# 42 - Serial Number (Specimen Number)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Archbishop!<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow-w-w...<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the item written in this report true?<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They do say that the<br>&nbsp;&nbsp;&nbsp;&nbsp;world moves at your word.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you suddenly set<br>&nbsp;&nbsp;&nbsp;&nbsp;foot into a lady's bathroom, Stiyl!<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's most inappropriate<br>&nbsp;&nbsp;&nbsp;&nbsp;for a clergyman!<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, just answer me!<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now,<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please fill in the details. Now!<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My vestments are clinging to me,<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;immodestly revealing my extremities...<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is wrong! Look away, Stiyl!<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not mean to let anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who pleases see my body!<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kore ijou tooku made<br>
&nbsp;&nbsp;&nbsp;&nbsp;tobenai tori ga ita*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kizu mo nai rippa na<br>
&nbsp;&nbsp;&nbsp;&nbsp;hane de aozora wo najitta*<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo warukunai*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano sora wa takakunai*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo yoku wa nai*<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karada de kanjiru sokudo wo osorete'ru*<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare ni demo chansu wa moteru*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sono saki e yukenai*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitatenai*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitachitai*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kanaetai negai<br>
&nbsp;&nbsp;&nbsp;&nbsp;no mukou de kagayaku*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ga iru*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitomi ni utsusu*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mirai ni tatte itsumo tsuyokute"*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sonna kimi ga boku sa*<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi wa mada mabushii kedo*<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji kimochi de kono te nobashite*<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*itsuka tsukamu genjitsu no boku ga*<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ni naru yo*<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#18 Serial Number (Specimen Number)<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would the archbishop<br>&nbsp;&nbsp;&nbsp;&nbsp;buy us such a complicated,<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;problematic device as this?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake,<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can just do your laundry<br>&nbsp;&nbsp;&nbsp;&nbsp;down at the river, right?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The river would be<br>&nbsp;&nbsp;&nbsp;&nbsp;going too far.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, apparently, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to press this button.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you won't<br>&nbsp;&nbsp;&nbsp;&nbsp;give in and wash by hand?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's try to press on a little longer.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our dream fully-automated<br>&nbsp;&nbsp;&nbsp;&nbsp;washing machine is right in front of us.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you already<br>&nbsp;&nbsp;&nbsp;&nbsp;finish today's wash this evening?<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Since<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't have any laundry...<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have laundry right here.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to take your<br>&nbsp;&nbsp;&nbsp;&nbsp;clothes off to make more laundry!<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't you two copy her!<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have to say, a Japanese *yukata*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seems put together to<br>&nbsp;&nbsp;&nbsp;&nbsp;make it very easy to take off.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... Miss Kanzaki, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;one of those who forgoes underwear.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the way<br>
&nbsp;&nbsp;&nbsp;&nbsp;you wear a *yukata*!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is quiet.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only wanted to see one work.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Far East denomination...<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a retired<br>&nbsp;&nbsp;&nbsp;&nbsp;ninja now, but what is it?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the manual here,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it says "please separate<br>&nbsp;&nbsp;&nbsp;&nbsp;non-colorfast items."<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that dyed sash<br>&nbsp;&nbsp;&nbsp;&nbsp;of yours gonna be all right?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Cancel! Where<br>&nbsp;&nbsp;&nbsp;&nbsp;is the cancel button?!<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are not<br>&nbsp;&nbsp;&nbsp;&nbsp;wearing underwear, huh?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...! Gekota!<br>&nbsp;&nbsp;&nbsp;&nbsp;Gekota! Gekota! Gekota!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, good grief.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you finish the paperwork?<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, huh?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?! I can get a Pyonko<br>&nbsp;&nbsp;&nbsp;&nbsp;together with my Gekota?!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!!<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that means...<br>&nbsp;&nbsp;&nbsp;&nbsp;you're Misaka's sister?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yes," affirms Misaka,<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;including her serial number,<br>&nbsp;&nbsp;&nbsp;&nbsp;10032, just in case.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't recognize you<br>&nbsp;&nbsp;&nbsp;&nbsp;without your goggles on.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Have you seen a<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka about this height?"<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, indicating a level<br>&nbsp;&nbsp;&nbsp;&nbsp;slightly lower than her chest.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you guys come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with a way to change your sizes?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Judging by your response,<br>&nbsp;&nbsp;&nbsp;&nbsp;you apparently have not,"<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, disappointed<br>&nbsp;&nbsp;&nbsp;&nbsp;by your failure to be of any help.