# 8 - Ars Magna (Golden Transmutation)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, met a\ndown-on-her-luck priestess--\n<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;parenthesis, self-proclaimed\nmagician, close parenthesis.\n<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I headed off to a dangerous place,\n<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;together with a sorcerer named Stiyl,\nto rescue the priestess being held captive,\n<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there I saw...\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just a dead body.\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Koko ni ikiru sono wake mo *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kono basho de deau subete mo *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigau sekai demo *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*doko ni ite mo kono omoi wa yuruganai *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mune wo chikuri to sasu itami *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore wo warau shiawase na monotachi e *<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*se wo mukeyuku *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Touzen no kurushimi wo unmei ga sasou *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Furuedasu ashi ga oboete'ru *<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kakushin ni *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yume dake ja mamorenai *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tayoranai chikara *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kono te ga shiru kara mayowanai *<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#08 Ars Magna (Golden Transmutation)"\n<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dead body?\n<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably one of the Order of\nthe 13 Roman Orthodox Knights.\n<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging by this,\nit looks like they were wiped out.\n<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?\n<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a battlefield.\nIt shouldn't be the least bit surprising\n<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to have a body or two lying around.\n<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why isn't anyone making a scene?\n<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Megumi! Had a long day?\n<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What just happened?\n<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was all heads and tails.\n<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?\n<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--These students, who live on the heads side of the coin...\n--Huh?\n<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are unable to see us foreign enemies,\nwho live on the tails side.\n<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we are also unable to\ninterfere with them in any way.\n<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don’t bother.\n<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you eliminate the core of this sorcery,\n<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will be unable to bring down this barrier.\n<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet the core itself is\nsomewhere outside the barrier.\n<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like we've got\nyet another reason to fight.\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, couldn't we have taken the elevator?\n<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We, on the tails side of the coin,\n<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot press the button on the heads side.\n<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Well, how about the phones, then?\n<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing. I was just wondering\nif a call from the tails side\n<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would get through to the heads side.\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, go ahead and try it.\n<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, I will.\n<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eep! This is, um, Index Libror--\nI mean, Kamijo residence. Um. yes?\n<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the first time\nyou've ever answered a phone?\n<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? That voice is Toma's!\n<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, what happened that you\nhad to use something so overdramatic,\n<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so ostentatiously bothersome\nand bad for the heart as the telephone?\n<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no reason. \n<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, there were two servings of\nlasagna in the refrigerator.\n<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was one of them yours?\n<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ate them?!\n<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and there was some\npudding in the refrigerator, too.\n<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Don't tell me you ate that, too?!\n<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ate it, huh? You ate it, didn't you?!\n<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.\n<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, as long as my call\ngot through, never mind. Gotta go.\n<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. I've heard that for\nevery minute you talk on the phone,\n<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your lifespan decreases by one day.\n<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?\n<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. I was just thinking that\nyou're lacking a sense of tension.\n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a battlefield, and here\nyou are, chatting it up with a girl.\n<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that ego ends up being\nthe ruin of you, it's not like I mind.\n<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock yourself out, for all I care.\n<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I won't have you dragging me down with you.\n<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're jealous?\n<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be mistaken. It's not like\nI see her as an object of affection.\n<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You yourself know, right?\n<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up to now, her body\nwas such that she couldn't live\n<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unless all of her memories\nwere erased on an annual basis.\n<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There have been a number of\npeople in the past who were in your place.\n<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fathers, brothers, good friends, teachers...\n<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they all tried to be various things to her.\n<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once, I failed where you succeeded.\n<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all. \n<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the only difference there is between us.\n<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true. I'm not the\none who saved Index anymore.\n<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one Index wants...\n<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is me, before I lost my memories.\n<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Be careful.\n<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Mm-hmm.\n--Be careful.\n<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way, really?\n<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just awful.\n<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, really.\n<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... This is my first\ntime seeing a scientific religion,\n<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it seems pretty normal, huh?\n<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--So, wanna stop there on the way home?\n<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I was sure there would be photos of the founder on display.\n--So, wanna stop there on the way home?\n<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The danger level does indeed seem low.\n<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This can't be good.\n<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't lose your grip.\nThere's no way for those people\n<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the heads side of the coin\nto see those of us on the tails side.\n<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shining light of the seraph's wings.\n<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shining light is the\nwhiteness that exposes guilt.\n<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whiteness is testament to purification;\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the testament is the outcome of action;\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;outcome is the future; the future is time;\n<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--time is uniformity; uniformity\nis all; all is created by the past;\n<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--An automatic alarm?\n--time is uniformity; uniformity is all; all is created by the past;\n<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?\n--time is uniformity; uniformity is all; all is created by the past;\n<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--The students who should be on the heads side of the coin\n--time is uniformity; uniformity is all; all is created by the past;\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--the past is the cause; the cause is one;\n<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--are being brought over to the tails side.