# 11 - Sisters (Sisters)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 3rd-ranked esper in all of Academy City\n<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is Zapper, otherwise known as Misaka Mikoto.\n<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, we were acquaintances\nbefore I lost my memory.\n<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Additionally, her look-alike\nyounger sister suddenly showed up.\n<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of them have me,\nKamijo Toma, at their mercy.\n<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it happened, I still hadn't realized\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what the existence of this\n"younger sister" really meant.\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From the reason why I live here *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to everything I encounter in this place, *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*though we may be worlds apart *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wherever I am, my feelings won't budge *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn my back to the pain *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that stabs at my heart, and the sneering *<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of those lucky people who look on *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My fate invites the inevitable suffering *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My legs, starting to shake, remember... *<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...with conviction *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Protecting requires more than just dreams *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and unreliable power *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My hand now knows that, so I won't waver *<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#11 Sisters (Sisters)"\n<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you running away like that for? \n<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beguilingly shaking your ass like that.\n<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that an invitation?\n<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the question:\n<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I, Accelerator...\n<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...doing here, exactly?\n<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reflection...\n<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, too bad. You're close,\nbut that's not the principle I use.\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer is vector transformation.\n<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether kinetic energy,\namount of heat, electrical charge,\n<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or any other vector,\nall it has to do is touch my skin,\n<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I can transform it. \n<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have my default setting on reflect, though.\n<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, on to the\nmatter of the consolation match...\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I am touching your "blood flow."\n<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were to reverse the flow, \n<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you suppose\nwould happen to a person's body?\n<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The correct response wins rest... in peace.\n<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there. \n<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to wonder, where could she have gone?\n<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka...?\n<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there... Excuse me...\n<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're up to it, we'd like you\nto take us to where you found her.\n<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you do that for us?\n<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.\n<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, kid!\n<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?\n<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, no. Her body was\nsupposed to be... right here...\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hey...\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.\n<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kid, there's nothing here.\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There really...\n<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There really was someone who died.\n<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?\n<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here, damn it?!\n<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, kid!\n<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is going on?\n<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm awfully sorry.\n<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I finished the op, I was\nplanning to come back to you,"\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;apologizes Misaka upfront.\n<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, hold on a second.\nYou're Misaka's younger sister, right?\n<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, man, what was all that?\n<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Up until right now,\nI thought that you might be dead.\n<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.\nIt looks like it was nothing at all.\n<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka unmistakably did die,"\nreports Misaka.\n<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is that... you're holding, exactly?\n<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I must verify your password,\njust to be sure,"\n<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, carrying out her word.\n<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"ZXC741ASD852QWE963,"\nsays Misaka, testing you.\n<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, what?\n<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Since you are unable to\ndecode this password at this time,\n<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you do not appear to be part of the experiment,"\n<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;confirms Misaka.\n<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what you've\ngot in the sleeping bag is...\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sisters,"\n<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;answers Misaka.\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I apologize for leaving the black cat behind,"\n<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;expresses Misaka.\n<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But I felt uncomfortable involving\nan animal in a pointless battle,"\n<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;justifies Misaka.\n<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Apparently, I caused you some\nundue concern over this experiment,"\n<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;apologizes Misaka.\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you needn't have worried.\n<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am here... \n<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to inform you...\n<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that all of the Misakas here are Misaka.\n<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?\n<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Misaka that you have\nhad contact with up through today\n<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is serial number 10032, \n<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, this Misaka.\n<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Misakas all utilize\nthe ability to control electricity,\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and our brainwaves\nare all linked to each other.\n<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other Misakas no more than\nshare the memories of No. 10032,"\n<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka continues to explain.\n<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?\n<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cellular clones created as\nmass-produced military models\n<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Sissy Misaka Mikoto, one of only\nseven Level 5s in Academy City,\n<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sisters," answers Misaka.\n<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing, then?\n<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Just an experiment," answers Misaka.\n<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The details are classified top-secret,\nso I cannot explain further,\n<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is not a serious incident,"\n<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;explains Misaka.\n<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I would like to apologize again\n<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for involving you in this experiment,"\n<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, with bowed head.\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, if you would look after the cat...\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Experiment? Military? *<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just what are you doing,\nwandering around here for?!\n<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Misaka...\n<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It's okay!\n--Misaka...\n<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.\n<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it possible that\nshe knew about all of this?\n<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for providing this dinner.\n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too.\n<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, since you're\ncrashing in, you'll start with this.\n<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, please hop to it,\nand cook some meat for the teacher.\n<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm... but,\n<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before I do,\n<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you a scary story\nthat happened in Academy City.\n<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be bursting out into tears\nover any of the seven wonders.\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The contents of the charred *yakiniku* portions...<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are actually carcinogenic.\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! A truly scary story like that one\n<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not one of my summer traditions!\n<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you planning to whittle away my appetite\n<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and monopolize all of\nthe meat for yourself, Himegami?