# A Certain Magical Index

Kamijo is a student in Academy City, where people use science to develop supernatural abilities. The guy’s got a lot of heart – luckily for a young nun named Index. She’s on the run from a sorcery society that covets the astonishing 103,000 volumes of magical knowledge stored in her memory. When Index stumbles into Kamijo’s life, she find a faithful friend and protector, and while Kamijo’s easily the weakest kid in Academy City, he’s got something else going for him: the Imagine Breaker, an unexplainable power stored in his right hand that negates the powers of others.

# Season 1

# 1 - Academy City

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! Hold up, you punk!\n<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freeze, you master of escape!\n<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma,\n<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was living out what\nI could only believe as being\n<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an adolescence filled with rotten luck.\n<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From the reason why I live here *<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to everything I encounter in this place, *<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*though we may be worlds apart *<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wherever I am, my feelings won't budge *<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn my back to the pain *<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that stabs at my heart, and the sneering *<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of those lucky people who look on *<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My fate invites the inevitable suffering *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My legs, starting to shake, remember... *<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...with conviction *<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Protecting requires more than just dreams *<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and unreliable power *<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My hand now knows that, so I won't waver *<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#01 Academy City"\n<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#01 Academy City"\nYes, it was July 19th.\n<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#01 Academy City"\nUpon entering a restaurant,\n<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\n--giddy that summer vacation began the next day,\n<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What do you say, sweetheart?\n--giddy that summer vacation began the next day,\n<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wanna go somewhere with us for some fun?\n--giddy that summer vacation began the next day,\n<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wanna go somewhere with us for some fun? --and ordering *goya* melon and escargot lasagna,<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It'll be a blast.\n--and ordering goya melon and escargot lasagna,\n<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it happened.\n<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seeing a delinquent starting trouble with a girl,\n<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and thinking that maybe I should\nstep in to help, my luck ran out.\n<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So? Sounds good, right?\n<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...\n<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're bothering her, aren't you?\n<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah, that's much better.\n<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah, sure is.\n--Ah, that's much better.\n<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's this guy?\n<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want something from us?\n<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, geez... What is with this rotten luck?!\n<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn... They finally gave up, huh?\n<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh...\n<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?\n<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Playing Mr. Goody-Goody\nby protecting those delinquents?\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you some dashing teacher?\n<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the reason they stopped coming after me...\n<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. They were a pain,\nso I let them have it.\n<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough...\n<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you know what a railgun is?\n<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rail... gun...?\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also known as a\nsuper-electromagnetic gun.\n<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By making use of\nFleming's kinetic momentum,\n<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one is able to launch projectiles...\n<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...in a manner such as this!\n<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even a coin like that\nhas a fair amount of force\n<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when launched at\nthree times the speed of sound.\n<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean, you used\nthat to take care of that crowd?\n<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take me for an idiot.\n<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do at least know how to\ndeal with powerless Level 0s.\n<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.\n<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't her that I was trying to save.\n<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was trying to save the\nfellows who were careless enough\n<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to get too close to her.\n<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm well aware that there are only seven\n<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of you Level 5 espers here in Academy City.\n<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really should stop\ntalking down to other people.\n<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake, that's something\nsomeone powerful would say.\n<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, I'm a Level 0, here!\n<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if you're a Level 0,\n<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how come you don't have a scratch on you?\n<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can I tell you?\n<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call it ill fortune, or running out of luck,\n<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this really isn't your lucky day.\n<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kamijo"\n<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to the power outage\nfrom last night's lightning,\n<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a sweltering heat wave\nhad taken hold of my place.\n<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So hot...\n<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It also meant that everything in\nmy refrigerator had gone belly-up.\n<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tossed my emergency supply of *yakisoba* noodle cups into the sink,<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;crushing my cash card\nunderfoot as I looked for my wallet,\n<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and took a call, telling me,\n<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kamijo, you're an idiot, so\nyou've got remedial class."\n<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rotten luck.\n<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, it's a nice day. \n<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll hang out my futon;\nthat will change my mood.\n<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As blue as the sky is... \n<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...my future is as dark as night.\n<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, I hope it\ndoesn't suddenly start raining.\n<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already hung it out?\n<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...\n<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's... a girl...? What is she doing here?\n<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those clothes-- she's a Sister?\n<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a foreigner, isn't she?\n<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm...\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so... hungry...\n<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so hungry.\n<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...\n<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so hungry.\n<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She speaks Japanese.\n<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I'm hungry.\n<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, by any chance, are you going\nto tell me, under the circumstances,\n<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you've fallen by the wayside here?\n<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's also known as curb-croaking.\n<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say,\n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure would be glad if you would\nfeed me until my tummy is full.\n<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to see that\nshe finds herself better off\n<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;someplace far away from here.\n<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't mind something like this...\n<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you! I'll do just that!\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delicious. This is really delicious.\n<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It is?\n<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a bowl of mock stir-fry\nthat I made from tossing together\n<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ingredients in the dead refrigerator.\n<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you did! You casually\nadded some sour seasonings\n<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so as to reinvigorate me,\nas exhausted as I am, huh?\n<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ew, it's sour?\n<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to force yourself to eat that.\n<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just unappetizing bachelor cooking.\n<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not unappetizing. \n<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's food that you valiantly prepared for me.\n<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way it could taste bad!\n<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't drag you down to hell with me!\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tell me, why were\nyou out hanging on my veranda?\n<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fell. I was actually trying\nto leap from one roof to the next.\n<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? This is an 8-story building.\n<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't have much choice.\nI was being pursued.\n<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind that,\nI should introduce myself, huh?\n<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Index.\n<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index?\n<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sounds for all the\nworld like an alias, you know?\n<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What index?\nLike a table of contents?\n<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's actually from\n"Index Librorum Prohibitorum."\n<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my magic name is "Dedicatus 545."\n<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means that a lamb\nwho has been consecrated\n<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;keeps the wisdom of the mighty.\n<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Miss Index,\nwhy are you being chased?\n<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe they are after the\n103,000 grimoires that I carry.\n<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Grimoires?\n<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. *The Book of Eibon*. *The Lemegeton*. *The Book of the Dead*.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are some typical examples.\n<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you've got\non you notwithstanding,\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you look pretty empty-handed to me.\n<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am carrying them! 103,000 volumes!\n<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;103,000 volumes? What, do you have\na key to some warehouse somewhere?\n<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm.\n<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going to\ntell me that they're books\n<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that stupid people aren't able\nto see, or something, are you?\n<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just stupid people who can't see them.\n<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wouldn't be any point if you *could* see them.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who is it that's after you?\n<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sorcery society.\n<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Sorcery?\n<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Did I use the wrong Japanese?\nI mean magic. A magic cabal.\n<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this some new religion, or something?\n<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not-so-subtly making fun of me, huh?\n<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not-so-subtly making fun of me, huh?!\n<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. This is too much.\n<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know about many different\nkinds of unusual powers, \n<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but magic is too much.\n<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supernatural abilities aren't anything unusual\n<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in this Academy City, here.\n<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anybody can develop them,\nusing the power of science.\n<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's odd that you believe\nin supernatural powers,\n<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but not sorcery.\n<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what is sorcery?\nWhy don't you show me?\n<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't use it,\nsince I don't have any magical power.\n<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't use it,\n<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't know if there really is\nsuch a thing as sorcery, do you?!\n<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is!\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is such thing as sorcery.\n<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I was born with a\nstrange kind of power, myself.\n<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A strange power?\n<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I touch something with my right hand,\n<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;be it electrical shocks,\nor railguns, or any unusual ability--\n<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;probably even divine\nmiracles, all get canceled out.\n<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with that reaction?! \n<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like you're listening\nto some shady pitchman!\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean...\n<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who I doubt even believes in God\n<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is telling me he can cancel out divine miracles...\n<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's revolting to be made fun\nof by a fake magical girl like you.\n<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not a fake!\n<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then show me something! \n<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you see my right hand negate it,\n<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have no choice but to believe, huh?\n<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine! I'll show you!\n<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here! These clothes!\n<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are a first-class protective barrier,\n<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;known as "The Walking Church."\n<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning what? \n<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep laying these ridiculous\nspecialized terms on me,\n<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I don't know what they mean.\n<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, seeing is believing!\n<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try stabbing me in the\nstomach with this kitchen knife!\n<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you getting at?\n<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a church, in the shape of clothing,\n<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the minimum required\ncomponents needed to call it a church.\n<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can thrust at me with\nthis knife, and it won't hurt me!\n<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there's no way I'm dumb\nenough to say I'll take a stab at it.\n<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep taking me too lightly! \n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an exact copy of the Shroud of Turin,\n<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so its strength is absolute!\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wards off any attack, whether\nphysical or magical, absorbing them!\n<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, so I get it. \n<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying that if it really\ndoes have supernatural powers, \n<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then once I touch it with my right hand,\n<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be blown to smithereens, right?\n<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, assuming your power is real.\n<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine with me!\n<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You asked for it, \n<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now you're gonna get it!\n<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?\n<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't see anything happening.\n<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?\n<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nothing...\n<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, you bit me all over.\n<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, a mosquito from a camping trip?\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened earlier was my fault, so--\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After something like that happened,\n<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how can you speak to me like it was nothing?\n<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well... I suppose I'm\nawfully embarrassed about it, too,\n<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm at a loss for words.\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're making fun of me. Hmph!\n<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That habit...\n<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it reacted like that to my right hand,\n<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then there's no doubt that she\nis involved with supernatural powers.\n<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done!\n<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with the iron maiden?\n<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Japanese, it's called a "mat of pins."\n<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, my remedial class!\n<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go to school now.\nWhat are you going to do?\n<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to stay here,\nI'll give you a key.\n<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay. I'll leave.\n<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I stay here for too long,\nthat bunch will come here.\n<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you don't want your\nplace to blow up, either, right?\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!\n<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!\n<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That right hand of yours...\n<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that it cancels out\ngood luck, the grace of God,\n<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and everything else that goes along with it.\n<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just by having that hand come in\ncontact with the air,\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to keep\nencountering bad luck.\n<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bad Luck"\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rotten luck...\n<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to know what's rotten,\n<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your luck in being born with\nthat kind of power is what's rotten.\n<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you...\n<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have anywhere\nto go once you leave here?\n<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I stay, the enemy will come here, so...\n<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy?\n<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These clothes work by magic, you see.\n<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a search being\ncarried out based on that.\n<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's okay. \n<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I make it to the church,\nthey'll give me sanctuary.\n<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second. How can\nI send you away, knowing that?\n<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, will you accompany\nme into the depths of hell?\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, bye.\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have any more trouble,\nyou're welcome to come back here!\n<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm! When I get\nhungry again, I'll be back--\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are these?! Agathions?\n<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, crap, my remedial class!\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City-- a city of schools,\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"An ultraviolet advisory has\nbeen issued for these districts:"\n<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;packed with dozens of colleges,\nelementary, and middle schools.\n<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's as big as a third of Tokyo,\nwith a population of 2.3 million.\n<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About 80% of us are\nstudents, most of us living here.\n<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an unusual city,\nfeaturing those cleaning robots earlier\n<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and other things roaming about.\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, it's time for remedial class to begin.\n<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotten fired up\nand prepared a quiz for you,\n<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll hand that out right away.\n<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your grades come back poor,\n<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll play the "see-through\ngame" as a punishment.\n<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the "see-through game" \n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the one where you wear\na blindfold and play poker?\n<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the nasty catch that you\nhave to win ten hands in a row \n<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before you can leave.\n<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. The other day,\nwe were stuck here until morning.\n<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Quiz"\n<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Quiz"\nKamijo, you don't have enough development points,\n<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Quiz"\nso you'll be doing the "see-through game" in any case.\n<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komoe is so sweet on you,\nKamijo, there's no helping her.\n<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aogami, can't you sense any\nspite coming from her?\n<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you to take a verbal\nlashing from a little girl like that...\n<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo, you're gonna score major EXP.\n<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got a Lolita complex *and* you're a masochist?<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're beyond redemption.\n<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that I go for lolis, it's that I go for lolis, *too*!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look...\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, you there, if you say one more word,\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'll get "Columbus' Egg."\n<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then.\n<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rotten luck.\n<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder how she's doing.\n<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She forgot her hood at my place, and all.\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what was all that about\n103,000 volumes of grimoires?\n<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where were all of those?\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said they were "right here," but...\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet she comes back\nfor her stuff before long.\n<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher!\n<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo is preoccupied with the\ngirls tennis club fluttering about.\n<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You made her cry.\n--You made her cry.\n<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hostile stares"\n--You made her cry.\n<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is now past curfew.\n<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All students,\nplease return home at once.\n<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It is now well past curfew.\n<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I ended up staying after this late?\n--It is now well past curfew.\n<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I ended up staying after this late?\n--All students, please return home at once.\n<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Lousy luck.\n--All students, please return home at once.\n<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! There he is!\n<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found you, and this time...!\n<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You there! You!\n<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop walking, will you?!\n<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's the bug-zapper middle-schooler.\n<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't call me a bug-zapper!\n<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a proper name-- Misaka Mikoto!\n<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been calling me a\nzapper ever since we first met, huh?\n<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Zapper, you get remedial classes, too?\n<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You be quiet! Today's the day\nI reduce you to a twitching mass,\n<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like a frog with an electrode in its leg,\n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so get your last words\nand affairs in order, you hear me?!\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Nah.\n<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What was that?!\n--Nah.\n<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Did that flip the switch\nin that cowardly head of yours?\n<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious! \n<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to all of that lightning\nyou unleashed yesterday, \n<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the electrical appliances,\n<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not to mention the contents\nof my fridge, have bit the dust!\n<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your own fault for pissing me off!\n<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I don't even know what set you off.\n<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never so much as laid a finger on you!\n<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You haven't even hit me once.\n<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes this a draw, for the both of us.\n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine, you win.\n<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! Take this seriously!\n<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you want me to\ntake this seriously, do you?\n<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fake sorceress in the morning,\nand a zappy esper in the evening.\n<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorceress?\n<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Message... Message...\n<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aggressive EM discharge in\nviolation of the Radio Law detected.\n<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;System malfunction identified.\n<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dumbass!\nDon't zap anything around there!\n<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep quiet! \n<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and get out of here!\n<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cleaning robots? \n<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, what are they cleaning\nup out in front of my place?\n<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can I say? Just my luck.\n<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Index, what are you doing out here?\n<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't lie down here--\n<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?\n<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay with me here, Index!\n<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?! Just who did this to you?!\n<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it was us sorcerers. \n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nStiyl Magnus. That's the name of that sorcerer bastard.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nStiyl Magnus. That's the name of that sorcerer bastard.\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take charge of Index?\nWho exactly are these guys?\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Innocentius."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and\nmagic cross paths, the story begins.\n<br>

# 2 - Innocentius (The Witch Hunter King)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was the first day of summer vacation.\n<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Sister, who had collapsed at my place,\nsaid that her name was Index.\n<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, she was being\npursued by a sorcery society.\n<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But give me a break.\nThis is Academy City, a town of science.\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Koko ni ikiru sono wake mo *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kono basho de deau subete mo *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigau sekai demo *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*doko ni ite mo kono omoi wa yuruganai *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mune wo chikuri to sasu itami *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore wo warau shiawase na monotachi e *<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*se wo mukeyuku *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Touzen no kurushimi wo unmei ga sasou *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Furuedasu ashi ga oboete'ru *<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kakushin ni *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yume dake ja mamorenai *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tayoranai chikara *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kono te ga shiru kara mayowanai *<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#02 Innocentius (The Witch Hunter King)"\n<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?\n<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay with me here, Index!\n<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?!\nJust who did this to you?!\n<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? It was us sorcerers. \n<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, they've gone and done\nanother really ugly number on her.\n<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?\n<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was her reason for\ncoming back here? Who knows?\n<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe she left something here.\n<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was wearing a hood yesterday.\nNow where could she have dropped it?\n<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They searched out the magical\npower in her hood, and came here?\n<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, will you accompany\nme into the depths of hell?\n<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She deliberately risked\nher safety to come back here\n<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep me, a total stranger,\nfrom getting caught up in all of this.\n<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The stupid fool!\n<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, I can't have\nyou looking at me like that.\n<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not the one who carved her up.\n<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm sure Kanzaki didn't\nmean to bloody her up like that.\n<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her habit, a Walking Church,\nprovides an absolute defense.\n<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for some reason, it got torn up.\n<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?\n<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't believe in magic, or fairy tales,\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I can't fathom\ncreatures like you sorcerers.\n<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...\n<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...even you people do have the\nconcept of right and wrong, don't you?\n<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This little girl comes by here, \n<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you chase her down and bloody her...\n<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Faced with the reality of this,\n<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you still incapable\nof saying this is wrong?!\n<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're done saying your piece,\nI wish you would step aside.\n<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to recover that.\n<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Re... cover...?\n<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Recover, recover. The 103,000\ngrimoires she has, to be precise.\n<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, do be careful. \n<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a human such as yourself\nwere to look over just one volume,\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're sure to be left a cripple.\n<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't screw with me! Tell me,\nwhere exactly are these things?!\n<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're there. Inside her head.\n<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has the ability to see something\nonce, instantly memorize it,\n<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and remember it word for word, forever.\n<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, her head is\na library that houses grimoires\n<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which she has seen and memorized\nfrom volumes that are locked,\n<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and cannot be taken from\ntheir places around the world.\n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, she doesn't herself\nhave the power to conjure magic,\n<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she is harmless.\n<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, those 103,000\nvolumes are a bit dangerous.\n<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why we have\ncome to take charge of them,\n<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before those who can\nuse magic take them away.\n<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take... charge...?\n<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, yes. Take charge, take charge.\n<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how decent\nand principled she may be,\n<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt that she can\nwithstand torture and drugs.\n<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you think of the girl's body\nbeing turned over to that crowd,\n<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it pains the heart, doesn't it?\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!\n<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think you are?!\n<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl Magnus...\nis how I'd like to identify myself,\n<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for now, I'll just say I'm "Fortis 931."\n<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Japanese, it means "mighty person,"\n<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but its etymology doesn't matter.\n<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my magic name.\n<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that sound familiar?\n<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Creatures like us sorcerers are\nnot allowed to give our magic names\n<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when we are using our magic.\n<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though it's an old convention,\nand I can't understand why.\n<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's important is that\nI gave you my magic name.\n<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which, among us, could also be called\n<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my killer name.\n<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flames.\n<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this... magic?\n<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will this work on something\nunknown, like magic?\n<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My right hand can cancel out\nunusual powers, but...\n<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never encountered any strange\npowers except for esper powers.\n<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the giant, a gift of pain!\n<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, perhaps I overdid it. That's a shame.\n<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But at that level, he couldn't\nwin once in a thousand tries.\n<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who couldn't?\n<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who couldn't win,\nno matter how many times he tried?\n<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible!\n<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, yeah, right.\nWhat am I so scared for?\n<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My right hand is what destroyed\nher habit, after all, isn't it?\n<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!\n<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it. I finally understand...\n<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...who it was that destroyed the Walking Church.\n<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the five elements\nthat make up the world,\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the great original flame...\n<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The light that\nbrings the blessing of life,\n<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the light of judgment that\nbrings punishment to the wicked.\n<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While it instills gentle blessings,\n<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is also the chilling touch of misfortune\nthat destroys the cold darkness.\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its name is Flame,\nand its function is as a sword.\n<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Manifest thyself!\nFeed upon me to give thee power!\n<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kamijo"\n<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Witch Hunter King, Innocentius.\n<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means "certain death."\n<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of my way!\n<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is my right hand not working?\n<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These flames... keep coming back\nas soon as they're snuffed out!\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Runes.\n<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magical words used by Germanic\ntribes since the second century\n<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;comprised of twenty-four letters\nsignifying arcane mysticism and secrets,\n<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which are the roots of old English.\n<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attacking Innocentius will have no effect.\n<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The walls, the floor, the ceiling--\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He will continue to regenerate\nfor as long as the rune seals \n<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that are engraved nearby are not eliminated.\n<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index, that's you, right?\n<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I am the grimoire\nlibrary belonging to Necessarius,\n<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the 0th parish of the English Puritan Church.\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My formal name is Index Librorum Prohibitorum,\n<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you may shorten that\nand just address me as Index.\n<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am currently invoking the\nautomatic writing of John's Pen--\n<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't do it.\n<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eliminating all of the runes \n<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that have been\nengraved upon this building...\n<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is something you can't possibly do.\n<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ashes to ashes...\n<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dust to dust!\n<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Squeamish...\n<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Blood Rood!\n<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!\n<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna die. I really am gonna die!\n<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really thought I was gonna die.\n<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are these?\n<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these the rune engravings?\n<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap!\n<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!\n<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why isn't it coming after me?\n<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. This dorm is the only\nplace where the runes are posted.\n<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I have to report this to someone.\n<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Pay phone...\n<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not doing this so\nI can run away. Not to run away.\n<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you accompany\nme into the depths of hell?\n<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To choose to go to hell with\na perfect stranger who I just met...\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I thinking?!\n<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me this is to\nextinguish Innocentius’ flames.\n<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That's* the ridiculous reason why I'm soaking wet now?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to Innocentius?\n<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, you really got me. You're amazing.\n<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, if you had carved those\nrunes with a knife or something,\n<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have had zero chance of winning.\n<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absurd. Innocentius is a mass of\n3000-degree Celsius flame!\n<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think just this will extinguish him?!\n<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dimwit. It's not for the flames.\n<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you get off plastering\nstuff on other people's houses?\n<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incredible!\n<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But perhaps you're too under-experienced.\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Copier paper is not the same as toilet paper.\n<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not so delicate that a little water\n<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will make it completely come apart.\n<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill him.\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Impossible.\nMy runes should still be working.\n<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ink.\n<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The copier paper may not be ruined,\n<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when it gets wet,\nthe ink is going to run, you know.\n<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Innocentius... Innocentius!\n<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ashes to ashes...\n<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dust to dust...\n<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Squeamish Blood Rood!\n<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, yeah.\n<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't want to go\ninto the depths of hell with you,\n<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I've got no other choice...\n<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but to drag you back\nup out of the depths of hell!\n<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!\n<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sissy! Oh, Sissy!\n<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew that having remedial\nclasses didn't sound right for you,\n<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sure enough, it was an excuse\nfor you to go out for some nightlife.\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Kuroko...\n<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly what is it about what you see\n<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes you think I'm enjoying any nightlife?\n<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's obvious.\nIf you're passing through here\n<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on your way home from school to the dorms,\n<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then any way you slice it,\nyou're taking the long way.\n<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I just had an errand to run. And for that matter, why are *you*...<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right, Sissy.\nI'm here on Judgment business.\n<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cause of that fire appears\nto be the work of someone's abilities.\n<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That should cancel out whatever\nwas making it act like a beacon.\n<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, I need to\nget her to a hospital, right away.\n<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I doubt she has any form\nof ID from around here,\n<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if I just up and\nadmit her into the hospital,\n<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;word will get out about her in no time.\n<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't just leave her alone like this, either.\n<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong? You look pale.\n<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this any time to be worried about me?!\n<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to do something about your injuries, fast!\n<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be all right.\nIf we can just get the bleeding stopped...\n<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!\n<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any magic within\nthose 103,000 volumes you carry\n<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that deals with healing injuries?\n<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but...\n<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--So then...\n<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You couldn't perform it.\n--So then...\n<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I were to teach you the spell,\n<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you were able to act it out perfectly,\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that your power would interfere.\n<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, not again.\nMy right hand is at fault again?!\n<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't your right hand. It's the\nesper power itself that won't work.\n<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic isn't something\nfor those who have a talent,\n<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you people have, to use.\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic is something born of\npeople who don't have that talent,\n<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but want to do the same things\nthat people who have the talent do.\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, the students who live in this city,\n<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;undergoing a curriculum\nto develop their abilities...\n<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. They can't use magic.\n<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, how is that fair?!\n<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? How can that be?\n<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a whole city of students,\nand yet students can't...\n<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...students can't...\n<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you said that anyone\nwho doesn't have any talent\n<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is able to use magic, right?\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose you're gonna tell me \n<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's already gone to\nsleep at this hour. All right, then...\n<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes, yes! The door is a sturdy one,\n<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;built to counter paper carriers.\nI'm opening it now.\n<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Kamijo!\n<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you start working a job as a paper carrier?\n<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of paperboy goes around\nsoliciting with a Sister on his back?\n<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gotten into all sorts of trouble,\n<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we need to come inside, Teacher.\nPardon the intrusion.\n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-J-Just a moment! You can't do this to me!\n<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to have to ask, given the circumstances,\n<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but do you mind it if a woman smokes?\n<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What happened here?\n<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, as it happens--\n<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!\n<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warnings, Chapter 2, Verse 6.\n<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Due to having more than a\ncertain amount of life force drained\n<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a result of loss of blood, \n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;mandatory awakening of\nJohn's Pen has been invoked.\n<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If current status holds, \n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then converting from\ninternational standard time, \n<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as displayed on the clock tower of\nLondon, in roughly fifteen more minutes,\n<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my body will lose the minimum\nlife force it requires, and I will perish.\n<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would appreciate it if you would\nfollow the instructions I will give,\n<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and perform the appropriate measures.\n<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, I'm going to go call an ambulance.\n<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You listen to what she\ntells you, and do as she asks.\n<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just make sure she doesn't lose consciousness.\n<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a religious person,\nas you can see. If you please...\n<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Index, is there anything I can do?\n<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there isn't.\nThe best option under the circumstances\n<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is for you to leave this place.\n<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just by having you in this room,\nthe recovery magic will be canceled.\n<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kamijo, did the Sister\njust say something about magic?\n<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher,\n<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please take care of her.\n<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo! There's a telephone right there!\n<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best option under the circumstances\n<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is for you to leave this place.\n<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just by having you in this room,\n<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the recovery magic will be canceled.\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kikoeru? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kioku wo samayotte'ru *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kokoro wo *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shinjite ikite yukereba *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ikiru sekai ga *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigatta to shite mo *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mamoritai mono ga aru nara... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sashidashita chikara wa dare no tame ni? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokihanatsu ikusen no mana *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sono shigusa ga sono manazashi ga *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kokoro wo shimetsukeru *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tebanasanai *<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nCall down an angel using magic? \n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nCall down an angel using magic? \n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a second. Will doing\nthat heal Index's injuries?\n<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Necessarius."\n<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross\npaths, the story begins.\n<br>

# 3 - Necessarius (The Church of Necessary Evil)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index says that she has\n103,000 volumes of grimoires\n<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;memorized inside her head.\n<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I somehow managed to avoid the sorcerer,\n<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Index's injuries are severe.\n<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She says that they can\nbe treated by using magic,\n<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the students in this city\nare unable to use this magic stuff.\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I've asked\nMiss Komoe for her help.\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From the reason why I live here *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to everything I encounter in this place, *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*though we may be worlds apart *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wherever I am, my feelings won't budge *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn my back to the pain *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that stabs at my heart, and the sneering *<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of those lucky people who look on *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My fate invites the inevitable suffering *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My legs, starting to shake, remember... *<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...with conviction *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Protecting requires more than just dreams *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and unreliable power *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My hand now knows that, so I won't waver *<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#03 Necessarius (The Church of Necessary Evil)"\n<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#03 Necessarius (The Church of Necessary Evil)"\nWhat is the current time?\n<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#03 Necessarius (The Church of Necessary Evil)"\nWhat time is it, Japan Standard Time? Also, the date, please?\n<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nWhat time is it, Japan Standard Time? Also, the date, please?\n<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;July 20th, half past 8 p.m.\n<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't appear to look\nat a clock. Is that time precise?\n<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't any clocks\nin my place to begin with.\n<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My internal clock is\naccurate to the second,\n<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that's not an issue. \n<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My eating habits and\nexercise rhythms are fixed,\n<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can regulate my internal clock.\n<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging by the stars' positions\nand the phase of the moon,\n<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is consistent with Sirius' position\n<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to within a 0.038 margin of error.\n<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can thereby confirm it.\nThe current time, Japan Standard Time,\n<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is July 20th, 8:30 p.m., is that right?\n<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. To be precise,\nwe just passed the 53 second mark.\n<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, you mustn't get up!\n<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is no matter. I can regenerate.\n<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cusp of Cancer.\n<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hours between 8 p.m. and 12\nmidnight. The direction facing west.\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The protection of Undine,\nthe angel as cherub...\n<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that you're doing?\n<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic.\n<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From this point on, I will need\nto borrow your hands and your body.\n<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you will do as I instruct you,\n<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will get through\nthis with no one getting hurt,\n<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and no one will end up\nholding anything against you.\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, just lie down.\nWe'll wait for the ambulance. Let's see...\n<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bandages... bandages...\n<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be impossible to\ncompletely close up my wound \n<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with those measures. I do not\nunderstand the word "ambulance,"\n<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but will it be able to\ncompletely close up my wound,\n<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as restore the life\nforce, mana, to necessary levels\n<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;within my body in the next several minutes?\n<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what should I do? I am not a magical girl.\n<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am grateful for your cooperation.\n<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First...\n<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that black item over there?\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a game memory card.\n<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please place it in the center of the table.\n<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a tea table, actually.\n<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a miniature of the room?\n<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The materials have no bearing. \n<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as the forms\nand functions are the same,\n<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ceremony is possible.\n<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those?\n<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The placement of the beer cans. \n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But more importantly,\nI'd be most appreciative\n<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you follow my instructions precisely.\n<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there are any missteps in the process,\n<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a risk of your neural\nnetwork and pathways burning out.\n<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Failure would mean the\ndestruction of your body, and death.\n<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what I'm telling you.\n<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will call down an angel,\nand create a temple.\n<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please follow after me, and chant.\n<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Link established.\n<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Link?\n<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The temple we created on\nthis table is linked with this room.\n<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever happens in this\nroom will also happen on the table.\n<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever happens on the table\nwill also happen inside the room.\n<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, visualize!\n<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh?\n<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A golden angel, with the\nbody of a child, and two wings--\n<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the form of a beautiful angel!\n<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An angel...\n<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't tell me to\nsuddenly create an angel...\n<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh...?\n<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are not actually summoning an angel.\n<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As the spellcaster, you create\nthe form of an angel by your will.\n<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right.\n<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cute angel... A cute angel... \n<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cute angel... A cute angel...\nA cute angel... \n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cute angel... A cute angel...\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not really summoning an angel, you say?\n<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Form stabilization has failed.\n<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So long as the temple is protected\nby the minimum blue color Undine,\n<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is no matter. We will continue.\n<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cute angel... A cute angel...\nA cute angel... A cute angel... \n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cute angel... A cute angel... \n<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cute angel... A cute angel...\nA cute angel... \n<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mana replenishment being achieved,\naversion of mortal danger confirmed.\n<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;John's Pen returning to dormancy.\n<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?\n<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need my own strength to recover now.\n<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The wound itself has closed up, so I'll be fine.\n<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness I didn't\nbring anything down on him.\n<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring anything down on him?\n<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had died here, it may\nhave weighed heavily on him.\n<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are more concerned about\nKamijo than you are about yourself?\n<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.\n<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, I don't really know... but...\n<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter,\n<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how is it that the beer-loving, chain-smoking,\n<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;grown-up Miss Komoe's pajamas\nare such a perfect match for you?\n<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, what is the difference in your ages?\n<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you wouldn't talk down to us.\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that these pajamas might be\n<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a bit too tight in the chest, even for me.\n<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're making fun of me!\n<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But...\n<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what?\n<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.\n<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am an adult.\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Kamijo,\njust who is this girl to you?\n<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Younger sister.\n<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;-- You've taken your lies too far!\n-- Ah, I'm sorry! I'm so sorry!\n<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;-- She's a silver-haired, blue-eyed foreign national!\n-- I'm sorry I lied! Forgive me!\n<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo!\n<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, can I ask one question?\n<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?\n<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you asking for this information\n<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that you can report all of this\nto Academy City's governing board?\n<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I don't really know what kind of trouble\n<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've gotten yourselves wrapped up in, Kamijo,\n<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now that it has taken\nplace within Academy City,\n<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is the instructors' place\nand grown-ups' duty to resolve it.\n<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo, now that I know\nyou're crossing a perilous bridge,\n<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not such a child\nthat I won't say anything.\n<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, if you were a perfect stranger,\n<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd involve you without a second thought,\n<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but since I'm in your debt,\nI don't want to involve you.\n<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to let you get\naway with trying to brush this aside\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a few well-spoken words.\n<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where are you going?\n<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm putting you on probation.\nI'm going to the supermarket\n<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to buy some groceries. \n<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to think long and\nhard about what you're going to say\n<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until I get back, Kamijo. Also...\n<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also...?\n<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might forget while\nI'm caught up in my shopping.\n<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I get back,\nyou're going to have to speak to me,\n<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and not try to weasel\nyour way around it, okay?\n<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a nice person, huh? \n<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Miss Komoe?\n<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.\n<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't involve my teacher any further, huh?\n<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. She shouldn’t use any more magic.\n<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These grimoires are dangerous.\n<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have unconventional\nideas and altered laws written in them.\n<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That "different world" is toxic to "this world,"\n<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when faced with good and evil. \n<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toxic?\n<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Sorcerers aside,\nwhen people of "this world"\n<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;learn the knowledge of the "different world,"\n<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it damages their brains just that much.\n<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damages? Is that what magic is?\n<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to know?\n<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really want to know what I carry?\n<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can I say? You make\nme sound like I'm your priest.\n<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. You're like\na priest, hearing confessions.\n<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There used to be\nonly one Church of the Cross,\n<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so why do you think\nthere are so many divisions now?\n<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... well...\n<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because politics got mixed in with religion.\n<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They fractured, opposed each other,\n<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ended up walking separate paths.\n<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though they all believe in the same God.\n<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They each evolved in their own way,\nand gained their own character.\n<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, character.\n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The English Puritan Church that I'm in...\n<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;England is a country of magic, \n<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so things like witch hunting,\nand inquisitions,\n<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and other anti-sorcery cultural elements\n<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;became exceptionally developed.\n<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why English Puritanism\nhas a special unit.\n<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One to counter sorcerers, investigate magic,\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and come up with countermeasures--\n<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Church of Necessary Evil, Necessarius.\n<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Necessarius?\n<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when understanding the unclean enemy,\nthe mind becomes unclean,\n<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when contacting the unclean enemy,\nthe body becomes unclean.\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The unit single-handedly takes\non this "uncleanness," \n<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the worst of which is... \n<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those 103,000 volumes?\n<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Magic is something like a formula,\n<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you work it backwards well enough,\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can even neutralize your opponent's attack.\n<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By knowing all of the magic in the world,\n<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should be able to neutralize\nall of the magic in the world,\n<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is why I had the 103,000 grimoires...\n<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...drilled into you.\n<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, if they're that dangerous,\n<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could just burn them\nwithout reading them, couldn't you?\n<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not the books that are important,\nit's what's inside them.\n<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even if the original texts are gone,\n<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if they've been passed\non to someone, there's no point.\n<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, humans wouldn't\nbe able to dispose of the originals.\n<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or more accurately, the human mind cannot.\n<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's because they couldn't \n<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that they had no\nother choice but to seal them up.\n<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what you're saying is that they\nwant to get their hands on the bomb\n<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's inside your head, right?\n<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they could use all\nof the 103,000 volumes,\n<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could warp the world thoroughly.\n<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you little...\n<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you wait until now\nto tell me something so important?!\n<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I didn't think you would believe me,\n<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I didn't want to scare you.\nWhat's more, you know...\n<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I didn't want you to not to like me.\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that!\nHow dare you treat me like that!\n<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Church of Necessary Evil?! \n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Necessarius?!\n<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;103,000 grimoires?!\n<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was an outrageous tale,\nthat I still can't believe even now,\n<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but even so,\nthat's all there is to it, right?\n<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look down your nose at me.\n<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I would say you're icky,\n<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because you'd\nmemorized 103,000 books?\n<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have a little faith in me.\nDon't go measuring up people on your own.\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, I've got my right hand,\n<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so sorcerers are no match for me.\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you said you had to go to\nthe school for remedial classes, so...\n<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said that?\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You certainly did.\n<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well never mind about school.\n<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, why did you say\nyou had to go to school?\n<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you had something to do?\n<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is my being around cramping your style?\n<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm sorry.\n<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is Index?\n<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still alive.\n<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I searched for the identity\nof the boy who is with her.\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is with his right hand?\n<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least, he appears to be\n<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something other than an esper or a sorcerer.\n<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is he? You mean to tell me\nhe's just an ordinary high-schooler?\n<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come off it. The world is not\nso forgiving that a rank amateur\n<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with no power at all could repel Innocentius.\n<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. In fact, the problem is,\n<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he fits in the category of a hopeless\nstudent who's quick to fight.\n<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could his information be deliberately blocked?\n<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, Index's wounds\nwere healed by magic.\n<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki, is there some other magic\ncabal here in the far east?\n<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they're working in Academy City,\n<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the governing board's antennas\nshould have picked them up.\n<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The number of the enemy forces is unknown,\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we have no reinforcements to face them.\n<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She seems to be having fun, huh?\n<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She really seems to be having fun.\n<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She always seems to enjoy how she lives her life.\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder, just how long do we\nhave to keep tearing that apart?\n<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having mixed feelings? As someone\nwho was once in that position?\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same old same old.\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it turned out, once Miss Komoe\ncame back from the supermarket,\n<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she let us stay at her apartment\nwithout asking for any more information.\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether she got distracted by\nher shopping and forgot,\n<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or just pretended to forget the whole thing,\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't ask.\n<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Bath time! Bath time! ♪\n<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Bath time! ♪\n<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Bath time! Bath time! Bath time! ♪\n<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!\n<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing! It seems kind of\nfunny to call someone's name,\n<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you don't want anything.\n<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh, Toma?\n<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is something I want to ask you.\n<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komoe mentioned something.\n<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese bathhouses\nhave something called coffee milk.\n<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do this...\n<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and this...\n<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and drink it with one hand on your hip.\n<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is coffee milk?\nIs it like a cappuccino?\n<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't find anything\nthat elegant at a bathhouse.\n<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, a huge bathtub\nmight be pretty shocking for you.\n<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The majority in England\nare the tight, narrow baths, right?\n<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure I can really say.\n<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?\n<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the first thing\nI remember is being here in Japan.\n<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really know about things back there.\n<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... No wonder your Japanese is so good.\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, I don't mean\nit like that. I was born in London,\n<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as I understand it,\nI was raised in St. George's Cathedral.\n<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only came here about\na year ago, or so I'm told.\n<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--So you're told?\n<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Mm-hmm. I lost my memory, you see.\n--So you're told?\n<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I first opened my eyes,\nI wasn't even sure who I was.\n<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't even remember\nwhat I had for supper the night before,\n<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I had knowledge\nabout sorcerers, and the Index,\n<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Necessarius,\nand so on spinning around in my head,\n<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I was really scared. \n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, you don't even\nknow why you lost your memories?\n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm.\n<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, are you upset?\n<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm not.\n<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I've done anything\nto offend you, I'll apologize.\n<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, what's set you off?\nIs it just that awkward age?\n<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hearing about awkward\nages is really the last thing I need\n<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from someone whose\nbody is as undeveloped as yours.\n<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, what do you mean by that?\n<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really *do* look like you're mad.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is it that other thing, \n<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where you just pretend to be mad to annoy me?\n<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something I don't think I like about you.\n<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look, don't go giving me that business\n<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you never liked me to begin with.\n<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think what you want,\nbut I'm not expecting some fancy\n<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;love-comedy-esque\nevent to come up with you, okay?\n<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?\n<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you giving me\nthat up-from-under look, princess?\n<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate you!\n<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, she bit me as much as she could,\nand then took off on her own.\n<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?\n<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no one... here...\n<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Runes.\n<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've engraved some runes\nto keep people away, that’s all.\n<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?\n<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Kanzaki Kaori.\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nThere's another sorcerer, who says her name is Kanzaki Kaori.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she the one who stabbed Index?\n<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could she do that without even flinching?\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Perfect Memory Ability."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and\nmagic cross paths, the story begins.\n<br>

# 4 - Perfect Memory Ability

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd heard that Index really had\nmemorized 103,000 grimoire volumes.\n<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That that's why she's being pursued.\n<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, she never\nonce asked me to help her.\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I...\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Koko ni ikiru sono wake mo *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kono basho de deau subete mo *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigau sekai demo *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*doko ni ite mo kono omoi wa yuruganai *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mune wo chikuri to sasu itami *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore wo warau shiawase na monotachi e *<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*se wo mukeyuku *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Touzen no kurushimi wo unmei ga sasou *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Furuedasu ashi ga oboete'ru *<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kakushin ni *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yume dake ja mamorenai *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tayoranai chikara *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kono te ga shiru kara mayowanai *<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#04 Perfect Memory Ability"\n<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?\n<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no one... here...\n<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Runes.\n<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've engraved some runes\nto keep people away, that’s all.\n<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?\n<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Kanzaki Kaori.\n<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to keep from telling\nyou my other name, if possible.\n<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your other...?\n<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My magic name.\n<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're like him--\nfrom the sorcery society.\n<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come right to the point. \n<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take charge of her,\nbefore I give out my magic name.\n<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I say no?\n<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have no choice.\n<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take charge of her *after *I give out my name.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask once again.\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take charge of her,\nbefore I give out my magic name.\n<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the hell are you talking about?\n<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what reason should I surrender,\n<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone like you?\n<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will ask as many times as it takes.\n<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The slashing speed of the Seven Flashes\n<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;woven by my *Shichiten Shichito* sword<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is at the level where it\ncould kill you seven times\n<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in what you'd call an instant.\n<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would not be wrong to call it certain death.\n<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, I didn't even see one of them. Even so...\n<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...with my right hand...\n<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotten reports from Stiyl. \n<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For some reason, your right hand\nrenders magic ineffective.\n<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it does not work, \n<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you cannot touch it\nwith your right hand, am I right?\n<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?\nCharge at her as fast as I can?\n<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven Flashes.\n<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will ask as many times as it takes.\n<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what it is that\nspurs you on so much, but...\n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven Flashes.\n<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!\n<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not vanishing...?\n<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultra-thin wires?\n<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been keeping them from my\neye with the movement of her katana.\n<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're... not a sorceress?\n<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, I heard about you from Stiyl.\n<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, your long katana...\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My *Shichiten Shichito* is not just for show.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you get through the Seven Flashes,\n<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The true form, Single Flash, awaits you.\n<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And moreover, I haven't\nyet told you my magic name.\n<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do not make me say it, boy.\n<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't ever want to have to give it out again.\n<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I...\n<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...surrender?\n<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that? I couldn't hear you.\n<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.\n<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said to shut up, you unfeeling jerk!\n<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven Flashes.\n<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Had enough yet?\n<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have any\nreason to protect her so much.\n<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?\n<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you kill me?\n<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You definitely could have killed\nme at any time, if you'd wanted to.\n<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're still a human,\n<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the gumption to stand there,\nholding back, right?\n<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you must get it, right? \n<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A girl comes along,\nand you chase her down,\n<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then cut her back with your sword.\n<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't let you get away with that.\n<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know that because of you\npeople, she has lost her memories?\n<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How badly did you hound her to\nmake something like that happen?\n<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fought like hell,\n<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm still a loser who\ncan't even defend a single girl.\n<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wimp, who can only look on\nwoefully as she is taken away by you.\n<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're not like that, are you?\n<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With your power, you could\nprotect anyone, or anything!\n<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could save anything, or anyone!\n<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why is that all you can do?!\n<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I...\n<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I... am doing this\nbecause I want to.\n<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name of the organization\nI am with... is Necessarius.\n<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, the same English Puritan\nChurch that Index is from?\n<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is one of my companions,\nand a dear friend.\n<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean to cut her back like that!\n<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know that her\nWalking Church had been torn.\n<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only cut her because there shouldn't\nhave been any way for her to get hurt.\n<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then...\n<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on. Why did you\ncut your best friend's back?\n<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't protect her like that,\nthen she can't go on living.\n<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It’s her perfect memorization ability.\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect memorization ability?\n<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the reason for all of this.\n<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect memorization ability?\n<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, that 103,000 volumes thing?\n<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said they were all inside her head.\n<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The capacity of a human brain\nis surprisingly small.\n<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, by forgetting\nmemories you don't need,\n<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your brain adjusts before you know it.\n<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why humans can keep on living.\n<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, she is unable to do that.\n<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the number of leaves along\na tree-lined street,\n<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the swarm of faces of each\nand every person at rush hour,\n<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the shape of every\ndrop of water in the rain,\n<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her head becomes buried\nunder the weight of trivial memories,\n<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in no time at all.\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, hold on a second.\n<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you two are in the same organization,\n<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why does Index call you people evil sorcerers?\n<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you trying to say that\nIndex isn't being upfront with me?\n<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is not lying to you.\n<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does not know that we\nare all in Necessarius together,\n<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nor the real reason\nwhy she is being pursued.\n<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't remember any of it.\n<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why she has to use her best judgment.\n<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is valid for her to think\nthat the sorcerers pursuing her\n<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are from the magic cabal, out to\nget the 103,000 volumes from her.\n<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Index has that perfect\nmemorization ability, right?\n<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did she lose her memories\nof everything from before a year ago?\n<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She did not lose them. To put it\nmore precisely, we erased them.\n<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You erased them? But how? \n<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With magic. But why?\n<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're one of Index's friends, right?!\n<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index, the one you did this to, is one\nof your dear friends, isn't she?!\n<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why did you do it?!\n<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I had to do it!\n<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if I don't do it, she will die.\n<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;85% of her brain is used to keep\nthe 103,000 volumes memorized.\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, she can\nonly use 15% of the brain\n<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that an ordinary person can use.\n<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she continually remembers\nwithin that 15%, her brain will...\n<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man...\n<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there any other way,\nother than to erase memories?\n<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. \n<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long?\n<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Memory erasure is conducted\nat precise yearly intervals.\n<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't do it right at that time,\nwe cannot erase her memory.\n<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are three days left.\n<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three days.\n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have no intention of hurting her.\n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the contrary, without us,\nthere is no way to save her.\n<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you turn her over to us,\nbefore I give out my magic name?\n<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, once we erase her memory,\nshe will no longer remember you.\n<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how deep your feelings for her are.\n<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Helping her doesn't gain you anything at all.\n<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw you!\n<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't have anything to do\nwith whether she remembers me or not.\n<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't get it, then let me tell you one thing.\n<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Index's friend!\n<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made up my mind that as of now,\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and from here on,\nI'm going to keep taking her side!\n<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may not be written in the Bible,\nbut it's the absolute truth!\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought there was something strange here.\n<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she had just forgotten,\nthen you could have explained everything,\n<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and alleviated her\nmisunderstanding, right?\n<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you keep\nmaintaining that misunderstanding?\n<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you keep chasing her\naround, as an enemy?\n<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you just punk out on her like that?\n<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you take her feelings for?!\n<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you shut up,\nyou know-nothing amateur!\n<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't come off like you\nknow what you're talking about!\n<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you think we feel, \n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;having to steal her\nmemories from her all this time?\n<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've taken a hostile attitude toward Stiyl,\n<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but just how do you think he\nfeels when he looks at you and her?!\n<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know the kind of resolve\nit took to confront you as an enemy?!\n<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you understand\nwhat Stiyl is going through,\n<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;being dragged through the\nmud for the sake of his dear friend?!\n<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I’ve really tried...\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I’ve tried!\n<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spending the spring, spending the summer,\n<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;spending the fall, spending the winter,\n<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;collecting memories,\nand then making just one promise,\n<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep her from forgetting them all,\n<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by letting her take a diary or album to heart...\n<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even at that, it didn't work.\n<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having to start over again\nfrom nothing, creating memories,\n<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;over and over again,\nincluding family, friends, lovers--\n<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of them returning back to zero.\n<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't take it anymore.\n<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no longer possible for\nus to look at her smiling face!\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that crap.\n<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all just your side of the argument.\n<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't thought for one\nmoment about Index, have you?\n<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take that tab of\ncowardice you're running up\n<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and put it all on Index!\n<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she realizes that she's\nafraid of losing one year's memories,\n<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then as long as we give her\neven better memories the next year--\n<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as she knows that\nenough happiness awaits her\n<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she doesn't have to be\nafraid of losing her memories...\n<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there won't be any need\nfor anyone to run away anymore.\n<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there is to it.\n<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have no choice but to protect her,\njust because you have the power to?\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not it, is it? It's not true!\n<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You went and obtained power \n<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because there was\nsomething you wanted to protect.\n<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what reason have\nyou made yourself powerful?\n<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was it that you wanted to protect?\n<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what are you doing here?!\nIf you've got that kind of power--\n<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you've got this kind of\nuniversal power, then how...\n<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...how can you be so... incap-... able...\n<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we done here?\n<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait up, Sissy.\nYou don't have to be in such a hurry.\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko, listen to you. You're the\none going on about "Curfew, curfew,"\n<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then take me with you all over.\nIt's not my fault if we're late.\n<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sissy!\n<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?\n<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...?\n<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With an end cut as sharp as\nthat, could this be some prank \n<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from someone with\na pneumatic control ability?\n<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, a prank.\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a job for Judgment!\n<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on! Kuroko!\n<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I supposed to do\nwith all these bags? Oh, brother...\n<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter, Sissy?\n<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing at all.\n<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I? Owww...\n<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you mustn't get up yet.\n<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sun is up. Which means the\nnight has passed. What time is it?\n<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just one night.\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three days.\n<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three days?\nWhy have I been asleep so long?\n<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three days...\n<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Memory erasure is conducted\nat precise yearly intervals.\n<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are three days left.\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, what's wrong? Are you in pain?\n<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Index still remembers me, \n<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that her memory\nhasn't been erased yet.\n<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, Index doesn't seem\nto be acting any differently.\n<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's great.\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No it isn't.\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't know anything.\n<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, Komoe said that you\ncollapsed in the middle of the road.\n<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komoe was also the one who\ncarried you, battered and bruised,\n<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;back here to the apartment.\n<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't realize what had happened.\n<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't have any inkling that\nyou were fighting another sorcerer.\n<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...\n<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... couldn't help you, Toma.\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big idea, wrapping\nme up in all of these bandages?\n<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's going a bit too far, isn't it?\n<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had to do that, so you'd get better.\n<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't be as fast as magic, though.\n<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess not, huh? It should be fine,\nthough, even without magic.\n<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Even after all this,\nyou still don't believe in magic!\n<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're as stubborn as someone with a crush!\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't mean it like that.\n<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to see the look on your face\n<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever you're\ntalking magic, if at all possible.\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah. I awoke again.\n<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awoke?\n<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. But I don't want you\nto talk about me when I'm like that.\n<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I lose consciousness, \n<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my voice sounds like I'm talking\nin my sleep, you know? Besides,\n<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's like I quickly become this\ncold machine, and it scares me.\n<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.\n<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, dummy.\n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to eat something?\n<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... is that you, Index?\n<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I am a Sister,\nso I can at least look after the sick.\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Er, no, please just give me\nsome time to think deeply to myself, God.\n<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? No appetite?\n<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?\n<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if that's Komoe.\n<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you doing in front of my door?\n<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo! I don't know what's going on,\nbut we seem to have visitors.\n<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You! What are you here for now?!\n<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... in the shape that you're in,\n<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't look like you'll\nbe running away too easily.\n<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Up to now, Index has\nalways run from them all on her own.\n<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But now that she's strapped with\nan injured person, it's another story.\n<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They did this to me to make\nsure they could take charge of Index\n<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;more safely.\n<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go away!\n<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you.\nI'll go anywhere you want.\n<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do anything you want.\n<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!\n<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm really, really begging you!\n<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you!\n<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't hurt Toma anymore!\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kikoeru? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kioku wo samayotte'ru *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kokoro wo *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shinjite ikite yukereba *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ikiru sekai ga *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigatta to shite mo *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mamoritai mono ga aru nara... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sashidashita chikara wa dare no tame ni? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokihanatsu ikusen no mana *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sono shigusa ga sono manazashi ga *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kokoro wo shimetsukeru *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tebanasanai *<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nTonight at 12 o'clock,\n<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nthe ceremony to erase Index's memories will begin.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nthe ceremony to erase Index's memories will begin.\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm not giving up.\nI swear, I'll save you somehow!\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Limit."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic\ncross paths, the story begins.\n<br>

# 5 - Limit (12 o'clock)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The perfect memory ability--\nIndex apparently uses 85% of her brain\n<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to remember 103,000 volumes of books.\n<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only being able to use the\nremaining 15% of her brain,\n<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the sorcerers say that she has to\nhave her memory erased every year,\n<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or else she will die.\nThree days remain until then...\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Except, I've been out for three days?!\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From the reason why I live here *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to everything I encounter in this place, *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*though we may be worlds apart *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wherever I am, my feelings won't budge *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn my back to the pain *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that stabs at my heart, and the sneering *<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of those lucky people who look on *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My fate invites the inevitable suffering *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My legs, starting to shake, remember... *<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...with conviction *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Protecting requires more than just dreams *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and unreliable power *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My hand now knows that, so I won't waver *<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Kamijo, I'm heading out.\nI won't be back until late,\n<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#05 Limit (12 o'clock)"<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so keep an eye on things here for me.\n<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you!\n<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't hurt Toma anymore!\n<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are twelve hours and thirty-eight\nminutes until the limit is reached.\n<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We wanted to see if\nthe shackles were working,\n<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and whether or not you would run,\nbut this is better than we imagined.\n<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shackles?\n<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want your\ntoy taken away from you,\n<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd best abandon any possibility\nof running away. Understood?\n<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.\n<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I work out a deal with them, Toma,\n<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your daily life won't be upset any further.\n<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I'll let them\nintrude any further... so no prob--\n<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!\n<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me.\n<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you read me?\n<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki, was it?\n<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need for us\nto know each other's names.\n<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she-- is Index there?\n<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I have to wake her?\n<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's perfect.\nPlease listen to what I have to say.\n<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her limit is tonight at midnight.\n<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have worked up a schedule \n<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to bring everything to an end at that hour.\n<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you go out of your way to tell me that?\n<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you've told me, \n<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to want to resist\nyou to the death, you know!\n<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you need some time to say goodbye?\n<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is neither a dialogue,\nnor a negotiation. This is an order.\n<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say your farewells to her\nbefore we arrive, and leave that place.\n<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're both just dumping\nyour own incompetence onto Index.\n<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys are sorcerers, right? \n<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you not do anything with your magic?\n<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there anything you can do,\nusing Index's 103,000 volumes?\n<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The church is more afraid of Index\nturning on them than anything else.\n<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?\n<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible that the\n103,000 volumes may be slanted.\n<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said that they would not let her\n<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;remember the grimoires that deal\nwith manipulating her memories.\n<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, can't you do anything with your own magic?\n<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a concern of allowing\nsorcerers outside of Necessarius\n<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to dispel them in a\nmagically created environment.\n<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way the church would\nallow such a possibility to remain.\n<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And most importantly,\nthe act of memorizing the grimoires\n<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;means defilement of the brain.\n<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys knew that, and still allowed Index to...\n<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were told after the fact.\nThere isn't anything we can do with magic.\n<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, what about us?\n<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Us"?\n<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean science.\nThere are any number of ways\n<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to take someone's memories through science.\n<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There may be a way for us\nto dig out those 103,000 volumes\n<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where you couldn't.\nBesides, this is Academy City.\n<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are lots of espers\nhere who can manipulate the mind.\n<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still too early to abandon hope.\n<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, are you telling me\nthat you're going to give up trying,\n<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and taking on the challenge,\nand go for the quick-fix\n<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while placing this\nperson's life in the balance?\n<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your talk is too cheap\nto convince your opponent.\n<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To put it another way,\nwe have achieved actual results\n<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;saving her with the "quick-fix."\n<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot rely on your gamble,\nwhen it's shown no actual merit.\n<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is neither trying,\nnor taking on a challenge.\n<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you describe it as\nanything other than reckless?\n<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.\n<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess in the end,\nwe just can't see eye-to-eye.\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, then.\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,\nI'll crush you, my archenemy!\n<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll save her, and steal\nthe whole spotlight from you.\n<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything else happens to\nher to bring her down,\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please consider yourself in danger.\n<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will see you tonight, at midnight.\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While there is only a short time left,\n<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do struggle gloriously\nin vain, right up to the end.\n<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Memory loss."\n<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Missing memory due to old age\nor alcohol is one form of memory loss.\n<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Memories lost after a stoppage\nof blood flow to the brain are also..."\n<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The side effects of general\nanesthesia, such as halothane \n<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and isoflurane, as well as\ndrugs such as benzodiazepine\n<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can also cause memories to be lost..."\n<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, this isn't getting us anywhere.\n<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cell phone statement?\n<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it!\n<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can get Miss Komoe\nto refer me to a research lab\n<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that deals with neurology\nor mental abilities...\n<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing, Miss Komoe?!\n<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I can do now is dial\nthese places up at random.\n<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"...mura General Hospital"<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Initial Consultation Reception"<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next!\n<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!\n<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hello?\n<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perfect memory ability?\n<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I do know. \n<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you could tell me the symptoms...\n<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Magic?\n<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what time do you think it\nis, anyway? It's nearly 12 o'clock.\n<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Hello?\n<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? For crying out loud...\n<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index...\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of the way.\n<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Refer to the Book of Crowley.\nWe'll call down an angel,\n<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and raise a temple in this room.\n<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to root out her memory.\n<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on. Hold on a second.\n<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are 1.8 million\nespers here in Academy City.\n<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are over a thousand\nresearch organizations.\n<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we turn to one of those outfits,\n<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we may not have to\nrely on these awful measures.\n<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys don't want\nto have to do this either, right?\n<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep down in your hearts, \n<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're praying that there's\nsome other way, aren't you?\n<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, just wait a little longer.\n<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, I'll find a way to resolve this\n<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that leaves everyone smiling,\nand everyone happy.\n<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you've got to say?\n<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at her!\n<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you say the same\nthing you just said in front of her?\n<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you tell someone who\nhas endured this for so long,\n<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;someone so sick, she can't even\nopen her eyes because of the pain,\n<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there's something\nyou want to try, so just sit tight?\n<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd let doctors whose faces\nand names you don't even know\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;poke around in this\ngirl's body however they please,\n<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and approve of them pumping her full of drugs?\n<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not the thinking of a human being.\n<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer me! Are you still a human?!\n<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you a monster,\nwho has abandoned your humanity?!\n<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an implement that is\nnecessary for taking her memories.\n<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a magical adornment.\n<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you were to touch it with your right hand,\n<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's all it would take for it to lose its power.\n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we are taking are her memories.\nHer life will be spared.\n<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if your attempt fails, she is going to die.\n<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given that, can you still do it?\nCan you sit here,\n<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of this girl who is suffering\nso much, and consider it?!\n<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're so sure of your\nown abilities, then give it a shot!\n<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and play the hero, you mutant!\n<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Index.\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure would be glad if you would\nfeed me until my tummy is full.\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ceremony will commence at 12:15 a.m.\n<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll use the power\nof Leo to take her memories.\n<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.\n<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, sorcerer...\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think I should\nsay to her, by way of farewell?\n<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't any time to be\nwasted on anything so trivial.\n<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind getting\nout of here, you monster?\n<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your right hand extinguished my flames.\n<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still can't comprehend\nthe principles at work there,\n<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't want it to have any influence\n<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the ceremony we're\nabout to perform, no matter how minor.\n<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...? \n<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't I help save\na single girl who is suffering?\n<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have about ten minutes\nbefore the start of the ceremony.\n<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first night that we swore\nwe would erase her memories,\n<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we spent the whole\nnight at her side, sobbing.\n<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But there's no telling\nwhat this guy is going to do now!\n<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if we take our eyes off of him,\nand he kills the both of them?!\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that were true, \n<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't you think he would have\ntouched the cross in a second?\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you were\nsure that he was still human\n<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you tested him, didn't you?\n<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...\n<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, we cannot perform\nthe ceremony until the time is at hand.\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we allow him to have\nany lingering attachment to her,\n<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the risk of him interrupting\nthe ceremony will remain, Stiyl.\n<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten minutes. Got it?\n<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...?\n<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index...\n<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.\n<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's some kind of array here in the room.\n<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said it was recovery magic.\n<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic? But who?\n<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those sorcerers came back again, didn't they?\n<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma,\n<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to get out of here!\n<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, Index.\n<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;-- Toma!\n<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;-- It's all over now.\n-- Toma!\n<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all done.\n<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I'll get stronger,\nso this won't get the best of me again.\n<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll grow strong enough to smack around\n<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;each and every last person\nwho treated you like this.\n<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just you wait. Next time... \n<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, I swear I'll save you, without fail.\n<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'll be waiting.\n<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.\n<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't have to end in this terrible way, does it?\n<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ended up not being able to do anything.\n<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't do anything about the 103,000 volumes\n<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that occupy 85% of Index's brain,\n<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nor could I preserve\nthe year's worth of memories\n<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;crammed into the remaining 15%.\n<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;85% of her brain is used to keep\nthe 103,000 volumes memorized.\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, she can only use 15% of the\nbrain that an ordinary person can use.\n<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Memory erasure is conducted\nat precise yearly intervals.\n<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a second.\n<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it that she can only\nfit one year's worth of memories\n<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into that 15%?\n<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Furthermore, how exactly did Kanzaki\n<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;derive those 85% and 15% figures earlier?\n<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I know that voice. Is this Kamijo?\n<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't be using\nmy telephone without asking.\n<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Perfect memorization ability?\n<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, there are indeed rare instances of it,\n<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the condition itself is a natural one.\n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it true that one year's worth of memories\n<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would take up 15% of the brain? \n<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would mean that a person\nwould be hopelessly predisposed\n<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to blowing out their brain\nwhen they hit 6 or 7 years old, right?\n<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that with a\nperfect memorization ability,\n<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a person is unable to forget\neven the most worthless of memories,\n<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but by no means is it possible\nfor the brain to suffer a blowout.\n<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible for the human brain\nto keep up to 140 years of memories.\n<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not possible for\nmemories to cause a blowout.\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People have more than\none kind of memory, anyway.\n<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Semantic Memory" "Manages language and knowledge"<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's semantic memory, which\nhandles language and knowledge,\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;procedural memory, which handles\nmotor skills that are practiced,\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Procedural Memory" "Manages acquired motor skills "<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and episodic memory, which\nhandles memories of past events.\n<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Episodic Memory" "Manages recollection"<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's all sorts of them. All sorts.\n<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So um, Teacher, I'm not\nsure what you're telling me.\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, in other words, no matter\nhow much knowledge one acquires,\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is absolutely no way,\nneurologically speaking,\n<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for one's memories to overwhelm them.\n<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index's perfect memory ability \n<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not the sort of thing that is life-threatening.\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, it means\nthat the church is lying to Kanzaki.\n<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, why is Index suffering?\n<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The church has tampered with Index's head,\n<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and rigged it so that if\nher memories aren't erased\n<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on an annual basis, she will die.\n<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To ensure that Index, the possessor\nof the 103,000 volumes,\n<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will never turn against them.\n<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To ensure that Index's friends\n<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;choke back their\ntears, and remain loyal.\n<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what exactly did the church rig?\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're so sure of your\nown abilities, then give it a shot!\n<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and play the hero, you mutant!\n<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't just play the hero.\n<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will *be* the hero!<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, huh?\n<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no change.\nI haven't touched any unusual powers?\n<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that there must\nbe someplace I haven't touched.\n<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wouldn't...\n<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warnings, Chapter 3, Verse 2.\n<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rupture in all barriers,\nfrom first to third, detected.\n<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regeneration provisions failing.\nAuto-regeneration not possible.\n<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Current status: In order to\npreserve the 103,000-volume library,\n<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;assigning priority to intercepting the intruder.\n<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reverse-calculating the magic formula\n<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that penetrated the barriers\nfrom within the 103,000-volume library...\n<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Failure. Unable to locate relevant magic.\n<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Breaking down formula composition\n<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to develop counter-intruder local weapon.\n<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Combination of most effective magic\n<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;against intruder successfully attained.\n<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now deploying specified magic,\nSaint George's Holy Sanctuary,\n<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to destroy the intruder.\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nSaint George's Holy Sanctuary\n<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\ncreates an endless distance between Index and me.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\ncreates an endless distance between Index and me.\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'm just one step away. One more step,\n<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm sure I can reach her.\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Imagine Breaker."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic\ncross paths, the story begins.\n<br>

# 6 - Imagine Breaker

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index's perfect memorization ability\n<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't the sort of thing that\nwould lead to her death \n<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if her memories weren't erased\non a yearly basis.\n<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean that the church\nhas been lying to Stiyl and Kanzaki?\n<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Combination of most effective magic\nagainst intruder successfully attained.\n<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now deploying specified magic,\nSaint George's Holy Sanctuary,\n<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to destroy the intruder.\n<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Koko ni ikiru sono wake mo *<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kono basho de deau subete mo *<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigau sekai demo *<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*doko ni ite mo kono omoi wa yuruganai *<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mune wo chikuri to sasu itami *<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore wo warau shiawase na monotachi e *<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*se wo mukeyuku *<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Touzen no kurushimi wo unmei ga sasou *<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Furuedasu ashi ga oboete'ru *<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kakushin ni *<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yume dake ja mamorenai *<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tayoranai chikara *<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kono te ga shiru kara mayowanai *<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#06 Imagine Breaker"\n<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#06 Imagine Breaker"\nCome to think of it, there was one thing I neglected to ask, huh?\n<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nCome to think of it, there was one thing I neglected to ask, huh?\n<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're not an esper,\n<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how is it that you’re unable to use magic?\n<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...\n<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can she be using magic?\n<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that obvious?!\n<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The church was just lying to you\n<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about Index not being able to use magic!\n<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. That business\nabout Index not being able to live\n<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unless her memories are erased\nonce a year is another whopper.\n<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her head was just overcome\nby the church's magic.\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can get rid of it, \n<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there won't be any more\nneed to erase her memory!\n<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think about it matter-of-factly.\n<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that the cruel people\nwho put her in the role of Index\n<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would good-naturedly tell you\nbottom-rungers the whole truth?!\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you like, you can\nask Index yourselves directly.\n<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saint George's Holy Sanctuary\n<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not showing any\neffect against the intruder.\n<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Switching to another spell,\nand continuing to destroy the intruder.\n<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortis 931!\n<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not looking for any\nambiguous possibilities.\n<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we erase her memories,\nwe can save her life for the time being.\n<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will kill anyone to see to that.\nI will destroy as much as it takes.\n<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I resolved\nto do, long, long ago.\n<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the time being, you say?\n<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous.\nThat kind of nonsense doesn't matter.\n<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just answer me one thing, sorcerer!\n<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you want to help Index?!\n<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys have been waiting\na long time, haven't you?!\n<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For a happy ending, where you\ndon't have to take Index's memories,\n<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you don't have to be Index's enemy,\n<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where everyone can laugh, and it's the\nbest outcome you can hope for!\n<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been yearning for this\ndevelopment, all this time, right?!\n<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why else have you been\ngritting your teeth to get here?!\n<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You swore that you would\npersonally save this one girl, right?!\n<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys want to be the stars, don't you?!\n<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't content yourselves with\nbeing part of the supporting cast!\n<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted to risk your lives \n<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to protect\nthis one girl, didn't you?!\n<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, then it's not even close to being over!\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It hasn't even begun yet!\n<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go losing hope because the\nprologue is a little on the long side!\n<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you stretch out your hand,\nyou can reach her! \n<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now let's get this\nstarted already, sorcerers!\n<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Salvare 000!\n<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are these?\n<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is Dragon Breath. \n<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's equivalent to the legendary\ndragon strike of Saint George!\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If even one of those touches you,\nit will spell big trouble!\n<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Innocentius!\n<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go, esper!\n<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warnings, Chapter 6, Verse 13.\n<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;New opponent identified.\nAltering combat strategy.\n<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beginning search of battle location.\n<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Completed. Setting the\ndestruction of the opponent \n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the highest difficulty rating,\n<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma, as first priority. \n<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warnings, Chapter 22, Verse 1.\n<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Successfully reverse-calculated\nspell for flame magic.\n<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Distortion of Church of the Cross motif\n<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;exhibited by runes has been made evident.\n<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Formulating counter-Church\nof the Cross spell.\n<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moving to Saint George's\nHoly Sanctuary stage two.\n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Eli, Eli, lama sabachthani. *<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Innocentius!\n<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God, if the world operates\nunder the system that you created,\n<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will first lay waste to this fantasy!\n<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warnings... Final... Chapter...\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zeroth...\n<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Collar... has sustained critical... damage...\n<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regeneration... imposs--\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that a mysterious flash of light\n<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;blasted through one\nof our observation satellites.\n<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, you and\nthose other two people with no ID\n<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have set foot into the city.\n<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that have anything to do with it?\n<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.\n<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, that letter\n<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was sent here by those other two, right?\n<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-W-Whoa! I don't think\nthat's meant for you, it's for that boy.\n<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay.\n<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There wouldn't be any point\nto a salutation, so I will omit it.\n<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, that was a fine job you did, you rascal.\n<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'd like to tell you,\n<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I tried to put into words\neverything that I feel personally,\n<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then even if every last\ntree in the world were cut down,\n<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there wouldn't be\nenough paper, so I will refrain.\n<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a minimum token of gratitude,\nin return for your help,\n<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will tell you more about the girl\n<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the circumstances she is caught up in.\n<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The English Puritan Church wanted\nus to bring her back immediately,\n<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when we sought an explanation\nas to why they had deceived us,\n<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they rather quickly told\nus to maintain the status quo.\n<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or perhaps it's more correct to\nactually say 'wait and see.'\n<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Personally, I can't stand to have\nyou at her side for even a moment.\n<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, this does\nnot mean that I am giving up,\n<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and turning her over to you.\n<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will be gathering data, \n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and once we have all the\noutfitting we require in order, \n<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we intend to come back to reclaim her.\n<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not my style to\nattack when you least suspect it,\n<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so just sit tight until that time comes."\n<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite the radical friend you have there.\n<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet that must have\nbeen dipped in a liquid explosive.\n<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The quickest course of action\n<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would be for you to see the\nboy yourself, and check on him,\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'd like to suggest that,\n<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but, it would be impolite to\nappear shocked in front of him,\n<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so let me give you\nsome lesson-one guidelines.\n<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...\n<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you don't have the wrong room?\n<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more than just memory loss--\nit's memory obliteration.\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Memory... obliteration?\n<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't just forgotten his memories,\n<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;his brain cells have been physically destroyed.\n<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll hardly be able to\nremember anything like that.\n<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My word, did he have his skull cracked open\n<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a stun gun shoved inside?\n<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...\n<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right? You look like\nyou've been through an awful lot.\n<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, I'm fine.\n<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine, of course.\n<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, by any chance, do we know each other?\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, don't you remember?\nWe met on the veranda of your student dorm.\n<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lived in a student dorm?\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, don't you remember? \n<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You destroyed my Walking Church\nwith your right hand.\n<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's a Walking Church?\nIs it like a club that goes on walks?\n<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma... You don't remember?\nYou fought against those sorcerers for me.\n<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma? Whose name is that?\n<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma... you don't remember.\n<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... I, Index, loved you, Toma.\n<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.\n<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's an Index?\nIt doesn't sound like a person's name.\n<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have a dog, or a cat?\n<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gotcha!\n<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You fell for it!\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you getting all\nchoked up, after being called a pet?\n<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you one of those types?\nThe sort with a collar fetish?\n<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, are you inviting\nme to join you for some of that?\n<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?\n<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, I thought your\nbrain cells had been blown out,\n<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'd forgotten everything.\n<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you make it sound like you wish I *had* forgotten.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But...\n<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to that frog-faced doctor,\n<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my brain cells have been destroyed, right?\n<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case,\nI should have lost my memories.\n<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should... have...?\n<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, that damage is\ncaused by magic powers, right?\n<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes things simple.\nI put my right hand on your head,\n<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and by hitting you with that\nImagine Breaker, there was no problem.\n<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine Breaker?\n<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This thing, here.\nThat's what the doctor called it, anyway.\n<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In short, so long as I canceled\nout the magical damage\n<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before it reached my brain, I'd be fine, right?\n<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say, though,\n<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're usually the one\nwho is stirring everyone else up.\n<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time around, you got a chance\n<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to think twice about yourself, didn't you?\n<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh oh...\n<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear. What a terrible sight.\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dead. I really am dead.\n<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, are you sure about this?\n<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really don't remember anything, do you?\n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I did tell you\neverything about the incident\n<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that those other two told me, but still...\n<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For some reason, I thought,\nI don't want that girl, at least, to cry.\n<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's how I felt.\n<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what this feeling is, exactly,\n<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm pretty sure\nI won't be able to remember.\n<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I was definitely able to feel that.\n<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprisingly enough,\nI might still remember something, huh?\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your memories died along with your brain cells.\n<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That information is no longer within your brain.\n<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where exactly are you telling\nme those memories remain?\n<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, isn't that obvious?\n<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my heart, wouldn't you say?\n<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two weeks have now passed\n<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"13:00-15:00 Today's Topics"\n<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"13:00-15:00 Today's Topics"\nsince contact with the satellite Orihime I has been lost.\n<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Two weeks have passed since losing contact with Orihime I"\nsince contact with the satellite Orihime I has been lost.\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nsince contact with the satellite Orihime I has been lost.\n<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up to now, efforts to\nreestablish contact have failed,\n<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the governing board has\nconvened emergency hearings\n<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to deal with any further\nresponses, and rule on them.\n<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl Magnus...\n<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every person who comes here\n<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has the same reaction when\nthey first observe my appearance.\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there is no need\nfor a human to do something\n<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that a machine is able to, right?\n<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Director-general Aleister.\n<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe you already know why you\nhave been called back from England.\n<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something bad has come up.\n<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean Deep Blood?\n<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have detained a young\ngirl who possesses the ability\n<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill a certain creature,\nwhich we are not even sure exists.\n<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is that a sorcerer, \n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who ordinarily would not\nbe allowed to enter the city,\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is involved in this.\n<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sorcerer?\n<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a simple matter\nto crush a sorcerer or two.\n<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is not that;\nit lies in the fact that those of us\n<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the scientific side would\nbe bringing down a sorcerer.\n<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scientific side and the magical side--\n<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is because each side has\ntheir own exclusive techniques\n<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the world is currently in balance.\n<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing that a sorcerer were\nto be brought down in Academy City,\n<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is chock full of espers,\nit is clear what would happen, right?\n<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.\n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you are saying that it\nis no problem for me, a sorcerer,\n<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to crush a person on\nthe side of magic, is that it?\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Further, I am in possession\n<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of one of the natural enemies of the sorcerer.\n<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Imagine Breaker.\n<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it would be out of line\nto use an esper, would it not?\n<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a problem.\nHe is a Level 0, with no abilities.\n<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He possesses no information of any value.\n<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By you working together with him,\n<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no risk of any\nof our information leaking out.\n<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you telling me to team up with that boy?\n<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has neither the\nbrains to understand your skills,\n<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nor to recreate them.\n<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, your information will not be revealed.\n<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you wish.\n<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...\n<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...does such a thing as\nDeep Blood really exist?\n<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we were to assume it exists, it would...\n<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would also prove that there\nis a creature that should be killed.\n<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vampires.\n<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I believe the\noccult is your domain, not ours.\n<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,\n<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if Deep Blood proves the existence of vampires,\n<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what exactly does the Imagine Breaker prove?\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kikoeru? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kioku wo samayotte'ru *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kokoro wo *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shinjite ikite yukereba *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ikiru sekai ga *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigatta to shite mo *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mamoritai mono ga aru nara... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sashidashita chikara wa dare no tame ni? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokihanatsu ikusen no mana *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sono shigusa ga sono manazashi ga *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kokoro wo shimetsukeru *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tebanasanai *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nThe alchemist Aureolus Izzard seeks after Deep Blood.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nThe alchemist Aureolus Izzard seeks after Deep Blood.\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It, which is being held\nby the Misawa Cram School, is...\n<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A magician?\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Science Cult."\n<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic\ncross paths, the story begins.\n<br>

# 7 - The Science Cult (Misawa Cram School)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...\n<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... killed again, didn't I?\n<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From the reason why I live here *<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to everything I encounter in this place, *<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*though we may be worlds apart *<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wherever I am, my feelings won't budge *<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn my back to the pain *<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that stabs at my heart, and the sneering *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of those lucky people who look on *<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My fate invites the inevitable suffering *<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My legs, starting to shake, remember... *<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...with conviction *<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Protecting requires more than just dreams *<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and unreliable power *<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My hand now knows that, so I won't waver *<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#07 The Science Cult (Misawa Cram School)"\n<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.\n<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who'd have thought that a reference\nmanual would run me ¥3600?\n<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What could you have done with that ¥3600?\n<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ask.\n<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Toma,\n<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what could you have done?\n<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, geez, I get it, already! \n<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'd been studying regularly,\nthis wouldn't have happened--\n<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you looking at?\n<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...\n<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't eat ¥3600 worth\nof ice cream. Not normally.\n<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph. Toma,\nI haven't said so much as a peep\n<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about being hot, put out, or worn out!\n<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nor have I thought about\nusing other people's money!\n<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In conclusion, I have not had\nso much as a shadow of a thought\n<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about wanting to eat ice cream.\n<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.\n<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could have just said you\nwanted to have some ice cream\n<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while sitting in an air-conditioned shop.\n<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, these clothes are a\nvisualization of the Lord's protection.\n<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not once have I ever considered\nthem to be too unwieldy, too stuffy,\n<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or thought, what a pain! \n<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This talkative Sister and I apparently knew each other before.\n--Can't they tell summer clothes from winter clothes?!\n<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a reason why I say "apparently."\n<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any memories before two weeks ago.\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, for other reasons, I've been\nkeeping that a secret from others.\n<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I especially can't allow this\nSister to catch on to the fact.\n<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, she directed her\ntears and her smiles at me\n<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before I lost my memories.\n<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! What are you looking the other way for?!\n<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should mention that since\nI am living a life of abstinence,\n<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am forbidden from\npartaking of any luxury foods!\n<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, never mind, then.\nThere's no sense in forcing you to eat it.\n<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I may be forbidden,\nbut since I am purely in training,\n<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is still some level\nof difficulty (or not)\n<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in conducting\nmyself perfectly.\n<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, it suggests the possibility\nthat under the circumstances,\n<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ice cream might accidentally\nbe shoveled into my mouth, Toma!\n<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Woo-hoo!\n<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite the fancy discussion\nyou're having there, Kami.\n<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, who is this?\n<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?\n<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What gives with the brain attack?\n<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did the heat get to you,\nand chase your memories away?\n<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kidding! Memory loss is the\nspecial purview of crazy vibe girls.\n<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, really, who is the little one there?\n<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me guess, is it a\ndude dressed up as a chick?\n<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kind of flat-chested for a girl, huh?\n<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Guys, there are some things you just don't say!\n<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because she's a bit pee-wee sized...\n<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a nun, with the English Puritan Church.\n<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have anything to repent of,\nI will hear you out now.\n<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Closed for Remodeling"\n<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"MacRonall Hamburgers Drive-thru"\n<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Shakes! Shakes! ♪\n<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I've got three shakes! ♪\n<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--♪ Chocolate, vanilla, and strawberry! ♪\n<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hate to impose, Kami.\n--♪ Chocolate, vanilla, and strawberry! ♪\n<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, man.\n<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it ends up all being my treat.\nJust my luck.\n<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Over here!\n<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, way to find an empty--\n<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This doesn't look right.\nThis does not look right.\n<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is something the matter?\n<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh...\n<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh? Are you in some kind of pain?\n<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I ate myself to ruin.\n<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start with rock! Rock paper\nscissors! Rock paper scissors!\n<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!\n<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, how do you mean, you ate yourself to ruin?\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamburgers, ¥100 each.\n<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a lot of bargain coupons.\n<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.\n<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In no time, I'd ordered thirty of them.\n<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bit too much of a bargain, huh, dummy?\n<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, that is, I didn't mean it like that, I...\n<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I comfort-binged.\n<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?\n--I comfort-binged.\n<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Return train fare is ¥600.\n<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, and...?\n<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I have is ¥500.\n<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means...?\n<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was reckless, and bought too much...\n<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...which is why I comfort-binged.\n<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't you have borrowed your\ntrain fare before this all started?\n<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...! That's a fine idea.\n<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a hottie!\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me snap some.\n<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why are you looking at me?\n<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, don't use that expectant look on me!\n<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you spare ¥100?\n<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I can't lend what I can't lend.\n<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, can't even loan me ¥100...\n<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, hey, who's the dummy\nwho doesn't even have ¥100?!\n<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A natural response to a\npriestess as beautiful as she is.\n<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've grown up, Kami.\n<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beautiful?\n<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need ¥100, on account of my beauty.\n<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut that out! Shut up! \n<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys have\nalready taken me to the cleaners.\n<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't afford any more!\n<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;¥100?\n<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! She's asking me!\n<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;¥100!\n<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is she asking me, too?\n<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You took my picture.\n<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, you're charging me?\nYou're going to take my money for that?\n<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, the priestesses in\nthis town are in it for the publicity.\n<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a priestess.\n<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Anyone looking at you would\nsay you're a full-blown priestess.\n<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a magician.\n<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A magician?!\nWhat do you mean, magician?!\n<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't dance around it,\ngive me your specialty, your sect,\n<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your magic name, and\nyour order name, you dummy!\n<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in the getup you're in,\n<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd better at least pass yourself\noff as an eastern astrologist!\n<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, that.\n<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We all get that the priestess is\na former priestess turned magician,\n<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so take it easy.\n<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, your attitude is completely\ndifferent from when you met me.\n<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? That's all she's saying.\nWhere's the harm in that?\n<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With me, you stripped off all of my clothes\n<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to prove that I was the real thing.\n<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's she talking about, Kami?\n<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, who are these guys?\n<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when did they get here?\n<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need ¥100.\n<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are these people acquaintances of yours?\n<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, they're my cram school teachers.\n<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cram school teachers?\n<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well why are cram school\nteachers looking after a student?\n<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, is something wrong?\n<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You went and mentioned me stripping you down.\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it gets out that we live together...\n<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...\n<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, who knew that Kamijo\nToma had such awful friends?\n<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, looky here!\n<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Someone please take me home"\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An abandoned cat, huh?\n<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, listen...\n<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.\n<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, I haven't even said anything.\n<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't keep it.\n<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not? Why can't we keep Sphinx?\n<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pets aren't allowed in\nthe student dorms, so Sphinx...\n<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't go naming it already!\n<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--No way! I'm keeping him!\nI'm keeping him! I'm keeping him!\n<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I said no, and I mean it.\n--No way! I'm keeping him! I'm keeping him! I'm keeping him!\n<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I said no, and I mean it.\n--I'm keeping him!\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see? You scared him,\nand he ran away, didn't he?\n<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your fault, Toma!\n<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, me?\n<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese *shamisens* have skins from cats stretched over them, right?<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This whole country does\nnothing but terrible things to cats!\n<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to go there, \nyour country chases foxes around, don't they?\n<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Foxhunts are a proud and fabled...\n<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?\n<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The flow of magic is\nbeing drawn together nearby.\n<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?\n<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Its attribute is Earth,\n--Huh?\n<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and its coloration is green...\nIs it a runic formula?\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Index!\n<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like someone is setting up a magic circle.\n<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you go on home without me.\n<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on home, she tells me...\n<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?\n<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should know that.\nThey're runes. Runes to keep people away.\n<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see, Kamijo Toma.\n<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see, Kamijo Toma.\n<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this guy?\n<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, not even a hello? Mm-hmm,\nthat's how our relationship should be.\n<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!\n<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to worry about her.\n<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She just discovered a flow of magical force,\n<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and went off to investigate, right?\n<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell sort of world did I live in?\n<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every day, I was mixed up\nin unusual stuff like sorcery.\n<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you want from me?\n<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you laugh me off. I'll kill you!\n<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine... Breaker...\n<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it. That's the look.\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the relationship we have, right?\n<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't have ourselves getting all chummy,\njust because we fought on the same side once.\n<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?\n<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a confidential matter.\n<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Catch.\n<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever heard of Misawa\nCram School, the college prep school?\n<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misawa Cram School?\n<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a girl being held captive there.\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captive?!\n<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, Misawa Cram School has now become\n<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a pseudo-religion that centers\naround the worship of science.\n<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their teachings notwithstanding,\n<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misawa Cram School has been taken over.\n<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, by a bona-fide,\nhonest-to-goodness sorcerer-- \n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or rather, more precisely, \n<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an alchemist of the Zurich school of alchemy.\n<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real deal?\n<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. It sounds like a bunch of\ndubious hot air to me, too.\n<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a second...\n<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be more than\ntaking this in stride, aren't you?\n<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad. If he realizes\nI don't have my memories...\n<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I actually listen to what you\nsay for once, and this is what I get?\n<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you the type who is never satisfied\n<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you get interrupted in\nthe middle of your conversation?\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever.\n<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no problem with this\nmatter progressing smoothly.\n<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The alchemist's name is Aureolus Izzard.\n<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He dropped out of sight about three years ago.\n<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wherever and whatever he\nwas doing for these last three years,\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he has all of a sudden sprung back up.\n<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what reason?\n<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The reason for that is what's important.\n<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His objective is the Deep Blood \n<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;being held captive in Misawa Cram School.\n<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep Blood?\n<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ability that she possesses\nto kill "a certain creature."\n<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, a certain creature?\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They go by many names.\nTo put it simply, I mean vampires.\n<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vampires?!\n<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do those things really exist?\n<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even we sorcerers know all of the details.\n<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, Deep Blood is what is\nknown as the power to kill vampires.\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that first,\none must come into contact with vampires.\n<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that to happen,\nnothing is more important\n<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than to be in possession\nof this Deep Blood, am I right?\n<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what are you trying to tell me?\n<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in a bad situation,\nwhere I have to launch a commando raid\n<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on Misawa Cram School,\nand bring the Deep Blood out with me.\n<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you wouldn't nod so easily.\nYou're coming with me, after all.\n<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!\n<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think you can say no, either.\nIf you don't obey,\n<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will have to start considering\nretrieving Index from you.\n<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The role that Necessarius has\nbestowed on you is that of "shackles,"\n<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to ensure that Index does not betray them.\n<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you do not obey, it does not work.\n<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious about what you're saying?\n<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, you can do as you please.\n<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is your choice.\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're home!\n<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Listen, Index...\n--Say, Toma...\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Go ahead.\n<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, as it happens...\n<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, your tummy is...\n<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I think I'm stuffed. \n<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, how much you've grown\nsince last I saw you, Miss Index.\n<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a growing young lady, after all.\n<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, you!\nWhat are you hiding under there?\n<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm not hiding anything.\n<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I swear on our Father, who art in\nHeaven, that a Sister would not lie.\n<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that how deep your\nreligious devotion runs, then?\n<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get that stray cat out of here, right now!\n<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sphinx!\n<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!\n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, these clothes are called a "Walking Church."\n<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what if they are?\n<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A church freely extends a\nhand of salvation to the lost sheep.\n<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, this church has taken in Sphinx here,\n<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was out wandering in the streets. Amen.\n<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what, are you going to just\npour kitty litter out of your sleeves?\n<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never you mind! I've decided that\nthe church is sheltering Sphinx!\n<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got no sense of planning ahead!\nDon't just decide that!\n<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be fine!\n<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice do I have?\nYou can keep him.\n<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, our Father, who art in Heaven,\n<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it appears that Your light\nof warmth has finally reached\n<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the savage, unfeeling, cold-blooded Toma.\n<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look...\n<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to think of it, Toma,\nweren't you going to say something?\n<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. I guess I must have\nleft my reference manual somewhere.\n<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going out to look for it,\nso will you keep an eye on things here?\n<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, sure. \n<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There we go.\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not let the cat go out.\n<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.\n<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sphinx, there you go, that's a good kitty.\n<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?\n<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I would leave\nInnocentus here, to protect her.\n<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no guarantee that while\nwe're off at Misawa Cram School,\n<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;some other sorcerers won't come\nto take Index away with them.\n<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's such a handful to take care of.\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you... have a thing for Index?\n<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha-- Of all the things to come out and ask!\n<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sh-She's just the object of my protection,\n<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not at all the object of my affection!\n<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I, um...\n<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then.\n<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know how I felt about Index,\n<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or how I treated her before I lost my memories.\n<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no choice but\nto desperately keep up the act\n<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of just being myself.\n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you might call it just my luck, huh?\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost like there are two of me.\n<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Misawa Cram School?\n<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look especially sinister.\n<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look sinister, does it?\n<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the building itself\nforms the alchemist's powerful barrier.\n<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's strong, is he?\n<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aureolus Izzard... He's a\ndescendent of Paracelsus himself.\n<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know about alchemists?\n<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They turn lead into gold, and\nbrew elixirs of immortality, and stuff.\n<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's about right. \n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But alchemists have\nalways had one, ultimate goal.\n<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To simulate the entire world.\n<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?\n<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you could take whatever\nyou could imagine in your head\n<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bring it out into the real world,\nwhat do you think would happen?\n<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You mean,\nI could bring out anything I wanted to?\n<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you could beat something like that.\n<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what will you do?\nStay here and keep watch?\n<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to help me, \n<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you need to know the Deep Blood's\nname and face now, ahead of time.\n<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. To be honest, I have a hard\ntime telling easterners' faces apart.\n<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, her name is Himegami Aisa.\n<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?\n<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's surprisingly normal in here, huh?\n<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, sure. On the surface, they are\ndoing business as a prep school.\n<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's that over there?\n<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A robot? Is it broken?\n<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? There's nothing here.\n<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do think it's a good\nidea to move along, though.\n<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...\n<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I suppose to you,\nit would be something unusual.\n<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Robots would fall under\nthe domain of science, right?\n<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?\n<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just a dead body.\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nOn the other side of the coin lurks the alchemist's scheme.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Thirteen Knights stand to oppose him.\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the true objective of Himegami Aisa,\nthe one who is being held captive?\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Ars Magna."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,\nthe story begins.\n<br>

# 8 - Ars Magna (Golden Transmutation)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, met a\ndown-on-her-luck priestess--\n<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;parenthesis, self-proclaimed\nmagician, close parenthesis.\n<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I headed off to a dangerous place,\n<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;together with a sorcerer named Stiyl,\nto rescue the priestess being held captive,\n<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there I saw...\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just a dead body.\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Koko ni ikiru sono wake mo *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kono basho de deau subete mo *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigau sekai demo *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*doko ni ite mo kono omoi wa yuruganai *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mune wo chikuri to sasu itami *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore wo warau shiawase na monotachi e *<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*se wo mukeyuku *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Touzen no kurushimi wo unmei ga sasou *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Furuedasu ashi ga oboete'ru *<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kakushin ni *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yume dake ja mamorenai *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tayoranai chikara *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kono te ga shiru kara mayowanai *<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#08 Ars Magna (Golden Transmutation)"\n<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dead body?\n<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably one of the Order of\nthe 13 Roman Orthodox Knights.\n<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging by this,\nit looks like they were wiped out.\n<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?\n<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a battlefield.\nIt shouldn't be the least bit surprising\n<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to have a body or two lying around.\n<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why isn't anyone making a scene?\n<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Megumi! Had a long day?\n<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What just happened?\n<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was all heads and tails.\n<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?\n<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--These students, who live on the heads side of the coin...\n--Huh?\n<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are unable to see us foreign enemies,\nwho live on the tails side.\n<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we are also unable to\ninterfere with them in any way.\n<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don’t bother.\n<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you eliminate the core of this sorcery,\n<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will be unable to bring down this barrier.\n<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet the core itself is\nsomewhere outside the barrier.\n<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like we've got\nyet another reason to fight.\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, couldn't we have taken the elevator?\n<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We, on the tails side of the coin,\n<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot press the button on the heads side.\n<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Well, how about the phones, then?\n<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing. I was just wondering\nif a call from the tails side\n<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would get through to the heads side.\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, go ahead and try it.\n<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, I will.\n<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eep! This is, um, Index Libror--\nI mean, Kamijo residence. Um. yes?\n<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the first time\nyou've ever answered a phone?\n<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? That voice is Toma's!\n<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, what happened that you\nhad to use something so overdramatic,\n<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so ostentatiously bothersome\nand bad for the heart as the telephone?\n<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no reason. \n<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, there were two servings of\nlasagna in the refrigerator.\n<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was one of them yours?\n<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ate them?!\n<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and there was some\npudding in the refrigerator, too.\n<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Don't tell me you ate that, too?!\n<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ate it, huh? You ate it, didn't you?!\n<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.\n<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, as long as my call\ngot through, never mind. Gotta go.\n<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. I've heard that for\nevery minute you talk on the phone,\n<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your lifespan decreases by one day.\n<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?\n<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. I was just thinking that\nyou're lacking a sense of tension.\n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a battlefield, and here\nyou are, chatting it up with a girl.\n<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that ego ends up being\nthe ruin of you, it's not like I mind.\n<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knock yourself out, for all I care.\n<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I won't have you dragging me down with you.\n<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're jealous?\n<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be mistaken. It's not like\nI see her as an object of affection.\n<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You yourself know, right?\n<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up to now, her body\nwas such that she couldn't live\n<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unless all of her memories\nwere erased on an annual basis.\n<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There have been a number of\npeople in the past who were in your place.\n<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fathers, brothers, good friends, teachers...\n<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they all tried to be various things to her.\n<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once, I failed where you succeeded.\n<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all. \n<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the only difference there is between us.\n<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true. I'm not the\none who saved Index anymore.\n<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one Index wants...\n<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is me, before I lost my memories.\n<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Be careful.\n<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Mm-hmm.\n--Be careful.\n<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way, really?\n<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just awful.\n<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, really.\n<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... This is my first\ntime seeing a scientific religion,\n<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it seems pretty normal, huh?\n<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--So, wanna stop there on the way home?\n<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I was sure there would be photos of the founder on display.\n--So, wanna stop there on the way home?\n<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The danger level does indeed seem low.\n<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This can't be good.\n<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't lose your grip.\nThere's no way for those people\n<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the heads side of the coin\nto see those of us on the tails side.\n<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shining light of the seraph's wings.\n<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shining light is the\nwhiteness that exposes guilt.\n<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whiteness is testament to purification;\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the testament is the outcome of action;\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;outcome is the future; the future is time;\n<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--time is uniformity; uniformity\nis all; all is created by the past;\n<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--An automatic alarm?\n--time is uniformity; uniformity is all; all is created by the past;\n<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?\n--time is uniformity; uniformity is all; all is created by the past;\n<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--The students who should be on the heads side of the coin\n--time is uniformity; uniformity is all; all is created by the past;\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--the past is the cause; the cause is one;\n<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--are being brought over to the tails side.\n--the past is the cause; the cause is one;\n<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one is guilt; guilt is people; \n<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;people fear guilt, while fearing is sin.\n<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sin is within the self.\n<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there is any despicable thing within oneself,\n<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the guilt shall be exposed\nby the seraph's wings,\n<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and expelled from within.\n<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, Imagine Breaker...\n<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you're on!\n<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!\n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the love of...\n<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, stop running away!\n<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your right hand protected you\nfrom even a blast of Dragon Breath!\n<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, you turn your unprotected\nback to them! What's wrong with you?!\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a fine one to talk,\nusing me as a shield like this!\n<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a hopeless number of them!\n<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can I counter all of\nthat with just my right hand?!\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...\n<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for him to create a\nGregorian Choir, albeit a replica, is still...\n<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that about a\nGregorian something-or-other?\n<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Essentially,\n<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a grand spell, formed by the prayer voices\n<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of 3,333 monks, assembled in a holy shrine.\n<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! There's no way doing something\nlike that can beat anything, can it?\n<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but it doesn't work if the\nmany people in the Gregorian Choir\n<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot all be controlled at the same time.\n<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If one can destroy the key to their synchronicity...\n<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is one thing\nI've got up my sleeve, though.\n<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've got it, then use it, already!\n<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure?\n<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you doing?!\n<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad luck, scarecrow!\n<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flame punishes guilt.\nPurgatory governs flame.\n<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Purgatory is created to burn sinners.\n<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one form of violence acknowledged by God.\n<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Violence is the affirmation of death.\n<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Affirmation is recognition.\n<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!\n<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You have to know that your body is in danger!\n--Recognition is inside oneself.\n<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The inner aspect of the self\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the outer aspect\nof the world are joined--\n<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world...?\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to hand it to him.\n<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That alchemist is warped.\nYou're supposed to carve your own way out,\n<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not have others do it for you.\n<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally...\n<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured that by using a Gregorian replica,\n<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could lure you to the core,\nregardless of where you were hiding.\n<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously,\n<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there were supposed\nto be two of you intruders.\n<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clearly, your familiar spirit \n<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been swallowed up by the Gregorian replica.\n<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, unfortunately for you,\nhe's tougher than you can imagine.\n<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, what was\nyour intent in luring me here,\n<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alchemist Aureolus Izzard?\n<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A little first aid, and she'll be fine.\n<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...\n<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her skin has just been peeled,\nand her capillaries injured.\n<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There'd be more to it\nif her arteries had been cut.\n<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not even a doctor.\n<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to the flow of blood,\nI know more than others.\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a hand.\n<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, whoa!\n<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not lose your head.\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is disrespectful to the injured.\n<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Sphinx, where could Toma have gone?\n<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was some pudding in the refrigerator, too.\n<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Don't tell me... \n<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you ate that, too?!\nYou ate it, huh? You ate it, didn't you?!\n<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.\n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's wrong.\n<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma wouldn't shrug off me\neating his pudding without his permission\n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with just an "It's okay."\n<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rune seals?!\n<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All done, for now.\n<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your skills are incredible, you know?\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not an unlicensed\ndoctor or anything, are you?\n<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no doctor.\n<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Then...\n<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a magician.\n<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, how were you being a magician?\n<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have something I can show you.\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.\n<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My magic wand.\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that's a police baton, isn't it?!\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--The latest model.\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Stop screwing around!\n--The latest model.\n<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to call an ambulance.\n<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should do that.\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk about it like you're not involved.\n<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're leaving too, after all.\n<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, don't just stay cooped\nup in this place, let's go outside.\n<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have an objective, as well.\nIt's not to get out of this place;\n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's an objective that I cannot\nachieve unless I am here.\n<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's more correct to say\nthat it's a goal that I cannot reach\n<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without there being the alchemist.\n<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if they were your friend,\nthey wouldn't keep you trapped here, right?\n<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was before they were taken over by Aureolus.\n<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only stay inside because\nI don't feel the need to go out.\n<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I go out too casually, I will end up attracting *them*.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, you're telling me\nyou're going to stay in here forever,\n<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you don't want\nthe vampires to detect you?\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what kind\nof creatures vampires are?\n<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No different.\n<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're no different from us.\n<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're people who can laugh, and act for others.\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My blood has a sweet aroma,\nwhich attracts such people.\n<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attracts them, gathers them,\nand kills them... for no reason.\n<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It kills them all, without exception, ever.\n<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is a place\nwhere powers are dealt with,\n<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I thought that they\nwould understand my secret.\n<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And once they understood it,\nthere might be a way to remove it.\n<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there wasn't anything like that here.\n<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to kill anymore. \n<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've decided that I would\nrather kill myself than anyone else.\n<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me one thing...\n<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to\ndraw any vampires to you,\n<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you go out and comfort-binge?\n<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simple. \n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason why Aureolus needs\nme is because he wants the vampires.\n<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot attract\nvampires if I stay inside the barrier.\n<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But doesn't that work completely\ncounter to your objective?\n<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aureolus promised me that\nhe would not harm the vampires.\n<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aureolus said that there\nwas someone he wanted to help,\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that he needed the vampires' power.\n<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I made a promise,\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I would use my\npower to help, rather than to kill.\n<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not going to work.\n<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he's the kind of person you say he is,\n<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then this is a mistake that we can’t allow to go on.\n<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep letting this continue,\n<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there really will be no turning back.\n<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inevitably, how will\nthere be no turning back for me?\n<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been...\n<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boldly may I say,\nit is no matter. I will be right there.\n<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, some doubts may arise,\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm under no obligation to respond.\n<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you!\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will not come any closer.\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!\n<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How...?\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sadly, you are a trivial young man.\nAway with you!\n<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You idiot!\n<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep Blood has power enough to\nkill vampires. Which means...\n<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, right at the very end,\nyou clung to, relied upon,\n<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and placed your hopes on your Deep Blood.\n<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How then are you any different from me?\n<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not true.\n<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This person did not know what Deep Blood means.\n<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He came here to help a\nstranger who he just barely met today.\n<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aureolus Izzard, what is your objective?\n<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your objective to kill this\nregular person to satisfy yourself?\n<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If such a worthless pursuit\nis your goal, then I'm backing out.\n<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have the option of biting my\ntongue and ending my own life.\n<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inescapably, I cannot afford\nto spend any more time here.\n<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young man, do not worry. I will not kill you.\n<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will forget everything that happened here.\n<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it.\n<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The magical power being sent\nto the runes over at Toma's place\n<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ends abruptly right here.\n<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?\n<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're here with me,\nthen this is no doubt Japan, right?\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It feels like we've forgotten\nsomething important. Don’t you agree?\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's probably nothing so\nimportant that we need to remember it.\n<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?\n<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will forget everything.\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me show you a ritual\nthat will dispel that doubt of yours.\n<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eastern rituals are Kanzaki's specialty. I'll ask her.\n<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just close your eyes\nand stick out your tongue.\n<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go "bleeh."\n<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is for using me as a decoy\nso you could get away!\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a barrier in place here \n<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep enemies who enter from getting away.\n<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, long time no see.\n<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?\n<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't remember?\nInevitably, I doubt you have any memory\n<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the name Aureolus Izzard.\n<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this is something\nI must count as good fortune.\n<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sleep.\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, those guys were in the entrance.\n<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The survivors of the Thirteen Knights.\n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commencing the attack!\n<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Gregorian Choir.\n<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An honest-to-goodness Gregorian Choir.\n<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you said it took a lot of people\nto make a Gregorian whatever.\n<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, at the Vatican basilica,\n<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are probably 3,333\ncongregants, offering up prayers.\n<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Extracting from the Book of\nRevelation, Chapter 8, Verse 7, \n<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we hereby reproduce the\nsound of the trump of destruction,\n<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;held by the first angel!\n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do they think they're doing?!\n<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A holy hex bombardment.\n<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bombardment?!\n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami is in there,\nalong with all those innocent students!\n<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's coming down!\n<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's rewinding?\n<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ars Magna.\n<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ars Magna?\n<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is our foe, Aureolus's true power.\n<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sphinx?!\n<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me...\n<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Index's.\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kikoeru? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kioku wo samayotte'ru *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kokoro wo *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shinjite ikite yukereba *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ikiru sekai ga *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigatta to shite mo *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mamoritai mono ga aru nara... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sashidashita chikara wa dare no tame ni? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokihanatsu ikusen no mana *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sono shigusa ga sono manazashi ga *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kokoro wo shimetsukeru *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tebanasanai *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nThere are all sorts of feuds that revolve around Index.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nThere are all sorts of feuds that revolve around Index.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the alchemist who fights\nagainst destiny bares his teeth,\n<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a howl echoes\nthroughout Misawa Cram School.\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Deep Blood."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic\ncross paths, the story begins.\n<br>

# 9 - Deep Blood (Vampire Killer)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to rescue Himegami Aisa,\notherwise referred to as Deep Blood,\n<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma,\nand another guy with long hair\n<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;embarked on a raid\nof Misawa Cram School,\n<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what awaited us there was\na challenge beyond our imaginations\n<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the alchemist Aureolus Izzard--\n<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a second.\nWhat do you mean, Index might be here?!\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From the reason why I live here *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to everything I encounter in this place, *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*though we may be worlds apart *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wherever I am, my feelings won't budge *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn my back to the pain *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that stabs at my heart, and the sneering *<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of those lucky people who look on *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My fate invites the inevitable suffering *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My legs, starting to shake, remember... *<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...with conviction *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Protecting requires more than just dreams *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and unreliable power *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My hand now knows that, so I won't waver *<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#09 Deep Blood (Vampire Killer)"\n<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#09 Deep Blood (Vampire Killer)"\nYou're sure?\n<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#09 Deep Blood (Vampire Killer)"\nYou're sure you've got a line on where that bastard is?\n<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think I strolled throughout\nthis building for no reason?\n<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to admit, \n<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;being able to make anything\nhappen with just a word is...\n<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, how are we going to\nget Himegami away from that jerk?\n<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, it looks like Index is here, too.\n<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even supposing that she wandered in here,\n<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's not going to hurt her\nright away, like he did with us.\n<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason being...\n<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!\n<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!\n<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, so that's it. I get it now.\n<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you're in hiding for three years,\n<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you lose track of\nwhat's going on in the world.\n<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Necessarily, even with all of the\nfaiths and techniques of the world,\n<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if there are still unrectified injustices,\n<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why would one hesitate to\ndepart from the reason of man?\n<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, her?\n<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, in time, you, too,\nwill be released from your sorrow.\n<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very soon, now.\n<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Solemnly, you must now call\nwith the sweet aroma of your blood...\n<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the vampires, from out\nof the faraway darkness.\n<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one will have to get hurt.\nNot any longer.\n<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami!\n<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index! Damn it!\n<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately for you, you will\nnot be able to accomplish your goal.\n<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, you've finally\ncaught on to my true intent?\n<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, you may howl at\nyour impotence and burn with jealousy\n<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the face of my accomplishment.\n<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be worth a little\nburning if it would work out,\n<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll tell you once again,\nyou will be unable to save her.\n<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot save Index.\n<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index?\n<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All it means is that you failed.\nWhereas I...\n<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I will take her...\n<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...this girl, who has taken the weight\nof 103,000 grimoires upon herself,\n<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and can never escape\nfrom the spell she is under...\n<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, though she has accepted her fate,\n<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that her own misfortune\nmight be a blessing to others...\n<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean he knew Index?\n<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. He was once Index's partner, as well.\n<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This year, it's you; last year, it was me;\n<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and three years ago, her partner\nwas this man--Aureolus Izzard.\n<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Index has had to have her\nmemories erased once per year,\n<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or she would be unable to go on living.\n<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has been inescapable; \n<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a destiny the human body\ncould not fight against. However...\n<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,\nshe could get by with an inhuman body?\n<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vampires are those who possess unlimited life.\n<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They continually store up their endless memories\n<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the same brain that a human has.\n<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A vampire has the means to\nnever lose sight of their own self,\n<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how many memories they obtain!\n<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. And you are\ntrying to get the vampires\n<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to teach you what that method is.\n<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just for the record, \n<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what if that method doesn't work on people?\n<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously, I'll have to\nremove the Index from her body.\n<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to make her a vampire.\n<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, Index?\n<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Casting magic on espers...\n<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and simply using Himegami...\n<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even after all that, \n<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's planning to turn Index into a vampire?!\n<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inevitably,\n<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will not change the fact that\nthe Index will have been saved.\n<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must realize that as well.\n<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, who have seen the end that\nis visited upon this girl every year!\n<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it happened, she told\nme that she did not want to forget.\n<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That even if it meant violating\nthe teachings and dying,\n<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she did not want the\nmemories in her heart to vanish.\n<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As she was unable to even lift a finger,\n<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she smiled and said that to me!\n<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you won't change your\nthinking, no matter what, huh?\n<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, go ahead\nand tell him, current partner.\n<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell this critically flawed\nalchemist who stands before us.\n<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just when the hell are you talking about?\n<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What?\n<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That's right.\n--What?\n<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index has long since been saved.\nNot by you, but by Kamijo Toma here.\n<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has already accomplished\nwhat you could not do.\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, who turned your back\non the Roman Orthodox Church,\n<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and spent three years hiding\nunderground, couldn't have known that.\n<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impossible.\nIt can't be. Not in her human body...\n<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not by someone who\nis neither sorcerer nor alchemist.\n<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what is it that he could do?!\n<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is beneath the dignity of Necessarius--\n<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church,\nso I won't speak at length about it,\n<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but yes, his right hand is\nwhat is called an Imagine Breaker.\n<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, he possesses\nan ability beyond his merits.\n<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. If that's so...\n<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, all of your efforts have\nbeen completely for naught.\n<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But do not fret.\nIndex is now together with her partner\n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and living very happily, just as you desired.\n<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!\n<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hungry.\n<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apples...\n<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apples are from Aomori...\n<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is great.\n<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fall to the floor, intruders!\n<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You trample on my feelings,\n<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sneer at my travails?\n<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. Let this humiliation...\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...be paid for with your deaths!\n<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!\n<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami! Don't do this!\n<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know how you feel.\n<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He... no longer...\n<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is wrong. Right now, you...\n<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--...needs... you...\n<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I know. The real...\n--...needs... you...\n<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real you...\n<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die.\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami!\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted magic.\n<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I attracted them.\n<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Aisa. I'm sorry.\n<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then they all...\n<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...all, before my eyes...\n<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... killed again, didn't I?\n<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want to hurt anyone anymore.\n<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?\n<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you really save someone with my blood?\n<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I really not have\nto hurt anyone anymore?\n<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There wasn't even a\nhint of falseness in his smile.\n<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All there was was a single wish--\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he wanted to save someone that he loved.\n<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so... I...\n<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami!\n<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deep Blood is now unnecessary!\n<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serenely, I kept my promise. \n<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, the girl has been set free\nfrom the misfortune of her blood!\n<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha-- You've canceled my Ars Magna?!\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible. The death of\nHimegami Aisa was made certain.\n<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there some sacred hidden\ntechnique embedded in your right hand?\n<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you cram a sock in it?\nIt doesn't really matter now.\n<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, then. \n<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can make anything you want happen,\n<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'll start by bursting your bubble!\n<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... The floor is so cold.\n<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Death by choking.\n<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Death by electrocution.\n<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Death by crushing.\n<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can nullify his attacks with my right hand!\n<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. Your right hand is the genuine article.\n<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is consistently able\nto cancel out my Ars Magna.\n<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why, if I use an attack\nthat your right hand cannot touch,\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be impossible for you to cancel it.\n<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A gun in my hand,\n<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;loaded with magic bullets to be shot,\n<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;numbering one will be more than plenty!\n<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At a speed faster than the human eye can see,\n<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;commence shooting!\n<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, I will not kill you so easily.\n<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will entertain me a little longer.\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mass-produce the last order. \n<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten pistols, simultaneous fire!\n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I won't kill you so easily.\n<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...\n<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All is ready. Ten pistols, simultaneous fire...\n<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, what do you call that?\n<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really do seem to be bending reality\nwith just your words, don't you?\n<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously. Ars Magna is the high\nwatermark of alchemy.\n<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Right now, the world is--\n<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--If that's true...\n--Right now, the world is--\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...why did you need Deep Blood?\n<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you need to attract any vampires?\n<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could just make vampires, couldn't you?\n<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At your command, with just a word...\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you, alchemist?\n<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you create vampires\nwith this Ars Magna of yours?\n<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, even before that,\nwhy did you take the roundabout route of--\n<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Into the air, priest of London!\n<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!\n<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can make everything\nbend according to your word...\n<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shed, rune sorcerer!\n<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's right. His objective was to...\n<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he can make everything\nbend according to his word...\n<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...why didn't he command that Index be saved?\n<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My fun has been spoiled.\nI'll hold off on shooting you.\n<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He didn't think that he could save her?\n<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll instead attack you with the blade of a sword.\n<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why he couldn't say the words?\n<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, the source of your\nself-assurance appears to be \n<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that mysterious right hand of yours.\n<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's how it is.\n<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I think I'll start\nby chopping off your right arm.\n<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His power isn't the ability\nto bend reality to his word...\n<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spinning sword blade-shooting\npistol, now fire!\n<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What...?\n<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is this?\n<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this guy?\n<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Pistol, a duplicate of last time!\n<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot this time to\nremove the head of my prey!\n<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Same as before, multiplied! \n<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shoot a volley of ten blades!\n<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lay out a countless number\nof executioner's blades!\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dismember his body immediately!\n<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Impossible! How can a\nmere human, not even a sorcerer...?\n<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, alchemist...\n<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't tell me you thought you\ncould defeat my Imagine Breaker\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with just that, did you?\n<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't go getting\nhigh without those, huh?\n<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't drown out\nany idle thoughts, huh?\n<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter? Use your words.\n<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stay back!\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and bend me to your word.\n<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stay back!!\n<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This cannot be! My Ars\nMagna cannot lose its efficacy!\n<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, don't think that!\nYou must not think that!\n<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop! Don't think! Believe! \n<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the power I have,\nthese people can't...\n<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're no match for me, huh?\n<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason being that your power\n<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not being able to bend\nreality to your word...\n<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's... a monst--\n<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the power to make what you *think* into reality!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed that it\nmanaged to attach so easily.\n<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your body must be unexpectedly fantastical.\n<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Doc, you're the one who reattached it.\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that you'd be admitted\ntwice in the space of ten days...\n<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, are you in it for the nurses?\n<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would I intentionally\ncut off my arm just for that?\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, then we're not birds of\na feather, huh? That's less fun.\n<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me he became\na doctor because of the nurses.\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, he's a much better doctor\nthan you'd expect from looking at him.\n<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean to get all buddy-buddy,\n<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I did want to come see how you were.\n<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay.\n<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?\n<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That dragon?\n<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That must have been the form of \n<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the last-minute desperation that Aureolus felt.\n<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to Aureolus?\n<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's lost all of his memories,\nas well as his magic-using abilities.\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want finishing\nhim off on my conscience,\n<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I changed his appearance,\nand turned him loose in the wilderness.\n<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a little trouble getting him out\nwithout the Thirteen Knights seeing him, though.\n<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.\n<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that Misawa Cram School\nhas been shut down.\n<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I meant to offer my thanks for this,\n<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it kind of seems absurd, you know?\n<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For all that you did, \n<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you just ended up getting\nAureolus to bring ruin upon himself.\n<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can be grateful for\nKamijo Toma's fine acting skills.\n<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, I endured the\npain of having my arm cut off,\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while holding my bluff long\nenough to make him tremble like that.\n<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your senses were probably\nnumbed by the intense pain.\n<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like riding a high\nfrom the shock, or something.\n<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kind of like what Aureolus\nused his needles to produce.\n<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you lump me in with that bastard!\n<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acquiring that weird sorcery,\nsaying he wanted to save a girl...\n<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;pinning his hopes on vampires,\nwho we're not sure even exist...\n<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was her partner, three years ago, huh?\n<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Toma, I heard.\n<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What?\n--Toma, I heard.\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you fought for Aisa this time around.\n<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aisa? Ah, you mean that\nvibey pseudo-magician, right?\n<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But who did you hear that from?\n<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that obvious?\n<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a vibe.\n<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Himegami?!\nW-What are you and Index doing here?\n<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though we wanted\nto come here together to visit you.\n<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just that Aisa said that she\nwanted desperately to say thanks.\n<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?\n<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you help me? Why, for my sake...?\n<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just met that one time,\nat a fast food restaurant.\n<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need a reason to help someone, do I?\n<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, Toma...\n<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk with your mouth full.\n<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And get down from there already, will you?\n<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what?\n<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After a lot of talking it over, \nit looks like the church will be taking in Aisa.\n<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The church? Hey, this isn't some joke\n<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where your "Walking Church"\nis a church, too, right?\n<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sphinx, where are you going?!\n<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't bring a cat to a hospital!\n<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, you should\nleave it back at the apartment.\n<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?! It sounds\nlike you've already been to my place!\n<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Wait up, Sphinx!\n<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make a scene in my hospital room!\n<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah! No, don't claw the wall!\n<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah, geez, what are you doing?! Oh, the wall...\n--Ah! No, don't claw the wall!\n<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, man, this is just my luck!\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nMisaka and her carbon-copy sister show up.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for some reason or other,\nit seems like something is going on.\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there's the white-haired\nyoung man following her.\n<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? A Level 5, the highest on campus?!\n<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Mikoto Misaka."\n<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic\ncross paths, the story begins.\n<br>

# 10 - Mikoto Misaka (Sissy)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strong crosswind.\nCorrecting sights three clicks to the left.\n<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Building winds. Vortices from three sides.\n<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correcting sights one click to the right.\n<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target code: Accelerator.\n<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#10 Mikoto Misaka (Sissy)"\n<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#10 Mikoto Misaka (Sissy)"\nOrdinarily, summer vacation remedial classes are held in July,\n<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nOrdinarily, summer vacation remedial classes are held in July,\n<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and apparently they\nactually were held in late July.\n<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I, Kamijo Toma, am now\nretaking them today, on August 20th.\n<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, I skipped\nthe first remedial classes.\n<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ambiguous "apparently"\nis a result of me losing my memories.\n<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any memories before July 28th.\n<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, before I knew it,\nI had been made to pay the bill\n<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for skipping something I don't\neven remember,\n<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that's where I'm at now.\n<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;¥2000.\n<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.\n<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, there!\n<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just stand there like an idiot.\n<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're not buying anything,\nthen stand aside!\n<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a Tokiwadai Middle School uniform.\nWho is she?\n<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's with you, pal?\n<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have...\n<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a name--Mikoto Misaka!\nRemember it already, you idiot!\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do know her, all right.\n<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That vending machine\nis just gonna take your money.\n<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.\n<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a trick to it. \n<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A trick that will make it give\ndrinks without using any money.\n<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A trick?\n<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shorts...\n<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This vending machine is worse for wear,\n<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the springs that keep\nthe drinks in place are loose.\n<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The catch is,\nyou can't choose what comes out.\n<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what's the matter with you?\n<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does every young lady\nfrom Tokiwadai do stuff like this?\n<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what it's like at a girls' school.\n<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go dreaming too hard about us girls.\n<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because people like\nyou come around and do this\n<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the vending machine\ngets broken, you know.\n<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you so upset about?\nIt's not like it does you any harm--\n<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you get yoinked?\n<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much did you get taken for?\n<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;¥2000.\n<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--¥2000?! You mean you used\na ¥2000 bill?! So they still exist!\n<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I didn't have any choice! It was the only cash I had!\n--¥2000?! You mean you used a ¥2000 bill?! So they still exist!\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I didn't have any choice! It was the only cash I had!\n--Of course the vending machine is gonna gobble that up!\n<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, I'll get it back for you. \n<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How?\n<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this.\n<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? There are so many coming out...\n<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't get the ¥2000 bill back,\n<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm sure that more than\n¥2000 worth of drinks came out. \n<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You okay with that?\n<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, why are you running\naway as fast as you can?!\n<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!\n<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Today's Topics:"\n<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Mizuho Institute, which was\ndoing research on the pathology"\n<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"of intractable diseases, such as\nmuscular dystrophy,"\n<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"announces it is discontinuing operations."\n<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.\n<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go gleefully escaping from reality,\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;start carrying these drinks.\nThis is your portion of them, after all.\n<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a little fearful,\nsince the instant I accept these,\n<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I'm graduating from\ninnocent bystander to accomplice--\n<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow, hot!\n<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Strawberry Oden"\n<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Strawberry Oden"\nAh, if you don't want the coconut cider, I'll take it.\n<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nAh, if you don't want the coconut cider, I'll take it.\n<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you so on edge for? \n<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like, you really are strong,\nbut you think you're weak,\n<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you're making a fool of yourself.\n<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who bested Misaka Mikoto.\n<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now, at the very least,\nyou have to accept the responsibility\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of being the victor over me.\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Bested? I beat her? In sports?\n--Such that I, one of only seven\n<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--In some game? When a girl says,\n--Level 5s in all of Academy City,\n<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--you've got to take responsibility,\n--can hold my head high and declare,\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--it sure has an ominous ring to it.\n--this is the boy that I lost to!\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What gives with the teething fever?\n<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, just drink your soda.\nMy underclassmen would swoon\n<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if they were to get a present\nstraight from Master Mikoto.\n<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Swoon? I doubt we're\ntalking about a girl's manga here.\n<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, it would be endearing\nif it were just a girl's manga.\n<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Do you know what they call me\naround Tokiwadai Middle School?\n<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sissy?\n--Do you know what they call me around Tokiwadai Middle School?\n<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it is you, Sissy.\nOh, my, it's you, Sissy.\n<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I thought it wasn't like you,\ntaking remedial lessons,\n<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it was just a\npretense for this, wasn't it?\n<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just for the record, let me ask you,\nwhat do you mean by "for this"?\n<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's obvious. So you can\nmeet that gentleman in secret.\n<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pleased to meet you. I'm Shirai Kuroko,\n<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I kind of ride shotgun for Sissy.\n<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you intend to put the moves\non Sissy, please go through me first.\n<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look, you...\n<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this geekwad look like my boyfriend?!\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, of course.\n<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not when it comes to my Sissy.\n<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, please take care not\nto make any missteps, okay, Sissy?\n<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko!\n<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you go spreading any funny stories,\nyou'll answer to me!\n<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teleportation...\n<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...\n<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again?!\n<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's more of you?\n<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka No. 2?!\n<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm her younger sister,"\nis what Misaka is quick to reply.\n<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Younger sister? \n<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why would Misaka whoever use\n"Misaka" in the first person?\n<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't you usually refer\nto yourself by your first name?\n<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would get confusing\naround the house, right?\n<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka's name is Misaka,"\nis Misaka's swift reponse.\n<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just what are you doing,\nwandering around here for?!\n<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why, you ask me? I am doing training,"\nis Misaka's brief answer.\n<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, training?\n<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, little sister,\ncould you come here for a second?\n<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a bit of\ncatching up to do. Quite a bit.\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No, Misaka has a schedule to keep,"\nis what Misaka--\n<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay!\n<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, well, we're headed this way.\nBe mindful of your dorm's curfew.\n<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe they're just... a complex family.\n<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So hot...\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So cold...\n<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So heavy...\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a close one.\n<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Whoa, hold on! Hey!\n<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn it, what did I ever do?\n<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you...\n<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...take your sister and go off\nsomewhere a little while ago?\n<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought she was wearing shorts earlier.\n<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I can lend you a hand, if you need it,"\n<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what Misaka suggests with a sigh.\n<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you’re her younger sister.\nYou really do look like Mikoto.\n<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mikoto?" is what Misaka asks back.\nAhh, you mean Sissy.\n<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with the heavy-duty military goggles?\n<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Unlike Sissy,\nMisaka doesn't have the skills to follow\n<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;electron beams and\nmagnetic field lines by eyesight,\n<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she needs this device\nto make them visible,"\n<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what Misaka explains with care.\n<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah. But didn't your sister\ntake you away somewhere earlier?\n<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka just came from there,"\nshe says, pointing.\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Where should we carry these drinks to,"\n<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, with both\nof her hands filled with drinks.\n<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, that's okay.\nI can carry them by myself.\n<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Where should we carry these drinks to,"\n<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka prods.\n<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? L-Like I said,\nthat's okay, that's okay.\n<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're under no obligation to carry them.\n<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quickly, now.\n<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.\n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Kamijo Toma!\n<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My air conditioning is out,\nso I'm staying over here.\n<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gonna get noisy with my\nbrother tonight, so forgive us.\n<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Tsuchimikado home?\n<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope. I have no idea where he went.\n<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Maika, the stepsister\nof my classmate Tsuchimikado,\n<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who lives next door.\nApparently, she goes to maid school.\n<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maid school sure must be rough.\nYou don't get summers off, right?\n<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm.\n<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our school motto is that a\ntrue maid doesn't need time off.\n<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Kamijo Toma,\ndid you win those trophies in your arms\n<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in some lottery caper?\n<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I paid for them fair and square.\n<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not the tidiest drinks around,\n<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you can have one if you want.\n<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, this one.\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lastly, the first secret of hiding runaway girls--\n<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the city, have them wander\naround town at the usual times,\n<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then call them back in the evening.\n<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the easiest feeding method.\n<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you know?!\n<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Sister tramps noisily\naround the place, you know?\n<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Is that what you're into?"\nasks Misaka, somewhat earnestly.\n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be too serious. \n<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What are they doing?\n<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's up? Did you\nlose your key, and get locked out?\n<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's Toma! No, we didn't.\n<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's this?! Toma,\ndid you bring home another stranger?!\n<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?\n<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this point, maybe you\nwere born under that sort of star.\n<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kind where you trigger those flags,\n<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and run down various other routes.\n<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is it you're doing?\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sphinx is covered with fleas,\nso we're removing them.\n<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? You mean, the apartment\nis covered with fleas, too?!\n<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, I *thought* I was feeling itchy lately.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, Toma.\n<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?\n<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a medicinal herb called sage.\n<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to set fire to this, \n<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and smoke out the fleas on Sphinx's body.\n<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smoke out? What are you,\nmaking savory steamed cat?\n<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Himegami.\nWhat are you pulling out over there?\n<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I can say is that it's magic spray.\n<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing with it?\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just aiming the magic\nspray at the fleas, and spraying them.\n<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like ordinary pesticide to me!\n<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you planning to\nspray that directly onto the cat?!\n<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"As far as dealing with the cat goes...\n<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you simply want to remove the fleas\n<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the surface of the cat's body,\nwithout using drugs, right?"\n<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka asks, seeking confirmation.\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, sure. How would you do it?\n<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Like this," Misaka swiftly replies.\n<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I have exterminated just the\nfleas, using a specific frequency,"\n<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka.\n<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I believe you can easily\nexterminate inside the apartment\n<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using an insecticide of\nthe type that emits smoke,"\n<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;offers Misaka by way of advice.\n<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure...\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Soup Curry"\n<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Soup Curry"\nWell then,\n<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nWell then,\n<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as my errand is complete...\n<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as the necessary conditions\nof the ESP card experiment,\n<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reinstituted in America in 1992,\n<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the material was changed to ABS resin.\n<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nThis was because of a trick that was used, whereby the type of card\n<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"ESP Cards"\nThis was because of a trick that was used, whereby the type of card\n<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"ESP Cards"\nwas identified by fingerprints on the card's surface...\n<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"ESP Cards"\nHey, Kamijo! Are you listening to me?!\n<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'm listening. \n<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But listening to this isn't going\nto increase my power, right?\n<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami is a Level 0, and all.\n<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't grow something\nthat isn't gonna grow.\n<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but if you give up because\nyou don't have any power,\n<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then what *could* grow won't grow, either.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, of Tokiwadai Middle School,\n<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is ranked 3rd in\nAcademy City, was originally a Level 1,\n<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she worked and worked\nuntil she reached Level 5.\n<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ranked 3rd? Who, *her*?<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Kamijo, do you know Miss Misaka?\n<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not really.\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there! Are you on your way\nhome from remedial lessons, too?\n<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you.\n<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Today's Topics:"\n<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Three research centers whose work"\n<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Three research centers whose work"\nI sure do hate those airships, you know?\n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"centered around muscular dystrophy"\nI sure do hate those airships, you know?\n<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"announced their closures in rapid"\nI sure do hate those airships, you know?\n<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"succession during the last two weeks."\n<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"succession during the last two weeks."\nWhy's that?\n<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nWhy's that?\n<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because the machine sets the policy,\nand the humans follow it.\n<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The machine?\nAh, what was it again? Let's see...\n<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram, wasn't it?\n<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram.\nThe greatest supercomputer in the world,\n<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;loaded aboard the satellite Orihime I,\n<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which was launched by\nAcademy City under the pretense\n<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that it would be analyzing climate data...\n<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or so we're told, \n<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but do you think such a\nridiculous thing actually exists?\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! What the hell did you do that for?!\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I was just waxing a little poetic.\n<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm headed this way, so...\n<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's Mikoto, right?\n<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's her younger sister.\nYou know, if you lose the goggles,\n<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there really is no way to tell them apart.\n<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there. Thanks for your help\nwith the drinks and fleas yesterday.\n<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Your words of gratitude were\nnot my objective," replies Misaka.\n<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Aren't you giving that to him?\n<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is not possible for Misaka\nto feed this cat," she concludes.\n<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That's because Misaka has one critical defect,"\n<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she additionally explains.\n<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Defect?\n<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka's body constantly\nemits a weak magnetic field around it,"\n<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;explains Misaka. \n<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is not strong enough\nfor people to detect,\n<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's another matter for other animals.\n<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Unless something is done,\nthere is a risk of the Health Department\n<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;taking him in," Misaka points out.\n<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah, I guess so.\n<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do you know how animals\ntaken in by the Health Department\n<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are treated?" presses Misaka.\n<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who found him,\n<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you should at least\nbe the one to name him.\n<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--"Dog."\n<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?\n--"Dog."\n<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The black cat is 'Dog',"\nas named by Misaka.\n<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is a cat, and yet, "Dog."\n<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but I mean, seriously,\nhow about a more dignified name?\n<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Okay, 'Tokugawa Ieyasu'," reconsiders Misaka.\n<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a bit *too* dignified!<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, how about "Schrödinger"?\n<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That name is taboo when it comes to cats.\n<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just be a second in here.\n<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just hang out here for a moment, okay?\n<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do you want a book on how to take care of cats?"\n<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka asks, seeking confirmation.\n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say more knowledge than a book.\n<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw the nun's habit\nand the priestess's robes, right?\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I must say, just for the record,\nthat the improper treatment of cats\n<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a crime against animal\nprotection laws," warns Misaka.\n<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What? Are you angry?\n<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I am not angry. Though I do\nnot mean that everything is fine\n<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as you are not directly involved,"\n<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, calling your attention.\n<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.\n<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, \n<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is it okay for me to be\ngoing into the store carrying a cat?\n<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I do not mean to sound\nlike I'm endlessly lecturing,\n<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but please refrain from\ngiving him to me," says Misaka--\n<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say cats don't like you\nbecause of your magnetic field?\n<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then getting over that very barrier\n<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what will bring about true friendship, right?\n<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"My goodness, what nerve he has,\n<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking it is okay to just toss a kitten,"\n<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka whispers to herself.\n<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, the question is,\n<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is the strongest Level 5 in Academy City?\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nButchery carried out over and over in the name of experimentation.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The object of which are called "Sisters."\n<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Misaka, how much do you know about this?\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Sisters."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic\ncross paths, the story begins.\n<br>

# 11 - Sisters (Sisters)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 3rd-ranked esper in all of Academy City\n<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is Zapper, otherwise known as Misaka Mikoto.\n<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, we were acquaintances\nbefore I lost my memory.\n<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Additionally, her look-alike\nyounger sister suddenly showed up.\n<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of them have me,\nKamijo Toma, at their mercy.\n<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it happened, I still hadn't realized\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what the existence of this\n"younger sister" really meant.\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From the reason why I live here *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to everything I encounter in this place, *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*though we may be worlds apart *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wherever I am, my feelings won't budge *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn my back to the pain *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that stabs at my heart, and the sneering *<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of those lucky people who look on *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My fate invites the inevitable suffering *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My legs, starting to shake, remember... *<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...with conviction *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Protecting requires more than just dreams *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and unreliable power *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My hand now knows that, so I won't waver *<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#11 Sisters (Sisters)"\n<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you running away like that for? \n<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beguilingly shaking your ass like that.\n<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that an invitation?\n<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the question:\n<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I, Accelerator...\n<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...doing here, exactly?\n<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reflection...\n<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, too bad. You're close,\nbut that's not the principle I use.\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer is vector transformation.\n<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether kinetic energy,\namount of heat, electrical charge,\n<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or any other vector,\nall it has to do is touch my skin,\n<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I can transform it. \n<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have my default setting on reflect, though.\n<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, on to the\nmatter of the consolation match...\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I am touching your "blood flow."\n<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were to reverse the flow, \n<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you suppose\nwould happen to a person's body?\n<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The correct response wins rest... in peace.\n<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there. \n<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to wonder, where could she have gone?\n<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka...?\n<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there... Excuse me...\n<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're up to it, we'd like you\nto take us to where you found her.\n<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you do that for us?\n<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.\n<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, kid!\n<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?\n<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, no. Her body was\nsupposed to be... right here...\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hey...\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.\n<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kid, there's nothing here.\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There really...\n<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There really was someone who died.\n<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?\n<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here, damn it?!\n<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, kid!\n<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is going on?\n<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm awfully sorry.\n<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I finished the op, I was\nplanning to come back to you,"\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;apologizes Misaka upfront.\n<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, hold on a second.\nYou're Misaka's younger sister, right?\n<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, man, what was all that?\n<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. Up until right now,\nI thought that you might be dead.\n<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.\nIt looks like it was nothing at all.\n<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka unmistakably did die,"\nreports Misaka.\n<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is that... you're holding, exactly?\n<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I must verify your password,\njust to be sure,"\n<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, carrying out her word.\n<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"ZXC741ASD852QWE963,"\nsays Misaka, testing you.\n<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, what?\n<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Since you are unable to\ndecode this password at this time,\n<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you do not appear to be part of the experiment,"\n<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;confirms Misaka.\n<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what you've\ngot in the sleeping bag is...\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sisters,"\n<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;answers Misaka.\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I apologize for leaving the black cat behind,"\n<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;expresses Misaka.\n<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But I felt uncomfortable involving\nan animal in a pointless battle,"\n<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;justifies Misaka.\n<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Apparently, I caused you some\nundue concern over this experiment,"\n<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;apologizes Misaka.\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you needn't have worried.\n<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am here... \n<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to inform you...\n<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that all of the Misakas here are Misaka.\n<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?\n<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Misaka that you have\nhad contact with up through today\n<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is serial number 10032, \n<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, this Misaka.\n<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Misakas all utilize\nthe ability to control electricity,\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and our brainwaves\nare all linked to each other.\n<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other Misakas no more than\nshare the memories of No. 10032,"\n<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka continues to explain.\n<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?\n<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cellular clones created as\nmass-produced military models\n<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Sissy Misaka Mikoto, one of only\nseven Level 5s in Academy City,\n<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Sisters," answers Misaka.\n<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing, then?\n<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Just an experiment," answers Misaka.\n<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The details are classified top-secret,\nso I cannot explain further,\n<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is not a serious incident,"\n<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;explains Misaka.\n<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I would like to apologize again\n<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for involving you in this experiment,"\n<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, with bowed head.\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, if you would look after the cat...\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Experiment? Military? *<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just what are you doing,\nwandering around here for?!\n<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Misaka...\n<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It's okay!\n--Misaka...\n<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me.\n<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it possible that\nshe knew about all of this?\n<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for providing this dinner.\n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me too.\n<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, since you're\ncrashing in, you'll start with this.\n<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, please hop to it,\nand cook some meat for the teacher.\n<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm... but,\n<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before I do,\n<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tell you a scary story\nthat happened in Academy City.\n<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be bursting out into tears\nover any of the seven wonders.\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The contents of the charred *yakiniku* portions...<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are actually carcinogenic.\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! A truly scary story like that one\n<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not one of my summer traditions!\n<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you planning to whittle away my appetite\n<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and monopolize all of\nthe meat for yourself, Himegami?\n<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have company.\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's probably\na house-to-house notice,\n<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so Himegami, could you\nplease handle it politely for me?\n<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the mean time,\nI'm going to cook my own meat...\n<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and eat it by myself.\n<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm starvi--\n<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Who was it?\n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it was nothing at all.\n<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least... At least feed him.\nAt least feed Sphinx.\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma insists on not coming home,\n<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I thought I was going to starve to death.\n<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay. One or two more people won't matter.\n<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The extra-deluxe *yakiniku* set, enough to satisfy everyone, it's *not*.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay! Meat! Meat! Meat!\n<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Summertime Interim Schedule"\n<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next stop, School District 7,\nTokiwadai Middle School Student Dorms.\n<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"208 Misaka - Shirai"\n<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Room 208.\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...\n<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going\nto do once you see her?\n<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to ask her\nabout this ghoulish "experiment,"\n<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that thinks nothing of killing someone?\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?\n<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, um, Misaka? It's Kamijo.\n<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Kamijo, is it?\n<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry,\nI must have the wrong room number.\n<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, it's all right. \n<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I share the room with Sissy.\n<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you do?\n<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I do.\n<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on, I've heard\nthat voice somewhere before.\n<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, it sounds like I've heard\nyour voice somewhere before.\n<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You! You're the gentleman that\nSissy was secretly seeing yesterday!\n<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you need with Sissy?!\n<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, it's nothing that important.\n<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's not that important, \n<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it seems fishy that you\nwould come all the way here.\n<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well, if she's not there, never mind.\n<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy has still not returned.\n<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you need to see her,\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I recommend that you come in and wait for her.\n<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Room 208...\n<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it.\n<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come in. It's not locked.\n<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon the intrusion.\n<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's you, all right.\n<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're...\n<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me that after I left,\nyou had an indiscretion with Sissy.\n<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no! No! \n<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Moreover,\nyou don't seem to have come here\n<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to discuss such an amorous tale.\n<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to wait\nfor Sissy, please sit on that bed.\n<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, no, I couldn't do that.\nNot without her permission.\n<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You needn't worry. That's my bed.\n<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that one is Misaka's?\n<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing on someone else's bed?\n<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not, by any chance,\na deviant, are you?\n<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't have you calling me a deviant.\n<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People have things that\nthey won't tell anyone else,\n<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in their minds,\nthey find to be perfectly okay.\n<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, how you will put\nyour mouth on the girl you like's flute,\n<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or steal her bicycle seat.\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No I don't!\n<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, is this really\nwhat it's like at a girls' school?\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,\nif you're sharing a room with Misaka,\n<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you classmates?\nSince you always call her "Sissy,"\n<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured she was your upperclassman.\n<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I really am Sissy's underclassman.\n<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm also a year behind her.\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, why...\n<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had the previous roommate leave,\nand I took her place here.\n<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it was absolutely lawful.\n<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy has many enemies, after all.\n<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's what she\ngets for being so powerful,\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but having someone who sleeps\nin the same room turning on her\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a bit too much to bear, don't you think?\n<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, can I assume\nthat you are a gentleman\n<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who frequently gets into quarrels with Sissy?\n<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, then that's quite all right.\n<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to have even\na glimpse of the face of someone\n<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was supportive of Sissy.\n<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supportive?\n<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she back?\n<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those footsteps... This is bad!\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the head resident is doing a check!\n<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do? If they find out that there's a boy\n<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Tokiwadai Girls' Dorms,\nthere'll be huge trouble!\n<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to have to\nteleport you outside for a bit.\n<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why doesn't my power work on you?\n<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see...\n<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it must be my right hand.\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have much choice.\nPlease, hide underneath the bed here.\n<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I can't! There's not enough...\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just get under there!\n<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...room under here.\n<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai, it's time for supper.\nGather at the dining hall.\n<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Where's Misaka?\n<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy is at her remedial lesson.\nPerhaps it went long.\n<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't heard anything\nabout that. If she is breaking curfew,\n<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she and her roommate will jointly\nreceive one demerit. Understood?\n<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, of course.\n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A zipper?\n<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Radio Noise 'Sisters'..."\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters...\n<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How to elevate 'Accelerator' to Level 6"\n<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"through the use of Radio Noise 'Sisters'."\nLevel 6?\n<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"As a result of using Tree\nDiagram predictive calculations,\n<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is ascertained that there is only one person\n<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is able to reach the\nabsolute ability status of Level 6."\n<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Specific battlegrounds will be prepared,\n<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and by moving forward\nwith battles according to plan,\n<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;development will be\nstimulated through actual combat..."\n<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been playing me.\n<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is she? Where did she go?\n<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The propellers are turning,\neven though the wind isn't blowing.\n<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In wind-powered electricity,\nit's the turning of the propellers\n<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that generates the electricity. \n<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And contrarily, the propellers\nrotate when bathed in electricity.\n<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are electromagnetic\nwaves constantly emanating from her.\n<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, if I were to follow them...\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nThe shocking truth is written in that report.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As Misaka is weighed down to\nthe point of being crushed\n<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by the cruel fate\nawaiting her younger sisters, I...\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Level 6."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,\nthe story begins.\n<br>

# 12 - Level 6 (Absolute Ability)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's sister died... or so I thought,\n<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when one after another,\nmore of her sisters appeared.\n<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how many sisters does she have?\n<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That aside, "Sisters"? An experiment?\n<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something outrageous\nhappening here in Academy City.\n<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here, Zapper?\nDo you know anything about this?\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Koko ni ikiru sono wake mo *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kono basho de deau subete mo *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigau sekai demo *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*doko ni ite mo kono omoi wa yuruganai *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mune wo chikuri to sasu itami *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore wo warau shiawase na monotachi e *<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*se wo mukeyuku *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Touzen no kurushimi wo unmei ga sasou *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Furuedasu ashi ga oboete'ru *<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kakushin ni *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yume dake ja mamorenai *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tayoranai chikara *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kono te ga shiru kara mayowanai *<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#12 Level 6 (Absolute Ability)"\n<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is ESP, you ask?\n<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.\n<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To put it simply, it's Schrödinger's theory.\n<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Schrödinger?\n<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was a professor of quantum mechanics,\n<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who left us with the\nstory of Schrödinger's cat.\n<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an interminably cruel story,\nso I'll rearrange it a bit.\n<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a box here.\n<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think might be in here?\n<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's chocolate inside, of course.\n<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, it's a chocolate box.\n<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, too bad. There are hard candies inside.\n<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What gives?\n<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's done.\n<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Sister, what do\nyou think might be in this box?\n<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You yourself said there\nwere hard candies in it, right?\n<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. But there's\na possibility that I'm lying.\n<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's 50% chocolate, 50% hard candy.\n<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll never know unless we open it and see.\n<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, go ahead.\n<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really chock full of chocolate.\n<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No pun intended.\n<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Sister, what do\nyou think might be in this box?\n<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already saw that there was chocolate inside.\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, regular people\nwould think it's chocolate, 100%,\n<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after having just seen it.\n<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what if there was someone\nwho thought it was hard candy?\n<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if they believed in that possibility,\nand got that, instead?\n<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People who can split off from normal reality\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and obtain a reality just for\nthemselves, are who we call espers.\n<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?\n<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did it turn out like this?\n<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.\n<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you Misaka Mikoto?\n<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are a lot of people\nin the world who are suffering\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because they are unable to\nfreely move their arms and legs.\n<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we call commands from the brain\n<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are sent to the muscles through electrical signals.\n<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had the power to control bioelectricity,\n<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we might be able to\noffer them the light of salvation.\n<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By making use of your ability,\nwe might be able to help save them all.\n<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, did you hear?\n<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that somewhere in Academy City,\nthey're making military clones.\n<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That story about them\nusing a Level 5's DNA map, right?\n<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't suppose it's\nthe one in our class, do you?\n<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, phooey on you.\n<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help...\n<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help us...\n<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cat?\n<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?\n<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's up to me what\nI do and where I do it, right?\n<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the Level 5 Railgun. \n<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any punk who comes around,\nfor the sake of a little night life,\n<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is no danger to me.\n<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you don't have any\nbusiness asking me in the first place.\n<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut it out.\n<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cut what out?\nIf you're looking to get Mikoto,\n<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the girl who kicked the\nvending machine and got some drinks,\n<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--in trouble for a little night stroll--\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--"As a result of using Tree Diagram calculations...\n--in trouble for a little night stroll--\n<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;128 different types of\nbattlefields will be prepared,\n<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and by killing Railgun 128 times,\n<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is ascertained that\nAccelerator will progress to Level 6.\n<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since 128 Railguns cannot be prepared,\n<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as a result of recalculations\nfocusing on the mass production\n<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Level 5 "Sisters,"\nplanned for the same period, \n<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by preparing 20,000 battlefields,\nand killing 20,000 Sisters,\n<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is understood that the same\nresults can be obtained."\n<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, \n<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your younger sisters were\ncreated in order to be killed \n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in an experiment to produce a Level 6, right?\n<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, why would you go and do such a thing?\n<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're holding that, \n<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that you went into\nmy room without my say-so, right?\n<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinarily, you'd die for that.\n<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, having seen that,\nare you ultimately concerned for me?\n<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or did you think it was inexcusable?\n<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was concerned, of course.\n<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'd rather there was\nsomeone who says so, even if it's not true.\n<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling the truth.\n<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?\n<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I'm telling the truth!\n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize for going into\nyour room without your permission.\n<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can zap me with all\nthe electricity you want later.\n<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what are you doing?\n<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt you obtained this\nby legitimate means, either.\n<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are these marks over\nwhere these laboratories are?\n<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those almost look like... \n<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...kill marks, don't they?\n<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you'd be right about that.\n<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to be perfectly honest,\nI didn't use my railgun on them.\n<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A laboratory costs hundreds\nof millions to equip, right?\n<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can blow the crap out of\nthem over the net with my powers.\n<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, the laboratory shuts down,\nand the project gets tied up.\n<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least, that's what\nwas supposed to happen.\n<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposed to?\n<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But no matter how much I wreck, \n<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiment is immediately\npicked up by some other laboratory.\n<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scholars must be salivating\nto create an unprecedented Level 6.\n<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for the others, they call\nthemselves laboratory animals.\n<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They understand precisely\nwhat that means for them.\n<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Human cloning is against\ninternational law, right?\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you expose it,\nthen even the governing board...\n<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city is under the watchful\neye of the Tree Diagram satellite.\n<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means that they have\nthe governing board's tacit approval.\n<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a problem that I brought about myself.\n<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I should be the one to help them out of this.\n<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pretty simple,\nwhen you think about it, huh?\n<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This experiment is all\nabout making Accelerator stronger.\n<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Accelerator, the experiment's mainstay,\n<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were to disappear,\nit would disintegrate in midair.\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true.\n<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't defeat Accelerator.\n<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you could, you would have done it first thing.\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that even though\nyou might want to, you can't, right?\n<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're no match for Accelerator,\nright out of the gate.\n<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you ask for help?\n<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you knew you couldn't solve this yourself,\n<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could have gone\nto others seeking help, right?\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did they prepare 20,000 Sisters?\n<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because they couldn't prepare 128 Railguns.\n<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why did they need 128 Railguns?\n<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because by killing 128 Railguns,\nAccelerator will advance to Level 6.\n<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if...\n<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I wasn't even worth that much?\n<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill me 128 times,\nand he still doesn't reach Level 6?\n<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if the researchers\nwere able to be convinced of that?\n<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, Tree Diagram worked\nout that if Accelerator and I fight,\n<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would end up dying in 185 moves.\n<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what if I were unceremoniously\nbeaten in the first move?\n<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the researchers who\nsaw that would think,\n<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's some mistake in\nwhat the machine is doing, all right.\n<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if you manage to fool them once,\n<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after some recalculations, the experiment\nwould be restarted, wouldn't it?\n<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not so. Tree Diagram, you see, \n<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was actually attacked from the\nground and shot down a few weeks ago.\n<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cause is apparently unknown.\n<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why they can't recompute it.\n<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Regardless of how much data they had,\nunless they could analyze it,\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there'd be no choice but\nto stop the whole experiment.\n<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. You...\n<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...want to die, huh?\n<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.\n<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seriously believe that by your death,\n<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the remaining 10,000 Sisters will be saved?\n<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.\n<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm on my way to go see Accelerator.\n<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to barge in, and bring\nthe whole experiment to an end.\n<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Stand aside.\n<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm not moving.\n--Stand aside.\n<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you realize what you're saying?\n<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those 10,000 Sisters are\ngoing to be killed unless I die!\n<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you think\nthat just because they're clones,\n<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's okay for them to die, do you?!\n<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't think it's okay for them to die.\n<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't mean that\nthere's some other way, either.\n<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, I won't have it.\n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.\n<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you mean to stop me, right?\n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The lives of those\n10,000 Sisters don't matter, right?\n<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't bear to watch them get hurt.\n<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm going to save them myself.\n<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is my last warning. Get out of my way!\n<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still not sure what\nkind of power you've got,\n<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't afford to be beaten by you today!\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you'd better clench your\nfist like your life depends on it!\n<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise...\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you really will die!\n<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing?\n<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying you're\ngoing to stop me by force?\n<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, then.\nIn that case, I won't hold back, either.\n<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to shoot through you,\neven if you are passive about it!\n<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't fight you.\n<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't... fight you.\n<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, dense? I don't have\nany other route besides this one!\n<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not the daily\nlife that you're familiar with.\n<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the hell you don't see every day,\n<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where over 10,000 people are easily killed.\n<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way your wait-and-see views,\n<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like refusing to fight, apply, you know!\n<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so...\n<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, I don't want to fight you.\n<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm telling you to fight...\n<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm telling you...\n<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to fight!\n<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, I really will blast through you.\n<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you plan on fighting me, clench your fists.\n<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't plan to fight me,\nthen stop standing in my way!\n<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't go trampling\non my wishes half-heartedly!\n<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, man...\n<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why...?\n<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why... won't you fight?\n<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't... know...\n<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know the reason...\nwhy I don't want to fight.\n<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if there are\nany other bright ideas, either.\n<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But... I won't have this.\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to see you... getting hurt.\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why should you have to die?\n<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does anyone have to be killed?\n<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you can convince me of that!\n<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help...\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me...\n<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.\n<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any right to have\nanyone tell me that. Not now.\n<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing there is some happy world,\n<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that everyone wants,\nand where everyone is smiling,\n<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have any place in it!\n<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have realized it, right?\n<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That nobody can be saved by doing this!\n<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you were to die,\nand the 10,000 Sisters' lives are spared,\n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if they are spared like that,\ndo you think they would be grateful?\n<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.\n<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up and fight me, already. \n<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not the saint that you take me for!\n<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already killed more than 10,000 people.\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no reason to let a criminal like that live.\n<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in this world.\n<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just why are you\nsticking up for a criminal like that?\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not a criminal.\n<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, why am I still alive?\n<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After taking that much current, \n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way a normal\nperson would still be alive, right?\n<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you weren't\nunconsciously holding back?\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Holding back?\n<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't have been. I was trying to kill you.\n<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew that you were going\nto stay passive, but even so...\n<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so, you couldn't kill me.\n<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe for you,\nsaving your sisters with your own life\n<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;might have been your supreme dream,\n<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but ultimately, you were a good enough person\nthat you couldn't even kill the one man\n<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who would take that dream away, weren't you?\n<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way to save\nthose girls now is for me to die!\n<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good enough, isn't it?!\n<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If my death means everyone else will be spared,\n<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then that's a wonderful thing, isn't it?!\n<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think so, too, then step aside!\n<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not moving.\n<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you'll die.\n<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you take this next attack head-on,\n<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you definitely won't live through it.\n<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, unless you want to die, stand aside!\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not moving.\n<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop it.\n<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just stop, already.\n<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just stop it, already.\n<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kikoeru? *<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kioku wo samayotte'ru *<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kokoro wo *<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shinjite ikite yukereba *<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ikiru sekai ga *<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigatta to shite mo *<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mamoritai mono ga aru nara... *<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sashidashita chikara wa dare no tame ni? *<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokihanatsu ikusen no mana *<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sono shigusa ga sono manazashi ga *<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kokoro wo shimetsukeru *<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tebanasanai *<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she had no choice but to die.\n<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that she wanted to die,\nor that she should die,\n<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she had no choice but to die.\n<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there no other option for her?\n<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Think. A new... A new option...\n<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The great scholars \n<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;must be salivating to\ncreate an unprecedented Level 6.\n<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To stop the experiment,\nwe have to make them think\n<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the experiment won't return\nanything of value in the first place.\n<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?\n<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nSeeking for the faintest miracle,\n<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nMisaka's sister heads to the testing grounds.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nMisaka's sister heads to the testing grounds.\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the power of the\nmightiest Level 5 in Academy City,\n<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which awaits her there?\n<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Accelerator."\n<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross\npaths, the story begins.\n<br>

