# 36 - Belvedere (The Observatory)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the midst of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival,<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana Thomson continues her<br>&nbsp;&nbsp;&nbsp;&nbsp;flight across Academy City.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As myself and Stiyl give chase,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're shown up by her,<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while Tsuchimikado is picked off.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even Himegami, who just happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to be standing there, was set upon.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Oriana,<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, you'll pay for this!<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belvedere (The Observatory)<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado? Sorry,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I lost sight of Oriana.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea where<br>&nbsp;&nbsp;&nbsp;&nbsp;she might have been headed?<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This bus appears to circle<br>&nbsp;&nbsp;&nbsp;&nbsp;around School District 7,<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but where she might<br>&nbsp;&nbsp;&nbsp;&nbsp;get off is... hold on a sec.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Kami?<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, why is Oriana<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around town?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Well, because<br>&nbsp;&nbsp;&nbsp;&nbsp;we keep chasing after her--<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, before that.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's no deal for the Croce di Pietro,<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it isn't to meet anyone, right?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, her strolling around the city<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is just going to increase her risk, isn't it?<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the case,<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that there's a reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why Oriana is acting all by herself.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What reason?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know that much,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she may have been searching<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the conditions they<br>&nbsp;&nbsp;&nbsp;&nbsp;need to use the Croce di Pietro.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conditions?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There has to be some special<br>&nbsp;&nbsp;&nbsp;&nbsp;circumstance, or they can't use it?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked Stiyl to check into that for us.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it,<br>&nbsp;&nbsp;&nbsp;&nbsp;he forwarded me an email from Orsola.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send it to you, too.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I read it, Kami. It appears<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a record dealing with<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the cleaning of the vault<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro was in.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did it say?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the Croce di Pietro was stored,<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they were neurotically sensitive<br>&nbsp;&nbsp;&nbsp;&nbsp;about not letting any light hit it.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Light?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must have been trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep it from inadvertently activating.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean that<br>&nbsp;&nbsp;&nbsp;&nbsp;it activates when the sun hits it?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, then she<br>&nbsp;&nbsp;&nbsp;&nbsp;would have already done so.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, it says to finish the<br>&nbsp;&nbsp;&nbsp;&nbsp;cleaning during the daytime.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, time doesn't enter into it.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there was apparently a<br>&nbsp;&nbsp;&nbsp;&nbsp;problem with the caretakers.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They would use horoscopes to<br>&nbsp;&nbsp;&nbsp;&nbsp;do astrology while on duty.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Astrology? If they did their<br>&nbsp;&nbsp;&nbsp;&nbsp;cleaning during the daytime,<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was nighttime light they were wary of.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, it was the stars.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. By enlisting the figures<br>&nbsp;&nbsp;&nbsp;&nbsp;in the night sky into magical arrays,<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could obtain an<br>&nbsp;&nbsp;&nbsp;&nbsp;enormous amount of power.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the Croce di Pietro acts like an antenna<br>&nbsp;&nbsp;&nbsp;&nbsp;to collect the light of the night sky,<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would mean Oriana is<br>&nbsp;&nbsp;&nbsp;&nbsp;out looking for the optimum spot<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in which to set up an antenna.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Peter died on June 29th.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, Japan's latitude and longitude<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't the same as the Vatican's.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they can't overcome those problems,<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it rules out the constellation use theory.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, we don't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;more time to think about it.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just get moving.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we work under the assumption<br>
&nbsp;&nbsp;&nbsp;&nbsp;that they *are* using constellations,<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then our time limit would have to be...<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sundown? Well, what should I do?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing up here?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Index?!<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like Kanzaki Kaori<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't here after all.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia...<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you're going to say.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl that you engaged<br>&nbsp;&nbsp;&nbsp;&nbsp;was an ordinary civilian.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her name is Himegami Aisa.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite possessing an<br>&nbsp;&nbsp;&nbsp;&nbsp;extremely significant power,<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is not particularly a magician.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Celtic cross was nothing more<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than an accessory to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;her power under wraps,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she is not the least bit aggressive.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How awful...<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Truly awful, indeed.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have struck out at a civilian<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who had nothing to do with this operation.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this makes it twice.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are sinners who stray,<br>&nbsp;&nbsp;&nbsp;&nbsp;do wrong, and seek salvation,<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who we are to protect.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must not make any more mistakes.