# 44 - Hound Dog (Hound Squad)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
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Editor:<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara Amata of Hound Dog<br>&nbsp;&nbsp;&nbsp;&nbsp;overpowers Accelerator.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, his objective is the<br>&nbsp;&nbsp;&nbsp;&nbsp;recovery of Last Order.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator allows<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order to escape,<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but has no means<br>&nbsp;&nbsp;&nbsp;&nbsp;of fighting back. And then...<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing over there?<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kore ijou tooku made<br>
&nbsp;&nbsp;&nbsp;&nbsp;tobenai tori ga ita*<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kizu mo nai rippa na<br>
&nbsp;&nbsp;&nbsp;&nbsp;hane de aozora wo najitta*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo warukunai*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano sora wa takakunai*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo yoku wa nai*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karada de kanjiru sokudo wo osorete'ru*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare ni demo chansu wa moteru*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sono saki e yukenai*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitatenai*<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitachitai*<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kanaetai negai<br>
&nbsp;&nbsp;&nbsp;&nbsp;no mukou de kagayaku*<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ga iru*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitomi ni utsusu*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mirai ni tatte itsumo tsuyokute"*<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sonna kimi ga boku sa*<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi wa mada mabushii kedo*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji kimochi de kono te nobashite*<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*itsuka tsukamu genjitsu no boku ga*<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ni naru yo*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#20 Hound Dog (Hound Squad)<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna know what to do?<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gotta eliminate her, right?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get going. If you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;get to a hospital right away,<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be too late.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you waiting for!?<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and shoot!<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, sir!<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make a fuss.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just keep going forward.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time is running out<br>&nbsp;&nbsp;&nbsp;&nbsp;for the both of us, right?<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Where to?<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a good doctor.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww... That one thing!<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring me that thing!<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wishful thinking.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you use a car,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're all but telling me<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you can't use<br>&nbsp;&nbsp;&nbsp;&nbsp;your wind control, aren't you?<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adios, scumbag.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez...<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice city, huh?<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure the erosion<br>&nbsp;&nbsp;&nbsp;&nbsp;would be a lot further along, though.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rival of yours in the killing trade.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill her.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... bear no hostility, huh?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what you want,<br>&nbsp;&nbsp;&nbsp;&nbsp;try being more adequate.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now, he really<br>&nbsp;&nbsp;&nbsp;&nbsp;turned up his nose at me.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be of any use, though.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"These are the people<br>&nbsp;&nbsp;&nbsp;&nbsp;who attacked him,"<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, telling the truth.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but is this<br>&nbsp;&nbsp;&nbsp;&nbsp;what your friend did to them?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I don't think so.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is short-tempered, and quick to fight,<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it seems unthinkable that<br>&nbsp;&nbsp;&nbsp;&nbsp;his retaliation would be so minor,"<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;making a simple assumption.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we have to report this.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"They are here!"<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;while taking cover behind the car.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"They"?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what have we here?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's an osmatic sensor.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We use them to track down targets.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's a mechanical police dog, is it?<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;something about this quietness.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This wouldn't be more of<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara's big production, would it?<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell were<br>&nbsp;&nbsp;&nbsp;&nbsp;you doing back there?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? I came to give back<br>&nbsp;&nbsp;&nbsp;&nbsp;something I borrowed from you.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here! This cutting-edge<br>&nbsp;&nbsp;&nbsp;&nbsp;daily-use product.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, dense?<br>&nbsp;&nbsp;&nbsp;&nbsp;Those things are disposable.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm... "And so the ugly duck,<br>&nbsp;&nbsp;&nbsp;&nbsp;who had been told she was no good,<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;turned out to actually<br>&nbsp;&nbsp;&nbsp;&nbsp;be a super sexy-hot swan.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The end."<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, what does "sexy-hot" mean?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Ugly Duckling" is about.