# 13 - Accelerator (One Way)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to help her. Not fight, just help her.\n<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there was to it.\n<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you'll die.\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you take this next attack head-on,\n<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you definitely won't live through it.\n<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*From the reason why I live here *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to everything I encounter in this place, *<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*though we may be worlds apart *<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*wherever I am, my feelings won't budge *<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'll turn my back to the pain *<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that stabs at my heart, and the sneering *<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*of those lucky people who look on *<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My fate invites the inevitable suffering *<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My legs, starting to shake, remember... *<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*...with conviction *<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Protecting requires more than just dreams *<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and unreliable power *<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My hand now knows that, so I won't waver *<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#13 Accelerator (One Way)"\n<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Utilization terrain at absolute\ncoordinates X-228561, Y-568714.\n<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commencement time at exactly\n8:30 p.m. Japan Standard time.\n<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Test subject No. 10032.\n<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Application: How to cope in\ncombat when reflection is inapplicable.\n<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?\n<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?\n<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I don't know.\n<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot comprehend it," replies Misaka,\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;skeptical about the young man's state of mind.\n<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, why did that\nyoung man's face come to mind?\n<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;RSPK Syndrome,\nor in layman's terms, poltergeisting,\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is something that "children who\ncan no longer correctly view reality"\n<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;bring about due to emotional\ntrauma or excessive stress.\n<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the experiments we\nuse to develop one's abilities,\n<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are various other methods we use\n<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to separate one from ordinary reality.\n<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Espers" who have been\nseparated from conventional reality\n<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;obtain a "reality unto themselves,"\n<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is different from ours.\n<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, they are able to obtain a "power,"\n<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and by using principles\ndifferent from the rest of us,\n<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can warp their own micro-world,\n<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;destroying things without touching them,\n<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;predicting a year into the future\nby just closing their eyes, and so on.\n<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ability development that\nis carried out in Academy City\n<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is meant to artificially create\nthat "reality unto themselves."\n<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put simply, we use drugs or suggestions\n<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to help bring about a certain\nsort of change inside the brain.\n<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, by assimilating a certain curriculum,\n<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone can be certain to\nachieve an awakening. Nonetheless...\n<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there are some people\nwho don't have that awakening.\n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like Kamijo Toma.\n<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, in fact, it's the types like Kamijo\nthat are more significant.\n<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you know about Toma's power?\n<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Kamijo has been a\nnaughty boy ever since he enrolled.\n<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been through a lot. An awful lot.\n<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again?\n<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That jerk.\n<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that Level 0s exist means that\n<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are still principles\nthat are not fully explained.\n<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those may in fact be the\nkey that leads us to SYSTEM.\n<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning, "One who arrives at\nthe celestial will without being divine."\n<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We humans do not\nunderstand all of the world's truth.\n<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be simpler if someone\nwith a status beyond human appeared,\n<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who naturally would be\nable to fathom God's answers.\n<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God's answers, huh?\n<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My... hand...?\n<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I pass out?\n<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did something happen?\n<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... right.\n<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?\n<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting worn as ragged as you are,\nand falling onto the filthy ground...\n<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your heart may have even stopped there.\n<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How? How can you smile like that?\n<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got it.\n<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got the way that\nwe can stop the experiment.\n<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you think about it,\nit's simple, you know?\n<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram, of course, \n<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;programmed the experiment\nwith the presupposition\n<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Accelerator is the strongest\nman in Academy City, right?\n<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, what if, say, Accelerator,\n<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is proclaimed to\nbe the mightiest around,\n<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is easily defeated in some two-bit dustup?\n<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one is going to continue an experiment\n<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when the prerequisite conditions fall apart, right?\n<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, all we have to do is\nconvince the researchers of this:\n<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator is actually incredibly weak.\n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not going to be possible.\n<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only came face-to-face\nwith that Accelerator guy once,\n<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can tell.\n<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fight with him will not be\na contest of winning or losing.\n<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To him, fighting is just dishing out\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a one-sided slaughter of his opponent.\n<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I'm a Level 5, just like he is.\n<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if, by some miracle, I win,\n<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the researchers will write it\noff as within the margin of error.\n<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't go thinking that\nAccelerator is actually weaker.\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,\n<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could fight him, right?\n<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if Academy City's mightiest Level 5...\n<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...were to easily be beaten by\nAcademy City's weakest Level 0?\n<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?\n<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's impossible.\nYou don't know Accelerator's power.\n<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're crazy if you think you can fight toe-to-toe\n<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;against a guy who would think nothing of it\n<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if the world's armies were to be turned on him.\n<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's able to control kinetic\nmomentum, thermal quantity,\n<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;electrical charge, and any\nother kind of vector, with just a touch!\n<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not only will any attack be unable to reach him,\n<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll all be bounced back at you!\n<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you take on someone like that,\n<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who's unsporting enough to begin with...\n<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...not to mention how frazzled you are!\n<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you can beat that\nmonster under the circumstances!\n<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?\n<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were about to head\noff toward Accelerator, right?\n<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me.\n<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is he?\n<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time is 8:25, is it?\n<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, you've got no issue with being\n<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my next experimental target, right?\n<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No. I am Misaka, serial number 10032,"\n<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;replies Misaka.\n<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Before we continue,\nwouldn't it be reasonable for you\n<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to check my password, to verify\nthat I am part of the experiment?"\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;advises Misaka.\n<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, far be it from me to\nsay anything about someone\n<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;working side by side with me in\nan experiment to make me stronger,\n<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm impressed that you're\nso calm, under the circumstances.\n<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure your mind\nisn't dwelling on something else?\n<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"'Something,' is too vague\nan expression for me to grasp,"\n<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;responds Misaka. \n<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Three minutes and twenty seconds\nremain until the experiment starts.\n<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you're ready?"\nasks Misaka, seeking confirmation.\n<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't understand\nwhy you'd throw your life away.\n<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life is more important than anything.\n<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is precisely why\nthere's no limit to my desire for power.\n<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To that end, it doesn't matter to me\nhow many hundreds, thousands,\n<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or tens of thousands of you die,\nI can still snicker it away.\n<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka cannot understand some\nof your words and behaviors, as well,"\n<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;replies Misaka.\n<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You are already the\nstrongest Level 5 in Academy City.\n<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are in a position\nwhere no one else can reach you,\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then there is no need to\ndesire any further power, is there?"\n<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;estimates Misaka.\n<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The strongest, huh?\n<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how is it that those\naround us are aware of that?\n<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because they actually\nfought me, and lost, isn't it?\n<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or, put the opposite way,\nmy strength, to their thinking,\n<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is nothing more than "let me try\npicking a fight with that guy;\n<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it might be fun," right?\n<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not good enough. \n<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not at all good enough. \n<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sort of "strongest" is completely pointless.\n<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I'm after is what's\npast that. One where even thinking\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"let's challenge him" is a ridiculous idea,\n<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even thinking\n"let me fight him" is beyond the pale.\n<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the sort of unrivaled existence I want!\n<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One minute and thirty seconds\nremain until the experiment starts.\n<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you're ready?"\nreconfirms Misaka.\n<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, I thought I might\nbe able to kill a little time here,\n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is hopeless.\n<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just can't hold a conversation with you.\n<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, are you ready?\nIt's almost time for you to die,\n<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you overproduced, substandard factory reject.\n<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"8:29:45 p.m.\n<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will now commence trial number 10032.\n<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will test subject\nAccelerator please take his position,"\n<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;instructs Misaka.\n<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The industrial district on the western outskirts.\n<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The train yard there\nis the 10032nd testing site.\n<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Misaka that you have\nhad contact with up through today\n<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is serial number 10032, \n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, this Misaka.\n<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?\n<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. The electromagnetic\nwaves from my body...\n<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so ridiculous.\n<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to help them,\nthen let me take care of this.\n<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The important thing is for me, \n<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a Level 0, to defeat\nAccelerator by myself, right?\n<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you, a Level 5, were to fight\nalongside me, it won't mean anything.\n<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what...\n<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what, I'll bring her back with me.\n<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it.\n<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, if I were to go there,\nI couldn't do anything.\n<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...\n<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does he really think I can do that?!\n<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? What? What are you doing?\n<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how much time you try to buy...\n<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there's no way some\nmiracle is gonna happen!\n<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight...\n<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight, there isn't any wind, huh?\n<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That smell...\n<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha... So that's it.\n<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're breaking down\nthe oxygen with electricity,\n<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and turning it into ozone, are you?\n<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're trying to put me in\nan oxygen-deprived state, huh?\n<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good! Good! This is great!\n<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are giving me\na run for the money, aren't you?\n<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never a dull moment.\nI guess if 10,000 of you get killed,\n<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you might start getting a little crafty, huh?\n<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is one shortcoming, though.\n<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I catch you, this tactic is gonna fail.\n<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no reason to be surprised, is there?\n<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I did was change the vector\nof the kinetic momentum under my feet.\n<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know a way to hit your opponent\n<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without doing any harm to your own hands?\n<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you have to do is direct \n<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the kinetic momentum vector at\nher the moment you touch her body.\n<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The damage she takes\nincreases by a factor of that, though.\n<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happens to the\nexperiment in a situation like this?\n<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get away from her.\n<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get away from the Misaka Sister, right now.\n<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on, now.\n<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go bringing the general\npublic into our testing site.\n<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, this is a sour note.\nDo we have to do the bit\n<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where I silence the outsider\nwho finds out about our secret?\n<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.\n<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just stand there nattering,\nI told you to get away from her,\n<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;third-string!\n<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think you are?\n<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're calling me, said to be the top dog\n<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;among even the seven\nLevel 5 espers, third-string?\n<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, not funny.\n<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're intriguing.\n<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What are...\n<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?"\n<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka.\n<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you’re her younger sister.\nYou really do look like Mikoto.\n<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there. Thanks for your help\nwith the drinks and fleas yesterday.\n<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who found him,\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you should at\nleast be the one to name him.\n<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka is unsure about your state of mind.\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you trying to do,\nfor the sake of someone\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for whom any number\nof reproductions can be made?"\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, repeating herself.\n<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Any number of Misakas\ncan be automatically manufactured\n<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the push of a single button.\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fabricated bodies,\nstocked with borrowed minds. 9968--"\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.\n<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't care less about the little things.\n<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm standing here in order to rescue you.\n<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one of *you* in the whole world, right?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go dying as you please. \n<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've still got a mountain\nof accounts left to settle.\n<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to help you out of this now.\n<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just keep quiet and watch.\n<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? Such heroic\nwords for you to be blabbing out.\n<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you've forgotten\nabout me being here.\n<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so slow. \n<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's your speed, \n<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you couldn't beat me in a hundred years!\n<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Come on!\n<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So slow...\n<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Far too slow!\n<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to entertain the\nhunter, you should become a fox!\n<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just stand around there\nlike a slaughterhouse pig, third-string!\n<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...\n<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time...\n<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to put an end to this.\n<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!\n<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there was flour inside that one, huh?\n<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there's no wind tonight.\n<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just might make\nthis a dangerous situation.\n<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, if there were to be a fire\n<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with all of this powder floating in the air,\n<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the rate of combustion of the\noxygen would be ridiculously fast.\n<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, you've at least heard the expression\n<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"dust explosion" before, right?\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nThere's only one of you in the world, but what can I do for you?\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nThere's only one of you in the world, but what can I do for you?\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Me, someone so weak,\nI can't even get near him?\n<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Weakest vs. Strongest."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,\nthe story begins.\n<br>

# 14 - Weakest vs. Strongest (Strongest vs. Weakest)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the strongest Level 5 in Academy City\n<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can be easily beaten by the\nweakest Level 0 in Academy City,\n<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then this absurd experiment will\nprobably be suspended.\n<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's easier said than done, but\nit's still worth a try.\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right, Misaka?\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Koko ni ikiru sono wake mo *<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kono basho de deau subete mo *<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigau sekai demo *<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*doko ni ite mo kono omoi wa yuruganai *<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mune wo chikuri to sasu itami *<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore wo warau shiawase na monotachi e *<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*se wo mukeyuku *<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Touzen no kurushimi wo unmei ga sasou *<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Furuedasu ashi ga oboete'ru *<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kakushin ni *<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yume dake ja mamorenai *<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tayoranai chikara *<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kono te ga shiru kara mayowanai *<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#14 Weakest vs. Strongest\n(Strongest vs. Weakest)"\n<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there was flour inside that one, huh?\n<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, you've at least heard the expression\n<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"dust explosion" before, right?\n<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake,\n<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you just got done\nexperiencing it yourself, didn't you?\n<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you take all the oxygen away,\nit's hard on yourself, too.\n<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I thought I was gonna die there.\n<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be thrilled. You might\njust be a world first, you know?\n<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, you, driving me to the\npoint where I could have died.\n<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try as frantically as you like,\nyou can't get one step closer.\n<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, even supposing you\ncould get closer, what would you do?\n<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can control the vector of anything that I touch.\n<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I touch you, you will end\nup with all of your blood vessels\n<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and internal organs bursting out of your body.\n<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you understand that correctly?\n<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then again, the very\nfact that you're standing there,\n<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;still breathing, before\nAccelerator is a miracle by itself.\n<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be asking for too much\nto hope for anything more, wouldn't it?\n<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So rest in peace, already!\n<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!\n<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh...\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interesting. Damn it. Good... the best!\n<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You pleasantly, fantastically nailed me there.\n<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, you...!\n<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power of my right hand is working!\n<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn...!\n<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it...\n<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is going on here?\n<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, you've never lost, huh?\n<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You defeat all of your opponents in one shot,\n<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bounce back every attack you take.\n<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way a person\nlike you would know how to fight.\n<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't be boasting, third-string!\n<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest of them...\n<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...lived as best they could.\n<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those people used all of their\nstrength, fighting for dear life,\n<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;giving everything that they had...\n<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why should they have to end\nup as fodder for someone like you?!\n<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They lived as best they could?\n<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They used all of their strength, for dear life?\n<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?\n<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill!\n<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?! What?! What’s the matter with you?!\n<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, you're just a lot\nof big talk, and nothing special!\n<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, I'm gonna hit you again with it,\n<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so go ahead and make a\nheroic run for the runner-up slot!\n<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compress... compress... compress that air!\n<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compress...? Ha, nice, I just\nthought of something exhilarating!\n<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what happened to all\nthat spunk you had a moment ago?!\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to stick\nwith me a bit longer, here,\n<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or this won't be worth the effort!\n<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator!\n<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!\n<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--n't do it...\n<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it... Misaka!\n<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.\n<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted everyone to come back smiling,\nwithout anything being lost,\n<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's just not possible. \n<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I'm sorry.\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And though this might\nbe selfish of me, even so...\n<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...even so, I'm sure that I want you to live.\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it!\n<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plasma...?\n<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's controlling the direction of\nthe wind, gathering it into one spot,\n<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and forming that plasma...\n<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something I can't do\nanything about with my power.\n<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could manipulate the wind...\n<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't have that kind of power.\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wind...?\n<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That plasma is probably being\nmade by condensing the wind around him.\n<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator is taking into\naccount the flow of the wind \n<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to control the plasma. If that's the case...\n<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, wake up!\nThere's something I need you to do!\n<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-uh, there's something\nthat only you can do!\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I'm asking a lot of you,\nbut just this once, wake up!\n<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just this one time,\ndo what I ask you to do!\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I can't protect everyone.\n<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how much\nI struggle, there's no way.\n<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I'm begging you...\n<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you. I need you to\nuse your power to preserve his dream!\n<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm not sure I understand\nwhat you're saying,\n<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for some reason,\nyour words have resounded with me,"\n<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka states in all honesty.\n<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?\n<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I miscalculated the wind?\n<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What's happening?\n<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There shouldn't be any\nglitches in my calculations.\n<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This irregular movement is not\nfrom natural wind, by any stretch.\n<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be...\n<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. I've heard about this.\n<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I remember, it had something\nto do with dynamo motors,\n<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;turning on their own when hit\nwith particular electromagnetic waves.\n<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you little punk...\n<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you!\n<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'll let you?!\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! Don't push your luck, downgrade.\nYou can't get through to me.\n<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Visual acuity can only be measured\nto 20/10, right? It's like that.\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 5 is the highest rating\nthere is in Academy City,\n<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have no choice but to be\ncontent with that level, that's all.\n<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave them alone.\n<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You leave them alone!\n<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! Well, this is intriguing.\n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As intriguing as all get-out!\n<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Clench your teeth, strongest guy!\n<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weakest guy...\n<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is about to ring out!\n<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh...?\n<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-M-Misaka?!\n<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why is such a\nhappy event as this taking place?\n<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have absolutely no memory\nof triggering any of the right flags.\n<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Just for the record,\nyou're the one who reached out,"\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka relates.\n<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're kidding!\n<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The anesthetic is still\nworking from the neck downward,\n<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but even so, for me to be so frustrated\n<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that my hand would head for a girl's chest...\n<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta be kidding me!\n<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Reaching out for Misaka's hand\nwas the extent of what you did,"\n<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka further notes.\n<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bringing your hand up to this position\n<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was something Misaka did of her own will,\n<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you have not done\nanything wrong," Misaka responds.\n<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka was simply\nusing the flow of bioelectricity\n<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to monitor your brainwaves and\npulse," Misaka replies.\n<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? So you mean...\n<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is my hand now touching you?\n<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't feel anything, thanks to the anesthetic.\n<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't move even a single finger.\nTh-This is just my luck!\n<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Is there some abnormality in\nyour speech center?"\n<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka asks, expressing worry.\n<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, looks like we all\nmanaged to come back safely.\n<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"About that..." Misaka replies.\n<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka cannot return to\nthe same world as you just yet,"\n<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka candidly states.\n<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean, the experiment is still...\n<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No, it's not that. \n<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems that the experiment is\nheaded for cancellation \n<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the defeat of Accelerator,"\nMisaka reports with care.\n<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The issue with Misaka has to do\nwith Misaka's body," Misaka explains.\n<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your body?\n<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yes. Misaka's bodies are clones,\n<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;originally created from Sissy's cells,\n<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and with the administration of additional drugs,\n<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;our bodies have been stimulated\nfor rapid growth," Misaka explains.\n<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"As such, we cellular clones,\nwhose lives are already short,\n<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have had our lives cut even shorter.\nDoes that make sense?"\n<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka asks.\n<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Which is why it is necessary\nfor the research facility \n<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to take us in temporarily,\nand adjust each of us individually.\n<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you listening?" Misaka asks, glowering.\n<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adjust you?\n<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yes. By performing a hormone\nbalance for our rapid growth, \n<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and adjusting the\nmitotic rate of our cellular nuclei,\n<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they will be able to restore\nour life spans to some degree,"\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka answers.\n<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then...\n<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, hold on!\n<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By "adjusting," do you mean a cure?\n<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's all right. I will see you\nagain soon," Misaka declares.\n<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there don't seem to be any major problems.\n<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it does appear that you've\ngrown quite fond of this room, huh?\n<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, get some rest for the time being.\n<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come see you later.\n<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Doctor.\n<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, you're awake?\n<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, is that you...?\n<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you--\n<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here. Get well soon.\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh...\n<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I picked out something expensive\nfrom the department store basement.\n<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I think those\ncookies taste passably good.\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it comes to cookies,\naren't homemade the best?\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what kind of\npersonality do you expect from me?\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's not like that. I'd venture\nthat someone as ham-handed as you\n<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would fumble in your own way\nto make crummy, misshapen cookies.\n<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see what I mean?\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, what do you expect from me?!\n<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop! Seriously, stop!\n<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. \n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. This morning\nlittle sister Misaka came by here.\n<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.\n<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm heading home.\n<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen...\n<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if you hadn't offered your DNA map,\n<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;none of the Sisters would ever\nhave been born in the first place.\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That experiment was wrong in a lot of ways,\n<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I sure do think\nthat you can at least take pride\n<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the fact that they were born.\n<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though, because of me,\nover 10,000 of the Sisters were killed?\n<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, even so.\n<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that none of them blame you.\n<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they hadn't been born, \n<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could never have\nbeen happy or sad, after all.\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's okay for you to smile. \n<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people you wanted to protect...\n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are not the sort of small-minded\nfolk who would take their own pain\n<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and thrust it onto others\nto gratify themselves, right?\n<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...\n<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, what do you have to say?\n<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...\n<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning?\n<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Wait! I got hurt worse than\nI can just laugh off this time!\n<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't you at least have a\nlittle concern for your landlord?\n<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was concerned!\n<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was... concerned.\n<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.\n<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you keep taking\nthese problems on alone,\n<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;again and again and again.\n<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't turn to others for help a little,\n<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I might have to finally\nstart lecturing you in earnest.\n<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, it wouldn't do much good\nto keep dwelling on it, so it's okay.\n<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Toma, what did you\nend up fighting for, after all?\n<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For myself.\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kikoeru? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kioku wo samayotte'ru *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kokoro wo *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shinjite ikite yukereba *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ikiru sekai ga *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigatta to shite mo *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mamoritai mono ga aru nara... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sashidashita chikara wa dare no tame ni? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokihanatsu ikusen no mana *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sono shigusa ga sono manazashi ga *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kokoro wo shimetsukeru *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tebanasanai *<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nIt’s a touching reunion with my parents on a summer's beach--\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nor it was supposed to be, \n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then there's an incredible\nmagical disturbance and panic?!\n<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is my mother?\n<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Angel Fall."\n<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,\nthe story begins.\n<br>

# 15 - Angel Fall (Angel Fall)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Owarai Swimming Beach"\n<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am currently away from Academy City,\n<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and here alone at the beach with Index.\n<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not something I wanted to do, of course.\n<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out of the city immediately?!\n<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's been quite an\nuproar among the higher-ups.\n<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way things are going,\nKamijo, your standing is in jeopardy,\n<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so until all the heat blows over,\na few of the bigwigs said so.\n<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, the place that will\nbe taking you in is... let's see...\n<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it is! It looks like a nice place.\n<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Owarai Springs"\n<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going!\n<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm coming together with you, Toma!\n<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never been to the sea to swim before!\n<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said no, and I mean it!\n<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For one thing, you're still an illegal immigrant,\n<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who hasn't been issued any ID.\nIf I brought you along,\n<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'd end up being arrested\nat the gate by Antiskill!\n<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead.\n<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did we get through so smoothly?!\n<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And well, just like that,\nhere I am without really knowing why.\n<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also have a somewhat bad feeling\n<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about why they intentionally chose this beach.\n<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found a cute hat,\nso I'm giving it to you as a present.\n<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...\n<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it is!\n<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Caution -- Giant jellyfish outbreak"\nEe-yow!\n<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Some day-to-day is a parallel world *<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A masterpiece of thousands of timelines, *<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no two of which are the same,  *<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*interwoven into a new time and space *<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The tip of a pen scribbling out a script on blank paper freezes *<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Strive for originality, since you're going down this road anyway *<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Believe) Race along (far away) *<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Feel) Kick off from the ground (kick the ground) *<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The sensation of living your life ablaze for something *<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is sure to be power enough to rival anyone *<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I likely know what happiness is at this moment (when I believed it) *<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This feeling marks a new page for me (I can go to the next stage) *<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's only my thing *<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Highest masterpiece  *<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wadatsumi"\n<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wadatsumi"\nSuch bad luck, so soon after you got here.\n<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#15 Angel Fall (Angel Fall)"\nSuch bad luck, so soon after you got here.\n<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still early in the season\nfor jellyfish, but this year...\n<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Business has really fallen off as a result.\n<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Toma.\n<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This really is the first\ntime I've ever seen a jellyfish.\n<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I'll be back later for the first aid kit.\n<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sure. Thanks.\n<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Begging your pardon...\n<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a call from the party joining you...\n<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said that their arrival will be delayed,\n<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that they will\nbe here tomorrow morning...\n<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! But I thought\nI was about to meet Toma's--\n<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood. Thank you very much.\n<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.\n<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse us.\n<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's disappointing!\n<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, this is where\nI'm going to end up meeting...\n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Kamijo Toya and Kamijo Shina.\n<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is to say, my parents.\n<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Game Corner"\n<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go to the baths.\n<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since we don't often see each other,\n<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe must have\ngrown a little concerned about us.\n<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My kid cousin is supposedly with them, too.\n<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Toma...\n<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?\n<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are your parents like?\n<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are they like?\n<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait to meet your mother and father.\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Toma, are you listening?\n<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I'm listening.\nYou'll find out tomorrow, right?\n<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph! Ah, there you go, teasing me again!\n<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not going to hurt to tell me, is it?\n<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you're always, always so cold,\n<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;heartless, inhospitable, brusque, gruff,\n<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\n--indifferent, curt, offhanded, and off-putting with me!\n<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yes, we'll find out tomorrow.\n--indifferent, curt, offhanded, and off-putting with me!\n<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having lost my memories,\nnaturally, I don't remember my parents.\n<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What were they like,\nand what kind of son am I?\n<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would I be able to play it off naturally?\n<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!!\n<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, the extremely popular Hitotsui Hajime!\n<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good evening!\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All things considered,\n<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell the truth, I was finding\nmyself uncharacteristically uneasy.\n<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would they all find out\nthat I'd lost my memories?\n<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess worrying\nabout it isn't going to help.\n<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just have to wait until tomorrow.\n<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes...?\n<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I ask if you are awake? \n<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The party who is joining you just called...\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and they say they will be arriving shortly.\n<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, right!\n<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're looking well. Anything new?\n<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, you too, Dad.\n<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, there's something I want to give you.\n<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I went to India on business not too long ago.\n<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got this as a souvenir while I was there.\n<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's some god or other that they have there.\n<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's the matter? \n<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like you're meeting someone for the first time.\n<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, no, I... Ah, let me get your bag.\n<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get your mother's and Otohime's.\n<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should be getting here about now.\nI'll wait for you here.\n<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This man is my dad...\n<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, sorry about all this. We were\nsupposed to get here yesterday,\n<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you know, we just moved in,\nand don't know where anything is.\n<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You moved?\n<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, right? Last month, when I called.\n<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah...\n<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I guess I won't be\nable to see the house I grew up in.\n<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh well, no biggie.\n<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother!\n<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, they're here.\n<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother!\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's my cousin...\n<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother!\n<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother!\n<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Big Brother Toma! I missed you!\n<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Big Brother, take me\nto the beach later! The beach!\n<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do that, right?\n<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, slow down, would you!\n<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's wrong, Big Brother?\n<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't "What's wrong?" me!\nWhat are you doing here?!\n<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's with the icky younger sister act?\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sister or stepsister, that is the question."\n<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What do you mean?\n<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Dad, what's the big idea, bringing this girl here?\n--What do you mean?\n<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter,\nhow long have you known each other?\n<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, "this girl"?\nAnd how long I've known her?\n<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your cousin Otohime, isn't it?\n<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dummy! Cut it out! That's not right!\nNot on my back! Not my back!\n<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my...\n<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, are you that embarrassed to be hugged\n<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by Otohime, whom you haven't seen in so long?\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you doing here?\n<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, Toma, you--\n<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were sleeping soundly back\nin the room just a short while ago!\n<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suddenly you're dressed, and teleported here!\n<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you, Shirai Kuroko?!\n<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what's with the "Missus"\nand "Madam" and "Señora" talk?!\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See here, Toma!\n<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it with *you*, speaking to your mom that way?!<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you what the big idea was,\nspeaking to your mom that way!\n<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad, are you telling me that this girl,\n<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who looks like she'd be\nkicked out of a rated R-15 movie,\n<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is my mom?\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, Toma, do you think\nyour mom looks younger than her age?\n<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And her-- this electricity-zapping\ngirl is my cousin?\n<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, "zapping"?\n<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, this *is* your mom and Otohime.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on Earth has come over you, Toma?\n<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on Earth *hasn't* come over me?!<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I, being punked?!\n<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Where is the "Mission Accomplished" panel?!\n--You've been punked! Waah!\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Play mind games on some\ninnocent kid walking by, will you?!\n<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what is it that you\npeople have against me, huh?!\n<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait! Calm down, Toma!\n<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, look at this! \n<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you turn the pen\nupside-down, the swimsuit girl on it--\n<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later!\n<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait, Toma! Where are you going?!\nWe're not done talking!\n<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up, Big Brother!\n<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mess with me, will he?! I didn't think\nmy old man was this outrageous!\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to our inn.\n<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been expecting you. Please, come on in.\n<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, thanks for having us.\n<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's the matter, Toma?\n<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you in on this too, little sister Misaka?\n<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How the hell long have you been hiding?!\n<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, please, pay him no mind.\n<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't seen us in a long time,\nand his emotions are running high.\n<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so glad to welcome you to our inn.\n<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to show you to your rooms.\n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come now, right this way.\n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it looks like the rest\nof your party has awakened.\n<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, good morning, Toma!\nLet's hurry and go get some breakfast!\n<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Owarai Swimming Beach"\n<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tatsugami"\n<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tatsugami"\nBig Brother!\n<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nBig Brother!\n<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother!\n<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am currently at the beach,\nwith Misaka Mikoto,\n<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is dressed in a school swimsuit,\nacting like a little sister.\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not something\nI wanted to do, of course.\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on!\n<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't breathe! Stop, Toma!\n<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hold on! Take it easy, Toma!\n--Damn it, let me go!\n<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss, are you all right?\n<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should go for a swim,\nto cool your head off, Big Brother.\n<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll be along to join you later, okay?\n<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(blows)\n<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lousy luck.\n<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, just how\nlong can this farce go on?\n<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has gone beyond just being punked.\n<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you calmed down, Toma?\n<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what's been troubling you...\n<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but here, you can have this.\n<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a souvenir I got on a trip to Russia.\n<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? See? See?\n<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah? Pretty neat, huh?\n<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing of the sort.\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...\n<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you don't share\nthe same tastes as your father.\n<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! W-What the...!?\n<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mom, that looks pretty good on you.\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, my.\n--It was worth Dad splurging on it.\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're* the one who bought that swimsuit?!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your "taste," as well?!\n<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. After having\ntraveled around the world on business,\n<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese women seem to\nbe lacking a little sophistication...\n<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing, Toma?!\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just become convinced\nthat my old man is a good-for-nothing!\n<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing but a dirty old man with a Lolita complex!\n<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, there she is-- your friend.\n<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother, what's wrong with you?!\n<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!\n<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now for more news. The president\nwill be holding a press conference\n<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;shortly at the White House,\nwhich has been rocked by scandal.\n<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"President to plead his case at press conference"\n<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing, Doc?\n<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Komori in Washington.\n<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The attention of all of America\nis on the president today,\n<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to see what stance he will take\nregarding these latest allegations.\n<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing, Teacher?!\n<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Excuse me, we can't see.\n--Ah, here is the president now.\n<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is flashing a confident smile.\n<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! We! Can!\n<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you doing, Shirai Kuroko?!\n<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a second! \n<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This is strange, by any measure!\n--Excuse me, we can't see.\n<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This is too involved for a punk.\n--That's all from Washington.\n<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--And it isn't possible for them\n--Excuse me, we can't see.\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to have gone overseas to do all this.\n<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm not being punked...\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your patronage.\n<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for your patronage.\n<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, well, you go all the way up that hill...\n<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shana is so cute.\n<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is so lame.\n<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe we should block his number.\n<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? What the hell is going on?\n<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother!\n<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, look!\n<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a picture of us from last year's New Year's.\n<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember me now,\nBig Brother Toma?\n<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you okay?\nYou're really acting weird today, Big Brother.\n<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you mean, the girl you're\nshowing me here is my cousin?\n<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep, that's me! Tatsugami Otohime!\n<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't she realize that\nthis isn't what she looks like?\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?\nIt's almost like the inside of everyone\n<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been put into a\ndifferent outward appearance.\n<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, no one realizes it.\nHow on Earth...?\n<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, Kamijo Toma knows.\nHe knows from experience.\n<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I have no memory of it,\n<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever someone doing this\nkind of ridiculous cosplay appears,\n<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're usually someone who knows me.\n<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, in this situation,\nthe attitude I should take is...\n<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, long time no see--\n<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question one: Are you the caster?\n<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask question one again.\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you the caster?\n<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, please.\n<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too hasty to\nconclude that that boy is the one.\n<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew, thank goodness we made it in time.\n<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado?!\n<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, I look like\nTsuchimikado Motoharu to him.\n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. However, if he could\ncorrectly identify you, then...\n<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, sweetie, do you see\nany traces of that on Kami's body?\n<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that he,\nlike us, has eluded the problem.\n<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a sorcerer of the\nEnglish Puritan Church's Necessarius,\n<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki Kaori.\n<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our purpose in coming\nhere is the same as yours--\n<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to gauge the center of the distortion.\n<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, to think that the boy\nis the caster is beyond consideration.\n<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorcerer of the Russian Orthodox\nChurch's Annihilation Survey, \n<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha Kruezhev.\n<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, wow! Imagine, meeting a member\nof the Annihilation Survey here!\n<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question one: Where is\nyour proof that he is not the caster?\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question two: If he is\nnot the caster, then who is?\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, I don't understand\nanything you're saying!\n<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for that matter, Tsuchimikado,\nwhat are you doing here?!\n<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This boy is not a sorcerer;\nhe is an esper.\n<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even so, his level is...\n<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you guys!\nAre you just going to skip over\n<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how I was nearly killed?!\nAre you ignoring me?!\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, how annoying. \n<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your rude, ignoble demeanor shows\nyou haven't grown up one bit.\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she's one of my acquaintances, too.\n<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, let's see if I can\ntrick her into telling me more.\n<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could at least tell me\nwhat's going on, couldn't you?\n<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, Kanzaki?\n<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. We can't move forward\n<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until the central players\nunderstand the situation.\n<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Central player? Me?\n<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the moment, there is\na spell at work on a global scale.\n<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its format and formula are unknown.\n<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the sake of convenience,\nwe have named this spell "Angel Fall."\n<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angel Fall?\n<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know the term "Sephirotic Tree"?\n<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might also call\nit a class-ranking chart,\n<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;showing the souls of God,\nthe angels, and humans.\n<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinarily, humans cannot\nrise to the rank of angel.\n<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Naturally, the opposite is true, as well.\n<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each ranking is already filled to capacity.\n<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, one of those\nangels has fallen to the human level--\n<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time out!\n<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Time out a second. \n<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To no one's surprise,\ndo you not understand this?\n<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... but, I mean, come on, angels?\n<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The effects of this spell should\nalready be before your eyes, Kami.\n<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Effects?\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, people's appearances being switched\n<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;leading to the outbreak of this\nscrewed-up world.\n<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The impetus of the angel falling\nhere has made the human world's\n<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;physical appearances and\ninner workings get all messed up.\n<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in a game of musical chairs,\nthe fastest ones win.\n<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our "appearances" have to scramble\nto sit down on our "inner selves."\n<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result...\n<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, that's why\neveryone's looks have switched?\n<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not clear who put this spell\ninto motion, or for what reason,\n<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the critical thing is that you, Kami,\n<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are at the center of this distortion.\n<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are Angel Fall's prime suspect.\n<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You narrowly escaped the spell's effects,\n<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and stand to have your\nlife threatened by sorcerers\n<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are trying to halt its progress.\n<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why it's hard to believe\nthat Kamijo Toma here is the culprit.\n<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For one, he has no magical knowledge;\n<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for another, the traces\nthat are left on an esper's body\n<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever they use magic\nare nowhere to be found on him.\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Counterargument one: He is\nnot suffering the effects of the spell.\n<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because Kami's got the Imagine Breaker,\n<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which can cancel out any extraordinary power,\n<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;residing in his right hand.\n<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. So that's why...\n<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, how do you know about that?!\n<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Valence 40... 9... 30... 7...\nput together, that's 86.\n<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accordance. Water, form a\nserpent and strike like a sword.\n<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Correct response. \n<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Means of proof that he be\ncleared of suspicion accepted. \n<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young man, \n<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hereby apologize for\nmistakenly turning my blade on you.\n<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,\n<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;though you're\nsuspicion-free, the fact remains\n<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Angel Fall is centered\naround you, and growing, Kami.\n<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a good chance that the\ncaster is someone near you.\n<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to believe that a single caster\n<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is responsible for a spell of this degree.\n<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probable that there\nis a ritual site somewhere\n<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;behind a barrier or magic circle.\n<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So either destroy the ritual site,\nor the casters themselves.\n<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only two ways\nto bring an end to Angel Fall.\n<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, now.\n<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is with you, Tsuchimikado?!\nWhat are you doing in this world?!\n<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know about my right hand?!\n<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Answer me, Tsuchimikado!\n<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see, Kami,\n<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, too, am a member of Necessarius.\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nTo find the caster responsible for Angel Fall,\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nTsuchimikado and I head to my dad's house.\n<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, we discover a disquieting truth.\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Toya Kamijo."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic\ncross paths, the story begins.\n<br>

# 16 - Toya Kamijo (Father)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the summer beach away from Academy City,\n<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, am reunited with my family.\n<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There we are stricken by\na magic spell named Angel Fall.\n<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Along with Misha Kruezhev, \n<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Russian Orthodox Church,\nand Kanzaki Kaori,\n<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado Motoharu also showed up.\n<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it turns out, he is a member of Necessarius.\n<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what?!\n<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To aru nichijou wa parallel world *<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ikusen mo no jikan ni *<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji mono nado nai *<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*masutaapiisu de orinasu jikuu e *<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kakinagutte hakushi no shinario ni pensaki ga kooru *<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*originality mezase! Douse kono michi wo yuku n' dakara *<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Shinjite) Kakenukete (tooku made) *<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Kanjiru) Daichi wo kette (daichi kette) *<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanika no tame ni kogare ikite'ru kanshoku wa kitto *<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*dare nimo makenai chikara ni naru *<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shiawase tte tabun kono shunkan onore ga shiru (when I believed it) *<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono kandou wo atarashii peeji ni kizamu (I can go to the next stage) *<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's only my thing *<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#16 Toya Kamijo (Father)"\n<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see, Kami,\n<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, too, am a member of Necessarius.\n<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Necessarius? Then, you, too...?\n<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah, I'm a sorcerer.\n<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--But...\n--Yeah, I'm a sorcerer.\n<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no sorcerers in\nAcademy City? Think about it, Kami.\n<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Science is the enemy of magic. Which means,\n<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you shouldn't be surprised if an agent or two\n<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sneaks their way into enemy territory, right?\n<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An agent?\n<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I'm a spy. \n<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know just about everything about you, Kami.\n<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including, of course, your Imagine Breaker.\n<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, since I've taken\ntoo much of the esper curriculum,\n<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't use my magic anymore.\n<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any event,\n<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a good chance that the caster\n<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who put Angel Fall into\nmotion has gotten in close to you.\n<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same goes for the ritual site.\n<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll work together for a little while,\n<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to find out what the\nenemy's purpose and plans are.\n<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any objections, Misha Kruezhev?\n<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Response one: I believe that\nto be the smartest course of action.\n<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just hold on a second here! \n<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am currently with my family,\nfor the first time in a long time!\n<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My parents and cousin are in that inn.\n<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do your parents and cousin\nappear to you as they should?\n<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.\n<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck charm my foot! Get real!\n<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their power dwells within replicas, as well.\n<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the basis of idol worship.\n<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, you being a sorcerer.\n<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More accurately, I *was* a sorcerer. Past tense.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, once the best Onmyo\ndoctor specializing in Feng Shui\n<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in all of Necessarius,\nam now just a normal person.\n<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you going to go in with the others?\n<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't go if I wanted to.\nWhen Angel Fall first went into effect,\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki and I put up a barrier right away,\n<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we weren't able to avoid it completely.\n<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging by the people who did get swapped out,\n<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I apparently look like Hitotsui Hajime.\n<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hitotsui Hajime? You mean that ditzy idol guy?\n<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, what about Kanzaki?\n<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, Toma's friends sure\nare a unique bunch of people.\n<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than that, you are so cool, mister!\n<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, bright red hair and a cigarette!\n<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention the barcode on your cheek.\n<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the word I'm looking for?\n<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're trying to say "rad," right, Aunt Shina?\n<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, my...\n--Oh, that's right!\n<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some Egyptian\nsouvenir good luck charms.\n<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, enough with the scarabs, Uncle Toya.\n<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, by the way, what was your name?\n<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Kanzaki.\n<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl?! Oh, that's rich.\n<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, didn't you just say you raised a barrier?\n<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought espers couldn't use magic.\n<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. That's why I'm all torn up.\n<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used my magic again,\nand boom, my blood vessels burst.\n<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It’ll be the death of me.\n<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah, Kami, you know how\nyou're always saying "just my luck"?\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind biting\nyour tongue in front of Kanzaki?\n<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With her, it's not bad fortune, \n<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but her own good fortune that she can't stand.\n<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can't stand her good fortune?\n<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is an organization\nin Japan, called the Amakusa,\n<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which was created by\nthe Church of the Cross in hiding.\n<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki was set up as its top--\nits priestess when she was born.\n<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a saint and a stigma-user,\none of only a handful in the world.\n<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A saint, which is to say, a human\nin whom the power of God dwells.\n<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When her stigma is released, \n<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is able to use power\nbeyond humankind for a short while.\n<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She says she can't stand the good fortune\n<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of having been born\nunder such an awesome star.\n<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, geez, not God again.\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, why is it that\nsomething like that bothers her?\n<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's one thing that only she knows for sure.\n<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Kami, how must it\nfeel to be someone so blessed?\n<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you always win\nthe lottery on the very first draw,\n<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that everyone around\nyou has to forfeit their own draws.\n<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't endure this any longer.\n<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Men"\n<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens, I...\n<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is, because of Angel Fall...\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard. You look like Stiyl, right?\n<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. I'd like to take a\nbath to soak away my fatigue,\n<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I use the women's baths,\nand someone were to come in,\n<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there'd be a scene.\n<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you can't have anyone\ncome into the men's baths, either?\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I want you to stand watch out here.\n<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To keep everyone else out.\n<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood? I'll be counting on you.\n<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.\n<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops, that's taboo\nto say around Kanzaki, huh?\n<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, is this where you went?\n<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad?!\n<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This works out perfectly. \n<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been so long; what do you say\n<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we take a father-son bath\ntogether, for old time's sake?\n<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Whoa, hold on a second! We can't\nright now! There's someone in there!\n<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what if there is? It's a\nhot spring, so of course there'd be.\n<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, well, you see...\n<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, you're acting like such a stranger.\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're both men.\nWhat is there to be embarrassed about?\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, really, see, this isn't right!\n<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...\n<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, if it isn't the red-haired,\ncigarette-smoking, barcoded Kanzaki!\n<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh...\n<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd forget your indebtedness to him,\nover being seen naked?\n<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You owe Kami for having saved Index's life.\n<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Losing sight of your gratitude\n<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and driving him out of\nthe baths like that is a bit much.\n<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I know that.\n<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that, but...\n<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, your friends are all so utterly unique.\n<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, becoming that worked\nup into a frenzy, when we're all men.\n<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's kind of a long story about that.\n<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A story? You don't mean, he's *that* way,<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now that I've seen him naked,\nwe have to get married?\n<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't jump to such silly\nconclusions. It's not like that.\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. If everyone's appearance is different\n<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because of Angel Fall,\n<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then Dad's appearance might be \n<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that of some old codger\nthat I don't really even know.\n<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? You suddenly\nlook down. What's wrong?\n<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.\n<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That face you're making\nis just like your mom’s.\n<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before we got married,\nand we were dating,\n<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when the time was coming to say goodnight,\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your mom would always make that look.\n<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was hard to see her do that.\n<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, lovely, too.\n<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure do take after your mom, all right.\n<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah! I have this souvenir from Mexico--\n<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want it!\n<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Is that...?\n<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha...\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, such a troubled look\nfor such a young, innocent face.\n<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost like she's begging\nfor someone to call out to her.\n<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, good luck!\n<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! For the love of...\n<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you up to?\n<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, are you longing for faraway Russia,\n<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;great land of the frozen *tuna*, and feeling homesick?<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That joke didn't play with her.\n<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has no idea how lame the\npun that went over her head really was.\n<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want some?\n<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you find out anything about Angel Fall?\n<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen...\n<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so sure about all this angel stuff,\n<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but why would the culprit\nput a spell like Angel Fall into play?\n<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Opinion one: To gain the\nenormous power of an angel,\n<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or perhaps, to take upon\nthemselves the rank of angel.\n<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angel Fall is incomplete.\n<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Is that right?\n<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power of an angel is great enough\n<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that a single person could bring down the Vatican.\n<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once Angel Fall has been completed,\n<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the world will face\ncalamities of biblical proportion.\n<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to identify the caster, \n<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and prevent them from\nfinishing before that happens.\n<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right. I guess this is no time\nto be standing around chewing gum.\n<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.\n<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world is in danger?\n<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, Toya...\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...! Goodness, Toya,\nwhat could have made you so energetic?\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After looking into Toma's face,\nit reminded me of the past.\n<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, and he always said he\nwanted a younger brother or sister.\n<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, is that right?\n<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, Misha. I've got a more\nurgent crisis than the world right now!\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, stop! Stop! Stop!\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Toma! Of all the times...!\n<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, it's been so long, \n<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Toma just wants\nto sleep together as a family.\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine, the three of us will\nsleep snuggled up together tonight.\n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma! Toma isn't in our room!\n<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like he's\nbeen back since last night!\n<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! This is terrible!\n<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Mom?\n<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? It's too early.\n<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gonna be a hectic one.\n<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...!\n<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you in such a hurry over?\n<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I forgot to lock the front door.\nI'm going to go and lock up.\n<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's going to take most of\nthe day, there and back, by train.\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be back this evening.\n<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question one:\n<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mind if I accompany you?\n<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha...?\n<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ask my question again.\nDo you mind if I accompany you?\n<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, Misha, you're going\nto give me someone to talk to?\n<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. Let's go together.\n<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is it that Misha\nis going with Inde-- Mom?\n<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew this would happen, Toma.\n<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you were her first.\n<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She now has no choice but to marry you,\n<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so to avoid any\nmother-daughter-in-law conflict later...\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of nonsense\nare you going on about?!\n<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had a pretty good mood\ngoing on last night, didn't you?\n<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, did you spy on us,\nyou perverted old man?!\n<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you had watched, you should know!\n<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kidding, I'm kidding. Still,\n<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's rare to see a girl that refined nowadays.\n<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, she didn't even try to hold your hand.\n<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hand?\n<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My... right hand...\n<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angel Fall is incomplete.\n<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once complete, the world will\nface calamities of biblical proportion.\n<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha really said that?\n<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, we're not really clear on\nthe story behind Angel Fall, right?\n<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an unknown phenomenon.\nNot even the British Library\n<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has anything on it.\n<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing it's not complete yet,\nhow would she know?\n<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can Misha be so\nsure that once it's complete,\n<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there would be any disasters?\n<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't Misha touch my right hand?\n<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply because she's shy?\nOr something else?\n<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the one who's driving it...?\n<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She didn't want to neutralize\nAngel Fall while it's still in progress?\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, take us to the house!\n<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? A map to the house?\n<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You moved, right?\nDraw me a map to the new house!\n<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why the sudden interest?\nYou don't have to go after your mom.\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I've got it, Toma!\n<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You don't have to get anything!\n--I've got it, Toma!\n<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to steal Misha away from your mom--\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough jumping to conclusions! Hurry!\n<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, all right.\n<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming that Misha is\nthe one moving Angel Fall along,\n<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did she go with Index--I mean, my mom?\n<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knows? That's something\nwe'll just have to ask Misha personally.\n<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is my house?\n<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom! Misha!\n<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, let's wait here for them to arrive.\n<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kami!\n<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez,\n<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the old man sure is\na hard-core souvenir collector.\n<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In here, too?\n<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kamijo Toma"\n<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My... name?\n<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, I can't remember a thing.\n<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong, Tsuchimikado?\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it. Imagine,\nit being something like that.\n<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something the matter with these?\n<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't touch them!\n<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's going on, Tsuchimikado?!\n<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on!\n<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This...\n<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is my mom...\n<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Dad?\n<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a picture of\nus from last year's New Year's.\n<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you remember me now,\nBig Brother Toma?\n<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, too. \n<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here, too.\n<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad... didn't get switched out?\n<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, does this mean...\n<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one person,\nnot counting exceptions like you,\n<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who isn't affected by Angel Fall--\n<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the caster who is working the spell.\n<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear!\n<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, this is awful!\n<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, it's Hitotsui Hajime!\n<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're doing here,\n<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I am one of your biggest fans!\n<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, after her!\n<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you forget what Misha was going to do\n<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when she thought you were the culprit?!\n<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come, Dad?\n<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you able to do something like this?\n<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you involved in the occult?\n<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, watch out, will ya?!\nYou trying to get killed?!\n<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Himegami...?\n<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of the way, already,\nor I'm gonna run you over!\n<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what're you doing?!\n<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please let me ride along. I'm begging you!\n<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd you say?!\nDo I look like I'm driving a taxi?!\n<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My old man's--my dad's life is in danger!\n<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?\n<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to save my dad! I have to save him.\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!\n<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure know how to make me cry, don't you?!\n<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a dutiful son, in this day and age!\n<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, hurry up and\nget your seat belt fastened!\n<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't blame me if you get thrown out!\n<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, come on, come on!\n<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move it! Move it! Move it! Move it!\n<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Where's Misha?\n--Where's my dad?\n<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, where is my dad? Where's Misha?\n<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were off chasing her down.\n<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Toya is at the beach.\n<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is going on?\n<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.\n<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to please wait here.\n<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From this point forward, it is my task.\n<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I will take Mr. Toya into my--\n<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Nothing doing.\n--I will take Mr. Toya into my--\n<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to take care of this.\n<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...\n<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No buts!\n<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toya is my dad!\n<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the only dad I have.\n<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad...\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kikoeru? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kioku wo samayotte'ru *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kokoro wo *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shinjite ikite yukereba *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ikiru sekai ga *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigatta to shite mo *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mamoritai mono ga aru nara... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sashidashita chikara wa dare no tame ni? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokihanatsu ikusen no mana *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sono shigusa ga sono manazashi ga *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kokoro wo shimetsukeru *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tebanasanai *<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nA fearsome being beyond human understanding appears.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nKanzaki steps forward to challenge its power,\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as it tries to destroy the world.\nAnd as for Tsuchimikado...\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Power of God."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and\nmagic cross paths, the story begins.\n<br>

# 17 - The Power of God (Archangel)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to stop Angel Fall,\nthe only options we have\n<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are to defeat the caster,\nor destroy the ritual ground.\n<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After Misha makes some questionable moves,\n<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado and I follow her to\nthe recently moved-into Kamijo home,\n<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, my new actual home.\n<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, something else was\nwaiting for us when we got there...\n<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Some day-to-day is a parallel world *<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A masterpiece of thousands of timelines, *<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no two of which are the same,  *<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*interwoven into a new time and space *<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The tip of a pen scribbling out a script on blank paper freezes *<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Strive for originality, since you're going down this road anyway *<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Believe) Race along (far away) *<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Feel) Kick off from the ground (kick the ground) *<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The sensation of living your life ablaze for something *<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is sure to be power enough to rival anyone *<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I likely know what happiness is at this moment (when I believed it) *<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This feeling marks a new page for me (I can go to the next stage) *<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's only my thing *<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#17 The Power of God (Archangel)"\n<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad...\n<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're back, are you?\nIs your mom with you?\n<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you like the new house?\n<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hmm? What? Why the stern face? Did you and Mom get into a fight?\n<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Why?\n--Hmm? What? Why the stern face? Did you and Mom get into a fight?\n<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you get involved in the occult?\n<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, what are--\n<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't play innocent! \n<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you why you're\nplaying at being a sorcerer!\n<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see. Well, where do I begin?\n<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, do you remember\nwhat everyone around called you\n<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you were a little kid?\n<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They called you a jinx.\n<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For whatever reason, \n<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one unlucky thing after\nanother happened around you.\n<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In time, it wasn't just your friends,\n<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but even the adults\nstarted giving you a wide berth.\n<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the reason why\nI sent you to Academy City.\n<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were terrifying to people\nwho are driven by superstitions.\n<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, I sent you into a\nworld without such superstitions.\n<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, even in that city of science,\n<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you began to be treated like an ill-fortuned wretch.\n<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not even science\ncould eliminate your bad luck,\n<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then how exactly *could* you get rid of it?<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, I decided to turn to the occult.\n<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ludicrous, isn't it? Clinging to superstitions,\n<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the hopes of eliminating other superstitions.\n<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stupid idiot.\n<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I may have rotten luck, but still,\n<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;did I ever once say that I regretted it?\n<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta be kidding me!\n<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what happens to me,\nI will walk down my own path!\n<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were happy with it?\n<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm such a fool.\n<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're telling me that I tried\nto take that happiness from you.\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I did know that\ncollecting all of those souvenirs\n<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wasn't going to change anything.\n<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Souvenirs?\n<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm going to give up my souvenir hunting.\n<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just a second. Dad, aren't you\nthe one who brought on Angel Fall?\n<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angel Fall? What country\ndoes that souvenir come from?\n<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me ask you something.\nDo you know where Mom is right now?\n<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You went after your mom. \n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who ought to know, aren't you?\n<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't aware of the switch? \n<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean he's\nunder the influence of Angel Fall.\n<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Misha!\n<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for taking the trouble to accompany Mom.\n<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, Misha.\n<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, Dad has\nnot switched with anyone else.\n<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he hasn't noticed any\nof the changes around him, either.\n<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't that mean...\n<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Response one: Self-explanatory.\n<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target acquisition complete.\n<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Opinion one:\nIt was a very trivial solution.\n<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha...\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not supposed to kill\nanyone without divine orders.\n<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you even forgotten that?\n<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will take over from here.\nPlease take Mr. Toya away from here,\n<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as quickly as you can.\n<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha has it all wrong. Dad isn't...\n<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her name is not Misha.\n<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made an inquiry to\nthe Russian Orthodox Church.\n<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were only able to confirm\na person named Sasha Kruezhev.\n<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is probably an\nassumed form that she switched into.\n<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean? If Misha isn't\nwith the Russian Orthodox Church...\n<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are beings in this\nworld without a fixed gender,\n<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are always portrayed in\nmythology as having dual gender.\n<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For them, a name is the objective\nthey have in being created by God.\n<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way they would\nbe swapping with others at random.\n<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, I'm not following.\n<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you forgotten the name\nby which this grand spell is called?\n<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?\n<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Make it night, in order\nto strengthen her own attributes.\n<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Controlling the blue, symbolic of the water,\n<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;guardian of the moon, and protector of the rear,\n<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her name is "The Power of God."\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sweep--a deluge of\nflaming arrows that has previously\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;burned out entire corrupted civilizations.\n<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the sake of a single order,\nthat you return to Heaven,\n<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would destroy this entire world?\n<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious.\n<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?\n<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She didn't touch my right hand.\n<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means that my Imagine\nBreaker works on angels, too, right?\n<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.\n<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From here forward is not man's fight.\n<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is something else that you must do.\n<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and Mr. Toya together must stop Angel Fall.\n<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By doing so, it will no longer\nbe necessary for The Power of God\n<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to come after Mr. Toya, or unleash the sweep.\n<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't any time.\n<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry, before the formula is complete!\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki...\n<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't intend to throw away my life here.\n<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as you once saved that girl in front of me,\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would be most grateful if this time, you would save *my* life.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, what on Earth...?\n<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave you to it, Kanzaki!\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!\n<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will now have to face me!\n<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, as I employ my\nSingle Flash, I reveal my name--\n<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Salvare000!\n<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, now, this is not turning out well.\n<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about this, Kami,\n<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks like we're going to\nhave to offer someone as a sacrifice\n<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we're going to get this\nsituation under control.\n<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you think about it, this is so reckless.\n<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Myself being with the Church of the Cross,\n<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way I can defeat an\nangel with the Church of the Cross.\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonetheless...!\n<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonetheless, I am not any ordinary\nmember of the Church of the Cross.\n<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My form is of Amakusa Puritanism,\n<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the independent form of\nthe Church of the Cross in Japan,\n<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;born of the flock during\nthe Edo period crackdown!\n<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its essence is a fusion of diverse religions.\n<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to escape the crackdown,\n<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a so-called original form,\n<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;merged together with Shinto and Buddhism.\n<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning that while a Church of\nthe Cross member cannot defeat an angel,\n<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one of a Japanese Shinto form can!\n<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The polytheism of Japanese Shinto\neven has forms to counter gods.\n<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Among its commandments are\n"Thou shalt not harm a god,"\n<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then, why was there a\nneed to come up with a law like that?\n<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no reason why\nI should still be safe and sound\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while going head-to-head against The Power of God.\n<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this keeps up, it will end up\na ceaseless battle of wear and tear.\n<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And meanwhile, the sweep will be carried out.\n<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Kamijo Toma,\n<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;put a stop to Angel Fall as soon as possible!\n<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter? Wake up!\n<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has she been put to\nsleep with drugs or something?\n<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who on Earth would do such a thing?\n<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explain it to me.\nTell me what exactly is going on!\n<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Dad, as things stand,\na lot of people will die.\n<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way to stop it from\nhappening is to cancel out Angel Fall.\n<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what is this "Angel--\n<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop playing dumb! \n<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least show me where the ritual ground is!\n<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave him alone, Kami.\n<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado...\n<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you figured out the truth yet?\n<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I can't blame you.\n<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a novice to all this magic stuff, after all.\n<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, the truth?\n<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, my dad isn't\nthe one who activated Angel Fall?\n<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the culprit\nis without a doubt Kamijo Toya.\n<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, he seems\nabsolutely unaware of it himself.\n<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?\n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you needed a large-scale\nritual ground to invoke Angel Fall.\n<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.\n<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We found the ritual ground,\nKami. Your new house.\n<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The good luck charms,\nthe folk art, the occult goods--\n<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;individually, they don't mean a thing.\n<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, when all placed in the correct *feng shui* arrangement,<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they create a synergistic effect,\nand become a single great power.\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was that red post\nbox in the foyer, remember?\n<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Red is an attribute of the south.\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a water\nguardian turtle in the bathroom,\n<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and metal guardian white tigers in the kitchen.\n<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the additional three thousand\ngood luck charms there,\n<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole house becomes a temple.\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When your parents\nleft the house empty to come here,\n<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the ritual ground was complete,\nand must have activated.\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just by accident?\n<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, by accident.\n<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angel Fall is no more than a\nspell that was invoked by chance.\n<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had interfered carelessly,\n<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was even the possibility\nof a more serious spell.\n<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to cancel out that magic circle,\n<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have to destroy the\nwhole thing in one shot. Otherwise...\n<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...we have no choice\nbut to bring down the caster?\n<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what can we do?\nAfter all, I can't use magic anymore.\n<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say, at times like this,\n<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the church gives out\nsome very interesting work orders.\n<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you! \n<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back off, Kami. You'll just get hurt.\n<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep back!\n<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't accept this! If there's\nsome cruel law that demands \n<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there be a sacrifice, \n<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'm gonna cut through that illusion first!\n<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay down, rookie!\n<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want something with me,\nthen have at it!\n<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't do anything else to Toma!\n<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?\n<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I absolutely will not stand\nfor you hurting Toma any further!\n<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make me laugh. You don't\nthink that you can take me, do you?\n<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't. But still,\nif you hurt Toma any further,\n<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will make you pay!\n<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And do you know why?\nBecause I am Kamijo Toma's father!\n<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad...\n<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't, Toma! If you protect me,\nthen no one will be spared!\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous. \n<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There will be someone spared, right here.\n<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Kamijo Toya's son!\n<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, you've finally come around.\nFine, I'll acknowledge it.\n<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As of this moment, Kamijo Toma\nand Tsuchimikado Motoharu are enemies.\n<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, finished already?\n<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad...\n<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, everyone...\n<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...time to enjoy a little\nnothing-up-my-sleeves magic.\n<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our stage today will be right here.\n<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll start with a little\nbothersome stage-setting.\n<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, allow me\nto introduce my magic troupe.\n<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to work, you fools.\n<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suzaku...\n<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seiryu...\n<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Genbu...\n<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Byakko...\n<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pistol is complete. Now, to load it.\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic...?\n<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the bullet, an extremely violent,\neven ridiculous thing;\n<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the pistol, a barrier.\n<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the bullet, a *shikigami* spirit...<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. I thought Tsuchimikado\ncouldn't use magic anymore.\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the trigger, my own hand...\n<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't I tell you, Kami?\n<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two ways to stop Angel Fall--\n<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;killing the caster,\nor destroying the magic circle.\n<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop...!\n<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, Kami, you remind me a lot of Kanzaki.\n<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she knew I was using this method,\n<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she undoubtedly would have\ndone everything in her power to stop it.\n<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right? Otherwise,\nthere'd be no sense in protecting us.\n<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sorry to have beat you up so much.\n<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With my forms, I can blow\nthat whole ritual ground away...\n<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop, Tsuchimikado!\n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid I can't grant that request.\n<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, I am actually... a liar.\n<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I owe\nyou another one, Kamijo Toma.\n<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad! Wake up, Dad!\n<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado...\n<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"First of all, welcome\nhome, right? Kamijo Toma?"\n<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was it for, damn it? \n<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't do any good to\nnot have you around, does it?!\n<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see, Kami.\n<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How have you been?\n<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What? You look like you've seen a ghost.\n<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But I was sure you used\nmagic back there, and died, didn't you?\n<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that was a lie.\n<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!\n<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My ability may be a meager one,\nbut I can regenerate my body.\n<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between you and me, I can use\nmagic at least a few more times.\n<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a pain to have to spell it all out.\n<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pain?\n<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado is basically a big liar.\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That part about sneaking into\nAcademy City as a spy was a lie.\n<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I'm a counterspy, \n<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;only pretending to be on the\nEnglish Puritan Church's side.\n<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's worse,\nto tell the truth, that's a lie, too.\n<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, I'm a multiple-spy,\nhired by all sorts of agencies.\n<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look...\n<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, all's well that ends well.\n<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a small token of good faith,\nI brought someone here with me.\n<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true. Hitotsui Hajime was really there.\n<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mom...?\n<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you feeling, Toma?\n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, well...\nI'm finally getting accustomed to it.\n<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, I can't have\nyou becoming accustomed\n<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to being hurt and hospitalized.\n<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, I'm glad you're looking well.\n<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you too, Dad.\n<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our house is gone now,\nbut compared to your safety, it's nothing.\n<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Your house is what, now?\n<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The new house that we had built \n<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was blown to bits by a mysterious explosion.\n<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado...?\n<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what can you do?\nWe'll have to stay in the old house again\n<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until we can rebuild it.\n<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The old house?\n<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that old rental unit.\nThere are still places available.\n<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same place we lived, ever\nsince we got married and had you,\n<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;up until we moved.\n<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one that you\ngroaned about being too cramped.\n<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah.\n<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What's wrong, Index?\nWhy are you just standing over there?\n<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you strangled me.\n<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you buried me up to my neck.\n<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you see, there's a good reason for that...\n<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you smooshed me behind a door!\n<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one wasn't me!\n<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was on the floor, and you just ignored me!\n<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... that was me. I mean...!\n<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, you see...\n<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nUnabara Mitsuki starts hovering around Misaka Mikoto.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To keep him from doing so,\nshe and I pretend to be involved.\n<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, me and Zapper, on a date?!\n<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Replica."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross\npaths, the story begins.\n<br>

# 18 - Replica (Impostor)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh, nosebleed.\n<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a reason why I've been\nsleeping here every night.\n<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!\n<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tissue... tissue...\n<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My bed, where I should be sleeping,\n<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is currently being occupied\nby an odd houseguest.\n<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get the feeling that\nsomeone's place is available,\n<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I try not to think about it.\n<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...?\n<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. Did I wake you?\n<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Toma, just so I know, what did\nyou come all the way over here for?\n<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did I come for? \n<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just had... a nosebleed...\n<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't go getting the wrong idea!\n<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nosebleeds = excitement is\nsomething out of comic books--\n<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you swear it to our Father,\nwho art in Heaven?\n<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you didn't feel a thing\nwhen you saw my sleeping face?\n<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?\nSeeing your sleeping face,\n<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of course I don't feel anything--\n<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing?! What do you mean, you feel nothing?!\n<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am, after all, still a girl, so if you don't embrace *any* feelings,<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--that comes as a shock to me!\n<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, that?! To tell the truth,\n--that comes as a shock to me!\n<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, did see you and\nfeel my heart pound, despite myself!\n<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid it's impossible for\nme believe you now, \n<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after going back on what you said before!\n<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mathematics Workbook"\n<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mathematics workbook?\n<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only twenty-four hours until\nthe end of summer vacation.\n<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,\nas far as me doing any of my\n<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;summer vacation homework,\nthat huge millstone around my neck,\n<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think... I ever... did... any...\n<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rotten luck.\n<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To aru nichijou wa parallel world *<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ikusen mo no jikan ni *<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji mono nado nai *<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*masutaapiisu de orinasu jikuu e *<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kakinagutte hakushi no shinario ni pensaki ga kooru *<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*originality mezase! Douse kono michi wo yuku n' dakara *<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Shinjite) Kakenukete (tooku made) *<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Kanjiru) Daichi wo kette (daichi kette) *<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanika no tame ni kogare ikite'ru kanshoku wa kitto *<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*dare nimo makenai chikara ni naru *<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shiawase tte tabun kono shunkan onore ga shiru (when I believed it) *<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono kandou wo atarashii peeji ni kizamu (I can go to the next stage) *<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's only my thing *<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#18 Replica (Impostor)"\n<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's the last day of summer vacation, huh?\n<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka! Misaka!\n<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem unoccupied, as usual.\n<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah. And you're\nsupposed to be a probationary maid.\n<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you not supposed to chit-chat?\n<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to the convenience\nstore, could you pick me up a manga?\n<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One that's unusually passionate,\nwithout being R-rated?\n<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you into "Boys Love," or something?\n<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I go for the kind where, you know,\n<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the older brother falls for the\nyounger sister, and it gets murky.\n<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.\n<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.\n<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it isn't Miss Misaka. Where are you headed?\n<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's all right, would you mind\nif I walked you part of the way?\n<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unabara... Mitsuki...\n<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? By any chance,\nare you not feeling well?\n<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... no.\n<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been at it every single day this week.\n<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's all right, I know of\nthis delicious fish restaurant nearby.\n<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're inviting me out to eat,\nright after breakfast?\n<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... I'm glad for the invitation, but I *do* have things to do...<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come with you.\n<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right! I'm off to the underwear\nsection at the department store.\n<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, it's an uncomfortable\nplace for boys to go, right?\n<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come with you.\n<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't say it. I can't tell him\n<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'm going to the convenience\nstore to browse magazines.\n<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! I'm begging you!\n<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way, Kami. Miss Komoe always\ndoes private lessons after school.\n<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, if helping with your homework\n<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;meant that girls would rain out of the sky,\n<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be thrilled to assist you.\n<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What, are the girls you guys like\n<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*--*That's it. I'll pretend I was waiting for another boy. --attached to an airborne division?<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry! Been waiting long?\n<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, Kami?\n<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take not only falling heroines,\n<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but soldiers, maids priestesses, cops,\n<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shotacons*, *tsunderes*, cheerleaders,<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*yanderes*, clutzes, robot girls,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--idiot-hairs, cat-eared girls, girls with tails...\n--I said, been waiting long?! Stop ignoring me!\n<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn, who is it?\n<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Zapper?!\n<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please,\n<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just play along.\n<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, I'm so late. I'll get us something,\nmy treat, to apologize.\n<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me. Okay?\n<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interesting. It takes some\nnerve to have a secret date\n<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in full view of the dorms.\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What are you doing without\ntelling me first, Sissy?!\n<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did *that* come from? Dragging me around as fast as you--<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!\n<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quiet! Please, let me get my\nhead back together for a minute!\n<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're saying that for this whole week,\n<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this Unabara guy has\nbeen clinging to you every day?\n<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got it. He says he's the\ngrandson of our school's director,\n<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can't just tell him no.\n<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you needed someone to play\nyour boyfriend to get away from him,\n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you didn't care who it was?\n<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't have any choice, did I?\nYou just happened to be passing by.\n<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you've gotten away\nfrom him for the time being, right?\n<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there's no need\nto keep up the act, is there?\n<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, now that I've gotten the opportunity,\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to fix it so he\nnever clings to me again, but...\n<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd like to, but...?\n<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to have you\ndo everything with me today,\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have as many people as\npossible see us, so that Unabara...\n<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong with you?\n<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.\n<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, you have any questions or feedback?\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Feedback, eh? You can start by\nwiping that mustard off your nose.\n<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...\n<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?\n<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm fine. Isn't that obvious?\n<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one is yours, again?\n<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beats me.\n<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably this one--\n<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see that!\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Figured it out?\n<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Figured it--\n--Ah, geez, I can't tell!\n<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, you take this one, and I'll take this one!\n<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, pay a little more attention, you idiot!\n<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You ordered the same thing for both of us, right?\n<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's wrong with you?\nYou're as meek as a kitten.\n<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.\n<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do we do next?\n<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What do we do?\n<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you know. How do we look\nlike we're in love with each other?\n<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns out that after the\n"experiment," \n<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are fewer than ten\nSisters still in Academy City.\n<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like most of them are\nin an institution outside the city,\n<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;having their bodies readjusted.\n<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it sounds like\nthey're all more or less doing okay.\n<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terrific, terrific.\n<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if this is what people in love talk about.\n<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, well, maybe...\n<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look, how does\nignoring your girl and studying\n<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;make us look like we're in love?\n<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have unfinished homework.\n<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got less than twenty-four hours before it's due.\n<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Homework? Ah, I've heard of that.\n<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, they don't have it at Tokiwadai?!\n<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see what you're doing here.\n<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey...\n<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is just a simple review, right?\n<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, how can you solve these?\n<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come you can't solve these?\n<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, now, how about we\ntake a breather and get a soda?\n<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go buy some.\n<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'll go.\n<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I was going, so I'll go.\nIt's gonna bug me if you say no.\n<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pleased to meet you, um...\n<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Kamijo Toma.\n<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And my name is Unabara Mitsuki. \n<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what can I do for you?\n<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are you a friend of Miss Misaka's?\n<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that bother you?\n<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. When it comes to boys being\nwith the girl that I like, of course.\n<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, I think that Miss Misaka\nshould be more clear\n<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about whether she\n"likes" or "dislikes" someone.\n<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the answer to that problem is "3."\n<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that so? I happen to think\n<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's pretty upfront with her feelings.\n<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I get the feeling \n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I've never once\nheard what her true feelings are.\n<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the answer to that one is "4."\n"2" is there to trick you.\n<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, now that you\nmention it, you might be right.\n<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, absolutely.\n<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter with you?\n<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me for a minute.\n<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no point if you start\ngetting chummy with him, you know!\n<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember, right now, you're my bo--\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you're playing my boyfriend!\nWe're doing this to make Unabara Mitsuki\n<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;give up on hanging around with me!\nDon't forget that basic fact!\n<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't.\n<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?\n<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a pretty nice guy.\nHe's serious about you, too.\n<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What don't you like about him? \n<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you don't have to go\nout with someone you don't like.\n<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Never mind.\n<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do we do? Keep this up?\n<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Or instead--\n--Okay, then...\n<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can be done pretending to be my boyfriend.\n<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me treat you to one last thing.\nWhat are you hungry for?\n<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're still eating?\n<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every place is full.\n<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about there? That's okay, right?\nI'll go get us something.\n<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Misaka!\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you by yourself?\n<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you finish whatever you were doing?\n<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. If you're looking for Misaka,\nshe's in fighting her way...\n<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something wrong?\n<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, do you have any brothers?\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm an only child.\n<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who looks a\nlot like you just went in there.\n<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey, just a minute!\n--Whoa, no cuts!\n<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whew, it's so hot.\n--Whoa, no cuts!\n<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, what are you--\n<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, run away!\n<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You say that someone who looks\nlike me went into the restaurant?\n<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just "looked like you,"\nhe was a dead ringer.\n<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are espers who can alter\ntheir appearances to look like others.\n<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One could have changed himself into me,\nto get close to Miss Misaka.\n<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she is something of a celebrity, huh?\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I ask you to go see? \n<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seem to have gotten\nMiss Misaka upset at me earlier.\n<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay, wait here.\n<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things can go so wrong when\nyou undertake to deceive others.\n<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, the real one getting away like this.\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not Unabara?!\n<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic...\n<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!\n<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. So this Magical Powered Kanamin\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is able to fool the vaunted Roman\nOrthodox Witch Hunter Crusaders,\n<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by usually posing as a student.\n<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what is with the wand that\nglows rainbow colors?\n<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?\n<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right there?!\nIt looks there's a magician in town!\n<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma? By any chance, is someone chasing you?\n<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!\n<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Describe them. Like their clothes,\nand weapons, and behavior.\n<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The black stone knife is obsidian.\n<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it might be the\nSpear of Tlahuizcalpantecuhtli.\n<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tla-- what?\n<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was originally the name of an Aztec god.\n<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The spear is said to kill anyone\n<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is bathed in the light of Venus.\n<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind, just tell me what\nI should do now, and make it quick!\n<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you, please, give me\na hint on how to turn the tables!\n<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me now!\n<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sorcerer's spear is a\nreplica. It's probably a mirror.\n<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it attacks by\nreflecting the light from Venus\n<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the obsidian blade of the knife.\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you could block it with\nyour right hand if you tried, Toma.\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!\n<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has he disguised himself as\nUnabara with this same Aztec magic?\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aztec priests had an art where\nthey flayed the skin of a sacrifice\n<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then wore it.\nI think this is analogous.\n<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They do what with the skin?\n<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wear it.\nAfter they strip it off with a knife.\n<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's just for a disguise,\nthey might cut off just a little skin\n<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make a charm of it,\nand that could mimic the right form.\n<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Criminy, these sorcerers...!\n<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, Toma--\n<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say your prayers, if you please!\n<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible! The position of Venus\n<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the angle of\nthe knife should be perfect!\n<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cement dust? Damn!\n<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, answer me this...\n<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What made you think to turn\nyourself into Unabara?\n<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it to get near Misaka?\nShe has nothing to do with magic.\n<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, you really don't get it, do you?\n<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?\n<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are in possession\nof the 103,000 grimoires.\n<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beyond that, you have become\nfriends with many kinds of people,\n<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;including sorcerers and\nLevel 5 espers, haven't you?\n<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might even say that you\nare in the process of forming a group\n<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;known as "the Kamijo forces."\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Kamijo forces?\n<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. A tremendous power,\nwhich threatens to destabilize\n<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the power balance between the two worlds.\n<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My target is not just you, personally,\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but all the members of the Kamijo forces.\n<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I use the faces of people familiar\nto you to destroy your trust,\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bring down the forces from the inside out.\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...\n<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, Unabara Mitsuki's\nidentity has been cracked.\n<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will have to move on\nand obtain the next "face."\n<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean... Misaka's face?!\n<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You've gotta be--\n<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Now then,\n--You've gotta be--\n<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I might take your "face" next!\n<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that you and I could be friends.\n<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never once had any such thought.\n<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too bad. When you\nwere talking to me about Misaka,\n<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was all just fake, too, right?\n<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something wrong with being fake?\n<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it wrong for a fake to want\nto protect Miss Misaka?\n<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want to go through with this stunt, either!\n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the higher-ups determined\nthat the Kamijo forces were too dangerous!\n<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you...\n<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had just been more amicable!\n<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would have just let me report no problem,\n<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have quietly backed away.\n<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't have had to trick Miss Misaka, either!\n<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really in love with Misaka?\n<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. But now, I've gone and become your enemy.\n<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then there isn't much choice.\n<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will kill-- that illusion of yours!\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out of there!\n<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I... lost, then...?\n<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid so.\n<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The attacks probably won't stop after just this.\n<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and Miss Misaka\nwill continue to be targeted.\n<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you protect Miss Misaka for me?\n<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you promise me that at all times,\n<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and in all places, you will come running,\n<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and protect her for me?\n<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,\n<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's the worst possible answer.\n<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the kind of person\n<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who would say something like\nthat without thinking. \n<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I'm special, or anything!\n<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize that I'm taking it the wrong way,\n<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he makes it so misleading, the idiot!\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kikoeru? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kioku wo samayotte'ru *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nee kokoro wo *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*shinjite ikite yukereba *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ikiru sekai ga *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tatoe chigatta to shite mo *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mamoritai mono ga aru nara... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sashidashita chikara wa dare no tame ni? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokihanatsu ikusen no mana *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sono shigusa ga sono manazashi ga *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kokoro wo shimetsukeru *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tebanasanai *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nA mysterious girl shows up before Accelerator.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nA mysterious girl shows up before Accelerator.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When she relays a shocking truth\nto him, what choice does he make?\n<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Last Order."\n<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross\npaths, the story begins.\n<br>

# 19 - Last Order (The End)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having spent a dramatic, as well\nas acrobatic summer vacation,\n<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, did not do a single bit\n<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of my summer vacation homework.\n<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonetheless, I posed as Zapper's boyfriend\n<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and got into a fight with a sorcerer,\n<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but something I never expected \n<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;happened on August 31st,\njust after midnight.\n<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when he had a certain encounter.\n<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Some day-to-day is a parallel world *<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A masterpiece of thousands of timelines, *<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no two of which are the same,  *<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*interwoven into a new time and space *<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The tip of a pen scribbling out a script on blank paper freezes *<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Strive for originality, since you're going down this road anyway *<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Believe) Race along (far away) *<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Feel) Kick off from the ground (kick the ground) *<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The sensation of living your life ablaze for something *<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is sure to be power enough to rival anyone *<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I likely know what happiness is at this moment (when I believed it) *<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This feeling marks a new page for me (I can go to the next stage) *<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's only my thing *<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#19 Last Order (The End)"\n<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since my fight with that Kamijo guy,\n<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it seems that I am no longer\nthe strongest guy in Academy City.\n<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite the fact that I'm still a Level 5,\n<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that there's been no change in my ability,\n<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how many times I prove myself,\n<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;these fools can't peel off\nthe label that's been stuck to me.\n<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly what about me has changed?\n<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something different, huh?\n<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something really has changed. \n<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--But *what* has changed? What could that be?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I am, after all, still a girl, --But *what* has changed? What could that be?<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--so if you don't embrace *any* feelings, that comes as a shock to me!<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Think I'll reflect all that pointless noise away. --so if you don't embrace *any* feelings, that comes as a shock to me!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's this tiny walking blanket saying?\n<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, whoops.\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, what do you know?\nFor you to be so completely unresponsive\n<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is actually rather refreshing, you might say.\n<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for someone who's ignoring me out of spite,\n<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your walking pace is normal enough.\n<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you be the ultimate space cadet?\n<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka says,\ntilting her head to the side.\n<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bullcrap.\n<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka has been trying vehemently\n<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to assert her own existence.\nAre you flatly denying it?\n<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, did you say Misaka?\n<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Misaka's existence has\nfinally been acknowledged! Yay!\n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka congratulates herself!\n<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take off that blanket and show me your face.\n<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, telling a girl to take off her clothes\n<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of the road\nis a bit bold, even crazy, to ask.\n<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's serial number is 20001,\n<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and was built as the final lot of the Sisters,\n<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but her code has all but become Last Order,\n<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and though she was supposed to\nbe used in the experiment,\n<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka has a bone to pick.\n<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you don't say.\n<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, the experiment was canceled,\n<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and being released from the incubator early,\n<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all tiny and compact, Misaka Misaka is--\n<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you listening?\n<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want me to do about it?\n<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got connections with the researchers,\n<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so Misaka Misaka was thinking\nmaybe you could contact them for her.\n<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ask someone else.\n<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay! A straight, immediate refusal!\n<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka shouts in desperation.\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's no where else for her to go,\n<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so Misaka Misaka can't afford to give up.\n<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for all of your help!\n<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is what Misaka Misaka says,\nearly-birding the worm!\n<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka asks which one is your apartment?\n<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 304.\n<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon the intrusion!\nMisaka Misaka displays her manners.\n<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do you want?\n<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That seemed to be\nsomeone else's apartment entirely!\n<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka is angry!\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, tell me for real\nwhich apartment number is yours,\n<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what Misaka Misaka asks.\n<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Number 307.\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon the intrusion!\n<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We didn't order any delivery.\n<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you be so mean?\nThat's what Misaka Misaka asks, slouching.\n<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what happened here?\n<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, what an awful thing to happen.\nMisaka Misaka is speechless.\n<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bullcrap.\n<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, are you sure you don't\nwant to contact Antiskill or Judgment,\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka asks, sticking her nose in.\n<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do? It might\nbe safer to sleep on the streets\n<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than it would be to stay here.\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, even so, Misaka\nthinks she'd rather stay here,\n<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which Misaka Misaka entreats earnestly.\n<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why?\n<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because she'd rather be with someone.\nThat's what Misaka Misaka says...\n<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suit yourself.\n<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She should warn you right now, \n<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sneaking into bed with her is\nout of the question, says Misaka--\n<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to sleep!\n<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"People's faces shorely do reveal\ntheir honest expressions, huh?"\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka says, using a Kyoto accent.\n<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still here?\n<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning! Or rather,\nit's "good afternoon" time already.\n<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's hungry, so could you cook something?\nMisaka Misaka asks,\n<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;happy raised up to the 30th power.\n<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, she doesn't think the kitchen is that way.\n<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I look like the sort of\nperson who would do that?\n<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was hoping for an apron-wearing,\ndomestic-looking Accelerator,\n<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to catch her by surprise.\nMisaka Misaka grumbles.\n<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!\n<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that your natural hair color?\nMisaka Misaka wants to know.\n<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure how it all works, myself,\n<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the body's pigmentation \n<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is supposed to protect it from ultraviolet rays.\n<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since I reflect all those\nunwanted ultraviolet rays anyway,\n<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my body doesn't need to have any pigmentation.\n<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? So there is a kind of logic to it.\nMisaka Misaka is surprised.\n<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Good grief.\n--Wonder what she should get.\n<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's pizza, and hamburgers,\nand spaghetti, and even curry.\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...\n<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...Amai Ao?\n<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard. What is he doing here?\n<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you looking at?\nMisaka Misaka wants to know.\n<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember what your most\nimportant objective is right now!\n<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? It's getting something to eat.\nMisaka Misaka responds promptly.\n<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting.\n<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the first time\nshe's ever had a hot meal.\n<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka brims with glee.\n<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bullcrap.\n<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Aren't you eating?\n<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She'd like to offer thanks for the food.\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka expresses her hope.\n<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, okay. Feel free.\n<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for this food!\n<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's off-the-charts delicious! \n<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka offers her opinion.\n<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? This stuff is a cavalcade\nof thawed-out freeze-dried junk.\n<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's good is good, and\neating food together with someone\n<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;somehow makes it feel so\nmuch different. Misaka Misaka tries\n<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;explaining her spiritual philosophy.\n<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe the kind of nerve you've got.\n<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like you don't\nknow what I did to you all, right?\n<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka has a brainwave\nlink to all the other Misakas,\n<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so of course she knows,\nsays Misaka Misaka.\n<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then how can you be so calm?\n<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka asserts that she had\nthe worth of Misaka told to her.\n<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if one of the individual Misaka units dies,\n<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not possible for the\nMisaka Network to be eliminated.\n<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the life of each\nMisaka unit also has worth.\n<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only one of *you* in the whole world, right?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was told that there\nare people who shed tears\n<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when one of the Misakas dies. \n<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why Misaka doesn't die anymore.\n<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even a single one\nof us can die for others anymore.\n<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka thinks.\n<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it weren't for you,\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiment wouldn't have been devised,\n<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and souls wouldn't have\nbeen put into the lifeless Misakas,\n<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so Misaka Misaka is grateful.\n<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're *grateful*?<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?\nIt doesn't change the fact\n<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I enjoyed killing all of you, right?\n<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true.\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka has concluded.\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't really want to\ngo through with the experiment.\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka guesses.\n<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly how are you\nspinning things to be able to say that?\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as the experiment would go on,\n<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't care a single bit about your lives.\n<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there was to it, you know.\n<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You spoke to Misaka\nmany times during the experiment.\n<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what was the point of that?\n<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka is asking the obvious question.\n<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you running away like that for?\n<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beguilingly shaking your ass like that.\nIs that an invitation?\n<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, far be it from me to\nsay anything about someone\n<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;working side by side with me in\nan experiment to make me stronger,\n<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm impressed that you're\nso calm, under the circumstances.\n<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, I thought I might\nbe able to kill a little time here,\n<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is hopeless.\nI just can't hold a conversation with you.\n<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were all weird conversations\nto have, by Misaka Misaka's analysis.\n<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The communication principle\nof wanting to speak to someone\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is grounded in the desire to make contact;\n<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you just wanted to facilitate\nthe success of the experiment,\n<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there wouldn't be any need to converse,\nreasons Misaka Misaka.\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does all that trash talk\nlead to me wanting to make "contact"?\n<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's the second weird thing about it.\n<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka says so, raising two fingers.\n<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the words you said were incorrigible,\n<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they were all abusive toward Misaka.\n<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes them something other \n<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than being grounded in wanting to make contact.\n<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, supposing you were to deny it,\n<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you said those\nthings because you wanted to...\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything that you said\nwas said before the experiment,\n<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, before the battle started.\n<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what Misaka Misaka recalls.\n<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was like you were trying to menace Misaka,\n<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you were trying to get Misaka\nto say she was sick of fighting.\n<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka says so.\n<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Misakas couldn't pick up on your signals.\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if Misaka said she didn't want to fight?\n<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka talks about the ending choice.\n<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't take you anymore.\n<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka’s physical condition is still incomplete.\n<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, she wouldn't have\nbeen taken out of the incubator yet.\n<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka gives out a sigh.\n<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up to now, she has been able to\nget by, so she thought she'd be okay,\n<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka...\n<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you going somewhere?\n<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka wants to know...\n<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still some food left...\n<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I've lost my appetite.\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... she wanted to say\n"that was delicious," too...\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka says with a sigh...\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?\n<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a shame.\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What brings me to this place?\n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo.\n<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, welcome back.\n<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to break the door down.\n<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ID is still good for ninety days.\n<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's already done.\n<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.\n<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having fun spending your whole\nday in this room, going over data?\n<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that fun. If possible,\nI'd even like to have your help.\n<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hah, no way.\n<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Yoshikawa, \n<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where is the manual for\nadjusting the Sisters units?\n<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also need to borrow some\nof your conditioning equipment.\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ask why.\n<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Consider it an outstanding contract fee\nfor freezing the experiment.\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? I just noticed\nit couple of hours ago.\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just about to start purging\nthe bugs in their personality data.\n<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know about it?\n<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strictly speaking, it should be called a virus.\n<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait. What are you talking about?\n<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never explained to you about the special unit\n<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we call Last Order, did I?\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That one's... special?\n<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, "that one."\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was never created for\nuse in the experiment to begin with.\n<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying, they weren't\nall created to be killed by me?\n<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am. But I wonder,\nhow many battles would it have taken\n<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before the experiment came to a conclusion.\n<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly 20,000, right?\n<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's serial number is 20001,\n<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and was built as the final lot of the Sisters.\n<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, she was a unit that the\nexperiment scenario didn't call for.\n<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order is the "control tower"\nfor the Misaka Network.\n<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, she was held to an\nincomplete developmental state.\n<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After the experiment ended,\nshe was still kept in secrecy,\n<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but someone overwrote the code\nin her head with an illegal program.\n<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her escape from here was an attempt to prevent it.\n<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was seven days ago.\n<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The virus that I've isolated is set to trigger\n<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at midnight tonight, September 1st.\n<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it does start to activate, it will run rampant,\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading through the entire Misaka Network,\n<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and infecting all the Sisters.\nIf that happens, there's no stopping it.\n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what does this virus contain?\n<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite possibly an\nindiscriminate attack on humanity.\n<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, that's intriguing.\n<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are warmongers or defense\nindustries the culprits?\n<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amai Ao.\n<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the former Radio Noise Project researchers.\n<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one understands the\nSisters' personality data better.\n<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happened to see him earlier.\n<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You what?\n<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, how do we\nstop the virus inside her head?\n<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking into that now. \n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I can't find a solution before time is up...\n<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, that kid...\n<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. We'll have no choice but to dispose of her.\n<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *am* working to ensure that that doesn't happen.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, there is something that *you* can do.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, I'm the one who has killed 10,000 Sisters.\n<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you want such a fiend to save *who*?<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will answer by saying that we're\nthe ones who directed you to do it.\n<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had been able to find\nsome way to advance you to Level 6\n<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without having to resort to using the Sisters,\n<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you wouldn't have had to kill anyone.\n<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to trust and\nfollow you over that one statement?\n<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to, I won't force you.\n<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, there are two things you can do:\n<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One, you can solve the\nproblem by tracking down Amai Ao\n<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and getting him to give up how the virus works;\n<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the other one is to secure Last Order, with the virus,\n<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before it activates,\nand return her to her incubator.\n<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You appear to be familiar with both of them.\n<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to go on any further.\n<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the data and material on both of them.\n<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Choose whichever one you like.\n<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I know you're bigger\non destroying than on protecting.\n<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you're right about that.\n<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone can see which\none of those I should take.\n<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, do you hear that? *<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You're wandering through memories *<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, if you can live your lives *<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*believing in your own hearts, *<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then even though *<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you may live in different worlds, *<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as long as you have something to preserve... *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*For whose sake is the helping hand that you extend? *<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The mana of thousands of lives released *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Their motions and their gazes *<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are heart wrenching *<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I won't let go *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nOnly a short time remains before the virus triggers.\n<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Desperate measures surface\nwithin Accelerator's mind.\n<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can he work a miracle\nas he fights against destiny?\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Virus Code."\n<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross\npaths, the story begins.\n<br>

# 20 - Virus Code (Final Signal)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator runs into Misaka No. 20001.\n<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nicknamed "Last Order," she has an\nunauthorized program in her head,\n<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which had been encoded there by\na researcher named Amai Ao.\n<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it triggers, then an indiscriminate attack\n<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by the nearly ten thousand\nSisters will be carried out.\n<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will you do, Accelerator?\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, I don't appear in this one, either?!\n<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Some day-to-day is a parallel world *<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A masterpiece of thousands of timelines, *<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no two of which are the same,  *<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*interwoven into a new time and space *<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The tip of a pen scribbling out a script on blank paper freezes *<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Strive for originality, since you're going down this road anyway *<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Believe) Race along (far away) *<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Feel) Kick off from the ground (kick the ground) *<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The sensation of living your life ablaze for something *<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is sure to be power enough to rival anyone *<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I likely know what happiness is at this moment (when I believed it) *<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This feeling marks a new page for me (I can go to the next stage) *<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's only my thing *<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#20 Virus Code (Final Signal)"\n<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used to have a name like other people, too.\n<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My family name had two characters,\nand my given name had three.\n<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wasn't a particularly unusual name.\n<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bullcrap.\n<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The virus that I've isolated is set to trigger\n<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at midnight tonight, September 1st.\n<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it does start to activate, it will run rampant,\n<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading through the entire Misaka Network,\n<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and infecting all the Sisters.\nIf that happens, there's no stopping it.\n<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A man in a lab coat?\n<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes. He said he was the girl's relative,\n<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we turned her over to him.\n<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, do you have any idea who he is?\n<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Distastefully so.\n<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He what?!\n<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, left to itself, the virus is\ngonna activate on its own, right?\n<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, why would he make a move on the kid?\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know the answer to that, either.\n<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible that he's already out of here, isn't it?\n<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are any number\nof organization that would hide him.\n<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that someone from the outside\n<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;broke through the security\nnet and slipped into Academy City.\n<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Security Code was orange this afternoon;\n<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right now, it has reached red.\n<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Passage in and out of\nAcademy City is completely forbidden.\n<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amai should still be in the city.\n<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet he's crashing at some acquaintance's place.\n<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm curious whether there's anyone\nhe could call an acquaintance\n<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the first place.\n<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean the guy is scum, like me.\n<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the closure of the laboratory,\n<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's incurred quite a bit of debt.\n<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm guessing his friendships\nlast as long as his money holds out.\n<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Well, that means he\nshould still be prowling around town.\n<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People's actions quickly tend to become simpler\n<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the more breathing room they lose.\n<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on just a minute. You're not--\n<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Keep Out"\n<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! The way things are going...\n<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, just a little longer.\n<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there until the virus activates!\n<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, what to do?\n<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it easy, middle-ager.\nYou're embarrassing yourself.\n<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You there, Yoshikawa?\nYeah, I've secured the kid.\n<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, the kid's got what\nlook like electrodes on her face.\n<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's probably a Sisters' physical exam kit.\n<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's a BC operating ratio?\n<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's her brain cell operating\nrate. "BC" stands for "brain cell."\n<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brain cell operating rate?\n<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, can I use this device to get rid of the virus?\n<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd take quite a bit of time\nto bring her back from here.\n<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. We need a specialized\nincubator and a learning apparatus\n<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to overwrite her mind.\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hey, are you...\n<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I'm in my car now, driving toward you.\n<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought this would save us some time\n<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;over having you come back to the lab.\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you done analyzing the virus code?\n<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say I'm about eighty percent there.\n<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be finished before midnight arrives.\n<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, how much trouble is\nthis kid planning to put me through?\n<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mi... sa...\n<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misa... ka Misa... ka Misa...\nka! Misaka! Misaka! Misaka! \n<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misa-Misa-Misa-Misa-Misa-Misa...\n<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Yoshikawa, what's going on here?\n<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep quiet a minute.\n<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it, all right.\n<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is? What's happening?\n<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the virus code.\nIt's getting ready to execute.\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are still four more hours until time is up.\n<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could that have been dummy information?\n<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up, Accelerator!\n<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too soon to despair just yet.\nYou've got to take action.\n<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Action? There's still something I can do?\n<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before the virus is\ndistributed over the Misaka Network,\n<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's being converted into a "host command,"\n<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which none of the Sisters will\nbe able to go against.\n<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That will take about ten minutes to complete.\n<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do know that there's only\none thing you can do now, right?\n<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dispose of Last Order.\n<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Save the world by killing her.\n<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all!\n<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may be the strongest guy around,\n<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but my ability consists of only\naltering the direction of power.\n<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's only used to kill people,\nat that. All I can think of to do\n<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to touch someone's skin, \n<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and reverse the flow of\ntheir blood and bioelectricity.\n<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what was that?\nWhat did I stumble upon there? Think.\n<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reverse the bioelectricity...\n<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The contents of this datastick\n<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are the kid's-- Last Order's\npre-infection personality data.\n<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, if I can get control\nof the electrical signals in her brain,\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't we mess around with her personality data?\n<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking-- You don't mean,\n<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would take the place of\nthe learning apparatus? You can't.\n<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I can't do it.\nIf I can master "reflection,"\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it shouldn't be any surprise if\nI can take the next step...\n<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to "controlling."\n<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even assuming that you can\nget control of Last Order's brain,\n<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it won't be possible for you\nto completely eliminate the virus!\n<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you fail, it won't just be the Sisters,\n<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will mean many more casualties.\n<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way to avoid\nthat is to give up on Last Order.\n<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or are you telling me you can prepare a vaccine?\n<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, are you listening?\n<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do this.\nWho the hell does she think I am?\n<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I collate the pre-infection data,\n<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all I have to do is erase\nall of the excess data, right?\n<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's simple enough.\n<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes.\n<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, after all that\neveryone has done to this kid,\n<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let them get away\nwith "Sorry, we couldn't save her."\n<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Collating the pre-infection data...\n<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Object code count: 357081.\n<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if I erase all of this virus code,\n<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the kid will go back to the\nstate she was in one week ago.\n<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before she ever met me.\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Execute command... Delete!\n<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delete! Delete! Delete! Delete!\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Code CIIEB... Resist MA...\n<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From route A to W, V7E8... \n<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Waveform red from\ncode 08 through code 72 via route C...\n<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Remaining code count: 173542.\n--Waveform red from code 08 through code 72 via route C...\n<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Remaining code count: 173542.\n--2... B... A... I... 9... M...C... O... R... E...\n<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--D... O... I... 8... 9... 0...R... 4... 5... O... \n<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I wonder what I'm erasing along with the virus.\n--D... O... I... 8... 9... 0...R... 4... 5... O... \n<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I wonder what I'm erasing along with the virus.\n--5... M... R... E... X... N... I... O...\n<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--So what if I am? The kid is better off forgetting it all.\n--5... M... R... E... X... N... I... O...\n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--So what if I am? The kid is better off forgetting it all.\n--Assignment area D at point A8 blocked...\n<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--So what if I am? The kid is better off forgetting it all.\n--Bypassing code 56 to route S... \n<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Remaining code count: 23891.\n--X... M... N... Q... T... P...\n<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ten seconds to go. This is no sweat!\n<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not... interfere...!\n<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta be kidding me! \n<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing electron\nmicroscope-level precision work here!\n<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have the operational power\nremaining to divert to reflection.\n<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I take my hand off of\nthis kid and go back to "reflect,"\n<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then even if a nuclear bomb were\nto drop on me, I won't get a scratch.\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud, what wishful thinking.\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That by saving someone,\n<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be able to get a second chance myself...\n<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's dead?\n<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's dead, huh?\n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How am I still alive?\n<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Error... Break code 000001 to 357081...\n<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Host command has been\ncanceled due to illegal process.\n<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Delivery terminated.\nSubject No. 20001 restarting.\n<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Canceled?\n<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Restarting? You mean...\n<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it failed?\n<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How?! \n<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So that's it. Just before\nthe bullet penetrated your brain,\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you managed to reflect it, huh?\n<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right?!\n<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you planning to do now?\nIt's too late for someone like you.\n<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, I know. It's ridiculous to believe\n<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that someone would save\nhuman scum like me at this point.\n<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flat out wishful thinking.\n<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It even makes me sick. But even so,\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that has nothing to do with this kid.\n<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I may have\nslaughtered over ten thousand Sisters,\n<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that doesn't make it okay\nfor me to watch the other ten thousand die.\n<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I know, it's just lip service.\n<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it isn't. No matter\nwhat kind of scum we are,\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or what reasons we trot out,\n<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't make it all right for her to get killed!\n<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His reflection... isn't working...?\n<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you didn't have the strength\nto settle things like a hero after all.\n<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no wonder.\nPeople like us are all like that.\n<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how it is.\n<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yoshikawa... \n<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kikyo...\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.\n<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never seem to carry\nanything all the way through.\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that I'm kind, just soft. \n<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I didn't have the nerve to\nshoot you anywhere vital,\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I can't let you get away, either.\n<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps allowing your suffering\nto be drawn out needlessly \n<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;may have been a decision so\nsoft as to be cruel, huh?\n<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what happened here\n<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;except what I gleaned\nfrom what I heard over the phone,\n<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there isn't any sign of trouble\nerupting "outside," at least.\n<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you don't have to worry about him.\n<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a friend who's this unusual little doctor.\n<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's got a face like a frog,\nso he's somewhat lacking in presence,\n<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's good enough to be\nnicknamed "Heaven Canceller." \n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing his skill, he should\npull him through somehow.\n<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?! I can't understand this! \n<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As someone who always\nweighs risk and chance in the balance,\n<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is an impossible decision\nfor a personality like yours to reach!\n<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing is, I didn't actually\nwant to be a researcher like this.\n<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to be a schoolteacher.\n<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not in a rigid capacity,\nlike an instructor or a lecturer,\n<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to be... a nice teacher.\n<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One who remembered\neach of her students' faces,\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who they could come to,\nno matter what problems they had,\n<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who could smile broadly,\nwithout expecting anything in return,\n<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who would be seen crying\nat graduation, and be teased about it--\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's the kind of nice teacher I wanted to be.\n<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure some of that\nmust still be lingering with me.\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always wanted to try doing\nsomething, not because I was being soft,\n<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but because I was being nice.\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to try acting like a\nteacher who would do anything\n<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for just one of her students. \n<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over, Amai Ao.\n<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be frightening for you to die alone.\n<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to take\nsomeone with you, choose me.\n<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last thing I'm going to do\nis to let you take a child with you.\n<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the one act of kindness\nthis body has performed.\n<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, sure enough,\n"kindness" doesn't suit you.\n<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has turned to strength, instead.\n<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I survived, then?\n<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course you did.\nWho do you think operated on you?\n<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I thought I was shot\nthrough the heart at point-blank range.\n<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More accurately, the coronary\nartery extending from the heart.\n<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But either way, you were\nas good as dead on the spot.\n<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to thank someone, thank that boy.\n<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like he had the\nability to manipulate your blood flow.\n<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He passed the blood from one\nopening in your ruptured artery \n<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the other, almost like\nthere was some invisible hose,\n<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without spilling a single drop.\n<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even unconscious,\nhe still must have kept using his power\n<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until you went into the operating room.\n<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And he's not out of the woods yet, either.\n<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seems to have taken a lot of damage,\ncentered around his frontal cortex.\n<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His verbal function\nand computational abilities\n<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will both likely be affected.\n<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Computational abilities? Then, his powers are...\n<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it shouldn't be a problem.\n<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When something is unworkable,\nwork something out-- that's my creedo.\n<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what, I'll restore his verbal\nfunctions and computational abilities.\n<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what.\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you've created quite the monster,\n<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm going to make use of it.\n<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With ten thousand brains all linked together,\n<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think they can safely spare some of it\n<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to offset one person's\nspeaking and calculating skills.\n<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Misaka Network-- Where is Last Order?\n<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean that girl, you needn't worry.\n<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have a girl very much like her in our charge.\n<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I need to get going.\nWhat are you going to do?\n<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I going to do?\n<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like your little incident\nhas been found out by the higher-ups.\n<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The laboratory has been dissolved,\n<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the experiment completely terminated.\n<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you've been laid off.\n<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh. Then I can't go on\nliving as a researcher, huh?\n<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are other paths you\ncould take. Any number of them.\n<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, please, help that boy.\n<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't, I'll never forgive you.\n<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think you're talking to?\n<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is my battlefield,\n<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I will definitely come\nhome from the battlefield, you'll see.\n<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'll bring back with me a patient\nwho has been fighting alone all this time.\n<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, I'm the one who has killed\nten thousand Sisters.\n<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you want such a fiend to save *who*?<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know? He can do it if he just tries.\n<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the casual present *<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and even the unseen morrow, *<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*my unwavering feelings, at least *<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*remain hidden within my heart *<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I press through the voices, *<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*laughing it off as a coincidence, *<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to make it all the way across *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I believe in myself *<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What comes back to my mind is that *<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for the wishes I wanted to come true, I always said *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"one more time, just one more time," *<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept on pushing *<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(just a little bit) *<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sure, the feelings that I've lost *<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*may change form, but still, *<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*until the day comes when I get them back, *<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am sure I'll keep looking for them *<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Just a little bit, one more time) *<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nIt's the second term opening ceremony,\n<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Academy City is rocked\nby sorcerers who have snuck in.\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's also one other,\nmysterious transfer student.\n<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imaginary-numbered school districts?\nWhat are those?\n<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Counter Stop."\n<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross\npaths, the story begins.\n<br>

# 21 - Counter Stop (Identity Unknown)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Toma,\n<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you really have\nto go back to school today?\n<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Oh, right. You'll be\nhere by yourself the whole time.\n<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not saying that I'm lonesome,\n<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or that I hate being alone, or anything!\n<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to sit down and think\nhard sometime about what to do, huh?\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but for today, stay here, okay?\n<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, will you come right home?\n<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, okay. And when I get back,\nwant to go do something fun?\n<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!\n<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'm off. \n<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Come home soon!\n<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, what shall we amuse ourselves with?\n<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Toma, what about lunch?\n<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do? This is an unprecedented crisis!\n<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*To aru nichijou wa parallel world *<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ikusen mo no jikan ni *<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji mono nado nai *<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*masutaapiisu de orinasu jikuu e *<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kakinagutte hakushi no shinario ni pensaki ga kooru *<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*originality mezase! Douse kono michi wo yuku n' dakara *<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Shinjite) Kakenukete (tooku made) *<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Kanjiru) Daichi wo kette (daichi kette) *<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanika no tame ni kogare ikite'ru kanshoku wa kitto *<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*dare nimo makenai chikara ni naru *<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Shiawase tte tabun kono shunkan onore ga shiru (when I believed it) *<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono kandou wo atarashii peeji ni kizamu (I can go to the next stage) *<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's only my thing *<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#21 Counter Stop (Identity Unknown)"\n<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zapper...\n<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heya!\n<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure are full of spunk so early in the morning.\n<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you sure are taking things easy.\n<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess. A lot's been\ngoing on, and I'm worn out.\n<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What, you mean yesterday's boyfriend act\n<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was such an exhausting chore?!\n<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it wasn't just that one thing.\n<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just one thing? You mean,\n<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been carrying on\nthe same thing with another girl?!\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're the only one who would ever ask me\n<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to do anything so embarrassing\nwithout batting an eye!\n<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without batting an eye? That's not true!\n<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a real struggle with it, too.\n<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so, there was no other way to cope,\n<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I had no choice but to\nswallow my pride and ask you!\n<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah, yeah, I'm sure you're right.\n<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Listen to me seriously!\n<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;September 1st,\nthe 2nd term opening ceremony.\n<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for me, having lost my\nmemory over summer vacation,\n<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I felt the same subtle nervousness\n<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that a transfer student does on their first day.\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe...\n<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, can her feet even reach the brakes?\n<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can drive, even if my\nfeet don't reach the brakes!\n<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My word,\n<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that that's the\nway I raised you to talk, Kamijo.\n<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, that's not a pop quiz, is it?\n<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't do anything\nthat I hated having done to me\n<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when I was a student.\n<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A friend of mine asked\nme to collect some information.\n<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are papers dealing with\nAIM diffusion fields.\n<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what is an...?\n<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"An Involuntary Movement,"\nmeaning unmindful actions.\n<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put simply, they are power\nfields that epsers emit, \n<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of like body heat.\n<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, they are so\nslight as to be immeasurable.\n<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, if there were an\nesper who could read those fields,\n<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could go,\n"Hmm, I'm sensing an esper nearby,"\n<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that what you're saying?\n<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. And to take it even further,\n<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they may even be able to tell\nthe kind of ability and how strong it is.\n<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hmm, he has a battle power\nof 70,000 points."\n<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Faculty Room"\n<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Faculty Room"\nSomething like that. You see, there are people in the world\n<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Faculty Room"\nwho are quite passionate about that sort of thing.\n<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks again for always helping me.\n<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's going on?\n<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are sorcerers being allowed\nto sneak in so easily?\n<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is no matter.\n<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are tracking down the\nintruders' whereabouts.\n<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sherry Cromwell.\nShe's not a wandering sorcerer,\n<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she's a member of the\nEnglish Puritan Church's Necessarius.\n<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she is brought down sloppily,\n<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will cause a rift between\nthe church and Academy City.\n<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For neighbors who love each\nother to be at odds with each other...\n<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, I'm going after Sherry.\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone from the same magic side does it,\n<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the waves it makes won't be as big.\n<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to get involved.\n<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean... Kamijo Toma again?!\n<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can condense plans 2082 through 2377.\n<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Imaginary Number School District's\nFive-Elemental control method?\n<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, this wild stallion\ncould tear the world apart.\n<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Safest to take hold of the reins\nagain as soon as possible.\n<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? \n<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's wrong, Kami?\n<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Tsuchimikado?\n<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, now that you\nmention it, I haven't seen him.\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me his homework isn't finished yet.\n<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, on the other hand, forgot all of it,\n<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just to get Miss Komoe upset at me.\n<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look...\n<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's get homeroom started.\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some big news for\neveryone before the opening ceremony.\n<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprise! We're adding\na new transfer student today!\n<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a girl, by the way.\nCongratulations, all you dudes.\n<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better luck next time, my little kittens.\n<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay,\n<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will the transfer student please come in.\n<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!\n<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's Toma! This *is* the school you come to, all right.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you get in here?\n<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You are not the transfer student.\n--Oh, but...\n<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out you go, out you go.\n<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gee whiz, Sister,\n<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing, coming here?\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here...\n<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please find a taxi, and go straight home.\n<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, whatever you do,\ndon't go with any strangers, okay?\n<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, the real transfer student is me...\n<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Himegami Aisa"\n<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami Aisa.\n<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so hungry...\n<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cafeteria"\n<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Lunch Vouchers"\n<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard about these. \n<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If memory serves, food exchange\ntickets come out of them.\n<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma makes fun of me for my antique ways,\n<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this much is easy. You put the money in...\n<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and just push the button.\n<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The buttons! There are no buttons!\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?\nIt's taken my money from me.\n<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...\n<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to push the button.\n<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there aren't any buttons anywhere.\n<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, you just touch the monitor.\n<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nBut you can't touch the people inside the TV.\n<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cancel"\nBut you can't touch the people inside the TV.\n<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cancel"\n<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then this TV connects with the inside, huh?\n<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see...\n<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. What's your name?\n<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kazakiri Hyoka.\n<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, I called out Toma's name,\n<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and not only did he not answer,\nhe looked away from me!\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, but still, only students\nand staff are allowed in the school.\n<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what about you, Hyoka?\n<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm a transfer student.\n<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll be a transfer student, too!\n<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...\n<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to just leave without doing anything.\n<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And more than anything,\nI have to ask him what's up with lunch.\n<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but, in that outfit,\nyou draw too much attention.\n<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what should I do?\n<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...\n<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if we were to go over *there*, then maybe...<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to say it,\n<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she sure does have a way\nof getting caught up in trouble fast.\n<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It stretches well,\nand the fabric washes clean easily.\n<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing! This is what's called "hi-tech," right?\n<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why that dumb little Sister...\n<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Index!\n<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think\nyou're doing... in... here...?\n<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My mistake...\n<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...!!\n<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's the opening ceremony,\nso I'll be home by noon.\n<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know that for sure.\n<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everybody knows that much.\n<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then do you know something, Toma?\n<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like in the English-style Church of the Cross,\n<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when performing ceremonies for\nmaking idols incorporating telesma,\n<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what the direction and the\nposition the caster is standing in\n<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has to do with it?\nIf you're off by even a little bit,\n<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't take effect. Do *you* know what the golden ratio is?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, everyone knows that.\n<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Index, who is this?\n<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really know, but she's my friend.\n<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't really know?\n<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may not know her too well,\nbut Hyoka is my friend!\n<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My name is Kazakiri Hyoka.\n<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Kamijo Toma.\n<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a transfer student?\n<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.\n<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Don't make Hyoka nervous!\n<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, Hyoka. \n<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma may be a rare\nsort of hormonally-challenged,\n<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;indecisive teenager, who involves\nhimself with one girl after another,\n<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he's a good person.\n<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, you can hold Sphinx. \n<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you hold a cat,\nit helps to relieve your tension.\n<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is Sphinx?\n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder what's wrong.\n<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Animals have sharper senses than humans.\n<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe he can tell the difference in our smells.\n<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo!\n<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got some nerve,\non the first day of 2nd term!\n<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Teacher, isn't the\nopening ceremony happening...?\n<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here because I got worried\nwhen I didn't see you in the gym!\n<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet here you are, Kamijo...\n<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well, uh...\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is it that girls are\nalways falling into your lap, Kamijo?!\n<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you producing some strange\nAIM diffusion field, or something?\n<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you figure that? \n<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Kazakiri, say something here...\n<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she get fed up and leave?\n<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...\n<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka!\n<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was something else, huh?\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It kind of took me by surprise.\n<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komoe wasn't mad at us back there.\n<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing to be concerned about.\n<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have kind of a\nsad look on your face, though.\n<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma was mad at me.\n<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He doesn't listen to anything I say,\nor smile even a little bit.\n<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe Toma doesn't like me anymore.\n<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Friends who can have arguments\nare actually very close to each other.\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come?\n<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're able to have an argument,\n<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means you're able to make up afterward.\n<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think he believes that you're\ninseparable, despite the arguments.\n<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?\n<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's the kind of person who\ncares enough to get mad at you.\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's all right.\n<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though he did talk to us with a straight face,\n<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even after seeing us undressed.\n<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!\n<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, wanna go get something to eat?\n<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not eating at home today?\n<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going someplace\nfun after we eat anyway, so...\n<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Care to join us, Kazakiri?\n<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! Hyoka, want to go together with us?\n<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You're sure?\n<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Let's go! Let's go!\n--You're sure?\n<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...\n<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.\n<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Huh? I'm going to\ngo withdraw some money first.\n<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami?\n<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just transferred in.\nWhy the watered-down reception?\n<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, I am a girl who's\neasily overshadowed, huh?\n<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I, uh... I know! We're off\nto go have some fun. Care to join us?\n<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komoe, you dummy...\n<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing. I've been asked to\ndo something, so I can't go.\n<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind me, who is that?\n<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri Hyoka, wasn't it?\n<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure that's Kazakiri Hyoka?\n<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. That's what she and\nIndex both say. You know her?\n<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kirigaoka Girls' School.\n<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The high school I went to earlier.\n<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw the name "Kazakiri Hyoka" there, too.\n<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, does she have a\nrare ability, too, like you do?\n<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.\n<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her name was always posted at\nthe top of the test rankings,\n<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but no one had ever actually seen her.\n<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody even knew what\nclass she was supposed to be in.\n<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with that?\n<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It bothered me, so I looked\ninto it. That's how I found out.\n<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is known as "Counter Stop."\n<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's not the most important part.\n<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri Hyoka is the key to learning more about\n<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Imaginary Number School\nDistrict's Five-Element Agency.\n<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five-Element Agency? That really exists?\n<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that they control the administration\n<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Academy City from the shadows.\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that she had her own special class,\n<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to investigate her own personal ability.\n<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's said to be a lab, to find the true nature\n<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Imaginary Number School\nDistrict's Five-Element Agency.\n<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would she be here?\n<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She says she's a transfer student.\n<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I should be the only transfer student.\n<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be careful, okay?\n<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is the "underground world" I've heard about!\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Underground *mall*, underground *mall*.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index, is there anything you want to eat?\n<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Expensive places and places with long lines are out.\n<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want a place with cheap,\nyummy food, and lots of it,\n<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that hardly anyone knows about!\n<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay. Kazakiri, how about you?\n<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I done something?\n<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no... It's not that I'm scared, or anything...\n<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but you have seen me undressed.\n<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing!\n<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A secret get-together with\na girl from outside the school?\n<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only the honor students from\nmy class would do something so crazy.\n<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, you people in\nAntiskill have a problem, too!\n<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you do if the\nintruder is someone dangerous?\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah. So, the story\nis that there are two intruders.\n<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one thing I want to verify.\n<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are there really... two of them?\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Yomikawa.\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be right there.\n<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it some Antiskill work?\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like there's a huge catch\nout there. I need to go. See you!\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought the book you asked for.\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Easy-to-Understand AIM Diffusion Fields"\n<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Easy-to-Understand AIM Diffusion Fields"\nGood work, Himegami.\n<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe...\n<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?\n<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there a student at this\nschool named Kazakiri Hyoka?\n<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you are.\n<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--An evacuation order! \n--Run!\n<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could I please ask you not to move?\n<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Shirai Kuroko, with Judgment,\n<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;charged with maintaining the safety of this city.\n<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't suppose I need to spell out the reason\n<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why you're being taken into custody.\n<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Search suspended.\nMake trouble for me, will you?\n<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you kindly not to move.\n<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does Japanese not get through to you?\n<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?!\n<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be! An outsider,\nwho's also an esper?\n<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not good! I have to regroup--\n<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what all the commotion is,\n<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but don't you dare lay a hand on my friend!\n<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're all right now.\n<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like that big guy was just a decoy.\n<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're after someone, then that means...\n<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it appears that she was a criminal trespasser.\n<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...!\n<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief.\n<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko, it's all right to\ncount on me a little more, okay?\n<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking that\nyou don't want to put me out.\n<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is indeed a one-in-a-million chance!\n<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I get this close to you, Sissy,\n<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can snuggle within the\nvalley of your breasts all I want!\n<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Easy, now...! Kuroko, that's not what I meant!\n<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As was widespread before the\ntime of Noah's Ark,\n<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even now, in fragments\nof knowledge being spread\n<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the chief Grigori in a different manner...\n<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, there was the primordial earth.\n<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God gave form to the dust of the earth,\n<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;breathed life into it, and called it man.\n<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In time, this secret process was revealed to\nman, by fallen beings who came to earth.\n<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it was a work that\ncould not be performed by human hands.\n<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, the life that\nwas brought forth by my hand\n<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was no more than a corrupt mud man.\n<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The begrimed Golem Ellis,\nworking himself weary for my sake.\n<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't keep me waiting too long, Ellis.\n<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nanigenai ima mo *<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mada minu ashita de sae mo *<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*yuzurenai omoi dake wa *<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mune ni himete'ru *<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Guuzen to warau *<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*koe kakiwake *<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*tadoritsuku mukougawa *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*jibun wo shinjite'ru *<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omoidasareru koto wa *<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kanaetai negai wa itsumo *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*mou ichido mou ichido dake to *<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*idomitsuzukete'ta *<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Sukoshi dake) *<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Nakushita omoi wa sou *<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*katachi wo kaete demo kitto *<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*torimodosu sono hi ga kuru made *<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sagashitsuzukete'ku *<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Sukoshi dake mou ichido) *<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nThe sorceress Sherry Cromwell controls the monster Ellis.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As we are confined\nin the underground mall,\n<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we get caught up in an intense battle.\n<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri, what is your secret?\n<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Golem."\n<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross\npaths, the story begins.\n<br>

# 22 - Golem (Stone Figure)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;September 1st marked the\nend of a turbulent summer vacation.\n<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The new transfer student\nwho showed up was Index...\n<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No it wasn't, it was Himegami.\n<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index, along with a girl named who\nwas with her, named Kazakiri Hyoka,\n<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;joined me in a little amusement\nat the underground mall.\n<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course,\n<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we had no way of knowing that\nsomething like this would happen.\n<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Some day-to-day is a parallel world *<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A masterpiece of thousands of timelines, *<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no two of which are the same,  *<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*interwoven into a new time and space *<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The tip of a pen scribbling out a script on blank paper freezes *<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Strive for originality, since you're going down this road anyway *<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Believe) Race along (far away) *<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Feel) Kick off from the ground (kick the ground) *<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The sensation of living your life ablaze for something *<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is sure to be power enough to rival anyone *<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I likely know what happiness is at this moment (when I believed it) *<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This feeling marks a new page for me (I can go to the next stage) *<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's only my thing *<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#22 Golem (Stone Figure)"\n<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#22 Golem (Stone Figure)"\nThank you very much.\n<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that was delicious.\nMy tummy is all full-full-full up!\n<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? What's this? Looks like\nthere are all sorts of TVs here.\n<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen a TV like this before.\n<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, that's not a TV...\n<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A phone call?\n<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead on inside.\n<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm! Let's go, let's go, Hyoka!\n<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?\n<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's... gami... areful... Ka... ri...\n<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it *is* the underground mall.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are so cute.\n<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So cute, so cute, so cute!\n<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, aren't these cute, Hyoka?\n<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mm-hmm.\n<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Oh, what's that?!\n<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's great that there are so many\nkinds of clothes to choose from.\n<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. That maid outfit was cute, too.\n<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cosplay Print Club"\nMm-hmm. That maid outfit was cute, too.\n<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cosplay Print Club"\n<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, over there.\n<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Cosplay Costumes" "Free Rentals"\nI think they're running a clothes-lending service,\n<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Transform yourself now, for free!"\nfor people to take photo-seal pictures.\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that sounds like fun!\n<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Come on, let's do it!\n--B-But I...!\n<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index, where are you?\n<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, amazing!\n<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have a Magical\nPowered Kanamin dress suit!\n<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, are you going to wear that?\n<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am! I am!\n<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In here, huh?\n<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Index...\n<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes! T-T-Toma!\n<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, please don't open the curtain right now.\n<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, Kamijo will not\nmake the same mistake twice.\n<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, easy, don't push!\n<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, Hyoka. Half for you.\n<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is the life of a student,\nhuh? Terrific, terrific!\n<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, there are boring classes\nand hellish tests that go with it.\n<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you hear that?\n<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.\n<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, you two?\n<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a voice from somewhere just now.\n<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A voice? \n<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It felt like there was a voice\nspeaking directly inside our heads.\n<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inside your heads? Well, that's just--\n<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, there!\n<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all the warning you've been given,\n<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how can you still be taking it so easy?\n<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment?\n<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what now?\n<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look! That telepathy! Telepathy!\n<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard it, didn't you?! Listen!\n<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, you understand the situation now, right?\n<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not one bit.\n<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's strange. I wonder\nwhy it's not getting through to you.\n<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain it out loud.\n<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A terrorist has slipped\ninto the underground mall here.\n<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A terrorist?\n<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. We're about\nto lower the confinement walls\n<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and seal off the underground mall.\nPlease evacuate immediately.\n<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood?\n<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This doesn't sound good.\nWe should get out of here.\n<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found you.\n<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?\n<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An idol of man, from out of the earth.\n<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A golem, protector of the temple,\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has been forcibly made to\nserve as an English guardian angel.\n<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying the terrorist is a sorcerer?!\n<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let's get the party started.\n<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Howl as much as you like,\ndown in this earthy, mud-stained grave.\n<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?\n<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, let us out of here!\n<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, what is this?\n<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open up!\n<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index, take Kazakiri and go hide somewhere.\n<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, *you* go hide with Hyoka.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the enemy is a sorcerer, then this is my job.\n<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you going to\nfight with your spindly arms?\n<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, do you think you've been\nthis lucky up to now on your own?\n<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an amateur when it comes to magic.\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! Why, whatever do you mean?\n<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way that Kamijo,\nthe mass of misfortune, has been "lucky."\n<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It pains me to say it myself.\n<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, I'm not sure what's going on here,\n<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but is there anything I can do to help?\n<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--No!\n--No!\n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hide, Index!\n--Toma, run!\n<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Did you just hear a cat meow?\n<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.\n<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow-w-w...\n<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing down here?\n<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my. How forward, now, of all times.\n<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this, Toma?\nWho on earth are these uncouth girls?\n<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Friends of yours?\n<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you, where do you get off \n<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;calling someone you've\nnever met before "uncouth"?\n<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you *do* know Toma, after all!<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly what is your relationship with Toma?\n<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Relationship...?\n<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, who are *you* to him?!<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Uh, I owe my life to him, and stuff.\n<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Did he come to your rescue,\nwithout you asking, too?\n<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Toma!\n--Hey, you!\n<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?!\n<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Would you care to explain this?\n--Why don't you explain this?\n<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well...\n<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it. I thought it\nsounded awfully suspicious,\n<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I see that Sissy has left me out,\n<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and exposed herself,\nbody and soul, to Mr. Kamijo here.\n<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't exposed anything!\n<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what kind of trouble\nare you caught up in this time?\n<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I know?\n<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai, what exactly is the situation?\n<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a terrorist operating\ndown here in the underground mall.\n<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a possibility of a\nlarge-scale battle breaking out,\n<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have to get everyone\ntrapped down here evacuated.\n<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *am* a master of teleportation, and all.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You get these people out of here.\nMeanwhile, I'll buy you some time--\n<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You're getting out of here first!\n--Toma, you're getting out first!\n<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but...\n<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My right hand renders all powers ineffective.\n<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I have no choice but to stay.\n<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My power has its limitations, as well.\n<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At most, I can carry two people at a time.\n<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, please take Index and Kazakiri first.\n<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you mean you want to\nstay with the short-haired girl, right?\n<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, take Misaka and Kazakiri.\n<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so you want to stay\nbehind with short-stuff, here.\n<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rotten luck.\n<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, you two.\n<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, hold on!\n<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about getting you left behind.\n<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm, I'm fine.\nNever mind me, what about you?\n<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's starting.\n<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this, Kazakiri,\nbut wait here for Shirai to get back.\n<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? B-But what about you?\n<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna go stop the sorcerer!\n<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't working at all.\n<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The students' evacuation isn't complete yet.\n<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your strength is considerable,\nbut you have no style, huh?\n<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ellis!\n<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?!\n<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young man, what are you doing here?\n<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I'm...\n<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that miscreant from\nMiss Tsukuyomi's class.\n<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you think you're going, young man?!\n<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good day to you.\nOh, you’re the Imagine Breaker?\n<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you're not with the key to\nthe Imaginary Number School District.\n<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that brat's name again?\n<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's not as though that\nbrat has to be the one that I kill.\n<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no problem with killing you, either!\n<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The earth is my power.\n<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one can stand upon\nthe earth when faced with Ellis.\n<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!\n<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not "you." It's Sherry Cromwell.\n<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, since you're going to die here,\n<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no need to name\nthe English Puritan Church, too.\n<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan Church?\n<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would someone in the\nsame organization as Index do this?\n<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To start a war. I want this to be a flashpoint.\n<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I want many people to know\n<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'm one of the\nEnglish Puritan Church's pawns!\n<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. If I can just touch\nthat thing, even for a moment...\n<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...\n<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!\n<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! Why didn't you wait for Shirai?!\n<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well... I mean...\n<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind, just get down, quick!\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!\n<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?\n<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? My glasses...\n<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... is this...?\n<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...! W-What is this...?\n<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri...\n<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!\n<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!\n<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, not that way!\n<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ellis!\n<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!\n<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come along, Ellis. Let's hunt\ndown that bumbling clown of a fox.\n<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, I wonder where they went.\n<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do about them?\n<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Open up!\n<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm concerned about those two, \n<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't leave these people behind, either.\n<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri...\n<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. What is going on here?\n<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?\n<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, is that you, Kamijo?\n<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've finally gotten through! \n<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami has been trying to reach you,\n<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and called again and again.\n<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami was calling me?\n<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have something important to tell you, too.\n<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but this isn't the best time, so...\n<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It wouldn't have to do\nwith Kazakiri Hyoka, would it?\n<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please listen closely. For some\nreason which we don't understand,\n<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri Hyoka does not show up at all\n<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the security cameras around the school.\n<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From where exactly did the girl\nwho was beside you enter the school?\n<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just a moment, please! What are you telling me?\n<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We believe that Kazakiri Hyoka\n<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and AIM diffusion fields are deeply involved.\n<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do they have to do with Kazakiri?\n<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all just supposition,\nbut it's the emission of bioelectricity\n<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the magnetic fields that form with them;\n<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;oxygen consumption and\ncarbon dioxide expulsion, yadda yadda.\n<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If all of the data that makes\nup the human form comes together,\n<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't that mean that\nthere would be a "person" there?\n<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are all kinds of epsers in Academy City,\n<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;always emitting a slight force\nwithout even being aware of it.\n<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if, with so many of them overlapping,\n<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they start to have a single meaning?\n<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what if they create\nwhat we know as Kazakiri Hyoka?\n<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care what you say, that's...\n<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, there have been sightings\n<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Kazakiri Hyoka going way back.\n<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe that at the time,\n<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she was a more indistinct being, like a ghost.\n<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it doesn't appear that\nKazakiri herself is aware of it.\n<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming that she believed\nthat she's been human all this time,\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she wouldn't have had\nany doubts to the contrary.\n<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bottom line is,\nKazakiri Hyoka is not human.\n<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean that\nshe's a physical manifestation,\n<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;produced by AIM diffusion fields.\n<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? How awful for her.\n<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awful, you say?\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to me, Kamijo. \n<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she has all of the\ncomponents she needs to be a person,\n<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it still does not make\nKazakiri Hyoka a real human.\n<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, for what reason\n<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;does she have to be a person in the first place?\n<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo, in your eyes, what do you think of her?\n<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Kazakiri Hyoka anything more than an illusion,\n<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without life or soul, just standing there?\n<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is her presence so insubstantial\nthat she can be easily lost?\n<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Of course she isn't. \n<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if she were nothing more\n<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than a phantom that vanishes with a touch,\n<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't stand for that being a reason why she *should* vanish.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good! I love it when one\nof my little lambs grows up right!\n<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please be sure to keep it up,\nand not bring your dear friends to tears.\n<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, goodbye.\n<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have we here?\n<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're said to be the key to the\nImaginary Number School District,\n<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but take a look at you.\n<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is who you are?\n<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Science-types must be out of their minds\n<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to so carefully hold on to someone like you.\n<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? How could you do something so awful?\n<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? What's this? By any chance, \n<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are you one of those people\nwho say they are afraid to die?\n<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on, figure it out, already.\n<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you can be a legitimate human.\n<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does your face look so pale?\n<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here...\n<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the extent of\nwhat I'm doing to you, right?\n<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now do you understand?\n<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are like Ellis-- a monster.\n<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no place for you here,\nor anywhere else.\n<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really know, but Hyoka is my friend.\n<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! Hyoka, care to join us?\n<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, Hyoka. Half for you.\n<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't cry, monster.\n<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your crying merely disgusts me!\n<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I've kept you waiting.\n<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right now.\n<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the casual present *<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and even the unseen morrow, *<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*my unwavering feelings, at least *<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*remain hidden within my heart *<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I press through the voices, *<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*laughing it off as a coincidence, *<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to make it all the way across *<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I believe in myself *<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What comes back to my mind is that *<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for the wishes I wanted to come true, I always said *<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"one more time, just one more time," *<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept on pushing *<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(just a little bit) *<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sure, the feelings that I've lost *<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*may change form, but still, *<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*until the day comes when I get them back, *<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am sure I'll keep looking for them *<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Just a little bit, one more time) *<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nListen to me, Kazakiri.\n<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nThe touch of your kindness was no illusion.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nThe touch of your kindness was no illusion.\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you're not human,\nwe will be sure to save you!\n<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Friends."\n<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross\npaths, the story begins.\n<br>

# 23 - Friends (Hyoka Kazakiri)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The mysterious transfer student,\nKazakiri Hyoka, was not human.\n<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was a physical manifestation,\nproduced by AIM diffusion fields.\n<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, so what if she is?\n<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is our friend.\n<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't cry, monster.\n<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your crying merely disgusts me!\n<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I've kept you waiting.\n<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right now.\n<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#23 Friends (Kazakiri Hyoka)"\n<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, how embarrassing.\n<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go crying over every\nlittle insignificant thing like this.\n<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ellis!\n<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rejoice, monster!\nThe world has not forsaken you.\n<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There will always be at least\none fool like him around, after all.\n<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not just one.\n<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why?\n<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be absurd.\nWe don't need a reason, do we?\n<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just told them one thing.\n<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I want you to help my friend."\n<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm about to show you something.\n<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That there is still redemption\n<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in this world in which you live!\n<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I will also let you know...\n<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that your place here will not\nbe destroyed as easily as this!\n<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ellis! Kill them! Every last one of them!\n<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Configuration B! The safety\nof the civilians has top priority!\n<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire!\n<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Michael!\n<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Raphael!\n<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gabriel! Uriel!\n<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The symbols of the four quarters of Heaven!\n<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Righteous power in the right direction!\n<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rightly arranged, rightly guide!\n<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...!\n<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything has been going as anticipated so far.\n<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that I like having poor expectations.\n<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Young man, are you sure about this?\n<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one is going to\nblame you if you lose your nerve.\n<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw the power of my right hand, right?\n<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is true that I have to do this, though.\n<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Please, wait a second.\nWhat do you mean, "do this"?\n<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that obvious?\n<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go stop that monster!\n<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a tall order. \n<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Tsukuyomi really does\nhave herself a fine student after all.\n<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Preparation!\n<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Count 5!\n<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Count 3!\n<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't! There's no way you'll survive this!\n<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't stand that! I...\n<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it, Kazakiri.\n<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My right hand will cancel\nout any irregular power there is,\n<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whether it's good or evil.\n<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you'd be no exception.\n<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Count 1!\n<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though we can't touch each other,\n<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't change the\nfact that we're friends, right?\n<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, I'll come back.\n<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it? I swear it.\n<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll come... back...?\n<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. We'll get Index again,\n<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the three of us will go\nsomeplace to have some fun.\n<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Count 0!\n<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ellis!\n<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire!\n<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...\n<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? Now you\ncan't run away, either, can you?\n<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no need to run away.\n<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no need to run away!\n<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You lie down and shut up!\n<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now for this thing...\n<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're gonna make a second one?!\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't sustain two of them at once. However...\n<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if I use that one just right, I can do *this*!<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cease fire!\n<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, she got away, did she?\n<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?\n<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her target was right in front of her,\nbut she ran away that easily.\n<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're overlooking something.\nRemember...\n<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan Church?\n<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would someone in the\nsame organization as Index do this?\n<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To start a war. I want this to be a flashpoint.\n<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I want many people to know\n<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'm one of the\nEnglish Puritan Church's pawns!\n<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that brat's name again?\n<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's not as though that\nbrat has to be the one that I kill.\n<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no problem with killing you, either!\n<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index?!\n<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure is hot, huh?\n<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.\n<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And hey, what's with those clothes of yours?\n<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wearing that in this awful heat?\n<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's never really bothered me. \n<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The breeze that blows\nthrough it now is nice, though.\n<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, safety pins are all that\nare holding it together, aren't they?\n<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did this outfit\nend up getting so wrecked?\n<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It dredges up a number of old scars,\n<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'd appreciate it if you didn't mention it.\n<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotta say, this is taking a while.\n<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sort of seemed like the\nsorcerer was going after Hyoka,\n<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the forms being used\nhad an air of the London style.\n<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure hope nothing has happened.\n<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Hyoka that other girl who was with you?\n<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Oh, and this time, \n<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma wasn't the one who drew her into this.\n<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who met her first.\n<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This* time, eh? Oho...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, I'm getting worried, I'm getting worried.\n<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm worried about there being a\ngirl left behind down there,\n<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm also worried about\nToma being all alone with a girl\n<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--in such a dimly-lit place.\n<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Not that it matters to me,\n--in such a dimly-lit place.\n<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but aren't you worried about his safety, too?\n<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? About Toma? I'm not worried.\n<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma will come back home\nsafely, no matter what happens.\n<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does she mean, come back home?\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me he and this girl are...?\n<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Hey, Sphinx!\n<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay. I'll stay here. \n<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go ahead and catch your cat, then come back.\n<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tend to rub cats the wrong way,\n<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so me chasing him wouldn't do any good.\n<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I appreciate you doing this!\n<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sphinx! Hey, wait up!\n<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why haven't the doors to the\nunderground mall been released?!\n<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The mall's administration is under\na different jurisdiction than ours.\n<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's going to take a little bit\nmore time to get them unlocked.\n<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!\n<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...\n<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for what you did back there.\n<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Never mind me, though,\nare you all right, physically?\n<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes. I think I'm most likely okay.\n<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That stone creature isn't\ncoming after us anymore, right?\n<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That grimy, Gothic Lolita\nchick wasn't running away.\n<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's started going after her next target.\n<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her objective isn't to kill you or me, Kazakiri;\n<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone will do, as long as\nthe specific conditions are met.\n<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone?\n<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. And one of those targets is Index.\n<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! But if that's the case,\n<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we could ask those people to protect her.\n<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index is not a resident of the city.\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Antiskill finds her, she might be arrested.\n<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't be too quick\nabout asking them for protection.\n<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess if I'm going,\nit'll have to be through here.\n<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.\n<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they would just open the confinement doors,\n<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could easily get ahead of her!\n<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do I have to be behind the curve like this?!\n<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How will I get down?\n<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wait.\n<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really going by yourself?\n<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index is in danger.\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's... okay. You don't have to go.\nThere's a way to save her.\n<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?\n<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To face a monster,\nyou should send a monster.\n<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think that I'll be\nable to beat that stone monster,\n<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can at least act as a decoy.\n<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I'm getting pounded on,\nshe will be able to get away.\n<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a monster, though,\nso that's about all I can do.\n<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still carrying on about that?\n<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not any kind of monster!\n<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think I'd be pleased\nfor you to do that for me?!\n<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, it's for the best.\n<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm okay with being a monster.\n<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because I'm a monster that I didn't die,\n<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even after all the pounding\nthat stone creature gave me.\n<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because I'm a monster that\nI can stand up to that stone creature.\n<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will protect those who\nare dear to me with my power.\n<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm... glad to be a monster.\n<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazaki--\n<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!!\n<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see? I'm okay.\n<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kazakiri... Hyoka..."\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no weight here, nor any air currents.\n<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is made by the AIM diffusion\nfields emitted by the espers.\n<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An ephemeral city--\n<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an unseen place that exists in the same location...\n<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...as Academy City.\n<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was afraid of this ephemeral city...\n<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where I would provide a role\nfor someone just by looking at them;\n<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...where I would turn a person's\nlife upside-down with just a thought.\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My role was to be a mainspring.\n<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My part in this gigantic\nwind-up machine called society\n<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to be the mainspring\nthat breathed life into it.\n<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't go outside.\n<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I could see the\nthings and people outside,\n<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was unable to touch them, or talk to them.\n<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, at that moment, for the first time...\n<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I went into the outside world.\n<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...\n<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to push the button.\n<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, for the first time, I spoke.\n<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the first time, I put on gym clothes.\n<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the first time, a boy saw me undressed.\n<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the first time, I went into a game center...\n<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...where I was seen undressed again.\n<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today, for the first time, I made friends.\n<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I realize the monster that I am,\n<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she may not be my friend anymore.\n<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so... I...\n<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...\n<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Sphinx!\n<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't stop being difficult,\nI really will have to punish you.\n<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, back to the waiting spot.\nDo you understand?\n<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are footsteps causing this shaking?\n<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The basic theory is from Kabbalah.\n<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Primary application is\ndefense and elimination of hostiles;\n<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;first derived in the 16th century,\nit has wide application.\n<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan formula\ncombined with the original;\n<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;linguistic derivation\nchanged from Hebrew to English.\n<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judging by formulaic construct, \n<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not self-controlled,\nbut rather remote controlled.\n<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case...\n<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nTTTR!\n<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Turn to the right"\nTTTR!\n<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nCFA.\n<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Change for above"\nCFA.\n<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nPIOBTLL.\n<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Put in order back the left leg"\nPIOBTLL.\n<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not able to use magic,\nbut I am able to disrupt the spell.\n<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Spell Intercept."\n<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By using these imposition chants\nto cut off the caster's control...\n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nCR, BBF, TTNATWITOD\n<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Change right; bind both feet;\nCR, BBF, TTNATWITOD\n<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;turn the neck and waist in the opposite direction"\nCR, BBF, TTNATWITOD\n<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Manipulating him isn't enough.\n<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll backtrack his self-repair operations,\n<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which cycle through about every three seconds.\n<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can use it against him...\n<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There!\n<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This just might work.\n<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CR...\n<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nMBFPADCOG!\n<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Make both feet parallel and destroy center of gravity"\nMBFPADCOG!\n<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good. He switched\nfrom remote control to self-control!\n<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't intercept anymore!\n<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\n<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"\nAs feelings become crossed, a new flashpoint is created.\n<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nAs feelings become crossed, a new flashpoint is created.\n<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what happens\nnow, we will always be...\n<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Imaginary Number\nSchool District - Five-Element Agency."\n<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross\npaths, the story begins.\n<br>

