# 26 - The Book of Law

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Archbishop!<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you...<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...call me not by that name.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a place like this, without an escort?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wish to speak, can we<br>&nbsp;&nbsp;&nbsp;&nbsp;not do it at St. George's Cathedral?<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall not e'er be confined<br>&nbsp;&nbsp;&nbsp;&nbsp;within that old minster.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall speak as we walk.<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose that will do.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a wee lad, are you, Stiyl?<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or perchance you cannot indulge<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself to walk alongside me?<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Laura Stuart, may I ask you a question?<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How rigid of you. What is it?<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is it that you speak in<br>&nbsp;&nbsp;&nbsp;&nbsp;such a ridiculous manner as you do?<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, huh? Is it strange?<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even went and checked<br>&nbsp;&nbsp;&nbsp;&nbsp;with an actual Japanese person!<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who exactly would that be?<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone named Tsuchimikado Motoharu.<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, don't take him to<br>&nbsp;&nbsp;&nbsp;&nbsp;be a standard Japanese person.<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A communications talisman?<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know of the name<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Book of the Law" right?<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grimoire name?<br>&nbsp;&nbsp;&nbsp;&nbsp;Its author, as I recall,<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is Edward Alexander.<br>&nbsp;&nbsp;&nbsp;&nbsp;The original text is said to be<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church's Vatican Library.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it is said<br>&nbsp;&nbsp;&nbsp;&nbsp;that no one can decipher it.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even the List of Prohibited Books,<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has memorized the 103,000 volumes.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if someone who can decipher<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Book of the Law" came forward?<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shh!<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This person is said to be a Roman<br>&nbsp;&nbsp;&nbsp;&nbsp;Orthodox nun, named Orsola Aquinas.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, "The Book of the Law"<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has become an instrument<br>&nbsp;&nbsp;&nbsp;&nbsp;in the power struggle?<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. Not yet, at least.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Book of the Law" and Orsola Aquinas--<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the two of them have reportedly<br>&nbsp;&nbsp;&nbsp;&nbsp;been made off with together.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we discuss the matter<br>&nbsp;&nbsp;&nbsp;&nbsp;in greater detail inside?<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#02 The Book of the Law"<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second term is a busy one.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the Daihasei Festival,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Ichihanaran Festival,<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Arts Appreciation Festival,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Field Trip Festival,<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a festival-apalooza, you know?<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Sphinx, are you okay?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I've got nothing to do!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bored! It's no fun!<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma doesn't ever play with me!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma must have<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma's own reasons.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though he's tied up<br>&nbsp;&nbsp;&nbsp;&nbsp;with school because he wants to be.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maika, how come *you're<br>
&nbsp;&nbsp;&nbsp;&nbsp;*not tied up with school?<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the exception.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fundamentals of a maid's<br>&nbsp;&nbsp;&nbsp;&nbsp;studies are practical, after all.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll become a maid, too!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then maybe I'll go visit Toma's class.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... a maid has a tough road to follow.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too hard for a girl who<br>&nbsp;&nbsp;&nbsp;&nbsp;has zero housekeeping skills.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Then, I'll make Toma a maid!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, maybe I'll have Toma come visit!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd be kind not to say<br>&nbsp;&nbsp;&nbsp;&nbsp;what you just said to Kamijo Toma.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, you're right.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry,<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's no time<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to become a maid,<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nor for you to make him a maid.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Daihasei Festival is coming soon"<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Daihasei Festival--<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a giant field day that all of<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's schools take part in.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its purpose is to observe the<br>&nbsp;&nbsp;&nbsp;&nbsp;large-scale interaction of espers.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is the one day that the<br>&nbsp;&nbsp;&nbsp;&nbsp;full-strength use of abilities is urged."<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma,<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have lost my memories<br>&nbsp;&nbsp;&nbsp;&nbsp;due to certain circumstances...<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and I do not even remember<br>&nbsp;&nbsp;&nbsp;&nbsp;an event as big as this one.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what should we have for dinner?<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-K-Kamijo Toma!<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an emergency!<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The silver-haired Sister<br>&nbsp;&nbsp;&nbsp;&nbsp;has been taken away by someone!<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, kidnapping! Abduction!