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka had her<br>&nbsp;&nbsp;&nbsp;&nbsp;goggles stolen from her.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must be recovered at once,"<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, implicitly appealing<br>&nbsp;&nbsp;&nbsp;&nbsp;for help through upturned eyes.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Now, it's kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;hard for me to tell you apart.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you could start by<br>&nbsp;&nbsp;&nbsp;&nbsp;taking off your blazer, or something.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you<br>&nbsp;&nbsp;&nbsp;&nbsp;pulling your skirt down for?!<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it, forget it!<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take anything off!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. If you wore some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of accessory, I could tell you apart.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accessory?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, a ring maybe.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ring?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"At that time, she obtained<br>&nbsp;&nbsp;&nbsp;&nbsp;top-secret information<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that if one places a ring<br>&nbsp;&nbsp;&nbsp;&nbsp;received from a boy one likes<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the left ring finger,<br>&nbsp;&nbsp;&nbsp;&nbsp;one is a winner."<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, a ring wouldn't work.<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't stand out enough.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something I can tell at a glance...<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Right now, Misaka is playing<br>&nbsp;&nbsp;&nbsp;&nbsp;tag with one of the lower-number units,"<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;offering a status report.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I can't come home right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I hope you'll make me dinner,"<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;placing her order.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why that dirty brat!<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I shouldn't have opened<br>&nbsp;&nbsp;&nbsp;&nbsp;my home to all three of you.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only she had called my cell phone,<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have found out where she is.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, let go of me! Let me go!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Kikyo,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's your turn to stay here.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going out to look for her, right?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can analyze the<br>&nbsp;&nbsp;&nbsp;&nbsp;sounds in the background,<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can narrow her location down.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, you just let<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister Yomikawa handle that.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that abusing your authority?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finding lost children is *part* of my job!<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's go.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ring...<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...on Misaka's left ring finger...<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, if you don't like that one,<br>&nbsp;&nbsp;&nbsp;&nbsp;should we take it back?<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Please, do not take anything<br>&nbsp;&nbsp;&nbsp;&nbsp;else away from Misaka,"<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka in an<br>&nbsp;&nbsp;&nbsp;&nbsp;earnest, lowered voice.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Animal Donuts"?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, these look yummy!<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mind if I do!<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tweet-tweet-tweet-tweet-tweet...<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"These chicks are smart, not to bite,"<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;utters Misaka in a voice of wonder.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said there were still in<br>&nbsp;&nbsp;&nbsp;&nbsp;the experimental prototype phase,<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but these are pretty good.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They may be experimental...<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but Misaka respects<br>&nbsp;&nbsp;&nbsp;&nbsp;the lives of these chicks...<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you sparking for?<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you guys, what are you doing?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Misaka...<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"M-Misaka just came here<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to get back the goggles that<br>&nbsp;&nbsp;&nbsp;&nbsp;were taken from me," says Misaka...<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"And there was more,<br>&nbsp;&nbsp;&nbsp;&nbsp;but now, I am fixated on these frogs,"<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, changing the subject.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explain yourself better!<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, if you're down here...<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those? Let me see them!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sissy, you can just<br>&nbsp;&nbsp;&nbsp;&nbsp;stay engrossed in your frogs,"<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;states Misaka with cold assertion.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't hurt to look, will it?<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If you want them so badly,<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can have him buy them from<br>&nbsp;&nbsp;&nbsp;&nbsp;that person over there, like Misaka did,"<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, pointing out the right man.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The right man?<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember how you lost our bet,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have to do whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;I say as part of our penalty game?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet here we are, in the<br>&nbsp;&nbsp;&nbsp;&nbsp;middle of our penalty game...<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;make time with everyone else!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really like the sound of<br>&nbsp;&nbsp;&nbsp;&nbsp;my sister that much?!<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Incidentally, what<br>&nbsp;&nbsp;&nbsp;&nbsp;are you doing here, Sissy?"