# 24 - Imaginary Number School District - Five-Element Agency

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm okay with being a monster.\n<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because I'm a monster that I didn't die,\n<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even after all the pounding\nthat stone creature gave me.\n<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because I'm a monster that\nI can stand up to that stone creature.\n<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will protect those who\nare dear to me with my power.\n<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm... glad to be a monster.\n<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! I'm not about to let it end!\n<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazaki--\n<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!!\n<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to let it end\nin such a senseless outcome!\n<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index"\n<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Some day-to-day is a parallel world *<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A masterpiece of thousands of timelines, *<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no two of which are the same,  *<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*interwoven into a new time and space *<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The tip of a pen scribbling out a script on blank paper freezes *<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Strive for originality, since you're going down this road anyway *<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Believe) Race along (far away) *<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Feel) Kick off from the ground (kick the ground) *<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The sensation of living your life ablaze for something *<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is sure to be power enough to rival anyone *<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I likely know what happiness is at this moment (when I believed it) *<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This feeling marks a new page for me (I can go to the next stage) *<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's only my thing *<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#24 Imaginary Number School\nDistrict - Five-Element Agency"\n<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're looking for Ellis, I sent him on ahead.\n<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet he's arriving\nat his target right about now.\n<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe, he's turned into flesh and blood by now.\n<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!\n<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good. You stay here and face me.\n<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I let that girl go by.\n<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you mean Kazakiri?!\n<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be able to bring down Ellis, and all.\n<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To start a war.\n<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you thinking?\n<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, science and magic\nare both evenly balanced, right?\n<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why are you doing this?!\n<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When espers use magic,\nit destroys their bodies.\n<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if you've ever heard that.\n<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?\n<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you think it was strange,\nhow anyone would know about that?\n<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They attempted it. About twenty years ago,\n<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a movement was born among one of our posts\n<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to have science and magic join hands.\n<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It tried to give rise to a new crafter,\n<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one who combine their abilities with magic.\n<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The result...\n<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ellis was my friend.\n<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ellis was an esper who\nhad been brought to Academy City\n<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by one of the factions at the time.\n<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to the spells that I taught\nhim, Ellis became a bloody mess.\n<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While trying to allow me\nto escape from the knights\n<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who came to bring down the facility,\n<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ellis was struck by a mace, and died.\n<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should remain segregated!\n<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magicians with magicians,\nand scientists with scientists.\n<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we each don't establish our own domains,\n<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the same thing will happen, again and again!\n<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, it sounds like we're\nnot talking about the same thing.\n<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the point is to protect one other,\nwhat good is starting a war?!\n<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you don't actually want to, do you?\n<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you to accomplish your objective,\n<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just causing a situation where war *almost* breaks out is good enough.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give yourself too much credit, you little punk!\n<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you give me that "poor you" look!\n<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ground is my ally.\n<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, down here in the darkness,\nenclosed under the ground,\n<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is my territory!\n<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be!\n<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she planning to bring the whole tunnel down?!\n<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let it all crumble!\nJust like a man made of mud!\n<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, what do I do?!\n<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then do you know something, Toma?\n<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When performing a spell,\nif the direction and position of the caster\n<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are off by even a little bit, it doesn't take effect.\n<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do *you* know what the golden ratio is?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That's it!\n<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Swallow up the fool! Mix him in under the mud!\n--That's it!\n<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The magic circles on the walls\nand ceiling are there to bury me alive.\n<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I will flesh out your body!\n<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, there's no need to\ndraw magic circles on the ground!\n<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, then this magic circle\n<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is there to protect her!\n<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!\n<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's stopped?\n<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.\n<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all.\n<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to... create a flashpoint... for a war...\n<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's guard has grown lax.\n<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the English Puritan Church\nhas been presumptuous enough \n<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to allow their grimoire index be kept elsewhere.\n<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation is the\nsame as it was with Ellis.\n<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such tragedy came out of that incident.\n<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this happens on a scale\ninvolving all of Academy City\n<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the English Puritan Church...\n<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What rubbish.\n<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay to be angry. Even sorrowful.\n<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so,\n<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what has Kazakiri done?!\nDid Index do anything to you?!\n<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you turn the\nbrunt of this onto someone else,\n<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's when the real conflict erupts!\n<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't get it.\n<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, I'd like to kill all of\nthe sorcerers and the scientists.\n<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's more than just that!\nI also don't really want to make\n<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the sorcerers and the\nespers fight with each other!\n<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My head has been screwed up\nabout this from the start.\n<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't just have one conviction here;\n<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're as numerous as the stars.\n<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why haven't you figured it out?\n<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That conviction you have inside you\n<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has always been a single one,\nright from the start?\n<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, you just wanted\nnot to lose your dear friend, right?\n<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it look to you\n<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like I was reluctantly\nforced into being stuck with Index?\n<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it look like we would break out in fighting\n<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if we weren't segregated into our own territories?\n<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We could go on being together forever\n<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without doing anything like that!\n<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So don't take my dear friend away from me!\n<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Intimus 115!\n<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!\n<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so that's it.\n<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saying you having convictions\nthat number as the stars...\n<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die, you esper!\n<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...means that you're aware...\n<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that somewhere inside you, you feel...\n<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you want to be stopped!\n<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good. He switched\nfrom remote control to self-control!\n<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't intercept anymore!\n<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing... can reach... Ellis... anymore...\n<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ellis...\n<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri... Index...!\n<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...\n<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka?!\n<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka...\n<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run.\n<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry and run away.\nIt's still too dangerous here.\n<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The golem is out of control. \n<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He may not be able to\ncontrol his regenerative functions.\n<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka, let's hurry and get out of here!\n<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You hurry up and go.\n<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"*You* hurry up"? What are you doing, Hyoka?<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... have to stop that monster.\n<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't! You can't think\nthat you can fight that monster!\n<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do that, Hyoka,\nthere's no way you'll survive!\n<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. I'm not human, either.\n<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry to have kept it from you up to now.\n<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka!\n<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To fight a monster, you need another monster.\n<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't ever go back there anymore.\n<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That time will never return.\n<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why...\n<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why there's no way I can cast it aside!\n<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka!\n<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, you're my friend!\n<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!!\n<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!\n<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you,\n<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going to show you\nthat there is still redemption\n<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in this world in which you live!\n<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over.\n<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, my fond illusion comes to an end.\n<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew, what a mess.\n<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is all this?\n<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me this is your doing, too.\n<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know this happens every time,\n<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but just how much trouble are you caught up in?\n<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?\n<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sissy, here's where you are-- eh?!\n<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me *you* did this, Sissy!<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? N-No, I didn't!\n<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before too long,\nAntiskill or Judgment will show up here.\n<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get out of here before there's any trouble.\n<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, it's not like that--\n<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew what would happen from the beginning.\n<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone would have known, wouldn't they?\n<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would happen once it\nwas found out that I was a monster?\n<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't want this, either, you know.\n<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I didn't have any choice, did I?\n<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's my friend-- the first person\nin my life who called me her friend,\n<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I wanted to save her.\n<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do I have to lose her now?\n<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does she have to be afraid of me?\n<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I... I... just couldn't bear\nto have my dear friend get hurt!\n<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So all I did was stand up to that thing!\n<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted us to be together always!\n<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure that we would get along! But...\n<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;obviously, that's impossible now, isn't it?\n<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she would be\nafraid of me, and dislike me,\n<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way I could have\nstood by and let her die, right?\n<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it hurt?\n<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sad?\n<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's how you feel, then you are no monster.\n<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be a hackneyed, clichéd thing to say,\n<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you are human. I guarantee it.\n<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And another thing,\n<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your illusion is not over yet.\n<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?\n<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why? This isn’t normal, is it?\n<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm not human. \n<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why is she looking at me,\n<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and making the kind of\nface a friend would make?\n<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, your body may be \n<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;put together a little\ndifferently from other people, \n<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you can do things that\nother people can't, but even so...\n<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka!\n<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it doesn't change the fact\nthat you are Index's friend, does it?\n<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you happy now?\n<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are now even closer to\nthe completion of a key to controlling\n<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Imaginary Number School\nDistrict's Five-Element Agency.\n<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, you look like a monster to me.\n<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who would dream that the\nImaginary Number School District\n<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is actually an AIM diffusion field?\nNo one would ever think that.\n<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to plant a sense of self\ninto it and help it to materialize\n<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not what I'd consider a sane act.\n<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you thinking, Aleister?!\n<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.\nThe Imaginary Number School District\n<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is an aggregation of a kind of power\n<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that exists in a different phase from humanity.\n<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A life form that is formed as a result of it...\n<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what such a being is...\n<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An angel.\n<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If residents of the Imaginary Number School District,\n<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like Kazakiri, are described as angels,\n<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the city where they reside would then be...\n<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you're trying\nto create an artificial heaven!\n<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what to say\nabout angels and heaven and such.\n<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me that. \n<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't anyone who\nknows more about it than you do,\n<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister Crowley, the Sorcerer.\n<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This incident has gradually started\nto send the world off the rails.\n<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've intentionally lured a member\n<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the English Puritan Church to\nthe city, then got rid of her.\n<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get whatever it\nis you're thinking. However,\n<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're going to keep using\nthe Imagine Breaker, be prepared.\n<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you go up against him\nwith half-hearted conviction,\n<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that right hand of\nhis will devour your world.\n<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world that I believed\nin fell apart a very long time ago.\n<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, look at me!\n<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This time, I didn't even\nhave to be admitted, did I?\n<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, am I awesome! That's a\nmark of a little bit of progress, huh?\n<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right?\n<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo, you know something,\nyou really, really, really...!\n<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have any idea of\nthe trouble you cause for others?!\n<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For heaven's sake, for you to\nhave to have Antiskill look after you...\n<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, watch out for Kazakiri Hyoka.\n<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all the warning I gave you, too...\n<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should really have that personality,\nwhich makes you reckless\n<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you get to know girls,\nthoroughly remedied sometime.\n<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I'm sort of terrified\nby the two people behind me.\n<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure I can't check myself in?\n<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps with doctor's orders for\npeace and quiet, with no visitors?\n<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, your skirt...\n<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you going to fix it?\n<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it that weird?\n<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It is weird. It's very weird.\n<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was strange enough as it was,\nbut now, it's even more strange.\n<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it *was*?<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka, are you...?\n<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mm-hmm. My body is\nlike a big mass of psychic energy.\n<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what I do,\n<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it won't change the fact\nthat I'm an unstable being.\n<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that, by any chance,\nhave to do with Toma's right hand?\n<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm.\n<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had received some of his power,\n<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have already vanished without a trace.\n<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah...\n<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About his power-- I don't\nunderstand it too well myself,\n<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it can't be explained as just esper ability.\n<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...\n<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka...?\n<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go back now.\n<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka!\n<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, don't worry. My body is\nmade up of the powers of many people.\n<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I do disappear for a time,\n<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not as though I am dying. \n<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just means you won't be able to see me.\n<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even though you might not\nknow it, I will always be by your side.\n<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka...\n<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll play together again, right?\n<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.\n<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Good luck getting ready for the Daihasei Festival!"\n<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Good luck getting ready for the Daihasei Festival!"\nWell you see, I'm really busy during the second term.\n<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nWell you see, I'm really busy during the second term.\n<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the casual present *Well you see, I'm really busy during the second term.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In the casual present *But I've got nothing to do, and I'm bored!<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and even the unseen morrow, *But I've got nothing to do, and I'm bored!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and even the unseen morrow, *Toma doesn't pay any attention, and won't play with me.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and even the unseen morrow,  *"Kanamin"<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*my unwavering feelings, at least *"Kanamin"<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*my unwavering feelings, at least *So you see, this is what's known as a magician.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*remain hidden within my heart *<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*remain hidden within my heart *What do you think? Pretty moe, huh?<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*remain hidden within my heart *Come on, Hime, you, too! Come on! Come on!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I press through the voices, *Come on, Hime, you, too! Come on! Come on!<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I press through the voices, *Is this moe, too?<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I press through the voices, *Okay,<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I press through the voices, *let's get homeroom started right away.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*laughing it off as a coincidence, *let's get homeroom started right away.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*laughing it off as a coincidence, *<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to make it all the way across *<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to make it all the way across  *Huh? Where's Tsuchimikado?<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I believe in myself *<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I believe in myself *Yeah, I'm already on the job.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;\nYeah, I'm already on the job.\n<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*What comes back to my mind is that *<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for the wishes I wanted to come true, I always said *<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"one more time, just one more time," *<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"one more time, just one more time," *So I'm going to look after those two?<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept on pushing *So I'm going to look after those two?<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept on pushing *Yes, if you please.<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(just a little bit) *Yes, if you please.<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(just a little bit) *<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sure, the feelings that I've lost *<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*may change form, but still, *<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*until the day comes when I get them back, *<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*until the day comes when I get them back, *Ah, how careless of me!<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*until the day comes when I get them back, *My ribbon has drifted into Sissy's forbidden area!<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I am sure I'll keep looking for them *My ribbon has drifted into Sissy's forbidden area!<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Just a little bit, one more time) *Kuroko!<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*(Just a little bit, one more time) *<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a situation which requires\n<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the assistance of the grimoire index.\n<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have her "manager" come, as well.\n<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her "manager," huh? As you wish.\n<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will leave with Kanzaki for Japan at once.\n<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About that. We have been unable to reach Kanzaki.\n<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, Archbishop?\n<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm, since I have chosen my low-key attire,\n<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you shouldn't address me\nin such an ostentatious manner.\n<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Laura Stuart. That is how you shall address me.\n<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Go for broke in the Daihasei\nFestival, Academy City!"\n<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Index...?\n<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you forgot that the\nrefrigerator was empty, didn't you?\n<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you're eating that\ntasty food all by yourself, huh?\n<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, this is a leftover from lunch...\n<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you're the only one who ate lunch, huh?!\n<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm hungry! I'm hungry! I'm hungry!\n<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!\n<br>

# Season 2

# 25 - The Last Day (August 31)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, damn it, already!<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prerequisites for the<br>&nbsp;&nbsp;&nbsp;&nbsp;ESP Card experiment?<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking that Level 0<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo knows something like that.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine Breaker--the marvelous<br>&nbsp;&nbsp;&nbsp;&nbsp;power that resides in my right hand.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, it is able to cancel<br>&nbsp;&nbsp;&nbsp;&nbsp;out any other extraordinary power<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a single touch.<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a fantastic power like this<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't have any effect on my<br>&nbsp;&nbsp;&nbsp;&nbsp;summer vacation homework problems.<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, on this day, of all days,<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto pressured me<br>&nbsp;&nbsp;&nbsp;&nbsp;into pretending to be her boyfriend,<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not to mention, I was chased<br>&nbsp;&nbsp;&nbsp;&nbsp;around by an Aztecan magician,<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as one crazy incident<br>&nbsp;&nbsp;&nbsp;&nbsp;after another piled up on me.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The practical upshot of all of this being...<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that I haven't finished<br>&nbsp;&nbsp;&nbsp;&nbsp;most of my homework.<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. Magical Powered<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanamin takes the Parts of Ether<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the lotus staff for the Elementals,<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and reproduces them in plastic, right?<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--How wonderfully Japanese-styled that is!<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Listen, Miss Index...<br>&nbsp;&nbsp;&nbsp;&nbsp;--How wonderfully Japanese-styled that is!<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to tell you not to watch TV,<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as for the volume, at least...<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you never do anything fun with me.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm escaping<br>&nbsp;&nbsp;&nbsp;&nbsp;into the world of television!<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, man! Why is it that now,<br>&nbsp;&nbsp;&nbsp;&nbsp;when I have no time,<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you come up with more things<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to do?! Huh? Hold on...<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's that worksheet that<br>&nbsp;&nbsp;&nbsp;&nbsp;I was only half-way done with?<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or Classical Japanese problem set?<br>&nbsp;&nbsp;&nbsp;&nbsp;Or my math reference book?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Toma!<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, did you find something?<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's after 3 o'clock.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd sure like a snack.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index Librorum Prohibitorum...<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The List of Prohibited Books, huh?<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued to smile in discernment*<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, it sure was a lot of trouble,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;locating this worksheet<br>&nbsp;&nbsp;&nbsp;&nbsp;among the pile of manga it was in.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Toma, am I great, or am I great?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to say to me? Well? Well?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is it you're<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to say to me?<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did a lot of work for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I want a reward deserving of it.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning that I want to eat something.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just finished *my* half<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the pudding, too, didn't you?!<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, maybe that would be good.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hirayama Rami's 5-hour Cooking!"<br>&nbsp;&nbsp;&nbsp;&nbsp;"How to Make Tofu Hamburger"<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today we'll cover "How to Make 5-hour Tofu Hamburger."<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I don't have time<br>&nbsp;&nbsp;&nbsp;&nbsp;to make something like that!<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just after 5:00 pm now,<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving about seven<br>&nbsp;&nbsp;&nbsp;&nbsp;hours before the date changes,<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so even if I'm ready<br>&nbsp;&nbsp;&nbsp;&nbsp;to work through the night,<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's less than fifteen more<br>&nbsp;&nbsp;&nbsp;&nbsp;hours before I have to go to school!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--And in just that much time...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Toma...<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not good to push yourself so hard.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brain has to work even<br>&nbsp;&nbsp;&nbsp;&nbsp;harder when you're so on-edge.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't overexert yourself.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the *last* person<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to hear that from!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wind Magic Bowstring!<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Striking Bowstring!<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not here?<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just had a nasty feeling...<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I order anything from here?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What do you want?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then...<br>&nbsp;&nbsp;&nbsp;&nbsp;The most expensive thing!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, ¥2000 worth of raw eggs...<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, together with Index,<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;decided to go to a family<br>&nbsp;&nbsp;&nbsp;&nbsp;restaurant for a change of pace.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was busy plugging away<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at what was left of my<br>&nbsp;&nbsp;&nbsp;&nbsp;summer vacation homework.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting--<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you are.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, to battle.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My survey report on<br>&nbsp;&nbsp;&nbsp;&nbsp;the development of abilities...<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me! I will bring something<br>&nbsp;&nbsp;&nbsp;&nbsp;to wipe this up with right away!<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Th-Then again, Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can still make out the letters,<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Three pages.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Th-Then again, Toma, you can still make out the letters,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'd already written three pages.<br>&nbsp;&nbsp;&nbsp;&nbsp;--so if you copy it down exactly to a new manuscript sheet,<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can still use it.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you consider that you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have to think everything up again,<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just think of all the trouble you'll save!<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The starting shot to war is raised!<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sunder Magic Bowstring!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you--<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did not anticipate this outcome.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would please me if we<br>&nbsp;&nbsp;&nbsp;&nbsp;can limit any wanton loss of life.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you will surrender yourself,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will take no action against you.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So long as I obtain my objective...<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My...<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My homework has turned into confetti...<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You there! You did this,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you have to make it right!<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to do my homework again!<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of my concern.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Kamijo is feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;just a little bit violent today.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, huh?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be brief.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not interested in childish games.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do to Index?!<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you know,<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you are aware that this<br>&nbsp;&nbsp;&nbsp;&nbsp;is the List of Prohibited Books<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has memorized the 103,000 volumes...<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you a magician?<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed I am.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Transparent Magic Bowstring!<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it, you bastard!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something small and soft right here!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you there, Index?<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What...?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, he got me!<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, sir...<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't make her carry a cell phone<br>&nbsp;&nbsp;&nbsp;&nbsp;with her for times like this, but...<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No reason why she would answer. Damn!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just where am I supposed to look for her?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Where are you going, Sphinx?!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up!<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hotel?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me Index is in there!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that where she is, Sphinx?!<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In there?!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! Don't you have any<br>&nbsp;&nbsp;&nbsp;&nbsp;sense of obligation to your master?!<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index *is* the one who took you in,<br>
&nbsp;&nbsp;&nbsp;&nbsp;you know, if only temporarily!<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's go<br>&nbsp;&nbsp;&nbsp;&nbsp;look for her, right away!<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In just this short time,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've already untied two knots.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japan may have given rise to its<br>&nbsp;&nbsp;&nbsp;&nbsp;own unique culture of rope tortures,<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I will not talk<br>&nbsp;&nbsp;&nbsp;&nbsp;under such rough measures.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, torturing<br>&nbsp;&nbsp;&nbsp;&nbsp;you is not my objective.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish to obtain one of<br>&nbsp;&nbsp;&nbsp;&nbsp;the grimoires that is inside you.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must first raise a magical field for amplification purposes...<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that magician<br>&nbsp;&nbsp;&nbsp;&nbsp;planning to do to Index?<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Where am<br>&nbsp;&nbsp;&nbsp;&nbsp;I supposed to look?!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa-oa-oa...<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! What are you doing here?!<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, it seems like you're<br>&nbsp;&nbsp;&nbsp;&nbsp;always running around somewhere.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If everything's all right,<br>&nbsp;&nbsp;&nbsp;&nbsp;then call me and say it's all right!<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't know my number, do you?<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh? Eh?!<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake!<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're *always* doing this!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Stop messing around with me! Huh?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come you look like<br>&nbsp;&nbsp;&nbsp;&nbsp;you're about to cry, for real?<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in a hurry here, as much as I can be!<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What with the homework,<br>&nbsp;&nbsp;&nbsp;&nbsp;the kidnapping<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the commotion<br>&nbsp;&nbsp;&nbsp;&nbsp;at the family restaurant...!<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tell me, what do *you* want?!<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? W-What do...<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well... I was simply upset<br>&nbsp;&nbsp;&nbsp;&nbsp;that you didn't spend time with me,<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't have anything<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I *want* from you, especially...<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that there *would* be...<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold on! Are you seriously<br>&nbsp;&nbsp;&nbsp;&nbsp;going to leave me here?!<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I said!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a Kagura stage?<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing so elaborate as that.<br>&nbsp;&nbsp;&nbsp;&nbsp;At the end of the day,<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's closer to a Bon<br>&nbsp;&nbsp;&nbsp;&nbsp;festival dance grounds.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you prepared this to<br>&nbsp;&nbsp;&nbsp;&nbsp;have me possessed by something?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the real reason<br>&nbsp;&nbsp;&nbsp;&nbsp;I raised the magical field<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to try to increase the<br>&nbsp;&nbsp;&nbsp;&nbsp;force of this thing.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Azusa Yumi bow? A ceremonial<br>&nbsp;&nbsp;&nbsp;&nbsp;item used in Japanese Shinto?<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magnificent. So your<br>&nbsp;&nbsp;&nbsp;&nbsp;magical library also covers<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my cultural background, does it?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This thing's normal power is, at most,<br>&nbsp;&nbsp;&nbsp;&nbsp;--Index? Index!<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--only enough to shock the mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;or to rectify any imbalances.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey, you hear me? Where are you?!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, with all the<br>&nbsp;&nbsp;&nbsp;&nbsp;right conditions in place,<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it can read the details<br>&nbsp;&nbsp;&nbsp;&nbsp;within another's mind.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, even reveal the 103,000 volumes<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you are hiding so<br>&nbsp;&nbsp;&nbsp;&nbsp;desperately within your heart.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No!<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even you must know what would<br>&nbsp;&nbsp;&nbsp;&nbsp;happen if anyone other than me<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were to touch the grimoires!<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am well aware.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the hotel from earlier, isn't it?!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the Baopiaozi--<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the grimoire dealing with immortal youth<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and becoming a sage in Chinese culture.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It contains alchemy to create an elixir<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that can cure any<br>&nbsp;&nbsp;&nbsp;&nbsp;manner of disease or curse.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I could do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;once I became a magician.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is because I didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;want any more setbacks<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I took the oath<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a magician.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least, it was not for this.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a woman who<br>&nbsp;&nbsp;&nbsp;&nbsp;was dying from some kind of curse.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A powerless, nobody of a person,<br>&nbsp;&nbsp;&nbsp;&nbsp;who could do nothing but smile<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while she watched<br>&nbsp;&nbsp;&nbsp;&nbsp;death close in around her.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I couldn't even<br>&nbsp;&nbsp;&nbsp;&nbsp;help this nobody of a person,<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then there was no "can do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything" or "not want any setbacks."<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So for this nobody of a woman,<br>&nbsp;&nbsp;&nbsp;&nbsp;how could I bring any harm to the dream<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I had been so<br>&nbsp;&nbsp;&nbsp;&nbsp;carefully fostering up until now?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surely it was not for<br>&nbsp;&nbsp;&nbsp;&nbsp;that nobody of a woman.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By no means was it because<br>&nbsp;&nbsp;&nbsp;&nbsp;of that nobody of a woman!<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell. Your Azusa Yumi bow's<br>&nbsp;&nbsp;&nbsp;&nbsp;power has been amplified too much,<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and your mind is<br>&nbsp;&nbsp;&nbsp;&nbsp;slipping back within me.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I know.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were simply<br>&nbsp;&nbsp;&nbsp;&nbsp;in love with that woman.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's precisely why you<br>&nbsp;&nbsp;&nbsp;&nbsp;risked your life to save her.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You hurt others and had to commit<br>&nbsp;&nbsp;&nbsp;&nbsp;that sin in order to save her.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you didn't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to put the blame on that woman.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you<br>&nbsp;&nbsp;&nbsp;&nbsp;must not meet this fate!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relying on some<br>&nbsp;&nbsp;&nbsp;&nbsp;grimy grimoire is not the way!<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, you really had me worried.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, I'm hungry!<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll feed you until you're full later on.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this wrong?<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is wanting to protect someone,<br>&nbsp;&nbsp;&nbsp;&nbsp;even in exchange for my own life,<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something that is wrong?!<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well of course it's wrong.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, don't you,<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how painful it is to have<br>&nbsp;&nbsp;&nbsp;&nbsp;someone dear to you die on you?<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To have someone suffer,<br>&nbsp;&nbsp;&nbsp;&nbsp;and be in pain, right before your eyes,<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's nothing you can do.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the grief of being<br>&nbsp;&nbsp;&nbsp;&nbsp;powerless to do anything, don't you?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had to have panicked.<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have pained you.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have grieved you.<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have hurt you.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have scared you.<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have shaken you.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have made you scream.<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have made you shed tears.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why it's wrong!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An intense shock like that<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not something you<br>&nbsp;&nbsp;&nbsp;&nbsp;can push on someone else!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all the...<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After reading just<br>&nbsp;&nbsp;&nbsp;&nbsp;one volume, look at me...<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no wonder that a tiny vessel<br>&nbsp;&nbsp;&nbsp;&nbsp;such as myself found it impossible<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to obtain even a single<br>&nbsp;&nbsp;&nbsp;&nbsp;volume of the original text.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life has been nothing but<br>&nbsp;&nbsp;&nbsp;&nbsp;a series of setbacks.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three times now,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've given up on my life.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so, there was<br>&nbsp;&nbsp;&nbsp;&nbsp;something I couldn't give up on.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was all for the sake of one thing...<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! Ow!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What makes you think you can<br>&nbsp;&nbsp;&nbsp;&nbsp;bring a tidy end to the matter like that?<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's for my summer vacation homework.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, thanks to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;my homework is beyond hope now!<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, where is this<br>&nbsp;&nbsp;&nbsp;&nbsp;person who's so dear to you?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can manage something without<br>&nbsp;&nbsp;&nbsp;&nbsp;using the List of Prohibited Books.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw my right hand, didn't you?<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a magician,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I don't know how bad a curse is,<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but by using this, that curse<br>&nbsp;&nbsp;&nbsp;&nbsp;will vanish in one shot, won't it?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's... ridiculous...<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so sure, myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's the way my right hand is.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, why don't you show us the way?<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise you,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll help this person you love.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that to happen,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll need your cooperation.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So whatever it takes,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to help us.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to help her, don't you?<br>&nbsp;&nbsp;&nbsp;&nbsp;With your own two hands?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud, now I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;at the mercy of a magical curse,<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something I don't know anything about.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's all go there together,<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and kill that good-for-nothing fantasy!<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"little sister"<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you even know...<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...just who it is... that you attacked...?<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake...<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, England's vaunted knighthood,<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;brought down like this.<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you come to stop me?<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was never told to stop you, personally,<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I have my own task to take care of.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be on whose orders,<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church,<br>&nbsp;&nbsp;&nbsp;&nbsp;or Academy City?<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question.<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you use your common sense,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you'd know right away.<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, if you consider whose spy I am,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd know right away.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm leaving now. If you wish to<br>&nbsp;&nbsp;&nbsp;&nbsp;report to your superiors, feel free.<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Ah, I'll just retrieve this bunch.<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I owe you one.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, what did you come<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way here from England for?<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question.<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index is suddenly taken away.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A giant conspiracy is being<br>&nbsp;&nbsp;&nbsp;&nbsp;carried on outside Academy City.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the true purpose of<br>&nbsp;&nbsp;&nbsp;&nbsp;the group targeting Orsola Aquinas?<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Book of the Law."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 26 - The Book of Law

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Archbishop!<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you...<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...call me not by that name.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a place like this, without an escort?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wish to speak, can we<br>&nbsp;&nbsp;&nbsp;&nbsp;not do it at St. George's Cathedral?<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall not e'er be confined<br>&nbsp;&nbsp;&nbsp;&nbsp;within that old minster.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall speak as we walk.<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose that will do.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a wee lad, are you, Stiyl?<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or perchance you cannot indulge<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself to walk alongside me?<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Laura Stuart, may I ask you a question?<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How rigid of you. What is it?<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is it that you speak in<br>&nbsp;&nbsp;&nbsp;&nbsp;such a ridiculous manner as you do?<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, huh? Is it strange?<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even went and checked<br>&nbsp;&nbsp;&nbsp;&nbsp;with an actual Japanese person!<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who exactly would that be?<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone named Tsuchimikado Motoharu.<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, don't take him to<br>&nbsp;&nbsp;&nbsp;&nbsp;be a standard Japanese person.<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A communications talisman?<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know of the name<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Book of the Law" right?<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grimoire name?<br>&nbsp;&nbsp;&nbsp;&nbsp;Its author, as I recall,<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is Edward Alexander.<br>&nbsp;&nbsp;&nbsp;&nbsp;The original text is said to be<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church's Vatican Library.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it is said<br>&nbsp;&nbsp;&nbsp;&nbsp;that no one can decipher it.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even the List of Prohibited Books,<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has memorized the 103,000 volumes.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if someone who can decipher<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Book of the Law" came forward?<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shh!<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This person is said to be a Roman<br>&nbsp;&nbsp;&nbsp;&nbsp;Orthodox nun, named Orsola Aquinas.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, "The Book of the Law"<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has become an instrument<br>&nbsp;&nbsp;&nbsp;&nbsp;in the power struggle?<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. Not yet, at least.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Book of the Law" and Orsola Aquinas--<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the two of them have reportedly<br>&nbsp;&nbsp;&nbsp;&nbsp;been made off with together.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we discuss the matter<br>&nbsp;&nbsp;&nbsp;&nbsp;in greater detail inside?<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#02 The Book of the Law"<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second term is a busy one.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the Daihasei Festival,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Ichihanaran Festival,<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Arts Appreciation Festival,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Field Trip Festival,<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a festival-apalooza, you know?<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Sphinx, are you okay?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I've got nothing to do!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bored! It's no fun!<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma doesn't ever play with me!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma must have<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma's own reasons.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though he's tied up<br>&nbsp;&nbsp;&nbsp;&nbsp;with school because he wants to be.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maika, how come *you're<br>
&nbsp;&nbsp;&nbsp;&nbsp;*not tied up with school?<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the exception.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fundamentals of a maid's<br>&nbsp;&nbsp;&nbsp;&nbsp;studies are practical, after all.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll become a maid, too!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then maybe I'll go visit Toma's class.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... a maid has a tough road to follow.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too hard for a girl who<br>&nbsp;&nbsp;&nbsp;&nbsp;has zero housekeeping skills.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Then, I'll make Toma a maid!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, maybe I'll have Toma come visit!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd be kind not to say<br>&nbsp;&nbsp;&nbsp;&nbsp;what you just said to Kamijo Toma.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, you're right.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry,<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's no time<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to become a maid,<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nor for you to make him a maid.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Daihasei Festival is coming soon"<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Daihasei Festival--<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a giant field day that all of<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's schools take part in.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its purpose is to observe the<br>&nbsp;&nbsp;&nbsp;&nbsp;large-scale interaction of espers.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is the one day that the<br>&nbsp;&nbsp;&nbsp;&nbsp;full-strength use of abilities is urged."<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma,<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have lost my memories<br>&nbsp;&nbsp;&nbsp;&nbsp;due to certain circumstances...<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and I do not even remember<br>&nbsp;&nbsp;&nbsp;&nbsp;an event as big as this one.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what should we have for dinner?<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-K-Kamijo Toma!<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an emergency!<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The silver-haired Sister<br>&nbsp;&nbsp;&nbsp;&nbsp;has been taken away by someone!<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, kidnapping! Abduction!<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second. What do you mean?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kidnapper gave me<br>&nbsp;&nbsp;&nbsp;&nbsp;this for when you came home.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kamijo Toma...<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...If you value her life,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;come to the site of the abandoned<br>&nbsp;&nbsp;&nbsp;&nbsp;playhouse "Twilight Theater"<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;tonight at 7:00. Come alone."<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, tell me what<br>&nbsp;&nbsp;&nbsp;&nbsp;this dumbass looked like.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... first of all,<br>&nbsp;&nbsp;&nbsp;&nbsp;he was over 180cm tall.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His hair was a deep red, and he<br>&nbsp;&nbsp;&nbsp;&nbsp;had a barcode under his right eye.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had a cigarette in his mouth,<br>&nbsp;&nbsp;&nbsp;&nbsp;and lots of piercings in his ears.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, it's okay, Maika.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This criminal is someone<br>&nbsp;&nbsp;&nbsp;&nbsp;Index and I both know.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The criminal is someone you know?!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is love gone wrong the motive?!<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, no... not the way you mean.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Exit Pass"<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An exit... pass?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe you understand<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation now.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. "The Book of the Law"<br>&nbsp;&nbsp;&nbsp;&nbsp;has been taken away by someone,<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the one who can decipher it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas, has been taken, too.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The culprit appears<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the Amakusa Church.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did they get it out of<br>&nbsp;&nbsp;&nbsp;&nbsp;the drum-tight Vatican Library?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;was moving the Book of the Law<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to a museum in Japan.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is absurd!<br>&nbsp;&nbsp;&nbsp;&nbsp;Something as dangerous as that?!<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, is the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church sounding out<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church for assistance?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. More importantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;something unpleasant has come up.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot reach Kanzaki Kaori.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki was once the<br>&nbsp;&nbsp;&nbsp;&nbsp;head of the Amakusa Church.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she finds out that Amakusa<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is at odds with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church...<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to have this resolved<br>&nbsp;&nbsp;&nbsp;&nbsp;before Kanzaki steps in it.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not care what methods you use.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki is one of not even<br>&nbsp;&nbsp;&nbsp;&nbsp;twenty saints in the whole world.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean,<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you want me to fight Kanzaki?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the situation calls for it.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go contact Academy City for me.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, take this with you.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose you might call it<br>&nbsp;&nbsp;&nbsp;&nbsp;a modest little gift for Orsola.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The List of Prohibited Books...<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to need a specialist, right?<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you dragging Toma into this?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. Why should<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to deal with that guy?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, are we going to<br>&nbsp;&nbsp;&nbsp;&nbsp;the Amakusa's main headquarters?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the situation has changed somewhat.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is this "Twilight Theater"?<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Sister...?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She couldn't be someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who knows Index, could she?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me...<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? What is it?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the right bus to get<br>&nbsp;&nbsp;&nbsp;&nbsp;on if I'm headed to Academy City?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there are no buses<br>&nbsp;&nbsp;&nbsp;&nbsp;going to Academy City.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not just buses.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All modes of transportation<br>&nbsp;&nbsp;&nbsp;&nbsp;from outside have been discontinued.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a gate over there,<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you'll walk over to it...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for taking<br>&nbsp;&nbsp;&nbsp;&nbsp;the trouble to help me out.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said not to get on the bus!<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. So you did.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, walk over there<br>&nbsp;&nbsp;&nbsp;&nbsp;and go in through the gate. Got it?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sorry to have bothered you.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah... Huh?<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! You just smiled at<br>&nbsp;&nbsp;&nbsp;&nbsp;me and pretended to listen, huh?!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like there<br>&nbsp;&nbsp;&nbsp;&nbsp;is something upsetting you.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, it's nothing.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me for saying so,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you are sweating an awful lot.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you! B-By the way,<br>&nbsp;&nbsp;&nbsp;&nbsp;why do you want to go to Academy City?<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, as it happens, I...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...am being pursued.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Pursued?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation is a mess.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our information is<br>&nbsp;&nbsp;&nbsp;&nbsp;becoming snarled, too.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't even know whether or<br>&nbsp;&nbsp;&nbsp;&nbsp;not the Book of the Law is secure.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should introduce myself first.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Agnese Sanctis,<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. So, how is the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa group proceeding?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, we haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;precisely analyzed it ourselves.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of Amakusa's distinctive<br>&nbsp;&nbsp;&nbsp;&nbsp;features is their secrecy.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa doesn't use overt<br>&nbsp;&nbsp;&nbsp;&nbsp;incantations or magical arrays.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of their rituals and processes<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are concealed within<br>&nbsp;&nbsp;&nbsp;&nbsp;normal mannerisms or behaviors,<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so not even a professional<br>&nbsp;&nbsp;&nbsp;&nbsp;magician can tell who they are.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, troublesome bunch.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's Toma!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas?!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big idea?!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you pretend to kidnap her?<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the secret's out?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, we needed your help to<br>&nbsp;&nbsp;&nbsp;&nbsp;find someone who has gone missing.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find someone?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's all right, it's all right.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'll just turn the Sister<br>&nbsp;&nbsp;&nbsp;&nbsp;standing next to you over to us...<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see...<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that Sister there is our<br>&nbsp;&nbsp;&nbsp;&nbsp;missing person, Orsola Aquinas.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right then, good work.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're free to go now.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, what do I get for<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around out in the sun?<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, you did good work, didn't I?<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, do you want me to buy<br>&nbsp;&nbsp;&nbsp;&nbsp;you a shaved ice, or something?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, up to now,<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've tried to get along with you,<br>&nbsp;&nbsp;&nbsp;&nbsp;even knowing we don't hit it off.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right up until this moment!<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, are you<br>&nbsp;&nbsp;&nbsp;&nbsp;asking for more attention?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, I can't soothe<br>&nbsp;&nbsp;&nbsp;&nbsp;your loneliness, nor do I want to.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now turn over Orsola to Agnese at once.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, you said you<br>&nbsp;&nbsp;&nbsp;&nbsp;were being pursued by someone.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Orsola?<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I can't have you<br>&nbsp;&nbsp;&nbsp;&nbsp;handing her over so easily.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas,<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than returning to<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church,<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will live a more meaningful<br>&nbsp;&nbsp;&nbsp;&nbsp;life with us among the Amakusa.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa?!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola!<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't, Toma!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my hand, flame.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its form, a sword. Its purpose...<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I'm too late.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Stiyl, you're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;explain all this from the top, right?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An explanation?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something I wish *I* had.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Theater of the Arts"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Twilight Theater"<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Book of the Law<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a grimoire written in a code<br>&nbsp;&nbsp;&nbsp;&nbsp;that no one in the world can break.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's said that if it ever were deciphered,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one could obtain absolute power.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me...<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is it really all that valuable?<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They even say that if it is ever used,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would mean the end of the world<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ruled by the church of the cross as it is now.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just burn the book?<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grimoires are books that cannot be burned.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all that can be done<br>&nbsp;&nbsp;&nbsp;&nbsp;just to keep them sealed.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um... I'd like to<br>&nbsp;&nbsp;&nbsp;&nbsp;explain what is going on,<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you're ready--<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! No! Stop! Get away!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that goes beyond mere teasing!<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop getting frisky while we're working!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At present, Orsola Aquinas<br>&nbsp;&nbsp;&nbsp;&nbsp;is definitely in Amakusa hands.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is estimated that the number<br>&nbsp;&nbsp;&nbsp;&nbsp;of Amakusa involved in this incident<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is less than fifty.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is also the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that they are now above ground.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't know anything, do we?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going from the traces of<br>&nbsp;&nbsp;&nbsp;&nbsp;magical power left,<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we are tracking<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa's tendencies...<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa is a group that<br>&nbsp;&nbsp;&nbsp;&nbsp;specializes in hiding and fleeing.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will not be easy to catch them.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, there is no way<br>&nbsp;&nbsp;&nbsp;&nbsp;they can break out of our net.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their specialized transfer technique,<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Microcosmic Pilgrimage."<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a process that is limited<br>&nbsp;&nbsp;&nbsp;&nbsp;to use within Japan, though.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put simply, using map magic,<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are forty-seven specialized<br>&nbsp;&nbsp;&nbsp;&nbsp;vortices across Japan,<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they can freely<br>&nbsp;&nbsp;&nbsp;&nbsp;come and go between them.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they send her through<br>&nbsp;&nbsp;&nbsp;&nbsp;a vortex, it's all over.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we just standing around for?!<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because there is no need to hurry.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Microcosmic Pilgrimages are greatly<br>&nbsp;&nbsp;&nbsp;&nbsp;affected by the movement of stars.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can only use their<br>&nbsp;&nbsp;&nbsp;&nbsp;specialized movement at certain times.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The restriction on their<br>&nbsp;&nbsp;&nbsp;&nbsp;use of the transport technique<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be lifted until just after midnight,<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we still have about four<br>&nbsp;&nbsp;&nbsp;&nbsp;and a half hours to work with.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also... Toma, can I borrow<br>&nbsp;&nbsp;&nbsp;&nbsp;your gizmo with the map?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sure...<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is only one vortex<br>&nbsp;&nbsp;&nbsp;&nbsp;they can use within our network.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right here.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then...<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is there anything I can do to help?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after I deliberately told you<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to check and double-check!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, I'm sorry.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like Sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;have their troubles, too.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be Index's tent.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? She's not here.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, where did she go--<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over there?!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa!<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hang on...<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over there, over there...<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's just a slug, isn't it?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-A slug...?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get hold of yourself!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I... was sure that the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa were attacking... and...<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on! Take it easy, Index!<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like you!<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, this isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;what you'd do, right?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You usually just go ahead and...<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Stiyl...<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I'm extremely irritated right now.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got any girls that you like?<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Stiyl?<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have respect<br>&nbsp;&nbsp;&nbsp;&nbsp;for Queen Elizabeth I,<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my taste in women<br>&nbsp;&nbsp;&nbsp;&nbsp;is along the lines of St. Martha.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa Church is that one, right?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one Kanzaki Kaori was in before?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who told you that? Tsuchimikado?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's so, then the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa are friends of Kanzaki's right?<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, you're gonna fight them?<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, I've made up my mind<br>&nbsp;&nbsp;&nbsp;&nbsp;to do anything to protect that girl.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, I will kill<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone. I'll burn them alive.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'll keep burning up their corpse.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swore that a long time ago.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even supposing she<br>&nbsp;&nbsp;&nbsp;&nbsp;has forgotten everything,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't forgotten a single thing.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I will live and die for you."<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to sleep now.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it isn't, which means...<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, hold on, Index...!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, Toma?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Agnese?!<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Papa...<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Papa?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a dream...<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a dream, so no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how much I bite Toma, it's okay...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can work out all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;day's displeasures, and it's okay...!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just a minute, Index.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is without any doubt real life!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Holiness...<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All preparations for the<br>&nbsp;&nbsp;&nbsp;&nbsp;Microcosmic Pilgrimage are complete.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki Kaori,<br>&nbsp;&nbsp;&nbsp;&nbsp;let me show you something--<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the current shape of<br>&nbsp;&nbsp;&nbsp;&nbsp;the multilateral compound<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;integrated church of<br>&nbsp;&nbsp;&nbsp;&nbsp;the cross, the Amakusa Church!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We head to the vortex, together with the Roman Orthodox Church.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After a fierce fight,<br>&nbsp;&nbsp;&nbsp;&nbsp;Tatemiya Saiji reveals a bombshell truth.<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as for Orsola...<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Amakusa Church."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 27 - The Amakusa Church

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We located the main Amakusa<br>&nbsp;&nbsp;&nbsp;&nbsp;force in Parallel Sweets Park.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, we were unable to find<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law, or Orsola.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't think that Orsola has been...<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa's first objective<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to have Orsola tell them how<br>&nbsp;&nbsp;&nbsp;&nbsp;to decipher the Book of the Law.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as they are fixated<br>&nbsp;&nbsp;&nbsp;&nbsp;on the Book of the Law,<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola will conversely be safe.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will act as a decoy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and charge the Amakusa head-on.<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meanwhile, you will<br>&nbsp;&nbsp;&nbsp;&nbsp;search inside the park,<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if you're able to identify<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law or Orsola,<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please take them into custody.<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we destroy the vortex<br>&nbsp;&nbsp;&nbsp;&nbsp;for their special transport method,<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they may be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to get away with Orsola.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot destroy the vortex<br>&nbsp;&nbsp;&nbsp;&nbsp;itself until it opens at 00:00 hours.<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vortex's effective time,<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, our time limit,<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is only five minutes, right?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If 00:05 hours passes,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you haven't found them,<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please get out of there.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After we have neutralized the Amakusa,<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will personally search the park ourselves.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Searching for the Book of the Law,<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola, and destroying the vortex...<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like we'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;on quite a tight schedule.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unforgivable.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The church of the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross's original purpose<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to help others,<br>&nbsp;&nbsp;&nbsp;&nbsp;and that is how it spread.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to turn that around, and use<br>&nbsp;&nbsp;&nbsp;&nbsp;force to do something like this...<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued to smile in discernment*<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Stiyl...<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think we can really finish<br>&nbsp;&nbsp;&nbsp;&nbsp;our whole job in the time we have?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, it will be tight.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth is, there's one piece<br>&nbsp;&nbsp;&nbsp;&nbsp;of information that I did not give<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Roman Orthodox Church.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki Kaori is supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;be in England, but she vanished.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's probably acting out of concern<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for her one-time subordinates--<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, colleagues.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Amakusa is trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to inflict critical damage,<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that saint of theirs<br>&nbsp;&nbsp;&nbsp;&nbsp;may come attacking.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So don't go believing we will<br>&nbsp;&nbsp;&nbsp;&nbsp;successfully finish our whole job.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, Orsola is our top priority?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't make any difference.<br>&nbsp;&nbsp;&nbsp;&nbsp;Without someone to decode it,<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law<br>&nbsp;&nbsp;&nbsp;&nbsp;is of no worldly use.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that works, too.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've decided to barge in, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if you say I can't come, Toma.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's already so few of us as it is,<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to stick together, huh?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, man.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say anything<br>&nbsp;&nbsp;&nbsp;&nbsp;so disgustingly dispiriting<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just before we charge in there!<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The diversion has begun.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma!<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to stay alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;carry that on your person!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Whoa!<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl! Index!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, if we're running away,<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't we usually need<br>&nbsp;&nbsp;&nbsp;&nbsp;to decide on a signal first?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, have I ended<br>&nbsp;&nbsp;&nbsp;&nbsp;up as the decoy again?!<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would Stiyl give me this?<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are Index and Stiyl all right?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where on earth is Orsola?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! You are the one<br>&nbsp;&nbsp;&nbsp;&nbsp;I met at the bus stop.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you someplace<br>&nbsp;&nbsp;&nbsp;&nbsp;as dangerous as this?<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I came<br>&nbsp;&nbsp;&nbsp;&nbsp;to rescue you, of course.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Um, are you really here to<br>&nbsp;&nbsp;&nbsp;&nbsp;rescue a complete stranger like me?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without any regard<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Book of the Law?<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care what happens<br>&nbsp;&nbsp;&nbsp;&nbsp;to that information.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, do I look like<br>&nbsp;&nbsp;&nbsp;&nbsp;the sort of curiosity seeker<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who would come to a place<br>&nbsp;&nbsp;&nbsp;&nbsp;like this for some old book?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... then thank you for your kindness.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be that as it may,<br>
&nbsp;&nbsp;&nbsp;&nbsp;what are *you* doing here?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes...<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took advantage of the confusion<br>&nbsp;&nbsp;&nbsp;&nbsp;and managed to slip out somehow.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you very much.<br>&nbsp;&nbsp;&nbsp;&nbsp;But how did you do that?<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, that's just<br>&nbsp;&nbsp;&nbsp;&nbsp;the sort of ability I have...<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will just complicate things,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll skip the awkward explanation.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She couldn't have gotten far. Find her.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like they're looking for you.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that they can't use<br>&nbsp;&nbsp;&nbsp;&nbsp;their special transport method<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before 12:05, so I guess we<br>&nbsp;&nbsp;&nbsp;&nbsp;can hang out here until time is up.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my...<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could catch<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself a summer cold.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah...<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, are you involved<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Roman Orthodox Church?<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I do have a<br>&nbsp;&nbsp;&nbsp;&nbsp;friend who's English Puritan.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you are saying that<br>&nbsp;&nbsp;&nbsp;&nbsp;you are not Roman Orthodox,<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but are tied to the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritans instead?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I wouldn't say that.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed. A gentleman such<br>&nbsp;&nbsp;&nbsp;&nbsp;as yourself is obviously better off<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not being involved in<br>&nbsp;&nbsp;&nbsp;&nbsp;the church world, like we are.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... I guess I couldn't help<br>&nbsp;&nbsp;&nbsp;&nbsp;but carry something like this, though.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My! Did you get that<br>&nbsp;&nbsp;&nbsp;&nbsp;from your English Puritan friend?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. You can<br>&nbsp;&nbsp;&nbsp;&nbsp;hold onto it, if you'd like.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what it's worth, myself.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about this?<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have just one favor to ask of you!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind personally<br>&nbsp;&nbsp;&nbsp;&nbsp;placing this around my neck?<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I don't mind.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever is the matter?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nothing at all.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, I hear you know<br>&nbsp;&nbsp;&nbsp;&nbsp;how to read the Book of the Law.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not so much how to read it as<br>&nbsp;&nbsp;&nbsp;&nbsp;how to decipher its cryptography--<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, no, no!<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just wondering why you<br>&nbsp;&nbsp;&nbsp;&nbsp;were investigating the Book of the Law.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pretty dangerous book, right?<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is because I wanted power.<br>&nbsp;&nbsp;&nbsp;&nbsp;That much is without a doubt.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the power of a grimoire<br>&nbsp;&nbsp;&nbsp;&nbsp;brings happiness to no one.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing it gives rise<br>&nbsp;&nbsp;&nbsp;&nbsp;to is the conflict concerning it.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, I wanted to investigate<br>&nbsp;&nbsp;&nbsp;&nbsp;the grimoire's workings,<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that I would know how to destroy it.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you... doing...?<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry... and get out of here...!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing,<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan priest?<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Where has your<br>&nbsp;&nbsp;&nbsp;&nbsp;British gentleman's pride gone?<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me, Tatemiya Saiji, see it.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't do. The way you fight,<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't even defend a single girl.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were protecting Index?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make too much out of it.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas is<br>&nbsp;&nbsp;&nbsp;&nbsp;in custody. And, like always,<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's hard to judge whether<br>&nbsp;&nbsp;&nbsp;&nbsp;your luck is a blessing or not.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I've explained<br>&nbsp;&nbsp;&nbsp;&nbsp;to you again and again,<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas, we have no<br>&nbsp;&nbsp;&nbsp;&nbsp;intention of bringing harm to you.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, I am aware that<br>&nbsp;&nbsp;&nbsp;&nbsp;your words were filled with hope.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not believe in<br>&nbsp;&nbsp;&nbsp;&nbsp;a peace that is professed<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while weapons are being brandished.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a shame.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have little choice but to return<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Roman Orthodox Church.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, unarmed, are you?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you take that sword from Uragami?<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean your subordinate,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's lying over there.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The back of her head was<br>&nbsp;&nbsp;&nbsp;&nbsp;protected, so she's not dead.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Merely not being dead isn't enough.<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you mocking me?!<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're the sort of person who<br>&nbsp;&nbsp;&nbsp;&nbsp;is still there fighting for someone,<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then would you put your sword away?<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If possible, I don't want to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to fight someone like you.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish like crazy that I could do that.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our enemy is the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church, but if you have ties to them,<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I cannot turn a blind<br>&nbsp;&nbsp;&nbsp;&nbsp;eye to the English Puritans!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think it will be that easy.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're gonna make me unhappy,<br>&nbsp;&nbsp;&nbsp;&nbsp;looking down at me like that, you know.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we must fight,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no other choice.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today is your last day to live!<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He vanished?!<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic, huh? In that case...<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! You're wrong,<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! It's not magic--<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay back, Index!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Primordial flame, whose meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;is light, give me your sword,<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose gentle warmth protects,<br>&nbsp;&nbsp;&nbsp;&nbsp;and who bestows fierce judgment!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He moved?! Then it is magic!<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it with me here, Stiyl!<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My basic antishock<br>&nbsp;&nbsp;&nbsp;&nbsp;methods are already in place.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I need to be<br>&nbsp;&nbsp;&nbsp;&nbsp;wary of is the flame sword.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now to compose my technique...<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, Toma, are you all right?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not hurt anywhere?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you feel pain anywhere?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not really.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Is it really nothing serious?<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine. I'm fine, I say!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, good.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means...<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I can bite your<br>&nbsp;&nbsp;&nbsp;&nbsp;head as much as I like.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Just who do you think you are, Toma?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wait! Wait! All right!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Going after a genuine magician with a huge sword...<br>&nbsp;&nbsp;&nbsp;&nbsp;--This time, I admit that I, Kamijo Toma,<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Going after a genuine magician with a huge sword...<br>&nbsp;&nbsp;&nbsp;&nbsp;--was wrong on all counts! Ee-yow!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you idiot. You daredevil.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Miss Index...?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quiet, huh?<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to believe that so many<br>&nbsp;&nbsp;&nbsp;&nbsp;people are running wild, isn't it?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to ask, but could you take these off?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't just leave her by herself like this.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you saying?<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, do you know what kind of treatment<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is going to get<br>&nbsp;&nbsp;&nbsp;&nbsp;from them after this is over?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Toma, don't listen to him.<br>&nbsp;&nbsp;&nbsp;&nbsp;This man uses words as weapons.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gonna be killed!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, do not turn her over<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Roman Orthodox Church.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church's<br>&nbsp;&nbsp;&nbsp;&nbsp;true purpose is to kill her, you know.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the ones<br>&nbsp;&nbsp;&nbsp;&nbsp;who carried Orsola off, right?<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention stole the Book of the Law!<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did not steal the Book of the Law.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the power of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Book of the Law is used,<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the age of the church of the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross's rule will end that very day.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;we of the Amakusa church,<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are specialists in remaining hidden,<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would want to obtain<br>&nbsp;&nbsp;&nbsp;&nbsp;such a conspicuous power?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church would.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't think that they,<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the largest sect of<br>&nbsp;&nbsp;&nbsp;&nbsp;the church of the cross,<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would want the church of the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross to come to an end, would you?<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have secretly decided<br>&nbsp;&nbsp;&nbsp;&nbsp;to eliminate Orsola Aquinas.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She also became aware of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;and came to the Amakusa for help.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law being stolen<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is all just an act being put<br>&nbsp;&nbsp;&nbsp;&nbsp;on by the Roman Orthodox Church.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I still don't believe you.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing that everything<br>&nbsp;&nbsp;&nbsp;&nbsp;you told me is true,<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then why did Orsola<br>&nbsp;&nbsp;&nbsp;&nbsp;run away from you?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the same.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right up to the very end,<br>&nbsp;&nbsp;&nbsp;&nbsp;she wasn't able to believe us, either.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said that we would seek the method<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of decoding the Book<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Law as a quid pro quo.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, for what reason<br>&nbsp;&nbsp;&nbsp;&nbsp;would you help Orsola?<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no reason.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was never one to begin with.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no reason?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gazed at the Priestess--<br>
&nbsp;&nbsp;&nbsp;&nbsp;at *her* for a long time now.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is precisely why<br>&nbsp;&nbsp;&nbsp;&nbsp;we haven't strayed from the path,<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't been mistaken in<br>&nbsp;&nbsp;&nbsp;&nbsp;the use of our force,<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have been led in the right direction.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Priestess? You mean Kanzaki?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. However,<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we have destroyed all of her ways.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our deaths--our immaturity<br>&nbsp;&nbsp;&nbsp;&nbsp;grieved the Priestess.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must offer her a return to her place.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why we extended our hand<br>&nbsp;&nbsp;&nbsp;&nbsp;to Orsola Aquinas as she sought help.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or... sola...<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say that<br>&nbsp;&nbsp;&nbsp;&nbsp;you were entrusting her<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Roman Orthodox Church?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not being Roman Orthodox,<br>&nbsp;&nbsp;&nbsp;&nbsp;she put her trust in you, didn't she?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be hasty!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot kill Orsola here and now.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given our situation,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will no longer ask<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whether or not you believe us.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Promise me that you<br>&nbsp;&nbsp;&nbsp;&nbsp;will take Orsola Aquinas<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;back from the Roman Orthodox Church,<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lead her someplace where<br>&nbsp;&nbsp;&nbsp;&nbsp;neither they nor we can reach her.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are here to take charge of<br>&nbsp;&nbsp;&nbsp;&nbsp;the heretic mastermind.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you the enemy of God?<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, just a second.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to see Orsola's face one more time.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, I must decline.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That scream a moment ago--that<br>&nbsp;&nbsp;&nbsp;&nbsp;was Orsola's voice, wasn't it?<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Agnese? She's over there, right?<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sister Lucia!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were told not to have<br>&nbsp;&nbsp;&nbsp;&nbsp;any casual contact with the guests!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep quiet, Sister Angelene!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you heathen, placing your<br>&nbsp;&nbsp;&nbsp;&nbsp;festering hand on my shoulder...<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my shoulder... my shoulder...<br>&nbsp;&nbsp;&nbsp;&nbsp;my shoulder!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing feels worse!<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I say the Amakusa there resisted,<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have him<br>&nbsp;&nbsp;&nbsp;&nbsp;end up killing the rest of you?<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the meantime, once<br>&nbsp;&nbsp;&nbsp;&nbsp;we silence the other Amakusa...<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene...<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come forth, one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the twelve Apostles,<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;publican, smiter of magicians,<br>&nbsp;&nbsp;&nbsp;&nbsp;and humble servant!<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should worry more about yourself!<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Worry that you will be<br>&nbsp;&nbsp;&nbsp;&nbsp;called home without any pain!<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene! Are you...<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! It wasn't me!<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CTRTTOP, AO!<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty sloppy! You don't<br>&nbsp;&nbsp;&nbsp;&nbsp;pay any mind to external matters,<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which makes it easy to take control!<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spell Intercept?!<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The order to retreat?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you see, right?<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how the greatest sect<br>&nbsp;&nbsp;&nbsp;&nbsp;in the church of the cross,<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church,<br>&nbsp;&nbsp;&nbsp;&nbsp;acts behind the scenes!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enemy of God? Magicians' issues?<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are those any reasons to give up?<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what--no matter what,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will help Orsola out.<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Sheol Fear."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 28 - Sheol Fear (Voice of the Magicbane)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come forth, one of the twelve Apostles,<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;publican, smiter of magicians,<br>&nbsp;&nbsp;&nbsp;&nbsp;and humble servant!<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene! Are you...<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! It wasn't me!<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CTRTTOP, AO!<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty sloppy! You don't<br>&nbsp;&nbsp;&nbsp;&nbsp;pay any mind to external matters,<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which makes it easy to take control!<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spell Intercept?!<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The order to retreat?<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you see, right?<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how the greatest sect<br>&nbsp;&nbsp;&nbsp;&nbsp;in the church of the cross,<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church,<br>&nbsp;&nbsp;&nbsp;&nbsp;acts behind the scenes!<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#04 Sheol Fear (Voice of the Magicbane)"<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if everything the man says is true,<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they are unlikely to kill<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas right away.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have their own<br>&nbsp;&nbsp;&nbsp;&nbsp;circumstances to deal with.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Circumstances such as what?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The deciphering<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Book of the Law<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;poses a threat to<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church,<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Orsola Aquinas<br>&nbsp;&nbsp;&nbsp;&nbsp;is not guilty of anything.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thou shalt not kill those<br>&nbsp;&nbsp;&nbsp;&nbsp;who believe the teachings of God."<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, why were the Amakusa trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent Orsola's assassination?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because there is an exception.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thou shalt not kill those<br>&nbsp;&nbsp;&nbsp;&nbsp;who believe the teachings of God."<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they conform to this rule,<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it becomes okay to kill a person<br>&nbsp;&nbsp;&nbsp;&nbsp;who is expelled from the church,<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as someone who does not<br>&nbsp;&nbsp;&nbsp;&nbsp;believe the teachings of God.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, she's going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be labeled as an enemy of God.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power of a grimoire<br>&nbsp;&nbsp;&nbsp;&nbsp;brings happiness to no one.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing it gives rise<br>&nbsp;&nbsp;&nbsp;&nbsp;to is the conflict concerning it.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw that!<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, it's already over.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing more we can do.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?!<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you take a person's life for?!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is nothing more than<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;trying a case that happened<br>&nbsp;&nbsp;&nbsp;&nbsp;among them by their own rules.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you like to start<br>&nbsp;&nbsp;&nbsp;&nbsp;a war in order to save her?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, young man,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't be so depressed.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if the English Puritans have<br>&nbsp;&nbsp;&nbsp;&nbsp;no reason to fight, we have plenty.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just drop on<br>&nbsp;&nbsp;&nbsp;&nbsp;over at those guys' base,<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as long as I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;rescuing my own numbskulls,<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can save Sister Orsola, as well.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you're thinking of going alone.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's my only choice,<br>&nbsp;&nbsp;&nbsp;&nbsp;then that's what I'll do.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that settles that.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's split up and go into hiding, too.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take Index with you back to Academy City.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, there's one<br>&nbsp;&nbsp;&nbsp;&nbsp;thing I wanted to ask you.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That crucifix that I gave you before--<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't appear to have it now, do you?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. I let Orsola<br>&nbsp;&nbsp;&nbsp;&nbsp;hold it, and she still has it.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope it wasn't too expensive.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, its value was<br>&nbsp;&nbsp;&nbsp;&nbsp;in having you carry it.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's okay. After all,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's nothing you need right now.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I supposed to do now?<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't there anything<br>&nbsp;&nbsp;&nbsp;&nbsp;that I could have done, too?<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are all magicians' issues,<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you don't have to<br>&nbsp;&nbsp;&nbsp;&nbsp;impose yourself into them, Toma.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything else up to<br>&nbsp;&nbsp;&nbsp;&nbsp;now has been exceptional.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody can solve every problem<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that happens to occur in<br>&nbsp;&nbsp;&nbsp;&nbsp;front of them by themselves.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right...<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our refrigerator is empty.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go find a convenience store,<br>&nbsp;&nbsp;&nbsp;&nbsp;and buy us something or other.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to the store,<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe we should all go together.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where it is?<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really. If I run around there,<br>&nbsp;&nbsp;&nbsp;&nbsp;I should find it, though.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola's Church?<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Orsola Aquinas was successful<br>&nbsp;&nbsp;&nbsp;&nbsp;in spreading God's teachings<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in three different heathen lands,<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she received special permission<br>&nbsp;&nbsp;&nbsp;&nbsp;to build a church bearing her name.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's around here someplace.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh. You know you<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't make this difficult for us.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, we don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have time for your fun and games.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand that, and take<br>&nbsp;&nbsp;&nbsp;&nbsp;your punishment without any trouble--<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you listening to me?!<br>&nbsp;&nbsp;&nbsp;&nbsp;I said, are you listening to me?! Hey!<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must say, you don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;many friends you can rely on, do you?<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, seeking the<br>&nbsp;&nbsp;&nbsp;&nbsp;cooperation of the Amakusa<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just as soon as you met with them!<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa, the English Puritans--<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's presumptuous for them to<br>&nbsp;&nbsp;&nbsp;&nbsp;even claim to be the church of the cross.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what you get for<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to turn over your precious life<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the likes of them.<br>&nbsp;&nbsp;&nbsp;&nbsp;After just a little conciliation,<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they were easily taken in, and good<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to bring us our quarry.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taken... in...?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...<br>&nbsp;&nbsp;&nbsp;&nbsp;that you deceived... the others...?<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it is not that... they worked<br>&nbsp;&nbsp;&nbsp;&nbsp;with you... You tricked them?<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter either way, does it?!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you personally deliver<br>&nbsp;&nbsp;&nbsp;&nbsp;the one you're supposed to protect<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into the hands of the enemy,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're beyond any hope!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a fact?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you smiling about?!<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? Right now, I...<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...am smiling, aren't I?<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have more or less learned my lesson...<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...about what the true nature<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church is.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They act as a result<br>&nbsp;&nbsp;&nbsp;&nbsp;of what they believe.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By believing a person,<br>&nbsp;&nbsp;&nbsp;&nbsp;believing a thought, believing a feeling,<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they will come flocking<br>&nbsp;&nbsp;&nbsp;&nbsp;to you anywhere you go.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By contrast, all we can do<br>&nbsp;&nbsp;&nbsp;&nbsp;is act based on what we doubt.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what an ugly thing that is.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to die so badly,<br>&nbsp;&nbsp;&nbsp;&nbsp;then please, do whatever you like!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can go ahead and die,<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thoroughly blaming the<br>&nbsp;&nbsp;&nbsp;&nbsp;fools who put you through this!<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just...<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what should I blame them for?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They never... had any<br>&nbsp;&nbsp;&nbsp;&nbsp;reason to fight in the first place.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so, they came rushing<br>&nbsp;&nbsp;&nbsp;&nbsp;to help me, a complete stranger.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, can there be any<br>&nbsp;&nbsp;&nbsp;&nbsp;more alluring a gift than this,<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anywhere in the entire world?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what reason am<br>&nbsp;&nbsp;&nbsp;&nbsp;I to blame the people...<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...who gave me...<br>&nbsp;&nbsp;&nbsp;&nbsp;such a magnificent gift as this?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me our<br>&nbsp;&nbsp;&nbsp;&nbsp;barrier has been breached!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! What organization is it?<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, how could a mere<br>&nbsp;&nbsp;&nbsp;&nbsp;amateur do that... or so I wondered.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you possess something<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with an absolute power<br>&nbsp;&nbsp;&nbsp;&nbsp;against our barrier, is that it?<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so I know, tell me,<br>&nbsp;&nbsp;&nbsp;&nbsp;are you planning to hoodwink me anymore?<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hoodwink? How so? After seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;what is going on, can you not tell?<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, it would seem that<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritans have run away,<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what exactly is it that you want?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come now, this is your last chance.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must know what it is<br>&nbsp;&nbsp;&nbsp;&nbsp;that you ought to be doing, right?<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is indeed my last chance.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that quite well.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why, you...!<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?!<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I ought to be doing, you say?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach you to mess with me!<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to save her, of course!<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a fascinating one.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much do you think you alone can do,<br>&nbsp;&nbsp;&nbsp;&nbsp;under these circumstances?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you go ahead and show us?!<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you wouldn't start without me.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The English Puritans!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible! This is a matter for<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church alone!<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you see that you are<br>&nbsp;&nbsp;&nbsp;&nbsp;interfering in our internal affairs?!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Unfortunately,<br>&nbsp;&nbsp;&nbsp;&nbsp;that does not apply here.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at Orsola Aquinas' chest.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is an English Puritan<br>&nbsp;&nbsp;&nbsp;&nbsp;crucifix hanging there, right?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The act itself of having it<br>&nbsp;&nbsp;&nbsp;&nbsp;placed there by someone means<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the acceptance of English Puritan<br>&nbsp;&nbsp;&nbsp;&nbsp;protection. In other words,<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas<br>&nbsp;&nbsp;&nbsp;&nbsp;is not Roman Orthodox,<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but a member of the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan Church now.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So then...<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think that<br>&nbsp;&nbsp;&nbsp;&nbsp;sophistry is going to work here?!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't. However, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox are going to submit her<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to your own exclusive inquisition...<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then the English Puritan Church<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot stand by and say nothing.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, how dare you<br>&nbsp;&nbsp;&nbsp;&nbsp;turn your blades against her.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think I am<br>&nbsp;&nbsp;&nbsp;&nbsp;such a sweet, kindhearted man<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I would just look on and do nothing?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what if just one of<br>&nbsp;&nbsp;&nbsp;&nbsp;you has now become two?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;it's just the two of them.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to bother asking<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what my reason for<br>&nbsp;&nbsp;&nbsp;&nbsp;having to fight is, do you?<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tatemiya...<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here I thought I had discussed<br>&nbsp;&nbsp;&nbsp;&nbsp;this with the English Puritans,<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and arranged to settle this before<br>&nbsp;&nbsp;&nbsp;&nbsp;you could make your move...<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an even bigger fool than I imagined.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, who can dislike<br>&nbsp;&nbsp;&nbsp;&nbsp;a fool that's fun to watch?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know...<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I would take care of this, Toma,<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you didn't have to concern yourself.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index...<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, now that it's come<br>&nbsp;&nbsp;&nbsp;&nbsp;to this, I guess there's no choice.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, let's save Orsola Aquinas,<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and do it together.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill them!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola, are you all right?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. This is no problem whatsoever.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I needed a reason to fight,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got one right here,<br>&nbsp;&nbsp;&nbsp;&nbsp;plain as day, don't I?<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nya-ha! Is this a lofty<br>&nbsp;&nbsp;&nbsp;&nbsp;elevation of appreciation,<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;inspiration, and exhilaration,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kanzaki?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado...<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, thank goodness--finding<br>&nbsp;&nbsp;&nbsp;&nbsp;out that my one-time pals<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't kidnap Orsola to<br>&nbsp;&nbsp;&nbsp;&nbsp;use the Book of the Law<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for their own personal interests, am I right?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you finished?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than likely, you were<br>&nbsp;&nbsp;&nbsp;&nbsp;contriving to use this opportunity<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to snatch the original Book of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Law text out from under them.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You pretty much know<br>&nbsp;&nbsp;&nbsp;&nbsp;all the particulars, right?<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa did not<br>&nbsp;&nbsp;&nbsp;&nbsp;steal the Book of the Law.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a false charge fabricated by<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, there was never<br>&nbsp;&nbsp;&nbsp;&nbsp;any need to bring the Book of the Law<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way here to Japan.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Book of the Law<br>&nbsp;&nbsp;&nbsp;&nbsp;brought into Japan is a fake,<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while the original text is, even<br>&nbsp;&nbsp;&nbsp;&nbsp;now, deep in the Vatican Library.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, are you satisfied now?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. As long as he's here,<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the Amakusa will follow<br>&nbsp;&nbsp;&nbsp;&nbsp;the right path, even without me.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go showing me such<br>&nbsp;&nbsp;&nbsp;&nbsp;a no-account sight as that!<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get too close to<br>&nbsp;&nbsp;&nbsp;&nbsp;her so indiscreetly right now.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we get too close, we'll be taking<br>&nbsp;&nbsp;&nbsp;&nbsp;her strength away from her.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What was that?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a song which<br>&nbsp;&nbsp;&nbsp;&nbsp;uses all the knowledge<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the 103,000 volumes,<br>&nbsp;&nbsp;&nbsp;&nbsp;and thoroughly denounces<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the contradictions in<br>&nbsp;&nbsp;&nbsp;&nbsp;those doctrines-- "Sheol Fear."<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For people who act on and<br>&nbsp;&nbsp;&nbsp;&nbsp;follow doctrines as their own OS,<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is indeed fair to call<br>&nbsp;&nbsp;&nbsp;&nbsp;it their "natural enemy."<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Upon hearing it,<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;their personalities collapse<br>&nbsp;&nbsp;&nbsp;&nbsp;like a puzzle, albeit temporarily.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grimoires are not<br>&nbsp;&nbsp;&nbsp;&nbsp;simply things to be read.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even without any magical power,<br>&nbsp;&nbsp;&nbsp;&nbsp;she has mastered the grimoires.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt there is<br>&nbsp;&nbsp;&nbsp;&nbsp;any better person than her<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to serve as the grimoires' librarian.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, if she had<br>&nbsp;&nbsp;&nbsp;&nbsp;that kind of trick up her sleeve,<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why didn't she use it to begin with?<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This attack...<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...works on what's<br>&nbsp;&nbsp;&nbsp;&nbsp;called the "group mind,"<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and breaks down the mental barriers.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, the purity of<br>&nbsp;&nbsp;&nbsp;&nbsp;that group mind is an issue.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we were fighting you guys,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma and I were in the way,<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the purity was diminished,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it would have performed poorly.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we'd run into that, it would<br>&nbsp;&nbsp;&nbsp;&nbsp;have been no laughing matter.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This could be bad.<br>&nbsp;&nbsp;&nbsp;&nbsp;--What do we do?<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Can we run away?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Y-Y-Yes!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop making such a fuss!<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes you look like fools!<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially you, Sister Angelene!<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But Sister Agnese,<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it has been more than ten minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;since the fighting started.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even counting Orsola, there<br>&nbsp;&nbsp;&nbsp;&nbsp;is such a great difference in numbers.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not normal.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You see?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which side caused<br>&nbsp;&nbsp;&nbsp;&nbsp;that explosion just now?<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a chance that they<br>&nbsp;&nbsp;&nbsp;&nbsp;have started taking the offensive!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-We should act, too!<br>&nbsp;&nbsp;&nbsp;&nbsp;They can use all the help they can get!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I release<br>&nbsp;&nbsp;&nbsp;&nbsp;you from my bodyguard detail.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and join the battle lines.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right! There is no<br>&nbsp;&nbsp;&nbsp;&nbsp;way we will let them get away!<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't get away.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way they can escape.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such is the way this filthy,<br>&nbsp;&nbsp;&nbsp;&nbsp;cursed world has been put together.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focus on attack!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about defense!<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do the honorable thing, as we<br>&nbsp;&nbsp;&nbsp;&nbsp;annihilate the enemies of the Lord!<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some kind of magical attack?<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-They wouldn't...<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to avoid the Sheol Fear...?<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The final battle has begun.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are boxed in by the<br>&nbsp;&nbsp;&nbsp;&nbsp;continuous stream of attacks.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any way for us to prevail?<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Lotus Wand."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 29 - Lotus Wand

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd gone to save Orsola,<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who had been captured by the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church, by myself...<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or so I thought I had, but Stiyl?<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tatemiya?<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even Index?!<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I guess that means that none of us<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;meant to allow this incident to<br>&nbsp;&nbsp;&nbsp;&nbsp;end with such a lousy outcome, huh?<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued to smile in discernment*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focus on attack!<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#05 Lotus Wand"<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about defense!<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do the honorable thing, as we annihilate the enemies of the Lord!<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-They wouldn't...<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to avoid the Sheol Fear...?<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there no end to them?<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the moment,<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like we're all safe.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you walk, Orsola?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the worrying type, aren't you?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have not been injured that severely.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What do we do?<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I don't think my Sheol Fear<br>&nbsp;&nbsp;&nbsp;&nbsp;will have any effect on them<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with their ears punctured like that.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I can only use Spell Intercept<br>&nbsp;&nbsp;&nbsp;&nbsp;against one person at a time.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My men seem to be holding their own,<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when people start<br>&nbsp;&nbsp;&nbsp;&nbsp;launching suicide attacks like this,<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing scares me more.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If...<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had the Book of the Law here,<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be able to find us a way out of this.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, just by declaring<br>&nbsp;&nbsp;&nbsp;&nbsp;that the seal had been broken<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the Book of the Law's angel techniques,<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we could use it to negotiate.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the Book of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Law supposedly being stolen<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was a ruse on<br>&nbsp;&nbsp;&nbsp;&nbsp;their part to ensnare us.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, even having the text<br>&nbsp;&nbsp;&nbsp;&nbsp;here in Japan at all would be strange.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, it is!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, it is!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that not even you<br>&nbsp;&nbsp;&nbsp;&nbsp;can decipher the Book of the Law.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning you had to at least<br>&nbsp;&nbsp;&nbsp;&nbsp;view it, in order to have read it.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if so, it would be odd if<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law's original text<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were not stored intact somewhere<br>&nbsp;&nbsp;&nbsp;&nbsp;within your memory, right?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. It's in there, left alone,<br>&nbsp;&nbsp;&nbsp;&nbsp;without me deciphering its code--<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! If you do that,<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she will remember the<br>&nbsp;&nbsp;&nbsp;&nbsp;content of the Book of the Law!<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happens, she'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;stuck with even more magicians<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;coming after her than there already are!<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you worried about me?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma!<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to become stronger!<br>&nbsp;&nbsp;&nbsp;&nbsp;If this incident carries over<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she gets done in,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll burn you, body and soul,<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until there aren't even any ashes left!<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, tell me, what does<br>&nbsp;&nbsp;&nbsp;&nbsp;the decryption process<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Book of the Law involve?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right...<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I will now tell you.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will not actually make any<br>&nbsp;&nbsp;&nbsp;&nbsp;use of the Book of the Law's power.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just have to indicate our<br>&nbsp;&nbsp;&nbsp;&nbsp;willingness to use it at any time.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is based upon Temurah,<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, letter substitution,<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there is an irregular rule<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is deeply connected<br>&nbsp;&nbsp;&nbsp;&nbsp;to the number of lines.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, the twenty-two Hebrew letters<br>&nbsp;&nbsp;&nbsp;&nbsp;are placed into two lines.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;taking note of the line number above them...<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I pretty much get all of it now.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, what is it that you have "gotten"?<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not the correct way to decipher it.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a dummy solution,<br>&nbsp;&nbsp;&nbsp;&nbsp;set up as a trap.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The frightening thing<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Book of the Law<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that there are more than<br>&nbsp;&nbsp;&nbsp;&nbsp;100 methods of decoding it.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, for every method,<br>&nbsp;&nbsp;&nbsp;&nbsp;it forms different sentences,<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;each of which are also dummies.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that nobody can<br>&nbsp;&nbsp;&nbsp;&nbsp;read the Book of the Law--<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is a grimoire that everyone can read,<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but everyone is induced<br>&nbsp;&nbsp;&nbsp;&nbsp;into deciphering incorrectly.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on how you think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you might have just been saved.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, if we tell them now that we<br>&nbsp;&nbsp;&nbsp;&nbsp;really don't know how to decode it,<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you think they'll let us off the hook?<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably not, huh?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that they've seen this much<br>&nbsp;&nbsp;&nbsp;&nbsp;of the darkness, they can't back down.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be a back door somewhere!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how I look at it,<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt that while taking<br>&nbsp;&nbsp;&nbsp;&nbsp;on that great a number,<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could move freely about the premises.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come up with<br>&nbsp;&nbsp;&nbsp;&nbsp;a bit of strategy, you see.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strategy? Ah, I see.<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's what this is.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... so after you came<br>&nbsp;&nbsp;&nbsp;&nbsp;strutting in here like the hero,<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're now using your friends<br>&nbsp;&nbsp;&nbsp;&nbsp;as decoys to get this far, are you?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas said something<br>&nbsp;&nbsp;&nbsp;&nbsp;about you acting based on trust,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not because of any deception.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is absolutely laughable, isn't it?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here the reason you're still breathing<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because you tricked<br>&nbsp;&nbsp;&nbsp;&nbsp;someone into being your decoy.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do trust them. If possible,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be glad if they would trust me--<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I can settle my problems myself.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think that by<br>&nbsp;&nbsp;&nbsp;&nbsp;eliminating me, the commander,<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can stop all the attacks?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, all right. I was just<br>&nbsp;&nbsp;&nbsp;&nbsp;starting to grow bored myself.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll just occupy myself<br>&nbsp;&nbsp;&nbsp;&nbsp;by shattering your fantasy!<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All things in harmony.<br>&nbsp;&nbsp;&nbsp;&nbsp;Fifth of the Five Elements,<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;symbolizing peace and order...<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...deploy this crosier!<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Icon one, in accordance with the laws<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Son of God and the cross,<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;join that which is at odds<br>&nbsp;&nbsp;&nbsp;&nbsp;with he who is at odds!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A coordinate attack?<br>&nbsp;&nbsp;&nbsp;&nbsp;Teleportation?<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That staff...!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you finally figured it out.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you do harm to this, it in<br>&nbsp;&nbsp;&nbsp;&nbsp;turn does harm to something else.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kind of like this!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just where are<br>&nbsp;&nbsp;&nbsp;&nbsp;those attacks coming from?<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think you can evade<br>&nbsp;&nbsp;&nbsp;&nbsp;me forever in the same fashion.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I anticipate your move<br>&nbsp;&nbsp;&nbsp;&nbsp;and set up the space to attack from,<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you charge into it all on your own.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unforgivable.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The church of the cross's original purpose<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to help others,<br>&nbsp;&nbsp;&nbsp;&nbsp;and that is how it spread.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to turn that around,<br>&nbsp;&nbsp;&nbsp;&nbsp;and use force to do something like this...<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're "using force to do something<br>&nbsp;&nbsp;&nbsp;&nbsp;like this" to bash away at me.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you take offense at being beaten?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bishop's crosier<br>&nbsp;&nbsp;&nbsp;&nbsp;is an alteration of the mace,<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once used to smash<br>&nbsp;&nbsp;&nbsp;&nbsp;through an enemy's armor.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is wrong with using something<br>&nbsp;&nbsp;&nbsp;&nbsp;for beating to beat something with?<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Modern western magic<br>&nbsp;&nbsp;&nbsp;&nbsp;has had a dimension<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of church-of-the-cross trickery<br>&nbsp;&nbsp;&nbsp;&nbsp;about it from the start.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that anyone besides us<br>&nbsp;&nbsp;&nbsp;&nbsp;uses it is what is unusual.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, dogma outside of Roman Orthodoxy<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is no dogma at all!<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, you're in my way!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No more whining,<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just die in our assembly<br>&nbsp;&nbsp;&nbsp;&nbsp;line already, if you please!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the attack<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting for!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going back...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to that place... once again?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not about to go back!<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not about to go back!<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this to you<br>&nbsp;&nbsp;&nbsp;&nbsp;while you're trying so hard,<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks like it's all over.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gone quiet outside.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like your plan was<br>&nbsp;&nbsp;&nbsp;&nbsp;to defeat me and make some deal<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while they were holding<br>&nbsp;&nbsp;&nbsp;&nbsp;their own outside as decoys,<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but all too easily, the fantasy<br>&nbsp;&nbsp;&nbsp;&nbsp;appears to have come to an end.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly right.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your fantasy is over,<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese Sanctis!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used 4300 cards for this.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We may not be much in<br>&nbsp;&nbsp;&nbsp;&nbsp;the way of numbers, but still...<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Amakusa are not<br>&nbsp;&nbsp;&nbsp;&nbsp;a bunch to be trifled with.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, by using the<br>&nbsp;&nbsp;&nbsp;&nbsp;placement of the rune cards,<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to construct an even greater figure,<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thereby turning the entire church<br>&nbsp;&nbsp;&nbsp;&nbsp;itself into a giant magic array...<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...they employed everything around<br>&nbsp;&nbsp;&nbsp;&nbsp;us to form multicomponent magic arrays.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a sneaky trick<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't have come up with.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, we had a strategy.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;running around to act as decoys;<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they were just placing<br>&nbsp;&nbsp;&nbsp;&nbsp;these cards around the premises.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph! We still have<br>&nbsp;&nbsp;&nbsp;&nbsp;you beaten in sheer numbers.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we all come crushing down<br>&nbsp;&nbsp;&nbsp;&nbsp;on you at once...<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you all waiting for?! Go at once!<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-They're wavering...<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though if we push<br>&nbsp;&nbsp;&nbsp;&nbsp;en masse, we can beat them.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They act as a result<br>&nbsp;&nbsp;&nbsp;&nbsp;of what they believe.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should be good, shouldn't it?<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I supposed to do?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What method?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What timing?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What weapon?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do I choose?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over, Agnese.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must realize it yourself by now.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your illusion of self-confidence<br>&nbsp;&nbsp;&nbsp;&nbsp;died a long time ago.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Wake up! Toma!<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you awake?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had planned on leaving directly, but...<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A note card?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It was nothing, really.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, I have the chance<br>&nbsp;&nbsp;&nbsp;&nbsp;to speak to you directly.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no need for this note.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call it an after-action report--<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to keep you<br>&nbsp;&nbsp;&nbsp;&nbsp;updated on Orsola Aquinas.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I have left<br>&nbsp;&nbsp;&nbsp;&nbsp;you alone, instead?<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm listening! Please!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas,<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as the Amakusa,<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have arranged to become<br>&nbsp;&nbsp;&nbsp;&nbsp;affiliated with the English Puritans.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Avoiding Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;retaliation and assassination<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;appears to have<br>&nbsp;&nbsp;&nbsp;&nbsp;played a large role in this.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that Orsola being<br>&nbsp;&nbsp;&nbsp;&nbsp;in danger remains unchanged?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. The English Puritan<br>&nbsp;&nbsp;&nbsp;&nbsp;Church disclosed<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the false decryption<br>&nbsp;&nbsp;&nbsp;&nbsp;method that Orsola possessed.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They figure that if her<br>&nbsp;&nbsp;&nbsp;&nbsp;erroneous interpretation is known,<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;any concerns about her regarding<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law will disappear.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? But you said the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa were affiliating themselves<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the English Puritans, too, right?<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It seems there<br>&nbsp;&nbsp;&nbsp;&nbsp;was a segment of them<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that had been hoping<br>&nbsp;&nbsp;&nbsp;&nbsp;for this development.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after I gave them a strict<br>&nbsp;&nbsp;&nbsp;&nbsp;order not to follow after me, too.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. You're a member<br>&nbsp;&nbsp;&nbsp;&nbsp;of the English Puritans too, huh?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all the...<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So um, I mean...<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize, for all of this!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? For what?<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, how um... that is,<br>&nbsp;&nbsp;&nbsp;&nbsp;for my own personal reasons,<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I put you to all sorts of trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;over all of this, you could say...<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, Kami!<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to see you!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought you some deluxe<br>&nbsp;&nbsp;&nbsp;&nbsp;convenience store pudding<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;topped with melon to snack on!<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's up, missy?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like the time has finally<br>&nbsp;&nbsp;&nbsp;&nbsp;come for you to apologize to Kami.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And doing it all clichéd<br>&nbsp;&nbsp;&nbsp;&nbsp;and royal at that, like,<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I will pay you back for all<br>&nbsp;&nbsp;&nbsp;&nbsp;the trouble I caused you," or,<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"please, ask anything<br>&nbsp;&nbsp;&nbsp;&nbsp;you want of me," I'll bet,<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with you offering suggestions!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, it's like<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Grateful Yet Horny Crane."<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It is not!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, missy, you were<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna strip down eventually, right?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I was not! And what<br>&nbsp;&nbsp;&nbsp;&nbsp;do you mean, "eventually"?!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Then,<br>&nbsp;&nbsp;&nbsp;&nbsp;you were gonna apologize<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by wearing whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;he wanted you to?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you the service-minded one!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up and get out of here!<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;Third wheel getting out of the way.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you calling a third wheel?!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I know I must have this straight, but...<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you paying me back, or owing me,<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything as ridiculous as that<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is only something that<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado is joking about, right?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I ask you, what else<br>&nbsp;&nbsp;&nbsp;&nbsp;would you have me do?<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am always placing such an<br>&nbsp;&nbsp;&nbsp;&nbsp;unbearable weight upon your shoulders.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this time,<br>&nbsp;&nbsp;&nbsp;&nbsp;the matter was ours, to boot.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are way past the point<br>&nbsp;&nbsp;&nbsp;&nbsp;where I can just bow down<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have you forgive me.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... There's really nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about, is there?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gotten through our<br>&nbsp;&nbsp;&nbsp;&nbsp;problems safely for the time being.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Our"?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Me and the Amakusa. Ah, and the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritans, too, I guess.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention Orsola, Index, Stiyl...<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...as well as yourself.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As of now, that's who "we" are, right?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as the English and the Romans,<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;things must be pretty tangled up for you,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for an amateur like me,<br>&nbsp;&nbsp;&nbsp;&nbsp;honestly, I can't tell them apart.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not really as<br>&nbsp;&nbsp;&nbsp;&nbsp;though I've taken the side<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the English Puritans,<br>&nbsp;&nbsp;&nbsp;&nbsp;which Index is a part of.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, I'm just taking<br>&nbsp;&nbsp;&nbsp;&nbsp;the side of the English Puritans<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because* Index is a part of them.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's likely that if Agnese came<br>&nbsp;&nbsp;&nbsp;&nbsp;asking for my help, I'd go help her.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may have been on the<br>&nbsp;&nbsp;&nbsp;&nbsp;wrong side of things this time,<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's no rule anywhere<br>
&nbsp;&nbsp;&nbsp;&nbsp;saying that she has to *stay*<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the wrong side, you know.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;intends to settle this up<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a case of a rogue militant<br>&nbsp;&nbsp;&nbsp;&nbsp;faction led by Agnese Sanctis.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;itself wishes to explain themselves<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by saying that they never<br>&nbsp;&nbsp;&nbsp;&nbsp;meant to assassinate Orsola.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They still have to answer for<br>&nbsp;&nbsp;&nbsp;&nbsp;not keeping a tight rein on their men,<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if they want bygones to be bygones.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking back,<br>&nbsp;&nbsp;&nbsp;&nbsp;you seemed to be fully aware<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodoxy's true intentions.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, why didn't you tell<br>&nbsp;&nbsp;&nbsp;&nbsp;me to save Orsola from the start?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so complicated.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not fully.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knew that Orsola's<br>&nbsp;&nbsp;&nbsp;&nbsp;decryption method was incorrect?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for my part,<br>&nbsp;&nbsp;&nbsp;&nbsp;it worked out either way.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's suppose, Stiyl...<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that if we had failed to<br>&nbsp;&nbsp;&nbsp;&nbsp;rescue Orsola in this instance,<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;in fact, have changed?<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she had been taken back<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Roman Orthodox Church,<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her subsequent execution<br>&nbsp;&nbsp;&nbsp;&nbsp;would be waiting for her regardless.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, the Book of the Law<br>&nbsp;&nbsp;&nbsp;&nbsp;would never have been deciphered.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Archbishop,<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you personally request<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the crucifix got to Orsola?<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say what you will,<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you fully meant to save<br>&nbsp;&nbsp;&nbsp;&nbsp;her from the start, did you not?<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I did not! The only<br>&nbsp;&nbsp;&nbsp;&nbsp;reason I ever butted in<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was in the interest of<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that interest would be...?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki Kaori.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Becausae Kanzaki<br>&nbsp;&nbsp;&nbsp;&nbsp;possesses tremendous power,<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a well-developed sense of justice,<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;is likely to act on her own.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She ventured awfully close<br>&nbsp;&nbsp;&nbsp;&nbsp;to peril in this instance.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've received the<br>&nbsp;&nbsp;&nbsp;&nbsp;reports on what happened<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to those fools in<br>&nbsp;&nbsp;&nbsp;&nbsp;the knight's order, right?<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henceforth, we're going to require<br>&nbsp;&nbsp;&nbsp;&nbsp;some new leg-irons for her.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not some negative leg-irons, like,<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We will do harm unless<br>&nbsp;&nbsp;&nbsp;&nbsp;you do as you are told,"<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but more like "do as you are told,<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we will protect the Amakusa<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Roman Orthodox Church."<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? There is no finer interest, is there?<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, that little vixen...<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A stolen travel case lies hidden in the darkness of Academy City.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Shirai Kuroko comes<br>&nbsp;&nbsp;&nbsp;&nbsp;into contact with a part of it,<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she learns a terrifying truth.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Remnant."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 30 - Remnant (Wreckage)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, the weather<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for tomorrow, September 14th.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things look clear across<br>&nbsp;&nbsp;&nbsp;&nbsp;the country tomorrow,<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but expect increasing rain on<br>&nbsp;&nbsp;&nbsp;&nbsp;and off in the evening and overnight.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Toma! Toma!<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Clouds will accompany a front<br>&nbsp;&nbsp;&nbsp;&nbsp;approaching from the Sea of Japan,<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh? What is it?<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like growth rings<br>&nbsp;&nbsp;&nbsp;&nbsp;have been drawn on this map,<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but how does that show<br>&nbsp;&nbsp;&nbsp;&nbsp;what tomorrow's weather will be?<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, those are isobaric lines.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess they look at the peaks<br>&nbsp;&nbsp;&nbsp;&nbsp;and valleys of pressure to determine it.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Do you mean, Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;is now using artificial means<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make feng shui readings come true?<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, time for a taste test.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's right off the stove,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it will be hot. Be careful--<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!!<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No fair! No fair, Toma! You always<br>&nbsp;&nbsp;&nbsp;&nbsp;get mad when I snitch food early!<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I take my eyes off of you,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll eat everything there!<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? But Toma...<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather girl sometimes<br>&nbsp;&nbsp;&nbsp;&nbsp;says the wrong things.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is being scatterbrained<br>&nbsp;&nbsp;&nbsp;&nbsp;a selling point?<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just means that weather<br>&nbsp;&nbsp;&nbsp;&nbsp;forecasts aren't perfect.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though they were perfect<br>&nbsp;&nbsp;&nbsp;&nbsp;until a little while ago...<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Shuttle 258.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now retrieving the Remnant.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#06 Remnant (Wreckage)"<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, I can't put up with this, you know?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if the Daihasei<br>
&nbsp;&nbsp;&nbsp;&nbsp;Festival *is* coming up,<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can't have the whole school<br>&nbsp;&nbsp;&nbsp;&nbsp;doing gym all the time like this.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else can they do?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At last year's Daihasei Festival,<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai Middle School<br>&nbsp;&nbsp;&nbsp;&nbsp;took a humiliating 2nd place.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are eager to ensure<br>&nbsp;&nbsp;&nbsp;&nbsp;that this is our year.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Sissy,<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you have any<br>&nbsp;&nbsp;&nbsp;&nbsp;plans after school today?<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, just that once in a while,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to go shopping with you,<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or get something<br>&nbsp;&nbsp;&nbsp;&nbsp;sweet to eat with you.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We seem to be passing<br>&nbsp;&nbsp;&nbsp;&nbsp;each other by a lot lately.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am busy with<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment, and Sissy,<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have your accessories that<br>&nbsp;&nbsp;&nbsp;&nbsp;you are always looking for all over.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I have been<br>&nbsp;&nbsp;&nbsp;&nbsp;a bit lonesome recently.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How commendable!<br>&nbsp;&nbsp;&nbsp;&nbsp;Today I am laying on the admirableness!<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, while she will deny it, in fact,<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy is debating whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not to welcome me<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into her wide-open,<br>&nbsp;&nbsp;&nbsp;&nbsp;protective arms to snuggle me!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something sweet?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep stuffing your face with<br>&nbsp;&nbsp;&nbsp;&nbsp;sweets after your Judgment work,<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you never end up<br>&nbsp;&nbsp;&nbsp;&nbsp;feeling hungry, do you--<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!!<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"US Space Shuttle<br>&nbsp;&nbsp;&nbsp;&nbsp;successfully launches"<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy? There have<br>&nbsp;&nbsp;&nbsp;&nbsp;been a lot lately, huh?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I recall, France, Russia,<br>&nbsp;&nbsp;&nbsp;&nbsp;and last week, Spain, also launched.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, is something the matter?<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be<br>&nbsp;&nbsp;&nbsp;&nbsp;upset about something.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Of course I am!<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did a buck-naked<br>&nbsp;&nbsp;&nbsp;&nbsp;drop-kick on me out of nowhere,<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;exposing me to the most<br>&nbsp;&nbsp;&nbsp;&nbsp;absurd sight, right before my eyes!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So hurry up and<br>&nbsp;&nbsp;&nbsp;&nbsp;finish doing your shopping!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pretty embarrassing hanging<br>&nbsp;&nbsp;&nbsp;&nbsp;around with you, given your tastes.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you should take this<br>&nbsp;&nbsp;&nbsp;&nbsp;chance to find something to wear<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;worthy of Tokiwadai's Ace!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this...<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or this...<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or something like this...<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bra pad?! Sissy, I never knew<br>&nbsp;&nbsp;&nbsp;&nbsp;you were interested in these!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not tell me you have a<br>&nbsp;&nbsp;&nbsp;&nbsp;boyfriend in mind.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's not that!<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, of course not. Sissy, you would<br>&nbsp;&nbsp;&nbsp;&nbsp;not get carried away with a boy--<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;the last day of summer vacation...<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that would be the<br>&nbsp;&nbsp;&nbsp;&nbsp;last thing you would do...<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Sissy--?<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What sort of fumbling reaction is this?!<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy could not be--could not<br>&nbsp;&nbsp;&nbsp;&nbsp;really be with that troglodyte!<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's not like that!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not interested!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, when you wear them,<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you eventually get found<br>&nbsp;&nbsp;&nbsp;&nbsp;out when you take them off.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy... you already have future<br>&nbsp;&nbsp;&nbsp;&nbsp;plans that far ahead in mind...!<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not like that! I meant gym!<br>&nbsp;&nbsp;&nbsp;&nbsp;When changing for gym class!<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, your cell is ringing.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, this is not the time!<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Uiharu?<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A robbery?<br>&nbsp;&nbsp;&nbsp;&nbsp;Let Antiskill take care of it...<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 23? The one dealing<br>&nbsp;&nbsp;&nbsp;&nbsp;with aerospace development?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry, Sissy.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after you were kind<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to come with me, too...<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, it's okay.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But just be sure to<br>&nbsp;&nbsp;&nbsp;&nbsp;come back early tonight.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather might turn<br>&nbsp;&nbsp;&nbsp;&nbsp;bad come evening, after all.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... okay...<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Miss Shirai!<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it just you, Uiharu?<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else just went out.<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'll put on some tea.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I will pass right now.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! I just wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to feel a little ladylike.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would like to<br>&nbsp;&nbsp;&nbsp;&nbsp;practice feminine etiquette,<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can show you some other time.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, give me<br>&nbsp;&nbsp;&nbsp;&nbsp;an overview of this case.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not a cell; it is a radio.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The victims seem<br>&nbsp;&nbsp;&nbsp;&nbsp;fairly suspect, as well.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, there's this...<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 23's emblem.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've isolated the model number.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This travel case is specially<br>&nbsp;&nbsp;&nbsp;&nbsp;made to be highly airtight,<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as to counter all<br>&nbsp;&nbsp;&nbsp;&nbsp;kinds of cosmic radiation.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do not suppose they<br>&nbsp;&nbsp;&nbsp;&nbsp;were taking it into space, do you?<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or instead,<br>&nbsp;&nbsp;&nbsp;&nbsp;they were bringing it back.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, the quickest way to find<br>&nbsp;&nbsp;&nbsp;&nbsp;out seems to be to secure the robbers.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was their escape route?<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They abandoned the<br>&nbsp;&nbsp;&nbsp;&nbsp;car and went underground.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a traffic jam<br>&nbsp;&nbsp;&nbsp;&nbsp;due to some signal trouble.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This doesn't happen too often, either.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, it works to our favor.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, you run<br>&nbsp;&nbsp;&nbsp;&nbsp;down the men who ran away.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai!<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg your pardon.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A teleporter!<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment! Do I have to<br>&nbsp;&nbsp;&nbsp;&nbsp;explain to you why I am here?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A low-tech handgun...<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they outsiders?<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Uiharu?<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Kuroko...<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need a little favor<br>&nbsp;&nbsp;&nbsp;&nbsp;from you. Where are you?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well...<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're still at work?<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry, I didn't mean to bother you.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. So what is the favor?<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm, I heard from<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the underclassmen<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there's going to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a surprise room inspection.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping you could<br>&nbsp;&nbsp;&nbsp;&nbsp;hide some of my personal things.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you are still out, too?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try asking someone else.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should get back soon, too.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is it's supposed to rain starting<br>&nbsp;&nbsp;&nbsp;&nbsp;tonight and all day tomorrow. Bye!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sissy!<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not allow Sissy to turn<br>&nbsp;&nbsp;&nbsp;&nbsp;to anyone other than me for a favor!<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This calls for me to teleport<br>&nbsp;&nbsp;&nbsp;&nbsp;right back to the student dorms--<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A teleporter?<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, you figured that out already?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to the same type of<br>&nbsp;&nbsp;&nbsp;&nbsp;esper to understand so quickly.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My power is Move Point.<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike you, who can't do so,<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not need to touch<br>&nbsp;&nbsp;&nbsp;&nbsp;the objects with my hands.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Don't you think that's amazing,<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment Branch 177's<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai Kuroko?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take more than that!<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will take more than that!<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to put my hands<br>&nbsp;&nbsp;&nbsp;&nbsp;on the objects.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too bad.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she is backed into a corner,<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did not think her to be<br>&nbsp;&nbsp;&nbsp;&nbsp;someone to drag an underclassman<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into one of her personal affairs--<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto, that is.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you bring up Sissy's name just now?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you bring<br>&nbsp;&nbsp;&nbsp;&nbsp;up Sissy's name just now?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you didn't know?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, it doesn't seem like she<br>&nbsp;&nbsp;&nbsp;&nbsp;would use you without you knowing.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Railgun of Tokiwadai<br>&nbsp;&nbsp;&nbsp;&nbsp;is quite noble-minded, and all.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't think it was awfully convenient<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that my people were<br>&nbsp;&nbsp;&nbsp;&nbsp;caught up in that traffic jam?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't tell me that you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't know what kind of esper<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Tokiwadai's Ace is,<br>&nbsp;&nbsp;&nbsp;&nbsp;now can you?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going on about?<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Remnant--though you wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;know what that means, huh?<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is "silicorundum" too much for you, too?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. You'd understand if I said the<br>&nbsp;&nbsp;&nbsp;&nbsp;wreckage of Tree Diagram, right?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The supercomputer that's said<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the brains of Academy City?<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And though derelict,<br>&nbsp;&nbsp;&nbsp;&nbsp;its computational core<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;still has tremendous<br>&nbsp;&nbsp;&nbsp;&nbsp;potential remaining within it.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ridiculous.<br>&nbsp;&nbsp;&nbsp;&nbsp;It is still in its satellite orbit.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an attachment to the<br>&nbsp;&nbsp;&nbsp;&nbsp;report about it being shot down.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite rare, you know.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram was<br>&nbsp;&nbsp;&nbsp;&nbsp;destroyed quite some time ago.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why the whole world<br>&nbsp;&nbsp;&nbsp;&nbsp;wants its wreckage--the Remnant.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be rough for Misaka Mikoto.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to someone destroying<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram for her,<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her nightmare would have been over.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it can be restored,<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiments will be held again.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can understand why she<br>&nbsp;&nbsp;&nbsp;&nbsp;would be trying to resist that.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Experiments?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still don't get it?<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are out of the loop, huh?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;August 21st.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've managed to make it this far,<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you and I might have become friends.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Splash!<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...goes Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;jumping into the bathtub!<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, splashy splashy splashy,<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;kicks her feet with<br>&nbsp;&nbsp;&nbsp;&nbsp;a sense of freedom!<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know,<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because you're small,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't go indulging yourself<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by acting like this cramped<br>&nbsp;&nbsp;&nbsp;&nbsp;bathroom is spacious--<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Must be inconvenient,<br>&nbsp;&nbsp;&nbsp;&nbsp;not being able to use your Reflection,"<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka with a look of pity.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Also, what's the deal with an<br>&nbsp;&nbsp;&nbsp;&nbsp;esper brought to tears by shampoo,"<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wonders Misaka Misaka in shock!<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These aren't tears!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I could use your network<br>&nbsp;&nbsp;&nbsp;&nbsp;to calculate my Reflection, I'd--<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yomikawa! Why do I have to<br>&nbsp;&nbsp;&nbsp;&nbsp;take care of this dirty little brat?!<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice is there?<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, that Kikyo! Dumping<br>&nbsp;&nbsp;&nbsp;&nbsp;her problems on me yet again...<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, these kids don't seem to<br>
&nbsp;&nbsp;&nbsp;&nbsp;require *that* much care, though.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yomikawa!!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've determined the name of<br>&nbsp;&nbsp;&nbsp;&nbsp;the esper you fought, Miss Shirai.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musujime Awaki. She's a 2nd-Year from<br>&nbsp;&nbsp;&nbsp;&nbsp;Kirigaoka Girls' School, and a Level 4.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her ability is called Move Point,<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as you reported, she is able<br>&nbsp;&nbsp;&nbsp;&nbsp;to relocate objects at a distance--<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or in other words, spatial<br>&nbsp;&nbsp;&nbsp;&nbsp;replacement from coordinate A to B.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you... find anything else out?<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she flunked blocking<br>&nbsp;&nbsp;&nbsp;&nbsp;other espers of the same type.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, she seems to have second<br>&nbsp;&nbsp;&nbsp;&nbsp;thoughts about teleporting herself.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Presumably because she was<br>&nbsp;&nbsp;&nbsp;&nbsp;badly injured doing so two years ago.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And another thing,<br>&nbsp;&nbsp;&nbsp;&nbsp;though this is unconfirmed--<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is supposed to be one of the "Guides."<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guides?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the building without doors or windows.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Academy City Governing<br>&nbsp;&nbsp;&nbsp;&nbsp;Board Director's home office?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is just an urban legend--<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai? Are you all right?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind, just keep going.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. According to Antiskill's intel,<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the black-suited men<br>&nbsp;&nbsp;&nbsp;&nbsp;who were attacked are secure.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for their identity,<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it says they are couriers who<br>&nbsp;&nbsp;&nbsp;&nbsp;were hired by School District 23.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A psychometrist read their memories,<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they knew nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;about what was inside the case.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So in short, while School District 23<br>&nbsp;&nbsp;&nbsp;&nbsp;was delivering the contents<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of that travel case to<br>&nbsp;&nbsp;&nbsp;&nbsp;some other research facility,<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they had it stolen from<br>&nbsp;&nbsp;&nbsp;&nbsp;them by Musujime's group.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remnant... Tree Diagram...<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be rough for Misaka Mikoto.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her nightmare would have been over.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But just be sure to come back early tonight.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather might turn<br>&nbsp;&nbsp;&nbsp;&nbsp;bad come evening, after all.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, why don't you let<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill take over this case already?<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, it seems like<br>&nbsp;&nbsp;&nbsp;&nbsp;it's more than we can handle.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Sissy?<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in the bathroom? If you're home,<br>&nbsp;&nbsp;&nbsp;&nbsp;at least turn the room light on.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just conserving energy.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a girl who is kind to the earth.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... But Academy City is<br>&nbsp;&nbsp;&nbsp;&nbsp;mainly powered by wind energy,<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and CO2 isn't even a factor, is it?<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sissy, you tease.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking of using it as a pretext to<br>&nbsp;&nbsp;&nbsp;&nbsp;invite you into some lowered mood lighting.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big idea?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, where have you been?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I guess you could say<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been out collecting accessories<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I haven't been<br>&nbsp;&nbsp;&nbsp;&nbsp;able to buy up to now.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just can't seem to find them.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just came back to<br>&nbsp;&nbsp;&nbsp;&nbsp;get something I'd forgotten.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be heading out for a bit again.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you do not get rained on.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot rely on the<br>&nbsp;&nbsp;&nbsp;&nbsp;weather forecasts these days.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Thanks for worrying about me.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try to be home<br>&nbsp;&nbsp;&nbsp;&nbsp;again as soon as I can.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;August 21st...<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That evening, an unexplained<br>&nbsp;&nbsp;&nbsp;&nbsp;windstorm swept through,<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a rail switchyard in<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 17 was devastated,<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the next day...<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu...<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musujime's group is mixed up with an<br>&nbsp;&nbsp;&nbsp;&nbsp;organization outside of Academy City.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you run a simulation<br>&nbsp;&nbsp;&nbsp;&nbsp;of the escape route?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sorry, Sissy.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bear a distress deeper<br>&nbsp;&nbsp;&nbsp;&nbsp;than the rest of us can only imagine.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are trying to keep us<br>&nbsp;&nbsp;&nbsp;&nbsp;from becoming involved in it.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why I will<br>&nbsp;&nbsp;&nbsp;&nbsp;apologize now, upfront...<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...for putting a stop to the<br>&nbsp;&nbsp;&nbsp;&nbsp;nightmare that Musujime mentioned<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by sticking my nose into your<br>&nbsp;&nbsp;&nbsp;&nbsp;business in my own humble way!<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on out of there, you coward!<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long do you plan to sneak around?!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in quite the<br>&nbsp;&nbsp;&nbsp;&nbsp;hurry today, aren't you?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that afraid of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Remnant being reintegrated?<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is it that the experiments<br>&nbsp;&nbsp;&nbsp;&nbsp;will be restarted, I wonder.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You be quiet!<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, you could just leave them alone.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were created for<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiments to begin with.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not let them be destroyed,<br>&nbsp;&nbsp;&nbsp;&nbsp;like they were meant to be?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really mean that?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, you're fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;for your sake, aren't you?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your regrets,<br>&nbsp;&nbsp;&nbsp;&nbsp;your misery, and your anger...<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All for your own petty self-satisfaction.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right...<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *am* aggravated.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So aggravated that I could<br>&nbsp;&nbsp;&nbsp;&nbsp;burst the veins in my head.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That idiot...!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she really think<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't notice?<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just hearing her voice<br>&nbsp;&nbsp;&nbsp;&nbsp;through the door was so...<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...was so terrible...<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I am aggravated.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At my over-perfect,<br>&nbsp;&nbsp;&nbsp;&nbsp;ridiculous underclassman,<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the scum sitting in front of me,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and more than anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who created this situation--<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which would be me!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so bighearted,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's sickeningly sweet.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had complained that you were the<br>&nbsp;&nbsp;&nbsp;&nbsp;victim, we wouldn't have to fight now.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, I cannot allow<br>&nbsp;&nbsp;&nbsp;&nbsp;myself to be caught right now.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am going to make my way out<br>&nbsp;&nbsp;&nbsp;&nbsp;of here, no matter what I have to do.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think you can get away?<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already know everything<br>&nbsp;&nbsp;&nbsp;&nbsp;you've got up your sleeve!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your shield is too flimsy!<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A question for you--<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many ordinary people<br>&nbsp;&nbsp;&nbsp;&nbsp;who have nothing to do with this<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are mixed up in here?<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like it is now my turn.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, here you go, Shirai Kuroko.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Into the very heart of the battlefield,<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make sure you make it back.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If this is true, then I must hurry,"<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, tipping<br>&nbsp;&nbsp;&nbsp;&nbsp;up her own set of priorities.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is already past curfew,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I cannot just remain here,"<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, invoking her<br>&nbsp;&nbsp;&nbsp;&nbsp;emergency excuse on herself.<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Even at this very moment,<br>&nbsp;&nbsp;&nbsp;&nbsp;matters are rapidly going downhill,"<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka...<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai Kuroko and Musujime Awaki--<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a battle between teleporters has begun.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Sisters also set<br>&nbsp;&nbsp;&nbsp;&nbsp;out after the Remnant.<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And also, *her*...<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Move Point."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 31 - Move Point (Coordinate Relocation)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as tranquility had supposedly<br>&nbsp;&nbsp;&nbsp;&nbsp;returned to Misaka Mikoto's life,<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;darkness once again looms over her.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mysterious organization operates in secret<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;concerning the wreckage of Tree Diagram.<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Level 4 esper, Musujime Awaki,<br>&nbsp;&nbsp;&nbsp;&nbsp;uses the technique Move Point.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as for Shirai Kuroko,<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has caught a glimpse of<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka as she continues to<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wage her lone secret battle...<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#07 Move Point (Coordinate Relocation)"<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't any civilians<br>&nbsp;&nbsp;&nbsp;&nbsp;in here, are there?<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you might<br>&nbsp;&nbsp;&nbsp;&nbsp;have underestimated me,<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;assuming I wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;teleport myself, huh?<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do it anytime, if I want to.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I really want to,<br>&nbsp;&nbsp;&nbsp;&nbsp;the trauma isn't...<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do they not call it "trauma" because<br>&nbsp;&nbsp;&nbsp;&nbsp;it is not so easy to overcome?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two years ago, you teleported<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself, and were seriously injured.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You probably miscalculated<br>&nbsp;&nbsp;&nbsp;&nbsp;your coordinates,<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ran into a wall<br>&nbsp;&nbsp;&nbsp;&nbsp;or something, did you not?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, what a poor show.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no need to panic.<br>&nbsp;&nbsp;&nbsp;&nbsp;I avoided anything vital.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, all I have done is<br>&nbsp;&nbsp;&nbsp;&nbsp;pay you back for where you got me.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here is some styptic gel.<br>&nbsp;&nbsp;&nbsp;&nbsp;It works quite well.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, please, go ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;and crawl around on the floor<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while you treat your injuries.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do that, and we will finally be even.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are quite concerned about<br>&nbsp;&nbsp;&nbsp;&nbsp;your Tokiwadai Ace, aren't you?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But is she really worth<br>&nbsp;&nbsp;&nbsp;&nbsp;doing all this to protect?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The selfish, sentimental, fantasy<br>&nbsp;&nbsp;&nbsp;&nbsp;world that only Railgun dreams of?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well of course I want to protect it.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However selfish she may be,<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy desires something--<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the circumstances where<br>&nbsp;&nbsp;&nbsp;&nbsp;you and I do not have to do this.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she wanted to, with a single coin,<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she could blow everything to little pieces.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, Sissy is someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who can say with a serious face,<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;amid any amount of despair,<br>&nbsp;&nbsp;&nbsp;&nbsp;that she does not wish us to fight.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that I am going<br>&nbsp;&nbsp;&nbsp;&nbsp;to give the boot to such a wish?!<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am now going to have you<br>&nbsp;&nbsp;&nbsp;&nbsp;return her to her day-to-day life.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as somebody somewhere wishes,<br>&nbsp;&nbsp;&nbsp;&nbsp;and to which I am sympathetic.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what if I trample on those wishes?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I would win, huh?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't fall for the same trick twice!<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't teleport!<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter? In so much<br>&nbsp;&nbsp;&nbsp;&nbsp;pain that you couldn't teleport?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, have you heard this story?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once upon a time, in some place,<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a powerful esper and organization.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The organization thought that<br>&nbsp;&nbsp;&nbsp;&nbsp;by increasing their number of espers,<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could obtain a great deal of power,<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they manufactured many clones.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, they ended up with a real mess.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The poor little sheep that they got<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were colossal failures,<br>&nbsp;&nbsp;&nbsp;&nbsp;not even 1% as adequate as the Original.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Okay then,<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will organize all the<br>&nbsp;&nbsp;&nbsp;&nbsp;information we have so far,"<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka 10032 over the Network<br>&nbsp;&nbsp;&nbsp;&nbsp;to an unspecified number of units.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Currently, the only Remnant that<br>&nbsp;&nbsp;&nbsp;&nbsp;can possibly re-establish Tree Diagram<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is somewhere in Academy City.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name of the organization<br>&nbsp;&nbsp;&nbsp;&nbsp;that is after it is the Science Society.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no question about that, right?"<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;confirms Misaka 10032 once again.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There is no question," affirms Misaka 10044.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"However, 10032,<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you, of all the units out there,<br>&nbsp;&nbsp;&nbsp;&nbsp;suffered especially severe damage,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so shouldn't you concentrate on healing?"<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 10744, expressing apprehension.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It doesn't matter,"<br>&nbsp;&nbsp;&nbsp;&nbsp;replies Misaka 10032 immediately.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The reintegration of Tree Diagram<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is something that<br>&nbsp;&nbsp;&nbsp;&nbsp;absolutely must be stopped,"<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 10032,<br>&nbsp;&nbsp;&nbsp;&nbsp;remembering the faces of that boy and girl,<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;renewing her determination.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Acknowledged.<br>&nbsp;&nbsp;&nbsp;&nbsp;We will leave it to you,"<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 14458, nodding her head.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If you would be so kind,"<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 19002 in support.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka asks you as well,"<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka by way of request.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, Misaka wants to do something, too!<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sitting around doing nothing is<br>&nbsp;&nbsp;&nbsp;&nbsp;not something Misaka Misaka can--<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pipe down. What are<br>&nbsp;&nbsp;&nbsp;&nbsp;you babbling about over there?<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Nothing at all," says Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, hands over her mouth.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Miss Shirai,<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;despite having a perfect copy<br>&nbsp;&nbsp;&nbsp;&nbsp;of the genetics of the Original,<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as the undergoing<br>&nbsp;&nbsp;&nbsp;&nbsp;the exact same ability development,<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how is it that the clones can't<br>&nbsp;&nbsp;&nbsp;&nbsp;reach the same level as the Original?<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be...<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that there is something else<br>&nbsp;&nbsp;&nbsp;&nbsp;involved besides brain composition?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once that gets identified,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you think that non-humans<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be able to master abilities, as well?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something with a brain comparable<br>&nbsp;&nbsp;&nbsp;&nbsp;to or even superior to people?<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They could be a lot closer than you'd expect.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot mean machines<br>&nbsp;&nbsp;&nbsp;&nbsp;that possess abilities!<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A machine is just a machine.<br>&nbsp;&nbsp;&nbsp;&nbsp;However, they can make predictions.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there were a machine that<br>&nbsp;&nbsp;&nbsp;&nbsp;could perfectly simulate any phenomenon...<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could ask it about any possibility.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether or not there are things<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that could use abilities<br>&nbsp;&nbsp;&nbsp;&nbsp;in place of humans.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, dolphins<br>&nbsp;&nbsp;&nbsp;&nbsp;are called humans of the sea,<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ant societies have<br>&nbsp;&nbsp;&nbsp;&nbsp;strict rules of order and discipline.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Esper abilities cannot just<br>&nbsp;&nbsp;&nbsp;&nbsp;be the privilege of mankind.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if so, why don't any<br>&nbsp;&nbsp;&nbsp;&nbsp;non-humans have them?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That... is what I want to know.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to that end, I...<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will build a new Tree Diagram<br>&nbsp;&nbsp;&nbsp;&nbsp;from this Remnant!<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow!<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you suddenly do<br>&nbsp;&nbsp;&nbsp;&nbsp;that for no reason?! Come on! Let go!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean... I'm sorry.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please let go, Miss Index!<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so mean, Toma!<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I took the trouble to think<br>&nbsp;&nbsp;&nbsp;&nbsp;up a neat tongue-twister for you!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look, how does "Toma takes<br>&nbsp;&nbsp;&nbsp;&nbsp;in tofu too far away, the tomfool,"<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not make fun of me,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how you look at it?!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, I didn't mean that.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka...?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I have a favor to ask..."<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka looking<br>&nbsp;&nbsp;&nbsp;&nbsp;directly at your face,<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while pouring out her heart.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please come save Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;and Misaka's sisters' lives.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't allow it.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not those experiments.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't let them start them up<br>&nbsp;&nbsp;&nbsp;&nbsp;again, no matter what.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Antiskill Case Response Record"<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Property damage to an Area F restaurant,<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in what appears to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a skirmish between espers."<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That idiot!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking for you, Zapper.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Been looking for me? Why?<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you doing this again?<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Zapper.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why you collaborated<br>&nbsp;&nbsp;&nbsp;&nbsp;with an outside organization?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I do possess<br>&nbsp;&nbsp;&nbsp;&nbsp;this valuable Remnant,<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't restore the thing by myself.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I needed an outfit<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with technical skill, intelligence,<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as a purpose.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, tell me, how did it feel?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you first obtained *your* ability?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I was afraid.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Possessing this kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;power was scarier than anything.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it didn't have to be a person--<br>&nbsp;&nbsp;&nbsp;&nbsp;If it didn't have to be me,<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then why is it that<br>&nbsp;&nbsp;&nbsp;&nbsp;I have this kind of power?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones I am with<br>&nbsp;&nbsp;&nbsp;&nbsp;also bear the same concerns.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all curse their own abilities,<br>&nbsp;&nbsp;&nbsp;&nbsp;and have been seeking answers.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why they're working with me,<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and were even willing to shield me.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's happened to you, too, right?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used your ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;and ended up hurting someone?<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what it's like.<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a lot like me.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about it, Miss Shirai?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'd like to learn the truth together,<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I would be glad to invite you in.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must decline.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think that you could<br>&nbsp;&nbsp;&nbsp;&nbsp;win over me, Shirai Kuroko,<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with your own self-fascinated prose?<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess villains really<br>&nbsp;&nbsp;&nbsp;&nbsp;are full of empty talk after all.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you get it? We espers may<br>&nbsp;&nbsp;&nbsp;&nbsp;have avoided becoming monsters!<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--These dangerous abilities are--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ridiculous!<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abilities are just abilities,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how far they are carried.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How the power is<br>&nbsp;&nbsp;&nbsp;&nbsp;used depends on the person.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a fool if you have not<br>&nbsp;&nbsp;&nbsp;&nbsp;realized something so obvious!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are afraid of power?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want it because it hurts others?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, do not make me laugh.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether or not you have power,<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it does not change the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;you are someone who hurts others!<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns out that your way of<br>&nbsp;&nbsp;&nbsp;&nbsp;talking is nothing more<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than a sneaky evasion of<br>&nbsp;&nbsp;&nbsp;&nbsp;your openly condescending attitude,<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in which you think you are special,<br>&nbsp;&nbsp;&nbsp;&nbsp;and those around you are average!<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And right now, I am going<br>&nbsp;&nbsp;&nbsp;&nbsp;to take that cankered nature...<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and beat it out of you!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, stay back...!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you make me crack like that.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it weren't for you...<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still could have been somebody!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Move Point can move<br>&nbsp;&nbsp;&nbsp;&nbsp;a maximum of 4520 kilograms.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hit this place,<br>&nbsp;&nbsp;&nbsp;&nbsp;even from far away.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, to say nothing of<br>&nbsp;&nbsp;&nbsp;&nbsp;this building, will be destroyed!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, did you still need that case?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna destroy you!<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're the<br>&nbsp;&nbsp;&nbsp;&nbsp;one who destroyed me.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to get you back in full for that!<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;4520... kilograms...<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That light!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must not come up here, Sissy!<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just who... are you...?<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is A001 calling M000.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Status report to follow code confirmation...<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got some nerve, swindling a kid,<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then watching from a safe distance!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do now?<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gotta say...<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...here I am, going to more<br>&nbsp;&nbsp;&nbsp;&nbsp;than a bit of trouble to get out...<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and what do I find but<br>&nbsp;&nbsp;&nbsp;&nbsp;some foolhardy third-string?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator? The one not<br>&nbsp;&nbsp;&nbsp;&nbsp;even Railgun could deal with?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greatest Level 5<br>&nbsp;&nbsp;&nbsp;&nbsp;in all of Academy City?<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's too much!<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I can<br>&nbsp;&nbsp;&nbsp;&nbsp;go up against someone like--<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you lost your power on August 31st!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... You don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;the ability to calculate anymore!<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You no longer have the power you once did!<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel bad for you.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you actually<br>&nbsp;&nbsp;&nbsp;&nbsp;mean what you're saying,<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I feel so bad for<br>&nbsp;&nbsp;&nbsp;&nbsp;you I could just hug you.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true enough that on that day,<br>&nbsp;&nbsp;&nbsp;&nbsp;I suffered some brain damage.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nowadays, I outsource my calculating.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, while I may have become weaker,<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't necessarily mean<br>&nbsp;&nbsp;&nbsp;&nbsp;you've gotten any stronger, does it?<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry,<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the way ahead goes only "One-Way!"<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now tearfully tuck tail like a good girl,<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and go on back to wherever<br>&nbsp;&nbsp;&nbsp;&nbsp;you came from in disgrace!<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then,<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's true, in the shape I'm in,<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may have to step down<br>&nbsp;&nbsp;&nbsp;&nbsp;as Academy City's top dog.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so...<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've decided to keep acting<br>&nbsp;&nbsp;&nbsp;&nbsp;the top dog in front of that kid.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, look, Toma! I finally mastered<br>&nbsp;&nbsp;&nbsp;&nbsp;the method of buying drinks!<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's the matter, Toma?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me what *isn't* the matter!<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to pay my respects to Shirai...<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was nothing I could do,<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I went to visit Misaka's sister, when...<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just my luck.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did the Remnant turn out to be?<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heroically walked<br>&nbsp;&nbsp;&nbsp;&nbsp;out with that naked girl,<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but after that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you didn't yield anything, right?<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The girl behind it all<br>&nbsp;&nbsp;&nbsp;&nbsp;had been beaten up by someone,<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the contents of<br>&nbsp;&nbsp;&nbsp;&nbsp;the case were strewn all over.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, there's no telling<br>&nbsp;&nbsp;&nbsp;&nbsp;who might have gotten to her.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So as it turns out,<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yomikawa says she was off<br>&nbsp;&nbsp;&nbsp;&nbsp;smashing up the "Science Society."<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Word is that they also<br>&nbsp;&nbsp;&nbsp;&nbsp;had contact with Amai Ao,"<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka Misaka.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey, why are you blowing<br>&nbsp;&nbsp;&nbsp;&nbsp;it off like it's nothing?!"<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--asks Misaka Misaka--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Put a sock in it!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me a little gratitude by<br>&nbsp;&nbsp;&nbsp;&nbsp;just sitting there quietly for a bit.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather forecast<br>&nbsp;&nbsp;&nbsp;&nbsp;did not get it right, did it?<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, you're right.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, I found something out.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That place is the world in which you fight.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything that happened<br>&nbsp;&nbsp;&nbsp;&nbsp;was due to my inexperience.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, Sissy, please smile, okay?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will look to that smile to<br>&nbsp;&nbsp;&nbsp;&nbsp;get me back on my feet again.<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks... Kuroko.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival, Academy<br>&nbsp;&nbsp;&nbsp;&nbsp;City's greatest event,<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that all of students get fired up for.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A new magician uses the occasion<br>&nbsp;&nbsp;&nbsp;&nbsp;to sneak in. But what is her aim?<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Daihasei Festival."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 32 - The Daihasei Festival

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In just a few minutes,<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival's<br>&nbsp;&nbsp;&nbsp;&nbsp;opening ceremony will begin.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in Academy City,<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the place is filled with<br>&nbsp;&nbsp;&nbsp;&nbsp;students' families and spectators!<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get your Maid Bento lunches!<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who wants one of Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;famous Maid Bento lunches?<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get your Ryoran Household Arts<br>&nbsp;&nbsp;&nbsp;&nbsp;School's Maid Bento lunches--<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or more precisely,<br>&nbsp;&nbsp;&nbsp;&nbsp;Probationary Maid Lunches here!<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my, Academy City sure<br>&nbsp;&nbsp;&nbsp;&nbsp;does have a lot of schools, doesn't it?<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah. It's a place where<br>&nbsp;&nbsp;&nbsp;&nbsp;educational organizations<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from around the world are all<br>&nbsp;&nbsp;&nbsp;&nbsp;concentrated into one location.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Excuse me!<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I should apologize.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, would you happen to know<br>&nbsp;&nbsp;&nbsp;&nbsp;where Tokiwadai Middle School is?<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, just a moment, please.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai... Tokiwadai...<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps it's not open to the public?<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you sure?<br>&nbsp;&nbsp;&nbsp;&nbsp;Then where could Mikoto be?!<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is this Mikoto your<br>&nbsp;&nbsp;&nbsp;&nbsp;younger sister, or someone?<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my...<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not again, Toya.<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Gah! It really isn't on here! What do I do?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Again, you say, Mom?<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, isn't that Toma over there?<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, okay! If I happen to lose<br>&nbsp;&nbsp;&nbsp;&nbsp;to you, I'll play your penalty game.<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do whatever you tell me to do.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'm in.<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything I say, right? Anything.<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In return, if you lose,<br>&nbsp;&nbsp;&nbsp;&nbsp;you get the penalty game, too.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--? S-So then, you mean,<br>
&nbsp;&nbsp;&nbsp;&nbsp;a-anything *you* say...?<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, given the way you were<br>&nbsp;&nbsp;&nbsp;&nbsp;shooting your mouth off just now,<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that really all the<br>&nbsp;&nbsp;&nbsp;&nbsp;confidence you've got?<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine. Let's do this, why don't we?<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't come crying to me later!<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my...<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like Mikoto is doing well.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival opening<br>&nbsp;&nbsp;&nbsp;&nbsp;ceremony is about to start, right?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would think a word of greeting<br>&nbsp;&nbsp;&nbsp;&nbsp;would be necessary, would it not?<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that I go<br>&nbsp;&nbsp;&nbsp;&nbsp;out in public looking like I do?<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let us proceed<br>&nbsp;&nbsp;&nbsp;&nbsp;with our discussion unabated.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Concerning the magician who<br>&nbsp;&nbsp;&nbsp;&nbsp;has made her way inside Academy City?<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Through security measures<br>&nbsp;&nbsp;&nbsp;&nbsp;that have become lax.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two of them that<br>&nbsp;&nbsp;&nbsp;&nbsp;we have identified as of right now.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An officer of the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church, and a courier in her employ.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their objective is said to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a transaction for a certain item.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A certain item?<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up you go...<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sword?<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a replica,<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's the "Stab Sword."<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is even claimed to be the sword that<br>&nbsp;&nbsp;&nbsp;&nbsp;pierced a dragon, binding it to the ground.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were to end up in the wrong hands,<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could find itself quickly<br>&nbsp;&nbsp;&nbsp;&nbsp;placed in a dire predicament.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you might call it a<br>&nbsp;&nbsp;&nbsp;&nbsp;tactical weapon among your world.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our greatest problem is that<br>&nbsp;&nbsp;&nbsp;&nbsp;the transaction for the Stab Sword<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is being held there<br>&nbsp;&nbsp;&nbsp;&nbsp;within Academy City.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean that that young man<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;must be appointed as a traveling guide.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I might be hungry!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You just barely<br>&nbsp;&nbsp;&nbsp;&nbsp;ate breakfast, didn't you?<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the most indescribable aromas<br>&nbsp;&nbsp;&nbsp;&nbsp;are floating around me everywhere,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it doesn't make any difference!<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Japanese cuisine may be a<br>&nbsp;&nbsp;&nbsp;&nbsp;mass of temptation called appetite!<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, all right, all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you around later on.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later on?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The first event is about to start.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The events that I'm taking<br>&nbsp;&nbsp;&nbsp;&nbsp;part in today are marked in there.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Index.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Toma seems like he's<br>&nbsp;&nbsp;&nbsp;&nbsp;incredibly no-nonsense today.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh... I *so* don't wanna do this.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, what's with all this<br>&nbsp;&nbsp;&nbsp;&nbsp;down-and-out spirit, on the first day?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been arguing over how<br>&nbsp;&nbsp;&nbsp;&nbsp;we're going to beat the other schools,<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and our already limited strength has<br>&nbsp;&nbsp;&nbsp;&nbsp;been reduced to near zero. What of it?<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You put the cart before<br>&nbsp;&nbsp;&nbsp;&nbsp;the horse, you know!<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how competition<br>&nbsp;&nbsp;&nbsp;&nbsp;between students is.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the deal with this lack of energy?!<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me guess, Kamijo!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so inappropriately lazy,<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;now it's spreading to all the others!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just barely got here, myself!<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So in other words, you showed up late,<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sucking out the enthusiasm from the others!<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose, *you* got here later than I did!<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was on steering<br>&nbsp;&nbsp;&nbsp;&nbsp;committee business, you idiot!<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just leave me alone.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo, face-to-face<br>&nbsp;&nbsp;&nbsp;&nbsp;with his unfortunate reality,<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is finding it difficult<br>&nbsp;&nbsp;&nbsp;&nbsp;to rise to his feet.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just a little anemia.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, top yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;off with this sports drink!<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happen to not like folks<br>&nbsp;&nbsp;&nbsp;&nbsp;who use bad luck or misfortune<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as an excuse to cut corners<br>&nbsp;&nbsp;&nbsp;&nbsp;as they live their lives!<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you slack off, the enthusiasm<br>&nbsp;&nbsp;&nbsp;&nbsp;of those around you also dries up!<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So snap to, already, snap to!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That is...<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you got something to say?<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I do not! No!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is no time for<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone to be tower toppling.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really could be hopeless.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to acknowledge<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there are deficiencies<br>&nbsp;&nbsp;&nbsp;&nbsp;in our facilities!<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is in no way a<br>&nbsp;&nbsp;&nbsp;&nbsp;reflection on the students!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because your students<br>&nbsp;&nbsp;&nbsp;&nbsp;are of such poor quality<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you don't receive more money<br>&nbsp;&nbsp;&nbsp;&nbsp;from the governing board, right?<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! It must make work extra hard,<br>&nbsp;&nbsp;&nbsp;&nbsp;being saddled with rejects, huh?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The students are neither<br>&nbsp;&nbsp;&nbsp;&nbsp;successes nor failures!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing they<br>&nbsp;&nbsp;&nbsp;&nbsp;are is their own individuals!<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's quite the dreamlike<br>&nbsp;&nbsp;&nbsp;&nbsp;opinion you have of them,<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I will see your<br>&nbsp;&nbsp;&nbsp;&nbsp;left-behinds crushed to pieces<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the tower topple<br>&nbsp;&nbsp;&nbsp;&nbsp;that is about to start.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No you won't.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are not all left-behinds,<br>&nbsp;&nbsp;&nbsp;&nbsp;after all, are they?<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, guys... I'm gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;ask you one more time...<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really not up for this?!<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first event is the tower topple.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The schools are now taking the field.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's so reckless. There's no<br>&nbsp;&nbsp;&nbsp;&nbsp;way they're going to beat our school.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so hungry...<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;heatstroke or anything, right?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are<br>&nbsp;&nbsp;&nbsp;&nbsp;just hungry, aren't you?<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here,<br>&nbsp;&nbsp;&nbsp;&nbsp;short-hair? Cheering on Toma?<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why would I have<br>&nbsp;&nbsp;&nbsp;&nbsp;to be cheering that guy on?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, we've got a bet as<br>&nbsp;&nbsp;&nbsp;&nbsp;to which team is going to win.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm obviously<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who's going to win...<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What do I do when I win?<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he would<br>&nbsp;&nbsp;&nbsp;&nbsp;do whatever I tell him to...<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! It's Toma!<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on earth is he ready for?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't tell me he<br>&nbsp;&nbsp;&nbsp;&nbsp;seriously means to win this!<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is he planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to demand of me if he wins?!<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready... begin!<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What's going on, everyone,<br>&nbsp;&nbsp;&nbsp;&nbsp;to make you try that hard out there?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you won,<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing you worn ragged<br>&nbsp;&nbsp;&nbsp;&nbsp;like that makes me... makes me...<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Index!<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, what am<br>&nbsp;&nbsp;&nbsp;&nbsp;I going to do with her?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, my cell... is in my bag.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm just here to get my cell phone,<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can meet up with a lost child.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In no way did I mean<br>&nbsp;&nbsp;&nbsp;&nbsp;anything improper by this...<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you are! Toma!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;why are your eyes watering?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is your cell phone?<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's right here!<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't you answer it?!<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The battery's dead.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind that, I'm hungry.<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me something to eat, Toma.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh... If we go to the booth area,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll have tons of food there.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tons of it!<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Notice-- No thoroughfare"<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. The parade<br>&nbsp;&nbsp;&nbsp;&nbsp;through here is starting soon.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, we'd like to cross over to there.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an underground mall<br>&nbsp;&nbsp;&nbsp;&nbsp;about three kilometers<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the west where you can get across.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three kilometers?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can almost reach out and touch it, but...<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... Just tough it out<br>&nbsp;&nbsp;&nbsp;&nbsp;until the giant ball roll is over.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To... ma...<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why are you...<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I caught you!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to ensure my victory!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First place in the scavenger hunt<br>&nbsp;&nbsp;&nbsp;&nbsp;goes to Tokiwadai Middle School<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;contestant Misaka Mikoto!<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scavenger hunt?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep. "A high school student<br>&nbsp;&nbsp;&nbsp;&nbsp;who competed in the first event."<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You happen to fit that bill, right?<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... There are any number of<br>&nbsp;&nbsp;&nbsp;&nbsp;other guys who meet that condition--<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing!<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, geez. Here, drink some of this.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, what the heck, you can have it!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While the rest of us were<br>&nbsp;&nbsp;&nbsp;&nbsp;out toiling under the blazing sun<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I thought about how<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to rest, Miss Shirai,<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just couldn't stand it anymore,<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I wanted you to<br>&nbsp;&nbsp;&nbsp;&nbsp;come give us a hand at work.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for the overly<br>&nbsp;&nbsp;&nbsp;&nbsp;charming sense of friendship.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, have any problems come up?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at the moment.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Securing first prize,<br>&nbsp;&nbsp;&nbsp;&nbsp;contestant Misaka Mikoto<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;maintains her posture<br>&nbsp;&nbsp;&nbsp;&nbsp;even after reaching the goal,<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and shows off how<br>&nbsp;&nbsp;&nbsp;&nbsp;much energy she still has to spare.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Live" "Z Studio"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival Digest"<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy! Ah, my beautiful Sissy!<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sight of her caring for the<br>&nbsp;&nbsp;&nbsp;&nbsp;fellow contributor who ran with her<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was also impressive.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill him!<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Marching band parade now in progress!!"<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been out of my sight for<br>&nbsp;&nbsp;&nbsp;&nbsp;a while now. I hope Index is okay.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's he...<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Security around Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;has been softened these days,<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be more welcoming to<br>&nbsp;&nbsp;&nbsp;&nbsp;general public spectators, right?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some magicians have taken<br>&nbsp;&nbsp;&nbsp;&nbsp;advantage of that fact to sneak in.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At present, we have<br>&nbsp;&nbsp;&nbsp;&nbsp;identified two of them.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia Lorenzetti,<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church,<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the courier she<br>&nbsp;&nbsp;&nbsp;&nbsp;has hired, Oriana Thomson.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Courier?<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are here in the city attempting<br>&nbsp;&nbsp;&nbsp;&nbsp;to conduct a transaction<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for a relic that has been<br>&nbsp;&nbsp;&nbsp;&nbsp;handed down through the church.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they do that here?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is the place that<br>&nbsp;&nbsp;&nbsp;&nbsp;has the least to do with the occult.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the more reason.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where the Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;side and the magic side<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will both have<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble interfering with them.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only one who can act is your<br>&nbsp;&nbsp;&nbsp;&nbsp;acquaintance, who has come to Academy City.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what about Kanzaki?<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a saint or something, as I recall.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki cannot be used. Especially for this.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, the relic being<br>&nbsp;&nbsp;&nbsp;&nbsp;traded is this relic.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What does that mean?<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, this relic's name is the "Stab Sword."<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is, it's something that<br>&nbsp;&nbsp;&nbsp;&nbsp;can spell instant death for any saint.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What for?<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;you're doing, Kamijo Toma?!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know how the<br>&nbsp;&nbsp;&nbsp;&nbsp;"Son of God" who was crucified<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was actually killed, Kami?<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe... he died on the cross.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was speared to death.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Stab Sword is a<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;relic that distills the<br>&nbsp;&nbsp;&nbsp;&nbsp;religious significance of the<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;execution and spearing, and amplifies,<br>&nbsp;&nbsp;&nbsp;&nbsp;condenses, and focuses it to the extreme.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has no effect on a regular person,<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if a saint is involved, it boasts<br>&nbsp;&nbsp;&nbsp;&nbsp;the power to kill them in one strike.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are the magicians planning,<br>&nbsp;&nbsp;&nbsp;&nbsp;dealing for something like that?<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A war, of course. In the world of magic,<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;saints amount to the same<br>&nbsp;&nbsp;&nbsp;&nbsp;thing as tactical weapons.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are still plenty of<br>&nbsp;&nbsp;&nbsp;&nbsp;magicians who aren't saints, right?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get the feeling that you<br>&nbsp;&nbsp;&nbsp;&nbsp;could fight even without Kanzaki.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what the problem is.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not about whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not one can actually win,<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's when the illusion is provided<br>&nbsp;&nbsp;&nbsp;&nbsp;that one might be able to win<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that wars tend to break out.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, if the problem is that serious,<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't we be enlisting<br>&nbsp;&nbsp;&nbsp;&nbsp;Index's cooperation?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No can do. We can't use the<br>&nbsp;&nbsp;&nbsp;&nbsp;List of Prohibited Books for this one.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't let her get<br>&nbsp;&nbsp;&nbsp;&nbsp;anywhere near the site,<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nor can we tell her any<br>&nbsp;&nbsp;&nbsp;&nbsp;information about this incident.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because outside magicians<br>&nbsp;&nbsp;&nbsp;&nbsp;will concentrate their search on her,<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking that if anything happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll be at the center of it.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she makes any moves,<br>&nbsp;&nbsp;&nbsp;&nbsp;any magicians who take notice<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will unanimously come swarming in on her.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"S-71 Central Gymnasium Rear"<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you're saying<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to do everything we can<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep Index from noticing any magic.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I came running<br>&nbsp;&nbsp;&nbsp;&nbsp;after Miss Yomikawa called me,<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were as limp as<br>&nbsp;&nbsp;&nbsp;&nbsp;unsold vegetables still on the shelf,<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I really was shocked.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, that was delicious!<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to wonder, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;where did Toma go off to?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost time for lunch.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, wasn't this just lunch?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...have been like this all day.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I growing apart from Toma?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Yes, you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you would like to enjoy<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival<br>&nbsp;&nbsp;&nbsp;&nbsp;together with Kamijo, Sister.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is something that<br>&nbsp;&nbsp;&nbsp;&nbsp;you can participate in, too, Sister!<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Has she really become a lost child?<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why have you<br>&nbsp;&nbsp;&nbsp;&nbsp;had that look on your face,<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you're about to<br>&nbsp;&nbsp;&nbsp;&nbsp;begin a final boss battle?<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like you're ready to<br>&nbsp;&nbsp;&nbsp;&nbsp;die at any moment.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're hungry,<br>&nbsp;&nbsp;&nbsp;&nbsp;how about eating a Bento lunch?<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind me, have you seen<br>&nbsp;&nbsp;&nbsp;&nbsp;Index around anywhere?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean the Sister,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was walking around over there.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looked like she was being<br>&nbsp;&nbsp;&nbsp;&nbsp;led by the hand, by that famous<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;mini-sized teacher from your school.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just you, huh? Where's Index?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really hate to have to<br>&nbsp;&nbsp;&nbsp;&nbsp;make you change clothes here.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Maybe you should<br>&nbsp;&nbsp;&nbsp;&nbsp;count how many times this makes!<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-In--<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wah!<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, um, Miss Index...?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. It was just an accident.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to take it so seriously.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Uh-oh...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Kamijo!<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I am, on steering committee<br>&nbsp;&nbsp;&nbsp;&nbsp;business, looking for Miss Tsukuyomi,<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and what do I see?<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you big traitor!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,<br>&nbsp;&nbsp;&nbsp;&nbsp;can't you put a little effort<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into making the tournament a success?<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just which event is<br>&nbsp;&nbsp;&nbsp;&nbsp;our school competing in now?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't you even remember that much?!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it! You aren't getting<br>&nbsp;&nbsp;&nbsp;&nbsp;enough nutrients to the brain,<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so start ingesting a little more sugar!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Doing so won't do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to fix Kamijo's stupidity!<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't it even pain you to say it yourself?<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the 2nd-Year girls' tug of war<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the 3rd-Year boys' all-star triathlon.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which should you be rooting for?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gotta be the girls.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, of course, you are Kamijo, after all.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't grab the collar anymore!<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, hurry up!<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kamijo, do you find<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival boring?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem a little erratic,<br>&nbsp;&nbsp;&nbsp;&nbsp;like your mind is on something else.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you feel like today has been boring,<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that as a member<br>&nbsp;&nbsp;&nbsp;&nbsp;of the steering committee,<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who got all of this ready,<br>&nbsp;&nbsp;&nbsp;&nbsp;something I did was inadequate.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't particularly think it's boring.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, as someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who put together the planning<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and worked hard on it up to today,<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to want to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone has a good time, you know?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's a little selfish of me.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like it's no use,<br>&nbsp;&nbsp;&nbsp;&nbsp;since your mind is elsewhere, huh?!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry!<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get away from me, Kamijo Toma!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'm not quite accustomed<br>&nbsp;&nbsp;&nbsp;&nbsp;to having so many people around.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Not at all...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whoa...<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right? Does it hurt anywhere?<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your forehead is turning red.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I...<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To apologize for running into you.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you prefer a kiss?<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! A kiss would be--<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then...<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to be getting back to work. Bye, now.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? This is Oriana Thomson.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me?<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Refrain from using your real name.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone around you<br>&nbsp;&nbsp;&nbsp;&nbsp;can hear your voice, can't they?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind about that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've run into a little trouble.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like that spell<br>&nbsp;&nbsp;&nbsp;&nbsp;you used on me has been broken.<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was the cause?<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of a turn-on.<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch those indecent expressions.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you take any countermeasures?<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see... First of all,<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to give this<br>&nbsp;&nbsp;&nbsp;&nbsp;boy behind me the slip.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are made fools of as<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana runs away from us.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl risks his life to<br>&nbsp;&nbsp;&nbsp;&nbsp;research the spell that she casts.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, the place that we locate...<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Route Disturb."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and<br>&nbsp;&nbsp;&nbsp;&nbsp;magic cross paths, the story begins.<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 33 - Route Disturb (Pursuit Inhibited)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is bustling over<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking advantage of that fact,<br>&nbsp;&nbsp;&nbsp;&nbsp;a transaction for the Stab Sword,<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a relic capable of killing a<br>&nbsp;&nbsp;&nbsp;&nbsp;saint in one blow, is to be held.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their courier's name<br>&nbsp;&nbsp;&nbsp;&nbsp;is Oriana Thomson.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And by chance, I just came in contact<br>&nbsp;&nbsp;&nbsp;&nbsp;with someone who might be her.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, Kami.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've currently got eyes on a spot<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Oriana is likely to use for the deal--<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado...<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just shook hands with<br>&nbsp;&nbsp;&nbsp;&nbsp;someone, and at that moment,<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my Imagine Breaker<br>&nbsp;&nbsp;&nbsp;&nbsp;broke something down.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what it is, exactly,<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she doesn't strike me<br>&nbsp;&nbsp;&nbsp;&nbsp;as a student, you might say.<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she happen to be<br>&nbsp;&nbsp;&nbsp;&nbsp;carrying a large package?<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. She's carrying<br>&nbsp;&nbsp;&nbsp;&nbsp;what looks to be a signboard.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, where are you right now?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'm following her.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sending you my GPS codes,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can search for me that way.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She spotted me!<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one, Kami?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The blond woman wearing the work uniform.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those two are pros, huh?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My instructions were<br>&nbsp;&nbsp;&nbsp;&nbsp;not to engage anyone in town,<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they won't make it easy.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's off about<br>&nbsp;&nbsp;&nbsp;&nbsp;her pattern of behavior.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has she changed her mind?<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bus terminal?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A servicing station for the auto-buses.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A trap?! Get down, Kami!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're up.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop screwing around!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that was some nice<br>&nbsp;&nbsp;&nbsp;&nbsp;team play, if I do say so myself.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having a clear division of<br>&nbsp;&nbsp;&nbsp;&nbsp;labor will make it easier for us to act.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you...<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So go ahead and complete your job.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, hold on!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, you post your runes<br>&nbsp;&nbsp;&nbsp;&nbsp;around and stand by here.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pin down the courier.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger that.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Kami, what are you gonna do?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's safer for you to stay here.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll...<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also think it's safer<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to remain here.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking my safety, though, not yours.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are decoys, meant to buy time!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you take every last one of<br>&nbsp;&nbsp;&nbsp;&nbsp;them on, she's gonna get away!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's easy for you to say!<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, if you would!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? If I would what?!<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana "Route Disturb" Thomson, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Now she's messing with us!<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Excuse me!<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right--<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I should be<br>&nbsp;&nbsp;&nbsp;&nbsp;the one to say I'm sorry.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This spell is called<br>&nbsp;&nbsp;&nbsp;&nbsp;"Four Ways to Truth."<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using this, we will<br>&nbsp;&nbsp;&nbsp;&nbsp;search out Oriana's location.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't be using magic, should you?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm going to get some help.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Traveling on the wind, conveying<br>&nbsp;&nbsp;&nbsp;&nbsp;not air, but will to the location.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Traveling on the wind, conveying<br>&nbsp;&nbsp;&nbsp;&nbsp;not air, but will to the location."<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go give Stiyl a slug!<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that just now?<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some form of trace<br>&nbsp;&nbsp;&nbsp;&nbsp;prevention spell, or something?<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, there's no sign of that.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's probably some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of interception spell set up<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is triggered to react automatically<br>&nbsp;&nbsp;&nbsp;&nbsp;to Stiyl's magic individually.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Stiyl can no longer<br>&nbsp;&nbsp;&nbsp;&nbsp;use any magic directed at Oriana?<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man, that's a devil<br>&nbsp;&nbsp;&nbsp;&nbsp;of a thing to have in there.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For one person to be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to pull off detecting a life force,<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;analyze it, trace it back,<br>&nbsp;&nbsp;&nbsp;&nbsp;and then apply a counterattack...<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's Route Disturb for you.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Route Disturb?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana Thomson's other name.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be that as it may, there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;about her impersonal methods<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that strikes me as being<br>&nbsp;&nbsp;&nbsp;&nbsp;familiar. But it couldn't be.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe that she<br>&nbsp;&nbsp;&nbsp;&nbsp;would be in possession of one.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Stiyl, I was thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;the exact same thing.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious? But if that's true,<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that wouldn't make her<br>&nbsp;&nbsp;&nbsp;&nbsp;a magician, but a sorceress.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about? What is it she has?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something that is packed with<br>&nbsp;&nbsp;&nbsp;&nbsp;magical knowledge,<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;itself activating as its own<br>&nbsp;&nbsp;&nbsp;&nbsp;magical array,<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;independent of the magician's will--<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an original grimoire text.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to create a grimoire to fit<br>&nbsp;&nbsp;&nbsp;&nbsp;these circumstances would be...<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The original text could be<br>&nbsp;&nbsp;&nbsp;&nbsp;just a scribbled note.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would have a limited<br>&nbsp;&nbsp;&nbsp;&nbsp;effectiveness,<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and should break down soon.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shorthand," you might call it.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, what does<br>&nbsp;&nbsp;&nbsp;&nbsp;that mean we should do?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we take out the<br>&nbsp;&nbsp;&nbsp;&nbsp;automatic intercept spell,<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can use Stiyl's magic.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are the chances of her fleeing<br>&nbsp;&nbsp;&nbsp;&nbsp;the search area while we do so?<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she was sure she<br>&nbsp;&nbsp;&nbsp;&nbsp;could get away clean,<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think she would take the trouble<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to set up an intercept spell, do you?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, use your magic, on anything you like.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A divination circle.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A yet-unused magical array,<br>&nbsp;&nbsp;&nbsp;&nbsp;which doesn't employ anyone's magic.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will activate in response<br>&nbsp;&nbsp;&nbsp;&nbsp;to the magic of the intercept spell,<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;providing us with<br>&nbsp;&nbsp;&nbsp;&nbsp;direction and distance.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tsuchimikado,<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to make that work,<br>&nbsp;&nbsp;&nbsp;&nbsp;won't Stiyl have to once again...?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once* again?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who said anything about that?<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't find the<br>&nbsp;&nbsp;&nbsp;&nbsp;location of the Shorthand,<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have no choice but<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep trying over and over.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, you seem to have forgotten,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let me remind you of something.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lives are at stake in this battle.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough so that it could steer<br>&nbsp;&nbsp;&nbsp;&nbsp;nations or the world into decline.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do it.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you'll...!<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get so chummy, Kamijo Toma.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it will bring an end to all of this,<br>&nbsp;&nbsp;&nbsp;&nbsp;then there is no problem.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In return, you pinpoint the location<br>&nbsp;&nbsp;&nbsp;&nbsp;of the intercept spell, no matter what.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. We will make<br>&nbsp;&nbsp;&nbsp;&nbsp;certain to preserve the life<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Index leads for<br>&nbsp;&nbsp;&nbsp;&nbsp;herself in Academy City.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your condition, right?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma...<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not appreciate the<br>&nbsp;&nbsp;&nbsp;&nbsp;fact that you are here right now.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you not at her side?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If her face grows somber because of this,<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will all be your fault.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I wanted to change<br>&nbsp;&nbsp;&nbsp;&nbsp;clothes to show off to Toma,<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks like he took<br>&nbsp;&nbsp;&nbsp;&nbsp;off somewhere on his own.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sister, don't be<br>&nbsp;&nbsp;&nbsp;&nbsp;so disheartened about it.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that Kamijo had<br>&nbsp;&nbsp;&nbsp;&nbsp;some important reason for doing so.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, that Kamijo Toma...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, I take my eyes off of him<br>&nbsp;&nbsp;&nbsp;&nbsp;for a second, and he disappears.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher!<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose!<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing<br>&nbsp;&nbsp;&nbsp;&nbsp;out here, in the public view?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's feeling a little delirious,<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a stimulant like this capsicum<br>&nbsp;&nbsp;&nbsp;&nbsp;will turn her thoughts back outward.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No...<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is all right, Fukiyose.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Toma?<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where could Toma have gone?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it comes.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The divination circle<br>&nbsp;&nbsp;&nbsp;&nbsp;is responding. Hey, Kami!<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a map, don't you?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you've got that<br>&nbsp;&nbsp;&nbsp;&nbsp;GPS map on your cell phone.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, bring it here.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you be so coldhearted?!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think Stiyl<br>&nbsp;&nbsp;&nbsp;&nbsp;has deliberately gotten hurt for?!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, he *is* a professional magician.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has at least enough attack<br>&nbsp;&nbsp;&nbsp;&nbsp;resistance to handle this spell.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, are you...?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The divination circle responds<br>&nbsp;&nbsp;&nbsp;&nbsp;to the magic power of incoming spells<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell us their distance and direction.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way such a handy little item<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can be activated without<br>&nbsp;&nbsp;&nbsp;&nbsp;using some magic power, right?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were able to<br>&nbsp;&nbsp;&nbsp;&nbsp;use more decent magic,<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl wouldn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;had to go through this.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll admit that. So go ahead and<br>&nbsp;&nbsp;&nbsp;&nbsp;blame me as much as you want.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I will make sure that<br>&nbsp;&nbsp;&nbsp;&nbsp;I find that Shorthand and destroy it.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I will catch Oriana,<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and personally see to it that<br>&nbsp;&nbsp;&nbsp;&nbsp;the Stab Sword deal is off for good.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, your map.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to know what<br>&nbsp;&nbsp;&nbsp;&nbsp;there is at the position<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;302 meters northwest of here.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that's where the Shorthand is.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's...<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A middle school?!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"10 minutes until the middle<br>&nbsp;&nbsp;&nbsp;&nbsp;school ball toss competition"<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's at an event grounds?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's about to start, too.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The spectators and<br>&nbsp;&nbsp;&nbsp;&nbsp;cameras are already there.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't just sneak<br>&nbsp;&nbsp;&nbsp;&nbsp;our way around this time.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what do we do?<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't just not do anything, right?<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we can do is<br>&nbsp;&nbsp;&nbsp;&nbsp;slip in there as contestants.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?<br>&nbsp;&nbsp;&nbsp;&nbsp;We're high-schoolers!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blending in as middle-schoolers won't work--<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a risk that the intercept<br>&nbsp;&nbsp;&nbsp;&nbsp;spell might turn on others, too.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what the simplest<br>&nbsp;&nbsp;&nbsp;&nbsp;magic ritual in the world is?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's touching.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A regular person with<br>&nbsp;&nbsp;&nbsp;&nbsp;no knowledge of magic<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;still has a chance of activating<br>&nbsp;&nbsp;&nbsp;&nbsp;the intercept spell by touching it.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happens, not having<br>&nbsp;&nbsp;&nbsp;&nbsp;the kind of defenses a magician has,<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they will be in quite a bit of danger.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, Kami,<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're going to handle that<br>&nbsp;&nbsp;&nbsp;&nbsp;intercept spell before it hurts anyone.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with that in mind...!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami!<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to compete in this event,<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but do we really have<br>
&nbsp;&nbsp;&nbsp;&nbsp;to enter, looking like *this*?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There will be cameras,<br>&nbsp;&nbsp;&nbsp;&nbsp;and everything...<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take the cake.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't suppose you<br>&nbsp;&nbsp;&nbsp;&nbsp;have a change of gym clothes?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, yes we do!<br>&nbsp;&nbsp;&nbsp;&nbsp;But they're in the club room.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. Well, hurry up and change.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rules are still rules,<br>&nbsp;&nbsp;&nbsp;&nbsp;though, so I need to check your IDs.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Tsuchimika--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Okay, okay!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll slap that right down!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah! Hey! Can't you wipe<br>&nbsp;&nbsp;&nbsp;&nbsp;your hand off before using it?!<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind, go ahead.<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't allow late entrants.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, we can't blend into<br>&nbsp;&nbsp;&nbsp;&nbsp;the competition looking like this!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm guessing there<br>&nbsp;&nbsp;&nbsp;&nbsp;are some changes of clothes<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the nurse's office.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next event will be 200 students<br>&nbsp;&nbsp;&nbsp;&nbsp;from Minamizawa Middle School<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;versus 20 students from<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai Middle School,<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Five minutes until the middle<br>&nbsp;&nbsp;&nbsp;&nbsp;school ball toss competition"<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the ball toss competition.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smell of defeat on<br>&nbsp;&nbsp;&nbsp;&nbsp;them is strong. Ah, stinky, stinky!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what is the meaning of this?<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing over there?! Huh?!<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Tokiwadai Middle School?!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have some<br>&nbsp;&nbsp;&nbsp;&nbsp;fearsome espers over there.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well, let's watch<br>&nbsp;&nbsp;&nbsp;&nbsp;out for stray shots then, Kami.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the Shorthand is<br>&nbsp;&nbsp;&nbsp;&nbsp;set up here, then where is it?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The baskets are the most likely place.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are probably baskets<br>&nbsp;&nbsp;&nbsp;&nbsp;that are borrowed from elsewhere,<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they could have been<br>&nbsp;&nbsp;&nbsp;&nbsp;rigged outside beforehand.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check out each pole basket in order.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, your work begins<br>&nbsp;&nbsp;&nbsp;&nbsp;once I find the Shorthand.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival Steering Committee"<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your positions, get set...<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and begin!<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't flinch at that! Charge in, Kami!<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not this one, Kami. Onto the next one!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, not this one either!<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Come on!<br>&nbsp;&nbsp;&nbsp;&nbsp;--A little more!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Don't let them get you!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hang in there!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey, don't push!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow! Stop it!<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yikes!<br>&nbsp;&nbsp;&nbsp;&nbsp;--It's falling over!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch out!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, use my back!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry and get out of here!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you...<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd go this far...<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...just to make me play<br>&nbsp;&nbsp;&nbsp;&nbsp;your penalty game, will you?!<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't have much choice,<br>&nbsp;&nbsp;&nbsp;&nbsp;what with you being in danger, did I?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Misaka!<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to me, Misaka.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain everything later,<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but move away from there!<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you talking about now?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what are you even doing here?<br>&nbsp;&nbsp;&nbsp;&nbsp;You explain yourself first, or I--<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stay out of this!<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, don't argue, just come over here.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in danger there!<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't be silly! I didn't need<br>&nbsp;&nbsp;&nbsp;&nbsp;to have you helping me like that,<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have done it myself!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what is it you want to tell me?<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I'll tell you later!<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That spot is dangerous!<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you to get hurt!<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, dumb?<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You don't have to worry about me...<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...over a competition such as this...<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, don't go startling me,<br>&nbsp;&nbsp;&nbsp;&nbsp;and making me blurt stuff out...<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What?!<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep quiet, and hold still for a second.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? U-Um...<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! Does it hurt that much,<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka? Do you have a fever?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's nothing at all, really!<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado! Over on this pole!<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Property of Nogi Middle School"<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wrong?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma! What are you doing here?!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering why you<br>&nbsp;&nbsp;&nbsp;&nbsp;ran off in such a hurry earlier,<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what are you doing *here*?<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we have to<br>&nbsp;&nbsp;&nbsp;&nbsp;start the whole event over!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose!<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, go hit Fukiyose! She's not a magician!<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She won't be able to take any more of this!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose, are you okay?<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose!<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine, Oriana Thomson...<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is the way you're going to play it...<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you so ruthlessly<br>&nbsp;&nbsp;&nbsp;&nbsp;drag innocent bystanders in,<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're just going to watch<br>&nbsp;&nbsp;&nbsp;&nbsp;on and feel nothing about it...<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then I'll take your screwed-up fantasy...<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and personally dispatch<br>&nbsp;&nbsp;&nbsp;&nbsp;it until there's nothing left!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose has collapsed.<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus there's Stiyl and Tsuchimikado.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the reason behind this<br>&nbsp;&nbsp;&nbsp;&nbsp;whole conflict is the Stab Sword,<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I swear I will smash the thing!<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Shorthand."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 34 - Shorthand (Stenographic Sourcebook)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is the critical-care patient?<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She still hasn't regained consciousness.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be heat stroke?<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heat stroke?<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, I collapsed.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is that? I made sure to<br>&nbsp;&nbsp;&nbsp;&nbsp;hydrate, and got plenty of sleep...<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems ridiculous.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose, are you okay?<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose!<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he going to look at<br>&nbsp;&nbsp;&nbsp;&nbsp;me like that from now on?<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope not.<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I worked so hard to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;that everyone had an enjoyable time.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I... going to live...?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you take me for?<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#10 Shorthand (Stenographic Sourcebook)"<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lose just a bit of my edge,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is what happens to me?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami has destroyed Oriana's Shorthand.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Notice any difference<br>&nbsp;&nbsp;&nbsp;&nbsp;in the shape you're in?<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in business.<br>&nbsp;&nbsp;&nbsp;&nbsp;There doesn't seem to be any problem.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, could you cast the<br>&nbsp;&nbsp;&nbsp;&nbsp;"Four Ways to Truth" search spell?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should still be where I set it up before.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how to use it, right?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a little credit.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay on your end?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana's intercept spell was<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be on an event ground.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a problem.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But one of the students did get taken out.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We took advantage of the commotion<br>&nbsp;&nbsp;&nbsp;&nbsp;to make our way out of there.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Kamijo Toma keeping it together?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're squared away, get to it.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, we'll never make<br>&nbsp;&nbsp;&nbsp;&nbsp;it up to the student who collapsed.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though anyone is perfect.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is precisely why I regret<br>&nbsp;&nbsp;&nbsp;&nbsp;being so unseasoned... I guess.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ball toss event has been delayed"<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an unexpected turn of events.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've identified Oriana Thomson's location.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 7, near<br>&nbsp;&nbsp;&nbsp;&nbsp;Futsuka Subway Station.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, Futsuka Station!<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Futsuka Station? We've gone too far!<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's moving northward.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The street divides three ways...<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is. You ready? She's up ahead...<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've spotted her!<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Tch!<br>&nbsp;&nbsp;&nbsp;&nbsp;--A bus?!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kami, did the bus have<br>&nbsp;&nbsp;&nbsp;&nbsp;any passengers besides Oriana?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't really matter, does it?!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami!<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there weren't!<br>&nbsp;&nbsp;&nbsp;&nbsp;No passengers or driver!<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, that's a relief.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, number 514457.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It still had the rune that Stiyl<br>&nbsp;&nbsp;&nbsp;&nbsp;stuck on it at the service center.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't warm this young<br>&nbsp;&nbsp;&nbsp;&nbsp;lady up using physical flames.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I have gotten a bit<br>&nbsp;&nbsp;&nbsp;&nbsp;damp from the rushing around.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to see?<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even my undies are soaking.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A completely uninvolved person collapsed<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because of the spell that you cast.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In your view, did it look like<br>&nbsp;&nbsp;&nbsp;&nbsp;she had anything to do with magic?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no uninvolved people in the world.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I want to, I can involve anyone.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you do know about her.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I truly did not want for<br>&nbsp;&nbsp;&nbsp;&nbsp;that girl to be hurt.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes that unlike this.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you weren't the<br>&nbsp;&nbsp;&nbsp;&nbsp;one who was hurt, were you?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There sure are some unusual<br>&nbsp;&nbsp;&nbsp;&nbsp;kids assembled here in Academy City.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do to Tsuchimikado?!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just cancelled out his flame attribute,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the symbol of regeneration<br>&nbsp;&nbsp;&nbsp;&nbsp;and restoration, with blue lettering.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a spell that knocks out a person<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has been injured any<br>&nbsp;&nbsp;&nbsp;&nbsp;more than a certain amount.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I have to destroy that card.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to save him,<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to defeat<br>&nbsp;&nbsp;&nbsp;&nbsp;me as quick as you can.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But will he be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to hold out that long?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His time may be surprisingly short.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what that<br>&nbsp;&nbsp;&nbsp;&nbsp;Stab Sword thing is worth.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know whether it can<br>&nbsp;&nbsp;&nbsp;&nbsp;alter the course of history that much...<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or how it might influence the<br>&nbsp;&nbsp;&nbsp;&nbsp;rest of the world, but...<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it's wrong for anyone to<br>&nbsp;&nbsp;&nbsp;&nbsp;get hurt over something so stupid!<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it only brings<br>&nbsp;&nbsp;&nbsp;&nbsp;about results as lousy as this...<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then I'm going to smash<br>&nbsp;&nbsp;&nbsp;&nbsp;it to pieces with my own hands!<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saying I had no choice because it's my job<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would be unmannerly to my employer, right?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was left up to me how<br>&nbsp;&nbsp;&nbsp;&nbsp;I should carry this out, after all.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop toying with peoples' lives!<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you?!<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad! If she uses<br>&nbsp;&nbsp;&nbsp;&nbsp;that earlier spell on me...!<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next will be the Shadow Sword.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you getting bored.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why doesn't she<br>&nbsp;&nbsp;&nbsp;&nbsp;ever use the same attack?<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't lean toward using the<br>&nbsp;&nbsp;&nbsp;&nbsp;same spell over and over again.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a real mess, huh?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just a little foreplay;<br>&nbsp;&nbsp;&nbsp;&nbsp;have you already had enough?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once she uses a spell,<br>&nbsp;&nbsp;&nbsp;&nbsp;she doesn't use it again,<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so how does she<br>&nbsp;&nbsp;&nbsp;&nbsp;have so many combinations?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next will be Blade Crater.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweetie...<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if you move from there, you will die.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I move, I die...<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what's the big deal?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival,<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which Fukiyose worked her<br>&nbsp;&nbsp;&nbsp;&nbsp;butt off getting ready for today,<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;looks like it might<br>&nbsp;&nbsp;&nbsp;&nbsp;be completely ruined.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you just going to let that happen?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you can be happy<br>&nbsp;&nbsp;&nbsp;&nbsp;with that, can you, Kamijo Toma?!<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You fool!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His right hand...<br>
&nbsp;&nbsp;&nbsp;&nbsp;It's *that* powerful? Then...<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop Rest!<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay, Tsuchimikado?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so violent...<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, my button came off.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was well done, for an<br>&nbsp;&nbsp;&nbsp;&nbsp;amateur punch, I suppose I could say.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I am accustomed<br>&nbsp;&nbsp;&nbsp;&nbsp;to having my attacks countered<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then being struck back at...<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...though not at this<br>&nbsp;&nbsp;&nbsp;&nbsp;increasingly frustrating level...<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, as for now...<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave that with<br>&nbsp;&nbsp;&nbsp;&nbsp;you for the time being.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;the game is over just yet.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are just starting to heat up.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! What about Tsuchimikado?!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The spell only works for<br>&nbsp;&nbsp;&nbsp;&nbsp;twenty minutes. It will be over soon,<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my anxious little esper.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right,<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then destroy the Stab Sword.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your right hand should be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to handle it with no problem.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But are you<br>&nbsp;&nbsp;&nbsp;&nbsp;sure I should destroy it?<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Academy City gets attacked by them...<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they do, it will be the<br>&nbsp;&nbsp;&nbsp;&nbsp;women who are surrounded.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Academy City.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For all magical forces, this is<br>&nbsp;&nbsp;&nbsp;&nbsp;the center of enemy territory.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They will likely pull out, and then come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with a rational strategy to deal with it.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry it up.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see about figuring out our next move.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is going on?!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there were some hiccups,<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for now, all the necessary<br>&nbsp;&nbsp;&nbsp;&nbsp;checkpoints have been cleared,<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so please rest at ease.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of hiccups?<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you just let me worry about that.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right--they have<br>&nbsp;&nbsp;&nbsp;&nbsp;retrieved the signboard,<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they've probably found out<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Stab Sword, as well.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's all right!<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't anything serious enough<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to influence the deal itself.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let anyone interfere,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and nobody *can* interfere.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially not if this deal<br>&nbsp;&nbsp;&nbsp;&nbsp;will make everyone happy, right?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The original Stab Sword doesn't exist,<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and only peoples' speculations<br>&nbsp;&nbsp;&nbsp;&nbsp;concerning it remain, as folklore."<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho...<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could what is written<br>&nbsp;&nbsp;&nbsp;&nbsp;here be true, Charles Conder?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the British Museum<br>&nbsp;&nbsp;&nbsp;&nbsp;was unaware of this until just today.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what exactly is it?<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am, as a result of the lore<br>&nbsp;&nbsp;&nbsp;&nbsp;crisscrossing and snowballing,<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no conclusive evidence...<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but this is not a sword.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Called "Croce di Pietro" locally,<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the item is called in our<br>&nbsp;&nbsp;&nbsp;&nbsp;language the "Cross of Peter."<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Cross of Peter?!<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, the reason for<br>&nbsp;&nbsp;&nbsp;&nbsp;the "deal" they are negotiating<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has become something entirely different.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The conclusion of this "deal"<br>&nbsp;&nbsp;&nbsp;&nbsp;will be the demise of Academy City.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No--it could be something<br>&nbsp;&nbsp;&nbsp;&nbsp;even more serious.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, what a number this is!<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I guess it must be<br>&nbsp;&nbsp;&nbsp;&nbsp;something dangerous, right?<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Croce di Pietero,"<br>&nbsp;&nbsp;&nbsp;&nbsp;the Cross of Peter, they said.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long ago, the Vatican, which is the main<br>&nbsp;&nbsp;&nbsp;&nbsp;basilica of the Roman Orthodox Church,<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is said to have been built<br>&nbsp;&nbsp;&nbsp;&nbsp;where the body of Peter was buried,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a crucifix erected,<br>&nbsp;&nbsp;&nbsp;&nbsp;over a vast expanse of land.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the reverse is also true.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reverse?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any space where the<br>&nbsp;&nbsp;&nbsp;&nbsp;Croce di Pietero is planted<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;comes under exclusive<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox control.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that place is Academy City.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Control?<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything will play out in a way<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that serves the Roman Orthodox Church,<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and everyone will go along,<br>&nbsp;&nbsp;&nbsp;&nbsp;not sensing anything out of place.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means that no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how outrageous the demand,<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or how unreasonable<br>&nbsp;&nbsp;&nbsp;&nbsp;the load one is made to carry,<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the world will be such that no<br>&nbsp;&nbsp;&nbsp;&nbsp;one feels anything but happiness.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man...<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Academy City fortuitously slips<br>&nbsp;&nbsp;&nbsp;&nbsp;under Roman Orthodox control,<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the world as we now know it,<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with science and magical<br>&nbsp;&nbsp;&nbsp;&nbsp;sides kept in a 50-50 balance,<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would tip to an overconcentration<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, this whole transaction is...<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, for dominion over Academy City,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the rest of the world.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to stop this deal.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, the world will face<br>&nbsp;&nbsp;&nbsp;&nbsp;a state more dire than just collapse.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--A world where everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;can only feel happiness?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Toma! Toma!<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ungh, even thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;about it, I don't get it.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nuh-uh, there's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;Index could be wearing that outfit.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wouldn't you even look at me?!<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got to ask, what's with that getup?<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it...<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, Toma,<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were just trying to remember<br>&nbsp;&nbsp;&nbsp;&nbsp;some off-color scene, weren't you?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks to me like you have<br>&nbsp;&nbsp;&nbsp;&nbsp;a very pleased look on your face.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not, I do not!<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, where is your usual nun's habit?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, I'm letting Komoe hang onto it.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, what are you so upset about?<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I know! You're hungry, right?<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're about to meet up with<br>&nbsp;&nbsp;&nbsp;&nbsp;my mom and dad to have lunch,<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so just hold on a bit longer, and...<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Miss Index...?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that, Toma, you dummy!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what is it?<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I specifically changed clothes<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could cheer for you,<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so where were you when I was going to?!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, you see...<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried so hard, thinking I could<br>&nbsp;&nbsp;&nbsp;&nbsp;be together with you, Toma...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but then you went off<br>&nbsp;&nbsp;&nbsp;&nbsp;on your own somewhere.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was I supposed to do then?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just thought you were cranky<br>&nbsp;&nbsp;&nbsp;&nbsp;from being hungry, like always--<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I am not! I'm angry because<br>&nbsp;&nbsp;&nbsp;&nbsp;you never pay attention to me!<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow! Ow! Ow!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--And as for being cranky because I'm hungry,<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow! Index!<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--as a Sister, I am free<br>&nbsp;&nbsp;&nbsp;&nbsp;of such feelings, Toma!<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What happened to biting me, like always?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, I mean, you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;need to go out of your way to...<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you sicko.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Up to now, you were<br>
&nbsp;&nbsp;&nbsp;&nbsp;always the one who bit *me*!<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if anyone's a sicko, it's you--<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems to me like we haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;seen very much of Toma around.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, with all of the people here,<br>&nbsp;&nbsp;&nbsp;&nbsp;there are times when you won't see him.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello. We meet again, huh?<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, from this morning...<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Thank you very much for this morning.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, as you can see...<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are they? Someone you know?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the parents of that<br>&nbsp;&nbsp;&nbsp;&nbsp;boy you're interested in, Mikoto.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you. The name's Kamijo.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, that is...<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, charm them, charm them.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's not like that!<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;have you had lunch yet?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not yet.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'd care to,<br>&nbsp;&nbsp;&nbsp;&nbsp;would you like to join us?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a great spot.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure? We would be glad to.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right?<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'm not quite accustomed<br>&nbsp;&nbsp;&nbsp;&nbsp;to having so many people around.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I was too inattentive...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you'll excuse me...<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure...<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my...<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not again, Toya...<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Mom, it's not like that!<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't staring or anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just, you know...<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry!<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's his father, all right.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Toma!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here! Over here!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised you found this place.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well, she's the one who showed us.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name's Misaka.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? Thank you very much.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I am starving!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you...<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is it I'm the only one who<br>&nbsp;&nbsp;&nbsp;&nbsp;never gets any search hits from you?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I figured we'd naturally<br>&nbsp;&nbsp;&nbsp;&nbsp;end up stuck like this somehow.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not "stuck" like anything!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if there's anything natural<br>&nbsp;&nbsp;&nbsp;&nbsp;about what flows anywhere near you!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who is this girl who's always<br>&nbsp;&nbsp;&nbsp;&nbsp;with you and where does she live?<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is she? Well...<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's right, Toma.<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to mention it, who is that girl?<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we took that overnight trip<br>&nbsp;&nbsp;&nbsp;&nbsp;to the beach, she was with you, too.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The beach?!<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Overnight trip to the beach...?<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, short-hair?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Who are you and where do *you* live?<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you Toma's girlfriend, or something?<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? N-No, I'm not really...<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came to cheer on<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma's school, didn't you?<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tower topple, as I remember.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did not!<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you be quiet!<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now. Why don't<br>&nbsp;&nbsp;&nbsp;&nbsp;we all get something to eat?<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So um, Kamijo Toma, is it?<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is, but... Are you Misaka's<br>&nbsp;&nbsp;&nbsp;&nbsp;older sister, or something?<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm.<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Misaka Misuzu,<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto's mother. Nice to meet you.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mother?!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Solving hidden riddles, one step at a time,<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we draw closer to their objective.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, something happens<br>&nbsp;&nbsp;&nbsp;&nbsp;when by chance, we run into Himegami...<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Stab Sword."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 35 - Stab Sword

