;&nbsp;&nbsp;as the name suggests,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are gathered many facilities<br>&nbsp;&nbsp;&nbsp;&nbsp;specializing in the space industry,<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;including the Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;Space Exploration Center,<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which has its own rocket launch site.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The building you see on your left side<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the data center for the<br>&nbsp;&nbsp;&nbsp;&nbsp;world's greatest supercomputer,<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram, where data<br>&nbsp;&nbsp;&nbsp;&nbsp;exchange is carried out,<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and every day, using that data,<br>&nbsp;&nbsp;&nbsp;&nbsp;weather forecasts and...<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No Admittance"<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's unusual,<br>&nbsp;&nbsp;&nbsp;&nbsp;getting a student at this hour.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes... There's something<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to check out<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for a summer vacation report I'm doing.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you the studious one?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or so I'd like to say, but at this point,<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't you rushing<br>&nbsp;&nbsp;&nbsp;&nbsp;this at the last minute?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sun is already<br>&nbsp;&nbsp;&nbsp;&nbsp;getting close to setting,<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so under no circumstances<br>&nbsp;&nbsp;&nbsp;&nbsp;should you go near the fence.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be surrounded by security robots.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be careful.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The data center--<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the only contact point that carries out<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;communications with Tree Diagram.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From there, I'll hack in,<br>&nbsp;&nbsp;&nbsp;&nbsp;and make it give a false prediction.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, like...<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Have observed a critical<br>&nbsp;&nbsp;&nbsp;&nbsp;error in Project Level 6 Shift,<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is currently in progress.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The error arose as a result of<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator and Railgun<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;engaging in battle,<br>&nbsp;&nbsp;&nbsp;&nbsp;and is irreparable. Hence,<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator's transition to<br>&nbsp;&nbsp;&nbsp;&nbsp;level 6 is impossible."<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The researchers, who have put all<br>&nbsp;&nbsp;&nbsp;&nbsp;their eggs in Tree Diagram's basket,<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be thrown into a panic.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, if they seek a recalculation,<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they will realize that it was a mistake.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, they'll catch<br>&nbsp;&nbsp;&nbsp;&nbsp;on to the trick sooner or later.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However,<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before they do,<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll drive the project<br>&nbsp;&nbsp;&nbsp;&nbsp;itself into bankruptcy!<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#12 Tree Diagram"<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, all you had to do<br>&nbsp;&nbsp;&nbsp;&nbsp;was give it up in the first place.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's...<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut your mouth!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, that's all you've got?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief, you sure are unlucky, too, huh?<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why is he still meowing," inquires Misaka.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's angry because he's still hungry.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angry?<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to try to feed him, too.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I said, it is not<br>&nbsp;&nbsp;&nbsp;&nbsp;possible for me to feed him--<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, just do it.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see? He's eating, all right.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he upset?<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, he seems delighted, doesn't he?<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delighted?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, you have to name him.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Name? Is it not Zapper?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not. He's your cat, right?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to give him<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever name you like.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's...<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Dog."<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The black cat is "Dog,"<br>&nbsp;&nbsp;&nbsp;&nbsp;as named by Misaka.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is a cat, and yet, "Dog."<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, listen, can't you make it<br>&nbsp;&nbsp;&nbsp;&nbsp;something more serious?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something a little more dignified?<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Okay, 'Tokugawa Ieyasu,'"<br>&nbsp;&nbsp;&nbsp;&nbsp;reconsiders Misaka.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's *too* dignified.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, "Schrödinger."<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quit messing around.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it's just an analogy,<br>&nbsp;&nbsp;&nbsp;&nbsp;but any professor<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would gleefully talk<br>&nbsp;&nbsp;&nbsp;&nbsp;about sticking a cat inside a box<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that shoots out poison gas<br>&nbsp;&nbsp;&nbsp;&nbsp;is not one who likes cats, right?<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I shall put it on hold for now.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On hold.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, if this pattern holds,<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"On Hold" is going to<br>&nbsp;&nbsp;&nbsp;&nbsp;end up being his name.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"By the way,<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where are you going?<br>&nbsp;&nbsp;&nbsp;&nbsp;This route is different<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the one I took yesterday<br>&nbsp;&nbsp;&nbsp;&nbsp;carrying your drinks,"<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka points out.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little detour.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a book that I want to get.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Is it the shopping<br>&nbsp;&nbsp;&nbsp;&nbsp;district you're going to,"<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka. Geographically speaking,<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;turning right at the last<br>&nbsp;&nbsp;&nbsp;&nbsp;intersection is a shorter route.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, not there;<br>&nbsp;&nbsp;&nbsp;&nbsp;a used book store past there.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't any newer or<br>&nbsp;&nbsp;&nbsp;&nbsp;older ways to raise a cat, right?<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do you want a book<br>&nbsp;&nbsp;&nbsp;&nbsp;on how to take care of cats,"<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka asks, seeking confirmation.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say more knowledge than a book.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were just me, I'd be fine,<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you were at my place, right?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw the nun's habit and the<br>
&nbsp;&nbsp;&nbsp;&nbsp;priestess's robes, right? It's *them*.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In other words, you mean you're<br>&nbsp;&nbsp;&nbsp;&nbsp;going to foist caring for the cat<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;onto someone else," inquires Misaka.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not what I'm saying.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you angry?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No, I am not angry.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will just have you charged<br>&nbsp;&nbsp;&nbsp;&nbsp;with destruction of property<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you treat the cat's<br>&nbsp;&nbsp;&nbsp;&nbsp;life with a lack of care,"<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka as a warning.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it, you *are* angry.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not angry.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm going on in. Wait here for me.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Understood," acknowledges Misaka.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know there's a hidden meaning there.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to think of it,<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is it okay for me to be going<br>&nbsp;&nbsp;&nbsp;&nbsp;into the store carrying a cat?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not mean to sound<br>&nbsp;&nbsp;&nbsp;&nbsp;like I'm endlessly lecturing,<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but please refrain from giving him to me--<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this! Kitty Bomb!<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say he doesn't like<br>&nbsp;&nbsp;&nbsp;&nbsp;you because of your body?<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then getting over that very barrier<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what will bring<br>&nbsp;&nbsp;&nbsp;&nbsp;about true friendship, right?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"My goodness, what nerve he has,<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking it is okay to just toss a kitten,"<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka whispers to herself.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you angry?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you... delighted?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were out of line...<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please, no more--<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, you were the ones who started it,<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so do you think just<br>&nbsp;&nbsp;&nbsp;&nbsp;apologizing will get you off?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hurts! It hurts! It hurts!<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you take--<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, and there are wind-up dolls<br>&nbsp;&nbsp;&nbsp;&nbsp;that will bear their responsibilities<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without a single whimper, too.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stay back!<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least try to help me work up<br>&nbsp;&nbsp;&nbsp;&nbsp;my appetite for supper, will you?<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's just about time for that, huh?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you get to live.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thank you for waiting.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your next partner for the<br>&nbsp;&nbsp;&nbsp;&nbsp;experiment is me, Misaka 10031,"<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Tch, oh.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See, this is why you<br>&nbsp;&nbsp;&nbsp;&nbsp;guys are so confusing.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I apologize for<br>&nbsp;&nbsp;&nbsp;&nbsp;your having been confused?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to be apologized<br>&nbsp;&nbsp;&nbsp;&nbsp;to from someone who's about to die.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confirmed.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;10031 and 10032<br>&nbsp;&nbsp;&nbsp;&nbsp;are about to embark upon<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the predetermined action.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is strange.<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a hint of anyone here.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the sensors weren't working,<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the cameras probably aren't, either.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the all-important facility,<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which can communicate<br>&nbsp;&nbsp;&nbsp;&nbsp;with Academy City's brain.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet,<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they only put up a<br>&nbsp;&nbsp;&nbsp;&nbsp;thin facade of security,<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while I'm moving through<br>&nbsp;&nbsp;&nbsp;&nbsp;inside unimpeded, aren't I?<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have they fled? Or is this a trap?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the case,<br>&nbsp;&nbsp;&nbsp;&nbsp;there should be more to it than this.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no benefit for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to let me set foot in here, too.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they blowing me off,<br>&nbsp;&nbsp;&nbsp;&nbsp;saying that hacking them is impossible?<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the control room is empty?<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The facility's functions are operating.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This didn't just happen.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no question that this facility<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been abandoned for some time.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why?<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help but wonder,<br>&nbsp;&nbsp;&nbsp;&nbsp;now that I'm here.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, I'll do what<br>&nbsp;&nbsp;&nbsp;&nbsp;I came here for, and... Is this it?<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Number of transmissions: 0"<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number of transmissions today: 0?<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there should<br>&nbsp;&nbsp;&nbsp;&nbsp;be several hundred requests<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to Tree Diagram each day.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the requests are here.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They haven't been processed at all.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nor were yesterday's,<br>&nbsp;&nbsp;&nbsp;&nbsp;or those before that, all the way back.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Report to the Board of Governors"<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reports?<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;23rd Report... 24th Report...<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Final Report to the Board of Governors"<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Final report regarding the<br>&nbsp;&nbsp;&nbsp;&nbsp;disappearance of Tree Diagram."<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"On June 28th, at 00:20,<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram disappeared<br>&nbsp;&nbsp;&nbsp;&nbsp;from its satellite track.<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That same day, at 01:15,<br>&nbsp;&nbsp;&nbsp;&nbsp;Search Party 1 was dispatched.<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That same day, at 03:40, one section<br>&nbsp;&nbsp;&nbsp;&nbsp;of its remnants recovered.<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Analysis results indicate<br>&nbsp;&nbsp;&nbsp;&nbsp;that Tree Diagram was..."<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram...<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...does not exist...?<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...cats... cats... cats...<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram doesn't exist.<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#13 Accelerator"<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experiments continue.<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there any way left to save them?<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka is going to the<br>&nbsp;&nbsp;&nbsp;&nbsp;next experiment," says Misaka--<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop! Please!<br>

# E13 - Accelerator

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G63VE3PQY/accelerator)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thank you for waiting.<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your next partner for the<br>&nbsp;&nbsp;&nbsp;&nbsp;experiment is me, Misaka 10031,"<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Tch, oh. See, this is<br>&nbsp;&nbsp;&nbsp;&nbsp;why you guys are so confusing.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confirmed. 10031 and 10032<br>&nbsp;&nbsp;&nbsp;&nbsp;are about to embark upon<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the predetermined action.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is time.<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will now commence<br>&nbsp;&nbsp;&nbsp;&nbsp;trial number 10031.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram has been destroyed?<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How? Was it shot down by a<br>&nbsp;&nbsp;&nbsp;&nbsp;hostile force?<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe it was an accident with<br>&nbsp;&nbsp;&nbsp;&nbsp;some space debris. Wait...<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's not the issue, is it?<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The issue is that the last means I had<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of turning the project on<br>&nbsp;&nbsp;&nbsp;&nbsp;its ear has been lost. And also,<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that the experiments are<br>&nbsp;&nbsp;&nbsp;&nbsp;proceeding according to plan,<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even without Tree Diagram.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right...<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the facilities<br>&nbsp;&nbsp;&nbsp;&nbsp;on this block was among<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the project's transferee offices<br>&nbsp;&nbsp;&nbsp;&nbsp;that I checked out yesterday.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for waiting.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, On Hold...<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did she go?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Entry code not recognized.<br>&nbsp;&nbsp;&nbsp;&nbsp;Entry to outsiders is not permitted.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please exit the premises at once--<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Misaka's sister?<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, sure, there's no reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why she'd be back here.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is this?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that? An explosion?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it wasn't!<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Over there!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's her!<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, wait up!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, are you done yet?<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I kill you now?<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're getting pretty crazy,<br>&nbsp;&nbsp;&nbsp;&nbsp;here in the middle of the city.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you?<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you running<br>&nbsp;&nbsp;&nbsp;&nbsp;away like that for?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beguilingly shaking<br>&nbsp;&nbsp;&nbsp;&nbsp;your ass like that.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance,<br>&nbsp;&nbsp;&nbsp;&nbsp;is that an invitation?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though this is over yet.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't give up.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can just bring<br>&nbsp;&nbsp;&nbsp;&nbsp;everything down.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All there is now...<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that will take it over later...<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of it!<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something sure sounded awful,<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what happened here?<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not here, huh?<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there, let's head back--<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that... hers?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want me to ask you a riddle,<br>&nbsp;&nbsp;&nbsp;&nbsp;to alleviate the boredom?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question: What is it that I,<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator, am doing here?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reflec... tion...?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, too bad!<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, normally, I do have it<br>&nbsp;&nbsp;&nbsp;&nbsp;set to reflect, though.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's not the principle I use.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The correct answer<br>&nbsp;&nbsp;&nbsp;&nbsp;is vector transformation.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinetic energy...<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the amount of heat...<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...as well as...<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...electrical charge...<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All anything that has direction<br>&nbsp;&nbsp;&nbsp;&nbsp;has to do is touch my skin,<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I can transform it.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can bring it down.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of it. The equipment,<br>&nbsp;&nbsp;&nbsp;&nbsp;the funding,<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greed,<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ambition--<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until I reach the bottom,<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's no trace of it left.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And by doing so, someday...<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is such an opportune day<br>&nbsp;&nbsp;&nbsp;&nbsp;really going to come along?<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And before it does, how<br>&nbsp;&nbsp;&nbsp;&nbsp;many more Sisters have to die?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else do you want me to do?!<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Driving... the project...<br>&nbsp;&nbsp;&nbsp;&nbsp;to a halt... right this minute...?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, how am I supposed to do that?!<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on to the matter of<br>&nbsp;&nbsp;&nbsp;&nbsp;the consolation match...<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were to reverse<br>&nbsp;&nbsp;&nbsp;&nbsp;the flow of their blood,<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you suppose<br>&nbsp;&nbsp;&nbsp;&nbsp;would happen to a person's body?<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No...<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... No!<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stop--<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#13 Accelerator"<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You would be my counterpart<br>&nbsp;&nbsp;&nbsp;&nbsp;for the experiment, right?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yes.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a pleasure to meet you,"<br>&nbsp;&nbsp;&nbsp;&nbsp;replies Misaka.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my first time<br>&nbsp;&nbsp;&nbsp;&nbsp;going up against a Level 5, too.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking forward to-- Huh?<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gun?<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All checks complete,"<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka says, showing off<br>&nbsp;&nbsp;&nbsp;&nbsp;her enthusiasm for her first trial.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, you have been<br>&nbsp;&nbsp;&nbsp;&nbsp;given permission to use a firearm.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you won't use one?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, please<br>&nbsp;&nbsp;&nbsp;&nbsp;commence the first trial.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All right, then,<br>&nbsp;&nbsp;&nbsp;&nbsp;victory favors the swift,"<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, commencing her attack.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The bullets are being deflected?"<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, stepping back and analyzing--<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you screwing with me?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that really a Level 5 clone?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please disregard the specification<br>&nbsp;&nbsp;&nbsp;&nbsp;differences from the Original.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the clones share a<br>&nbsp;&nbsp;&nbsp;&nbsp;common memory over their network.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over the course of 20,000 battles,<br>&nbsp;&nbsp;&nbsp;&nbsp;they will learn and develop.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the end, even you<br>&nbsp;&nbsp;&nbsp;&nbsp;may face an uphill battle.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got to go against<br>&nbsp;&nbsp;&nbsp;&nbsp;these guppies the whole time?<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, that's a buzzkill.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all for this time, right?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. However,<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the first trial is not over yet.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not until you dispatch<br>&nbsp;&nbsp;&nbsp;&nbsp;the test subject behind you.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is by dispatching<br>&nbsp;&nbsp;&nbsp;&nbsp;20,000 armed clones<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that this experiment will be fulfilled.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target's actions<br>&nbsp;&nbsp;&nbsp;&nbsp;have not yet been terminated.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please continue the combat.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ack... knowledged...<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Continuing the experiment..."<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, following orders.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dispatch? Terminate actions?<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"So dark...<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So deep...<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like sinking to the bottom<br>&nbsp;&nbsp;&nbsp;&nbsp;of a body of water...<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this what 'death' is..."<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka...<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what you're talking about?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, good work.<br>&nbsp;&nbsp;&nbsp;&nbsp;This concludes the first trial.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be dull at the start,<br>&nbsp;&nbsp;&nbsp;&nbsp;but they'll get better before long,<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so please keep hammering away at them.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to hold back.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your opponents are<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing but wind-up dolls,<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;synthesized from chemicals and protein.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...guess I'll go buy some supper.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Misaka...?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something about an incident.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody died, or something.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? A murder?<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, is it still farther in?<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just up here!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, er, the, uh...<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...b-body is supposed to be right here.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you sure you saw it?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How the...?<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I dreaming?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I couldn't be.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir. Is that right? Copy that.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They checked all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;security cameras in the area,<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they say there isn't a hint<br>&nbsp;&nbsp;&nbsp;&nbsp;of any suspicious activity.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That can't be! I mean, I was just...<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to write this up<br>&nbsp;&nbsp;&nbsp;&nbsp;as eyewitness error this time,<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but next time, we're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to have to contact your school.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, talk about your outrageous pranks...<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's... going on?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here, damn it?!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Misaka?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm awfully sorry.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I finished the op, I was<br>&nbsp;&nbsp;&nbsp;&nbsp;planning to come back to you,"<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;apologizes Misaka upfront.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a second!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Misaka's<br>&nbsp;&nbsp;&nbsp;&nbsp;younger sister, aren't you?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, man, what was all that?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Up until right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that you might be dead.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka definitely did die,"<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that...<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you're holding?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I must verify your<br>&nbsp;&nbsp;&nbsp;&nbsp;password, just to be sure,"<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, carrying out her word.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"ZXC741ASD852QWE963,"<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, testing you.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, what?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Since you are unable to<br>&nbsp;&nbsp;&nbsp;&nbsp;decode this password at this time,<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you do not appear to<br>&nbsp;&nbsp;&nbsp;&nbsp;be part of the experiment,"<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;confirms Misaka.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have you<br>&nbsp;&nbsp;&nbsp;&nbsp;been going on about?!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you have<br>&nbsp;&nbsp;&nbsp;&nbsp;in that sleeping bag?!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sisters,"<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;answers Misaka.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I apologize for leaving..."<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...the black cat behind,"<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;expresses Misaka. "But..."<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I felt uncomfortable involving<br>&nbsp;&nbsp;&nbsp;&nbsp;an animal in a pointless battle,"<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;justifies Misaka.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Apparently, I caused you some<br>&nbsp;&nbsp;&nbsp;&nbsp;undue concern over this experiment,"<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;apologizes Misaka.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you needn't have worried.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the Misakas here are Misaka.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Misaka that you<br>&nbsp;&nbsp;&nbsp;&nbsp;have had contact with up to now<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is serial number 10032,<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, this Misaka.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the one who died<br>&nbsp;&nbsp;&nbsp;&nbsp;today is serial number 10031,<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the one that you and Sissy<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to run into yesterday,"<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;explains Misaka.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Misakas all utilize<br>&nbsp;&nbsp;&nbsp;&nbsp;the ability to control electricity..."<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...and our brainwaves<br>&nbsp;&nbsp;&nbsp;&nbsp;are all linked to each other,"<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...so we share a common memory,"<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka further adds.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cellular clones created as<br>&nbsp;&nbsp;&nbsp;&nbsp;mass-produced military models<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Sissy Misaka Mikoto, one of<br>&nbsp;&nbsp;&nbsp;&nbsp;only seven Level 5s in Academy City,<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sisters," answers Misaka.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's... clones?<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what are you doing, then?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Just an experiment," answers Misaka.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The details are classified top-secret..."<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...so I cannot explain further..."<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...but this is not a serious incident,"<br>&nbsp;&nbsp;&nbsp;&nbsp;explains Misaka.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I would like to apologize again..."<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...for involving<br>&nbsp;&nbsp;&nbsp;&nbsp;you in this experiment,"<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, with bowed head.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;would look after the cat...<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is just an experiment.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cellular clones created as<br>&nbsp;&nbsp;&nbsp;&nbsp;mass-produced military models<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Sissy Misaka Mikoto.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Experiment? Military?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does she...<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does Misaka... know about this?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Project Level 6 Shift...<br>&nbsp;&nbsp;&nbsp;&nbsp;By killing Railgun 128 times...<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...progress to Level 6...<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do *that*.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next stop is School District 7,<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai Middle School Dorms.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next stop is School District 7, Tokiwadai...<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Room 208.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going<br>&nbsp;&nbsp;&nbsp;&nbsp;to do once you see her?<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to ask her about this<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ghoulish experiment,<br>&nbsp;&nbsp;&nbsp;&nbsp;that thinks nothing of killing someone?<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was no use. Any of it.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all my fault.<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#14 The Promise"<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's so,<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's one last thing I can do to save them.<br>

# E14 - The Promise

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GR2P0V2KR/the-promise)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are not coming<br>&nbsp;&nbsp;&nbsp;&nbsp;back again tonight, are you?<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you said your business<br>&nbsp;&nbsp;&nbsp;&nbsp;would be finished today, too.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There really was something<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the look on her face...<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot just let this go.<br>&nbsp;&nbsp;&nbsp;&nbsp;If there is anything that I can do,<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then regardless of<br>&nbsp;&nbsp;&nbsp;&nbsp;what Sissy might say...<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No--I made up my mind, did I not?<br>&nbsp;&nbsp;&nbsp;&nbsp;That I would wait for her?<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the matter with you?<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I cannot! If I wrap<br>&nbsp;&nbsp;&nbsp;&nbsp;myself up in Sissy's scent,<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will pass out before I know it!<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not right! I need to<br>&nbsp;&nbsp;&nbsp;&nbsp;know right now what I should do!<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?!<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A visitor to the dorms?<br>&nbsp;&nbsp;&nbsp;&nbsp;That is unusual.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, um...<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Kamijo. Is that you, Misaka?<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, hello?<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this thing getting through?<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That face...<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he the troglodyte that was<br>&nbsp;&nbsp;&nbsp;&nbsp;putting the moves on Sissy earlier?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you telling me that he has<br>&nbsp;&nbsp;&nbsp;&nbsp;been taken in by Sissy's beauty<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and has followed her back here?<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a come-as-you-please<br>&nbsp;&nbsp;&nbsp;&nbsp;hominid he must be,<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when Sissy is probably<br>&nbsp;&nbsp;&nbsp;&nbsp;in such a terrible situation!<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only let him slide by before<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that Sissy could develop<br>&nbsp;&nbsp;&nbsp;&nbsp;an immunity on her own,<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but ordinarily, I would get<br>&nbsp;&nbsp;&nbsp;&nbsp;rid of him in the blink of an eye.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a moment!<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is the possibility that he<br>&nbsp;&nbsp;&nbsp;&nbsp;might know something about Sissy!<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;208... right?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yow! Cut that out!<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if I learn something,<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as I have resolved to wait...<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop acting up! Take it easy!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still...<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake...<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kamijo, is it?<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, whoops, I must have<br>&nbsp;&nbsp;&nbsp;&nbsp;the wrong room number, all right.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, it is all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;You needed to see Sissy, right?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I share the room with Sissy.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take it then that Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;has not come home yet?<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct. However,<br>&nbsp;&nbsp;&nbsp;&nbsp;I am expecting her at any time.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you need to see her,<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recommend that you<br>&nbsp;&nbsp;&nbsp;&nbsp;come in and wait for her.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you sure?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would not suggest missing her. Besides,<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when curfew hits,<br>&nbsp;&nbsp;&nbsp;&nbsp;security will also be activated,<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you will not be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to wait out there.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come in.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not locked,<br>&nbsp;&nbsp;&nbsp;&nbsp;so please, open it yourself.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, er...<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and come in,<br>&nbsp;&nbsp;&nbsp;&nbsp;then close the door, please.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize. This room<br>&nbsp;&nbsp;&nbsp;&nbsp;is primarily for sleeping in,<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it does not offer much in<br>&nbsp;&nbsp;&nbsp;&nbsp;the way of entertaining guests.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are going to wait for Sissy,<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please sit on the adjoining bed.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, no, I couldn't do that.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not without the person's permission.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need not worry.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is my bed.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you doing,<br>&nbsp;&nbsp;&nbsp;&nbsp;sprawling out on someone else's bed?<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, a deviant?<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't have you calling me a deviant.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People have things that<br>&nbsp;&nbsp;&nbsp;&nbsp;they won't tell anyone else,<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in their minds,<br>&nbsp;&nbsp;&nbsp;&nbsp;they find to be perfectly okay.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like how you will put your<br>&nbsp;&nbsp;&nbsp;&nbsp;mouth on the girl you like's flute,<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or steal her bicycle seat.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No I don't!<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shh!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Best that you not<br>&nbsp;&nbsp;&nbsp;&nbsp;raise your voice too loudly.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will spell big trouble if<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone outside hears you.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since you always call her "Sissy,"<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured she was<br>&nbsp;&nbsp;&nbsp;&nbsp;your upperclassman,<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you're sharing a room,<br>&nbsp;&nbsp;&nbsp;&nbsp;you must be classmates.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I really am<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy's underclassman.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just sort of had the<br>&nbsp;&nbsp;&nbsp;&nbsp;previous roommate leave.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it was absolutely lawful.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then? What business<br>&nbsp;&nbsp;&nbsp;&nbsp;with Sissy has brought you here?<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a moment!<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On second thought, you need not tell me.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after you tell me, I have<br>&nbsp;&nbsp;&nbsp;&nbsp;already resolved not to pursue it.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh...<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is bad! It sounds like a patrol!<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the head resident<br>&nbsp;&nbsp;&nbsp;&nbsp;finds out you are here,<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;things will take an ugly turn!<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Head resident?<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dangerous, intrusive person that<br>&nbsp;&nbsp;&nbsp;&nbsp;checks our rooms unannounced!<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, but I will<br>&nbsp;&nbsp;&nbsp;&nbsp;have to force you to leave.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why does my power not work on you?<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see...<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what a bother!<br>&nbsp;&nbsp;&nbsp;&nbsp;Please hide under the bed here!<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't! There's not enough room!<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then do it anyway!<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I heard some sounds.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. I heard them, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be next door?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Misaka asleep?<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, she is. She said she has<br>&nbsp;&nbsp;&nbsp;&nbsp;not been sleeping overnight recently,<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and has gone to sleep already,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I would certainly like<br>&nbsp;&nbsp;&nbsp;&nbsp;for things to be quiet, as well.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall come and offer my<br>&nbsp;&nbsp;&nbsp;&nbsp;complaint, as well.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pathological analysis lab...<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 7th Pharmaceutical Research Center...<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Radio Noise"...<br>&nbsp;&nbsp;&nbsp;&nbsp;"How to Shift Accelerator to Level 6"...<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 6? What's that?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in there, either.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is odd, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps the next floor up?<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not have time for this.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of Academy City's seven Level 5s,<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;only Accelerator is<br>&nbsp;&nbsp;&nbsp;&nbsp;capable of reaching Level 6.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result of using<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram calculations,<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;128 different types of<br>&nbsp;&nbsp;&nbsp;&nbsp;battlefields will be prepared,<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and by killing Railgun 128 times,<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 6 can be attained...<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgun? That's Zapper, right?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, 128 Railguns<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot be prepared.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, mass production<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters were developed.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator, upon killing<br>&nbsp;&nbsp;&nbsp;&nbsp;20,000 Sisters, will thereby achieve...<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 6...?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...the Sisters," answers Misaka.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;10030, August 20th, 02:23;<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;10031, August 21st...<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the one who died today is<br>&nbsp;&nbsp;&nbsp;&nbsp;serial number 10031...<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;10032, August 21st, 20:30...<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief...<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That big monkey!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not a jungle!<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it turns out, I did not<br>&nbsp;&nbsp;&nbsp;&nbsp;get to ask him anything.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She... knew about this project...<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you...!?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She knows about the<br>&nbsp;&nbsp;&nbsp;&nbsp;existence of her own clones...<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure do hate those airships, you know?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why's that?<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the machine sets the policy,<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the humans follow it.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experiments...<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This whole project...!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't any wind, and yet...<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Electromagnetic waves!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did it turn out like this?<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one way left to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;there from being any more victims.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if even that doesn't stop it...<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then...<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help...<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me...<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cat?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this, out of the blue?<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's up to me what I do<br>&nbsp;&nbsp;&nbsp;&nbsp;and where I do it, right?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have any business asking me,<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're out for some night life.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut it out.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut what out? I'm way past--<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shifting 'Accelerator' to the Absolute Ability<br>&nbsp;&nbsp;&nbsp;&nbsp;by Using Mass-produced Esper 'Sisters'"<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I read about your sister, the other<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters, and the experiments.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's both cut right to the chase.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been found out? By him?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, just who are you, anyway?<br>&nbsp;&nbsp;&nbsp;&nbsp;You just met my clone yesterday,<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and already,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've arrived where you are.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could be a detective.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A busybody like you isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;going to approve of this plan, huh?<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you're holding that,<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that you went into<br>&nbsp;&nbsp;&nbsp;&nbsp;my room without my say-so, right?<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you see it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a participant in the experiment,<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who volunteered her DNA.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're here to condemn me, is that it?<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On top of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you went through my stuffed bear.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to die for that.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The facts might be off, but if you<br>&nbsp;&nbsp;&nbsp;&nbsp;look at the outcome, it's the same.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, it's that much<br>&nbsp;&nbsp;&nbsp;&nbsp;easier to be blamed by someone.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, in the end, you think<br>&nbsp;&nbsp;&nbsp;&nbsp;what I've done is inexcusable, huh?<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was concerned, of course.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather there was someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who says so, even if it's not true.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling the truth.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I'm telling the truth!<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#14 The Promise"<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for the others,<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they call themselves<br>&nbsp;&nbsp;&nbsp;&nbsp;laboratory animals,<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while keeping a straight face.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like rats or guinea pigs--<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they have their bodies messed<br>&nbsp;&nbsp;&nbsp;&nbsp;around with for research's sake,<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when they're done with them,<br>&nbsp;&nbsp;&nbsp;&nbsp;into the incinerator they go.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those girls, you know,<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they understand precisely what<br>&nbsp;&nbsp;&nbsp;&nbsp;it means for them to be lab animals.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And while they know,<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they still refer to themselves as such.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a situation<br>&nbsp;&nbsp;&nbsp;&nbsp;that I brought about myself.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I have to be the<br>&nbsp;&nbsp;&nbsp;&nbsp;one to help them out of this.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you think you're going?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's another<br>&nbsp;&nbsp;&nbsp;&nbsp;experiment being held tonight.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before that happens, I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to go have it out with Accelerator,<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using whatever means I can.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you beat him?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says here that Tree Diagram's<br>&nbsp;&nbsp;&nbsp;&nbsp;calculations predict<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you will be dead in<br>&nbsp;&nbsp;&nbsp;&nbsp;185 moves. Are you really...<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...going there with<br>&nbsp;&nbsp;&nbsp;&nbsp;the intention of winning?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Unfortunately,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter what I do,<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no match for him.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what if I wasn't<br>&nbsp;&nbsp;&nbsp;&nbsp;even worth that much?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say,<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I were to lose after the first move,<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the prediction<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'd lose in 185 moves<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would end up being overturned.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if the researchers who<br>&nbsp;&nbsp;&nbsp;&nbsp;see that start to doubt the project?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if they reconsider the simulations?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then even I would still be<br>&nbsp;&nbsp;&nbsp;&nbsp;useful for something, wouldn't I?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... mean to die, do you?<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just because you're dead,<br>&nbsp;&nbsp;&nbsp;&nbsp;you think that will stop the project?<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the researchers, Tree Diagram's<br>&nbsp;&nbsp;&nbsp;&nbsp;projections are absolute.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if, after one move,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm crawling on the ground,<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;but turn tail and run away,<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the researchers will think,<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's some mistake in<br>&nbsp;&nbsp;&nbsp;&nbsp;what Tree Diagram has predicted.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once they redo their calculations,<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your death will have been for nothing!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not so. Tree Diagram was shot<br>&nbsp;&nbsp;&nbsp;&nbsp;down three weeks ago by somebody.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why they can't recompute it.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You even know that?<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, now you understand, right? Let me by.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heading off to try to wipe<br>&nbsp;&nbsp;&nbsp;&nbsp;the floor with Accelerator aside,<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way I can let someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who's trying to kill herself go.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, what?<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you telling me<br>&nbsp;&nbsp;&nbsp;&nbsp;there's some other way?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't even do anything,<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so drop the high-sounding<br>&nbsp;&nbsp;&nbsp;&nbsp;talk and idealism.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It disgusts me.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, I won't have it.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't getting us anywhere, huh?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you think<br>&nbsp;&nbsp;&nbsp;&nbsp;that just because they're clones,<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's okay for them to die, do you?!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to stand in my way,<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll shoot right through you.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want that, step aside!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, so you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;settle this by force, do you?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I've never been able<br>&nbsp;&nbsp;&nbsp;&nbsp;to beat you before,<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm still not even sure<br>&nbsp;&nbsp;&nbsp;&nbsp;what kind of power you've got,<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't afford to<br>&nbsp;&nbsp;&nbsp;&nbsp;be beaten by you this time!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you'd better fight<br>&nbsp;&nbsp;&nbsp;&nbsp;like you mean it! Otherwise,<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you *will* die!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... won't fight you.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't fight you.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you really that dense?<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that by doing that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to do anything?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any other route<br>&nbsp;&nbsp;&nbsp;&nbsp;besides this one!<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Passive or not, if you get in my way,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll shoot through you!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so,<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't fight you.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't screw with me!<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean to fight me,<br>&nbsp;&nbsp;&nbsp;&nbsp;then clench your fists!<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mean to fight me,<br>&nbsp;&nbsp;&nbsp;&nbsp;then stop standing in my way!<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't you trample on my<br>&nbsp;&nbsp;&nbsp;&nbsp;wishes so half-heartedly!<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you...<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to fight!<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way my attacks should<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to land on him.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't feel like it was<br>&nbsp;&nbsp;&nbsp;&nbsp;negated, like it usually is.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It felt like it went through his body...<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you get it now?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really will hurt you.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already told you.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to fight you.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why?!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how wrong these crazy<br>&nbsp;&nbsp;&nbsp;&nbsp;experiments are, right?<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to put a stop to<br>&nbsp;&nbsp;&nbsp;&nbsp;them, you know!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you stopping me?!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, they're wrong.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For anyone to have to be hurt<br>&nbsp;&nbsp;&nbsp;&nbsp;for something like this...<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then--<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But,<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the way you're going about it,<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no saving you.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why...<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I'm not moving.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any right to<br>&nbsp;&nbsp;&nbsp;&nbsp;have anyone tell me that. Not now.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing there is some happy world,<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that everyone wants,<br>&nbsp;&nbsp;&nbsp;&nbsp;and where everyone is smiling,<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have any place in it!<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that your remaining sisters<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would be grateful to you if you do this?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have realized it, right?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That nobody can be saved<br>&nbsp;&nbsp;&nbsp;&nbsp;by doing things this way.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shut up.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I die,<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then they will feel a little relieved.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no other way<br>&nbsp;&nbsp;&nbsp;&nbsp;now except for me to die.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If my one life can spare 10,000,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's a wonderful thing, right?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good enough, isn't it?<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... move...<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not moving.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really *are* dense.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got nothing to do with this, do you?<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'd just closed your eyes,<br>&nbsp;&nbsp;&nbsp;&nbsp;and pretended not to know anything,<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could go back to the same<br>&nbsp;&nbsp;&nbsp;&nbsp;life you've been living up to now.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you run yourself so ragged?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your heart may have even stopped,<br>&nbsp;&nbsp;&nbsp;&nbsp;if only for a short time.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you smile like that?<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I thought,<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm glad I'm on her side."<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...don't cry.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got the way that<br>&nbsp;&nbsp;&nbsp;&nbsp;we can stop the experiment.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experiment is being<br>&nbsp;&nbsp;&nbsp;&nbsp;simulated based on the presupposition<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Accelerator<br>&nbsp;&nbsp;&nbsp;&nbsp;is the strongest man.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what if he's actually incredibly weak?<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For instance, if he were to lose to a Level 0,<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the weakest in Academy City,<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that assumption would be<br>&nbsp;&nbsp;&nbsp;&nbsp;turned upside-down, wouldn't it?<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on...<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not saying...<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will fight him.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impossible! He's on<br>&nbsp;&nbsp;&nbsp;&nbsp;a whole different level than I am!<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the kind of monster<br>&nbsp;&nbsp;&nbsp;&nbsp;who would think nothing of it<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if the world's armies<br>&nbsp;&nbsp;&nbsp;&nbsp;were to be turned on him.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, you really will be...<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mama isn't here to<br>&nbsp;&nbsp;&nbsp;&nbsp;solve every little problem.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't drag anyone else into my own sin<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of allowing 10,000 people to die!<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's not like praying<br>&nbsp;&nbsp;&nbsp;&nbsp;to God will work any miracles.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to bring an end<br>&nbsp;&nbsp;&nbsp;&nbsp;to this all by myself! So please--<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, work with me.<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having everyone come back smiling,<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without having lost anything,<br>
&nbsp;&nbsp;&nbsp;&nbsp;is *my* dream.<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So work with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;so that it can come true.<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I cry,<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not like there are any<br>&nbsp;&nbsp;&nbsp;&nbsp;heroes that will come dashing--<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just sit tight.<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure to bring<br>&nbsp;&nbsp;&nbsp;&nbsp;your sister back with me.<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a promise.<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experiment starts...<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...at 8:30!<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, kitty.<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, kitty.<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think there's any chance of beating him.<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#15 Kamijo Toma"<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they--If she has to die<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the sake of their insane project,<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then first, I'll put that<br>&nbsp;&nbsp;&nbsp;&nbsp;ridiculous fantasy to death!<br>