<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, beginning to<br>&nbsp;&nbsp;&nbsp;&nbsp;collect information.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we had a contest over<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival, you see.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, I won the bet,<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as part of the penalty game,<br>&nbsp;&nbsp;&nbsp;&nbsp;I get to drag him around, that's all.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, like, you see...<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In other words, Sissy,<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot be honest with him?"<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, analyzing the data.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you analyzing to figure *that*?!<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to hide! For one thing,<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what's the point of being<br>&nbsp;&nbsp;&nbsp;&nbsp;honest with a guy like this?!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, Misaka will take<br>&nbsp;&nbsp;&nbsp;&nbsp;a different route than the Original.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Check this,"<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, casually<br>&nbsp;&nbsp;&nbsp;&nbsp;showing off to the Original<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the accessory that he bought for her.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka also hugs him from the other side!"<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;blending herself in with the amusement!<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka"? You mean, this sister's sister?!<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serial number 20001.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You have some nerve,<br>&nbsp;&nbsp;&nbsp;&nbsp;strolling up beside Misaka like this,"<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, switching to<br>&nbsp;&nbsp;&nbsp;&nbsp;serious mode before she realizes it.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka is tired of playing that game now,"<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, embarking<br>&nbsp;&nbsp;&nbsp;&nbsp;on her next spot of entertainment.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do you think you're<br>&nbsp;&nbsp;&nbsp;&nbsp;getting away from me?"<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, pulling a rifle out of her bag.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If that's what you<br>&nbsp;&nbsp;&nbsp;&nbsp;call serious, it's laughable!"<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, poking fun.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The real fun is just getting started,"<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, making the<br>&nbsp;&nbsp;&nbsp;&nbsp;final transition to Misaka Full Boost.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The underground mall?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We detected some low<br>&nbsp;&nbsp;&nbsp;&nbsp;frequencies from the call we traced<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the message<br>&nbsp;&nbsp;&nbsp;&nbsp;on the answering machine.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, she's in Area U, which<br>&nbsp;&nbsp;&nbsp;&nbsp;is to say, the underground mall.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, you're telling me to go there?<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, yeah.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, there's no telling<br>&nbsp;&nbsp;&nbsp;&nbsp;whether a girl as quick as she is<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will still be in the same place now.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Accelerator...<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that afraid to<br>&nbsp;&nbsp;&nbsp;&nbsp;direct any good will toward others?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd you say?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to accept the good<br>&nbsp;&nbsp;&nbsp;&nbsp;will shown to you by Last Order,<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you refuse to show any<br>&nbsp;&nbsp;&nbsp;&nbsp;good will from yourself toward her.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you're afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;it will backfire on you,<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there will be no undoing it.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lecturing me?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I don't think someone like<br>&nbsp;&nbsp;&nbsp;&nbsp;me could understand your gloom.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not considering<br>&nbsp;&nbsp;&nbsp;&nbsp;the place you used to be in.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;X-S Institute, right?<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exceptional Esper Multi-Modification<br>&nbsp;&nbsp;&nbsp;&nbsp;Technical Research Institute.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was dumped in that place until I was 9.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The place was a trash heap<br>&nbsp;&nbsp;&nbsp;&nbsp;where they'd dispose of living people.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have at<br>&nbsp;&nbsp;&nbsp;&nbsp;least heard the stories, right?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was my squad that<br>&nbsp;&nbsp;&nbsp;&nbsp;neutralized and dismantled them.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for that.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw it, too--what was lying on<br>&nbsp;&nbsp;&nbsp;&nbsp;the other side of those heavy doors.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I was a monster that not<br>&nbsp;&nbsp;&nbsp;&nbsp;even the X-S Institute could handle.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard about<br>&nbsp;&nbsp;&nbsp;&nbsp;it from Yoshikawa, right?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About what I did<br>&nbsp;&nbsp;&nbsp;&nbsp;in those "experiments"?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's impossible for<br>&nbsp;&nbsp;&nbsp;&nbsp;me to express good will.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, you still hate<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself for that. Am I wrong?<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a little rule<br>&nbsp;&nbsp;&nbsp;&nbsp;that I impose on myself.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not turn a weapon on a child.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they are an esper.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know why?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's why. Sure, maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't compare to your situation.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it doesn't change the<br>&nbsp;&nbsp;&nbsp;&nbsp;fact that we are both indebted.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how flat-footed it leaves us,<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to keep paying it back.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, unlike me, you have power.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are any number of<br>&nbsp;&nbsp;&nbsp;&nbsp;ways you can do it.