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her mother?<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you say something<br>&nbsp;&nbsp;&nbsp;&nbsp;about college earlier?<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I've gone back to school.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all kinds of stimulating.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Toma?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I think?<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's nothing we couldn't...<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;something not right here!<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are so many unnaturally<br>&nbsp;&nbsp;&nbsp;&nbsp;young adults all around Toma!<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinarily, this sort of<br>&nbsp;&nbsp;&nbsp;&nbsp;thing would be unthinkable!<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's put that aside and eat something.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought along some lunch,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like a mother would.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-da!<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On today's menu is cheese fondue!<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop sneaking hazardous<br>&nbsp;&nbsp;&nbsp;&nbsp;materials into Academy City!<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but...<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...nibbling away on a tiny box lunch<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't deliver the nourishment<br>&nbsp;&nbsp;&nbsp;&nbsp;to the places that need developing.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, "develop"?!<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes, what *could* I be talking about?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my...<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we at it again, Toya?<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? N-No...<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eat lots to grow bigger, huh?<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may hate being bitten,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is painful, too, in its own way.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stab Sword<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye!<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I told you...<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to avoid contact with private<br>&nbsp;&nbsp;&nbsp;&nbsp;citizens as much as possible.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I *am* avoiding it,<br>
&nbsp;&nbsp;&nbsp;&nbsp;as much as possible, aren't I?<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are things on your end?<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one has found you yet, right?<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rest at ease.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I am sitting perfectly still.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How comfortable for you.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd sure like to take it easy.<br>&nbsp;&nbsp;&nbsp;&nbsp;A hotel workout would be nice, too.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've asked you to refrain<br>&nbsp;&nbsp;&nbsp;&nbsp;from such indecent expressions.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, you're reading too much into that.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo, Lidvia's got a dirty mind!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to admit, though,<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do understand that<br>&nbsp;&nbsp;&nbsp;&nbsp;the waiting can be tough, too.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma! I think I'd like to try<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;some of the fruit juice<br>&nbsp;&nbsp;&nbsp;&nbsp;they're selling over there!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you,<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we just barely got<br>&nbsp;&nbsp;&nbsp;&nbsp;done eating lunch, right?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep eating and drinking<br>&nbsp;&nbsp;&nbsp;&nbsp;like this, you're going to get fat.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I will not!<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no? I'll bet you've<br>&nbsp;&nbsp;&nbsp;&nbsp;upped your armor class,<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're just not aware of it.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't believe me, then you<br>&nbsp;&nbsp;&nbsp;&nbsp;can always measure my stomach!<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I walk around<br>&nbsp;&nbsp;&nbsp;&nbsp;with a measuring tape, right?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need one!<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It is not nice to step<br>&nbsp;&nbsp;&nbsp;&nbsp;aside at the last moment.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry. I'm in a hurry right now.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-W-What is the matter, Sissy?!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not tell me you are<br>&nbsp;&nbsp;&nbsp;&nbsp;going to that gentleman--<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, troglodyte, to cheer him on!<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No way! I forgot to tell my<br>&nbsp;&nbsp;&nbsp;&nbsp;mom about a change to the program.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? Even though<br>&nbsp;&nbsp;&nbsp;&nbsp;he is, in fact, right there...?<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?!<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you suppose they are expecting?<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can they already tell<br>&nbsp;&nbsp;&nbsp;&nbsp;that the baby is kicking?<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, that...<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop dead, you sick creep!<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J--<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola! I told you, you can't<br>&nbsp;&nbsp;&nbsp;&nbsp;eat muffins inside the library!<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But these were made by the Amakusa for me.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop getting crumbs everywhere!<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two are well acquainted<br>&nbsp;&nbsp;&nbsp;&nbsp;with the current situation, aren't you?<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, yes.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am, after all, a cryptology specialist.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dealing with large amounts<br>&nbsp;&nbsp;&nbsp;&nbsp;of data is a piece of cake for me.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Sherry, I am quite<br>&nbsp;&nbsp;&nbsp;&nbsp;adept at decoding, myself.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, we'll get to the report data later--<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! I told you,<br>&nbsp;&nbsp;&nbsp;&nbsp;stop spilling crumbs!<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez... When did Necessarius<br>&nbsp;&nbsp;&nbsp;&nbsp;get to be so mellow?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you!<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The walkways of Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;are no-smoking areas at all times!<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you never heard of<br>&nbsp;&nbsp;&nbsp;&nbsp;the term "secondhand smoke"?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I have.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why are you lighting<br>&nbsp;&nbsp;&nbsp;&nbsp;up another cigarette?!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Please, listen to me! Look at me!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo, I guess I managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to get away somehow.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found you.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just in time.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a bit of a problem.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, well, Himegami...<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it doesn't bother you too much, huh?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! I have to confiscate those!<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give them to<br>&nbsp;&nbsp;&nbsp;&nbsp;me and don't make trouble!<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I said give them to me, please! Come on!<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--There's no need to stop that.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--But...<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, she's on the move.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About three minutes ago,<br>&nbsp;&nbsp;&nbsp;&nbsp;I spotted Oriana<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Seibusan subway station,<br>&nbsp;&nbsp;&nbsp;&nbsp;in School District 5.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Stiyl?<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, he's right here.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then bring him with<br>&nbsp;&nbsp;&nbsp;&nbsp;you and come to the station.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Hold on!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not done talking to you!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, you take it from here!<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoink.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;you're doing, Himegami?!<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have to avoid any frivolous holdups.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry it up, Stiyl!<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two more stops.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What are you looking at?<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Material from the British Library<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Croce di Pietro.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you found out anything?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be too much trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell you verbally.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll forward the data to your cell.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How am I supposed to read this?!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Tsuchimikado?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you now?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sorry.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The autobus I'm on has been held up.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How far away are you?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could probably run there in ten minutes.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he's that far away,<br>&nbsp;&nbsp;&nbsp;&nbsp;she could get out of the search perimeter.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, if I send instructions to<br>&nbsp;&nbsp;&nbsp;&nbsp;draw a Four Ways<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to Truth pattern to your<br>&nbsp;&nbsp;&nbsp;&nbsp;cell phone, could you do it?<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;anything about eastern spells.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, can you do a<br>&nbsp;&nbsp;&nbsp;&nbsp;search with a western one?<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could, would I be asking you?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's completely out of my expertise.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'll invoke a<br>&nbsp;&nbsp;&nbsp;&nbsp;Four Ways to Truth array here.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send the results to your cell,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you take it from there.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to be okay<br>&nbsp;&nbsp;&nbsp;&nbsp;if you use any more magic?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure?<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a magician. A specialist is<br>&nbsp;&nbsp;&nbsp;&nbsp;only as good as the magic he uses.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you really want to<br>&nbsp;&nbsp;&nbsp;&nbsp;know where I am that badly, huh?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what should my next move be?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami?<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something that's troubling you?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not that.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo was acting strangely.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, he may have<br>&nbsp;&nbsp;&nbsp;&nbsp;simply been feeling the pressure<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the next competition<br>&nbsp;&nbsp;&nbsp;&nbsp;bearing down on him.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he seemed a little odd.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seemed to be on edge...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...like that one time...<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't think he would<br>&nbsp;&nbsp;&nbsp;&nbsp;get that way over a competition.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what you're saying, Himegami,<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that you have an interest in Kamijo?<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'd prefer if<br>&nbsp;&nbsp;&nbsp;&nbsp;you didn't say it like that.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo and I aren't even that close,<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if there is any misunderstanding,<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo will be the one put out by it.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, please have a look at this.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The night parade?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The nighttime Academy City will be lit up<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with lighting and laser beams,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it will be very, very pretty.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if you were to invite Kamijo to it?<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I were to<br>&nbsp;&nbsp;&nbsp;&nbsp;invite him out of the blue,<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that Kamijo<br>&nbsp;&nbsp;&nbsp;&nbsp;would just be taken aback.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not his style.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's not true!<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, if you invite<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo to something you think is fun,<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure he will be delighted.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of boy Kamijo is.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I wouldn't invite him,<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's no way I will.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, why are you being so obstinate?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just not going to invite him.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's caught on to us.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She suddenly changed direction.<br>&nbsp;&nbsp;&nbsp;&nbsp;Now she's heading northwest.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't use your Red Spell?<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I can't.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have to interrupt the<br>&nbsp;&nbsp;&nbsp;&nbsp;Four Ways to Truth spell to do that.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I do that, I couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;track Oriana's location anymore.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still heading northwest.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like she's trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to shake us off linearly.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry. It's only 1700 meters<br>&nbsp;&nbsp;&nbsp;&nbsp;until she's out of our effective range.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to remind me.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, she suddenly changed direction!<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? She sped up all of a sudden!<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's had it.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana wouldn't know<br>&nbsp;&nbsp;&nbsp;&nbsp;how far she would have to go<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to escape the effective range<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Four Ways to Truth spell.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what would she do?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean...<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, she would take out Tsuchimikado, the<br>&nbsp;&nbsp;&nbsp;&nbsp;one at the exact center of the spell.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to hurry, too!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To wherever Tsuchimikado is, of course!<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm asking you, where is that?!<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do not know where he is.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to give me all you've got.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you sense out wherever my location is,<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that I can sense you, too.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the most resourceful<br>&nbsp;&nbsp;&nbsp;&nbsp;and dangerous one,<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came to put you down.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Fallere 825." Remember that.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my magic name.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph. My name is "Basis 104."<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now that I've stated it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure that I win.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't find that violent<br>&nbsp;&nbsp;&nbsp;&nbsp;youthfulness to be unlikeable.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your style to use your<br>&nbsp;&nbsp;&nbsp;&nbsp;magic as little as possible?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, you're going to die.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have means such that<br>&nbsp;&nbsp;&nbsp;&nbsp;I raised a barrier around us.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have any help coming.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You rotten fools who<br>&nbsp;&nbsp;&nbsp;&nbsp;have grown lazy in peacetime,<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you wanna die, time to wake up!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too late.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all over, huh?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The barrier has been disrupted?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like even *I* was able<br>
&nbsp;&nbsp;&nbsp;&nbsp;to bring down your barrier, huh?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you can handle a tougher<br>&nbsp;&nbsp;&nbsp;&nbsp;workout than your looks let on.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to make sure word of<br>&nbsp;&nbsp;&nbsp;&nbsp;what's happening here gets out, you see.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, silly boy. Even if those<br>&nbsp;&nbsp;&nbsp;&nbsp;two who were chasing me get here...<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean them.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, dense?<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many members of<br>&nbsp;&nbsp;&nbsp;&nbsp;Necessarius do you think there are?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you expect me to believe you?<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukebumi Tamazusa--<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;originally an accessory used<br>&nbsp;&nbsp;&nbsp;&nbsp;to make its target see illusions,<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but depending on how it's used...<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A communications spell?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that we know you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have the Stab Sword,<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no reason for us<br>&nbsp;&nbsp;&nbsp;&nbsp;to have her sit out anymore.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes--Kanzaki Kaori!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you not consider the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that there'd be a saint in Japan?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, Kanzaki has some personal<br>&nbsp;&nbsp;&nbsp;&nbsp;friends here in Academy City.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if, by chance, word gets out,<br>&nbsp;&nbsp;&nbsp;&nbsp;it won't be any big deal.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you go quietly?<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, for the moment,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've destroyed your search spell.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be foolish<br>&nbsp;&nbsp;&nbsp;&nbsp;to stay here any longer,<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;letting myself get hurt<br>&nbsp;&nbsp;&nbsp;&nbsp;by a wounded little boy like you.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all...<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki Kaori's grand entrance...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would have been great<br>&nbsp;&nbsp;&nbsp;&nbsp;if it had actually happened. Still,<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this Tsukebumi Tamazusa was a fakeout.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised she believed it.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like using the Four Ways<br>&nbsp;&nbsp;&nbsp;&nbsp;to Truth is out of the question.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana should be trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;get herself away from here now.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because I made a teeny little bluff.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The closest thing to the underground<br>&nbsp;&nbsp;&nbsp;&nbsp;mall where Tsuchimikado is would be the subway.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't seem to have any tails.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro<br>&nbsp;&nbsp;&nbsp;&nbsp;preparations are still a ways off.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever shall I do?<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Planning some spells to<br>&nbsp;&nbsp;&nbsp;&nbsp;use against a saint might be fun.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, we have to take<br>&nbsp;&nbsp;&nbsp;&nbsp;a shortcut, or we'll miss the next--<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Komoe...<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you've gone and done it.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I am so sorry!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, and are you all right over here?<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, I'm fine.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be more concerned about her.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Himegami, you're all<br>&nbsp;&nbsp;&nbsp;&nbsp;soaking wet and showing through!<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe, you're getting<br>&nbsp;&nbsp;&nbsp;&nbsp;pointy around the chest, yourself.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Celtic cross... Necessarius?!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami?<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Himegami?<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The closest transfer point from here is...<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...an autobus stop 300 meters north.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;300, huh?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That smell...<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe!<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kamijo!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, what exactly is...<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, what happened here?<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We bumped into this woman...<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suddenly, she made<br>&nbsp;&nbsp;&nbsp;&nbsp;this scary face, and then...<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would she? What's her<br>&nbsp;&nbsp;&nbsp;&nbsp;reason for attacking Himegami?<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right there.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That "Walking Church"<br>&nbsp;&nbsp;&nbsp;&nbsp;accessory is a special item.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She took her to be a<br>&nbsp;&nbsp;&nbsp;&nbsp;List-of-Prohibited-Books-class magician,<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and concluded that she was chasing her.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a mistake?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She did all this to Himegami,<br>&nbsp;&nbsp;&nbsp;&nbsp;just because of a simple mistake?<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-P-I-M-I-M-S-P-F-T.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An ambulance has been called, yes?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should wait for<br>&nbsp;&nbsp;&nbsp;&nbsp;them at the path entrance.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't be able to spot you here.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She got caught up in this because of us!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just going to<br>&nbsp;&nbsp;&nbsp;&nbsp;leave her here like this?!<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else can you do for her?<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get too full<br>&nbsp;&nbsp;&nbsp;&nbsp;of yourself, ride-along!<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a thing<br>&nbsp;&nbsp;&nbsp;&nbsp;you can do for this injured girl.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, the only thing<br>&nbsp;&nbsp;&nbsp;&nbsp;we can do is go after Oriana.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really intend to defend<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone, then clench your fists.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only power that right hand<br>&nbsp;&nbsp;&nbsp;&nbsp;of yours has is to destroy illusions.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, where is there<br>&nbsp;&nbsp;&nbsp;&nbsp;any power to protect illusions?!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Son of a bitch!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking that<br>&nbsp;&nbsp;&nbsp;&nbsp;anger belongs to you alone.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister, doing this helped somehow.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! Are you...<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why isn't Himegami getting better?<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just talking about<br>&nbsp;&nbsp;&nbsp;&nbsp;the night parade a few moments ago.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now...<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you've got it wrong.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like scooping up seawater in a bucket,<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you first have to mark off the<br>&nbsp;&nbsp;&nbsp;&nbsp;area of your miniature landscape.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma, you go after Oriana.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a second. Don't tell me you're...<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't expect much. This is<br>&nbsp;&nbsp;&nbsp;&nbsp;outside my area of expertise, too.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making use of the knowledge from<br>&nbsp;&nbsp;&nbsp;&nbsp;the List of Prohibited Books she has,<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're just going to do some first aid.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want this to<br>&nbsp;&nbsp;&nbsp;&nbsp;be resolved in its entirety,<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then leave us behind and go, Kamijo Toma.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, take care of Himegami.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Himegami.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come back to your hospital room<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before the night parade begins.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So make sure to sit tight for me.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've found out the secret<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Croce di Pietro.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The place where it will be<br>&nbsp;&nbsp;&nbsp;&nbsp;used must be where Oriana is, too.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But where exactly is that?!<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Belvedere."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 36 - Belvedere (The Observatory)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the midst of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival,<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana Thomson continues her<br>&nbsp;&nbsp;&nbsp;&nbsp;flight across Academy City.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As myself and Stiyl give chase,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're shown up by her,<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while Tsuchimikado is picked off.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even Himegami, who just happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to be standing there, was set upon.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Oriana,<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, you'll pay for this!<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belvedere (The Observatory)<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado? Sorry,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I lost sight of Oriana.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea where<br>&nbsp;&nbsp;&nbsp;&nbsp;she might have been headed?<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This bus appears to circle<br>&nbsp;&nbsp;&nbsp;&nbsp;around School District 7,<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but where she might<br>&nbsp;&nbsp;&nbsp;&nbsp;get off is... hold on a sec.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Kami?<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, why is Oriana<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around town?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Well, because<br>&nbsp;&nbsp;&nbsp;&nbsp;we keep chasing after her--<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, before that.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's no deal for the Croce di Pietro,<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it isn't to meet anyone, right?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, her strolling around the city<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is just going to increase her risk, isn't it?<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the case,<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that there's a reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why Oriana is acting all by herself.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What reason?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know that much,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she may have been searching<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the conditions they<br>&nbsp;&nbsp;&nbsp;&nbsp;need to use the Croce di Pietro.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conditions?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There has to be some special<br>&nbsp;&nbsp;&nbsp;&nbsp;circumstance, or they can't use it?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked Stiyl to check into that for us.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it,<br>&nbsp;&nbsp;&nbsp;&nbsp;he forwarded me an email from Orsola.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send it to you, too.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I read it, Kami. It appears<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a record dealing with<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the cleaning of the vault<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro was in.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did it say?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the Croce di Pietro was stored,<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they were neurotically sensitive<br>&nbsp;&nbsp;&nbsp;&nbsp;about not letting any light hit it.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Light?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must have been trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep it from inadvertently activating.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean that<br>&nbsp;&nbsp;&nbsp;&nbsp;it activates when the sun hits it?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, then she<br>&nbsp;&nbsp;&nbsp;&nbsp;would have already done so.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, it says to finish the<br>&nbsp;&nbsp;&nbsp;&nbsp;cleaning during the daytime.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, time doesn't enter into it.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there was apparently a<br>&nbsp;&nbsp;&nbsp;&nbsp;problem with the caretakers.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They would use horoscopes to<br>&nbsp;&nbsp;&nbsp;&nbsp;do astrology while on duty.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Astrology? If they did their<br>&nbsp;&nbsp;&nbsp;&nbsp;cleaning during the daytime,<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was nighttime light they were wary of.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, it was the stars.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. By enlisting the figures<br>&nbsp;&nbsp;&nbsp;&nbsp;in the night sky into magical arrays,<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could obtain an<br>&nbsp;&nbsp;&nbsp;&nbsp;enormous amount of power.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the Croce di Pietro acts like an antenna<br>&nbsp;&nbsp;&nbsp;&nbsp;to collect the light of the night sky,<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would mean Oriana is<br>&nbsp;&nbsp;&nbsp;&nbsp;out looking for the optimum spot<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in which to set up an antenna.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Peter died on June 29th.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, Japan's latitude and longitude<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't the same as the Vatican's.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they can't overcome those problems,<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it rules out the constellation use theory.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, we don't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;more time to think about it.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just get moving.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we work under the assumption<br>
&nbsp;&nbsp;&nbsp;&nbsp;that they *are* using constellations,<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then our time limit would have to be...<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sundown? Well, what should I do?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing up here?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Index?!<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like Kanzaki Kaori<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't here after all.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia...<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you're going to say.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl that you engaged<br>&nbsp;&nbsp;&nbsp;&nbsp;was an ordinary civilian.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her name is Himegami Aisa.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite possessing an<br>&nbsp;&nbsp;&nbsp;&nbsp;extremely significant power,<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is not particularly a magician.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Celtic cross was nothing more<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than an accessory to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;her power under wraps,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she is not the least bit aggressive.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How awful...<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Truly awful, indeed.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have struck out at a civilian<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who had nothing to do with this operation.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this makes it twice.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are sinners who stray,<br>&nbsp;&nbsp;&nbsp;&nbsp;do wrong, and seek salvation,<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who we are to protect.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must not make any more mistakes.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For her sake, we must<br>&nbsp;&nbsp;&nbsp;&nbsp;use the Croce di Pietro,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bring Academy City under our control.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so sure everything<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to work out.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By placing Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;within our hands,<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will all of everyone's problems<br>&nbsp;&nbsp;&nbsp;&nbsp;really be solved?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, why aren't you<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone else in your class?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't competed in any<br>&nbsp;&nbsp;&nbsp;&nbsp;events all afternoon, huh? Why not?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, I was helping out<br>&nbsp;&nbsp;&nbsp;&nbsp;with the steering committee.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's weird. I sent a text<br>&nbsp;&nbsp;&nbsp;&nbsp;out to the guys in my class.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A text?<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I didn't have any service.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe the signal<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't reach the service center.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-In any case, Index,<br>&nbsp;&nbsp;&nbsp;&nbsp;you go back to where the others are.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, Toma, they said<br>&nbsp;&nbsp;&nbsp;&nbsp;next up is group gymnastics.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you be there?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I will. I'll finish up my<br>&nbsp;&nbsp;&nbsp;&nbsp;assistance as quick as I can.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna be there. So will<br>&nbsp;&nbsp;&nbsp;&nbsp;you wait for me there, Index?<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that, Kami.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's finish up our assistance quick.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with this many people around...<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wait up!"<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, catching up.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What's the problem? Misaka was<br>&nbsp;&nbsp;&nbsp;&nbsp;only looking at the souvenirs!"<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka by way of protest.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Stiyl?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've finished treating the schoolgirl.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is Himegami?!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't even want to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to use that spell again.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the time being,<br>&nbsp;&nbsp;&nbsp;&nbsp;we've kept her from going into shock.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the doctor's job from here on, though.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, man...<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's with the wussified voice?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention<br>&nbsp;&nbsp;&nbsp;&nbsp;of getting chummy with--<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still haven't told you thank you.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you hadn't been here, Himegami<br>&nbsp;&nbsp;&nbsp;&nbsp;would've... Himegami would've...<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that. We're still not certain<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's going to survive.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, I... I...<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like you're busy,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll catch you later.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call Tsuchimikado!<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like he's onto something.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm heading there, too,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I can get away from this lady!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I was right after all.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, what do<br>&nbsp;&nbsp;&nbsp;&nbsp;we do with this discrepancy?<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Fukiyose?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you feeling any better?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing fine.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind me, are there<br>&nbsp;&nbsp;&nbsp;&nbsp;any problems at the Daihasei Festival?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens, Himegami is in a real fix.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me those idiots<br>&nbsp;&nbsp;&nbsp;&nbsp;did something again!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, she was attacked<br>&nbsp;&nbsp;&nbsp;&nbsp;by someone, and taken to the hospital.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attacked?!<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Kamijo and his<br>&nbsp;&nbsp;&nbsp;&nbsp;friend hadn't been there,<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;things may have turned out a lot worse.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, the priest just went by!<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Priest!<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A priest?<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is going on in this city?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So sure enough, the constellations<br>&nbsp;&nbsp;&nbsp;&nbsp;hold the key to activating it.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but, it was summer when<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro was used before.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt they can substitute the<br>&nbsp;&nbsp;&nbsp;&nbsp;autumn constellations.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something else here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Some gimmick that we haven't figured out.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we don't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;more time to kick it around.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The English Puritan Church?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I reaching the cell phone<br>&nbsp;&nbsp;&nbsp;&nbsp;of Mr. Stiyl Magnus?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wrong number?!<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so terribly sorry!<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, that voice--is that you, Orsola?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, then you must be...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all your help earlier.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, I am fitting<br>&nbsp;&nbsp;&nbsp;&nbsp;right in around here--<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, if you have something<br>&nbsp;&nbsp;&nbsp;&nbsp;to report, could you hurry it up?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, yes, the other day,<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kanzaki showed me where<br>&nbsp;&nbsp;&nbsp;&nbsp;this delicious Japanese restaurant is--<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, tell us whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;information you've discovered already!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I have learned more<br>&nbsp;&nbsp;&nbsp;&nbsp;about the conditions needed<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the Croce di Pietro.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is said to be some<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of large-scale fixture<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for using the power of the constellations.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but we already knew that.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that right?<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, you must also know that<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it can freely activate anywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;in the world, regardless of season.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I found that together with Miss Sherry,<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we at long last had something.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second.<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to use the Croce di Pietro,<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one must have a firm grasp of<br>&nbsp;&nbsp;&nbsp;&nbsp;the area where it will be employed,<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then select the most fitting<br>&nbsp;&nbsp;&nbsp;&nbsp;of eighty-eight constellations for that area,<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before the conditions<br>&nbsp;&nbsp;&nbsp;&nbsp;to activate it can be achieved.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean...<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, while there are various restrictions,<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;practically speaking, control by the<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church is possible<br>&nbsp;&nbsp;&nbsp;&nbsp;anywhere in the entire world.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're starting to get it. You mean<br>&nbsp;&nbsp;&nbsp;&nbsp;that Peter allows a lot of latitude<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the location of his martyrdom.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if they chose a location,<br>&nbsp;&nbsp;&nbsp;&nbsp;what about the time?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;St. Peter was put to death on June 29th.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the precise<br>&nbsp;&nbsp;&nbsp;&nbsp;date when the Croce di Pietro<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was used at the Vatican.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean they intentionally<br>&nbsp;&nbsp;&nbsp;&nbsp;took it on that date?<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were prepared to die for it.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not such an impossible tale.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Orsola, have you found<br>&nbsp;&nbsp;&nbsp;&nbsp;out at what location they would use<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro in<br>&nbsp;&nbsp;&nbsp;&nbsp;Japan today, September 19th?<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But of course I have found that out.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Look, look, Mikoto!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A quasi-five-dimensional kaleidoscope!<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, how fascinating!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay away from those shady goods.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pick something that will be more memorable.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you are being so girly.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You be quiet, you dumb mother!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I know the clammy feel of that gaze...<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sissy, is that lady<br>&nbsp;&nbsp;&nbsp;&nbsp;a member of your family?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! What is this...?<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This... hyperinflated version<br>&nbsp;&nbsp;&nbsp;&nbsp;of Sissy's aura...?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn it, if that is how it is,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will psych myself up,<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have the both of you bring it on!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, Kuroko, are you...?<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto, does your girliness<br>&nbsp;&nbsp;&nbsp;&nbsp;swing that way, as well?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? N-No!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Kuroko! Hurry and<br>&nbsp;&nbsp;&nbsp;&nbsp;snap back to reality!<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Geez, wake up, you!<br>&nbsp;&nbsp;&nbsp;&nbsp;--S-Sissy!<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning! Good morning!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that boy...<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the reason why<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana was walking around<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was because she was seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;whether that location would work?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Everywhere we've been up to now<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has had buildings or roadside<br>&nbsp;&nbsp;&nbsp;&nbsp;trees blocking out the sky.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That leaves only one point.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she will be going there.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experimental airport<br>&nbsp;&nbsp;&nbsp;&nbsp;in School District 23?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There won't be anything to<br>&nbsp;&nbsp;&nbsp;&nbsp;obscure the sky there.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to take so long.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, what is the deal with that lady?<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I used a repel spell,<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as I left the affected area,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she would catch up to me again.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about that, what do we do?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 23 is<br>&nbsp;&nbsp;&nbsp;&nbsp;under incredibly tight security.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we going to be able to get in?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no problem.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just use the "Just-this-once"<br>&nbsp;&nbsp;&nbsp;&nbsp;prerogative that only I have.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prerogative?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is strange.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time for final preparations.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there still a short<br>&nbsp;&nbsp;&nbsp;&nbsp;while before the appointed time?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The security situation is changing strangely.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like they've<br>&nbsp;&nbsp;&nbsp;&nbsp;caught on that I'm nearby.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, the location<br>&nbsp;&nbsp;&nbsp;&nbsp;of our belvedere...<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably. But it seems<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the most practical place.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't involve any<br>&nbsp;&nbsp;&nbsp;&nbsp;more civilians here, either.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You get ready, as well.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's now bring Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;under our control.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like pushing a maiden of light,<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unaware of anything<br>&nbsp;&nbsp;&nbsp;&nbsp;before now, into the mud.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had them alter the security<br>&nbsp;&nbsp;&nbsp;&nbsp;status of School District 23 a bit.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take advantage of that confusion.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro will<br>&nbsp;&nbsp;&nbsp;&nbsp;be activated just after sundown.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably between the hours of 6 and 7.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's ten minutes to the<br>&nbsp;&nbsp;&nbsp;&nbsp;District 23 terminal station.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means once we get there,<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll only have twenty-five<br>&nbsp;&nbsp;&nbsp;&nbsp;minutes before time is up.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to be clear on the matter,<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you intend to face<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana in your condition?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish like crazy I could get some rest.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But District 23's security is not so lax<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the two of you can break in alone.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we get on this train,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no turning back.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killing will be all that awaits us.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ready for this, Kamijo Toma?<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. We're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;put a stop to all of this.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And one other thing...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember this: I have no<br>&nbsp;&nbsp;&nbsp;&nbsp;intention of ending this with killing.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma isn't here?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, how do you mean...<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you have entrusted<br>&nbsp;&nbsp;&nbsp;&nbsp;your precious son to me,<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I cannot account for his actions.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is just one<br>&nbsp;&nbsp;&nbsp;&nbsp;thing we'd like to ask you.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, what is it?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma is acting voluntarily, right?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't being dragged<br>&nbsp;&nbsp;&nbsp;&nbsp;around by someone else?<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes. That is correct.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, it's something that means<br>&nbsp;&nbsp;&nbsp;&nbsp;more to Toma than competing.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't come up with any<br>&nbsp;&nbsp;&nbsp;&nbsp;reason to stop him, can you?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turning the skies of<br>&nbsp;&nbsp;&nbsp;&nbsp;heaven to our housetop,<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to establish<br>&nbsp;&nbsp;&nbsp;&nbsp;peace in this land,<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I now call on the blessing<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Holy 12 Apostles.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The security around<br>&nbsp;&nbsp;&nbsp;&nbsp;here is focused on the skies.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't that many<br>&nbsp;&nbsp;&nbsp;&nbsp;places to hide here, after all.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, how is Oriana<br>&nbsp;&nbsp;&nbsp;&nbsp;getting into the airport?<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must have<br>&nbsp;&nbsp;&nbsp;&nbsp;already done whatever it is.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, we're running out of time.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, we'll just use that.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're near the public airport.<br>&nbsp;&nbsp;&nbsp;&nbsp;The skies are crowded with both<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;passenger planes<br>&nbsp;&nbsp;&nbsp;&nbsp;and experimental craft.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The monitoring crafts have<br>&nbsp;&nbsp;&nbsp;&nbsp;to alter their patrol routes regularly,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent mid-air collisions.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we sneak in under their blind spots,<br>&nbsp;&nbsp;&nbsp;&nbsp;we should be able to manage.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Tsuchimikado!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, Kami?<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay, Tsuchimikado?!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on... Kami...!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Destroy that page...<br>&nbsp;&nbsp;&nbsp;&nbsp;and the two of you go on...!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, can't you<br>&nbsp;&nbsp;&nbsp;&nbsp;heal him with your magic?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think she's going to wait for that?!<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flame to my hand!<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its form, a sword;<br>&nbsp;&nbsp;&nbsp;&nbsp;its purpose, conviction!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the saint isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;coming after all, huh?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means,<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it's just the three of you.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A barrier?<br>&nbsp;&nbsp;&nbsp;&nbsp;She's cut off all communication.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my!<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so responsive that<br>&nbsp;&nbsp;&nbsp;&nbsp;I can get my satisfaction on the side.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Break apart!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you guys still cave all too quickly.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will stop you, right here.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not letting you<br>&nbsp;&nbsp;&nbsp;&nbsp;use the Croce di Pietro.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean to mess up Academy City,<br>&nbsp;&nbsp;&nbsp;&nbsp;and ruin the Daihasei Festival,<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I swear, I will stop you!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How unkind to call it "messing up."<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro removes<br>&nbsp;&nbsp;&nbsp;&nbsp;the wall between magic and science,<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and might just lead the<br>&nbsp;&nbsp;&nbsp;&nbsp;people of the world to happiness.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Happiness?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How nice. I can kind of see<br>&nbsp;&nbsp;&nbsp;&nbsp;how those words might sound nice.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the problem I have with it<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that by you using the<br>&nbsp;&nbsp;&nbsp;&nbsp;Croce di Pietro right here and now,<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to wreck the Daihasei Festival!<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So many people treasure<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival.<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how great the religion<br>&nbsp;&nbsp;&nbsp;&nbsp;that you settle down with is,<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way you have the<br>&nbsp;&nbsp;&nbsp;&nbsp;right to deprive them of those feelings!<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that much of<br>&nbsp;&nbsp;&nbsp;&nbsp;an emotionally-charged argument<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to sway me?<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's all it takes to hurt you,<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you're out of order to begin with.<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you say the same thing<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of Fukiyose and<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, the ones you injured?<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, that's all I<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to say. Except...<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're still thinking of<br>&nbsp;&nbsp;&nbsp;&nbsp;doing anything in my town,<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will wipe out any illusions of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;till there are no traces left!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how lofty your goal is--<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how admirable your cause is--<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by no means will I let you do as you please!<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let it end like this!<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Croce di Pietro."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 37 - Croce di Pietro (Apostolic Cross)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro<br>&nbsp;&nbsp;&nbsp;&nbsp;is a nasty piece of work<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that can be used without<br>&nbsp;&nbsp;&nbsp;&nbsp;regard to location or season.<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we do something,<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City will fall under<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox control at sundown.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I'm letting that happen!<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#13 Croce di Pietro (Apostolic Cross)"<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, what a fine<br>&nbsp;&nbsp;&nbsp;&nbsp;place for your head to be!<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's starting to get dark around here.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, isn't it about<br>&nbsp;&nbsp;&nbsp;&nbsp;time you were getting home?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you rather spend a<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhat stimulating evening with me?<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more...<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there was just one<br>&nbsp;&nbsp;&nbsp;&nbsp;more thing... One more...<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its name is flame; its purpose, a sword...<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Manifest! Feed on my<br>&nbsp;&nbsp;&nbsp;&nbsp;body to gain your power...<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Innocentius!<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Innocentius. Fortis 931.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prove to us now the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why my name is the greatest!<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die with me!<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch out, you idiot!<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops--<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ashes to ashes; dust to dust!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vampire Killer Crimson Cross!<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go home, you klutzy magician!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shut up, ride-along!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Innocentius!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of my way, you idiot!<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stay out of *my* way!<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here? I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;predict their next move like this.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A reference point...<br>&nbsp;&nbsp;&nbsp;&nbsp;I need an absolute reference point...<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A clear rule...<br>&nbsp;&nbsp;&nbsp;&nbsp;whereby everyone is happy,<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and nobody gets<br>&nbsp;&nbsp;&nbsp;&nbsp;dragged into any tragedies<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;brought about by<br>&nbsp;&nbsp;&nbsp;&nbsp;conflicting sets of values...<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ultimate world...<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why I will win. I will win,<br>&nbsp;&nbsp;&nbsp;&nbsp;and create my own answer.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am... My name is Basis 104!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down, ride-along!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you going?<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're taking *me* on, aren't you?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough out of you.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many people are you going<br>&nbsp;&nbsp;&nbsp;&nbsp;to hurt before you've had enough?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to hurt anyone, myself.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I have my objective.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, get over here. Once I crush you,<br>&nbsp;&nbsp;&nbsp;&nbsp;my purpose will be at an end.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that's left will be<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Croce di Pietro--<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Roman Orthodox Church to<br>&nbsp;&nbsp;&nbsp;&nbsp;create the world that I desire.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Objective my eye. Stop talking<br>&nbsp;&nbsp;&nbsp;&nbsp;like you're such a bigshot,<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're allowing others<br>&nbsp;&nbsp;&nbsp;&nbsp;to determine what your future is.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Letting others determine?<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, and I don't even care who they are.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as they're<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who can bring into line<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all the principles and policies<br>&nbsp;&nbsp;&nbsp;&nbsp;scattered about the world.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I will categorically<br>&nbsp;&nbsp;&nbsp;&nbsp;defend that reference point.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your objective, is it?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get all the<br>&nbsp;&nbsp;&nbsp;&nbsp;little details. However,<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot accept the ridiculous proposal<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that we turn over everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who lives in Academy City.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can talk like that<br>&nbsp;&nbsp;&nbsp;&nbsp;because you don't understand.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've never seen the expression<br>&nbsp;&nbsp;&nbsp;&nbsp;of someone who could do nothing<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but stand there transfixed by<br>&nbsp;&nbsp;&nbsp;&nbsp;the circumstances they fell victim to.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've simply never<br>&nbsp;&nbsp;&nbsp;&nbsp;heard the word "frustrated."<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I haven't,<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't make it right for you<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to attack Academy City as you like.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't use the pretext that<br>&nbsp;&nbsp;&nbsp;&nbsp;it's okay to do good for someone<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if it's on the back of someone else.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problems you're confronting<br>&nbsp;&nbsp;&nbsp;&nbsp;are something felt by everyone.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone stumbles<br>&nbsp;&nbsp;&nbsp;&nbsp;and makes mistakes at times.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, when you<br>&nbsp;&nbsp;&nbsp;&nbsp;fall down, you get back up.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how awkward and<br>&nbsp;&nbsp;&nbsp;&nbsp;badly things turn out, you get back up!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't go tossing aside<br>&nbsp;&nbsp;&nbsp;&nbsp;other peoples' lives along the way!<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which do you choose, Oriana Thomson--<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To leave everything up to someone else,<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because you messed up once?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or to extend a hand to those<br>&nbsp;&nbsp;&nbsp;&nbsp;who have failed, despite those failures?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how we'll settle this.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I call upon all the ability<br>&nbsp;&nbsp;&nbsp;&nbsp;dwelling within me.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unleash my whole soul,<br>&nbsp;&nbsp;&nbsp;&nbsp;and strike the foe before me.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it...<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,<br>&nbsp;&nbsp;&nbsp;&nbsp;can't you put a little effort<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into making the tournament a success?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a bit of a problem.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't expect much. This is<br>&nbsp;&nbsp;&nbsp;&nbsp;outside my area of expertise, too.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on... Kami...!<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys... you who tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to preserve the present...<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come back to your hospital<br>&nbsp;&nbsp;&nbsp;&nbsp;room before the night parade begins.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So make sure to sit tight for me.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was an expression of my readiness...<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not... about to let that<br>&nbsp;&nbsp;&nbsp;&nbsp;be for nothing... at this point!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind me,<br>&nbsp;&nbsp;&nbsp;&nbsp;worry about the Croce di Pietro...!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get Oriana to tell you where it is.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to keep that relic from activating...<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no need for concern.<br>&nbsp;&nbsp;&nbsp;&nbsp;It will all be over soon.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia Lorenzetti...<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shortly, the Croce di Pietro<br>&nbsp;&nbsp;&nbsp;&nbsp;will initiate its effects,<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Academy City will be<br>&nbsp;&nbsp;&nbsp;&nbsp;converted to Roman Orthodoxy.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying that those who<br>&nbsp;&nbsp;&nbsp;&nbsp;get in the way, like us, will be purged?<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am just declaring that<br>&nbsp;&nbsp;&nbsp;&nbsp;we will care for your injuries,<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and see that you are healed.<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, of course, if it can be judged<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be beneficial to the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't listen to what<br>&nbsp;&nbsp;&nbsp;&nbsp;she says, Kamijo Toma...<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia must be<br>&nbsp;&nbsp;&nbsp;&nbsp;around here somewhere...<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The relic will be with her, too...<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To avoid any misunderstanding,<br>&nbsp;&nbsp;&nbsp;&nbsp;allow me to say,<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro is<br>&nbsp;&nbsp;&nbsp;&nbsp;not currently in Academy City.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Apostolic State that<br>&nbsp;&nbsp;&nbsp;&nbsp;was created by the Croce di Pietro<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was, at its peak,<br>&nbsp;&nbsp;&nbsp;&nbsp;47,000 square kilometers.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I release it<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City,<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will easily cover<br>&nbsp;&nbsp;&nbsp;&nbsp;the entirety of the city.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been had... Oriana was a decoy...<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a shame that she was defeated,<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the Croce di Pietro will<br>&nbsp;&nbsp;&nbsp;&nbsp;turn even that to a proper outcome.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing that is important to us<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the fact that science<br>&nbsp;&nbsp;&nbsp;&nbsp;will bow to religion.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By denying science<br>&nbsp;&nbsp;&nbsp;&nbsp;and showing off our power,<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can restore the Lord's authority.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seek and destroy...<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too much to ask Tsuchimikado<br>&nbsp;&nbsp;&nbsp;&nbsp;to use magic twice at this point.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! Then what are we supposed to do?!<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not conducting<br>&nbsp;&nbsp;&nbsp;&nbsp;the destruction of Academy City.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we have you renounce<br>&nbsp;&nbsp;&nbsp;&nbsp;the heresy of science,<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will embrace you<br>&nbsp;&nbsp;&nbsp;&nbsp;as our beloved comrades.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call Tsuchimikado.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can use a divination<br>&nbsp;&nbsp;&nbsp;&nbsp;circle to derive Lidvia's location,<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then use my communication<br>&nbsp;&nbsp;&nbsp;&nbsp;magic to reach our outside forces...<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't be possible.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world will be converted<br>&nbsp;&nbsp;&nbsp;&nbsp;by the Croce di Pietro...<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...in another 107 seconds.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Checkmate.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't we have anything?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some final trump card that<br>&nbsp;&nbsp;&nbsp;&nbsp;will turn the situation around?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic that uses the<br>&nbsp;&nbsp;&nbsp;&nbsp;constellations in the night sky...<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...whose starlight is<br>&nbsp;&nbsp;&nbsp;&nbsp;collected here on the ground...<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, how many places<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City are there<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that could still draw<br>&nbsp;&nbsp;&nbsp;&nbsp;all of Academy City in<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if the Croce di Pietro were used there?<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up and answer me!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With those conditions,<br>&nbsp;&nbsp;&nbsp;&nbsp;what would the farthest point be?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's northern<br>&nbsp;&nbsp;&nbsp;&nbsp;perimeter, by about 1,700 meters.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about it?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival Schedule"<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only...<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Twenty seconds left.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is all over.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is indeed over, all right.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with things finishing like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's definitely the end for me.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That *is* what you think, isn't it, Lidvia?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how much I could<br>&nbsp;&nbsp;&nbsp;&nbsp;have laid waste to your fantasies,<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I can't even keep a promise<br>&nbsp;&nbsp;&nbsp;&nbsp;to one of my classmates...<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is this?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What...?<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time is now exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;6:30 p.m. Didn't you know?<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the time when<br>&nbsp;&nbsp;&nbsp;&nbsp;the night parade starts.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With this much light,<br>&nbsp;&nbsp;&nbsp;&nbsp;it should blot out the stars well enough.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter where you might be.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been beaten by the light created<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by everyone observing the Daihasei Festival.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have looked into who<br>&nbsp;&nbsp;&nbsp;&nbsp;the stars of the Daihasei Festival are.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will it be? If you agree<br>&nbsp;&nbsp;&nbsp;&nbsp;to destroy the Croce di Pietro,<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to never again<br>&nbsp;&nbsp;&nbsp;&nbsp;mess with Academy City,<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's good enough for me.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious? Have you forgotten<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I am a devout believer<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church?<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's keep playing tag with one<br>&nbsp;&nbsp;&nbsp;&nbsp;another, like the field day this is,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia Lorenzetti.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, without saying a word to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you ended up getting pounded<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by participating in a magic battle<br>&nbsp;&nbsp;&nbsp;&nbsp;for the fate of Academy City<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the whole world, and had to<br>&nbsp;&nbsp;&nbsp;&nbsp;be taken to the hospital, is that it?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but Miss Index,<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever magic comes up,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you come traipsing right<br>&nbsp;&nbsp;&nbsp;&nbsp;into the middle of the incident.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! The way you say that<br>&nbsp;&nbsp;&nbsp;&nbsp;very much makes me sound foolish!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bzzt! The fact that you<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't figured it out before<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;means that you really are--<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, what a pleasant sight, yet again.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just having a serious talk,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't butt in, short-hair!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay for the general public<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to assist in Judgment's<br>&nbsp;&nbsp;&nbsp;&nbsp;security duties, right?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, not inside<br>&nbsp;&nbsp;&nbsp;&nbsp;a hospital, of all places.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine. Did you<br>&nbsp;&nbsp;&nbsp;&nbsp;see today's final results?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our school slipped easily past<br>&nbsp;&nbsp;&nbsp;&nbsp;your school to come out on top!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you go forgetting<br>&nbsp;&nbsp;&nbsp;&nbsp;about the penalty game.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, as far as the penalty game,<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't participate in<br>&nbsp;&nbsp;&nbsp;&nbsp;anything in my condition, so...<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Well...<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what if your life depended on it?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that poor Oriana Thomson.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must save all those lost,<br>&nbsp;&nbsp;&nbsp;&nbsp;captive sinners, personally.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Ah-ah ♪ Attention, please.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Laura Stuart, archbishop<br>&nbsp;&nbsp;&nbsp;&nbsp;of the English Puritan Church--<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're not going<br>&nbsp;&nbsp;&nbsp;&nbsp;to say something cold,<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like I have to identify myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;are you, Miss Lidvia?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, here in this private jet...?<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you stopped at Haneda,<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had something pasted<br>&nbsp;&nbsp;&nbsp;&nbsp;to the wall of your fuselage.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As creepy as ever, I see.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more backed into a corner you get,<br>&nbsp;&nbsp;&nbsp;&nbsp;the more apt you are to cackle.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if there's anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to be done about that.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more difficult the situation is,<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greater the joy I feel<br>&nbsp;&nbsp;&nbsp;&nbsp;when I break free of it.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must give thanks to the Lord.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The higher the obstacle is,<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greater the thrill at the<br>&nbsp;&nbsp;&nbsp;&nbsp;moment you overcome it, you say?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is some truth to that,<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you swine facing a steep cliff.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia, if you renounce the Roman<br>&nbsp;&nbsp;&nbsp;&nbsp;teachings and come kiss at my feet,<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would be willing to save you.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an absurd thing to say!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, go ahead and make<br>&nbsp;&nbsp;&nbsp;&nbsp;a crater, together with that thing.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't allow it!<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this speed, I can make it.<br>
&nbsp;&nbsp;&nbsp;&nbsp;No, I *must* make it!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be right down to the wire,<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which makes it all the more thrilling!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now, Lidvia, which will you choose?<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world's greatest relic,<br>&nbsp;&nbsp;&nbsp;&nbsp;or a poor, lost lamb?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greater the difficulty,<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greater your joy<br>&nbsp;&nbsp;&nbsp;&nbsp;will be when you overcome it,<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for getting to walk all over me,<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who placed you in it, right?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Walk all over you?<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To rub your proud face in it...<br>&nbsp;&nbsp;&nbsp;&nbsp;as much as I like...?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are reeling quite thoroughly<br>&nbsp;&nbsp;&nbsp;&nbsp;after this, aren't we?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The development of the Imagine Breaker,<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is to be our key, is as yet unstable.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am unsure whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not this will be feasible.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may have to consider the possibility<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I myself will have to go forth.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sleeping on the<br>&nbsp;&nbsp;&nbsp;&nbsp;bench in the waiting room,<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but come morning,<br>&nbsp;&nbsp;&nbsp;&nbsp;they said I couldn't stay there,<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came to your comfortable bed.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all better now?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. From what<br>&nbsp;&nbsp;&nbsp;&nbsp;the frog doctor told me,<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;get out today or tomorrow.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aisa, you seem a little<br>&nbsp;&nbsp;&nbsp;&nbsp;bit lonely to me. How come?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he go and do something<br>&nbsp;&nbsp;&nbsp;&nbsp;crazy again this time?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, that's right.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. I haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;heard all the details yet,<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but apparently, some<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox magicians<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were using the "Daihasei Festival"<br>&nbsp;&nbsp;&nbsp;&nbsp;thing to launch an attack.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, Toma once again went<br>&nbsp;&nbsp;&nbsp;&nbsp;off without saying anything to me,<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and after running off<br>&nbsp;&nbsp;&nbsp;&nbsp;helter-skelter by himself,<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;only told me about it like he<br>&nbsp;&nbsp;&nbsp;&nbsp;was making an after-incident report!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... Then it could have been anyone.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He helps anyone who<br>&nbsp;&nbsp;&nbsp;&nbsp;is in trouble, and not just me.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps I really shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have had him help me.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may be nothing more than<br>&nbsp;&nbsp;&nbsp;&nbsp;a bother to everyone else, huh?<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not true!<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, Toma seems to enjoy<br>&nbsp;&nbsp;&nbsp;&nbsp;himself when he's with you, Aisa.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Fukiyose, what's the big idea,<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;coming into my<br>&nbsp;&nbsp;&nbsp;&nbsp;hospital room and slapping me?<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You hush! Anyone would be startled<br>&nbsp;&nbsp;&nbsp;&nbsp;when they suddenly see a guy naked!<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who came in while<br>&nbsp;&nbsp;&nbsp;&nbsp;I was changing my clothes, right?<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?!<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, do you know why<br>&nbsp;&nbsp;&nbsp;&nbsp;he fights like he does?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I asked him once,<br>&nbsp;&nbsp;&nbsp;&nbsp;he said it was for himself.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe for Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's what makes him happy.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For good or ill, Index and<br>&nbsp;&nbsp;&nbsp;&nbsp;I are suddenly off to Italy.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now that we're here,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's relax and do some sightseeing!<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Orsola? And the Amakusa?<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "City of Water."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 38 - City of Water

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;am an unlucky person.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just look back over the last seven<br>&nbsp;&nbsp;&nbsp;&nbsp;days of the Daihasei Festival,<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'll be able to tell.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even having cleared up the<br>&nbsp;&nbsp;&nbsp;&nbsp;outrageous problem from the first day,<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the second day onward,<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I accidentally witnessed<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe changing...<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...immediately got head-butted by a<br>&nbsp;&nbsp;&nbsp;&nbsp;completely recovered Fukiyose Seiri...<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...was hit by a gumball from the<br>&nbsp;&nbsp;&nbsp;&nbsp;wheelchair Himegami Aisa was in...<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and right as I was being forced<br>&nbsp;&nbsp;&nbsp;&nbsp;to do a folk dance with Misaka Mikoto...<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took a dropkick to the back of<br>&nbsp;&nbsp;&nbsp;&nbsp;the head from Shirai Kuroko.<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For some reason,<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel run pretty ragged now.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To repeat, I, Kamijo Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;am an unlucky--<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations!<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the Spectator Numbers game,<br>&nbsp;&nbsp;&nbsp;&nbsp;held on the last day of the Daihasei Festival,<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the number you<br>&nbsp;&nbsp;&nbsp;&nbsp;selected took first place!<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your prize is... a 7-day, 5-night<br>&nbsp;&nbsp;&nbsp;&nbsp;trip for two to Northern Italy!<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"1st Place: Northern Italy<br>&nbsp;&nbsp;&nbsp;&nbsp;(7-day, 5-night trip for two)"<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Spectator Numbers"<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A trip to Italy?<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#14 City of Water<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to keep harping on it, but I,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma, am an unlucky person.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have a passport, do I?!<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's a passport?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it, all right. I knew<br>&nbsp;&nbsp;&nbsp;&nbsp;this would happen from the start.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's only two days to the trip.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I requested<br>&nbsp;&nbsp;&nbsp;&nbsp;a passport today-- Huh?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well if it isn't my passport!<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know?<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I ever gone overseas?<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got something a lot like that!<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you don't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;stamps or writing in here, you know!<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how did you manage to<br>&nbsp;&nbsp;&nbsp;&nbsp;get all the way here?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, Toma,<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I've got one of those,<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;does that mean I can go<br>&nbsp;&nbsp;&nbsp;&nbsp;on your trip together with you?<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er... Huh?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I get the<br>&nbsp;&nbsp;&nbsp;&nbsp;feeling it would be okay.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an unlucky person.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"International Airport"<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't forgotten anything, right?<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your wallet, your passport,<br>&nbsp;&nbsp;&nbsp;&nbsp;your plane ticket,<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your necessary documents,<br>&nbsp;&nbsp;&nbsp;&nbsp;something to change into...<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, what else?<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma! Why are you<br>&nbsp;&nbsp;&nbsp;&nbsp;being such a worrywart over this?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's okay to enjoy this, isn't it?<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! For these seven days<br>&nbsp;&nbsp;&nbsp;&nbsp;and five nights in Northern Italy,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to relish some happiness<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the first time in a long, long while!<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh, is something wrong?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! We have to run, Index!<br>&nbsp;&nbsp;&nbsp;&nbsp;You need something more proper to wear,<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or they won't let us on the plane!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What, Toma?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to buy me some clothes?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shopping area is<br>&nbsp;&nbsp;&nbsp;&nbsp;another 1.5 kilometers ahead.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We only have twenty-eight minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;before the plane takes off!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! I knew this would be my luck!<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, we sure are close to the sea, huh?<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be more accurate<br>&nbsp;&nbsp;&nbsp;&nbsp;to say the sea surrounds us<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than to say we're close to it.<br>&nbsp;&nbsp;&nbsp;&nbsp;The center of Chioggia here<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is an island city in the Adriatic Sea.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo... after running around<br>&nbsp;&nbsp;&nbsp;&nbsp;buying a ton of safety pins<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after getting to the airport and<br>&nbsp;&nbsp;&nbsp;&nbsp;having our guide leave us behind,<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was worried there for a<br>&nbsp;&nbsp;&nbsp;&nbsp;second what would happen,<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we finally made it here.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you to survive in an<br>&nbsp;&nbsp;&nbsp;&nbsp;international society nowadays, Toma,<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should speak<br>&nbsp;&nbsp;&nbsp;&nbsp;at least three languages.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ungh, having a crazy Sister<br>&nbsp;&nbsp;&nbsp;&nbsp;like you talking to me about<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"nowadays" and "at leasts" is too much.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can eat after we<br>&nbsp;&nbsp;&nbsp;&nbsp;drop off our luggage at the hotel.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! You don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;to come out and say so!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, the food is fine and all,<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that authentic squid ink gelato?<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but once we finish checking in,<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's go into Venice!<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always wanted to ride in a gondola!<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Index!<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Index!<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I keep this up,<br>
&nbsp;&nbsp;&nbsp;&nbsp;*I'm* the one who'll end up lost.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;[speaking Italian]<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;[speaking Italian]<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"H-Hallo." No, that's not it. What is it?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;[speaking Italian]<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;[speaking Italian]<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, should I not<br>&nbsp;&nbsp;&nbsp;&nbsp;have done that just now?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looked to me like you<br>&nbsp;&nbsp;&nbsp;&nbsp;were at a loss as to what to do.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Orsola?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing in a place like this?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I kind of won a 7-day,<br>&nbsp;&nbsp;&nbsp;&nbsp;5-night trip to Northern Italy.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, Orsola,<br>&nbsp;&nbsp;&nbsp;&nbsp;why are you here?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were in London.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still kept a residence<br>&nbsp;&nbsp;&nbsp;&nbsp;here until just the other day.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I, you know, moved<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Roman Orthodox Church<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the English Puritan Church,<br>&nbsp;&nbsp;&nbsp;&nbsp;it was a bit of a commotion.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have some<br>&nbsp;&nbsp;&nbsp;&nbsp;things remaining here,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the Amakusa are kind enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to help out, just like movers.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, the Amakusa?<br>
&nbsp;&nbsp;&nbsp;&nbsp;You mean *those* Amakusa?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, were you out shopping?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, no, actually,<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while I'm glad to have come<br>&nbsp;&nbsp;&nbsp;&nbsp;here together with Index,<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she up and disappeared somewhere.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then our meeting<br>&nbsp;&nbsp;&nbsp;&nbsp;here is a turn of fate.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This works out perfectly. Can I ask<br>&nbsp;&nbsp;&nbsp;&nbsp;you to help me move my things?<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, like I said,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to find Index, so...<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, if you are looking for Miss Index...<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma! Toma!<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! As delicious as the gelato is here,<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is still the discount,<br>&nbsp;&nbsp;&nbsp;&nbsp;economy size!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yum!<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I saw her pressed up against<br>&nbsp;&nbsp;&nbsp;&nbsp;the window of a storefront<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;specializing in gelato<br>&nbsp;&nbsp;&nbsp;&nbsp;a short while ago,<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I asked a friend of mine to<br>&nbsp;&nbsp;&nbsp;&nbsp;invite her back to my residence.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you left me behind...<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Orsola, is lunch ready yet?<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is almost time.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hooray!<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the man who is a<br>&nbsp;&nbsp;&nbsp;&nbsp;respected colleague of His Holiness?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, how powerful can he be?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You only question as much<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you did not assist<br>&nbsp;&nbsp;&nbsp;&nbsp;in rescuing Sister Orsola.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the gentleman<br>&nbsp;&nbsp;&nbsp;&nbsp;who went up against<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Warrior Sisters unarmed,<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and declared war<br>&nbsp;&nbsp;&nbsp;&nbsp;against them all by himself.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has also witnessed<br>&nbsp;&nbsp;&nbsp;&nbsp;the Priestess in the altogether,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and despite being belted by<br>&nbsp;&nbsp;&nbsp;&nbsp;her Shichiten Shichito sword's sheath,<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he did not even<br>&nbsp;&nbsp;&nbsp;&nbsp;need bandaging afterward.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a monster.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of screwed-up<br>&nbsp;&nbsp;&nbsp;&nbsp;appraisal is that?<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! This looks delicious!<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! This looks delicious!<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But are you sure? We haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;helped out with moving at all yet.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The offering of my hospitality<br>&nbsp;&nbsp;&nbsp;&nbsp;to you two comes first.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, don't mind if we do.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to use this?<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa, how do you feel your<br>&nbsp;&nbsp;&nbsp;&nbsp;wet towel operation went?<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dummy, it's too<br>&nbsp;&nbsp;&nbsp;&nbsp;soon to see any results.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let things run their course.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this kind of taking the long way?<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't they going to eat with us?<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said that they<br>&nbsp;&nbsp;&nbsp;&nbsp;are in training or something,<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that they must<br>&nbsp;&nbsp;&nbsp;&nbsp;observe a set meal etiquette.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead, please,<br>&nbsp;&nbsp;&nbsp;&nbsp;before your food becomes cold.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then--<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for this meal!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for this meal!<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yum!<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yum!<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? Can pasta<br>&nbsp;&nbsp;&nbsp;&nbsp;really be this delicious?<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This tastes about 500 times better<br>&nbsp;&nbsp;&nbsp;&nbsp;than what you always make, Toma.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got no right to complain,<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this really is good,<br>&nbsp;&nbsp;&nbsp;&nbsp;so who cares? Yum!<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yum! Yum!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, is the purpose<br>&nbsp;&nbsp;&nbsp;&nbsp;of your trip to see Venice?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah it is, but we<br>&nbsp;&nbsp;&nbsp;&nbsp;can't seem to reach our tour guide.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would love for you to see Venice.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The City of Water,"<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Queen of the Adriatic,"<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is expressed in many<br>&nbsp;&nbsp;&nbsp;&nbsp;ways, so beautiful the city is.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I guess<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll go have a look. Index...<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(As long as I have this food,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could stay here forever)<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you even saying?<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All righty...<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess packing the dishes is next.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola! Where did you say<br>&nbsp;&nbsp;&nbsp;&nbsp;your stock of newspaper is?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is right over here.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pairing of that voice<br>&nbsp;&nbsp;&nbsp;&nbsp;and the sound of water means...<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! Toma!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting to get all dirty.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you like, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;welcome to take a shower.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be worn<br>&nbsp;&nbsp;&nbsp;&nbsp;out from your long trip.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa-ho! It's the<br>&nbsp;&nbsp;&nbsp;&nbsp;old bathroom trap, is it?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew, I almost fell for it, too--<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A voice coming from here, too?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is going on?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a fundamental premise<br>&nbsp;&nbsp;&nbsp;&nbsp;that there are not two bathrooms.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of them will be,<br>&nbsp;&nbsp;&nbsp;&nbsp;the other one won't be.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, what kind of choice<br>&nbsp;&nbsp;&nbsp;&nbsp;between two extremes is this?!<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right... no, left... No, wait!<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shower sounds<br>&nbsp;&nbsp;&nbsp;&nbsp;are only coming from the left,<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the correct answer is... the right!<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it out!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that moment, I wondered to myself,<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why didn't I think of the simple solution<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of knocking first to make<br>&nbsp;&nbsp;&nbsp;&nbsp;sure what was inside?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! This way's the bathroom?!<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry, Orsola!<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah!<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-There's a stifling breeze coming<br>&nbsp;&nbsp;&nbsp;&nbsp;out of this stick with a roar--!<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, a bathroom<br>
&nbsp;&nbsp;&nbsp;&nbsp;on the right *and* the left?!<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are *two* bathrooms in this house?!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes. One for daily use,<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the second one<br>&nbsp;&nbsp;&nbsp;&nbsp;was put in for religious use.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, because of the move,<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;its function as a baptistery<br>&nbsp;&nbsp;&nbsp;&nbsp;has been discontinued.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is outrageous! I call foul!<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you here to begin with, Toma?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why, after seeing us naked,<br>&nbsp;&nbsp;&nbsp;&nbsp;do I not hear you saying you're sorry?<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, you see, Miss Index,<br>&nbsp;&nbsp;&nbsp;&nbsp;I needed some newspaper, so--<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my goodness.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, if you would be so kind...<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all<br>&nbsp;&nbsp;&nbsp;&nbsp;you have done, both of you.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;you occupied for so long.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do now, Orsola?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to go around<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing the sights with us?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, not at all. Are you asking<br>&nbsp;&nbsp;&nbsp;&nbsp;me to follow along after you,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the two of you heading to your hotel?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, three's a crowd...<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Three's a crowd?<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to ask, and no need<br>&nbsp;&nbsp;&nbsp;&nbsp;to know what she means, Index!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I would like to go around<br>&nbsp;&nbsp;&nbsp;&nbsp;Chioggia and say my goodbyes.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have lived in the city<br>&nbsp;&nbsp;&nbsp;&nbsp;for a long time, after all.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is something<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't exactly want you to see.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may develop a<br>&nbsp;&nbsp;&nbsp;&nbsp;less-than-dignified look on my face.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I will be leaving.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever get the chance,<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will invite you to my<br>&nbsp;&nbsp;&nbsp;&nbsp;apartment in London, as well.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, same here.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever get to Japan again...<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before that happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma may need to clean the place up.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this can't be...<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, get down!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;AATR.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola!<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Index was disturbed<br>&nbsp;&nbsp;&nbsp;&nbsp;by this, it means...<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's it coming from?<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's doing it?<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ISICBI.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the sniper?!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. It's already dealt with.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dealt with? What did you do?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they are aiming at us from a distance,<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the situation here is being<br>&nbsp;&nbsp;&nbsp;&nbsp;carefully relayed to the enemy.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that no matter where they are,<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they have to be taking<br>&nbsp;&nbsp;&nbsp;&nbsp;in my spell intercept.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the sniper?!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, this is crazy!<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can something like<br>&nbsp;&nbsp;&nbsp;&nbsp;this pop up out of the canal?<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola, let's just get in the boat!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is glass... no, is it ice?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Are you okay?! Toma!<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is a huge ship like<br>&nbsp;&nbsp;&nbsp;&nbsp;this going down the canal?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like we are headed away from land.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Just where are<br>&nbsp;&nbsp;&nbsp;&nbsp;they planning on heading?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>&nbsp;&nbsp;&nbsp;&nbsp;They appear to be searching for us.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. But...<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...we can't really jump off to get away.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just hide for now,<br>&nbsp;&nbsp;&nbsp;&nbsp;and wait for our chance to escape.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, what is going on here?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please excuse the intrusion.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they go so far as to<br>&nbsp;&nbsp;&nbsp;&nbsp;use something as outrageous as this<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to come and attack me?<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The robes they were wearing<br>&nbsp;&nbsp;&nbsp;&nbsp;looked a lot like your habit, Orsola.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is reasonable that<br>&nbsp;&nbsp;&nbsp;&nbsp;you would take them to be members<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that this must<br>&nbsp;&nbsp;&nbsp;&nbsp;concern the Book of the Law, all right.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That whole incident<br>&nbsp;&nbsp;&nbsp;&nbsp;should have been settled<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by my going over to<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ship is not the enemy's stronghold;<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one might say that it is<br>&nbsp;&nbsp;&nbsp;&nbsp;just one part of the larger whole.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess Chioggia is too small<br>&nbsp;&nbsp;&nbsp;&nbsp;a place for all of them to deploy.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think Index is okay?<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can still use my cell phone,<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but damn it, sure enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;she didn't charge hers.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, will the signal<br>&nbsp;&nbsp;&nbsp;&nbsp;reach out at sea?<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not sure.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The door!<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad! Hide someplace, Orsola!<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But where, exactly?<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell, right here!<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First thing to do is to close the door--<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese...?<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it<br>
&nbsp;&nbsp;&nbsp;&nbsp;was okay to be alone*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't turn back time that has passed*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being<br>
&nbsp;&nbsp;&nbsp;&nbsp;there as the seasons roll around*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;broken clock start up again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may<br>
&nbsp;&nbsp;&nbsp;&nbsp;be a helpless piece of junk*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how<br>
&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can change that*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An outrageous operation<br>&nbsp;&nbsp;&nbsp;&nbsp;that involves Agnese...<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A secret organization,<br>&nbsp;&nbsp;&nbsp;&nbsp;called the Queen of the Adriatic...<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Tatemiya?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You and the Amakusa, too?!<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Queen's Fleet."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 39 - Queen's Fleet

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese...?<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you would wait just a moment!<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you two doing around<br>&nbsp;&nbsp;&nbsp;&nbsp;the Queen of the Adriatic Sea?<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... we just happened to<br>&nbsp;&nbsp;&nbsp;&nbsp;end up on the ship by chance.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the "Queen of the Adriatic Sea"<br>&nbsp;&nbsp;&nbsp;&nbsp;the name of this ice fleet?<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fleet's name<br>&nbsp;&nbsp;&nbsp;&nbsp;is the "Queen's Fleet."<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ship is one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the escort vessels.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, you really<br>&nbsp;&nbsp;&nbsp;&nbsp;don't know anything, do you?<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly are you doing here?<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm helping to<br>&nbsp;&nbsp;&nbsp;&nbsp;search for intruders.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I never imagined the<br>&nbsp;&nbsp;&nbsp;&nbsp;intruders would be you two.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be able to take<br>&nbsp;&nbsp;&nbsp;&nbsp;advantage of this.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just barely got roped into all of this.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;yammering like that, I'll scream.<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd best not get on my bad<br>&nbsp;&nbsp;&nbsp;&nbsp;side if you want to get out of here.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, we have<br>&nbsp;&nbsp;&nbsp;&nbsp;no choice but to obey her.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what is in it for you<br>&nbsp;&nbsp;&nbsp;&nbsp;if you allow us to escape?<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compensation. As long<br>&nbsp;&nbsp;&nbsp;&nbsp;as I get that, we'll be fine.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#15 Queen's Fleet<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is this "Queen's<br>&nbsp;&nbsp;&nbsp;&nbsp;Fleet" in the first place?<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's a fleet built to<br>&nbsp;&nbsp;&nbsp;&nbsp;patrol the Adriatic Sea.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had never heard of it before.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only a very few<br>&nbsp;&nbsp;&nbsp;&nbsp;departments that do know about it.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were attacked out of nowhere<br>&nbsp;&nbsp;&nbsp;&nbsp;by the guys on this boat.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure this fleet<br>&nbsp;&nbsp;&nbsp;&nbsp;was instituted just for patrolling?<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you literally got<br>&nbsp;&nbsp;&nbsp;&nbsp;caught by one of the patrols.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the people who ruined<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church's project.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, one of you is here<br>&nbsp;&nbsp;&nbsp;&nbsp;from Japan, and the other from London.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, all pretense aside,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is actually a kind of labor camp.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's where they gather offenders like me,<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have us work off the<br>&nbsp;&nbsp;&nbsp;&nbsp;losses that we have incurred.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why about the only ones<br>&nbsp;&nbsp;&nbsp;&nbsp;on this ship are my squad--<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or rather, my former<br>&nbsp;&nbsp;&nbsp;&nbsp;squad of Sisters.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, to get to the point,<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in return for letting you two get away,<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to find<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Lucia and Sister Angelene,<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and rescue the two<br>&nbsp;&nbsp;&nbsp;&nbsp;of them from this place.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By rescue, you mean...<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those two used a<br>&nbsp;&nbsp;&nbsp;&nbsp;magic spell to outfox the scouts,<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and broke out of the lockup.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of them were<br>&nbsp;&nbsp;&nbsp;&nbsp;apparently planning to rescue us,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once they had<br>&nbsp;&nbsp;&nbsp;&nbsp;their preparations in place.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the two of them were brought back,<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and had the book thrown at them?<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Preventing their<br>&nbsp;&nbsp;&nbsp;&nbsp;breakout spell must come first.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll probably be processed to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep them from using the spell again.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Processed?<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you talking about having<br>&nbsp;&nbsp;&nbsp;&nbsp;their powers of thought taken from them?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning, the violation<br>&nbsp;&nbsp;&nbsp;&nbsp;of their brain structure?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to rescue them before<br>&nbsp;&nbsp;&nbsp;&nbsp;that happens. That's my request.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing so will also give<br>&nbsp;&nbsp;&nbsp;&nbsp;you the spell to escape, right?<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but isn't the spell already<br>&nbsp;&nbsp;&nbsp;&nbsp;known to the Roman Orthodoxy?<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen's Fleet has a<br>&nbsp;&nbsp;&nbsp;&nbsp;major operation ahead of them.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't afford to be distracted<br>&nbsp;&nbsp;&nbsp;&nbsp;by a couple of people breaking out.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will head to the<br>&nbsp;&nbsp;&nbsp;&nbsp;flagship as a diversion.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I'm gone,<br>&nbsp;&nbsp;&nbsp;&nbsp;please come up with something.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying you're helping us?<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not helping you, just using you.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're caught too, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Run away with us.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the overseers are afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;of is an uprising by the laborers.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm something of a mental safety<br>&nbsp;&nbsp;&nbsp;&nbsp;device to guard against that,<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you can call it that.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have the authority to walk<br>&nbsp;&nbsp;&nbsp;&nbsp;around freely aboard the ship,<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and am also exempt from the labor.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's surprisingly comfortable<br>&nbsp;&nbsp;&nbsp;&nbsp;living aboard here.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters Lucia and Angelene have<br>&nbsp;&nbsp;&nbsp;&nbsp;nowhere to go, though.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should have just gotten away themselves.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are lucky enough to get out of here,<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;be sure not to get involved with<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church again.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. But now that<br>&nbsp;&nbsp;&nbsp;&nbsp;we're so vastly outnumbered,<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so sure<br>&nbsp;&nbsp;&nbsp;&nbsp;we're getting out of this.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is that something the<br>&nbsp;&nbsp;&nbsp;&nbsp;guy who earlier went up against<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so many Sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;singlehandedly would say?<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thanks.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your habit--<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was specially adorned to provide<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a magical restraining effect, was it?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shh!<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that is the Queen's Fleet,<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it won't do any<br>&nbsp;&nbsp;&nbsp;&nbsp;good for me to go alone.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no one here, is there?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Agnese did say<br>&nbsp;&nbsp;&nbsp;&nbsp;it was mostly unmanned.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the room where<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucia and Angelene are.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stand back, Orsola!<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This suit of armor is like a<br>&nbsp;&nbsp;&nbsp;&nbsp;robot that runs on magic, is it?<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It appears to be part<br>&nbsp;&nbsp;&nbsp;&nbsp;of this ship, in an altered form.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you think we destroyed that?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops, I spoke in<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese without thinking,<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you still understand me, right?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you choose not to heed my warning,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will just have to use this.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have come to rescue you.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think we<br>&nbsp;&nbsp;&nbsp;&nbsp;will believe what you say?<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see...<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as what Agnese told us,<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you guys can perform the magic<br>&nbsp;&nbsp;&nbsp;&nbsp;we need to get us out of here.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she told us to rescue you<br>&nbsp;&nbsp;&nbsp;&nbsp;and get you to cooperate with us.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sister Agnese, you say?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Consider for a moment<br>&nbsp;&nbsp;&nbsp;&nbsp;the possibility that this is a trap!<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the enemy stronghold.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot imagine any<br>&nbsp;&nbsp;&nbsp;&nbsp;reason why we would go so far<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as to even use Sister Agnese's<br>&nbsp;&nbsp;&nbsp;&nbsp;name just to rescue you.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Lucia...<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. There is some<br>&nbsp;&nbsp;&nbsp;&nbsp;logic to what you're saying.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, how is it that we escape?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would take too long to explain.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene...<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um...<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A subclass of the magic<br>&nbsp;&nbsp;&nbsp;&nbsp;that uses ice to build ships<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can open up voids within them.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By taking advantage of this,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can solidify seawater<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to create seabed coasters.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It looks like our restraint<br>&nbsp;&nbsp;&nbsp;&nbsp;clothing is also equipped<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;countermeasure spell.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we follow the right procedure<br>&nbsp;&nbsp;&nbsp;&nbsp;and break apart the seams,<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can disrupt part of<br>&nbsp;&nbsp;&nbsp;&nbsp;the restraint functionality.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disrupt?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then look, there's a<br>&nbsp;&nbsp;&nbsp;&nbsp;quicker way for me to--<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, don't tell me you<br>
&nbsp;&nbsp;&nbsp;&nbsp;mean to strip *them* bare naked, too.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going to happen to us now?<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly...<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there's something about<br>&nbsp;&nbsp;&nbsp;&nbsp;tonight's supper that bothers me.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing in this world is<br>&nbsp;&nbsp;&nbsp;&nbsp;more important than the Lord.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It bothered me, too.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three days in a row now,<br>&nbsp;&nbsp;&nbsp;&nbsp;they used olives as the secret ingredient.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and the baths<br>&nbsp;&nbsp;&nbsp;&nbsp;are a little too hot, too, huh?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Secret ingredients<br>&nbsp;&nbsp;&nbsp;&nbsp;don't make any difference!<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And also, the baths<br>&nbsp;&nbsp;&nbsp;&nbsp;are lukewarm, if anything!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You think so?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, the grown-ups do not<br>&nbsp;&nbsp;&nbsp;&nbsp;seem to pay it too much mind...<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean...<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-If you're going to have a word<br>&nbsp;&nbsp;&nbsp;&nbsp;with them, I'll come with you.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed...<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That might not be a bad idea.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When can we join<br>&nbsp;&nbsp;&nbsp;&nbsp;up with Sister Agnese?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese probably won't be coming.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she would act as a<br>&nbsp;&nbsp;&nbsp;&nbsp;diversion so you could be rescued.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like she went<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Queen's Fleet's flagship.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to be kidding!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen's Fleet<br>&nbsp;&nbsp;&nbsp;&nbsp;has some large-scale magic,<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;meant to protect the Queen<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Adriatic Sea ritual grounds!<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Queen of the Adriatic Sea?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I know is, it's held on<br>&nbsp;&nbsp;&nbsp;&nbsp;the flagship of the same name.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The key to activating it involves<br>&nbsp;&nbsp;&nbsp;&nbsp;a spell of a different name,<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;known as the Rosary<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Appointed Time.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, Sister Agnese is used for<br>&nbsp;&nbsp;&nbsp;&nbsp;the Rosary of the Appointed Time.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What's going to happen to Agnese?<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even we know all the details.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, at the least,<br>&nbsp;&nbsp;&nbsp;&nbsp;her brain will certainly be destroyed,<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she will be left so<br>&nbsp;&nbsp;&nbsp;&nbsp;that only her heart is beating.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen's Fleet has a<br>&nbsp;&nbsp;&nbsp;&nbsp;major operation ahead of them.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't afford to be distracted<br>&nbsp;&nbsp;&nbsp;&nbsp;by a couple of people breaking out.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-An attack! But from where?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be.<br>&nbsp;&nbsp;&nbsp;&nbsp;From one of their own ships?<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The holy cannon fire of Saint Barbara?<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what are they aiming at?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know, Sister Agnese?<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bishop Biagio...<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ship number 37 has been sunk.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any further fire may<br>&nbsp;&nbsp;&nbsp;&nbsp;be interference from land.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let another department<br>&nbsp;&nbsp;&nbsp;&nbsp;deal with any public attention.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is beyond my purview.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything were to happen to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;there would be no undoing the harm.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How ironic.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Rosary of the Appointed Time...<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, an apostate like you,<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;being the only<br>&nbsp;&nbsp;&nbsp;&nbsp;one appropriate for this spell.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bishop Biagio,<br>&nbsp;&nbsp;&nbsp;&nbsp;we have an emergency!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are reading a giant<br>&nbsp;&nbsp;&nbsp;&nbsp;structure underneath Ship number 37!<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears to be retrieving the wreckage!<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A submersible spell...<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola and the others...<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good...<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really... could die here...<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index...<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you feel okay, Toma?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Tatemiya Saiji?<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, deputy pope<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Amakusa Church.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although nowadays, we tack<br>&nbsp;&nbsp;&nbsp;&nbsp;on "of the English Puritan Church."<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thanks.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what am I doing here?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are Orsola and the others?!<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we managed to take all of you in.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're speaking with the<br>&nbsp;&nbsp;&nbsp;&nbsp;men elsewhere, however.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So, is this something<br>&nbsp;&nbsp;&nbsp;&nbsp;like an Amakusa secret base?<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a building.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You don't mean...!<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to say you're aboard a submarine,<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's not quite as<br>&nbsp;&nbsp;&nbsp;&nbsp;high-performance as that.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At best, you could say<br>&nbsp;&nbsp;&nbsp;&nbsp;it's close to being a wooden ship<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is equipped with submersible<br>&nbsp;&nbsp;&nbsp;&nbsp;capability. It's a diving boat.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bring along something<br>&nbsp;&nbsp;&nbsp;&nbsp;like this to help with a move?<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only natural that we'd<br>&nbsp;&nbsp;&nbsp;&nbsp;have a weapon close at hand.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, naval warfare<br>&nbsp;&nbsp;&nbsp;&nbsp;is what we excel at most.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Paper is made from wood,<br>&nbsp;&nbsp;&nbsp;&nbsp;and wood is what boats are made from, too.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese...<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. Whatever you're going to do next,<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you first have to<br>&nbsp;&nbsp;&nbsp;&nbsp;tell me what it is, in detail.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, shouldn't you<br>&nbsp;&nbsp;&nbsp;&nbsp;be talking to Lucia and Angelene?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you made<br>&nbsp;&nbsp;&nbsp;&nbsp;it out safely, too. Hmm?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you do not<br>&nbsp;&nbsp;&nbsp;&nbsp;have to embarrass them so.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The habits these two were<br>&nbsp;&nbsp;&nbsp;&nbsp;wearing were restraint clothing,<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;provided by the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church, you see.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to destroy them,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they had to use your right<br>&nbsp;&nbsp;&nbsp;&nbsp;hand while you were unconscious.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're saying...<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's what I'm saying.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-For you to be upset by that...<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...isn't reasonable!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right! This is<br>&nbsp;&nbsp;&nbsp;&nbsp;no time to just be standing around!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Sister Agnese is still--<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still have an objective to carry out.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa, now's your chance! Do it!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give him a smooch right on the earlobe!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you tell them what's going on?!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is starting to get interesting.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, just listen to me!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pay attention!<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sister Angelene...!<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It was always like<br>&nbsp;&nbsp;&nbsp;&nbsp;this in our squad, wasn't it?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um, I did what I always do.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Always?<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather than coffee or tea,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'd like to have *cioccolata con panna*.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You pour lots of fresh<br>&nbsp;&nbsp;&nbsp;&nbsp;cream over a chocolate drink--<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene, a follower of<br>&nbsp;&nbsp;&nbsp;&nbsp;the cross does not obsess about food.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now...<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... here.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thanks.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again with the wet<br>&nbsp;&nbsp;&nbsp;&nbsp;towel operation, Itsuwa?<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you're sure taking your time.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not making too much headway<br>&nbsp;&nbsp;&nbsp;&nbsp;is one of Itsuwa's charms, isn't it?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, how did the Queen of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Adriatic become the spell's name?<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long ago, Venice and<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were on fairly poor terms.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen of the Adriatic<br>&nbsp;&nbsp;&nbsp;&nbsp;was the thing that they prepared<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to bury Venice with one strike.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bury? Is it like a bomb or something?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't just destroy;<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it even steals all of the town's<br>&nbsp;&nbsp;&nbsp;&nbsp;culture and history, as well.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of it?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Sister Agnese<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't know any of this.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she knew, there's no way she<br>&nbsp;&nbsp;&nbsp;&nbsp;would just stand by doing nothing.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So in short, we're saying<br>&nbsp;&nbsp;&nbsp;&nbsp;to bring back Agnese Sanctis<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before this magic can be activated.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, it's an awful can of worms.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, we have to go.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we do something,<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Agnese will be crippled.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you have us just<br>&nbsp;&nbsp;&nbsp;&nbsp;sit back and watch it happen?!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was always being helped<br>&nbsp;&nbsp;&nbsp;&nbsp;out by Sister Agnese,<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there is no way I can say<br>&nbsp;&nbsp;&nbsp;&nbsp;goodbye to her without paying her back!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our enemy is a real problem.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we surround them with seabed coasters,<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we might be able to stop the fleet!<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't think that all<br>&nbsp;&nbsp;&nbsp;&nbsp;it takes to deal with them<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to stop them from moving, do you?<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, I...<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, Tatemiya,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've said enough, haven't you?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we should be arguing over<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't just about whether or not<br>&nbsp;&nbsp;&nbsp;&nbsp;we want to rescue Agnese, is it?<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She deliberately threw<br>&nbsp;&nbsp;&nbsp;&nbsp;away her own chance to be saved,<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to let her friends get away instead.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't do something,<br>&nbsp;&nbsp;&nbsp;&nbsp;her mind is going to be destroyed<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with her feelings still exploited.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The question is,<br>&nbsp;&nbsp;&nbsp;&nbsp;why wouldn't we rescue her?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing so would<br>&nbsp;&nbsp;&nbsp;&nbsp;prevent the destruction of Venice,<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and everything else, right?<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;only one thing to do, isn't there?<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you want to rescue her?<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, I'm going there alone!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, for our part,<br>&nbsp;&nbsp;&nbsp;&nbsp;we were past that from the word go.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've had a plan ready to go to begin with.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to hear if<br>&nbsp;&nbsp;&nbsp;&nbsp;you were ready for this or not.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tatemiya...<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up!<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that we're heading<br>&nbsp;&nbsp;&nbsp;&nbsp;off to the battlefield,<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's be sure to come back alive!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What teaching did we<br>&nbsp;&nbsp;&nbsp;&nbsp;receive from the Priestess?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hand of redemption<br>&nbsp;&nbsp;&nbsp;&nbsp;to the irredeemable!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, for you.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't use it,<br>&nbsp;&nbsp;&nbsp;&nbsp;so maybe you'd better hold onto it.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is it, Index?<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's get started.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bishop Biagio!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reading between<br>&nbsp;&nbsp;&nbsp;&nbsp;thirty and fourty craft approaching!<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're just under fifty seconds<br>&nbsp;&nbsp;&nbsp;&nbsp;from the ship's coordinates.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you sink them?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They haven't fired a<br>&nbsp;&nbsp;&nbsp;&nbsp;single shot. You don't mean...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All hands, defensive positions!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening?<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're fire ships!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an unmanned fleet,<br>&nbsp;&nbsp;&nbsp;&nbsp;designed to self-destruct!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giant structure at<br>&nbsp;&nbsp;&nbsp;&nbsp;a depth of forty meters!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably a submarine!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confirmed hit on the submarine!<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enemy forces on Ship number 29!<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Amakusa!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be!<br>&nbsp;&nbsp;&nbsp;&nbsp;The submarine was a decoy?!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think about taking over each ship!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you have to do is think<br>&nbsp;&nbsp;&nbsp;&nbsp;about crushing their main force!<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys head toward<br>&nbsp;&nbsp;&nbsp;&nbsp;the Queen of the Adriatic Sea.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiots!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why aren't you helping<br>&nbsp;&nbsp;&nbsp;&nbsp;to rescue Sister Agnese?!<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're starting to shoot!<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are planning to<br>&nbsp;&nbsp;&nbsp;&nbsp;sink us along with the ship!<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're aiming directly at us!<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wouldn't!<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come forth, one of the 12 Apostles,<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;publican, smiter of magicians,<br>&nbsp;&nbsp;&nbsp;&nbsp;and humble servant!<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not good!<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come forth, one of the 12 Apostles--<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitori de ii to tsubuyaita*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to aru sekai no chuushin de*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokei no hari wo orimagete*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hitomi tojite'ta*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sugisatta toki wa modosenai kedo*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ano hi oshiete kureta yo ne*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore de ii n' da to*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Megurimeguru kisetsu ni kimi ga ita kiseki*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kowarete'ta tokei sae ugokidasu kara*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima wa sou muryoku na garakuta da kedo*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fushigi da ne kaerareru sonna ki ga suru*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no koe ga ima mo mada*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*koko ni aru kara*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To keep the Queen of the Adriatic Sea from activating,<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we storm the flagship.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As more and more new mysteries<br>&nbsp;&nbsp;&nbsp;&nbsp;are revealed, Index steps up.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Rosary of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Appointed Time."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>

# 40 - Rosary of the Appointed Time

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come forth,<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the 12 Apostles--<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh...<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go showing the depths<br>&nbsp;&nbsp;&nbsp;&nbsp;of your heart to be so worthless!<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, use this.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a getaway dive boat.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It beats being right in the<br>&nbsp;&nbsp;&nbsp;&nbsp;middle of enemy territory, right?<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Lucia...<br>&nbsp;&nbsp;&nbsp;&nbsp;your hand is trembling...<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well of course it is.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no... There's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to die here...<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all going<br>&nbsp;&nbsp;&nbsp;&nbsp;back together, right...?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Sister Agnese... and<br>&nbsp;&nbsp;&nbsp;&nbsp;the people over there fighting...<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all together,<br>&nbsp;&nbsp;&nbsp;&nbsp;in the true sense...<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, I will not die...<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please...<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will you fight together with<br>&nbsp;&nbsp;&nbsp;&nbsp;them, to protect everyone...?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say something to her, Lucia.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can be of help,<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll smash any number of these<br>&nbsp;&nbsp;&nbsp;&nbsp;damned two-bit illusions for you.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So go ahead and tell<br>&nbsp;&nbsp;&nbsp;&nbsp;her whatever will assure her<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she ought<br>&nbsp;&nbsp;&nbsp;&nbsp;to have been here!<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever will make her believe<br>&nbsp;&nbsp;&nbsp;&nbsp;that it was worth gritting her teeth!<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will protect the others.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please,<br>&nbsp;&nbsp;&nbsp;&nbsp;you fight with yourself.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#16 Rosary of the Appointed Time<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They still haven't sunk them yet?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Heaven's sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can reduce a whole city to rubble,<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they're giving<br>&nbsp;&nbsp;&nbsp;&nbsp;us this much trouble?<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, that face...<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't take it. After everything<br>&nbsp;&nbsp;&nbsp;&nbsp;that's happened,<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you still have the impudent look<br>&nbsp;&nbsp;&nbsp;&nbsp;of one who is expecting another.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you<br>&nbsp;&nbsp;&nbsp;&nbsp;say I was relying on?!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha. I'm about<br>&nbsp;&nbsp;&nbsp;&nbsp;to shatter your hopes.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need for<br>&nbsp;&nbsp;&nbsp;&nbsp;spare parts to have feelings.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go!<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;bring that girl back here!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Index and Orsola!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There does not seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to be anyone here.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ship is probably the<br>&nbsp;&nbsp;&nbsp;&nbsp;magical centralized control<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for all of the other ships.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why the other<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters aren't pursuing us?<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a minute.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to try to unlock it.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting to feel like thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;about everything is becoming a pain!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's constructed in blocks.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe, unlike the escort craft,<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's possible that the whole<br>&nbsp;&nbsp;&nbsp;&nbsp;ship has magical significance.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those suits of<br>&nbsp;&nbsp;&nbsp;&nbsp;armor from before.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inside!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? H-Hey, hold on!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two go on ahead!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene, are you okay?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am all right.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, how do I get past them?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How petty!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go messing<br>&nbsp;&nbsp;&nbsp;&nbsp;around with the wounded.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, a dead end?!<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this place?<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, here they come again!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all of them?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have gotten through!<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, is it true that<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the conditions<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to activate the Queen of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Adriatic Sea is that another spell,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;called the Rosary of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Appointed Time, is required?<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what they said.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a single description in<br>&nbsp;&nbsp;&nbsp;&nbsp;any of my 103,000 volumes<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that says it's necessary.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, just what<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of spell is it?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's the<br>&nbsp;&nbsp;&nbsp;&nbsp;name of an operation<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;used only within the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That right hand of yours...<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, are you jealous of it?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is unacceptable.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It rejects the Lord's blessings.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even more than its nature,<br>&nbsp;&nbsp;&nbsp;&nbsp;the way you brandish it like a weapon<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is beyond the pale.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have even<br>&nbsp;&nbsp;&nbsp;&nbsp;once heard the good word,<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would make the<br>&nbsp;&nbsp;&nbsp;&nbsp;effort to receive His blessings,<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if it meant tearing off<br>&nbsp;&nbsp;&nbsp;&nbsp;that arm forthwith,<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then, I guess my words will<br>&nbsp;&nbsp;&nbsp;&nbsp;not get through to a heathen monkey.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, I, Biagio Buzoni,<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will bring the final word<br>&nbsp;&nbsp;&nbsp;&nbsp;to this enemy of the Lord.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Biagio, are you? Then you<br>&nbsp;&nbsp;&nbsp;&nbsp;know where Agnese is, don't you?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing and telling you are<br>&nbsp;&nbsp;&nbsp;&nbsp;two completely different things.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oof...<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abolishing outward enemies, and<br>&nbsp;&nbsp;&nbsp;&nbsp;creating an inner safe zone,<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the purpose<br>&nbsp;&nbsp;&nbsp;&nbsp;held by the cross.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kind of like this.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;it is the nature of the cross,<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;via the weight thereof,<br>&nbsp;&nbsp;&nbsp;&nbsp;that corrects one's haughtiness.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once again, kind of like this.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this place?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, stop<br>&nbsp;&nbsp;&nbsp;&nbsp;destroying things so much.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It affects the degree of<br>&nbsp;&nbsp;&nbsp;&nbsp;completion on the other end.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other end?<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Rosary of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Appointed Time.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this point, you can't tell<br>&nbsp;&nbsp;&nbsp;&nbsp;me you don't know about it.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, once I crush you<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and pull Agnese<br>&nbsp;&nbsp;&nbsp;&nbsp;out of here, it's all over.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Demonstrating the will to<br>&nbsp;&nbsp;&nbsp;&nbsp;defy the intentions of the Lord<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are words of evil. And my<br>&nbsp;&nbsp;&nbsp;&nbsp;crosses deny your evil nature!<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all!<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think<br>&nbsp;&nbsp;&nbsp;&nbsp;you have the authority<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to do anything to Venice?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not what I am after.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is far more interesting than<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever you are thinking, at least.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the church of the cross, what do<br>&nbsp;&nbsp;&nbsp;&nbsp;you think is the most important,<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;oldest application there is?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The instrument of execution.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simon bears the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross of the Son of God.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...?<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a defensive<br>&nbsp;&nbsp;&nbsp;&nbsp;spell set up here.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CAH.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go find Agnese.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll lead them away from here!<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Index!<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas?<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness you are all right.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why?!<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted so badly to get away<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Queen's Fleet, didn't you?!<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know all about what the<br>&nbsp;&nbsp;&nbsp;&nbsp;current situation is, don't you?!<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we did find out, no one<br>&nbsp;&nbsp;&nbsp;&nbsp;said that they wanted to run away.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They refused<br>&nbsp;&nbsp;&nbsp;&nbsp;to leave you behind,<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you held your tongue to<br>&nbsp;&nbsp;&nbsp;&nbsp;allow them to be rescued.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not right.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remember what I did concerning<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law, right?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As badly as they were hurt, how can<br>&nbsp;&nbsp;&nbsp;&nbsp;it all be water under the bridge?!<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not have the answer to that.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, at the very least,<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters Lucia and Angelene<br>&nbsp;&nbsp;&nbsp;&nbsp;declared that they wanted to rescue you.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how desperate<br>&nbsp;&nbsp;&nbsp;&nbsp;a situation they would face,<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or the countless blades<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be thrust their way,<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when they said that they wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to all smile together once again,<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you still think it is not enough?<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot have this, Sister Agnese.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you were to die here,<br>&nbsp;&nbsp;&nbsp;&nbsp;the project will not be interrupted.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, finding another suitable<br>&nbsp;&nbsp;&nbsp;&nbsp;candidate would be such a nuisance.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I do so hate nuisances.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That blood...<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did say I hated nuisances, didn't I?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I crushed one<br>&nbsp;&nbsp;&nbsp;&nbsp;of them with all haste.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope we can avoid that here.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot have you<br>&nbsp;&nbsp;&nbsp;&nbsp;being injured so easily, you see.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This large-scale<br>&nbsp;&nbsp;&nbsp;&nbsp;anti-Venetian spell of yours--<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why make use of it *now*?<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we are about to perform here<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not the use of an attack<br>&nbsp;&nbsp;&nbsp;&nbsp;spell against a state.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is what comes next.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Adriatic Sea is a spell<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;created solely<br>&nbsp;&nbsp;&nbsp;&nbsp;for use against Venice.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However charming the<br>&nbsp;&nbsp;&nbsp;&nbsp;power it may boast, it is moot,<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so as long as the targeting<br>&nbsp;&nbsp;&nbsp;&nbsp;restrictions are in place.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why--<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, you've figured it out.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freeing the Queen of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Adriatic Sea's targeting restrictions--<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That* is what the Rosary<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the Appointed Time is for.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you telling me<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you are going to destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;a city that you feel is in your way?<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Adriatic Sea will destroy<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything* that involves that city!<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we unleashed the same thing<br>&nbsp;&nbsp;&nbsp;&nbsp;against a city that controls<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a whole world that is hostile to us,<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you think will happen?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean Academy City!<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All science and technology<br>&nbsp;&nbsp;&nbsp;&nbsp;are influenced by Academy City.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If all of that were destroyed,<br>&nbsp;&nbsp;&nbsp;&nbsp;then damnable though it might be,<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we could root out the<br>&nbsp;&nbsp;&nbsp;&nbsp;side that encompasses<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;half of the world, overnight.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you think that will bring<br>&nbsp;&nbsp;&nbsp;&nbsp;happiness to everyone?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not! There are those who<br>&nbsp;&nbsp;&nbsp;&nbsp;do harm on the magical side, as well.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, they may continue.<br>&nbsp;&nbsp;&nbsp;&nbsp;In time, the impure will be purged.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are saying...!<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such is the earnest wish<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha, give it up, Sister Orsola.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross, via the weight thereof,<br>&nbsp;&nbsp;&nbsp;&nbsp;corrects one's haughtiness!<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, it is a little early,<br>&nbsp;&nbsp;&nbsp;&nbsp;but let's begin, Sister Agnese.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rejoice! You will receive the honor<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of killing the greatest number of enemies<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the history of the church of the cross!<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Among these... enemies that you speak of,<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Agnese is included, is she not?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You truly are a member of the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan Church now, huh?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you are panicking.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really do only act according<br>&nbsp;&nbsp;&nbsp;&nbsp;to your skepticism, don't you?<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot understand<br>&nbsp;&nbsp;&nbsp;&nbsp;people acting on their feelings.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No--you can understand it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you cannot believe it.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, stand aside.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you do, you cannot stop Biagio.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you do not resist,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you will make it through alive.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way I could do that, you know!<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over, Sister Orsola.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smile, Sister Agnese.<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch on as your dream is shattered.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you trying to pull?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All things in harmony.<br>&nbsp;&nbsp;&nbsp;&nbsp;Fifth of the Five Elements,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;symbolizing peace<br>&nbsp;&nbsp;&nbsp;&nbsp;and order, deploy this crosier!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Agnese! I asked<br>&nbsp;&nbsp;&nbsp;&nbsp;you what you're trying to pull!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! It's just as you suspected!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you believe that<br>&nbsp;&nbsp;&nbsp;&nbsp;I still think I'd like to look after<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Lucia and Sister Angelene,<br>&nbsp;&nbsp;&nbsp;&nbsp;then you're mistaken.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I think about you<br>&nbsp;&nbsp;&nbsp;&nbsp;sending those Sisters off to fight<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with your grimy orders,<br>&nbsp;&nbsp;&nbsp;&nbsp;it enrages me!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you mouth<br>&nbsp;&nbsp;&nbsp;&nbsp;off to me, you sinner!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simon bears the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross of the Son of God!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I recall, the Son of God...<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...did not have enough physical<br>&nbsp;&nbsp;&nbsp;&nbsp;strength left to bear the cross.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead, Simon carried his cross<br>&nbsp;&nbsp;&nbsp;&nbsp;to the hill where he was crucified.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I wrong?<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You noticed that?<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making someone else shoulder<br>&nbsp;&nbsp;&nbsp;&nbsp;the weight of the equipment...<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what this attack really is!<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely, you collected<br>&nbsp;&nbsp;&nbsp;&nbsp;the weight of the equipment<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of everyone working here,<br>&nbsp;&nbsp;&nbsp;&nbsp;and turned it into an attack.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that about the size of it?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your hands are so weak.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to go against me,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll need more sturdy arms.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, will my right hand do?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you... You heathen monkey!<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least check the body, you idiot.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My right hand is not as<br>&nbsp;&nbsp;&nbsp;&nbsp;feeble as you seem to think!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too slow!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't fall for that again!<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese...<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you hadn't protected Orsola for me,<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure something terrible<br>&nbsp;&nbsp;&nbsp;&nbsp;would have happened.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, geez...<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what do I have to do to destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole Queen of the Adriatic Sea?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, he said that this room,<br>&nbsp;&nbsp;&nbsp;&nbsp;at least, was irreplaceable.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you completely demolish<br>&nbsp;&nbsp;&nbsp;&nbsp;the function of this place,<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can never again--<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese!<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese! What's the matter?!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Rosary of the Appointed Time!<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, this is it?!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are doing something<br>&nbsp;&nbsp;&nbsp;&nbsp;to Agnese through that charm!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I can't. Not until<br>&nbsp;&nbsp;&nbsp;&nbsp;it has been adjusted.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as far as power goes,<br>&nbsp;&nbsp;&nbsp;&nbsp;I already have it right here.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;feared that someone would steal this<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and turn it back against them,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they took all sorts of measures.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, what do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;they prepared as a final measure,<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in case it were to fall into enemy hands?<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A self-destruct?!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a large-scale magical device,<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;supplied hermetically<br>&nbsp;&nbsp;&nbsp;&nbsp;by the sinners among the fleet.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking you can stop<br>&nbsp;&nbsp;&nbsp;&nbsp;it by breaking the walls or the floor.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the spell is activated,<br>&nbsp;&nbsp;&nbsp;&nbsp;the explosive force alone<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will devastate anything<br>&nbsp;&nbsp;&nbsp;&nbsp;within a 10-kilometer radius!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happens, there will<br>&nbsp;&nbsp;&nbsp;&nbsp;be casualties beyond the lagoon!<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese!<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola, take Agnese and go on without me.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take the Amakusa group<br>&nbsp;&nbsp;&nbsp;&nbsp;and withdraw from here.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what about you?<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got to stop him, right?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be sure to join up with<br>&nbsp;&nbsp;&nbsp;&nbsp;you later. So get going, Orsola!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You make sure.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You make absolutely sure!<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those bastards...<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A noble cause that will go down<br>&nbsp;&nbsp;&nbsp;&nbsp;in Roman Orthodox history, they said.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told them, it was too soon for this.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm done for now.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why you're dragging<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone else down with you?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, you're just<br>&nbsp;&nbsp;&nbsp;&nbsp;seeking solace, aren't you?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody gets into things this deep<br>&nbsp;&nbsp;&nbsp;&nbsp;and doesn't feel a sense of doom.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the menace of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone would go along with my decision.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just the final icing on the cake.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To this end, they can have the Adriatic Sea.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Biagio...!<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the face! It's that<br>&nbsp;&nbsp;&nbsp;&nbsp;tenacity that is our menace!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I must be<br>&nbsp;&nbsp;&nbsp;&nbsp;sure to stamp it out right here!<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such is the final attack that<br>&nbsp;&nbsp;&nbsp;&nbsp;I offer the Roman Orthodox Church!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Biagio!<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross, via the weight thereof,<br>&nbsp;&nbsp;&nbsp;&nbsp;corrects one's haughtiness!<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Sister Agnese by herself<br>&nbsp;&nbsp;&nbsp;&nbsp;really that meaningful a reward to you?<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no longer any place<br>&nbsp;&nbsp;&nbsp;&nbsp;around that will welcome her.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't you understand that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you heathen monkey?!<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I *could* understand that!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dirty bastard!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Biagio!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your left hand?!<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're using my attack against me!<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll fight you.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you come after<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese and the others again,<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'll stand against you,<br>&nbsp;&nbsp;&nbsp;&nbsp;again and again.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you coming around?<br>&nbsp;&nbsp;&nbsp;&nbsp;The Adriatic Sea isn't that cold, huh?<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you so happy about?<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me it's because I didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;leave you behind this time.<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm not in that great a mood!<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you have a phone call.<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, come back<br>&nbsp;&nbsp;&nbsp;&nbsp;to Academy City at once.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having an outside hospital<br>&nbsp;&nbsp;&nbsp;&nbsp;checking over that body of yours<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;may not be a good idea, you know.<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There should be an Academy City-built<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;supersonic passenger<br>&nbsp;&nbsp;&nbsp;&nbsp;plane at the airport there.<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I haven't even been<br>&nbsp;&nbsp;&nbsp;&nbsp;in Italy for a whole day yet--<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes...<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a message from<br>&nbsp;&nbsp;&nbsp;&nbsp;a girl who asked to see you<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;very much for me to pass on.<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said "Make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;you're ready for the penalty game<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Daihasei<br>&nbsp;&nbsp;&nbsp;&nbsp;Festival when you get back."<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto?!<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, let me go!<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to go back!<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Good work.<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you know, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted a debriefing report,<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should ask the Amakusa.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a member of the Amakusa anymore.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it was okay to be alone<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be that as it may, you once again<br>&nbsp;&nbsp;&nbsp;&nbsp;caused Kami a lot of trouble, yeah?<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're at the point now<br>&nbsp;&nbsp;&nbsp;&nbsp;where even a whole day<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting on him in a maid outfit<br>&nbsp;&nbsp;&nbsp;&nbsp;still wouldn't cover it.<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! I could lend you the fallen<br>&nbsp;&nbsp;&nbsp;&nbsp;angel maid set that I have!<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could go all-out in that!<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How far are you going<br>&nbsp;&nbsp;&nbsp;&nbsp;to carry this nonsense?!<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And do you really own something like that?!<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being there as the seasons roll around<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Even as someone who is one of<br>&nbsp;&nbsp;&nbsp;&nbsp;less than twenty saints in the world,<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the broken clock start up again*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you still have to be<br>&nbsp;&nbsp;&nbsp;&nbsp;ready to meet your fate--<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may be <br>
&nbsp;&nbsp;&nbsp;&nbsp;a helpless piece of junk*<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how I feel <br>
&nbsp;&nbsp;&nbsp;&nbsp;like I can change that*<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[24:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and that's that, Toma.<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[24:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I am home now.<br>**[24:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh...<br>**[24:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens, I picked up some<br>&nbsp;&nbsp;&nbsp;&nbsp;extra baggage along the way.<br>**[24:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must say,<br>&nbsp;&nbsp;&nbsp;&nbsp;that was a little too hasty.<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think you're talking to?<br>**[24:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you--are you aware of<br>&nbsp;&nbsp;&nbsp;&nbsp;with whom you are taking that tone?<br>**[24:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman pope, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;So what if you are?<br>**[24:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you direct any<br>&nbsp;&nbsp;&nbsp;&nbsp;ill will at me, you will die!<br>**[24:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Right Seat of God...<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even a pope rattles you, huh?<br>**[25:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look this over and sign it.<br>**[25:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you giving me an order?<br>**[25:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, this document is...<br>**[25:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were thinking of ordering<br>&nbsp;&nbsp;&nbsp;&nbsp;it yourself, in time, right?<br>**[25:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City calmly enters autumn.<br>**[25:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But one promise tears through<br>&nbsp;&nbsp;&nbsp;&nbsp;the otherwise peaceful days.<br>**[25:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what is about to happen?<br>**[25:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Penalty Game."<br>**[25:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 41 - Penalty Game