# E15 - Kamijo Toma

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRZXK0GXY/kamijo-toma)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! Damn it, I don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;time for this. What am I doing?<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that jolt earlier<br>&nbsp;&nbsp;&nbsp;&nbsp;affecting my legs?<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is it...<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that on the inside,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really spooked?<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, I talk a good game,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm pathetic!<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experiment starts at 8:30.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to hurry.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It freezes up, at a time like this?<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must have happened then.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, you guys are<br>&nbsp;&nbsp;&nbsp;&nbsp;all linked together, right?<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;During the last experiment,<br>&nbsp;&nbsp;&nbsp;&nbsp;I gave out a big spoiler,<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so why don't you learn from that?<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happens to the experiment<br>&nbsp;&nbsp;&nbsp;&nbsp;in a situation like this?<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are you here...?<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go bringing the irrelevant,<br>&nbsp;&nbsp;&nbsp;&nbsp;general public in with you.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we have to do the bit<br>&nbsp;&nbsp;&nbsp;&nbsp;where I silence the outsider<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who finds out about our secret?<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get away from her.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say something?<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get away...<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get away from the Misaka Sister,<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right now! Can't you<br>&nbsp;&nbsp;&nbsp;&nbsp;hear me, third-string?!<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh--<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you just say?<br>&nbsp;&nbsp;&nbsp;&nbsp;"Get away from her?"<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think you are?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You come to the guy who is far<br>&nbsp;&nbsp;&nbsp;&nbsp;and away the top Level 5 around,<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and come off like<br>&nbsp;&nbsp;&nbsp;&nbsp;you're God, or something?<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just stand there nattering,<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to get away from her!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, you're intriguing.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Get away from her," huh?<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...make sure you catch her.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was close...<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What... are...<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you doing?" asks Misaka.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot understand your actions.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as the necessary equipment<br>&nbsp;&nbsp;&nbsp;&nbsp;and chemicals are available,<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka can be automatically<br>&nbsp;&nbsp;&nbsp;&nbsp;manufactured at the touch of a button.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabricated bodies,<br>&nbsp;&nbsp;&nbsp;&nbsp;stocked with borrowed minds,<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at a unit price of ¥180,000.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are still 9,968<br>&nbsp;&nbsp;&nbsp;&nbsp;unused units in stock.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the sake of someone like that, you--<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabricated bodies,<br>&nbsp;&nbsp;&nbsp;&nbsp;or borrowed minds--<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little things like that<br>&nbsp;&nbsp;&nbsp;&nbsp;don't make any difference.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm standing here to rescue you,<br>
&nbsp;&nbsp;&nbsp;&nbsp;since there's only one of *you*<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the whole world.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've still got a mountain<br>&nbsp;&nbsp;&nbsp;&nbsp;of accounts left to settle. So...<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...don't go dying however you please.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You mustn't..."<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says... Misa... ka...<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All finished with your<br>&nbsp;&nbsp;&nbsp;&nbsp;cheap melodrama?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you been doing this over and over?<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last night, another one of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sisters in that back alley...<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you saw that, did you?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blood flow manipulation.<br>&nbsp;&nbsp;&nbsp;&nbsp;First time I tried it, too.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell of a performance, wasn't it?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tell ya, who knew there was<br>&nbsp;&nbsp;&nbsp;&nbsp;that much blood stuck in a person?<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, but then,<br>&nbsp;&nbsp;&nbsp;&nbsp;that was a wind-up doll, huh?<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought maybe you were stuck<br>&nbsp;&nbsp;&nbsp;&nbsp;in this project against your will,<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks like I was wrong.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;you never do any of this again...<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...by kicking your ass.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so slow!<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're completely deficient.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's your speed,<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you couldn't beat<br>&nbsp;&nbsp;&nbsp;&nbsp;me in a hundred years!<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't stop him.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I *had* to stop him.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing him, he might be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to accomplish it like it was nothing,<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even though<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't do it myself.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then... I don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;any basis for that feeling.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you, by any chance,<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the same cat from the other day?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell you apart.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like the others.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the same on the outside,<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but each one of them has a life...<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...as well as...<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a reason why<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't leave this up to anyone else.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, I have to work<br>&nbsp;&nbsp;&nbsp;&nbsp;through my own feelings.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have we here?<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not a non-esper, are you?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way you were talking, I thought,<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How much of a bigshot esper is this guy?"<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it looks like you<br>&nbsp;&nbsp;&nbsp;&nbsp;just charged in foolishly.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a small fry<br>&nbsp;&nbsp;&nbsp;&nbsp;among small fry, aren't you?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like this.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up until now, there have been<br>&nbsp;&nbsp;&nbsp;&nbsp;any number of misguided fools,<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;each of them nipping<br>&nbsp;&nbsp;&nbsp;&nbsp;away after my top-dog seat.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After losing an arm or a leg,<br>&nbsp;&nbsp;&nbsp;&nbsp;all of them, without exception,<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;realized what a fool they had been,<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and displayed an<br>&nbsp;&nbsp;&nbsp;&nbsp;expression of regret and terror.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, this guy...<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you understand yet<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're as weak as they come?<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to die that badly,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do as you wish,<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and turn you into<br>&nbsp;&nbsp;&nbsp;&nbsp;an amusing work of art.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like that shipping<br>&nbsp;&nbsp;&nbsp;&nbsp;container was loaded with flour.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's nice and<br>&nbsp;&nbsp;&nbsp;&nbsp;calm tonight, with no wind.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just might make<br>&nbsp;&nbsp;&nbsp;&nbsp;this dangerous, huh?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, third-string,<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ever heard of a dust explosion?<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I thought I was gonna die, there.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you take all the oxygen away,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's hard on yourself, too.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess the tag line<br>&nbsp;&nbsp;&nbsp;&nbsp;"He can even take a nuke" is out, huh?<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? What are you<br>&nbsp;&nbsp;&nbsp;&nbsp;squaring off against me for?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An explosion?<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me... he's...<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't drag *you* into this, too.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're actually lucky to<br>&nbsp;&nbsp;&nbsp;&nbsp;have such a low potential.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As weak as you are, my "Reflection"<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't work as well.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, I think you've done<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty well, in your own way.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you are, standing<br>&nbsp;&nbsp;&nbsp;&nbsp;before the great Accelerator,<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;still drawing breath.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So rest in peace, already!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and touch<br>&nbsp;&nbsp;&nbsp;&nbsp;whichever hand you like.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing that alone will<br>&nbsp;&nbsp;&nbsp;&nbsp;reverse the flow of your blood,<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and your bioelectric currents,<br>&nbsp;&nbsp;&nbsp;&nbsp;allowing you to die.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which will it be?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right? Or left?<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or both?!<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The moon? What am<br>&nbsp;&nbsp;&nbsp;&nbsp;I looking at the moon for?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it because I'm flat on my back?<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, how come I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;lying on the ground here?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Him? He was just<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of me. How did he...?<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, how is he still standing<br>&nbsp;&nbsp;&nbsp;&nbsp;there in one piece to begin with?<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? I'm hurt?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this... pain?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is this?!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he knock me flat? *Me*?!<br>
&nbsp;&nbsp;&nbsp;&nbsp;That's impossible!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that were true,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's his arm that would be broken.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He shouldn't even<br>
&nbsp;&nbsp;&nbsp;&nbsp;be able to *touch* me!<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I focus everything into my hands,<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unconsciously shutting down the<br>&nbsp;&nbsp;&nbsp;&nbsp;"Reflection" around the rest of me?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, what an idiotic move!<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interesting.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. Good! The best!<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You pleasantly, fantastically<br>&nbsp;&nbsp;&nbsp;&nbsp;nailed me there! And now, you...!<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#15 Kamijo Toma"<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's fighting Accelerator...<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and he's on the offensive?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the strongest guy in Academy City.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a perfect stranger,<br>&nbsp;&nbsp;&nbsp;&nbsp;who has nothing to do with me,<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and no one would<br>&nbsp;&nbsp;&nbsp;&nbsp;blame him if he ran away.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He really is...<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...keeping his promise.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you! Stop zig-zagging--<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the deal with your right hand?!<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get too carried<br>&nbsp;&nbsp;&nbsp;&nbsp;away with yourself, third-string!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got involved in all this bullcrap.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Sisters are<br>&nbsp;&nbsp;&nbsp;&nbsp;living as best as they can!<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They each give every ounce<br>&nbsp;&nbsp;&nbsp;&nbsp;of strength, desperately trying...<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why should they have to end<br>&nbsp;&nbsp;&nbsp;&nbsp;up as fodder for someone like you?!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're... living...?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's he talking about?<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're wind-up dolls, right?<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what they told me, isn't it?<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need power.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power to shut him up.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the dominion over<br>&nbsp;&nbsp;&nbsp;&nbsp;reason and rules that comes...<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...from absolute power!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this, all of a sudden?!<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...? W-Why...?<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!!<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The air... the wind...<br>&nbsp;&nbsp;&nbsp;&nbsp;the atmosphere...<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got the means<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill that piece of crap<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right here in front of me, don't I?<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can get a handle on the direction<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the winds that<br>&nbsp;&nbsp;&nbsp;&nbsp;flow through the atmosphere--<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I can control the movement<br>&nbsp;&nbsp;&nbsp;&nbsp;of the world's wind currents,<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would even be possible<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to destroy the world.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's strongest? Level 6?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need them anymore!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is nothing anywhere in<br>&nbsp;&nbsp;&nbsp;&nbsp;the world that can stop me now!<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole world is in my hand.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compress... Compress that air!<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terrific! I just had a delightful idea!<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, how come you're such a mess?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get up, weakest guy!<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to stick<br>&nbsp;&nbsp;&nbsp;&nbsp;with me a bit longer, here,<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or this won't be worth the effort!<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D--<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it...<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka...<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's still alive.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. Your dream<br>&nbsp;&nbsp;&nbsp;&nbsp;may not come true,<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but once I die, the experiments<br>&nbsp;&nbsp;&nbsp;&nbsp;will come to an end.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be selfish of me,<br>&nbsp;&nbsp;&nbsp;&nbsp;but even so, I want you to live.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soon...<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's compressing the wind<br>&nbsp;&nbsp;&nbsp;&nbsp;into one point to create... plasma!<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he thinking of blowing<br>&nbsp;&nbsp;&nbsp;&nbsp;this whole area away?!<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those eyes--he didn't even<br>&nbsp;&nbsp;&nbsp;&nbsp;pay me the notice he would a worm.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'm sure the<br>&nbsp;&nbsp;&nbsp;&nbsp;only thing he's interested in<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is testing his new power.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do? What do I--<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's compressing Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;wind into one point?<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then if I use all<br>&nbsp;&nbsp;&nbsp;&nbsp;those things around town...<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how?<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do it by myself.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! Wake up!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's cold.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I asking<br>&nbsp;&nbsp;&nbsp;&nbsp;of her, in her condition?<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I'm asking a lot of you.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know how awful<br>&nbsp;&nbsp;&nbsp;&nbsp;what I'm asking is, as well.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to do!<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-uh, there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;that only you can do!<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Why am I so weak?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't protect everyone myself.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Ace of Tokiwadai?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of only seven Level 5s?<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do anything, can I?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't heal her injuries,<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or do anything to stop Accelerator,<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or make his dream come true!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I'm begging you...<br>&nbsp;&nbsp;&nbsp;&nbsp;preserve his dream!<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't...<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...understand...<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure I understand<br>&nbsp;&nbsp;&nbsp;&nbsp;what you're saying,<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for some reason,<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your words have resounded with me.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome! It's like a part of my body--<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like moving my own arms or legs--<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this sensation of bringing<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the air under my control!<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;a strong opponent<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;really *was* a shortcut<br>
&nbsp;&nbsp;&nbsp;&nbsp;to leveling up, huh?!<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, third-string?!<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With all my gratitude,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave no trace of you--<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The plasma is diffusing.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't any<br>&nbsp;&nbsp;&nbsp;&nbsp;glitches in my calculations.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't any<br>&nbsp;&nbsp;&nbsp;&nbsp;natural wind, by any stretch.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me take it from here.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be able to create a big<br>&nbsp;&nbsp;&nbsp;&nbsp;enough opening for them to escape.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Misaka...<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...interferes with the target,<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the focus of the target<br>&nbsp;&nbsp;&nbsp;&nbsp;will be directed at Misaka.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use that chance to take<br>&nbsp;&nbsp;&nbsp;&nbsp;the boy and leave this place.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. That's a<br>&nbsp;&nbsp;&nbsp;&nbsp;job for B-- --ster, you know.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what is going on with this wind?<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wind power manipulation? No...<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The windmills are<br>&nbsp;&nbsp;&nbsp;&nbsp;turning the wrong way?<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. I've heard about this.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had something to do with<br>&nbsp;&nbsp;&nbsp;&nbsp;dynamo motors turning on their own<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when hit with particular<br>&nbsp;&nbsp;&nbsp;&nbsp;electromagnetic waves.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's them?!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. But what's going on, here?<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those windmills aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;just spinning blindly.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're being directed,<br>&nbsp;&nbsp;&nbsp;&nbsp;to disrupt my formulas!<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The images she's seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;are going across the network?<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll crush you!<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you!<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That... voice...<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've toyed around with<br>&nbsp;&nbsp;&nbsp;&nbsp;me time and again, haven't you?!<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the machine sets the policy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the humans follow it.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no other way<br>&nbsp;&nbsp;&nbsp;&nbsp;now except for me to die.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good enough, isn't it?<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help...<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me...<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help.<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wind-up doll, weakest guy, and Original!<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#16 Sisterhood"<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you interfere anymore!<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to obtain invincibility!<br>

