# E3 - Numbers (Charms of the Four Perils)

Source: [Crunchyroll](https://www.crunchyroll.com/watch/G6DK31J1R/numbers-charms-of-the-four-perils)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(This is incomplete since the names are blank on the source file. Feel free to edit them in. Dialogue is left as is.)<br>
**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the place.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never expected...<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to come back here again.<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's that old familiar smell.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, the door isn't over there--<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Already disposed of.<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even being able to<br>&nbsp;&nbsp;&nbsp;&nbsp;read minds would help with him.<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Qiongqi...<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Scientific Accelerator"<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#03 Numbers (Charms of the Four Perils)"<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never figured on you<br>&nbsp;&nbsp;&nbsp;&nbsp;being the one to come to me...<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Esther.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hishigata...<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Mikihiko.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But your timing is perfect.<br>&nbsp;&nbsp;&nbsp;&nbsp;Qiongqi has been completed.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted you to see it<br>&nbsp;&nbsp;&nbsp;&nbsp;more than anyone. Mm-hmm.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you can just get away<br>&nbsp;&nbsp;&nbsp;&nbsp;with making something like this?!<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a little late to be asking that, Esther.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who taught me<br>&nbsp;&nbsp;&nbsp;&nbsp;everything there is to know<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about animating dead bodies, aren't you?<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean... Taotie<br>&nbsp;&nbsp;&nbsp;&nbsp;and Hundun are already...?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've incorporated the evil spirits of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Numbers that your family created.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have nothing but gratitude for you. Mm-hmm.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It took a lot of dead bodies for us<br>&nbsp;&nbsp;&nbsp;&nbsp;to make this many souls, huh?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to stop!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you gotten spooked?<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were manipulating the dead<br>&nbsp;&nbsp;&nbsp;&nbsp;at your whim, too, remember?<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong! I was--<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not wrong.<br>&nbsp;&nbsp;&nbsp;&nbsp;From the view of the dead body,<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they still end up being used<br>&nbsp;&nbsp;&nbsp;&nbsp;to serve the pleasure of the living.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're no different, Esther.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop...<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to stop.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What the hell are<br>&nbsp;&nbsp;&nbsp;&nbsp;you rambling on about?<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so you're Accelerator,<br>&nbsp;&nbsp;&nbsp;&nbsp;are you? Mm-hmm...<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Last Order's guardian?<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday, I'd like to have you as a subject.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is using corpses to play dress-up dolls<br>&nbsp;&nbsp;&nbsp;&nbsp;becoming a thing these days?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even I would go that far.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so cold. In a sense,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm complimenting your killing.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, momentum, heat,<br>&nbsp;&nbsp;&nbsp;&nbsp;and wow, even electricity?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vector control can do<br>&nbsp;&nbsp;&nbsp;&nbsp;just about anything, huh?<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess when you use your ability,<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the amount of information<br>&nbsp;&nbsp;&nbsp;&nbsp;around you increases.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if the key to your<br>&nbsp;&nbsp;&nbsp;&nbsp;ability lies in there somewhere.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But either way, you're just a bystander here.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, there's nothing for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to gain by fighting you just now.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll make a tactical retreat.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I'm letting<br>&nbsp;&nbsp;&nbsp;&nbsp;you get out of here!<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have all sorts of data on you.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The object of your vector control<br>&nbsp;&nbsp;&nbsp;&nbsp;is whatever you touch.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the event you aren't in contact,<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, at a distance,<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your attacks are no different<br>&nbsp;&nbsp;&nbsp;&nbsp;than any other physical phenomenon.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The versatility of this psychokinesis,<br>&nbsp;&nbsp;&nbsp;&nbsp;boosted to Level 5 class as it is,<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is really something, isn't it?<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say Level 5?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Well,<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see you later.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hishigata is right.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been doing the<br>&nbsp;&nbsp;&nbsp;&nbsp;same things that he's done.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've controlled the dead to do my bidding.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used them.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were trying to stop him.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I went and bought three lunches,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like you asked,"<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;proudly reports Misaka Misaka,<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without saying anything about<br>&nbsp;&nbsp;&nbsp;&nbsp;the snack for herself she also bought.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That girl you're sitting<br>&nbsp;&nbsp;&nbsp;&nbsp;across the bed from--<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who might she be?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who might you be?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That's--<br>&nbsp;&nbsp;&nbsp;&nbsp;--I wasn't asking you!<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who might you be?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm Esther Rosenthal. I do necromancy--<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey!<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm Esther Rosenthal. I do necromancy--<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm, um, something like<br>&nbsp;&nbsp;&nbsp;&nbsp;a classmate of Accelerator's.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to ask him for some help.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Nice to meet you,"<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;glancing over at your expression,<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wondering what that<br>&nbsp;&nbsp;&nbsp;&nbsp;eye contact was all about.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something you're<br>&nbsp;&nbsp;&nbsp;&nbsp;hiding from me, all right.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two-timer!<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. We're hungry. What the hell?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hmph. W-We could all<br>&nbsp;&nbsp;&nbsp;&nbsp;go to a restaurant, right?"<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, giving you the<br>&nbsp;&nbsp;&nbsp;&nbsp;chance to apologize for your infidelity.