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a penalty game,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you have to do whatever I say...<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ngah! This is bugging me!<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has been like this day and<br>&nbsp;&nbsp;&nbsp;&nbsp;night since the Daihasei Festival!<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, just who<br>&nbsp;&nbsp;&nbsp;&nbsp;is it you are talking to<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in such a sweet, enticing voice?<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I have you do first...?<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-A cheek rub?<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, who is... who is...<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...just who is that fluffy<br>&nbsp;&nbsp;&nbsp;&nbsp;pillow standing in for?!<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was a bird that could<br>
&nbsp;&nbsp;&nbsp;&nbsp;not fly any farther than this*<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It rebuked the blue skies<br>
&nbsp;&nbsp;&nbsp;&nbsp;on fine, flawless wings*<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that bad*<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That sky is not that high*<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that good*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Afraid of the speed<br>
&nbsp;&nbsp;&nbsp;&nbsp;it would feel in its body*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everybody has a chance,*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but they cannot go any farther*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;cannot take flight*<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;want to take flight*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, beyond the wish<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to make come true*<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you shine*<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In my eyes I picture you*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Standing in the future,<br>
&nbsp;&nbsp;&nbsp;&nbsp;always strong,"*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and that "you" is me*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are still blindingly bright*<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in the same spirit,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I reach out my hand*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the "I" who I am will<br>
&nbsp;&nbsp;&nbsp;&nbsp;someday grab hold to become*<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the you that I will be*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#17 Penalty Game<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Look! Look!<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While Misaka was in the hospital,<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone's clothes changed,"<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka--waah!<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your clothes keep<br>&nbsp;&nbsp;&nbsp;&nbsp;you too cool, dummy.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, don't go<br>&nbsp;&nbsp;&nbsp;&nbsp;crawling over the lap of someone<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who still isn't well,<br>&nbsp;&nbsp;&nbsp;&nbsp;and just got discharged<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to look outside, you dirty little brat.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How mean! Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;still isn't well, either, you know,"<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--says Misaka Misaka--<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay, that's enough!<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can finish your<br>&nbsp;&nbsp;&nbsp;&nbsp;heartwarming squabble<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once we arrive at our<br>&nbsp;&nbsp;&nbsp;&nbsp;new residence, if you please.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where is this new residence?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the time being,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's with a friend of mine.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dropping out of<br>&nbsp;&nbsp;&nbsp;&nbsp;the school you're in now, right?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm through with anything having<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with that Level 6 business.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The person I'm setting you<br>&nbsp;&nbsp;&nbsp;&nbsp;up with is not in the research field.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she's someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;will take your side.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph...<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now there's one<br>&nbsp;&nbsp;&nbsp;&nbsp;more of these idiots, huh?<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to meet someone...<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do that for?!<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, when you say it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, it just sounds sarcastic.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you set off a request like that,<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all the weird girls in<br>&nbsp;&nbsp;&nbsp;&nbsp;the area start popping up.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. Knowing you, Kami,<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have everything<br>&nbsp;&nbsp;&nbsp;&nbsp;from super-computer robot girls<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to hot spring fairy girls who<br>&nbsp;&nbsp;&nbsp;&nbsp;end up doing heaven only knows what.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That being said, take a look at this.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Stiff shoulder holder."<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Appearances to the contrary,<br>&nbsp;&nbsp;&nbsp;&nbsp;my shoulders are terribly stiff.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm absolutely sure this will help,<br>&nbsp;&nbsp;&nbsp;&nbsp;but what do you think, Kami?<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! That thing<br>&nbsp;&nbsp;&nbsp;&nbsp;is obviously a scam!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll call later to complain, and...<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why having a pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;girl rub my shoulders would be best.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I know exactly what you're gonna say!<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, try coming up<br>&nbsp;&nbsp;&nbsp;&nbsp;with anything better than a pretty girl<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to treat your stiff shoulders.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many times do I have to<br>&nbsp;&nbsp;&nbsp;&nbsp;tell you, the "stiff shoulder holder"?!<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I know just the right person.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who is always<br>&nbsp;&nbsp;&nbsp;&nbsp;suffering from being tense,<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet is a sucker for<br>&nbsp;&nbsp;&nbsp;&nbsp;these kinds of mail order products.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I'm saying is<br>&nbsp;&nbsp;&nbsp;&nbsp;that world peace, you see...<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm...<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose, are you here?!<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's our life's wish!<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us massage you, Fukiyose?!<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, everyone,<br>&nbsp;&nbsp;&nbsp;&nbsp;next up is our chemistry class.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My relaxed classroom has turned into<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a lawless battle arena for delinquents!<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's for the sake of world peace.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, starting today,<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will all begin a little<br>&nbsp;&nbsp;&nbsp;&nbsp;rehab therapy of your own.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is everyone okay with wearing<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai Middle School's<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;winter uniform for your street clothes?<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No problem," replies Misaka 10032.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The four of you are the same size.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We are all identical; you<br>&nbsp;&nbsp;&nbsp;&nbsp;need not even measure us,"<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;replies Misaka 13577 swiftly.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There has been no time to<br>&nbsp;&nbsp;&nbsp;&nbsp;allow for any difference in sizes,"<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;adds Misaka 10039.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mi..."<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka..."<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Is something the matter,<br>&nbsp;&nbsp;&nbsp;&nbsp;19090?" asks Misaka... Huh?<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There is enough room for<br>&nbsp;&nbsp;&nbsp;&nbsp;me to fit two fingers in here!"<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka 10032 immediately.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But all of us Misakas are<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be the same,"<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 13577,<br>&nbsp;&nbsp;&nbsp;&nbsp;registering her dismay.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What about<br>&nbsp;&nbsp;&nbsp;&nbsp;her bust, and elsewhere?"<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka 10039,<br>&nbsp;&nbsp;&nbsp;&nbsp;proposing a thorough physical.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, individual differences<br>&nbsp;&nbsp;&nbsp;&nbsp;will arise, due to diet and exercise.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In other words, without<br>&nbsp;&nbsp;&nbsp;&nbsp;telling the other Misakas,<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have you been engaging<br>&nbsp;&nbsp;&nbsp;&nbsp;in what is popularly called a diet?"<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 10032,<br>&nbsp;&nbsp;&nbsp;&nbsp;continuing the cross-examination.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Now that you mention it, I have seen 19090<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with her nose buried in a<br>&nbsp;&nbsp;&nbsp;&nbsp;weekly women's magazine before,"<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka 13577 suddenly remembers.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"At that time, she obtained<br>&nbsp;&nbsp;&nbsp;&nbsp;top-secret information<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that if one places a ring<br>&nbsp;&nbsp;&nbsp;&nbsp;received from a boy one likes<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the left ring finger,<br>&nbsp;&nbsp;&nbsp;&nbsp;one is a winner,"<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 10039, seizing<br>&nbsp;&nbsp;&nbsp;&nbsp;the opportunity to spill the beans.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ring... Winner...<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Misaka was...<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you all do the same<br>&nbsp;&nbsp;&nbsp;&nbsp;thing that Miss 19090 here did,<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can undergo the same<br>&nbsp;&nbsp;&nbsp;&nbsp;change that she did, can't you?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"M-Misaka will follow her crisis<br>&nbsp;&nbsp;&nbsp;&nbsp;management functions and flee!"<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka--<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there, there you are!<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This calls for, yeah, *that*.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Just my luck."<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big idea, responding<br>&nbsp;&nbsp;&nbsp;&nbsp;like that after seeing me?!<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, did you need something<br>&nbsp;&nbsp;&nbsp;&nbsp;from me, Zapper?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you can take that<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of attitude with me right now?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The penalty game!<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh...<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean I'm still on the hook for that?<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking you<br>&nbsp;&nbsp;&nbsp;&nbsp;can blow it off on your own!<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, you still have<br>&nbsp;&nbsp;&nbsp;&nbsp;to do anything I tell you.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I know that anything<br>&nbsp;&nbsp;&nbsp;&nbsp;an average Joe like you can do<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't amount to very much.<br>&nbsp;&nbsp;&nbsp;&nbsp;Though as far as that goes,<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how about you still give me your best?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well! In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;you may ask anything you wish of me!<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Milady, let me first provide<br>&nbsp;&nbsp;&nbsp;&nbsp;a comfortable environment.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, incompetent as I am,<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;beg you to please<br>&nbsp;&nbsp;&nbsp;&nbsp;forgive my shortcomings!<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you dummy! Stop blowing up<br>&nbsp;&nbsp;&nbsp;&nbsp;my skirt as hard as you can!<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kuroko!<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What a well-tempered<br>&nbsp;&nbsp;&nbsp;&nbsp;hardball posture of servitude!<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This troglodyte is not to<br>&nbsp;&nbsp;&nbsp;&nbsp;be underestimated. However...<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That role is supposed to be mine!<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that, you idiots!<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of ritual is this?!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I, some kind of cult leader?!<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the woman who<br>&nbsp;&nbsp;&nbsp;&nbsp;will be looking after you now.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, you haven't forgotten<br>&nbsp;&nbsp;&nbsp;&nbsp;my face already, have you?<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean you! What I meant was,<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this unexplainable little creature, here!<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What do you mean, unexplainable?!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how I might look, I am a teacher!<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch! So the research to<br>&nbsp;&nbsp;&nbsp;&nbsp;control the effects of cell aging<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has already been perfected, has it?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um... It isn't like that.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You poor thing!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you've been<br>&nbsp;&nbsp;&nbsp;&nbsp;through nothing but experiments,<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and haven't had<br>&nbsp;&nbsp;&nbsp;&nbsp;any free time for yourself,"<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, softly dabbing<br>&nbsp;&nbsp;&nbsp;&nbsp;her eyes with a handkerchief.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, listen to what I'm saying!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha! Wow, they've<br>&nbsp;&nbsp;&nbsp;&nbsp;really got your number, huh?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, did you bring<br>&nbsp;&nbsp;&nbsp;&nbsp;them here to get "my number"?!<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you up to my apartment right away.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just go bring the car around.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about this?<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Letting me crash at your place?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No problem." I've got<br>&nbsp;&nbsp;&nbsp;&nbsp;an extra room, so it's no--<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean that.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean sheltering me like<br>&nbsp;&nbsp;&nbsp;&nbsp;this is like you're asking to take on<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole damn ugly<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City underworld.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm doing it.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you forgotten my line of work?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think there are many<br>&nbsp;&nbsp;&nbsp;&nbsp;folks who would openly come out<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and attack the residence<br>&nbsp;&nbsp;&nbsp;&nbsp;of an Antiskill officer.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say I didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;warn you, after you're dead.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your name could be written<br>&nbsp;&nbsp;&nbsp;&nbsp;on one of those crowds' lists!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's my job to revise those lists.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's all the same, I'm glad.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like helping you<br>&nbsp;&nbsp;&nbsp;&nbsp;will be a lot simpler than I'd heard.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really mean that?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, won't it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Say whatever you will,<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're trying to eliminate<br>&nbsp;&nbsp;&nbsp;&nbsp;your landlady's risks.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is to say, you're trying<br>&nbsp;&nbsp;&nbsp;&nbsp;your hardest to protect us, right?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, this is why idiots like<br>&nbsp;&nbsp;&nbsp;&nbsp;her are so hard to manage.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's late! What is he up to?!<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seventh Mist at exactly 1:00!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're even one second late,<br>&nbsp;&nbsp;&nbsp;&nbsp;you know what will happen!<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's making me<br>&nbsp;&nbsp;&nbsp;&nbsp;look like an idiot, isn't he?<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somen noodles again today.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! Why are we<br>&nbsp;&nbsp;&nbsp;&nbsp;having nothing but this lately?!<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? Some sort of<br>&nbsp;&nbsp;&nbsp;&nbsp;magic to regulate our insides,<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using the culture of cuisine?<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just happen to have been<br>&nbsp;&nbsp;&nbsp;&nbsp;given a lot of it as a present!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try putting yourself in my shoes,<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;having to come up with<br>&nbsp;&nbsp;&nbsp;&nbsp;original ideas day after day,<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like salad-style, pasta-style,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and *udon*-noodle-style!<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado Maika...<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to share<br>&nbsp;&nbsp;&nbsp;&nbsp;this joy with somebody!<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These! These! Maids generally<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't allowed to stand out too much.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But by fussing around<br>&nbsp;&nbsp;&nbsp;&nbsp;with my sleeves and collar,<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can secretly express my individuality.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in a very good mood right now,<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you have anything on your mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be willing to hear about it.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like to learn some new<br>&nbsp;&nbsp;&nbsp;&nbsp;ways to eat somen noodles!<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought the salaries of public servants<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;be getting trimmed back.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This building also serves<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a structural<br>&nbsp;&nbsp;&nbsp;&nbsp;engineering field test site,<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so part of the rent is<br>&nbsp;&nbsp;&nbsp;&nbsp;paid for by the university.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Amazing! Amazing!<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a speck of dust,"<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka offering<br>&nbsp;&nbsp;&nbsp;&nbsp;her praise while jumping on the sofa!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had to write<br>&nbsp;&nbsp;&nbsp;&nbsp;another formal apology, huh?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Ah-ha... Whatever do you mean?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has a habit of<br>&nbsp;&nbsp;&nbsp;&nbsp;straightening up her room<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever she has<br>&nbsp;&nbsp;&nbsp;&nbsp;a problem come up.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does it without<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking of the consequences,<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she often loses<br>&nbsp;&nbsp;&nbsp;&nbsp;her keys and whatnot.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is that any way to talk about someone<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is looking for your<br>&nbsp;&nbsp;&nbsp;&nbsp;next job together with you?<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that the kitchen<br>&nbsp;&nbsp;&nbsp;&nbsp;will be the same as always, right?<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now! Kikyo,<br>&nbsp;&nbsp;&nbsp;&nbsp;you eat the food I cook<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as if it tastes<br>&nbsp;&nbsp;&nbsp;&nbsp;good enough, don't you?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I don't know how it's made.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wow! Why are there so many rice cookers?"<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, counting them all.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rice cooker is a miracle<br>&nbsp;&nbsp;&nbsp;&nbsp;appliance that can do anything.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not coming.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Uiharu.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I think Miss Shirai will be<br>&nbsp;&nbsp;&nbsp;&nbsp;coming by to pick up some things.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai offloaded her<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment workload onto me--<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I mean, she is awfully busy at work,<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I've come in her place.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you don't say.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's Tokiwadai<br>&nbsp;&nbsp;&nbsp;&nbsp;Middle School for you.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's amazing you can<br>&nbsp;&nbsp;&nbsp;&nbsp;learn the violin in class, huh?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're overblowing things.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to give it a try?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it, support the instrument<br>&nbsp;&nbsp;&nbsp;&nbsp;with your collarbone and jaw.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gently hold the<br>&nbsp;&nbsp;&nbsp;&nbsp;neck with your left hand.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold the bow so the strings<br>&nbsp;&nbsp;&nbsp;&nbsp;are perpendicular, and then slowly...<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? Simple, right?<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's almost like I'm in a dream!<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U... i... ha... ru!!<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you wasting time around here for?<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, sorry, sorry.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, listen,<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm* the one who won the contest<br>
&nbsp;&nbsp;&nbsp;&nbsp;with a penalty game at stake!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why should *I* have to be kept<br>
&nbsp;&nbsp;&nbsp;&nbsp;waiting here for over an hour?!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, it's nothing too profound...<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh? I'm sure<br>&nbsp;&nbsp;&nbsp;&nbsp;we agreed on 1:00, right?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you here thirty minutes before that?<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I am sorry.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's not as though I started<br>
&nbsp;&nbsp;&nbsp;&nbsp;waiting *exactly* an hour ago...<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, did you...<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... that is...<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you want to make me suffer<br>
&nbsp;&nbsp;&nbsp;&nbsp;through this penalty game *that* badly?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are pretty insidious.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bulls-eye?<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop being so defiant!<br>
&nbsp;&nbsp;&nbsp;&nbsp;*You're* the one that lost back there!<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to do whatever I say, right?!<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-When you say "whatever,"<br>&nbsp;&nbsp;&nbsp;&nbsp;within the bounds of possibility...<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You. Will. Do. It. Right?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me!<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, where?!<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you to<br>&nbsp;&nbsp;&nbsp;&nbsp;shut up and come with me!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the first penalty!<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean there's not just one?!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Handy Antenna Campaign"<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Handy Antenna service?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, something to replace the<br>&nbsp;&nbsp;&nbsp;&nbsp;antenna base on your cell phone.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Subscribers can construct<br>&nbsp;&nbsp;&nbsp;&nbsp;their own network with them.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, if you sign a pair contract,<br>&nbsp;&nbsp;&nbsp;&nbsp;the calling rate becomes cheaper.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pair contract?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, right now, everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who agrees to a set contract<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will receive a<br>&nbsp;&nbsp;&nbsp;&nbsp;Lovely Mitten Gekota strap!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why you're signing up with me.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're just after the strap, then?<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as far as frogs go, you've already got--<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're. Signing. Up. With. Me.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but, pair contracts<br>&nbsp;&nbsp;&nbsp;&nbsp;are what boyfriends and girlfriends<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sign up for together, aren't they?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You dummy!<br>&nbsp;&nbsp;&nbsp;&nbsp;What conclusion are you jumping to?!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says it's limited to male-female,<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but i-it doesn't have to<br>&nbsp;&nbsp;&nbsp;&nbsp;be boyfriend-girlfriend, right?!<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, a married<br>&nbsp;&nbsp;&nbsp;&nbsp;couple would be fine, too.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello in there.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotten far more serious<br>&nbsp;&nbsp;&nbsp;&nbsp;than boyfriend-girlfriend, Miss Misaka.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I-It's a penalty game, so don't<br>&nbsp;&nbsp;&nbsp;&nbsp;say anything and come with me!<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, we'll need a photo<br>&nbsp;&nbsp;&nbsp;&nbsp;to complete the paperwork.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a picture ID?<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, something that<br>&nbsp;&nbsp;&nbsp;&nbsp;lets us know you two are a pair.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can even use your cell phone<br>&nbsp;&nbsp;&nbsp;&nbsp;to take a two-shot of both of you.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A two-shot?!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about it? Want to make do<br>&nbsp;&nbsp;&nbsp;&nbsp;with my cell phone camera right off?<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, okay...<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here it goes.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me just make sure, here.<br>&nbsp;&nbsp;&nbsp;&nbsp;You told me you wanted this, right?<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I know I did!<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just you wait, Gekota!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Here goes.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! Whenever you're ready!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you're pulling a face, Misaka.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you looking the other way?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think this<br>&nbsp;&nbsp;&nbsp;&nbsp;is what a pair looks like.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Let's try taking it again.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with the forced<br>&nbsp;&nbsp;&nbsp;&nbsp;expression again, Misaka?!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you distancing yourself from me?!<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, for this two-shot,<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we just have to make<br>&nbsp;&nbsp;&nbsp;&nbsp;it look like we're in love, right?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, do it like this!<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smile, Misaka! This photo is<br>&nbsp;&nbsp;&nbsp;&nbsp;for the paperwork, right?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as we think of it in<br>&nbsp;&nbsp;&nbsp;&nbsp;that way, this won't be a problem.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah... Well, you're right.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just taking a picture that<br>
&nbsp;&nbsp;&nbsp;&nbsp;makes it *look* that way, aren't we?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah, we're just taking a picture!<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. It was a mistake for<br>&nbsp;&nbsp;&nbsp;&nbsp;me to underestimate him<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as just a Johnny-come-lately thrall of yours.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you've been going around<br>&nbsp;&nbsp;&nbsp;&nbsp;everywhere splurging with him.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't go getting the wrong idea!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to get a Gekota strap...<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...so I needed a photo for a pair contract...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, you need not<br>&nbsp;&nbsp;&nbsp;&nbsp;have lowered yourself to this boy;<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you and I had become a pair,<br>&nbsp;&nbsp;&nbsp;&nbsp;there would not be any problem!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let us take some pictures.<br>&nbsp;&nbsp;&nbsp;&nbsp;We will just slam them through.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait... Hey! Kuroko!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will make memories to last a lifetime!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, where are you taking me, Kuroko?!<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If everything's okay,<br>&nbsp;&nbsp;&nbsp;&nbsp;then can I go home now?<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you,<br>&nbsp;&nbsp;&nbsp;&nbsp;it has to be male-female!<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hitotsui Hajime, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;primarily busy with your concerts,<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but recently, you announced<br>&nbsp;&nbsp;&nbsp;&nbsp;you would be appearing in a movie.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, it's a Hollywood<br>&nbsp;&nbsp;&nbsp;&nbsp;picture, of all things.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fell asleep, huh?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;especially trying happen to you?<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, you're letting yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;become sloppy, you idiot.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with this thing on, it's all<br>&nbsp;&nbsp;&nbsp;&nbsp;you can do to fight for fifteen minutes.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hitotsui Hajime to star in his<br>&nbsp;&nbsp;&nbsp;&nbsp;first Hollywood production!!"<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The direction I got was just<br>&nbsp;&nbsp;&nbsp;&nbsp;right for me, being Japanese.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he not have any pretense?<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for the others, did they show<br>&nbsp;&nbsp;&nbsp;&nbsp;a particularly suitable understanding<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of me as being a<br>&nbsp;&nbsp;&nbsp;&nbsp;contemporary Japanese man?<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The words themselves<br>&nbsp;&nbsp;&nbsp;&nbsp;are spoken in native US English,<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so using just gestures,<br>&nbsp;&nbsp;&nbsp;&nbsp;manners, and attitude,<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody's here, huh?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;being told to show us that this<br>&nbsp;&nbsp;&nbsp;&nbsp;guy is Japanese was something--<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh well, guess I'll grab a shower.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"W-Why are you just barging in<br>&nbsp;&nbsp;&nbsp;&nbsp;here without any advance warning,"<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, reaching for<br>&nbsp;&nbsp;&nbsp;&nbsp;a bath towel after it's too late!<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you lock the door?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry. I've lived by<br>&nbsp;&nbsp;&nbsp;&nbsp;myself up to now, and I just forgot.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aiho, hurry and<br>&nbsp;&nbsp;&nbsp;&nbsp;wrap yourself up in this.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You two don't care that<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been seen naked, huh?"<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;asking a simple question.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, it's not really anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to make a fuss over, is it?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a child, and we're adults.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I would say more like biddies<br>&nbsp;&nbsp;&nbsp;&nbsp;than adults," says Misaka--<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow-w-w-w! Now they're suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;both giving Misaka's head noogies!<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just saying, be more wary.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"And that's what happened,"<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;giving an incident report.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In that case, it has already<br>&nbsp;&nbsp;&nbsp;&nbsp;gone out over the network,<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there is no reason to repeat<br>&nbsp;&nbsp;&nbsp;&nbsp;it all again verbally, is there?"<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka rationally points out.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I want to say it verbally<br>&nbsp;&nbsp;&nbsp;&nbsp;as much as it takes,"<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, finding<br>&nbsp;&nbsp;&nbsp;&nbsp;the outrageousness inexcusable!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"And now, being shut out<br>&nbsp;&nbsp;&nbsp;&nbsp;due to the apartment's auto-lock<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;makes your situation<br>&nbsp;&nbsp;&nbsp;&nbsp;seem even foolish, huh?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Misaka hadn't been passing by,<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would have been<br>&nbsp;&nbsp;&nbsp;&nbsp;all alone for a long time,"<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;secretly laughing on the inside.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It isn't Misaka's fault!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the auto-lock's!"<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka in exasperation!<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, where did that little brat go?<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it...<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You mean this?" asks Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;to verify the unexpected question.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All of the other Misakas have those,<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Misaka is the only one who doesn't,"<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, gazing enviously at it.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That Misaka is that Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;while this Misaka is this Misaka."<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, intimating<br>&nbsp;&nbsp;&nbsp;&nbsp;that you should give up.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Aww! Misaka wants one, too!"<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;using her small appearance to its fullest,<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to exercise some<br>&nbsp;&nbsp;&nbsp;&nbsp;spoiled-brat negotiation skills.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You may be going for endearing antics,<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's upsetting when used on<br>&nbsp;&nbsp;&nbsp;&nbsp;those of the same sex, and backfires,"<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, offering a kindly explanation.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Say, 10032, would you bow for me?"<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, asking a favor.<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You fell for it!"<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;her mugging plan a success!<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Nyah! If you want them<br>&nbsp;&nbsp;&nbsp;&nbsp;back, try and take them!"<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;basking in the afterglow of victory<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while making a mad dash!<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The time for revolution has come,"<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka 10032 hereby declares.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it<br>
&nbsp;&nbsp;&nbsp;&nbsp;was okay to be alone*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't turn back time that has passed*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being<br>
&nbsp;&nbsp;&nbsp;&nbsp;there as the seasons roll around*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;broken clock start up again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may<br>
&nbsp;&nbsp;&nbsp;&nbsp;be a helpless piece of junk*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how<br>
&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can change that*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Misaka Mikoto, now Misaka's Sister?!<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now there's<br>&nbsp;&nbsp;&nbsp;&nbsp;even a pint-sized Misaka.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't go running amok here!<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Index,<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're with them, then...<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Serial Number."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 42 - Serial Number (Specimen Number)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Archbishop!<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow-w-w...<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the item written in this report true?<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They do say that the<br>&nbsp;&nbsp;&nbsp;&nbsp;world moves at your word.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you suddenly set<br>&nbsp;&nbsp;&nbsp;&nbsp;foot into a lady's bathroom, Stiyl!<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's most inappropriate<br>&nbsp;&nbsp;&nbsp;&nbsp;for a clergyman!<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, just answer me!<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now,<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please fill in the details. Now!<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My vestments are clinging to me,<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;immodestly revealing my extremities...<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is wrong! Look away, Stiyl!<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not mean to let anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who pleases see my body!<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kore ijou tooku made<br>
&nbsp;&nbsp;&nbsp;&nbsp;tobenai tori ga ita*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kizu mo nai rippa na<br>
&nbsp;&nbsp;&nbsp;&nbsp;hane de aozora wo najitta*<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo warukunai*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano sora wa takakunai*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo yoku wa nai*<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karada de kanjiru sokudo wo osorete'ru*<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare ni demo chansu wa moteru*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sono saki e yukenai*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitatenai*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitachitai*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kanaetai negai<br>
&nbsp;&nbsp;&nbsp;&nbsp;no mukou de kagayaku*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ga iru*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitomi ni utsusu*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mirai ni tatte itsumo tsuyokute"*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sonna kimi ga boku sa*<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi wa mada mabushii kedo*<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji kimochi de kono te nobashite*<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*itsuka tsukamu genjitsu no boku ga*<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ni naru yo*<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#18 Serial Number (Specimen Number)<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would the archbishop<br>&nbsp;&nbsp;&nbsp;&nbsp;buy us such a complicated,<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;problematic device as this?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake,<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can just do your laundry<br>&nbsp;&nbsp;&nbsp;&nbsp;down at the river, right?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The river would be<br>&nbsp;&nbsp;&nbsp;&nbsp;going too far.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, apparently, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to press this button.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you won't<br>&nbsp;&nbsp;&nbsp;&nbsp;give in and wash by hand?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's try to press on a little longer.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our dream fully-automated<br>&nbsp;&nbsp;&nbsp;&nbsp;washing machine is right in front of us.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you already<br>&nbsp;&nbsp;&nbsp;&nbsp;finish today's wash this evening?<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Since<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't have any laundry...<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have laundry right here.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to take your<br>&nbsp;&nbsp;&nbsp;&nbsp;clothes off to make more laundry!<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't you two copy her!<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have to say, a Japanese *yukata*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seems put together to<br>&nbsp;&nbsp;&nbsp;&nbsp;make it very easy to take off.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... Miss Kanzaki, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;one of those who forgoes underwear.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the way<br>
&nbsp;&nbsp;&nbsp;&nbsp;you wear a *yukata*!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is quiet.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only wanted to see one work.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Far East denomination...<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a retired<br>&nbsp;&nbsp;&nbsp;&nbsp;ninja now, but what is it?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the manual here,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it says "please separate<br>&nbsp;&nbsp;&nbsp;&nbsp;non-colorfast items."<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that dyed sash<br>&nbsp;&nbsp;&nbsp;&nbsp;of yours gonna be all right?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Cancel! Where<br>&nbsp;&nbsp;&nbsp;&nbsp;is the cancel button?!<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are not<br>&nbsp;&nbsp;&nbsp;&nbsp;wearing underwear, huh?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...! Gekota!<br>&nbsp;&nbsp;&nbsp;&nbsp;Gekota! Gekota! Gekota!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, good grief.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you finish the paperwork?<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, huh?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?! I can get a Pyonko<br>&nbsp;&nbsp;&nbsp;&nbsp;together with my Gekota?!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!!<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that means...<br>&nbsp;&nbsp;&nbsp;&nbsp;you're Misaka's sister?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yes," affirms Misaka,<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;including her serial number,<br>&nbsp;&nbsp;&nbsp;&nbsp;10032, just in case.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't recognize you<br>&nbsp;&nbsp;&nbsp;&nbsp;without your goggles on.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Have you seen a<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka about this height?"<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, indicating a level<br>&nbsp;&nbsp;&nbsp;&nbsp;slightly lower than her chest.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you guys come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with a way to change your sizes?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Judging by your response,<br>&nbsp;&nbsp;&nbsp;&nbsp;you apparently have not,"<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, disappointed<br>&nbsp;&nbsp;&nbsp;&nbsp;by your failure to be of any help.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka had her<br>&nbsp;&nbsp;&nbsp;&nbsp;goggles stolen from her.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must be recovered at once,"<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, implicitly appealing<br>&nbsp;&nbsp;&nbsp;&nbsp;for help through upturned eyes.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Now, it's kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;hard for me to tell you apart.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you could start by<br>&nbsp;&nbsp;&nbsp;&nbsp;taking off your blazer, or something.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you<br>&nbsp;&nbsp;&nbsp;&nbsp;pulling your skirt down for?!<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it, forget it!<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take anything off!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. If you wore some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of accessory, I could tell you apart.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accessory?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, a ring maybe.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ring?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"At that time, she obtained<br>&nbsp;&nbsp;&nbsp;&nbsp;top-secret information<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that if one places a ring<br>&nbsp;&nbsp;&nbsp;&nbsp;received from a boy one likes<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the left ring finger,<br>&nbsp;&nbsp;&nbsp;&nbsp;one is a winner."<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, a ring wouldn't work.<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't stand out enough.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something I can tell at a glance...<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Right now, Misaka is playing<br>&nbsp;&nbsp;&nbsp;&nbsp;tag with one of the lower-number units,"<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;offering a status report.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I can't come home right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I hope you'll make me dinner,"<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;placing her order.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why that dirty brat!<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I shouldn't have opened<br>&nbsp;&nbsp;&nbsp;&nbsp;my home to all three of you.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only she had called my cell phone,<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have found out where she is.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, let go of me! Let me go!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Kikyo,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's your turn to stay here.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going out to look for her, right?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can analyze the<br>&nbsp;&nbsp;&nbsp;&nbsp;sounds in the background,<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can narrow her location down.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, you just let<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister Yomikawa handle that.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that abusing your authority?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finding lost children is *part* of my job!<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's go.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ring...<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...on Misaka's left ring finger...<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, if you don't like that one,<br>&nbsp;&nbsp;&nbsp;&nbsp;should we take it back?<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Please, do not take anything<br>&nbsp;&nbsp;&nbsp;&nbsp;else away from Misaka,"<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka in an<br>&nbsp;&nbsp;&nbsp;&nbsp;earnest, lowered voice.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Animal Donuts"?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, these look yummy!<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mind if I do!<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tweet-tweet-tweet-tweet-tweet...<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"These chicks are smart, not to bite,"<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;utters Misaka in a voice of wonder.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said there were still in<br>&nbsp;&nbsp;&nbsp;&nbsp;the experimental prototype phase,<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but these are pretty good.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They may be experimental...<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but Misaka respects<br>&nbsp;&nbsp;&nbsp;&nbsp;the lives of these chicks...<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you sparking for?<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you guys, what are you doing?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Misaka...<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"M-Misaka just came here<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to get back the goggles that<br>&nbsp;&nbsp;&nbsp;&nbsp;were taken from me," says Misaka...<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"And there was more,<br>&nbsp;&nbsp;&nbsp;&nbsp;but now, I am fixated on these frogs,"<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, changing the subject.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explain yourself better!<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, if you're down here...<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those? Let me see them!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sissy, you can just<br>&nbsp;&nbsp;&nbsp;&nbsp;stay engrossed in your frogs,"<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;states Misaka with cold assertion.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't hurt to look, will it?<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If you want them so badly,<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can have him buy them from<br>&nbsp;&nbsp;&nbsp;&nbsp;that person over there, like Misaka did,"<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, pointing out the right man.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The right man?<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember how you lost our bet,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have to do whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;I say as part of our penalty game?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet here we are, in the<br>&nbsp;&nbsp;&nbsp;&nbsp;middle of our penalty game...<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;make time with everyone else!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really like the sound of<br>&nbsp;&nbsp;&nbsp;&nbsp;my sister that much?!<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Incidentally, what<br>&nbsp;&nbsp;&nbsp;&nbsp;are you doing here, Sissy?"<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, beginning to<br>&nbsp;&nbsp;&nbsp;&nbsp;collect information.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we had a contest over<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival, you see.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, I won the bet,<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as part of the penalty game,<br>&nbsp;&nbsp;&nbsp;&nbsp;I get to drag him around, that's all.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, like, you see...<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In other words, Sissy,<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot be honest with him?"<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, analyzing the data.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you analyzing to figure *that*?!<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to hide! For one thing,<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what's the point of being<br>&nbsp;&nbsp;&nbsp;&nbsp;honest with a guy like this?!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, Misaka will take<br>&nbsp;&nbsp;&nbsp;&nbsp;a different route than the Original.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Check this,"<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, casually<br>&nbsp;&nbsp;&nbsp;&nbsp;showing off to the Original<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the accessory that he bought for her.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka also hugs him from the other side!"<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;blending herself in with the amusement!<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka"? You mean, this sister's sister?!<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serial number 20001.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You have some nerve,<br>&nbsp;&nbsp;&nbsp;&nbsp;strolling up beside Misaka like this,"<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, switching to<br>&nbsp;&nbsp;&nbsp;&nbsp;serious mode before she realizes it.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka is tired of playing that game now,"<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, embarking<br>&nbsp;&nbsp;&nbsp;&nbsp;on her next spot of entertainment.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do you think you're<br>&nbsp;&nbsp;&nbsp;&nbsp;getting away from me?"<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, pulling a rifle out of her bag.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If that's what you<br>&nbsp;&nbsp;&nbsp;&nbsp;call serious, it's laughable!"<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, poking fun.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The real fun is just getting started,"<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, making the<br>&nbsp;&nbsp;&nbsp;&nbsp;final transition to Misaka Full Boost.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The underground mall?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We detected some low<br>&nbsp;&nbsp;&nbsp;&nbsp;frequencies from the call we traced<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the message<br>&nbsp;&nbsp;&nbsp;&nbsp;on the answering machine.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, she's in Area U, which<br>&nbsp;&nbsp;&nbsp;&nbsp;is to say, the underground mall.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, you're telling me to go there?<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, yeah.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, there's no telling<br>&nbsp;&nbsp;&nbsp;&nbsp;whether a girl as quick as she is<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will still be in the same place now.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Accelerator...<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that afraid to<br>&nbsp;&nbsp;&nbsp;&nbsp;direct any good will toward others?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd you say?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to accept the good<br>&nbsp;&nbsp;&nbsp;&nbsp;will shown to you by Last Order,<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you refuse to show any<br>&nbsp;&nbsp;&nbsp;&nbsp;good will from yourself toward her.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you're afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;it will backfire on you,<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there will be no undoing it.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lecturing me?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I don't think someone like<br>&nbsp;&nbsp;&nbsp;&nbsp;me could understand your gloom.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not considering<br>&nbsp;&nbsp;&nbsp;&nbsp;the place you used to be in.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;X-S Institute, right?<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exceptional Esper Multi-Modification<br>&nbsp;&nbsp;&nbsp;&nbsp;Technical Research Institute.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was dumped in that place until I was 9.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The place was a trash heap<br>&nbsp;&nbsp;&nbsp;&nbsp;where they'd dispose of living people.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have at<br>&nbsp;&nbsp;&nbsp;&nbsp;least heard the stories, right?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was my squad that<br>&nbsp;&nbsp;&nbsp;&nbsp;neutralized and dismantled them.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for that.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw it, too--what was lying on<br>&nbsp;&nbsp;&nbsp;&nbsp;the other side of those heavy doors.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I was a monster that not<br>&nbsp;&nbsp;&nbsp;&nbsp;even the X-S Institute could handle.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard about<br>&nbsp;&nbsp;&nbsp;&nbsp;it from Yoshikawa, right?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About what I did<br>&nbsp;&nbsp;&nbsp;&nbsp;in those "experiments"?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's impossible for<br>&nbsp;&nbsp;&nbsp;&nbsp;me to express good will.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, you still hate<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself for that. Am I wrong?<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a little rule<br>&nbsp;&nbsp;&nbsp;&nbsp;that I impose on myself.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not turn a weapon on a child.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they are an esper.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know why?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's why. Sure, maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't compare to your situation.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it doesn't change the<br>&nbsp;&nbsp;&nbsp;&nbsp;fact that we are both indebted.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how flat-footed it leaves us,<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to keep paying it back.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, unlike me, you have power.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are any number of<br>&nbsp;&nbsp;&nbsp;&nbsp;ways you can do it.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I had used my<br>&nbsp;&nbsp;&nbsp;&nbsp;power to stop the experiments...?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I could have held them back<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from pushing their way<br>&nbsp;&nbsp;&nbsp;&nbsp;down a path to their deaths...?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if even now, it's not too late...?<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if...?<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bullcrap.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's by socking away this bullcrap<br>&nbsp;&nbsp;&nbsp;&nbsp;that we pay back our debts.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what was in the report, is it?<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a well-made 3D image, huh?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For heaven's sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;what a complicated bit of mischief.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's contact headquarters<br>&nbsp;&nbsp;&nbsp;&nbsp;and start checking out<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the espers who could do this.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez...<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was all that, exactly?<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That stupid jerk!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does he think<br>
&nbsp;&nbsp;&nbsp;&nbsp;the promise he made *me* is?!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"1st place today"   "1st place all-time"<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it. I don't get it, but...<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it's just my luck.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How come your shoulders are<br>&nbsp;&nbsp;&nbsp;&nbsp;drooping like you're worn out?"<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka...<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...grabbing you from behind<br>&nbsp;&nbsp;&nbsp;&nbsp;like a soothing mascot.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that Mini-Misaka from earlier?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we have here?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, I'm out looking for Toma,<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but along the way, I got hungry, and then...<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can eat, or you can talk; pick one.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, didn't you have<br>&nbsp;&nbsp;&nbsp;&nbsp;something you wanted to tell me?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Thanks.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just one word, huh?<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? My name is Index.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't introduce yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;when your face is dirty.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever seen this kid?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your time, would you?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never forget the faces of people I see.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this is great!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I can look for Toma<br>&nbsp;&nbsp;&nbsp;&nbsp;without worrying about my stomach.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though now that my stomach is full,<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think my reason<br>&nbsp;&nbsp;&nbsp;&nbsp;for finding Toma is as pressing.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you don't say. I'm not<br>&nbsp;&nbsp;&nbsp;&nbsp;helping you look. Ask someone else.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you busy?<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, unfortunately, I'm very busy.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what you're saying is,<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're like a host computer<br>&nbsp;&nbsp;&nbsp;&nbsp;with all the Sisters tied into you?<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Probably closer to a console than a host,"<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka by way of correction.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Misakas have<br>&nbsp;&nbsp;&nbsp;&nbsp;no central point anywhere,<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it doesn't really mean anything<br>&nbsp;&nbsp;&nbsp;&nbsp;for there to be a specific individual<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;acting as the network's 'core,'"<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;brags Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;head held high while lecturing!<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Listen, you helped out<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka during the 'experiments,'<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came to say thank you,"<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, citing<br>&nbsp;&nbsp;&nbsp;&nbsp;a Grateful Crane-like development!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is it you're really up to?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You don't believe me for an instant!"<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, stamping her feet,<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and swinging her arms as hard as she can!<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry! Sorry! My bad! Look...<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll buy you some of that<br>&nbsp;&nbsp;&nbsp;&nbsp;if you'll forgive me! Okay?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"D-Do you think you can<br>&nbsp;&nbsp;&nbsp;&nbsp;sway a girl's delicate feelings<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by buying her food?"<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka indignantly.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, Toma is always<br>&nbsp;&nbsp;&nbsp;&nbsp;going off somewhere, leaving me behind.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be a kind of wanderlust--<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like he's someone who goes<br>&nbsp;&nbsp;&nbsp;&nbsp;off on a journey before he realizes it.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what are you doing down here?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking for someone.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl on your cell phone?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I am?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I still<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't thanked you, huh?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, just be quiet and go away, kid.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still haven't thanked you, huh?<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't just ignore what I'm saying!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that one girl, right?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can help look for her<br>&nbsp;&nbsp;&nbsp;&nbsp;together with you until I find Toma.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'kay?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all...<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what?<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka snatched these from someone,"<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;bragging about her trophy.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? I'm just<br>&nbsp;&nbsp;&nbsp;&nbsp;starting to feel relieved,<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now you're<br>&nbsp;&nbsp;&nbsp;&nbsp;declaring yourself to be a bandit?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, those goggles...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's sister was looking for those.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But these weren't made to fit Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;so she can't wear them right,"<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, a little ruefully.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you could just<br>&nbsp;&nbsp;&nbsp;&nbsp;adjust the length of the band, right?<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you okay?<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like I've seen her before,<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's too small to have been her.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-uh, I don't recognize her, all right.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then give that back!<br>&nbsp;&nbsp;&nbsp;&nbsp;You good-for-nothing little brat!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, all done.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Now Misaka can see perfectly, too!"<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka delightedly!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But what it cost me is<br>&nbsp;&nbsp;&nbsp;&nbsp;by no means a small price,"<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;remembers Misaka Misaka,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while nonetheless demonstrating<br>&nbsp;&nbsp;&nbsp;&nbsp;her joy throughout her whole body!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Listen, Misaka has<br>&nbsp;&nbsp;&nbsp;&nbsp;to be going home soon,"<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;delivering some bad news.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it is getting late, after all.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I really do wish we<br>&nbsp;&nbsp;&nbsp;&nbsp;could stay together longer,"<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka... despondently.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Our meeting like this<br>&nbsp;&nbsp;&nbsp;&nbsp;was just a coincidence,<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the part about wanting<br>&nbsp;&nbsp;&nbsp;&nbsp;to thank you was the truth,"<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;pouring out her heart.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think he's going to be worried.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He"?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If Misaka is too late,<br>&nbsp;&nbsp;&nbsp;&nbsp;he may come looking for her.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka doesn't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a bother or anything,"<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka with a smile.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, sounds like a nice guy, doesn't he?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He's weak. He's been hurt an awful lot,<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since not only could he<br>&nbsp;&nbsp;&nbsp;&nbsp;not protect what he had in hand,<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now the same hands that<br>&nbsp;&nbsp;&nbsp;&nbsp;scooped them up are in shambles.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she doesn't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to burden him any further.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now Misaka is going to protect him!"<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka unburdening herself.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's Toma!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy you're looking for?<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch... Go ahead.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But what about your friend?<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I just found mine, too.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, I'll be going. Thanks.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm back!"<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;offering the standard greeting--<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey, why do you keep chopping<br>&nbsp;&nbsp;&nbsp;&nbsp;me without saying anything?"<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;holding her head and faking crying.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, what<br>&nbsp;&nbsp;&nbsp;&nbsp;have you been doing up to now?<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Playing with someone,"<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, answering honestly.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma! I finally found you!<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing down here?<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? You know what?<br>&nbsp;&nbsp;&nbsp;&nbsp;I had that man help me out of a jam.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, which man?<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator!<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come quick, or you'll be left behind!<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, pipe down, you dirty brat.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitori de ii to tsubuyaita*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to aru sekai no chuushin de*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokei no hari wo orimagete*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hitomi tojite'ta*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sugisatta toki wa modosenai kedo*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ano hi oshiete kureta yo ne*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore de ii n' da to*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Megurimeguru kisetsu ni kimi ga ita kiseki*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kowarete'ta tokei sae ugokidasu kara*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima wa sou muryoku na garakuta da kedo*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fushigi da ne kaerareru sonna ki ga suru*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no koe ga ima mo mada*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*koko ni aru kara*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man in a white coat appears.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The city is suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;awash in the scent of danger.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, even someone<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Right Seat of God shows up.<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Researcher."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>

# 43 - The Researcher (Amata Kihara)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Precautions for when angels<br>&nbsp;&nbsp;&nbsp;&nbsp;descend into human form.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greatest incident of<br>&nbsp;&nbsp;&nbsp;&nbsp;telesma habitation in this world<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was, needless to say,<br>&nbsp;&nbsp;&nbsp;&nbsp;at the time of the Annunciation.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To pass the total volume<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Son of God, which is to say,<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;enough telesma to support<br>&nbsp;&nbsp;&nbsp;&nbsp;and guide the world, into the womb,<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;took an unmistakably--"<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha!<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you reading<br>&nbsp;&nbsp;&nbsp;&nbsp;these musty old books again?<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you still not identified<br>&nbsp;&nbsp;&nbsp;&nbsp;what went wrong with your body?<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, I could give<br>&nbsp;&nbsp;&nbsp;&nbsp;you a physical exam--<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha, I see you still<br>&nbsp;&nbsp;&nbsp;&nbsp;don't know your own strength, huh?<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question one, if I may:<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which do you prefer,<br>&nbsp;&nbsp;&nbsp;&nbsp;hammers or screwdrivers?<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not the kind of question you<br>&nbsp;&nbsp;&nbsp;&nbsp;ask after hitting someone.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha, the telesma dwelling<br>&nbsp;&nbsp;&nbsp;&nbsp;within you is that of Gabriel, right?<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, that would be unthinkable.<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If things go wrong, the amount<br>&nbsp;&nbsp;&nbsp;&nbsp;could be greater than the 12 Apostles'.<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question two: So what if it is?<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This power of God comes from<br>&nbsp;&nbsp;&nbsp;&nbsp;the angel who saw to the Annunciation.<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, having a power<br>&nbsp;&nbsp;&nbsp;&nbsp;greater than that of the 12 Apostles<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;squeezed into the body of one girl means...<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a chance<br>&nbsp;&nbsp;&nbsp;&nbsp;that your tummy will swell up--<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry. You're right.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wearing such heavy, restrictive<br>&nbsp;&nbsp;&nbsp;&nbsp;clothing on a regular basis, Sasha,<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you couldn't endure<br>&nbsp;&nbsp;&nbsp;&nbsp;breeding without the fun of it, huh?<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question three:<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop sullying even a single page<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the holy New Testament, you filthy jerk.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that I was forcibly<br>&nbsp;&nbsp;&nbsp;&nbsp;made to wear these restrictive clothes<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by you, as my superior,<br>&nbsp;&nbsp;&nbsp;&nbsp;as an abuse of your power.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you really<br>&nbsp;&nbsp;&nbsp;&nbsp;dislike them that much? Then,<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's change your outfit.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking into<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City lately, you know?<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have their<br>&nbsp;&nbsp;&nbsp;&nbsp;own particular culture there.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Sasha,<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have you ever heard of<br>&nbsp;&nbsp;&nbsp;&nbsp;Magical Powered Kanamin?<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, come on, Sasha...<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was a bird that could<br>
&nbsp;&nbsp;&nbsp;&nbsp;not fly any farther than this*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It rebuked the blue skies<br>
&nbsp;&nbsp;&nbsp;&nbsp;on fine, flawless wings*<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that bad*<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That sky is not that high*<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that good*<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Afraid of the speed<br>
&nbsp;&nbsp;&nbsp;&nbsp;it would feel in its body*<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everybody has a chance,*<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but they cannot go any farther*<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;cannot take flight*<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;want to take flight*<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, beyond the wish<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to make come true*<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you shine*<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In my eyes I picture you*<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Standing in the future,<br>
&nbsp;&nbsp;&nbsp;&nbsp;always strong,"*<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and that "you" is me*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are still blindingly bright*<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in the same spirit,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I reach out my hand*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the "I" who I am will<br>
&nbsp;&nbsp;&nbsp;&nbsp;someday grab hold to become*<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the you that I will be*<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#19 The Researcher (Amata Kihara)<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's raining!" says Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, looking up at the night sky!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, you're bugging me.<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold still where you are.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;see the moon, though,"<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she says, dancing but<br>&nbsp;&nbsp;&nbsp;&nbsp;still somewhat despondent.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to stop scampering<br>&nbsp;&nbsp;&nbsp;&nbsp;around, right? You dirty brat.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka came this far without<br>&nbsp;&nbsp;&nbsp;&nbsp;being overprotected, and she's fine,"<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;seeking freedom and liberation.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of frontier-spirit<br>&nbsp;&nbsp;&nbsp;&nbsp;nonsense are you going on about?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm not being protective.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There you go again.<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to be so bashful,"<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;jabbing with her index finger.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why are you making<br>&nbsp;&nbsp;&nbsp;&nbsp;such a tight fist now?"<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, putting on<br>&nbsp;&nbsp;&nbsp;&nbsp;a temper-alleviating bright smile!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Rain, rain, fall down,<br>&nbsp;&nbsp;&nbsp;&nbsp;fall down, and fall down some more!"<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;calls out Misaka Misaka to the night sky!<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that afraid to<br>&nbsp;&nbsp;&nbsp;&nbsp;direct any good will toward others?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to accept the good<br>&nbsp;&nbsp;&nbsp;&nbsp;will shown to you by Last Order,<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you refuse to show any<br>&nbsp;&nbsp;&nbsp;&nbsp;good will from yourself toward her.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you're<br>&nbsp;&nbsp;&nbsp;&nbsp;afraid it will backfire on you,<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there will be no undoing it.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"She fell down," reports<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka, sitting on the ground.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, I told you so.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I may need some disinfectant,"<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;her eyes welling up a little.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rub some saliva into it.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I may need some disinfectant,"<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;repeating the last thing she said.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, let's just get<br>&nbsp;&nbsp;&nbsp;&nbsp;back to Yomikawa's place.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All right,"<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;accepting the situation.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It hurts now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll try to put up with it,"<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;plodding along, following after you.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wah!"<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka--<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait right here. If you move<br>&nbsp;&nbsp;&nbsp;&nbsp;without permission, I'll squash you.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just stupid.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's by socking away this bullcrap<br>&nbsp;&nbsp;&nbsp;&nbsp;that we pay back our debts.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, damn it all.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I thought some idiots<br>&nbsp;&nbsp;&nbsp;&nbsp;like you would be coming along.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know whether you're here<br>&nbsp;&nbsp;&nbsp;&nbsp;because you have a beef with me,<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or you're just trying to use me,<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm gonna kill you.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this is fun!<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're up the creek!<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got me off my<br>&nbsp;&nbsp;&nbsp;&nbsp;chain now, you son of a bitch!<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, this is tedious.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for the show!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be grateful I'm laying<br>&nbsp;&nbsp;&nbsp;&nbsp;waste to you so spectacularly!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told them so, didn't I?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't bring the kid down in<br>&nbsp;&nbsp;&nbsp;&nbsp;such a watered-down fashion as this.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gonna take me, all right.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kihara!<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of a coy entrance is that?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you're<br>&nbsp;&nbsp;&nbsp;&nbsp;the same intellectual-type<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was too spooked<br>&nbsp;&nbsp;&nbsp;&nbsp;to look a person in the eye.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was against meeting<br>&nbsp;&nbsp;&nbsp;&nbsp;up with you again, myself.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Higher-ups' orders.<br>&nbsp;&nbsp;&nbsp;&nbsp;What can you do?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said it was an emergency,<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and didn't have the luxury of<br>&nbsp;&nbsp;&nbsp;&nbsp;being choosy about their methods.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you see, I hate to ask,<br>&nbsp;&nbsp;&nbsp;&nbsp;but would you let me destroy you here?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, who do you think it is<br>&nbsp;&nbsp;&nbsp;&nbsp;that developed that power of yours?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What? What did you say?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we brimming with duty and sentiment?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not, by chance, expecting<br>&nbsp;&nbsp;&nbsp;&nbsp;me to return the favor, are you?<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, you're hopeless. But then,<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're gonna go crazy, do it alone.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would take more than both my hands<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to count the researchers<br>&nbsp;&nbsp;&nbsp;&nbsp;who monkeyed around with my body.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'm gonna keep<br>&nbsp;&nbsp;&nbsp;&nbsp;around every last memory of you guys?!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you really<br>&nbsp;&nbsp;&nbsp;&nbsp;are a galling little punk.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'd love to kill you.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to kill you so bad.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew I should have killed<br>&nbsp;&nbsp;&nbsp;&nbsp;you way back then. My goof, my goof.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did I think I was doing?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;kill you, you little punk!<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;you idiot? Now, how should I--<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My reflection... didn't work?!<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, little punk, I'll ask it again.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think it was that<br>&nbsp;&nbsp;&nbsp;&nbsp;gave you that two-bit power of yours?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, do you remember now?!<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ain't like you.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we're gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;keep her in our care,<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't you worry about her.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can get beat here and become<br>&nbsp;&nbsp;&nbsp;&nbsp;a stain on the wall, or whatever.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'd be more like you, anyway.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you... mock me... you...<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...third-string!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ain't gonna do it.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me... you... developed<br>&nbsp;&nbsp;&nbsp;&nbsp;an esper power... in yourself...!<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, that's not it.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a job for lab rats, you know.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't have any trouble crushing you<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without having to resort to<br>&nbsp;&nbsp;&nbsp;&nbsp;using that kind of ridiculous power.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys are<br>&nbsp;&nbsp;&nbsp;&nbsp;really in the zone tonight.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time for you to become<br>&nbsp;&nbsp;&nbsp;&nbsp;a corpse, you son of a bitch!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it, I get it,<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you thought the secret to my<br>&nbsp;&nbsp;&nbsp;&nbsp;power is in these gloves, did you?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But actually, it's not!<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long are you gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;pretend you're the strongest,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you piece of scrap!<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your reflection is not some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of absolute wall, you know.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It only alters the vectors of<br>&nbsp;&nbsp;&nbsp;&nbsp;power directed at it the other way.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes it simple.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I have to do is yank back<br>&nbsp;&nbsp;&nbsp;&nbsp;my fist a second before a direct hit.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call it knowing how to stop short.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you end<br>&nbsp;&nbsp;&nbsp;&nbsp;up purposely slugging yourself.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You understand now,<br>&nbsp;&nbsp;&nbsp;&nbsp;my little masochist?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's too hard<br>&nbsp;&nbsp;&nbsp;&nbsp;for a little kid to understand.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like that wind you made earlier.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ability comes about<br>&nbsp;&nbsp;&nbsp;&nbsp;as a result of vector formulas.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So all I have to do is disrupt them.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can jam everything using<br>&nbsp;&nbsp;&nbsp;&nbsp;special sound waves and whatnot!<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a firm handle on<br>&nbsp;&nbsp;&nbsp;&nbsp;your characteristics, your formulas,<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even your own Personal Reality!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't develop this<br>&nbsp;&nbsp;&nbsp;&nbsp;power of yours for nothing!<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Accelerator,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you understand what she means?<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, for Project Radio Noise,<br>&nbsp;&nbsp;&nbsp;&nbsp;the 3rd-ranked Railgun was used.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wasn't it you, when you're 1st-ranked?<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something there.<br>&nbsp;&nbsp;&nbsp;&nbsp;Something you don't have the first clue about.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you...<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How poignant. Look.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's quite thrilled about it herself.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recovery complete,<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you would say.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, they made it clear<br>&nbsp;&nbsp;&nbsp;&nbsp;that we were to take the prize alive,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but can she really be, like that?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way am *I* writing<br>
&nbsp;&nbsp;&nbsp;&nbsp;an apology letter for this.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still alive.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she were dead, my sister's<br>&nbsp;&nbsp;&nbsp;&nbsp;proxy calculations would be affected.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got no positive proof... but...<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if I don't do something,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never see her again...<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, man...<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not a golf ball, you know.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go blasting people away<br>&nbsp;&nbsp;&nbsp;&nbsp;for distances best measured in yards.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, just who does he<br>&nbsp;&nbsp;&nbsp;&nbsp;think is gonna recover her now?<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it's not gonna be me.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you know what?<br>&nbsp;&nbsp;&nbsp;&nbsp;Split up into three squads.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of you, go after the prize.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other two, stay with me.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our first priority<br>&nbsp;&nbsp;&nbsp;&nbsp;is to recover Last Order.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who was<br>&nbsp;&nbsp;&nbsp;&nbsp;recently assigned to Hound Dog, right?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, no, I...<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's okay, it's okay. It's not<br>&nbsp;&nbsp;&nbsp;&nbsp;like I'm doing a background check.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you don't seem to know<br>&nbsp;&nbsp;&nbsp;&nbsp;the rules, so let me educate you.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys are a collection of scum.<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got no human rights.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And scum can be<br>&nbsp;&nbsp;&nbsp;&nbsp;replaced as often as it takes.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you interfere with<br>&nbsp;&nbsp;&nbsp;&nbsp;my precious, precious mission,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I have no qualms about<br>&nbsp;&nbsp;&nbsp;&nbsp;killing you. You understand me?<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're already dead once over.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to confirm, do you understand?<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, then we're clear.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Search the rivers, reservoirs,<br>&nbsp;&nbsp;&nbsp;&nbsp;and any other waterfronts out there.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wouldn't have blown the kid away<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without calculating where she would land.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we going to do? Recover him?<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, kill him. There's no<br>&nbsp;&nbsp;&nbsp;&nbsp;reason to capture him.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking at this guy, after all<br>&nbsp;&nbsp;&nbsp;&nbsp;the effort he went to, is irritating me.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Safer to kill the moody,<br>&nbsp;&nbsp;&nbsp;&nbsp;self-satisfied punk right here.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you... You'll never<br>&nbsp;&nbsp;&nbsp;&nbsp;get it as long as you live.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, oh yeah?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm killing you now.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're okay with those<br>&nbsp;&nbsp;&nbsp;&nbsp;being your last words, right?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, somebody...<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time for some luck.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want the credit, it's yours.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't even care if you trample<br>&nbsp;&nbsp;&nbsp;&nbsp;on me and laugh while you do it.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody... anybody...<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...save the kid...<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing over there?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief, Index...<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No sooner do I run into you than<br>&nbsp;&nbsp;&nbsp;&nbsp;you disappear again immediately.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you're lacking in consideration.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The white-haired boy I met before<br>&nbsp;&nbsp;&nbsp;&nbsp;I got here bought me a hamburger<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without even asking<br>&nbsp;&nbsp;&nbsp;&nbsp;what my circumstances were.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you have to<br>&nbsp;&nbsp;&nbsp;&nbsp;be more like that nice boy.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah. It's not like I've<br>&nbsp;&nbsp;&nbsp;&nbsp;got nothing at all to do with this guy.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, did you remember<br>&nbsp;&nbsp;&nbsp;&nbsp;to say thank you to him?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;makes sure to thank others! Oh...<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's wrong?<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it...<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...he let me borrow these.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're just pocket tissues.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but if he doesn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;this cutting-edge, daily use product,<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't he be bothered if he needs them?<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, I have to go return these to him now.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll be bothered if you do<br>&nbsp;&nbsp;&nbsp;&nbsp;return them, won't he?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, she's always, always like this.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh, it's raining.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Index didn't have an umbrella.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems to be more Antiskill<br>&nbsp;&nbsp;&nbsp;&nbsp;out than there normally is.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope I can find Index quick,<br>&nbsp;&nbsp;&nbsp;&nbsp;before there's any trouble--<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is something the matter?<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me! Excuse me!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't seem to be life-threatening.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what just happened here?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...in the metro area. Repeat,<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;gate destruction confirmed.<br>&nbsp;&nbsp;&nbsp;&nbsp;Intruders in the metro area.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're under attack<br>&nbsp;&nbsp;&nbsp;&nbsp;of an unknown nature--<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Intruders?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You...<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Help!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, you've got to help him,"<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, begging!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi! Aleister?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you secretly listen in<br>&nbsp;&nbsp;&nbsp;&nbsp;on regular lines like this one, right?<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure would delight me if<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd hurry up and engage me.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just got done disgracing three<br>&nbsp;&nbsp;&nbsp;&nbsp;members of the governing board.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet you still put up with it?<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can be replaced,<br>&nbsp;&nbsp;&nbsp;&nbsp;as often as it takes.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, I'd guessed<br>&nbsp;&nbsp;&nbsp;&nbsp;that you were hiding<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the entire governing board's<br>&nbsp;&nbsp;&nbsp;&nbsp;consensus behind your views,<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks like my<br>&nbsp;&nbsp;&nbsp;&nbsp;expectations were off. Oh well.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know my identity, don't you?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid not.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Right Seat of God.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to play<br>&nbsp;&nbsp;&nbsp;&nbsp;dumb, that's okay, too.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so there are no regrets later.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you underestimating this city?<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, imagine that. You don't<br>&nbsp;&nbsp;&nbsp;&nbsp;even know the status of your own city.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill and Judgment, was it?<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've ended up with<br>&nbsp;&nbsp;&nbsp;&nbsp;your head in a noose so easily<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you relied on those<br>&nbsp;&nbsp;&nbsp;&nbsp;rinky-dink outfits to protect you.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to at least know<br>&nbsp;&nbsp;&nbsp;&nbsp;that you are finished, right?<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think that's all it takes<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to bring down Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;defense network,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you are a hopeless idiot.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have absolutely no<br>&nbsp;&nbsp;&nbsp;&nbsp;idea what this city's true form is.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying, you aren't the only<br>&nbsp;&nbsp;&nbsp;&nbsp;one with tricks up your sleeves.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, you will likely be brought<br>&nbsp;&nbsp;&nbsp;&nbsp;down before you realize that.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you say, I will<br>&nbsp;&nbsp;&nbsp;&nbsp;crush anything that opposes me.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has been written in stone<br>&nbsp;&nbsp;&nbsp;&nbsp;from the moment I was born.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Vento of the Front,<br>&nbsp;&nbsp;&nbsp;&nbsp;the final weapon from among<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church's two billion faithful!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will crush everything in one night!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for you, Academy City,<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine Breaker, the List of<br>&nbsp;&nbsp;&nbsp;&nbsp;Prohibited Books--all of you!<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interesting.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like a chance to<br>
&nbsp;&nbsp;&nbsp;&nbsp;finally use *that* has come along.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be too soon, but with<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation being tied to the plan,<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;irregularities are<br>&nbsp;&nbsp;&nbsp;&nbsp;the greatest amusement.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hound Dog, Kihara Amata...<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Kihara.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imaginary Number School<br>&nbsp;&nbsp;&nbsp;&nbsp;District, Five-Element Agency,<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the AIM diffusion field.<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be a bit early,<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we will crush<br>&nbsp;&nbsp;&nbsp;&nbsp;them using Fuse=KAZAKIRI.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you have captured<br>&nbsp;&nbsp;&nbsp;&nbsp;the escaped #20001,<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;bring her to the designated point.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it swiftly, but courteously.<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged.<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...for a long-awaited enjoyable showtime...<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it<br>
&nbsp;&nbsp;&nbsp;&nbsp;was okay to be alone*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't turn back time that has passed*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being<br>
&nbsp;&nbsp;&nbsp;&nbsp;there as the seasons roll around*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;broken clock start up again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may<br>
&nbsp;&nbsp;&nbsp;&nbsp;be a helpless piece of junk*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how<br>
&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can change that*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A running battle for Last Order had begun.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One will stand alone against<br>&nbsp;&nbsp;&nbsp;&nbsp;them, all to protect one girl.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Hound Dog."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>

# 44 - Hound Dog (Hound Squad)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara Amata of Hound Dog<br>&nbsp;&nbsp;&nbsp;&nbsp;overpowers Accelerator.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, his objective is the<br>&nbsp;&nbsp;&nbsp;&nbsp;recovery of Last Order.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator allows<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order to escape,<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but has no means<br>&nbsp;&nbsp;&nbsp;&nbsp;of fighting back. And then...<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing over there?<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kore ijou tooku made<br>
&nbsp;&nbsp;&nbsp;&nbsp;tobenai tori ga ita*<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kizu mo nai rippa na<br>
&nbsp;&nbsp;&nbsp;&nbsp;hane de aozora wo najitta*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo warukunai*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano sora wa takakunai*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo yoku wa nai*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karada de kanjiru sokudo wo osorete'ru*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare ni demo chansu wa moteru*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sono saki e yukenai*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitatenai*<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitachitai*<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kanaetai negai<br>
&nbsp;&nbsp;&nbsp;&nbsp;no mukou de kagayaku*<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ga iru*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitomi ni utsusu*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mirai ni tatte itsumo tsuyokute"*<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sonna kimi ga boku sa*<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi wa mada mabushii kedo*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji kimochi de kono te nobashite*<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*itsuka tsukamu genjitsu no boku ga*<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ni naru yo*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#20 Hound Dog (Hound Squad)<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna know what to do?<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gotta eliminate her, right?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get going. If you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;get to a hospital right away,<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be too late.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you waiting for!?<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and shoot!<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, sir!<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make a fuss.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just keep going forward.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time is running out<br>&nbsp;&nbsp;&nbsp;&nbsp;for the both of us, right?<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Where to?<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a good doctor.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww... That one thing!<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring me that thing!<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wishful thinking.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you use a car,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're all but telling me<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you can't use<br>&nbsp;&nbsp;&nbsp;&nbsp;your wind control, aren't you?<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adios, scumbag.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez...<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice city, huh?<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure the erosion<br>&nbsp;&nbsp;&nbsp;&nbsp;would be a lot further along, though.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rival of yours in the killing trade.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill her.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... bear no hostility, huh?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what you want,<br>&nbsp;&nbsp;&nbsp;&nbsp;try being more adequate.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now, he really<br>&nbsp;&nbsp;&nbsp;&nbsp;turned up his nose at me.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be of any use, though.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"These are the people<br>&nbsp;&nbsp;&nbsp;&nbsp;who attacked him,"<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, telling the truth.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but is this<br>&nbsp;&nbsp;&nbsp;&nbsp;what your friend did to them?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I don't think so.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is short-tempered, and quick to fight,<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it seems unthinkable that<br>&nbsp;&nbsp;&nbsp;&nbsp;his retaliation would be so minor,"<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;making a simple assumption.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we have to report this.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"They are here!"<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;while taking cover behind the car.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"They"?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what have we here?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's an osmatic sensor.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We use them to track down targets.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's a mechanical police dog, is it?<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;something about this quietness.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This wouldn't be more of<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara's big production, would it?<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell were<br>&nbsp;&nbsp;&nbsp;&nbsp;you doing back there?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? I came to give back<br>&nbsp;&nbsp;&nbsp;&nbsp;something I borrowed from you.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here! This cutting-edge<br>&nbsp;&nbsp;&nbsp;&nbsp;daily-use product.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, dense?<br>&nbsp;&nbsp;&nbsp;&nbsp;Those things are disposable.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm... "And so the ugly duck,<br>&nbsp;&nbsp;&nbsp;&nbsp;who had been told she was no good,<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;turned out to actually<br>&nbsp;&nbsp;&nbsp;&nbsp;be a super sexy-hot swan.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The end."<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, what does "sexy-hot" mean?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Ugly Duckling" is about.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what *is* it about?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What was it again...?<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what the kid said, the swan<br>&nbsp;&nbsp;&nbsp;&nbsp;who wanted to get along with the ducks,<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was actually happy to<br>&nbsp;&nbsp;&nbsp;&nbsp;be confronted with the fact,<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she wasn't part<br>&nbsp;&nbsp;&nbsp;&nbsp;of their circle, or something.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By "the kid," do you mean<br>&nbsp;&nbsp;&nbsp;&nbsp;the lost girl you were looking for?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, as circumstances would<br>&nbsp;&nbsp;&nbsp;&nbsp;have it, I'm still looking for her.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got separated again?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. That's why<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to part ways here.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll look with you!<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I can tell that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're bothered by this.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think if it were Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd say the same thing.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pull over somewhere around here.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a huge hospital in this area.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go there, and find a doctor<br>&nbsp;&nbsp;&nbsp;&nbsp;whose face looks a lot like a frog.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you find the doctor,<br>&nbsp;&nbsp;&nbsp;&nbsp;tell him to get a battery ready<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Misaka Network connection<br>&nbsp;&nbsp;&nbsp;&nbsp;electrode. He'll know what it means.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, all right.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Misaka Network connection<br>&nbsp;&nbsp;&nbsp;&nbsp;electrode battery," right?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sit tight.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to wait<br>&nbsp;&nbsp;&nbsp;&nbsp;right here until I get back.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Just get going, already.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start driving.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you going to let me go yet?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Live or die, you decide.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still alive, Last Order?!<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No good. It's locked.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There may be a way to unlock it.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just go someplace<br>&nbsp;&nbsp;&nbsp;&nbsp;with a lot of people.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not going<br>&nbsp;&nbsp;&nbsp;&nbsp;to want to make a scene.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Are we really going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to help him like this?"<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;lamenting over how powerless she is.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who can say? Still,<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way we can<br>&nbsp;&nbsp;&nbsp;&nbsp;help him if we don't survive this.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to save him,<br>&nbsp;&nbsp;&nbsp;&nbsp;make sure you don't die first.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mm-hmm," says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;nodding her head forward.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's stay alive.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just get outside--<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you need at this hour?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's trouble. Major trouble.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard the general situation<br>&nbsp;&nbsp;&nbsp;&nbsp;from one of the Misaka sisters.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They perform a kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of information exchange<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;across their electrical network, you see.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That speeds things up.<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happened to the kid?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that she is being pursued<br>&nbsp;&nbsp;&nbsp;&nbsp;by a separate Hound Dog unit.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that she is with a bystander<br>&nbsp;&nbsp;&nbsp;&nbsp;who happened to be with her.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, where are they?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does not know that, herself.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did a kid wearing a<br>&nbsp;&nbsp;&nbsp;&nbsp;white nun's habit arrive there yet?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does she know<br>&nbsp;&nbsp;&nbsp;&nbsp;about your proxy calculator?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's none of your concern.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just keep her there with you.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Good grief.<br>&nbsp;&nbsp;&nbsp;&nbsp;How far are you planning to take this?<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm killing Kihara.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bringing down Hound Dog, too.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I'm saving the kid, unharmed.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not possible.<br>&nbsp;&nbsp;&nbsp;&nbsp;Under the circumstances,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you are undertaking<br>&nbsp;&nbsp;&nbsp;&nbsp;too many courses of action.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way you<br>&nbsp;&nbsp;&nbsp;&nbsp;will accomplish them all.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be such a know-it-all!<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when do doctors--<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen hells<br>&nbsp;&nbsp;&nbsp;&nbsp;that were worse than yours.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I can<br>&nbsp;&nbsp;&nbsp;&nbsp;say this to you. Accelerator,<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do not bite off more than you can chew;<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;make saving Last Order's<br>&nbsp;&nbsp;&nbsp;&nbsp;life your only priority.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you bring her back to me alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will definitely heal her.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Measuring up to those<br>&nbsp;&nbsp;&nbsp;&nbsp;expectations is what a doctor does.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine with me.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Right Seat of God, huh?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think they'd go this far.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Yomikawa calling Headquarters.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Requesting details on call 334.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl...<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Renewable Resource<br>&nbsp;&nbsp;&nbsp;&nbsp;Treatment Plant #3, huh?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target's scent<br>&nbsp;&nbsp;&nbsp;&nbsp;continues on into there.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're absolutely sure of that, right?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to get out of here safely,<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll just sit still there.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cleaning agent. That'll do it.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now to wash away my smell,<br>&nbsp;&nbsp;&nbsp;&nbsp;and get myself out of here. Hmm?<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn them. They're here earlier<br>&nbsp;&nbsp;&nbsp;&nbsp;than expected, aren't they?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All they have are the small ones, huh?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want, Kuroko?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot get back home<br>&nbsp;&nbsp;&nbsp;&nbsp;because of my Judgment work,<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I need you to get in touch<br>&nbsp;&nbsp;&nbsp;&nbsp;with our nagging head resident<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to ask for a curfew extension.<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it is already past curfew--<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm at the convenience<br>&nbsp;&nbsp;&nbsp;&nbsp;store right now, so...<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah?!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can Sissy still be out, as well?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are going to get some<br>&nbsp;&nbsp;&nbsp;&nbsp;demerits, no questions asked.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would Miss Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;be breaking curfew today?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It cannot be!<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Sissy, on an evening<br>&nbsp;&nbsp;&nbsp;&nbsp;date with that rotten troglodyte?!<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why that lousy jerk!<br>&nbsp;&nbsp;&nbsp;&nbsp;Enjoying the evening view in the rain!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a rather elegant choice!<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot just stand around here.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Shirai Kuroko, have a<br>&nbsp;&nbsp;&nbsp;&nbsp;duty to preserve Sissy's virtue!<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you can't.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, this mountain of paperwork<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and accounting documents<br>&nbsp;&nbsp;&nbsp;&nbsp;is nowhere near being done, right?<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening out there?<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why aren't they coming in?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi!!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I startle you?<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be scared; come on out.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have my own issues to deal with.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you won't do as I say,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll turn you into a lump of goo.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the Right Seat<br>&nbsp;&nbsp;&nbsp;&nbsp;of God, Vento of the Front.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target located.<br>&nbsp;&nbsp;&nbsp;&nbsp;And with that out of the way,<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's time to get<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself killed, Kamijo Toma!<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rod, what does<br>&nbsp;&nbsp;&nbsp;&nbsp;the osmatic sensor say?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on, it's just finishing.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to be so nervous.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't have<br>&nbsp;&nbsp;&nbsp;&nbsp;enough time to feel any pain.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hide somewhere, Last Order!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha! There's the right hand<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard so much about!<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to keep up with me here!<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From above!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What fun! I see, I see!<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like your right<br>&nbsp;&nbsp;&nbsp;&nbsp;hand is extremely effective,<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just like it said in the report!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My favorite attack,<br>&nbsp;&nbsp;&nbsp;&nbsp;striking from every which way,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has absolutely no effect!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your favorite?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really understand it.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's try this.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, so that does *that*, huh?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Sorry 'bout that.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems as though<br>&nbsp;&nbsp;&nbsp;&nbsp;there not being enough time<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to feel any pain is too much to ask.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if you want to find happiness,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to become a masochist.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These attacks haven't been<br>&nbsp;&nbsp;&nbsp;&nbsp;following the movement of her hammer.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, it's the cross?!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my secret's out, is it?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh. This is kind of starting<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a nuisance. Here!<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on! Please, call for help!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pretty cruel, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you make that little girl<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;keep running away<br>&nbsp;&nbsp;&nbsp;&nbsp;into the darkness like that?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't she be happier<br>&nbsp;&nbsp;&nbsp;&nbsp;if she were killed alongside you?<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I go pick<br>&nbsp;&nbsp;&nbsp;&nbsp;her up, there's no problem.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I won't die.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how fun. On the other hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;will you be able to say the same,<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I turn your<br>&nbsp;&nbsp;&nbsp;&nbsp;internal organs to fleshy juice?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, *you* are my target, after all.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So long as you don't run,<br>&nbsp;&nbsp;&nbsp;&nbsp;that will really help me out!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're joking, right...?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Joking? Yeah, of course.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trying out some new material.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that. Do you even<br>&nbsp;&nbsp;&nbsp;&nbsp;know who you've made an enemy of?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that nice of you?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be worrying about yourself?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the point of<br>
&nbsp;&nbsp;&nbsp;&nbsp;getting all heated up *now*?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *do* know what's going<br>
&nbsp;&nbsp;&nbsp;&nbsp;on in Academy City now, right?<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a clue as<br>&nbsp;&nbsp;&nbsp;&nbsp;to how valuable you are!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My only objective is you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything else is icing on the cake.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the List of Prohibited Books<br>&nbsp;&nbsp;&nbsp;&nbsp;is insignificant compared to you.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are without a doubt an enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church now.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we use whatever means<br>&nbsp;&nbsp;&nbsp;&nbsp;are necessary to defeat our enemies.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it means wiping<br>&nbsp;&nbsp;&nbsp;&nbsp;out the entire nation of Japan.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, it is personally<br>&nbsp;&nbsp;&nbsp;&nbsp;signed by the Roman pope himself.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it sound like<br>&nbsp;&nbsp;&nbsp;&nbsp;I was kidding? Well then,<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will now kill every<br>&nbsp;&nbsp;&nbsp;&nbsp;single person in this shop!<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And away it goes!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Vera.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Status report, over.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nancy!<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>&nbsp;&nbsp;&nbsp;&nbsp;A side effect of the magic?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which bento box do you want?<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's Chinese *donburi* or fish here.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right about now, Sissy and that rotten troglodyte<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are enjoying the<br>&nbsp;&nbsp;&nbsp;&nbsp;city nightlife together...<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! It's time for<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sudden Variety." The TV, the TV...<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intruder Disturbance in Academy City"<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, there is word of an intruder disturbance in Academy City.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accompanying this is word<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intruder Disturbance in Academy City"<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there has been damage extending all across Academy City.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, we are receiving footage now.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intruder Disturbance Strikes Academy City"<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One moment please"<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did we get any reports<br>&nbsp;&nbsp;&nbsp;&nbsp;about what we just saw?<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, if one person really<br>&nbsp;&nbsp;&nbsp;&nbsp;did overpower Antiskill,<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that intruder has a<br>&nbsp;&nbsp;&nbsp;&nbsp;considerable risk factor.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it really does get out of hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill will request backup.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until then, we'll work<br>&nbsp;&nbsp;&nbsp;&nbsp;on as much paperwork as--<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ought to shake<br>&nbsp;&nbsp;&nbsp;&nbsp;off their sense of smell.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Him, huh?<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me! Take me into protective custody!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In your face! I'm saved!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you try anything, your relationship<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with that brat you tried so<br>&nbsp;&nbsp;&nbsp;&nbsp;hard to protect will be through!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Wait a second, Accelerator!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spare me--<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Get away from that man!<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a real scene of carnage.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how they were planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to attack Academy City, is it?<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going to impale each<br>&nbsp;&nbsp;&nbsp;&nbsp;and every incapacitated person.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no good, huh?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aiho!<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 5,<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;based on testimony at the<br>&nbsp;&nbsp;&nbsp;&nbsp;scene and databank cross-referencing,<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the following person is wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;as the primary person of interest<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a case of attempted murder.<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are collapsing left and right.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator roars at the unrest<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading through Academy City.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, giant wings<br>&nbsp;&nbsp;&nbsp;&nbsp;dance across the skies.<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could those actually be...?<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Testament."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 45 - Testament (Learning Device)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three is for heaven, four is for earth,<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and twelve represents the whole world.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By attaching meaning to specific numbers,<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you yield units on<br>&nbsp;&nbsp;&nbsp;&nbsp;a grand scale, is that it?<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a clever procedure, but it<br>&nbsp;&nbsp;&nbsp;&nbsp;is not from the church of the cross.<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The theory is from ancient Greece,<br>&nbsp;&nbsp;&nbsp;&nbsp;BCE, from the Pythagorean order.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when did<br>&nbsp;&nbsp;&nbsp;&nbsp;you guys ever acknowledge<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the world before<br>&nbsp;&nbsp;&nbsp;&nbsp;the Son of God was born?<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A drawn-out battle<br>&nbsp;&nbsp;&nbsp;&nbsp;is not to my advantage.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's such a shame!<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever I see such a fine-spun spell,<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to have to destroy it!<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was a bird that could<br>
&nbsp;&nbsp;&nbsp;&nbsp;not fly any farther than this*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It rebuked the blue skies<br>
&nbsp;&nbsp;&nbsp;&nbsp;on fine, flawless wings*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that bad*<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That sky is not that high*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that good*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Afraid of the speed<br>
&nbsp;&nbsp;&nbsp;&nbsp;it would feel in its body*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everybody has a chance,*<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but they cannot go any farther*<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;cannot take flight*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;want to take flight*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, beyond the wish<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to make come true*<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you shine*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In my eyes I picture you*<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Standing in the future,<br>
&nbsp;&nbsp;&nbsp;&nbsp;always strong,"*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and that "you" is me*<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are still blindingly bright*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in the same spirit,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I reach out my hand*<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the "I" who I am will<br>
&nbsp;&nbsp;&nbsp;&nbsp;someday grab hold to become*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the you that I will be*<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#21 Testament (Learning Device)<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If those guys show up again...<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have less than four<br>&nbsp;&nbsp;&nbsp;&nbsp;minutes of ability mode left.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm at least gonna bring<br>&nbsp;&nbsp;&nbsp;&nbsp;that kid out of the darkness.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole building is clear.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nobody here.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to the report,<br>&nbsp;&nbsp;&nbsp;&nbsp;due to the threat of terrorist activity,<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they had the staff and<br>&nbsp;&nbsp;&nbsp;&nbsp;patients temporarily evacuate.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're onto us, huh?<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not good.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any chance it's a trap?<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I can't spot any wires or infrared.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Took you long enough, didn't it?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heaven Canceller?<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no time, so I'll keep this brief.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave Kihara behind,<br>&nbsp;&nbsp;&nbsp;&nbsp;and get yourselves out of there.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise,<br>&nbsp;&nbsp;&nbsp;&nbsp;your lives will be in danger.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator is<br>&nbsp;&nbsp;&nbsp;&nbsp;going to come down on you.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, he is<br>&nbsp;&nbsp;&nbsp;&nbsp;not holding back one bit.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must not run<br>&nbsp;&nbsp;&nbsp;&nbsp;into Accelerator. That is all.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, you're talking nonsense.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Then, don't get killed.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't die, I'll save you.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, we are receiving<br>&nbsp;&nbsp;&nbsp;&nbsp;reports from all over the country<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of people suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;losing consciousness.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to police,<br>&nbsp;&nbsp;&nbsp;&nbsp;they are hurrying to identify the cause,<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is not just happening in Japan,<br>&nbsp;&nbsp;&nbsp;&nbsp;as there are reports of cases overseas, as well.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means it's spreading<br>&nbsp;&nbsp;&nbsp;&nbsp;over there, as well.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as Academy City came under<br>&nbsp;&nbsp;&nbsp;&nbsp;our control, that's all we needed.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order?! No, is it Kihara?<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness! I finally got through!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard this voice before somewhere.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just been dialing all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;numbers in Last Order's cell phone.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one who answered.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you don't know what<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation is, but I need your help.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's in danger!<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What *is* the situation?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got split up<br>&nbsp;&nbsp;&nbsp;&nbsp;at the restaurant, right?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take over recovering her now.<br>&nbsp;&nbsp;&nbsp;&nbsp;You get rid of that cell phone,<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and go back to being a regular guy.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm helping out with this, of course!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go to that huge<br>&nbsp;&nbsp;&nbsp;&nbsp;bridge in School District 7.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We set that up as a rendezvous<br>&nbsp;&nbsp;&nbsp;&nbsp;point in case anything happened.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's still on<br>&nbsp;&nbsp;&nbsp;&nbsp;the run, she'll go there.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, all right!<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are kind of off<br>&nbsp;&nbsp;&nbsp;&nbsp;here in Academy City today.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got weirdos<br>&nbsp;&nbsp;&nbsp;&nbsp;coming in from outside the city,<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while Antiskill and others in<br>&nbsp;&nbsp;&nbsp;&nbsp;the city are dropping like flies.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This attack is fairly indiscriminate,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you watch out, too!<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, what a pain.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about this.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never should have let her go alone.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could say the same.<br>&nbsp;&nbsp;&nbsp;&nbsp;I left the kid alone, myself.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've lost contact<br>&nbsp;&nbsp;&nbsp;&nbsp;with multiple other squads.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible that...<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They either ran away,<br>&nbsp;&nbsp;&nbsp;&nbsp;or they're dead.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, I'll have to<br>&nbsp;&nbsp;&nbsp;&nbsp;collect their hearts afterward.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you recovered the<br>&nbsp;&nbsp;&nbsp;&nbsp;group we sent out as decoys<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when that woman got in our way?<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was some kind of power at work,<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the oxygen levels inside<br>&nbsp;&nbsp;&nbsp;&nbsp;their bodies had dropped extremely low.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Artificially-induced asphyxia?<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsk, this is that woman's doing.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, it's because of her that our...<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That creep. How the hell is she targeting?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it couldn't be. Unscientifically?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough! We're still<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna do what we're gonna do.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the Testament rig ready?<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right here.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That... belongs to her...!<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How you doing, Accelerator?<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want, Kihara?<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, did a snippet of<br>&nbsp;&nbsp;&nbsp;&nbsp;the kid's shirt drop around there?<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, keep looking for it.<br>&nbsp;&nbsp;&nbsp;&nbsp;I left it there on purpose.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotta say, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;Testament is really something else, huh?<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It ain't normal to cram a<br>&nbsp;&nbsp;&nbsp;&nbsp;virus right into a person's head.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what kind of reaction<br>&nbsp;&nbsp;&nbsp;&nbsp;are you expecting from me?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is holding my sides<br>&nbsp;&nbsp;&nbsp;&nbsp;and laughing the right answer,<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my little masochist?<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you, have you lost the<br>&nbsp;&nbsp;&nbsp;&nbsp;capacity to evaluate the situation?<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you kill the kid?<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the folks who<br>&nbsp;&nbsp;&nbsp;&nbsp;hired you didn't give you some<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;tear-jerking line about<br>&nbsp;&nbsp;&nbsp;&nbsp;recovering her unharmed, right?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet all the same,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is it with you quaking in your boots,<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to lay a finger on her?<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill her.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given that bastard's personality,<br>&nbsp;&nbsp;&nbsp;&nbsp;after everything I said to him,<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd have plucked one<br>&nbsp;&nbsp;&nbsp;&nbsp;of her eyes out, at least.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since he hasn't, that means...<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, that clinches<br>&nbsp;&nbsp;&nbsp;&nbsp;it--he's a full-fledged errand boy.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A backer powerful enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep even Kihara in check.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be...<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City itself?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, it's the governing board.<br>&nbsp;&nbsp;&nbsp;&nbsp;If I look into them... Ha!<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, this is awesome.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like that, I'm making headway.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you screw with me!<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take *me* lightly, will you?!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... There seems to be<br>&nbsp;&nbsp;&nbsp;&nbsp;some kind of commotion out front.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The deployment of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Imaginary Number School District,<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five-Element Agency, employing<br>&nbsp;&nbsp;&nbsp;&nbsp;AIM diffusion fields, is complete.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If any magic is invoked<br>&nbsp;&nbsp;&nbsp;&nbsp;here within Academy City,<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that magician will run<br>&nbsp;&nbsp;&nbsp;&nbsp;out of control and self-destruct.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento of the Front, was it?<br>&nbsp;&nbsp;&nbsp;&nbsp;You are no exception to that.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At our current output, we are<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to envelop the whole world.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, with the inclusion<br>&nbsp;&nbsp;&nbsp;&nbsp;of Fuse=KAZAKIRI,<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the shoe will soon be on the other foot.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is this?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've started sensing<br>&nbsp;&nbsp;&nbsp;&nbsp;some unidentified presence.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's still expanding.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?!<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you come<br>&nbsp;&nbsp;&nbsp;&nbsp;here just so I could kill you?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have you done with Last Order?!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order, you say?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're talking about!<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento, are you...?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. This is the Imaginary<br>&nbsp;&nbsp;&nbsp;&nbsp;Number School District,<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five-Element Agency in full view.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll deal with small potatoes like you later.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mess with us, will you?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have such a low opinion of<br>&nbsp;&nbsp;&nbsp;&nbsp;us that you'd go this far?!<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She disappeared.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it that she saw?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding... right?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deployment of Imaginary Number<br>&nbsp;&nbsp;&nbsp;&nbsp;School District, Five-Element Agency<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;commencing. Authenticating code<br>&nbsp;&nbsp;&nbsp;&nbsp;for host individual, Last Order.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuse=KAZAKIRI will now emerge.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All personnel, please be<br>&nbsp;&nbsp;&nbsp;&nbsp;ready for unexpected shocks.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be...<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An angel?!<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too dangerous to stay here.<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, where is Last Order?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, I'm at the bridge,<br>&nbsp;&nbsp;&nbsp;&nbsp;but Last Order isn't here. Any luck?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, an idiot?<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't believe the lie I told you.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have the kid's<br>&nbsp;&nbsp;&nbsp;&nbsp;location pinned down soon.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least, she's nowhere<br>&nbsp;&nbsp;&nbsp;&nbsp;you can find running around.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take it from here.<br>&nbsp;&nbsp;&nbsp;&nbsp;You go on home now.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see those<br>&nbsp;&nbsp;&nbsp;&nbsp;wings of light too, right?<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go stop that angel.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it really will be hard<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to work with you now.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get yourself killed.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right back at you.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he's finally gone<br>&nbsp;&nbsp;&nbsp;&nbsp;and used it, huh? That bastard.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does he really mean<br>&nbsp;&nbsp;&nbsp;&nbsp;to exterminate the enemy?<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Signal confirmed<br>&nbsp;&nbsp;&nbsp;&nbsp;from host individual #20001.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Danger level 5 estimated.<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka 10032 rejects.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rejection denied.<br>&nbsp;&nbsp;&nbsp;&nbsp;Accepting signal on channels R, V, and Y.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heavy load on thought functions.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rejection denied.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will do all we can<br>&nbsp;&nbsp;&nbsp;&nbsp;without opposing the order.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, as a result, it leads to us<br>&nbsp;&nbsp;&nbsp;&nbsp;dispelling this critical situation...<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thomas Platinaburg...<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the twelve members<br>&nbsp;&nbsp;&nbsp;&nbsp;of the governing board...<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Operation code name "Angel."<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to quell an unknown threat,<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order will be recovered,<br>&nbsp;&nbsp;&nbsp;&nbsp;and a virus overwritten to counter it.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't be serious.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, the kid must still be alive.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara, you bastard,<br>&nbsp;&nbsp;&nbsp;&nbsp;where are you hiding?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing out here?!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go! Hyoka is over there!<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you can't Toma!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't kill Hyoka!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index? Misaka?<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Toma! Don't go over there!<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the angel<br>&nbsp;&nbsp;&nbsp;&nbsp;over there has to be Hyoka!<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's... Kazakiri?<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand<br>&nbsp;&nbsp;&nbsp;&nbsp;the theory behind it myself,<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Toma, you're the<br>&nbsp;&nbsp;&nbsp;&nbsp;last one who can get involved!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you touch Hyoka, she'll vanish!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll figure out what to do<br>&nbsp;&nbsp;&nbsp;&nbsp;about Hyoka, so you stay out of this!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to stop her.<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, she's not the only matter at hand.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Toma, if you use<br>&nbsp;&nbsp;&nbsp;&nbsp;your right hand, Hyoka will die!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let her!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going in there<br>&nbsp;&nbsp;&nbsp;&nbsp;to save her, not to kill her.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that look like Kazakiri<br>&nbsp;&nbsp;&nbsp;&nbsp;normally does? No, of course not!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we have to go help her, don't we?!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Index. I'm going to<br>&nbsp;&nbsp;&nbsp;&nbsp;need your help to save Kazakiri.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what this is about,<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you've gotten yourself caught<br>&nbsp;&nbsp;&nbsp;&nbsp;up in a huge problem again, huh?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, there's an acquaintance<br>&nbsp;&nbsp;&nbsp;&nbsp;of yours at the center of that thing?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not an acquaintance. A friend.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to confirm one thing--<br>&nbsp;&nbsp;&nbsp;&nbsp;they're not evil, right?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely not. Like Index said,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's our friend in there.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your friend, huh?<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that means *they're* the bad guys, right?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, so it goes.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do what I can.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're...<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting without giving<br>&nbsp;&nbsp;&nbsp;&nbsp;you the chance to stop me!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka!<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The penalty game!<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still in effect for the rest of the day.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to go rescue your<br>&nbsp;&nbsp;&nbsp;&nbsp;friend and come back here. Got it?<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll save her, all right!<br>&nbsp;&nbsp;&nbsp;&nbsp;So don't you go getting killed, either!<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I am in an extremely foul mood!<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Toma,<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been quiet this last<br>&nbsp;&nbsp;&nbsp;&nbsp;while because of that magician, right?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. I want to know<br>&nbsp;&nbsp;&nbsp;&nbsp;how that attack of hers works.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if there's a<br>&nbsp;&nbsp;&nbsp;&nbsp;way to reverse it, that too.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably Divine Retribution.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A certain emotion is the key.<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who experience this emotion<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;bring others down,<br>&nbsp;&nbsp;&nbsp;&nbsp;regardless of location or range.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why it's Divine Retribution.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, did this magician<br>&nbsp;&nbsp;&nbsp;&nbsp;give any indications of that?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like she was inducing a specific<br>&nbsp;&nbsp;&nbsp;&nbsp;emotion more than was necessary?<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Specific emotion?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disgust... No, hostility, or animosity.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, that's the key<br>&nbsp;&nbsp;&nbsp;&nbsp;to making her magic work?<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. No matter what stage it's at,<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think they can ever<br>&nbsp;&nbsp;&nbsp;&nbsp;recover until the magician decides<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the Divine Retribution<br>&nbsp;&nbsp;&nbsp;&nbsp;is no longer needed.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what about the<br>&nbsp;&nbsp;&nbsp;&nbsp;way Kazakiri's angel works?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, she'll be all right, won't she?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know! There is some<br>&nbsp;&nbsp;&nbsp;&nbsp;magic that appears to be similar,<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but all the parts she's using<br>&nbsp;&nbsp;&nbsp;&nbsp;are crazy stuff I've never seen before.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least, I do know<br>&nbsp;&nbsp;&nbsp;&nbsp;that the angel that's over there<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the core that is directing<br>&nbsp;&nbsp;&nbsp;&nbsp;it are in two different places.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri is on the<br>&nbsp;&nbsp;&nbsp;&nbsp;side of science, after all.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Toma?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, she's not answering.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anyone besides<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe that would understand this?<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka!<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to stop that angel somehow.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one who can help!<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Misaka, did you get shot?!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I didn't.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, having me think<br>&nbsp;&nbsp;&nbsp;&nbsp;about something else while fighting--<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you really are ruthless.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, Index, anything<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't understand, ask her.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha, hey, this is awesome.<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is it?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, you are off your rocker, Aleister.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the man even know what reason is?<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of scientist is<br>&nbsp;&nbsp;&nbsp;&nbsp;it that calls themselves a scientist,<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then disavows science?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you guys!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when was<br>&nbsp;&nbsp;&nbsp;&nbsp;the Bible a pop-up book--<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ki-ha-ra!!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, shoot straight.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're just wasting everyone's time!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't move!<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was so cool!<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm falling in love, Accelerator!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's time to scrap you,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you son of a bitch!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri...<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!!<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaza--<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well...<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were the two heinous sinners<br>&nbsp;&nbsp;&nbsp;&nbsp;about to lick each other's wounds?<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here I was planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to save you until afterward,<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you show up<br>&nbsp;&nbsp;&nbsp;&nbsp;here just to be killed.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to witness any more misery,<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you want to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the first one I crush, is that it?<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you hurt Kazakiri.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a member of the Right Seat of God,<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot turn a blind eye to that monster.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That thing is a mass of sacrilege,<br>&nbsp;&nbsp;&nbsp;&nbsp;brought about by science,<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sneering at everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who holds up the cross!<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take that back!<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine. I'll be nice and kill you.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Together with that fallen angel there!<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I'd let you. She's already<br>&nbsp;&nbsp;&nbsp;&nbsp;going through all this as it is,<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now, you want her to die<br>&nbsp;&nbsp;&nbsp;&nbsp;at the hands of someone like you,<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who treats her like she's a monster?<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can kiss my ass!<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell do you take my friend for?!<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it<br>
&nbsp;&nbsp;&nbsp;&nbsp;was okay to be alone*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't turn back time that has passed*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being<br>
&nbsp;&nbsp;&nbsp;&nbsp;there as the seasons roll around*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;broken clock start up again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may<br>
&nbsp;&nbsp;&nbsp;&nbsp;be a helpless piece of junk*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how<br>
&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can change that*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fight on every front intensifies.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the answer<br>&nbsp;&nbsp;&nbsp;&nbsp;Index derives amidst the chaos<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;created by magic and science?<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time,<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Divine Retribution Spell."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 46 - The Divine Retribution Spell

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kore ijou tooku made<br>
&nbsp;&nbsp;&nbsp;&nbsp;tobenai tori ga ita*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kizu mo nai rippa na<br>
&nbsp;&nbsp;&nbsp;&nbsp;hane de aozora wo najitta*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo warukunai*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano sora wa takakunai*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo yoku wa nai*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karada de kanjiru sokudo wo osorete'ru*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare ni demo chansu wa moteru*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sono saki e yukenai*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitatenai*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitachitai*<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kanaetai negai<br>
&nbsp;&nbsp;&nbsp;&nbsp;no mukou de kagayaku*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ga iru*<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitomi ni utsusu*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mirai ni tatte itsumo tsuyokute"*<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sonna kimi ga boku sa*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi wa mada mabushii kedo*<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji kimochi de kono te nobashite*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*itsuka tsukamu genjitsu no boku ga*<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ni naru yo*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#22 The Divine Retribution Spell<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm down to sixty<br>&nbsp;&nbsp;&nbsp;&nbsp;seconds of control time.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I kill this guy,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will all be over.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't go back<br>&nbsp;&nbsp;&nbsp;&nbsp;down the path of light now.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So just think about taking Kihara<br>&nbsp;&nbsp;&nbsp;&nbsp;down to hell with you now!<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dirty punk,<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how dare you come<br>&nbsp;&nbsp;&nbsp;&nbsp;stand before me like this!<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, kid?<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were<br>&nbsp;&nbsp;&nbsp;&nbsp;here to save the girl.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you...<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, do you think you're<br>&nbsp;&nbsp;&nbsp;&nbsp;super cool to be doing this?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Facing off all alone<br>&nbsp;&nbsp;&nbsp;&nbsp;against some giant evil,<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;dashing in to rescue<br>&nbsp;&nbsp;&nbsp;&nbsp;the pitiful, captive little girl?<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that makes<br>&nbsp;&nbsp;&nbsp;&nbsp;up for everything else<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've done in your life?<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll wallow in<br>&nbsp;&nbsp;&nbsp;&nbsp;mud your whole life.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all,<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I'm stuck in<br>&nbsp;&nbsp;&nbsp;&nbsp;the mud my whole life.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I'm after.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I are the only<br>&nbsp;&nbsp;&nbsp;&nbsp;ones who have to go to hell.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go dragging<br>&nbsp;&nbsp;&nbsp;&nbsp;the kid down along with us!<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You filthy bastard!<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're starting to become a pain.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Swinging around<br>&nbsp;&nbsp;&nbsp;&nbsp;that vile right hand of yours,<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;protecting that nauseating<br>&nbsp;&nbsp;&nbsp;&nbsp;angel like you are.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much are you going to crack<br>&nbsp;&nbsp;&nbsp;&nbsp;me up before you're happy?!<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come off it!<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, you think your point of<br>&nbsp;&nbsp;&nbsp;&nbsp;view is the only one in the world?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you accept that there<br>&nbsp;&nbsp;&nbsp;&nbsp;are others who aren't like you?!<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate science!<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I detest science!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate this sort of science!<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I detest the kind of science<br>&nbsp;&nbsp;&nbsp;&nbsp;that just let my brother die!<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone's there?<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all science is!<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're one of them!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't find that disgusting?!<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! When your battery dies,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're just an immobile piece of junk.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think about how<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you fought back that squad of--<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... the...?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri...<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You hypocrite!<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?!<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is too much!<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Day after day, I keep<br>&nbsp;&nbsp;&nbsp;&nbsp;saying it's "just my luck,"<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but given all this,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm plenty fortunate, you know?<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are...<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you even talking about?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just you wait, Kazakiri. Index is<br>&nbsp;&nbsp;&nbsp;&nbsp;taking action right now to save you.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is, after all, your friend.<br>&nbsp;&nbsp;&nbsp;&nbsp;She is going to come through.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just relax.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the meantime, I'll make sure...<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to keep things in check here!<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you screw with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;you gimpy bastard!<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--? Damn!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You filthy little punk!<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mess with me, will you?!<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, let go!<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, that's right.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he can't use his ability,<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then that means my<br>&nbsp;&nbsp;&nbsp;&nbsp;"countermeasure" doesn't work anymore.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. Just killing him isn't enough.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to take the meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;of his death away from him.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how do I do that?<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the original script of the<br>&nbsp;&nbsp;&nbsp;&nbsp;virus that was input into her brain!<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without this, there's not<br>&nbsp;&nbsp;&nbsp;&nbsp;a chance of saving the girl!<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In your face! Kick yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;over that, you filthy punk!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've destroyed everything<br>&nbsp;&nbsp;&nbsp;&nbsp;that is most important to you!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't anything<br>&nbsp;&nbsp;&nbsp;&nbsp;you can make right anymore!<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, it's your turn.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start questioning whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not there's a heaven,<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or whatever other drivel<br>&nbsp;&nbsp;&nbsp;&nbsp;you want to now!<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is!<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's her!<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got her.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento avoided letting me grab<br>&nbsp;&nbsp;&nbsp;&nbsp;onto her hammer with my right hand.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that<br>&nbsp;&nbsp;&nbsp;&nbsp;it can cancel the thing out.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then...<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like letting you get too<br>&nbsp;&nbsp;&nbsp;&nbsp;close doesn't gain me anything.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I don't have to<br>&nbsp;&nbsp;&nbsp;&nbsp;worry about anything around me,<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can go all-out, too.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! You almost make it sound<br>&nbsp;&nbsp;&nbsp;&nbsp;like that monster is helping you out!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not "sound like,"<br>
&nbsp;&nbsp;&nbsp;&nbsp;she really *is* helping me out!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dream on!<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the best you can do!<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go selling the<br>&nbsp;&nbsp;&nbsp;&nbsp;Right Seat of God short!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento!<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the idiotic outcry for?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've thrown in with<br>&nbsp;&nbsp;&nbsp;&nbsp;the side of science, right?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the appearance of that angel,<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a coercive spell pressure<br>&nbsp;&nbsp;&nbsp;&nbsp;took effect over this whole region.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's causing what might be<br>&nbsp;&nbsp;&nbsp;&nbsp;called a magic circulatory failure.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister sure came<br>&nbsp;&nbsp;&nbsp;&nbsp;up with a repulsive trick!<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dumbass!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What possible reason could<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to fight through all this?!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't feed me that hollow line!<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes... I couldn't dodge that...<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, now you need rescuing, don't you?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, but I'm pressed for time, too.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see to it that you<br>&nbsp;&nbsp;&nbsp;&nbsp;get sent to the hospital!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! I'll never again<br>&nbsp;&nbsp;&nbsp;&nbsp;turn myself over to science!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My younger brother<br>&nbsp;&nbsp;&nbsp;&nbsp;was killed through science.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was because of a glitch<br>&nbsp;&nbsp;&nbsp;&nbsp;at an amusement park attraction.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said that scientifically,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was no chance of any trouble.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had multiple layers of safety devices,<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a fully-automated<br>&nbsp;&nbsp;&nbsp;&nbsp;speed control program.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They laid out all these<br>&nbsp;&nbsp;&nbsp;&nbsp;reassuring words for us,<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the truth is,<br>&nbsp;&nbsp;&nbsp;&nbsp;they didn't do any good at all!<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same was true when we<br>&nbsp;&nbsp;&nbsp;&nbsp;were taken to the hospital afterward.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were unable to find<br>&nbsp;&nbsp;&nbsp;&nbsp;enough blood for two transfusions,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the doctors said they<br>&nbsp;&nbsp;&nbsp;&nbsp;could only save one of our lives.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My brother said, "Please save my sister."<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, only I survived.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprised?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can a member of the Right<br>&nbsp;&nbsp;&nbsp;&nbsp;Seat of God fight over such a reason?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you see, I despise science<br>&nbsp;&nbsp;&nbsp;&nbsp;so much that I will even use<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Right Seat<br>&nbsp;&nbsp;&nbsp;&nbsp;of God to bring it down.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Science not only<br>&nbsp;&nbsp;&nbsp;&nbsp;deprives us of our way,<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it even takes the Bible, which we<br>&nbsp;&nbsp;&nbsp;&nbsp;take to be the means of salvation,<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and tries to smear it<br>&nbsp;&nbsp;&nbsp;&nbsp;with blasphemy such as this.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what the essence of science is!<br>&nbsp;&nbsp;&nbsp;&nbsp;All it does is hamper us!<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I hate and detest science!<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If science is as cold as that,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'll smash it all to pieces,<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and fill the world<br>&nbsp;&nbsp;&nbsp;&nbsp;with a warmer set of laws!<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my duty, for having<br>&nbsp;&nbsp;&nbsp;&nbsp;squandered my brother's future!<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to be kidding me.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hell science killed your brother.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course those doctors never<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted your brother to die to begin with.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course they wanted to save both of you!<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for the attraction<br>&nbsp;&nbsp;&nbsp;&nbsp;where you had the accident, too.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like they were<br>&nbsp;&nbsp;&nbsp;&nbsp;running it to hurt people.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wanted to bring<br>&nbsp;&nbsp;&nbsp;&nbsp;smiles to people's faces!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brother knew exactly the<br>&nbsp;&nbsp;&nbsp;&nbsp;situation he had been placed in,<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he still wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;you to survive, didn't he?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think someone<br>&nbsp;&nbsp;&nbsp;&nbsp;like that would say<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that he wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;take revenge against science?<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who wanted more<br>&nbsp;&nbsp;&nbsp;&nbsp;than anyone else for you to be happy?!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to shut up!<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think the view of a<br>&nbsp;&nbsp;&nbsp;&nbsp;little child on the verge of death<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;carries any value?!<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there wasn't enough blood,<br>&nbsp;&nbsp;&nbsp;&nbsp;they should have given it to my brother!<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they had to,<br>
&nbsp;&nbsp;&nbsp;&nbsp;they could have used *my* blood, too!<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it did have value.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's precisely because<br>&nbsp;&nbsp;&nbsp;&nbsp;your brother made his decision<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you are here, alive, now, right?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then it *did* have value!<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who has<br>&nbsp;&nbsp;&nbsp;&nbsp;to understand the value it had<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;more than anyone, aren't you?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous!<br>&nbsp;&nbsp;&nbsp;&nbsp;You think that's any comfort?!<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I consumed his whole future!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you shout out the same thing<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone else in<br>&nbsp;&nbsp;&nbsp;&nbsp;the exact same situation?!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I couldn't!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I refute it!<br>&nbsp;&nbsp;&nbsp;&nbsp;The life you're living is wrong!<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brother did the most amazing<br>&nbsp;&nbsp;&nbsp;&nbsp;thing in the world back there.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're here disgracing that?!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to waste what<br>&nbsp;&nbsp;&nbsp;&nbsp;he said by going to your grave,<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;hating science the whole time?!<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, that's a laugh.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who chose this path.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way that you,<br>&nbsp;&nbsp;&nbsp;&nbsp;who just heard the story right here,<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can twist what happened so easily!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The crisis that both<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City and Kazakiri are in...<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...as well as the hatred for<br>&nbsp;&nbsp;&nbsp;&nbsp;science that holds Vento captive...<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are illusions that I'm now<br>&nbsp;&nbsp;&nbsp;&nbsp;going to smash all at once!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compared to what your brother did,<br>&nbsp;&nbsp;&nbsp;&nbsp;this may not be any big deal,<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it will save you just a little bit.<br>&nbsp;&nbsp;&nbsp;&nbsp;Now go back and start over!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You big dumbass!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those men from before.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do they have something to do with her?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Heh...<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do you want?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working here.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, just a minute!<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go trying anything with her!<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl is at the<br>&nbsp;&nbsp;&nbsp;&nbsp;core of everything, all right.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Based on angel architecture,<br>&nbsp;&nbsp;&nbsp;&nbsp;but made of formless telesma,<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all tucked away inside<br>&nbsp;&nbsp;&nbsp;&nbsp;a human-shaped pouch.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't know how<br>&nbsp;&nbsp;&nbsp;&nbsp;to move forward from here.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Short-hair, a question!<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You call me Miss Mikoto!<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's your question?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's an electronic network<br>&nbsp;&nbsp;&nbsp;&nbsp;that utilizes brainwaves?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Let's see...<br>&nbsp;&nbsp;&nbsp;&nbsp;Electricity-generating espers<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can use identical brainwaves<br>&nbsp;&nbsp;&nbsp;&nbsp;to construct an EM network, I guess.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what does it mean<br>&nbsp;&nbsp;&nbsp;&nbsp;that there's an AIM diffusion field<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;spread out across Academy City?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the power field naturally<br>&nbsp;&nbsp;&nbsp;&nbsp;generated by Academy City's espers.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she's saying that there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a special power that fills the city,<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that it's this girl that administers it.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By restricting her mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're just twisting that special power<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to create the "angel." In that case...<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we have to do is<br>&nbsp;&nbsp;&nbsp;&nbsp;untie the "knot" inside her head.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to turn that idea into<br>&nbsp;&nbsp;&nbsp;&nbsp;a specific measure will take...<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a song.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It conveys things<br>&nbsp;&nbsp;&nbsp;&nbsp;better than simply words.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You filthy punk! I'll show you!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using rhythm and tone,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can communicate on multiple levels.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, you mean you can do<br>&nbsp;&nbsp;&nbsp;&nbsp;something in such an analog way?<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes I can. A prayer will get through.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our prayer is going to save them all.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl,<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Hyoka, and Academy City.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you, you bastard?!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suddenly starting to move on me!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ki... hara...<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara!!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, this should be good.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, of course. If you<br>&nbsp;&nbsp;&nbsp;&nbsp;were to go down as easily as that,<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it wouldn't be any fun.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you're being so<br>&nbsp;&nbsp;&nbsp;&nbsp;service-minded, Accelerator.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been pissed off at<br>&nbsp;&nbsp;&nbsp;&nbsp;you this whole time, as well.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna flatten you good<br>&nbsp;&nbsp;&nbsp;&nbsp;with my fists before killing you!<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't hurt me, kid!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I've found my groove.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha! I'm gonna make<br>&nbsp;&nbsp;&nbsp;&nbsp;this a little more interesting,<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so show me a little more spunk!<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening?<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those black<br>&nbsp;&nbsp;&nbsp;&nbsp;wings growing out of your back?<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard... Where<br>&nbsp;&nbsp;&nbsp;&nbsp;are you getting this strength?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've acquired a new clearance...<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What value did you enter<br>&nbsp;&nbsp;&nbsp;&nbsp;in for your Personal Reality?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't tell me that power...<br>&nbsp;&nbsp;&nbsp;&nbsp;is of the angel variety!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you realize...<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what's behind you, you monster?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kill..."<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill...<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitori de ii to tsubuyaita*<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to aru sekai no chuushin de*<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokei no hari wo orimagete*<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hitomi tojite'ta*<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sugisatta toki wa modosenai kedo*<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ano hi oshiete kureta yo ne*<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore de ii n' da to*<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Megurimeguru kisetsu ni kimi ga ita kiseki*<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kowarete'ta tokei sae ugokidasu kara*<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima wa sou muryoku na garakuta da kedo*<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fushigi da ne kaerareru sonna ki ga suru*<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no koe ga ima mo mada*<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*koko ni aru kara*<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Kazakiri?!<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I touch Kazakiri now, it might<br>&nbsp;&nbsp;&nbsp;&nbsp;obliterate the real Kazakiri, too.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have business with the girl here.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you who you are!<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua of the Rear.<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like Vento, I am one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Right Seat of God.<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, you need not worry.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all for today; I'm heading back.<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let Vento go!<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, if I were to let Vento go now,<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she were captured<br>&nbsp;&nbsp;&nbsp;&nbsp;by the side of science,<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she would undoubtedly be executed.<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have that.<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is already destroyed by<br>&nbsp;&nbsp;&nbsp;&nbsp;your right hand. It is just junk now.<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento can no longer use divine retribution.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people she neutralized<br>&nbsp;&nbsp;&nbsp;&nbsp;should recover soon.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rest easy now,<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;knowing that you have preserved<br>&nbsp;&nbsp;&nbsp;&nbsp;the tranquility of Academy City.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm just going to accept that?!<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to let you in on one thing.<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a saint. If you<br>&nbsp;&nbsp;&nbsp;&nbsp;rush in blindly to fight me,<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will shorten your life.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One battle ends.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the footfalls of another,<br>&nbsp;&nbsp;&nbsp;&nbsp;unprecedented battle<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can clearly be heard<br>&nbsp;&nbsp;&nbsp;&nbsp;closing in--those of a war.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Prewar."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 47 - Prewar

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was a bird that could<br>
&nbsp;&nbsp;&nbsp;&nbsp;not fly any farther than this*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It rebuked the blue skies<br>
&nbsp;&nbsp;&nbsp;&nbsp;on fine, flawless wings*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that bad*<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That sky is not that high*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that good*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Afraid of the speed<br>
&nbsp;&nbsp;&nbsp;&nbsp;it would feel in its body*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everybody has a chance,*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but they cannot go any farther*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;cannot take flight*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;want to take flight*<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, beyond the wish<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to make come true*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you shine*<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In my eyes I picture you*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Standing in the future,<br>
&nbsp;&nbsp;&nbsp;&nbsp;always strong,"*<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and that "you" is me*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are still blindingly bright*<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in the same spirit,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I reach out my hand*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the "I" who I am will<br>
&nbsp;&nbsp;&nbsp;&nbsp;someday grab hold to become*<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the you that I will be*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#23 Prewar"<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We used to take the smiles we always shared for granted*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you coming around?<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness. Are you all right?<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as we walked together in the sunlight shining through the trees*<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This... isn't right...<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did things end up like this?<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just hearing the sound of the word "friends,"*<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all because of me, and yet, why am I the only one unhurt?<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can't stay with everyone else, then why was I even born?<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought you would be at my side forever*<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to the power of the espers, I can finally exist as a freak,<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no matter what happened*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now that that girl was nice enough to call me her friend,<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because the feelings we always shared*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I had become at least a little bit more human...<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but I can't take it anymore!<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please hit me, and put an end to all of this!<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are still alive here, I believe in you*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you making that face?<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I'm relieved.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know why I have this power within my right hand.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's my desire to see you again that makes me stronger*<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if it means obliterating one of my friends,<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather chop off my right hand right here.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*through whatever darkness or persistent rains that may come*<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You protected the others, right? You tried to keep everyone safe.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that any different from the person you picture yourself as?<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If my voice will be carried on*<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold your head high, and look ahead.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the wind and my prayer will get through*<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After fighting like you did for the sake of complete strangers,<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and managing to pull everyone through,<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then I'll pray until I am able to get you back*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there isn't a single reason to hang your head down.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go check around to see if anyone needs any first aid.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, let's head home.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no telling when<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to vanish on us.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before that happens, we need to<br>&nbsp;&nbsp;&nbsp;&nbsp;let you and Index meet up.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't go asking why.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because we're friends, of course.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right?!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That stuff from your back was<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot like telesma, but what was it?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What ended<br>&nbsp;&nbsp;&nbsp;&nbsp;up happening over there?!<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like those huge<br>&nbsp;&nbsp;&nbsp;&nbsp;wings have disappeared, too.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you need any help,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll head over there.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go call a doctor.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold on!<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator, I would<br>&nbsp;&nbsp;&nbsp;&nbsp;like a word. Is that all right?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Telepathy? And I have a small<br>&nbsp;&nbsp;&nbsp;&nbsp;amount of computing power back, too.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's correct. I made arrangements<br>&nbsp;&nbsp;&nbsp;&nbsp;for several telepathic espers.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to speak to you<br>&nbsp;&nbsp;&nbsp;&nbsp;about the series of disturbances you made,<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as concerning the damage<br>&nbsp;&nbsp;&nbsp;&nbsp;that Academy City has suffered.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to slice me<br>&nbsp;&nbsp;&nbsp;&nbsp;to pieces for research material?<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is one path we could take.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how would you like<br>&nbsp;&nbsp;&nbsp;&nbsp;to work together with us?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Academy City trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to start a war or something?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot answer that.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Then there's<br>&nbsp;&nbsp;&nbsp;&nbsp;only one thing I can say.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get bent.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a critical moment<br>&nbsp;&nbsp;&nbsp;&nbsp;for Academy City.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want to try to oppose it,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we want you to work with us.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing that Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;is completely wiped out,<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is there any other place for us espers?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, just as with other skills...<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, just tell me one thing.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name of your current ringleader.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking the head of the person<br>&nbsp;&nbsp;&nbsp;&nbsp;who treated the kid like this.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he will just be a scapegoat.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what will it be?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suit yourself.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fine answer.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I look forward to<br>&nbsp;&nbsp;&nbsp;&nbsp;working with you, new guy.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terra?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's right. Terra of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Left. Are you finished there?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento has had it.<br>&nbsp;&nbsp;&nbsp;&nbsp;I just recovered her,<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and had the detached squad in<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's outskirts stand down.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's our next move? If you like,<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got no problem with<br>&nbsp;&nbsp;&nbsp;&nbsp;lopping off the target's head.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's not do that.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's better to wait<br>&nbsp;&nbsp;&nbsp;&nbsp;until after we hear your full story,<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then reconsider how we're<br>&nbsp;&nbsp;&nbsp;&nbsp;going to bring down Academy City.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How we'll bring down Academy City?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't like that idea?<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheap tricks aren't my thing.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Defeating a foe head-on is<br>&nbsp;&nbsp;&nbsp;&nbsp;obviously the easier way to do it.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think they<br>&nbsp;&nbsp;&nbsp;&nbsp;might still have some use?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, that fallen angel.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not approve of<br>&nbsp;&nbsp;&nbsp;&nbsp;plundering the battlefield.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to a knight to<br>&nbsp;&nbsp;&nbsp;&nbsp;say one thing and do another.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no knight. I'm a<br>&nbsp;&nbsp;&nbsp;&nbsp;has-been mercenary miscreant.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever, please<br>&nbsp;&nbsp;&nbsp;&nbsp;bring Vento back here at once.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are the instructions<br>&nbsp;&nbsp;&nbsp;&nbsp;from Fiamma of the Right.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I wonder if<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City really is as frail<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as you think it is, Terra of the Left.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Aleister.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I have to say to you.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to stop treating my<br>&nbsp;&nbsp;&nbsp;&nbsp;patients as your toys.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... And if I don't, what will you do?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are my patients.<br>&nbsp;&nbsp;&nbsp;&nbsp;And I am their doctor. Do you follow me?<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having had your life saved by me once...<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you regret doing that?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a serious question?<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to stop.<br>&nbsp;&nbsp;&nbsp;&nbsp;I am already past that point.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is goodbye, my kind, kind enemy.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lunchtime!<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's buy something, quick!<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting a *yakisoba* sandwich!<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now see here! No running in the hallways!<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh...<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an out-of-the-usual day.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you brought<br>&nbsp;&nbsp;&nbsp;&nbsp;something yummy today, too.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sharing anything for free.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want some, let's trade.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, I'm impressed at<br>&nbsp;&nbsp;&nbsp;&nbsp;how you can still fix a bento lunch<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;day in and day out.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, your broth is<br>&nbsp;&nbsp;&nbsp;&nbsp;leaking into your rice zone.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Having the broth seep in<br>&nbsp;&nbsp;&nbsp;&nbsp;like this makes it surprisingly good.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sour grapes?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! And if you're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;pull that face, try some taro root!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I guess it's not bad.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right, Himegami?!<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What? You want me to rub your back?<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that, Himegami?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, should I do it harder?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you up to?<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose...<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you always eat that<br>&nbsp;&nbsp;&nbsp;&nbsp;bland-looking bread, anyway?<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! It tastes just fine!<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ability-boosting bread, with twelve<br>&nbsp;&nbsp;&nbsp;&nbsp;nutrients for energizing the brain."<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want some of my taro root?<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so you know, I'm wearing<br>&nbsp;&nbsp;&nbsp;&nbsp;a front-hooking bra today.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the city's entrance<br>&nbsp;&nbsp;&nbsp;&nbsp;controls are tightened,<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they said we might<br>&nbsp;&nbsp;&nbsp;&nbsp;not get any more field trips.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if this affects<br>&nbsp;&nbsp;&nbsp;&nbsp;the Ichihanaran Festival, too.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah, the Antiskill teachers<br>&nbsp;&nbsp;&nbsp;&nbsp;are working on the precautions,<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they say we may not<br>&nbsp;&nbsp;&nbsp;&nbsp;have to take any midterms.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A war, huh?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just too much,<br>&nbsp;&nbsp;&nbsp;&nbsp;you know? I mean, if a war starts,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the price of meats<br>&nbsp;&nbsp;&nbsp;&nbsp;and vegetables will go up, right?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention conventional oil.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kamijo!<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you being so quiet about?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, nothing! I was just thinking,<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;best if we have some stew pot<br>&nbsp;&nbsp;&nbsp;&nbsp;or whatever now, while we still can.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so we won't regret<br>&nbsp;&nbsp;&nbsp;&nbsp;not having eaten it later on.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, maybe...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Kami, are you<br>&nbsp;&nbsp;&nbsp;&nbsp;having a stew pot tonight?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! If it's *sukiyaki* you want,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I know this great, cheap place!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? You guys<br>&nbsp;&nbsp;&nbsp;&nbsp;going someplace tonight?<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't let you go hogging<br>&nbsp;&nbsp;&nbsp;&nbsp;this tasty restaurant all to yourselves.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why are we suddenly going out?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warming up for the Ichihanaran Festival?<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Majority rule! Majority rule!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? When did the class decide<br>&nbsp;&nbsp;&nbsp;&nbsp;we were all going out for supper? Huh?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Miss Fukiyose?<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief!<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose with a deluxe forehead?!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tonight's stew pot"<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll look after this for us, so everyone cast your vote!<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Tsukuyomi, I heard you<br>&nbsp;&nbsp;&nbsp;&nbsp;had taken in yet another runaway girl.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been kind of lonesome<br>&nbsp;&nbsp;&nbsp;&nbsp;since Himegami moved into the dorms.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now that Musujime<br>&nbsp;&nbsp;&nbsp;&nbsp;is here, everything is fine.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones who were staying<br>&nbsp;&nbsp;&nbsp;&nbsp;with me just heartlessly moved out.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's decided!<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight, it's decided that<br>
&nbsp;&nbsp;&nbsp;&nbsp;we're all going out for *sukiyaki*!<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go bring things under control!<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See here! What is all this commotion?!<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Miss Komoe! Want to eat with us?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice. Always some nuttiness going on.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then...<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's eat!<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're getting more<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If war breaks out, Academy<br>&nbsp;&nbsp;&nbsp;&nbsp;City is not safe, so return my child"<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;requests from a lot of the parents.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? So things have gotten that far?<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo! What are you<br>&nbsp;&nbsp;&nbsp;&nbsp;beating that egg so slowly for?!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah! I can't stand it anymore!<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me have that!<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! What a control freak!<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami...<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I saw on the menu,<br>&nbsp;&nbsp;&nbsp;&nbsp;the prices still haven't changed yet.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thank you.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, the price for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to stock up could be increasing.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;eat up while we can, right? Yoink!<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! You're just taking all the meat!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! I need more meat!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Meat! Meat! Meat! Meat! Meat! ♪<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I haven't eaten a single bite, and you've already...<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;War, huh?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got to do something.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami...<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think the war that's about<br>&nbsp;&nbsp;&nbsp;&nbsp;to break out is all because of you,<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're way off.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All this time, you've been<br>&nbsp;&nbsp;&nbsp;&nbsp;protecting those around you.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess, maybe.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The war is happening because<br>&nbsp;&nbsp;&nbsp;&nbsp;those behind the scenes screwed up.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's starting.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scale of fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;will change. From now on,<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;passing through each phase the<br>&nbsp;&nbsp;&nbsp;&nbsp;way we've done up to now will be hard.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right. Or more like,<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that we've made it<br>&nbsp;&nbsp;&nbsp;&nbsp;through up to now is miraculous.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone has been carrying me up to now.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've left everything dealing<br>&nbsp;&nbsp;&nbsp;&nbsp;with a world I know nothing about<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;up to someone else.<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't do that anymore.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to have to step inside<br>&nbsp;&nbsp;&nbsp;&nbsp;a new world I've never seen before.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, I've made a decision.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami...<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm...<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to start studying English!<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've tried up as high<br>&nbsp;&nbsp;&nbsp;&nbsp;as daily conversation level 3,<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but English is just so hard, you know?<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does his next phase have to be English?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else has been<br>&nbsp;&nbsp;&nbsp;&nbsp;using Japanese with me up to now,<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't let them<br>&nbsp;&nbsp;&nbsp;&nbsp;keep coddling me like this.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what it comes down to is...<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What was that for...?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drill number 42, begin.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drill number 43, begin.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want, Mr. Dress-up?<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was trying to cover up my<br>&nbsp;&nbsp;&nbsp;&nbsp;presence, in my own little way.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have much to learn.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unabara Mitsuki, was it?<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, though both the name and face are fakes.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you settled on a weapon?<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of them feels quite right.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can bring in guns from all over the world,<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I still may not find one.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if you made a list of<br>&nbsp;&nbsp;&nbsp;&nbsp;gear you can use your ability with?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop trying to be such a know-it-all.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't rely on this thing.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to GROUP's engineering report,<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they have extended your<br>&nbsp;&nbsp;&nbsp;&nbsp;ability usage time to thirty minutes.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GROUP, huh?<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dissatisfied with<br>&nbsp;&nbsp;&nbsp;&nbsp;their tuning on your electrode?<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! Whether it's thirty minutes or three days,<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once some glitch comes up, it's all over.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't fight because of<br>&nbsp;&nbsp;&nbsp;&nbsp;a malfunction, you don't survive.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you wanted?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GROUP has received a work<br>&nbsp;&nbsp;&nbsp;&nbsp;order from the governing board.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City...<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is about to line up against<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, the truth of the matter<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that the city's internal<br>&nbsp;&nbsp;&nbsp;&nbsp;defenses are thinning out.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are going to mop up one<br>&nbsp;&nbsp;&nbsp;&nbsp;force who would take advantage of that.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that I was going to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to fill in for that bastard Kihara,<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I never imagined this kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of two-bit job would come to me.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While it may fall on you, you *are<br>
&nbsp;&nbsp;&nbsp;&nbsp;*the one who came here on your own.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen here, kid! Let me tell you one thing!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A human life is frail!<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frail enough that one touch<br>&nbsp;&nbsp;&nbsp;&nbsp;of my fingertip could destroy it!<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So be a little more considerate.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, I might break<br>&nbsp;&nbsp;&nbsp;&nbsp;something you don't want broken.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be more mindful.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I continue now?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suit yourself.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your target will be Skill Out.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may be more<br>&nbsp;&nbsp;&nbsp;&nbsp;familiar with them than I am.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. They're an armed gang<br>&nbsp;&nbsp;&nbsp;&nbsp;made up of a bunch of Level 0s.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. They currently appear<br>&nbsp;&nbsp;&nbsp;&nbsp;to be putting together some toys.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toys?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rockets, made up of hollowed-out<br>&nbsp;&nbsp;&nbsp;&nbsp;wood packed with explosives.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Much like the *bo-hiya* fire arrows<br>
&nbsp;&nbsp;&nbsp;&nbsp;tested during the Edo period.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've been conducting operations<br>&nbsp;&nbsp;&nbsp;&nbsp;all over for the past few days.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking abandoned bikes and<br>&nbsp;&nbsp;&nbsp;&nbsp;placing them along emergency routes,<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and blocking up sewage drains<br>&nbsp;&nbsp;&nbsp;&nbsp;around VIP facilities with garbage.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not the kinds of things that<br>&nbsp;&nbsp;&nbsp;&nbsp;rise to the level of security problems.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, does GROUP now take<br>&nbsp;&nbsp;&nbsp;&nbsp;contracts to deal with kids' pranks, too?<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there have<br>&nbsp;&nbsp;&nbsp;&nbsp;now been over 20,000 incidents.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When there is an orange or red alert,<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they will be detected as errors.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what the fire arrows are for?<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the server goes down due<br>&nbsp;&nbsp;&nbsp;&nbsp;to a large number of error reports,<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skill Out can run wild without<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill coming after them.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, they could always<br>&nbsp;&nbsp;&nbsp;&nbsp;cancel the alert, right?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we weren't currently<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of a war, maybe.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing but enemies,<br>&nbsp;&nbsp;&nbsp;&nbsp;both within and without, huh?<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like quite a few people<br>&nbsp;&nbsp;&nbsp;&nbsp;have a beef with Academy City.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is our job to somehow<br>&nbsp;&nbsp;&nbsp;&nbsp;deal with such people.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your target's name is Komaba Ritoku.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is currently the leader<br>&nbsp;&nbsp;&nbsp;&nbsp;in charge of Skill Out,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as the brains.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dispose of him quickly, and we<br>&nbsp;&nbsp;&nbsp;&nbsp;can nip Skill Out's plans in the bud.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why a garbage truck?<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are all sorts of handy.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can even use<br>&nbsp;&nbsp;&nbsp;&nbsp;it to dispose of the body.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A garbage truck trolling around<br>&nbsp;&nbsp;&nbsp;&nbsp;for the bodies of scumbags?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing funny about that.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He will return for recovery in<br>&nbsp;&nbsp;&nbsp;&nbsp;twenty minutes, as planned. Be careful.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, win or lose, I've still<br>&nbsp;&nbsp;&nbsp;&nbsp;gotta ride around in that thing?<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alive or dead being<br>&nbsp;&nbsp;&nbsp;&nbsp;a whole separate matter...<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little tricks for the security robots,<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as to block the<br>&nbsp;&nbsp;&nbsp;&nbsp;observation satellites, huh?<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's that old familiar atmosphere.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured your first mission<br>&nbsp;&nbsp;&nbsp;&nbsp;would be starting soon.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to have<br>&nbsp;&nbsp;&nbsp;&nbsp;a little word in your ear.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're warning me, now?<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what have you got for the new guy?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not trust us.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all a bunch of guys<br>&nbsp;&nbsp;&nbsp;&nbsp;who would create a huge problem<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just by having word<br>&nbsp;&nbsp;&nbsp;&nbsp;of our existence get out.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GROUP, which is made up of<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing but hand-picked people like us<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has no goals.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to say that I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;expecting some kind of reward?<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying that if<br>&nbsp;&nbsp;&nbsp;&nbsp;you only follow the rules<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;established by the governing board,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll never outwit them.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, be sure to recognize<br>&nbsp;&nbsp;&nbsp;&nbsp;what it is you need to do to win.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I both have something<br>&nbsp;&nbsp;&nbsp;&nbsp;we want to keep safe, after all.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you wanted?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finish up quick and get back.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musujime will be starting<br>&nbsp;&nbsp;&nbsp;&nbsp;a job there pretty soon, as well.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say a job?<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't hear anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about this being a contest.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a person she's after; it's money.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you mean,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's still good for something?<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the same as you.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been upgraded.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, she has? That's great.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...why don't I get started?<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cleanup time.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have this finished in ten minutes.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes nine places.<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys just aren't tough enough.<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you would go<br>&nbsp;&nbsp;&nbsp;&nbsp;a little easier on us, esper.<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaba Ritoku.<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I've run into the target first.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it<br>
&nbsp;&nbsp;&nbsp;&nbsp;was okay to be alone*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't turn back time that has passed*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being<br>
&nbsp;&nbsp;&nbsp;&nbsp;there as the seasons roll around*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;broken clock start up again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may<br>
&nbsp;&nbsp;&nbsp;&nbsp;be a helpless piece of junk*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how<br>
&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can change that*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GROUP and the non-espers clash.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misuzu is caught in<br>&nbsp;&nbsp;&nbsp;&nbsp;the middle of the chaos.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Accelerator and I meet once again.<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Skill Out."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and<br>&nbsp;&nbsp;&nbsp;&nbsp;magic cross paths, the story begins.<br>

# 48 - Skill Out (Armed Gang)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you would go a<br>&nbsp;&nbsp;&nbsp;&nbsp;little easier on us, esper.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaba Ritoku.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I've<br>&nbsp;&nbsp;&nbsp;&nbsp;run into the target first.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that you<br>&nbsp;&nbsp;&nbsp;&nbsp;would try to make off with funds<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that we had distributed, all at once.<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I find that to be somewhat childish.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just making sure to hit<br>&nbsp;&nbsp;&nbsp;&nbsp;all of my targets for destruction.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that it's your war<br>&nbsp;&nbsp;&nbsp;&nbsp;chest is none of my concern.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move Point, huh? That's a pesky power.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think "pesky" is enough to cover it?<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Maybe you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more despicable than just "pesky."<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll end this by driving<br>&nbsp;&nbsp;&nbsp;&nbsp;this right between your eyes!<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too slow!<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can knuckle down, myself.<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *am* fighting a monster like you.<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Letting me have this<br>&nbsp;&nbsp;&nbsp;&nbsp;much of a handicap is fair, right?<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't hit me!<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got some moves.<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have some springy<br>&nbsp;&nbsp;&nbsp;&nbsp;hard taping under your clothes.<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's actually special<br>&nbsp;&nbsp;&nbsp;&nbsp;military sonic elastic taping.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It took quite some doing to acquire it.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't think you're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to pay for using that defective stuff<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on your own body like that?<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's how far I'm prepared to go.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry and finish this.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a mountain of<br>&nbsp;&nbsp;&nbsp;&nbsp;things ahead of me to do, after all.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too weak!<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take more than a<br>&nbsp;&nbsp;&nbsp;&nbsp;thin film like that to stop me!<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a letdown.<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kore ijou tooku made<br>
&nbsp;&nbsp;&nbsp;&nbsp;tobenai tori ga ita*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kizu mo nai rippa na<br>
&nbsp;&nbsp;&nbsp;&nbsp;hane de aozora wo najitta*<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo warukunai*<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano sora wa takakunai*<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo yoku wa nai*<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karada de kanjiru sokudo wo osorete'ru*<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare ni demo chansu wa moteru*<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sono saki e yukenai*<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitatenai*<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitachitai*<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kanaetai negai<br>
&nbsp;&nbsp;&nbsp;&nbsp;no mukou de kagayaku*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ga iru*<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitomi ni utsusu*<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mirai ni tatte itsumo tsuyokute"*<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sonna kimi ga boku sa*<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi wa mada mabushii kedo*<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji kimochi de kono te nobashite*<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*itsuka tsukamu genjitsu no boku ga*<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ni naru yo*<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#24 Skill Out (Armed Gang)<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it sounds like she's<br>&nbsp;&nbsp;&nbsp;&nbsp;met her quota, too. I'll tell you,<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;working overtime by yourself is--<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, why don't you take it off?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator, huh?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Komaba Ritoku, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me ask you why you're doing this.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason Skill Out pounds<br>&nbsp;&nbsp;&nbsp;&nbsp;on espers is... not an interesting tale.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! So not only are<br>&nbsp;&nbsp;&nbsp;&nbsp;you throwing the city into chaos,<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're doing it<br>&nbsp;&nbsp;&nbsp;&nbsp;indiscriminately, too?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not indiscriminately.<br>&nbsp;&nbsp;&nbsp;&nbsp;We pick our targets, at least.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem pretty sure of yourself.<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you aware of your situation?<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I killed her.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're different<br>&nbsp;&nbsp;&nbsp;&nbsp;from the stories I've heard.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outcasts like you typically<br>&nbsp;&nbsp;&nbsp;&nbsp;don't hesitate at this point.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? Scumbags<br>&nbsp;&nbsp;&nbsp;&nbsp;that stand in front of me<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;typically get turned into mincemeat.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That electrode of yours is a transmitter<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for some kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;electrical information, right?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaff Seed.<br>&nbsp;&nbsp;&nbsp;&nbsp;A sort of EM disruption device.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll blow a crimson hole through you!<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Checkmate.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you a final choice.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you want<br>&nbsp;&nbsp;&nbsp;&nbsp;me to shoot you to kill you?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this how you plan on making<br>&nbsp;&nbsp;&nbsp;&nbsp;innocent people miserable in turn?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw that, you dirty bastard!<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How... come...<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come your Reflection...<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...has returned...?<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, an idiot?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way chaff works is by having<br>&nbsp;&nbsp;&nbsp;&nbsp;metal foil scattered through the air<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;creating EM interference.<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes it simple.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just have to get<br>&nbsp;&nbsp;&nbsp;&nbsp;the floating foil out of the way.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, by venting it.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...why don't you show me the guts<br>&nbsp;&nbsp;&nbsp;&nbsp;it takes for a Level 0 to challenge<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a Level 5 to a fight once again?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too slow!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Checkmate," all right.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that you're a<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 0 doesn't make you evil.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole reason<br>&nbsp;&nbsp;&nbsp;&nbsp;they're all treated like nuisances<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because of you guys in<br>&nbsp;&nbsp;&nbsp;&nbsp;Skill Out gallivanting around.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Securing rights?<br>&nbsp;&nbsp;&nbsp;&nbsp;Guaranteeing safety? Ridiculous.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you realized<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that these actions are putting<br>&nbsp;&nbsp;&nbsp;&nbsp;a noose around your necks?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to talk hypothetically?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The personality issues of a<br>&nbsp;&nbsp;&nbsp;&nbsp;person aren't taken into consideration<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when it comes to the<br>&nbsp;&nbsp;&nbsp;&nbsp;merits of being an esper.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That includes some really<br>&nbsp;&nbsp;&nbsp;&nbsp;ugly examples of humanity<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who wield tremendous power.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a game where such guys<br>&nbsp;&nbsp;&nbsp;&nbsp;competed to attack Level 0s<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who weren't in an organized<br>&nbsp;&nbsp;&nbsp;&nbsp;Skill Out group became popular,<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what would you do?<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, I knew the consequences<br>&nbsp;&nbsp;&nbsp;&nbsp;would be coming for me in time...<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard...<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently,<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you and I are currently in<br>&nbsp;&nbsp;&nbsp;&nbsp;the same set of circumstances.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a gift. Burn this<br>&nbsp;&nbsp;&nbsp;&nbsp;pathetic sight into your mind.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will see to carrying away the<br>&nbsp;&nbsp;&nbsp;&nbsp;body, and destroying the evidence.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will send the garbage truck,<br>&nbsp;&nbsp;&nbsp;&nbsp;so please hop into it.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come back on my own.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes no difference to me, but please<br>&nbsp;&nbsp;&nbsp;&nbsp;avoid seeing anyone you know.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's important that we remain--<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you're alive, Musujime Awaki.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I started watching halfway through.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you notice me?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, it was all too obvious.<br>&nbsp;&nbsp;&nbsp;&nbsp;A sorry stunt like that?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, are you sure<br>&nbsp;&nbsp;&nbsp;&nbsp;you want to talk like that<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the person who saved your life?<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The person who saved my life, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Just go on telling yourself that.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you headed somewhere?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nowhere important.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just some overtime.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unpaid overtime.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww... that overtime<br>&nbsp;&nbsp;&nbsp;&nbsp;has kept me pretty late, huh?<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll stop at a<br>&nbsp;&nbsp;&nbsp;&nbsp;convenience store for some coffee.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I feel awful...<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? That face...<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like I've seen<br>&nbsp;&nbsp;&nbsp;&nbsp;it before somewhere.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's her story?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Ms. Misaka Misuzu... ugh...<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, you...<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hobbies are studying number theory,<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my special talent is swimming,<br>&nbsp;&nbsp;&nbsp;&nbsp;and my bust measurement is 91 cm!<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, whoops. I'm married.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, don't paw at me,<br>&nbsp;&nbsp;&nbsp;&nbsp;'cause Papa won't like it.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where is Dangai University's<br>&nbsp;&nbsp;&nbsp;&nbsp;Database Center again?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, white-hair, do you know?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, don't ignore me, white-hair!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see... that's where<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misuzu has to go study now.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I know, idiot?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Try flagging down a taxi or something!<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kiss those younger than me,<br>&nbsp;&nbsp;&nbsp;&nbsp;whether they're boys or girls!<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you stop saying<br>&nbsp;&nbsp;&nbsp;&nbsp;all this meaningless nonsense!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to say, I think even<br>&nbsp;&nbsp;&nbsp;&nbsp;croquettes count as a stew pot dish.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you take breaded patties<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and stick them in the oil in front of you.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may be right about<br>&nbsp;&nbsp;&nbsp;&nbsp;them tasting best freshly cooked.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;when you cook in front of me, Toma,<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't go until I close the door.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I eat all of it, it tastes<br>&nbsp;&nbsp;&nbsp;&nbsp;better than anything, doesn't it?<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I know you!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Ms. Misaka?<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misuzu doesn't need anything else.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh, I haven't stretched out,<br>&nbsp;&nbsp;&nbsp;&nbsp;or put on my lotion.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, if I stop making an effort,<br>&nbsp;&nbsp;&nbsp;&nbsp;my skin shows it in no time.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, I'm gonna puke...<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um... Huh?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Scored me a younger boy!<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're wandering around at<br>&nbsp;&nbsp;&nbsp;&nbsp;this hour, what's become of Mikoto?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Help me, Index!<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, who's that girl again?<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! I'm not going to give<br>&nbsp;&nbsp;&nbsp;&nbsp;my name to someone like you.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you little...<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! It's Index! I'm Index!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, where is Dangai<br>&nbsp;&nbsp;&nbsp;&nbsp;University's Database Center?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that the material<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to write my college report<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is only located in Academy City,<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I had no choice but<br>&nbsp;&nbsp;&nbsp;&nbsp;to come all the way here.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I've got an idea! Let's swap<br>&nbsp;&nbsp;&nbsp;&nbsp;phone numbers and email addresses!<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too soon!<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll record your number<br>&nbsp;&nbsp;&nbsp;&nbsp;under my "friends" category!<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka? Just a coincidence? No,<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could she have something to do with the kid?<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Contact 3"<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator? Did you need something?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, they've tapped in, huh?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a tacky bastard.<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this GROUP's superior?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me what your question is.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do what I have to do myself.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you have to do?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what to say.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have a matter I wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to discuss with you, though.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This works out perfectly.<br>&nbsp;&nbsp;&nbsp;&nbsp;It just barely started.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That woman, Ms. Misaka Misuzu,<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;submitted a request to use the<br>&nbsp;&nbsp;&nbsp;&nbsp;Dangai University Database Center,<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that's where the attack was made.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attack?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who is this Misaka woman?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misaka Misuzu is<br>&nbsp;&nbsp;&nbsp;&nbsp;the mother of Misaka Mikoto.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you familiar with<br>&nbsp;&nbsp;&nbsp;&nbsp;the term "retrieval campaign"?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's where parents<br>&nbsp;&nbsp;&nbsp;&nbsp;are taking back their kids,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and moving them to another<br>&nbsp;&nbsp;&nbsp;&nbsp;area before the war starts.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If too many students leave Academy City,<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will create all sorts of problems.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misuzu is now in something<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of a representative position<br>&nbsp;&nbsp;&nbsp;&nbsp;among the parents.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it was decided to remove her.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you take part in this, Accelerator?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skill Out has been<br>&nbsp;&nbsp;&nbsp;&nbsp;requested to carry this out,<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they lack finesse.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could ask for your assistance...<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid not.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life belongs to me.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got nothing to<br>&nbsp;&nbsp;&nbsp;&nbsp;do with your ulterior motives.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;please hurry home.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will keep your<br>&nbsp;&nbsp;&nbsp;&nbsp;ability secure until you do.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--? Did you tamper with my electrode?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I must be going.<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night, Accelerator.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misuzu, was it?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure my superior will grind his teeth<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I end up saving her, huh?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard!<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, now's not the time.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now, time to go save her in the goriest,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;most far-from-saving way that I can.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, who was it<br>&nbsp;&nbsp;&nbsp;&nbsp;that forgot the security key?!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, we're out of time!<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just find the woman.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I dialed Antiskill.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mikoto"<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're probably Skill Out.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skill Out?<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're like a gang,<br>&nbsp;&nbsp;&nbsp;&nbsp;made up of armed Level 0s.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they be after me?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That I don't know.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;have you called your daughter?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's one of only seven Level 5s<br>&nbsp;&nbsp;&nbsp;&nbsp;in Academy City. If she's still--<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep Mikoto out of this!<br>&nbsp;&nbsp;&nbsp;&nbsp;If I drag her into my problems,<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never be able to face her again.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'm coming.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? I couldn't ask you to do that--<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasn't anyone found the woman yet?<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked if you've<br>&nbsp;&nbsp;&nbsp;&nbsp;found the woman yet, damn it!<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, Komaba, you bastard,<br>&nbsp;&nbsp;&nbsp;&nbsp;dying and getting off easy.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those of us<br>&nbsp;&nbsp;&nbsp;&nbsp;left behind supposed to do?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Hamazura. Target located.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take care of her. You guys--<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, you scumbags!<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got some day-tripper<br>&nbsp;&nbsp;&nbsp;&nbsp;presents to heaven for you guys.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's such a great place, you may<br>&nbsp;&nbsp;&nbsp;&nbsp;not feel like coming back, though.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five of them. And they all have guns.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bulletproof, right?<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is she, stupid?!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn... If I can just dash<br>&nbsp;&nbsp;&nbsp;&nbsp;over to the bag with the gun in it<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before those guys have a chance to regroup...<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crazy dumbass!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misaka, we're getting out of here!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misaka!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interesting. You've got some nerve,<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;still carrying out your job, don't you?<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back door, huh? Whatever,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's go someplace with a lot of people!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you pick now to come here?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was the job itself a sham,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we got set up?<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say job?<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard Komaba got killed,<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the only way to avoid their<br>&nbsp;&nbsp;&nbsp;&nbsp;back-alley suppression operation<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to ingratiate ourselves to them.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, they were planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to abandon us from the start!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just here because she called me.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, it's like *that*?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The life of Hamazura Shiage is hereby over,<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't pass it off as being<br>&nbsp;&nbsp;&nbsp;&nbsp;caught up in some grand conspiracy,<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or fallen victim to some miracle strategist?!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't take it! I won't<br>&nbsp;&nbsp;&nbsp;&nbsp;rest unless I get beaten to death!<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep back!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, but that means, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have anything to do with them,<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the job is still valid.<br>&nbsp;&nbsp;&nbsp;&nbsp;If I bring the target's body in...<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and say that again, you...!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw you. What the hell<br>&nbsp;&nbsp;&nbsp;&nbsp;do you take a person's life to be?!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice do I have?!<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we Level 0s don't do<br>&nbsp;&nbsp;&nbsp;&nbsp;this, we can't survive!<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't group me in with you.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't lump all of us Level 0s<br>&nbsp;&nbsp;&nbsp;&nbsp;in with bastards like you!<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You never<br>&nbsp;&nbsp;&nbsp;&nbsp;once used any ability.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is full<br>&nbsp;&nbsp;&nbsp;&nbsp;of people who are Level 0.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They go to school normally,<br>&nbsp;&nbsp;&nbsp;&nbsp;make friends normally,<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and live their lives normally.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who's making<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 0s look most like fools, you know!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the same as me.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No I'm not. Sure, I might be a Level 0,<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I have no intention<br>&nbsp;&nbsp;&nbsp;&nbsp;of turning so negative<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as to take joy in<br>&nbsp;&nbsp;&nbsp;&nbsp;dragging other people down.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negative?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're calling us negative?<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compared to those who have power,<br>&nbsp;&nbsp;&nbsp;&nbsp;but won't give anything to us,<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those of us in Skill Out<br>&nbsp;&nbsp;&nbsp;&nbsp;are a hundred times better!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, have *you* extended a<br>
&nbsp;&nbsp;&nbsp;&nbsp;hand to anyone asking for help?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had used as much energy<br>&nbsp;&nbsp;&nbsp;&nbsp;extending a hand to those in need<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as you have fighting against espers,<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would have been accepted by<br>&nbsp;&nbsp;&nbsp;&nbsp;the people of Academy City!<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Our Level 0<br>&nbsp;&nbsp;&nbsp;&nbsp;leader, Komaba Ritoku,<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;lived that way, and he got killed!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He stuck out like a sore<br>&nbsp;&nbsp;&nbsp;&nbsp;thumb trying to protect the weak!<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he must have<br>&nbsp;&nbsp;&nbsp;&nbsp;had something that you don't!<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why he stayed<br>&nbsp;&nbsp;&nbsp;&nbsp;and fought until the end, didn't he?<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To protect his friends,<br>&nbsp;&nbsp;&nbsp;&nbsp;and not call them the weak!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get real! You're just a<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 0. You don't have any power!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you look down on us!<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason you've been looked<br>&nbsp;&nbsp;&nbsp;&nbsp;down on has nothing to do with power.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Figure out what to do about<br>&nbsp;&nbsp;&nbsp;&nbsp;that good-for-nothing illusion yourself,<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you filthy bastard!<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth of the matter is,<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to take Mikoto back with me.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can rest easy now.<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as there are boys like you guys<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are watching out for Mikoto,<br>&nbsp;&nbsp;&nbsp;&nbsp;then there's no problem at all.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You... guys"?<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did our superior order you<br>&nbsp;&nbsp;&nbsp;&nbsp;to come here and punish me?<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be silly.<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as Misaka Misuzu goes,<br>&nbsp;&nbsp;&nbsp;&nbsp;she appears to have lost her desire<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to remove her<br>&nbsp;&nbsp;&nbsp;&nbsp;daughter from Academy City.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, her killing has been canceled.<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does our superior accept<br>&nbsp;&nbsp;&nbsp;&nbsp;such wishy-washy conclusions?<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He probably will. Mainly because<br>&nbsp;&nbsp;&nbsp;&nbsp;dumb Unabara here worked so hard.<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it just seems that the young<br>&nbsp;&nbsp;&nbsp;&nbsp;man has kept his promise to me<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to protect the one I care for,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the world around her.<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that I should<br>&nbsp;&nbsp;&nbsp;&nbsp;try a little harder, too.<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just got a little too uptight about it.<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He keeps maintaining that tone,<br>&nbsp;&nbsp;&nbsp;&nbsp;and avoids any specific answers.<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He probably made use<br>&nbsp;&nbsp;&nbsp;&nbsp;of some particularly ugly tricks.<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, good work on your<br>&nbsp;&nbsp;&nbsp;&nbsp;first assignment, overtime and all.<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all.<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you only follow the rules,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll never outwit them.<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means you<br>&nbsp;&nbsp;&nbsp;&nbsp;can't use normal methods.<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, you're considered<br>&nbsp;&nbsp;&nbsp;&nbsp;a fairly precious commodity upstairs.<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's partner up, Accelerator.<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds interesting.<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you guys slow me down,<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll write you off<br>&nbsp;&nbsp;&nbsp;&nbsp;without a second thought.<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, you're a feisty kid. Come on.<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time we struck<br>&nbsp;&nbsp;&nbsp;&nbsp;back at the guys upstairs.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How fun. Having an objective really is fun.<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I take the trouble to send a text...<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...why don't I get an answer?<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work though we might, the mountain<br>&nbsp;&nbsp;&nbsp;&nbsp;of paperwork never goes away.<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitori de ii to tsubuyaita*<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else can we do? Everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;else was knocked out.<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to aru sekai no chuushin de*<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please brace yourself for another<br>&nbsp;&nbsp;&nbsp;&nbsp;three days of this, easy.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokei no hari wo orimagete*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hitomi tojite'ta*<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sugisatta toki wa modosenai kedo*<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ano hi oshiete kureta yo ne*<br>**[24:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A booth bunny at a<br>&nbsp;&nbsp;&nbsp;&nbsp;counteroffensive weapons show?<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore de ii n' da to*<br>**[24:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but they're just doing<br>&nbsp;&nbsp;&nbsp;&nbsp;powered suits demonstrations.<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Megurimeguru kisetsu ni kimi ga ita kiseki*<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what you're saying is, you're<br>&nbsp;&nbsp;&nbsp;&nbsp;dressing up as a mascot.<br>**[24:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That might be overstating things.<br>**[24:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kowarete'ta tokei sae ugokidasu kara*<br>**[24:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This pudding tastes amazing,<br>**[24:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;considering it's from a convenience store.<br>**[24:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima wa sou muryoku na garakuta da kedo*<br>**[24:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you eat sweets at night, you'll get fat.<br>**[24:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fushigi da ne kaerareru sonna ki ga suru*<br>**[24:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Where did he go?" Misaka Misaka asks.<br>**[24:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no koe ga ima mo mada*<br>**[24:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He will be back, very soon.<br>**[24:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*koko ni aru kara*<br>**[24:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mm-hmm. Misaka can't wait to see him,"<br>**[24:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, nodding.<br>**[25:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night.<br>**[25:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Toma!<br>**[25:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez! How can you go out again<br>&nbsp;&nbsp;&nbsp;&nbsp;by yourself, and get badly hurt?<br>**[25:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, your behavior<br>&nbsp;&nbsp;&nbsp;&nbsp;makes as little sense as ever!<br>**[25:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, yeah, well...<br>**[25:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was actually kind of lucky this time.<br>**[25:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again...<br>**[25:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...sure enough, this is just my luck!<br>