# E16 - Sisterhood

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6Q43N29R/sisterhood)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome! It's like a part of my body--<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like moving my own arms or legs--<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this sensation of bringing<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the air under my control!<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like fighting a strong opponent<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;really *was* a shortcut<br>
&nbsp;&nbsp;&nbsp;&nbsp;to leveling up, huh?!<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, third-string?!<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With all my gratitude,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave no trace of you--<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening?<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The plasma is diffusing.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what is going on with this wind?<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wind power manipulation? No...<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The windmills are turning the wrong way?<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. I've heard about this.<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had something to do with<br>&nbsp;&nbsp;&nbsp;&nbsp;dynamo motors turning on their own<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when hit with particular<br>&nbsp;&nbsp;&nbsp;&nbsp;electromagnetic waves.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's them?!<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. But what's going on, here?<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those windmills aren't just spinning blindly.<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're being directed,<br>&nbsp;&nbsp;&nbsp;&nbsp;to disrupt my formulas!<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The images she's seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;are going across the network?<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll crush you!<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you!<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin the feelings<br>
&nbsp;&nbsp;&nbsp;&nbsp;we've built up together*<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The oft-repeated truth is still distant*<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while I am unable to sense your pain*<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If the dreams you<br>
&nbsp;&nbsp;&nbsp;&nbsp;committed to me that day*<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*end up tearing me apart,*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*don't ever let go of that hope*<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*more precious than anything else*<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Though once closer to you than anyone else<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sister's noise...)*<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I cannot hear your voice<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I find it out...)*<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While the hands of time kept ticking away*<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was finally able to find you*<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sister's noise, so I keep on looking<br>
&nbsp;&nbsp;&nbsp;&nbsp;(sorrow of your heart...)*<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for where your lost heart is<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I shoot it down...)*<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I promise to preserve the shared<br>
&nbsp;&nbsp;&nbsp;&nbsp;smiles we both felt*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nobody can ruin them now*<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't understand it.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is the third-string<br>&nbsp;&nbsp;&nbsp;&nbsp;lying over there,<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as yourself,<br>&nbsp;&nbsp;&nbsp;&nbsp;defending the wind-up doll?<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's an overproduced,<br>&nbsp;&nbsp;&nbsp;&nbsp;factory reject of yourself.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of everyone in the whole world,<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should be the<br>&nbsp;&nbsp;&nbsp;&nbsp;one most disgusted by it.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't think it's fun to have something<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that has the same<br>&nbsp;&nbsp;&nbsp;&nbsp;face as you get wrecked?<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, that's no reason for<br>&nbsp;&nbsp;&nbsp;&nbsp;you to put your life on the line, huh?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't stand to have someone<br>&nbsp;&nbsp;&nbsp;&nbsp;else become a Level 6 before you?<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe,<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's some kind of atonement<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for being the one who<br>&nbsp;&nbsp;&nbsp;&nbsp;kicked off these experiments?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any interest<br>&nbsp;&nbsp;&nbsp;&nbsp;toward that "Mind of God" business,<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nor do I think I'm atoning for<br>&nbsp;&nbsp;&nbsp;&nbsp;any sin by doing this.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's my sister.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These girls...<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are my sisters.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the only reason.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I know how unfit<br>&nbsp;&nbsp;&nbsp;&nbsp;I am now, after all this time, but...<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...just this one time, would you<br>&nbsp;&nbsp;&nbsp;&nbsp;let me stand here in that capacity?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not letting a single<br>&nbsp;&nbsp;&nbsp;&nbsp;one of them die anymore!<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man...<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all the things you<br>&nbsp;&nbsp;&nbsp;&nbsp;might have said just now...<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Playing at being sisters?<br>&nbsp;&nbsp;&nbsp;&nbsp;What nonsense!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going<br>&nbsp;&nbsp;&nbsp;&nbsp;to let me kill any of them?<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't push your luck, downgrade!<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys can't even slow me down!<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like how visual acuity<br>&nbsp;&nbsp;&nbsp;&nbsp;can only be measured to 20/10.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 5 is the highest<br>&nbsp;&nbsp;&nbsp;&nbsp;rating there is in Academy City,<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have no choice but to be<br>&nbsp;&nbsp;&nbsp;&nbsp;content with that level, that's all.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sick of you, so I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna kill the whole lot of--<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't he know how<br>&nbsp;&nbsp;&nbsp;&nbsp;many I've killed up to now?<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know so much about what it takes<br>&nbsp;&nbsp;&nbsp;&nbsp;to destroy a person, I'm sick of it.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way he should<br>&nbsp;&nbsp;&nbsp;&nbsp;be getting up after that.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I doing?!<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just doesn't know<br>&nbsp;&nbsp;&nbsp;&nbsp;when he's had it, does he?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with the wind taken from me,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can still finish him off<br>&nbsp;&nbsp;&nbsp;&nbsp;with one touch of my finger.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this is intriguing.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As intriguing... as all get-out!<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clench your teeth, strongest guy...<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weakest guy is about to ring out...<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't I break this guy?<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Protecting... the wind-up dolls?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was one step away from<br>&nbsp;&nbsp;&nbsp;&nbsp;absolute power!<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why... am I...<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This power may just turn<br>&nbsp;&nbsp;&nbsp;&nbsp;the world itself against me,<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and actually bring<br>&nbsp;&nbsp;&nbsp;&nbsp;destruction upon everything.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then...<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if you had an absolute power,<br>&nbsp;&nbsp;&nbsp;&nbsp;past that of "mightiest,"<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it just might bring about some changes.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To that end, go along with the project,<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and carry out the experiments.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guinea pig... wind-up doll... clone...<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If power gives rise to conflict,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could just become an absolute being,<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;enough so that nobody<br>&nbsp;&nbsp;&nbsp;&nbsp;will even want to fight me.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once that happens,<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then someday, once again...<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once that happens, then no longer...<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...no longer... will anyone...<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Sisters are living as<br>&nbsp;&nbsp;&nbsp;&nbsp;best as they can!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These girls are my...<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really...<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what am I doing?<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#16 Sisterhood"<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you...?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kamijo Toma"<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me for coming in... oh,<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's asleep?<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that he really did defeat<br>&nbsp;&nbsp;&nbsp;&nbsp;the first-ranked of Academy City.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how crazy was that of you?<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, did I wake you? Oh,<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought you some get-well cookies.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I picked out something expensive<br>&nbsp;&nbsp;&nbsp;&nbsp;from the department store basement.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they ought to<br>&nbsp;&nbsp;&nbsp;&nbsp;be passably good, I'll bet.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, I thought I should probably<br>&nbsp;&nbsp;&nbsp;&nbsp;say something... you know...<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to thank...<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to cookies...<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...aren't homemade the best?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what kind of personality<br>&nbsp;&nbsp;&nbsp;&nbsp;do you expect from me?<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's not like that.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd venture that someone<br>&nbsp;&nbsp;&nbsp;&nbsp;as ham-handed as you<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would fumble to make crummy,<br>&nbsp;&nbsp;&nbsp;&nbsp;misshapen cookies.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, you see what I mean?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, what do<br>&nbsp;&nbsp;&nbsp;&nbsp;you expect from me?!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just a minute!<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a hospital! I'm injured, here!<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! It's full of<br>&nbsp;&nbsp;&nbsp;&nbsp;sensitive equipment in here!<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief...<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last night,<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;little sister Misaka came by here.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said the experiments<br>&nbsp;&nbsp;&nbsp;&nbsp;had been suspended.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm...<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still... because of me...<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...so many...<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you hadn't offered your DNA map,<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;none of the Sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;would ever have been born.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That experiment<br>&nbsp;&nbsp;&nbsp;&nbsp;was wrong in a lot of ways,<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I sure do think that<br>&nbsp;&nbsp;&nbsp;&nbsp;you can at least take pride<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sisters were born.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they hadn't been born,<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could never have<br>&nbsp;&nbsp;&nbsp;&nbsp;been happy or sad, after all.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, they all...<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...wouldn't want to see you<br>&nbsp;&nbsp;&nbsp;&nbsp;moping around all by yourself.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are your injuries doing?<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compared to that boy,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is nothing serious.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pushing now! Here!<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lives created by a machine...<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right after they are born,<br>&nbsp;&nbsp;&nbsp;&nbsp;they are a blank slate.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, if it is imprinted<br>&nbsp;&nbsp;&nbsp;&nbsp;onto them that they are lab animals,<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they come to accept that<br>&nbsp;&nbsp;&nbsp;&nbsp;that's all that they are worth.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if they look<br>&nbsp;&nbsp;&nbsp;&nbsp;at the world around them,<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like she did, as a single person,<br>&nbsp;&nbsp;&nbsp;&nbsp;then those girls are sure to...<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, listen...<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you probably don't want to see my face,<br>&nbsp;&nbsp;&nbsp;&nbsp;and can't forgive what I did,<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I think that there are a<br>&nbsp;&nbsp;&nbsp;&nbsp;lot of obstacles ahead of you<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in trying to gain an<br>&nbsp;&nbsp;&nbsp;&nbsp;understanding of the world.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... um...<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's anything I can do... to...<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...help?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This is called 'stand-n-swing',"<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, putting<br>&nbsp;&nbsp;&nbsp;&nbsp;into practice the knowledge<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she gained from Testament,<br>&nbsp;&nbsp;&nbsp;&nbsp;and becoming one with the wind.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Whoo, any more than that<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm afraid it might aggravate<br>&nbsp;&nbsp;&nbsp;&nbsp;my injuries, so that's all for me,"<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, wiping away her sweat.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is something the matter?<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm... Sorry, just leave<br>&nbsp;&nbsp;&nbsp;&nbsp;me alone a moment.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, do it again!<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? No, that's enough.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That's not right.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being an older sister<br>&nbsp;&nbsp;&nbsp;&nbsp;means you have an obligation<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to indulge your younger sister."<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...says Misaka, pushing the<br>&nbsp;&nbsp;&nbsp;&nbsp;brainwashing so it starts young.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what is called a kitten.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, are you two ladies sisters?<br>&nbsp;&nbsp;&nbsp;&nbsp;You look the same!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're twins, right?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is the older one,<br>&nbsp;&nbsp;&nbsp;&nbsp;and which is the younger one?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing is...<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Wait, I want to guess!<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see... um...<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're* the one who said you wanted to!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You!<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the younger sister, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a Gekota, after all!<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a stuffed animal, too!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mmph!"<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...says Misaka, trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;imitate breaking into laughter.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is true that she has juvenile<br>&nbsp;&nbsp;&nbsp;&nbsp;tastes inappropriate to her age...<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is unmannerly...<br>&nbsp;&nbsp;&nbsp;&nbsp;hot-tempered... and belligerent...<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and for all that, she is a contrarian,<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who won't admit it<br>&nbsp;&nbsp;&nbsp;&nbsp;when she likes something...<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but my problem-child older<br>&nbsp;&nbsp;&nbsp;&nbsp;sister did risk her life for Misaka.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is strange.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka was supposed to be<br>&nbsp;&nbsp;&nbsp;&nbsp;dead after last night's experiment.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was supposed to be a matter of course,<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;played out over and over,<br>&nbsp;&nbsp;&nbsp;&nbsp;more than 10,000 times before.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, right now, at this moment,<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she continues to be active.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Misakas were<br>&nbsp;&nbsp;&nbsp;&nbsp;created in order to be killed.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That alone was our *raison d'être*,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the reason why we were born.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, Sissy, thanks to you<br>&nbsp;&nbsp;&nbsp;&nbsp;and that boy, that has been lost.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have been downsized.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are unemployed.<br>&nbsp;&nbsp;&nbsp;&nbsp;Turned adrift into the world.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Please remain together with<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka from now on in her search,<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as she tries to discover<br>&nbsp;&nbsp;&nbsp;&nbsp;the meaning of living,"<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;asking a world of indulgence.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, if you'll have me.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, do it again!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the reason for all of it?<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it is.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, huh? Yeah...<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said there are a lot<br>&nbsp;&nbsp;&nbsp;&nbsp;of prying eyes in the dorm kitchen,<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and could she come borrow my oven.<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a full-blown big deal.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's why she went to all of this?<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a little bit surprising, huh?<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know, right?<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I'm glad Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;seems to have cheered up.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed. But who exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;could she be making this present for?<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She never did say, no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how many times I asked her.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud...<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten sure was enjoying herself.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though I made<br>&nbsp;&nbsp;&nbsp;&nbsp;these because I wanted to, after all.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a thank-you. A thank-you!<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, this *is<br>
&nbsp;&nbsp;&nbsp;&nbsp;*him we're talking about.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I was fighting for my own sake.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done nothing that deserves any thanks."<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet that's what he says.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I just being corny?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no! But then,<br>&nbsp;&nbsp;&nbsp;&nbsp;if that's his reasoning,<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's still my prerogative<br>&nbsp;&nbsp;&nbsp;&nbsp;to follow through.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But wait! If he asks me to<br>&nbsp;&nbsp;&nbsp;&nbsp;make something homemade,<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then doesn't accept it,<br>&nbsp;&nbsp;&nbsp;&nbsp;he's gonna pay--<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's he gonna pay for?<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing out here?!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're still supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be in the hospital, right?<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... hospital costs<br>&nbsp;&nbsp;&nbsp;&nbsp;are no small potatoes,<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've got a hungry roommate<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that gets more violent with<br>&nbsp;&nbsp;&nbsp;&nbsp;each passing day.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter,<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what are *you* doing way out here?<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, I...<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, were you coming<br>&nbsp;&nbsp;&nbsp;&nbsp;to visit me again? Heh, yeah, right.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I-I was not!<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have to deny it that hard.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot!<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, no, I wasn't coming<br>&nbsp;&nbsp;&nbsp;&nbsp;to check on you, or anything...<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that is... lately...<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you've helped me out an awful lot, so...<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...so... I... offer my...<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...my gra-- grat-- at-- at--<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ant?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're in the middle of<br>&nbsp;&nbsp;&nbsp;&nbsp;some independent research?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It *is* the end of summer<br>
&nbsp;&nbsp;&nbsp;&nbsp;vacation, I guess.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! And what am I, a grade-schooler?<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to interrupt you.<br>&nbsp;&nbsp;&nbsp;&nbsp;See you around, Zapper.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto!<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not "Zapper," it's "Misaka Mikoto."<br>&nbsp;&nbsp;&nbsp;&nbsp;You always call me that.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you just learn it, already?<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, maybe that's<br>&nbsp;&nbsp;&nbsp;&nbsp;too much to ask of you.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later, Misaka.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad news! Siss--<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the matter with you, Sissy?!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you not feeling quite well?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hurt somewhere?!<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or perhaps you ate something<br>&nbsp;&nbsp;&nbsp;&nbsp;that did not agree with you?!<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;A-And what's the bad news?<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that. The head resident<br>&nbsp;&nbsp;&nbsp;&nbsp;seems to have learned<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about your streak of staying<br>&nbsp;&nbsp;&nbsp;&nbsp;out nights without permission.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She says you better have a<br>&nbsp;&nbsp;&nbsp;&nbsp;satisfactory explanation.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's bad, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;I need some excuse... wait....<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, you came all the way out<br>&nbsp;&nbsp;&nbsp;&nbsp;here just to tell me that? Thanks.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how did you know I was here?<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A-As they say, "like knows like."<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wherever Sissy is,<br>&nbsp;&nbsp;&nbsp;&nbsp;there will be Kuroko, as well.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But more importantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;are you sure nothing is amiss?<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything were<br>&nbsp;&nbsp;&nbsp;&nbsp;to happen to you, Sissy,<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will not sit still--<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake.<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep talking funny,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave you here.<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Sissy, you were...<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...making a face that<br>&nbsp;&nbsp;&nbsp;&nbsp;I have never seen before...<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*While looking up<br>
&nbsp;&nbsp;&nbsp;&nbsp;into an unfamiliar sky,*<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*always, always walking with you*<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I was searching for<br>
&nbsp;&nbsp;&nbsp;&nbsp;the future I thought I saw,*<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so unlike the one up until a day ago*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When you touched my heart,<br>
&nbsp;&nbsp;&nbsp;&nbsp;convinced by my blurred vision,*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I was wandering*<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything started changing*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*After counting clouds until I grew<br>
&nbsp;&nbsp;&nbsp;&nbsp;bored of it, they drifted far away again*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I went after them, and found<br>
&nbsp;&nbsp;&nbsp;&nbsp;my dreams for tomorrow*<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Assured that it's now or never,<br>
&nbsp;&nbsp;&nbsp;&nbsp;your feelings get through to me*<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and someday, I'm sure,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'll offer mine, too*<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Like the clouds, gently, gently,*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*moving forever, forever forward*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad Miss Misaka is feeling better.<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#17 Study Group"<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I wonder who those cookies were for.<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*EXPOSED*!<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai?<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the study group, we'll come<br>
&nbsp;&nbsp;&nbsp;&nbsp;out of our shells, *BODY AND SOUL*!<br>

# E17 - Study Group

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GYWEK5Q2Y/study-group)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An after-hours pass request?<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"After-hours Pass Request"<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes!<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After offering me such<br>&nbsp;&nbsp;&nbsp;&nbsp;an utterly flimsy excuse<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for being out for all those<br>&nbsp;&nbsp;&nbsp;&nbsp;nights without permission,<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you ask for this?<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got your nerve, Misaka.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, all of the necessary<br>&nbsp;&nbsp;&nbsp;&nbsp;report paperwork seems to be here.<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally,<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got a request with the exact<br>&nbsp;&nbsp;&nbsp;&nbsp;same content within it from Shirai.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was dated tomorrow, and the<br>&nbsp;&nbsp;&nbsp;&nbsp;reason for absence was the same--<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A study group with some friends."<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes. I'm going with Kuroko--<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you scheming?<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nothing! Just studying!<br>&nbsp;&nbsp;&nbsp;&nbsp;A study group!<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you were studying,<br>&nbsp;&nbsp;&nbsp;&nbsp;you could do it in the dorm.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no reason for<br>&nbsp;&nbsp;&nbsp;&nbsp;you to head outside, right?<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's for a change of pace, you might say.<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Studying with friends from another school.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of us seem to be jammed<br>&nbsp;&nbsp;&nbsp;&nbsp;with summer vacation homework. Um...<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well, request granted.<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Approved"<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be good to your friends.<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if you're even one minute<br>&nbsp;&nbsp;&nbsp;&nbsp;over your return time,<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you know what's going to happen...<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...don't you?<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes!<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A shining hope runs its way<br>
&nbsp;&nbsp;&nbsp;&nbsp;through the city, letting friends*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who always believe in each other<br>
&nbsp;&nbsp;&nbsp;&nbsp;join hands and follow their hearts*<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in an ongoing search for<br>
&nbsp;&nbsp;&nbsp;&nbsp;a future they have faith in*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Standing still amid<br>
&nbsp;&nbsp;&nbsp;&nbsp;the hustle and bustle,*<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I watched as you faded into the distance*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I now realize*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the importance of sharing*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both the day and all of<br>
&nbsp;&nbsp;&nbsp;&nbsp;us are wreathed in smiles*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I want to preserve<br>
&nbsp;&nbsp;&nbsp;&nbsp;how normal that feels for us*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When the sky resounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;with dreams kicking off*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*unshakable power starts seizing on reality*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's because you had the<br>
&nbsp;&nbsp;&nbsp;&nbsp;strength to reveal your weakness*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I never forget, every single day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;to cherish the bonds between us*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and head held high,<br>
&nbsp;&nbsp;&nbsp;&nbsp;blaze a future to be proud of*<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello-o! Uiharu? What's up?<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like both Miss Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;and Miss Shirai got their passes.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Terrific!<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said that getting their<br>&nbsp;&nbsp;&nbsp;&nbsp;paperwork together was a hassle,<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it turned out okay.<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that the study group<br>&nbsp;&nbsp;&nbsp;&nbsp;can go on today as scheduled,<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and for the first time in too long,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll all be together, huh?<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Heh heh,<br>&nbsp;&nbsp;&nbsp;&nbsp;when we see Misaka this time,<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have to find out for sure<br>&nbsp;&nbsp;&nbsp;&nbsp;who it is she gave the cookies to.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, Miss Saten,<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're not entirely sure that<br>&nbsp;&nbsp;&nbsp;&nbsp;it was a boy she gave them to.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no doubt about it!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen the maidenly<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka ever look like that before.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, all done.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, put them in the oven.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just have to<br>&nbsp;&nbsp;&nbsp;&nbsp;wait for them to bake now.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to put you out, Miss Saten,<br>&nbsp;&nbsp;&nbsp;&nbsp;asking to let me use your kitchen.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I don't mind at all,<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you're baking cookies,<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, I'm sure your dorm<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is better equipped<br>&nbsp;&nbsp;&nbsp;&nbsp;than using my lame oven.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-mm...<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, at my dorm's kitchen, there are<br>&nbsp;&nbsp;&nbsp;&nbsp;too many peering eyes, so I can't.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mainly Kuroko,<br>&nbsp;&nbsp;&nbsp;&nbsp;and Kuroko, and Kuroko...<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho-ho...<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is a present to someone<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;people asking about, isn't it?<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! I'm just in their debt,<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I don't like to<br>&nbsp;&nbsp;&nbsp;&nbsp;remain in anyone's debt.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think store-bought is good enough,<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the idiot said something about<br>&nbsp;&nbsp;&nbsp;&nbsp;how cookies should be homemade.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but I'm not doing<br>&nbsp;&nbsp;&nbsp;&nbsp;this because I was asked to!<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather, it's more to shut up their<br>&nbsp;&nbsp;&nbsp;&nbsp;whining, since I've gone this far.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, good for you.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu and I have been<br>&nbsp;&nbsp;&nbsp;&nbsp;concerned about you, Misaka,<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to say nothing of Shirai.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may not be someone<br>&nbsp;&nbsp;&nbsp;&nbsp;you can turn to for help,<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I would be delighted<br>&nbsp;&nbsp;&nbsp;&nbsp;if you need someone to talk to.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, it's just...<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who caused this problem,<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I couldn't bear to<br>&nbsp;&nbsp;&nbsp;&nbsp;drag anyone else into it.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thinking about it now, I guess<br>&nbsp;&nbsp;&nbsp;&nbsp;I was pretty well at my wit's end.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, I'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;more careful. I apologize!<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, is the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;you're feeling better now<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;due to this boyfriend I hear about?<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boyf--?! N-No,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, that's not...!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flour! Whoa, and the<br>&nbsp;&nbsp;&nbsp;&nbsp;eggs, too! Oh, what do we do?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How adorable.<br>&nbsp;&nbsp;&nbsp;&nbsp;She messed up the room, though.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's poor form to try to<br>&nbsp;&nbsp;&nbsp;&nbsp;force it out of her, Miss Saten.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah, I know.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once Miss Shirai and<br>&nbsp;&nbsp;&nbsp;&nbsp;I finish our Judgment work,<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll go shopping and<br>&nbsp;&nbsp;&nbsp;&nbsp;head over, and Miss Haru'ue...<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says she has something to<br>&nbsp;&nbsp;&nbsp;&nbsp;take care of, and will be a little late.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get things ready while I wait.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, see you later.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, good morning!<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning to you.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back to having lots<br>&nbsp;&nbsp;&nbsp;&nbsp;of free time, Misaka?<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, listen! Would you mind<br>&nbsp;&nbsp;&nbsp;&nbsp;not sounding like I'm never busy?<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just taking it easy now<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I've got<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing until this afternoon.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been skipping meals in<br>&nbsp;&nbsp;&nbsp;&nbsp;the dorm a lot lately, huh?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have you been doing?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I've been busy<br>&nbsp;&nbsp;&nbsp;&nbsp;with this and that.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai often ate here all by herself.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm,<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure is peaceful, huh?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Money Card affair has died down,<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the back alleyways of Academy City<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;appear to be back to their usual calm again.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, where did you buy that?<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna go with me right now?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? I appreciate it.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found one!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Again?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? Isn't this place amazing?<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice. All I've found are three-leafers.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Judgment lady!<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello there.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see, huh?<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, look!<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I told them what I found here,<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone else said they wanted one,<br>&nbsp;&nbsp;&nbsp;&nbsp;too, so I brought them here.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? Still,<br>&nbsp;&nbsp;&nbsp;&nbsp;do not stay here too late, okay?<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found another one!<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found one, too!<br>&nbsp;&nbsp;&nbsp;&nbsp;And it has five leaves!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see, let me see!<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, amazing! You're right!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things really are peaceful, huh?<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Homework?<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I have to do a book report,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm not sure what to write.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is almost the end<br>&nbsp;&nbsp;&nbsp;&nbsp;of summer vacation, huh?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. There's so<br>&nbsp;&nbsp;&nbsp;&nbsp;much of this and that left to do, too.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, not again.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone is trying to hack<br>&nbsp;&nbsp;&nbsp;&nbsp;into Sakugawa Middle School's<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;newspaper club's server,<br>&nbsp;&nbsp;&nbsp;&nbsp;which I was asked to supervise.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a cracker.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,<br>&nbsp;&nbsp;&nbsp;&nbsp;this has happened a lot lately.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they go after a middle<br>&nbsp;&nbsp;&nbsp;&nbsp;school newspaper club's system?<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, when you've<br>&nbsp;&nbsp;&nbsp;&nbsp;got an ironclad goalkeeper,<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;people are going to want<br>&nbsp;&nbsp;&nbsp;&nbsp;to take their best shot at them.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Did you say something?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, they broke through<br>&nbsp;&nbsp;&nbsp;&nbsp;the firewall again. That's amazing.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're almost in. Fight on!<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fight on? Are you sure<br>&nbsp;&nbsp;&nbsp;&nbsp;you should leave them alone?<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. The server<br>&nbsp;&nbsp;&nbsp;&nbsp;itself is a trap, after all.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reporting the IP address of<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who hit me to Antiskill now...<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh... Maybe I should<br>&nbsp;&nbsp;&nbsp;&nbsp;read a different book.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I don't know what to read.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, the legendary<br>&nbsp;&nbsp;&nbsp;&nbsp;goalkeeper's weakness is book reports...<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Goalkeeper?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, nothing.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I do anything to help?<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this isn't homework,<br>&nbsp;&nbsp;&nbsp;&nbsp;but Miss Konori,<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you know of a supermarket<br>&nbsp;&nbsp;&nbsp;&nbsp;near here with a good selection?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supermarket? Why?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to a study group after this.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're each buying something we like to eat<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and getting together at Miss Saten's place.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, my...<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who have we here?<br>&nbsp;&nbsp;&nbsp;&nbsp;If it isn't Miss Shirai.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kongo Mitsuko...<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you here shopping?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yes.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you here to buy?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A few items of food.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a coincidence. So am I.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would like me to,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would not mind accompanying you.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do not have to look<br>&nbsp;&nbsp;&nbsp;&nbsp;down on me while saying so,<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since we are both<br>&nbsp;&nbsp;&nbsp;&nbsp;here for the same thing,<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we are just spontaneously<br>&nbsp;&nbsp;&nbsp;&nbsp;going into the same store.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must say, though, you must be lonesome,<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;going out shopping without<br>&nbsp;&nbsp;&nbsp;&nbsp;a single one of your friends.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears to me that you, also,<br>&nbsp;&nbsp;&nbsp;&nbsp;are out shopping by yourself.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I am not doing so at all!<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Wannai and Miss Awatsuki<br>&nbsp;&nbsp;&nbsp;&nbsp;are waiting for me.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that we have<br>&nbsp;&nbsp;&nbsp;&nbsp;anything set up, however.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am just passing the time<br>&nbsp;&nbsp;&nbsp;&nbsp;by doing some shopping<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until the two of them<br>&nbsp;&nbsp;&nbsp;&nbsp;finish their swim club practice.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something that is<br>&nbsp;&nbsp;&nbsp;&nbsp;popularly known as "being alone."<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come, this way!<br>&nbsp;&nbsp;&nbsp;&nbsp;This fantastic shop is a favorite of mine!<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hold on!<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pet shop?<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, the selection here<br>&nbsp;&nbsp;&nbsp;&nbsp;is as wonderful as ever!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Kongo...<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These have such nice,<br>&nbsp;&nbsp;&nbsp;&nbsp;plump volume!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you hold them a minute?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say food,<br>&nbsp;&nbsp;&nbsp;&nbsp;you meant for your pet, did you not?!<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ecaterina, like myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;has very delicate tastes.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Ecaterina is...<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that python?!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A turtle?<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah...<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here about the girls?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#17 Study Group"<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girls are all doing well.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who was injured<br>&nbsp;&nbsp;&nbsp;&nbsp;is also making good progress...<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...on the surface, anyhow.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the surface?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Following my examination,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have learned a few things.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are clones, created from<br>&nbsp;&nbsp;&nbsp;&nbsp;the somatic cells of you, the Original,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but being administered various<br>&nbsp;&nbsp;&nbsp;&nbsp;drugs within the culture fluid,<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the rapid growth of their<br>&nbsp;&nbsp;&nbsp;&nbsp;bodies has been promoted.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At a speed such that<br>&nbsp;&nbsp;&nbsp;&nbsp;growing from fertilized egg<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to their current form<br>&nbsp;&nbsp;&nbsp;&nbsp;took a mere fourteen days.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, these somatic cell clones,<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose lifespans are<br>&nbsp;&nbsp;&nbsp;&nbsp;already shorter anyway,<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have had their lives<br>&nbsp;&nbsp;&nbsp;&nbsp;shortened even further.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By shortened, how long do you mean?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't make any sweeping statements,<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but at most, I would<br>&nbsp;&nbsp;&nbsp;&nbsp;say another year or two.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why they need to be adjusted.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adjusted?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By balancing the hormones<br>&nbsp;&nbsp;&nbsp;&nbsp;that promote rapid growth,<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and regulating the rate<br>&nbsp;&nbsp;&nbsp;&nbsp;of division of the cell nuclei,<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we should be able to recover<br>&nbsp;&nbsp;&nbsp;&nbsp;a certain degree of their lifespans.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are so many of them, after all.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are currently in<br>&nbsp;&nbsp;&nbsp;&nbsp;the process of dividing this up<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;among research organizations<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From here on,<br>&nbsp;&nbsp;&nbsp;&nbsp;as we exchange more data,<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is likely to continue<br>&nbsp;&nbsp;&nbsp;&nbsp;at each of these facilities.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outside facilities? I see...<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fight for those girls<br>&nbsp;&nbsp;&nbsp;&nbsp;is still going to go on.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though this time,<br>&nbsp;&nbsp;&nbsp;&nbsp;it won't be a fight to die,<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to live.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... I just don't know.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;else is going to buy.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have found the ultimate ingredient!<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes, I'm running late.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Kuroko is waiting.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I'm meeting someone here.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bring you a menu<br>&nbsp;&nbsp;&nbsp;&nbsp;and some water right away.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! I'm not with them.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, this is why I dislike<br>&nbsp;&nbsp;&nbsp;&nbsp;family restaurants.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've got spoiled young girls<br>&nbsp;&nbsp;&nbsp;&nbsp;with sheltered upbringings around.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not actually convinced<br>&nbsp;&nbsp;&nbsp;&nbsp;that you won back there, are you?<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, it is a question<br>&nbsp;&nbsp;&nbsp;&nbsp;of prior information.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had known that you were Railgun,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have taken more care<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;setting up my stuffed dolls...<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frenda...!<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't forgotten that<br>&nbsp;&nbsp;&nbsp;&nbsp;it was because you neglected<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to clear up your stuffed<br>&nbsp;&nbsp;&nbsp;&nbsp;dolls that she got away, have you?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, uh, that's right, huh? Tee-hee!<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Learn your lesson, you blockhead!<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow!<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is going on here?<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quarrels inside the restaurant<br>&nbsp;&nbsp;&nbsp;&nbsp;disturb the other customers.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a member of Judgment,<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot overlook...<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Sissy, it is you?<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you be starting a<br>&nbsp;&nbsp;&nbsp;&nbsp;dispute in a public place like this?<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I am not! I was just...<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to be more<br>&nbsp;&nbsp;&nbsp;&nbsp;circumspect in your behavior!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must not get into fights<br>&nbsp;&nbsp;&nbsp;&nbsp;with the weaker general population.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you calling weak general<br>&nbsp;&nbsp;&nbsp;&nbsp;population, you grade-schooler?!<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are referring to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;then as you can see,<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a full-fledged middle-schooler.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I was only speaking<br>&nbsp;&nbsp;&nbsp;&nbsp;out of concern for your welfare.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you get Sissy seriously angry<br>&nbsp;&nbsp;&nbsp;&nbsp;at you, it could mean your lives.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said,<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you keep your nose out of<br>&nbsp;&nbsp;&nbsp;&nbsp;this, small-fry! If we got into it,<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*she* would be the one<br>
&nbsp;&nbsp;&nbsp;&nbsp;who gets shredded to bits!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to take issue with that.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you aware that Sissy<br>&nbsp;&nbsp;&nbsp;&nbsp;is the Railgun of Tokiwadai<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you say that baloney?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*She* has a much different combat<br>
&nbsp;&nbsp;&nbsp;&nbsp;record from that little girl.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, Mugino is going to win!<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Sissy will!<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be Mugino!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just being older does not mean anything!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, Kuroko...<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got some nerve, little girl!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Frenda...<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, Sissy's underwear may<br>&nbsp;&nbsp;&nbsp;&nbsp;have cartoon characters on them,<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and in addition, her childish tastes<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;lead all of her day-to-day<br>&nbsp;&nbsp;&nbsp;&nbsp;goods be fashion over function,<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as Tokiwadai's Ace,<br>&nbsp;&nbsp;&nbsp;&nbsp;she possesses very respectable power!<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same for Mugino! Maybe she<br>&nbsp;&nbsp;&nbsp;&nbsp;does have some sore spots,<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like sporting underwear that<br>&nbsp;&nbsp;&nbsp;&nbsp;she feels free to show off to anyone,<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she is unmatched<br>&nbsp;&nbsp;&nbsp;&nbsp;when it comes to her abilities!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, with that flat chest,<br>&nbsp;&nbsp;&nbsp;&nbsp;she doesn't have any presence.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, how vulgar, thinking that<br>&nbsp;&nbsp;&nbsp;&nbsp;size is all that matters!<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to<br>&nbsp;&nbsp;&nbsp;&nbsp;future potential, it is all Sissy!<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, watch your hands!<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, watch your hands!<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, I'll never be able to go back<br>&nbsp;&nbsp;&nbsp;&nbsp;to that restaurant again, you know!<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up, Mugino!<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello!<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, come on in!<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Shirai, you look a bit disheveled.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is nothing at all.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-da!<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, a stewpot!<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I borrowed it from a friend of mine.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have the stock all ready to go, too.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, we must be about the only ones<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to have a stew party in<br>&nbsp;&nbsp;&nbsp;&nbsp;the middle of summer, huh?<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, it is not a stew party,<br>&nbsp;&nbsp;&nbsp;&nbsp;it is still a study group.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, right.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, eating hot food when<br>&nbsp;&nbsp;&nbsp;&nbsp;it's hot out is good for the body.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What ingredients did all of you bring?<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I wasn't really sure what to get...<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but the man at the<br>&nbsp;&nbsp;&nbsp;&nbsp;meat counter suggested this,<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I went ahead and bought it.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boxes?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! There's beef inside these boxes!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The marbling is incredible!<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Did I get something wrong?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I've never seen this before!<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, Uiharu?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I bought a whole lot of vegetables.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I focused it around summer veggies,<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like okra, corn, *mulukhiyah*,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and also some tofu and mushrooms.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Packed with vitamins,<br>&nbsp;&nbsp;&nbsp;&nbsp;it sounds really healthy.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young ladies must seek<br>&nbsp;&nbsp;&nbsp;&nbsp;after beauty at mealtimes, as well!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it stands, it looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;the ingredient that I prepared<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to take the limelight!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, what did you buy?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was unsure at first.<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was in the pet shop,<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with plump mice in hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was not sure what I would do.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mice?<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pet shop?<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However!<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Immediately afterward,<br>&nbsp;&nbsp;&nbsp;&nbsp;I had an epiphany!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said, *this* is an ingredient <br>
&nbsp;&nbsp;&nbsp;&nbsp;befitting Sissy!<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on earth did you buy?!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, we're not<br>&nbsp;&nbsp;&nbsp;&nbsp;playing stew-in-the-dark!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that ingredient is...!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Soft-shell turtle"<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turtle?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The soft collagen is certain<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to enhance Sissy's fresh,<br>&nbsp;&nbsp;&nbsp;&nbsp;youthful skin to be even more beautiful!<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this...!<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is it?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fresh soft-shell turtle blood.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is mixed with apple juice<br>&nbsp;&nbsp;&nbsp;&nbsp;to make it easier to drink.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, go ahead and gulp it right down.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After drinking this, you will be<br>&nbsp;&nbsp;&nbsp;&nbsp;bustling with vigor--no,<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in fact, you will be<br>&nbsp;&nbsp;&nbsp;&nbsp;utterly filled with vitality!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may get so fired up,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a possibility<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you will be unable to get to sleep,<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if that happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will come lie beside you...<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, let's start putting it all in!<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, delicious! This tastes great!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time I've<br>&nbsp;&nbsp;&nbsp;&nbsp;ever eaten turtle, but it is delicious.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The turtle is good,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this meat is the greatest!<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The veggies are pretty good, too.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means it all ended up tasting good.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes it did.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope Haru'ue gets here soon.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think she should be<br>&nbsp;&nbsp;&nbsp;&nbsp;arriving any moment now.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we have eaten without her?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still have plenty of<br>&nbsp;&nbsp;&nbsp;&nbsp;ingredients here.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah, let's keep on eating!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, it's a real mystery, huh?<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is?<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is it that food tastes better<br>&nbsp;&nbsp;&nbsp;&nbsp;when it is eaten as a group?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;we're making it here while we eat<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a big factor too, isn't it?<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess when it comes<br>&nbsp;&nbsp;&nbsp;&nbsp;to main dishes and cookies,<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing beats homemade,<br>&nbsp;&nbsp;&nbsp;&nbsp;does it, Misaka?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, what is the matter?!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm fine.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But your face is all red,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you are perspiring unusually.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I said I'm all right!<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, these mushrooms look<br>&nbsp;&nbsp;&nbsp;&nbsp;delicious! Ooh! Hot! Hot!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How adorable.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Saten...<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry I'm so late.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come in, come in!<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been waiting for you!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's Miss Haru'ue!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, this looks delicious!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get your errand<br>&nbsp;&nbsp;&nbsp;&nbsp;taken care of, then?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I needed<br>&nbsp;&nbsp;&nbsp;&nbsp;to speak to my teacher.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This stew is really good.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get a bowl ready for you.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haru'ue, did you<br>&nbsp;&nbsp;&nbsp;&nbsp;buy any ingredients for us?<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I bought some *udon* noodles.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that will be<br>&nbsp;&nbsp;&nbsp;&nbsp;perfect to round things out.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's eat, let's eat!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure, Sissy!<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, why not?<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I'm full, I'm full.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will have to<br>&nbsp;&nbsp;&nbsp;&nbsp;diet for a little while, huh?<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, that sure was fun, wasn't it?<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to have another study<br>&nbsp;&nbsp;&nbsp;&nbsp;group sometime.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Getting the paperwork<br>&nbsp;&nbsp;&nbsp;&nbsp;together for it is hard, though.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not out past<br>&nbsp;&nbsp;&nbsp;&nbsp;our return time, are we?!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are still all right,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I think we should hurry a little.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we are even one minute over,<br>&nbsp;&nbsp;&nbsp;&nbsp;our punishment will be merciless.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes. Let's hurry!<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko? What's wrong?<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go home.<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Sissy!<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The world into which I'm<br>
&nbsp;&nbsp;&nbsp;&nbsp;stepping is too big for me*<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Acting tough to camouflage my impatience<br>
&nbsp;&nbsp;&nbsp;&nbsp;and anxiety, I overextended myself*<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My mind still up in the<br>
&nbsp;&nbsp;&nbsp;&nbsp;air over answers I cannot find,*<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*time rushes by with no time to even breathe*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If we're stifled by the daily grind,*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*come on, let's take a deep breath,*<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and set out for the hilltop at<br>
&nbsp;&nbsp;&nbsp;&nbsp;the end of the rainbow*<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'll carve out another unforgettable day*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For the fact that we met<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I thank you)*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It surely is something precious*<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's face forward and start walking,<br>
&nbsp;&nbsp;&nbsp;&nbsp;carrying forward to tomorrow*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We've shared some smiles<br>
&nbsp;&nbsp;&nbsp;&nbsp;(and I thank you)*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's take our joys and sorrows*<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and share them together, over and over*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That should do it.<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#18 Moving"<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cleaned up quicker than expected,<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;huh, Miss Haru'ue?<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Miss Uiharu?<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am grateful.<br>