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For her sake, we must<br>&nbsp;&nbsp;&nbsp;&nbsp;use the Croce di Pietro,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bring Academy City under our control.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so sure everything<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to work out.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By placing Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;within our hands,<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will all of everyone's problems<br>&nbsp;&nbsp;&nbsp;&nbsp;really be solved?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, why aren't you<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone else in your class?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't competed in any<br>&nbsp;&nbsp;&nbsp;&nbsp;events all afternoon, huh? Why not?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, I was helping out<br>&nbsp;&nbsp;&nbsp;&nbsp;with the steering committee.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's weird. I sent a text<br>&nbsp;&nbsp;&nbsp;&nbsp;out to the guys in my class.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A text?<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I didn't have any service.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe the signal<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't reach the service center.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-In any case, Index,<br>&nbsp;&nbsp;&nbsp;&nbsp;you go back to where the others are.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, Toma, they said<br>&nbsp;&nbsp;&nbsp;&nbsp;next up is group gymnastics.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you be there?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I will. I'll finish up my<br>&nbsp;&nbsp;&nbsp;&nbsp;assistance as quick as I can.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna be there. So will<br>&nbsp;&nbsp;&nbsp;&nbsp;you wait for me there, Index?<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that, Kami.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's finish up our assistance quick.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with this many people around...<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wait up!"<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, catching up.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What's the problem? Misaka was<br>&nbsp;&nbsp;&nbsp;&nbsp;only looking at the souvenirs!"<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka by way of protest.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Stiyl?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've finished treating the schoolgirl.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is Himegami?!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't even want to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to use that spell again.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the time being,<br>&nbsp;&nbsp;&nbsp;&nbsp;we've kept her from going into shock.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the doctor's job from here on, though.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, man...<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's with the wussified voice?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention<br>&nbsp;&nbsp;&nbsp;&nbsp;of getting chummy with--<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still haven't told you thank you.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you hadn't been here, Himegami<br>&nbsp;&nbsp;&nbsp;&nbsp;would've... Himegami would've...<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that. We're still not certain<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's going to survive.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, I... I...<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like you're busy,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll catch you later.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call Tsuchimikado!<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like he's onto something.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm heading there, too,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I can get away from this lady!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I was right after all.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, what do<br>&nbsp;&nbsp;&nbsp;&nbsp;we do with this discrepancy?<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Fukiyose?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you feeling any better?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing fine.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind me, are there<br>&nbsp;&nbsp;&nbsp;&nbsp;any problems at the Daihasei Festival?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens, Himegami is in a real fix.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me those idiots<br>&nbsp;&nbsp;&nbsp;&nbsp;did something again!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, she was attacked<br>&nbsp;&nbsp;&nbsp;&nbsp;by someone, and taken to the hospital.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attacked?!<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Kamijo and his<br>&nbsp;&nbsp;&nbsp;&nbsp;friend hadn't been there,<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;things may have turned out a lot worse.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, the priest just went by!<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Priest!<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A priest?<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is going on in this city?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So sure enough, the constellations<br>&nbsp;&nbsp;&nbsp;&nbsp;hold the key to activating it.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but, it was summer when<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro was used before.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt they can substitute the<br>&nbsp;&nbsp;&nbsp;&nbsp;autumn constellations.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something else here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Some gimmick that we haven't figured out.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we don't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;more time to kick it around.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The English Puritan Church?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I reaching the cell phone<br>&nbsp;&nbsp;&nbsp;&nbsp;of Mr. Stiyl Magnus?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wrong number?!<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so terribly sorry!<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, that voice--is that you, Orsola?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, then you must be...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all your help earlier.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, I am fitting<br>&nbsp;&nbsp;&nbsp;&nbsp;right in around here--<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, if you have something<br>&nbsp;&nbsp;&nbsp;&nbsp;to report, could you hurry it up?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, yes, the other day,<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kanzaki showed me where<br>&nbsp;&nbsp;&nbsp;&nbsp;this delicious Japanese restaurant is--<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, tell us whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;information you've discovered already!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I have learned more<br>&nbsp;&nbsp;&nbsp;&nbsp;about the conditions needed<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the Croce di Pietro.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is said to be some<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of large-scale fixture<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for using the power of the constellations.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but we already knew that.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that right?<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, you must also know that<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it can freely activate anywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;in the world, regardless of season.