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what *is* it about?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What was it again...?<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what the kid said, the swan<br>&nbsp;&nbsp;&nbsp;&nbsp;who wanted to get along with the ducks,<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was actually happy to<br>&nbsp;&nbsp;&nbsp;&nbsp;be confronted with the fact,<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she wasn't part<br>&nbsp;&nbsp;&nbsp;&nbsp;of their circle, or something.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By "the kid," do you mean<br>&nbsp;&nbsp;&nbsp;&nbsp;the lost girl you were looking for?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, as circumstances would<br>&nbsp;&nbsp;&nbsp;&nbsp;have it, I'm still looking for her.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got separated again?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. That's why<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to part ways here.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll look with you!<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I can tell that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're bothered by this.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think if it were Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd say the same thing.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pull over somewhere around here.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a huge hospital in this area.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go there, and find a doctor<br>&nbsp;&nbsp;&nbsp;&nbsp;whose face looks a lot like a frog.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you find the doctor,<br>&nbsp;&nbsp;&nbsp;&nbsp;tell him to get a battery ready<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Misaka Network connection<br>&nbsp;&nbsp;&nbsp;&nbsp;electrode. He'll know what it means.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, all right.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Misaka Network connection<br>&nbsp;&nbsp;&nbsp;&nbsp;electrode battery," right?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sit tight.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to wait<br>&nbsp;&nbsp;&nbsp;&nbsp;right here until I get back.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Just get going, already.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start driving.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you going to let me go yet?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Live or die, you decide.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still alive, Last Order?!<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No good. It's locked.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There may be a way to unlock it.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just go someplace<br>&nbsp;&nbsp;&nbsp;&nbsp;with a lot of people.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not going<br>&nbsp;&nbsp;&nbsp;&nbsp;to want to make a scene.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Are we really going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to help him like this?"<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;lamenting over how powerless she is.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who can say? Still,<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way we can<br>&nbsp;&nbsp;&nbsp;&nbsp;help him if we don't survive this.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to save him,<br>&nbsp;&nbsp;&nbsp;&nbsp;make sure you don't die first.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mm-hmm," says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;nodding her head forward.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's stay alive.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just get outside--<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you need at this hour?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's trouble. Major trouble.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard the general situation<br>&nbsp;&nbsp;&nbsp;&nbsp;from one of the Misaka sisters.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They perform a kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of information exchange<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;across their electrical network, you see.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That speeds things up.<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happened to the kid?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that she is being pursued<br>&nbsp;&nbsp;&nbsp;&nbsp;by a separate Hound Dog unit.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that she is with a bystander<br>&nbsp;&nbsp;&nbsp;&nbsp;who happened to be with her.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, where are they?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does not know that, herself.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did a kid wearing a<br>&nbsp;&nbsp;&nbsp;&nbsp;white nun's habit arrive there yet?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does she know<br>&nbsp;&nbsp;&nbsp;&nbsp;about your proxy calculator?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's none of your concern.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just keep her there with you.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Good grief.<br>&nbsp;&nbsp;&nbsp;&nbsp;How far are you planning to take this?<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm killing Kihara.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bringing down Hound Dog, too.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I'm saving the kid, unharmed.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not possible.<br>&nbsp;&nbsp;&nbsp;&nbsp;Under the circumstances,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you are undertaking<br>&nbsp;&nbsp;&nbsp;&nbsp;too many courses of action.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way you<br>&nbsp;&nbsp;&nbsp;&nbsp;will accomplish them all.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be such a know-it-all!<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when do doctors--<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen hells<br>&nbsp;&nbsp;&nbsp;&nbsp;that were worse than yours.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I can<br>&nbsp;&nbsp;&nbsp;&nbsp;say this to you. Accelerator,<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do not bite off more than you can chew;<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;make saving Last Order's<br>&nbsp;&nbsp;&nbsp;&nbsp;life your only priority.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you bring her back to me alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will definitely heal her.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Measuring up to those<br>&nbsp;&nbsp;&nbsp;&nbsp;expectations is what a doctor does.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine with me.