# E18 - Moving

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GR09WK2MR/moving)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, what was our<br>&nbsp;&nbsp;&nbsp;&nbsp;assignment this time, anyway?<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that is an ultra-good question.<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were told to come here<br>&nbsp;&nbsp;&nbsp;&nbsp;to put a stop to an arms deal,<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but far from any deal,<br>&nbsp;&nbsp;&nbsp;&nbsp;there isn't even a lousy cat here.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead, one of these<br>&nbsp;&nbsp;&nbsp;&nbsp;toys starts attacking us.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Takitsubo?<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting this weird feeling...<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino!<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultra-no problem.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, don't startle<br>&nbsp;&nbsp;&nbsp;&nbsp;me like that, will you?<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Mugi--<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adequate results for a field test.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're steadily gathering data<br>&nbsp;&nbsp;&nbsp;&nbsp;for the real thing--<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aritomi...<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo, I've got a tummy ache.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the first<br>&nbsp;&nbsp;&nbsp;&nbsp;time I've ever eaten turtle.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka's beef was amazing, too.<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as a result, I've overeaten.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you should<br>&nbsp;&nbsp;&nbsp;&nbsp;take some medicine.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, how did<br>&nbsp;&nbsp;&nbsp;&nbsp;the talk with your teacher go?<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mmm, we found the perfect spot.<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did, did you?<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it's almost time, huh?<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A shining hope runs its way<br>
&nbsp;&nbsp;&nbsp;&nbsp;through the city, letting friends*<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who always believe in each other<br>
&nbsp;&nbsp;&nbsp;&nbsp;join hands and follow their hearts*<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in an ongoing search for<br>
&nbsp;&nbsp;&nbsp;&nbsp;a future they have faith in*<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Standing still amid<br>
&nbsp;&nbsp;&nbsp;&nbsp;the hustle and bustle,*<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I watched as you faded into the distance*<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I now realize*<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the importance of sharing*<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both the day and all of<br>
&nbsp;&nbsp;&nbsp;&nbsp;us are wreathed in smiles*<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I want to preserve<br>
&nbsp;&nbsp;&nbsp;&nbsp;how normal that feels for us*<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When the sky resounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;with dreams kicking off*<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*unshakable power starts seizing on reality*<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's because you had the<br>
&nbsp;&nbsp;&nbsp;&nbsp;strength to reveal your weakness*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I never forget, every single day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;to cherish the bonds between us*<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and head held high,<br>
&nbsp;&nbsp;&nbsp;&nbsp;blaze a future to be proud of*<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So?<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was that?<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That fine young man a minute ago.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just someone I know.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go again. Ah!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, is it the cookie boy?<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, no!<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in over my head with how<br>&nbsp;&nbsp;&nbsp;&nbsp;much he's been haunting me lately!<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, who *is* the guy you gave<br>
&nbsp;&nbsp;&nbsp;&nbsp;those cookies to, anyway?<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, we're not--<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late.<br>&nbsp;&nbsp;&nbsp;&nbsp;What have you been doing?<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me tell you!<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! Look, look, the elevator is here!<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, come on, let's go,<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone! Quickly, quickly, now!<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What's the matter, Miss Misaka?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is adorable.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Edasaki Banri"<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations, Miss Edasaki!<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We hear you're being discharged<br>&nbsp;&nbsp;&nbsp;&nbsp;the day after tomorrow.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, thank you.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason that I was able<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to try as hard as<br>&nbsp;&nbsp;&nbsp;&nbsp;I did to be discharged<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make sure I wore that<br>&nbsp;&nbsp;&nbsp;&nbsp;by the end of summer vacation<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is thanks to all of you.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, has everything after<br>&nbsp;&nbsp;&nbsp;&nbsp;you get discharged been settled?<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Edasaki is going<br>&nbsp;&nbsp;&nbsp;&nbsp;to be living with Miss Haru'ue.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have been institutionalized<br>&nbsp;&nbsp;&nbsp;&nbsp;for so long, so...<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suddenly living on her<br>&nbsp;&nbsp;&nbsp;&nbsp;own would be quite hard for her.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I asked my teachers<br>&nbsp;&nbsp;&nbsp;&nbsp;to let Banri and me share a place.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you will be moving again, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want us to come help?<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu and I already took care of it.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did?<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The movers will<br>&nbsp;&nbsp;&nbsp;&nbsp;be coming for it tomorrow.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might have asked us, huh?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue said she had<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something else to talk<br>&nbsp;&nbsp;&nbsp;&nbsp;about with Miss Edasaki.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, Uiharu, if you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;have just said something,<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we would have helped with the moving.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't as big a deal as you'd expect.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as a result, the whole<br>&nbsp;&nbsp;&nbsp;&nbsp;place is full of cardboard boxes now.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to mention it,<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was pretty wild when<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue moved in, too, huh?<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's even more now than there was then.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is strange,<br>&nbsp;&nbsp;&nbsp;&nbsp;since she wasn't there very long.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right!<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, it's almost time, isn't it?<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes, you are right.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Some more Judgment work?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have been called on to do security<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the upcoming<br>&nbsp;&nbsp;&nbsp;&nbsp;Academic Reach Assembly.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today is our preliminary inspection.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does a classroom<br>&nbsp;&nbsp;&nbsp;&nbsp;assembly need security?<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's not that, Miss Saten.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a classroom assembly,<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;Research Forum Assembly,<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or "Academic Reach" for short.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's students<br>&nbsp;&nbsp;&nbsp;&nbsp;devote themselves to daily study.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those with outstanding grades<br>&nbsp;&nbsp;&nbsp;&nbsp;are given a forum for their papers.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what the Academy<br>&nbsp;&nbsp;&nbsp;&nbsp;City Research Forum Assembly is.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although in this case,<br>&nbsp;&nbsp;&nbsp;&nbsp;grades are not the quality of one's ability,<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but of their academic work.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So in other words, it's like a<br>&nbsp;&nbsp;&nbsp;&nbsp;Daihasei Festival for smart people?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's not quite<br>&nbsp;&nbsp;&nbsp;&nbsp;as glamorous as that.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are some well-developed<br>&nbsp;&nbsp;&nbsp;&nbsp;presentations and lectures,<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all sorts of things.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? I'm not sure I get it,<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they're starting some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of interesting event this year, huh?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, they hold it every year.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really mean<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to help us?<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a request from a<br>&nbsp;&nbsp;&nbsp;&nbsp;senior member of the club,<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so Miss Kongo, you're not at all--<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;If she is a senior to you two,<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then she is as good as<br>&nbsp;&nbsp;&nbsp;&nbsp;a senior to me, too. Besides,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have not been in the area very long,<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have never seen an<br>&nbsp;&nbsp;&nbsp;&nbsp;Academic Reach Assembly.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This would be a perfect opportunity to--<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo! Are you all right?<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Ruffian! Would you assail me,<br>&nbsp;&nbsp;&nbsp;&nbsp;knowing that I am Kongo Mitsuko...<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Somebody!<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my bag!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is the height of misconduct<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to work such evil in the<br>&nbsp;&nbsp;&nbsp;&nbsp;sunny auspices of broad daylight!<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And while the sun may<br>&nbsp;&nbsp;&nbsp;&nbsp;allow you to get away with this,<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kongo Mitsuko, will not allow it!<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Miss Kongo for you!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So brilliant!<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Wannai, Miss Awatsuki,<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is an Antiskill<br>&nbsp;&nbsp;&nbsp;&nbsp;station just over there;<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you please call them here for me?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, right away.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there, do you have a moment?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw what you did earlier,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you went a bit too far, didn't you?<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if this man is a criminal,<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take a dim view of your<br>&nbsp;&nbsp;&nbsp;&nbsp;using your ability so recklessly.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who are you?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were any number of<br>&nbsp;&nbsp;&nbsp;&nbsp;other ways to handle the situation.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like you said, there is<br>&nbsp;&nbsp;&nbsp;&nbsp;an Antiskill booth up ahead,<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there are also<br>&nbsp;&nbsp;&nbsp;&nbsp;surveillance cameras in place.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what are you--<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I may continue,<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should recognize how much<br>&nbsp;&nbsp;&nbsp;&nbsp;danger you exposed everyone here to.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you not notice?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luckily, you incapacitated him<br>&nbsp;&nbsp;&nbsp;&nbsp;with one shot this time,<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what would have<br>&nbsp;&nbsp;&nbsp;&nbsp;happened if you failed to?<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He would have been enraged,<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and might have taken<br>&nbsp;&nbsp;&nbsp;&nbsp;a woman or child hostage.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's right about that.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's so scary.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those abilities aren't foolproof.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be quite sure of your ability,<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but an ability is not a cure-all.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well...<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a moment, please!<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know who you are...<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but you do not<br>&nbsp;&nbsp;&nbsp;&nbsp;have to be so hard on her.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact remains that<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo did secure the criminal.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ladies...<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terribly sorry we took so long.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Antiskill officers are<br>&nbsp;&nbsp;&nbsp;&nbsp;on their way now.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where could that<br>&nbsp;&nbsp;&nbsp;&nbsp;gentleman have gone?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am home.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, welcome home, Kuroko.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you so exhausted about?<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The preliminary Reach inspection.<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was aware that it is being held<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;across several<br>&nbsp;&nbsp;&nbsp;&nbsp;different universities, but still...<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...who knew I would have to walk so much?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, I've walked my feet off.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's tough being in Judgment.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, how is Miss Uiharu?<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same as she always is.<br>&nbsp;&nbsp;&nbsp;&nbsp;She carried out her duties admirably.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Moving, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;There sure is a lot to it, you know?<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you first moved into this room,<br>&nbsp;&nbsp;&nbsp;&nbsp;that was quite a fuss, huh?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you bringing up that old thing again?<br>&nbsp;&nbsp;&nbsp;&nbsp;The statute has run out on...<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything can happen.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Academy City, after all.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! If you're tired, how would<br>&nbsp;&nbsp;&nbsp;&nbsp;you like me to give you a massage?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...give you a massage?<br>&nbsp;&nbsp;&nbsp;&nbsp;...give you a massage? ...give you a massage?<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? What?!<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just going to take a shower first.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-i-ha-ru!<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, Miss Saten,<br>
&nbsp;&nbsp;&nbsp;&nbsp;you always, *always* do that!<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you waiting for me?<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Oh, uh,<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't say that, exactly.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am fine.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue and I have been<br>&nbsp;&nbsp;&nbsp;&nbsp;discussing this for a long while, now--<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how when Miss Edasaki<br>&nbsp;&nbsp;&nbsp;&nbsp;got out of the hospital,<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would be best if<br>&nbsp;&nbsp;&nbsp;&nbsp;she lived with Miss Haru'ue.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you have?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if I said that I didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;miss her at all, it would be a lie.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, I was thinking,<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Clothing"<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it really is best for the<br>&nbsp;&nbsp;&nbsp;&nbsp;two of them to be together.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, it's not as though<br>&nbsp;&nbsp;&nbsp;&nbsp;she's moving far away.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the new term starts, we'll see<br>&nbsp;&nbsp;&nbsp;&nbsp;each other at school every day.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's true.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good, good, that's a<br>&nbsp;&nbsp;&nbsp;&nbsp;load off your big sister's mind.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on, Miss Saten!<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're all right, then?<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#18 Moving"<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting, everyone.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... do you think?<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Great! Absolutely great!<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks very good on you!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness!<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, earlier, when you stayed<br>&nbsp;&nbsp;&nbsp;&nbsp;behind at the hospital to talk,<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is what it was about?<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't wait to have<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone see me wearing it.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, Sissy!<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Edasaki, congratulations<br>&nbsp;&nbsp;&nbsp;&nbsp;on being discharged.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations!<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, shall we be going, then?<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where to?<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little getting-out celebration!<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have reservations at a<br>&nbsp;&nbsp;&nbsp;&nbsp;restaurant with delicious cakes!<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Cakes? Thank you!<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Shirai.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Konori?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Traffic signal trouble?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I haven't done a thing!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The signals in this area<br>&nbsp;&nbsp;&nbsp;&nbsp;are down across the board.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to ask, but could<br>&nbsp;&nbsp;&nbsp;&nbsp;you come right away?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes... Yes... As you wish.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Miss Uiharu, are you going, too?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I...<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you couldn't.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Edasaki *is* just<br>
&nbsp;&nbsp;&nbsp;&nbsp;getting out of the hospital.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can cover this by myself--<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *am* a member of Judgment!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, start without us.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be there as soon as this is finished.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll see you later.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck with your work!<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Okay, Miss Shirai.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, yes... Well then...<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They disappeared!<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we should hurry along, as well.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not quite the way we<br>&nbsp;&nbsp;&nbsp;&nbsp;planned it, but once again--<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Congratulations on your discharge!"<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations on your discharge!<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delicious!<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it?<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu said that if we were going<br>&nbsp;&nbsp;&nbsp;&nbsp;to celebrate, it had to be here,<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she handled everything<br>&nbsp;&nbsp;&nbsp;&nbsp;from the reservations to the cake.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu really<br>&nbsp;&nbsp;&nbsp;&nbsp;is something else, huh?<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I was discharged,<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she came to help me get moved<br>&nbsp;&nbsp;&nbsp;&nbsp;and take care of my admission.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Is that right?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, the people who<br>&nbsp;&nbsp;&nbsp;&nbsp;join Judgment are amazing.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing that you're<br>&nbsp;&nbsp;&nbsp;&nbsp;as thrilled as you are,<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it was worth<br>&nbsp;&nbsp;&nbsp;&nbsp;it letting Uiharu choose, huh?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, really!<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, this really is delicious!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the key to your new place?<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu has been<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty enthusiastic, huh?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was when it was my turn, too.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, when you<br>&nbsp;&nbsp;&nbsp;&nbsp;were moving in? Oh, right, right.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was really eager then, too, huh?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was anxious to be by myself...<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but Miss Uiharu was there for me.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now, it's my turn to make an effort.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like Miss Uiharu<br>&nbsp;&nbsp;&nbsp;&nbsp;did what she could for me,<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to do what I can for Banri.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope Uiharu gets here soon.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she's giving<br>&nbsp;&nbsp;&nbsp;&nbsp;her all at work, even now.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wearing an unflattering helmet,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and directing traffic or something, huh?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She could ease up<br>&nbsp;&nbsp;&nbsp;&nbsp;at a time like this, though.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not being able to is<br>&nbsp;&nbsp;&nbsp;&nbsp;what makes her Miss Uiharu.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should join Judgment, too.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? When did<br>&nbsp;&nbsp;&nbsp;&nbsp;you suddenly decide this?<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, maybe I could be like Miss Uiharu.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think Miss Uiharu has<br>&nbsp;&nbsp;&nbsp;&nbsp;been so nice to you<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because she's a member<br>&nbsp;&nbsp;&nbsp;&nbsp;of Judgment, Miss Edasaki.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, why?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because she's your friend, right?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, getting discharged, huh?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing. Someone<br>&nbsp;&nbsp;&nbsp;&nbsp;I know is also in the hospital.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just wondering,<br>&nbsp;&nbsp;&nbsp;&nbsp;when they get out,<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could we eat something<br>&nbsp;&nbsp;&nbsp;&nbsp;together like this?<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! Don't worry about it!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that big a deal! Really!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope they get discharged soon, too.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, thanks.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was good work.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to call you in<br>&nbsp;&nbsp;&nbsp;&nbsp;out of the blue like that.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;signal trouble, of all things...<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was apparently some<br>&nbsp;&nbsp;&nbsp;&nbsp;irregularity in the electrical system.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is unusual-- something<br>&nbsp;&nbsp;&nbsp;&nbsp;like that happening in this city.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that is right.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we will be--<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, what is it?!<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's someplace I need to go!<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I know. So let us--<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not that! There's someplace<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like you to take us first!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we call them?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, maybe.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, yeah, let's try calling them.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you wai--<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're finally here!<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, Uiharu, you're late!<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Edasaki said she<br>&nbsp;&nbsp;&nbsp;&nbsp;was stopping at the hospital,<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and already left, you know!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? She did?! I-I'm sorry!<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all right.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Banri said that the cake was delicious.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, here.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please eat these with Miss Edasaki.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Taiyaki*?<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Uiharu, we've been<br>&nbsp;&nbsp;&nbsp;&nbsp;eating cake while you were gone.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's true, I know, but...<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having *taiyaki* after eating <br>
&nbsp;&nbsp;&nbsp;&nbsp;cake is a little...<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you see, I...<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, I told you so.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, little courtesies<br>&nbsp;&nbsp;&nbsp;&nbsp;go a long way--<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you see...<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the same *taiyaki* as before.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the same *taiyaki<br>
&nbsp;&nbsp;&nbsp;&nbsp;*that Miss Uiharu bought for me<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that one time before when I was so anxious.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They taste so good...<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? H-Hold on, Miss Haru'ue!<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hopeless!<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't going to cry today, either!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm...<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...going to do my best.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like you did, Miss Uiharu,<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to do my best for Banri.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing you, Miss Haru'ue,<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it will be all right.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu...<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue... You know...<br>&nbsp;&nbsp;&nbsp;&nbsp;you're making too much of it...<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my, such children.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you gonna do?<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's the harm?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...wonder if I was any help to Miss Haru'ue.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it obvious that you were?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not just Miss Haru'ue, either.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu, I think<br>&nbsp;&nbsp;&nbsp;&nbsp;you helped Miss Edasaki, too.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka...<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, and Sissy...<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you're of help to me!<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, let's head home now!<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, there's a shortcut up ahead.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you sure<br>&nbsp;&nbsp;&nbsp;&nbsp;this is the right way?<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. Once we cut through here,<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll be on the main road in no time.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I'm surprised you<br>&nbsp;&nbsp;&nbsp;&nbsp;know these things.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy? Is something the matter?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that... a girl?<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, she's cute!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, this is not the time for that!<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, hold up, Kuroko!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is opening her eyes!<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning. Why were<br>&nbsp;&nbsp;&nbsp;&nbsp;you sleeping in a place like this?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is your name?<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... okay, how old are you?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, where do you live?<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your school?<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know your<br>&nbsp;&nbsp;&nbsp;&nbsp;homeroom teacher's name?<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not working, is it?<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe she doesn't speak Japanese.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, you're wrong, you're wrong.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you talk to a little girl,<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to come down<br>&nbsp;&nbsp;&nbsp;&nbsp;to their eye level, like this. Oh,<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that looks like some tasty candy.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Ruiko, okay?<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's yours?<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell me your name?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, is it? Okay, Febrie,<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anything goes, so tell<br>&nbsp;&nbsp;&nbsp;&nbsp;us whatever you know, okay?<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The world into which I'm<br>
&nbsp;&nbsp;&nbsp;&nbsp;stepping is too big for me*<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Acting tough to camouflage my impatience<br>
&nbsp;&nbsp;&nbsp;&nbsp;and anxiety, I overextended myself*<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My mind still up in the<br>
&nbsp;&nbsp;&nbsp;&nbsp;air over answers I cannot find,*<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*time rushes by with no time to even breathe*<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If we're stifled by the daily grind,*<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*come on, let's take a deep breath,*<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and set out for the hilltop at<br>
&nbsp;&nbsp;&nbsp;&nbsp;the end of the rainbow*<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'll carve out another unforgettable day*<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For the fact that we met<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I thank you)*<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It surely is something precious*<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's face forward and start walking,<br>
&nbsp;&nbsp;&nbsp;&nbsp;carrying forward to tomorrow*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We've shared some smiles<br>
&nbsp;&nbsp;&nbsp;&nbsp;(and I thank you)*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's take our joys and sorrows*<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and share them together, over and over*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this experiment,<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we were able to<br>&nbsp;&nbsp;&nbsp;&nbsp;obtain the data we predicted<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the fourth-ranked Level 5, as well.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did also have some unanticipated<br>&nbsp;&nbsp;&nbsp;&nbsp;circumstances occur on site,<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but those should also be solved shortly.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is ready. Now is<br>&nbsp;&nbsp;&nbsp;&nbsp;the time for us to show our power<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to this town of esper supremacists.<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those in favor of moving<br>&nbsp;&nbsp;&nbsp;&nbsp;the project to the next phase,<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;raise your hands.<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the story with this Febrie girl?<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#19 Academic Reach Assembly"<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does she know my name?<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could she be lost?<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will decide at the Reach Assembly.<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Reach Assembly?<br>