\n<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have company.\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's probably\na house-to-house notice,\n<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so Himegami, could you\nplease handle it politely for me?\n<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the mean time,\nI'm going to cook my own meat...\n<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and eat it by myself.\n<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm starvi--\n<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Who was it?\n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it was nothing at all.\n<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least... At least feed him.\nAt least feed Sphinx.\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma insists on not coming home,\n<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I thought I was going to starve to death.\n<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay. One or two more people won't matter.\n<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The extra-deluxe *yakiniku* set, enough to satisfy everyone, it's *not*.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay! Meat! Meat! Meat!\n<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Summertime Interim Schedule"\n<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next stop, School District 7,\nTokiwadai Middle School Student Dorms.\n<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"208 Misaka - Shirai"\n<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Room 208.\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...\n<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going\nto do once you see her?\n<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to ask her\nabout this ghoulish "experiment,"\n<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that thinks nothing of killing someone?\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?\n<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, um, Misaka? It's Kamijo.\n<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Kamijo, is it?\n<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry,\nI must have the wrong room number.\n<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, it's all right. \n<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I share the room with Sissy.\n<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you do?\n<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I do.\n<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on, I've heard\nthat voice somewhere before.\n<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, it sounds like I've heard\nyour voice somewhere before.\n<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You! You're the gentleman that\nSissy was secretly seeing yesterday!\n<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you need with Sissy?!\n<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, it's nothing that important.\n<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's not that important, \n<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it seems fishy that you\nwould come all the way here.\n<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well, if she's not there, never mind.\n<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy has still not returned.\n<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you need to see her,\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recommend that you come in and wait for her.\n<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Room 208...\n<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it.\n<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come in. It's not locked.\n<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon the intrusion.\n<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's you, all right.\n<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're...\n<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me that after I left,\nyou had an indiscretion with Sissy.\n<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no! No! \n<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Moreover,\nyou don't seem to have come here\n<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to discuss such an amorous tale.\n<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to wait\nfor Sissy, please sit on that bed.\n<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, no, I couldn't do that.\nNot without her permission.\n<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You needn't worry. That's my bed.\n<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that one is Misaka's?\n<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing on someone else's bed?\n<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not, by any chance,\na deviant, are you?\n<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't have you calling me a deviant.\n<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People have things that\nthey won't tell anyone else,\n<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in their minds,\nthey find to be perfectly okay.\n<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, how you will put\nyour mouth on the girl you like's flute,\n<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or steal her bicycle seat.\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No I don't!\n<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, is this really\nwhat it's like at a girls' school?\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,\nif you're sharing a room with Misaka,\n<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you classmates?\nSince you always call her "Sissy,"\n<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured she was your upperclassman.\n<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I really am Sissy's underclassman.\n<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm also a year behind her.\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, why...\n<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had the previous roommate leave,\nand I took her place here.\n<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it was absolutely lawful.\n<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy has many enemies, after all.\n<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's what she\ngets for being so powerful,\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but having someone who sleeps\nin the same room turning on her\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a bit too much to bear, don't you think?\n<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, can I assume\nthat you are a gentleman\n<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who frequently gets into quarrels with Sissy?\n<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, then that's quite all right.\n<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to have even\na glimpse of the face of someone\n<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was supportive of Sissy.\n<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supportive?\n<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she back?\n<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those footsteps... This is bad!\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the head resident is doing a check!\n<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do? If they find out that there's a boy\n<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Tokiwadai Girls' Dorms,\nthere'll be huge trouble!\n<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to have to\nteleport you outside for a bit.\n<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why doesn't my power work on you?\n<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see...\n<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it must be my right hand.\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have much choice.\nPlease, hide underneath the bed here.\n<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I can't! There's not enough...\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just get under there!\n<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...room under here.\n<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai, it's time for supper.\nGather at the dining hall.\n<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Where's Misaka?\n<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy is at her remedial lesson.\nPerhaps it went long.\n<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't heard anything\nabout that. If she is breaking curfew,\n<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she and her roommate will jointly\nreceive one demerit. Understood?\n<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, of course.\n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A zipper?\n<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Radio Noise 'Sisters'..."\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters...\n<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How to elevate 'Accelerator' to Level 6"\n<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"through the use of Radio Noise 'Sisters'."\nLevel 6?\n<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"As a result of using Tree\nDiagram predictive calculations,\n<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is ascertained that there is only one person\n<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is able to reach the\nabsolute ability status of Level 6."\n<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Specific battlegrounds will be prepared,\n<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and by moving forward\nwith battles according to plan,\n<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;development will be\nstimulated through actual combat..."\n<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been playing me.\n<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is she? Where did she go?\n<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The propellers are turning,\neven though the wind isn't blowing.\n<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In wind-powered electricity,\nit's the turning of the propellers\n<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that generates the electricity. \n<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And contrarily, the propellers\nrotate when bathed in electricity.\n<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are electromagnetic\nwaves constantly emanating from her.\n<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, if I were to follow them...\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nThe shocking truth is written in that report.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As Misaka is weighed down to\nthe point of being crushed\n<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by the cruel fate\nawaiting her younger sisters, I...\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Level 6."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,\nthe story begins.\n<br>