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, I'm getting tired of<br>&nbsp;&nbsp;&nbsp;&nbsp;the family restaurant, damn it.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're not mad?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I make it a policy to avoid the pointless.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hooray!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey, can I order what I want today?"<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka...<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a human guinea pig who has<br>&nbsp;&nbsp;&nbsp;&nbsp;experienced death over 10,000 times?<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's unbelievable.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? I don't recognize<br>&nbsp;&nbsp;&nbsp;&nbsp;a single dish on here!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you don't say.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of food is this "bee f'curry"?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's curry.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curry!<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of meat does it contain?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it sheep? Is it goat?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's beef.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, cow meat.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And these cheese-stuffed--<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamburger.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also cow meat!<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know everything, don't you?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure do! Ask me anything!<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of food is this?<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crunchy food, bursting with yummy flavor!<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pork deep-fried in oil.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! It's a creamy,<br>&nbsp;&nbsp;&nbsp;&nbsp;piping-hot, delicious food!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flavored rice with a<br>&nbsp;&nbsp;&nbsp;&nbsp;fried chicken egg stuck on top of it.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this?<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lumpy, tasty, delicious food!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Salmon eggs pickled in soy sauce<br>&nbsp;&nbsp;&nbsp;&nbsp;and served over rice.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hot, melt-in-your-mouth yummy food!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A stewed tuna head.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All of the food here is very delicious!"<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, letting you know.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is delicious,<br>&nbsp;&nbsp;&nbsp;&nbsp;and everyone is happy, huh?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here is your order.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is very, very, *surprisingly* good--<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is very good, too.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good, isn't it?<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good food tastes better when eaten together.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what families do.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a tremendous feast.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never had anything<br>&nbsp;&nbsp;&nbsp;&nbsp;as wonderful as this around me.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The science of Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;is quite marvelous!<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has nothing to do with science.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, my turn.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that for me?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what families do.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm, it's good!<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you going?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gotta make a call.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those phony Antiskill guys<br>&nbsp;&nbsp;&nbsp;&nbsp;called themselves "DA."<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the case, they're up to no good.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need someone who's familiar<br>&nbsp;&nbsp;&nbsp;&nbsp;with folks up to no good.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who might know<br>&nbsp;&nbsp;&nbsp;&nbsp;something about DA would be...<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quick question for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoshikawa, do you know who DA is?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;DA?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dark side organization<br>&nbsp;&nbsp;&nbsp;&nbsp;who seems to have ties to Antiskill.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I saw of their weapons,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're pretty well off, too.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Villains who love to play with dolls,<br>&nbsp;&nbsp;&nbsp;&nbsp;and have a real passion for justice.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know them.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, I can check into them.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're being awfully amenable.<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this have to do with that girl?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You only ever get like this<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're with her.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cram it. I'm hanging up.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We ate it all! Your friend goofed up at<br>&nbsp;&nbsp;&nbsp;&nbsp;the fountain and drenched us, so we went<br>&nbsp;&nbsp;&nbsp;&nbsp;back to my room! Take care of the bill!!"<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Jeez! It's good manners to knock,<br>&nbsp;&nbsp;&nbsp;&nbsp;even for your own room!"<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, drilling into you<br>&nbsp;&nbsp;&nbsp;&nbsp;the obvious, which you can't seem to do!<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking that kind of care is very important!<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that right?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's going on?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you starting a fight?<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why are you still not dressed?!"<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, agitated by<br>&nbsp;&nbsp;&nbsp;&nbsp;this woman's overly-bold appearance.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my clothes? They're in drying right now.<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, it doesn't bother me.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You have to let it bother you!"<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, unsure of what<br>&nbsp;&nbsp;&nbsp;&nbsp;the sense the person in front of her has,<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and shuddering!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"They're called feminine sensibilities!"<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, showing off the<br>&nbsp;&nbsp;&nbsp;&nbsp;knowledge she acquired reading books.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? Okay. I'll be more<br>&nbsp;&nbsp;&nbsp;&nbsp;careful from now on.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pretty loud in here, huh?<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Last Order, it's just<br>&nbsp;&nbsp;&nbsp;&nbsp;about time for your checkup.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Okay, I'll see you later," says Misaka Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;with a somewhat lonely face,<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to get your attention.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't have it.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And have him fix what's wrong<br>&nbsp;&nbsp;&nbsp;&nbsp;with your head while he's at it.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need! Nyah!<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--"Oh, the usual room, right?"<br>&nbsp;&nbsp;&nbsp;&nbsp;--Mm-hmm.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...says Misaka Misaka, running off<br>&nbsp;&nbsp;&nbsp;&nbsp;like the wind, leaving only her words!