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I found that together with Miss Sherry,<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we at long last had something.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second.<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to use the Croce di Pietro,<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one must have a firm grasp of<br>&nbsp;&nbsp;&nbsp;&nbsp;the area where it will be employed,<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then select the most fitting<br>&nbsp;&nbsp;&nbsp;&nbsp;of eighty-eight constellations for that area,<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before the conditions<br>&nbsp;&nbsp;&nbsp;&nbsp;to activate it can be achieved.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean...<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, while there are various restrictions,<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;practically speaking, control by the<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church is possible<br>&nbsp;&nbsp;&nbsp;&nbsp;anywhere in the entire world.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're starting to get it. You mean<br>&nbsp;&nbsp;&nbsp;&nbsp;that Peter allows a lot of latitude<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the location of his martyrdom.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if they chose a location,<br>&nbsp;&nbsp;&nbsp;&nbsp;what about the time?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;St. Peter was put to death on June 29th.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the precise<br>&nbsp;&nbsp;&nbsp;&nbsp;date when the Croce di Pietro<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was used at the Vatican.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean they intentionally<br>&nbsp;&nbsp;&nbsp;&nbsp;took it on that date?<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were prepared to die for it.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not such an impossible tale.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Orsola, have you found<br>&nbsp;&nbsp;&nbsp;&nbsp;out at what location they would use<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro in<br>&nbsp;&nbsp;&nbsp;&nbsp;Japan today, September 19th?<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But of course I have found that out.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Look, look, Mikoto!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A quasi-five-dimensional kaleidoscope!<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, how fascinating!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay away from those shady goods.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pick something that will be more memorable.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you are being so girly.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You be quiet, you dumb mother!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I know the clammy feel of that gaze...<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sissy, is that lady<br>&nbsp;&nbsp;&nbsp;&nbsp;a member of your family?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! What is this...?<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This... hyperinflated version<br>&nbsp;&nbsp;&nbsp;&nbsp;of Sissy's aura...?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn it, if that is how it is,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will psych myself up,<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have the both of you bring it on!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, Kuroko, are you...?<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto, does your girliness<br>&nbsp;&nbsp;&nbsp;&nbsp;swing that way, as well?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? N-No!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Kuroko! Hurry and<br>&nbsp;&nbsp;&nbsp;&nbsp;snap back to reality!<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Geez, wake up, you!<br>&nbsp;&nbsp;&nbsp;&nbsp;--S-Sissy!<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning! Good morning!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that boy...<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the reason why<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana was walking around<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was because she was seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;whether that location would work?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Everywhere we've been up to now<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has had buildings or roadside<br>&nbsp;&nbsp;&nbsp;&nbsp;trees blocking out the sky.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That leaves only one point.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she will be going there.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experimental airport<br>&nbsp;&nbsp;&nbsp;&nbsp;in School District 23?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There won't be anything to<br>&nbsp;&nbsp;&nbsp;&nbsp;obscure the sky there.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to take so long.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, what is the deal with that lady?<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I used a repel spell,<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as I left the affected area,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she would catch up to me again.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about that, what do we do?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 23 is<br>&nbsp;&nbsp;&nbsp;&nbsp;under incredibly tight security.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we going to be able to get in?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no problem.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just use the "Just-this-once"<br>&nbsp;&nbsp;&nbsp;&nbsp;prerogative that only I have.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prerogative?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is strange.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time for final preparations.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there still a short<br>&nbsp;&nbsp;&nbsp;&nbsp;while before the appointed time?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The security situation is changing strangely.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like they've<br>&nbsp;&nbsp;&nbsp;&nbsp;caught on that I'm nearby.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, the location<br>&nbsp;&nbsp;&nbsp;&nbsp;of our belvedere...<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably. But it seems<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the most practical place.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't involve any<br>&nbsp;&nbsp;&nbsp;&nbsp;more civilians here, either.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You get ready, as well.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's now bring Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;under our control.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like pushing a maiden of light,<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unaware of anything<br>&nbsp;&nbsp;&nbsp;&nbsp;before now, into the mud.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had them alter the security<br>&nbsp;&nbsp;&nbsp;&nbsp;status of School District 23 a bit.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take advantage of that confusion.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro will<br>&nbsp;&nbsp;&nbsp;&nbsp;be activated just after sundown.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably between the hours of 6 and 7.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's ten minutes to the<br>&nbsp;&nbsp;&nbsp;&nbsp;District 23 terminal station.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means once we get there,<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll only have twenty-five<br>&nbsp;&nbsp;&nbsp;&nbsp;minutes before time is up.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to be clear on the matter,<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you intend to face<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana in your condition?