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Right Seat of God, huh?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think they'd go this far.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Yomikawa calling Headquarters.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Requesting details on call 334.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl...<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Renewable Resource<br>&nbsp;&nbsp;&nbsp;&nbsp;Treatment Plant #3, huh?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target's scent<br>&nbsp;&nbsp;&nbsp;&nbsp;continues on into there.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're absolutely sure of that, right?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to get out of here safely,<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll just sit still there.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cleaning agent. That'll do it.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now to wash away my smell,<br>&nbsp;&nbsp;&nbsp;&nbsp;and get myself out of here. Hmm?<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn them. They're here earlier<br>&nbsp;&nbsp;&nbsp;&nbsp;than expected, aren't they?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All they have are the small ones, huh?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want, Kuroko?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot get back home<br>&nbsp;&nbsp;&nbsp;&nbsp;because of my Judgment work,<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I need you to get in touch<br>&nbsp;&nbsp;&nbsp;&nbsp;with our nagging head resident<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to ask for a curfew extension.<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it is already past curfew--<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm at the convenience<br>&nbsp;&nbsp;&nbsp;&nbsp;store right now, so...<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah?!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can Sissy still be out, as well?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are going to get some<br>&nbsp;&nbsp;&nbsp;&nbsp;demerits, no questions asked.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would Miss Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;be breaking curfew today?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It cannot be!<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Sissy, on an evening<br>&nbsp;&nbsp;&nbsp;&nbsp;date with that rotten troglodyte?!<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why that lousy jerk!<br>&nbsp;&nbsp;&nbsp;&nbsp;Enjoying the evening view in the rain!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a rather elegant choice!<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot just stand around here.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Shirai Kuroko, have a<br>&nbsp;&nbsp;&nbsp;&nbsp;duty to preserve Sissy's virtue!<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you can't.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, this mountain of paperwork<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and accounting documents<br>&nbsp;&nbsp;&nbsp;&nbsp;is nowhere near being done, right?<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening out there?<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why aren't they coming in?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi!!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I startle you?<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be scared; come on out.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have my own issues to deal with.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you won't do as I say,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll turn you into a lump of goo.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the Right Seat<br>&nbsp;&nbsp;&nbsp;&nbsp;of God, Vento of the Front.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target located.<br>&nbsp;&nbsp;&nbsp;&nbsp;And with that out of the way,<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's time to get<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself killed, Kamijo Toma!<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rod, what does<br>&nbsp;&nbsp;&nbsp;&nbsp;the osmatic sensor say?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on, it's just finishing.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to be so nervous.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't have<br>&nbsp;&nbsp;&nbsp;&nbsp;enough time to feel any pain.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hide somewhere, Last Order!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha! There's the right hand<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard so much about!<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to keep up with me here!<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From above!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What fun! I see, I see!<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like your right<br>&nbsp;&nbsp;&nbsp;&nbsp;hand is extremely effective,<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just like it said in the report!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My favorite attack,<br>&nbsp;&nbsp;&nbsp;&nbsp;striking from every which way,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has absolutely no effect!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your favorite?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really understand it.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's try this.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, so that does *that*, huh?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Sorry 'bout that.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems as though<br>&nbsp;&nbsp;&nbsp;&nbsp;there not being enough time<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to feel any pain is too much to ask.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if you want to find happiness,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to become a masochist.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These attacks haven't been<br>&nbsp;&nbsp;&nbsp;&nbsp;following the movement of her hammer.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, it's the cross?!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my secret's out, is it?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh. This is kind of starting<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a nuisance. Here!<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on! Please, call for help!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pretty cruel, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you make that little girl<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;keep running away<br>&nbsp;&nbsp;&nbsp;&nbsp;into the darkness like that?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't she be happier<br>&nbsp;&nbsp;&nbsp;&nbsp;if she were killed alongside you?<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I go pick<br>&nbsp;&nbsp;&nbsp;&nbsp;her up, there's no problem.