# E19 - Academic Reach Assembly

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GR754GZ4Y/academic-reach-assembly)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Ruiko, okay?<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's yours?<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell me your name?<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, is it? Okay, Febrie,<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anything goes, so tell us<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever you know, okay?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me?<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... is she actually<br>&nbsp;&nbsp;&nbsp;&nbsp;someone you know, Misaka?<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody I can remember.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps a relative or<br>&nbsp;&nbsp;&nbsp;&nbsp;a cousin or something?<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you happen to<br>&nbsp;&nbsp;&nbsp;&nbsp;have any half-sisters?<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look...<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got plenty of them, already.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! D-D-Do not tell me that<br>&nbsp;&nbsp;&nbsp;&nbsp;she is your own daughter, Sissy!<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you possibly have done that?!<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially when you have me--<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow...<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Misaka Mikoto.<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it that you know my name?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;children can tell, can't they?<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is safe,<br>&nbsp;&nbsp;&nbsp;&nbsp;and who is dangerous?<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have *this*!<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A finger puppet?<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the prize that<br>&nbsp;&nbsp;&nbsp;&nbsp;came with a soft drink.<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know how many cans<br>&nbsp;&nbsp;&nbsp;&nbsp;she had to drink before she got it.<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you still like those things.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, I'm Gekota!<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Febrie, there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to tell me.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! My pink Gekota!<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only a 1-in-24 chance<br>&nbsp;&nbsp;&nbsp;&nbsp;of getting one per can!<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, do not shriek so disgracefully<br>&nbsp;&nbsp;&nbsp;&nbsp;over a lousy finger puppet.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, now, Febrie. You can't<br>&nbsp;&nbsp;&nbsp;&nbsp;just carry it off without asking.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My goodness.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She sure is treating<br>&nbsp;&nbsp;&nbsp;&nbsp;you like a safety zone.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, that Gekota puppet<br>&nbsp;&nbsp;&nbsp;&nbsp;belongs to Big Sister Mikoto.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's give it back, okay?<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! It's mine!<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka?<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there isn't any<br>&nbsp;&nbsp;&nbsp;&nbsp;relevant information on her<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;under lost children or missing persons.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't, huh?<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this hour, I can't reach<br>&nbsp;&nbsp;&nbsp;&nbsp;the person in charge at Antiskill.<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a predicament, huh?<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I can take<br>&nbsp;&nbsp;&nbsp;&nbsp;her in for tonight.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, look.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a little brother, so I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;used to caring for small children.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I hate to impose, but would<br>&nbsp;&nbsp;&nbsp;&nbsp;you mind for just one night?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just leave her to me!<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, my place *is* a tight fit,<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it might be tricky<br>&nbsp;&nbsp;&nbsp;&nbsp;handling her on my own.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you say, Uiharu?<br>&nbsp;&nbsp;&nbsp;&nbsp;Wanna give me a hand?<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A shining hope runs its way<br>
&nbsp;&nbsp;&nbsp;&nbsp;through the city, letting friends*<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who always believe in each other<br>
&nbsp;&nbsp;&nbsp;&nbsp;join hands and follow their hearts*<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in an ongoing search for<br>
&nbsp;&nbsp;&nbsp;&nbsp;a future they have faith in*<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Standing still amid<br>
&nbsp;&nbsp;&nbsp;&nbsp;the hustle and bustle,*<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I watched as you faded into the distance*<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I now realize*<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the importance of sharing*<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both the day and all of<br>
&nbsp;&nbsp;&nbsp;&nbsp;us are wreathed in smiles*<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I want to preserve<br>
&nbsp;&nbsp;&nbsp;&nbsp;how normal that feels for us*<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When the sky resounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;with dreams kicking off*<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*unshakable power starts seizing on reality*<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's because you had the<br>
&nbsp;&nbsp;&nbsp;&nbsp;strength to reveal your weakness*<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I never forget, every single day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;to cherish the bonds between us*<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and head held high,<br>
&nbsp;&nbsp;&nbsp;&nbsp;blaze a future to be proud of*<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Uiharu, ready yet?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My lolly...<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lolly?<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it's right here.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you suppose<br>&nbsp;&nbsp;&nbsp;&nbsp;she might be hungry?<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, want to have some supper?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boing, boing, boing!<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, shall we get started, Mother?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for this food!<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hamburger.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that good?<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, all right then,<br>&nbsp;&nbsp;&nbsp;&nbsp;close your eyes nice and tight.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Febrie, now it's your turn.<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you spray some water on me?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! Easy, now,<br>&nbsp;&nbsp;&nbsp;&nbsp;or you'll fall! Be careful--gah!<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ruiko, are you okay?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you little tomboy, you!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna getcha!<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hurry on in here!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu!<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whee-hah!<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You got to know<br>&nbsp;&nbsp;&nbsp;&nbsp;when to fold 'em," Sissy.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm fine, really. It was a free prize,<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it's just one lousy<br>&nbsp;&nbsp;&nbsp;&nbsp;finger puppet... just one...<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do not sound at all fine.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have some things on my mind.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, how did she know my name?<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why was she so afraid of me?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My! Sissy, do not tell me you<br>&nbsp;&nbsp;&nbsp;&nbsp;were trying to gain that girl's favor?!<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you are telling me, Sissy?!<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand!<br>&nbsp;&nbsp;&nbsp;&nbsp;Having reached this juncture,<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Shirai Kuroko,<br>&nbsp;&nbsp;&nbsp;&nbsp;will act on your behalf!<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goo-goo...<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Shirai!<br>&nbsp;&nbsp;&nbsp;&nbsp;What's all that commotion?!<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, but really...<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...why did that girl know my name?<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a bit of an unusual girl, huh?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still cute, though.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right, that is pretty intense.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? It's remarkable, right?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised she sucks<br>&nbsp;&nbsp;&nbsp;&nbsp;on those like it was nothing.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're terrible, Miss Saten.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last night, you made me taste one,<br>&nbsp;&nbsp;&nbsp;&nbsp;telling me it was "so delicious!"<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I was sorry!<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that good?<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good for you, Febrie!<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, there is<br>&nbsp;&nbsp;&nbsp;&nbsp;no data on her anywhere.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I put her information into the<br>&nbsp;&nbsp;&nbsp;&nbsp;database that takes queries<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from missing persons<br>&nbsp;&nbsp;&nbsp;&nbsp;and lost child cases, myself,<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as of right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;there has been no response.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean that<br>&nbsp;&nbsp;&nbsp;&nbsp;this girl might be a Child Error.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello!<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue!<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is settled in<br>&nbsp;&nbsp;&nbsp;&nbsp;from the move and whatnot,<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came to say hi.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, so this is where she is.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My goodness, what a handful she is.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl is a Child Error?<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've tried everything I could,<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't determine who she is.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like all we can do now<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is wait for someone from<br>&nbsp;&nbsp;&nbsp;&nbsp;an institution to come for her.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope she gets to go to a good one.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are good ones and bad ones?<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard that bad things can happen,<br>&nbsp;&nbsp;&nbsp;&nbsp;depending on the facility.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it possible to choose<br>&nbsp;&nbsp;&nbsp;&nbsp;where she goes?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Uiharu, is there anywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;that has rating and ranking data<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on these institutions?<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, they don't really do that.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, then...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got confirmation<br>&nbsp;&nbsp;&nbsp;&nbsp;from the other end.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like<br>&nbsp;&nbsp;&nbsp;&nbsp;they're willing to accept her.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Asunaro Park said okay!<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a facility in School District 13.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've dropped by there before,<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it's a place with<br>&nbsp;&nbsp;&nbsp;&nbsp;a very warm atmosphere.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there is one issue.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take at least five days<br>&nbsp;&nbsp;&nbsp;&nbsp;before they're ready to accept her.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't be any problem.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will make sure to<br>&nbsp;&nbsp;&nbsp;&nbsp;look after her until then!<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I will back her up!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So will I, of course.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I shall assist, as well.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'll relay that to them.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Febrie, would you mind<br>&nbsp;&nbsp;&nbsp;&nbsp;staying with us for a little while?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With you, Ruiko?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep! And everyone else, too.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Whee-hah, too?<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Kuroko, too?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Mii, too?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well of course, Febrie.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five days, huh?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means we can stay together<br>&nbsp;&nbsp;&nbsp;&nbsp;until the day of the Reach Assembly.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, now that you mention it,<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is almost time for our on-site<br>&nbsp;&nbsp;&nbsp;&nbsp;security meeting, is it not?<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be sure to come and visit again, okay?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. Next time, I'll bring Banri, too.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye now, Febrie.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodbye, Erii!<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Even Miss Haru'ue?!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, I will get that<br>&nbsp;&nbsp;&nbsp;&nbsp;girl to call me by name!<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#19 Academic Reach Assembly"<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this really where they're<br>&nbsp;&nbsp;&nbsp;&nbsp;holding the Reach Assembly?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it is one of the sites, to be sure.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say, it's--<br>&nbsp;&nbsp;&nbsp;&nbsp;how can I put it? Kind of dreary.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Reach Assembly<br>&nbsp;&nbsp;&nbsp;&nbsp;is unrelated to abilities,<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is a place for presenting the<br>&nbsp;&nbsp;&nbsp;&nbsp;results of pure academic research,<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there is necessarily a lack of glitz.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It gets a little nerdy.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem unusually disappointed.<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it you were imagining?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you know. Something<br>&nbsp;&nbsp;&nbsp;&nbsp;with street stalls and lots of events,<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and everyone pulling an all-nighter<br>&nbsp;&nbsp;&nbsp;&nbsp;getting ready, or something.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so *that's* why you came along.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that were the case, I figured,<br>&nbsp;&nbsp;&nbsp;&nbsp;she wouldn't be bored by it.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How cute!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, that wouldn't happen<br>&nbsp;&nbsp;&nbsp;&nbsp;to be Miss Misaka, would it?<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're right!<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a coincidence.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why are you...?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kongo Mitsuko...<br>
&nbsp;&nbsp;&nbsp;&nbsp;What are *you* doing here?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello there. Nice to meet you.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Awatsuki Ma'aya.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so Miss Wannai,<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your senior is presenting<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Reach Assembly.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, and we are<br>&nbsp;&nbsp;&nbsp;&nbsp;here to help get her set up.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Awatsuki and<br>&nbsp;&nbsp;&nbsp;&nbsp;I know her personally,<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Miss Kongo freely<br>&nbsp;&nbsp;&nbsp;&nbsp;volunteered to help as well.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no reason to pay any mind.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With me along,<br>&nbsp;&nbsp;&nbsp;&nbsp;we will be set up in mere moments.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, Miss Misaka...<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is that young lady someone's<br>&nbsp;&nbsp;&nbsp;&nbsp;younger sister, or something?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-mm. It's kind of a long story.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo, this adorable young lady<br>&nbsp;&nbsp;&nbsp;&nbsp;says her name is Miss Febrie.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have just gotten done<br>&nbsp;&nbsp;&nbsp;&nbsp;making friends with her.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, by all means,<br>&nbsp;&nbsp;&nbsp;&nbsp;please be friends with me, as well.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Kongo Mitsuko.<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a pleasure to meet you, Miss Febrie.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, my pleasure, Mitsuko.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I now have yet another friend!<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-And now, Miss Kongo, too...<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, everyone, have a pleasant day.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye-bye!<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;off to our meeting now.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll just have a look around at things.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is the meet-up spot again?<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then this time, I, too...<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see... Just a minute.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it was... This place<br>&nbsp;&nbsp;&nbsp;&nbsp;is unnecessarily spread out, huh?<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, Uiharu,<br>&nbsp;&nbsp;&nbsp;&nbsp;where would the bathroom be?<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's...<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't I show you the way?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, if you don't mind.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ruiko...?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. I'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;right back, so until then...<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...would you wait with<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister Mikoto for me?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to give you<br>&nbsp;&nbsp;&nbsp;&nbsp;some room, so while I'm gone...<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, wait there!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back soon!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all the...<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This campus is<br>&nbsp;&nbsp;&nbsp;&nbsp;unnecessarily spread out.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to need a<br>&nbsp;&nbsp;&nbsp;&nbsp;few more security personnel...<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm sure this is where<br>&nbsp;&nbsp;&nbsp;&nbsp;it's supposed to be delivered.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On paper, that may be true.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just that we don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have any authority to receive it.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some kind of problem?<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, this delivery<br>&nbsp;&nbsp;&nbsp;&nbsp;is here for the Reach Assembly.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the student who is<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to accept it isn't here yet.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This school is a regular<br>&nbsp;&nbsp;&nbsp;&nbsp;prizewinner at the Reach Assembly.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is. Most of<br>&nbsp;&nbsp;&nbsp;&nbsp;the other regular schools<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't shown up yet this year,<br>&nbsp;&nbsp;&nbsp;&nbsp;either here or at the other sites.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I thought I spotted someone<br>&nbsp;&nbsp;&nbsp;&nbsp;from one of those regular schools.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have arrived at the site.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The package appears to<br>&nbsp;&nbsp;&nbsp;&nbsp;have been safely brought in as well.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'll contact you<br>&nbsp;&nbsp;&nbsp;&nbsp;again once I locate the target.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, are you hungry?<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you want something to drink?<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, look, Febrie!<br>&nbsp;&nbsp;&nbsp;&nbsp;Those flowers are awfully pretty!<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's keeping Ruiko?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She truly is a tough customer.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I was the sort<br>&nbsp;&nbsp;&nbsp;&nbsp;that children took a liking to, too.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, I am *not* going<br>
&nbsp;&nbsp;&nbsp;&nbsp;to let this discourage me.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this point, I don't care<br>&nbsp;&nbsp;&nbsp;&nbsp;if it does get taken from me--<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the super-rare,<br>&nbsp;&nbsp;&nbsp;&nbsp;only-1-in-every-60-cans rainbow Gekota!<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, Febrie!<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me...<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie!<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo! Man, having a job is a real drag.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! What a cute little girl you are!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gekota...<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry! I just took my<br>&nbsp;&nbsp;&nbsp;&nbsp;eyes off of her for a second!<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;She couldn't have gotten too far.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll look for her, too.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, please!<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?!<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ruiko... Whee-hah... Kuroko...<br>&nbsp;&nbsp;&nbsp;&nbsp;Mii... Where are you?<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target located.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is!<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Erii... Mitsuko...<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness!<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ruiko!<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, I'm glad she's safe.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No doubt about it. It's her.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that is what happened.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a good thing<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing bad happened, huh?<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was my fault for<br>&nbsp;&nbsp;&nbsp;&nbsp;taking my eyes off of her.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am sorry, Miss Saten.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should apologize, as well.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Febrie, you too. You made<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister Mikoto very worried,<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so now you have to apologize.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie...<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry...<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Mikoto!<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Wait up, Febrie!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up, wait up!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like at some point along<br>&nbsp;&nbsp;&nbsp;&nbsp;the line, they became good friends.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am glad that they<br>&nbsp;&nbsp;&nbsp;&nbsp;are enjoying themselves.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that<br>&nbsp;&nbsp;&nbsp;&nbsp;it was worth the trouble<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I, Kongo Mitsuko, went to.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, Miss Kongo,<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is so ungraceful of you to<br>&nbsp;&nbsp;&nbsp;&nbsp;take all the credit upon yourself.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I really was helpful this time around!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go again!<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is the absolute truth!<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes, I know it is!<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it is true!<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only seven Level 5s<br>&nbsp;&nbsp;&nbsp;&nbsp;here in Academy City.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that in addition<br>&nbsp;&nbsp;&nbsp;&nbsp;to the fourth-ranked,<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we would be able to experiment<br>&nbsp;&nbsp;&nbsp;&nbsp;on the third-ranked, as well...<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is nothing else<br>&nbsp;&nbsp;&nbsp;&nbsp;we can call this but good luck.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, as always,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's put it to a vote.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those in favor of conducting<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiment on Railgun,<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;raise your hand.<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course,<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in favor, as well.<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The world into which I'm<br>
&nbsp;&nbsp;&nbsp;&nbsp;stepping is too big for me*<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Acting tough to camouflage my impatience<br>
&nbsp;&nbsp;&nbsp;&nbsp;and anxiety, I overextended myself*<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My mind still up in the<br>
&nbsp;&nbsp;&nbsp;&nbsp;air over answers I cannot find,*<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*time rushes by with no time to even breathe*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If we're stifled by the daily grind,*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*come on, let's take a deep breath,*<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and set out for the hilltop at<br>
&nbsp;&nbsp;&nbsp;&nbsp;the end of the rainbow*<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'll carve out another unforgettable day*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For the fact that we met<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I thank you)*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It surely is something precious*<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's face forward and start walking,<br>
&nbsp;&nbsp;&nbsp;&nbsp;carrying forward to tomorrow*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We've shared some smiles<br>
&nbsp;&nbsp;&nbsp;&nbsp;(and I thank you)*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's take our joys and sorrows*<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and share them together, over and over*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next week, Ruiko and<br>&nbsp;&nbsp;&nbsp;&nbsp;Whee-hah and Kuroko and..."<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#20 Febrie"<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is it that let her handle the preview?<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's worse, she's sucking her lollipop.<br>

# E20 - Febri

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6X02W55Y/febri)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotta say,<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;having security robots<br>&nbsp;&nbsp;&nbsp;&nbsp;malfunction like this<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a real black eye for Antiskill.<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, luckily for everyone,<br>&nbsp;&nbsp;&nbsp;&nbsp;it didn't turn too serious.<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, that's weird, all right.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the matter?<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These security robots<br>&nbsp;&nbsp;&nbsp;&nbsp;were just brought in,<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and their main batteries<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't been installed yet.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say they don't have their batteries?<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind malfunctioning,<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they shouldn't be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to run at all like this.<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if there was some<br>&nbsp;&nbsp;&nbsp;&nbsp;residual in the auxiliary battery.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A shining hope runs its way<br>
&nbsp;&nbsp;&nbsp;&nbsp;through the city, letting friends*<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who always believe in each other<br>
&nbsp;&nbsp;&nbsp;&nbsp;join hands and follow their hearts*<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in an ongoing search for<br>
&nbsp;&nbsp;&nbsp;&nbsp;a future they have faith in*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Standing still amid<br>
&nbsp;&nbsp;&nbsp;&nbsp;the hustle and bustle,*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I watched as you faded into the distance*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I now realize*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the importance of sharing*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both the day and all of<br>
&nbsp;&nbsp;&nbsp;&nbsp;us are wreathed in smiles*<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I want to preserve<br>
&nbsp;&nbsp;&nbsp;&nbsp;how normal that feels for us*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When the sky resounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;with dreams kicking off*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*unshakable power starts seizing on reality*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's because you had the<br>
&nbsp;&nbsp;&nbsp;&nbsp;strength to reveal your weakness*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I never forget, every single day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;to cherish the bonds between us*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and head held high,<br>
&nbsp;&nbsp;&nbsp;&nbsp;blaze a future to be proud of*<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I guess you can't do anything.<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, all right.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like Uiharu<br>&nbsp;&nbsp;&nbsp;&nbsp;and Shirai will be a while,<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;investigating the scene and so forth.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said to please go on without them.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Febrie,<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how about this one?<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to trade that pink<br>&nbsp;&nbsp;&nbsp;&nbsp;Gekota for this red Gekota?<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one is cute, too, right? See? See?<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, what about<br>&nbsp;&nbsp;&nbsp;&nbsp;together with this blue Gekota?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And hey, I'll even<br>&nbsp;&nbsp;&nbsp;&nbsp;throw in this yellow Gekota!<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my Gekota!<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way she's chipping away at this,<br>&nbsp;&nbsp;&nbsp;&nbsp;it really could become hers.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of all of them,<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she's got the precious pink Gekota,<br>&nbsp;&nbsp;&nbsp;&nbsp;which I only have one of!<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it has to come to this...<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Misaka, are you still at that?<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Misaka...<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you leaving?<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo!<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuko!<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, you certainly<br>&nbsp;&nbsp;&nbsp;&nbsp;are in good spirits, huh?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really came through earlier.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo,<br>&nbsp;&nbsp;&nbsp;&nbsp;if you hadn't spotted Febrie,<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who knows what<br>&nbsp;&nbsp;&nbsp;&nbsp;would have happened?<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so very much.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, Febrie,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should thank her, too.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Mitsuko!<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh my, a thank-you?<br>&nbsp;&nbsp;&nbsp;&nbsp;I only did what was right.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah, we're all<br>&nbsp;&nbsp;&nbsp;&nbsp;going out for some tea now.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to join us?<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, have some tea together?<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... Though I appreciate<br>&nbsp;&nbsp;&nbsp;&nbsp;your kind invitation,<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have to help<br>&nbsp;&nbsp;&nbsp;&nbsp;out with things here.<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. It's quite all right, Miss Kongo.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we can manage the rest on our own.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;Casting aside helping out my friends<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not something that I,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kongo Mitsuko, could do!<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuko! Wanna! A-tsuki! Bye-bye!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a pleasant day!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we should be off, as well.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that...?<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is so exciting to already<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to test the data<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that we acquired on<br>&nbsp;&nbsp;&nbsp;&nbsp;the 4th-ranked the other day.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have liked to<br>&nbsp;&nbsp;&nbsp;&nbsp;have more time to prepare,<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I guess we can't<br>&nbsp;&nbsp;&nbsp;&nbsp;ask for everything, huh?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now, I wonder what<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of data we will get this time.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do hope we will be<br>&nbsp;&nbsp;&nbsp;&nbsp;provided with some entertainment...<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by Tokiwadai's Railgun.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Reach Assembly's posters<br>&nbsp;&nbsp;&nbsp;&nbsp;are even put up in here, huh?<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did you think,<br>&nbsp;&nbsp;&nbsp;&nbsp;having actually seen the location?<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could ask myself, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never actually been to one before.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, it seems like it would be nice,<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;having a field of specialty<br>&nbsp;&nbsp;&nbsp;&nbsp;that you can throw yourself into.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should<br>&nbsp;&nbsp;&nbsp;&nbsp;research something, too.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, urban legends!<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know about that.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? No good?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for waiting.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, here it comes, Febrie.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here is your special ice cream.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you can't eat like that, can you?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I have no choice but<br>&nbsp;&nbsp;&nbsp;&nbsp;to hold that Gekota for you. Here.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(Ah)<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you spoiled little girl.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yum!<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(Ah)<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo, finished at last.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We never did find out the cause<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the security robot incident.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the cause of yesterday's signal<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble was also unknown, huh?<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rash of mysterious mechanical trouble?<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet Miss Saten<br>&nbsp;&nbsp;&nbsp;&nbsp;would enjoy this tale, huh?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, do you two have some time?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that good?<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I want more.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, all right.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Oh, Kuroko...<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Miss Konori?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really like this, huh?<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it great? Nothing beats<br>&nbsp;&nbsp;&nbsp;&nbsp;this when you're tired.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Febrie?<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, this place, you see,<br>
&nbsp;&nbsp;&nbsp;&nbsp;has a bathtub *this* big inside.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's all get in together, okay?<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so much fun!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have always dreamed<br>&nbsp;&nbsp;&nbsp;&nbsp;about sharing a bath with Sissy.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just leave it to me, Sissy!<br>&nbsp;&nbsp;&nbsp;&nbsp;I will see to it<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that every last inch of your<br>&nbsp;&nbsp;&nbsp;&nbsp;body is washed clean for you.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every last inch...<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, every nook and cranny!<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tee-hee<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's go, Febrie.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay!<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Bathtime! Bathtime! Bathtime! ♪<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I cannot allow my moment of<br>&nbsp;&nbsp;&nbsp;&nbsp;bliss to flee over something like this!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Showtime!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Shirai...<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're here, too, huh?<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh...<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That tickles.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Febrie, stop fidgeting.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's my girl!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those two are like<br>&nbsp;&nbsp;&nbsp;&nbsp;peas in a pod, aren't they?<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, they are.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this great, Misaka?<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;an adorable little sister.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what are you talking about?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Younger sister, huh?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There! All clean, all clean!<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey! When did you...<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Gekota, stop fidgeting.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she imitating Misaka, do you think?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She really does<br>&nbsp;&nbsp;&nbsp;&nbsp;make a cute little sister.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, she does.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gekota, that feels good, huh?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there, sit still, okay?<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good girl, good girl, good girl!<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're a good girl!<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Febrie, do you like Gekota?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, I do!<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give that one to you.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take good care of it, okay?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Promise me?<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm! Thank you, Mikoto!<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Gekota has<br>&nbsp;&nbsp;&nbsp;&nbsp;always been my Gekota.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, now it's<br>
&nbsp;&nbsp;&nbsp;&nbsp;*my* turn to wash Misaka.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's all wash each other.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this nice?<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Not you too, Miss Konori!<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy... Ah, Paradise<br>&nbsp;&nbsp;&nbsp;&nbsp;is just over there...!<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Paradise for me alone!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your hands have stopped.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you rub any harder, Shirai?<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm headed this way, so...<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow, then.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. If you'll excuse us...<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work today!<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's go, Kuroko.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My bath together...<br>&nbsp;&nbsp;&nbsp;&nbsp;My bath together with Sissy...<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't time turn back for me?<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko, what are you doing?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ruiko...<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting you all warmed up<br>&nbsp;&nbsp;&nbsp;&nbsp;made you sleepy, huh?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your back has become reserved seating,<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;huh, Miss Saten?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that will be all<br>&nbsp;&nbsp;&nbsp;&nbsp;over in five more days.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after we've<br>&nbsp;&nbsp;&nbsp;&nbsp;become such good friends, too.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's not like<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll never see her again.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not become lonesome for her, Sissy.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I wasn't going to.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gekota...<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, maybe a little.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Febrie goes to Asunaro Park,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's all go visit her together.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this time, I'll be careful not<br>&nbsp;&nbsp;&nbsp;&nbsp;to let my Gekota puppets be taken.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on, Misaka!<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the big deal?<br>&nbsp;&nbsp;&nbsp;&nbsp;You have so many of them!<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it's not that easy to get them!<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sidewalk Closed"<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? We can't cross here?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well. We'll just<br>&nbsp;&nbsp;&nbsp;&nbsp;cross at the next one.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Detour"<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, as well?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quite a long way around,<br>&nbsp;&nbsp;&nbsp;&nbsp;but since there's construction,<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't have much choice.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a bother.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot...<br>&nbsp;&nbsp;&nbsp;&nbsp;detour through here, can we?<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We came exactly where the<br>&nbsp;&nbsp;&nbsp;&nbsp;detour said to, right?<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we did.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check on my GPS.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I've got missed<br>&nbsp;&nbsp;&nbsp;&nbsp;calls from Miss Kongo.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From Kongo Mitsuko?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so do I.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, this many?<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was right when we were in<br>&nbsp;&nbsp;&nbsp;&nbsp;the tub, so I guess we didn't notice.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if it was something urgent.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, the experiment begins.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#20 Febrie"<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get back!<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...who you are...<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but did you think something<br>&nbsp;&nbsp;&nbsp;&nbsp;like this would work against me?!<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko! Keep out of this!<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm unable to control it?<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not using shields<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything. For that matter,<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;any electrical systems at all!<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like the simulations.<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, next up...<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it moving?<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what's going on,<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but from the looks of it, this is<br>&nbsp;&nbsp;&nbsp;&nbsp;the type that has someone inside.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, what a pain in the neck!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! Miss Saten!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten!<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, contact Antiskill!<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? How come?!<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the matter?<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My cell isn't getting through!<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What do you mean?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie!<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, it's dangerous here, you know!<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing? Come on, quickly!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It stopped...<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dossei!<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is about the size of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;when confronted with me!<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo!<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are *you* doing here?!<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wherever Kongo's friends are,<br>&nbsp;&nbsp;&nbsp;&nbsp;there shall she be!<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind that,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is going on here?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just who would<br>&nbsp;&nbsp;&nbsp;&nbsp;pull something like this?<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... is this?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's empty?<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie!<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?! Wake up!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was within our assumptions.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;our calculations were correct.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie! Are you all right?! Febrie!<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is she hurt anywhere?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Call an ambulance!<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our cell phones are not--<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The signal is getting through?<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then please hurry up<br>&nbsp;&nbsp;&nbsp;&nbsp;and call someone!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right, I will.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's you guys again?<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you could have seen it!<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My heroic exploits!<br>&nbsp;&nbsp;&nbsp;&nbsp;When that robot was closing in,<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I plucked it up and tossed it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I plucked it up and tossed it!<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So no pilot, and no battery.<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't know what's going on,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;same as the security robots this afternoon.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true! If you'll check the<br>&nbsp;&nbsp;&nbsp;&nbsp;surveillance cameras around here,<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can see that.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though I doubt you.<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But none of the surveillance cameras<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;recorded anything out of the ordinary.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The surveillance cameras?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;our cell phones weren't working<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before we called the ambulance, either.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the time being, leave this up to us.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your friend was taken to the hospital, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry and go to her.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Uiharu...<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then...<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is going on here?<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mizuho Systems Hospital"<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, all right. Bye.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko says they'll be here shortly.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't look like<br>&nbsp;&nbsp;&nbsp;&nbsp;she was injured or anything.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie is gonna be fine, right?<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,<br>&nbsp;&nbsp;&nbsp;&nbsp;worrying us all like this...<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once she wakes up,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be, "What's the big idea?"<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doctor, um...<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her fever has not gone down,<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she has still not<br>&nbsp;&nbsp;&nbsp;&nbsp;regained consciousness.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know why<br>&nbsp;&nbsp;&nbsp;&nbsp;her condition is worsening,<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to be honest, I'm stumped.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, there's nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;more we can do for her here.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to move her<br>&nbsp;&nbsp;&nbsp;&nbsp;to a larger hospital at once.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie...<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is yours, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold onto it tight.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We now know that our research<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;works more than well<br>&nbsp;&nbsp;&nbsp;&nbsp;enough against Railgun.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a shame the experiment<br>&nbsp;&nbsp;&nbsp;&nbsp;was brought to a halt that way, though.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what it is to bite<br>&nbsp;&nbsp;&nbsp;&nbsp;the hand that feeds one, huh?<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But with today's data,<br>&nbsp;&nbsp;&nbsp;&nbsp;the program will be even more accurate.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, all thanks<br>&nbsp;&nbsp;&nbsp;&nbsp;to the great 3rd-ranked.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have now demonstrated one more thing--<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the incapability of those<br>&nbsp;&nbsp;&nbsp;&nbsp;who must rely on their abilities.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This indeed is the great<br>&nbsp;&nbsp;&nbsp;&nbsp;inconsistency of Academy City.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, let us take a vote.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is concerning Febrie's disposition...<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is taking a while, huh?<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, what was that thing?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that thing hadn't shown up,<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie wouldn't be in this...<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who these guys are,<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that thing came after *me*.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because of me...<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that once again, someone else<br>&nbsp;&nbsp;&nbsp;&nbsp;has been dragged into something.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko! Miss Uiharu!<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is Febrie doing?<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we don't know yet.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about you?<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Antiskill has ended up<br>&nbsp;&nbsp;&nbsp;&nbsp;taking over the investigation.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now, we don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;anything approaching any leads.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way,<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you follow us here?!<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you ask? Because I am<br>&nbsp;&nbsp;&nbsp;&nbsp;concerned about Febrie, of course!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you helped me out<br>&nbsp;&nbsp;&nbsp;&nbsp;again, huh? Thanks, Miss Kongo.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, by the way,<br>&nbsp;&nbsp;&nbsp;&nbsp;you tried to call us earlier.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right!<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is something<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to tell you all.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is danger closing in on Febrie!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earlier, I recognized a man<br>&nbsp;&nbsp;&nbsp;&nbsp;near the Reach Assembly location.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then...<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you plan to do?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to have a<br>&nbsp;&nbsp;&nbsp;&nbsp;brief word with that gentleman.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems to have gotten the wrong<br>&nbsp;&nbsp;&nbsp;&nbsp;idea of who you are, Miss Kongo.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'm sure if we speak to<br>&nbsp;&nbsp;&nbsp;&nbsp;him, he will understand.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But...<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target is on the move. Right.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We may have failed to retrieve Febrie,<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but imagine,<br>&nbsp;&nbsp;&nbsp;&nbsp;getting such a byproduct.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Yeah, send them my way, please.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;obtain some interesting results.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie was being targeted?<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we couldn't reach any of you.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We had no choice but<br>&nbsp;&nbsp;&nbsp;&nbsp;to split up and search for you,<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when by chance...<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me a moment, would you?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Oh, Miss Wannai<br>&nbsp;&nbsp;&nbsp;&nbsp;and Miss Awatsuki!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm so sorry.<br>&nbsp;&nbsp;&nbsp;&nbsp;I completely forgot to call you two.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I managed to find<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka and the others.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, too. However...<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Me? I am all right.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those two must be worried<br>&nbsp;&nbsp;&nbsp;&nbsp;about you. We are fine here.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't hear of it!<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry.<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't talking to you.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be exhausted<br>&nbsp;&nbsp;&nbsp;&nbsp;after searching for so long.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! In that event,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will come to you!<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, really, you need not worry.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then,<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really hate to leave,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I must be going.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if anything comes up,<br>&nbsp;&nbsp;&nbsp;&nbsp;please tell me, okay?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are Febrie's friends,<br>&nbsp;&nbsp;&nbsp;&nbsp;too, after all.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Thanks.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does what<br>&nbsp;&nbsp;&nbsp;&nbsp;she told us earlier mean?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recovering Febrie? What on earth?<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Recovering," of all words.<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie is not a "thing."<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ladies...<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie!<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Mikoto!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay, Febrie?<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Okay?<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, you suddenly collapsed,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we were all worried about you.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gekota, are you okay?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, you are doing just fine, huh?<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I have a moment?<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't feel hurt anywhere?<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't hurt!<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness!<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, thank you very much.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. I didn't do anything.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But...<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not able to fix her up, you see.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fix her up? What do you mean?<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean she has<br>&nbsp;&nbsp;&nbsp;&nbsp;a serious illness, do you?<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. If she had some<br>&nbsp;&nbsp;&nbsp;&nbsp;human illness, I could cure her.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that girl is not human.<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a<br>&nbsp;&nbsp;&nbsp;&nbsp;100-percent-scientifically-created...<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...artificial construction.<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The world into which I'm<br>
&nbsp;&nbsp;&nbsp;&nbsp;stepping is too big for me*<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Acting tough to camouflage my impatience<br>
&nbsp;&nbsp;&nbsp;&nbsp;and anxiety, I overextended myself*<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My mind still up in the<br>
&nbsp;&nbsp;&nbsp;&nbsp;air over answers I cannot find,*<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*time rushes by with no time to even breathe*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If we're stifled by the daily grind,*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*come on, let's take a deep breath,*<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and set out for the hilltop at<br>
&nbsp;&nbsp;&nbsp;&nbsp;the end of the rainbow*<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We'll carve out another unforgettable day*<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For the fact that we met<br>
&nbsp;&nbsp;&nbsp;&nbsp;(I thank you)*<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It surely is something precious*<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's face forward and start walking,<br>
&nbsp;&nbsp;&nbsp;&nbsp;carrying forward to tomorrow*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We've shared some smiles<br>
&nbsp;&nbsp;&nbsp;&nbsp;(and I thank you)*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let's take our joys and sorrows*<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and share them together, over and over*<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, doing the preview?!<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#21 Darkness"<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only did what any friend would do!<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was concerned for Febrie!<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, Kongo acts to save the world!<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you do not either!<br>