\n--the past is the cause; the cause is one;\n<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one is guilt; guilt is people; \n<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;people fear guilt, while fearing is sin.\n<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sin is within the self.\n<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there is any despicable thing within oneself,\n<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the guilt shall be exposed\nby the seraph's wings,\n<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and expelled from within.\n<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, Imagine Breaker...\n<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you're on!\n<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!\n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the love of...\n<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, stop running away!\n<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your right hand protected you\nfrom even a blast of Dragon Breath!\n<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, you turn your unprotected\nback to them! What's wrong with you?!\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a fine one to talk,\nusing me as a shield like this!\n<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a hopeless number of them!\n<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I counter all of\nthat with just my right hand?!\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...\n<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for him to create a\nGregorian Choir, albeit a replica, is still...\n<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that about a\nGregorian something-or-other?\n<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Essentially,\n<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a grand spell, formed by the prayer voices\n<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of 3,333 monks, assembled in a holy shrine.\n<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! There's no way doing something\nlike that can beat anything, can it?\n<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but it doesn't work if the\nmany people in the Gregorian Choir\n<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot all be controlled at the same time.\n<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If one can destroy the key to their synchronicity...\n<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is one thing\nI've got up my sleeve, though.\n<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got it, then use it, already!\n<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure?\n<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you doing?!\n<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad luck, scarecrow!\n<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flame punishes guilt.\nPurgatory governs flame.\n<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Purgatory is created to burn sinners.\n<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one form of violence acknowledged by God.\n<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Violence is the affirmation of death.\n<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmation is recognition.\n<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!\n<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You have to know that your body is in danger!\n--Recognition is inside oneself.\n<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The inner aspect of the self\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the outer aspect\nof the world are joined--\n<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world...?\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to hand it to him.\n<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That alchemist is warped.\nYou're supposed to carve your own way out,\n<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not have others do it for you.\n<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally...\n<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured that by using a Gregorian replica,\n<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could lure you to the core,\nregardless of where you were hiding.\n<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously,\n<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there were supposed\nto be two of you intruders.\n<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clearly, your familiar spirit \n<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been swallowed up by the Gregorian replica.\n<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, unfortunately for you,\nhe's tougher than you can imagine.\n<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, what was\nyour intent in luring me here,\n<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alchemist Aureolus Izzard?\n<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little first aid, and she'll be fine.\n<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...\n<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her skin has just been peeled,\nand her capillaries injured.\n<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There'd be more to it\nif her arteries had been cut.\n<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not even a doctor.\n<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to the flow of blood,\nI know more than others.\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a hand.\n<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, whoa!\n<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not lose your head.\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is disrespectful to the injured.\n<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Sphinx, where could Toma have gone?\n<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was some pudding in the refrigerator, too.\n<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Don't tell me... \n<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you ate that, too?!\nYou ate it, huh? You ate it, didn't you?!\n<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.\n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's wrong.\n<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma wouldn't shrug off me\neating his pudding without his permission\n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with just an "It's okay."\n<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rune seals?!\n<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done, for now.\n<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your skills are incredible, you know?\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not an unlicensed\ndoctor or anything, are you?\n<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no doctor.\n<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Then...\n<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a magician.\n<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, how were you being a magician?\n<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have something I can show you.\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.\n<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My magic wand.\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's a police baton, isn't it?!\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--The latest model.\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Stop screwing around!\n--The latest model.\n<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to call an ambulance.\n<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should do that.\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk about it like you're not involved.\n<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're leaving too, after all.\n<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, don't just stay cooped\nup in this place, let's go outside.\n<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an objective, as well.\nIt's not to get out of this place;\n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's an objective that I cannot\nachieve unless I am here.\n<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's more correct to say\nthat it's a goal that I cannot reach\n<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without there being the alchemist.\n<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if they were your friend,\nthey wouldn't keep you trapped here, right?\n<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was before they were taken over by Aureolus.\n<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only stay inside because\nI don't feel the need to go out.\n<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I go out too casually, I will end up attracting *them*.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, you're telling me\nyou're going to stay in here forever,\n<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you don't want\nthe vampires to detect you?\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what kind\nof creatures vampires are?\n<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No different.\n<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're no different from us.\n<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're people who can laugh, and act for others.\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My blood has a sweet aroma,\nwhich attracts such people.\n<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attracts them, gathers them,\nand kills them... for no reason.