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I had used my<br>&nbsp;&nbsp;&nbsp;&nbsp;power to stop the experiments...?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I could have held them back<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from pushing their way<br>&nbsp;&nbsp;&nbsp;&nbsp;down a path to their deaths...?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if even now, it's not too late...?<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if...?<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bullcrap.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's by socking away this bullcrap<br>&nbsp;&nbsp;&nbsp;&nbsp;that we pay back our debts.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what was in the report, is it?<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a well-made 3D image, huh?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For heaven's sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;what a complicated bit of mischief.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's contact headquarters<br>&nbsp;&nbsp;&nbsp;&nbsp;and start checking out<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the espers who could do this.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez...<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was all that, exactly?<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That stupid jerk!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does he think<br>
&nbsp;&nbsp;&nbsp;&nbsp;the promise he made *me* is?!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"1st place today"   "1st place all-time"<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it. I don't get it, but...<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it's just my luck.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How come your shoulders are<br>&nbsp;&nbsp;&nbsp;&nbsp;drooping like you're worn out?"<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka...<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...grabbing you from behind<br>&nbsp;&nbsp;&nbsp;&nbsp;like a soothing mascot.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that Mini-Misaka from earlier?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we have here?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, I'm out looking for Toma,<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but along the way, I got hungry, and then...<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can eat, or you can talk; pick one.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, didn't you have<br>&nbsp;&nbsp;&nbsp;&nbsp;something you wanted to tell me?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Thanks.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just one word, huh?<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? My name is Index.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't introduce yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;when your face is dirty.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever seen this kid?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your time, would you?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never forget the faces of people I see.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this is great!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I can look for Toma<br>&nbsp;&nbsp;&nbsp;&nbsp;without worrying about my stomach.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though now that my stomach is full,<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think my reason<br>&nbsp;&nbsp;&nbsp;&nbsp;for finding Toma is as pressing.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you don't say. I'm not<br>&nbsp;&nbsp;&nbsp;&nbsp;helping you look. Ask someone else.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you busy?<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, unfortunately, I'm very busy.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what you're saying is,<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're like a host computer<br>&nbsp;&nbsp;&nbsp;&nbsp;with all the Sisters tied into you?<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Probably closer to a console than a host,"<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka by way of correction.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Misakas have<br>&nbsp;&nbsp;&nbsp;&nbsp;no central point anywhere,<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it doesn't really mean anything<br>&nbsp;&nbsp;&nbsp;&nbsp;for there to be a specific individual<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;acting as the network's 'core,'"<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;brags Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;head held high while lecturing!<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Listen, you helped out<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka during the 'experiments,'<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came to say thank you,"<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, citing<br>&nbsp;&nbsp;&nbsp;&nbsp;a Grateful Crane-like development!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is it you're really up to?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You don't believe me for an instant!"<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, stamping her feet,<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and swinging her arms as hard as she can!<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry! Sorry! My bad! Look...<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll buy you some of that<br>&nbsp;&nbsp;&nbsp;&nbsp;if you'll forgive me! Okay?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"D-Do you think you can<br>&nbsp;&nbsp;&nbsp;&nbsp;sway a girl's delicate feelings<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by buying her food?"<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka indignantly.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, Toma is always<br>&nbsp;&nbsp;&nbsp;&nbsp;going off somewhere, leaving me behind.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be a kind of wanderlust--<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like he's someone who goes<br>&nbsp;&nbsp;&nbsp;&nbsp;off on a journey before he realizes it.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what are you doing down here?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking for someone.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl on your cell phone?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I am?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I still<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't thanked you, huh?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, just be quiet and go away, kid.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still haven't thanked you, huh?<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't just ignore what I'm saying!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that one girl, right?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can help look for her<br>&nbsp;&nbsp;&nbsp;&nbsp;together with you until I find Toma.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'kay?