<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second. What do you mean?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kidnapper gave me<br>&nbsp;&nbsp;&nbsp;&nbsp;this for when you came home.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kamijo Toma...<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...If you value her life,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;come to the site of the abandoned<br>&nbsp;&nbsp;&nbsp;&nbsp;playhouse "Twilight Theater"<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;tonight at 7:00. Come alone."<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, tell me what<br>&nbsp;&nbsp;&nbsp;&nbsp;this dumbass looked like.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... first of all,<br>&nbsp;&nbsp;&nbsp;&nbsp;he was over 180cm tall.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His hair was a deep red, and he<br>&nbsp;&nbsp;&nbsp;&nbsp;had a barcode under his right eye.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had a cigarette in his mouth,<br>&nbsp;&nbsp;&nbsp;&nbsp;and lots of piercings in his ears.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, it's okay, Maika.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This criminal is someone<br>&nbsp;&nbsp;&nbsp;&nbsp;Index and I both know.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The criminal is someone you know?!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is love gone wrong the motive?!<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, no... not the way you mean.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Exit Pass"<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An exit... pass?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe you understand<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation now.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. "The Book of the Law"<br>&nbsp;&nbsp;&nbsp;&nbsp;has been taken away by someone,<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the one who can decipher it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas, has been taken, too.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The culprit appears<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the Amakusa Church.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did they get it out of<br>&nbsp;&nbsp;&nbsp;&nbsp;the drum-tight Vatican Library?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;was moving the Book of the Law<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to a museum in Japan.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is absurd!<br>&nbsp;&nbsp;&nbsp;&nbsp;Something as dangerous as that?!<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, is the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church sounding out<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church for assistance?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. More importantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;something unpleasant has come up.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot reach Kanzaki Kaori.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki was once the<br>&nbsp;&nbsp;&nbsp;&nbsp;head of the Amakusa Church.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she finds out that Amakusa<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is at odds with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church...<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to have this resolved<br>&nbsp;&nbsp;&nbsp;&nbsp;before Kanzaki steps in it.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not care what methods you use.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki is one of not even<br>&nbsp;&nbsp;&nbsp;&nbsp;twenty saints in the whole world.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean,<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you want me to fight Kanzaki?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the situation calls for it.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go contact Academy City for me.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, take this with you.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose you might call it<br>&nbsp;&nbsp;&nbsp;&nbsp;a modest little gift for Orsola.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The List of Prohibited Books...<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to need a specialist, right?<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you dragging Toma into this?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. Why should<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to deal with that guy?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, are we going to<br>&nbsp;&nbsp;&nbsp;&nbsp;the Amakusa's main headquarters?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the situation has changed somewhat.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is this "Twilight Theater"?<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Sister...?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She couldn't be someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who knows Index, could she?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me...<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? What is it?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the right bus to get<br>&nbsp;&nbsp;&nbsp;&nbsp;on if I'm headed to Academy City?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there are no buses<br>&nbsp;&nbsp;&nbsp;&nbsp;going to Academy City.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not just buses.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All modes of transportation<br>&nbsp;&nbsp;&nbsp;&nbsp;from outside have been discontinued.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a gate over there,<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you'll walk over to it...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for taking<br>&nbsp;&nbsp;&nbsp;&nbsp;the trouble to help me out.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said not to get on the bus!<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. So you did.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, walk over there<br>&nbsp;&nbsp;&nbsp;&nbsp;and go in through the gate. Got it?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sorry to have bothered you.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah... Huh?<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! You just smiled at<br>&nbsp;&nbsp;&nbsp;&nbsp;me and pretended to listen, huh?!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like there<br>&nbsp;&nbsp;&nbsp;&nbsp;is something upsetting you.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, it's nothing.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me for saying so,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you are sweating an awful lot.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you! B-By the way,<br>&nbsp;&nbsp;&nbsp;&nbsp;why do you want to go to Academy City?<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, as it happens, I...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...am being pursued.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Pursued?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation is a mess.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our information is<br>&nbsp;&nbsp;&nbsp;&nbsp;becoming snarled, too.