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I won't die.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how fun. On the other hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;will you be able to say the same,<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I turn your<br>&nbsp;&nbsp;&nbsp;&nbsp;internal organs to fleshy juice?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, *you* are my target, after all.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So long as you don't run,<br>&nbsp;&nbsp;&nbsp;&nbsp;that will really help me out!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're joking, right...?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Joking? Yeah, of course.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trying out some new material.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that. Do you even<br>&nbsp;&nbsp;&nbsp;&nbsp;know who you've made an enemy of?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that nice of you?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be worrying about yourself?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the point of<br>
&nbsp;&nbsp;&nbsp;&nbsp;getting all heated up *now*?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *do* know what's going<br>
&nbsp;&nbsp;&nbsp;&nbsp;on in Academy City now, right?<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a clue as<br>&nbsp;&nbsp;&nbsp;&nbsp;to how valuable you are!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My only objective is you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything else is icing on the cake.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the List of Prohibited Books<br>&nbsp;&nbsp;&nbsp;&nbsp;is insignificant compared to you.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are without a doubt an enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church now.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we use whatever means<br>&nbsp;&nbsp;&nbsp;&nbsp;are necessary to defeat our enemies.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it means wiping<br>&nbsp;&nbsp;&nbsp;&nbsp;out the entire nation of Japan.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, it is personally<br>&nbsp;&nbsp;&nbsp;&nbsp;signed by the Roman pope himself.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it sound like<br>&nbsp;&nbsp;&nbsp;&nbsp;I was kidding? Well then,<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will now kill every<br>&nbsp;&nbsp;&nbsp;&nbsp;single person in this shop!<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And away it goes!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Vera.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Status report, over.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nancy!<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>&nbsp;&nbsp;&nbsp;&nbsp;A side effect of the magic?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which bento box do you want?<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's Chinese *donburi* or fish here.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right about now, Sissy and that rotten troglodyte<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are enjoying the<br>&nbsp;&nbsp;&nbsp;&nbsp;city nightlife together...<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! It's time for<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sudden Variety." The TV, the TV...<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intruder Disturbance in Academy City"<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, there is word of an intruder disturbance in Academy City.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accompanying this is word<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intruder Disturbance in Academy City"<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there has been damage extending all across Academy City.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, we are receiving footage now.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intruder Disturbance Strikes Academy City"<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One moment please"<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did we get any reports<br>&nbsp;&nbsp;&nbsp;&nbsp;about what we just saw?<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, if one person really<br>&nbsp;&nbsp;&nbsp;&nbsp;did overpower Antiskill,<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that intruder has a<br>&nbsp;&nbsp;&nbsp;&nbsp;considerable risk factor.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it really does get out of hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill will request backup.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until then, we'll work<br>&nbsp;&nbsp;&nbsp;&nbsp;on as much paperwork as--<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ought to shake<br>&nbsp;&nbsp;&nbsp;&nbsp;off their sense of smell.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Him, huh?<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me! Take me into protective custody!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In your face! I'm saved!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you try anything, your relationship<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with that brat you tried so<br>&nbsp;&nbsp;&nbsp;&nbsp;hard to protect will be through!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Wait a second, Accelerator!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spare me--<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Get away from that man!<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a real scene of carnage.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how they were planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to attack Academy City, is it?<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going to impale each<br>&nbsp;&nbsp;&nbsp;&nbsp;and every incapacitated person.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no good, huh?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aiho!<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 5,<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;based on testimony at the<br>&nbsp;&nbsp;&nbsp;&nbsp;scene and databank cross-referencing,<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the following person is wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;as the primary person of interest<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a case of attempted murder.<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are collapsing left and right.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator roars at the unrest<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading through Academy City.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, giant wings<br>&nbsp;&nbsp;&nbsp;&nbsp;dance across the skies.<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could those actually be...?<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Testament."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>