# E21 - Darkness

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GY19GDZ7R/darkness)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An artificial construction? Febrie?<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, she's a<br>&nbsp;&nbsp;&nbsp;&nbsp;man-made, fabricated person?<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way, she couldn't be.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be what you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;usually think, I suppose.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Common sense will tell you<br>&nbsp;&nbsp;&nbsp;&nbsp;that such a thing is impossible.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However,<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sometimes, man tries to overstep<br>&nbsp;&nbsp;&nbsp;&nbsp;the bounds of common sense.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;understand that, shouldn't you?<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I analyzed the proteins<br>&nbsp;&nbsp;&nbsp;&nbsp;that her body is composed of,<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ascertained that they did<br>&nbsp;&nbsp;&nbsp;&nbsp;not exist in the natural world.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does not seem to be aware<br>&nbsp;&nbsp;&nbsp;&nbsp;that she is not a normal person, though.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, you can't<br>&nbsp;&nbsp;&nbsp;&nbsp;tell just by looking at her.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her own body's functions<br>&nbsp;&nbsp;&nbsp;&nbsp;are comparable to yours or mine.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only problem is...<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...every time that she forms new cells,<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she produces a certain<br>&nbsp;&nbsp;&nbsp;&nbsp;amount of toxin, as well.<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toxin?<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, and if left alone,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will accumulate in her body,<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;causing her internal<br>&nbsp;&nbsp;&nbsp;&nbsp;organs to shut down,<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;resulting in death.<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, her?!<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now, she's fine--<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because of her candy.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It includes a component<br>&nbsp;&nbsp;&nbsp;&nbsp;which neutralizes the toxin.<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be fair to say that<br>&nbsp;&nbsp;&nbsp;&nbsp;they are what's keeping her alive.<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has to keep sucking that candy,<br>&nbsp;&nbsp;&nbsp;&nbsp;or she can't go on living?<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ask me why this is<br>&nbsp;&nbsp;&nbsp;&nbsp;happening, I couldn't tell you.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be a technical problem,<br>&nbsp;&nbsp;&nbsp;&nbsp;or it could be deliberate.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way,<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if anyone can keep her<br>&nbsp;&nbsp;&nbsp;&nbsp;body working in its normal state,<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would have to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the people who created her.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But who? Who created Febrie?<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for what reason?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Are the powers that be in this city<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;starting up some<br>&nbsp;&nbsp;&nbsp;&nbsp;ridiculous experiment again?!<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard stories about<br>&nbsp;&nbsp;&nbsp;&nbsp;research being carried on<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to scientifically create<br>&nbsp;&nbsp;&nbsp;&nbsp;a person a number of years ago.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then all of a sudden,<br>&nbsp;&nbsp;&nbsp;&nbsp;I stopped hearing those rumors.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, Febrie was<br>&nbsp;&nbsp;&nbsp;&nbsp;made from that research?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the time, the underworld was<br>&nbsp;&nbsp;&nbsp;&nbsp;involved in the research.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The underworld?<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are a number of dark<br>&nbsp;&nbsp;&nbsp;&nbsp;organizations within Academy City,<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which not even Antiskill can touch,<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and whose existence remains unknown.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The work I do is for the underworld.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you can do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about the "darkness" of this town<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by fighting like you're<br>&nbsp;&nbsp;&nbsp;&nbsp;on the playground?!<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to save the girl,<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be necessary for you to<br>&nbsp;&nbsp;&nbsp;&nbsp;be prepared to face the darkness.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ready to do that?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A shining hope runs its way<br>
&nbsp;&nbsp;&nbsp;&nbsp;through the city, letting friends*<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who always believe in each other<br>
&nbsp;&nbsp;&nbsp;&nbsp;join hands and follow their hearts*<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in an ongoing search for<br>
&nbsp;&nbsp;&nbsp;&nbsp;a future they have faith in*<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Standing still amid<br>
&nbsp;&nbsp;&nbsp;&nbsp;the hustle and bustle,*<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I watched as you faded into the distance*<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I now realize*<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the importance of sharing*<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both the day and all of<br>
&nbsp;&nbsp;&nbsp;&nbsp;us are wreathed in smiles*<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I want to preserve<br>
&nbsp;&nbsp;&nbsp;&nbsp;how normal that feels for us*<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When the sky resounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;with dreams kicking off*<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*unshakable power starts seizing on reality*<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's because you had the<br>
&nbsp;&nbsp;&nbsp;&nbsp;strength to reveal your weakness*<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I never forget, every single day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;to cherish the bonds between us*<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and head held high,<br>
&nbsp;&nbsp;&nbsp;&nbsp;blaze a future to be proud of*<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ge-ge-geko!<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Gekota!<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geko-geko-geko!<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Miss Misaka!<br>&nbsp;&nbsp;&nbsp;&nbsp;What did he talk to you about?<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, he said there<br>&nbsp;&nbsp;&nbsp;&nbsp;was nothing more to worry about,<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we could leave.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, want to go home?<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With you?<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, and Uiharu, too.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, if we go back to my dorm,<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't they come attacking again?<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll contact Antiskill,<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have them ramp up their patrols.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, right.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all the way back<br>&nbsp;&nbsp;&nbsp;&nbsp;to morning again.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, are you hungry?<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamburgers!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really like them that much?<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that nice?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, something is the matter, huh?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since you came back<br>&nbsp;&nbsp;&nbsp;&nbsp;from talking to the doctor,<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your face has looked a little pale.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You think so?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cat?<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it doing here?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, that is...<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot to ask the doctor something,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm going to go ask.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you all go on ahead.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...?<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see-- but then again,<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is it okay for you to be<br>&nbsp;&nbsp;&nbsp;&nbsp;out walking around on your own?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I got permission from<br>&nbsp;&nbsp;&nbsp;&nbsp;the doctor, so no problem,"<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, explaining.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you did? All right, then.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I spoke to that girl last night.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl--you mean Febrie?<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw you staying up all<br>&nbsp;&nbsp;&nbsp;&nbsp;night waiting for her to be treated.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Even though you haven't visited<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, your own sister, lately,<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, hold on!<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that she must<br>&nbsp;&nbsp;&nbsp;&nbsp;be someone pretty important,"<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;with a pouty look on her face,<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and enveloped in<br>&nbsp;&nbsp;&nbsp;&nbsp;a gloomy atmosphere.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's not as though either one<br>&nbsp;&nbsp;&nbsp;&nbsp;of you is more important!<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, late into the night,<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a look inside her room.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have regained consciousness, I see.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No, I am her younger<br>&nbsp;&nbsp;&nbsp;&nbsp;sister. More precisely,<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a clone, created<br>&nbsp;&nbsp;&nbsp;&nbsp;from Sissy's DNA map,"<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, introducing herself.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Younger sister...<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto is your older sister?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's quite a problem sister, but still...<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an older sister, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to see her.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie has an older sister?<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The artificially created Febrie?<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be that she is like Febrie?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There is one other thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that stood out when talking to her,"<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, by way of addendum.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sensed that there was a<br>&nbsp;&nbsp;&nbsp;&nbsp;fixed pattern to the inclinations<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;within the knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;that she possesses.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What does that mean?<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is something that<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka also experienced.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is similar to the initial state<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Testament learning process,"<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is not unlikely that<br>&nbsp;&nbsp;&nbsp;&nbsp;she received her knowledge<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;through the use of Testament.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, considering the similarity pattern,<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the probability that her<br>&nbsp;&nbsp;&nbsp;&nbsp;Testament program was developed<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by the same individual who<br>&nbsp;&nbsp;&nbsp;&nbsp;developed Misaka's is high,"<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;expressing her conjecture.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means...<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scorny-eyes?<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't seen her at all<br>&nbsp;&nbsp;&nbsp;&nbsp;since everything happened,<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could she have<br>&nbsp;&nbsp;&nbsp;&nbsp;something to do with Febrie?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has she gotten involved<br>&nbsp;&nbsp;&nbsp;&nbsp;with another one of those projects?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so...<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is the one...<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...who showed Misaka the<br>&nbsp;&nbsp;&nbsp;&nbsp;flavor of milk tea.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If possible, I would like to<br>&nbsp;&nbsp;&nbsp;&nbsp;see her again, and thank her,"<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, voicing a modest hope.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Setting aside for now whether<br>&nbsp;&nbsp;&nbsp;&nbsp;she's involved in Febrie's case,<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;going by what Miss Kongo said,<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the folks that attacked me<br>&nbsp;&nbsp;&nbsp;&nbsp;spoke about "recovering" Febrie.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, taking her back.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean that Febrie<br>&nbsp;&nbsp;&nbsp;&nbsp;ran away from these people?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the case, it seems<br>&nbsp;&nbsp;&nbsp;&nbsp;like the quickest way to find out<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to identify who these<br>&nbsp;&nbsp;&nbsp;&nbsp;people are, and ask them directly.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if the underworld<br>&nbsp;&nbsp;&nbsp;&nbsp;really is involved with this...<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then I can't drag Kuroko,<br>&nbsp;&nbsp;&nbsp;&nbsp;or any of the others into this.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to do this alone.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kongo Mitsuko"<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? Oh...<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, Miss Kongo?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up, you ask? I have been<br>&nbsp;&nbsp;&nbsp;&nbsp;on pins and needles about Febrie<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ever since I left you yesterday.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I called the hospital,<br>&nbsp;&nbsp;&nbsp;&nbsp;they said she had been discharged.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. Mm-hmm, she's fine now.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She had her appetite when<br>&nbsp;&nbsp;&nbsp;&nbsp;she left the hospital a little earlier,<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there doesn't seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to be any cause for concern.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's terrific!<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pass that long to Miss Wannai<br>&nbsp;&nbsp;&nbsp;&nbsp;and Miss Awatsuki, as well.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, please do.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, I've done<br>&nbsp;&nbsp;&nbsp;&nbsp;something intolerable to those two.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I told them about the<br>&nbsp;&nbsp;&nbsp;&nbsp;events of yesterday,<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they blamed themselves<br>&nbsp;&nbsp;&nbsp;&nbsp;terribly for not being there.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sharing the fun times as<br>&nbsp;&nbsp;&nbsp;&nbsp;well as the frightful times together<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what a true friend does," they said.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had been in their position,<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no doubt that I would<br>&nbsp;&nbsp;&nbsp;&nbsp;blame myself for not being any help, too.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot believe I put<br>&nbsp;&nbsp;&nbsp;&nbsp;those two through that.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Friendship is a profound thing, isn't it?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. You're right.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, well, tell Miss Wannai<br>&nbsp;&nbsp;&nbsp;&nbsp;and Miss Awatsuki I said hi.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you completed your errand?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, mm-hmm.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, let us go home, together.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I'm acting on my own,<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to be efficient about it.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, I'll search through a<br>&nbsp;&nbsp;&nbsp;&nbsp;number of databases,<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;looking for leads.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sharing the fun times as<br>&nbsp;&nbsp;&nbsp;&nbsp;well as the frightful times together<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what a true friend does.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, are you going out?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm. There's something<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to take care of.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be back sometime this evening.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, come back safely.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you happen to need<br>&nbsp;&nbsp;&nbsp;&nbsp;any assistance with your errand,<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please feel free to<br>&nbsp;&nbsp;&nbsp;&nbsp;tell me at any time. I...<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...am always here for you.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Sissy...?<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just not getting anywhere, am I?<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Sissy--<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Kuroko,<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to talk to you.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, your towel, your towel!<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Easy, Miss Saten!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry, sorry. But Febrie is...<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...artificially created?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, not being able<br>&nbsp;&nbsp;&nbsp;&nbsp;to live without that lollipop.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did whoever it was that constructed<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie design her like that?<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Antiskill can't<br>&nbsp;&nbsp;&nbsp;&nbsp;do anything about them?<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do organizations like that really exist?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... think so.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have anyone in mind?<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Presumably,<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one time before,<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I faced down some people<br>&nbsp;&nbsp;&nbsp;&nbsp;from one of those organizations.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were incredibly dangerous people.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're going to help Febrie,<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will mean setting<br>&nbsp;&nbsp;&nbsp;&nbsp;foot into some risky areas.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to understand that.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to put<br>&nbsp;&nbsp;&nbsp;&nbsp;you all in danger's way,<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and honestly, I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;how much I can protect you.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, if you want to help out--<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First thing we have to do is<br>&nbsp;&nbsp;&nbsp;&nbsp;find whoever it is that created Febrie.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We know that Kongo must<br>&nbsp;&nbsp;&nbsp;&nbsp;have seen this guy's face, right?<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Let's fill her in,<br>&nbsp;&nbsp;&nbsp;&nbsp;and have her help us, too.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, let's check around the<br>&nbsp;&nbsp;&nbsp;&nbsp;area we were attacked last night<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and see if we can find any leads.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a good chance<br>&nbsp;&nbsp;&nbsp;&nbsp;that the surveillance cameras<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were not working<br>&nbsp;&nbsp;&nbsp;&nbsp;due to the construction.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check to see if there are<br>&nbsp;&nbsp;&nbsp;&nbsp;any signs of a system break-in.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, it's because of those lollipops<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Febrie can stay healthy, right?<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if we can<br>&nbsp;&nbsp;&nbsp;&nbsp;make them ourselves.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're right. Can you handle<br>&nbsp;&nbsp;&nbsp;&nbsp;looking into that, Miss Saten?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is also the question<br>&nbsp;&nbsp;&nbsp;&nbsp;of that powered suit.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will check with Antiskill to see<br>&nbsp;&nbsp;&nbsp;&nbsp;if they have discovered anything.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, of course.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That leaves...<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys...<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, what's the matter?<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, please,<br>&nbsp;&nbsp;&nbsp;&nbsp;would you get in on this, too?<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best plan<br>&nbsp;&nbsp;&nbsp;&nbsp;would be to hit them first,<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before they can come attacking us.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#21 Darkness"<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, what are you drawing there?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gekota!<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? That's very good!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll draw you next, Mii.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Thank you!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, Miss Konori,<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for letting us ask<br>&nbsp;&nbsp;&nbsp;&nbsp;you to play with Febrie.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just leave her to me. And how<br>&nbsp;&nbsp;&nbsp;&nbsp;are you coming? Find any leads yet?<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like there are any<br>&nbsp;&nbsp;&nbsp;&nbsp;signs of intrusion into the system.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll widen the search<br>&nbsp;&nbsp;&nbsp;&nbsp;parameters a little more.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done!<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see!<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm back.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Miss Saten!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back. Find anything<br>&nbsp;&nbsp;&nbsp;&nbsp;out about the lollipops?<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, the thing is...<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It will be difficult to analyze<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the candy's components.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even once it's done,<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be even more difficult<br>&nbsp;&nbsp;&nbsp;&nbsp;to make such a candy," he says.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He did say he would be in touch<br>&nbsp;&nbsp;&nbsp;&nbsp;if he finds anything out, though.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't put too much faith in<br>&nbsp;&nbsp;&nbsp;&nbsp;that doctor, you know?<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His face kind of looks like Gekota.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ruiko, that's funny!<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Miss Saten...<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Antiskill 7th School District Branch"<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The powered suit?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, there is something<br>&nbsp;&nbsp;&nbsp;&nbsp;we would like to check--<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but it is no longer here.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Headquarters has taken<br>&nbsp;&nbsp;&nbsp;&nbsp;up the investigation of that case,<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they left with all<br>&nbsp;&nbsp;&nbsp;&nbsp;the evidence this morning.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Together with those security robots, as well.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Security robots?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones that went out of control<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Reach Assembly site?<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. And while this isn't the<br>&nbsp;&nbsp;&nbsp;&nbsp;first time HQ has come barging in,<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they were awfully<br>&nbsp;&nbsp;&nbsp;&nbsp;quick about handling this.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, I did get a first look<br>&nbsp;&nbsp;&nbsp;&nbsp;at everything under investigation,<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I didn't get much in the way of results.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole thing was a<br>&nbsp;&nbsp;&nbsp;&nbsp;patchwork of unregistered parts.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There weren't any particular<br>&nbsp;&nbsp;&nbsp;&nbsp;leads from its footprints, either.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess there is nothing we can do.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this with you.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was lying inside the powered suit.<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be some kind of lead.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about this?<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's going to be<br>&nbsp;&nbsp;&nbsp;&nbsp;taken away by HQ anyway,<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it makes no difference to<br>&nbsp;&nbsp;&nbsp;&nbsp;me if you guys hang onto it.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However...<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...don't do anything crazy.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What could it be?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it's some kind of part from it?<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then when she said all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;evidence had been taken away,<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sure enough...<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is conceivable that someone<br>&nbsp;&nbsp;&nbsp;&nbsp;is applying pressure to Antiskill.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean the dark organization<br>&nbsp;&nbsp;&nbsp;&nbsp;that Misaka was talking about?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That could be<br>&nbsp;&nbsp;&nbsp;&nbsp;what it means, I suppose.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Febrie, anything might be useful,<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so have you remembered anything since then?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did the surveillance cameras pan out?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...when it happened,<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the cameras in that area<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;appeared to undergo<br>&nbsp;&nbsp;&nbsp;&nbsp;operational failure en masse.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? The other cameras, too?<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The only thing that explains it<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is if the entire area experienced<br>&nbsp;&nbsp;&nbsp;&nbsp;some kind of interference.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, at the time,<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;our cell phones weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;getting through, were they?<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is hard to call that a<br>&nbsp;&nbsp;&nbsp;&nbsp;coincidence, huh?<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing, just that on<br>&nbsp;&nbsp;&nbsp;&nbsp;that day, a little ways away,<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was some<br>&nbsp;&nbsp;&nbsp;&nbsp;more traffic signal trouble.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Signal trouble like the<br>&nbsp;&nbsp;&nbsp;&nbsp;kind we had the other day?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Does that have something to do with this?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't necessarily, but...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be quite overblown,<br>&nbsp;&nbsp;&nbsp;&nbsp;if they were just out to get Febrie.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could they have some<br>&nbsp;&nbsp;&nbsp;&nbsp;other objective in mind...?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kongo Mitsuko"<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We attempted to trace the path<br>&nbsp;&nbsp;&nbsp;&nbsp;of the man from the other day,<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we have not<br>&nbsp;&nbsp;&nbsp;&nbsp;come up with any leads.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. All right, thanks.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will try looking over a<br>&nbsp;&nbsp;&nbsp;&nbsp;larger area, though.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get in over your heads, okay?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, have you found out<br>&nbsp;&nbsp;&nbsp;&nbsp;anything about that powered suit?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill checked it out,<br>&nbsp;&nbsp;&nbsp;&nbsp;but apparently, they found nothing.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see if I can<br>&nbsp;&nbsp;&nbsp;&nbsp;find out anything from my end.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father's company has<br>&nbsp;&nbsp;&nbsp;&nbsp;some joint research divisions<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that deal in powered<br>&nbsp;&nbsp;&nbsp;&nbsp;suits within Academy City.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, that will help.<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, talk to you later.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that Kongo?<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. It sounds like<br>&nbsp;&nbsp;&nbsp;&nbsp;they're still looking around.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why would that man be at<br>&nbsp;&nbsp;&nbsp;&nbsp;the Reach Assembly location?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because he was after Febrie, wasn't he?<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot afford to be<br>&nbsp;&nbsp;&nbsp;&nbsp;outdone by Kongo Mitsuko!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have no choice but to<br>&nbsp;&nbsp;&nbsp;&nbsp;once again thoroughly investigate<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anything that comes to mind!<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will investigate any blackouts<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that happened in Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;over these last few days.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll go back to<br>&nbsp;&nbsp;&nbsp;&nbsp;where we first met Febrie, and--<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did Febrie know my name?<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone had to have told her.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone...<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her? But if that's the case,<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why?<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have taken measures with Antiskill.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt that they will<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to uncover anything,<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but just in case.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't have them sniffing around<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right before the all-important<br>&nbsp;&nbsp;&nbsp;&nbsp;Reach Assembly.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure it's all<br>&nbsp;&nbsp;&nbsp;&nbsp;right to leave Febrie alone?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we took a<br>&nbsp;&nbsp;&nbsp;&nbsp;vote on that matter yesterday.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just confirming. We don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to have anything jinx our big moment.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie will definitely die<br>&nbsp;&nbsp;&nbsp;&nbsp;before the Reach Assembly.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a backup, after all,<br>&nbsp;&nbsp;&nbsp;&nbsp;so there is no problem at all.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Reach Assembly is close at hand.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should prioritize the tune-up right now...<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...of Janie.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We haven't overlooked<br>&nbsp;&nbsp;&nbsp;&nbsp;anything in our preparations, right?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course not.<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Miss Nunotaba?<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My utmost.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will do all that I can.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shinobu Nunotaba" "Expelled"<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scorny-eyes got herself expelled<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from Nagatenjoki Academy.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't find any trail<br>&nbsp;&nbsp;&nbsp;&nbsp;on her since then.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means,<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the only avenue I have left...<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the fiber that<br>&nbsp;&nbsp;&nbsp;&nbsp;was inside this capsule--<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it appears to be made<br>&nbsp;&nbsp;&nbsp;&nbsp;of the same components<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as those that comprise<br>&nbsp;&nbsp;&nbsp;&nbsp;that girl Febrie's body.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To put it more simply, this is a hair.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hair? Then, it's Febrie's?<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it isn't.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It belongs to a different individual.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A different one? Febrie's older sister?<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is something<br>
&nbsp;&nbsp;&nbsp;&nbsp;I wanted to ask *you* about, too.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a close look at that candy of hers,<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and considering the number<br>&nbsp;&nbsp;&nbsp;&nbsp;of lollipops she is carrying,<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realized that her situation<br>&nbsp;&nbsp;&nbsp;&nbsp;is more urgent than I thought.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Urgent?<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roughly seventy-two hours.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is how much time the candy<br>&nbsp;&nbsp;&nbsp;&nbsp;she has now can sustain her life.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no... Isn't there<br>&nbsp;&nbsp;&nbsp;&nbsp;anything you can do?!<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I told you before,<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if there is anyone who<br>&nbsp;&nbsp;&nbsp;&nbsp;can fix up that girl's body,<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would have to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who created it.<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you going?<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where? I'm going to go looking.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all going to go look for<br>&nbsp;&nbsp;&nbsp;&nbsp;the guys who made Febrie, right away.<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where to look?<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we don't...<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask you again.<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ready to face off against<br>&nbsp;&nbsp;&nbsp;&nbsp;the darkness within this city?<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it means<br>&nbsp;&nbsp;&nbsp;&nbsp;you yourself getting hurt?<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it will save Febrie...<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The quickest way to<br>&nbsp;&nbsp;&nbsp;&nbsp;find out about the underworld<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to ask someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who is well-informed about it.<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's what you want,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will arrange a meeting.<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain the situation in advance.<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This person is someone<br>&nbsp;&nbsp;&nbsp;&nbsp;that you know well.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see...<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...my little guinea pig.<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see, guinea pig.<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're...<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that lady from before...<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am.<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you again?<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therestina!<br>