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't even know whether or<br>&nbsp;&nbsp;&nbsp;&nbsp;not the Book of the Law is secure.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should introduce myself first.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Agnese Sanctis,<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. So, how is the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa group proceeding?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, we haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;precisely analyzed it ourselves.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of Amakusa's distinctive<br>&nbsp;&nbsp;&nbsp;&nbsp;features is their secrecy.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa doesn't use overt<br>&nbsp;&nbsp;&nbsp;&nbsp;incantations or magical arrays.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of their rituals and processes<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are concealed within<br>&nbsp;&nbsp;&nbsp;&nbsp;normal mannerisms or behaviors,<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so not even a professional<br>&nbsp;&nbsp;&nbsp;&nbsp;magician can tell who they are.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, troublesome bunch.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's Toma!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas?!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big idea?!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you pretend to kidnap her?<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the secret's out?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, we needed your help to<br>&nbsp;&nbsp;&nbsp;&nbsp;find someone who has gone missing.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find someone?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's all right, it's all right.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'll just turn the Sister<br>&nbsp;&nbsp;&nbsp;&nbsp;standing next to you over to us...<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see...<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that Sister there is our<br>&nbsp;&nbsp;&nbsp;&nbsp;missing person, Orsola Aquinas.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right then, good work.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're free to go now.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, what do I get for<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around out in the sun?<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, you did good work, didn't I?<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, do you want me to buy<br>&nbsp;&nbsp;&nbsp;&nbsp;you a shaved ice, or something?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, up to now,<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've tried to get along with you,<br>&nbsp;&nbsp;&nbsp;&nbsp;even knowing we don't hit it off.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right up until this moment!<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, are you<br>&nbsp;&nbsp;&nbsp;&nbsp;asking for more attention?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, I can't soothe<br>&nbsp;&nbsp;&nbsp;&nbsp;your loneliness, nor do I want to.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now turn over Orsola to Agnese at once.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, you said you<br>&nbsp;&nbsp;&nbsp;&nbsp;were being pursued by someone.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Orsola?<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I can't have you<br>&nbsp;&nbsp;&nbsp;&nbsp;handing her over so easily.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas,<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than returning to<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church,<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will live a more meaningful<br>&nbsp;&nbsp;&nbsp;&nbsp;life with us among the Amakusa.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa?!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola!<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't, Toma!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my hand, flame.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its form, a sword. Its purpose...<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I'm too late.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Stiyl, you're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;explain all this from the top, right?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An explanation?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something I wish *I* had.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Theater of the Arts"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Twilight Theater"<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Book of the Law<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a grimoire written in a code<br>&nbsp;&nbsp;&nbsp;&nbsp;that no one in the world can break.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's said that if it ever were deciphered,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one could obtain absolute power.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me...<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is it really all that valuable?<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They even say that if it is ever used,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would mean the end of the world<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ruled by the church of the cross as it is now.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just burn the book?<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grimoires are books that cannot be burned.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all that can be done<br>&nbsp;&nbsp;&nbsp;&nbsp;just to keep them sealed.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um... I'd like to<br>&nbsp;&nbsp;&nbsp;&nbsp;explain what is going on,<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you're ready--<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! No! Stop! Get away!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that goes beyond mere teasing!<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop getting frisky while we're working!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At present, Orsola Aquinas<br>&nbsp;&nbsp;&nbsp;&nbsp;is definitely in Amakusa hands.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is estimated that the number<br>&nbsp;&nbsp;&nbsp;&nbsp;of Amakusa involved in this incident<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is less than fifty.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is also the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that they are now above ground.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't know anything, do we?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going from the traces of<br>&nbsp;&nbsp;&nbsp;&nbsp;magical power left,<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we are tracking<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa's tendencies...<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa is a group that<br>&nbsp;&nbsp;&nbsp;&nbsp;specializes in hiding and fleeing.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will not be easy to catch them.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, there is no way<br>&nbsp;&nbsp;&nbsp;&nbsp;they can break out of our net.