<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, about that girl, Hitokawa Hasami,<br>&nbsp;&nbsp;&nbsp;&nbsp;that Antiskill wanted me to take a look at...<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was nothing I could do for her.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not three days after her death.<br>&nbsp;&nbsp;&nbsp;&nbsp;It was out of my hands.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not interested.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However,<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did find this inside her mouth.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I have a checkup to perform, so...<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A low-level spiritual charm.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a few moments?<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Morgue"<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My family created a kind of necromancy<br>&nbsp;&nbsp;&nbsp;&nbsp;whereby we can transplant a false soul<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into a dead body, and freely control it.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what we have here isn't a dead body;<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a person.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I taught him how to do necromancy<br>&nbsp;&nbsp;&nbsp;&nbsp;without understanding that.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was warned against carelessly<br>&nbsp;&nbsp;&nbsp;&nbsp;teaching others how to do it.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But because of me, she was used<br>&nbsp;&nbsp;&nbsp;&nbsp;to do something abominable.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have a little look, here.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, the conduit is still open.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it stands, she'd call down<br>&nbsp;&nbsp;&nbsp;&nbsp;her drifting residual information.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if Hitokawa Hasami were buried<br>&nbsp;&nbsp;&nbsp;&nbsp;in a grave, she'd crawl back out of it.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not just that--if her<br>&nbsp;&nbsp;&nbsp;&nbsp;vessel is left neglected,<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll be unable to pass<br>&nbsp;&nbsp;&nbsp;&nbsp;through Heaven's gates.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to restart Hitokawa Hasami.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll also reaffix a Huotou,<br>&nbsp;&nbsp;&nbsp;&nbsp;a false soul that I created,<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then close her spiritual conduit.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this her ability?<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must be using history and<br>&nbsp;&nbsp;&nbsp;&nbsp;legend to reinforce her own paradigm,<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then extending out her Personal Reality.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be all right now.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is that?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasami?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasami!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you do these kinds of things?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Mom.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasami!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasami, what's wrong?<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasami, I got a call from<br>&nbsp;&nbsp;&nbsp;&nbsp;your school. What happened?<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?!<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>&nbsp;&nbsp;&nbsp;&nbsp;Has something happened, Hasami?<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Hasami?<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer me! Hasami!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm... sorry...<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh? I'm still alive...<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She appears to have<br>&nbsp;&nbsp;&nbsp;&nbsp;regained consciousness.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That explains it.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a Level 2 pyrokinesist.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a half-bad subject.<br>&nbsp;&nbsp;&nbsp;&nbsp;Her ability is suited for combat.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Best of all, she's an "evil" criminal<br>&nbsp;&nbsp;&nbsp;&nbsp;who's guilty of suicide.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good. Let's go ahead and dispose of her.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rest easy. We will use your body<br>&nbsp;&nbsp;&nbsp;&nbsp;to serve the cause of justice.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You startled me, touching her residual<br>&nbsp;&nbsp;&nbsp;&nbsp;thoughts without any warning like that.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uncontrolled residual thoughts<br>&nbsp;&nbsp;&nbsp;&nbsp;can be dangerous information,<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and people sometimes refer<br>&nbsp;&nbsp;&nbsp;&nbsp;to them as site-bound spirits.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We necromancers use these<br>&nbsp;&nbsp;&nbsp;&nbsp;residual thoughts as a key code,<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to let us slip a pseudo-soul into the body.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I was successful.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, once my Huotou is affixed to her,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can close up her conduit.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it just a moment.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that tremendous amount of data?<br>&nbsp;&nbsp;&nbsp;&nbsp;A mind-reading ability?<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One that specializes in the dead, at that.<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, it was weird, considering.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, that last vision I saw...<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those guys will go so far<br>&nbsp;&nbsp;&nbsp;&nbsp;as to kill to get bodies?<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you two doing here?<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is no place for children to be playing.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get on out of here, now.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, these...<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, out you go, now.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move it!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things have taken a bad turn.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Huotou has already<br>&nbsp;&nbsp;&nbsp;&nbsp;become affixed to Hitokawa Hasami.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She might start to move<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of those men.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That will be the least of<br>&nbsp;&nbsp;&nbsp;&nbsp;their worries in a second.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Damn it, where is it?<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The solution...<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, without that,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can't dispose of the corpse.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still here? Get going--<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By "solution," do you mean *this*?<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you get your hands on that?!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, what were you planning to do with this?<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever. Once it's gone, it won't matter!<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to dodge that.<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, this is more like it.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, he's making a mockery of us.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, disciplining naughty<br>&nbsp;&nbsp;&nbsp;&nbsp;children is a part of our job.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time...<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to bring about some justice!<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Next time"<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Third Number"<br>