# E22 - STUDY

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GYQ43N2E6/study)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, us meeting<br>&nbsp;&nbsp;&nbsp;&nbsp;again in this fashion.<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are *all* my guinea pigs!<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is my breeding farm,<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and every last one of<br>&nbsp;&nbsp;&nbsp;&nbsp;you kids are my livestock!<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now, the one who<br>&nbsp;&nbsp;&nbsp;&nbsp;holds the key to saving Febrie is...<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see...<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...my little guinea pig.<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Therestina Kihara Lifeline.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A shining hope runs its way<br>
&nbsp;&nbsp;&nbsp;&nbsp;through the city, letting friends*<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who always believe in each other<br>
&nbsp;&nbsp;&nbsp;&nbsp;join hands and follow their hearts*<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in an ongoing search for<br>
&nbsp;&nbsp;&nbsp;&nbsp;a future they have faith in*<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Standing still amid<br>
&nbsp;&nbsp;&nbsp;&nbsp;the hustle and bustle,*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I watched as you faded into the distance*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I now realize*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the importance of sharing*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both the day and all of<br>
&nbsp;&nbsp;&nbsp;&nbsp;us are wreathed in smiles*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I want to preserve<br>
&nbsp;&nbsp;&nbsp;&nbsp;how normal that feels for us*<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When the sky resounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;with dreams kicking off*<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*unshakable power starts seizing on reality*<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's because you had the<br>
&nbsp;&nbsp;&nbsp;&nbsp;strength to reveal your weakness*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I never forget, every single day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;to cherish the bonds between us*<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and head held high,<br>
&nbsp;&nbsp;&nbsp;&nbsp;blaze a future to be proud of*<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino, come swim!<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, later.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! Are you all right?<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this feels great.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you talking about?<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In short,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a question of face.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't sit back and do nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;while being taken advantage of.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world, if you get<br>&nbsp;&nbsp;&nbsp;&nbsp;taken for granted, you're through.<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being manipulated by<br>&nbsp;&nbsp;&nbsp;&nbsp;disinformation is your mistake.<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you going to swim?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is fun.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why should we have to clean up your mess?!<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you! I told<br>&nbsp;&nbsp;&nbsp;&nbsp;you you're going to be paid for it,<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so stop your complaining!<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said yourself that you<br>&nbsp;&nbsp;&nbsp;&nbsp;were pissed at being tricked, right?<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch...<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're free to get rowdy, right?<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As much as you like.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on, Mugino? Work?<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm not very<br>&nbsp;&nbsp;&nbsp;&nbsp;enthusiastic about it, though.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to go<br>&nbsp;&nbsp;&nbsp;&nbsp;work up a little sweat.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That look on your face<br>&nbsp;&nbsp;&nbsp;&nbsp;has gotten better, hasn't it?<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have seen your<br>&nbsp;&nbsp;&nbsp;&nbsp;fill of the darkness in this town.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you lose hope?<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get spooked at<br>&nbsp;&nbsp;&nbsp;&nbsp;the depth of the darkness?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what did you do?<br>&nbsp;&nbsp;&nbsp;&nbsp;Curse Academy City here?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, finally, you realized<br>&nbsp;&nbsp;&nbsp;&nbsp;that what I said was correct?<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is a test site.<br>&nbsp;&nbsp;&nbsp;&nbsp;All of its students are guinea pigs!<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So?<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you want to ask?<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or did you want me to<br>&nbsp;&nbsp;&nbsp;&nbsp;pat your head and comfort you?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to save my friend.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her name is Febrie.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's an artificially-made little girl,<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if I don't do something,<br>&nbsp;&nbsp;&nbsp;&nbsp;she only has seventy-two hours to live.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I want to help her.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that it was an underground<br>&nbsp;&nbsp;&nbsp;&nbsp;organization that made Febrie.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that maybe you<br>&nbsp;&nbsp;&nbsp;&nbsp;might know something about it--<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, stupid?<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Friend, huh? After you've had<br>&nbsp;&nbsp;&nbsp;&nbsp;a whole heap of your clones killed,<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can still go on<br>&nbsp;&nbsp;&nbsp;&nbsp;spouting that mushy stuff?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This kid, whatever her name is,<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is just one more guinea pig produced<br>&nbsp;&nbsp;&nbsp;&nbsp;by the darkness of this town!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to live in this town,<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you either get swallowed up by<br>&nbsp;&nbsp;&nbsp;&nbsp;the darkness and live as livestock,<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or you blow it,<br>&nbsp;&nbsp;&nbsp;&nbsp;along with the darkness, away.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no other choices you can make.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I've had a look at<br>&nbsp;&nbsp;&nbsp;&nbsp;the darkness you speak of.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I received my degree of shock from it,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I even became desperate.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so,<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was the people I met in<br>&nbsp;&nbsp;&nbsp;&nbsp;this city that saved me from that.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have many precious friends,<br>&nbsp;&nbsp;&nbsp;&nbsp;and if it weren't for this city,<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never would have met any of them.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, there are a lot of<br>&nbsp;&nbsp;&nbsp;&nbsp;things that disgust me, but I...<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...still do not hate Academy City.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough. Leave me.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not leaving.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not until you tell me.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was it that created Febrie?<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is their objective?<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I lie?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I have any reason<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell you the truth?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you believe anything I say?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I will believe it.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I made up<br>&nbsp;&nbsp;&nbsp;&nbsp;my mind to believe you.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold out your hand.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, eat it. It's just ordinary<br>&nbsp;&nbsp;&nbsp;&nbsp;chocolate, with nothing added.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>&nbsp;&nbsp;&nbsp;&nbsp;You believe me, right?<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I would believe you, didn't I?<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go away.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Tell me about Febrie.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anything to tell you!<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not leaving until you tell me!<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're bugging me! Get lost!<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, tell me about Febrie! Please!<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, you are such a pain.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chemicaloid.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I remember, that's what they called it.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They? A chemicaloid is what Febrie is?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the time,<br>&nbsp;&nbsp;&nbsp;&nbsp;it was all just theoretical,<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but those boys must have perfected it.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the guys that made Febrie, then?<br>&nbsp;&nbsp;&nbsp;&nbsp;What's their objective?<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They probably want to draw<br>&nbsp;&nbsp;&nbsp;&nbsp;attention to their own existence.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Draw attention?<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's some kind of event<br>&nbsp;&nbsp;&nbsp;&nbsp;coming up soon, isn't there?<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An event?<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Reach Assembly!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean,<br>&nbsp;&nbsp;&nbsp;&nbsp;draw attention to their existence?<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does something like<br>&nbsp;&nbsp;&nbsp;&nbsp;that tie in with Febrie?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something like that?<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, such is the mindset<br>&nbsp;&nbsp;&nbsp;&nbsp;of a chosen Level 5, huh?<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember this, young lady--<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in Academy City, just by<br>&nbsp;&nbsp;&nbsp;&nbsp;pinning a Level 5 nametag on you,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even a lab rat like you<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will have lots of precious<br>&nbsp;&nbsp;&nbsp;&nbsp;friends flocking around you.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you find out<br>&nbsp;&nbsp;&nbsp;&nbsp;how deep the darkness goes<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with those folks who<br>&nbsp;&nbsp;&nbsp;&nbsp;can't even become lab rats,<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't be so spooked you wet yourself,<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you filthy brat!<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? So you met<br>&nbsp;&nbsp;&nbsp;&nbsp;with Miss Therestina, then?<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, sorry.<br>&nbsp;&nbsp;&nbsp;&nbsp;It all happened so quickly,<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't have a<br>&nbsp;&nbsp;&nbsp;&nbsp;chance to tell you all.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So "chemicaloid" is the<br>&nbsp;&nbsp;&nbsp;&nbsp;official name for what Febrie is?<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And these people are planning to<br>&nbsp;&nbsp;&nbsp;&nbsp;do something at the Reach Assembly?<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She didn't come<br>&nbsp;&nbsp;&nbsp;&nbsp;out and say that, exactly.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy that Miss Kongo<br>&nbsp;&nbsp;&nbsp;&nbsp;and the others saw,<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was talking about Febrie,<br>&nbsp;&nbsp;&nbsp;&nbsp;was also at the Reach Assembly site.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When she says there's<br>&nbsp;&nbsp;&nbsp;&nbsp;an event being held soon,<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm thinking that's it.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to ask, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;it was that doctor at the hospital<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who arranged for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to see Miss Therestina, huh?<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doctor's face looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;a plushie mascot. Just who is he?<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The doctor did tell me one other thing.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That given the amount of<br>&nbsp;&nbsp;&nbsp;&nbsp;lollipops Febrie had,<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she only has about<br>&nbsp;&nbsp;&nbsp;&nbsp;seventy-two hours left to live.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're kidding!<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seventy-two hours...<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to try screening<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone involved in the assembly.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The administrators and<br>&nbsp;&nbsp;&nbsp;&nbsp;participating students, as well.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu...<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, are you waking up?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm...<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you all, ladies?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We brought something<br>&nbsp;&nbsp;&nbsp;&nbsp;fabulous for you today.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance,<br>&nbsp;&nbsp;&nbsp;&nbsp;did you find some leads?<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, no, not exactly.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm terribly sorry.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We searched everywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;looking for that gentleman...<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but we haven't found<br>&nbsp;&nbsp;&nbsp;&nbsp;anything worth mentioning.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But in time,<br>&nbsp;&nbsp;&nbsp;&nbsp;we will find him for sure!<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, we are here<br>&nbsp;&nbsp;&nbsp;&nbsp;on other business today.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We came here to deliver<br>&nbsp;&nbsp;&nbsp;&nbsp;a present to Febrie.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A present?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;we found a very cute outfit.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We thought, that is sure to<br>&nbsp;&nbsp;&nbsp;&nbsp;look adorable on Miss Febrie.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Isn't that nice?<br>&nbsp;&nbsp;&nbsp;&nbsp;A present for you, Febrie!<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's open it and see, okay?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, how cute!<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is mine?<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuko, Wanna, A-tsuki, thank you!<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No need to thank us!<br>&nbsp;&nbsp;&nbsp;&nbsp;It is just a token of friendship!<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is mine!<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, it looks good, it looks good!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie!<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your face is red.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you happen to feel feverish?<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure. My head is foggy.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, lick your lollipop! Okay?<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to hurry.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...?<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my goodness gracious!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the man! The one we<br>&nbsp;&nbsp;&nbsp;&nbsp;saw at the Reach Assembly site!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Miss Wannai,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Awatsuki?<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, definitely.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is him, no doubt about it.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that photo?<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Aritomi Haruki" "Academy City Research"<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from the participants<br>&nbsp;&nbsp;&nbsp;&nbsp;list of last year's assembly.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aritomi Haruki...<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, he won the Reach Assembly's<br>&nbsp;&nbsp;&nbsp;&nbsp;first prize two years ago.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, he is a regular<br>&nbsp;&nbsp;&nbsp;&nbsp;who has won top prizes every year.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! If he is a high-ranked<br>&nbsp;&nbsp;&nbsp;&nbsp;regular at the Reach Assembly...<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it means he's one of the most<br>&nbsp;&nbsp;&nbsp;&nbsp;brilliant people in Academy City.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This man?<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know anything about him.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I mean, when compared<br>&nbsp;&nbsp;&nbsp;&nbsp;to a high-level esper,<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an ordinary genius doesn't stand out.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you find out<br>&nbsp;&nbsp;&nbsp;&nbsp;how deep the darkness goes<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with those folks who<br>&nbsp;&nbsp;&nbsp;&nbsp;can't even become lab rats...<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? This man...<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like<br>&nbsp;&nbsp;&nbsp;&nbsp;he's attending this year.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Yomikawa said something about that.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About how a lot of the regulars<br>&nbsp;&nbsp;&nbsp;&nbsp;weren't showing up this year.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're right.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are many people<br>&nbsp;&nbsp;&nbsp;&nbsp;who aren't participating this year.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a chance that some<br>&nbsp;&nbsp;&nbsp;&nbsp;of his associates are in there, too.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No relevant data.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just leaves Lab One.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you!<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't see!<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Febrie, do you feel feverish still?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really all right?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She had a good appetite, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like we can rest easy for now.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, have you<br>&nbsp;&nbsp;&nbsp;&nbsp;been looking all this time?<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I just couldn't sit still.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Aritomi person appears to have<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;voluntarily dropped out<br>&nbsp;&nbsp;&nbsp;&nbsp;of school a short while ago.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... What a shame, huh?<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, if he's so smart<br>&nbsp;&nbsp;&nbsp;&nbsp;and talented that he wins prizes,<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he could use that for<br>&nbsp;&nbsp;&nbsp;&nbsp;something more respectable.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trying to abduct Febrie,<br>&nbsp;&nbsp;&nbsp;&nbsp;and underworld organizations--<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just don't get it.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, you're sure right about that.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just learned about the<br>&nbsp;&nbsp;&nbsp;&nbsp;Reach Assembly for the first time,<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but knowing that there are<br>&nbsp;&nbsp;&nbsp;&nbsp;non-espers who are still working hard,<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of made me happy.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten...<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, if you would be so kind,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Yomikawa.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She says there is not<br>&nbsp;&nbsp;&nbsp;&nbsp;enough evidence at present<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to take any action.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is just as we expected.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We knew that with the<br>&nbsp;&nbsp;&nbsp;&nbsp;pressure that Antiskill is under,<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we cannot hope for much from them.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, is there something bothering you?<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Something Therestina<br>&nbsp;&nbsp;&nbsp;&nbsp;said to me is, a little bit.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot of people have to know<br>&nbsp;&nbsp;&nbsp;&nbsp;about the "Railgun of Tokiwadai," right?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made the acquaintance of a<br>&nbsp;&nbsp;&nbsp;&nbsp;lot of people as a result of it.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I hadn't been a Level 5,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking...<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...would you and the others have become<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the kind of friends we are now?<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sissy...<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason I am so attached to you<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not because you are the<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 5 Railgun of Tokiwadai,<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but because you are the slightly<br>&nbsp;&nbsp;&nbsp;&nbsp;raffish and immature-leaning,<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;yet kind-to-her-juniors,<br>&nbsp;&nbsp;&nbsp;&nbsp;and thoughtful...<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sissy Misaka Mikoto.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. However...<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take advantage of<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation to cling to me!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't call<br>&nbsp;&nbsp;&nbsp;&nbsp;me immature-leaning!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sissy...<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also love how you show no<br>&nbsp;&nbsp;&nbsp;&nbsp;mercy when doling out punishment.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;STUDY Corporation?<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Aritomi Haruki's name came<br>&nbsp;&nbsp;&nbsp;&nbsp;up as one of the company's directors.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of a company is it?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, which hand has the Gekota?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seem to do a lot of things,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;centering around pharmaceutical<br>&nbsp;&nbsp;&nbsp;&nbsp;manufacturing and chemistry.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, do they have any suspicious facilities?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;STUDY Corporation does<br>&nbsp;&nbsp;&nbsp;&nbsp;own a factory in School District 17.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an old factory,<br>&nbsp;&nbsp;&nbsp;&nbsp;with nothing unusual about it,<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the fact that they paid a<br>&nbsp;&nbsp;&nbsp;&nbsp;tremendous price for it bothers me.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That smells fishy, all right.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's a factory, are you saying<br>&nbsp;&nbsp;&nbsp;&nbsp;that's where they made Febrie?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is possible that it is<br>&nbsp;&nbsp;&nbsp;&nbsp;where her candy is from.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which hand?<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or if we could at least figure<br>&nbsp;&nbsp;&nbsp;&nbsp;out the data for its components...<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the quickest way to find out<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to pop inside there and look directly.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We also don't have any time.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keeping Febrie's eventual<br>&nbsp;&nbsp;&nbsp;&nbsp;health improvement in mind,<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the first thing to<br>&nbsp;&nbsp;&nbsp;&nbsp;do is get that candy,<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or at the very least,<br>&nbsp;&nbsp;&nbsp;&nbsp;the method of making it.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't fail.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie's life is hanging<br>&nbsp;&nbsp;&nbsp;&nbsp;in the balance.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bridge...<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having everyone come back smiling,<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without having lost anything, is *my* dream.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So work with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;so that it can come true.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thinking back on it now,<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's quite a pushy,<br>&nbsp;&nbsp;&nbsp;&nbsp;self-indulgent idea, huh?<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because it's a dream,<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't he think about what will<br>&nbsp;&nbsp;&nbsp;&nbsp;happen if it doesn't come true?<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you just have to<br>&nbsp;&nbsp;&nbsp;&nbsp;believe it will come true, huh?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an intruder in Lab One.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Intruder? Who is it?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. The guard<br>&nbsp;&nbsp;&nbsp;&nbsp;system just went to Shift A alert.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lab One's data<br>&nbsp;&nbsp;&nbsp;&nbsp;security is set to be low.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, it is a decoy, so to speak.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It shouldn't be surprising that<br>&nbsp;&nbsp;&nbsp;&nbsp;someone would come sniffing around.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they're just<br>&nbsp;&nbsp;&nbsp;&nbsp;now arriving at Lab One,<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will not interfere<br>&nbsp;&nbsp;&nbsp;&nbsp;with our plans, right?<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing there that<br>&nbsp;&nbsp;&nbsp;&nbsp;will hurt us if it's seen, is there?<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of Janie's data<br>&nbsp;&nbsp;&nbsp;&nbsp;has been relocated.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About all that's left is<br>&nbsp;&nbsp;&nbsp;&nbsp;that neutralizing agent data.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To make sure...<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go have a look.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Lab One?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be exterminated,<br>&nbsp;&nbsp;&nbsp;&nbsp;along with the intruder.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't intend to go out on any limbs.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that our plan is near at hand,<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to make<br>&nbsp;&nbsp;&nbsp;&nbsp;sure everything is safe,<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there are no unforeseen situations.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again, there's nobody here,<br>&nbsp;&nbsp;&nbsp;&nbsp;is there, damn it!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like the last time,<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like ultra-bad intel.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure we're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to get paid for this, right?<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How come?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come those guys are here?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me they knew<br>&nbsp;&nbsp;&nbsp;&nbsp;I was coming, and are lying in wait.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it doesn't look that way.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they working against<br>&nbsp;&nbsp;&nbsp;&nbsp;the people who made Febrie?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a feud between<br>&nbsp;&nbsp;&nbsp;&nbsp;underground organizations?<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's the matter, Takitsubo?<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino!<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! It's no use, no use!<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as Takitsubo has her AIM Stalker,<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which allows her to track<br>&nbsp;&nbsp;&nbsp;&nbsp;any ability she remembers,<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then all told,<br>&nbsp;&nbsp;&nbsp;&nbsp;any sneak attacks are impossible!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ability?<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean that someone is<br>&nbsp;&nbsp;&nbsp;&nbsp;moving those unmanned power suits<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using psychokinesis?<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's no sign of anyone around.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remote handling?<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if they were remotely located...<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was lying inside the powered suit.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears to be made<br>&nbsp;&nbsp;&nbsp;&nbsp;of the same components<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as those that comprise<br>&nbsp;&nbsp;&nbsp;&nbsp;that girl Febrie's body.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming that hair acted as<br>&nbsp;&nbsp;&nbsp;&nbsp;a sort of receiver for some ability...<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if it did,<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;assuming that one person's<br>&nbsp;&nbsp;&nbsp;&nbsp;ability could move that many of them,<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would take<br>&nbsp;&nbsp;&nbsp;&nbsp;some Level 5-grade power.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means,<br>&nbsp;&nbsp;&nbsp;&nbsp;that hair has to belong to--<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I guess<br>&nbsp;&nbsp;&nbsp;&nbsp;I swam too much in the pool.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You swam?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agh, this is so aggravating!<br>&nbsp;&nbsp;&nbsp;&nbsp;We're leaving.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultra-roger that.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Takitsubo.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm...<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo? Is someone still here?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, it's all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;The work portion of the day is over.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I'm all sweaty.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry back to the pool!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo, you'd best not go back in.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They sure did make a royal<br>&nbsp;&nbsp;&nbsp;&nbsp;mess of things, huh? The way it looks,<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there may not be anything left here.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inside there...<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there's an area that<br>&nbsp;&nbsp;&nbsp;&nbsp;has functioning electricity.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try anything the least bit funny, and...<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you here?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, you're involved in all this.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you in league with those guys?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who told<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie my name, aren't you?!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, would you say something--<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that with you.<br>&nbsp;&nbsp;&nbsp;&nbsp;It has the neutralizing agent data on it.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neutralizing agent?<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The data on that candy.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you act now,<br>&nbsp;&nbsp;&nbsp;&nbsp;there should still be enough time.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you giving this to me?<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I feel I need to apologize to you.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'm the one<br>&nbsp;&nbsp;&nbsp;&nbsp;who gave Febrie your name.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't think of anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;that I could turn to besides you.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like my<br>&nbsp;&nbsp;&nbsp;&nbsp;estimates fell short, huh?<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But today, there was<br>&nbsp;&nbsp;&nbsp;&nbsp;a disturbance here in Lab One.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortunately,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was able to meet you here.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you will be able to help Febrie.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, she can...<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid not.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That recipe data is a dummy.<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, you cannot save Febrie.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was right to have some insurance.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you were the one<br>&nbsp;&nbsp;&nbsp;&nbsp;who let Febrie escape after all.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only did you prove to be the traitor,<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you met with a celebrity.<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like you said,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is a fortunate day.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time we're<br>&nbsp;&nbsp;&nbsp;&nbsp;meeting in person, huh, Railgun?<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The data that I procured from<br>&nbsp;&nbsp;&nbsp;&nbsp;you has proven quite useful to me.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you must be Aritomi Haruki.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say,<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised that the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;for you coming all this way to visit<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to save the life of Febrie,<br>&nbsp;&nbsp;&nbsp;&nbsp;one of our products.<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Product? Then you really<br>&nbsp;&nbsp;&nbsp;&nbsp;are the ones who made Febrie!<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better that you don't use electricity.<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;the real recipe data, as well?<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nunotaba...<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inject that into Railgun.<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will only incapacitate her;<br>&nbsp;&nbsp;&nbsp;&nbsp;she will not die.<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, if you do as I tell you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm willing to give this to you.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have no use for it anymore, after all.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't...<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it.<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is to help Febrie.<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! Even a Level 5 is<br>&nbsp;&nbsp;&nbsp;&nbsp;rendered powerless like this.<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did as you ordered.<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now hand that over.<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, you're right.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough.<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie is nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;more than a spare, after all.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spare...?<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For our great invention--<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Janie.<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you were involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in this! Why, exactly?!<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To tell the truth, it is a<br>&nbsp;&nbsp;&nbsp;&nbsp;long story. Once upon a time--<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, really, that's too long!<br>

# E23 - Silent Party

Source: [Crunchyroll](https://www.crunchyroll.com/watch/GRWEK5QNR/silent-party)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The idealist will say,<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Academy City Research Assembly"<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a man does not have any<br>&nbsp;&nbsp;&nbsp;&nbsp;inherent superiority--<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that we are all beings<br>&nbsp;&nbsp;&nbsp;&nbsp;of equal worth.<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The spiritualist will shout,<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no effort that<br>&nbsp;&nbsp;&nbsp;&nbsp;goes unrewarded.<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hence we must endeavor; it is<br>&nbsp;&nbsp;&nbsp;&nbsp;the process itself that is important.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, that is not true.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival"<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even children soon understand<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one thing after living in this city--<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that no matter how much<br>&nbsp;&nbsp;&nbsp;&nbsp;you apply yourself to your studies,<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or how great a thesis you<br>&nbsp;&nbsp;&nbsp;&nbsp;may produce, in the end,<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in this city, the espers are the<br>&nbsp;&nbsp;&nbsp;&nbsp;only ones who aren't neglected.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That a person's ability level<br>&nbsp;&nbsp;&nbsp;&nbsp;is their worth, their superiority,<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and their one and only benchmark.<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, an ability<br>&nbsp;&nbsp;&nbsp;&nbsp;is in fact an uncertain thing.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are greatly affected by<br>&nbsp;&nbsp;&nbsp;&nbsp;one's innate qualities,<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the bottom line is,<br>&nbsp;&nbsp;&nbsp;&nbsp;the creation of a high-level esper<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is only brought about by<br>&nbsp;&nbsp;&nbsp;&nbsp;near-uncontrollable chance.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, I thought to myself,<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't I create an esper<br>&nbsp;&nbsp;&nbsp;&nbsp;using a completely new approach,<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;totally different from existing methods?<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't I create an esper<br>&nbsp;&nbsp;&nbsp;&nbsp;with greater stability and uniformity,<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and which would not be too<br>&nbsp;&nbsp;&nbsp;&nbsp;valuable to use up, out of nothing?<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then I and other<br>&nbsp;&nbsp;&nbsp;&nbsp;like-minded individuals<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;came up with a certain project.<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A project that created<br>&nbsp;&nbsp;&nbsp;&nbsp;with absolute certainty an esper,<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without relying on<br>&nbsp;&nbsp;&nbsp;&nbsp;a fluke of Providence.<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Project Chemicaloid."<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A shining hope runs its way<br>
&nbsp;&nbsp;&nbsp;&nbsp;through the city, letting friends*<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*who always believe in each other<br>
&nbsp;&nbsp;&nbsp;&nbsp;join hands and follow their hearts*<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in an ongoing search for<br>
&nbsp;&nbsp;&nbsp;&nbsp;a future they have faith in*<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Standing still amid<br>
&nbsp;&nbsp;&nbsp;&nbsp;the hustle and bustle,*<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I watched as you faded into the distance*<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because I now realize*<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the importance of sharing*<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Both the day and all of<br>
&nbsp;&nbsp;&nbsp;&nbsp;us are wreathed in smiles*<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and I want to preserve<br>
&nbsp;&nbsp;&nbsp;&nbsp;how normal that feels for us*<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*When the sky resounds<br>
&nbsp;&nbsp;&nbsp;&nbsp;with dreams kicking off*<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*unshakable power starts seizing on reality*<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's because you had the<br>
&nbsp;&nbsp;&nbsp;&nbsp;strength to reveal your weakness*<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that I never forget, every single day,<br>
&nbsp;&nbsp;&nbsp;&nbsp;to cherish the bonds between us*<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and head held high,<br>
&nbsp;&nbsp;&nbsp;&nbsp;blaze a future to be proud of*<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that is the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;you made Febrie and her sister?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For something as petty as that?<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, as it turns out,<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you are one of those who<br>&nbsp;&nbsp;&nbsp;&nbsp;is entrenched in ability Levelism.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like those others.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those others?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Previously,<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I presented this project<br>&nbsp;&nbsp;&nbsp;&nbsp;to those who possessed skills<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would likely be<br>&nbsp;&nbsp;&nbsp;&nbsp;necessary for a chemicaloid.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For someone claiming to be<br>&nbsp;&nbsp;&nbsp;&nbsp;underground, they're not a big deal, huh?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not if they can't see<br>&nbsp;&nbsp;&nbsp;&nbsp;the potential our proposal has.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you made it here safely.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we can implement<br>&nbsp;&nbsp;&nbsp;&nbsp;Project Level 6 Shift<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the scale that we had planned for it.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that... Dr. Kihara Gensei?<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I heard there was some competition,<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I broke out in a bit of a cold sweat.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Competition?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, you mean with that<br>&nbsp;&nbsp;&nbsp;&nbsp;summer-vacation arts and crafts project?<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, what I learned from that<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was that even famous researchers<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;suffer from an outdated<br>&nbsp;&nbsp;&nbsp;&nbsp;obsession with esper Levelism.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revolutionary ideas are<br>&nbsp;&nbsp;&nbsp;&nbsp;always regarded as heretical, after all.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be recognized, we would have<br>&nbsp;&nbsp;&nbsp;&nbsp;to prove ourselves by our merits.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why we actually<br>&nbsp;&nbsp;&nbsp;&nbsp;did create them.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chemicaloids. We would use<br>&nbsp;&nbsp;&nbsp;&nbsp;them to prove our superiority--<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;our correctness--to the world!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did the basis of<br>&nbsp;&nbsp;&nbsp;&nbsp;your superiority end up being?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is their ability?<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trying to draw some<br>&nbsp;&nbsp;&nbsp;&nbsp;information out of me, are you?<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I've already given<br>&nbsp;&nbsp;&nbsp;&nbsp;you a good number of clues.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remote operation...<br>&nbsp;&nbsp;&nbsp;&nbsp;with those hairs acting as a medium...<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, that will only<br>&nbsp;&nbsp;&nbsp;&nbsp;earn you about thirty points.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You flunk, Railgun.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer is... yes.<br>&nbsp;&nbsp;&nbsp;&nbsp;You will find that out tomorrow.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow morning, at daybreak,<br>&nbsp;&nbsp;&nbsp;&nbsp;our large-scale chemicaloid<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;open experiment is scheduled to be held.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Experiment?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, we can't call it an<br>&nbsp;&nbsp;&nbsp;&nbsp;experiment anymore, can we?<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to revise that.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A revolution! We, the members<br>&nbsp;&nbsp;&nbsp;&nbsp;of STUDY, will be instigating<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a revolution in Academy City!<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The residents of this city--no,<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the whole world will learn their lesson.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not abilities that will<br>&nbsp;&nbsp;&nbsp;&nbsp;open the way for the new age,<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but intelligence!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How...<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;15:40...<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trying to move won't do any good.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About all you can move right<br>&nbsp;&nbsp;&nbsp;&nbsp;now are your mouth and eyes.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because... the drug<br>&nbsp;&nbsp;&nbsp;&nbsp;I injected you with earlier<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;blocks the transmission<br>&nbsp;&nbsp;&nbsp;&nbsp;of commands to your nerves.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't be able to move<br>&nbsp;&nbsp;&nbsp;&nbsp;even a finger for two more hours.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Miss Nunotaba,<br>&nbsp;&nbsp;&nbsp;&nbsp;why are you mixed up with these guys?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You spoke before, didn't you,<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about my sisters? How you no<br>&nbsp;&nbsp;&nbsp;&nbsp;longer thought of them as things,<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and were trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;shut down the experiments.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would someone like you<br>&nbsp;&nbsp;&nbsp;&nbsp;be someplace like this once again?<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I messed up with the Sisters case,<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and was caught by<br>&nbsp;&nbsp;&nbsp;&nbsp;an underground organization.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, I was sold...<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to STUDY.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when I came across<br>&nbsp;&nbsp;&nbsp;&nbsp;the artificially created twins,<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Janie and Febrie.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The involuntary neural activity<br>&nbsp;&nbsp;&nbsp;&nbsp;essential to keeping them alive,<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what you might call<br>&nbsp;&nbsp;&nbsp;&nbsp;their base programming,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had been based on a thesis<br>&nbsp;&nbsp;&nbsp;&nbsp;that I had written long ago.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sin that I once committed<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will never, ever be forgiven;<br>&nbsp;&nbsp;&nbsp;&nbsp;it will always follow me.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However,<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is the very reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why I must do this personally.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;when I looked at those girls.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Janie...<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie's sister only has enough<br>&nbsp;&nbsp;&nbsp;&nbsp;programming language installed<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to allow her Diffusion Ghost<br>&nbsp;&nbsp;&nbsp;&nbsp;core to function.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Diffusion Ghost?<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Janie's ability. I was planning to<br>&nbsp;&nbsp;&nbsp;&nbsp;give her consciousness as a person,<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then once I got<br>&nbsp;&nbsp;&nbsp;&nbsp;the neutralizing agent recipe,<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;run away together with her.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now that things have gone<br>&nbsp;&nbsp;&nbsp;&nbsp;this far, that's quite impossible.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I can do now is to get<br>&nbsp;&nbsp;&nbsp;&nbsp;the recipe out of Aritomi himself,<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since he's the one who came up with it.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what that might take.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... right.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care what happens to me.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will save those two girls, at any cost.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that right now, Miss Nunotaba is...<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say...<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way that I've wronged you is--<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My sisters said that they<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to offer their thanks to you.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before you go taking everything<br>&nbsp;&nbsp;&nbsp;&nbsp;on yourself, turn around,<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;open your eyes wide,<br>&nbsp;&nbsp;&nbsp;&nbsp;and take a good look.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are people there<br>&nbsp;&nbsp;&nbsp;&nbsp;that want to help you, after all.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you are one of them, aren't you?<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you able to do now?<br>&nbsp;&nbsp;&nbsp;&nbsp;Your motor nerves have been shut down,<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the most you can do is move your mouth.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who'd you say...<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...can't move?<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How...?<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me...<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...she's using her ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to directly control<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the electrical signals<br>&nbsp;&nbsp;&nbsp;&nbsp;that run to her motor nerves!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time I've ever tried this,<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I might be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;do quite a bit this way, huh?<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But by doing that, she should have<br>&nbsp;&nbsp;&nbsp;&nbsp;intense pain throughout her body!<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've finally started<br>&nbsp;&nbsp;&nbsp;&nbsp;to understand recently.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You count on someone,<br>&nbsp;&nbsp;&nbsp;&nbsp;and someone counts on you.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just like that,<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;people can generate more strength<br>&nbsp;&nbsp;&nbsp;&nbsp;than they can all by themselves.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, when I first<br>&nbsp;&nbsp;&nbsp;&nbsp;found out about my sisters,<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I started running in circles, too.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, "It's all my fault," or<br>&nbsp;&nbsp;&nbsp;&nbsp;"I have to do something."<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However,<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right now, I'm thinking that<br>&nbsp;&nbsp;&nbsp;&nbsp;was a mistake. Which is why...<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here they come.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what was that?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Intruders. The guard robots<br>&nbsp;&nbsp;&nbsp;&nbsp;have been destroyed!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, the entrance is under my control.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are sure there are no other civilians?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No doubt about it.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, go as crazy as you like.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, what is the status outside?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. No suspicious activity as of yet.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did they know about this place?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I borrowed one of<br>&nbsp;&nbsp;&nbsp;&nbsp;those tracking nanodevices<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that they use when you<br>&nbsp;&nbsp;&nbsp;&nbsp;go outside of Academy City.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I told my friends,<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If I'm not back in time, come get me."<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You even dragged your friends into this--<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I explained everything<br>&nbsp;&nbsp;&nbsp;&nbsp;to them first, and asked them...<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to help me.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all nodded<br>&nbsp;&nbsp;&nbsp;&nbsp;without hesitation, saying,<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If it's for Febrie, sure."<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it looks like it will take<br>&nbsp;&nbsp;&nbsp;&nbsp;more than just us to help Febrie.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm asking you...<br>&nbsp;&nbsp;&nbsp;&nbsp;to come help us, too.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's nothing I can do--<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one who can.<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look--<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I answer,<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is something that<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say to you, too.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please... help...<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...us.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Wait, Kuroko--<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy! I came to help you,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is how you treat me?<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. Some things<br>&nbsp;&nbsp;&nbsp;&nbsp;happened, and for a little while,<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to be a human stun gun.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's get out of here for now.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain everything afterward.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be able to move after<br>&nbsp;&nbsp;&nbsp;&nbsp;being injected with that drug...<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is every bit the<br>&nbsp;&nbsp;&nbsp;&nbsp;beast that we'd heard about.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, why are you still here?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you run away?<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Above all, if I, who had been sold<br>&nbsp;&nbsp;&nbsp;&nbsp;among the underworld, ran away,<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would turn all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;underworld against me.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in this city,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's as good as being dead.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You truly have had<br>&nbsp;&nbsp;&nbsp;&nbsp;it drilled into you, all right.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had run away,<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we would have had no choice<br>&nbsp;&nbsp;&nbsp;&nbsp;but to use the whip when using Janie.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only place you have<br>&nbsp;&nbsp;&nbsp;&nbsp;anymore is in the darkness.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please keep that in mind as you work.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you want to stay?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aritomi and the others pulled<br>&nbsp;&nbsp;&nbsp;&nbsp;up their stakes from here,<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and relocated Janie someplace else.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I leave here now, we won't<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to find out where they went.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have some value to them.<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't dispose of me right away.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One way or another, I'll get a nibble,<br>&nbsp;&nbsp;&nbsp;&nbsp;find out where their base is,<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and get the recipe<br>&nbsp;&nbsp;&nbsp;&nbsp;for the neutralizing agent.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, that Aritomi guy seemed<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty confident about "tomorrow."<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that about?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They haven't told<br>&nbsp;&nbsp;&nbsp;&nbsp;me the details, either.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they plan to put<br>&nbsp;&nbsp;&nbsp;&nbsp;it into action... tomorrow.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A major terrorist attack<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Reach Assembly sites?!<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. They said it<br>&nbsp;&nbsp;&nbsp;&nbsp;was going to be a revolution.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A revolution?<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They mean business. Using the<br>&nbsp;&nbsp;&nbsp;&nbsp;STUDY Corporation as a cover,<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're going to use<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie's sister Janie's power...<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That "Diffusion Ghost"<br>&nbsp;&nbsp;&nbsp;&nbsp;ability that she has?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Diffusion Ghost"<br>&nbsp;&nbsp;&nbsp;&nbsp;uses her hair as a medium,<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;filling the space<br>&nbsp;&nbsp;&nbsp;&nbsp;in which it is enclosed<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by converting the AIM<br>&nbsp;&nbsp;&nbsp;&nbsp;diffusion field into virtual matter,<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;controlling it.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, what was<br>&nbsp;&nbsp;&nbsp;&nbsp;controlling that empty powered suit<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the inoperative<br>&nbsp;&nbsp;&nbsp;&nbsp;security robots was, in fact,<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ability of this girl Janie.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Materializing AIM diffusion fields...<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, like Dr. Kiyama<br>&nbsp;&nbsp;&nbsp;&nbsp;did that one time?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, you know what she means?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kind of know,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I've kind of seen it.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then,<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is said that with<br>&nbsp;&nbsp;&nbsp;&nbsp;operating system abilities,<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a limit to how many<br>&nbsp;&nbsp;&nbsp;&nbsp;things can be controlled at once.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not think this is well-suited<br>&nbsp;&nbsp;&nbsp;&nbsp;for a large-scale terrorist attack.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, they did say that a number<br>&nbsp;&nbsp;&nbsp;&nbsp;of simple commands are placed<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ahead of time into the fields<br>&nbsp;&nbsp;&nbsp;&nbsp;that Janie virtually materializes.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say,<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Eliminate any opponent<br>&nbsp;&nbsp;&nbsp;&nbsp;that attacks you," or something.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what you mean is, they can<br>&nbsp;&nbsp;&nbsp;&nbsp;use them like autonomous robots?<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, then indeed,<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a large-scale terrorist<br>&nbsp;&nbsp;&nbsp;&nbsp;attack would not be impossible.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Janie...<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where Janie is?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we stop her, they can't<br>&nbsp;&nbsp;&nbsp;&nbsp;launch a terrorist attack, right?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but this Nunotaba Shinobu<br>&nbsp;&nbsp;&nbsp;&nbsp;woman I mentioned before<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was not told what location is<br>&nbsp;&nbsp;&nbsp;&nbsp;the base for the terrorist plot.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once Janie uses her ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;she said we can take advantage of that<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to have Febrie give us a rough idea,<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or at least the direction where she is.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for that to be possible,<br>&nbsp;&nbsp;&nbsp;&nbsp;the event has to have already happened,<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what that means, is it not?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're going to forestall this,<br>&nbsp;&nbsp;&nbsp;&nbsp;the surest thing to do<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seems to be to pursue the<br>&nbsp;&nbsp;&nbsp;&nbsp;powered suit angle.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be quite<br>&nbsp;&nbsp;&nbsp;&nbsp;a few of them deployed<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the area around<br>&nbsp;&nbsp;&nbsp;&nbsp;the Reach Assembly site.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu, can you look that up?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number of narrow<br>&nbsp;&nbsp;&nbsp;&nbsp;parameters has increased.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I can do it!<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, with this much<br>&nbsp;&nbsp;&nbsp;&nbsp;information collected,<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;might not Antiskill<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to act now?<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right!<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry,<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Antiskill probably<br>&nbsp;&nbsp;&nbsp;&nbsp;can't go any further into this case.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That cannot be!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The STUDY Corporation, huh?<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After hearing that name,<br>&nbsp;&nbsp;&nbsp;&nbsp;things are starting to make sense.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're a company that has<br>&nbsp;&nbsp;&nbsp;&nbsp;suddenly risen to prominence,<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;forcing out the competition and becoming<br>&nbsp;&nbsp;&nbsp;&nbsp;the suppliers for our equipment.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they have no visible<br>&nbsp;&nbsp;&nbsp;&nbsp;backbone, considering,<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that part did bother me.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, to think I have to find out<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why I was suddenly<br>
&nbsp;&nbsp;&nbsp;&nbsp;put on suspension like *this*.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suspension?!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm weathering things at<br>&nbsp;&nbsp;&nbsp;&nbsp;a friend's place right now.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to worry about me.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm more worried about you guys.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do anything crazy, now.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation is more<br>&nbsp;&nbsp;&nbsp;&nbsp;dire than we thought, huh?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got it! The records of STUDY<br>&nbsp;&nbsp;&nbsp;&nbsp;Corporation's bulk containers<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the sites they were delivered to!<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're inside the sites?!<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's--<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says that at each site,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a blackout during delivery,<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the records are less than sound.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blackouts?!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is the reason for those!<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, how many are there?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One moment, please.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm tallying them now--<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad news!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally got a hold of<br>&nbsp;&nbsp;&nbsp;&nbsp;some information I looked up<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;through my father's channels!<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you add up all the parts<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Approximating by container<br>&nbsp;&nbsp;&nbsp;&nbsp;capacity and contents...<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that were placed by various companies,<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can build a tremendous<br>&nbsp;&nbsp;&nbsp;&nbsp;number of powered suits!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! That many?!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number has to be at least--<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over 20,000 suits!<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg your pardon?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That many?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough,<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since they went<br>&nbsp;&nbsp;&nbsp;&nbsp;through formal procedures<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and were delivered to the sites,<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we take any action<br>&nbsp;&nbsp;&nbsp;&nbsp;without Antiskill's cooperation,<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a good chance<br>&nbsp;&nbsp;&nbsp;&nbsp;that we could be arrested.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there isn't much of<br>&nbsp;&nbsp;&nbsp;&nbsp;anything we can do<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until they make their move, is there?!<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we'll just have to<br>&nbsp;&nbsp;&nbsp;&nbsp;find this Janie girl and stop her!<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since we cannot find<br>&nbsp;&nbsp;&nbsp;&nbsp;out where she is<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until she activates her ability...<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to let the<br>&nbsp;&nbsp;&nbsp;&nbsp;terrorist attack begin.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's nuts!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;20,000 powered suits.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're completely behind the curve.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That many of them is like a joke.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys are serious.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not being able to prevent<br>&nbsp;&nbsp;&nbsp;&nbsp;it until it happens--<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've been preparing all<br>&nbsp;&nbsp;&nbsp;&nbsp;this time to mean business.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they break loose into the city,<br>&nbsp;&nbsp;&nbsp;&nbsp;who knows the damage they'll do?<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to save Febrie.<br>&nbsp;&nbsp;&nbsp;&nbsp;Her sister, Janie, too.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to save Miss Nunotaba,<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is doing her best<br>&nbsp;&nbsp;&nbsp;&nbsp;among the enemy right now, too.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and of course,<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to protect Academy City.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so,<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to expose<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of you to any danger.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that just being too selfish of me?<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that is--<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what you say,<br>&nbsp;&nbsp;&nbsp;&nbsp;then call me selfish, too!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, perhaps even worse!<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, there's all that, plus,<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you<br>&nbsp;&nbsp;&nbsp;&nbsp;to make that face, either.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is right!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how<br>&nbsp;&nbsp;&nbsp;&nbsp;much everything goes right,<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you always pull that face,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it keeps us from feeling happy.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true. Besides,<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we all work together,<br>&nbsp;&nbsp;&nbsp;&nbsp;can't we do this?<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! If all of us work together!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I believe so, as well.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>&nbsp;&nbsp;&nbsp;&nbsp;And when all of this is over...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...having everyone smiling together<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what it takes to<br>&nbsp;&nbsp;&nbsp;&nbsp;have a happy ending, after all!<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having everyone come back smiling,<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without having<br>
&nbsp;&nbsp;&nbsp;&nbsp;lost anything, is *my* dream.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. This...<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is "my dream."<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Everyone's here?<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Febrie,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're about to go and help Janie.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you come with us?<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Aomi?<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for calling you so late.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know if you're calling, Mii,<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there's a reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why it has to be right now.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and tell me.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Aomi,<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you think about this city?<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much, Father!<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, if you'd be so kind!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard her.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind satisfying<br>&nbsp;&nbsp;&nbsp;&nbsp;Mitsuko's indulgence, Pops?<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hot! Hot!<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! That's very good!<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to let my sister eat it!<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that nice?<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, how is it coming?<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not too sure, but right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to do everything we can.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there!<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep!<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's work<br>&nbsp;&nbsp;&nbsp;&nbsp;hard and make these, too!<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew, that's refreshing.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is ready here, as well.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we can rest easy, no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;when the head resident barges in.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, this just looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;one of us is sleeping, doesn't it?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this side is too big...<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are sleeping so soundly together.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tee-hee"<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I worked hard on that, too...<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough. If we're found out,<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll both get chewed out together.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A good-luck charm.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One that is eminently beneficial.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, who<br>&nbsp;&nbsp;&nbsp;&nbsp;was that you called earlier?<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just someone.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten more minutes to sunrise.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has been a long night.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At last, this long night<br>&nbsp;&nbsp;&nbsp;&nbsp;really is about to be over.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All systems check out.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that remains is to activate them.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Janie has reached critical phase, too.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost like she<br>&nbsp;&nbsp;&nbsp;&nbsp;is aware of her own position.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether this works, or whether it doesn't,<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it won't absolve my sin.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, even so, right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will do what I can!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, the final confirmation.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those in favor of executing the project?<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let us begin our Silent Party.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look nice in that outfit, don't you?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what Miss Kongo bought for you?<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm! This is pretty,<br>&nbsp;&nbsp;&nbsp;&nbsp;like that other one before!<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one before?<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one Shinobu picked out for me!<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time.<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What exactly is my own individuality?*<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Crying out on the arid wind,*<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I closed my eyes and asked*<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*while searching for the dawn...*<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not taking...<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...one more step...<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...beyond this point!<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Go ahead and come at us...<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...from wherever you like!<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That way! My sister is--<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, don't forget to lick this.<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the last shot...<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up you go!<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just bear with<br>&nbsp;&nbsp;&nbsp;&nbsp;this for a minute, okay?<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here we go!<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next episode preview"<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To protect Academy City!<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To save Janie and Febrie...<br>**[23:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and Miss Nunotaba, too!<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for all of us to come back smiling!<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is my...<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is our dream!<br>