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all...<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what?<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka snatched these from someone,"<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;bragging about her trophy.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? I'm just<br>&nbsp;&nbsp;&nbsp;&nbsp;starting to feel relieved,<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now you're<br>&nbsp;&nbsp;&nbsp;&nbsp;declaring yourself to be a bandit?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, those goggles...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's sister was looking for those.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But these weren't made to fit Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;so she can't wear them right,"<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, a little ruefully.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you could just<br>&nbsp;&nbsp;&nbsp;&nbsp;adjust the length of the band, right?<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you okay?<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like I've seen her before,<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's too small to have been her.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-uh, I don't recognize her, all right.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then give that back!<br>&nbsp;&nbsp;&nbsp;&nbsp;You good-for-nothing little brat!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, all done.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Now Misaka can see perfectly, too!"<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka delightedly!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But what it cost me is<br>&nbsp;&nbsp;&nbsp;&nbsp;by no means a small price,"<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;remembers Misaka Misaka,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while nonetheless demonstrating<br>&nbsp;&nbsp;&nbsp;&nbsp;her joy throughout her whole body!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Listen, Misaka has<br>&nbsp;&nbsp;&nbsp;&nbsp;to be going home soon,"<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;delivering some bad news.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it is getting late, after all.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I really do wish we<br>&nbsp;&nbsp;&nbsp;&nbsp;could stay together longer,"<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka... despondently.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Our meeting like this<br>&nbsp;&nbsp;&nbsp;&nbsp;was just a coincidence,<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the part about wanting<br>&nbsp;&nbsp;&nbsp;&nbsp;to thank you was the truth,"<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;pouring out her heart.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think he's going to be worried.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He"?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If Misaka is too late,<br>&nbsp;&nbsp;&nbsp;&nbsp;he may come looking for her.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka doesn't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a bother or anything,"<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka with a smile.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, sounds like a nice guy, doesn't he?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He's weak. He's been hurt an awful lot,<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since not only could he<br>&nbsp;&nbsp;&nbsp;&nbsp;not protect what he had in hand,<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now the same hands that<br>&nbsp;&nbsp;&nbsp;&nbsp;scooped them up are in shambles.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she doesn't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to burden him any further.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now Misaka is going to protect him!"<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka unburdening herself.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's Toma!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy you're looking for?<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch... Go ahead.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But what about your friend?<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I just found mine, too.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, I'll be going. Thanks.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm back!"<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;offering the standard greeting--<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey, why do you keep chopping<br>&nbsp;&nbsp;&nbsp;&nbsp;me without saying anything?"<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;holding her head and faking crying.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, what<br>&nbsp;&nbsp;&nbsp;&nbsp;have you been doing up to now?<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Playing with someone,"<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, answering honestly.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma! I finally found you!<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing down here?<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? You know what?<br>&nbsp;&nbsp;&nbsp;&nbsp;I had that man help me out of a jam.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, which man?<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator!<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come quick, or you'll be left behind!<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, pipe down, you dirty brat.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitori de ii to tsubuyaita*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to aru sekai no chuushin de*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokei no hari wo orimagete*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hitomi tojite'ta*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sugisatta toki wa modosenai kedo*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ano hi oshiete kureta yo ne*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore de ii n' da to*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Megurimeguru kisetsu ni kimi ga ita kiseki*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kowarete'ta tokei sae ugokidasu kara*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima wa sou muryoku na garakuta da kedo*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fushigi da ne kaerareru sonna ki ga suru*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no koe ga ima mo mada*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*koko ni aru kara*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man in a white coat appears.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The city is suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;awash in the scent of danger.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, even someone<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Right Seat of God shows up.<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Researcher."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>