# Movie

# 1 - The Miracle of Endymion

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ascii Media Works 20th<br>&nbsp;&nbsp;&nbsp;&nbsp;Anniversary Commemoration"<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"PROJECT-INDEX MOVIE"  "Geneon Universal Entertainment" "Warner Home Video & Digital Distribution"
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Ascii Media Works"<br>
&nbsp;&nbsp;&nbsp;&nbsp; "SQUARE ENIX"<br>
&nbsp;&nbsp;&nbsp;&nbsp; "AT-X"<br>
&nbsp;&nbsp;&nbsp;&nbsp; "J.C. STAFF"
<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The left engine block<br>&nbsp;&nbsp;&nbsp;&nbsp;has fallen away. I-It's hopeless!<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give up! There's<br>&nbsp;&nbsp;&nbsp;&nbsp;still something we can do!<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Are we okay?<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Oh, God...<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The space plane Orion crash landed<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the 23rd School District of Academy City.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Orion came in contact<br>&nbsp;&nbsp;&nbsp;&nbsp;with some debris in the stratosphere<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just before making re-entry,<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ended up crash landing<br>&nbsp;&nbsp;&nbsp;&nbsp;due to engine failure and other trouble.<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luckily, all eighty-eight passengers<br>&nbsp;&nbsp;&nbsp;&nbsp;aboard are confirmed to have survived.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Repeat, all eighty-eight passengers aboard<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are confirmed to have survived.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index" "--The Movie--"<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index" "--The Movie--"<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Miracle of Endymion"<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on,<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're not going to settle for<br>&nbsp;&nbsp;&nbsp;&nbsp;a hamburger, Index?<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm not, Toma.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was absolutely, *positively<br>
&nbsp;&nbsp;&nbsp;&nbsp;*starving last night, after all.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't help it.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. To forget about supper...<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it feels like you've forgotten<br>&nbsp;&nbsp;&nbsp;&nbsp;about existence itself.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Sphinx?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh. Aw, geez, all right, all right.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eat as much as you want, for Pete's sake.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean that, Toma?<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. A Kamijo doesn't go back on his word.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Orbit Portal CEO" "Ladylee Tangleroad"<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Space Elevator"<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Say, Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;what's a space elevator--<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Toma!<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Index... If you have a<br>&nbsp;&nbsp;&nbsp;&nbsp;perfect memory, why are you asking?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that over there!<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the space elevator!<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;has that always been there?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it has! You really are<br>&nbsp;&nbsp;&nbsp;&nbsp;lost when it comes to science, huh?<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was there then...<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and then...<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and then, too!<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's there, plain as day!<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, I had no idea.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They just recently announced it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but they say its speed<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would definitely be impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... I can tell that its speed<br>&nbsp;&nbsp;&nbsp;&nbsp;is incredible. So tell me, Toma...<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is a "space elevator"?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see, something<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't use a rocket or shuttle,<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but can lift stuff directly<br>&nbsp;&nbsp;&nbsp;&nbsp;into space is a space elevator.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! The side of science is trying to make<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even the Tower of Babel a reality, huh?<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, Index, you can see better from here.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Pegasus, far away in the sky, ♪<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ may Gloria reach you ♪<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Gloria"<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The footprints that you left behind*<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your familiar voice and kindness <br>
&nbsp;&nbsp;&nbsp;&nbsp;will someday turn into stars*<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a moment's beat, summer marks the time*<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Miracle of the Eighty-Eight?<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, now that you mention<br>&nbsp;&nbsp;&nbsp;&nbsp;it, that did happen, huh?<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I am born!"<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was three years ago.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After the Orion accident, the<br>&nbsp;&nbsp;&nbsp;&nbsp;space plane program was frozen,<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Pegasus, your passion looked <br>
&nbsp;&nbsp;&nbsp;&nbsp;like a ring of light*<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the construction of the space<br>&nbsp;&nbsp;&nbsp;&nbsp;elevator went into full swing.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just mean, it's the first space<br>&nbsp;&nbsp;&nbsp;&nbsp;elevator in the world, you know?<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*My loneliness was carried off by the wings on your back<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, the difficulty and pains it took<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*An effervescent cloud reflux<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to build it here in Academy<br>&nbsp;&nbsp;&nbsp;&nbsp;City is several times--<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no, several dozen times greater<br>&nbsp;&nbsp;&nbsp;&nbsp;than building it at the equator.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and a rising current blowhole<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And in the face of all of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;what has finally been completed...<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dive into the universe circling around you and through the present, you'll soar!<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is Endymion there! Its form truly is that<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You'll soar!*<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of a bridge to heaven, rising into the sky.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so beautiful, huh?<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure it is.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, hey, what's that you're<br>&nbsp;&nbsp;&nbsp;&nbsp;listening to, Miss Saten?<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Heroes never go to worlds <br>
&nbsp;&nbsp;&nbsp;&nbsp;where there is no conflict*<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Arisa. She's an artist<br>&nbsp;&nbsp;&nbsp;&nbsp;who appears on the net<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*They aren't even ready to follow in your footprints<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and does a lot of street concerts.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's incredibly popular right now.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I downloaded her stuff to give her a try,<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all of her songs are great.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wings flapping, they fell, <br>
&nbsp;&nbsp;&nbsp;&nbsp;struggled, then flew off again*<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just a rumor, but they say<br>&nbsp;&nbsp;&nbsp;&nbsp;if you listen to Arisa's songs,<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;good things will happen to you.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"I am born!"*<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, listen...<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, please, just listen for yourself.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Pegasus, you tossed your bouquet <br>
&nbsp;&nbsp;&nbsp;&nbsp;of pride into the future*<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm...<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*taking a breath, you heard the tune of the stars<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This song...<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this is her, right?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A flash of sound sparked out,*<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*a resonant world's vibe*<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, this is her, all right.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Catch the spacetime spinning around you<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Misaka, don't tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;you happen to know Arisa!<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and through the present, you'll sing!*<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, well...<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You'll sing!*<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eep!<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...!<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kuroko...<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;you are doing in here, Sissy?!<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Miss Shirai, you're supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be in the hospital still.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is because of things like this<br>&nbsp;&nbsp;&nbsp;&nbsp;that I cannot stay in the hospital!<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going to surprise<br>&nbsp;&nbsp;&nbsp;&nbsp;you by receiving permission<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be discharged a half-day early,<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but imagine, *me* being the<br>
&nbsp;&nbsp;&nbsp;&nbsp;one taken by surprise instead!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is how it must be,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will also zoom...<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...in right next to Sissy!<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... Shirai... calm down!<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will take my fill of your sweet<br>&nbsp;&nbsp;&nbsp;&nbsp;breath at extremely close range!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, calm down!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sissy!<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dah! Stay back!<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Gloria"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Also available for download!"<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. I'm Meigo Arisa.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow-w-w...<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry.<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, that really was amazing.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was touching! Right, Toma?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't listen to a lot of music,<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but even so,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could tell it was incredible.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm! Mm-hmm!<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look. I downloaded<br>&nbsp;&nbsp;&nbsp;&nbsp;all of your songs onto here.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. I'm so glad you like them.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I'm kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;picky when it comes to music.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Arisa, your stuff is the real deal.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not even casting<br>&nbsp;&nbsp;&nbsp;&nbsp;any spells over your music,<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet it can still charm<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone like it does. Mm-hmm.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spells?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, you know... Like a<br>&nbsp;&nbsp;&nbsp;&nbsp;scene that is clearly portrayed...<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, for a moment,<br>&nbsp;&nbsp;&nbsp;&nbsp;it seemed like telepathy or something.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But apparently, not, huh?<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't think so. I'm a Level 0.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you don't say.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I was troubled by it before,<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now, I'm kind of grateful, I think.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Grateful?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, if I had an ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I would have turned to it.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, I don't think I would<br>&nbsp;&nbsp;&nbsp;&nbsp;have ever sung in the first place.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh?<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Is that right?<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was never any<br>&nbsp;&nbsp;&nbsp;&nbsp;good at my studies, either.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing<br>&nbsp;&nbsp;&nbsp;&nbsp;I could do was sing songs.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I decided I would<br>&nbsp;&nbsp;&nbsp;&nbsp;do whatever it took to sing!<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope that someday,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be able to sing in a large place,<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of a lot of people.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's what my dream is now.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Toma! It's shining<br>&nbsp;&nbsp;&nbsp;&nbsp;so brightly, I'm being blinded!<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is much too blinding!<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, would you mind?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's right.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? You mean it?!<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you very much!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes! All right!<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My audition...<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I passed... my audition.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to get my debut!<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hooray! Hooray!<br>&nbsp;&nbsp;&nbsp;&nbsp;--That means, how awesome! You'll be a pro!<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you be on TV?<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? TV?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, you'll be just like Kanamin?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's amazing!<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanamin?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is something we<br>&nbsp;&nbsp;&nbsp;&nbsp;definitely have to celebrate!<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! We'll go and<br>&nbsp;&nbsp;&nbsp;&nbsp;have a fancy dinner, right now!<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisa, come with us!<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But...<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay, right, Toma?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Your audition--<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;does it have anything to<br>&nbsp;&nbsp;&nbsp;&nbsp;do with that Endymion thing?<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. My song<br>&nbsp;&nbsp;&nbsp;&nbsp;has been chosen to be used<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as the theme song for their campaign.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what it is! It's the<br>&nbsp;&nbsp;&nbsp;&nbsp;elevator that goes to space, right?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, Arisa, are you going to space?<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still not sure about that.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like there's<br>&nbsp;&nbsp;&nbsp;&nbsp;going to be an opening ceremony.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Give me a break, already!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Excuse me! Some fried oysters and... Hmm?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisa, your wish has reached God, huh?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, I seem to have good luck.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This thing now is<br>&nbsp;&nbsp;&nbsp;&nbsp;really thanks to my good luck.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No it isn't.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Success is something...<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that only comes to those<br>&nbsp;&nbsp;&nbsp;&nbsp;unafraid to stand in the batter's box...<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and swing the bat as hard<br>&nbsp;&nbsp;&nbsp;&nbsp;as they can, hoping to get a hit!<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not convincing us at all, Toma.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, my bad luck<br>&nbsp;&nbsp;&nbsp;&nbsp;is pretty hardcore, after all.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you were chosen<br>&nbsp;&nbsp;&nbsp;&nbsp;because of your ability.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's something<br>&nbsp;&nbsp;&nbsp;&nbsp;you can be proud of.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next one's coming!<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's been a long<br>&nbsp;&nbsp;&nbsp;&nbsp;time since I've had so much fun.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very<br>&nbsp;&nbsp;&nbsp;&nbsp;much for hanging out with me.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm a Level 0, too, you know.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I think of someone trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to make their dreams come true,<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's kind of inspiring.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Toma.<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah! When I see someone<br>&nbsp;&nbsp;&nbsp;&nbsp;working hard toward their future,<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it cheers me up!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means that you have to<br>&nbsp;&nbsp;&nbsp;&nbsp;try hard, too, Miss Index, huh?<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Wait, that sounded rude.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm already working in the<br>&nbsp;&nbsp;&nbsp;&nbsp;fine profession of being a Sister!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want me to<br>&nbsp;&nbsp;&nbsp;&nbsp;take that as you picking a fight<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the entire<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan Church, Toma?!<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;blowing this out of proportion?<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a personal matter, isn't it?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could help out with<br>&nbsp;&nbsp;&nbsp;&nbsp;the housework once in a while.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be quiet! Eating is my job!<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop acting like you're all that!<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you even consider<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself to be a Sister?!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a pretty melody.<br>&nbsp;&nbsp;&nbsp;&nbsp;I really like it.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was in one of<br>&nbsp;&nbsp;&nbsp;&nbsp;the songs I downloaded.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does it have any lyrics?<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still making them up.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you so much for today.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be sure to let you know<br>&nbsp;&nbsp;&nbsp;&nbsp;when my debut concert is, okay?<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're looking forward to it.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Undine, by the symbol of the chalice,<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that which is distilled from all things...<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that...?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch yourself, Toma!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a spell that uses a water element!<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, they must be magicians!<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep back, both of you!<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mallybath, slow him down!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ground!<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jane!<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you people?<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that...<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spell Intercept!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master...<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you act on your own?<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to wait for my order.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Stiyl!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big idea here?!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fortis 931!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your magic name?!<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting for?! Seize her!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisa!<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your right hand can't eliminate matter.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!!<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What just happened?<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Evade them!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are the Civil Conflict<br>&nbsp;&nbsp;&nbsp;&nbsp;Resolution and Relief Patrol,<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;under authorization from<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's governing board.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are now commencing<br>&nbsp;&nbsp;&nbsp;&nbsp;a special intervention.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl! If this disturbance<br>&nbsp;&nbsp;&nbsp;&nbsp;gets any larger,<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be trouble. Fall back!<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marie! Mallybath! Jane!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not bad.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you after Arisa?!<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has the potential to start<br>&nbsp;&nbsp;&nbsp;&nbsp;a war between our side of magic,<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the side of science.<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A war?<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do you mean by--<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Who are you people?<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are engaged<br>&nbsp;&nbsp;&nbsp;&nbsp;in specialized activities,<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to maintain<br>&nbsp;&nbsp;&nbsp;&nbsp;order in Academy City.<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't tell me anything!<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you foes of that girl,<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or are you on her side?<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The combat we just went through<br>&nbsp;&nbsp;&nbsp;&nbsp;is part of our commissioned duty.<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't answer my question!<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm warning you,<br>&nbsp;&nbsp;&nbsp;&nbsp;do not get involved with her.<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you become too friendly with her,<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will die.<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisa?<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you awake?<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At home. This is Toma's home.<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't my home!<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, I mean, more precisely,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's the school's dorm.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dorm?<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, was there<br>&nbsp;&nbsp;&nbsp;&nbsp;anything familiar about them?<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like who those people were?<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm! It's only natural<br>&nbsp;&nbsp;&nbsp;&nbsp;that she wouldn't know.<br>**[24:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, that was magi--<br>**[24:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, ma-ma-major power from something<br>**[24:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not entirely explainable with<br>&nbsp;&nbsp;&nbsp;&nbsp;just science, huh? That's for sure.<br>**[24:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, do you believe in it, too?<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I-In what?<br>**[24:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[24:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That there's a mysterious...<br>**[24:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;power-like thing not<br>&nbsp;&nbsp;&nbsp;&nbsp;understood by science.<br>**[24:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, esper abilities<br>&nbsp;&nbsp;&nbsp;&nbsp;can be mysterious powers,<br>**[24:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as far as that goes.<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, um... Sorry.<br>**[24:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisa, do you wish<br>&nbsp;&nbsp;&nbsp;&nbsp;there was such a power?<br>**[24:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth of the matter is, I have it.<br>**[24:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Huh?<br>**[24:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only when I'm singing songs,<br>**[24:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it appears I have some<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of unquantifiable power.<br>**[25:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even now, I get examined<br>&nbsp;&nbsp;&nbsp;&nbsp;regularly at Kirigaoka,<br>**[25:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as it turns out,<br>&nbsp;&nbsp;&nbsp;&nbsp;they aren't sure what it is.<br>**[25:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder, is the fact<br>&nbsp;&nbsp;&nbsp;&nbsp;that people listen to my songs<br>**[25:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because of this power, maybe?<br>**[25:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[25:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were like that, then<br>&nbsp;&nbsp;&nbsp;&nbsp;my right hand would-- I mean...<br>**[25:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's right! Arisa,<br>&nbsp;&nbsp;&nbsp;&nbsp;your songs are for real!<br>**[25:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[25:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? I wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;make everyone happy with my songs.<br>**[25:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured that by singing,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would become happy, myself.<br>**[25:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[25:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if someone were to get<br>&nbsp;&nbsp;&nbsp;&nbsp;hurt because of them, then...<br>**[25:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't tell me that<br>&nbsp;&nbsp;&nbsp;&nbsp;despite passing your audition,<br>**[26:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're thinking of backing out?<br>**[26:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just mean, wanting to sing<br>&nbsp;&nbsp;&nbsp;&nbsp;is ultimately a selfish wish of mine.<br>**[26:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if something like<br>&nbsp;&nbsp;&nbsp;&nbsp;what happened earlier comes up...<br>**[26:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and if anything happens<br>&nbsp;&nbsp;&nbsp;&nbsp;to those around me as a result...<br>**[26:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're just going to give up?<br>**[26:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to cave in to<br>&nbsp;&nbsp;&nbsp;&nbsp;those who come at you with force,<br>**[26:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and give up on your dream?<br>**[26:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, what do you really want to do?<br>**[26:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to sing.<br>**[26:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, that's all I have.<br>**[26:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then go ahead and sing.<br>**[26:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's something you want to do,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you have the power to do it,<br>**[26:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you have to do it.<br>**[26:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So let's think of some<br>&nbsp;&nbsp;&nbsp;&nbsp;way to let you sing safely.<br>**[26:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[26:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Arisa,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can stay here for a while.<br>**[27:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[27:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The magicians aren't likely<br>&nbsp;&nbsp;&nbsp;&nbsp;to make any moves in public.<br>**[27:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, if it comes to it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you and I are both here, Toma.<br>**[27:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay? Will you do that?<br>**[27:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic?<br>**[27:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aah! She means the enemy!<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you're here, they won't attack!<br>**[27:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mind?<br>**[27:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does seem to be the best solution.<br>**[27:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! What's a<br>&nbsp;&nbsp;&nbsp;&nbsp;houseguest or two, plus a cat?<br>**[27:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, as a Kamijo,<br>&nbsp;&nbsp;&nbsp;&nbsp;am glad to welcome you in!<br>**[27:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;used indeterminate abilities.<br>**[27:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abilities, huh? Still, these days,<br>**[27:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can come up with any<br>&nbsp;&nbsp;&nbsp;&nbsp;number of different abilities, right?<br>**[27:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially in this city.<br>**[27:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe these enemies to<br>&nbsp;&nbsp;&nbsp;&nbsp;have power of a quite unusual variety.<br>**[27:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would think your<br>&nbsp;&nbsp;&nbsp;&nbsp;ability to control rare earth<br>**[28:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is plenty unusual as it is,<br>**[28:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shutaura.<br>**[28:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean unusual simply<br>&nbsp;&nbsp;&nbsp;&nbsp;in terms of being few in number.<br>**[28:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meigo Arisa was attacked,<br>&nbsp;&nbsp;&nbsp;&nbsp;exactly as you said.<br>**[28:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just who am I dealing with?<br>**[28:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you unable<br>&nbsp;&nbsp;&nbsp;&nbsp;to fight unless you know?<br>**[28:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, are you sure this line is safe?<br>**[28:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sensing some noise.<br>**[28:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Noise?<br>**[28:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes of course.<br>**[28:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that? Is the noise gone?<br>**[28:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[28:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is? That's good.<br>**[28:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, if you would<br>&nbsp;&nbsp;&nbsp;&nbsp;escort her again tomorrow, please.<br>**[28:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[28:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen here, Kami!<br>**[28:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best part about getting behind an idol<br>**[29:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is getting in on the<br>&nbsp;&nbsp;&nbsp;&nbsp;ground floor ahead of time!<br>**[29:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially these days,<br>&nbsp;&nbsp;&nbsp;&nbsp;with girls like Arisa suddenly getting hot!<br>**[29:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take your eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;off of her for an instant,<br>**[29:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and just like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;she becomes a major deal!<br>**[29:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this world, you really can't<br>&nbsp;&nbsp;&nbsp;&nbsp;get distracted for even a second!<br>**[29:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a fact?<br>**[29:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Kami, you seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to be in exhausted mode today.<br>**[29:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't get enough sleep.<br>**[29:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got another houseguest<br>&nbsp;&nbsp;&nbsp;&nbsp;staying with me since yesterday.<br>**[29:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of my pillows and blankets<br>&nbsp;&nbsp;&nbsp;&nbsp;have been taken from me.<br>**[29:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not enough sleep...<br>**[29:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...pillows...<br>**[29:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...all taken away...<br>**[29:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's the matter?<br>**[29:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, everyone, take your seats!<br>**[29:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Class is starting. Hmm?<br>**[29:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo, you are not looking well at all.<br>**[29:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skimping out on sleep will not do.<br>**[29:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, is it okay if I sleep?<br>**[29:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone who asks that<br>**[29:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;gets to start remedial classes today.<br>**[30:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get through them together, okay,<br>**[30:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo?<br>**[30:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you see,<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma always treats me like a child.<br>**[30:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't that be<br>&nbsp;&nbsp;&nbsp;&nbsp;because you're so cute, Index?<br>**[30:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Did you say something?<br>**[30:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, under the<br>&nbsp;&nbsp;&nbsp;&nbsp;circumstances, I have to ask--<br>**[30:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index, your relationship with Toma...<br>**[30:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what is it?<br>**[30:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma makes the<br>&nbsp;&nbsp;&nbsp;&nbsp;food for me, and I eat it.<br>**[30:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, whenever I get into trouble,<br>&nbsp;&nbsp;&nbsp;&nbsp;he always helps me out, I guess.<br>**[30:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Appearances aside, Toma is<br>&nbsp;&nbsp;&nbsp;&nbsp;actually pretty incredible. Mm-hmm.<br>**[30:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sure are a strange pair.<br>**[30:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, you're kind of neat, too.<br>**[31:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisa?<br>**[31:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisa?<br>**[31:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[31:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second.<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought of some lyrics.<br>**[31:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? So that's<br>&nbsp;&nbsp;&nbsp;&nbsp;how you make a song, then?<br>**[31:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see, let me see!<br>**[31:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! It's too embarrassing!<br>**[31:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? No fair, Arisa!<br>**[31:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you when I'm done.<br>&nbsp;&nbsp;&nbsp;&nbsp;Then we can sing it together. Okay?<br>**[31:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, okay!<br>**[31:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Promise me, all right?<br>**[31:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ho--<br>**[31:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma?!<br>**[31:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[31:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!!<br>**[31:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tomorrow?<br>**[32:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. I'm discussing my<br>&nbsp;&nbsp;&nbsp;&nbsp;contract with the Orbit Portal people.<br>**[32:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real? I have to sit<br>&nbsp;&nbsp;&nbsp;&nbsp;through a remedial class.<br>**[32:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't imagine any<br>&nbsp;&nbsp;&nbsp;&nbsp;way I can get there in time.<br>**[32:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Entrusting this to her instead<br>**[32:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would just make<br>&nbsp;&nbsp;&nbsp;&nbsp;me worry that much more.<br>**[32:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Arisa, isn't there<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone else you can turn to,<br>**[32:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who might be able to go with you?<br>**[32:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoo-hoo! Sorry to keep you waiting!<br>**[32:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Orbit Portal is the company<br>**[32:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that had the Orion<br>&nbsp;&nbsp;&nbsp;&nbsp;accident three years ago?<br>**[32:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. When the space plane,<br>**[32:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on which the fate of the company<br>&nbsp;&nbsp;&nbsp;&nbsp;had been staked, came down,<br>**[32:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they were about to go bankrupt.<br>**[32:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But immediately following that,<br>&nbsp;&nbsp;&nbsp;&nbsp;they were bought out,<br>**[32:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and had a miraculous recovery.<br>&nbsp;&nbsp;&nbsp;&nbsp;They made Endymion there a reality.<br>**[33:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And incidentally,<br>&nbsp;&nbsp;&nbsp;&nbsp;the company president is a girl.<br>**[33:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About ten years old,<br>&nbsp;&nbsp;&nbsp;&nbsp;if I remember correctly.<br>**[33:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You mean, at the time,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was only seven?<br>**[33:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is just a showpiece,<br>&nbsp;&nbsp;&nbsp;&nbsp;is she not?<br>**[33:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, a "goth-loli beauty-queen<br>&nbsp;&nbsp;&nbsp;&nbsp;president" of all things<br>**[33:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is so over the top,<br>&nbsp;&nbsp;&nbsp;&nbsp;it already sounds fishy.<br>**[33:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, not as much as bandaged,<br>&nbsp;&nbsp;&nbsp;&nbsp;twin-pony-tailed wheelchair girl does.<br>**[33:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu...!<br>**[33:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So--and this is just<br>&nbsp;&nbsp;&nbsp;&nbsp;an urban legend--<br>**[33:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there are stories that say<br>&nbsp;&nbsp;&nbsp;&nbsp;she's just a promotional hologram,<br>**[33:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or a robot, or something.<br>**[33:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! What a load of bunk.<br>**[33:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may not be altogether false.<br>**[33:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you think she could be<br>&nbsp;&nbsp;&nbsp;&nbsp;incredibly doll-like in appearance?<br>**[33:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, what's the matter?<br>**[33:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this doll just seems so--<br>**[34:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like... your songs.<br>**[34:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't liked anything<br>&nbsp;&nbsp;&nbsp;&nbsp;so much since Jenny Lind.<br>**[34:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck to you.<br>**[34:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that just...?<br>**[34:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Arisa.<br>**[34:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pleasure to meet you.<br>**[34:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It's a pleasure to meet you.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Nice to meet you.<br>**[34:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice meeting you.<br>**[34:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for your help.<br>**[34:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Who are you?<br>**[34:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, I-I'm Miss Arisa's manager.<br>**[34:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... you're her adorable fan club.<br>**[34:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! Let's do this, please!<br>**[35:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Your words, floating in the air, ♪<br>**[35:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to have you tag along *this* far with us.<br>**[35:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so nervous! Still, this is<br>&nbsp;&nbsp;&nbsp;&nbsp;starting to be fun, somehow.<br>**[35:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ always saved me, as if it were given ♪<br>**[35:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Hurry up and get out there!<br>**[35:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But...<br>**[35:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten! This way!<br>**[35:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ When looking at your eyes<br>&nbsp;&nbsp;&nbsp;&nbsp;from different angles, ♪<br>**[35:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's Zapper doing down there?<br>**[35:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ they still gently look straight ahead ♪<br>**[35:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh well, if she's here, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing to worry about.<br>**[35:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Even walking down our<br>&nbsp;&nbsp;&nbsp;&nbsp;usual road, side-by-side, ♪<br>**[35:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was there that night...<br>**[35:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ it's because you're there<br>&nbsp;&nbsp;&nbsp;&nbsp;at my side that it shines ♪<br>**[35:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The melody keeps on going, tied<br>&nbsp;&nbsp;&nbsp;&nbsp;to what is in my dreams... ♪<br>**[35:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What happened?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Power outage?<br>**[35:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[36:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meigo Arisa is under the<br>&nbsp;&nbsp;&nbsp;&nbsp;protection of the Black Crow Force!<br>**[36:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...!<br>**[36:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crow 7 to Crow Leader...<br>**[36:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[36:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explosives located<br>&nbsp;&nbsp;&nbsp;&nbsp;at the base of D Block.<br>**[36:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Multiple objects.<br>**[36:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Evacuate immediately!<br>&nbsp;&nbsp;&nbsp;&nbsp;All other units, lead Meigo Arisa away--<br>**[37:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An explosion?!<br>**[37:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko!<br>**[37:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it!<br>**[37:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here we go!<br>**[37:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't handle all of this!<br>**[38:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, Judgment!<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anyone who is injured?<br>**[38:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay?<br>**[38:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[38:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a close call.<br>**[38:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness.<br>**[38:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that had been<br>&nbsp;&nbsp;&nbsp;&nbsp;off by even a little...<br>**[38:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is a miracle.<br>**[38:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it is a miracle.<br>**[38:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a miracle!<br>**[38:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, get off of me.<br>**[38:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[38:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meigo Arisa is safe, then?<br>&nbsp;&nbsp;&nbsp;&nbsp;How many dead?<br>**[38:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero?!<br>**[39:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. All right.<br>**[39:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awake, are you?<br>**[39:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are we?<br>**[39:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't strain yourself.<br>**[39:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Arisa<br>&nbsp;&nbsp;&nbsp;&nbsp;and the others up above?<br>**[39:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're safe.<br>**[39:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[39:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Both the spectators, and Meigo Arisa.<br>**[39:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the rest of your people?<br>**[39:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My... The Black Crow Force are all uninjured.<br>**[39:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That truly is miraculous, huh?<br>**[39:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not speak<br>&nbsp;&nbsp;&nbsp;&nbsp;that word in front of me!<br>**[39:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This chance outcome just<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to go in that direction!<br>**[39:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing here is a<br>&nbsp;&nbsp;&nbsp;&nbsp;random quantum-mechanical deviation,<br>**[39:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the warped desire of<br>&nbsp;&nbsp;&nbsp;&nbsp;people seeking a fortuitous outcome!<br>**[39:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are indolent and foolish.<br>**[40:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no such thing<br>&nbsp;&nbsp;&nbsp;&nbsp;as an expedient "unseen hand."<br>**[40:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. You're a hard-as-tacks leader.<br>**[40:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But have you actually<br>&nbsp;&nbsp;&nbsp;&nbsp;ever listened to her songs?<br>**[40:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give them a listen.<br>&nbsp;&nbsp;&nbsp;&nbsp;You may actually believe in miracles.<br>**[40:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to an accident,<br>**[40:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my brain has lost the<br>&nbsp;&nbsp;&nbsp;&nbsp;ability to recognize music.<br>**[40:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, the ability<br>&nbsp;&nbsp;&nbsp;&nbsp;to process sound pitch and rhythm<br>**[40:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the only thing that I lost.<br>**[40:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For me,<br>**[40:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a song is nothing but a monstrous noise,<br>&nbsp;&nbsp;&nbsp;&nbsp;contaminating the ears.<br>**[40:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[40:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Your--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Shutaura.<br>**[40:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shutaura Sequenzia.<br>**[40:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shutaura, I'm...<br>**[40:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you apologizing?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm content with who I am now.<br>**[40:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, I'm able to get<br>&nbsp;&nbsp;&nbsp;&nbsp;by without being taken in by songs,<br>**[40:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or words such as "miracle."<br>**[41:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here is more news on the bombing<br>**[41:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the 7th School District shopping mall.<br>**[41:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was an explosion in<br>&nbsp;&nbsp;&nbsp;&nbsp;the facility under the shopping mall,<br>**[41:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the cause is still under investigation.<br>**[41:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What was the cause of the<br>&nbsp;&nbsp;&nbsp;&nbsp;shopping mall explosion?"<br>**[41:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A live event for the singer Arisa<br>**[41:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was being held at the time of the incident,<br>**[41:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there were many spectators watching on...<br>**[41:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It's a miracle! It has to be!<br>&nbsp;&nbsp;&nbsp;&nbsp;--...but there was not a single fatality...<br>**[41:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say it's a miracle.<br>**[41:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it is.<br>**[41:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A miracle?<br>**[41:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisa is awesome!<br>**[41:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--It's a miracle.<br>&nbsp;&nbsp;&nbsp;&nbsp;- -A miracle!<br>**[41:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?<br>**[41:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[41:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems weird, huh?<br>**[41:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it really were a miracle,<br>**[41:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the incident wouldn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to begin with, would it?<br>**[41:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put that way, maybe so.<br>**[41:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting so that<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand this.<br>**[41:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long ago, I was apparently<br>&nbsp;&nbsp;&nbsp;&nbsp;in another big accident.<br>**[42:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently?<br>**[42:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any memories<br>&nbsp;&nbsp;&nbsp;&nbsp;of anything before three years ago.<br>**[42:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even my name was given<br>&nbsp;&nbsp;&nbsp;&nbsp;to me by someone at the facility.<br>**[42:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I don't have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;that I can call my own.<br>**[42:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But when I'm singing songs,<br>&nbsp;&nbsp;&nbsp;&nbsp;at least, my heart is warmed,<br>**[42:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's something that wells up inside.<br>**[42:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I have my songs,<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can someday take back<br>**[42:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever it is that I've lost.<br>**[42:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sort of understand what you mean.<br>**[42:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least you have<br>&nbsp;&nbsp;&nbsp;&nbsp;something you believe in.<br>**[42:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, I'm sure you'll be fine.<br>**[42:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming up in two days is Endymion's<br>&nbsp;&nbsp;&nbsp;&nbsp;unveiling ceremony, isn't it?<br>**[42:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. On that day, I trust that<br>&nbsp;&nbsp;&nbsp;&nbsp;our company will do all that it can<br>**[42:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to show all of you<br>&nbsp;&nbsp;&nbsp;&nbsp;just what a miracle really is.<br>**[43:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Softly, as though praying, ♪<br>**[43:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I spin together and<br>&nbsp;&nbsp;&nbsp;&nbsp;string together my words ♪<br>**[43:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Someday, I'm sure<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll become a story ♪<br>**[43:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I feel like right now, I can tell you ♪<br>**[43:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ about even the feelings I<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't express all this time ♪<br>**[43:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ As long as the moment my<br>&nbsp;&nbsp;&nbsp;&nbsp;wishes and feelings overlap ♪<br>**[43:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ at least one of them ♪<br>**[43:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ might come true through<br>&nbsp;&nbsp;&nbsp;&nbsp;what you call a miracle ♪<br>**[43:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A miraculous singing voice.<br>&nbsp;&nbsp;&nbsp;&nbsp;She may be unremarkable,<br>**[43:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Brand New Bright Step ♪<br>**[43:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when put together with<br>&nbsp;&nbsp;&nbsp;&nbsp;something so effective,<br>**[43:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Now, the new world starting up ♪<br>**[43:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there could be no other copy quite<br>&nbsp;&nbsp;&nbsp;&nbsp;so powerful. Don't you think so?<br>**[44:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I don't believe in miracles.<br>**[44:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ becomes an invaluable paradise ♪<br>**[44:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really aren't any fun, are you?<br>**[44:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What has kept Orbit Portal alive,<br>**[44:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Brand New Days ♪<br>**[44:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Feeling the sympathy<br>&nbsp;&nbsp;&nbsp;&nbsp;resonating between us, ♪<br>**[44:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;instead of crashing into the<br>&nbsp;&nbsp;&nbsp;&nbsp;ground like the Orion did,<br>**[44:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the notion of the Miracle<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Eighty-Eight.<br>**[44:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In one sense, miracles are our<br>&nbsp;&nbsp;&nbsp;&nbsp;company's greatest merchandise.<br>**[44:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ our hearts grow bound together<br>&nbsp;&nbsp;&nbsp;&nbsp;with you always at my side ♪<br>**[44:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Orion incident was<br>&nbsp;&nbsp;&nbsp;&nbsp;by no means a miracle--<br>**[44:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite all eighty-eight people surviving?<br>**[44:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;lf that's not a miracle, then what is it?<br>**[44:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right,<br>**[44:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of our preparations<br>&nbsp;&nbsp;&nbsp;&nbsp;are now in order.<br>**[44:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost time, huh, Arisa?!<br>**[44:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Thanks to all<br>&nbsp;&nbsp;&nbsp;&nbsp;the help you all have been, Index.<br>**[44:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today is my treat. Have whatever you want.<br>**[44:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[44:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, waitress!<br>**[44:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[44:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Her, of all girls!<br>**[44:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to you, Kami.<br>**[44:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing is, Tsuchimikado,<br>**[45:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you know the reason why<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisa is being targeted, don't you?<br>**[45:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is a saint.<br>**[45:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or at least, she is viewed to<br>&nbsp;&nbsp;&nbsp;&nbsp;have the same degree of power as one.<br>**[45:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki...<br>**[45:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's provisionally ranked ninth.<br>&nbsp;&nbsp;&nbsp;&nbsp;If she were to fully come around,<br>**[45:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a chance<br>&nbsp;&nbsp;&nbsp;&nbsp;her power would top mine.<br>**[45:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Arisa is a saint?!<br>**[45:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's still just a supposition.<br>**[45:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing has actually been proven.<br>**[45:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is your opinion?<br>**[45:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not quite sure.<br>**[45:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Defining saints has always<br>&nbsp;&nbsp;&nbsp;&nbsp;been imprecise to begin with.<br>**[45:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe if you were to<br>&nbsp;&nbsp;&nbsp;&nbsp;let me investigate you closely<br>**[45:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from your head<br>&nbsp;&nbsp;&nbsp;&nbsp;down to your tippy-toes...!<br>**[45:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You must be joking!<br>**[45:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be that as it may, apparently,<br>**[45:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City wants to<br>&nbsp;&nbsp;&nbsp;&nbsp;take her natural gifts and abilities,<br>**[45:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;analyze them anatomically,<br>&nbsp;&nbsp;&nbsp;&nbsp;and then exploit them.<br>**[45:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Particularly that Loli company president.<br>**[45:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[45:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the lyrics to that song.<br>**[45:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We promised to<br>&nbsp;&nbsp;&nbsp;&nbsp;sing them together, right?<br>**[46:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's celebrate with a drink, Arisa!<br>**[46:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[46:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheers!<br>**[46:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, the three-legged race?<br>**[46:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with Miss Misaka, at that!<br>**[46:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. She was so insistent,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I couldn't very well turn her down--<br>**[46:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What the...?<br>**[46:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is going on here?!<br>**[46:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you saying?<br>**[46:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index?<br>**[46:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up?<br>**[46:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Arisa?!<br>**[46:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crow Leader to Crow 4, sitrep.<br>**[46:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target is on the expressway.<br>**[46:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let them out of your sight.<br>**[46:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no such thing as miracles.<br>**[46:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't stand for it!<br>**[46:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Master?<br>**[47:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[47:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't smoke in the car.<br>**[47:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It stunts your growth.<br>**[47:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind. I'm plenty tall as it is.<br>**[47:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not you! I'm talking about me!<br>**[47:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming!<br>**[47:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Marie, don't let them pass us!<br>**[47:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay!<br>**[48:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master!<br>**[48:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[48:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Innocentius!<br>**[48:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're up ahead. Teacher, please hurry!<br>**[48:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I know!<br>**[49:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whew...<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Ow...<br>**[49:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[49:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you jumping the gun, Stiyl?!<br>**[49:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still no proof<br>&nbsp;&nbsp;&nbsp;&nbsp;that the girl is a saint, is there?<br>**[49:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki...<br>**[49:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just got new orders.<br>**[49:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what that is?<br>**[49:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A space elevator, right?<br>**[49:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[49:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Sumerian ziggurats;<br>&nbsp;&nbsp;&nbsp;&nbsp;the Tower of Babel...<br>**[49:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When architecture takes on<br>&nbsp;&nbsp;&nbsp;&nbsp;a scale that exceeds rationality,<br>**[49:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the same time, it also<br>&nbsp;&nbsp;&nbsp;&nbsp;takes on magical implications.<br>**[49:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The trouble is, there are<br>&nbsp;&nbsp;&nbsp;&nbsp;those who would also involve a saint,<br>**[49:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and try to turn it into a<br>&nbsp;&nbsp;&nbsp;&nbsp;grand-scale magical instrument.<br>**[49:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a minute. Are you saying<br>&nbsp;&nbsp;&nbsp;&nbsp;there is someone in Academy City<br>**[49:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is trying to use magic?!<br>**[49:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's me.<br>**[49:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill is on the move. Withdraw.<br>**[49:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged.<br>**[50:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... it can't be...<br>**[50:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, found out about that, have we?<br>**[50:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fine. Bring the girl back to me.<br>**[50:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay back!<br>**[50:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shutaura! Let the girl go!<br>**[50:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shutaura!<br>**[50:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not even any of your business!<br>**[50:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you interfering?!<br>**[50:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad!<br>**[50:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run, Kamijo Toma!<br>**[51:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Saten?<br>**[51:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? What's up?<br>**[51:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm... Mm-hmm...<br>**[51:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Miss Arisa?!<br>**[51:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. They say that it's<br>&nbsp;&nbsp;&nbsp;&nbsp;almost certain that she was abducted.<br>**[51:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm... Mm-hmm...<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'm heading out right now.<br>**[51:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this girl?<br>**[51:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does she have this bracelet?<br>**[51:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, you two<br>&nbsp;&nbsp;&nbsp;&nbsp;are drawn to each other.<br>**[52:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On that day, there were eighty-eight<br>&nbsp;&nbsp;&nbsp;&nbsp;passengers and crew aboard the Orion.<br>**[52:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And following the accident, there were<br>&nbsp;&nbsp;&nbsp;&nbsp;eighty-eight confirmed survivors.<br>**[52:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone said it was a miracle.<br>**[52:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the truth is,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a single casualty--<br>**[52:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Orion's pilot,<br>&nbsp;&nbsp;&nbsp;&nbsp;Daedalus Sequenzia.<br>**[52:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, your father.<br>**[52:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But by the time that fact<br>&nbsp;&nbsp;&nbsp;&nbsp;was confirmed, it was too late.<br>**[52:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world was caught up by the miracle.<br>**[52:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The eighty-ninth survivor had been<br>&nbsp;&nbsp;&nbsp;&nbsp;covered up, and only the miracle remained.<br>**[52:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl who suddenly appeared on the plane<br>**[52:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which only had eighty-eight people aboard,<br>&nbsp;&nbsp;&nbsp;&nbsp;and worked that miracle,<br>**[52:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is this girl, right here.<br>**[52:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to persist<br>&nbsp;&nbsp;&nbsp;&nbsp;in calling it a miracle?<br>**[52:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, the truth is, nobody should<br>&nbsp;&nbsp;&nbsp;&nbsp;have survived the accident.<br>**[52:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean...<br>**[52:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought it would work better in space.<br>**[53:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, except for<br>&nbsp;&nbsp;&nbsp;&nbsp;your father, everyone else survived.<br>**[53:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, it did produce<br>&nbsp;&nbsp;&nbsp;&nbsp;an unexpected by-product,<br>**[53:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so in one sense,<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it was a success.<br>**[53:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was you?<br>**[53:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was because of you...?<br>**[53:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[53:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that guy from before!<br>**[54:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you through yet?<br>**[54:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that's the sixteenth<br>&nbsp;&nbsp;&nbsp;&nbsp;time I've been stabbed with a knife.<br>**[54:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a monster!<br>**[54:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, am I?<br>**[54:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may be, generally speaking,<br>**[54:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you two are something else,<br>&nbsp;&nbsp;&nbsp;&nbsp;yourselves. I'll let you live.<br>**[54:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch closely as the true<br>&nbsp;&nbsp;&nbsp;&nbsp;miraculous moment takes place.<br>**[54:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoever you are<br>&nbsp;&nbsp;&nbsp;&nbsp;and whatever you're planning,<br>**[54:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear I'll bring it down!<br>**[54:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear it!<br>**[54:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I look forward to it.<br>**[54:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take her away.<br>**[54:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, that just leaves you.<br>**[54:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning.<br>**[54:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need a favor from you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Meigo Arisa.<br>**[54:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those with ticket<br>&nbsp;&nbsp;&nbsp;&nbsp;numbers 2033 through 2152,<br>**[55:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please embark on the No. 17 Linear Track.<br>**[55:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coming up tomorrow<br>&nbsp;&nbsp;&nbsp;&nbsp;is the grand unveiling ceremony,<br>**[55:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and guests for the ceremony<br>&nbsp;&nbsp;&nbsp;&nbsp;are rolling into Endymion.<br>**[55:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, it's true.<br>**[55:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Arisa never came back.<br>**[55:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've checked around here and there, too.<br>**[55:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[55:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Listen...<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Toma...<br>**[55:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My word, this is a serious burn.<br>**[55:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you *that* intent on setting<br>
&nbsp;&nbsp;&nbsp;&nbsp;a new admittance record here?<br>**[55:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, no, it's not like--<br>**[55:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, Kami!<br>**[55:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we have a second?<br>**[55:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crow 7 to all units, infiltration<br>&nbsp;&nbsp;&nbsp;&nbsp;into the system successful.<br>**[55:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to settle all this.<br>**[55:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Settle this?<br>**[55:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ladylee Tangleroad was<br>&nbsp;&nbsp;&nbsp;&nbsp;originally someone on our side,<br>**[55:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a sybil, who specialized in Greek divination.<br>**[55:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is trying to construct a<br>&nbsp;&nbsp;&nbsp;&nbsp;spell with Meigo Arisa at its core.<br>**[56:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A super-colossal one, which uses Endymion.<br>**[56:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something in a class that would wipe out<br>**[56:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole northern hemisphere<br>&nbsp;&nbsp;&nbsp;&nbsp;if it were ever activated.<br>**[56:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, as long as<br>&nbsp;&nbsp;&nbsp;&nbsp;the problem is a magical one,<br>**[56:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this falls within our territory.<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys keep out of it.<br>**[56:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you can handle it?<br>&nbsp;&nbsp;&nbsp;&nbsp;We're talking outer space.<br>**[56:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll deal with the core.<br>&nbsp;&nbsp;&nbsp;&nbsp;And if it comes down to it,<br>**[56:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll destroy the tower itself.<br>**[56:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say you'll deal with<br>&nbsp;&nbsp;&nbsp;&nbsp;the core, you mean you'll kill Arisa?<br>**[56:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that is what it means.<br>**[56:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing about Arisa is,<br>**[56:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she has a dream,<br>**[56:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she is putting all<br>&nbsp;&nbsp;&nbsp;&nbsp;of her effort into pursuing it.<br>**[56:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why should a girl like her<br>&nbsp;&nbsp;&nbsp;&nbsp;have to be treated like a villain,<br>**[56:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is out to destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;the northern hemisphere?!<br>**[56:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[56:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't be up and around yet!<br>**[56:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no time for talk like that now.<br>**[56:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether we leave it to magic<br>&nbsp;&nbsp;&nbsp;&nbsp;or science, Arisa will get killed!<br>**[57:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You're as big a fool as ever.<br>**[57:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wait, Toma! Toma, I say!<br>**[57:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We thought you might say that,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we got something ready for you.<br>**[57:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Stare."<br>**[57:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mm-hmm, I see.<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like this is big trouble,"<br>**[57:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, intentionally<br>&nbsp;&nbsp;&nbsp;&nbsp;whispering in a loud voice.<br>**[57:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh... pipe down!<br>**[57:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's too loud to be<br>&nbsp;&nbsp;&nbsp;&nbsp;talking to yourself. Sheesh...<br>**[57:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, I bought some drinks. Want one?<br>**[57:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[57:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, that little...!<br>**[57:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else except<br>&nbsp;&nbsp;&nbsp;&nbsp;for your father survived.<br>**[57:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that isn't a miracle, then what is it?<br>**[57:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you waiting.<br>**[57:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sitrep.<br>**[57:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ladylee and the<br>&nbsp;&nbsp;&nbsp;&nbsp;others are already off to space.<br>**[58:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The operation has advanced to Phase 4.<br>**[58:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An Antiskill squad<br>&nbsp;&nbsp;&nbsp;&nbsp;is approaching Endymion.<br>**[58:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we ready to go up?<br>**[58:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, we are.<br>**[58:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain...<br>**[58:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go settle this.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't send anyone else up after me.<br>**[58:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm off.<br>**[58:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are now temporarily<br>&nbsp;&nbsp;&nbsp;&nbsp;shutting down the network<br>**[58:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to adjust the relay<br>&nbsp;&nbsp;&nbsp;&nbsp;circuits for the ceremony.<br>**[58:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait just a moment<br>&nbsp;&nbsp;&nbsp;&nbsp;until service is restored.<br>**[58:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A miracle...<br>**[58:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if you would<br>&nbsp;&nbsp;&nbsp;&nbsp;sing for me your miracle song?<br>**[58:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[59:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you still not decided?<br>**[59:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after I gave you, who sang<br>&nbsp;&nbsp;&nbsp;&nbsp;on sidewalks, such a big stage...<br>**[59:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can always refuse.<br>**[59:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, all of the guests<br>&nbsp;&nbsp;&nbsp;&nbsp;who are here will end up dying.<br>**[59:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll sing.<br>**[59:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it won't be for my dream,<br>&nbsp;&nbsp;&nbsp;&nbsp;nor will it be for your dream.<br>**[59:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My song will be for everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who is genuinely looking forward to it.<br>**[59:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will sing for those people.<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what you are thinking,<br>**[59:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the miracle song...<br>&nbsp;&nbsp;&nbsp;&nbsp;will rise above it.<br>**[59:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[59:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Ballistic Slider.<br>**[59:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the ill-fated new<br>&nbsp;&nbsp;&nbsp;&nbsp;shuttle system that lost out<br>**[59:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as Academy City's next<br>&nbsp;&nbsp;&nbsp;&nbsp;mainstay space transport craft.<br>**[1:00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, this is what<br>&nbsp;&nbsp;&nbsp;&nbsp;we're sending you up on!<br>**[1:00:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where?<br>**[1:00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, outer space, of course!<br>**[1:00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's up with the underground<br>&nbsp;&nbsp;&nbsp;&nbsp;linear tunnels and payload routes?<br>**[1:00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are all sealed off.<br>**[1:00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means...<br>**[1:00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This bridge is the only<br>&nbsp;&nbsp;&nbsp;&nbsp;thing we can use right now.<br>**[1:00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The stars sure are pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;tonight, so I'm sure ♪<br>**[1:00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I'll get through ♪<br>**[1:00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Charge!<br>**[1:00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ When I looked up on sleepless<br>&nbsp;&nbsp;&nbsp;&nbsp;nights, the stars ♪<br>**[1:00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ were always there listening ♪<br>**[1:01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ "I believe in you, but<br>&nbsp;&nbsp;&nbsp;&nbsp;the truth is, I'm afraid" ♪<br>**[1:01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's up to you, Kami.<br>**[1:01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ My shooting star alit on the<br>&nbsp;&nbsp;&nbsp;&nbsp;cheek trickling down my tears ♪<br>**[1:01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,<br>**[1:01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's go.<br>**[1:01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right!<br>**[1:01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I flick away the grains of hope ♪<br>**[1:01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ (The stars twinkle in the sky) ♪<br>**[1:01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Turning this twinkling into light, ♪<br>**[1:01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ let one wish of mine pass<br>&nbsp;&nbsp;&nbsp;&nbsp;through the upper sky ♪<br>**[1:01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ If my heightening emotions have piled<br>&nbsp;&nbsp;&nbsp;&nbsp;up and reach high into the sky, ♪<br>**[1:01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ will they reach you?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they will ♪<br>**[1:01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ to wish your happiness ♪<br>**[1:01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I'm one step away from your<br>&nbsp;&nbsp;&nbsp;&nbsp;smiling face so accept this ♪<br>**[1:01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Life and death; finite and infinite...<br>**[1:01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in this space where<br>&nbsp;&nbsp;&nbsp;&nbsp;everything intersects,<br>**[1:01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I'm locking my wishes within<br>&nbsp;&nbsp;&nbsp;&nbsp;the stardust swirling around ♪<br>**[1:01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;different laws operate than<br>&nbsp;&nbsp;&nbsp;&nbsp;the ones on the ground.<br>**[1:01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fanaticism and blood of the people<br>**[1:01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ the night sky ♪<br>**[1:01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are an offering to be given<br>&nbsp;&nbsp;&nbsp;&nbsp;in a feast to the gods.<br>**[1:02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their life's breath will strike<br>&nbsp;&nbsp;&nbsp;&nbsp;down Endymion's eternal curse!<br>**[1:02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ A star in the whole sky, tonight<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to make it come true-- ♪<br>**[1:02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ A star in the whole sky, tonight<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to make it come true-- ♪<br>**[1:02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ the stars pouring down illuminate ♪<br>**[1:02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ the stars pouring down illuminate ♪<br>**[1:02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[1:02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ the stars pouring down illuminate ♪<br>**[1:02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amazing! I've never seen a magic<br>&nbsp;&nbsp;&nbsp;&nbsp;array as large as this one!<br>**[1:02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Your smile is dazzling,<br>&nbsp;&nbsp;&nbsp;&nbsp;chains ever spiraling ♪<br>**[1:02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Come on and join hands ♪<br>**[1:02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's bringing in the earth<br>&nbsp;&nbsp;&nbsp;&nbsp;itself as part of the spell!<br>**[1:02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Come on and join hands ♪<br>**[1:02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ A star in the whole sky, tonight<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to make it come true-- ♪<br>**[1:02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ A star in the whole sky, tonight<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to make it come true-- ♪<br>**[1:02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happens once it becomes activated?<br>**[1:02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ A star in the whole sky, tonight<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to make it come true-- ♪<br>**[1:02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea what its objective is.<br>**[1:02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ the stars pouring down illuminate ♪<br>**[1:02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Our smiling is dazzling,<br>&nbsp;&nbsp;&nbsp;&nbsp;in links of our imagining ♪<br>**[1:02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Our smiling is dazzling,<br>&nbsp;&nbsp;&nbsp;&nbsp;in links of our imagining ♪<br>**[1:02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do think it's Goetian in nature,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this isn't in the records.<br>**[1:02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The future grows ever<br>&nbsp;&nbsp;&nbsp;&nbsp;filled with light ♪<br>**[1:02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The future grows ever<br>&nbsp;&nbsp;&nbsp;&nbsp;filled with light ♪<br>**[1:02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The future grows ever<br>&nbsp;&nbsp;&nbsp;&nbsp;filled with light ♪<br>**[1:02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What's that?!<br>**[1:02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The future grows ever<br>&nbsp;&nbsp;&nbsp;&nbsp;filled with light ♪<br>**[1:02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The future grows ever<br>&nbsp;&nbsp;&nbsp;&nbsp;filled with light ♪<br>**[1:02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, Kami!<br>**[1:02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive the abruptness, but<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some unfortunate news.<br>**[1:02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ On nights that I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd break down alone, ♪<br>**[1:02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ you offered courage ♪<br>**[1:02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The anti-debris missiles that<br>&nbsp;&nbsp;&nbsp;&nbsp;the elevator is equipped with<br>**[1:02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have locked onto you.<br>**[1:02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do we do?! Do we have any weapons?!<br>**[1:02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course you do!<br>**[1:02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Come what may, you're my<br>&nbsp;&nbsp;&nbsp;&nbsp;Polaris, shining overhead ♪<br>**[1:02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, you're on!<br>**[1:02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, I won't forget about this.<br>**[1:02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ If my heightening<br>&nbsp;&nbsp;&nbsp;&nbsp;emotions have piled up ♪<br>**[1:03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ and reach high into the sky, ♪<br>**[1:03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ will they reach you?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure they will ♪<br>**[1:03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ to wish our happiness ♪<br>**[1:03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ There is no end to either the sky ♪<br>**[1:03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ or anyone's dreams ♪<br>**[1:03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ so my voice will continue<br>&nbsp;&nbsp;&nbsp;&nbsp;to sing and ring out forever ♪<br>**[1:03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I want these emotions<br>&nbsp;&nbsp;&nbsp;&nbsp;to make their way to you ♪<br>**[1:03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ through the millennia ♪<br>**[1:03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ A star in the whole sky, tonight<br>&nbsp;&nbsp;&nbsp;&nbsp;I want it to come true, ♪<br>**[1:03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ A star in the whole sky, tonight<br>&nbsp;&nbsp;&nbsp;&nbsp;I want it to come true, ♪<br>**[1:03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest is up to you, Kamijo Toma.<br>**[1:03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I want it more and more to come true ♪<br>**[1:03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Your smile is dazzling,<br>&nbsp;&nbsp;&nbsp;&nbsp;chains ever spiraling ♪<br>**[1:03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ go on and join hands ♪<br>**[1:03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ A star in the whole sky,<br>&nbsp;&nbsp;&nbsp;&nbsp;tonight I want it to come true ♪<br>**[1:03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I want it more and more to come true ♪<br>**[1:03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Our smiling is dazzling,<br>&nbsp;&nbsp;&nbsp;&nbsp;in links of our imagining ♪<br>**[1:03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ A future filled with light ♪<br>**[1:04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's our backup?!<br>**[1:04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They say it's still<br>&nbsp;&nbsp;&nbsp;&nbsp;going to take a little while.<br>**[1:04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh! Leave me behind<br>&nbsp;&nbsp;&nbsp;&nbsp;without saying anything, will he?<br>**[1:04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is so off the mark...<br>&nbsp;&nbsp;&nbsp;&nbsp;in the way he does things!<br>**[1:04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Kuroko, I need a favor.<br>**[1:05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[1:05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep things safe here.<br>**[1:05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you do not mean...!<br>**[1:05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one I can ask.<br>**[1:05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please...<br>**[1:05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[1:05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm counting on you!<br>**[1:05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[1:05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on the move, too.<br>**[1:05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Right!<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Right, Master!<br>**[1:05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like there's a<br>&nbsp;&nbsp;&nbsp;&nbsp;huge commotion down there.<br>**[1:05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you won't make it in time now.<br>**[1:05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't be so sure.<br>**[1:05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Silly girl.<br>**[1:05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've come, have you?<br>**[1:06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, I swear you're going to pay!<br>**[1:06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes... I must have<br>&nbsp;&nbsp;&nbsp;&nbsp;lived a thousand years already...<br>**[1:06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Orion experiment may have failed,<br>**[1:06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in exchange, an unexpected<br>&nbsp;&nbsp;&nbsp;&nbsp;byproduct came about.<br>**[1:06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that is Arisa.<br>**[1:06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With her miraculous power,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be able to die.<br>**[1:06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come, let's end this together!<br>**[1:06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no you don't!<br>**[1:07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[1:07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, what was that just now?<br>**[1:07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right... It looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;there was an explosion<br>**[1:07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;near the elevator relay station.<br>**[1:07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, the stress balances<br>&nbsp;&nbsp;&nbsp;&nbsp;are starting to come undone!<br>**[1:07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But that means...<br>**[1:07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this keeps up,<br>&nbsp;&nbsp;&nbsp;&nbsp;the elevator will collapse,<br>**[1:07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and proceed to fall to earth!<br>**[1:07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[1:08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that explosion?<br>**[1:08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An accident?<br>**[1:08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way.<br>**[1:08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm scared!<br>**[1:08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, this is outer space.<br>**[1:08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? What's going to happen to us?<br>**[1:08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, are you all right?!<br>**[1:08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad, isn't it?<br>**[1:08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Are we going to die?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh? Seriously?!<br>**[1:08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah, we have to get out of here!<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'm scared!<br>**[1:08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--We're done for!<br>&nbsp;&nbsp;&nbsp;&nbsp;--This is not good!<br>**[1:08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey, don't push!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow! You're hurting me!<br>**[1:08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right...<br>**[1:08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That other time...<br>**[1:08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[1:08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are the attendants doing?!<br>**[1:08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry and open up!<br>**[1:08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Will the sun shine<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow, I wonder, ♪<br>**[1:08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ looking at the sky, filled<br>&nbsp;&nbsp;&nbsp;&nbsp;with twinkling stars ♪<br>**[1:08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ "They almost look close<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to touch," ♪<br>**[1:08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ we laugh to each other,<br>&nbsp;&nbsp;&nbsp;&nbsp;and start walking again ♪<br>**[1:08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ we laugh to each other,<br>&nbsp;&nbsp;&nbsp;&nbsp;and start walking again ♪<br>**[1:08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A song?<br>**[1:08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ we laugh to each other,<br>&nbsp;&nbsp;&nbsp;&nbsp;and start walking again ♪<br>**[1:09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The truth is, on the<br>&nbsp;&nbsp;&nbsp;&nbsp;night I was all alone ♪<br>**[1:09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, this way, please.<br>**[1:09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The truth is, on the<br>&nbsp;&nbsp;&nbsp;&nbsp;night I was all alone ♪<br>**[1:09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The truth is, on the<br>&nbsp;&nbsp;&nbsp;&nbsp;night I was all alone ♪<br>**[1:09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I felt anxious, and sent you a text ♪<br>**[1:09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ It felt like I was being<br>&nbsp;&nbsp;&nbsp;&nbsp;buried underneath so many ♪<br>**[1:09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ It felt like I was being<br>&nbsp;&nbsp;&nbsp;&nbsp;buried underneath so many ♪<br>**[1:09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my thirty-eighth explosion...<br>**[1:09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ dreams and ideals and such ♪<br>**[1:09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ dreams and ideals and such ♪<br>**[1:09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the first time I've been<br>&nbsp;&nbsp;&nbsp;&nbsp;exposed to a vacuum, though.<br>**[1:09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ When I tried to imagine someday ♪<br>**[1:09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ When I tried to imagine someday ♪<br>**[1:09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over this time, for sure.<br>**[1:09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to die, no matter what!<br>**[1:09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ leaving this town and<br>&nbsp;&nbsp;&nbsp;&nbsp;becoming an adult, ♪<br>**[1:09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ leaving this town and<br>&nbsp;&nbsp;&nbsp;&nbsp;becoming an adult, ♪<br>**[1:09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I felt so discouraged, but then ♪<br>**[1:09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Endymion is going to collapse?!<br>**[1:09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[1:09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ your face came to mind ♪<br>**[1:09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, the situation is unavoidable now.<br>**[1:10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're trying everything we<br>&nbsp;&nbsp;&nbsp;&nbsp;can on our end, too, but--<br>**[1:10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The two of us are always ♪<br>**[1:10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[1:10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[1:10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ sharing our feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;like it's nothing ♪<br>**[1:10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's split up.<br>**[1:10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep the magic from activating.<br>**[1:10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I hear your voice as if to say,<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm coming to get you now" ♪<br>**[1:10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go get Arisa.<br>**[1:10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Toma, you make<br>&nbsp;&nbsp;&nbsp;&nbsp;sure you save Arisa, okay?<br>**[1:10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made her a promise that<br>&nbsp;&nbsp;&nbsp;&nbsp;once her song was done,<br>**[1:10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Will the sun shine<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow, I wonder, ♪<br>**[1:10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the two of us would sing it together!<br>**[1:10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[1:10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ looking at the sky, filled<br>&nbsp;&nbsp;&nbsp;&nbsp;with twinkling stars ♪<br>**[1:10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no use! It looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;we can't prevent a collapse!<br>**[1:10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ "They almost look close<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to touch," ♪<br>**[1:10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calm down!<br>**[1:10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there anything that can be done?<br>**[1:10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ we laugh to each other,<br>&nbsp;&nbsp;&nbsp;&nbsp;and start walking again ♪<br>**[1:10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[1:10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an emergency purge system.<br>**[1:10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, it would be set<br>&nbsp;&nbsp;&nbsp;&nbsp;off remotely, though.<br>**[1:10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, the system itself is frozen.<br>**[1:10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ "Thank you." Even<br>&nbsp;&nbsp;&nbsp;&nbsp;now, saying the words ♪<br>**[1:10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that mean it's not working?<br>**[1:10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can manually set<br>&nbsp;&nbsp;&nbsp;&nbsp;off all the blast bolts<br>**[1:10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ makes me feel a little bit awkward ♪<br>**[1:10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in these three spots...<br>**[1:11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I wish I could convey how<br>&nbsp;&nbsp;&nbsp;&nbsp;just being together with you ♪<br>**[1:11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, we have to try anything we can.<br>**[1:11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take on one of the locations.<br>**[1:11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ somehow makes me smile ♪<br>**[1:11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy! I am heading there now, as well--<br>**[1:11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ The skies are clear forever above us, ♪<br>**[1:11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai!<br>**[1:11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take another location.<br>**[1:11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, the third one is...<br>**[1:11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ and the stars keep flickering ♪<br>**[1:11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello!<br>**[1:11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This name is withheld by request,<br>**[1:11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Looking over our shoulders at<br>&nbsp;&nbsp;&nbsp;&nbsp;each other, a shooting star ♪<br>**[1:11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;penname, "Spelled like 'Life,<br>&nbsp;&nbsp;&nbsp;&nbsp;' pronounced like 'Sister'!"<br>**[1:11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard what's happening.<br>**[1:11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a way for me to deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with the third location.<br>**[1:11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is that?<br>**[1:11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ flashed by ♪<br>**[1:11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[1:11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who that is,<br>**[1:11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if he can break in on<br>&nbsp;&nbsp;&nbsp;&nbsp;an Antiskill encoded line,<br>**[1:11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's not just some common<br>&nbsp;&nbsp;&nbsp;&nbsp;rubbernecker or prankster, right?<br>**[1:11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you have it, Stiyl.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's up to you, now.<br>**[1:11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, what's the use?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm at your service.<br>**[1:11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up...<br>**[1:11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up!<br>**[1:11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This noise can work a miracle?<br>**[1:11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Will the sun shine<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow, I wonder, ♪<br>**[1:12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stop it... I swear!<br>**[1:12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ looking at the sky, filled<br>&nbsp;&nbsp;&nbsp;&nbsp;with twinkling stars ♪<br>**[1:12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ If you wish hard enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's sure to come true, ♪<br>**[1:12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ so believe in yourself ♪<br>**[1:12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop...<br>**[1:12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Will the sun shine<br>&nbsp;&nbsp;&nbsp;&nbsp;tomorrow, I wonder, ♪<br>**[1:12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!!<br>**[1:12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[1:12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was cutting it close.<br>**[1:12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[1:13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a little farther...<br>**[1:13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...right over there...<br>**[1:13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've never seen a<br>&nbsp;&nbsp;&nbsp;&nbsp;spell as crazy as this one.<br>**[1:13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to destroy the earth?<br>**[1:13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All your lines refining your magical power<br>**[1:13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are more than just a little off the rails.<br>**[1:13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The List of Prohibited Books, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard of you.<br>**[1:13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A human library, who has memorized<br>&nbsp;&nbsp;&nbsp;&nbsp;103,000 volumes of magic grimoires.<br>**[1:13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be able to understand, right?<br>**[1:13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way it feels to<br>&nbsp;&nbsp;&nbsp;&nbsp;be somebody cursed by magic?<br>**[1:13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can finally make my way out of this hell.<br>**[1:13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you can't.<br>**[1:13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you do this,<br>&nbsp;&nbsp;&nbsp;&nbsp;it won't kill you.<br>**[1:13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell.<br>**[1:13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[1:13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't hurry this up,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will all be too late!<br>**[1:14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get careless!<br>**[1:14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master!<br>**[1:14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here they come!<br>**[1:14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[1:14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it, Shutaura!<br>**[1:14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her existence is<br>&nbsp;&nbsp;&nbsp;&nbsp;what gave rise to Ladylee's plan.<br>**[1:14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As well as its unseen casualty.<br>**[1:14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her songs...<br>**[1:14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and the miracles<br>&nbsp;&nbsp;&nbsp;&nbsp;she causes mislead people!<br>**[1:14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm killing her!<br>**[1:14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[1:14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you laughing?!<br>**[1:14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;the blast bolt is after your next right.<br>**[1:14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged!<br>**[1:15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Miss Misaka?<br>**[1:15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay, Master?<br>**[1:15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry about me. It's just a scratch.<br>**[1:15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master, let us handle this.<br>**[1:15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>**[1:15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will see the task I've been<br>&nbsp;&nbsp;&nbsp;&nbsp;entrusted with through to the end!<br>**[1:15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Yomikawa. I'm sorry,<br>**[1:15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it doesn't look like<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to reach there in time.<br>**[1:15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's all right.<br>**[1:15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please pay no mind, and continue<br>&nbsp;&nbsp;&nbsp;&nbsp;to detonate on the three-count,"<br>**[1:15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;requests Misaka.<br>**[1:15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...?<br>**[1:15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez...<br>**[1:15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do I have to come<br>&nbsp;&nbsp;&nbsp;&nbsp;out and do something like this?<br>**[1:16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You see, you see,<br>&nbsp;&nbsp;&nbsp;&nbsp;if Endymion here falls down,<br>**[1:16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the earth will be ruined,<br>&nbsp;&nbsp;&nbsp;&nbsp;and no one will have anywhere to live,"<br>**[1:16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;stating correct, yet obvious reasoning!<br>**[1:16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! The earth?<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that it's any of my business,<br>**[1:16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but, this may be just the<br>&nbsp;&nbsp;&nbsp;&nbsp;thing for my physical therapy.<br>**[1:16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like there's<br>&nbsp;&nbsp;&nbsp;&nbsp;no time for hesitation, huh?<br>**[1:16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes!<br>**[1:16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three!<br>**[1:16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two!<br>**[1:16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[1:16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did they do it?<br>**[1:16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take cover!<br>**[1:16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me they're<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to purge Endymion!<br>**[1:17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I can do it--<br>&nbsp;&nbsp;&nbsp;&nbsp;unpack the layers of her spell,<br>**[1:17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and find some way to collapse it!<br>**[1:17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They detonated the base?!<br>**[1:17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you see, don't you?<br>**[1:17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no such thing as "can't"!<br>**[1:17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father, the pilot of the Orion,<br>**[1:17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the sole casualty of that accident.<br>**[1:17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though I... and the<br>&nbsp;&nbsp;&nbsp;&nbsp;other passengers... all survived...<br>**[1:17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I deny miracles!<br>&nbsp;&nbsp;&nbsp;&nbsp;To carry on the will of my father,<br>**[1:17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who didn't rely on miracles,<br>&nbsp;&nbsp;&nbsp;&nbsp;and fought only with what he had!<br>**[1:17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your old man was trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;protect you and the other passengers.<br>**[1:17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if the chances<br>&nbsp;&nbsp;&nbsp;&nbsp;were less than one percent,<br>**[1:18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as he pushed it to<br>&nbsp;&nbsp;&nbsp;&nbsp;the limit, something would turn out.<br>**[1:18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He must have believed that,<br>&nbsp;&nbsp;&nbsp;&nbsp;and hung in there right to the end!<br>**[1:18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is precisely the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why you and the others lived, isn't it?<br>**[1:18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A miracle happened.<br>**[1:18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your old man is the<br>&nbsp;&nbsp;&nbsp;&nbsp;one who worked that miracle!<br>**[1:18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And for you to deny that<br>**[1:18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the same as you killing<br>&nbsp;&nbsp;&nbsp;&nbsp;your old man once again, isn't it?!<br>**[1:18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, answer, Kami!<br>**[1:18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[1:18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Endymion really is going to fall.<br>**[1:18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To hell with the Miracle of the Eighty-Eight!<br>&nbsp;&nbsp;&nbsp;&nbsp;To hell with miraculous songs!<br>**[1:18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and try to save us now!<br>**[1:18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try to save everyone from<br>&nbsp;&nbsp;&nbsp;&nbsp;Endymion falling down to the earth!<br>**[1:19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Including her,<br>**[1:19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you,<br>**[1:19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and everyone who accepts<br>&nbsp;&nbsp;&nbsp;&nbsp;miracles that violate the natural order!<br>**[1:19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that!<br>**[1:19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you follow<br>&nbsp;&nbsp;&nbsp;&nbsp;your way and deny miracles,<br>**[1:19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it won't bring about order!<br>**[1:19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Betting on even the slightest possibility,<br>**[1:19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;believing that you can gain something,<br>**[1:19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then making<br>&nbsp;&nbsp;&nbsp;&nbsp;even a little bit of difference<br>**[1:19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is what moving forward is, isn't it?!<br>**[1:19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what your old<br>&nbsp;&nbsp;&nbsp;&nbsp;man was aiming for, wasn't it?<br>**[1:19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And isn't that<br>&nbsp;&nbsp;&nbsp;&nbsp;exactly what a miracle is?!<br>**[1:20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to take your miserable delusion<br>**[1:20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and smash it with my right hand!<br>**[1:20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Shutaura...<br>**[1:20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...music is a really great thing...<br>**[1:20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Remaining battery life has reached 0"<br>**[1:20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[1:20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not... over yet...<br>**[1:21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Are we okay?<br>&nbsp;&nbsp;&nbsp;&nbsp;- -Oh, God...<br>**[1:21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The left engine block<br>&nbsp;&nbsp;&nbsp;&nbsp;has fallen away. I-It's hopeless!<br>**[1:21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give up!<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still something we can do!<br>**[1:21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[1:21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[1:21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please. I don't care if<br>&nbsp;&nbsp;&nbsp;&nbsp;I lose everything precious to me.<br>**[1:21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So right now, please<br>&nbsp;&nbsp;&nbsp;&nbsp;work a miracle for everyone.<br>**[1:22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right...<br>**[1:22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back there, I made a wish...<br>**[1:22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted a miracle, even if what<br>&nbsp;&nbsp;&nbsp;&nbsp;I held precious was taken from me.<br>**[1:22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so...<br>**[1:22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was born.<br>**[1:22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ A symphony of destiny ♪<br>**[1:22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that song?<br>**[1:22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... That song will take<br>&nbsp;&nbsp;&nbsp;&nbsp;my magic array and...!<br>**[1:22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ watching over the passing ♪<br>**[1:22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[1:22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you extend that kind of power here, now...<br>**[1:22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ of layers upon layers of scars ♪<br>**[1:22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...they'll fall apart... My hopes...<br>**[1:22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My dreams...!<br>**[1:23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I am going to sing ♪<br>**[1:23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Gathering the light now, ♪<br>**[1:23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ allowing the love which has returned ♪<br>**[1:23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ to eternity to find a peaceful rest ♪<br>**[1:23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I will sing to you ♪<br>**[1:23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ without losing anything more ♪<br>**[1:23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Master, what do we do?<br>**[1:23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's coming down!<br>**[1:23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ May these days of certainty ♪<br>**[1:23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wow! We're flying through the<br>&nbsp;&nbsp;&nbsp;&nbsp;air," says Misaka Misaka...<br>**[1:23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ which bring smiles to all ♪<br>**[1:23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, this is the only time<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing this, understand?!<br>**[1:23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ go on forever ♪<br>**[1:23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ go on forever ♪<br>**[1:24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Get over again ♪<br>**[1:24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Heading off into the skies ♪<br>**[1:24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain...<br>**[1:24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Endymion is...<br>**[1:24:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Endymion is moving<br>&nbsp;&nbsp;&nbsp;&nbsp;away from its descent course.<br>**[1:24:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Get over again ♪<br>**[1:24:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's going to avoid a<br>&nbsp;&nbsp;&nbsp;&nbsp;collision with the earth!<br>**[1:24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I will flap my wings ♪<br>**[1:24:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ I will flap my wings ♪<br>**[1:24:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You went and did it, huh?<br>**[1:24:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the world must have heard...<br>**[1:24:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...your song.<br>**[1:24:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder, what did that<br>&nbsp;&nbsp;&nbsp;&nbsp;young woman end up being?<br>**[1:25:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed.<br>**[1:25:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to say,<br>&nbsp;&nbsp;&nbsp;&nbsp;she might have been a wish.<br>**[1:25:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wish?<br>**[1:25:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it is not the work of an esper,<br>**[1:25:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a person's wishes<br>&nbsp;&nbsp;&nbsp;&nbsp;can distort their subjectivity.<br>**[1:25:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If multiple wishes are<br>&nbsp;&nbsp;&nbsp;&nbsp;all given the same direction,<br>**[1:25:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;their power can<br>&nbsp;&nbsp;&nbsp;&nbsp;even interfere with causality.<br>**[1:25:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Master, you can't smoke inside this room.<br>**[1:25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--That power could divide a young girl,<br>**[1:25:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and alter the fate of many people.<br>**[1:25:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, the distortion caused<br>&nbsp;&nbsp;&nbsp;&nbsp;by the two becoming one again<br>**[1:25:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has worked its own miracle.<br>**[1:25:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ladylee has performed quite<br>&nbsp;&nbsp;&nbsp;&nbsp;the fascinating experiment for me.<br>**[1:25:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All in all, it is unfortunate<br>&nbsp;&nbsp;&nbsp;&nbsp;that she cannot die.<br>**[1:25:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Toma,<br>**[1:25:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was Arisa really...?<br>**[1:25:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[1:25:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I actually<br>&nbsp;&nbsp;&nbsp;&nbsp;touched her, with my right hand.<br>**[1:26:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she was not just some illusion.<br>**[1:26:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was someone who liked songs,<br>**[1:26:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and who liked delighting<br>&nbsp;&nbsp;&nbsp;&nbsp;others with her songs,<br>**[1:26:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and was otherwise just a normal girl.<br>**[1:26:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, you're right.<br>**[1:26:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, did you hear that, too?<br>**[1:26:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[1:26:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Riding a train to our destination,*<br>**[1:27:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we travel through the empty night sky*<br>**[1:27:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A flip of a coin and a drop of a tear*<br>**[1:27:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to get beyond this weeping night sky*<br>**[1:27:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Why is it that the view I see from my window*<br>**[1:27:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*is always as pretty as this,*<br>**[1:27:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*despite inside my body, inside my eye,*<br>**[1:27:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*it's twinkling even more,<br>
&nbsp;&nbsp;&nbsp;&nbsp;to the point of overflowing?*<br>**[1:27:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Come on, extend my hand*<br>**[1:27:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Over and over*<br>**[1:27:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we chased after the stars so high*<br>**[1:27:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*praying time and again,<br>
&nbsp;&nbsp;&nbsp;&nbsp;"someday, for sure..."*<br>**[1:27:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We believe*<br>**[1:27:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in the heated pulsing of that light*<br>**[1:27:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*because we saw our<br>
&nbsp;&nbsp;&nbsp;&nbsp;dreams in its shining rhythm*<br>**[1:28:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Blown by a chilly night breeze,*<br>**[1:28:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we wonder what the word "kindness" means*<br>**[1:28:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Inside our tiny, frozen hands,*<br>**[1:28:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*falsehood and honesty fight it out*<br>**[1:28:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hey, I want to grow stronger*<br>**[1:28:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Over and over*<br>**[1:28:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we back up another step*<br>**[1:28:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's the long way, but still,<br>
&nbsp;&nbsp;&nbsp;&nbsp;something never changes*<br>**[1:28:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We feel*<br>**[1:28:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything in the dreams<br>
&nbsp;&nbsp;&nbsp;&nbsp;we likewise keep having*<br>**[1:28:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want to light up your tomorrow*<br>**[1:28:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A fixed star is in my heart*<br>**[1:29:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*A fixed star is in your heart*<br>**[1:29:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The fixed star is shining forever*<br>**[1:29:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Over and over*<br>**[1:29:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*we chased after the stars so high*<br>**[1:29:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*praying time and again,<br>
&nbsp;&nbsp;&nbsp;&nbsp;"someday, for sure..."*<br>**[1:29:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We believe*<br>**[1:29:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*in the heated pulsing of that light*<br>**[1:29:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*because we saw our<br>
&nbsp;&nbsp;&nbsp;&nbsp;dreams in its shining rhythm*<br>

# Season 4

# 1 - Unrest

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City--a city of science, said<br>&nbsp;&nbsp;&nbsp;&nbsp;to have a total population of 2.3 million.<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, attend school there,<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm a Level 0,<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who is absolutely powerless.<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or so they say, but apparently,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a mysterious ability in my right hand,<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which can cancel out any<br>&nbsp;&nbsp;&nbsp;&nbsp;other extraordinary powers.<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, any and all happiness and<br>&nbsp;&nbsp;&nbsp;&nbsp;divine favor keep their distance from me.<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this, some kind of penalty game?!<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't we over-stacking<br>&nbsp;&nbsp;&nbsp;&nbsp;the deck a little bit?<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One day, an enigmatic Sister<br>&nbsp;&nbsp;&nbsp;&nbsp;dressed in white named Index,<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has memorized<br>&nbsp;&nbsp;&nbsp;&nbsp;103,000 books, fell out of the sky.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that happened, I was attacked<br>&nbsp;&nbsp;&nbsp;&nbsp;by a flame-producing sorcerer;<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;got chased around by a katana-wielding lady;<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;mixed it up with the city's strongest esper,<br>&nbsp;&nbsp;&nbsp;&nbsp;who can manipulate vectors;<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was dogged by the<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 5 Zapper, Misaka Mikoto;<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and had a whole bunch of girls who<br>&nbsp;&nbsp;&nbsp;&nbsp;look just like Zapper turn up around me.<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given all of the crisscrossing between<br>&nbsp;&nbsp;&nbsp;&nbsp;science and magic I've been through,<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it seems like there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of restlessness in the world.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I just don't get it!<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church and its<br>&nbsp;&nbsp;&nbsp;&nbsp;Right Seat of God are going worldwide.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is actually going on here?!<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tsuchimikado,<br>&nbsp;&nbsp;&nbsp;&nbsp;you know something, don't you?<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you to tell me,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is happening in the world,<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and who is going after what?<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#01 Unrest"<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Bath time! Bath time! Bath time!<br>&nbsp;&nbsp;&nbsp;&nbsp;Bath time! Bath time! Bath time! ♪<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Bubbly, bubbly, showery,<br>&nbsp;&nbsp;&nbsp;&nbsp;showery, bath time! ♪<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, no running away, Sphinx!<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a little while longer,<br>&nbsp;&nbsp;&nbsp;&nbsp;and Toma will buy us some delicious supper.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow... They can dry<br>&nbsp;&nbsp;&nbsp;&nbsp;things off without using magic?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The science in Academy City is amazing.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Welcome back, Toma!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, you sure are late. We got worried,<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking you might never come home.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry, sorry.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Toma, what's for supper?<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, as it happens...<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appear to have lost my wallet somewhere.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, um, couldn't go shopping...<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's for supper?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, see, like they say,<br>&nbsp;&nbsp;&nbsp;&nbsp;skipping one meal won't kill anyone.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet that going without will make<br>&nbsp;&nbsp;&nbsp;&nbsp;food taste even better, too. Besides...<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!!<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, listen here.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't get angry,<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I want you to explain to me<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why you would do such a thing.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you explain yourselves?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Aogami Pierce and I were debating<br>&nbsp;&nbsp;&nbsp;&nbsp;"Red or black: Which bunny girl is best,"<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when Tsuchimikado butts in and<br>&nbsp;&nbsp;&nbsp;&nbsp;blurts out, "When it comes to bunny girls,<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;white is best, of course,"<br>&nbsp;&nbsp;&nbsp;&nbsp;which is total nonsense.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Fukiyose, don't tell<br>&nbsp;&nbsp;&nbsp;&nbsp;me you were a part of this.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I wasn't! I was just trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;get these idiots to put a sock in it!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. Even so,<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what you did... went<br>&nbsp;&nbsp;&nbsp;&nbsp;a little too far, don't you think?<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to her, our debate got<br>&nbsp;&nbsp;&nbsp;&nbsp;put on hold without getting anywhere.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My position remains unchanged.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hail the A-cup white bunnies!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you go again!<br>&nbsp;&nbsp;&nbsp;&nbsp;You just like anything that's loli, right?<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, come on! Enough of this, already!<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You four are going to pull weeds<br>&nbsp;&nbsp;&nbsp;&nbsp;behind the gym after school.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that clear?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, I'm screwed.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I won't make it to the mark-down<br>&nbsp;&nbsp;&nbsp;&nbsp;sale at the supermarket in time.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all Tsuchimikado's fault.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that the truth! Because of him,<br>
&nbsp;&nbsp;&nbsp;&nbsp;*I* got mixed up in this, too-- Huh?<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'll do it.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you clean up afterward.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For heaven's sake, those kids never change.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right about that. Hmm?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Miss Oyafune,<br>&nbsp;&nbsp;&nbsp;&nbsp;are those gloves you're knitting a present?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No. It's not as though<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm knitting these now<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because I doubt I'll make it<br>&nbsp;&nbsp;&nbsp;&nbsp;in time for Christmas, or anything.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Late last night in Toulouse,<br>&nbsp;&nbsp;&nbsp;&nbsp;an industrial area in the south of France,<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a large-scale protest movement<br>&nbsp;&nbsp;&nbsp;&nbsp;by a religious group began taking place.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Large-scale protests in the south of France"<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is currently having a serious effect<br>&nbsp;&nbsp;&nbsp;&nbsp;on traffic and other infrastructure.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This series of demonstrations<br>&nbsp;&nbsp;&nbsp;&nbsp;against Academy City,<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as the reprisals<br>&nbsp;&nbsp;&nbsp;&nbsp;toward these demonstrations,<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is fueling concerns that the conflict<br>&nbsp;&nbsp;&nbsp;&nbsp;between the Roman Orthodoxy<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and Academy City is beginning to escalate.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whoo! It's hot in here.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Thanks for doing this.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are there so many people flocking here<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for an interception weapons show<br>&nbsp;&nbsp;&nbsp;&nbsp;being held on a weekday afternoon?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's a business day,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it could be worse.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When it opens up to the public tomorrow,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will probably be hellish.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at that, Miss Shirai!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a 5th-generation tank!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, and over there is an independent<br>&nbsp;&nbsp;&nbsp;&nbsp;shoulder-launched missile system!<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, and they have state-of-the-art<br>&nbsp;&nbsp;&nbsp;&nbsp;powered suits, too!<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is incredible!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* are the one who is incredible, Uiharu.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, why hasn't he sent me a single text?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter, Sissy?<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be fidgety.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Mm-mm, there's just so many people here.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that is true. Not only is<br>&nbsp;&nbsp;&nbsp;&nbsp;it more elaborate than usual,<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is also quite ostentatious.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've never called up those of us<br>&nbsp;&nbsp;&nbsp;&nbsp;in Judgment to work security, either.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably over those<br>&nbsp;&nbsp;&nbsp;&nbsp;ridiculous demonstrations.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like they've been<br>&nbsp;&nbsp;&nbsp;&nbsp;itching for a chance like this.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itching?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're making too much of it.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though you are right;<br>&nbsp;&nbsp;&nbsp;&nbsp;things are smoldering here and there.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is just about time. We need to go, Uiharu.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later, Sissy.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse us.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Work hard.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bargain sale goods"<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This really is ridiculous.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They really did bail on us.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some friends you've got there.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Fukiyose, while I'm thinking of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;with our October midterms canceled,<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why do you still spend your<br>&nbsp;&nbsp;&nbsp;&nbsp;free time devoted to studying for tests?<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that the midterms have been dropped,<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;our entire 2nd-term grade will be<br>&nbsp;&nbsp;&nbsp;&nbsp;determined by the final exam, right?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, we can't<br>&nbsp;&nbsp;&nbsp;&nbsp;afford to relax, can we?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right...<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And incidentally,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't look at my notes.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Ha! High school studies<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't everything!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You almost make it sound like<br>&nbsp;&nbsp;&nbsp;&nbsp;studying is the only thing I can do.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Can* you do anything else?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let my looks fool you;<br>&nbsp;&nbsp;&nbsp;&nbsp;I can throw a forkball.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not interested in<br>&nbsp;&nbsp;&nbsp;&nbsp;playing baseball, though.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want, I'll show you, with this ball!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look alive over there!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you serious?<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dead serious. I'm always deadly serious!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, go ahead.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, don't wimp out on me<br>&nbsp;&nbsp;&nbsp;&nbsp;when you see my 150kph smoke!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Stop, Fukiyose!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What for?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your skirt!<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you okay, Kamijo?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That was just a regular fastball...<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez...<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you'd get over it already, Sphinx.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry for forcing you<br>&nbsp;&nbsp;&nbsp;&nbsp;to take a shower with me, okay?<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you, Maika.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be living next door again<br>&nbsp;&nbsp;&nbsp;&nbsp;for a while, so I came to say hello.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm also going to be cooking a whole lot,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you're free to come over and eat.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Sphinx! Wait up!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you keep an eye on the place for me?<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up, Sphinx!<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up!<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my. What's wrong?<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you lost? Come here.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a good kitty. There you go.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sphinx!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this your cat?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is Sphinx.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go home, Sphinx.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my word.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got into a bit of a fight with him.<br>&nbsp;&nbsp;&nbsp;&nbsp;Then he ran away from me.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came all the way here without supper,<br>&nbsp;&nbsp;&nbsp;&nbsp;so now I'm famished.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, that's awful!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for food!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's delicious!<br>&nbsp;&nbsp;&nbsp;&nbsp;Sphinx, would you like some, too?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you've patched things up.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Thanks.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That scarf looks very warm.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is. You know what?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My daughter knitted it for me.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After this, knit two<br>&nbsp;&nbsp;&nbsp;&nbsp;stitches on the next row...<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw man, knitting gloves<br>&nbsp;&nbsp;&nbsp;&nbsp;is more trouble than I thought.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see...<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Oh, shoot!<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me!<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, is it okay if I... leave... now...?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg your pardon!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I thought I was dead.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really thought I was dead.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index is probably hungry and waiting for me.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stop at the supermarket<br>&nbsp;&nbsp;&nbsp;&nbsp;on the way home...<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaser!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are the vending machines here not working?<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fools rush in where angels fear to tread.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let sleeping Zappers lie.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't ignore me and try to run away!<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg your forgiveness!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Kamijo is all worn out from his<br>&nbsp;&nbsp;&nbsp;&nbsp;weed-pulling and bean-balling troubles.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please do not add any more to his problems.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it, you!<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's my reply from that<br>&nbsp;&nbsp;&nbsp;&nbsp;text message I sent you earlier?!<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Text?<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I even get one?<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me see that!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't look through that!<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my private information!<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, you...<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you take a two-shot<br>&nbsp;&nbsp;&nbsp;&nbsp;selfie with my mom?<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, I...<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa! You even have<br>&nbsp;&nbsp;&nbsp;&nbsp;her email address stored here!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything about that!<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? Are you<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to play innocent?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I really didn't know about it.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the time, Ms. Misuzu<br>&nbsp;&nbsp;&nbsp;&nbsp;was pretty hammered, so...<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ms. Misuzu"?!<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just meeting her by itself<br>&nbsp;&nbsp;&nbsp;&nbsp;is a big enough problem...<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka, y-you misunderstand...<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You jerkwad!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're as contemptible as ever!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the time, she was just on<br>&nbsp;&nbsp;&nbsp;&nbsp;a drunken rampage, that's all!<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had Index with me, too.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to, ask her about it yourself.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And anyway, the sun is almost down.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have a curfew or something?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, I can take care of that.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, the checks have<br>&nbsp;&nbsp;&nbsp;&nbsp;been getting stricter lately.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All kinds of trouble is brewing.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you should be careful, too.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on? I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;what happened on September 30th,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we're duking it out<br>&nbsp;&nbsp;&nbsp;&nbsp;and getting each other hurt,<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and whoever's behind it<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't showing their faces.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, do you--<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, that rotten...!<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this boy cooks<br>&nbsp;&nbsp;&nbsp;&nbsp;your meals for you every day?<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma's meals are always really tasty!<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma?<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this Toma a nice boy?<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, that's a good question.<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Sphinx?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says he's probably nice.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? That's good.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, excuse me a moment.<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understood.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to be going now.<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for chatting with me.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, thank *you*,<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for treating me to<br>&nbsp;&nbsp;&nbsp;&nbsp;so much to eat. Right, Sphinx?<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, bye-bye.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true,<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Roman Orthodox protests<br>&nbsp;&nbsp;&nbsp;&nbsp;of Academy City escalate"<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ever since the Kazakiri incident,<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble has been stirring all over.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I should visit Tsuchimikado's<br>&nbsp;&nbsp;&nbsp;&nbsp;apartment when I get home.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, excuse me.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who should be apologizing.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonsense. I'm the one<br>&nbsp;&nbsp;&nbsp;&nbsp;who bumped into you.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not for that.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean for the trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're about to go through.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's have a chat,<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;about the huge unrest taking place<br>&nbsp;&nbsp;&nbsp;&nbsp;all around the world right now.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say you want to have a chat,<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anything I can say about it.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your input will be necessary<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to solve this problem.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who exactly are you?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I say I'm Oyafune Monaka, a member<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Academy City Governing Board,<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;does that mean anything to you?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The governing board?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't believe me?<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that scarf around your neck.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're on the governing board,<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't you be using<br>&nbsp;&nbsp;&nbsp;&nbsp;something better than that?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a handmade scarf<br>&nbsp;&nbsp;&nbsp;&nbsp;that my daughter made for me!<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't have you insulting it!<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay! I won't mention it again.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as far as solving the problem,<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there aren't any straightforward<br>&nbsp;&nbsp;&nbsp;&nbsp;reasons or causes for it,<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so nobody can take any action, right?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if some reason for it *did* exist...<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm talking to you in the hopes<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you alone have something<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the state heads and<br>&nbsp;&nbsp;&nbsp;&nbsp;the United Nations don't have.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your right hand.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean...<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I do.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My... Imagine Breaker?<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, there's some extraordinary<br>&nbsp;&nbsp;&nbsp;&nbsp;power behind all this unrest?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening right now<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't a result of September 30th;<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a matter that is still ongoing.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether the frequent<br>&nbsp;&nbsp;&nbsp;&nbsp;demonstrations around the world<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are part of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodoxy's agenda aside,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they are using the confusion as a booster<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to try to attack the world, which has<br>&nbsp;&nbsp;&nbsp;&nbsp;solidified its base via Academy City.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even assuming the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodoxy is on the move,<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell on my own where they<br>&nbsp;&nbsp;&nbsp;&nbsp;would be or what kind of tricks they use.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they pull something,<br>&nbsp;&nbsp;&nbsp;&nbsp;then at the very least...<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. As far as that goes,<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure he can explain it to you.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado?!<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you finished your chat?<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not quite done yet,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it should be enough.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let you take it from here.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado! What the hell?!<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado... you...!<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please...<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, don't hold this against him...<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My... My actions differ from the agenda<br>&nbsp;&nbsp;&nbsp;&nbsp;of the governing board as a whole.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They want to step up hostilities<br>&nbsp;&nbsp;&nbsp;&nbsp;and to destroy the other side of science,<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;religion, as represented by<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church...<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to put a stop to that insanity.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why it was necessary<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to contact you--<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who could<br>&nbsp;&nbsp;&nbsp;&nbsp;actually defuse the situation.<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our contact is sure to get out.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were to flee,<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the brunt of the punishment<br>&nbsp;&nbsp;&nbsp;&nbsp;would probably fall upon my family.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the one who requested this<br>&nbsp;&nbsp;&nbsp;&nbsp;of him, as my own punishment.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't talk anymore. I'll<br>&nbsp;&nbsp;&nbsp;&nbsp;take care of the rest.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have carried out your role perfectly.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So don't worry.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all you need to remember.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ready to go right now, Kami?<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, all right.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we head to the 23rd School District.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From there, we have to fly to France.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our objective is a<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox magical item,<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Document of Constantine,<br>&nbsp;&nbsp;&nbsp;&nbsp;or Document of C for short.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the key to this case.<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, here we go, Kami!<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-For real?<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After dropping into a foreign city,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm reunited with Itsuwa.<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magical items? Geoducts?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you even really need my right hand?<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Right Seat of God."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and<br>&nbsp;&nbsp;&nbsp;&nbsp;magic cross paths, the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 2 - The Right Seat of God

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now,<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you already know what we're going to ask you,<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Biagio Buzoni, Lidvia Lorenzetti.<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wish to have the Roman<br>&nbsp;&nbsp;&nbsp;&nbsp;Orthodox Church lecture you on the Bible,<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ask us on Sunday.<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acting tough is pointless.<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If necessary, we will use<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever means we have to<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to extract the information inside your heads.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take Necessarius too lightly.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell us what you know<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Right Seat of God.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before we do, I'd like you to tell us one thing:<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is going on outside right now?<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can pretty well guess, can't you?<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's either that, or it's even worse.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Saint Pietro slips through the evil<br>&nbsp;&nbsp;&nbsp;&nbsp;clutches of the emperor and sorcerer."<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no--<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia!<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hear it.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana Thompson.<br>&nbsp;&nbsp;&nbsp;&nbsp;I request that you release her,<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and let her lead away those<br>&nbsp;&nbsp;&nbsp;&nbsp;who are caught up in this unrest.<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it. Even now,<br>&nbsp;&nbsp;&nbsp;&nbsp;you insist on relief for the weak.<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, are you in any position to demand that?<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana has currently entered<br>&nbsp;&nbsp;&nbsp;&nbsp;a temporary partnership<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the English Puritan Church.<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One condition of this partnership<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is for protection of the weak<br>&nbsp;&nbsp;&nbsp;&nbsp;by her leader, Lidvia Lorenzetti.<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you order her to be released,<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana herself would never agree to it.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let her resolve be for nothing.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this unrest has been drummed up<br>&nbsp;&nbsp;&nbsp;&nbsp;by the Roman Orthodoxy--<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or rather, the Right Seat of God,<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it's in bringing them down<br>&nbsp;&nbsp;&nbsp;&nbsp;that the key to resolving this lies.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I wrong?<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it that you want?<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our objective is clear--<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to rescue the lost sheep<br>&nbsp;&nbsp;&nbsp;&nbsp;who have been swallowed up<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by the overwhelming power of magic.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That remains the same, now as in times past.<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have never personally met them,<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I have had occasion to<br>&nbsp;&nbsp;&nbsp;&nbsp;hear bits and pieces about them.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to that, the Right Seat of God is...<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#02 The Right Seat of God"<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm being strangled...!<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, are you all right?<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're the Amakusa's... Itsuwa, was it?<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes. It has been too long.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Did Tsuchimikado call<br>&nbsp;&nbsp;&nbsp;&nbsp;you over here? Where is he?<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, the demonstrations<br>&nbsp;&nbsp;&nbsp;&nbsp;that are popping up all over<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;supposedly involve the Document of C.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How do you know about that?!<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen here, Kami.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Originally, the Document of C, you see,<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was kind of like a deed,<br>&nbsp;&nbsp;&nbsp;&nbsp;which said that the land rights<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to all of the vast territories of Europe<br>&nbsp;&nbsp;&nbsp;&nbsp;that Emperor Constantine controlled<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were given over to the Roman pope.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, if you use the<br>&nbsp;&nbsp;&nbsp;&nbsp;Document of C, its seal emerges,<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is said to prove that the<br>&nbsp;&nbsp;&nbsp;&nbsp;land belongs to the Roman pope, see?<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, as a magical item,<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Document of C has an<br>&nbsp;&nbsp;&nbsp;&nbsp;even more off-the-wall power.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be that everything<br>&nbsp;&nbsp;&nbsp;&nbsp;that the Roman pope declares<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ends up becoming "accurate information."<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh?<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, if the pope declares something<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even though there isn't any basis for it,<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for followers of Roman Orthodoxy,<br>&nbsp;&nbsp;&nbsp;&nbsp;it ends up being correct.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But that's...<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...too good to be true? All it can<br>&nbsp;&nbsp;&nbsp;&nbsp;actually do is make people believe,<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it isn't able to alter<br>&nbsp;&nbsp;&nbsp;&nbsp;any of the laws of physics,<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it has to be set up in the heart<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Vatican for it to be used.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, the Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;is currently using the Document of C<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make everyone blindly believe<br>&nbsp;&nbsp;&nbsp;&nbsp;that Academy City are the bad guys.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's what's causing the demonstrations?<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could be.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't anyone contact you about this, Itsuwa?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Those of us in the Amakusa Church<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;received a request from<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to survey the magical merit of the<br>&nbsp;&nbsp;&nbsp;&nbsp;geoducts and geography of France...<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;France?!<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. This is Avignon, a city in southern France.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But if the Document of C<br>&nbsp;&nbsp;&nbsp;&nbsp;can only be used in the Vatican...<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it okay if I go get my bag?<br>&nbsp;&nbsp;&nbsp;&nbsp;I left it up there on the bridge.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, you jumped off of there to save me?<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sort of lost my head.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? If you hadn't helped me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have been done for. Thanks.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, no! It was nothing, really!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, do you have<br>&nbsp;&nbsp;&nbsp;&nbsp;a change of clothes in your bag?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, just in case I need a disguise.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do? That's good.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry you had to<br>&nbsp;&nbsp;&nbsp;&nbsp;see something so unsightly!<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I'd feel less anxious<br>&nbsp;&nbsp;&nbsp;&nbsp;if she'd at least go "Gah!" or something.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tsuchimikado Motoharu"<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't seem to be broken.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thanks for waiting.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, Miss Itsuwa?<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is supposed to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a disguise worn over my tank top<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to create a different impression,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can't help it!<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't say anything!<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't say anything!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well,<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's sort of the way Kanzaki dresses, so...<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The priestess wouldn't wear<br>&nbsp;&nbsp;&nbsp;&nbsp;such a slutty outfit as this!<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh?<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um, if you're after the Document of C, too,<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you join me until you<br>&nbsp;&nbsp;&nbsp;&nbsp;meet up with Mr. Tsuchimikado?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd appreciate that, too, but are you sure?<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are big-name shops;<br>&nbsp;&nbsp;&nbsp;&nbsp;we even have them in Japan.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't there any well-established,<br>&nbsp;&nbsp;&nbsp;&nbsp;out-of-the-way shops?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd stick out in those kinds of stores.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that the issue?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's go inside.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, let me contact Tsuchimikado.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"New message"<br>&nbsp;&nbsp;&nbsp;&nbsp;"To: Tsuchimikado Motoharu"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sub: No subject"<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sending message"<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could he be from Academy City?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they some of the demonstrators?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, why Avignon and not the Vatican?<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you familiar with an incident<br>&nbsp;&nbsp;&nbsp;&nbsp;in the late 13th century,<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;known as the Avignon Papacy?<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a dispute between<br>&nbsp;&nbsp;&nbsp;&nbsp;France and the Roman Orthodoxy,<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when the king of France won,<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he incarcerated the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman pope here in Avignon.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the next 68 years,<br>&nbsp;&nbsp;&nbsp;&nbsp;the functions of the Roman Holy See<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were moved to the Papal Palace in Avignon.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then...<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, just a moment, please.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll get you a wipe right away...<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you. I mean, merci.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry for interrupting your story.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's wrong?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nothing. It's nothing, really.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, is the pope's work something<br>&nbsp;&nbsp;&nbsp;&nbsp;that can be done easily anywhere<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and not just at the Vatican?<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. There are a number of things<br>&nbsp;&nbsp;&nbsp;&nbsp;that couldn't be done away from home.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The best example would have been<br>&nbsp;&nbsp;&nbsp;&nbsp;using the various magical items<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that are within the Papal domain.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using geoducts between<br>&nbsp;&nbsp;&nbsp;&nbsp;the Vatican and Avignon,<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they established an enchanted pipeline,<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;making it possible to control the<br>&nbsp;&nbsp;&nbsp;&nbsp;facilities in the Papal domain remotely.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes sense.<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you're saying that they can<br>&nbsp;&nbsp;&nbsp;&nbsp;use the magical items here in Avignon?<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, that's a hell of a<br>&nbsp;&nbsp;&nbsp;&nbsp;roundabout way to go about it.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just use them from the Vatican directly?<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because they can abridge<br>&nbsp;&nbsp;&nbsp;&nbsp;or just ignore some arrangements<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that are required to use them at the Vatican,<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--so the pope can use them<br>&nbsp;&nbsp;&nbsp;&nbsp;at his own discretion, maybe.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey...<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--so the pope can use them<br>&nbsp;&nbsp;&nbsp;&nbsp;at his own discretion, maybe.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wha--?<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the trade-off is that it seems<br>&nbsp;&nbsp;&nbsp;&nbsp;to take some time before it can activate,<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we may still be able to stop<br>&nbsp;&nbsp;&nbsp;&nbsp;them from using the Document of C.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*May* still be able to, huh?<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry! This is all just supposition.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Itsuwa, is there<br>&nbsp;&nbsp;&nbsp;&nbsp;anything I can do to help--<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's one of them! Him!<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Where?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Grab him!<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, we can't have this!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a guy from Academy City over there!<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, him?<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just stand around, get him!<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, that little boy!<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. The way they were moving,<br>&nbsp;&nbsp;&nbsp;&nbsp;no one will get killed.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, quickly!<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! The ones who are really<br>&nbsp;&nbsp;&nbsp;&nbsp;suffering are those caught in the middle!<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to put an end<br>&nbsp;&nbsp;&nbsp;&nbsp;to this insanity as fast as I can.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Itsuwa, have you ever been<br>&nbsp;&nbsp;&nbsp;&nbsp;caught up in a riot like this here before?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. If I ever sensed anything like this coming,<br>&nbsp;&nbsp;&nbsp;&nbsp;I always got away from there.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured. This timing is too convenient.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just bet that this<br>&nbsp;&nbsp;&nbsp;&nbsp;violence is an enemy ambush.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like we have time<br>&nbsp;&nbsp;&nbsp;&nbsp;to wait for Tsuchimikado to contact us.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to head for<br>&nbsp;&nbsp;&nbsp;&nbsp;the Papal Palace on our own.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those horrible people<br>&nbsp;&nbsp;&nbsp;&nbsp;can still use the Document of C<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if they return to the Vatican.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to quash this thing here,<br>&nbsp;&nbsp;&nbsp;&nbsp;while we have the chance.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we charge through there,<br>&nbsp;&nbsp;&nbsp;&nbsp;please, keep your head down.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's take off.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Right Seat of God<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is said to be an organization for<br>&nbsp;&nbsp;&nbsp;&nbsp;the purpose of overcoming original sin.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sin that Adam and Eve took<br>&nbsp;&nbsp;&nbsp;&nbsp;on by eating the fruit of knowledge?<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The story is that their children,<br>&nbsp;&nbsp;&nbsp;&nbsp;all of mankind, also carry the same sin.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there is also<br>&nbsp;&nbsp;&nbsp;&nbsp;an exception to that story.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Holy Mother Mary?<br>&nbsp;&nbsp;&nbsp;&nbsp;The Immaculate Conception--<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sin was removed from the Holy Mother,<br>&nbsp;&nbsp;&nbsp;&nbsp;who would bear the Son of God.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What that shows is that normally,<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no other way to wash away original sin,<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;except through having<br>&nbsp;&nbsp;&nbsp;&nbsp;a firm faith in the Son of God,<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet, there is a loophole.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying they've<br>&nbsp;&nbsp;&nbsp;&nbsp;obtained the means to do so?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that they have successfully<br>&nbsp;&nbsp;&nbsp;&nbsp;diluted their sin as much as is possible,<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and though it is incomplete,<br>&nbsp;&nbsp;&nbsp;&nbsp;with their sin removed,<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's said that they can use even<br>&nbsp;&nbsp;&nbsp;&nbsp;the techniques of the angels or the Lord,<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which are normally unavailable to humanity.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they've done that,<br>&nbsp;&nbsp;&nbsp;&nbsp;then their very essence as humans<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would transform into<br>&nbsp;&nbsp;&nbsp;&nbsp;something approaching angels.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean the ultimate goal<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Right Seat of God<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to rid themselves of what<br>&nbsp;&nbsp;&nbsp;&nbsp;little original sin remains within them.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is but a single avenue<br>&nbsp;&nbsp;&nbsp;&nbsp;that is open to them.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their true objective has<br>&nbsp;&nbsp;&nbsp;&nbsp;always been broadly laid out.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The literal "Right Seat of God."<br>&nbsp;&nbsp;&nbsp;&nbsp;That is where they aspire to reach.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It *would* have to be like this.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. We must get through<br>&nbsp;&nbsp;&nbsp;&nbsp;that group to get to the Papal Palace.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, we *have* to go through them!<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kami, you made it okay?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado! Where are you?!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I'm on my way to the Papal Palace.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I knew it.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hmm?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't remember explaining<br>&nbsp;&nbsp;&nbsp;&nbsp;that part of it to you.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa from the Amakusa told me.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the rioting is too<br>&nbsp;&nbsp;&nbsp;&nbsp;severe for us to get through.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this due to the Document of C's power, too?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bingo! Well deduced.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So no matter how long you wait,<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation will never improve.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there anything else we can do?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a question:<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is the Papal Palace of Avignon<br>&nbsp;&nbsp;&nbsp;&nbsp;regarded as being so important?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because they can remotely control<br>&nbsp;&nbsp;&nbsp;&nbsp;the facilities in the Vatican, right?<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bingo!<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it! The geoduct pipeline!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bingo, bingo!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, if we sever the geoduct<br>&nbsp;&nbsp;&nbsp;&nbsp;connecting Avignon and the Vatican...<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then even if it's too hard<br>&nbsp;&nbsp;&nbsp;&nbsp;to reach the Papal Palace,<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can get close enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to the pipeline on the way there.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then all I have to do<br>&nbsp;&nbsp;&nbsp;&nbsp;is wreck it with my right hand.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be safer if you avoided doing that.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? But geoducts are a<br>&nbsp;&nbsp;&nbsp;&nbsp;magical sort of thing, right? So then...<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Connected"<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's awfully hard to identify<br>&nbsp;&nbsp;&nbsp;&nbsp;what exactly your right hand does.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's supposed to cancel out magic,<br>&nbsp;&nbsp;&nbsp;&nbsp;supernatural, and all other powers,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there are probably some exceptions.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa, was it?<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know how to demolish the pipeline?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the Amakusa way of doing things will work...<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That will suffice.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to make my move now,<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you discover the pipeline,<br>&nbsp;&nbsp;&nbsp;&nbsp;you guys take care of it.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Closed"<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A museum?<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like the rioting<br>&nbsp;&nbsp;&nbsp;&nbsp;spooked them into closing early.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poking around in there is fine<br>&nbsp;&nbsp;&nbsp;&nbsp;and all, but how do we get in?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyah!<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, quickly!<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like this is the place.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This power has been processed<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Roman Orthodox style.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This duct is distinctly for western<br>&nbsp;&nbsp;&nbsp;&nbsp;church-of-the-cross societies.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like anything to me.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because it's fairly cleverly concealed.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take care of it before<br>&nbsp;&nbsp;&nbsp;&nbsp;the enemy realizes we're here.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the Amakusa use those kinds<br>&nbsp;&nbsp;&nbsp;&nbsp;of household items to make their spells?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pamphlet, the mineral water,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the white pan--<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Itsuwa?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's...<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The framework of this<br>&nbsp;&nbsp;&nbsp;&nbsp;spell absolutely requires these.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh...<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's impossible to sever the geoduct outright,<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I *can* manage to make<br>
&nbsp;&nbsp;&nbsp;&nbsp;the pipeline unusable.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get away from there, Itsuwa!<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Itsuwa!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Don't! Stay there!<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outside, quickly!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well...<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess accuracy really does drop off<br>&nbsp;&nbsp;&nbsp;&nbsp;when not launched from short distances.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic? You're Roman Orthodox?<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not wrong about that,<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you call me anything,<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really wish that you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;call me Right Seat of God.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Terra of the Left.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like my time has finally arrived.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, we can't use the regular<br>&nbsp;&nbsp;&nbsp;&nbsp;sort of magic that humans use.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enacting the Document of C<br>&nbsp;&nbsp;&nbsp;&nbsp;must be left to other spellcasters.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With that in mind, perhaps you<br>&nbsp;&nbsp;&nbsp;&nbsp;would indulge me in killing some time.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would certainly appreciate it<br>&nbsp;&nbsp;&nbsp;&nbsp;if you entertain me for a little while!<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a ridiculous amount of force.<br>&nbsp;&nbsp;&nbsp;&nbsp;But with my right hand...<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinarily, that attack should have killed you.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, so that's Imagine Breaker.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that you tormented Vento of the Front.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa...<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me apologize in advance.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seven Teachings Seven Blades!<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outer wall lower; physical body higher.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Outer wall lower; blade motion higher.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Itsuwa!<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd heard tales of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine Breaker beforehand,<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I did have expectations<br>&nbsp;&nbsp;&nbsp;&nbsp;of you, to some degree,<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but honestly, I am disappointed.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Vento had been at her best,<br>&nbsp;&nbsp;&nbsp;&nbsp;she would have had no trouble against you.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is...<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is... the Right Seat of God...<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unrest breeds more unrest, and the city<br>&nbsp;&nbsp;&nbsp;&nbsp;is enveloped in the flames of science.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the secret of<br>&nbsp;&nbsp;&nbsp;&nbsp;my right hand as told by Terra?<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Document of C."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 3 - The Document of C

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#03 The Document of C"<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, is something the matter?<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, amuse me some more.<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence.<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spear motion lower; air higher!<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap!<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm alive?<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how?<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that attack different<br>&nbsp;&nbsp;&nbsp;&nbsp;from the one before?<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flour?<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, that weapon<br>&nbsp;&nbsp;&nbsp;&nbsp;signifies the flesh of God?<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Even an easterner like you can tell that?<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any common reckoning,<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no way a mere mortal man<br>&nbsp;&nbsp;&nbsp;&nbsp;could kill the Son of God.<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the Son of God had<br>&nbsp;&nbsp;&nbsp;&nbsp;no other choice but to be killed,<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to take the original sin<br>&nbsp;&nbsp;&nbsp;&nbsp;of mankind upon Him.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To that end, there was an alteration<br>&nbsp;&nbsp;&nbsp;&nbsp;performed to the order of precedence<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;between a traveler and the Son of God.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, this very esoteric procedure,<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which was employed to allow<br>&nbsp;&nbsp;&nbsp;&nbsp;the Son of God to fulfill mythology,<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is my technique--<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Light's Execution.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A spear that was made of flour<br>&nbsp;&nbsp;&nbsp;&nbsp;took precedence over the outer wall,<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is why it had such destructive force.<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it was because the air<br>&nbsp;&nbsp;&nbsp;&nbsp;had precedence over the spear<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Itsuwa's attack was stopped.<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the power of the Right Seat of God?<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All strengths and weaknesses become<br>&nbsp;&nbsp;&nbsp;&nbsp;irrelevant in the face of that technique.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is something the matter?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either defeat me or run away,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but please do *something*.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will give you ten seconds. Use that time<br>&nbsp;&nbsp;&nbsp;&nbsp;to come up with your plan of attack.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, assuming one exists!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In ten seconds,<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can come up with *three* plans.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence. Magic lower; skin higher.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to keep you, Kami.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you're not going to tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;that that was your breakout strategy.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;I just backed you into a corner.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This next one will spell checkmate.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think you can<br>&nbsp;&nbsp;&nbsp;&nbsp;fight me with that toy?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bullets lower; skin higher.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, like I said, "checkmate."<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, I didn't need this.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, so that's how it's<br>&nbsp;&nbsp;&nbsp;&nbsp;going to be, Aleister.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just a regular spellcaster using<br>&nbsp;&nbsp;&nbsp;&nbsp;the Document of C in the Papal Palace.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be somewhat bothersome<br>&nbsp;&nbsp;&nbsp;&nbsp;to have them come under attack<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by a large-scale military force.<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha, you leave me little other choice.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it!<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right?!<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, we're going to the Papal Palace, too.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those powered suits are made<br>&nbsp;&nbsp;&nbsp;&nbsp;in Academy City, right?<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought they weren't going to make a move.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, going after Terra comes first.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this point, the Right Seat of God<br>&nbsp;&nbsp;&nbsp;&nbsp;will begin waging all-out war.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's now or never if we're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to thwart the Document of C--<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't they care who they target?<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, you go on ahead. I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to stop these Academy City idiots.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado...<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though they're entrenched enemies;<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll find some room to negotiate.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, get going!<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like they're<br>&nbsp;&nbsp;&nbsp;&nbsp;knocking out the rioters<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and removing them<br>&nbsp;&nbsp;&nbsp;&nbsp;from town in those balloons.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;pull something like this.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we just supposed to accept this<br>&nbsp;&nbsp;&nbsp;&nbsp;underhanded way of doing things?!<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't look like there's anyone here.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to wonder, where did<br>&nbsp;&nbsp;&nbsp;&nbsp;those powered suits come from?<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is Academy City planning to do?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka? Is this a good time?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's the idea?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't even sent me a single text,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--and now you're calling me out of the blue--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Can you watch the news?<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either on TV or on the net.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need you to see if anything's<br>&nbsp;&nbsp;&nbsp;&nbsp;happening in a city called Avignon.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're showing nothing but news<br>&nbsp;&nbsp;&nbsp;&nbsp;bulletins on every TV channel.<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This city of Avignon<br>&nbsp;&nbsp;&nbsp;&nbsp;is all they're talking about.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Military force enters Avignon, France,<br>&nbsp;&nbsp;&nbsp;&nbsp;suppresses demonstrators"<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some religious group or other has<br>&nbsp;&nbsp;&nbsp;&nbsp;built a weapon of special destruction<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in violation of international law,<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Academy City is helping to<br>&nbsp;&nbsp;&nbsp;&nbsp;carry out a mopping-up operation.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, where are you right now?<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, uh... What?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you listening to me?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Tell me, where are you? Hello?<br>&nbsp;&nbsp;&nbsp;&nbsp;--The sound--it's gone now?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Itsuwa, is this--?<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a fine mess.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While trying to control<br>&nbsp;&nbsp;&nbsp;&nbsp;the violent disturbance,<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you create an even larger<br>&nbsp;&nbsp;&nbsp;&nbsp;disturbance and get caught up in it.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this how serious Academy<br>&nbsp;&nbsp;&nbsp;&nbsp;City is about this?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the Document of C!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ordinary spellcaster who was<br>&nbsp;&nbsp;&nbsp;&nbsp;enacting the spell was targeted, you see,<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came and recovered it first.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot perform mere mortal spells,<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so cutting things short here<br>&nbsp;&nbsp;&nbsp;&nbsp;would be the wise course of action.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm going to sit by<br>&nbsp;&nbsp;&nbsp;&nbsp;and let you walk away?<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What can I say? As far as I'm concerned,<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I find such a development more<br>&nbsp;&nbsp;&nbsp;&nbsp;enjoyable and would love it!<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, you blockheads,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can at least act as shields...<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and make yourselves useful!<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's as infernal a side effect as ever.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, wake up, you sons of bitches!<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smash everything and laugh it up!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I surrender. Do whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;it is you're gonna do with me.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is,<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're capable.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wondering how I did that?<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those HsPS-15s have the new<br>&nbsp;&nbsp;&nbsp;&nbsp;stand-alone auxiliary drive units equipped.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But those are prototypes<br>&nbsp;&nbsp;&nbsp;&nbsp;that are still full of bugs.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you hammer them with<br>&nbsp;&nbsp;&nbsp;&nbsp;contradictory conditional input,<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;their autonomous program freezes.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, the onboard databank<br>&nbsp;&nbsp;&nbsp;&nbsp;functions are also overdeveloped.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, they're only too eager<br>&nbsp;&nbsp;&nbsp;&nbsp;to transmit those bugs, as well.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I've stopped you in<br>&nbsp;&nbsp;&nbsp;&nbsp;your tracks, but now...<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are Academy City-built<br>&nbsp;&nbsp;&nbsp;&nbsp;supersonic stealth bombers, HsB-02s.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you thinking, Aleister?<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take more than that<br>&nbsp;&nbsp;&nbsp;&nbsp;to eliminate the Document of C...<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He still has a trick up his sleeve?!<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Operation A objective accomplished.<br>&nbsp;&nbsp;&nbsp;&nbsp;Proceeding with B.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get your parachute ready.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, now they're opening fire<br>&nbsp;&nbsp;&nbsp;&nbsp;on the outside, too.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commencing Operation B.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, with a mere three<br>&nbsp;&nbsp;&nbsp;&nbsp;kilograms of iron sand,<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could carve up the Eurasian<br>&nbsp;&nbsp;&nbsp;&nbsp;continent with these Earth Blades.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've cooked up quite a neat little item.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Operational area sequestration confirmed.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Switching to aerial bombardment<br>&nbsp;&nbsp;&nbsp;&nbsp;of the entire quarantined area.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Change that.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target is the Papal Palace, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Concentrate your attack there first.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But...<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Change it!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When people use the word "evil,"<br>&nbsp;&nbsp;&nbsp;&nbsp;it has different varieties and degrees.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A world-class villain doesn't go<br>&nbsp;&nbsp;&nbsp;&nbsp;after the lives of respectable people.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no intention of handing<br>&nbsp;&nbsp;&nbsp;&nbsp;over the Document of C nicely, right?<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence. The air lower; flour higher!<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence. The blade lower;<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;skin higher!<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flesh lower; flour higher!<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you have? It looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a leg up on you, literally.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, you've finally exposed yourself.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was definitely something<br>&nbsp;&nbsp;&nbsp;&nbsp;unnatural about your actions just now.<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say. However, you won't<br>&nbsp;&nbsp;&nbsp;&nbsp;have any time to make use of it!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence. Ceiling lower; flour higher.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa!<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose that's to be expected.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine Breaker...<br>&nbsp;&nbsp;&nbsp;&nbsp;I was expecting something more,<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I never counted on it<br>
&nbsp;&nbsp;&nbsp;&nbsp;being *this* rough-hewn.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had recovered its true capability,<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could have at least<br>&nbsp;&nbsp;&nbsp;&nbsp;defended that sorceress.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its true capability?<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you mean you don't know?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that couldn't be true.<br>&nbsp;&nbsp;&nbsp;&nbsp;By all rights... Hmm?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't, by any chance, forgotten<br>&nbsp;&nbsp;&nbsp;&nbsp;things you ought to know, have you?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you!<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean I'm right?!<br>&nbsp;&nbsp;&nbsp;&nbsp;What, have you been hiding it?<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for what reason? It might be<br>&nbsp;&nbsp;&nbsp;&nbsp;interesting to look into the cause<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mikoto Misaka"<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for why you have lost your memory.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it...<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For her sake,<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've made it this far,<br>&nbsp;&nbsp;&nbsp;&nbsp;determined not to tell anyone!<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't really matter.<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, you're going to die here.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let him get to you. Precedence--<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can figure out his power's weakness...<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you aren't going to take a run at me?<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...!<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stone lower; skin higher!<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could that be?<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You deflected Itsuwa's spear<br>&nbsp;&nbsp;&nbsp;&nbsp;and Tsuchimikado's magic,<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so why couldn't you defend against<br>&nbsp;&nbsp;&nbsp;&nbsp;a simple wallet with your "precedence"?<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that I think about it, it's strange.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after taking a direct<br>&nbsp;&nbsp;&nbsp;&nbsp;hit from that white blade,<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa and I are still alive.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You weren't obligated to hold back<br>&nbsp;&nbsp;&nbsp;&nbsp;against us, or let us get off easy.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes this all simple.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that you *didn't* kill us;<br>
&nbsp;&nbsp;&nbsp;&nbsp;you *couldn't* kill us!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't use it against more<br>&nbsp;&nbsp;&nbsp;&nbsp;than one target at a time!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or am I wrong?!<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This still has some kinks in it, you see.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what does knowing that gain you?<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take more than that<br>&nbsp;&nbsp;&nbsp;&nbsp;to defeat Terra of the Left!<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terra!<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence. The floor lower; flour higher.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your reason for going this far?<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it worth dragging a whole city into this?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, I believe that Academy City is to<br>&nbsp;&nbsp;&nbsp;&nbsp;blame for the majority of the commotion.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I have to know:<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whether mankind is currently worthy<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the ultimate goal for church of<br>&nbsp;&nbsp;&nbsp;&nbsp;the cross followers--the Holy Kingdom!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the extent of your salvation?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think the God of Roman Orthodoxy<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;spread his teachings in order<br>&nbsp;&nbsp;&nbsp;&nbsp;to give rise to this conflict!<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to create<br>&nbsp;&nbsp;&nbsp;&nbsp;your own definition of salvation,<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just to gratify yourself,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'll take that<br>&nbsp;&nbsp;&nbsp;&nbsp;ridiculous fantasy of yours<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lay it to rest right here and now!<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too slow!<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...damned heathen monkey!!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Precedence! Body lower; flour higher!<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can cut the body,<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but apparently, you couldn't cut the shotgun.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is... an unaccommodating power!<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't at all strong.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some jerk who only<br>&nbsp;&nbsp;&nbsp;&nbsp;masquerades as being strong<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and hides himself inside a safe zone,<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while Itsuwa and myself stand<br>&nbsp;&nbsp;&nbsp;&nbsp;on our own on the battlefield?<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way in hell he's stronger!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha, look at that.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that your Imagine Breaker<br>&nbsp;&nbsp;&nbsp;&nbsp;and ourselves may be incompatible.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It almost seems as though<br>&nbsp;&nbsp;&nbsp;&nbsp;our efforts are being rejected.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you going to ask?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About your Imagine Breaker?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know about it?<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're asking for confirmation,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it would seem that<br>&nbsp;&nbsp;&nbsp;&nbsp;you really have lost your memory.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pretty simple.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Imagine Breaker is actually...<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What was that?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terra!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez,<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I don't find anything in the next<br>&nbsp;&nbsp;&nbsp;&nbsp;ten minutes, I'm out of here.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys can do it,<br>&nbsp;&nbsp;&nbsp;&nbsp;after things cool down around here.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that they have eliminated<br>&nbsp;&nbsp;&nbsp;&nbsp;the original sin that binds humanity,<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they are seeking<br>&nbsp;&nbsp;&nbsp;&nbsp;a method to become angels.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that have to do<br>&nbsp;&nbsp;&nbsp;&nbsp;with the name "Right Seat of God"?<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even among the angels, Lucifer,<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Michael, who was brought<br>&nbsp;&nbsp;&nbsp;&nbsp;about as his counterpart,<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had the power that allowed them<br>&nbsp;&nbsp;&nbsp;&nbsp;to sit on the right side of God,<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which carried with it<br>&nbsp;&nbsp;&nbsp;&nbsp;the meaning of "equivalency."<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you're saying<br>&nbsp;&nbsp;&nbsp;&nbsp;that their ultimate goal<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to attain the place of Michael?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Once they attain the Right Seat of God,<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can use their power to evolve<br>&nbsp;&nbsp;&nbsp;&nbsp;into beings different from even angels.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is what they believe.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*La persona superiore a Dio...*<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or "*Kami jo*."<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear that Avignon has been torn up,<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you seem to be all right, Terra.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My precedence can fend off<br>&nbsp;&nbsp;&nbsp;&nbsp;any number of attacks,<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as they come one at a time.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that the Document of C was lost.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be in good spirits, considering.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua, I'm sure word<br>&nbsp;&nbsp;&nbsp;&nbsp;has reached you, too, right?<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Russian Church has<br>&nbsp;&nbsp;&nbsp;&nbsp;formally decided to partner with us.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our foothold for the invasion of Japan<br>&nbsp;&nbsp;&nbsp;&nbsp;is about to get a lot stronger.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should consult with Fiamma of the Right,<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to decide on how to deploy our forces.<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before we do, I need to speak with you.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are the reports that you used children<br>&nbsp;&nbsp;&nbsp;&nbsp;and tourists in the environs of Rome<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to fine-tune the alignment<br>&nbsp;&nbsp;&nbsp;&nbsp;of your Light's Execution true?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes. Is that really something<br>&nbsp;&nbsp;&nbsp;&nbsp;worth raising a fuss over?<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were supposed to be<br>&nbsp;&nbsp;&nbsp;&nbsp;conducting yourself for the salvation<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of all the people of the world equally.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have you know, I only used<br>&nbsp;&nbsp;&nbsp;&nbsp;heathens as my test subjects.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I found some other improvements<br>&nbsp;&nbsp;&nbsp;&nbsp;that my Light's Execution needs,<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I will have to further realign it.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, there is one other thing<br>&nbsp;&nbsp;&nbsp;&nbsp;that needs to be done beforehand.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so you know, there is absolutely<br>&nbsp;&nbsp;&nbsp;&nbsp;no way you will be chosen by God.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;God knows everything. You can ask Him<br>&nbsp;&nbsp;&nbsp;&nbsp;all about it yourself at Final Judgment.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the Basilica of San Pietro.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would appreciate it<br>&nbsp;&nbsp;&nbsp;&nbsp;if you didn't destroy it so handily<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while in the presence of<br>&nbsp;&nbsp;&nbsp;&nbsp;me, as the Roman pope.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is your next move?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento is out of action.<br>&nbsp;&nbsp;&nbsp;&nbsp;Terra has been purged.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That leaves only one course of action.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're planning to attack Japan<br>&nbsp;&nbsp;&nbsp;&nbsp;by way of Russia, as Terra said?<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This incident has taught us a lesson--<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that only soldiers should<br>&nbsp;&nbsp;&nbsp;&nbsp;cross swords on the battlefield.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So you, as one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Right Seat of God<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bearing the qualities<br>&nbsp;&nbsp;&nbsp;&nbsp;of a saint, will be stepping up,<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua of the Rear?<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know about it?<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're asking for confirmation,<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it would seem that<br>&nbsp;&nbsp;&nbsp;&nbsp;you really have lost your memory.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?!<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amnesia?<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Him?<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a city on the verge of its law collapsing,<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an organization skulks in the darkness.<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who will slip through the tangle<br>&nbsp;&nbsp;&nbsp;&nbsp;of outcry and bullets to survive?<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Dark Side of Academy City"<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 4 - The Dark Side of Academy City

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting Last Order back and demolishing<br>&nbsp;&nbsp;&nbsp;&nbsp;that Kihara bastard was fine and all,<br>**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now I've ended up involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in an organization called GROUP.<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We take on the riffraff that lurks<br>&nbsp;&nbsp;&nbsp;&nbsp;in the dark corners of Academy City.<br>**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, what a hassle.<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I care about orders?<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to do things however I want to.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#04 The Dark Side of Academy City"<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on in!<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lately, most of my orders<br>&nbsp;&nbsp;&nbsp;&nbsp;have come in via the net or email,<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Janitorial"<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I don't get too many customers<br>&nbsp;&nbsp;&nbsp;&nbsp;like you who come in person.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, lock picking<br>&nbsp;&nbsp;&nbsp;&nbsp;sensor blockers are your best deal.<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, these things spell<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble for money launderers.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what are you in the market for?<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but that's not what I'm here for,<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. spells-his-name "Temporary Staffing"<br>&nbsp;&nbsp;&nbsp;&nbsp;but-pronounces-it "Management."<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a customer; I'm a capturer.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's empty.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Solvent thinner"<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on! Hold on, hold on! I won't resist!<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn you... I said I wouldn't resist...<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a retrieval.<br>&nbsp;&nbsp;&nbsp;&nbsp;Contact the subsidiary organization.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no ambulance; a transport van will do.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, where's Accelerator?<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not there?<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, oh well.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send Unabara to Management's base.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musujime, you keep providing backup.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Copy.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, where is our newest member<br>&nbsp;&nbsp;&nbsp;&nbsp;off goofing around?<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back from Avignon already?<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, where the hell did you<br>&nbsp;&nbsp;&nbsp;&nbsp;manage to hear about that?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a fine how-do-you-do.<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want some information.<br>&nbsp;&nbsp;&nbsp;&nbsp;The schematics for my electrode.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your choker isn't working right,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you want me to fix it?<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention of letting anyone else<br>&nbsp;&nbsp;&nbsp;&nbsp;hold the on-off switch to my lifeline.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither the higher-ups nor you.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, aren't you prepared?<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having what my patients need ready is my job.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Last Order was hoping to see you.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you could have<br>&nbsp;&nbsp;&nbsp;&nbsp;shown up a little sooner.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It seems like we're going the wrong way,"<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka protests.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this is correct.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'd like to go to the<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 6 amusement park,"<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;once again expressing her fond wish.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm paying no attention to you<br>&nbsp;&nbsp;&nbsp;&nbsp;repeating yourself and taking you home.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm under orders from your doctor.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, damn...<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you? Sorry, I screwed up.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you cut through<br>&nbsp;&nbsp;&nbsp;&nbsp;these handcuffs for me, too?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to wonder, what kind of job<br>&nbsp;&nbsp;&nbsp;&nbsp;assistance did Management provide?<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A few dozen hours ago, he set up<br>&nbsp;&nbsp;&nbsp;&nbsp;some kind of criminal organization.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One to make up for a lack of manpower.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One that deliberately paid money<br>&nbsp;&nbsp;&nbsp;&nbsp;for ready muscle from the outside.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're definitely going<br>&nbsp;&nbsp;&nbsp;&nbsp;to create a scene sometime soon.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's our job to look into them<br>&nbsp;&nbsp;&nbsp;&nbsp;and put a stop to them first.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when did GROUP become<br>&nbsp;&nbsp;&nbsp;&nbsp;heroes of justice? Hmm...?<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, collect any bit of data<br>&nbsp;&nbsp;&nbsp;&nbsp;that might give us any leads.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Copy that.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, what do I do now?<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish people would take care<br>&nbsp;&nbsp;&nbsp;&nbsp;of their own jobs by themselves.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is the place where<br>&nbsp;&nbsp;&nbsp;&nbsp;that idiot Unabara went missing?<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Aztec magic.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unabara has a special technique<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that allows him to change into<br>&nbsp;&nbsp;&nbsp;&nbsp;other people using human skin.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything about that,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're saying he's this guy now?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. He's probably blended in with the guys<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who attacked this place to destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;any leads, waiting for the right moment.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found something. Call it a gift from Unabara.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I remember, Japanese yen<br>&nbsp;&nbsp;&nbsp;&nbsp;issued by Academy City's mint<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have IC chips embedded in them.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There it is.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like a list of wares from<br>&nbsp;&nbsp;&nbsp;&nbsp;Management. He traded them to...<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a professional sniper.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is Sunazara Chimitsu.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh. This data is a<br>&nbsp;&nbsp;&nbsp;&nbsp;contract for a shooting.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The location is School District 7<br>&nbsp;&nbsp;&nbsp;&nbsp;at an open-air concert venue.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target is...<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's wrong?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target is Oyafune Monaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;member of the governing board.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This says the topic of her speech<br>&nbsp;&nbsp;&nbsp;&nbsp;is voting rights for the students<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who make up 80 percent<br>&nbsp;&nbsp;&nbsp;&nbsp;of the city's population.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this isn't good.<br>&nbsp;&nbsp;&nbsp;&nbsp;The speech is about to begin.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musujime, Move Point time.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, we don't even know<br>&nbsp;&nbsp;&nbsp;&nbsp;where the sniper's nest is--<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, you're putting me to sleep!<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?!<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An explosion!<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out of here!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh-heh, breaking up the speech<br>&nbsp;&nbsp;&nbsp;&nbsp;with one of those is all it takes. Right?<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pulling out.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet. The job isn't over.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pulling out.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make me repeat myself, Sunazara.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, that was uneventful. Is it over already?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found out the name of<br>&nbsp;&nbsp;&nbsp;&nbsp;the group that hired Sunazara.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL. They're probably a<br>&nbsp;&nbsp;&nbsp;&nbsp;small-scale informal outfit, much like us.<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An organization lurking in<br>&nbsp;&nbsp;&nbsp;&nbsp;the underworld of Academy City.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL?<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's more, too.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure yet how they<br>&nbsp;&nbsp;&nbsp;&nbsp;figure into this case,<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but while investigating, several other<br>&nbsp;&nbsp;&nbsp;&nbsp;similar organization names came up.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;MEMBER, BLOCK,<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as ITEM.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today's salmon lunch tastes different<br>&nbsp;&nbsp;&nbsp;&nbsp;from yesterday's salmon lunch.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, I'm getting<br>&nbsp;&nbsp;&nbsp;&nbsp;tired of canned mackerel.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curry though--curry is the best!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hong Kong Red Dragon Movie Co."<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ultra-troubled C-grade<br>&nbsp;&nbsp;&nbsp;&nbsp;movie being put out<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by the Hong Kong Red Dragon<br>&nbsp;&nbsp;&nbsp;&nbsp;Movie Company... ultra-has my attention.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo, what do you think about it?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming signal from the south-southwest.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, there was that incident this<br>&nbsp;&nbsp;&nbsp;&nbsp;afternoon where Oyafune Monaka,<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;member of the governing board,<br>&nbsp;&nbsp;&nbsp;&nbsp;was shot at, right?<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even a single thank-you?<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, forward the details<br>&nbsp;&nbsp;&nbsp;&nbsp;of the incident to everyone's cell.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! Wait! Let me re-send it!<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was some kind of mistake!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Let's see, now...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hamazura...<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, Hamazura, you're just disgusting.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So in Hamazura's world,<br>&nbsp;&nbsp;&nbsp;&nbsp;bunny girls are an ultra-hit?<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, Hamazura. If that's how<br>&nbsp;&nbsp;&nbsp;&nbsp;you are, I'm behind you all the way.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, this is that thing that<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL bunch was ultra-planning.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I seem to remember getting rid<br>&nbsp;&nbsp;&nbsp;&nbsp;of the sniper in their outfit three days ago.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They probably hired a new one.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess that just means<br>&nbsp;&nbsp;&nbsp;&nbsp;they ignored our little "warning."<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyafune is a member of the governing board,<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but all told, she isn't good for much.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has hardly any influence,<br>&nbsp;&nbsp;&nbsp;&nbsp;so she's not even worth killing.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet...<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL still carried out the operation.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The question is, why?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead, Hamazura!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Oh, uh, let's see...<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a moment. It's right on the tip<br>&nbsp;&nbsp;&nbsp;&nbsp;of my tongue. I'll have it in a second!<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, Hamazura...<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All told, the way you<br>&nbsp;&nbsp;&nbsp;&nbsp;get flustered is just gross.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Gross" comes in so ultra-many types, though.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Hamazura's case,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's the worst kind of gross.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, Hamazura.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm behind you all the way,<br>&nbsp;&nbsp;&nbsp;&nbsp;after being called "gross" so many times.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! I was a leader<br>&nbsp;&nbsp;&nbsp;&nbsp;of over 100 men in Skill Out!<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. So what?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, get the check.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hey, where are you going?<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To go kill off all of the scumbags in SCHOOL.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After a VIP assassination,<br>
&nbsp;&nbsp;&nbsp;&nbsp;or even a *near* assassination,<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you think will happen?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outside personnel are called in<br>&nbsp;&nbsp;&nbsp;&nbsp;to cover the treatment facilities,<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and all the specialized<br>&nbsp;&nbsp;&nbsp;&nbsp;researchers and materials,<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and whatever else they<br>&nbsp;&nbsp;&nbsp;&nbsp;need are all rounded up.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. It throws the<br>&nbsp;&nbsp;&nbsp;&nbsp;security arrangements into upheaval.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what SCHOOL is after.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're using the chaos to pull something.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyafune was chosen as a<br>&nbsp;&nbsp;&nbsp;&nbsp;low-security VIP.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the answer.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only place that got thrown into<br>&nbsp;&nbsp;&nbsp;&nbsp;disarray over the Oyafune commotion<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the particle engineering laboratory.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning that SCHOOL<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to show up there.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino really is awesome.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's always the full-blast Level 5.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura?<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? It *is* you, Hamazura!<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd heard you got taken into custody.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What are you doing here, you old bag?!<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could ask you the same question.<br>&nbsp;&nbsp;&nbsp;&nbsp;I must be mistaken,<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you wouldn't be <br>
&nbsp;&nbsp;&nbsp;&nbsp;mixed up in *that*, right?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, tell me about this truck. Is it stolen?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I bought it on a loan! A loan!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And a license?<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I have one!<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, watch it!<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That car was...<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't just stand there<br>&nbsp;&nbsp;&nbsp;&nbsp;striking out with her, start driving!<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I wasn't flirting!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going after that wagon! Hurry!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What's going on here?!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, I'm getting it from all sides.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, speed up!<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to Kinuhata and Frenda?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take more than that to kill them.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did things end up like this?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're ranked fourth, right?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They had a Level 5, too.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakine Teitoku--<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's number-two son of a bitch.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph. Still, I got my licks in, too.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?! Huh?!<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be that as it may, if they get away<br>&nbsp;&nbsp;&nbsp;&nbsp;with the truck's cargo, we lose.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't afford to let them escape.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. My AIM Stalker<br>&nbsp;&nbsp;&nbsp;&nbsp;will carefully track the bearer<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of any AIM diffusion field,<br>&nbsp;&nbsp;&nbsp;&nbsp;once I've got it logged.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they were to go<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of the solar system,<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can still search and<br>&nbsp;&nbsp;&nbsp;&nbsp;acquire them at any time.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo!<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, split up!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not going to fight?<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cargo is what I'm after.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides,<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that woman's power is damn pesky.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're after *me*?!<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nyah! Nyah! Nyah!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Here's to the losers!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you hungry?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a heroine that swoops<br>&nbsp;&nbsp;&nbsp;&nbsp;down out of the sky!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This area is dangerous.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please get away from here at once!<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've lost sight of the target.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think it's possible that<br>&nbsp;&nbsp;&nbsp;&nbsp;the man could have disguised himself<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as either a young mother or a baby?<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die, you idiot.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Laying all of the groundwork was a real pain,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I have the nanoparticle object<br>&nbsp;&nbsp;&nbsp;&nbsp;interference adsorption manipulator,<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;better known as the tweezers.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The breakthrough that<br>&nbsp;&nbsp;&nbsp;&nbsp;will get me to Aleister.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakine...!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone is cracking the 5th School<br>&nbsp;&nbsp;&nbsp;&nbsp;District Computer Virus Archive Center.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In addition to storing unanalyzed viruses,<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the facility also houses<br>&nbsp;&nbsp;&nbsp;&nbsp;multiple experimental viruses<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;deliberately created by<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's research institutes.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they get to the outside,<br>&nbsp;&nbsp;&nbsp;&nbsp;their infrastructure will collapse.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, there'll be a huge panic.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how far outside might that "outside" be?<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, they say that Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;security's safeguarding priorities<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are more directed "inside-outward"<br>&nbsp;&nbsp;&nbsp;&nbsp;than "outside-inward," don't they?<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If true, they must be equipped for this.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An externally-connected terminal?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commencing emergency shutdown<br>&nbsp;&nbsp;&nbsp;&nbsp;of externally-connected terminals.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;3rd School District north terminal shut down.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;2nd School District south terminal shut down.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 13th School District's<br>&nbsp;&nbsp;&nbsp;&nbsp;west terminal isn't responding.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't confirm shutdown.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha, yet another transparent scheme.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than likely,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're trying to lure us there.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who they are, but it<br>&nbsp;&nbsp;&nbsp;&nbsp;sounds like they want to get scrapped.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do about<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyafune Monaka's attempted assassination?<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll come back to that.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what about Mr. Unabara?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was never planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to rescue him in the first place.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Unabara.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you off goofing around?<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;SCHOOL?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, BLOCK.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I'm sure you're aware,<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the hacking from the<br>&nbsp;&nbsp;&nbsp;&nbsp;externally-connected terminal<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a decoy--a diversion.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What they're really after<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the aerospace engineering<br>&nbsp;&nbsp;&nbsp;&nbsp;research institute's<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;auxiliary satellite control center.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let you deal with that. Goodbye.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says it's the satellite control center.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Makes sense. I can see it happening.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The satellite *Hikoboshi II* is equipped<br>
&nbsp;&nbsp;&nbsp;&nbsp;with a high-caliber surface-attack laser.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That being said, we can't just<br>&nbsp;&nbsp;&nbsp;&nbsp;disregard the virus leak, either--<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Playing along with those scumbags'<br>&nbsp;&nbsp;&nbsp;&nbsp;decoy goes against my nature.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you?<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The satellite control center.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those struggling to escape control.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who voluntarily<br>&nbsp;&nbsp;&nbsp;&nbsp;leap into the framework.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their motives cross, provoking a new battle.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Dark Matter"<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 5 - Dark Matter

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#05 Dark Matter"<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Jeez,<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you to let me out here,<br>&nbsp;&nbsp;&nbsp;&nbsp;so why won't you let me go?"<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, hands on her hips,<br>&nbsp;&nbsp;&nbsp;&nbsp;protesting as hard as she can.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have already been paid to take you<br>&nbsp;&nbsp;&nbsp;&nbsp;to your destination, so no stopping off.<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka steals this chance to run away!<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Miss!<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, are you having<br>&nbsp;&nbsp;&nbsp;&nbsp;some sort of trouble?<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see, what was her name again?<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crazy-haired girl!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey! Misaka's alias is 'Last Order'!"<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka--<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Lost child?<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think there's one over there,"<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, making a prediction.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I feel a kind of tickle<br>&nbsp;&nbsp;&nbsp;&nbsp;in this part of my head,"<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;adding some sensory information.<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um, who might this lost child be?<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;End of the line, huh?<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good enough. Get lost.<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still a few more kilometers to<br>&nbsp;&nbsp;&nbsp;&nbsp;the satellite antenna. From here on, I'll--<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, now...<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your weakness. If I keep you<br>&nbsp;&nbsp;&nbsp;&nbsp;from your switch, you can't use your ability.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you, BLOCK?<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm MEMBER.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be a shame<br>&nbsp;&nbsp;&nbsp;&nbsp;if we lost one of our Level 5s.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, GROUP? Or are you ITEM?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm MEMBER.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakine Teitoku and Accelerator, both.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two Level 5s at once!<br>&nbsp;&nbsp;&nbsp;&nbsp;MEMBER is quite possibly the greatest!<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're a teleportation-type esper,<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you can only move behind your target?<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a piss-ant ability to have.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to augment your arithmetic<br>&nbsp;&nbsp;&nbsp;&nbsp;based on the positions of others,<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or you can't activate your ability.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's outrageous that you have such power.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a fine one to talk,<br>&nbsp;&nbsp;&nbsp;&nbsp;having to rely on your electrode.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sorely lacking.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorely lacking in the aesthetic of evil.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The precision of my power is<br>&nbsp;&nbsp;&nbsp;&nbsp;a far cry better than the sights on a gun.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter where you run, my next move<br>&nbsp;&nbsp;&nbsp;&nbsp;will obliterate you, no matter what.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and run, swine.<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that to heart and tremble in fear.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have the aesthetic,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm gonna show you<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that this is how you act like a<br>&nbsp;&nbsp;&nbsp;&nbsp;super-world-class villain, you son of a bitch.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I call this modest little invention "mimosa."<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're ultra-tiny-sized<br>&nbsp;&nbsp;&nbsp;&nbsp;grains of reflective alloy<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that react to specific frequencies.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By manipulating this,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's possible to slice through concrete,<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or I could even pluck out<br>&nbsp;&nbsp;&nbsp;&nbsp;human cells, one at a time.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was 12, during the winter,<br>&nbsp;&nbsp;&nbsp;&nbsp;I gave up hope on art.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had a yen for European architecture.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it was hard to simultaneously<br>&nbsp;&nbsp;&nbsp;&nbsp;wrap my head around<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the scale it took to erect<br>&nbsp;&nbsp;&nbsp;&nbsp;one of them, and their beauty.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I much prefer mathematical formulas.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are truly functional, without any waste.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have the poetic beauty of a haiku--<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and give up hope here again.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn it!<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Doctor and Saraku have locked me in!<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I supposed to do?!<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going after my opponent.<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have time to clean up your mess.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?! Hey! Let me out!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Help me!<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So,<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all I really need to do<br>&nbsp;&nbsp;&nbsp;&nbsp;is destroy that computer.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like there's been some<br>&nbsp;&nbsp;&nbsp;&nbsp;activity in the 23rd School District.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Several Antiskill officers<br>&nbsp;&nbsp;&nbsp;&nbsp;at the site have been taken down.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The subject appears to be headed<br>&nbsp;&nbsp;&nbsp;&nbsp;for the ground antenna. What do we do?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, just hope that they're successful.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys aren't after...<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...control of the optical<br>
&nbsp;&nbsp;&nbsp;&nbsp;weapon mounted on *Hikoboshi II*.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They want to paralyze<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's surveillance capability?<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are 5,000 mercenaries outside<br>&nbsp;&nbsp;&nbsp;&nbsp;the wall waiting for the order to charge in.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pretty heavily guarded.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't we just muscle our way in?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. If anything happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;unmanned attack helicopters move in quickly.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The latest six-wing model.<br>&nbsp;&nbsp;&nbsp;&nbsp;If they spot us, we'll be up a creek.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In another ten minutes,<br>&nbsp;&nbsp;&nbsp;&nbsp;the patrol rotation switches.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, while the aerial surveillance<br>&nbsp;&nbsp;&nbsp;&nbsp;is suspended, is a critical gap time.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Yamate? Worried?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;5,000 mercenaries.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where exactly are they planning to attack?<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no point in holding back now.<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yamate!<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scatter!<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to pick the mercenaries up<br>&nbsp;&nbsp;&nbsp;&nbsp;and get away from here.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We brought in 5,000 of them,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it still wasn't enough?!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it wasn't possible <br>
&nbsp;&nbsp;&nbsp;&nbsp;to stop *all* of them.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The angle of Venus and<br>&nbsp;&nbsp;&nbsp;&nbsp;my obsidian knife is perfectly aligned.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator!<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You let the intruders just waltz right on in.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a completely useless bastard.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did manage to use my<br>&nbsp;&nbsp;&nbsp;&nbsp;Spear of Tlahuizcalpantecuhtli<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to hold the number of intruders<br>&nbsp;&nbsp;&nbsp;&nbsp;down to about 100, though.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an expression<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to leave with you--<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A miss is as good as a mile."<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all this, we can't stop the operation.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, a question.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is BLOCK headed?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A juvie hall in the 10th School District.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why were you going to attack there?!<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our objective is Move Point.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got some intelligence that some<br>&nbsp;&nbsp;&nbsp;&nbsp;of her friends were being held there.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're supposed to grab them up<br>&nbsp;&nbsp;&nbsp;&nbsp;and use them to bargain with Move Point.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To lead you into the<br>&nbsp;&nbsp;&nbsp;&nbsp;building without windows.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. BLOCK came upon the secret<br>&nbsp;&nbsp;&nbsp;&nbsp;that Move Point was the guide.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're supposed to learn the<br>&nbsp;&nbsp;&nbsp;&nbsp;building's supply entrance from her,<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then blow it up from the inside<br>&nbsp;&nbsp;&nbsp;&nbsp;with synchronous composite bombs.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? Do you even know<br>&nbsp;&nbsp;&nbsp;&nbsp;who's standing in front of you?<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You can't be--<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go. We have work to do.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the world's one and<br>&nbsp;&nbsp;&nbsp;&nbsp;only esper internment facility.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are wall-to-wall<br>&nbsp;&nbsp;&nbsp;&nbsp;AIM jammers installed in there.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means we won't<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to use our abilities.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that you can't use them,<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;of them going out of control.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, sounds like it's best<br>&nbsp;&nbsp;&nbsp;&nbsp;to refrain from using ability mode.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's the deal.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no wonder things seemed so quiet.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys all killed themselves<br>&nbsp;&nbsp;&nbsp;&nbsp;with their own weapons.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Found you.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're here,<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that makes you BLOCK.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I'm MEMBER. Though I was just using them.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Etzali!<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it to find out where you are.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Xóchitl. She's an Aztecan sorceress,<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is in the same organization I once was.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sorceress?<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You traitor. I abandoned everything<br>&nbsp;&nbsp;&nbsp;&nbsp;to come here and dispose of you.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take care of this.<br>&nbsp;&nbsp;&nbsp;&nbsp;The rest of you, please go on ahead.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, while we're here caught up<br>&nbsp;&nbsp;&nbsp;&nbsp;in this, BLOCK is inside...<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys hurry up and get going.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the slowest; I'll hold them here.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, you've got Musujime's back.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we going to get ourselves<br>&nbsp;&nbsp;&nbsp;&nbsp;hurt in the blast?<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to worry.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's rigged so the blast<br>
&nbsp;&nbsp;&nbsp;&nbsp;is directed *into* the door.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are 38 of them.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Losing one or two of them<br>&nbsp;&nbsp;&nbsp;&nbsp;won't make a difference.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never said anything about that!<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! What, you have a soft<br>&nbsp;&nbsp;&nbsp;&nbsp;spot for these kids?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, what a useless bunch.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, stop! Thanks to your interference,<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not finished packing this.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't guarantee the kids' safety.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't touch that detonator.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musujime Awaki, "Move Point," right?<br>&nbsp;&nbsp;&nbsp;&nbsp;This saves us some trouble.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, GROUP,<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what have you learned after going<br>&nbsp;&nbsp;&nbsp;&nbsp;through the September 30th Incident?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that Aleister was<br>&nbsp;&nbsp;&nbsp;&nbsp;in control of the whole world,<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the truth is, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a way to escape his control,<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and places where his control does not reach.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're traveling to the<br>&nbsp;&nbsp;&nbsp;&nbsp;new world on the backs of others?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not something I would brag about.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hoping for a heaven or<br>&nbsp;&nbsp;&nbsp;&nbsp;a paradise not immediately available<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--is something all humanity has in common--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Enough.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you trying to pull?<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have my own reasons for killing Aleister.<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't take hostages!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will keep roughing you up personally,<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until I have the information I need!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pro doesn't need fancy abilities<br>&nbsp;&nbsp;&nbsp;&nbsp;or little one-liners to operate.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just takes years of<br>&nbsp;&nbsp;&nbsp;&nbsp;building up fundamental tactics<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to rationally take down her enemy.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Etzali, what is it you've<br>&nbsp;&nbsp;&nbsp;&nbsp;been looking at all this time?<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She possesses the weapon,<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and uses its deadliness to keep from<br>&nbsp;&nbsp;&nbsp;&nbsp;dirtying her own hands killing her enemy.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A suicide spell, I guess you'd call it.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dropped something.<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you going to pick it up?<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How? You shouldn't know a spell like this.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I thought you took the<br>&nbsp;&nbsp;&nbsp;&nbsp;position of never doing any dirty work.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What has happened?! No, what *is*<br>
&nbsp;&nbsp;&nbsp;&nbsp;happening in the organization right now?!<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A macuahuitl?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A weapon like that does not become you.<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what about you?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Does *this* become *you*?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, who slipped away from the organization,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and are now hiding your<br>&nbsp;&nbsp;&nbsp;&nbsp;face to undermine the peace?!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap!<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're through!<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You lured me in...<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aztecs don't have the technical process<br>&nbsp;&nbsp;&nbsp;&nbsp;to make weapons made of metal,<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so your sword isn't too terribly sharp.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that if I'm willing<br>&nbsp;&nbsp;&nbsp;&nbsp;to take one to the bone, I can stop it.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, weapons do not become you.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not wish to take your life.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please disappear somewhere.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ready to tell me the service route<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the building without windows yet?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you so intent<br>&nbsp;&nbsp;&nbsp;&nbsp;on going after Aleister's head?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I've experienced<br>&nbsp;&nbsp;&nbsp;&nbsp;a serious enough tragedy in this city.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to ask Aleister<br>&nbsp;&nbsp;&nbsp;&nbsp;if he was involved in it.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been fixated<br>&nbsp;&nbsp;&nbsp;&nbsp;on finding the "truth," myself.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even chasing it down<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't restore peace of mind.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? So what are you doing about it?<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The trauma I've sustained is<br>&nbsp;&nbsp;&nbsp;&nbsp;keeping me from transporting myself.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't shoot her or<br>&nbsp;&nbsp;&nbsp;&nbsp;fight her hand to hand, either.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. It's because I always think this way<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I'll never be able to protect anyone.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're planning to use yours?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. You'll have to excuse me,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm going all-out.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll overcome...<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can overcome...<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;everything about these damnable scars!<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty bold of you...<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, this is the<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of leadership expected of me.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Xóchitl, what on earth...?<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When one tries to make up<br>&nbsp;&nbsp;&nbsp;&nbsp;for a lack of abilities using grimoires,<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it leads to this sort of outcome.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you learned anything?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You read one?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, worse than that.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You don't mean...!<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've fused with the original grimoire text?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather, you tried to gain more<br>&nbsp;&nbsp;&nbsp;&nbsp;power by making it a part of you?<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trying something like<br>&nbsp;&nbsp;&nbsp;&nbsp;that will break down in no time!<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had to know that much!<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I could kill you<br>&nbsp;&nbsp;&nbsp;&nbsp;while it was consuming me...<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the organization's objectives<br>&nbsp;&nbsp;&nbsp;&nbsp;would be accomplished...<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The organization that I<br>&nbsp;&nbsp;&nbsp;&nbsp;know was awful enough,<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what the hell has been<br>&nbsp;&nbsp;&nbsp;&nbsp;happening while I've been away?<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to let you die.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The original text displays<br>&nbsp;&nbsp;&nbsp;&nbsp;its knowledge to those who desire it.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By assuming it onto myself,<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be able to draw<br>&nbsp;&nbsp;&nbsp;&nbsp;the original text out of her.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no precedent.<br>&nbsp;&nbsp;&nbsp;&nbsp;If I fail, it will kill me.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believed in you.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew trusting you was the right call.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for coming.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough by itself.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, go on.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get going.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure about this?<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's for the best.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you're slow.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, back into the darkness.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pretty tight-lipped for<br>&nbsp;&nbsp;&nbsp;&nbsp;someone with nothing to do here.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might just have to clean a little house.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'll tell you everything.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty cushy base you've got, isn't it?<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who have power survive.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;White wings spit upon<br>&nbsp;&nbsp;&nbsp;&nbsp;conventional principles,<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sneer at common knowledge.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Super-espers."<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 6 - Super-espers

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura is working too slow.<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work?<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I sent him out on a garbage run.<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, after he finishes that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I told him to go buy a salmon lunch.<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hamazura, what kept you?!<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so this is where you are.<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's you--Dark Matter.<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you'd use my name. I do have<br>&nbsp;&nbsp;&nbsp;&nbsp;the name Kakine Teitoku, you know.<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, I've come to declare victory.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who you are,<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm sorry to be the one to send you off.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In this city,<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those without any power<br>&nbsp;&nbsp;&nbsp;&nbsp;are the same as trash.<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody helps them.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure I'm one of them.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Incoming call: Kinuhata Saiai"<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinuhata?<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just finished the job.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, secure us a vehicle<br>&nbsp;&nbsp;&nbsp;&nbsp;as fast as you can, please.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're under fire from SCHOOL.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of their objectives is Takitsubo.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They probably learned<br>&nbsp;&nbsp;&nbsp;&nbsp;about Takitsubo's AIM Stalker,<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and are here to get rid of her.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as Takitsubo is safe,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can still turn the situation around.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to take her and get--<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinuhata!<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm ultra-fine.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fighting, too.<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay, you just stay put.<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you are!<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is this?<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that was awesome.<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That punk Sunazara snuffed it,<br>&nbsp;&nbsp;&nbsp;&nbsp;along with the magneto-sniper rifle?<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have to face *me*.<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't beat me with Level 4 Offense Armor.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm well beyond the level<br>&nbsp;&nbsp;&nbsp;&nbsp;that you can scheme your way out of.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#06 Super-espers"<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either I go up there and get killed,<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or I run away and wind up in the incinerator.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinuhata?!<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let her go!<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you? Don't tell me you want<br>&nbsp;&nbsp;&nbsp;&nbsp;to go up against me with that toy.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I see, you're a sacrificial pawn.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your big boss Mugino has long since fled.<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn that woman...<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run, Hamazura.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a Level 4, and you're<br>&nbsp;&nbsp;&nbsp;&nbsp;a Level 0, so I'll protect you.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo...<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you!<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to disrupt<br>&nbsp;&nbsp;&nbsp;&nbsp;my AIM diffusion field<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and take over my ability?!<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry, Hamazura!<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't ask for any help.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, long time no see.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that girl from before!<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? So that's what happened.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Imagine, using an ability crystal.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's an ability crystal?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A chemical that triggers an adverse reaction,<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;deliberately making<br>&nbsp;&nbsp;&nbsp;&nbsp;one's ability run out of control.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In most cases, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's nothing but detrimental.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it does produce favorable results,<br>&nbsp;&nbsp;&nbsp;&nbsp;if you keep using it...<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo!<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she uses her power another<br>&nbsp;&nbsp;&nbsp;&nbsp;time or two, she'll destroy herself.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't even have to finish the job.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart Measure.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just shrank the emotional<br>&nbsp;&nbsp;&nbsp;&nbsp;distance between you and me.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The closeness we now feel is,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know, that of friends?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't shoot your friend, can you?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Applied telepathy...?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Incoming call: Mugino Shizuri"<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Mugino.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, is Takitsubo there?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you,<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;running away by yourself!<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, pipe down, would you?<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our counterattack begins now.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to use Takitsubo's<br>&nbsp;&nbsp;&nbsp;&nbsp;power and pursue SCHOOL.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's crazy! You're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to get everyone killed!<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, Takitsubo is in no shape to do so.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so she's alive? Thank goodness.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really need her to<br>&nbsp;&nbsp;&nbsp;&nbsp;provide results, even if it kills her.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run, Hamazura. I don't<br>&nbsp;&nbsp;&nbsp;&nbsp;want to get you killed.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, have *you* extended<br>
&nbsp;&nbsp;&nbsp;&nbsp;a hand to anyone asking for help?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason you've been looked down<br>&nbsp;&nbsp;&nbsp;&nbsp;on has nothing to do with power.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Figure out what to do about that<br>&nbsp;&nbsp;&nbsp;&nbsp;good-for-nothing illusion yourself,<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you filthy bastard!<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I get it.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's right, damn it!<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, Hamazura,<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you know what I do for a living?<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain as much as you want afterward.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now, take her<br>&nbsp;&nbsp;&nbsp;&nbsp;someplace safe for me.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She could fall apart anytime,<br>&nbsp;&nbsp;&nbsp;&nbsp;thanks to something called an ability crystal.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ability crystal?!<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Hamazura,<br>&nbsp;&nbsp;&nbsp;&nbsp;did you just say "ability crystal"?!<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, which is why--<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura!<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking all over for you, you know,<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;lugging around this baggage with me.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to be liquidated, too, do you?<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what's going on--<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get going!<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, I can't hide behind<br>&nbsp;&nbsp;&nbsp;&nbsp;a child in this situation!<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just get going!<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please! I don't want to let her die.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been doing nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;but spinning my wheels fretting,<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've finally realized<br>&nbsp;&nbsp;&nbsp;&nbsp;that this is what I want to do!<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So get going! I can't protect her by myself!<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without your help,<br>&nbsp;&nbsp;&nbsp;&nbsp;everything goes up in smoke, right here!<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Electrifying, isn't it, Hamazura?<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you get that?!<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without this,<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't make Takitsubo<br>&nbsp;&nbsp;&nbsp;&nbsp;use her ability, can you?!<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take that, you damn woman!<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...make no mistake, I'm going to kill you.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice place, huh? You've got good taste,<br>&nbsp;&nbsp;&nbsp;&nbsp;picking an unmanned facility.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, it's definitely better to die alone.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that right, Hamazura?!<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, would you stop being so obstructive<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and hand over the ability crystals already?<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to rest until<br>&nbsp;&nbsp;&nbsp;&nbsp;I've killed all the members of SCHOOL.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, give me the ability crystals.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! I won't let Takitsubo<br>&nbsp;&nbsp;&nbsp;&nbsp;use ability crystals anymore!<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's already at her limit.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what if she is? Once she's spent,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just recruit another esper.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, she is the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;who can search AIM diffusion fields.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I know where those SCHOOL<br>&nbsp;&nbsp;&nbsp;&nbsp;sons of bitches are, I'm fine, though.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, but I can't work with you anymore.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't beat that Kakine bastard.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've already run away from him twice, now.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, you seem to have<br>&nbsp;&nbsp;&nbsp;&nbsp;a screw loose inside your head.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want me to tighten it for you?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said--Takitsubo said she didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;want a selfish guy like me to die...<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to let someone<br>&nbsp;&nbsp;&nbsp;&nbsp;like her... find happiness!<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Level 0 ear...<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in exchange for a Level 5 eyeball...<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a bargain, huh?<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura!!<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could tear off my arms and legs<br>&nbsp;&nbsp;&nbsp;&nbsp;or bust up my internal organs,<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it wouldn't change<br>&nbsp;&nbsp;&nbsp;&nbsp;how outclassed you are!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could kill a hundred of you Level 0s<br>&nbsp;&nbsp;&nbsp;&nbsp;without even having to lift a finger!<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no idiot, myself.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beat you easily, Level 5.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, it really *was* a bargain.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura!!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Hamazura. I don't need<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill's help anymore.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's all over.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, is there any progress on the<br>&nbsp;&nbsp;&nbsp;&nbsp;analysis of the data on the tweezers?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's no use.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This data alone still won't be enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to put me on equal footing with Aleister.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll need to make another push.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you're going to do it, aren't you?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill the top-ranked guy in Academy City.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The assassination plot by BLOCK to kill<br>&nbsp;&nbsp;&nbsp;&nbsp;the governing board chairman has failed.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pleased to have such<br>&nbsp;&nbsp;&nbsp;&nbsp;outstanding subordinates.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, sounds like you<br>&nbsp;&nbsp;&nbsp;&nbsp;wanna get killed pretty badly.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. I really am grateful for this.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm offering some<br>&nbsp;&nbsp;&nbsp;&nbsp;valuable information as a personal reward.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Information regarding the threat to<br>&nbsp;&nbsp;&nbsp;&nbsp;the life of Serial Number 20001, Last Order.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what has<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to the lost child?<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has the tickle in your crazy hair gone away?<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka does not have crazy hair,"<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;answers Misaka Misaka while she withers up.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hmm, I'm sure they were<br>&nbsp;&nbsp;&nbsp;&nbsp;wandering around here earlier,"<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;all tired out from all that wasted effort.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"M-Misaka wants one of those, too!"<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, not carrying a wallet,<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then turning toward<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Uiharu with a sparkle in her eyes.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be sure to come back right away, okay?<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, in the meantime,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll enjoy some of this.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, miss.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm looking for someone.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't seen her. I think you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;better file a report at an Antiskill station.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Thanks.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and miss,<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's something I forgot to mention.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know Last Order was<br>&nbsp;&nbsp;&nbsp;&nbsp;just with you, you damn airhead.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is Last Order?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, and I'll let you go.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll never find her...<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you hear me?<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said she was someplace<br>&nbsp;&nbsp;&nbsp;&nbsp;where you'll never find her.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, very well.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is farewell, then.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha, you showed up sooner than I expected.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, man, you shouldn't get your jollies<br>&nbsp;&nbsp;&nbsp;&nbsp;playing such sucky games, third-string!<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not a good look on you, fairy-tale.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you worry. I know what it looks like.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's get things going<br>&nbsp;&nbsp;&nbsp;&nbsp;with something more interesting.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach you how to<br>&nbsp;&nbsp;&nbsp;&nbsp;act more like a villain.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know everything in the world<br>&nbsp;&nbsp;&nbsp;&nbsp;is made up of elementary particles?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the normal rules don't<br>&nbsp;&nbsp;&nbsp;&nbsp;apply to my Dark Matter.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Dark Matter that I produce<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a substance that doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;exist in this world.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean it hasn't been discovered,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that it should theoretically exist;<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, it actually does not exist.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Matter that doesn't exist<br>&nbsp;&nbsp;&nbsp;&nbsp;operates under laws which don't exist.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, turning the light from<br>&nbsp;&nbsp;&nbsp;&nbsp;the sun into rays that can kill a man.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm done reverse calculating.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator,<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you say that you can reflect anything,<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's not accurate, is it?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You unconsciously work up<br>&nbsp;&nbsp;&nbsp;&nbsp;"harmful" and "non-harmful" filters,<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and choose to reflect<br>&nbsp;&nbsp;&nbsp;&nbsp;only what's nonessential.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between the sunlight and wind gust earlier,<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I included 25,000 vectors within them.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Based on how those were reflected,<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have to attack you using vector fronts<br>&nbsp;&nbsp;&nbsp;&nbsp;from among those that you unconsciously accept.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Dark Matter.<br>&nbsp;&nbsp;&nbsp;&nbsp;A space with foreign matter in the mix.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a place unknown to you!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to gain the right<br>&nbsp;&nbsp;&nbsp;&nbsp;to deal directly with Aleister!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what the tweezers were for,<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but killing you, the top-ranked guy,<br>&nbsp;&nbsp;&nbsp;&nbsp;looks like it will be quicker!<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this stage, is the order of<br>&nbsp;&nbsp;&nbsp;&nbsp;our numbers really that important?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister moves multiple<br>&nbsp;&nbsp;&nbsp;&nbsp;plans forward concurrently.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each one of them contains<br>&nbsp;&nbsp;&nbsp;&nbsp;a "second plan" within them.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am your second plan!<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So by killing me, you move<br>&nbsp;&nbsp;&nbsp;&nbsp;to the top of his plan totem pole?<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. By doing so,<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister can no longer ignore me.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, you, too? I don't know what tragedy<br>&nbsp;&nbsp;&nbsp;&nbsp;you got saddled with that broke you,<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but by thinking that because<br>&nbsp;&nbsp;&nbsp;&nbsp;you have some grand reason,<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're free to kill civilians,<br>&nbsp;&nbsp;&nbsp;&nbsp;your villainy is much too cheap.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You* went ahead and smashed up<br>
&nbsp;&nbsp;&nbsp;&nbsp;plenty of civilians fighting *me* earlier!<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lacking in aesthetic,<br>&nbsp;&nbsp;&nbsp;&nbsp;so that's the only thing you can say.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, do you even<br>&nbsp;&nbsp;&nbsp;&nbsp;know why you and I are divided<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into first and second ranks?<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because there's a complete<br>&nbsp;&nbsp;&nbsp;&nbsp;and total wall in between us.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't tell me...<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were defending those<br>&nbsp;&nbsp;&nbsp;&nbsp;people while we were fighting?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw you! How much of<br>&nbsp;&nbsp;&nbsp;&nbsp;that did you have under control?!<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did that get under your skin, punk?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what being a villain is.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is *my* world!<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No it isn't. I'm redefining this world<br>&nbsp;&nbsp;&nbsp;&nbsp;as being made up of elementary particles,<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;including your Dark Matter,<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and once I crack your formula,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's checkmate for you.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think you have a handle<br>&nbsp;&nbsp;&nbsp;&nbsp;on me all the way to my core?!<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your core's not that deep.<br>
&nbsp;&nbsp;&nbsp;&nbsp;I don't *need* to have a handle on it.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later, third-string.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, at least it's not as pitiful<br>&nbsp;&nbsp;&nbsp;&nbsp;as being beaten by the good guys.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, there!<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hand that gun over here.<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need one of those, do you?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a villain.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'll stop you.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really mean that?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have any other<br>&nbsp;&nbsp;&nbsp;&nbsp;choice but to stop you.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will never give up on you.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to drag you up out of there.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm here standing in your way.<br>&nbsp;&nbsp;&nbsp;&nbsp;For the children I have to protect.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the peace that I love so much.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a place where you<br>&nbsp;&nbsp;&nbsp;&nbsp;are, and Last Order is,<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we're all living together in laughter.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The gun you're holding is<br>&nbsp;&nbsp;&nbsp;&nbsp;extraneous to that future, isn't it?<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't that big of a villain!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns out you're the same as me.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't protect anyone. Isn't that right?<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've already sent a whole horde<br>&nbsp;&nbsp;&nbsp;&nbsp;of people to their deaths like this!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome. Such awesome evil.<br>&nbsp;&nbsp;&nbsp;&nbsp;You really can pull it off if you try, villain.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seeing this, Dark Matter<br>&nbsp;&nbsp;&nbsp;&nbsp;certainly would be the Spare Plan.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it still doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;necessarily mean....<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...we have to fight to the finish, do we?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What did you--?!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what a villain is.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you are?! Your role is...!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lower your weapons!<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only way to stop him is...<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I found...<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...my lost child,"<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;insisting on speaking to you.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's all right," says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;stretching out her hand.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator... are you...?<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-Fire!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's okay, you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have to do this anymore,"<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, stating what's right.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thank goodness," says Misaka Misaka.<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, that SCHOOL bunch<br>&nbsp;&nbsp;&nbsp;&nbsp;needed the tweezers<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to recover a certain nanodevice.<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nanodevice?<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. A roughly 50-million-unit<br>&nbsp;&nbsp;&nbsp;&nbsp;surveillance nanodevice,<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;dispersed by Aleister<br>&nbsp;&nbsp;&nbsp;&nbsp;throughout the air of Academy City.<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Underline." That's what it's called.<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Underline is a nexus that<br>&nbsp;&nbsp;&nbsp;&nbsp;makes up an intelligence network<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that directly connects to<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister regarding Academy City.<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can guess the level of<br>&nbsp;&nbsp;&nbsp;&nbsp;information that each unit holds.<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, here it is.<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The secret codes of the city's darker side.<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GROUP, SCHOOL, ITEM, MEMBER, BLOCK...<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Organization names?<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems a bit after-the-fact now.<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there's more than just that.<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The last one to come up... is "DRAGON."<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, I'm gonna get the better of them...<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...on everything.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An underground complex<br>&nbsp;&nbsp;&nbsp;&nbsp;extends beneath Academy City.<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A momentary peace<br>&nbsp;&nbsp;&nbsp;&nbsp;is torn apart when he appears.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Third Level"<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 7 - The Third Level