# E24 - Eternal Party

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G609WK2P6/eternal-party)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excellent.<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very cute.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very soon, you will<br>&nbsp;&nbsp;&nbsp;&nbsp;go outside on your own.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu?<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember, when you want to,<br>&nbsp;&nbsp;&nbsp;&nbsp;you should lick these.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, one other thing...<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember that name.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka...?<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was that decision<br>&nbsp;&nbsp;&nbsp;&nbsp;that started everything.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will I...<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...arrive at the correct<br>&nbsp;&nbsp;&nbsp;&nbsp;answer this time?<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief, what a<br>&nbsp;&nbsp;&nbsp;&nbsp;problem sister she is.<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, some uninvited<br>&nbsp;&nbsp;&nbsp;&nbsp;guests to the party?<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, in the face<br>&nbsp;&nbsp;&nbsp;&nbsp;of 20,000 powered suits,<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;exactly what can you<br>&nbsp;&nbsp;&nbsp;&nbsp;do with your numbers?<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting, Mii.<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late...<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...guys!<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are these guys?!<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Big boobs"<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All who disrupt the public<br>&nbsp;&nbsp;&nbsp;&nbsp;morals of Academy City...<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And all who pick on Febrie...<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...by the mark of this shield...<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you will surely<br>&nbsp;&nbsp;&nbsp;&nbsp;not be tolerated!<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go getting<br>&nbsp;&nbsp;&nbsp;&nbsp;too full of yourself,<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you've got Antiskill<br>&nbsp;&nbsp;&nbsp;&nbsp;wrapped around your finger!<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, today we'll do<br>&nbsp;&nbsp;&nbsp;&nbsp;this Shirai-style!<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment!<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto?<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, it's nothing.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be counting on all of you.<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, come and get it!<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Sissy's shotgun rider, Shirai Kuroko,<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will not allow you<br>&nbsp;&nbsp;&nbsp;&nbsp;to take one step farther!<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're up!<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tank squads E and F<br>&nbsp;&nbsp;&nbsp;&nbsp;come around to the left flank!<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Squads J through M,<br>&nbsp;&nbsp;&nbsp;&nbsp;switch off! Let's go!<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get in too deep!<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our objective is<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep these things<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from leaving<br>&nbsp;&nbsp;&nbsp;&nbsp;the premises, after all!<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then...!<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka will come up with something!<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To that end,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll take advantage of the fact<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that these things are running<br>&nbsp;&nbsp;&nbsp;&nbsp;with simple programming!<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>&nbsp;&nbsp;&nbsp;&nbsp;once you have a target...<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it's a matter of<br>&nbsp;&nbsp;&nbsp;&nbsp;keeping tight hate control.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome!<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A combination water-current-control<br>&nbsp;&nbsp;&nbsp;&nbsp;and buoyancy-control move!<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kongo!<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You couldn't lay<br>&nbsp;&nbsp;&nbsp;&nbsp;a hand on my friends...<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...in a hundred years!<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you're getting by!<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right!<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is to help Febrie!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's also, after all, a favor...<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to Misaka!<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am kicking it up a notch today!<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai!<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because today,<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am together...<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...with Sissy!<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're better than I expected.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey,<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;our attrition rate is less than 2%.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, where is Railgun?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you find her, turn Kosako<br>&nbsp;&nbsp;&nbsp;&nbsp;and Madarame loose on her.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nunotaba! I'm increasing<br>&nbsp;&nbsp;&nbsp;&nbsp;Janie's operating ratio!<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep everything regulated!<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did I give Febrie her name then?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it because I believed in her?<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not why.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it... must have been...<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Intruders?! Is that...<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Railgun?!<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How did she find this place?!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, that...!<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, Railgun.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can I say?<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gone and negotiated<br>&nbsp;&nbsp;&nbsp;&nbsp;an invitation behind our backs.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu? Shinobu!<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now that you're here,<br>&nbsp;&nbsp;&nbsp;&nbsp;you leave us little choice.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please accept our hospitality.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just bear with this for a bit.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be seeing her soon enough.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The espers' greatest weakness has to be<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that they are humans who become fatigued.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And your case is no different.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if you are an esper,<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're outnumbered by<br>&nbsp;&nbsp;&nbsp;&nbsp;this much mass, I will definitely win!<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right...<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I was all on my own,<br>&nbsp;&nbsp;&nbsp;&nbsp;this could have been difficult.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However,<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right now, things are different!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of us...<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are fighting alongside each other!<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incredible...<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've planned for all of this!<br>&nbsp;&nbsp;&nbsp;&nbsp;Activate scenario B-7.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Send Kosako and Madarame, too!<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Squads A and B,<br>&nbsp;&nbsp;&nbsp;&nbsp;hang in there just a bit longer.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attacker espers,<br>&nbsp;&nbsp;&nbsp;&nbsp;go once again from the left flank--<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, next...<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't get through to the others!<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Signal interference?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew this would be coming.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What do we do? The commands<br>&nbsp;&nbsp;&nbsp;&nbsp;to my security robots aren't...<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really, what do we do?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see? It's like we said.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how<br>&nbsp;&nbsp;&nbsp;&nbsp;far we've developed,<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is what happens<br>&nbsp;&nbsp;&nbsp;&nbsp;when we become robots<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who leave everything up to espers.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really wish we could have<br>&nbsp;&nbsp;&nbsp;&nbsp;gone up against Railgun, but...<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what are you going to do?<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem quite worn out, Railgun.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, our hospitality is<br>&nbsp;&nbsp;&nbsp;&nbsp;just getting underway.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are equipped with<br>&nbsp;&nbsp;&nbsp;&nbsp;weapons we made after analyzing<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's fourth-ranked esper.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you could call<br>&nbsp;&nbsp;&nbsp;&nbsp;it a pseudo-Meltdowner.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have yourself a nice, thorough taste.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu?!<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm all right. Miss Saten--<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Behind you!<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your friend asked<br>&nbsp;&nbsp;&nbsp;&nbsp;me to bring this along.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us handle contacting the other sites!<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Haru'ue!<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Banri is helping out now, too.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're making a network of telepaths.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought something like this might happen.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about this.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything they do follows the same pattern.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being able to help out<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment is like a dream come true!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Be ye prepared,<br>&nbsp;&nbsp;&nbsp;&nbsp;and have no regrets," indeed!<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what that means!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, where's the manual?<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the moment, it's inside my head.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mostly.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, here goes!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the variable-form<br>&nbsp;&nbsp;&nbsp;&nbsp;large-scale general-purpose<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;operating machine, built<br>&nbsp;&nbsp;&nbsp;&nbsp;with all the technology possessed<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by Kongo Airlines' Academy<br>&nbsp;&nbsp;&nbsp;&nbsp;City Metalworks Plant No. 2--<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is that thing?!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's name...<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is Ecaterina II! Upgrade!<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what she calls it!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! Leave it to you, Uiharu!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure fired up today.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! I'm getting fired up, too!<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fast!<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Game-winning punch!!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, Miss Saten!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;the real thing is nothing like this!<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lousy espers!<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ruining our sublime revolution!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten, I'm taking over control!<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a Level 0, you know!<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh...<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that<br>&nbsp;&nbsp;&nbsp;&nbsp;messed-up light just now?!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, what are<br>&nbsp;&nbsp;&nbsp;&nbsp;you moving on your own for,<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! Just like our intel said!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you decrepit piece of junk?!<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is copying Mugino.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just asking for it.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an ultra-complex situation.<br>&nbsp;&nbsp;&nbsp;&nbsp;What on earth is this?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So all of those fool's errands<br>&nbsp;&nbsp;&nbsp;&nbsp;we've been hired for lately<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were to this end, were they?<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, damn it! They took advantage<br>&nbsp;&nbsp;&nbsp;&nbsp;of us and then collected data!<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a disgrace!!<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo-hoo!<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultra-pretty.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Mugino, over there a moment ago...<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph!<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have time to waste on<br>&nbsp;&nbsp;&nbsp;&nbsp;a brat who won't learn her lesson!<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, those people earlier...<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, those guys?<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make eye contact with them.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry!<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Madarame!<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kosako! Come in!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not reading<br>&nbsp;&nbsp;&nbsp;&nbsp;anything from above, either.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet!<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though<br>&nbsp;&nbsp;&nbsp;&nbsp;we've been beaten yet!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you *have* been beaten.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and stop everything,<br>&nbsp;&nbsp;&nbsp;&nbsp;and let Janie go.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie...<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here, just like I promised.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once again, the espers<br>&nbsp;&nbsp;&nbsp;&nbsp;exult in their victory.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aritomi! Is that...?<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Code input confirmed. Initiating final phase.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Janie?!<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They stopped?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-H-How could you do this?!<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you're really going to do it!<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're setting the system to a runaway state?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I force the connection<br>&nbsp;&nbsp;&nbsp;&nbsp;to break, she will die.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The final phase is<br>&nbsp;&nbsp;&nbsp;&nbsp;also known as the last resort.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm turning everything,<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City and all, to ashes!<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what are you planning to do?!<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I will tell you?<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aritomi!<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the time you have left,<br>&nbsp;&nbsp;&nbsp;&nbsp;g-go ahead and tremble and die!<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still no use.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I have to do is never...<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killing yourself to get out of this...<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to make it so easy.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was once someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who had plenty of power,<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but reached out for even more.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meanwhile, there was someone like you,<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was pessimistic<br>&nbsp;&nbsp;&nbsp;&nbsp;about her lack of ability,<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and did inhuman<br>&nbsp;&nbsp;&nbsp;&nbsp;things in order to gain power.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were also some girls who<br>&nbsp;&nbsp;&nbsp;&nbsp;thought of themselves as mere tools,<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and quietly accepted their cruel fate.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there was a fool,<br>&nbsp;&nbsp;&nbsp;&nbsp;who was possessed of the ridiculous idea<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she could give her<br>&nbsp;&nbsp;&nbsp;&nbsp;life if it would protect those girls.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But stronger or weaker, higher or lower,<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing like that mattered.<br>&nbsp;&nbsp;&nbsp;&nbsp;I made a promise to them--<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I would help Febrie,<br>&nbsp;&nbsp;&nbsp;&nbsp;and protect the city, no matter what!<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for me to do that,<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll even save the likes of you!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, what do we have to do<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make the final phase<br>&nbsp;&nbsp;&nbsp;&nbsp;come to a stop? Answer me!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is why...<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... believed in you...<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well...<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that it's<br>&nbsp;&nbsp;&nbsp;&nbsp;too late to stop it now!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The final phase is to have 5,000 filaments<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;scattered in the skies over Academy City,<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have the Diffusion Ghost<br>&nbsp;&nbsp;&nbsp;&nbsp;ability run out of control,<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and trigger a decay chain<br>&nbsp;&nbsp;&nbsp;&nbsp;in the AIM diffusion fields<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that fill Academy City!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The launch mechanism is inside<br>&nbsp;&nbsp;&nbsp;&nbsp;some construction equipment,<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;operating in stationary<br>&nbsp;&nbsp;&nbsp;&nbsp;orbit 35,000 kilometers up.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The missile has already been launched.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every second, it travels seven<br>&nbsp;&nbsp;&nbsp;&nbsp;kilometers closer to Academy City.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's absolutely nobody,<br>&nbsp;&nbsp;&nbsp;&nbsp;not even you, who can stop it now!<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. I probably can't stop it.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not by myself.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A missile?!<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give me its specifications<br>&nbsp;&nbsp;&nbsp;&nbsp;and orbital elements!<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Ruiko! Shinobu, this is<br>&nbsp;&nbsp;&nbsp;&nbsp;Ruiko, and this is Whee-ha.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try to find a way!<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a moment.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are quite a few science<br>&nbsp;&nbsp;&nbsp;&nbsp;students inside Judgment.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask around.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do!<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'll see what I can do, too...<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Does Febrie look flushed to anyone?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Febrie, where's your candy?<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finished it.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy! Any left?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was the last one!<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me handle that.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not about whether I can or<br>&nbsp;&nbsp;&nbsp;&nbsp;whether I can't right?<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give it a try--<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the thing you told me that<br>&nbsp;&nbsp;&nbsp;&nbsp;nobody else could do.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw... man!<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu?<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using Judgments' system,<br>&nbsp;&nbsp;&nbsp;&nbsp;not only is there no way to intercept it,<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even compute its orbit!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But with a machine having specs that high,<br>&nbsp;&nbsp;&nbsp;&nbsp;something so simple should be...<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I have heard what is happening.<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like it's finally my turn,"<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, appearing with superb timing.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the missile's warhead<br>&nbsp;&nbsp;&nbsp;&nbsp;reaches an altitude of 30,000 meters,<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is designed to split<br>&nbsp;&nbsp;&nbsp;&nbsp;into 5,000 micro-warheads.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once that happens, it is too late!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that it must be<br>&nbsp;&nbsp;&nbsp;&nbsp;shot down before that can happen.<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way that that is possible...<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting, Febrie!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ruiko?<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will buy us a little time.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was right where that man<br>&nbsp;&nbsp;&nbsp;&nbsp;Aritomi said they were.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also... in order to free Janie<br>&nbsp;&nbsp;&nbsp;&nbsp;from the runaway system,<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're going to need Febrie's help.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, she's in a state<br>&nbsp;&nbsp;&nbsp;&nbsp;where she will accept no outside input,<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if we effect a strong<br>&nbsp;&nbsp;&nbsp;&nbsp;emotional bias from Febrie,<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is basically identical to her...<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes sense. In other words,<br>&nbsp;&nbsp;&nbsp;&nbsp;"Love gets through," right?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Y-Yes, well...<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had Miss Kongo rig the airframe<br>&nbsp;&nbsp;&nbsp;&nbsp;so that all 8,092 jet points<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will activate to a precision<br>&nbsp;&nbsp;&nbsp;&nbsp;of 1/1,000th of a second.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Theoretically, this should work.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how did you get this complex<br>&nbsp;&nbsp;&nbsp;&nbsp;calculation done in so short a time?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well, you know...<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Kuroko.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ended up having you<br>&nbsp;&nbsp;&nbsp;&nbsp;tag along with me this far.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing could make me prouder<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than having you count<br>&nbsp;&nbsp;&nbsp;&nbsp;on me here and now, Sissy.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're in sync!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie, please!<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie...<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister, it's Febrie!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this is Gekota. He's my<br>&nbsp;&nbsp;&nbsp;&nbsp;friend. You know what?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please. I know that at this<br>&nbsp;&nbsp;&nbsp;&nbsp;point, it's too much to ask for.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so, please, let her<br>&nbsp;&nbsp;&nbsp;&nbsp;respond to her feelings!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And also, hamburger is so delicious!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This processing speed can't keep up.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, and taking baths feels so good!<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that? Access from outside?<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I will give you a hand," says Misaka,<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seeking retroactive approval<br>&nbsp;&nbsp;&nbsp;&nbsp;while already lending a hand.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As thanks for the fragments of<br>&nbsp;&nbsp;&nbsp;&nbsp;our mind we received from you.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your... mind?<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Misaka's serial number is #19090.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, what I did earlier reached you?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Moreover...<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...those two's thought base<br>&nbsp;&nbsp;&nbsp;&nbsp;program is identical to the Misakas'.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, those girls<br>&nbsp;&nbsp;&nbsp;&nbsp;are just like the Misaka sisters.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Does an older sister need a<br>&nbsp;&nbsp;&nbsp;&nbsp;reason to help out a younger sister?"<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;adopt the air of an older sister.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want her to know, as well...<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...how bright and beautiful...<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the world really is...<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Big Sister.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu!<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister woke up!<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning,<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Janie.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, Febrie. Don't you have<br>&nbsp;&nbsp;&nbsp;&nbsp;something to give her?<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh!<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is something I'm giving to<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister and you, Shinobu!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something that I made!<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For me...<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...too?<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shinobu?<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are a lot of things that<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to have you see, too.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We would now like to open this year's<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City Research Assembly.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Academy City School District 23"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kongo Airlines Test Site"<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Febrie is doing so well!<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, Miss Saten, you promised<br>&nbsp;&nbsp;&nbsp;&nbsp;me you weren't going to cry!<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ruiko, Whee-ha, don't cry.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, Miss Janie.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a good luck charm.<br>&nbsp;&nbsp;&nbsp;&nbsp;One that is tremendously effective.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, overseas research<br>&nbsp;&nbsp;&nbsp;&nbsp;organizations will be examining<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and reconditioning<br>&nbsp;&nbsp;&nbsp;&nbsp;the two of them, huh?<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too bad, now that<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone is such good friends.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an impossibly generous treatment.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost like the record of the events<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been completely rewritten in our favor.<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Really?<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Electronic records are... well,<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you get the idea.<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just that I get the feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;that part of the human memories<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have been doctored, as well.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um...<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you put aside<br>&nbsp;&nbsp;&nbsp;&nbsp;pride and other factors,<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something like that might<br>&nbsp;&nbsp;&nbsp;&nbsp;not be impossible... maybe...<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably...<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now it's my turn, huh?<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. I'm sure I can do this.<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no longer alone, after all.<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, shall we get going?<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we leave now, we'll be in<br>&nbsp;&nbsp;&nbsp;&nbsp;time for afternoon lectures.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we will.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll buy some lunch somewhere.<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There really never<br>&nbsp;&nbsp;&nbsp;&nbsp;is a dull moment, huh?<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not when we're with you, Misaka!<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not when we are with you, Sissy!<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do you mean by that?<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, are you all ready for<br>&nbsp;&nbsp;&nbsp;&nbsp;the regional field trip?<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that tomorrow, already?<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Liberal Arts City, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait!<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on!<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you mean by that?!<br>