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish like crazy I could get some rest.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But District 23's security is not so lax<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the two of you can break in alone.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we get on this train,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no turning back.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killing will be all that awaits us.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ready for this, Kamijo Toma?<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. We're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;put a stop to all of this.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And one other thing...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember this: I have no<br>&nbsp;&nbsp;&nbsp;&nbsp;intention of ending this with killing.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma isn't here?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, how do you mean...<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you have entrusted<br>&nbsp;&nbsp;&nbsp;&nbsp;your precious son to me,<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I cannot account for his actions.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is just one<br>&nbsp;&nbsp;&nbsp;&nbsp;thing we'd like to ask you.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, what is it?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma is acting voluntarily, right?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't being dragged<br>&nbsp;&nbsp;&nbsp;&nbsp;around by someone else?<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes. That is correct.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, it's something that means<br>&nbsp;&nbsp;&nbsp;&nbsp;more to Toma than competing.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't come up with any<br>&nbsp;&nbsp;&nbsp;&nbsp;reason to stop him, can you?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turning the skies of<br>&nbsp;&nbsp;&nbsp;&nbsp;heaven to our housetop,<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to establish<br>&nbsp;&nbsp;&nbsp;&nbsp;peace in this land,<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I now call on the blessing<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Holy 12 Apostles.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The security around<br>&nbsp;&nbsp;&nbsp;&nbsp;here is focused on the skies.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't that many<br>&nbsp;&nbsp;&nbsp;&nbsp;places to hide here, after all.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, how is Oriana<br>&nbsp;&nbsp;&nbsp;&nbsp;getting into the airport?<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must have<br>&nbsp;&nbsp;&nbsp;&nbsp;already done whatever it is.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, we're running out of time.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, we'll just use that.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're near the public airport.<br>&nbsp;&nbsp;&nbsp;&nbsp;The skies are crowded with both<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;passenger planes<br>&nbsp;&nbsp;&nbsp;&nbsp;and experimental craft.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The monitoring crafts have<br>&nbsp;&nbsp;&nbsp;&nbsp;to alter their patrol routes regularly,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent mid-air collisions.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we sneak in under their blind spots,<br>&nbsp;&nbsp;&nbsp;&nbsp;we should be able to manage.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Tsuchimikado!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, Kami?<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay, Tsuchimikado?!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on... Kami...!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Destroy that page...<br>&nbsp;&nbsp;&nbsp;&nbsp;and the two of you go on...!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, can't you<br>&nbsp;&nbsp;&nbsp;&nbsp;heal him with your magic?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think she's going to wait for that?!<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flame to my hand!<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its form, a sword;<br>&nbsp;&nbsp;&nbsp;&nbsp;its purpose, conviction!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the saint isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;coming after all, huh?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means,<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it's just the three of you.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A barrier?<br>&nbsp;&nbsp;&nbsp;&nbsp;She's cut off all communication.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my!<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so responsive that<br>&nbsp;&nbsp;&nbsp;&nbsp;I can get my satisfaction on the side.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Break apart!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you guys still cave all too quickly.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will stop you, right here.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not letting you<br>&nbsp;&nbsp;&nbsp;&nbsp;use the Croce di Pietro.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean to mess up Academy City,<br>&nbsp;&nbsp;&nbsp;&nbsp;and ruin the Daihasei Festival,<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I swear, I will stop you!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How unkind to call it "messing up."<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro removes<br>&nbsp;&nbsp;&nbsp;&nbsp;the wall between magic and science,<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and might just lead the<br>&nbsp;&nbsp;&nbsp;&nbsp;people of the world to happiness.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Happiness?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How nice. I can kind of see<br>&nbsp;&nbsp;&nbsp;&nbsp;how those words might sound nice.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the problem I have with it<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that by you using the<br>&nbsp;&nbsp;&nbsp;&nbsp;Croce di Pietro right here and now,<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to wreck the Daihasei Festival!<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So many people treasure<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival.<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how great the religion<br>&nbsp;&nbsp;&nbsp;&nbsp;that you settle down with is,<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way you have the<br>&nbsp;&nbsp;&nbsp;&nbsp;right to deprive them of those feelings!<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that much of<br>&nbsp;&nbsp;&nbsp;&nbsp;an emotionally-charged argument<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to sway me?<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's all it takes to hurt you,<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you're out of order to begin with.<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you say the same thing<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of Fukiyose and<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, the ones you injured?<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, that's all I<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to say. Except...<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're still thinking of<br>&nbsp;&nbsp;&nbsp;&nbsp;doing anything in my town,<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will wipe out any illusions of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;till there are no traces left!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how lofty your goal is--<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how admirable your cause is--<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by no means will I let you do as you please!<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let it end like this!<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Croce di Pietro."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>