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bad news! The school store<br>&nbsp;&nbsp;&nbsp;&nbsp;is all sold out of bread!<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the cafeteria is packed!<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are positively too late.<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. It's my fault for asking<br>&nbsp;&nbsp;&nbsp;&nbsp;the teacher a dumb question.<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't do something,<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll plunge into afternoon<br>&nbsp;&nbsp;&nbsp;&nbsp;classes on empty stomachs.<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't! We're still growing<br>&nbsp;&nbsp;&nbsp;&nbsp;boys and girls who must eat!<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't possibly wait until after school!<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's nothing inside,<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to go outside.<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do we dare?<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have no choice.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, make a break for it!<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make a break for the convenience store!<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's keep our numbers down.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If all of us leave school at once,<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the teachers are sure to notice.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This operation is a race against the clock.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's for sure.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they're sold out of lunches when<br>&nbsp;&nbsp;&nbsp;&nbsp;we get there, it'll be all for nothing.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Team has failed to escape.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B Team is eliminated. That leaves... come on!<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're the only ones left!<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saigo!<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's going out by himself<br>&nbsp;&nbsp;&nbsp;&nbsp;for a fancy meal out?!<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't engage him, Kami!<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he catches us now,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will mean everyone's lunches!<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, I'm going on ahead.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hey!<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing, Tsuchimikado?!<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, we should split up.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah!<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, he comes after *me*!<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh no you don't!<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on a second, Itsuwa!<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#07 The Third Level"<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am sorry!<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure it was a Roman Orthodox set-up.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's all right.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saigo is a really strong teacher,<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who they say once caught<br>&nbsp;&nbsp;&nbsp;&nbsp;a giant boulder with just his hands.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll be back on his feet in no time.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But still, could I have<br>&nbsp;&nbsp;&nbsp;&nbsp;been any more useless?<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, you were absolutely useful.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Itsuwa, what brings you here?<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh...<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is it?<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, do you remember the<br>&nbsp;&nbsp;&nbsp;&nbsp;name Acqua of the Rear?<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, one of the Right Seat of God, right?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I met him when I was tangling<br>&nbsp;&nbsp;&nbsp;&nbsp;with that Vento lady.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Acqua has issued a challenge<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to both the English Puritan<br>&nbsp;&nbsp;&nbsp;&nbsp;Church and Academy City.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A challenge?<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says that in the next few days,<br>&nbsp;&nbsp;&nbsp;&nbsp;he was going to pulveri--<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, stage an attack on Kamijo Toma.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why me?<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wouldn't he?!<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you keep thwarting<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church's<br>&nbsp;&nbsp;&nbsp;&nbsp;darkest schemes, over and over again!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're making it sound bigger than it is.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just a high-school kid.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was the front, the<br>&nbsp;&nbsp;&nbsp;&nbsp;left, and now the rear?<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is just non-stop, isn't it?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, if they're targeting me,<br>
&nbsp;&nbsp;&nbsp;&nbsp;maybe they have *too much* free time.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to the report,<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua of the Rear also has saintly powers.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saintly?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But please don't worry.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if Acqua does try to attack,<br>&nbsp;&nbsp;&nbsp;&nbsp;we will be sure to protect you.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Itsuwa, what are you doing here?<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it obvious? I'm here as your bodyguard.<br>&nbsp;&nbsp;&nbsp;&nbsp;One who lives with you!<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, Itsuwa.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She keeps going on about nothing but business<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and doesn't go on the attack at all.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite right. It looks like she's not<br>&nbsp;&nbsp;&nbsp;&nbsp;even aware of the weapons she's packing.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, weapons?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, I'm referring to...<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the "Itsuwa Undercover<br>&nbsp;&nbsp;&nbsp;&nbsp;Bra Busters Theory"!<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any basis to that<br>&nbsp;&nbsp;&nbsp;&nbsp;hypothesis, Your Holiness?<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you dare talk out of turn, like<br>&nbsp;&nbsp;&nbsp;&nbsp;with that horse racing scratch sheet before.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to the research findings obtained<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the "Itsuwa Massage<br>&nbsp;&nbsp;&nbsp;&nbsp;Operation" that I conducted,<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she had a shoulder stiffness index of 40.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, factoring in<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa's clothing and gear,<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and calculating the load on her shoulders,<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a shoulder stiffness index of more<br>&nbsp;&nbsp;&nbsp;&nbsp;than 37 at the most makes no sense.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Then that means...<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that much error proves my<br>&nbsp;&nbsp;&nbsp;&nbsp;"Itsuwa Undercover Bra Buster Theory."<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...?<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to explore this theory to the fullest,<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will need a new tactic.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Itsuwa is an inveterate slow-starter.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I have a secret plan in place.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I call it "Operation Field<br>&nbsp;&nbsp;&nbsp;&nbsp;Sharpshooter Free Kick"!<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe he has amnesia.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For how long, now?<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh yeah!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Nicely executed!<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, see here...<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already have enough on my mind right now,<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't go adding anything<br>&nbsp;&nbsp;&nbsp;&nbsp;else crazy on top of it!<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? They're gone?<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right?<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, more or less...<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, you...<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Misaka...<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long were you going to indulge<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself in that mass of womanhood?!<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's hostile!<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, stop! In fact, let's get out of here!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Hold it right there!<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...why is Itsuwa from<br>&nbsp;&nbsp;&nbsp;&nbsp;the Amakusa next to you?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, well, you see...<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the best way to explain this?<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing of it is,<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Right Seat of God is after--<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, I seem to be Acqua's target, right?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you not say anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about that to Index for me?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa?<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I heard you! L-L-Loud and clear!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. Was that uncomfortable?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No...<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is going on here, exactly?<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there some kind of incredible power<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to raise Index's anger<br>&nbsp;&nbsp;&nbsp;&nbsp;to the critical point?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Miss Index?<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure what's happening,<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but would you please bite me<br>&nbsp;&nbsp;&nbsp;&nbsp;before you completely explode?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you bleed off some of<br>&nbsp;&nbsp;&nbsp;&nbsp;your anger power little by little,<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe I can get through it<br>&nbsp;&nbsp;&nbsp;&nbsp;without you biting my skull to bits.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I know! I have just<br>&nbsp;&nbsp;&nbsp;&nbsp;the thing for your kitty cat.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Namaribushi bonito"<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Premium-grade bonito!<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Did you go shopping? When was that?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I may be here as your bodyguard,<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'd feel self-conscious<br>&nbsp;&nbsp;&nbsp;&nbsp;being a freeloader.<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do anything I can to help out.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's wrong, Toma?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why has the airflow suddenly shifted?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you ask yourself that question?<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is it that has left<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Kamijo to do everything,<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and has not ever pitched in<br>&nbsp;&nbsp;&nbsp;&nbsp;to do anything around here?<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mm-hmm, I'm sorry about that, and...<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Saying that doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;change the situation one bit--<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pots and frypans are here,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the seasonings are here.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what has her all fired up,<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but whatever the case,<br>&nbsp;&nbsp;&nbsp;&nbsp;all I can say is thank you, Itsuwa!<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, I also got away<br>&nbsp;&nbsp;&nbsp;&nbsp;without Index chasing and biting me!<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a banner day--<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sight of a girl doing the cooking...<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Toma, why do you have the look<br>&nbsp;&nbsp;&nbsp;&nbsp;of a lamb who just witnessed a miracle?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, you mustn't!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The *chikuwa* isn't ready yet!<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hear what you're saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't stop my mouth from eating!<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't undermine... every man's dream!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look! That is the proper way<br>&nbsp;&nbsp;&nbsp;&nbsp;to crash at someone's place.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index, why are you always in charge<br>&nbsp;&nbsp;&nbsp;&nbsp;of sleeping, eating, and watching TV?<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph! Ah, just a second!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time for the "Magical Powered<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanamin Integral" rerun to start!<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go and clean the bathroom, right now!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I smell something. I smell something!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! I don't need any more weirdos!<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That miso soup of yours...!<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're using dried scallop powder<br>&nbsp;&nbsp;&nbsp;&nbsp;as the secret ingredient, aren't you?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How did you know that?! Not even<br>&nbsp;&nbsp;&nbsp;&nbsp;my mother knows my secret ingredient!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, now to give it a try.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What flavor!<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't stay over here!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh? Why are you<br>&nbsp;&nbsp;&nbsp;&nbsp;throwing out my white cream stew?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm about to make us some<br>&nbsp;&nbsp;&nbsp;&nbsp;honest-to-goodness miso soup!<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? But there was nothing wrong that stew.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Haven't I heard<br>&nbsp;&nbsp;&nbsp;&nbsp;that voice somewhere before?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, yeah...<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Itsuwa, you don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;to pay any mind to those nutjobs.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me something--<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how did you break the tub<br>&nbsp;&nbsp;&nbsp;&nbsp;with just a sponge and cleanser?<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just scrubbed it hard,<br>
&nbsp;&nbsp;&nbsp;&nbsp;like *you* told me to, Toma.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No you didn't.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Pipe Clean"<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You poured all of that concentrated<br>&nbsp;&nbsp;&nbsp;&nbsp;cleanser into the hot water inlet!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Doesn't it clean stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;if you put the cleanser in it?<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now it's scorched the inside of the<br>&nbsp;&nbsp;&nbsp;&nbsp;hot water heater, and almost caused a fire!<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Excuse me, but for a nice change of pace,<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;couldn't we go use a bathhouse outside?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outside?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to have to make you pay<br>&nbsp;&nbsp;&nbsp;&nbsp;the rental fee for the bike.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all. I have plenty of funds to use.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kind of have a sense that<br>&nbsp;&nbsp;&nbsp;&nbsp;this arrangement was deliberate.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? That's not true at all.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Kamijo just let you have<br>&nbsp;&nbsp;&nbsp;&nbsp;that seat in the spirit of "Ladies first."<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City at night is pretty empty, huh?<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The road conditions are just right, too,<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I might inadvertently pour<br>&nbsp;&nbsp;&nbsp;&nbsp;on some extra speed.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, you dummy, Itsuwa!<br>
&nbsp;&nbsp;&nbsp;&nbsp;You really *are* pouring on extra speed!<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Toma, look!<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a huge jungle gym!<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 22nd School District<br>&nbsp;&nbsp;&nbsp;&nbsp;is developed out underground,<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the power stations<br>&nbsp;&nbsp;&nbsp;&nbsp;are all concentrated up on top.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And besides that, the underground city<br>&nbsp;&nbsp;&nbsp;&nbsp;seems to use a lot of electricity,<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there are power generating provisions<br>&nbsp;&nbsp;&nbsp;&nbsp;laid out all over the district.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;what level is this spa resort on?<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see... It's supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be on the third level.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, what's a *kaisou*? Is that seaweed?<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not that kind. The "level" kind.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 22nd School District is<br>&nbsp;&nbsp;&nbsp;&nbsp;divided into ten underground levels.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho...<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The third level is up ahead.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The roof of the third level is<br>&nbsp;&nbsp;&nbsp;&nbsp;made up of one big screen.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's showing the night sky in real time.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this place really underground?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a river, and even a forest.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City really is awesome, huh?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can see it now.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, man, this is aggravating.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Collect stamps to get<br>&nbsp;&nbsp;&nbsp;&nbsp;your after-bath Gekota strap!"<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I was worried about him,<br>&nbsp;&nbsp;&nbsp;&nbsp;but what does that idiot do?<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One adult.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, how many times are<br>&nbsp;&nbsp;&nbsp;&nbsp;they going to make me come here?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to say, I'm not collecting<br>&nbsp;&nbsp;&nbsp;&nbsp;a whole lot of stamps.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I bring Kuroko, that<br>&nbsp;&nbsp;&nbsp;&nbsp;would get me two stamps.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!!<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, no, no, no! On second thought,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll collect them alone.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh?! What are *you* doing here?!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shh! Be quiet when in the baths.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need your towel in the water.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right...<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! You! You're the woman that<br>&nbsp;&nbsp;&nbsp;&nbsp;idiot clung to because of the soccer ball!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I-I-I...<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That was an accident, you see,<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it was just lucky that my breasts<br>&nbsp;&nbsp;&nbsp;&nbsp;happened to be there. It wasn't...<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What do you mean,<br>&nbsp;&nbsp;&nbsp;&nbsp;it was an accident,<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I wonder if those girls know<br>&nbsp;&nbsp;&nbsp;&nbsp;about that idiot's amnesia.<br>&nbsp;&nbsp;&nbsp;&nbsp;--What do you mean, it was an accident,<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I wonder if those girls know<br>&nbsp;&nbsp;&nbsp;&nbsp;about that idiot's amnesia.<br>&nbsp;&nbsp;&nbsp;&nbsp;--and it was lucky that your breasts happened to be there?!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Did Toma do something to you?!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--For that matter, I'm a complete outsider, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Did Toma do something to you?!<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--For that matter, I'm a complete outsider, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;--N-N-No, he...<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--For that matter, I'm a complete outsider, right?<br>
&nbsp;&nbsp;&nbsp;&nbsp;--Toma *did* do something, huh?!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah, why am I so upset about<br>&nbsp;&nbsp;&nbsp;&nbsp;what happens to that idiot, for Pete's sake?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Were you scared? Are you all right?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah, why am I so upset about<br>&nbsp;&nbsp;&nbsp;&nbsp;what happens to that idiot, for Pete's sake?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--N-No, it was just a matter of bad timing...<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ah, why am I so upset about<br>
&nbsp;&nbsp;&nbsp;&nbsp;what happens to that idiot, for Pete's sake?!<br>
&nbsp;&nbsp;&nbsp;&nbsp;--He's *always* going around grabbing onto girls!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--N-No, we actually get along quite well!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Could anything be more of a nuisance?<br>&nbsp;&nbsp;&nbsp;&nbsp;--N-No, we actually get along quite well!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Short-hair is sinking under.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to save her!<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Please hold up your guest key"<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too hot. Maybe I should<br>&nbsp;&nbsp;&nbsp;&nbsp;have gone with iced coffee.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you out here for the evening breeze?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I completely forgot that we're underground.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, care to take a little stroll?<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. Oh, but what about Index?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was dashing around<br>&nbsp;&nbsp;&nbsp;&nbsp;the all-you-can-eat food stall corner.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She was? Well, she won't<br>&nbsp;&nbsp;&nbsp;&nbsp;be getting lost, then.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is her big chance.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's quite a nice mood going on.<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Your Holiness?<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? About the evening date operation?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About Acqua of the Rear.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've received reports about<br>&nbsp;&nbsp;&nbsp;&nbsp;him from Academy City, but...<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is hard to believe, huh?<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be odd for all three factions<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to each be scrambling over one boy,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma, in any case.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get the feeling there's still some<br>&nbsp;&nbsp;&nbsp;&nbsp;hidden information that we're unaware of.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, if we're seriously<br>&nbsp;&nbsp;&nbsp;&nbsp;going to protect Kamijo Toma...<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, we might need to<br>
&nbsp;&nbsp;&nbsp;&nbsp;keep investigating, including *them*.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The streets have been cleared.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could I let this happen? We've been had.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering, where are<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of the Amakusa folks?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, let's see. Even now,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think they're watching over us from a distance.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though if the priestess could be here,<br>&nbsp;&nbsp;&nbsp;&nbsp;she'd be a one-person army.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Kanzaki really that incredible?<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, she is! She's one of not<br>&nbsp;&nbsp;&nbsp;&nbsp;even 20 saints in the whole world!<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The priestess can resolve any<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble that arises, just like that!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah? You don't say.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she *was* capable of fighting<br>
&nbsp;&nbsp;&nbsp;&nbsp;that archangel, the Power of God.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-Fighting an archangel?!<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that I'm not supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to let my guard down, but...<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa? Is something the matter?<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! It's nothing, it's nothing!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I was just thinking, there aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;many other people around, are there?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's such a pretty view, too.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's true. This is what<br>&nbsp;&nbsp;&nbsp;&nbsp;nighttime in Academy City is like.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Now that I think about it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't seen any cars or people in a while...<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Itsuwa!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gave you a warning.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had a number of options before you.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is *this* the choice you determined<br>
&nbsp;&nbsp;&nbsp;&nbsp;was worthy to commit your life to?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's...<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tatemiya's...<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come right to it.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you not have any better alternatives?<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua!<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come to eliminate the main cause<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the disturbance that<br>&nbsp;&nbsp;&nbsp;&nbsp;is disrupting our world.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is now the time for you to<br>&nbsp;&nbsp;&nbsp;&nbsp;be concerned about others?<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you can challenge<br>&nbsp;&nbsp;&nbsp;&nbsp;me all alone and defeat me,<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when the entire organization<br>&nbsp;&nbsp;&nbsp;&nbsp;combined could not?<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have my pride!<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa!<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your right arm.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give it to me, and I will<br>&nbsp;&nbsp;&nbsp;&nbsp;let you leave with your life.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw that...!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. In that case...<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will give you a little more insight<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into the reality of things.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Kamijo!<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please stay with me!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll heal you with<br>&nbsp;&nbsp;&nbsp;&nbsp;my restoration magic right away!<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't work.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you done yet?<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, all right,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just crush you both together.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Itsuwa...<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of your restoration magic...<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel a little better...<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I admire your courage.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll wait one day.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you cut off your own arm<br>&nbsp;&nbsp;&nbsp;&nbsp;and give it to us within that time,<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will let you go with your life.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll wait one day.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saintly power shakes the earth's surface,<br>&nbsp;&nbsp;&nbsp;&nbsp;thundering to the lower levels.<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After everything is plucked<br>&nbsp;&nbsp;&nbsp;&nbsp;apart and strength is used up,<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what sort of strike does Itsuwa make?<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Saint Breakout.â<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 8 - Saint Breakout

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all.<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what are you doing,<br>&nbsp;&nbsp;&nbsp;&nbsp;huddling down over there?<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I... wasn't any use at all,<br>&nbsp;&nbsp;&nbsp;&nbsp;and he still said thanks to me.<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't protect him one bit,<br>&nbsp;&nbsp;&nbsp;&nbsp;and he says thanks.<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking, what amazing<br>&nbsp;&nbsp;&nbsp;&nbsp;power this guy possesses.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I was wrong. He can't rely<br>&nbsp;&nbsp;&nbsp;&nbsp;on any kind of defensive spells.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No kind of restoration spell<br>&nbsp;&nbsp;&nbsp;&nbsp;can heal even a single scratch.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He actually fights with just his physical body;<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just watched as he got beaten.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does such a person<br>&nbsp;&nbsp;&nbsp;&nbsp;go on living like it's nothing?<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why doesn't divine punishment rain down on me?<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It isn't right!<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the kind of girl<br>&nbsp;&nbsp;&nbsp;&nbsp;he stuck his neck out to protect?<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The man you owe your life to is<br>&nbsp;&nbsp;&nbsp;&nbsp;black and blue, and you don't lift a finger.<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying he threw<br>&nbsp;&nbsp;&nbsp;&nbsp;his life away for such a girl as you?<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, he gave up his life for nothing.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely nothing!<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua of the Rear will definitely return.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While you're sitting around doing nothing,<br>&nbsp;&nbsp;&nbsp;&nbsp;the clock is running down.<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to throw it away<br>&nbsp;&nbsp;&nbsp;&nbsp;over useless regret and guilt<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while there's still any<br>&nbsp;&nbsp;&nbsp;&nbsp;possible action remaining?<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't throw other people's<br>&nbsp;&nbsp;&nbsp;&nbsp;lives away over your own troubles!<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to apologize to him?<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After what you did to the<br>&nbsp;&nbsp;&nbsp;&nbsp;one you're supposed to protect,<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you want to send him back<br>&nbsp;&nbsp;&nbsp;&nbsp;home into the light of day?<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, fight.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prove to him that you're a fantastic girl,<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and convince him that he was<br>&nbsp;&nbsp;&nbsp;&nbsp;right to risk his life for you.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you want to lament it from<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of his grave, we have to fight.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, it's not right to have<br>&nbsp;&nbsp;&nbsp;&nbsp;someone doomed, right in front of us,<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and not be able to even extend<br>&nbsp;&nbsp;&nbsp;&nbsp;a helping hand to him, is it?<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there's only one thing for us to do.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#08 Saint Breakout"<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're not going to kill him,<br>&nbsp;&nbsp;&nbsp;&nbsp;but have settled on taking his right arm?<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd heard that the Right Seat of God<br>&nbsp;&nbsp;&nbsp;&nbsp;never deviated from their policies.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The boy's uniqueness<br>&nbsp;&nbsp;&nbsp;&nbsp;is focused in his right arm.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we take it from him,<br>&nbsp;&nbsp;&nbsp;&nbsp;the threat he poses will be removed.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard that the boy does not yet know God.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am honestly opposed to just killing him.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though Vento laughed at me for that.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what it is you're expecting of me,<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I am not as virtuous<br>&nbsp;&nbsp;&nbsp;&nbsp;or philanthropic as you are.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the time comes to kill him,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'll kill him. That's all there is to it.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dispersing particulates into the air,<br>&nbsp;&nbsp;&nbsp;&nbsp;then breaking down its matter?<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Attention: A low-oxygen alert has been issued.<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone please take shelter in your<br>&nbsp;&nbsp;&nbsp;&nbsp;designated building quickly and stay inside."<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A low-oxygen alert has been<br>&nbsp;&nbsp;&nbsp;&nbsp;issued for all of the third level.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone please take shelter in<br>&nbsp;&nbsp;&nbsp;&nbsp;your designated building, and stay inside.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Repeat, a low-oxygen alert has<br>&nbsp;&nbsp;&nbsp;&nbsp;been issued for all of the third level.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have things taken a wrong turn?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably more of a trial run<br>&nbsp;&nbsp;&nbsp;&nbsp;to probe my combat abilities.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I don't sense<br>&nbsp;&nbsp;&nbsp;&nbsp;any human presence from them.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are likely unmanned drones,<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is the only reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why they have gotten so close.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the Right Seat of God,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a saint in whom dwells the Power of God.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you stand in my way,<br>&nbsp;&nbsp;&nbsp;&nbsp;brace yourselves accordingly.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my, am I speaking to you, Miss Sherry?<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's you, Orsola.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, bulk waste is picked up<br>&nbsp;&nbsp;&nbsp;&nbsp;on Mondays and Fridays.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind that, get to the point.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have been investigating Acqua of the Rear.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already heard about that this morning.<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you find?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is evidence that before<br>&nbsp;&nbsp;&nbsp;&nbsp;he was known as Acqua of the Rear,<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he was an English knight.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua and a squad of powered suits<br>&nbsp;&nbsp;&nbsp;&nbsp;have engaged on the third level.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he could be stopped by mass-produced units,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'd have it too easy.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we heading out?<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. If we charge in there blindly,<br>&nbsp;&nbsp;&nbsp;&nbsp;the outcome would be pretty obvious.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now is not the ideal time.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, all we can do is<br>&nbsp;&nbsp;&nbsp;&nbsp;prepare ourselves the best we can.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait another three hours.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It takes a little time to re-sharpen<br>&nbsp;&nbsp;&nbsp;&nbsp;a blade to use against a monster.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we going to do?<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what you get for lighting a fire under her.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but she was acting<br>&nbsp;&nbsp;&nbsp;&nbsp;like just an empty shell.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Tatemiya...<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine. Can I ask you<br>&nbsp;&nbsp;&nbsp;&nbsp;to let me focus for a bit?<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--S-Sure.<br>&nbsp;&nbsp;&nbsp;&nbsp;--S-Sure.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, is this Mr. Tatemiya?<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Hearing your voice is so comforting!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry, but I seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to have the wrong person. Goodbye.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Don't hang up!<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua of the Rear's past<br>&nbsp;&nbsp;&nbsp;&nbsp;has come to light to some extent.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His real name is William Orwell.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has no mercenary<br>&nbsp;&nbsp;&nbsp;&nbsp;affiliation in the England region.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His principal combat record<br>&nbsp;&nbsp;&nbsp;&nbsp;involves astrological brigade support,<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the mission to terminate the Orleans Order,<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Third Princess<br>&nbsp;&nbsp;&nbsp;&nbsp;of Britain rescue mission.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, all of them battlefields<br>&nbsp;&nbsp;&nbsp;&nbsp;that compare to nightmares.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Owing to his achievements,<br>&nbsp;&nbsp;&nbsp;&nbsp;he was on track to receive British knighthood,<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but one week before his investment,<br>&nbsp;&nbsp;&nbsp;&nbsp;he dropped off the face of the earth.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And when he resurfaced,<br>&nbsp;&nbsp;&nbsp;&nbsp;he had become an enemy of England.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In addition to fighting,<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he has supplied knowledge of<br>&nbsp;&nbsp;&nbsp;&nbsp;medicinal herbs to impoverished regions,<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and is regarded as a sage among some people.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, he's a brilliant beast,<br>&nbsp;&nbsp;&nbsp;&nbsp;tough in body and soft in thought.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've fallen back, then?<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seem surprisingly smart.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are still 19 hours until the deadline.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you come to a decision?<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, when a demand as impossible<br>&nbsp;&nbsp;&nbsp;&nbsp;as this one is forced upon us,<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it eliminates the need to be troubled over it.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can get out of having two billion<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox as your enemies<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the price of a single arm.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would think that to be a bargain.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our enemy isn't Roman Orthodoxy.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's people like you, who exploit<br>&nbsp;&nbsp;&nbsp;&nbsp;those who earnestly believe in God.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this mean that<br>&nbsp;&nbsp;&nbsp;&nbsp;negotiations have broken down?<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else could it possibly mean?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a saint. I also possess power<br>&nbsp;&nbsp;&nbsp;&nbsp;as the Right Seat of God.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, after properly understanding that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you still want to fight me,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will demonstrate something to you--<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that a conflict is not won or lost by<br>&nbsp;&nbsp;&nbsp;&nbsp;good or evil, but by strength and weakness.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least try to make me use<br>&nbsp;&nbsp;&nbsp;&nbsp;one of my trump cards--<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Itsuwa...?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you wait until a person<br>&nbsp;&nbsp;&nbsp;&nbsp;finishes their sentence?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll listen to what you have to say later.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming, that is,<br>&nbsp;&nbsp;&nbsp;&nbsp;your jaw hasn't been shattered<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after I've pounded you to a<br>&nbsp;&nbsp;&nbsp;&nbsp;thoroughly, thoroughly bloody pulp.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like Itsuwa has completely snapped.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is because of your<br>&nbsp;&nbsp;&nbsp;&nbsp;ill-considered remarks, Deputy Pope.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be silly. A girl in love<br>&nbsp;&nbsp;&nbsp;&nbsp;can go to war against even God.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. You are extraordinarily gallant,<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I would like to see you back up<br>&nbsp;&nbsp;&nbsp;&nbsp;your words with bona fide actions.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need not worry.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if we end up being beaten<br>&nbsp;&nbsp;&nbsp;&nbsp;to a single shred of flesh,<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will still absolutely beat<br>&nbsp;&nbsp;&nbsp;&nbsp;the ever-loving crap out of you,<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and make you regret what you have done.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! We're taking it that far?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You appear to have prepared<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself substantially for this.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This spear has been treated<br>&nbsp;&nbsp;&nbsp;&nbsp;with 1,500 coats of resin.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It symbolizes the rings of a tree.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The form of its hidden spell<br>&nbsp;&nbsp;&nbsp;&nbsp;is the fertility of plant life.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've done well to ready that in such<br>&nbsp;&nbsp;&nbsp;&nbsp;a short amount of time. However...<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what is even more surprising<br>&nbsp;&nbsp;&nbsp;&nbsp;is that you, slow though you are,<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are still able to keep up with my speed.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you are augmenting<br>&nbsp;&nbsp;&nbsp;&nbsp;each other's motor skills, are you?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's as though you knew<br>&nbsp;&nbsp;&nbsp;&nbsp;how to fight against a saint.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you are still too slow!<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You killed me.<br>&nbsp;&nbsp;&nbsp;&nbsp;--You're a killer.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--You killed me, didn't you?<br>&nbsp;&nbsp;&nbsp;&nbsp;--You killed me.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, so that's what this is.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The form of this hidden spell<br>&nbsp;&nbsp;&nbsp;&nbsp;is a murderer's punishment.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each wire is a redefinition<br>&nbsp;&nbsp;&nbsp;&nbsp;of an individual's lifeline,<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the spell penalizes whoever breaks them.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No defensive spell from<br>&nbsp;&nbsp;&nbsp;&nbsp;any cultural region can stop this.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It denotes negative resentment.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My attribute is Gabriel.<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am able to perform the esoteric rites<br>&nbsp;&nbsp;&nbsp;&nbsp;of Holy Mother veneration to an extent.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All restrictive actions, such as penal<br>&nbsp;&nbsp;&nbsp;&nbsp;provisions dealing with sin and evil,<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;become meaningless against me.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you wait until a<br>&nbsp;&nbsp;&nbsp;&nbsp;person finishes their sentence?<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, this just adds to the thrill of the chase.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's here already?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bodies of the Right Seat<br>&nbsp;&nbsp;&nbsp;&nbsp;of God are nigh-angelic<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and cannot perform magic used by normal humans.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the Holy Mother<br>&nbsp;&nbsp;&nbsp;&nbsp;veneration spells that I possess<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;effectively waive those conditions.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am both saint and Right Seat of God.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In addition, I can command<br>&nbsp;&nbsp;&nbsp;&nbsp;both human and angelic spells.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not esteem me, Acqua of the Rear,<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the same level as the<br>&nbsp;&nbsp;&nbsp;&nbsp;rest of the Right Seat of God.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Acqua?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now,<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;time to bring an end to the warm-ups.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we are both taking up<br>&nbsp;&nbsp;&nbsp;&nbsp;arms against each other,<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no reason for us not to exchange blows.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I'm not necessarily alone.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, no matter. Bring it on.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have fine moves.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lagging more and more<br>&nbsp;&nbsp;&nbsp;&nbsp;behind my rhythm, though.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, how many more seconds<br>&nbsp;&nbsp;&nbsp;&nbsp;will you be able to last?<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa Church<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;collects magical notation from everyday items,<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reconstructs it, and creates spells from it.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pattern at your feet has<br>&nbsp;&nbsp;&nbsp;&nbsp;blocked your movement magic.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Tatemiya, as well as the rest of you!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now is the time for our sure bet!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this!<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saint Breakout!<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since saints have physical<br>&nbsp;&nbsp;&nbsp;&nbsp;characteristics similar to the Son of God,<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they have the ability to generate<br>&nbsp;&nbsp;&nbsp;&nbsp;the same kind of powers as the Son of God.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saint Breakout disrupts the balance<br>&nbsp;&nbsp;&nbsp;&nbsp;of those physical characteristics.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once a saint loses that balance,<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they are unable to control those<br>&nbsp;&nbsp;&nbsp;&nbsp;powers and can no longer move.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa Church once lost a saint.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When that happened, we all took a pledge.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After our grueling efforts<br>&nbsp;&nbsp;&nbsp;&nbsp;to not just support her as a saint<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but to confront problems that<br>&nbsp;&nbsp;&nbsp;&nbsp;she considered to be a threat,<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what we attained was the Saint Breakout.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A specialized attack<br>&nbsp;&nbsp;&nbsp;&nbsp;spell specifically for saints.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And a fine spell it is.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were an ordinary saint,<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might have been finished right here.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But unfortunately for you,<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in addition to being a saint,<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am also the Right Seat of God.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is pointless.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after combining your forces<br>&nbsp;&nbsp;&nbsp;&nbsp;and hatching this strategy,<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is all you have?<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is still a short time left<br>&nbsp;&nbsp;&nbsp;&nbsp;before your deadline.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will give you a choice.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either give me the young man's arm,<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or become a stain on the road, right here.<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you leave me no alternative.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you get to live.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that William Orwell<br>&nbsp;&nbsp;&nbsp;&nbsp;has used an explosive amount of power,<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a "saint," since his days as a mercenary.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, he wields power in<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodoxy's Right Seat of God,<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as a sorcerer, it appears<br>&nbsp;&nbsp;&nbsp;&nbsp;he had the name "Flere210," as well.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Flere" is a Latin word that means "tears."<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His style of fighting seems to be self-taught,<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but his method of moving around during<br>&nbsp;&nbsp;&nbsp;&nbsp;combat uses a spell employing water.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the name "Acqua of the Rear"<br>&nbsp;&nbsp;&nbsp;&nbsp;is associated with the four archangels,<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would fall under Gabriel,<br>&nbsp;&nbsp;&nbsp;&nbsp;and its attribute would be water, so that fits.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, so he's at a height<br>&nbsp;&nbsp;&nbsp;&nbsp;no regular human could reach,<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how hard they try.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that the Amakusa Church<br>&nbsp;&nbsp;&nbsp;&nbsp;once had a saint among them<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose credo it was to kill<br>&nbsp;&nbsp;&nbsp;&nbsp;with a single strike of the sword.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I'd heard that this saint's<br>&nbsp;&nbsp;&nbsp;&nbsp;disposition was that she hated fighting.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have the nerve it takes to fight me?<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, I'm a much more childish person<br>&nbsp;&nbsp;&nbsp;&nbsp;than I thought myself to be.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I was taught that<br>&nbsp;&nbsp;&nbsp;&nbsp;anger was one of the seven sins.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I will quit losing any sleep over it.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to let his resolve be for nothing.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That alone will be good enough.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Single Flash!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talent is a profoundly cruel thing.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While we both use the same method,<br>&nbsp;&nbsp;&nbsp;&nbsp;it still differs as much as this.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My foundation is entirely Amakusan,<br>&nbsp;&nbsp;&nbsp;&nbsp;and my teachers are my friends.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot permit you to denigrate them.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, anyone who is conscious<br>&nbsp;&nbsp;&nbsp;&nbsp;of how much power they possess,<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;yet still ruthlessly brings it to bear<br>&nbsp;&nbsp;&nbsp;&nbsp;against an ordinary high-schooler,<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if they *are* a saint,<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has no right to look down<br>&nbsp;&nbsp;&nbsp;&nbsp;on others, no matter who they are.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm unimpressed. A foot soldier<br>&nbsp;&nbsp;&nbsp;&nbsp;will unwittingly encounter a tank.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the way of the battlefield.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The foot soldier is simply<br>&nbsp;&nbsp;&nbsp;&nbsp;fired upon and blown away.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is *your* reasoning.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you are the ones<br>&nbsp;&nbsp;&nbsp;&nbsp;who set foot into my territory.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or rather, perhaps the boy was dragged<br>&nbsp;&nbsp;&nbsp;&nbsp;into this by someone somewhere.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you know that, why did you<br>&nbsp;&nbsp;&nbsp;&nbsp;hit him with your saintly power?<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the point of *telling*<br> &nbsp;&nbsp;&nbsp;&nbsp;you my reason for fighting?<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me yours, saint of the far east!<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't give me nothing but talk;<br>&nbsp;&nbsp;&nbsp;&nbsp;offer me your reason, through your sword.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me what it is without words!<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where am I?<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to me? Ow...<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah.<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fight is probably still going on.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Index.<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll apologize to you<br>&nbsp;&nbsp;&nbsp;&nbsp;within an inch of my life later.<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now,<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let me do what must be done.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A shot exerted by the<br>&nbsp;&nbsp;&nbsp;&nbsp;chosen one dashes dignity to bits.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all the despair,<br>&nbsp;&nbsp;&nbsp;&nbsp;will the Priestess's cries get through?<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Holy Mother Veneration"<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>

# 9 - Holy Mother Veneration

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, hacking by way of magic, huh?<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're something else.<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But your body is screaming<br>&nbsp;&nbsp;&nbsp;&nbsp;from this high-speed combat, isn't it?<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power of Gabriel<br>&nbsp;&nbsp;&nbsp;&nbsp;dwelt within Misha Kruezhev.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That incarnation seems<br>&nbsp;&nbsp;&nbsp;&nbsp;to have been incomplete,<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm sensing something<br>&nbsp;&nbsp;&nbsp;&nbsp;even greater from Acqua.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, can a human really<br>&nbsp;&nbsp;&nbsp;&nbsp;possess this much power?<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't had this much<br>&nbsp;&nbsp;&nbsp;&nbsp;of a workout in a long while.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it's about time to finish this.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;THMIMSSP!<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Holy Mother is merciful<br>&nbsp;&nbsp;&nbsp;&nbsp;and softens severe punishment"<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?!<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;TCTCDBPTT...<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Be wrapped in mercy and ascend to Heaven!!"<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ROGBWIMAATH!<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is Imagine Breaker?<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or if I keep breaking through each level,<br>&nbsp;&nbsp;&nbsp;&nbsp;will I eventually run into him?<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua!<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are in no shape to fight me any longer.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let the reason that boy demonstrated<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or the conviction he showed<br>&nbsp;&nbsp;&nbsp;&nbsp;by risking his life<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;be trampled underfoot by this coward<br>&nbsp;&nbsp;&nbsp;&nbsp;with nothing but his talent!<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#09 Holy Mother Veneration"<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world was I doing?<br>&nbsp;&nbsp;&nbsp;&nbsp;I was putting in grueling effort,<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but compared to those saints,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's like I was playing a game.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, damn.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if the system<br>&nbsp;&nbsp;&nbsp;&nbsp;is glitching or what,<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this low-oxygen alert<br>&nbsp;&nbsp;&nbsp;&nbsp;has left me stranded,<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to top it off, the<br>&nbsp;&nbsp;&nbsp;&nbsp;gate is malfunctioning,<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I can't get back to ground level! Man!<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing?<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you, Misaka?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go.<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? H-Hold on.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dummy. What happened to you?<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you just<br>&nbsp;&nbsp;&nbsp;&nbsp;snuck out of the hospital.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're probably still fighting... so...<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I have to go, too...<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you say it?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;--That you want my help!<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you need me to lend a hand!<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-uh, that you're scared or anxious.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say something like that!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, what are you talking about?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *do* know that you have amnesia.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that you're carrying<br>&nbsp;&nbsp;&nbsp;&nbsp;the weight of something huge.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But is it something that<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to carry all by yourself?<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like you've been through<br>&nbsp;&nbsp;&nbsp;&nbsp;the wringer and even lost your memory,<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so what's the reason why you still have<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep carrying it by yourself?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can fight, too. I can be of help to you.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tell me, where are you going,<br>&nbsp;&nbsp;&nbsp;&nbsp;and who are you about to fight?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fighting too this time.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to make this easier for you!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka...<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, let's go. You won't listen<br>&nbsp;&nbsp;&nbsp;&nbsp;to what I'm saying anyhow,<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm going to keep my eye on you<br>&nbsp;&nbsp;&nbsp;&nbsp;until you're back in the hospital--<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... you found out about that.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you've got it wrong.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't remember who I was before,<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I probably didn't stick<br>&nbsp;&nbsp;&nbsp;&nbsp;my neck out to say stuff like that.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The me from when I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;remember is driving who I am now.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's still there.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not up here,<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but here.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm probably in here.<br>&nbsp;&nbsp;&nbsp;&nbsp;I know for sure what I have to do.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Misaka,<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you should hurry and leave.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately nothing's changed.<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if my gears hadn't slipped,<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I hadn't lost my memories,<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what I have to do would have<br>&nbsp;&nbsp;&nbsp;&nbsp;remained the same. Kamijo Toma...<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is not someone who is shaken<br>&nbsp;&nbsp;&nbsp;&nbsp;by whether or not he has his memories.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not wrong about what I said.<br>&nbsp;&nbsp;&nbsp;&nbsp;He has to get back to the hospital, right away.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention, I also have the option<br>&nbsp;&nbsp;&nbsp;&nbsp;of heading with him to the fight.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But right now, there's probably<br>&nbsp;&nbsp;&nbsp;&nbsp;some special significance<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in letting him stand on<br>&nbsp;&nbsp;&nbsp;&nbsp;his own two feet here like this.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I couldn't stop something like that.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The right thing to do<br>&nbsp;&nbsp;&nbsp;&nbsp;is to see him off from here.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not at all satisfied by that.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... that's why...<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you finished already,<br>&nbsp;&nbsp;&nbsp;&nbsp;saint of the far east?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can he wield such power?<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drawing forth that much power<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;should instantly disintegrate a person's body,<br>&nbsp;&nbsp;&nbsp;&nbsp;both physically and magically.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention Acqua having<br>&nbsp;&nbsp;&nbsp;&nbsp;his power as the Right Seat of God.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It shouldn't be possible.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This goes beyond the realm<br>&nbsp;&nbsp;&nbsp;&nbsp;of potential and natural talent.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way he can<br>&nbsp;&nbsp;&nbsp;&nbsp;condense two extraordinary aptitudes<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into a single body like this.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something to it.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be some sort of trick<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhere that is allowing<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;both his saintly powers and his<br>&nbsp;&nbsp;&nbsp;&nbsp;Right Seat of God powers to coexist.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still intend to fight?!<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, you're probably fuming,<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;telling yourself not to drag civilians<br>&nbsp;&nbsp;&nbsp;&nbsp;and Amakusa Church members<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into a fight between saints<br>&nbsp;&nbsp;&nbsp;&nbsp;when our powers are so vastly different.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this is the battlefield.<br>&nbsp;&nbsp;&nbsp;&nbsp;Differences in abilities,<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the quality of weapons,<br>&nbsp;&nbsp;&nbsp;&nbsp;the strength of numbers--<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;attacking others with such marked<br>&nbsp;&nbsp;&nbsp;&nbsp;disparities is the rule here.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't like that, then don't<br>&nbsp;&nbsp;&nbsp;&nbsp;even set foot here in the first place!<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no reason at all to make<br>&nbsp;&nbsp;&nbsp;&nbsp;those who have no power fight.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only true soldiers should<br>&nbsp;&nbsp;&nbsp;&nbsp;be the ones to take up swords!<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an arrogant way of thinking.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm such an idiot.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice should I make?<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice will save my friends?<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice will correct<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua of the Rear's mistake?<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice will uncover his secret<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and counteract his overwhelming power?<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give me strength.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your* strength!<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's move! Off to where<br>&nbsp;&nbsp;&nbsp;&nbsp;the Amakusa Church needs to be!<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're seeking salvation from the weak?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this how badly you fear death?<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that how it looks?<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Certainly, I have friends who have<br>&nbsp;&nbsp;&nbsp;&nbsp;been hurt by sticking to my side.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I left the Amakusa Church as a result.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, this tragedy did not<br>&nbsp;&nbsp;&nbsp;&nbsp;happen because they were weak.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I judged them as weak<br>&nbsp;&nbsp;&nbsp;&nbsp;and didn't trust in their abilities.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somewhere inside me, I looked down on them<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and wouldn't let them have my back.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This arrogance, this feeling of superiority,<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I would protect *them*,<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the real tragedy!<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm going to overcome it.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll trust them to have my back,<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and by each of us giving our<br>&nbsp;&nbsp;&nbsp;&nbsp;maximum mutual support,<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will bring my Amakusa Church back around!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your baseless hope is simply a delusion.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think you could<br>&nbsp;&nbsp;&nbsp;&nbsp;surpass me by doing this?!<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saints, as a result of having been born<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with physical characteristics<br>&nbsp;&nbsp;&nbsp;&nbsp;similar to the Son of God,<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have a portion of the<br>&nbsp;&nbsp;&nbsp;&nbsp;power of God on loan to them.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be that as it may, they cannot wield<br>&nbsp;&nbsp;&nbsp;&nbsp;the kind of power that you have.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You clearly have a power greater than mine.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is that? The answer is simple.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's obviously your Holy Mother veneration.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have physical characteristics<br>&nbsp;&nbsp;&nbsp;&nbsp;similar to the Holy Mother, as well.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you've obtained<br>&nbsp;&nbsp;&nbsp;&nbsp;that power, as well.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By stacking the attributes<br>&nbsp;&nbsp;&nbsp;&nbsp;of both saint and Holy Mother,<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've successfully taken the kind of power<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would normally run out of<br>&nbsp;&nbsp;&nbsp;&nbsp;control and forcibly integrated it.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what if I have?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, you do have a weakness.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compared to all the other<br>&nbsp;&nbsp;&nbsp;&nbsp;saints in the world,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have an even greater<br>&nbsp;&nbsp;&nbsp;&nbsp;vulnerability to counter-saint spells!<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saint Breakout...<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saint Breakout...<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is a technique forcibly collapsing<br>&nbsp;&nbsp;&nbsp;&nbsp;the balance of physical characteristics<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;similar to the Son of God, causing<br>&nbsp;&nbsp;&nbsp;&nbsp;one's power to run uncontrolled within them.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you, who possesses both the facets<br>&nbsp;&nbsp;&nbsp;&nbsp;of saint and Holy Mother, are hit with it...<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spontaneous discharge...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earlier, when he used exclusively<br>&nbsp;&nbsp;&nbsp;&nbsp;magical means to go on the defensive,<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was the reason why?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, so that's your play.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The symbols of the Son of God's crucifixion?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Longinus,<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;now is the time for<br>&nbsp;&nbsp;&nbsp;&nbsp;the final key to his execution!<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should be good. The Amakusa Church--<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;such is a name worthy to<br>&nbsp;&nbsp;&nbsp;&nbsp;be engraved upon my heart.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Holy Mother is merciful<br>&nbsp;&nbsp;&nbsp;&nbsp;and softens severe punishment"<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;THMIMSSP, TCTCDBPT, TROGBWIMAATH!<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"This capacity for tenderness constituting a<br>&nbsp;&nbsp;&nbsp;&nbsp;direct benevolent plea to the righteousness of God"<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Be wrapped in mercy and ascend to Heaven!!"<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now!<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave him to me!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saint Breakout!<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir William, you're safe!<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's William Orwell for you!<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's for tricking me<br>&nbsp;&nbsp;&nbsp;&nbsp;and saving the best part for yourself.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, are you really planning<br>&nbsp;&nbsp;&nbsp;&nbsp;on leaving England?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not cut out to be a mercenary.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pulled all kinds of strings to<br>&nbsp;&nbsp;&nbsp;&nbsp;finally welcome you in as a knight,<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you just brush it away.<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going after?<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not planning to do anything special.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knights and mercenaries<br>&nbsp;&nbsp;&nbsp;&nbsp;both play an indispensable role.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that, I'm sure.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will safeguard things from without.<br>&nbsp;&nbsp;&nbsp;&nbsp;You safeguard them from within.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing so will give us greater latitude.<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So there's no stopping you, then?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, another thing--<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's an order placed with a<br>&nbsp;&nbsp;&nbsp;&nbsp;craftsman outside London for an escutcheon.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cancel that for me, would you?<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As though he could lay it aside...<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As though it could be laid aside...<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, you're coming around!<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, take this.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, please don't strain yourself!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not after the battle you've been through.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I don't remember much<br>&nbsp;&nbsp;&nbsp;&nbsp;of anything after I left the hospital.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't? We took down a saint--<br>&nbsp;&nbsp;&nbsp;&nbsp;one of not even 20 in the whole world!<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That by itself is miraculous,<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a huge bonanza, like Santa tripping<br>&nbsp;&nbsp;&nbsp;&nbsp;and scattering presents everywhere!<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, um...<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So is it okay to say that we beat Acqua,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you and the Amakusa are awesome?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I didn't mean it like that.<br>&nbsp;&nbsp;&nbsp;&nbsp;Although it is true,<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;b-but that isn't for me to say, so...<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Wait, what day is it today?<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My attendance numbers are still safe, right?<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There have been so many incidents lately...<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you shouldn't be getting up!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I mean... that is...<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm* the one who was sitting<br>
&nbsp;&nbsp;&nbsp;&nbsp;there for most of this time.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just...!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't heard an apology<br>&nbsp;&nbsp;&nbsp;&nbsp;for sneaking out of the hospital yet.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, she's right!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How could you think of fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua in your condition?!<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua?! As in the Right Seat of God?!<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wouldn't you turn to me for<br>&nbsp;&nbsp;&nbsp;&nbsp;help against a foe that strong, Toma?!<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Well...<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did Itsuwa start<br>&nbsp;&nbsp;&nbsp;&nbsp;taking Index's position?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the Amakusa's<br>&nbsp;&nbsp;&nbsp;&nbsp;environmental adaptation ability?<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, sweetie.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While you're standing around,<br>&nbsp;&nbsp;&nbsp;&nbsp;the sun is setting.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You need to thank Kami for the help<br>&nbsp;&nbsp;&nbsp;&nbsp;he gave the Amakusa, don't you?<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm aware of that, but...<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you brought your<br>&nbsp;&nbsp;&nbsp;&nbsp;fallen angel maid set, right?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Of course I didn't bring that!<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't do that with others around anyway,<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but knowing how potent that girl's<br>&nbsp;&nbsp;&nbsp;&nbsp;perfect memory ability is...<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured you'd be too uptight,<br>&nbsp;&nbsp;&nbsp;&nbsp;sweetie, so... ta-da!<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought you an improved<br>&nbsp;&nbsp;&nbsp;&nbsp;fallen angel maid set.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? Check out how open that décolletage is,<br>&nbsp;&nbsp;&nbsp;&nbsp;and how sheer the skirt are!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! W-Wah!<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Then, what are you going to do?<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, what do you plan to do, sweetie?<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You aren't seriously thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;after dragging it out this far,<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of tilting your head to the side<br>&nbsp;&nbsp;&nbsp;&nbsp;and saying "I'm so grateful,"<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and just leaving it at that?!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Then what *should* I do?<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About all I can do is wholeheartedly...<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, are you on a high horse!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I have a question!<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweetie, what do you think those are there for?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those testaments to mammality,<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, boobs!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My question is,<br>&nbsp;&nbsp;&nbsp;&nbsp;why do you think those are there?!<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh?<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweetie, in all seriousness,<br>&nbsp;&nbsp;&nbsp;&nbsp;are you sure about this slow pace of yours?<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What do you mean?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean Itsuwa.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying that *she* wouldn't think<br>
&nbsp;&nbsp;&nbsp;&nbsp;twice about playing the fallen angel sexy maid.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! She wouldn't.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you're falling behind Itsuwa!<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On a feminine level!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, all you women are is full of pride,<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you don't know the first<br>&nbsp;&nbsp;&nbsp;&nbsp;thing about having a rough time.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't say that to me!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you lead your little<br>&nbsp;&nbsp;&nbsp;&nbsp;lost sheep like this?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what will it be?<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will it be?<br>&nbsp;&nbsp;&nbsp;&nbsp;What will it be?! What will it be?!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm black and blue from head to toe,<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet you still bite me<br>&nbsp;&nbsp;&nbsp;&nbsp;without mercy, Miss Index.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph! It's your own fault, Toma.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How in the world has Acqua been beaten?<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just means that their group<br>&nbsp;&nbsp;&nbsp;&nbsp;has been progressing quickly.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, you've come out of there,<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma of the Right?<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sort of reaction won't do.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes you look like<br>&nbsp;&nbsp;&nbsp;&nbsp;you're not up to being the pope.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you planning to do?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we strike England.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you get it?<br>&nbsp;&nbsp;&nbsp;&nbsp;We have just about all of Europe,<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;aside from England, under our control.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to contact the<br>&nbsp;&nbsp;&nbsp;&nbsp;other nations to dry England up.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt that will do any<br>&nbsp;&nbsp;&nbsp;&nbsp;damage to Academy City.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not interested in Academy City.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It* is in England.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, *it*?<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, we're going to have to exert<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot of power to get our hands on it.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't mean...<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really a church<br>&nbsp;&nbsp;&nbsp;&nbsp;of the cross follower?<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what do you think?<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now. We can't have<br>&nbsp;&nbsp;&nbsp;&nbsp;you speaking like that.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really expect me<br>&nbsp;&nbsp;&nbsp;&nbsp;to sit by and do nothing?!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to take on me,<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who leads the Right Seat of God?<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't underestimate me.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I call on the Apostles from 1 to 12!<br>&nbsp;&nbsp;&nbsp;&nbsp;I beseech the infinite Lord!<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May thy power be overflowing!<br>&nbsp;&nbsp;&nbsp;&nbsp;I am one who knows its proper meaning.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I implore thee that by this power,<br>&nbsp;&nbsp;&nbsp;&nbsp;my enemy be defeated!<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the next 40 years,<br>&nbsp;&nbsp;&nbsp;&nbsp;you will remain here idle.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Experience this extended<br>&nbsp;&nbsp;&nbsp;&nbsp;lonesomeness unto yourself,<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and sharpen up your mental immaturity.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That power wouldn't be...!<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The right hand symbolizes miracles.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In Michael's right arm<br>&nbsp;&nbsp;&nbsp;&nbsp;is the mightiest of weapons.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With my right arm I hold<br>&nbsp;&nbsp;&nbsp;&nbsp;the very quintessence of miracles,<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I do not have the right output<br>&nbsp;&nbsp;&nbsp;&nbsp;terminals to collect and control it.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power I wield in this state is peanuts.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, wouldn't you want<br>&nbsp;&nbsp;&nbsp;&nbsp;the symbol of all miracles,<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Holy Right?<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't...<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would be able to control it.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It takes overwhelming knowledge,<br>&nbsp;&nbsp;&nbsp;&nbsp;beyond the domain of mankind,<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to control overwhelming power.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Index Librorum Prohibitorum!<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, the English folks have<br>&nbsp;&nbsp;&nbsp;&nbsp;provided quite the delightful package.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A contest as devastating as this<br>&nbsp;&nbsp;&nbsp;&nbsp;may be absurd, but still, it's fun.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, he took all of that by himself?<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, formidable bastard.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! Took all of that by yourself, huh?<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't have had<br>&nbsp;&nbsp;&nbsp;&nbsp;to if you'd forsaken the city.<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma's target is in England. Go.<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do not give orders to me.<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if it coincides<br>&nbsp;&nbsp;&nbsp;&nbsp;with killing that rat bastard,<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be willing to let it slide.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a report.<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that an internal dispute<br>&nbsp;&nbsp;&nbsp;&nbsp;has arisen within the Roman Orthodoxy.<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman pope was caught up in it<br>&nbsp;&nbsp;&nbsp;&nbsp;and is seriously injured.<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From the amount of<br>&nbsp;&nbsp;&nbsp;&nbsp;magical force that was detected,<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;damage to Vatican City should be<br>&nbsp;&nbsp;&nbsp;&nbsp;enormous but is still being figured.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, do-good rascal.<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, you must have<br>&nbsp;&nbsp;&nbsp;&nbsp;been smiling, you do-good rascal.<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take another several hours<br>&nbsp;&nbsp;&nbsp;&nbsp;to restore the Underline information net.<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Process the data collected<br>&nbsp;&nbsp;&nbsp;&nbsp;just before shutdown.<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use the neural operational status<br>&nbsp;&nbsp;&nbsp;&nbsp;and AIM diffusion field offset data<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to derive the right arm's<br>&nbsp;&nbsp;&nbsp;&nbsp;power quality and quantity.<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Point Central 0 maintaining stability level 3.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Central axis idling at<br>&nbsp;&nbsp;&nbsp;&nbsp;critical frequency verified.<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sample designation Imagine Breaker<br>&nbsp;&nbsp;&nbsp;&nbsp;influence coefficient: 98%.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Pivotal main plan power on par<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with Academy City's first-ranked<br>&nbsp;&nbsp;&nbsp;&nbsp;operating as according to schedule.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Under the archbishop's orders,<br>&nbsp;&nbsp;&nbsp;&nbsp;Index and I head for England.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An underhanded in-flight plot<br>&nbsp;&nbsp;&nbsp;&nbsp;spurs sorcerers into action.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Sky Bus 365"<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 10 - Sky Bus 365

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The key to a long-distance relationship<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;lies in whether or not the couple<br>&nbsp;&nbsp;&nbsp;&nbsp;remains in each other's memory."<br>**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Steal-his-love Special"?<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Steal-his-love Special"<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A stronger woman's charms<br>&nbsp;&nbsp;&nbsp;&nbsp;will overwrite his memory"?!<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The fallen angel sexy maid outfit!<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that was an all-out mental,<br>&nbsp;&nbsp;&nbsp;&nbsp;technical, and physical boob tactic?<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Priestess is a force to be reckoned with.<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need a chance to turn things around--<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that new product I've heard about!<br>&nbsp;&nbsp;&nbsp;&nbsp;The Great Fairy Revealing Maid outfit!<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't wear something like that!<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Touching on October functions,<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think the optimal one<br>&nbsp;&nbsp;&nbsp;&nbsp;will be the ball at Queen House.<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The social class of the guests<br>&nbsp;&nbsp;&nbsp;&nbsp;may be a bit more rough...<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, Knight Leader,<br>&nbsp;&nbsp;&nbsp;&nbsp;but those kinds of soirees and balls<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;carry the implication that this is a date.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who asked me<br>&nbsp;&nbsp;&nbsp;&nbsp;to instruct you in English behavior.<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were starting<br>&nbsp;&nbsp;&nbsp;&nbsp;to explore how to live like a lady.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wherever did you hear an idea like that?<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, that's curious. The bit about<br>&nbsp;&nbsp;&nbsp;&nbsp;the fallen angel sexy maid was untrue?<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-W-W-W--<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would not consider<br>&nbsp;&nbsp;&nbsp;&nbsp;such conduct to be ladylike.<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ahem! Putting that aside,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is happening with the Eurotunnel?<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those no telling for certain<br>&nbsp;&nbsp;&nbsp;&nbsp;when it will be restored.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that tensions with<br>&nbsp;&nbsp;&nbsp;&nbsp;France have been heightened.<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seem to be having trouble trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to convince the hawks in Parliament<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to forgo the anti-French<br>&nbsp;&nbsp;&nbsp;&nbsp;pre-emptive strike they keep proposing.<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We also have a number of<br>&nbsp;&nbsp;&nbsp;&nbsp;domestic organizations<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are hinting at taking advantage<br>&nbsp;&nbsp;&nbsp;&nbsp;of the chaos to stir up unrest.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enemies without and within.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leaving us both with<br>&nbsp;&nbsp;&nbsp;&nbsp;an abundance of things to see to.<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#10 Sky Bus 365"<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That was a completely<br>&nbsp;&nbsp;&nbsp;&nbsp;ridiculous thing for me to say.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *do* know that you have amnesia.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can fight, too. I can be of help to you.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, it's you, Zapper.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you up to here?<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It doesn't matter what I'm up to!<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the usual, the usual! Hmph!<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, uh...<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um, are you... over<br>&nbsp;&nbsp;&nbsp;&nbsp;your injuries already?<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, close enough. But then, yeah...<br>&nbsp;&nbsp;&nbsp;&nbsp;You really did find out, huh?<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd appreciate it<br>&nbsp;&nbsp;&nbsp;&nbsp;if you didn't tell anyone else.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as for the vending machine,<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe be more discreet about doing<br>&nbsp;&nbsp;&nbsp;&nbsp;high kicks in a skirt in front of others?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm...<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You're being awfully quiet.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What's happening here?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is my heart getting so cozy?<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey...<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gaah!!<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't "Gaah!!" me!!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, what is up with Misaka?<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I hope Index isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;acting out of sorts, too.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fallout from the<br>&nbsp;&nbsp;&nbsp;&nbsp;explosion in the Eurotunnel,<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Index is the same as always.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--which connects Britain and France,<br>&nbsp;&nbsp;&nbsp;&nbsp;has extended to the airways, as well.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has--<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yakisoba"<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, what's for supper tonight?<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot happened today, so it's cup *yakisoba*.<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A lot happened?<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on a minute. It'll be ready soon.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What was that sound?<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's...<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're such a klutz. Here, this is yours.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!!<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is it, Tsuchimikado?<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kami. This is going to take a while.<br>&nbsp;&nbsp;&nbsp;&nbsp;Is now a good time?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A miracle just happened.<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep it short, would you?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Okay, I'll keep it short.<br>&nbsp;&nbsp;&nbsp;&nbsp;Get yourselves to Britain, now.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this, knockout... gas...?<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beef or fish! Beef or fish! Beef or fish!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beef or fish!<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We know you're looking forward<br>&nbsp;&nbsp;&nbsp;&nbsp;to your inflight meal,<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so could you keep it down, Index?<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm! And why do we have to go<br>&nbsp;&nbsp;&nbsp;&nbsp;to England right now, anyway?<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, they said that there was<br>&nbsp;&nbsp;&nbsp;&nbsp;some huge magical trouble in England,<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;call you in as a state official.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And there was something about me<br>&nbsp;&nbsp;&nbsp;&nbsp;having to come with you, too.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. By the way, Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;when will the airplane meal get here?<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After 9:00, I'd guess. We got the<br>&nbsp;&nbsp;&nbsp;&nbsp;late meal ticket, because it was cheaper.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Better than getting on that plane<br>&nbsp;&nbsp;&nbsp;&nbsp;that Tsuchimikado had waiting for us!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Due to the impact of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Eurotunnel explosion,<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This isn't England?<br>&nbsp;&nbsp;&nbsp;&nbsp;--this flight is assisting the<br>&nbsp;&nbsp;&nbsp;&nbsp;Anglo-French relief material transport service.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said it was France.<br>&nbsp;&nbsp;&nbsp;&nbsp;They mentioned it on the news on TV, too.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! That man over there in the<br>&nbsp;&nbsp;&nbsp;&nbsp;work uniform is eating a sandwich!<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--No fair! I want to eat something, too!<br>&nbsp;&nbsp;&nbsp;&nbsp;--H-Hey, you...<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sir?<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes?!<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What seems to be the trouble?<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-W-We're fine!<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to wonder, though, is it worth it<br>&nbsp;&nbsp;&nbsp;&nbsp;to transport daily necessities on a plane?<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are items coming<br>&nbsp;&nbsp;&nbsp;&nbsp;from overseas countries,<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so apparently there are a lot of<br>&nbsp;&nbsp;&nbsp;&nbsp;things they cannot procure in Britain.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I got the impression that this flight's<br>&nbsp;&nbsp;&nbsp;&nbsp;container included liquid foods.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Liquid foods?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know what the disease is called,<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but apparently, it is nutrition provided<br>&nbsp;&nbsp;&nbsp;&nbsp;to those cannot eat regular food.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nutrition. Food. Airplane<br>&nbsp;&nbsp;&nbsp;&nbsp;food. Inflight meal.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beef or fish!<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Beef or fish! Beef or fish!<br>&nbsp;&nbsp;&nbsp;&nbsp;--I told you, it's one or the other!<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I will bring you something right away.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, the seat was taken<br>&nbsp;&nbsp;&nbsp;&nbsp;by someone on the waiting list.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it ready yet?<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, it is taking a while, huh?<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this supposed to be closed?<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw it, then?<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, emergency.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A terrorist?<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We received word from the control tower that<br>&nbsp;&nbsp;&nbsp;&nbsp;a member of a French anti-English organization<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had gotten aboard the plane.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If certain demands aren't met,<br>&nbsp;&nbsp;&nbsp;&nbsp;the plane will crash and burn.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For real?<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The terrorists demand<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the major airlines' customer<br>&nbsp;&nbsp;&nbsp;&nbsp;management systems be destroyed.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going to completely<br>&nbsp;&nbsp;&nbsp;&nbsp;eliminate the air routes into England.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The blood spatter you saw<br>&nbsp;&nbsp;&nbsp;&nbsp;came from one of my colleagues.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely another act<br>&nbsp;&nbsp;&nbsp;&nbsp;perpetrated by the terrorist.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not thinking that<br>
&nbsp;&nbsp;&nbsp;&nbsp;*I'm* the culprit, are you?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no one was thinking *that*.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can just the two of you<br>&nbsp;&nbsp;&nbsp;&nbsp;really find the criminal?<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could use as many people<br>&nbsp;&nbsp;&nbsp;&nbsp;as you can get, right? So let me help.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch. I'm too nervous about<br>&nbsp;&nbsp;&nbsp;&nbsp;letting this chaos spread.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need an amateur<br>&nbsp;&nbsp;&nbsp;&nbsp;milling around on his own.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you take responsibility<br>&nbsp;&nbsp;&nbsp;&nbsp;for the lives of 500 passengers?<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toss him in there.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How far could Toma have gone?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, how did the connector get broken?<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I can't feed the crash<br>&nbsp;&nbsp;&nbsp;&nbsp;stabilizer the disrupt program--<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Crash?<br>&nbsp;&nbsp;&nbsp;&nbsp;--I can't feed the crash<br>&nbsp;&nbsp;&nbsp;&nbsp;stabilizer the disrupt program--<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a knife carved out of animal bone.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not picked up by<br>&nbsp;&nbsp;&nbsp;&nbsp;airport metal detectors.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get up. Give me any trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll stab you.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get in there, unless you want to get stabbed.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it!<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You!<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what the hell happened in here?!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's even attacking the passengers now.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, what is the terrorist trying to do?<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The crash stabilization device.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index may have heard the culprit say it.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This aircraft has a device installed<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose sensors can auto-detect<br>&nbsp;&nbsp;&nbsp;&nbsp;the shock of a belly landing,<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and automatically shut down all the engines.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if that were to malfunction...<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The aircraft would crash.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get the general picture of what happened.<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry we weren't of any help,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm glad it didn't end up much worse.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate having to do this,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I still need to keep you sequestered.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a duty to the lives of the passengers.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotta be kidding me!<br>&nbsp;&nbsp;&nbsp;&nbsp;Lives of the passengers my ass.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I stayed put and did like you asked,<br>&nbsp;&nbsp;&nbsp;&nbsp;and look what happened!<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had my friend assaulted!<br>&nbsp;&nbsp;&nbsp;&nbsp;You expect me to wait until he comes back?!<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Witnesses are the ones in the most danger!<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is he?<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where did he go?<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he'd just do something to act suspiciously,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could spot him right away.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right...<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it? What's wrong?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happened? Have we lost altitude?<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, that alarm is from<br>&nbsp;&nbsp;&nbsp;&nbsp;a manual button in the cabin.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Emergency, Captain!<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now what is it?!<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know! Damn it, what's going on?!<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The fuel gauge!<br>&nbsp;&nbsp;&nbsp;&nbsp;It shouldn't be dropping like that!<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can only guess there's a hole in the tank!<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't make it to the airport at this rate.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Worst case, we need to prepare for<br>&nbsp;&nbsp;&nbsp;&nbsp;an emergency landing on a main highway!<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Captain, instructions?!<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, I'll be right there!<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like the illusion you've<br>&nbsp;&nbsp;&nbsp;&nbsp;set up is starting to have an effect.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fudging the gauge readings<br>&nbsp;&nbsp;&nbsp;&nbsp;with illusions is a simple matter.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're forcing a landing not at the airport,<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but on a country highway<br>&nbsp;&nbsp;&nbsp;&nbsp;with few buildings around?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, would you prefer to have it explode<br>&nbsp;&nbsp;&nbsp;&nbsp;in the city, or over a residential area?<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What roads can they use<br>&nbsp;&nbsp;&nbsp;&nbsp;for an emergency landing?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of the major highways<br>&nbsp;&nbsp;&nbsp;&nbsp;that lead from London to Scotland,<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they are likely to come down<br>&nbsp;&nbsp;&nbsp;&nbsp;between Kendal and Carlisle.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Block the pertinent highway,<br>&nbsp;&nbsp;&nbsp;&nbsp;and shut down all the roads that feed it.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind you speeding things along,<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what are you going to do if<br>&nbsp;&nbsp;&nbsp;&nbsp;that airliner breaks up in midair?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happens,<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have to at least recover the<br>&nbsp;&nbsp;&nbsp;&nbsp;List of Prohibited Books, who is aboard.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can catch at least one<br>&nbsp;&nbsp;&nbsp;&nbsp;person on the ground.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking from the bottom of my heart,<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you die an early death.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're losing altitude? This is bad!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Increase our altitude!<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you want me killing your passengers,<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll regain altitude immediately!<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I can't.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wha--?<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this rate, we won't<br>&nbsp;&nbsp;&nbsp;&nbsp;make it to Edinburgh Airport!<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, the engines<br>&nbsp;&nbsp;&nbsp;&nbsp;themselves might explode!<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! I'll kill you!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to me. Three minutes.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't regain altitude in three minutes,<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will kill every passenger, one by one!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unusual.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is?<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The airliner has gained altitude.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can only assume they<br>&nbsp;&nbsp;&nbsp;&nbsp;have aborted their landing.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Archbishop, emergency!<br>&nbsp;&nbsp;&nbsp;&nbsp;We've identified a large-scale obstruction<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;coming from the direction of Scotland.<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of obstruction?<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our illusion is being<br>&nbsp;&nbsp;&nbsp;&nbsp;intercepted by a third party.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being obstructed from<br>&nbsp;&nbsp;&nbsp;&nbsp;within Britain of all places?<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This oversight is on you, Archbishop.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am aware.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to be safe, I'd like to put<br>&nbsp;&nbsp;&nbsp;&nbsp;things in place with Air Bus 365.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is everything we need ready?<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'll need a transport.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our altitude has been restored?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So here's where you are!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a problem with that?<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our flight is safely headed<br>&nbsp;&nbsp;&nbsp;&nbsp;for Edinburgh Airport.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are terribly sorry for any<br>&nbsp;&nbsp;&nbsp;&nbsp;inconvenience this has caused you.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Toma?<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would he have picked<br>&nbsp;&nbsp;&nbsp;&nbsp;this moment to commit his terrorism?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't it be because he wished<br>&nbsp;&nbsp;&nbsp;&nbsp;to create a problem over British skies?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he had just done it right away,<br>&nbsp;&nbsp;&nbsp;&nbsp;he would have had time to negotiate<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and might have been able to shake up Britain.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, the terrorist is out of the way.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no reason to<br>&nbsp;&nbsp;&nbsp;&nbsp;worry about it, is there?<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would he wait until the<br>&nbsp;&nbsp;&nbsp;&nbsp;end of the flight to cause an incident?<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still another one!<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cargo hold! He was waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;until after the plane was loaded in Paris<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to commit his terrorism.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because he was waiting for<br>&nbsp;&nbsp;&nbsp;&nbsp;his buddy, who was in with the cargo.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was waiting for insurance.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there only the one way in?<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The terrorist's buddy is probably armed.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The riskiest moment in charging him<br>&nbsp;&nbsp;&nbsp;&nbsp;would be right after opening the door.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there aren't any other ways in or out.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could we use that duct?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. This isn't like in the movies.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not enough space<br>&nbsp;&nbsp;&nbsp;&nbsp;for a person to get through.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's just right.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean, Toma?<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was coffee and bottles of tea<br>&nbsp;&nbsp;&nbsp;&nbsp;among the free drinks, right?<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go bring me some of those.<br>&nbsp;&nbsp;&nbsp;&nbsp;Something as hot as you can make it.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negotiations must have failed.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it comes to this,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bringing this plane down.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tea?<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, terrorist!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what thermal expansion is?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take this plane down!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to the Eurotunnel blast,<br>&nbsp;&nbsp;&nbsp;&nbsp;France has sustained huge losses!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why we're going to make<br>&nbsp;&nbsp;&nbsp;&nbsp;sure they suffer at least the same damage!<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By blocking not just their land routes,<br>&nbsp;&nbsp;&nbsp;&nbsp;but their air routes, too!<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether Britain or France is at fault,<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is there really any reason<br>&nbsp;&nbsp;&nbsp;&nbsp;to fight with each other?!<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's liquid food inside there, right?<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is cargo that France<br>&nbsp;&nbsp;&nbsp;&nbsp;is sending Britain as relief!<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that the kind of relationship<br>&nbsp;&nbsp;&nbsp;&nbsp;Britain and France have?!<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are idiots everywhere!<br>&nbsp;&nbsp;&nbsp;&nbsp;Just because they're in with good people<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't mean I'm willing<br>&nbsp;&nbsp;&nbsp;&nbsp;to let them get away with it!<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,<br>&nbsp;&nbsp;&nbsp;&nbsp;ever the amateur, aren't you?<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's ten more minutes to Edinburgh Airport.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He should be able to survive for that long.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For heaven's sake, you're supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be watching over her in some fashion.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you'd at least show that much resolve.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang in there.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now this update. The jumbo jet<br>&nbsp;&nbsp;&nbsp;&nbsp;Air Bus 365 has landed at Edinburgh Airport.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like the plane made it down safely.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but that's only<br>&nbsp;&nbsp;&nbsp;&nbsp;because the stealth transport,<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using Academy City technology, was sent in.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think Britain may be<br>&nbsp;&nbsp;&nbsp;&nbsp;stretched to the limit.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Whenever I channel any magic,<br>&nbsp;&nbsp;&nbsp;&nbsp;my body gets tingly all over!<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to put on your game faces.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're about to break up<br>&nbsp;&nbsp;&nbsp;&nbsp;the very paradigm that is Britain.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Multiple threads intertwine<br>&nbsp;&nbsp;&nbsp;&nbsp;around ceremonial accouterments.<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The true purpose of the sorcerers<br>&nbsp;&nbsp;&nbsp;&nbsp;known as "New Light" is revealed.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "British Labyrinth."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 11 - British Labyrinth

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see, take the domestic flight<br>&nbsp;&nbsp;&nbsp;&nbsp;to London once we reach Edinburgh...<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You never answered the beef-or-fish<br>&nbsp;&nbsp;&nbsp;&nbsp;question, and we didn't eat anything!<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so hungry right now, I could collapse!<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't eat something,<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am going to die!<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It has been too long.<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What is the fallen<br>&nbsp;&nbsp;&nbsp;&nbsp;angel sexy maid doing here?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#11 British Labyrinth"<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Being right after a terrorist incident,<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would think that they'd have to investigate.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please see that the liquid food<br>&nbsp;&nbsp;&nbsp;&nbsp;is distributed to each household<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as quickly as possible.<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess Vilian?<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The heads of the knights and the puritans,<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as our young guests,<br>&nbsp;&nbsp;&nbsp;&nbsp;have arrived at the palace.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is nearly time for their audience.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please get ready.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;William...<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, why were we even<br>&nbsp;&nbsp;&nbsp;&nbsp;called here in the first place?<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado was supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;do your orientation. He didn't tell you?<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He gassed us without warning<br>&nbsp;&nbsp;&nbsp;&nbsp;and left us at the airport--<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're here.<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knight Leader...<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we're about to hold<br>&nbsp;&nbsp;&nbsp;&nbsp;here at Buckingham Palace<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a sort of strategy meeting.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Officially, it will be called an audience.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, I was hoping you'd<br>&nbsp;&nbsp;&nbsp;&nbsp;be wearing something formal.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Formal?<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you say strategy meeting,<br>&nbsp;&nbsp;&nbsp;&nbsp;what strategy are we discussing?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The possibility that magic was involved<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Eurotunnel blast has surfaced.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beyond that, you'll have to ask Her Majesty.<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her Majesty?<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, this dress is such a pain.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't I wear a track suit?<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please wait just a moment.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! Can't you at least knock when entering?!<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do apologize, but first and foremost...<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is official business,<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you were about to show up in<br>&nbsp;&nbsp;&nbsp;&nbsp;a track suit again, you gormless prat?!<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that my tummy is full,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting to get sleepy.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! But the main event is about to start!<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're ready for you now.<br>&nbsp;&nbsp;&nbsp;&nbsp;Queen Elizard has seen the light.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sword?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a royal sword, known as "Curtana."<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for coming. Please, come on over.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that some kind of big-deal sword?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who possesses that<br>&nbsp;&nbsp;&nbsp;&nbsp;sword can obtain, virtually at least,<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the same quality of power<br>&nbsp;&nbsp;&nbsp;&nbsp;as held by the archangel Michael.<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Archangel?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greatest and strongest<br>&nbsp;&nbsp;&nbsp;&nbsp;being among all the angels.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, yeah...?<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, by some ill fortune,<br>&nbsp;&nbsp;&nbsp;&nbsp;this were to be destroyed,<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;no one would hold it against you.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, this is actually Curtana Second.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I'm afraid that just telling me<br>&nbsp;&nbsp;&nbsp;&nbsp;its name doesn't explain anything.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means it's the second one.<br>&nbsp;&nbsp;&nbsp;&nbsp;The Curtana Original, which appeared first,<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;disappeared somewhere.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So even if this Curtana were to be broken,<br>&nbsp;&nbsp;&nbsp;&nbsp;a new Curtana would emerge.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For goodness sake, that's not true.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana Second *is* a second sword<br>
&nbsp;&nbsp;&nbsp;&nbsp;that was crafted with great precision,<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the method of forging such a<br>&nbsp;&nbsp;&nbsp;&nbsp;second sword has been lost in this age.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is First Princess Riméa.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would have asked, one of my men--<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or rather, I would have come to get you.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we can't have that, we can't have that.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What good is it to walk right into greater<br>&nbsp;&nbsp;&nbsp;&nbsp;peril of being stabbed in the back?<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention of placing my trust<br>&nbsp;&nbsp;&nbsp;&nbsp;in the hands of those who know me.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gloomy again, are we, sister?<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't have faith<br>&nbsp;&nbsp;&nbsp;&nbsp;in anything in the world,<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then go ahead and die right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we'll all be better off.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second Princess Carissa.<br>&nbsp;&nbsp;&nbsp;&nbsp;You should study your history, young man.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vilian, you're here, too?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My younger sister, the third princess.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, not a barrel of laughs, is she?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, it's about time<br>&nbsp;&nbsp;&nbsp;&nbsp;the others were gathering.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we should be toddling off.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are occasions when fewer<br>&nbsp;&nbsp;&nbsp;&nbsp;people in a shorter amount of time<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can be more effective<br>&nbsp;&nbsp;&nbsp;&nbsp;in carrying out discussions.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why am I here,<br>&nbsp;&nbsp;&nbsp;&nbsp;like a fish out of water, anyhow?<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have the queen and the princesses.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So many famous people,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help but feel like taking a picture.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were taking a photo.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't allow you to leave me out.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just squeeze in a little closer...<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, as long as we're taking pictures,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take control.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I wouldn't mind...<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you start taking pictures<br>&nbsp;&nbsp;&nbsp;&nbsp;without me, the headliner!<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The topic of discussion is France.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;France, you say?<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. We'll begin with<br>&nbsp;&nbsp;&nbsp;&nbsp;the matter of the Eurotunnel blast.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have decided that it was an act of<br>&nbsp;&nbsp;&nbsp;&nbsp;subversion by the French government.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you...<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...have any ev-i-dence?<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the reason why I summoned<br>&nbsp;&nbsp;&nbsp;&nbsp;the List of Prohibited Books.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a French Roman Orthodox sorcerer,<br>&nbsp;&nbsp;&nbsp;&nbsp;in particular, was used,<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she should be able to correctly analyze that.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should think of this not as a<br>&nbsp;&nbsp;&nbsp;&nbsp;quarrel between Britain and France,<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as a power struggle<br>&nbsp;&nbsp;&nbsp;&nbsp;between Britain and Academy City,<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Rome and Russia.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Presently, Britain is being isolated.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. But that is not the only issue.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the thick of this latest hijacking incident,<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came across a fact that was quite concerning.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Concerning how?<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We enlisted Necessarius's help<br>&nbsp;&nbsp;&nbsp;&nbsp;to solve the matter,<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there were traces that something<br>&nbsp;&nbsp;&nbsp;&nbsp;had remotely jammed their illusion.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problem is, the source of<br>&nbsp;&nbsp;&nbsp;&nbsp;that jamming came from Scotland,<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;right here in the United Kingdom.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we have more than just outside enemies.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a big enough headache that<br>&nbsp;&nbsp;&nbsp;&nbsp;Britain and France are squabbling,<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now you're saying we have<br>&nbsp;&nbsp;&nbsp;&nbsp;independent domestic terrorists, too?<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The identity of the terrorists<br>&nbsp;&nbsp;&nbsp;&nbsp;appears to have gotten out.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their organization's name is "New Light."<br>&nbsp;&nbsp;&nbsp;&nbsp;It's comprised of four members.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They also appear to have just<br>&nbsp;&nbsp;&nbsp;&nbsp;completed an archaeological dig.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if they're out to bring<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever they dug up back to London,<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and carry on some sort of subversive activities.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, there are two things we must do.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Investigate the cause of the Eurotunnel blast,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to deal with the external threat of France;<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and determine the affiliation and goal<br>&nbsp;&nbsp;&nbsp;&nbsp;of the sorcerer who is the internal threat,<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and eliminate them if necessary.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heading up the Eurotunnel investigation<br>&nbsp;&nbsp;&nbsp;&nbsp;for the external French threat<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be the knights.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for the internal threat,<br>&nbsp;&nbsp;&nbsp;&nbsp;the puritans will take the lead<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in looking into British sorcerer societies.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the List of Prohibited Books<br>&nbsp;&nbsp;&nbsp;&nbsp;will be acting separately,<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to work with the investigation here.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if I may ask, what am I supposed to do?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you have a bad habit<br>&nbsp;&nbsp;&nbsp;&nbsp;of wanting to get into it<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever something happens.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't see why not.<br>&nbsp;&nbsp;&nbsp;&nbsp;Necessarius is shorthanded, right?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No. I don't think it is advisable<br>&nbsp;&nbsp;&nbsp;&nbsp;to expose civilians to danger.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes, there is that.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need to force civilians to help us.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Lucky me!<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, maybe I'll just kick back here.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. The living expenses for those not<br>&nbsp;&nbsp;&nbsp;&nbsp;serving the national interest, however,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be requested separately at a later date.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mind, do you?<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, if you'll just think of it<br>&nbsp;&nbsp;&nbsp;&nbsp;as two or three suites at a gaudy,<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;five-star hotel, it's quite a bargain.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be my honor to work together<br>&nbsp;&nbsp;&nbsp;&nbsp;for the sake of British peace.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now, does it feel like the game is on yet?<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lancis, you're our goalkeeper.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, I'm all ready!<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This magic is tickling me.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, our half will strike hard and fast,<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and finish this quickly.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Lessar,<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you haven't forgotten that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're part of that half, right?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you screw this up, you'll answer to me.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't. But since we're picking positions,<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to be a forward.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you done getting the Skídbladnirs ready?<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all it took to dig it up,<br>&nbsp;&nbsp;&nbsp;&nbsp;we need to be careful with its container, too.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I know. We're transforming<br>&nbsp;&nbsp;&nbsp;&nbsp;Britain today, isn't that right?<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of us in "New Light."<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I didn't think I'd run into you.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, a lot has happened to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;as well. I made a little deal,<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now, I use my skills for Britain, you see?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right,<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I carry the case into position,<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wait for the signal.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops...<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This one is mine. Your case is *that* one.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Oh, okay, okay.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That was close.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Which one is the real one?<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nobody move!<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...fleeing down Regent Street.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like one of them has screwed up.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's going on there?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A blatantly obvious explosion of suspiciousness.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see, which one is it? Is it this one?<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's *this* one!<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we clear the area.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, the other thing.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was overdoing it a little, wasn't it?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the contrary, this could be bad.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mind, do you?!<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding me, right?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! Now I've done it!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used the most important thing to hide behind!<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Oriana, that rectangular case<br>&nbsp;&nbsp;&nbsp;&nbsp;seems to be an all-important item.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure does. If that's the magical item,<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it should prove interesting to have<br>&nbsp;&nbsp;&nbsp;&nbsp;you hit it with your right hand.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't afford to be outdone at this point!<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're supposed to chase *that*?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not necessarily, no.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help! Help me!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Worst-case scenario, I'll make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;at least one of these activates.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan Church 0th Parish, Necessarius.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're coming with us to the Tower of London.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just in case, would you like<br>&nbsp;&nbsp;&nbsp;&nbsp;to know the charges?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's all right.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention of being caught<br>&nbsp;&nbsp;&nbsp;&nbsp;until this case activates!<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it!<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your spear--from its magical glyph,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sensing it's of the thunder god Thor.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be so naively simple<br>&nbsp;&nbsp;&nbsp;&nbsp;as to think it's Mjöllnir.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thunder god *has* once<br>
&nbsp;&nbsp;&nbsp;&nbsp;used other weapons before.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After dissecting the accounts,<br>&nbsp;&nbsp;&nbsp;&nbsp;we unearthed these magical items,<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Steel Gloves.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These kinds of weapons are<br>&nbsp;&nbsp;&nbsp;&nbsp;much easier for women to use!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's grasping something?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wind from the air?<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dust particles?!<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Had enough, have you?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be willing to keep going.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be using Gjallarhorn next.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you want to end up as cinders,<br>&nbsp;&nbsp;&nbsp;&nbsp;just stay down right where you are.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is going to alter<br>&nbsp;&nbsp;&nbsp;&nbsp;the course of British history.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can expect all sorts<br>&nbsp;&nbsp;&nbsp;&nbsp;of changes to come about.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Under whose orders are you doing this?!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it France? Is it the Roman Orthodoxy?!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;France or the Roman Orthodoxy? Right...<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it turns out, our sister didn't come.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is Riméa up to?<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister has some difficulty trusting others.<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although France has been<br>&nbsp;&nbsp;&nbsp;&nbsp;involved in a series of incidents,<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the influence of the Roman Orthodoxy<br>&nbsp;&nbsp;&nbsp;&nbsp;must be behind them somehow.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is seeking military action against<br>&nbsp;&nbsp;&nbsp;&nbsp;France the only dialogue we can have?<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you seriously want otherwise,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd better come up with something specific.<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our sister specializes in brains;<br>&nbsp;&nbsp;&nbsp;&nbsp;myself, in war; and you, in virtue.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might be able to find a more<br>&nbsp;&nbsp;&nbsp;&nbsp;effective method of dealing with this.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister...<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Brace yourselves up. We're nearly to Folkestone.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud, that Lessar<br>&nbsp;&nbsp;&nbsp;&nbsp;idiot has messed everything up.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is supposed to be a direct line.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is it curving?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are many magical<br>&nbsp;&nbsp;&nbsp;&nbsp;training grounds within London.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to our intel,<br>&nbsp;&nbsp;&nbsp;&nbsp;New Light is made up of four people.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there are still three more of them,<br>&nbsp;&nbsp;&nbsp;&nbsp;this could be a bit of a problem.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have some good news on that front.<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two to go.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, you play it fast and loose, don't you?!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By all appearances,<br>&nbsp;&nbsp;&nbsp;&nbsp;you aren't a sorcerer, nor are you British.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what reason are you pursuing me?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the case, not being British,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're out. You have no stake in this.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No stake?!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to know. All I can tell you is,<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we just want to change the direction<br>&nbsp;&nbsp;&nbsp;&nbsp;of Britain to the breaking point.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me this is tempered glass.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fall from this height would kill me.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha-ha! Dead or apprehended!<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apprehended it is! Huh?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm dead! I'm dead!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't catch me, *I'm* dead!<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Major point deduction!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have to go after her, right?!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Skídbladnir"?<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The cases that they're using right now.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its effect as a magical item is<br>&nbsp;&nbsp;&nbsp;&nbsp;to take whatever is in Case A,<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and teleport it to Case B, Case C, Case D--<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;any other magical item<br>&nbsp;&nbsp;&nbsp;&nbsp;of the same kind, at will.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they can pass around an important item<br>&nbsp;&nbsp;&nbsp;&nbsp;like they were playing lacrosse?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By all rights,<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it could be a bomb or some other weapon.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sucks.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;New Light is made up of four members.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two of them have already been brought down.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The main item must be in one of<br>&nbsp;&nbsp;&nbsp;&nbsp;the two remaining members' cases.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you kidding me?!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you--!<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We know what it is you're after.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've already caught the others.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you don't know where Lancis is, do you?<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The three of us are acting as relays.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter which of us it goes through,<br>&nbsp;&nbsp;&nbsp;&nbsp;this mission is going to succeed.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relays?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you realize it when you<br>&nbsp;&nbsp;&nbsp;&nbsp;found out these were mass-produced?<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The possibility of there<br>&nbsp;&nbsp;&nbsp;&nbsp;being a fifth Skídbladnir!<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who did you just send the contents to?!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is carrying the fifth case?!<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The objective has been achieved,<br>&nbsp;&nbsp;&nbsp;&nbsp;but the fact remains, I lost the race.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I accept that. If you're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to shut me up, now is the best time.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sniper?!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Call an ambulance, Oriana!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Robin Hood?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A magical item used by the knights<br>&nbsp;&nbsp;&nbsp;&nbsp;for long-range sharpshooting.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was developed by a<br>&nbsp;&nbsp;&nbsp;&nbsp;unit directly under Carissa,<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and well known among the military.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that unit is involved in<br>&nbsp;&nbsp;&nbsp;&nbsp;silencing New Light, it means...<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing we were transporting<br>&nbsp;&nbsp;&nbsp;&nbsp;was Curtana Original.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ceremonial sword used in<br>&nbsp;&nbsp;&nbsp;&nbsp;coronations, once lost to history,<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;far superior to Curtana Second.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greatest magical item in the United Kingdom.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sword that is truly worthy<br>&nbsp;&nbsp;&nbsp;&nbsp;of transforming Britain.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alert every knight secreted throughout the land!<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commence the invasion!<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana Original is in our hands!<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who do not wish<br>&nbsp;&nbsp;&nbsp;&nbsp;their country to be befouled<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are invited to rise up with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;Carissa, the new head of state!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the start of a new United Kingdom,<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will level whatever may be necessary,<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and destroy whatever may be necessary!<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An invasion by the knights?<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The chaos brought about by this fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;will be slashed by one man's sword.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name, William Orwell.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Mercenaries."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 12 - Mercenary

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alert every knight secreted<br>&nbsp;&nbsp;&nbsp;&nbsp;throughout the land!<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Commence the invasion!<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana Original is in our hands!<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who do not wish<br>&nbsp;&nbsp;&nbsp;&nbsp;their country to be befouled<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are invited to rise up with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;Carissa, the new head of state!<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the start of a new United Kingdom,<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will level whatever may be necessary,<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and destroy whatever may be necessary!<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The knights are even coming<br>&nbsp;&nbsp;&nbsp;&nbsp;after those of us in Necessarius.<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any event, I need to rendezvous<br>&nbsp;&nbsp;&nbsp;&nbsp;with the sisters in the other fortress,<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and regroup...<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three through 20 and 30<br>&nbsp;&nbsp;&nbsp;&nbsp;through 35 ready to fire.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Designated witches will<br>&nbsp;&nbsp;&nbsp;&nbsp;please accelerate in sequence<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and attend to intercepting the knights.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about it, Smartvery?<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't be sure that our attacks<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will have any effect<br>&nbsp;&nbsp;&nbsp;&nbsp;against those knight monsters.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess we'll have to tough it out until<br>&nbsp;&nbsp;&nbsp;&nbsp;Coven Compass crosses the border.<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we're the decoys.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knights *do* love to chase after witch tail,<br>
&nbsp;&nbsp;&nbsp;&nbsp;no matter what year it is.<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here they come!<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#12 Mercenary"<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have instructions not<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill as much as possible,<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but with this many of us mixing it up,<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't guarantee that will be possible.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're telling us to surrender<br>&nbsp;&nbsp;&nbsp;&nbsp;before we get hurt? How bighearted of you.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't care if anyone gets killed?<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Begin searching the area!<br>&nbsp;&nbsp;&nbsp;&nbsp;They couldn't have gotten too far away.<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sir!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Sir!<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, that worked surprisingly well.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do now?<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My goodness,<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was planning to call the<br>&nbsp;&nbsp;&nbsp;&nbsp;List of Prohibited Books in<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have her analyze whether the<br>&nbsp;&nbsp;&nbsp;&nbsp;First, Second, and Third Princesses<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;posed a threat before<br>&nbsp;&nbsp;&nbsp;&nbsp;things ended up like this.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there are this many<br>&nbsp;&nbsp;&nbsp;&nbsp;knights grouped together,<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that points to the militaristic<br>&nbsp;&nbsp;&nbsp;&nbsp;Second Princess.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, good show,<br>&nbsp;&nbsp;&nbsp;&nbsp;her locating the Original like that.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, Curtana Second<br>&nbsp;&nbsp;&nbsp;&nbsp;here is all but useless.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Daughter or not, this speedy<br>&nbsp;&nbsp;&nbsp;&nbsp;invasion has been outstanding.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps her fool of a mother could stick<br>&nbsp;&nbsp;&nbsp;&nbsp;her head in the noose right now for her.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Offer no resistance, and you needn't<br>&nbsp;&nbsp;&nbsp;&nbsp;come to any undue harm.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, choose wisely.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be rough for you.<br>&nbsp;&nbsp;&nbsp;&nbsp;That isn't the way Carissa operates.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I know my daughter,<br>&nbsp;&nbsp;&nbsp;&nbsp;these must have been your orders:<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If she doesn't obey you,<br>&nbsp;&nbsp;&nbsp;&nbsp;kill her without hesitation;<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once you decide to kill her, show no mercy."<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, what will it be?<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Roman Orthodox spell,<br>&nbsp;&nbsp;&nbsp;&nbsp;based on the lore of the House of Loreto,<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was used as a destruction glyph.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The original House of Loreto is<br>&nbsp;&nbsp;&nbsp;&nbsp;famous for having Louis IX visit it.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible that the magical item<br>&nbsp;&nbsp;&nbsp;&nbsp;theory he brought back with him<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was updated by someone and<br>&nbsp;&nbsp;&nbsp;&nbsp;used to cause the blast in this tunnel.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is terrific news.<br>&nbsp;&nbsp;&nbsp;&nbsp;Both for me, and for you.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your statement is definitive proof<br>&nbsp;&nbsp;&nbsp;&nbsp;that France was involved in this blast.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had denied France's involvement,<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have had to slay you, right here.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Issue the ultimatum to France.<br>&nbsp;&nbsp;&nbsp;&nbsp;Then mobilize the military,<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and deploy the destroyers to Dover,<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;such that they're ready to send<br>&nbsp;&nbsp;&nbsp;&nbsp;missiles into Versailles at any time,<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;depending on their response.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we consider Academy City?<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ignore them. It should be our own nation<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that holds the reins<br>&nbsp;&nbsp;&nbsp;&nbsp;to our nation's military might.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To hell with this war between the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritans and Academy City,<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Roman Orthodoxy and the Russian Church.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether the magic side wins,<br>&nbsp;&nbsp;&nbsp;&nbsp;or the science side wins this fight,<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Britain will go down, having gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;mixed up in both magic and science.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we're going to avoid that,<br>
&nbsp;&nbsp;&nbsp;&nbsp;we can't wage a war of just *two* powers;<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we must make it a *three*-sided war<br>
&nbsp;&nbsp;&nbsp;&nbsp;for British independence.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mother's way is not aggressive enough.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the sake of our nation's future,<br>&nbsp;&nbsp;&nbsp;&nbsp;we need to win this war on our own,<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without any help or<br>&nbsp;&nbsp;&nbsp;&nbsp;interference from anyone else.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that leaves the matter<br>&nbsp;&nbsp;&nbsp;&nbsp;of Mother and my sisters.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To secure my claim to the usage of Curtana,<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have to kill them at once.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, those knights are everywhere.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to meet up with Necessarius<br>&nbsp;&nbsp;&nbsp;&nbsp;in a hurry, or she won't make it.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you kidding me?!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Golem Ellis?!<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sherry is making a move?!<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sorceress is bad news.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Her good friend was<br>&nbsp;&nbsp;&nbsp;&nbsp;killed by a knight way back when.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take advantage of this chaos<br>&nbsp;&nbsp;&nbsp;&nbsp;to deliver her to Necessarius's dorms.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to knock out these knights<br>&nbsp;&nbsp;&nbsp;&nbsp;while they're occupied with the golem,<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and wait for my chance to bring<br>&nbsp;&nbsp;&nbsp;&nbsp;that sorceress back to her senses.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you do that by yourself?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I *wanted* you to ask was,<br>
&nbsp;&nbsp;&nbsp;&nbsp;"Can I leave this to you?"<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you rather abandon<br>&nbsp;&nbsp;&nbsp;&nbsp;the girl and tag along with me?<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you deliver the girl,<br>&nbsp;&nbsp;&nbsp;&nbsp;head to Waterloo station<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and blend your way aboard the Eurostar train.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The knights will be using it<br>&nbsp;&nbsp;&nbsp;&nbsp;to move people and goods around.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would I do that?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That train will take you to Folkestone.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The List of Prohibited Books<br>&nbsp;&nbsp;&nbsp;&nbsp;and Carissa will be there.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I leave this to you, Oriana?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, that's better. I've got things here.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering how she sensed<br>&nbsp;&nbsp;&nbsp;&nbsp;the danger, and now I know--<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the servants let her escape.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The virtuous third daughter<br>&nbsp;&nbsp;&nbsp;&nbsp;lives up to her reputation.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess Vilian's carriage<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;appears to have headed toward<br>&nbsp;&nbsp;&nbsp;&nbsp;Canterbury by way of Dover.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where the English Puritans<br>&nbsp;&nbsp;&nbsp;&nbsp;ostensibly have their main cathedral.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Slow-witted sister or not,<br>&nbsp;&nbsp;&nbsp;&nbsp;she made quite the quick getaway.<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go. There's not a moment<br>&nbsp;&nbsp;&nbsp;&nbsp;to waste on my incompetent sister.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll kill Vilian with all haste,<br>&nbsp;&nbsp;&nbsp;&nbsp;then go after my older sister in hiding.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An aircraft.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it hostile?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Likely so. We haven't received<br>&nbsp;&nbsp;&nbsp;&nbsp;any word of reinforcements.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bring it down.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too late. It's already here.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt that all of this<br>&nbsp;&nbsp;&nbsp;&nbsp;commotion will subside too easily,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll start by defeating the ringleader.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have time for this.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to take care of her.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the reason you were<br>&nbsp;&nbsp;&nbsp;&nbsp;so persistent in your invitation<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was because you knew it<br>&nbsp;&nbsp;&nbsp;&nbsp;would end up like this?<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hope in having you put in<br>&nbsp;&nbsp;&nbsp;&nbsp;some time as a lady was unfeigned.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it seems too late for that now.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you look so surprised?<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our United Kingdom was forged<br>&nbsp;&nbsp;&nbsp;&nbsp;around Curtana and our four cultures,<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that itself binds us under<br>&nbsp;&nbsp;&nbsp;&nbsp;unique church-of-the-cross rules.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Within our realm, the king is<br>&nbsp;&nbsp;&nbsp;&nbsp;the archangel, and knights are angels!<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if you are a saint,<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as we are in this land,<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the amount of power I have<br>&nbsp;&nbsp;&nbsp;&nbsp;is on an entirely different level.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the Canterbury Cathedral...<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there are still any puritans remaining,<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I have to at least have them<br>&nbsp;&nbsp;&nbsp;&nbsp;rescue the servants who let me escape.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give up, already. Whether you come<br>&nbsp;&nbsp;&nbsp;&nbsp;out quietly, or hole up inside there,<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to die either way.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three... two... one...<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're counting on<br>&nbsp;&nbsp;&nbsp;&nbsp;Canterbury Cathedral, don't bother.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You understand what I mean?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason your carriage lost<br>&nbsp;&nbsp;&nbsp;&nbsp;control was none of our doing.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's thanks to some autopilot magical item<br>&nbsp;&nbsp;&nbsp;&nbsp;jamming on the Canterbury end.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The puritans have forsaken you.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That can't be! No, that can't be!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like that settles that.<br>&nbsp;&nbsp;&nbsp;&nbsp;You have no one left on your side.<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even a single one.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took care of the saint.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing stands in our way.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. Then would you do one more task for me?<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using a sword would<br>&nbsp;&nbsp;&nbsp;&nbsp;just ruin the cutting surface.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The axe used for executing<br>&nbsp;&nbsp;&nbsp;&nbsp;the aristocracy is the better choice.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're free to beg for help.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure there are those who are listening.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't go thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;that anyone will answer you.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no one... no one there...<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't anyone who will help me...<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is farewell.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me promise you one last thing.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will take all measures that I can<br>&nbsp;&nbsp;&nbsp;&nbsp;to ensure that your head will remain<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as beautiful as it was in life.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That those who see it may honor your memory.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He came back...<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've come back.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came back?!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--William Orwell!<br>&nbsp;&nbsp;&nbsp;&nbsp;--William Orwell!<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right, princess of the realm?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're late, you has-been<br>&nbsp;&nbsp;&nbsp;&nbsp;mercenary scoundrel!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring me both of their heads.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you wish.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bayard?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Necessarius's safe house has been input.<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess, you're leaving now.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;William, what about you?<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll catch up soon.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take measures to minimize their<br>&nbsp;&nbsp;&nbsp;&nbsp;ability to follow you, so do not worry.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to go up<br>&nbsp;&nbsp;&nbsp;&nbsp;against the knights alone?<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Against Carissa, who is<br>&nbsp;&nbsp;&nbsp;&nbsp;now effectively the state?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind. Cast me aside.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't even one other person<br>&nbsp;&nbsp;&nbsp;&nbsp;who would have saved me.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just the sort of person I am.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cast me aside and be off.<br>&nbsp;&nbsp;&nbsp;&nbsp;Then at least you can...<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;William, what are you...?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you don't believe in my strength,<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the reason why I fight<br>&nbsp;&nbsp;&nbsp;&nbsp;for you remains unshaken.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! That isn't what<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to hear from you!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you stand here against me?<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no reason for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;the onetime mercenary,<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now Acqua of the Rear,<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Right Seat of God,<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to risk your life for our nation's<br>&nbsp;&nbsp;&nbsp;&nbsp;Third Princess, is there?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. No matter who you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;or who you are with,<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't change what you must do, does it?<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That truly is your way of thinking.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that Hrunting?<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ten years since you left are right here.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am no longer the same man<br>&nbsp;&nbsp;&nbsp;&nbsp;you knocked out in Dover.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stake my ten years to assess what<br>&nbsp;&nbsp;&nbsp;&nbsp;you've accomplished in your ten years!<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I left Lessar with them and managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to sneak aboard the train and all...<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A patrolman?!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're checking in *here*?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you Japanese?<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't look like you're with the knights.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Seems like I've seen that outfit<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhere before. Is that a style now?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you can help me.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Floris. I dabble in<br>&nbsp;&nbsp;&nbsp;&nbsp;a minor little sorcery society.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, don't just sit there, move it.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're almost to the end of the line.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sorcery society? Wait, if you've<br>&nbsp;&nbsp;&nbsp;&nbsp;been stuck in something that sturdy,<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what exactly did you do?<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I don't think I did<br>&nbsp;&nbsp;&nbsp;&nbsp;anything that was too wrong.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, and these are magical items,<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you'll never get them off<br>&nbsp;&nbsp;&nbsp;&nbsp;without the keys over by the door.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, see, my right hand<br>&nbsp;&nbsp;&nbsp;&nbsp;is called Imagine Breaker,<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it does this to all<br>&nbsp;&nbsp;&nbsp;&nbsp;kinds of magical objects.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spare me the blather!<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you break these off<br>&nbsp;&nbsp;&nbsp;&nbsp;so roughly, you're gonna--<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now what do we do?!<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll hit a dead end in about ten minutes!<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, it's too soon to give up just yet.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, you're not thinking...<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's exactly what I'm thinking.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, an idiot?!<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to commit suicide, do it alone!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a tailor-made river just ahead.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to escape, it's now or never.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, we're gonna die for real!<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's fine! The water's<br>&nbsp;&nbsp;&nbsp;&nbsp;surface will cushion us!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This river is no more than a meter deep!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, watch my right hand!<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, with each blow,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell that your wounds are aching.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you suffering the aftereffects<br>&nbsp;&nbsp;&nbsp;&nbsp;of your defeat in Academy City?<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You talk too much, my friend.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you no longer take up your sword and fight<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without making excuses,<br>&nbsp;&nbsp;&nbsp;&nbsp;both to yourself and to everyone else?<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's such a pity.<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is the fight of our lives,<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I would have preferred<br>&nbsp;&nbsp;&nbsp;&nbsp;to fight you at your best!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was not Hrunting.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're manipulating your attack pattern?!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm impressed that you<br>&nbsp;&nbsp;&nbsp;&nbsp;realized it so quickly.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping that we could settle things<br>&nbsp;&nbsp;&nbsp;&nbsp;without me having to use this...<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like you. Holding back<br>&nbsp;&nbsp;&nbsp;&nbsp;against the sign of the evil dragon?<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I come!<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on!<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Movement Speed!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weapon Weight!<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Slicing Power!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attack Range!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all you have. You cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;overcome my blade in your condition.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will give you a choice.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can lay down your sword<br>&nbsp;&nbsp;&nbsp;&nbsp;and leave the United Kingdom,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or you and your sword can become<br>&nbsp;&nbsp;&nbsp;&nbsp;one with the United Kingdom's soil.<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would you prefer?<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before I choose, I have a question for you.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you support the Second Princess,<br>&nbsp;&nbsp;&nbsp;&nbsp;and kill the Third Princess,<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you truly believe<br>&nbsp;&nbsp;&nbsp;&nbsp;that this nation will be saved?<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot say it is the ideal course.<br>&nbsp;&nbsp;&nbsp;&nbsp;However, history is already in motion.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, I have no choice but to take a side.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The side which will bring<br>&nbsp;&nbsp;&nbsp;&nbsp;the most benefit to this nation.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To flee, or to die--have<br>&nbsp;&nbsp;&nbsp;&nbsp;you made your decision?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I have but two choices.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a question of whether I kill you, or I don't.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. It seems I have<br>&nbsp;&nbsp;&nbsp;&nbsp;my answer, then. Very well...<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where you die!<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about that? I managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to get us out of our restraints.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>&nbsp;&nbsp;&nbsp;&nbsp;That wasn't setting us free,<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was just an explosion!<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as the outcome is the same,<br>&nbsp;&nbsp;&nbsp;&nbsp;who cares about the process?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, the carriage is an awful mess.<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Won't getting around now be a huge problem?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I have a terrific idea about that!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're not thinking of doing<br>&nbsp;&nbsp;&nbsp;&nbsp;that fabled whatever-it's-called!<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-da! The hitchhiking gambit!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, driver of that wretched lorry!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How would you fancy a drive<br>&nbsp;&nbsp;&nbsp;&nbsp;with this beautiful little lady?<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I get him for that?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You moron, the driver<br>&nbsp;&nbsp;&nbsp;&nbsp;made the right decision.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's go. We're off to London.<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I don't know anything about<br>&nbsp;&nbsp;&nbsp;&nbsp;such savagery as riding horses.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi-yo!<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, are you planning to<br>&nbsp;&nbsp;&nbsp;&nbsp;leave me behind?! Just a moment!<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't hitchhike, you know!<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sword rips apart dimensions,<br>&nbsp;&nbsp;&nbsp;&nbsp;and engulfs Britain in a sea of flames.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will the sorcerers succumb<br>&nbsp;&nbsp;&nbsp;&nbsp;to such overwhelming power?<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Curtana Original."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 13 - Curtana Original

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like we managed to<br>&nbsp;&nbsp;&nbsp;&nbsp;successfully get away from them.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Successfully?<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite plunging into the water and<br>&nbsp;&nbsp;&nbsp;&nbsp;bouncing around at least seven times,<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while spinning around?!<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but see?<br>&nbsp;&nbsp;&nbsp;&nbsp;We're both still alive. Safe, safe!<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Safe?!<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That isn't at all the issue, here!<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hoofbeats?<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone's after us!<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, aren't you...?<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third Princess?<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've located the Third Princess.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outstanding.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry and escort her here.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The thing is...<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine Breaker is with her?!<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on earth is going on?<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#13 Curtana Original"<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever heard of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Norse warrior named Thororm?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This warrior used magic<br>&nbsp;&nbsp;&nbsp;&nbsp;and allegedly had the power<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to cancel out the sharpness<br>&nbsp;&nbsp;&nbsp;&nbsp;of his enemy's swords.<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... can't mean...<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking a page from the legend,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have formulated a spell<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that zeroes out the attack force<br>&nbsp;&nbsp;&nbsp;&nbsp;of anything I recognize as a weapon.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I took a brutal sneak attack<br>&nbsp;&nbsp;&nbsp;&nbsp;at Dover long ago, that is.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero out!<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero out!<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero out!<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero out!<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero out!<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero out!<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That again?!<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I zeroed that out earlier!<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you out of tricks?!<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;History is already on the move.<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you can turn back time,<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is clear who will do the most<br>&nbsp;&nbsp;&nbsp;&nbsp;good for the country as its head!<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why do you cling so tenaciously<br>&nbsp;&nbsp;&nbsp;&nbsp;to that powerless Third Princess?!<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you still not get it?<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be! The three animals<br>&nbsp;&nbsp;&nbsp;&nbsp;on the coat of arms--<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the royalty, the knights, and the puritans...<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fields of blue symbolizing England,<br>&nbsp;&nbsp;&nbsp;&nbsp;Scotland, Wales, and Northern Ireland--<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the entirety of Great Britain...<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?!<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you seriously thinking that?!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of striving for a perfect harmony within<br>&nbsp;&nbsp;&nbsp;&nbsp;the body of the United Kingdom itself,<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the three sisters and the queen,<br>&nbsp;&nbsp;&nbsp;&nbsp;and no one else's support?!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I said before, there is<br>&nbsp;&nbsp;&nbsp;&nbsp;no point in speaking it aloud.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is only carrying out the<br>&nbsp;&nbsp;&nbsp;&nbsp;unspoken actions of one's beliefs!<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero out--<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He launched that?<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once I've noticed it,<br>&nbsp;&nbsp;&nbsp;&nbsp;and recognize it as a weapon, it's over!<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero out--<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there enough time? Zero out!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet another, hidden blade?<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, meeting the same fate as Thororm...<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has turned out the<br>&nbsp;&nbsp;&nbsp;&nbsp;same as ten years ago--<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;bested by a sneak attack...<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am, after all, a shameless,<br>&nbsp;&nbsp;&nbsp;&nbsp;has-been mercenary scoundrel.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One who can fight with wild abandon,<br>&nbsp;&nbsp;&nbsp;&nbsp;compared to you stiff knights.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as fate would have it, I don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;a blade with which to kill an old friend.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The captain! Fall back!<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a nasty feeling that won't quit,<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I won't get anywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;unless I keep moving.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Luckily though, the Amakusa<br>&nbsp;&nbsp;&nbsp;&nbsp;are now guarding the Third Princess.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A devil of a face to come across once again.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua of the Rear...?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's alive?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If recovering her is your goal,<br>&nbsp;&nbsp;&nbsp;&nbsp;get it done quickly.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a certain sense, the danger here<br>&nbsp;&nbsp;&nbsp;&nbsp;is higher than it is in conquered London.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, Knight Leader has<br>&nbsp;&nbsp;&nbsp;&nbsp;been vanquished, has he?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're causing me so much grief,<br>&nbsp;&nbsp;&nbsp;&nbsp;and without my vanguard,<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that I'll have to deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with you bottom feeders myself.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your grief will soon be over,<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because your coup d'état is<br>&nbsp;&nbsp;&nbsp;&nbsp;about to come to an end, right here.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take me so lightly.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm standing here with<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana Original in my hand.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget that!<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinarily, this is something<br>&nbsp;&nbsp;&nbsp;&nbsp;that separates the territory<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the United Kingdom from<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of the planet Earth,<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;manages it, and governs it,<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but by applying its special attributes,<br>&nbsp;&nbsp;&nbsp;&nbsp;it can do this, as well.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you cut through<br>&nbsp;&nbsp;&nbsp;&nbsp;three-dimensional matter,<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;its cross-section becomes two-dimensional.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if two-dimensional,<br>&nbsp;&nbsp;&nbsp;&nbsp;the cross-section becomes one-dimensional.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the same way, if you cut<br>&nbsp;&nbsp;&nbsp;&nbsp;through a dimension of space<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;higher than three dimensions,<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;its cross-section is put out into<br>&nbsp;&nbsp;&nbsp;&nbsp;the world in three-dimensional form.<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, I can produce<br>&nbsp;&nbsp;&nbsp;&nbsp;this sort of cross-sectional wreckage.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pandimensional fragmentation spell.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it has one drawback, it makes it<br>&nbsp;&nbsp;&nbsp;&nbsp;too easy to put an end to things,<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it isn't as fun as it could be.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just need a moment.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you keep her occupied?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll smash that magical item<br>&nbsp;&nbsp;&nbsp;&nbsp;with my right hand while you do.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how frightful. Your patented move<br>&nbsp;&nbsp;&nbsp;&nbsp;was called Imagine Breaker, wasn't it?<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, allow me to show you<br>&nbsp;&nbsp;&nbsp;&nbsp;an applied technique just right for it!<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! What do I do?!<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless you'd rather die, grab on.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow-w-w...<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, catch.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you save us?<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one who has brought<br>&nbsp;&nbsp;&nbsp;&nbsp;together the current union<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;between Roman Orthodoxy<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Russian Church<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a man named Fiamma of the Right.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma of the Right?<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is your right arm, and the wisdom<br>&nbsp;&nbsp;&nbsp;&nbsp;from the List of Prohibited Books<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;needed to fully exploit it,<br>&nbsp;&nbsp;&nbsp;&nbsp;that Fiamma is after.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, if I had let<br>&nbsp;&nbsp;&nbsp;&nbsp;the both of you fall just now,<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma would have lost the<br>&nbsp;&nbsp;&nbsp;&nbsp;keys to his plan, and panicked.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would carry the risk of even<br>&nbsp;&nbsp;&nbsp;&nbsp;more senseless destruction spreading.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Consequently, there is no other choice<br>&nbsp;&nbsp;&nbsp;&nbsp;but to destroy the scourge within the scourge.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the need arose<br>&nbsp;&nbsp;&nbsp;&nbsp;to put a stop to this petty quarrel<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which spun off from the actual<br>&nbsp;&nbsp;&nbsp;&nbsp;scourge before I could, you see.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Petty? You mean the coup d'état?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there a way... to stop it?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Carissa and the knights' new order<br>&nbsp;&nbsp;&nbsp;&nbsp;is centered around Curtana Original,<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;incorporating its own vulnerability.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it is not my way to strike at that.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not use tricks. I only challenge<br>&nbsp;&nbsp;&nbsp;&nbsp;others upfront, out in the open.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua of the Rear...<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index! Are you okay? Are you hurt anywhere?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, did you save me from the knights?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd probably think so, right?<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet, things did not<br>&nbsp;&nbsp;&nbsp;&nbsp;work out as handily as that.<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm! Then I bet you came here<br>&nbsp;&nbsp;&nbsp;&nbsp;with yet another girl you don't know!<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd probably think so, right?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it didn't go as easily as that!<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I'm glad to see<br>&nbsp;&nbsp;&nbsp;&nbsp;you're still your usual self.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, I could use some supper.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a little *too* much your usual self.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prevent Curtana Original from functioning?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We received a report that the Second Princess<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has returned to Buckingham Palace.<br>&nbsp;&nbsp;&nbsp;&nbsp;It can be assumed the reason for this<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because Curtana Original's<br>&nbsp;&nbsp;&nbsp;&nbsp;power is unstable,<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a result of being too great,<br>&nbsp;&nbsp;&nbsp;&nbsp;and needs fine tuning.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Second Princess and<br>&nbsp;&nbsp;&nbsp;&nbsp;the knights were always united<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by nothing but a mutual interest.<br>&nbsp;&nbsp;&nbsp;&nbsp;If Knight Leader has been defeated,<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then now is our chance.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can eliminate Curtana,<br>&nbsp;&nbsp;&nbsp;&nbsp;this coup d'état will fall apart.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua also said that the framework<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of Carissa and the knights was<br>&nbsp;&nbsp;&nbsp;&nbsp;centered around Curtana, and fragile.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it really possible to shut Curtana down?<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a subway under Buckingham Palace.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a system using an<br>&nbsp;&nbsp;&nbsp;&nbsp;underground branch line not usually in use,<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a special car with<br>&nbsp;&nbsp;&nbsp;&nbsp;magic cast on it standing by<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which will activate should<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana ever get out of control.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something of a safety<br>&nbsp;&nbsp;&nbsp;&nbsp;device put in place.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why we believe Carissa<br>&nbsp;&nbsp;&nbsp;&nbsp;has returned to Buckingham Palace.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to use that against her,<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by expending a tremendous amount<br>&nbsp;&nbsp;&nbsp;&nbsp;of magic power from Coven Compass,<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritans' aerial fortress,<br>&nbsp;&nbsp;&nbsp;&nbsp;to cast a large-scale flash spell,<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which, if we can forcibly disrupt<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana Original via the subway,<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;should stimulate it to run away with itself.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I mean, I don't really<br>&nbsp;&nbsp;&nbsp;&nbsp;get the exact theory behind it,<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if it works, let's do it right away.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a little bit of a relief<br>&nbsp;&nbsp;&nbsp;&nbsp;to hear you say that.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth is, there are very few people<br>&nbsp;&nbsp;&nbsp;&nbsp;who can carry out this mission.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to wonder...<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what is the deal with this restaurant?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just happened to come here<br>&nbsp;&nbsp;&nbsp;&nbsp;for the first time today, and...<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this, big-boob country?!<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on! If everyone in<br>&nbsp;&nbsp;&nbsp;&nbsp;here is like this, then maybe,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's something in their<br>&nbsp;&nbsp;&nbsp;&nbsp;cooking that makes you...!<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kamijo Toma"<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Why?! What does he want?!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would that idiot be calling *me*?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to ask, Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I need to sneak into a subway.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know how to open<br>&nbsp;&nbsp;&nbsp;&nbsp;an electronic shutter door lock?<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh...<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to ask, Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I need to sneak into a subway!<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard you, and I was ignoring you!<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a clue, you idiot!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, why do you need<br>&nbsp;&nbsp;&nbsp;&nbsp;to sneak into a train station?<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you, anyway?<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;London.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Do you know the kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of hoops you have to go through<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to get out of Academy City...?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, didn't he say<br>&nbsp;&nbsp;&nbsp;&nbsp;he went to France earlier?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really am in London, though.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm serious about this shutter door<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of me that I need to get through.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me what kind of lock it is.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;we made it this far so smoothly<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;confirms that the strength<br>&nbsp;&nbsp;&nbsp;&nbsp;of London's security network<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is stacked toward the magic end of things.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it would seem.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, while Index and I are disconnected<br>&nbsp;&nbsp;&nbsp;&nbsp;from magic, and won't set off anything,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're a British princess, right?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have acquired a certain level<br>&nbsp;&nbsp;&nbsp;&nbsp;of education, as a member of royalty,<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but in matters of magic, I objected<br>&nbsp;&nbsp;&nbsp;&nbsp;to learning any knowledge or skills<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that could be applied toward<br>&nbsp;&nbsp;&nbsp;&nbsp;violence, so I'm afraid... I'm sorry.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, all you have to do<br>&nbsp;&nbsp;&nbsp;&nbsp;is open the subway partition,<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which has to be done by<br>&nbsp;&nbsp;&nbsp;&nbsp;a member of the royal family.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do my best! With Index's assistance,<br>&nbsp;&nbsp;&nbsp;&nbsp;even a beginner like me can help!<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I appreciate it.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Toma,<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's some marking using<br>&nbsp;&nbsp;&nbsp;&nbsp;magic put in place in this area.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably so sorcerers<br>&nbsp;&nbsp;&nbsp;&nbsp;who have to maintain a magical item<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't lose track of where this location is.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those?!<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, stay back! That's a magical item<br>&nbsp;&nbsp;&nbsp;&nbsp;based on Mökkurkálfi construction.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a fabricated giant from Norse mythology!<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, did I get him?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?!<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad! I can't move or get away!<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This trap is probably child's<br>&nbsp;&nbsp;&nbsp;&nbsp;play that Sister could set<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with even less than<br>&nbsp;&nbsp;&nbsp;&nbsp;the magic in her pinky finger.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But still, even with that tiny bit of force,<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if it is going to hurt those<br>&nbsp;&nbsp;&nbsp;&nbsp;who are trying to support me...<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will resist it! I will resist it to<br>&nbsp;&nbsp;&nbsp;&nbsp;the bitter end, whatever it takes!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CAO! MARATTR!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Change angle of orientation!<br>&nbsp;&nbsp;&nbsp;&nbsp;Move your right arm to the right!"<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obey the one bearing the<br>&nbsp;&nbsp;&nbsp;&nbsp;proper blood, and open up at once!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saved me, Vilian.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me take it from here.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll stop him for good this time!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did it.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, thank goodness I got through!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you, Itsuwa?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The mission was a success!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to Princess Vilian releasing<br>&nbsp;&nbsp;&nbsp;&nbsp;the lock on the magic partition,<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we were able to access the special car's<br>&nbsp;&nbsp;&nbsp;&nbsp;power source! I should therefore say...<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...please get out of there right away!<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I somehow managed to contain it...<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;P-Princess Carissa!<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem. It was an<br>&nbsp;&nbsp;&nbsp;&nbsp;attack from Coven Compass.<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recover the special railway<br>&nbsp;&nbsp;&nbsp;&nbsp;car and reseal it.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, Highness!<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like things went well.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana's power has now been dampened.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now we just wait for the countercoup<br>&nbsp;&nbsp;&nbsp;&nbsp;forces we called in to assemble,<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and charge Buckingham Palace.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we have Carissa under control,<br>&nbsp;&nbsp;&nbsp;&nbsp;the coup d'état will fall apart.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the homestretch. Which means...<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You just ate mine! You ate my meatball!<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No I didn't.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A light salad is out of<br>&nbsp;&nbsp;&nbsp;&nbsp;the question at this point!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Everyone, we *do* have <br>
&nbsp;&nbsp;&nbsp;&nbsp;a fight coming up, so--<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More, please! I demand more food,<br>&nbsp;&nbsp;&nbsp;&nbsp;no questions asked!<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One thing that has to<br>&nbsp;&nbsp;&nbsp;&nbsp;be done before a big battle...<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to fortify our bellies, of course.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you going to eat?<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I was caught in the wake of the<br>&nbsp;&nbsp;&nbsp;&nbsp;others' intensity, and got a late start.<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take over for you, so off you go!<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I, er, th-that's okay.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just got done fighting,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm smelly, and in this outfit...<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have just the Cinderella<br>&nbsp;&nbsp;&nbsp;&nbsp;mission for you, Itsuwa!<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-da!<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pre-sale opening night for<br>&nbsp;&nbsp;&nbsp;&nbsp;the Great Fairy Revealing Maid outfit!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Mr. Tatemiya, why did you<br>&nbsp;&nbsp;&nbsp;&nbsp;bring that doomsday weapon?!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, Priestess, I also carefully<br>&nbsp;&nbsp;&nbsp;&nbsp;saved your precious bridal outfit.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who asked you to?! I<br>&nbsp;&nbsp;&nbsp;&nbsp;don't need that thing!<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't need it? Don't tell me you have<br>&nbsp;&nbsp;&nbsp;&nbsp;a hyper-fallen-angel sexy maid outfit<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that goes beyond even this.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You really spare no effort, do you?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Agnese, it looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;the far east denomination<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is saying something interesting<br>&nbsp;&nbsp;&nbsp;&nbsp;about letting ample breasts go to waste.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, so who among our camp<br>&nbsp;&nbsp;&nbsp;&nbsp;would be most effective<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to serve as a counterargument?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Count me out, okay?<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I'm doing that.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought this would look good on you,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I brought it, along with that pedestal.<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never asked for either one of them!<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look down on goth outfits!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then that leaves me little choice.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I will wear it, so that it does not go to waste.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whoa, you idiot, stop!<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that Curtana Original<br>&nbsp;&nbsp;&nbsp;&nbsp;was overloaded. Was that your doing?<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it was probably the work of<br>&nbsp;&nbsp;&nbsp;&nbsp;magical specialists within the country.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. As a result, the knights<br>&nbsp;&nbsp;&nbsp;&nbsp;are on the verge of collapsing.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that's true, it can be set<br>&nbsp;&nbsp;&nbsp;&nbsp;aside with your return, can it not?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you having second thoughts?<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A word of warning before<br>&nbsp;&nbsp;&nbsp;&nbsp;you go into the jaws of death.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In our earlier fight, I could only<br>&nbsp;&nbsp;&nbsp;&nbsp;control one fighting pattern at a time,<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as a result, I was defeated by you.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second Princess Carissa and Curtana Original<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are equipped with each one of them.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She can produce an attack that cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;be avoided, blocked, or countered.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really mean to<br>&nbsp;&nbsp;&nbsp;&nbsp;bring her down, be prepared.<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deputy Pope!<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Coven Compass has arrived<br>&nbsp;&nbsp;&nbsp;&nbsp;at the designated coordinates!<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time has come at last.<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh dear, it appears we<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't make it in time.<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They left us behind? Damn it.<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here I bump into<br>&nbsp;&nbsp;&nbsp;&nbsp;my calculating oldest daughter,<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whom I didn't want to see anyway, too.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How mean to call me calculating.<br>**[22:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd prefer that you call it an<br>&nbsp;&nbsp;&nbsp;&nbsp;intelligent, level-headed decision<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the event that Carissa completely<br>&nbsp;&nbsp;&nbsp;&nbsp;released Curtana Original's power.<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what "calculating" means.<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you keep going, horsie?<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to get back to London in a big hurry.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are things with that flag<br>&nbsp;&nbsp;&nbsp;&nbsp;in the British Museum ready to go?<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would say we're about halfway there.<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not many would realize it is a magical item,<br>**[22:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;having been mixed in<br>&nbsp;&nbsp;&nbsp;&nbsp;with the other general artifacts.<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Charles Conder with the museum<br>&nbsp;&nbsp;&nbsp;&nbsp;does as I expect him to,<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it should prove to be useful to us.<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My word, with the fate of<br>&nbsp;&nbsp;&nbsp;&nbsp;the United Kingdom on the line,<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they're charging into the final showdown<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without so much as a decent trump card,<br>&nbsp;&nbsp;&nbsp;&nbsp;just their pluck and their guts.<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bloody fools.<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem pretty pleased,<br>&nbsp;&nbsp;&nbsp;&nbsp;considering your tone,<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mother.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are men powerless in the<br>&nbsp;&nbsp;&nbsp;&nbsp;face of overwhelming military might?<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, they're not. Everyone fights<br>&nbsp;&nbsp;&nbsp;&nbsp;for the United Kingdom tonight.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Heroes."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 14 - Heroes

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've broken through the designated point!<br>&nbsp;&nbsp;&nbsp;&nbsp;Target within firing range!<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now commencing large-scale flash shelling!<br>**[00:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All witches, withdraw from the line of fire!<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Repeat, withdraw from the line of fire!<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it comes! Here it comes!<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Targeting Buckingham Palace!<br>&nbsp;&nbsp;&nbsp;&nbsp;Commencing shelling!<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! That's an awesome bombardment,<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but is the damage to<br>&nbsp;&nbsp;&nbsp;&nbsp;the area around it all right?!<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The area around the palace is a large park,<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so any stray shots should be okay.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, we should consider<br>&nbsp;&nbsp;&nbsp;&nbsp;that even with this much bombardment,<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it might not bring down Carissa.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a rank amateur, charging into<br>&nbsp;&nbsp;&nbsp;&nbsp;this battlefield with only my fist.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty reckless, if I do say so myself.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...do you head into such extreme danger,<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you have no obligation<br>&nbsp;&nbsp;&nbsp;&nbsp;to risk your life for the British state?<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No special reason.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if the people who are caught<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of this coup d'état<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were nothing more than nameless characters,<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;born to be shot at in some shooting game,<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have already gone back<br>&nbsp;&nbsp;&nbsp;&nbsp;home to Academy City.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they aren't, are they?<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're all running around for their lives,<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;desperately clinging to whatever is<br>&nbsp;&nbsp;&nbsp;&nbsp;important to them, trying not to lose it.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How am I supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;just abandon them so easily?<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a different sort of mercenary<br>&nbsp;&nbsp;&nbsp;&nbsp;than William is, aren't you?<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's wreckage from Curtana Original's<br>&nbsp;&nbsp;&nbsp;&nbsp;pandimensional fragmentation!<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on tight!<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn... Index...?<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki! Itsuwa! Damn it, where are you?!<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#14 Heroes"<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, stop this!<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho...<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How unexpected for you to be the<br>&nbsp;&nbsp;&nbsp;&nbsp;first to arrive, my mindless little sister.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But unless you notch the bolt and<br>&nbsp;&nbsp;&nbsp;&nbsp;draw back the string, you can't kill me.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pointless if you can't use your weapon.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like *this*, for example!<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Carissa!<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations, that was<br>&nbsp;&nbsp;&nbsp;&nbsp;an award-winning fine play.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up against the final boss, right off the bat.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no idea how many knights<br>&nbsp;&nbsp;&nbsp;&nbsp;there are lying in wait, either.<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You needn't be so watchful;<br>&nbsp;&nbsp;&nbsp;&nbsp;this isn't an ambush.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used them for a little live broadcast.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you killed them.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But they were allies who fought<br>&nbsp;&nbsp;&nbsp;&nbsp;on your side, such that it was!<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--And you--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Enough.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their lofty positions and<br>&nbsp;&nbsp;&nbsp;&nbsp;rewards they get from their family lines<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are given because they work<br>&nbsp;&nbsp;&nbsp;&nbsp;like mad to serve their country.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So being expended for the sake<br>&nbsp;&nbsp;&nbsp;&nbsp;of their country is a knight's dream.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, their firm<br>&nbsp;&nbsp;&nbsp;&nbsp;solidarity has been reborn.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the coup d'état is unsuccessful,<br>&nbsp;&nbsp;&nbsp;&nbsp;both they and the country will perish,<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in terror!<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are mobile attack<br>&nbsp;&nbsp;&nbsp;&nbsp;fortresses, Griffon Skies.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are unmanned magical items, but as such,<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they are second to none<br>&nbsp;&nbsp;&nbsp;&nbsp;in coordinated attacks,<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even among the nation's other fortresses.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, they're too powerful<br>&nbsp;&nbsp;&nbsp;&nbsp;against human targets,<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the magical items'<br>&nbsp;&nbsp;&nbsp;&nbsp;auto-discriminators must be thrown off.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinarily, that would have cut you in two.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second Princess Carissa...<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm alive?<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At last, I've managed to<br>&nbsp;&nbsp;&nbsp;&nbsp;properly pay back my huge debt.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki!<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just me.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index, assess that magic, if you please.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reanalyze the spellcraft related to Curtana.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean how to control<br>&nbsp;&nbsp;&nbsp;&nbsp;it or contain it, right?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give it a try.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, the do-nothing soldier who could<br>&nbsp;&nbsp;&nbsp;&nbsp;not even make it to the main battle,<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;now plan on becoming<br>&nbsp;&nbsp;&nbsp;&nbsp;the central figure in the fight?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not intend to settle<br>&nbsp;&nbsp;&nbsp;&nbsp;everything by myself.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am joined by allies now,<br>&nbsp;&nbsp;&nbsp;&nbsp;who all have my back!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean you've been holding<br>&nbsp;&nbsp;&nbsp;&nbsp;back against me?! For that you'll die!<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What speed!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I can distract<br>&nbsp;&nbsp;&nbsp;&nbsp;Carissa even a little bit...!<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, you're a brave one to come this far.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I'll see you in hell!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mind me! Press on!<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys...<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damned if you aren't<br>&nbsp;&nbsp;&nbsp;&nbsp;incurring an inordinate cost!<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like we're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to need your right hand after all.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go ahead and try what I can,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I make no promises.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a delay between the moment<br>&nbsp;&nbsp;&nbsp;&nbsp;when Curtana cuts through an object<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and when the wreckage material appears.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you can cancel out the<br>&nbsp;&nbsp;&nbsp;&nbsp;slice itself with your right hand,<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it may not have any effect against<br>&nbsp;&nbsp;&nbsp;&nbsp;the wreckage material created.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then if we can get close<br>&nbsp;&nbsp;&nbsp;&nbsp;to her after she slashes,<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but before the wreckage material appears...<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't even use any decent magic.<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the best you can do,<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess of Virtue?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I can't stand to grovel any longer!<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the sake of those who are<br>&nbsp;&nbsp;&nbsp;&nbsp;risking their lives to save me,<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have made up my mind to take<br>&nbsp;&nbsp;&nbsp;&nbsp;a stand as this nation's princess!<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sod off!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A blast from Coven Compass?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a coordinated attack?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, what a cheeky trick!<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the pinnacle of<br>&nbsp;&nbsp;&nbsp;&nbsp;relying on others, my sister!<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That trajectory won't...<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;BAO...<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Bend attack trajectory! Change downward"<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CD...<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously? A direct hit like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;and she ends up with just scratches?!<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I was planning to<br>&nbsp;&nbsp;&nbsp;&nbsp;drum up a greater sense of danger,<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and only use this once I'd baited<br>&nbsp;&nbsp;&nbsp;&nbsp;my mother, Elizard, in closer.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calling the destroyer *Wimbledon*,<br>
&nbsp;&nbsp;&nbsp;&nbsp;on patrol at Dover.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Launch a bunker cluster cruise missile.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target Buckingham Palace.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bunker cluster?<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what that is? They can blow away<br>&nbsp;&nbsp;&nbsp;&nbsp;everything in a 3-kilometer radius.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't let that happen.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll put a defensive barrier up<br>&nbsp;&nbsp;&nbsp;&nbsp;in the air to intercept it.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Assuming you can make it in time<br>&nbsp;&nbsp;&nbsp;&nbsp;for a Mach 5 cruise missile.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're vulnerable, just as I anticipated!<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki!<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my goodness.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sorcerers of this nation<br>&nbsp;&nbsp;&nbsp;&nbsp;should definitely have known<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how fearsome the head of state<br>&nbsp;&nbsp;&nbsp;&nbsp;wielding Curtana Original would be.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, miss, it's just as you thought.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a tomb, all right, fit for<br>&nbsp;&nbsp;&nbsp;&nbsp;the king of a whole civilization.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send you the material.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a rational explanation<br>&nbsp;&nbsp;&nbsp;&nbsp;why she hasn't killed them.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, my sister, rushing through life,<br>&nbsp;&nbsp;&nbsp;&nbsp;I pretty well know what you're after.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up. This is First Princess Riméa.<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her out-of-control behavior has been entirely<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the sake of the nation of Great Britain.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have been under pressure from<br>&nbsp;&nbsp;&nbsp;&nbsp;the forces of France, Roman Orthodoxy,<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Russian Church,<br>&nbsp;&nbsp;&nbsp;&nbsp;which have used the EU as their pawns,<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as violations<br>&nbsp;&nbsp;&nbsp;&nbsp;of our national dignity.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amidst this humiliation,<br>&nbsp;&nbsp;&nbsp;&nbsp;she made the determination<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to personally wield Curtana Original,<br>&nbsp;&nbsp;&nbsp;&nbsp;to overcome these external pressures.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While at the same time, she resolved<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to lock away such a<br>&nbsp;&nbsp;&nbsp;&nbsp;doomsday weapon forevermore,<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that it could never be misused again.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the fighting was over,<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she planned to take the<br>&nbsp;&nbsp;&nbsp;&nbsp;destroyed Curtana Original,<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;along with the shards of Curtana Second,<br>&nbsp;&nbsp;&nbsp;&nbsp;spending the rest of her life<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;down in a hole in the ground that was<br>&nbsp;&nbsp;&nbsp;&nbsp;destined to be her grave, until she died.<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calling Destroyer *Wimbledon*.<br>
&nbsp;&nbsp;&nbsp;&nbsp;Launch another bunker cluster.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is trying to take upon<br>&nbsp;&nbsp;&nbsp;&nbsp;herself alone the offense<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of wielding the abominable weapon<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana, acting as a tyrant,<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to wipe out all the enemies of the nation,<br>&nbsp;&nbsp;&nbsp;&nbsp;both foreign and domestic.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there are any who<br>&nbsp;&nbsp;&nbsp;&nbsp;would take pity on my sister--<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;some knight who would like<br>&nbsp;&nbsp;&nbsp;&nbsp;to save this young woman--<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you now take up your sword once again?<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not about to give up.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what can you do?<br>&nbsp;&nbsp;&nbsp;&nbsp;The second bunker cluster<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is already nearly here.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be blown apart, ignorant fool!<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what our military is made of!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Zero out!<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's you!<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have my head if you like<br>&nbsp;&nbsp;&nbsp;&nbsp;once this coup d'état is over.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, let us at least pave<br>&nbsp;&nbsp;&nbsp;&nbsp;the way for that first.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would ask you who are royalty<br>&nbsp;&nbsp;&nbsp;&nbsp;to once again work together,<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and properly confront France<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Roman Orthodoxy.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg your pardon for leaving the fate of<br>&nbsp;&nbsp;&nbsp;&nbsp;my country and princess in your hands.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Now we're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to work together to stop her.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knight Leader? Were you manipulated<br>&nbsp;&nbsp;&nbsp;&nbsp;by my sister's cunning performance?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're asking what moved me<br>&nbsp;&nbsp;&nbsp;&nbsp;to want to save you,<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then that was a part of it.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate having to do this, but it looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to use all the bunker clusters.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Thororm spell may not be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to stand up against Curtana,<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it can zero out<br>&nbsp;&nbsp;&nbsp;&nbsp;the attack of bunker clusters.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you still planning on wasting them?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've factored that in, of course.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The *Wimbledon* has 24 missiles,<br>
&nbsp;&nbsp;&nbsp;&nbsp;the *King Henry VII* has 26,<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the *Sherwood* has 15.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If I hide one of those behind an illusion,<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your spell is useless to defend against it,<br>&nbsp;&nbsp;&nbsp;&nbsp;since you can't identify your target.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Calling all destroyers on standby.<br>&nbsp;&nbsp;&nbsp;&nbsp;Launch all of your cruise missiles!<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?! An antenna?<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't be able to issue<br>&nbsp;&nbsp;&nbsp;&nbsp;rash orders to the military now.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. You're sticking your nose<br>&nbsp;&nbsp;&nbsp;&nbsp;into my business, now.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua!<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I late? I'm not very good with science.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It took me a while to destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;every military antenna in the area.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who would have guessed<br>&nbsp;&nbsp;&nbsp;&nbsp;the time would ever come again<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to have my back in this lifetime?<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do try your best not to slow me down.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rubbish.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! Let's put to the test what<br>&nbsp;&nbsp;&nbsp;&nbsp;we've both learned in the last ten years!<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll cut off your head!<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think that the two of you<br>&nbsp;&nbsp;&nbsp;&nbsp;are the only ones fighting!<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Single Flash!<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How awesome...<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you've finally beaten me<br>&nbsp;&nbsp;&nbsp;&nbsp;at this game of hot potato.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking on three of you saint-level<br>&nbsp;&nbsp;&nbsp;&nbsp;monsters is too much trouble.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't believe that only<br>&nbsp;&nbsp;&nbsp;&nbsp;"special people" can accomplish anything.<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole reason we're<br>&nbsp;&nbsp;&nbsp;&nbsp;able to use such strength<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because we have others supporting us.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps. But didn't it occur to you<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that it also gives me the chance to beat you?<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greater your numbers, the more<br>&nbsp;&nbsp;&nbsp;&nbsp;openings there are to rip you apart!<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if there are 1,000,<br>&nbsp;&nbsp;&nbsp;&nbsp;or even 10,000 of you, it won't sway me!<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You show your face at last,<br>&nbsp;&nbsp;&nbsp;&nbsp;Mother, the cause of all of this!<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to do as you like,<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to have to come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with a better plan than mine. But then,<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since this looks like it's going to end up<br>&nbsp;&nbsp;&nbsp;&nbsp;worse than mine, I'm here to stop you.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonsense. Is this how<br>&nbsp;&nbsp;&nbsp;&nbsp;badly you want the throne?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I'm just appalled<br>&nbsp;&nbsp;&nbsp;&nbsp;at how small you think.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My daughter, if you truly wish<br>&nbsp;&nbsp;&nbsp;&nbsp;to change this nation...!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you thinking?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Revolution.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Among all the state-level Royal<br>
&nbsp;&nbsp;&nbsp;&nbsp;Household magic, there is also *this*!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Union Jack, I command you,<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;take the tremendous power<br>&nbsp;&nbsp;&nbsp;&nbsp;of the British Empire,<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;made up of the four cultures<br>&nbsp;&nbsp;&nbsp;&nbsp;from which it is comprised,<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;release it all, and redistribute it<br>&nbsp;&nbsp;&nbsp;&nbsp;equally to all of the British people!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power that had been<br>&nbsp;&nbsp;&nbsp;&nbsp;infused into Curtana Original...!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Queen Regnant Elizard<br>&nbsp;&nbsp;&nbsp;&nbsp;to all the people in the land--<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I realize there are many of you<br>&nbsp;&nbsp;&nbsp;&nbsp;who have come to harm<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since this coup d'état first started,<br>&nbsp;&nbsp;&nbsp;&nbsp;without knowing why. However,<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you now have the power to fight back.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight, for one night, at least,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can all become heroes equally.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, I want you to make a choice<br>&nbsp;&nbsp;&nbsp;&nbsp;for whom and with whom you will fight!<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weigh everything within your own minds,<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and whatever justice, courage,<br>&nbsp;&nbsp;&nbsp;&nbsp;and nerve remains, heed it! Now!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This marks the start of the nationwide<br>&nbsp;&nbsp;&nbsp;&nbsp;general election of rival champions!<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who, me?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hero?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we really fight?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To Buckingham!<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Buckingham Palace!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yeah!<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Everyone, to Buckingham!<br>&nbsp;&nbsp;&nbsp;&nbsp;--To Buckingham!<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On your feet, Itsuwa.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Tsushima?<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana!<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See for yourself.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This was the ace up Queen Elizard's sleeve.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can feel it, can't you?<br>&nbsp;&nbsp;&nbsp;&nbsp;The power shared to all the people?<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's go, too.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think for a moment that's all it<br>&nbsp;&nbsp;&nbsp;&nbsp;takes to turn aside Curtana Original.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, it's a 90-million-to-one tug of war.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If your concentration<br>&nbsp;&nbsp;&nbsp;&nbsp;breaks for even a moment,<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of that power will be pared away.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is awesome. There<br>&nbsp;&nbsp;&nbsp;&nbsp;are so many main players<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that myself, Index, Kanzaki, and Acqua<br>&nbsp;&nbsp;&nbsp;&nbsp;are kind of blending into the background.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the deal with this country?<br>&nbsp;&nbsp;&nbsp;&nbsp;How is everyone a key figure?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must have known this.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why she set herself aside for the country.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to defend her.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure I drag her out of<br>&nbsp;&nbsp;&nbsp;&nbsp;this ridiculous chain of negativity!<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CTOOCU. SAARTST.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;"Change the trajectory of Curtana upward! Stop the attack and redistribute the surplus Telesma!"
<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it over?<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We really made a loud show of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;if I do say so myself.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be presumptuous of me to say so,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but it was *too* loud, Your Majesty.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was it?<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I rather think that everyone will try<br>&nbsp;&nbsp;&nbsp;&nbsp;to fathom last night's events to no avail,<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and will end up interpreting them as<br>&nbsp;&nbsp;&nbsp;&nbsp;they like, looking back fondly on them.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, there is the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that some may realize it was magic.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if they do, we can just admit it.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no law that says that<br>&nbsp;&nbsp;&nbsp;&nbsp;magic can't be out in the public eye.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, where did that<br>&nbsp;&nbsp;&nbsp;&nbsp;admirable young lad go off to?<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is incredible.<br>&nbsp;&nbsp;&nbsp;&nbsp;A more delightful sight than I had imagined.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Who are you?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I said I was Fiamma of the Right,<br>&nbsp;&nbsp;&nbsp;&nbsp;would you know who I am?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm grateful. It was worth it to<br>&nbsp;&nbsp;&nbsp;&nbsp;harass France via Roman Orthodoxy,<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and apply all that stress to Britain.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to all of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I got my hands on what I was after.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was so important for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to steal that you'd go and start a war?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know if you haven't been told<br>&nbsp;&nbsp;&nbsp;&nbsp;or just haven't realized,<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but your part in this is at an end.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to die.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There's* the extraordinary<br>
&nbsp;&nbsp;&nbsp;&nbsp;right hand that I'm after!<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma of the Right. He's the<br>&nbsp;&nbsp;&nbsp;&nbsp;de facto leader of the Right Seat of God.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think we'll leave it at that for today.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have the magical item<br>&nbsp;&nbsp;&nbsp;&nbsp;I worked so hard for being destroyed.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What magical item?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something incredible. Want to see it?<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index?!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes... I am the magic library<br>&nbsp;&nbsp;&nbsp;&nbsp;affiliated with Necessarius,<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the 0th parish of the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan Church...<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--My formal name is Ind-- Lib--<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Index!<br>&nbsp;&nbsp;&nbsp;&nbsp;--My formal name is Ind-- Lib--<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh, maybe she needs to go into the shop.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...! What have you done to Index?!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. If you want to find out,<br>&nbsp;&nbsp;&nbsp;&nbsp;ask the people responsible for creating her.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, I need to pop off to Russia<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and salvage the material<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to bring down an angel.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the meantime, I'll leave you<br>&nbsp;&nbsp;&nbsp;&nbsp;in charge of Librorum Prohibitorum<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and your own right hand.<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The magical item that was<br>&nbsp;&nbsp;&nbsp;&nbsp;stolen was a safety device.<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One that allows her to live a daily life,<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even after memorizing 103,000 grimoires.<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We mucked this up.<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will take care of the<br>&nbsp;&nbsp;&nbsp;&nbsp;List of Forbidden Books.<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we can defeat Fiamma,<br>&nbsp;&nbsp;&nbsp;&nbsp;we will never be able to guarantee her safety.<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Russia, huh?<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, can I leave Index<br>&nbsp;&nbsp;&nbsp;&nbsp;with you for a little while?<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go slug that<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma bastard with this fist!<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A momentary tranquility?<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no such thing.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All there are are empty casings,<br>&nbsp;&nbsp;&nbsp;&nbsp;anguished cries, and the smell of gunpowder.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet another darkness goes into motion.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Spark Signal."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 15 - Spark Signal