\n<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It kills them all, without exception, ever.\n<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is a place\nwhere powers are dealt with,\n<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I thought that they\nwould understand my secret.\n<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And once they understood it,\nthere might be a way to remove it.\n<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there wasn't anything like that here.\n<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to kill anymore. \n<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've decided that I would\nrather kill myself than anyone else.\n<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me one thing...\n<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to\ndraw any vampires to you,\n<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you go out and comfort-binge?\n<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simple. \n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason why Aureolus needs\nme is because he wants the vampires.\n<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot attract\nvampires if I stay inside the barrier.\n<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But doesn't that work completely\ncounter to your objective?\n<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aureolus promised me that\nhe would not harm the vampires.\n<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aureolus said that there\nwas someone he wanted to help,\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that he needed the vampires' power.\n<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I made a promise,\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I would use my\npower to help, rather than to kill.\n<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not going to work.\n<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he's the kind of person you say he is,\n<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then this is a mistake that we can’t allow to go on.\n<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep letting this continue,\n<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there really will be no turning back.\n<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inevitably, how will\nthere be no turning back for me?\n<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been...\n<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boldly may I say,\nit is no matter. I will be right there.\n<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, some doubts may arise,\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm under no obligation to respond.\n<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will not come any closer.\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!\n<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How...?\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sadly, you are a trivial young man.\nAway with you!\n<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You idiot!\n<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep Blood has power enough to\nkill vampires. Which means...\n<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, right at the very end,\nyou clung to, relied upon,\n<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and placed your hopes on your Deep Blood.\n<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How then are you any different from me?\n<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not true.\n<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This person did not know what Deep Blood means.\n<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He came here to help a\nstranger who he just barely met today.\n<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aureolus Izzard, what is your objective?\n<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your objective to kill this\nregular person to satisfy yourself?\n<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If such a worthless pursuit\nis your goal, then I'm backing out.\n<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have the option of biting my\ntongue and ending my own life.\n<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inescapably, I cannot afford\nto spend any more time here.\n<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young man, do not worry. I will not kill you.\n<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will forget everything that happened here.\n<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it.\n<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The magical power being sent\nto the runes over at Toma's place\n<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ends abruptly right here.\n<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?\n<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're here with me,\nthen this is no doubt Japan, right?\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like we've forgotten\nsomething important. Don’t you agree?\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's probably nothing so\nimportant that we need to remember it.\n<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?\n<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will forget everything.\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me show you a ritual\nthat will dispel that doubt of yours.\n<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eastern rituals are Kanzaki's specialty. I'll ask her.\n<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just close your eyes\nand stick out your tongue.\n<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go "bleeh."\n<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is for using me as a decoy\nso you could get away!\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a barrier in place here \n<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep enemies who enter from getting away.\n<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, long time no see.\n<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?\n<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't remember?\nInevitably, I doubt you have any memory\n<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the name Aureolus Izzard.\n<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this is something\nI must count as good fortune.\n<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sleep.\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, those guys were in the entrance.\n<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The survivors of the Thirteen Knights.\n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commencing the attack!\n<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Gregorian Choir.\n<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An honest-to-goodness Gregorian Choir.\n<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you said it took a lot of people\nto make a Gregorian whatever.\n<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, at the Vatican basilica,\n<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are probably 3,333\ncongregants, offering up prayers.\n<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Extracting from the Book of\nRevelation, Chapter 8, Verse 7, \n<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we hereby reproduce the\nsound of the trump of destruction,\n<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;held by the first angel!\n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do they think they're doing?!\n<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A holy hex bombardment.\n<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bombardment?!\n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami is in there,\nalong with all those innocent students!\n<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's coming down!\n<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's rewinding?\n<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ars Magna.\n<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ars Magna?\n<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is our foe, Aureolus's true power.\n<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sphinx?!\n<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me...\n<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Index's.\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kikoeru? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kioku wo samayotte'ru *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kokoro wo *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shinjite ikite yukereba *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ikiru sekai ga *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigatta to shite mo *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mamoritai mono ga aru nara... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sashidashita chikara wa dare no tame ni? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokihanatsu ikusen no mana *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sono shigusa ga sono manazashi ga *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kokoro wo shimetsukeru *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tebanasanai *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nThere are all sorts of feuds that revolve around Index.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nThere are all sorts of feuds that revolve around Index.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the alchemist who fights\nagainst destiny bares his teeth,\n<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a howl echoes\nthroughout Misawa Cram School.\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Deep Blood."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic\ncross paths, the story begins.\n<br>