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their specialized transfer technique,<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Microcosmic Pilgrimage."<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a process that is limited<br>&nbsp;&nbsp;&nbsp;&nbsp;to use within Japan, though.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put simply, using map magic,<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are forty-seven specialized<br>&nbsp;&nbsp;&nbsp;&nbsp;vortices across Japan,<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they can freely<br>&nbsp;&nbsp;&nbsp;&nbsp;come and go between them.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they send her through<br>&nbsp;&nbsp;&nbsp;&nbsp;a vortex, it's all over.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we just standing around for?!<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because there is no need to hurry.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Microcosmic Pilgrimages are greatly<br>&nbsp;&nbsp;&nbsp;&nbsp;affected by the movement of stars.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can only use their<br>&nbsp;&nbsp;&nbsp;&nbsp;specialized movement at certain times.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The restriction on their<br>&nbsp;&nbsp;&nbsp;&nbsp;use of the transport technique<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be lifted until just after midnight,<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we still have about four<br>&nbsp;&nbsp;&nbsp;&nbsp;and a half hours to work with.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also... Toma, can I borrow<br>&nbsp;&nbsp;&nbsp;&nbsp;your gizmo with the map?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sure...<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is only one vortex<br>&nbsp;&nbsp;&nbsp;&nbsp;they can use within our network.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right here.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then...<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is there anything I can do to help?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after I deliberately told you<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to check and double-check!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, I'm sorry.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like Sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;have their troubles, too.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be Index's tent.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? She's not here.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, where did she go--<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over there?!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa!<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hang on...<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over there, over there...<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's just a slug, isn't it?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-A slug...?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get hold of yourself!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I... was sure that the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa were attacking... and...<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on! Take it easy, Index!<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like you!<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, this isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;what you'd do, right?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You usually just go ahead and...<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Stiyl...<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I'm extremely irritated right now.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got any girls that you like?<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Stiyl?<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have respect<br>&nbsp;&nbsp;&nbsp;&nbsp;for Queen Elizabeth I,<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my taste in women<br>&nbsp;&nbsp;&nbsp;&nbsp;is along the lines of St. Martha.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa Church is that one, right?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one Kanzaki Kaori was in before?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who told you that? Tsuchimikado?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's so, then the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa are friends of Kanzaki's right?<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, you're gonna fight them?<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, I've made up my mind<br>&nbsp;&nbsp;&nbsp;&nbsp;to do anything to protect that girl.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, I will kill<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone. I'll burn them alive.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'll keep burning up their corpse.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swore that a long time ago.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even supposing she<br>&nbsp;&nbsp;&nbsp;&nbsp;has forgotten everything,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't forgotten a single thing.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I will live and die for you."<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to sleep now.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it isn't, which means...<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, hold on, Index...!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, Toma?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Agnese?!<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Papa...<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Papa?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a dream...<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a dream, so no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how much I bite Toma, it's okay...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can work out all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;day's displeasures, and it's okay...!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just a minute, Index.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is without any doubt real life!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Holiness...<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All preparations for the<br>&nbsp;&nbsp;&nbsp;&nbsp;Microcosmic Pilgrimage are complete.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki Kaori,<br>&nbsp;&nbsp;&nbsp;&nbsp;let me show you something--<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the current shape of<br>&nbsp;&nbsp;&nbsp;&nbsp;the multilateral compound<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;integrated church of<br>&nbsp;&nbsp;&nbsp;&nbsp;the cross, the Amakusa Church!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We head to the vortex, together with the Roman Orthodox Church.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After a fierce fight,<br>&nbsp;&nbsp;&nbsp;&nbsp;Tatemiya Saiji reveals a bombshell truth.<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as for Orsola...<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Amakusa Church."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>