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What sort of merchandise would you like?<br>&nbsp;&nbsp;&nbsp;&nbsp;A getaway car? A safe house?<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or perhaps some monetary exchange?<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't inquire into your business.<br>&nbsp;&nbsp;&nbsp;&nbsp;You just tell me what you need.<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. spells-his-name "General Goods"<br>&nbsp;&nbsp;&nbsp;&nbsp;but-pronounces-it Department,<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that some of your merchandise?<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, is that what you're interested in?<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well I'm sorry to say this, but she's<br>&nbsp;&nbsp;&nbsp;&nbsp;not an option. She's more a punching bag--<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now...<br>**[00:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cash upfront. I got stuck with<br>&nbsp;&nbsp;&nbsp;&nbsp;a sucky job, and now I'm pissed off.<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, I'm telling you now,<br>&nbsp;&nbsp;&nbsp;&nbsp;if you kill her, that's 7 million.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what made you take<br>&nbsp;&nbsp;&nbsp;&nbsp;an interest in the kid?<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I get it now. Apparently,<br>&nbsp;&nbsp;&nbsp;&nbsp;I must have given you the wrong impression.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one I just purchased...<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is *you*.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#15 Spark Signal"<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The job's done.<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A job this crappy had me bored to tears.<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What do I need?<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A team to collect this pile of flesh who<br>&nbsp;&nbsp;&nbsp;&nbsp;makes me wanna puke, just by inhaling,<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a change of clothes for a girl.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What size? Hell if I know.<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make sure the recovery<br>&nbsp;&nbsp;&nbsp;&nbsp;team is made up of women.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's even one man among them,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kick his balls in.<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Live how you want now.<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether you succeed or fail for<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of your life is up to you.<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A villain.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A punk-ass villain.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"So anyway, today's supper<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to be hamburger stew,"<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, delivering<br>&nbsp;&nbsp;&nbsp;&nbsp;the results of her scouting report.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that Yomikawa jerk finally figured out<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how to work that wonder in the rice cooker.<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You said we would see<br>&nbsp;&nbsp;&nbsp;&nbsp;each other this weekend, right?"<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, getting confirmation.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless my plans change, yeah.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Oh! Yomikawa is bringing<br>&nbsp;&nbsp;&nbsp;&nbsp;the hamburger stew!"<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;giving a priority-one report!<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Your life is just<br>&nbsp;&nbsp;&nbsp;&nbsp;one pit-stop after another, isn't it?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Is something the matter?"<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, cocking<br>&nbsp;&nbsp;&nbsp;&nbsp;her head at the sound of the phone.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just room service checking back.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Are you okay?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like you getting into danger,"<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, pleading.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to be so concerned about<br>&nbsp;&nbsp;&nbsp;&nbsp;a dude you can't even kill with a nuke.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The times really have<br>&nbsp;&nbsp;&nbsp;&nbsp;taken a turn for the better.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't call someone<br>&nbsp;&nbsp;&nbsp;&nbsp;like that a professional maid!<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Maika?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I'm saying is, I get leering<br>&nbsp;&nbsp;&nbsp;&nbsp;looks just because I wear this outfit.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say what?! What reason does an<br>&nbsp;&nbsp;&nbsp;&nbsp;unsexy maid have for even existing?!<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I'm going to have to show you<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what a professional maid<br>&nbsp;&nbsp;&nbsp;&nbsp;really is, you lousy brother.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to stop in there to get<br>&nbsp;&nbsp;&nbsp;&nbsp;more leads for my mechanical pencil.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Then I'll come, too.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! You're going to help with<br>&nbsp;&nbsp;&nbsp;&nbsp;your beloved brother's homework?!<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Working together, we should<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to finish by morning!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, maybe I'll skip going<br>&nbsp;&nbsp;&nbsp;&nbsp;over to your place tonight.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adieu!<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How heartless!<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's our homework for today?<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday, I'm getting out of this city.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to beat the game<br>&nbsp;&nbsp;&nbsp;&nbsp;that has no way to win it.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Musujime, today is<br>&nbsp;&nbsp;&nbsp;&nbsp;the day we're going to work<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until you can make stir-fry vegetables,<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm here waiting for you with<br>&nbsp;&nbsp;&nbsp;&nbsp;an empty tummy! Stir-fry vegetables!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to be too blunt,<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but something urgent came up,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can't do stir-fry today.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?! Not today, too! Then, what<br>&nbsp;&nbsp;&nbsp;&nbsp;about all these vegetables I bought?!<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds terrific. Vegetarians<br>&nbsp;&nbsp;&nbsp;&nbsp;live longer anyway.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I seem to remember this<br>&nbsp;&nbsp;&nbsp;&nbsp;RV having a kitchen, right?<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you're still favoring<br>&nbsp;&nbsp;&nbsp;&nbsp;that face, aren't you, Etzali?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're still as cranky as ever, Xóchitl.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the original<br>&nbsp;&nbsp;&nbsp;&nbsp;grimoire text someplace safe, right?<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right here.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened?<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I screwed up. Then I had my own<br>&nbsp;&nbsp;&nbsp;&nbsp;body meddled with to make it right.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't anyone try to stop you?<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Tochtli? You were friends, right?<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Friends, huh? When you say friends now,<br>&nbsp;&nbsp;&nbsp;&nbsp;the first thing you probably think of<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are the faces of people I don't even know.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me I'm wrong.<br>&nbsp;&nbsp;&nbsp;&nbsp;Your reasons notwithstanding,<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you switched camps from Azteca to<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City, and then took me down.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that true,<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Brother Etzali?<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, Unabara!<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that all about?!<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Etzali, get back! He's probably<br>&nbsp;&nbsp;&nbsp;&nbsp;after us from the organization!<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. He may be perverted, but he's on my side.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you telling me you had<br>&nbsp;&nbsp;&nbsp;&nbsp;a little sister back home,<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you still went and lost your head<br>&nbsp;&nbsp;&nbsp;&nbsp;over a Level 5 middle-school girl here?!<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A middle-school girl?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I mean-- What are you talking about?!<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Etzali, is *that* the reason<br>
&nbsp;&nbsp;&nbsp;&nbsp;why you betrayed the organization?!<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take it easy!<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything, our being siblings is<br>&nbsp;&nbsp;&nbsp;&nbsp;more of a mentoring relationship!<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean it's not by blood?<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's fantastic, isn't it?!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Getting your head turned by a<br>&nbsp;&nbsp;&nbsp;&nbsp;younger kid is a course every person takes.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. Am I the only one<br>&nbsp;&nbsp;&nbsp;&nbsp;in GROUP that isn't a lolicon?<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't appreciate being treated like a lolicon<br>&nbsp;&nbsp;&nbsp;&nbsp;by someone who's clearly a shotacon.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-Wh-What basis do you have<br>&nbsp;&nbsp;&nbsp;&nbsp;for c-c-calling me a sh-sh-shotacon?!<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is this job that<br>&nbsp;&nbsp;&nbsp;&nbsp;requires GROUP to be called in?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, just your run-of-the-mill request.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're supposed to find<br>&nbsp;&nbsp;&nbsp;&nbsp;an outfit named "Spark Signal,"<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who took hostages and barricaded<br>&nbsp;&nbsp;&nbsp;&nbsp;themselves up, and kill them all.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I'm okay. They said<br>&nbsp;&nbsp;&nbsp;&nbsp;I was about ready to be discharged.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? You won't ever be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to use ability crystals again,<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but even so, I'm just<br>&nbsp;&nbsp;&nbsp;&nbsp;relieved it wasn't too serious.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I'm surprised you brought<br>&nbsp;&nbsp;&nbsp;&nbsp;an ultra-flower arrangement for her.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure it'd be an ultra-bunny suit.<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That* again?! I'm not especially--<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-da! Here's our star attraction,<br>&nbsp;&nbsp;&nbsp;&nbsp;ultra-bunny Rikou!<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, are you really<br>&nbsp;&nbsp;&nbsp;&nbsp;that ultra-hot for bunny girls?<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is from your foot massage, Kinuhata!<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, Hamazura. We're in a hospital,<br>&nbsp;&nbsp;&nbsp;&nbsp;so nosebleeds are no trouble.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're the only one who cares about me...!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, Hamazura. This hospital<br>&nbsp;&nbsp;&nbsp;&nbsp;also offers care for mental disorders.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once Takitsubo gets discharged,<br>&nbsp;&nbsp;&nbsp;&nbsp;what are you ultra-going to do, Hamazura?<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I'm not sure.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ITEM has ultra-disbanded,<br>&nbsp;&nbsp;&nbsp;&nbsp;for all intents and purposes.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm waiting for a new team to be organized,<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's ultra-no benefit to pairing<br>&nbsp;&nbsp;&nbsp;&nbsp;with Takitsubo, since she can't fight,<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's no need for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to work with them either.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what I can do right now,<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I've got to do something to get<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo back out in the real world.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you're trying to say<br>&nbsp;&nbsp;&nbsp;&nbsp;that you're ultra-devoting all your passion<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into figuring out how to get<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo to wear a bunny suit.<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, is that who you take me for?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you fixated?!<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, please stop ultra-looking at me<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with that lewd look you<br>&nbsp;&nbsp;&nbsp;&nbsp;give bunny girls, Hamazura!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, come on! If I may be so blunt,<br>&nbsp;&nbsp;&nbsp;&nbsp;you couldn't pull off a bunny suit!<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'm going to be ultra-blunt, myself!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a far better figure<br>&nbsp;&nbsp;&nbsp;&nbsp;as a middle-schooler<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than Takitsubo has as a high-schooler!<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's where you're wrong!<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, I know that when Takitsubo<br>&nbsp;&nbsp;&nbsp;&nbsp;gets undressed, she's a knockout!<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also know that if you got undressed,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's nothing too stunning.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll ultra-kill you! Is that what you want?!<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you want?! I'll ultra-kill you!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was an ultra-close<br>&nbsp;&nbsp;&nbsp;&nbsp;call! I came this close<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to ultra-sharing today's goodies with you.<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sentence is one of the five<br>&nbsp;&nbsp;&nbsp;&nbsp;worst things I've ever heard in my life.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if you showing your panties<br>&nbsp;&nbsp;&nbsp;&nbsp;even counts as "goodies"...<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Check it out, Hamazura! Ultra-skirt-flirt!<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! Ah, I-I see... n-nothing...?<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some more skirt-flirt...!<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--S-Still, I can't see anything!<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to see, but I can't.<br>&nbsp;&nbsp;&nbsp;&nbsp;--You don't get to. See? Skirt-flirt!<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! Takitsubo, give me strength!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No fair!<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, I'll ultra-kill you!<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You show no mercy, you fiendish devil!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By placing this giant particle accelerator<br>&nbsp;&nbsp;&nbsp;&nbsp;in a state where it could explode,<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can keep the governing board's<br>&nbsp;&nbsp;&nbsp;&nbsp;over-the-top behavior in check.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this deep underground,<br>&nbsp;&nbsp;&nbsp;&nbsp;nobody can touch us.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show the boy a little mercy.<br>&nbsp;&nbsp;&nbsp;&nbsp;Give him a blindfold.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think this plan of<br>&nbsp;&nbsp;&nbsp;&nbsp;yours is going to work?<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you bad guys<br>&nbsp;&nbsp;&nbsp;&nbsp;are going to get away with this!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe there's a hero out there<br>&nbsp;&nbsp;&nbsp;&nbsp;who will make sure to catch you guys!<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll save us all! I'm sure there's<br>&nbsp;&nbsp;&nbsp;&nbsp;someone out there who will save us!<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if there were such a hero,<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he'll never make it<br>&nbsp;&nbsp;&nbsp;&nbsp;100 meters underground in time.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe...<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did you get here?!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look up Move Point sometime, you scumbag.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hero...?<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Villain. A punk-ass villain.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work. That was quite the exploit.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's just one thing that bothers me.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's what those damn terrorists<br>&nbsp;&nbsp;&nbsp;&nbsp;were demanding from the higher-ups.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean they let slip<br>&nbsp;&nbsp;&nbsp;&nbsp;the substance of their demands?<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"DRAGON."<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Disclose your information<br>&nbsp;&nbsp;&nbsp;&nbsp;concerning DRAGON at once."<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was the terrorists' only demand.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The higher-ups gave us a snow job,<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we walked right in and<br>&nbsp;&nbsp;&nbsp;&nbsp;killed our only lead concerning this.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is Sunazara Chimitsu doing,<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stephanie Gorgeouspalace?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's recovering nicely.<br>&nbsp;&nbsp;&nbsp;&nbsp;He hasn't regained consciousness yet,<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but his life isn't in any danger.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, not at all. I just<br>&nbsp;&nbsp;&nbsp;&nbsp;feel so guilty about it.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, who is the target you want taken out?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's number-one, Accelerator.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you do it?<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you tell me to.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to give consideration<br>&nbsp;&nbsp;&nbsp;&nbsp;to anyone else getting hurt<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;during the process of shooting your target.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, I wouldn't mind<br>&nbsp;&nbsp;&nbsp;&nbsp;if you took Kinuhata Saiai<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the other former members of ITEM,<br>&nbsp;&nbsp;&nbsp;&nbsp;who did this to Sunazara,<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and filled them full of lead, as well.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well. Then would you<br>&nbsp;&nbsp;&nbsp;&nbsp;like me to plug the gentleman<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who put a tiny transmitter inside<br>&nbsp;&nbsp;&nbsp;&nbsp;Sunazara's body while I'm at it?<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a moment!<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have it back.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you had to do was turn<br>&nbsp;&nbsp;&nbsp;&nbsp;over Sunazara nicely,<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I would have been happy to be your pawn.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'd just cooperated<br>&nbsp;&nbsp;&nbsp;&nbsp;with me like an adult...<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you could have had your<br>&nbsp;&nbsp;&nbsp;&nbsp;revenge against Sunazara...<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I guess I forgot to mention.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The object of my revenge<br>&nbsp;&nbsp;&nbsp;&nbsp;is all of Academy City.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I thought we were about to get<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo from the hospital. A job?<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're finally organizing the new team,<br>&nbsp;&nbsp;&nbsp;&nbsp;so we gotta ultra-get together,<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ultra-kill all the remaining<br>&nbsp;&nbsp;&nbsp;&nbsp;members of a terrorist group.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What kind of game are they playing?<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo is waiting for us.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're gathering at the<br>&nbsp;&nbsp;&nbsp;&nbsp;private room in School District 3, then?<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bothers you, then?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to be free of misfortune<br>&nbsp;&nbsp;&nbsp;&nbsp;that arrives without warning,<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you just have to always have your guard up.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is also the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why we don't meet in person.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're probably hiding away in<br>&nbsp;&nbsp;&nbsp;&nbsp;a nuclear-fallout-shelter-grade facility.<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To those who have powers<br>&nbsp;&nbsp;&nbsp;&nbsp;like the one Musujime possesses,<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the thickness of walls mean nothing.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Shiokishi, for what reason did you,<br>&nbsp;&nbsp;&nbsp;&nbsp;a member of the governing board,<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;go out of your way to contact us directly?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to take down<br>&nbsp;&nbsp;&nbsp;&nbsp;the remainder of Spark Signal,<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those terrorists from earlier.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the name "DRAGON" mean anything to you?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure. I've even seen it in video game titles.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and settle this trivial business,<br>&nbsp;&nbsp;&nbsp;&nbsp;and get back to your daily lives.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are 20 members still left.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killing them would be easy,<br>&nbsp;&nbsp;&nbsp;&nbsp;but are we going to just submissively do<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever the damned<br>&nbsp;&nbsp;&nbsp;&nbsp;governing board orders us to do?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This could be our chance to get<br>&nbsp;&nbsp;&nbsp;&nbsp;a glimpse into what DRAGON is.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So are you saying you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;take up the cause with the terrorists?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make no mistake. If it means innocent<br>&nbsp;&nbsp;&nbsp;&nbsp;civilians will be caught in the middle,<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the four of us will be<br>&nbsp;&nbsp;&nbsp;&nbsp;spitting up right here and now.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I thought you were joining<br>&nbsp;&nbsp;&nbsp;&nbsp;a new team to go fight terrorists.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was. But five minutes later,<br>&nbsp;&nbsp;&nbsp;&nbsp;I got fed up and came back.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They took the survivors of the defunct<br>&nbsp;&nbsp;&nbsp;&nbsp;ITEM, SCHOOL, BLOCK, and MEMBER<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and created a new team from them.<br>&nbsp;&nbsp;&nbsp;&nbsp;Then they told everyone to like,<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"get along with the others you were<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to kill before, you rascals."<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold on a second, that's hinky!<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yeah, and the Heart<br>&nbsp;&nbsp;&nbsp;&nbsp;Measure lady in the dress<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;said to ultra-give you her regards.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That woman?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But are you sure about this?<br>&nbsp;&nbsp;&nbsp;&nbsp;Blowing off an order from the higher-ups?<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm probably ultra-screwed, huh?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Hamazura, could you please give me a hand?<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I have to do is completely<br>&nbsp;&nbsp;&nbsp;&nbsp;take out the remaining terrorists alone<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before they drag me back into the new team.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gotta say, you really are the type<br>&nbsp;&nbsp;&nbsp;&nbsp;who mooches off her friends, huh?<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you just ultra-say anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;bottom-shelf Hamazura?<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! We've got some major<br>&nbsp;&nbsp;&nbsp;&nbsp;bad news coming up behind us!<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dumbass! What good is<br>&nbsp;&nbsp;&nbsp;&nbsp;taking away our avenues of attack?!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They got away.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what you get from cramming<br>&nbsp;&nbsp;&nbsp;&nbsp;a busload of villains together,<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and these are the ones who shake loose?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want, I could blast through them<br>&nbsp;&nbsp;&nbsp;&nbsp;while I'm doing Spark Signal.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Just a minute!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop! Don't use that drug!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if I don't, she won't last<br>&nbsp;&nbsp;&nbsp;&nbsp;until she reaches the hospital!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our teacher is pregnant.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to save them both!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm begging you! I'm begging you!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stand aside.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sex, female; weight,<br>&nbsp;&nbsp;&nbsp;&nbsp;244 grams; heart rate, 60bpm;<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;stimulus response ratio, 5.52...<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She needs a stimulant. 2.5 grams of ectrin.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apply a topical patch to the carotid artery,<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;diffusing it in five times for<br>&nbsp;&nbsp;&nbsp;&nbsp;ten seconds on, 20 seconds off.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That will save her.<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on! What will happen<br>&nbsp;&nbsp;&nbsp;&nbsp;to the baby if they do that?!<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the whole reason<br>&nbsp;&nbsp;&nbsp;&nbsp;I did those calculations.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait up! Hey!<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. It's all because of you.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get lost, already.<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never forget what you did,<br>&nbsp;&nbsp;&nbsp;&nbsp;for the rest of my life.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someday, I'd like to be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to return the favor. So--<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get lost.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a six-winger.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is *that* after us?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you ignored your orders<br>&nbsp;&nbsp;&nbsp;&nbsp;on the phone and came back!<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm, that's an ultra-short-sighted view of it.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, they're shooting at us!<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The six-wingers' missiles<br>&nbsp;&nbsp;&nbsp;&nbsp;use infrared sensors.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was an ultra-so-called flare.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Superb!<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, steer us ultra-straight;<br>&nbsp;&nbsp;&nbsp;&nbsp;don't turn the wheel!<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! They'll shoot us! We'll die!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep your eyes ultra-straight<br>&nbsp;&nbsp;&nbsp;&nbsp;ahead and keep driving.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! But your panties...!<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinuhata, there's no way!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you shoot through<br>&nbsp;&nbsp;&nbsp;&nbsp;a military helicopter's armor?!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who said I was shooting through the armor?<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, I ultra-did it. I figured<br>&nbsp;&nbsp;&nbsp;&nbsp;clay-based bullets would ultra-shatter,<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the fragments would enter the intakes.<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice, panties!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Kinuhata, use your Offense Armor!<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, Hamazura!<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotta get Kinuhata back<br>&nbsp;&nbsp;&nbsp;&nbsp;and go to Takitsubo.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Number unknown"<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's been too long. If I say I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;Heart Measure, formerly of SCHOOL,<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would you remember who I am?<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you know my number?<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly, is Kinuhata Saiai with you?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So *you're* the ones behind this!<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. If you hear from<br>&nbsp;&nbsp;&nbsp;&nbsp;her, tell her something.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those terrorists that<br>&nbsp;&nbsp;&nbsp;&nbsp;she said she'd deal with herself?<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've seized a private room<br>&nbsp;&nbsp;&nbsp;&nbsp;in School District 3.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A private room in School District 3?!<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I have to become the villain...<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I have to get down on all fours...<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if someone has to be sacrificed...<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will protect her, at least.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Governing Board."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 16 - The Governing Board

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, damn it! Why, of all buildings,<br>
&nbsp;&nbsp;&nbsp;&nbsp;would they go after *this* one?!<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this, but we're taking off, now!<br>**[00:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to the building<br>&nbsp;&nbsp;&nbsp;&nbsp;with those private rooms.<br>**[00:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unluckily for you, I used to be a<br>&nbsp;&nbsp;&nbsp;&nbsp;member of Academy City's air defense.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think that a pilot<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't be skilled with weapons?<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong? Aren't you going to answer that?<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo, are you all right?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you right now?!<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our meetup place... The private room...<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard what happened. Are *you* okay?<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine...<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo!<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm okay. I'm taking shelter right now.<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't seem to have noticed me yet.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on. Then why do you<br>&nbsp;&nbsp;&nbsp;&nbsp;sound like you're so exhausted?<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just feeling a little worse now.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing you need to worry over.<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it. It's all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be right over there.<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear I'm coming to save you.<br>&nbsp;&nbsp;&nbsp;&nbsp;So hang in there a little while longer.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! You've got it wrong.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, keep away. There are ten terrorists.<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're armed with submachine guns and grenades.<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you come barging in haphazardly,<br>&nbsp;&nbsp;&nbsp;&nbsp;you won't be able to deal with them.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So keep away!<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous! I'm coming!<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You better believe I'm coming!<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please...<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can charge me with anything you want.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't mind if you<br>&nbsp;&nbsp;&nbsp;&nbsp;dropped me into the bottom of hell.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just help me so I can rescue her. Please.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you say so sooner?<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's been a hijacking.<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The culprit has a gun and a<br>&nbsp;&nbsp;&nbsp;&nbsp;small metal drum filled with liquid.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of regard for the<br>&nbsp;&nbsp;&nbsp;&nbsp;lives of the local residents,<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to do what he says.<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you...?<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as simple as just taking off<br>&nbsp;&nbsp;&nbsp;&nbsp;because some kid insisted.<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I should warn you,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're not going to let us land.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An imitation tree, of course.<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having a real tree up here<br>&nbsp;&nbsp;&nbsp;&nbsp;would hamper takeoffs and landings.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good to hear.<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm coming, partner. Down into<br>&nbsp;&nbsp;&nbsp;&nbsp;the depths of hell if I have to.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#16 The Governing Board"<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When are we joining up with Stephanie?<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on how she acts...<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that B Team, up on the roof?<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-This is the 28th floor!<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Makes no difference.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't matter, does it?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really want to keep the city safe,<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;take this much care in doing it.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you who you are.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or do you want to die here?<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Sugitani.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I pray we never have to meet again.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Make every effort to see that we don't.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado? I cleaned house on Spark Signal.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on up now and check for<br>&nbsp;&nbsp;&nbsp;&nbsp;any injured or if there are any traps.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you an acute case or something?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you're not going<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell me you're pregnant, too.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?!<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you what you're<br>&nbsp;&nbsp;&nbsp;&nbsp;doing to Takitsubo, Level 5!<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you, sneaking around in the darkness,<br>&nbsp;&nbsp;&nbsp;&nbsp;doing all kinds of dirty work!<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're planning to take<br>&nbsp;&nbsp;&nbsp;&nbsp;something else precious from me,<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then prepare to meet your doom, tough guy!!<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I like you.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a good villain.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over. You stay down,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'll leave you alone.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you try to get up,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll blow right through you.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is your life.<br>&nbsp;&nbsp;&nbsp;&nbsp;Choose what you want to do with it.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't it obvious?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you? You don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;any reason to back down, do you?<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would have no problem later<br>&nbsp;&nbsp;&nbsp;&nbsp;on if I killed you right here.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, wouldn't that be against the rules?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo...<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will it be? If you want to keep going,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll smash you to a bloody pulp.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, if that kid is going to stand<br>&nbsp;&nbsp;&nbsp;&nbsp;in the way, we'll go back to square one.<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what a villainous aesthetic is.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? It couldn't be...<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I gotten the wrong idea...?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm pathetic, huh? I say I'm coming<br>&nbsp;&nbsp;&nbsp;&nbsp;to save you, then end up like this.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention snarling at the guy<br>&nbsp;&nbsp;&nbsp;&nbsp;you probably owe your life to.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not true...<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, you came here all on your own.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's anything but pathetic.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's... not...?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why are you crying?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing has really changed.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm still the same Hamazura Shiage<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always been.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine with being a third-string punk.<br>&nbsp;&nbsp;&nbsp;&nbsp;So at the very least,<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to be the kind of man<br>&nbsp;&nbsp;&nbsp;&nbsp;who can preserve her smile.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like they're tearing it<br>&nbsp;&nbsp;&nbsp;&nbsp;up ultra-wild in there.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm too late to join in, so I'll<br>&nbsp;&nbsp;&nbsp;&nbsp;ultra-help with letting them escape...<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something like a shotgun<br>&nbsp;&nbsp;&nbsp;&nbsp;should be ultra-no-problem, but...<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An automatic shotgun?!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoo-hoo.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Kinuhata Saiai, right?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was right to use irrelevant former<br>&nbsp;&nbsp;&nbsp;&nbsp;Spark Signal members as bait.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My name is Stephanie Gorgeouspalace.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a sniper, here to avenge Sunazara.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shouldn't you be making your peace?<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every last person who tries to find out<br>&nbsp;&nbsp;&nbsp;&nbsp;anything about DRAGON is eliminated.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, just the way Shiokishi wants it.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this "DRAGON" business anyway, I wonder.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I may offer an opinion from the magic side,<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the word "dragon" evokes<br>&nbsp;&nbsp;&nbsp;&nbsp;the imagery of religious metaphors.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such as, for example, angels.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Angels?<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On September 30th, the day<br>&nbsp;&nbsp;&nbsp;&nbsp;angel wings appeared in Academy City,<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the name of the virus that bastard<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara was using was "Angel."<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing that Angel and<br>&nbsp;&nbsp;&nbsp;&nbsp;DRAGON are somehow tied together...<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order and DRAGON are connected!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, does that mean there's something else<br>&nbsp;&nbsp;&nbsp;&nbsp;going on with that experiment?<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this all part of someone's plan?<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, it's that Shiokishi bastard after all.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that we've become a target now.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, on the plus side,<br>&nbsp;&nbsp;&nbsp;&nbsp;the enemy has been revealed.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First thing to do is find out<br>&nbsp;&nbsp;&nbsp;&nbsp;what the enemy lineup is...<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The electricity has been cut?<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad. I can't collect my thoughts.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a pinch, the body will work on its own.<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that the man who saved<br>&nbsp;&nbsp;&nbsp;&nbsp;my teacher's life didn't have to die.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who put you up to this?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this another trap set by Shiokishi?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, you and I<br>&nbsp;&nbsp;&nbsp;&nbsp;both reek of the same profession.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just, regardless of how dirty I may be,<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact remains that you saved<br>&nbsp;&nbsp;&nbsp;&nbsp;someone dearer to me than life itself.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I owed you this. Now I'm paying you back.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, just keep driving.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you planning to go?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to kill that bastard Shiokishi.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When he finds out he didn't finish me,<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he's going to exploit the<br>&nbsp;&nbsp;&nbsp;&nbsp;most available weakness I have.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not the only one I have to protect.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to protect everything<br>&nbsp;&nbsp;&nbsp;&nbsp;to fight him. Either that, or...<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be easier.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The early bird gets the worm.<br>&nbsp;&nbsp;&nbsp;&nbsp;For someone as drenched in blood as I am,<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doing it that way would be so appropriate.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Accelerator,<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;head straight for the<br>&nbsp;&nbsp;&nbsp;&nbsp;observatory in School District 21.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Is that where Shiokishi's shelter is?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This fight with Shiokishi<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to require some<br>&nbsp;&nbsp;&nbsp;&nbsp;political preparation of its own kind.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone with some juice who's at<br>&nbsp;&nbsp;&nbsp;&nbsp;the same level as the governing board.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anybody like that?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyafune Monaka. She's hosting a stargazing party<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the children who were<br>&nbsp;&nbsp;&nbsp;&nbsp;being held by those terrorists.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the most goodhearted person<br>&nbsp;&nbsp;&nbsp;&nbsp;on the governing board.<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like doing things this way,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she owes us one.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please leave.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Oyafune is no longer living a life<br>&nbsp;&nbsp;&nbsp;&nbsp;that takes her into both light and darkness.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone like you,<br>&nbsp;&nbsp;&nbsp;&nbsp;who lives in the world of darkness,<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;should know just how difficult that can be.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I guess.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to bother you.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have one question, though.<br>&nbsp;&nbsp;&nbsp;&nbsp;What happened to Oyafune, anyway?<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her daughter.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While she was promoting regulations<br>&nbsp;&nbsp;&nbsp;&nbsp;controlling the export of weapons,<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a photo of Ms. Oyafune's daughter<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and an unfired pistol arrived addressed to her.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing ultimately came from it,<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I suspect that Shiokishi,<br>&nbsp;&nbsp;&nbsp;&nbsp;who is quite the war hawk, was behind it.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, Ms. Oyafune left the front lines.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she gets involved with you,<br>&nbsp;&nbsp;&nbsp;&nbsp;then once again...<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is this gentleman?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm nobody. I was just asking for directions.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have expected that this<br>&nbsp;&nbsp;&nbsp;&nbsp;would happen. And yet you still came.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happened?<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suppose I tell you, then what?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever trouble I may have<br>&nbsp;&nbsp;&nbsp;&nbsp;with that son of a bitch Shiokishi,<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're better off not knowing about it.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my problem.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have just gone it alone to begin with.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I finish this fight with Shiokishi,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be treated as a terrorist.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what? It's what I've made up my mind to do.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I turn the kid<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to protect against me,<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to keep fighting to keep her safe.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't change what I have to do.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're that hero from earlier, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing at all.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're off to go fight again, aren't you?<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To save other people,<br>&nbsp;&nbsp;&nbsp;&nbsp;like you did for me back then.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'm going with you!<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll fight with you!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You gotta be kidding me, you little brat.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what you're saying?<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that you're going<br>&nbsp;&nbsp;&nbsp;&nbsp;someplace that's awfully dangerous.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there are people there<br>&nbsp;&nbsp;&nbsp;&nbsp;who are in trouble, like I was,<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I want to fight, too!<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an almighty Level 5.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! I don't want to turn<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City over to those cowards!<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Come on.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Let's go.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, then.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're planning to fight him, aren't you?<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Oyafune!<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who were the "cowards"<br>&nbsp;&nbsp;&nbsp;&nbsp;that young boy was speaking of?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The darkness that lurks in the city,<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or those who know of the darkness,<br>&nbsp;&nbsp;&nbsp;&nbsp;but give up the fight?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I supposed to do now?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your life. You decide.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Ms. Oyafune?<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My eyes have been opened at last.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go march over to Shiokishi's place.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the best course of action.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you reached Kinuhata yet?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. It's not going through.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She didn't come after we waited<br>&nbsp;&nbsp;&nbsp;&nbsp;for her, so we left, instead.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if something happened.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, what are we going to do now?<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a Level 4 and a lot tougher than us.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take something<br>&nbsp;&nbsp;&nbsp;&nbsp;pretty substantial to kill her.<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Now* what is it?!<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something pretty substantial<br>&nbsp;&nbsp;&nbsp;&nbsp;is happening, isn't it?!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, Hamazura.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She could be in the underground mall.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a mess.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do? Keep going, or turn back?<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinuhata!<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultra-hit the deck!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that since your ability used nitrogen,<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might do something about the air.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That in the vacuum momentarily<br>&nbsp;&nbsp;&nbsp;&nbsp;created by the blast,<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could pump you full of lead.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura! Ultra-get out of here, now!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinuhata!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The peer authorization system<br>&nbsp;&nbsp;&nbsp;&nbsp;has been activated?!<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she's using that here, is she?<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you like me to do?<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her activation has neutralized<br>&nbsp;&nbsp;&nbsp;&nbsp;the political defense functionality here.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover...<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GROUP?! Why, that vixen!<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But will she actually resort<br>&nbsp;&nbsp;&nbsp;&nbsp;to using hardline measures?<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It *does* have to do with DRAGON, after all.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're certain to be coming.<br>&nbsp;&nbsp;&nbsp;&nbsp;So we'll engage them here. This is all-out war.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That deal up on top is an AIM jammer.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Control over our abilities<br>&nbsp;&nbsp;&nbsp;&nbsp;will be pretty restricted.<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, which means he's<br>&nbsp;&nbsp;&nbsp;&nbsp;covered his bases against us.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, what do we do?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a given.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We break straight on through.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go. Tsuchimikado,<br>&nbsp;&nbsp;&nbsp;&nbsp;you stand guard out here.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking to Shiokishi<br>&nbsp;&nbsp;&nbsp;&nbsp;one-on-one will be your job.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll stay ahead of you and<br>&nbsp;&nbsp;&nbsp;&nbsp;break down the walls as we go,<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you'll have to stand in<br>&nbsp;&nbsp;&nbsp;&nbsp;the line of fire at the very end.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musujime!<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No response. Something else must have<br>&nbsp;&nbsp;&nbsp;&nbsp;happened on the other side of the wall.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, you're useless.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Might I challenge you to a fight?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I told you I was<br>&nbsp;&nbsp;&nbsp;&nbsp;praying we'd never meet again.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who's coming to *us*, aren't you?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also told you to make<br>&nbsp;&nbsp;&nbsp;&nbsp;every effort to see that we don't.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know about DRAGON?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Poison. Stopping Musujime,<br>&nbsp;&nbsp;&nbsp;&nbsp;who is able to pass through walls,<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has a higher priority than you do.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Koga. I'm a descendent of the Koga.<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're a band of dastardly sneaks,<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who have done this sort of thing<br>&nbsp;&nbsp;&nbsp;&nbsp;from times of old in the name of justice.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyafune is finished.<br>&nbsp;&nbsp;&nbsp;&nbsp;Once she has been eliminated,<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;collective power can be mobilized<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and drive you out, Accelerator.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, once we have Last Order<br>&nbsp;&nbsp;&nbsp;&nbsp;secured as our trump card,<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's all over.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I'd like to request from you is simple.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henceforth, I want you to permanently<br>&nbsp;&nbsp;&nbsp;&nbsp;remove the provisions in your plans<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;allowing you to incorporate<br>&nbsp;&nbsp;&nbsp;&nbsp;and consume the lives of others at will.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something everyone else<br>&nbsp;&nbsp;&nbsp;&nbsp;observes as a matter of course.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh yes, would you also<br>&nbsp;&nbsp;&nbsp;&nbsp;tell me more about DRAGON?<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that something you need to know about?<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fellows in GROUP requested I ask you.<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am doing nothing more than<br>&nbsp;&nbsp;&nbsp;&nbsp;carrying out matters point by point<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that are necessary to keep Academy City safe.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"DRAGON" is just a word that has<br>&nbsp;&nbsp;&nbsp;&nbsp;the virtue of sounding dangerous.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may call it barbaric,<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's because you don't know about DRAGON.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the same, you know.<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I carry out actions that could<br>&nbsp;&nbsp;&nbsp;&nbsp;be called barbaric, when needed.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we at an impasse?<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The "Academy City" that we both wish to protect<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;must mean two different things to us.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you not take a moment to think?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About the possibility that, like you,<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oyafune Monaka might<br>&nbsp;&nbsp;&nbsp;&nbsp;take steps to defend her own life?<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What?!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unabara Mitsuki!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you sure that's<br>&nbsp;&nbsp;&nbsp;&nbsp;the name you want to go with?<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure you were going to call me "Etzali."<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then Oyafune is...<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That coward is actually watching<br>&nbsp;&nbsp;&nbsp;&nbsp;from a safe distance, is she?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A good question. The talisman I use<br>&nbsp;&nbsp;&nbsp;&nbsp;uses human skin as its material,<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Ms. Oyafune didn't hesitate for a moment.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Peeling off ten centimeters of<br>&nbsp;&nbsp;&nbsp;&nbsp;her skin must have been pretty painful,<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if it was from her arm.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, why don't you tell me about DRAGON? Or...<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...would you like to experience<br>&nbsp;&nbsp;&nbsp;&nbsp;the kind of pain that Ms. Oyafune,<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the woman you called a coward, endured?<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Minobe!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always have two security outfits on hand<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in case someone close to me betrays me.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it comes to it, they can<br>&nbsp;&nbsp;&nbsp;&nbsp;always end up killing each other.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Why have all of the other<br>&nbsp;&nbsp;&nbsp;&nbsp;security guards besides you been killed?!<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be!<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you never consider the possibility<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that others might have infiltrated<br>&nbsp;&nbsp;&nbsp;&nbsp;the darker side of Academy City,<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;much as you have done?<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Técpatl! And Tochtli!<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears in the form of Fuse=KAZAKIRI.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The aeon passes from Osiris to Horus.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do what thou wilt shall be the whole of the Law.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "DRAGON."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 17 - DRAGON

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With you being a part of<br>&nbsp;&nbsp;&nbsp;&nbsp;this dark outfit called "GROUP,"<br>**[00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the usual intelligence networks<br>&nbsp;&nbsp;&nbsp;&nbsp;could not pin down your location.<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we used Shiokishi, here at the<br>&nbsp;&nbsp;&nbsp;&nbsp;core of Academy City, instead. Etzali,<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're here to kill you.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...!<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. The original text of the grimoire.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, that blast would have<br>&nbsp;&nbsp;&nbsp;&nbsp;directly struck celestial bodies,<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but apparently, the rabbit bones<br>&nbsp;&nbsp;&nbsp;&nbsp;that were used to fuel it were poor.<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do?<br>&nbsp;&nbsp;&nbsp;&nbsp;What have you done to Tochtli?!<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rabbit bones.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do I have to draw you<br>&nbsp;&nbsp;&nbsp;&nbsp;a picture for you to understand?<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watching this is entertaining, isn't it?<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bet she doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;even have half her bones left.<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Técpatl...<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Técpatl!!<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice. This is the way our fight should be.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's expend all of our knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;in seizing Aztec control.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-K-Kinuhata!!<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you now. You don't mind, do you?<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't. I'm not so petty as to take<br>&nbsp;&nbsp;&nbsp;&nbsp;offense at other people's drivel, after all.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#17 DRAGON"<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that Kihara Amata was able<br>&nbsp;&nbsp;&nbsp;&nbsp;to break through your "Reflection" barrier<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by pulling his punch back just before impact.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also,<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kakine Teitoku used matter<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't exist in our world.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't exactly take a page from their<br>&nbsp;&nbsp;&nbsp;&nbsp;exceptional methods and duplicate them.<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a third-stringer.<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with your modest skills,<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all you can do is follow<br>&nbsp;&nbsp;&nbsp;&nbsp;that black-hearted old man's orders.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A dude like you says he's the heir of<br>&nbsp;&nbsp;&nbsp;&nbsp;those who fought in the name of justice?<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that bastard Shiokishi<br>&nbsp;&nbsp;&nbsp;&nbsp;seem like a good guy to you?<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you in the right for following him?<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make me laugh.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, the word "good"<br>&nbsp;&nbsp;&nbsp;&nbsp;is always exploited by those in power.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if you relegate everything to evil,<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that going to make every<br>&nbsp;&nbsp;&nbsp;&nbsp;last one of the world's problems better?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All your kind of evil is doing<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is scavenging the scraps<br>&nbsp;&nbsp;&nbsp;&nbsp;that drop from good's table.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You scumbag. The moment you<br>&nbsp;&nbsp;&nbsp;&nbsp;consider them to be table scraps,<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it shows that your good isn't really genuine.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying that a villain like<br>&nbsp;&nbsp;&nbsp;&nbsp;you knows someone who's good?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn straight. So much that it<br>&nbsp;&nbsp;&nbsp;&nbsp;pisses me off just thinking back about it.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you will never see this good person again,<br>&nbsp;&nbsp;&nbsp;&nbsp;because you're going to die here.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your electrode has been modified,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it can be controlled remotely.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you are isolated<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Misaka Network,<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your fighting strength drops to zero.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the good I'm talking about.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What it takes for a man<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep on struggling to be good,<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while living in a world full of miscreants.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...?<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were ultra-familiar<br>&nbsp;&nbsp;&nbsp;&nbsp;with fighting against espers,<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and had the ability to<br>&nbsp;&nbsp;&nbsp;&nbsp;determine our weaknesses.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, you didn't seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to understand that I am a person,<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has ultra-fought hard to stay alive.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I almost forgot.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The most dangerous thing for me,<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;being virtually unbeatable<br>&nbsp;&nbsp;&nbsp;&nbsp;in close-quarters fighting,<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is taking an ultra-precise attack<br>&nbsp;&nbsp;&nbsp;&nbsp;from someplace out of my reach.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the way you spam your firepower,<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sunazara Chimitsu was a<br>&nbsp;&nbsp;&nbsp;&nbsp;much deadlier shot than you are.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had supplementary... liquid nitrogen...?<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The original text is streaming<br>&nbsp;&nbsp;&nbsp;&nbsp;inside my head. But it doesn't matter.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if this ends up ruining me...<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a matter of experience, Etzali.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to use this as a weapon,<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;taking steps to prevent the backflow<br>&nbsp;&nbsp;&nbsp;&nbsp;of knowledge is fundamental.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then,<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you haven't actually *read*<br>
&nbsp;&nbsp;&nbsp;&nbsp;the original text, have you?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How...?<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know that the<br>&nbsp;&nbsp;&nbsp;&nbsp;original texts of grimoires<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;favor those who can spread<br>&nbsp;&nbsp;&nbsp;&nbsp;their knowledge the most...?<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You transcribed the stone tablet...?<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've never come face to face<br>&nbsp;&nbsp;&nbsp;&nbsp;with the original text's knowledge...<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think the original text<br>&nbsp;&nbsp;&nbsp;&nbsp;would let you get away with that...?<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How...?<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a jamming device.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simple electronic jamming would<br>&nbsp;&nbsp;&nbsp;&nbsp;also affect the Misaka Network.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I analyzed the EM waves from before<br>&nbsp;&nbsp;&nbsp;&nbsp;and calculated their inverse.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how evil works. There isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;a lick of difference between you and me.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the last thing I am is good.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes you a prize-winning villain<br>&nbsp;&nbsp;&nbsp;&nbsp;for using the same methods.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You kind of overdid it, there.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might have ultra-gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;the gun on your own,<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but how did you get your hands<br>&nbsp;&nbsp;&nbsp;&nbsp;on a six-winger attack helicopter?<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could get my hands<br>&nbsp;&nbsp;&nbsp;&nbsp;on an attack helicopter,<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'd have obviously hit you<br>&nbsp;&nbsp;&nbsp;&nbsp;from beyond your range, wouldn't I?<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, who did, exactly?<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there someone else ultra-out to get us?<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultra-get out of here!<br>&nbsp;&nbsp;&nbsp;&nbsp;They're probably here after you!<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Hamazura.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But what about Kinuhata?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultra-what do you think you're doing?<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know that Aleister is devising<br>&nbsp;&nbsp;&nbsp;&nbsp;and carrying out some kind of plan?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma and Accelerator<br>&nbsp;&nbsp;&nbsp;&nbsp;are two of the irregular factors<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that fall within the<br>&nbsp;&nbsp;&nbsp;&nbsp;tolerance levels of that plan.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why they can be situated<br>&nbsp;&nbsp;&nbsp;&nbsp;at the center of that plan<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and made use of as much<br>&nbsp;&nbsp;&nbsp;&nbsp;as needed to benefit it.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;that isn't true of Hamazura Shiage.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Level 0 is a factor that<br>&nbsp;&nbsp;&nbsp;&nbsp;was supposed to have been killed<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;during the conflict among our dark subgroups.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura Shiage, a Level 0<br>&nbsp;&nbsp;&nbsp;&nbsp;without any power or role to play,<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is trying to achieve<br>&nbsp;&nbsp;&nbsp;&nbsp;something all on his own.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some new value, which not even<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister himself is aware of.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on what that is,<br>&nbsp;&nbsp;&nbsp;&nbsp;it can potentially damage Aleister's plan.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is marshalling all<br>&nbsp;&nbsp;&nbsp;&nbsp;of its forces to kill Hamazura Shiage.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think? Does<br>&nbsp;&nbsp;&nbsp;&nbsp;he have that much value?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;DRAGON...?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have your suppositions...<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not going to try to tell us you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't know anything about it, are you?<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be easier for me if I didn't,<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but unfortunately, I did learn about it...<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's something that no one<br>&nbsp;&nbsp;&nbsp;&nbsp;should ever lay eyes on...<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is DRAGON? Where is DRAGON, exactly?<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;DRAGON is everywhere...<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, DRAGON is there<br>&nbsp;&nbsp;&nbsp;&nbsp;behind you, right now...<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;DRAGON? The name is not wrong.<br>&nbsp;&nbsp;&nbsp;&nbsp;The title of "Angel" also applies.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if you want to<br>&nbsp;&nbsp;&nbsp;&nbsp;more precisely express who I am,<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should choose the following name--<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who once gave<br>&nbsp;&nbsp;&nbsp;&nbsp;the eccentric sorcerer named Crowley<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the necessary knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;in the necessary amount,<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Aiwass."<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo!<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura... run...<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way we're going, we'll both be caught.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So...<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be quiet.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody...<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody...<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right, Hamazura.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll buy you some time.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't be serious!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, somebody come along. Some hero,<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who shows up out of nowhere to save her life.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, we made it, Takitsubo!<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who stepped in to help,<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we made it through!<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let these two-bit bastards<br>&nbsp;&nbsp;&nbsp;&nbsp;come and take your life.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've decided that *I'm* the one<br>
&nbsp;&nbsp;&nbsp;&nbsp;who gets to tear you limb from limb.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like you're mystified.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is my sudden appearance really<br>&nbsp;&nbsp;&nbsp;&nbsp;that incomprehensible to you?<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, then?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why the hell did you wrap yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;in the codename "DRAGON"?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's where I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to have to begin explaining, is it?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My identity is not that big a deal.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just an insignificant <br>
&nbsp;&nbsp;&nbsp;&nbsp;little *hboie*being*ab*.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear. I can't even express<br>&nbsp;&nbsp;&nbsp;&nbsp;that degree of meaning in this world?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you familiar with<br>&nbsp;&nbsp;&nbsp;&nbsp;the phrase "Fuse=KAZAKIRI"?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... It is a being known<br>&nbsp;&nbsp;&nbsp;&nbsp;as an artificial angel.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mass of AIM dispersion fields.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is also something of a production line<br>&nbsp;&nbsp;&nbsp;&nbsp;used to give me, Aiwass, form.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, appearing for the fun of it is<br>&nbsp;&nbsp;&nbsp;&nbsp;fine and all, but now what do I do?<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would you like to do?<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to upset Aleister's aspirations<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;based on information you receive from me?<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you just jerking my chain?<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't be the one upset<br>&nbsp;&nbsp;&nbsp;&nbsp;if Aleister's plan is derailed.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it takes 10,000<br>&nbsp;&nbsp;&nbsp;&nbsp;years, or even 100,000,<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just wait for another opportunity<br>
&nbsp;&nbsp;&nbsp;&nbsp;for me to *asbu*manifest*oagbv*--<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;make that "emerge."<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just so you know,<br>&nbsp;&nbsp;&nbsp;&nbsp;the plan that Aleister is undertaking<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is already starting to come apart.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fractures are slowly starting to widen.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it keeps up, Last Order,<br>&nbsp;&nbsp;&nbsp;&nbsp;the keystone of his plan,<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is certain to disintegrate sooner or later.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if you're a mass of AIM<br>&nbsp;&nbsp;&nbsp;&nbsp;dispersion fields or an angel or whatever,<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you maliciously mean to do harm<br>&nbsp;&nbsp;&nbsp;&nbsp;to that kid, I'll give you no mercy!<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, that was my mistake.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Aleister, you messed with<br>
&nbsp;&nbsp;&nbsp;&nbsp;the *sn*structural*bozl* virus, didn't you?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Goodness, I'm sorry.<br>
&nbsp;&nbsp;&nbsp;&nbsp;If you want to *sbgp*kill*napedv* me,<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to do something<br>
&nbsp;&nbsp;&nbsp;&nbsp;about these *nspidh*glowingwings*gprws*.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have a mind of their own.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*abeohougbao*kill*woweuferya*!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do what thou wilt shall be<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole of the Law," eh?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you have?<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried drawing you out by<br>&nbsp;&nbsp;&nbsp;&nbsp;explicitly mentioning Last Order, but...<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember you saying you appeared<br>&nbsp;&nbsp;&nbsp;&nbsp;by using AIM diffusion fields, right?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to let you control them,<br>&nbsp;&nbsp;&nbsp;&nbsp;that kid was infected with the virus,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to create that Fuse=KAZAKIRI business.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the case...<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's using your head.<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've reset it to work<br>&nbsp;&nbsp;&nbsp;&nbsp;on the whole Misaka Network.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But do you realize that in doing so,<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've personally cut<br>&nbsp;&nbsp;&nbsp;&nbsp;the lifeline keeping you alive?<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Then go ahead and show me...<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...thy "Law."<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is she still alive?!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura!<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you make as quick an escape as ever,<br>&nbsp;&nbsp;&nbsp;&nbsp;but are you sure you should?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will happen to your beloved Takitsubo?<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what should I start burning first?<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I'll torch this<br>&nbsp;&nbsp;&nbsp;&nbsp;little face until it sizzles.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you playing the tragic heroine for?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not simply a helpless<br>&nbsp;&nbsp;&nbsp;&nbsp;princess, are you?<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you had the<br>&nbsp;&nbsp;&nbsp;&nbsp;strength to fight, don't you?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're too scared to take<br>&nbsp;&nbsp;&nbsp;&nbsp;the ability crystal, you can run.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Hamazura will be charred<br>&nbsp;&nbsp;&nbsp;&nbsp;to death if you do,<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you left him here to die.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it, that's it! Hurry up and<br>&nbsp;&nbsp;&nbsp;&nbsp;swallow your ace-in-the-hole ability crystal!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino!!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that, Hamazura?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who was it you were trying to protect?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't help it if you<br>&nbsp;&nbsp;&nbsp;&nbsp;finish her off yourself!<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino Shizuri!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like killing you once wasn't enough!<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not enough. Not enough at all!<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you mocking me, Hamazura?!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of ninja do you think you are,<br>&nbsp;&nbsp;&nbsp;&nbsp;using a smokescreen?! Come on!<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did it!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think common mass-produced<br>&nbsp;&nbsp;&nbsp;&nbsp;weapons would be enough<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to take down the 4th-ranked Meltdowner,<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this an endurance<br>&nbsp;&nbsp;&nbsp;&nbsp;testing room for air drag?<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, this is ridiculous.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Neither I nor Kakine Teitoku<br>&nbsp;&nbsp;&nbsp;&nbsp;have been allowed to even die.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems that the governing<br>&nbsp;&nbsp;&nbsp;&nbsp;board chairman wants to use us--<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to use our Level 5 abilities so badly,<br>&nbsp;&nbsp;&nbsp;&nbsp;he even did this to our bodies.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Hamazura,<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how did I become such a hideous monster?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino...<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what you want me to say, Hamazura?!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you shaking like a leaf?<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you're at it, why don't<br>&nbsp;&nbsp;&nbsp;&nbsp;you let out a rare and amusing scream?!<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to coat you<br>&nbsp;&nbsp;&nbsp;&nbsp;in melted iron and let it cool,<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to turn you into a fascinating work of art!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warning, experiment commencing.<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it... over?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister is such a worrywart.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems that he put up more<br>&nbsp;&nbsp;&nbsp;&nbsp;robust barriers against me than I thought.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you...<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this,<br>&nbsp;&nbsp;&nbsp;&nbsp;after you fought so hard already,<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but apparently, I have<br>&nbsp;&nbsp;&nbsp;&nbsp;the ability to change my form.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura... Hamazura!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura,<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;listen to me. Get ultra-away<br>&nbsp;&nbsp;&nbsp;&nbsp;from there, right this instant.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinuhata?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a detached force<br>&nbsp;&nbsp;&nbsp;&nbsp;from Academy City on its way to you.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take Takitsubo and ultra-run away, fast!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Run away where?<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister, you wouldn't happen<br>&nbsp;&nbsp;&nbsp;&nbsp;to admire them, would you?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who follow the feelings<br>&nbsp;&nbsp;&nbsp;&nbsp;that spring up within them<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without having to be told by anyone to do so,<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and try to keep going straight forward?<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who have committed<br>&nbsp;&nbsp;&nbsp;&nbsp;great mistakes in the past,<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and even while struggling with their sins,<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I swear I will save the kid's life"<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;try to keep moving down the right path?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who, without being chosen by anyone,<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and without having anything<br>&nbsp;&nbsp;&nbsp;&nbsp;even close to qualifications,<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can become a hero for<br>&nbsp;&nbsp;&nbsp;&nbsp;the sake of someone they love?<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Each of them are people who,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how often they're beaten down,<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;still get back up on their feet.<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They seem to be equipped<br>&nbsp;&nbsp;&nbsp;&nbsp;with something you don't have.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, it's only natural<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to want to be like them.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, at the time, all you<br>&nbsp;&nbsp;&nbsp;&nbsp;could do was slump down and lament.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aiwass, I will make use of anything I can.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that means using you.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Allow me to say something, as well.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That there is no guarantee anywhere<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the absolute advantage<br>&nbsp;&nbsp;&nbsp;&nbsp;you have will last forever.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl is a difficult matter.<br>&nbsp;&nbsp;&nbsp;&nbsp;She will most definitely perish at some point.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't want to mourn later,<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should proceed down a path<br>&nbsp;&nbsp;&nbsp;&nbsp;other than the one you're already on.<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to Russia. Specifically,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Elizalina Alliance of Independent Nations.<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember the term "Index<br>&nbsp;&nbsp;&nbsp;&nbsp;Librorum Prohibitorum."<br>**[22:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There will be an<br>&nbsp;&nbsp;&nbsp;&nbsp;important item pertaining to it.<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Russia...<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, what is it?<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't leave me.<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if I'd leave you.<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, I'll never leave you, understand?<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just you wait.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City and Russia.<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything becomes embroiled and it begins.<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What begins?<br>&nbsp;&nbsp;&nbsp;&nbsp;That much is obvious. World War III.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Alliance<br>&nbsp;&nbsp;&nbsp;&nbsp;of Independent Nations."<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 18 - The Alliance of Independent Nations

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a fight to defend the world<br>&nbsp;&nbsp;&nbsp;&nbsp;and all the people who live in it.<br>**[00:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Russian president declares<br>&nbsp;&nbsp;&nbsp;&nbsp;war on Academy City"<br>**[00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of the environmental destruction<br>&nbsp;&nbsp;&nbsp;&nbsp;that is happening today all over the world,<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the problems of petroleum<br>&nbsp;&nbsp;&nbsp;&nbsp;and other fossil fuel shortages,<br>**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have Academy City's peculiar brand<br>&nbsp;&nbsp;&nbsp;&nbsp;of science and technology as their cause.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we stem the sedition<br>&nbsp;&nbsp;&nbsp;&nbsp;of their unregulated technology,<br>**[00:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;every living thing on<br>&nbsp;&nbsp;&nbsp;&nbsp;this planet will be exterminated.<br>**[00:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City needs to enact a total freeze<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to all projects they are carrying out<br>&nbsp;&nbsp;&nbsp;&nbsp;throughout the world immediately.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, they must disclose their<br>&nbsp;&nbsp;&nbsp;&nbsp;state-of-the-art technology to us!<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you kidding me?<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they reject our proposal,<br>&nbsp;&nbsp;&nbsp;&nbsp;as we seek for peace,<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will consider Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;to be an evil entity,<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;concerned not with<br>&nbsp;&nbsp;&nbsp;&nbsp;integrating with the world,<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but instead only with their own interests,<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;exposing all other creatures<br>&nbsp;&nbsp;&nbsp;&nbsp;living in the world to danger.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will await Academy City's answer<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by midnight on October 19th,<br>&nbsp;&nbsp;&nbsp;&nbsp;Moscow Standard Time.<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If no response is received by that time,<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will take their intent to be hostile,<br>&nbsp;&nbsp;&nbsp;&nbsp;and will commence an invasion,<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the use of intercontinental<br>&nbsp;&nbsp;&nbsp;&nbsp;ballistic missiles on the table!<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#18 The Alliance of Independent Nations"<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have no other choice.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm absolutely... absolutely<br>&nbsp;&nbsp;&nbsp;&nbsp;not going to hurt the cashier.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing I need is inside the register.<br>&nbsp;&nbsp;&nbsp;&nbsp;The gun is just for pointing.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a stick-up! Get your hands up...<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a stick-up. Get your hands...<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, the cashier was so grateful,<br>&nbsp;&nbsp;&nbsp;&nbsp;she gave me lots of gifts.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Where are we?" asks Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;looking around.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're inside a train.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I finally get to see<br>&nbsp;&nbsp;&nbsp;&nbsp;your face again after so long.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did this happen? Why does<br>&nbsp;&nbsp;&nbsp;&nbsp;the kid have to go through all this?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're coming after us?<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Don't fight again like<br>&nbsp;&nbsp;&nbsp;&nbsp;you did before, okay?"<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I promise.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You pieces of trash,<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;stop getting on my nerves!<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes... I am the magic library<br>&nbsp;&nbsp;&nbsp;&nbsp;affiliated with Necessarius,<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the 0th parish of the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan Church...<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My formal name is Index...<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to destroy that remote<br>&nbsp;&nbsp;&nbsp;&nbsp;control magical item as soon as possible.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that aside,<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what are you doing here, Lessar?<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though I'm under<br>&nbsp;&nbsp;&nbsp;&nbsp;orders from the British royal family,<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or have a grudge against<br>&nbsp;&nbsp;&nbsp;&nbsp;this Fiamma of the Right guy,<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or any sort of agenda like that.<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking that<br>&nbsp;&nbsp;&nbsp;&nbsp;if you dying out here<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wouldn't be in the best interests<br>&nbsp;&nbsp;&nbsp;&nbsp;of Britain, as a whole,<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then maybe it would be best<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to lend you some support.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, things would be a<br>&nbsp;&nbsp;&nbsp;&nbsp;lot easier if you had someone along<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who spoke Russian,<br>&nbsp;&nbsp;&nbsp;&nbsp;and could interpret for you, right?<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I meant was, as a basic premise,<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how did you come by word that<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sneaking into Russia, anyway?<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh... You don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not fair to Index,<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who's currently lying in<br>&nbsp;&nbsp;&nbsp;&nbsp;the cathedral in London, do you?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That you had a rendezvous with<br>&nbsp;&nbsp;&nbsp;&nbsp;the very first woman you had a chance with?<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I have some welcome news for you.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Lessar, am not wearing leggings<br>&nbsp;&nbsp;&nbsp;&nbsp;under my skirt; just my panties.<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That information does me absolutely no good.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I supposed to do with it?<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Swing around behind me and flip my skirt up!<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget all about your previous woman!<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one would blame me if I slugged<br>&nbsp;&nbsp;&nbsp;&nbsp;you for what you just said to me.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Follow what's out of place,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we'll end up where Fiamma is.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of place?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take the map, for example.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has military information on it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I could buy it like anything.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, so you're saying...<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. They don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone to think it's important.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So is it inconceivable that they'd<br>&nbsp;&nbsp;&nbsp;&nbsp;deliberately lower their security level?<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've finished deploying a mixed force<br>&nbsp;&nbsp;&nbsp;&nbsp;with both puritans and knights.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to avoid any<br>&nbsp;&nbsp;&nbsp;&nbsp;engagements wherever possible.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;France remaining passive under<br>&nbsp;&nbsp;&nbsp;&nbsp;these circumstances is not a possibility.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it's as the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodoxy's advance force,<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or to bring an end to their historical<br>&nbsp;&nbsp;&nbsp;&nbsp;and magical animosity with Britain,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's impossible to say.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interference from France confirmed.<br>&nbsp;&nbsp;&nbsp;&nbsp;They're coming.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please be on the lookout.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they get through here,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll have a straight shot to London.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're at a disadvantage<br>&nbsp;&nbsp;&nbsp;&nbsp;aboard ships that are stuck in place.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And down here in the salt...<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What good will it do to lose your cool here?<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You people are the fighting force<br>&nbsp;&nbsp;&nbsp;&nbsp;defending Britain, you know!<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Second Princess Carissa!<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma must have created a secret route<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to bring his magical materials into the base.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as I predicted. Hmm?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you hot?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Aren't you cold?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, this is hopeless.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to undo the buttons on my shirt,<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and flap my skirt!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is with you? I don't get<br>&nbsp;&nbsp;&nbsp;&nbsp;your out-of-the-blue behavior!<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm trying to seduce you,<br>&nbsp;&nbsp;&nbsp;&nbsp;so respond, will you?!<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just bowl me over and get the deed done,<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and just like that, the British<br>&nbsp;&nbsp;&nbsp;&nbsp;will have another advance force!<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh... So she's a girl who<br>&nbsp;&nbsp;&nbsp;&nbsp;just blurts stuff out with a smile,<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not actually knowing what<br>&nbsp;&nbsp;&nbsp;&nbsp;any of her sexy talk means.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I, as someone a little bit older<br>&nbsp;&nbsp;&nbsp;&nbsp;than you, might have a word here,<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what you're saying is really very<br>&nbsp;&nbsp;&nbsp;&nbsp;dangerous, okay? Be more careful.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! I read you!<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, allow me to explicitly<br>&nbsp;&nbsp;&nbsp;&nbsp;demonstrate just how serious I am!<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We need to have a<br>&nbsp;&nbsp;&nbsp;&nbsp;serious talk after this is over.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Russian soldiers--or no, sorcerers?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, they're probably<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Russian Church.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll spot us sooner or later<br>&nbsp;&nbsp;&nbsp;&nbsp;if we stay here. Let's go.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not dead, right?<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killing him would have been easier.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's necessary.<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a "space."<br>&nbsp;&nbsp;&nbsp;&nbsp;Both coordinates and volume are crucial.<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To me, this is even more<br>&nbsp;&nbsp;&nbsp;&nbsp;important than Moscow.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to look at it from<br>&nbsp;&nbsp;&nbsp;&nbsp;Project B'Tselem's perspective.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's--!<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want the results of the survey at once.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want things to end<br>&nbsp;&nbsp;&nbsp;&nbsp;with you as a bishop, do you?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?!<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you make a scene, all the soldiers<br>&nbsp;&nbsp;&nbsp;&nbsp;on the base will come running.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you charge straight in from here,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll never reach Fiamma.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, yes, that's a good boy.<br>&nbsp;&nbsp;&nbsp;&nbsp;The Elizalina Alliance of Independent Nations.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That definitely explains why<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't find Sasha Kruezhev,<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even after searching all over Russia for her.<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were so close!<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry. If we can catch Sasha first,<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can spend the time and effort<br>&nbsp;&nbsp;&nbsp;&nbsp;to set up a surprise attack on Fiamma.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Elizalina Alliance<br>&nbsp;&nbsp;&nbsp;&nbsp;of Independent Nations...<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no problem...<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine... So Hamazura,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's hurry up and get moving...<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No problem? I don't care<br>&nbsp;&nbsp;&nbsp;&nbsp;who you ask, that's not normal.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An adverse effect of the ability crystal.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She looks like she needs a doctor.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You speak Japanese?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Give and take."<br>&nbsp;&nbsp;&nbsp;&nbsp;My village is out of fuel for our generator.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you share some of yours with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show the girl to our doctor.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about it?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will not impose any coercion<br>&nbsp;&nbsp;&nbsp;&nbsp;upon the Japanese government.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Academy City intercepts<br>&nbsp;&nbsp;&nbsp;&nbsp;ballistic missiles in outer space"<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, we are also under no obligation<br>&nbsp;&nbsp;&nbsp;&nbsp;to defend anyone other than allies.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying that if the<br>&nbsp;&nbsp;&nbsp;&nbsp;government pressures Academy City,<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will remove the rest of the country<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the protective umbrella<br>&nbsp;&nbsp;&nbsp;&nbsp;of the satellite missile interceptors?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that supposed to be a threat?!<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been wondering about this for a while,<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what's up with that strap there?<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? His name is "Gekota."<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know much about him, myself, though.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fancy mascot like that,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you don't know any details?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, sounds like there's a girl involved.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen here.<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand the situation we're in?<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is the Elizalina<br>&nbsp;&nbsp;&nbsp;&nbsp;Alliance of Independent Nations.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the woman the Elizalina Alliance<br>&nbsp;&nbsp;&nbsp;&nbsp;of Independent Nations is named for.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the holy woman who worked<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make several states within<br>&nbsp;&nbsp;&nbsp;&nbsp;Russia independent, and integrated them.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I understand that Fiamma<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Right is coming here.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, probably. Wait, do you know<br>&nbsp;&nbsp;&nbsp;&nbsp;what Fiamma of the Right refers to?<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may not be very skilled at it,<br>
&nbsp;&nbsp;&nbsp;&nbsp;but I *am* a sorceress.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma of the Right is a primary<br>&nbsp;&nbsp;&nbsp;&nbsp;figure behind this war--or rather,<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;behind an invasion into my land.<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take this opportunity<br>&nbsp;&nbsp;&nbsp;&nbsp;to defeat him. However...<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will by no means have the lives of<br>&nbsp;&nbsp;&nbsp;&nbsp;Alliance of Independent Nations citizens<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;lost as a result of any fighting.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying we can do as we like?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Your objective, as well<br>&nbsp;&nbsp;&nbsp;&nbsp;as Fiamma's, is Sasha Kruezhev.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is to say...<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to send us,<br>&nbsp;&nbsp;&nbsp;&nbsp;along with Sasha, out of the country,<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and once there, carry out an<br>&nbsp;&nbsp;&nbsp;&nbsp;operation against Fiamma, right?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't bother me if you consider me<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a cold-hearted person.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope. I mean, we're trying to use<br>&nbsp;&nbsp;&nbsp;&nbsp;you to find out where Sasha is.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, we can be grateful that you<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't handcuff us, no questions asked.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We may be operating on different scales,<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you also have those<br>&nbsp;&nbsp;&nbsp;&nbsp;you're trying to protect, don't you?<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I almost had her taken from me<br>&nbsp;&nbsp;&nbsp;&nbsp;because it took so long to realize it.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There still might be time if I act now.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, how do we act?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A strategy session, at this stage?<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too late for that now.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incoming!<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. It's hard to take aim<br>&nbsp;&nbsp;&nbsp;&nbsp;when dealing with sizes this great.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of off-the-charts attack was that?!<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma...<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The real attack is just starting!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine Breaker!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I thought you might have learned<br>&nbsp;&nbsp;&nbsp;&nbsp;something from Britain the Halloween.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, your wall was a bit<br>&nbsp;&nbsp;&nbsp;&nbsp;too hard for me to easily break it.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bellagi! Rongier! Stay back!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't sell me so short.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma!<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the main dish. One that needs<br>&nbsp;&nbsp;&nbsp;&nbsp;to be prepared before eating.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With my right hand, I could...<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But can I really guard<br>&nbsp;&nbsp;&nbsp;&nbsp;against every last attack?<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just take up a defensive posture<br>&nbsp;&nbsp;&nbsp;&nbsp;and guard, and still help Index?<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay out of this.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take me on! You know the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why I'm fighting, don't you?!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? I thought I told you<br>&nbsp;&nbsp;&nbsp;&nbsp;you were the main dish.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're offering yourself up first?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you know...<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that modern sorcerers,<br>&nbsp;&nbsp;&nbsp;&nbsp;as established in the 19th century,<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;dislike taking collective<br>&nbsp;&nbsp;&nbsp;&nbsp;action as a basic principle?<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you getting at?<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just saying, there's someone here<br>&nbsp;&nbsp;&nbsp;&nbsp;about to be killed right before their eyes.<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are also hundreds,<br>&nbsp;&nbsp;&nbsp;&nbsp;if not thousands of innocent civilians<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who will soon be killed by the<br>&nbsp;&nbsp;&nbsp;&nbsp;invasion that's taking place soon.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that under these circumstances,<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a powerful sorcerer could<br>&nbsp;&nbsp;&nbsp;&nbsp;just sit idly by in hiding?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha Kruezhev!<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today must be my lucky day.<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never would have dreamed that<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd achieve two of my objectives so easily.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an old familiar face.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not particularly obliged<br>&nbsp;&nbsp;&nbsp;&nbsp;to give these people any help,<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't stand watching you disrupting<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church anymore!<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard that you can't use<br>&nbsp;&nbsp;&nbsp;&nbsp;your trademark Divine Retribution.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think that's all<br>&nbsp;&nbsp;&nbsp;&nbsp;it would take for me to quit?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, they went and got attacked<br>&nbsp;&nbsp;&nbsp;&nbsp;before I got here.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who could so thoroughly level<br>&nbsp;&nbsp;&nbsp;&nbsp;a Russian military base like this?<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, that's an easy riddle.<br>&nbsp;&nbsp;&nbsp;&nbsp;The culprit is Academy City.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this what they were after?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are they clinging so carefully to?<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interesting. An operation on the<br>&nbsp;&nbsp;&nbsp;&nbsp;same level as my recovery mission, eh?<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not seeing a lot of results yet,<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but maybe this is connected<br>&nbsp;&nbsp;&nbsp;&nbsp;to the "other set of laws"<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that son of a bitch Aiwass was talking about.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I was thinking when<br>&nbsp;&nbsp;&nbsp;&nbsp;we rode the train to the last stop.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freeze!<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you from Academy City?!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about all of you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you the ones who attacked the base?<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have time for this.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to take care of you quickly.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mind, do you?<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now approaching the slated assault zone,<br>&nbsp;&nbsp;&nbsp;&nbsp;Russian Airbase 740.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Copy.<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's your drop status?<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready to release.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoo-hoo, I'm here to kill you, 1st-ranked.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Third Season has been unleashed.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An expression of 10,031 people's<br>&nbsp;&nbsp;&nbsp;&nbsp;vengeance, condemnation, and hatred.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Retribution arrives in the worst of forms.<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Misaka Worst."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 19 - Misaka Worst

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on with their power?<br>&nbsp;&nbsp;&nbsp;&nbsp;It didn't reflect, it just decomposed.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not into water, ice,<br>&nbsp;&nbsp;&nbsp;&nbsp;or steam, either; into light.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this what that son of a bitch Aiwass<br>&nbsp;&nbsp;&nbsp;&nbsp;was talking about when he mentioned<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"a completely different set of rules<br>&nbsp;&nbsp;&nbsp;&nbsp;unlike you've ever seen before"?<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, what a pain in the ass.<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I could beat it out of them.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Electricity?<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I told you "Third Season,"<br>&nbsp;&nbsp;&nbsp;&nbsp;would you recognize Misaka?<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka doesn't care about<br>&nbsp;&nbsp;&nbsp;&nbsp;the outcome of the war.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No orders concerning that have been input.<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's only objective is<br>&nbsp;&nbsp;&nbsp;&nbsp;to slaughter the 1st-ranked.<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the reason--<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the *only* reason why Misaka<br>
&nbsp;&nbsp;&nbsp;&nbsp;was taken out of her culture solution.<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#19 Misaka Worst"<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought your magical item was destroyed.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonetheless, I doubt you've<br>&nbsp;&nbsp;&nbsp;&nbsp;successfully restored Divine Retribution.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even supposing you have,<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will not be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to defeat me with its methodology.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! You, as Michael, cannot wield<br>&nbsp;&nbsp;&nbsp;&nbsp;your full power in your current state.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's true. Which is why I need<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha Kruezhev and Imagine Breaker.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That right arm of yours<br>&nbsp;&nbsp;&nbsp;&nbsp;has restrictions on its use.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since you were playing<br>&nbsp;&nbsp;&nbsp;&nbsp;around with those nobodies,<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's already disintegrating<br>&nbsp;&nbsp;&nbsp;&nbsp;into the air, isn't it?<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you suggesting that you can make up<br>&nbsp;&nbsp;&nbsp;&nbsp;the gap between us over just that?<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where things start<br>&nbsp;&nbsp;&nbsp;&nbsp;getting interesting.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you aware that Biagio Buzoni<br>
&nbsp;&nbsp;&nbsp;&nbsp;commanded the *Queen of the Adriatic*<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Queen's Fleet<br>&nbsp;&nbsp;&nbsp;&nbsp;escort at Chioggia, in Italy?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the one who calibrated<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the Ten Holy Spirit Spells<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to a practical level.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Controlling the entire *Queen of the*<br> &nbsp;&nbsp;&nbsp;&nbsp;*Adriatic* might have been impossible,<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I *do* have the affinity to<br>
&nbsp;&nbsp;&nbsp;&nbsp;control at least a part of the fleet.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention, I can do *this*.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've wasted too many<br>&nbsp;&nbsp;&nbsp;&nbsp;of your shots, you idiot!<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, you probably<br>&nbsp;&nbsp;&nbsp;&nbsp;can't hear me anymore.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I take better care of my things<br>&nbsp;&nbsp;&nbsp;&nbsp;than you give me credit for.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may not be able to avoid it<br>&nbsp;&nbsp;&nbsp;&nbsp;disintegrating into the air,<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I *have* succeeded<br>
&nbsp;&nbsp;&nbsp;&nbsp;in securing it in that state.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be frank, I no longer<br>&nbsp;&nbsp;&nbsp;&nbsp;have any limitations as such.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma!!<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need destructive force.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can finish someone with a touch,<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have no need to exert myself<br>&nbsp;&nbsp;&nbsp;&nbsp;to demolish my opponent.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento! What happened?!<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep quiet!<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need speed.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hit someone with a wave,<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I have no need to exert myself<br>&nbsp;&nbsp;&nbsp;&nbsp;to hit my opponent.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento!<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though I yanked out<br>&nbsp;&nbsp;&nbsp;&nbsp;your whole tongue.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just tore it a little.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make so much of it.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of freak are we going up against?<br>&nbsp;&nbsp;&nbsp;&nbsp;He's beyond overwhelming!<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you...?<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's simple.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I possess isn't the right arm itself,<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the power that comes with the right arm.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning that I have full command<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;over all the church of the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross's supernatural phenomena.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll let you imagine the rest.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not too inept to do that, right?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible...<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. It's incomplete.<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I can use it like this.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because the whole world<br>&nbsp;&nbsp;&nbsp;&nbsp;is in such a state of flux.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you aware that the four great attributes<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have slowly started going awry as a result?<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean...<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The aftershocks of Angel<br>&nbsp;&nbsp;&nbsp;&nbsp;Fall were that serious?<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the contrary.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the distortions in the great laws<br>&nbsp;&nbsp;&nbsp;&nbsp;that were there to begin with<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that created the opening for such an<br>&nbsp;&nbsp;&nbsp;&nbsp;out-of-this-world spell to be invoked.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you see that? Are we good, then?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many people have you<br>&nbsp;&nbsp;&nbsp;&nbsp;taken a stand for now?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are a delightful fellow.<br>&nbsp;&nbsp;&nbsp;&nbsp;The most delightful thing about you<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is how, while you're inspired by so many<br>&nbsp;&nbsp;&nbsp;&nbsp;others to willingly leap into danger,<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you end up earning all of the results<br>&nbsp;&nbsp;&nbsp;&nbsp;and rewards that come from doing so<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and taking them all for yourself.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you trying to say?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really convinced that<br>&nbsp;&nbsp;&nbsp;&nbsp;your actions are entirely in the right?<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I exercise my right arm to<br>&nbsp;&nbsp;&nbsp;&nbsp;sort out whatever problems I have;<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you exercise your right arm to sort out<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever incidents arise around you.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we both do it in a way<br>&nbsp;&nbsp;&nbsp;&nbsp;that shatters with one blow<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something that someone else<br>&nbsp;&nbsp;&nbsp;&nbsp;has taken desperate pains to build up.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no difference in our methods.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a firm conviction in myself...<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that my actions will pave<br>&nbsp;&nbsp;&nbsp;&nbsp;the way for the absolute good.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you expect me to just let<br>&nbsp;&nbsp;&nbsp;&nbsp;Index lie there in agony because of that?!<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well screw that!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, are you saying<br>
&nbsp;&nbsp;&nbsp;&nbsp;*you're* good for putting a stop to it?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether I'm good or not isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;the issue! Index is suffering!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea how many<br>&nbsp;&nbsp;&nbsp;&nbsp;people have been driven to tears<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because of this good-for-nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;war that you started?!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is fighting for a girl who can't even<br>&nbsp;&nbsp;&nbsp;&nbsp;wake up really such a bad thing?!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How delightful. Could you say<br>&nbsp;&nbsp;&nbsp;&nbsp;the same thing in front of the sister<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who you've been lying to all this time?<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Via this remote control magical item,<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are times when our<br>&nbsp;&nbsp;&nbsp;&nbsp;two consciousnesses become linked.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sometimes, the things that I see<br>&nbsp;&nbsp;&nbsp;&nbsp;and hear get conveyed to her, as well.<br>**[10:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not saying...<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, can you still say<br>&nbsp;&nbsp;&nbsp;&nbsp;the same thing in this situation?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you keep carrying on<br>&nbsp;&nbsp;&nbsp;&nbsp;that shameless act in front her?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to want to shelter her<br>&nbsp;&nbsp;&nbsp;&nbsp;for your own self-satisfaction.<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't wait for the<br>&nbsp;&nbsp;&nbsp;&nbsp;judgment to come down<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as to whether it actually works out<br>&nbsp;&nbsp;&nbsp;&nbsp;to be her salvation or not.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is one down.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to take you, too, but carrying<br>&nbsp;&nbsp;&nbsp;&nbsp;you both at once would be difficult.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your right arm would inhibit me<br>&nbsp;&nbsp;&nbsp;&nbsp;from transporting you.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let yourself get killed.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to need your right arm, after all.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it!<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't wait for the<br>&nbsp;&nbsp;&nbsp;&nbsp;judgment to come down<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as to whether it actually works out<br>&nbsp;&nbsp;&nbsp;&nbsp;to be her salvation or not.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is Takitsubo?!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the effects of an<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City-made drug.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A small care facility like this doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have the essential means to treat it.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose not. Even so, all this time,<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't even get her<br>&nbsp;&nbsp;&nbsp;&nbsp;a decent bed to sleep in.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess the Russian people<br>&nbsp;&nbsp;&nbsp;&nbsp;see me as the foe of foes.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your fuel is helping us.<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't let it bother you.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, this place has<br>&nbsp;&nbsp;&nbsp;&nbsp;been a questionable area<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even since before World War III started.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Elizalina Alliance of Independent<br>&nbsp;&nbsp;&nbsp;&nbsp;Nations' border is nearby, right?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Russian army wants to raze our homes<br>&nbsp;&nbsp;&nbsp;&nbsp;and build a frontline base here.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're even scattering a ton of<br>&nbsp;&nbsp;&nbsp;&nbsp;landmines all over out of transports<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;under the pretext of preventing<br>&nbsp;&nbsp;&nbsp;&nbsp;an invasion from the alliance.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding!<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, they're kind of like<br>&nbsp;&nbsp;&nbsp;&nbsp;loyalty card stickers.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We collect them and give them to an NGO,<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they exchange them<br>&nbsp;&nbsp;&nbsp;&nbsp;for food and other goods.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly am I trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to find in the middle of this war?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like things have taken a bad turn.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Privateers.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pri--?<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're kind of like<br>&nbsp;&nbsp;&nbsp;&nbsp;officially recognized bandits.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blank units that exist<br>&nbsp;&nbsp;&nbsp;&nbsp;within the Russian military,<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with zero official members.<br>&nbsp;&nbsp;&nbsp;&nbsp;They take in thug wannabe soldiers,<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who specialize in doing the dirty work.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is an outfit like that--<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, are you saying...?<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. They're planning to exploit<br>&nbsp;&nbsp;&nbsp;&nbsp;this war as a chance to level our land.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to get out of here, right now!<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't have the fuel to run our cars.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are we supposed to run?<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I'm thinking of right now.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This one is an irregular unit,<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;created to draw out and focus<br>&nbsp;&nbsp;&nbsp;&nbsp;the animosity of the entire Misaka Network.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. I made up my mind not<br>&nbsp;&nbsp;&nbsp;&nbsp;to hurt any of them ever again.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't use my "Reflection."<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is ridiculous. "Third<br>&nbsp;&nbsp;&nbsp;&nbsp;Season," did she say?<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did the Academy City folks<br>&nbsp;&nbsp;&nbsp;&nbsp;produce her to create this situation--<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the sole purpose of<br>&nbsp;&nbsp;&nbsp;&nbsp;mentally tearing me down?<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you're thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;about protecting Misaka.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody asked you to do that.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Hold on. All of the Sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;connected to the Misaka Network<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can have their actions shut down<br>&nbsp;&nbsp;&nbsp;&nbsp;with a single order from Last Order.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're sending one of those<br>&nbsp;&nbsp;&nbsp;&nbsp;units against me? Not possible.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means she's...<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a fake!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's *not* a fake...?!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inside Misaka's body<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a device installed to reject<br>&nbsp;&nbsp;&nbsp;&nbsp;a shutdown order from Last Order.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relying on her won't do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to stop this Misaka.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to stop this Misaka,<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to go all-out,<br>&nbsp;&nbsp;&nbsp;&nbsp;like you mean to kill her.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you can't do that, can you?<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do that, all your other efforts up<br>&nbsp;&nbsp;&nbsp;&nbsp;to now will go down the drain.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, how about doing nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;while you get beaten black and blue?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm scared. Help me."<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka will toy with you<br>&nbsp;&nbsp;&nbsp;&nbsp;until your identity comes apart,<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so have yourself a blast!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run away some more! You killed over<br>&nbsp;&nbsp;&nbsp;&nbsp;10,000 Misakas over 10,000 times, right?!<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to have your human rights<br>&nbsp;&nbsp;&nbsp;&nbsp;trampled at least 10,000 times over<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or it doesn't balance out!<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you factor in interest,<br>&nbsp;&nbsp;&nbsp;&nbsp;not even triple that will be enough!<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here! Have another!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think the other Misakas,<br>&nbsp;&nbsp;&nbsp;&nbsp;including Last Order,<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't called you out up to now?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer is simple!<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not because they chose<br>&nbsp;&nbsp;&nbsp;&nbsp;for themselves not to hate you!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They just couldn't exhibit it outwardly<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because their own means<br>&nbsp;&nbsp;&nbsp;&nbsp;of processing human emotions<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;made it impossible for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to understand or express them!<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Misakas are becoming<br>&nbsp;&nbsp;&nbsp;&nbsp;more human, little by little!<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Soon, many Misakas will realize their hatred!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They will end up considering<br>&nbsp;&nbsp;&nbsp;&nbsp;their legitimate right to vindication!<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, maybe Misaka will take care<br>&nbsp;&nbsp;&nbsp;&nbsp;of the damaged goods over there first.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be more effective, anyway.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Misakas will be<br>&nbsp;&nbsp;&nbsp;&nbsp;overhauled under Third Season,<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as the network is<br>&nbsp;&nbsp;&nbsp;&nbsp;expanded and redeployed,<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will achieve even greater performance<br>&nbsp;&nbsp;&nbsp;&nbsp;enhancements and breakthroughs.<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The older-generation Last Order will<br>&nbsp;&nbsp;&nbsp;&nbsp;no longer be needed to call the shots!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, so *that's* the way this plays out.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not going to get out of<br>&nbsp;&nbsp;&nbsp;&nbsp;this situation without somebody...<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...dying, are we?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're done for. But this<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't the end, is it?<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the other Sisters will be coming next.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe they'll use Yomikawa<br>&nbsp;&nbsp;&nbsp;&nbsp;or Yoshikawa, instead.<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And some completely irrelevant village<br>&nbsp;&nbsp;&nbsp;&nbsp;or town gets wiped out.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, enough. I can't put up with it anymore.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help...<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody... help...<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's your... fault...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw that!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw it! Screw it! Screw it!<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying she was created<br>&nbsp;&nbsp;&nbsp;&nbsp;and killed just for my sake?!<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all part of that<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City scum's plan, right?!<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how hard we struggled,<br>&nbsp;&nbsp;&nbsp;&nbsp;this kid has to die,<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my mind has to go to pieces,<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while somebody is nice and warm<br>&nbsp;&nbsp;&nbsp;&nbsp;in some room, having a drink and smiling!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This whole business was<br>&nbsp;&nbsp;&nbsp;&nbsp;put together by those guys!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm just gonna turn it<br>&nbsp;&nbsp;&nbsp;&nbsp;all upside-down on them!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If their plan doesn't succeed<br>&nbsp;&nbsp;&nbsp;&nbsp;unless this kid dies,<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will personally save her<br>&nbsp;&nbsp;&nbsp;&nbsp;and make it fail!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just you watch, you filthy sons of bitches.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna obliterate your<br>&nbsp;&nbsp;&nbsp;&nbsp;smug expressions, starting right now!<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You punk-ass, scum-sucking sons of bitches!<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rotten-to-the-core bastards who<br>&nbsp;&nbsp;&nbsp;&nbsp;look down on me, thinking all I can do is kill!<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna show you right now that I have<br>&nbsp;&nbsp;&nbsp;&nbsp;what it takes to protect something, too!<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Black wings cast a hue over the snowy plain.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blood-soaked fists clench tightly.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The mightiest and the<br>&nbsp;&nbsp;&nbsp;&nbsp;lowliest now once again clash.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "A Reason to Protect."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 20 - A Reason to Protect

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bleeding has been stopped...?<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why? Misaka shouldn't have survived.<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be! He *saved* Misaka?!<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?!<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you save this Misaka?!<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#20 A Reason to Protect"<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento...<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't like the way<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma does things, that's all.<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where Fiamma of the Right went?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a pretty good guess.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to want to shelter her<br>&nbsp;&nbsp;&nbsp;&nbsp;for your own self-satisfaction.<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't wait for the<br>&nbsp;&nbsp;&nbsp;&nbsp;judgment to come down<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as to whether it actually works out<br>&nbsp;&nbsp;&nbsp;&nbsp;to be her salvation or not.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you might be hiding,<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's not like you stopped dead in<br>&nbsp;&nbsp;&nbsp;&nbsp;your tracks where you were, right?<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You kept moving forward for all you<br>&nbsp;&nbsp;&nbsp;&nbsp;were worth despite it all, didn't you?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as a result of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've saved a number of people's lives,<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm including stopping<br>&nbsp;&nbsp;&nbsp;&nbsp;the coup d'état in Britain, as well.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In short, I think your<br>&nbsp;&nbsp;&nbsp;&nbsp;life is one to be proud of.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the same... All the same,<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it isn't up to me to decide if<br>&nbsp;&nbsp;&nbsp;&nbsp;the actions I've taken up to now...<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...were in Index's best<br>&nbsp;&nbsp;&nbsp;&nbsp;interests or not, is it?<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep on running!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to end up dragging<br>&nbsp;&nbsp;&nbsp;&nbsp;you into all of this.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now is not the time to be apologizing!<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, you're providing Takitsubo<br>&nbsp;&nbsp;&nbsp;&nbsp;with some underground shelter.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's reason enough!<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it jam up?<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're enjoying killing people.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're planning to<br>&nbsp;&nbsp;&nbsp;&nbsp;kill everyone in the village.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't let them.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Weapons... Don't you have<br>&nbsp;&nbsp;&nbsp;&nbsp;anything in the way of weapons?<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing that would penetrate<br>&nbsp;&nbsp;&nbsp;&nbsp;that kind of armor.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your loyalty stickers!<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember you saying you were<br>&nbsp;&nbsp;&nbsp;&nbsp;saving up the landmines you dug up<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to turn over to an NGO, right?<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can we really hold the line?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not a defensive war of attrition.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a mop-up battle<br>&nbsp;&nbsp;&nbsp;&nbsp;to prepare for our attack.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The mobile fortress Glastonbury...<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By defining the area around<br>&nbsp;&nbsp;&nbsp;&nbsp;the fortress as British territory by force,<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're dramatically extending<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana's usage range.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It truly is a large-scale<br>&nbsp;&nbsp;&nbsp;&nbsp;magical item for invasions,<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;regardless of the intent<br>&nbsp;&nbsp;&nbsp;&nbsp;of the enemy, don't you think?<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more thing, just to make sure.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! If this keeps up, those<br>&nbsp;&nbsp;&nbsp;&nbsp;French dumbasses will capture me,<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they'll all rape me to death!!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Keep Princess Carissa safe!!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Keep Princess Carissa safe!!<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have been fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;with that kind of enthusiasm from the start.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put me in touch with Queen Elizard.<br>&nbsp;&nbsp;&nbsp;&nbsp;On the double.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want permission to spank Princess Carissa.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, stop that!<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I know Mother, she can't help herself<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but focus all of Curtana Second's<br>&nbsp;&nbsp;&nbsp;&nbsp;power on you, just to let you do that!<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you wouldn't insult me so.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, the Holy Maiden of Versailles.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your body has undergone<br>&nbsp;&nbsp;&nbsp;&nbsp;conditioning at the visceral level<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent you from being able<br>&nbsp;&nbsp;&nbsp;&nbsp;to live outside of Versailles.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Performed by the idiotic French<br>&nbsp;&nbsp;&nbsp;&nbsp;heavyweights who are afraid of you.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Victory is ours! If you had been<br>&nbsp;&nbsp;&nbsp;&nbsp;able to come out here directly,<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the battle may have gone differently.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I *am* able to move about.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That* was France's mightiest move to make.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be! A fragment<br>&nbsp;&nbsp;&nbsp;&nbsp;of Curtana Second?!<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the course of fighting with my mother,<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana Original and<br>&nbsp;&nbsp;&nbsp;&nbsp;Curtana Second came to blows.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a byproduct of that.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, I am able to move about.<br>&nbsp;&nbsp;&nbsp;&nbsp;That is Britain's greatest move to make.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Over there!<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't hold it anymore! It will take<br>&nbsp;&nbsp;&nbsp;&nbsp;more than that kid's smile to stop it!<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna destroy all of it!<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanna mow down everything there is!<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kind of people who would<br>&nbsp;&nbsp;&nbsp;&nbsp;gladly create such a thing!<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And the guys who are finding<br>&nbsp;&nbsp;&nbsp;&nbsp;happiness by benefiting from it!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every last one of them!<br>&nbsp;&nbsp;&nbsp;&nbsp;Every last one of them!<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator!<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you here...?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...? Why...? Why are you here?!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the hero who saved all the Sisters!<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what about that kid?<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She hasn't done anything wrong,<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she has to suffer as much as she is!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you hiding<br>&nbsp;&nbsp;&nbsp;&nbsp;yourselves, little kitties?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't know which<br>&nbsp;&nbsp;&nbsp;&nbsp;route they'll be coming in on,<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we don't have time<br>&nbsp;&nbsp;&nbsp;&nbsp;to dilly-dally setting these things.<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not much choice but to toss them<br>&nbsp;&nbsp;&nbsp;&nbsp;like grenades when they get close.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're coming *my* way, huh? Bring it on!<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...come at me any way you like!<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did that finish him?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, move!<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's chilly out today, huh?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just the right kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;weather for a barbecue.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, it's not over yet.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll fill you full of holes!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're supposed to be a hero, right?!<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can do things nobody else can do,<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then turn some of it toward that kid there!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's crazy that a villainous bastard like me<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has stuck up for her all this time!<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't possibly be a hero!<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come no matter what, I can only<br>&nbsp;&nbsp;&nbsp;&nbsp;choose bloody methods of fixing things!<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why should I have to go through this?!<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a hero like you would come<br>&nbsp;&nbsp;&nbsp;&nbsp;dashing to the rescue instead...<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a hero like you would come<br>&nbsp;&nbsp;&nbsp;&nbsp;dashing to the rescue instead,<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a mistake like this would never<br>&nbsp;&nbsp;&nbsp;&nbsp;have happened in the first place.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that kid wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have had to suffer like this!<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why? Why didn't you die from that, hero?!<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need a hero.<br>&nbsp;&nbsp;&nbsp;&nbsp;Does an average Level 0 like me<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;really look like that big a deal to you?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good guy? Bad guy?<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to be kidding me.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the position a person<br>&nbsp;&nbsp;&nbsp;&nbsp;has to be in to help someone?<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone right in front of you is crying,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you wish they weren't.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who can't even ask<br>&nbsp;&nbsp;&nbsp;&nbsp;for help is there, struggling to hold on.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough, isn't it?<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can step up, can't you?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need any special position or reason!<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no skin off your nose<br>&nbsp;&nbsp;&nbsp;&nbsp;to stand in the way to shield them!<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you want to protect<br>&nbsp;&nbsp;&nbsp;&nbsp;or how it is you've gotten hurt,<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if you wanted to protect that kid,<br>&nbsp;&nbsp;&nbsp;&nbsp;then do it with your head held high!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be proud that right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're able to try to keep her safe!<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to choose.<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to keep protecting her yourself,<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or are you going to leave everything up<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone else and run away?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or do you want my help,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we can do this together?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you, yourself, want to do?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Call it arrogance or whatever,<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you* have to decide for yourself<br>
&nbsp;&nbsp;&nbsp;&nbsp;what you can take pride in!<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted to defend her, no matter what.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I rushed headlong down the path<br>&nbsp;&nbsp;&nbsp;&nbsp;I could choose--the path of evil--<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and got very good at being evil...<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy who never even considered<br>&nbsp;&nbsp;&nbsp;&nbsp;whether he was good or evil<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;turns out to be the strongest one.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't protect her with just plain evil.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To fight to protect others<br>&nbsp;&nbsp;&nbsp;&nbsp;from inexcusable savagery<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to give your all to stop<br>&nbsp;&nbsp;&nbsp;&nbsp;unnecessary tears from being shed<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is something to be admired.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I, Acqua of the Rear may be so<br>&nbsp;&nbsp;&nbsp;&nbsp;presumptuous, could I lend you a hand?<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Kremlin Report.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Russia's first-priority<br>&nbsp;&nbsp;&nbsp;&nbsp;national defense manual.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the mainland is invaded by force,<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the nuclear launch facilities<br>&nbsp;&nbsp;&nbsp;&nbsp;are about to be taken over,<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what means will they adopt<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent that from happening?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll disperse a microbial<br>&nbsp;&nbsp;&nbsp;&nbsp;wall--an airborne killer virus!<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There won't be any evacuation order issued<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Russian soldiers<br>&nbsp;&nbsp;&nbsp;&nbsp;who work at the facility,<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or for the civilians living in the area.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The manual's priority is only to secure<br>&nbsp;&nbsp;&nbsp;&nbsp;the safety of the nuclear launch sites.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However much you tout how just your cause is,<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact is that you're using French soil<br>&nbsp;&nbsp;&nbsp;&nbsp;as a springboard to intervene in Russia.<br>**[19:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And France, which has enjoyed much growth<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;under the protection of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church,<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot now afford to cast<br>&nbsp;&nbsp;&nbsp;&nbsp;aside their orders--<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, everyone is aware that<br>&nbsp;&nbsp;&nbsp;&nbsp;this war isn't courtesy of Roman Orthodoxy,<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but because of Fiamma, instead.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, we can avoid the<br>&nbsp;&nbsp;&nbsp;&nbsp;worst case scenario.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what will it be?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the France that I took to be my<br>&nbsp;&nbsp;&nbsp;&nbsp;archenemy really this good-for-nothing?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look!<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you planning to do?<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not tell me...!<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a war zone!<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you intend to get there?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um, well, you know...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't wait, Hamazura.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Index Librorum Prohibitorum..."<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome to the Elizalina<br>&nbsp;&nbsp;&nbsp;&nbsp;Alliance of Independent Nations.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe it is all connected.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I have any room to come off<br>&nbsp;&nbsp;&nbsp;&nbsp;so high-and-mighty to Accelerator?<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not shuffling my feet<br>&nbsp;&nbsp;&nbsp;&nbsp;looking for any logical reasons.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not protecting her because it's right.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to help her, that's all.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha! First you stress out,<br>&nbsp;&nbsp;&nbsp;&nbsp;then you bounce back.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pretty busy, aren't you?<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, I'm a real lowlife.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A no-account jerk who's been deceiving Index.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if I am, it's not<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma that I should be bowing to.<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now, it's time for<br>&nbsp;&nbsp;&nbsp;&nbsp;the delightful Project B'Tselem.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The project kicks off at last.<br>**[23:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The earth shakes, the skies turn<br>&nbsp;&nbsp;&nbsp;&nbsp;pitch-black, and strange objects rise.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The light of destruction descends.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Star of B'Tselem."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 21 - The Star of B'Tselem

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Your Holiness, what are you doing?<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have to hurry...<br>**[00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The citizens have been<br>&nbsp;&nbsp;&nbsp;&nbsp;seized upon by their anxiety,<br>**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and are starting to march on the Vatican.<br>**[00:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. You need not say anything.<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there, my dandy gentleman.<br>**[00:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I assume your position<br>&nbsp;&nbsp;&nbsp;&nbsp;is still the Pope of Rome?<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you, Vasilissa? The cardinals<br>&nbsp;&nbsp;&nbsp;&nbsp;are about to convene a papal conclave.<br>**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must have decided that<br>&nbsp;&nbsp;&nbsp;&nbsp;my authority is already lost.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take more than<br>&nbsp;&nbsp;&nbsp;&nbsp;my words to put a stop to this war.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nonetheless, you have stood forward.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry about that. I'm in the<br>&nbsp;&nbsp;&nbsp;&nbsp;middle of bringing the dissenters,<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who were trying to sell out<br>&nbsp;&nbsp;&nbsp;&nbsp;our beloved Sasha, to tears.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go easy on them. They are our brethren.<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew you would say that. So, how are<br>&nbsp;&nbsp;&nbsp;&nbsp;you planning to bring this war to an end?<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To do what must be done.<br>&nbsp;&nbsp;&nbsp;&nbsp;But not as the pope over a flock of two billion.<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just have to do what I should<br>&nbsp;&nbsp;&nbsp;&nbsp;as an adherent of Roman Orthodoxy.<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I made a promise to that<br>&nbsp;&nbsp;&nbsp;&nbsp;mercenary, after all.<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that the Lord still<br>&nbsp;&nbsp;&nbsp;&nbsp;intends to give me more trials.<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what to do? A being like yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;has been identified within Russia.<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Archangel "Power of God," Misha Kruezhev.<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the encroachment begins,<br>&nbsp;&nbsp;&nbsp;&nbsp;tragedy will befall everyone in that area.<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will you do?<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. I only undertake<br>&nbsp;&nbsp;&nbsp;&nbsp;that which interests me.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mind going. But<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have one condition.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please don't take any<br>&nbsp;&nbsp;&nbsp;&nbsp;action against my friends.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as they arouse no interest,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be my pleasure.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you do hurt them,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will become your enemy,<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if it means destroying us all.<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How naive of you to threaten me.<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might instead attract<br>&nbsp;&nbsp;&nbsp;&nbsp;my interest by saying that.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What was that?!<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An angel...?<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#21 The Star of B'Tselem"<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, coming all the way to Russia<br>&nbsp;&nbsp;&nbsp;&nbsp;and still savoring something like this.<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's handy that some things taste<br>&nbsp;&nbsp;&nbsp;&nbsp;the same all over the world.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got this far by blending in<br>&nbsp;&nbsp;&nbsp;&nbsp;with the human smuggling brokers,<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is probably<br>&nbsp;&nbsp;&nbsp;&nbsp;as far as we're getting by car.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's take a different route to sneak<br>&nbsp;&nbsp;&nbsp;&nbsp;into the Russian base where Fiamma is.<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'sa madder?<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... Are there really<br>&nbsp;&nbsp;&nbsp;&nbsp;this many people fleeing<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Elizalina Alliance<br>&nbsp;&nbsp;&nbsp;&nbsp;of Independent Nations?<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The opposite might be true, too.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody wants to be a citizen<br>&nbsp;&nbsp;&nbsp;&nbsp;of a vanquished nation.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry and put a stop<br>&nbsp;&nbsp;&nbsp;&nbsp;to this war as soon as we can.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, Fiamma is the one pulling<br>&nbsp;&nbsp;&nbsp;&nbsp;the strings behind the scenes, right?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's kick that bastard's ass,<br>&nbsp;&nbsp;&nbsp;&nbsp;bring a quick end to the war,<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and return peace to the world!<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. Let's slug Fiamma good,<br>&nbsp;&nbsp;&nbsp;&nbsp;and rescue Index from him.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that that's decided,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's get a move on and finish eating!<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now's my chance!<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me pay for that with my body!<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you licking your lips<br>&nbsp;&nbsp;&nbsp;&nbsp;with stars twinkling in your eyes?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The privateer base has<br>&nbsp;&nbsp;&nbsp;&nbsp;been wiped out in no time flat.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he of one of those<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City esper folks?<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, he isn't.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That takes care of that for now, I'd say.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me ask you again, who exactly are you?<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua of the Rear, has-been<br>&nbsp;&nbsp;&nbsp;&nbsp;mercenary miscreant.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Something's coming this way.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're Academy City forces.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears they're here<br>&nbsp;&nbsp;&nbsp;&nbsp;to occupy this territory.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do? Drive them off?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. If they're just defending the village,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're better off not resisting.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;who you're supposed to be,<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you can't just keep shoring up<br>&nbsp;&nbsp;&nbsp;&nbsp;the defenses in one spot forever, right?<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm...<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it's better to let Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;forces establish themselves here.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The place will be occupied for now,<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but these guys will be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;defend the place for several months.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Hamazura, I thought you were<br>&nbsp;&nbsp;&nbsp;&nbsp;on the run from Academy City.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That can't be helped.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is to protect the village.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, we're getting out of here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I almost forgot...<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks. Because of your arrival,<br>&nbsp;&nbsp;&nbsp;&nbsp;myself, the villagers,<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the girl I have a crush on<br>&nbsp;&nbsp;&nbsp;&nbsp;all came away with our lives.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll thank you properly someday.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like an instruction manual.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is?<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you understand it?<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, just that it looks like<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a list of what appear to be<br>&nbsp;&nbsp;&nbsp;&nbsp;magical conversion provisions.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What to do to make a Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;spell work in the Russian Church style.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike Madam Elizalina,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know much about magical things.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic? What the hell is he talking about?<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this mean something exists<br>&nbsp;&nbsp;&nbsp;&nbsp;that I can't understand? If so,<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it could end up being the key.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's this Elizalina?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sorceress--or was she a magician?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, this Elizalina twerp<br>&nbsp;&nbsp;&nbsp;&nbsp;can decipher this parchment, right?<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. If she can speak, that is.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, she's in a<br>&nbsp;&nbsp;&nbsp;&nbsp;bed at a field hospital.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't plan on staying here long,<br>&nbsp;&nbsp;&nbsp;&nbsp;nor on doing any killing.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When will Sleeping Beauty be up?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If things go smoothly, one to three hours.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're spies.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I'm going to leave the kid here,<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to make sure to arrange<br>&nbsp;&nbsp;&nbsp;&nbsp;a nice, clean environment for her.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The place where you guys<br>&nbsp;&nbsp;&nbsp;&nbsp;stand isn't the only hell.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This level of darkness<br>&nbsp;&nbsp;&nbsp;&nbsp;is still pretty weak sauce.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pathetic, isn't it?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns out that bailing on them<br>&nbsp;&nbsp;&nbsp;&nbsp;halfway through was the best choice.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. Right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're still fighting to keep me safe.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's not pathetic at all.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says it's the key<br>&nbsp;&nbsp;&nbsp;&nbsp;to the car parked up ahead.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I couldn't.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I accept this, it will mean<br>&nbsp;&nbsp;&nbsp;&nbsp;you aided us in escaping.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He says you can start the engine<br>&nbsp;&nbsp;&nbsp;&nbsp;without using the key, then.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, they're coming!<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's 500 meters to the border!<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-We made it.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?!<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the end?<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, I'm in the middle<br>&nbsp;&nbsp;&nbsp;&nbsp;of searching for spies,<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you have to drag<br>&nbsp;&nbsp;&nbsp;&nbsp;in outside problems I don't need.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me everything. I want to hear it all.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what to say.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to do anything I can,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as far as restorative magic goes,<br>&nbsp;&nbsp;&nbsp;&nbsp;if I wasn't so mentally exhausted.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Restoration... magic...?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's the bottom line. I can probably<br>&nbsp;&nbsp;&nbsp;&nbsp;handle the girl in the track suit.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The little girl over here<br>&nbsp;&nbsp;&nbsp;&nbsp;will be more difficult.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all.<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? How do you mean?<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of them each have their<br>&nbsp;&nbsp;&nbsp;&nbsp;own separate toxins built up.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smaller girl has toxins continuously<br>&nbsp;&nbsp;&nbsp;&nbsp;injected into her on a permanent basis,<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so even if they're removed temporarily,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll be replenished in no time.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But once they're removed from<br>&nbsp;&nbsp;&nbsp;&nbsp;the track suit girl, she should do better.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-So then, you're saying<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo will get better?!<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She will?<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's terrific, Takitsubo!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, I can't breathe.<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. But I'm... I'm...<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm neither surprised, rattled, nor angry.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could stamp my feet on the ground,<br>&nbsp;&nbsp;&nbsp;&nbsp;screaming at the top of my lungs,<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but that won't change<br>&nbsp;&nbsp;&nbsp;&nbsp;this situation for the better.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, I know that time is short,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I just have to do what must be done.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care what course<br>&nbsp;&nbsp;&nbsp;&nbsp;of treatment you plan for them,<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but answer my question before<br>&nbsp;&nbsp;&nbsp;&nbsp;you get to them. Can you read this?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd say I could possibly read it<br>&nbsp;&nbsp;&nbsp;&nbsp;if you gave me enough time.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want me to hold onto it?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope. All I need to know is<br>&nbsp;&nbsp;&nbsp;&nbsp;that you can decipher it.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You concentrate on treating them.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh...<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have time to waste, either.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking off now.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any clues?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I don't, I'll find one.<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are the spies that I flushed out?<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're being interrogated,<br>&nbsp;&nbsp;&nbsp;&nbsp;but it isn't going very well.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you care to see?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, I'm going to run down<br>&nbsp;&nbsp;&nbsp;&nbsp;a more reliable source of information.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something I can help you with?<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cooperate with me.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With what? Why? How?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found and recovered a number of bugs.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're yielding bits and pieces<br>&nbsp;&nbsp;&nbsp;&nbsp;from the small timers.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to sort<br>&nbsp;&nbsp;&nbsp;&nbsp;through that information.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On what grounds does<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka have to cooperate?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh... The folks back in Academy City<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are going to use the<br>
&nbsp;&nbsp;&nbsp;&nbsp;Misaka Network to do *something*.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As they were replacing the network<br>&nbsp;&nbsp;&nbsp;&nbsp;that started causing trouble for them,<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you came after the lives<br>&nbsp;&nbsp;&nbsp;&nbsp;of myself and the kid.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But yours is going to end up<br>&nbsp;&nbsp;&nbsp;&nbsp;the same way--at a dead end.<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the way the people<br>&nbsp;&nbsp;&nbsp;&nbsp;who applaud as successful<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the killing of 20,000 puppets see the world.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to know it won't be used<br>&nbsp;&nbsp;&nbsp;&nbsp;for any respectable purpose.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So Misaka must work with you?<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Join forces with the most<br>&nbsp;&nbsp;&nbsp;&nbsp;malicious partner there is, of all people?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, negotiation time.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Dark May Project.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The project that tried to enhance<br>&nbsp;&nbsp;&nbsp;&nbsp;other espers' Personal Realities<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by applying the method<br>&nbsp;&nbsp;&nbsp;&nbsp;I use to control my ability.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you to become an irreplaceable resource,<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you had to obtain a capacity<br>&nbsp;&nbsp;&nbsp;&nbsp;that the other Sisters didn't have.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do?<br>&nbsp;&nbsp;&nbsp;&nbsp;If you analyze the way I fight,<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you might find a way out of this.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. That truly does<br>&nbsp;&nbsp;&nbsp;&nbsp;sound like this Misaka.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll find a lead to eliminating<br>&nbsp;&nbsp;&nbsp;&nbsp;the kid's symptoms.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll stumble upon a route other<br>&nbsp;&nbsp;&nbsp;&nbsp;than the one where you'll only get used up.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why we'll fight Academy City.<br>&nbsp;&nbsp;&nbsp;&nbsp;Why we'll outwit them.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We now have a mutual interest.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that that's clear,<br>&nbsp;&nbsp;&nbsp;&nbsp;stop being a baby and get going.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This Misaka must admit,<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after being tuned solely<br>&nbsp;&nbsp;&nbsp;&nbsp;to kill Academy City's 1st-ranked,<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and with everything she's been put through,<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she never imagined the day would come<br>&nbsp;&nbsp;&nbsp;&nbsp;when she'd have to force a smile.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that. That was my mistake,<br>&nbsp;&nbsp;&nbsp;&nbsp;for falling for their bullcrap.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?! When the villain<br>
&nbsp;&nbsp;&nbsp;&nbsp;makes a face *that* sheepish,<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it makes this Misaka's reason<br>&nbsp;&nbsp;&nbsp;&nbsp;for being seem so much less important!<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you calling a villain?<br>&nbsp;&nbsp;&nbsp;&nbsp;Even after perfecting it like I did,<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still wasn't able to keep the kid safe!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's not a single reason<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to stick with it anymore.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simply taking the most<br>&nbsp;&nbsp;&nbsp;&nbsp;easy-to-grasp side isn't good enough.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I are both monsters,<br>&nbsp;&nbsp;&nbsp;&nbsp;deliberately set to evil by Academy City.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Far from opposing them,<br>&nbsp;&nbsp;&nbsp;&nbsp;mastering the ways of evil<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was simply chugging right<br>&nbsp;&nbsp;&nbsp;&nbsp;on down their rails, wasn't it?<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why now, I'm going to<br>&nbsp;&nbsp;&nbsp;&nbsp;hit back at them in the true sense.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I don't care if I wind up doing<br>&nbsp;&nbsp;&nbsp;&nbsp;stuff out of character for me to that end.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, dense?! Incredible!<br>&nbsp;&nbsp;&nbsp;&nbsp;That stupid deadpan look is incredible!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it's Misaka's,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's also *your* first time gripping<br>
&nbsp;&nbsp;&nbsp;&nbsp;someone's hand like this, right?<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done it plenty of times before.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With a really awful kid<br>&nbsp;&nbsp;&nbsp;&nbsp;who looks a lot like you.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An attack by Academy City?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Russian army has also<br>&nbsp;&nbsp;&nbsp;&nbsp;started attacking. This is our chance!<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can take advantage of the<br>&nbsp;&nbsp;&nbsp;&nbsp;chaos to sneak onto Fiamma's base!<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think the Russian army<br>&nbsp;&nbsp;&nbsp;&nbsp;is coming to the base's defense?<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because Fiamma doesn't want to move.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either he doesn't want it<br>&nbsp;&nbsp;&nbsp;&nbsp;known that he's in hiding here,<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or he's conducting some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of magical operation.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what do we do, exactly?<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We steal a powered suit!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to applaud me, I'll listen<br>&nbsp;&nbsp;&nbsp;&nbsp;to you in bed as you stroke my head.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait up!<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, it's strange.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we snuck in earlier, there were<br>&nbsp;&nbsp;&nbsp;&nbsp;a bunch of Russian Church sorcerers.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wouldn't they be placed here?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they act like they're<br>&nbsp;&nbsp;&nbsp;&nbsp;intentionally luring Academy City in?<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Isn't it obvious? To invite you<br>&nbsp;&nbsp;&nbsp;&nbsp;and your all-important right arm along.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't have you getting caught<br>&nbsp;&nbsp;&nbsp;&nbsp;in the attack and losing your right arm.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I intentionally left a gap open<br>&nbsp;&nbsp;&nbsp;&nbsp;to recover you nice and quickly.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I always thought he got out<br>&nbsp;&nbsp;&nbsp;&nbsp;of there all too readily before,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it turns out he was<br>&nbsp;&nbsp;&nbsp;&nbsp;just letting me get away?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those crybaby spies sure weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;much of a challenge, huh?<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was no fun!<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deceptive practices<br>&nbsp;&nbsp;&nbsp;&nbsp;are still the same as always.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deprive them of any chance<br>&nbsp;&nbsp;&nbsp;&nbsp;they have to make sound judgments.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think of what<br>&nbsp;&nbsp;&nbsp;&nbsp;that weepy bastard had to say?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything about it sounded contrived.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Russian army was always going<br>&nbsp;&nbsp;&nbsp;&nbsp;to take advantage of this war<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to invade the Elizalina Alliance<br>&nbsp;&nbsp;&nbsp;&nbsp;of Independent Nations,<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which they were out for anyway.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's strange that they would send<br>&nbsp;&nbsp;&nbsp;&nbsp;spies at all, under the circumstances.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The circumstances were exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;why there was a mission.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They had to deliver classified<br>&nbsp;&nbsp;&nbsp;&nbsp;documents to designated points<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before any full-scale aerial bombing.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once they got there, they'd meet<br>&nbsp;&nbsp;&nbsp;&nbsp;with someone who needed this.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By which I mean someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;knew how to decode and use this.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka is getting puffy all over<br>&nbsp;&nbsp;&nbsp;&nbsp;at such a self-serving development!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! The designated point<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was the Russian army's frontline base,<br>&nbsp;&nbsp;&nbsp;&nbsp;near the border, right?<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go raid it.<br>&nbsp;&nbsp;&nbsp;&nbsp;You can do whatever you want.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing with Last Order?<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What would happen<br>&nbsp;&nbsp;&nbsp;&nbsp;if I left you in charge of her?<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably stuff you couldn't bear<br>&nbsp;&nbsp;&nbsp;&nbsp;to see, to ward off boredom.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There were two remote<br>&nbsp;&nbsp;&nbsp;&nbsp;control magical items for her.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma took the one from the royal family,<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the puritans' item is still here.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, it's clear who was in possession of it.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're trying to use the puritans'<br>&nbsp;&nbsp;&nbsp;&nbsp;magical item to keep Fiamma<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from misusing the knowledge<br>&nbsp;&nbsp;&nbsp;&nbsp;in the 103,000 grimoires<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by interrupting his item, aren't you?<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deliberately messing around with her body.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing your delusion is actually true,<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am the head of this organization.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How far do you think you could deal<br>&nbsp;&nbsp;&nbsp;&nbsp;with this on your own?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that were the case,<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then at minimum,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would destroy the leader, right here.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see, I see. That's something else.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But will circumstances stand by<br>&nbsp;&nbsp;&nbsp;&nbsp;and wait for that to happen?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Caution... Chapter 4...<br>&nbsp;&nbsp;&nbsp;&nbsp;Connection by remote user confirmed...<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Automatic purge of<br>&nbsp;&nbsp;&nbsp;&nbsp;risk factors now commencing...<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't hold back.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've secured Sasha Kruezhev,<br>&nbsp;&nbsp;&nbsp;&nbsp;then commit, already!<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have finished readying the attack.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will not be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;observe the military situation.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's trademark control<br>&nbsp;&nbsp;&nbsp;&nbsp;will no longer work.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will become a true war.<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever the case, as long as<br>&nbsp;&nbsp;&nbsp;&nbsp;I achieve my goal, it will not be a problem.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Patriarch of the Russian Church.<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd go to these lengths to become that?<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind about me, where are *you* right now?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Not on that base, I'm sure.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your signal has disappeared<br>&nbsp;&nbsp;&nbsp;&nbsp;from those coordinates.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You will find out very soon.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like it or not.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?!<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I was getting ready was not<br>&nbsp;&nbsp;&nbsp;&nbsp;some giant magical item or facility;<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was the space to scoop this up.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You do realize...<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just how much of a risk<br>&nbsp;&nbsp;&nbsp;&nbsp;you're taking by doing this, right?<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The question of how risky<br>&nbsp;&nbsp;&nbsp;&nbsp;it is doesn't matter.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Between those who are doing their<br>&nbsp;&nbsp;&nbsp;&nbsp;best to kill a run-of-the-mill high-schooler<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and those who are doing their best<br>&nbsp;&nbsp;&nbsp;&nbsp;to save a run-of-the-mill high-schooler,<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which side would you want to take?<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which side would you feel proud to take?<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, this just isn't my style.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?!<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. Why is he...?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you kidding me?!<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pilot is safe.<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now...<br>**[22:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...how am I going to get up into the clouds?<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you...?<br>**[22:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka's serial number is 10777,"<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, kindly answering Big Sister,<br>&nbsp;&nbsp;&nbsp;&nbsp;who doesn't know what to say.<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm guessing you're with one of<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's Russian co-op outfits?<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Since the withdrawal there is complete,<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the choice was made<br>&nbsp;&nbsp;&nbsp;&nbsp;to spend some private time,"<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, reporting her leisure-time mood<br>&nbsp;&nbsp;&nbsp;&nbsp;while holding a dangerous rifle.<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Private...?<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Big Sister, are you not on private time?"<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, seeking confirmation.<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm not here on business...<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wings of ice spread across the night sky.<br>&nbsp;&nbsp;&nbsp;&nbsp;A giant aerial fortress.<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Divine punishment meted out.<br>&nbsp;&nbsp;&nbsp;&nbsp;What tidings do the angels and stars bid?<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Gabriel."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 22 - Angel Power (Gabriel)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Stiyl?<br>**[00:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm giving you a chance, so do something.<br>&nbsp;&nbsp;&nbsp;&nbsp;Because if you can't, I will.<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to tell me.<br>**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to tell me...<br>**[00:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...because this is the job<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been doing a long time.<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hostile identified. Now conducting analysis<br>**[00:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of available spells and<br>&nbsp;&nbsp;&nbsp;&nbsp;construction of suitable local weapons.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He went out of his way to get this ready.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Fiamma to accomplish<br>&nbsp;&nbsp;&nbsp;&nbsp;what he's set out to do,<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he must need this "Star of B'Tselem" here.<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that by destroying it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do damage to Fiamma, as well.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha Kruezhev, the angel medium;<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the magical item to remotely<br>&nbsp;&nbsp;&nbsp;&nbsp;control the 103,000 grimoires;<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Star of B'Tselem, the ceremonial site;<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and your right arm, fit to wield my power...<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have acquired everything that I need.<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is high time to ask the<br>&nbsp;&nbsp;&nbsp;&nbsp;supporting players to leave the stage.<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sally forth, Archangel Gabriel.<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blow everything away.<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#22 Angel Power (Gabriel)"<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason he abducted Sasha was<br>&nbsp;&nbsp;&nbsp;&nbsp;to enlist the power of an archangel.<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I'll just have to thoroughly smash up<br>&nbsp;&nbsp;&nbsp;&nbsp;that angel until she's immobilized!<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha Kruezhev?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Star of B'Tselem is not yet complete,<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the moment I set<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha Kruezhev in motion,<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my victory became incontrovertible.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I'm missing is that parchment.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, why don't you go retrieve it?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no reason to show mercy<br>&nbsp;&nbsp;&nbsp;&nbsp;to them just because they're weak.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go take it back with everything you have,<br>&nbsp;&nbsp;&nbsp;&nbsp;and don't hold back.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The treatment is complete.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The toxins that were<br>&nbsp;&nbsp;&nbsp;&nbsp;within her have now been removed.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Scientific efficiency is repugnant,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it always will be.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, have you checked outside?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is going on out there, damn it?<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's Fiamma.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't expecting him<br>&nbsp;&nbsp;&nbsp;&nbsp;to shake up the four elements.<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo!<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lighter...<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, you're awful.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll fill you in on everything later,<br>&nbsp;&nbsp;&nbsp;&nbsp;so right now, let me just say this--<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right now.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do now?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our goal is to negotiate with Academy City.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going back into Russia<br>&nbsp;&nbsp;&nbsp;&nbsp;to search for what we need. But...<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you're just getting over being sick.<br>&nbsp;&nbsp;&nbsp;&nbsp;You can wait here if you want.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura,<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which will it take to<br>&nbsp;&nbsp;&nbsp;&nbsp;wake you up, a kiss or a slap?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you put it like that,<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it actually makes me want<br>&nbsp;&nbsp;&nbsp;&nbsp;to leave you behind more.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad, Hamazura.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Russian army might be planning to use<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a bacteriological weapon near that village.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're what?!<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a secret nuclear<br>&nbsp;&nbsp;&nbsp;&nbsp;missile launch silo near there<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that was abandoned during cold war.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a manual to keep it from falling<br>&nbsp;&nbsp;&nbsp;&nbsp;into enemy hands--the Kremlin Report.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Kremlin Report?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Elizalina Alliance of<br>&nbsp;&nbsp;&nbsp;&nbsp;Independent Nations will be suspected<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of assisting the villagers and trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to acquire the nuclear facility's knowhow.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the orders are to stay away.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't be serious.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this, Takitsubo,<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't leave Digurv<br>&nbsp;&nbsp;&nbsp;&nbsp;and the others in the lurch.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to abandon them.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. I'm coming, too.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo...<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I remember everything<br>&nbsp;&nbsp;&nbsp;&nbsp;those people did for me.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to fight for them, myself.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't have any second thoughts?<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will *you*?<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can this be? Is that... an angel?!<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the core of the mystery<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that me and the kid were<br>&nbsp;&nbsp;&nbsp;&nbsp;forced into being involved with.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there is a way to control it,<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will be the breakthrough<br>&nbsp;&nbsp;&nbsp;&nbsp;to saving the kid.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get out of here. They'll be coming.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? "They"?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What reason do they have to come after me?<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The castle isn't quite complete.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The parchment that you have is proof of that.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're holding a critical document<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Fiamma used even the army<br>&nbsp;&nbsp;&nbsp;&nbsp;to try to get his hands on...<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I get it. Since it's still here,<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that proves he hasn't gotten<br>&nbsp;&nbsp;&nbsp;&nbsp;all of the pieces together yet.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably something to bridge<br>&nbsp;&nbsp;&nbsp;&nbsp;the gap of whatever information is missing.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By pairing it with Index's 103,000 grimoires,<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he will achieve his maximum effect.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's yet another connection...<br>&nbsp;&nbsp;&nbsp;&nbsp;to some unknown set of laws,<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that not even I or the dark organizations<br>&nbsp;&nbsp;&nbsp;&nbsp;of the world know the full scope of.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how many steps ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;of me is that Level 0 bastard?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you're in danger here.<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you were to turn over<br>&nbsp;&nbsp;&nbsp;&nbsp;the parchment right now,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could be captured<br>&nbsp;&nbsp;&nbsp;&nbsp;to find out where they have gone.<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I'd turn them over.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They could be the final key<br>&nbsp;&nbsp;&nbsp;&nbsp;to liberating the kid.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Misaka will go retrieve Last Order.<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But she could use a weapon.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were generous enough to help Misaka.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're obviously thinking of giving<br>&nbsp;&nbsp;&nbsp;&nbsp;the Russian army a wide berth now.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wh-What does she mean by that?<br>&nbsp;&nbsp;&nbsp;&nbsp;That is far too foolhardy!<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No extra charge, damn it.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha Kruezhev?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question one, if I may:<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you know my name?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Where should I even start?<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My first answer:<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have determined that I did not<br>&nbsp;&nbsp;&nbsp;&nbsp;receive a favorable response from you.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By way of further explanation,<br>&nbsp;&nbsp;&nbsp;&nbsp;I suspect that you are here to capture me,<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing as how I fled from<br>&nbsp;&nbsp;&nbsp;&nbsp;the ceremonial site.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not! I'm really not!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is that angel? I thought<br>&nbsp;&nbsp;&nbsp;&nbsp;she was you, but you're right here.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has Fiamma used you<br>&nbsp;&nbsp;&nbsp;&nbsp;to summon another angel?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me. I want to stop him.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My second answer:<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the time I had awakened,<br>&nbsp;&nbsp;&nbsp;&nbsp;the ceremony was already over.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ceremonial site was built<br>&nbsp;&nbsp;&nbsp;&nbsp;with an odd focus on the element of fire.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This angel isn't dwelling within Sasha's body,<br>&nbsp;&nbsp;&nbsp;&nbsp;like what happened at Angel Fall,<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but is completely exposed.<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if he used Sasha to summon Misha,<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the two of them may be connected.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means...<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By way of further explanation,<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the angel represented by fire is Michael,<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the angel waiting on<br>&nbsp;&nbsp;&nbsp;&nbsp;the battlefield now is Gabriel.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is to say, the one representing water--<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope. Not here, either.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no change in Misha.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess this way isn't going to work.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question two, if I may:<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you possess the same soul as Vasilissa?<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;V-Vasilissa?<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My third answer: I do not<br>&nbsp;&nbsp;&nbsp;&nbsp;believe that ceremony alone<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could control a being<br>&nbsp;&nbsp;&nbsp;&nbsp;as powerful as an angel.<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, to explain further, there was<br>&nbsp;&nbsp;&nbsp;&nbsp;one magical item I'd never seen before.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magical item?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Specifically a staff.<br>&nbsp;&nbsp;&nbsp;&nbsp;One with a cylindrical magical item,<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;small enough to hold in<br>&nbsp;&nbsp;&nbsp;&nbsp;your hand, at the top.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The magical item he had earlier,<br>&nbsp;&nbsp;&nbsp;&nbsp;that was remotely controlling Index?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me he's utilizing<br>&nbsp;&nbsp;&nbsp;&nbsp;that to control Misha Kruezhev.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gabriel...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The archangel who heralded<br>&nbsp;&nbsp;&nbsp;&nbsp;the Annunciation of the Son of God,<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and who also exacted divine punishment<br>&nbsp;&nbsp;&nbsp;&nbsp;upon the city of wickedness.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. It makes sense that<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma's head would get so swollen.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But has he forgotten what<br>&nbsp;&nbsp;&nbsp;&nbsp;I preside over in the Right Seat of God?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what divine power!<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The victory of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church is now assured.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The papal conclave will be convened,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I will become the next pope!<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cardinal Pietro Yogdis!<br>&nbsp;&nbsp;&nbsp;&nbsp;The public is advancing on us!<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will postpone the<br>&nbsp;&nbsp;&nbsp;&nbsp;papal conclave temporarily.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The conclave will proceed as scheduled!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Your Eminence...!<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mobilize some Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;units to put them down!<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible! We cannot turn<br>&nbsp;&nbsp;&nbsp;&nbsp;our arms against those people!<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Roman pope.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our own Roman pope has<br>&nbsp;&nbsp;&nbsp;&nbsp;calmed down the rampaging citizenry!<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are now on their way into the Vatican.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have no way of stopping their march.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't... Not this man...<br>&nbsp;&nbsp;&nbsp;&nbsp;Not the course this man is leading...<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way we can let it be stopped.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No... No... No...!<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm going to be the next pope...<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill him!<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill him!!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not worry.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am no longer the Roman pope.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am here as Matthai Reese,<br>&nbsp;&nbsp;&nbsp;&nbsp;ordinary believer, to put an end to this war.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...?<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Beneath the Basilica of San Pietro,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a vast library<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the English Index Librorum<br>&nbsp;&nbsp;&nbsp;&nbsp;Prohibitorum was once directed to.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to give me access to it.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The means to counter<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma may be resting there.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've done well to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;the flock of two billion together<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;during these trying times.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will vote for you in the papal conclave.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me support you,<br>&nbsp;&nbsp;&nbsp;&nbsp;however meagerly, in your path forward.<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember, this is a fight<br>&nbsp;&nbsp;&nbsp;&nbsp;to ensure your survival.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So no matter what, don't get yourself killed.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*anhwr*next*nxdp*<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my, even one of God's dogsbodies<br>&nbsp;&nbsp;&nbsp;&nbsp;is no better than a monster like this.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're supposed to be<br>&nbsp;&nbsp;&nbsp;&nbsp;one of your nation's princesses.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about being a little more circumspect?<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That being said, I'm here,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I don't have much room to talk.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a grave situation.<br>&nbsp;&nbsp;&nbsp;&nbsp;The enemy has armed itself with an individual<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;boasting a level of refinement<br>&nbsp;&nbsp;&nbsp;&nbsp;comparable to Curtana, if not more so.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't you use your weapon-nullifying spell?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid this is out of my league.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is Necessarius waiting for?<br>&nbsp;&nbsp;&nbsp;&nbsp;Can't their saint engage her?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She appears to be treating<br>&nbsp;&nbsp;&nbsp;&nbsp;the injured as her first priority.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For her, combat is nothing more than<br>&nbsp;&nbsp;&nbsp;&nbsp;a way for her to come to people's aid.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that, in fact,<br>&nbsp;&nbsp;&nbsp;&nbsp;the normal response for a puritan?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to remind me.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready to go in, Frenchy?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After funneling all of the nation<br>&nbsp;&nbsp;&nbsp;&nbsp;of France's power into Durandal,<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am more than ready to put it to use.<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring it on, monster.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you that I have the<br>&nbsp;&nbsp;&nbsp;&nbsp;same level of power as an archangel<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;concentrated right here in my hand.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The manifestation of<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha Kruezhev has been confirmed.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you're going to help us<br>&nbsp;&nbsp;&nbsp;&nbsp;crush Academy City's forces.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First we'll destroy the<br>&nbsp;&nbsp;&nbsp;&nbsp;unmanned units' command center...<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have the archangel<br>&nbsp;&nbsp;&nbsp;&nbsp;of water at your disposal,<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that's all you can come up with?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes sense now why<br>&nbsp;&nbsp;&nbsp;&nbsp;you got no further than bishop.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think that I would use my own<br>&nbsp;&nbsp;&nbsp;&nbsp;resources for the sake of you Russians?<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma, you are fundamentally<br>&nbsp;&nbsp;&nbsp;&nbsp;mistaken about something.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Right Seat of God cannot use<br>&nbsp;&nbsp;&nbsp;&nbsp;spells that regular sorcerers can.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that why you used<br>&nbsp;&nbsp;&nbsp;&nbsp;200 sorcerers for that floating fortress?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, they are all my pawns.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With one word from me,<br>&nbsp;&nbsp;&nbsp;&nbsp;your fortress will disintegrate.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now what will you do, Fiamma?<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the best you could do<br>&nbsp;&nbsp;&nbsp;&nbsp;after giving it serious thought,<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a wonder you even made bishop.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you think I acquired<br>&nbsp;&nbsp;&nbsp;&nbsp;the remote control magical item<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the 103,000 grimoires?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean... you can use them?<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can use powers other<br>&nbsp;&nbsp;&nbsp;&nbsp;than those of the Right Seat of God?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They do have to be separated for me<br>&nbsp;&nbsp;&nbsp;&nbsp;to become the Person Superior to God.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, while I hate to do this,<br>&nbsp;&nbsp;&nbsp;&nbsp;your usefulness to me is at an end.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will now be disposing<br>&nbsp;&nbsp;&nbsp;&nbsp;of your 200 sorcerers.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't bother concerning yourself.<br>&nbsp;&nbsp;&nbsp;&nbsp;Feel free to go down to glorious defeat.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*nriosgn*precedence*iorseog*<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*nriosgn*precedence*iorseog*<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that? I couldn't even make it out.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gabriel is a message bearer.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's diverting our instincts and foresight.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rely purely on your five senses.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using your sixth sense<br>&nbsp;&nbsp;&nbsp;&nbsp;will throw your timing off.<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hbwiora*effec*nbsitbg*tive*oargwerge*<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This can't be good.<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like she's gotten a taste for it.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who<br>&nbsp;&nbsp;&nbsp;&nbsp;encouraged her, you barbarian.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, barbarian?<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't your Curtana supposed to be chock full<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the same amount of<br>&nbsp;&nbsp;&nbsp;&nbsp;archangel power as the enemy?<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, in terms of simple volume,<br>&nbsp;&nbsp;&nbsp;&nbsp;we seem to barely have the upper hand,<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's not power, it's technique<br>&nbsp;&nbsp;&nbsp;&nbsp;where she's getting the better of us.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you dumbass!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it. This is a military campaign<br>&nbsp;&nbsp;&nbsp;&nbsp;employing archangelic force.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The true reason for the revolution<br>&nbsp;&nbsp;&nbsp;&nbsp;I pressed the people into<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was something as ridiculous as this.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, it stands to reason that if<br>&nbsp;&nbsp;&nbsp;&nbsp;my Curtana Second fragment is destroyed,<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my power would be diminished. However...<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I never said there was only one fragment!<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm a princess who put<br>&nbsp;&nbsp;&nbsp;&nbsp;her whole country on the line.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you really think<br>&nbsp;&nbsp;&nbsp;&nbsp;I was going to peg out so easily?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hdtrn*dam*b*age*gur*confirmed*htb*<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;this will take before it's over?<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That depends on how far they have<br>&nbsp;&nbsp;&nbsp;&nbsp;to run before they're considered safe.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the other side of the world<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't far enough, then that's that.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pretty confident.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that how I appear?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*bauo*press*grln*at*jj*tack*trrhgs*smash*yr*<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's about time for the backup plan.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you *not* pull it out of *there*?<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking as a fellow woman,<br>&nbsp;&nbsp;&nbsp;&nbsp;it raises eyebrows.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Attention all military<br>&nbsp;&nbsp;&nbsp;&nbsp;forces on standby!<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Launch surface-to-air missiles immediately!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt they'll be brought down by just that.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm buying time.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get the wounded as far away<br>&nbsp;&nbsp;&nbsp;&nbsp;as you can, while we can.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, it's a handy way to get around,<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but why is there a monorail here, exactly?<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My fourth answer:<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not know why you are asking me.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Star of B'Tselem<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the star that signaled<br>&nbsp;&nbsp;&nbsp;&nbsp;the arrival of the Son of God.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could this Fiamma person be trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to recreate it with only artificial means?<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?!<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha Kruezhev!<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not good!<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Q-Question three, if I may:<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is going on?<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri... Hyoka?!<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I'm not getting<br>&nbsp;&nbsp;&nbsp;&nbsp;involved after coming this far.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to come up with<br>&nbsp;&nbsp;&nbsp;&nbsp;a way to somehow get closer.<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Big Sister,<br>**[22:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what is that frog strap there?"<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, filled with curiosity.<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh...<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His name is Gekota.<br>&nbsp;&nbsp;&nbsp;&nbsp;I got him during a cell phone promotion<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I dragged that idiot to.<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intercepting a Russian transmission,"<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka.<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It indicates that a large-scale attack<br>&nbsp;&nbsp;&nbsp;&nbsp;is being carried out against that fortress,"<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka further explains.<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't be good.<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"NU-AD1967."<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The name of the weapon<br>&nbsp;&nbsp;&nbsp;&nbsp;being used to attack the fortress,"<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;explains Misaka.<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but what *is* it?<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A former Soviet tactical nuclear warhead,"<br>**[23:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri and Accelerator<br>&nbsp;&nbsp;&nbsp;&nbsp;face off against the archangel.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But not even they can stop her.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that moment, *he* steps forward,<br>
&nbsp;&nbsp;&nbsp;&nbsp;ready to do or die.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Fuse=KAZAKIRI."<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 23 - Fuse=KAZAKIRI

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chapter 8, verse 25--<br>**[00:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;commencing purge of persons who<br>&nbsp;&nbsp;&nbsp;&nbsp;may hinder remote access operations.<br>**[00:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Innocentius!<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chapter 10, verse 3--<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;confirming currently<br>&nbsp;&nbsp;&nbsp;&nbsp;executing spells' effectiveness.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Determining that halting<br>&nbsp;&nbsp;&nbsp;&nbsp;hostile element vital activity<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the most effective solution.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chapter 11, verse 2--<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;identifying effective destructive force.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Determining that a rapid-fire<br>&nbsp;&nbsp;&nbsp;&nbsp;chain of attacks,<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without allowing time to recover,<br>&nbsp;&nbsp;&nbsp;&nbsp;is the best strategy.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#23 Fuse=KAZAKIRI"<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not good!<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Q-Question three, if I may:<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is going on?<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri... Hyoka?!<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's she doing here?<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Q-Question four, if I may:<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is that?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that's Kazakiri Hyoka.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a friend.<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A friend?<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I don't know why she's here, but...<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there's only one thing to do.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hbo*return*fbyuo*<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;return*fr*location.correctcoord*uj*heaven<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;originalproper*qe*place<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A separate power format<br>&nbsp;&nbsp;&nbsp;&nbsp;is being forcibly interlaced in?<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Return. Necessary. Perform... operation.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma. Utilize. Interests.<br>&nbsp;&nbsp;&nbsp;&nbsp;Contact. Plan. Collaboration.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to hurt my dear<br>&nbsp;&nbsp;&nbsp;&nbsp;friends over something like this,<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will use all the strength<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to stop you!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damage. Disregard. Priority.<br>&nbsp;&nbsp;&nbsp;&nbsp;Return. Correct. Location.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obstacle. Evil. Synonymous. Judgment. All.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Capture.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Necessary. Information. Parchment. Obtain.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've caught the scent<br>&nbsp;&nbsp;&nbsp;&nbsp;of the parchment, have they?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do, what do we do?<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This could be worse than<br>&nbsp;&nbsp;&nbsp;&nbsp;an incoming hurricane.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The difference between natural<br>&nbsp;&nbsp;&nbsp;&nbsp;and manmade disasters is simple--<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whether or not there's an enemy to kill.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm far happier to have a clear target.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means I'm not hamstrung by<br>&nbsp;&nbsp;&nbsp;&nbsp;annoyances like anger I can't channel.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got the kid in the back.<br>&nbsp;&nbsp;&nbsp;&nbsp;Be delicate with her.<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, shucks! That's what Misaka is worst at!<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's lucky for you you're useful to me.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still have a chance not to be<br>&nbsp;&nbsp;&nbsp;&nbsp;killed after a stupid joke like that.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, Misaka likes it that way.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Russian army bacteriological weapon?<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about that, Hamazura?<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, to keep Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;from taking the nuclear launch silo.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's too dangerous here.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do? Call the Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;folks who are stationed here?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. If they make any big moves,<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Russian army might<br>&nbsp;&nbsp;&nbsp;&nbsp;speed up the operation.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll have to go alone.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'm coming too.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's going to protect the villagers<br>&nbsp;&nbsp;&nbsp;&nbsp;if anything happens to me?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Hamazura.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura!<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get yourself killed.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come back safely.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Looks like this is working.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're controlling wings constructed<br>&nbsp;&nbsp;&nbsp;&nbsp;from aggregated AIM diffusion fields.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised that a monster<br>&nbsp;&nbsp;&nbsp;&nbsp;like you has the mental capacity<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to manage a Q&A session with me.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you lured here by<br>&nbsp;&nbsp;&nbsp;&nbsp;the scent of this, too?<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, in-your-face bastard, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to introduce yourself?<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll deal with you later.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get the sense that the key<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to save the kid<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is in the hands of that monster.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys are indeed monsters,<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but not like Aiwass is.<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*iuebrVIYhasiuGBUGZx*<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sergv*range*hv*set<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*zxd*preparations*sjku*complete<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Command, "Sweep."<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop.<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you...<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell was...?<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not finished after just<br>&nbsp;&nbsp;&nbsp;&nbsp;one blast, huh? Well, screw you.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't afford to die here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Not until I've torn apart<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;every last injustice<br>&nbsp;&nbsp;&nbsp;&nbsp;that's holding that kid down.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not I can defeat you!<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I have a reason to<br>&nbsp;&nbsp;&nbsp;&nbsp;smash you up, that's good enough!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Secondwaveattack*noiw*ready<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thirtyseconds*howq*Sweep*wbewe*redrop<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Secondwave*ko*attack*ger*<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you've got?<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If none of you can stop me,<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then my Sweeps will blanket the world.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see, Acqua.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you still claim to be a<br>&nbsp;&nbsp;&nbsp;&nbsp;corner of the Right Seat of God?<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or have you gone back to<br>&nbsp;&nbsp;&nbsp;&nbsp;making your way as a mercenary?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter to me either way.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not as long as I'm in a position<br>&nbsp;&nbsp;&nbsp;&nbsp;to put an end to your tyranny.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How? *You* can't be ignorant<br>
&nbsp;&nbsp;&nbsp;&nbsp;as to why this war got started.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who pulled the trigger.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the bullet wouldn't have fired<br>&nbsp;&nbsp;&nbsp;&nbsp;unless there was some gunpowder.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that reason enough to turn<br>&nbsp;&nbsp;&nbsp;&nbsp;loose an archangel on the people?<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to stop me? Then your<br>&nbsp;&nbsp;&nbsp;&nbsp;solution, ultimately, is to resort to force?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, you cannot stop<br>&nbsp;&nbsp;&nbsp;&nbsp;an archangel with your power.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have my blessing<br>&nbsp;&nbsp;&nbsp;&nbsp;to continue trying to fight back,<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but watching on in awe<br>&nbsp;&nbsp;&nbsp;&nbsp;would be more advisable.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, is that right?<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...allow me to present a method<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't rely on force.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do? Wait, is this...?<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you forgotten?<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Acqua of the Rear.<br>&nbsp;&nbsp;&nbsp;&nbsp;Member of the Right Seat of God,<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;darkest organization within Roman Orthodoxy.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As well as he who presides<br>&nbsp;&nbsp;&nbsp;&nbsp;over the archangel Gabriel.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You took the telesma inside your body?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the event that I siphon out the<br>&nbsp;&nbsp;&nbsp;&nbsp;water element telesma into myself,<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you need not even consider<br>&nbsp;&nbsp;&nbsp;&nbsp;what would happen to the amount<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;possessed by Gabriel,<br>&nbsp;&nbsp;&nbsp;&nbsp;the source of its power.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be out of your mind.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, it's not impossible.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, the Russian church nun<br>&nbsp;&nbsp;&nbsp;&nbsp;that you tried to use was able to.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's only because she had the grounding<br>&nbsp;&nbsp;&nbsp;&nbsp;and tolerance to begin with.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I mean.<br>&nbsp;&nbsp;&nbsp;&nbsp;If someone else can do it, then so can I.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all there is to it.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Then go ahead and try.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But are you aware that your actions<br>&nbsp;&nbsp;&nbsp;&nbsp;will only destroy yourself?<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roughly half of her telesma has been taken,<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's still plenty for me to prevail.<br>&nbsp;&nbsp;&nbsp;&nbsp;Your life will be lost for nothing.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill him, Misha Kruezhev.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard...<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha Kruezhev's appearance came<br>&nbsp;&nbsp;&nbsp;&nbsp;after the Star of B'Tselem popped up.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he can utilize archangel power,<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he could have done all of this<br>&nbsp;&nbsp;&nbsp;&nbsp;without needing to start World War III,<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Fiamma didn't do that.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not until this appeared.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He needed the Star of B'Tselem<br>&nbsp;&nbsp;&nbsp;&nbsp;to summon and sustain the archangel.<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes things a lot simpler.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's probably something here<br>&nbsp;&nbsp;&nbsp;&nbsp;that's supporting Misha.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And once I smash whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;it is with my right hand...!<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still something I've gotta do!<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haa!!<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mass of energy... No, you'll explode!<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether I'm out of place<br>&nbsp;&nbsp;&nbsp;&nbsp;here or not, that's not the issue!<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you, yourself, want to do?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Call it arrogance or whatever--<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you* have to decide for yourself<br>
&nbsp;&nbsp;&nbsp;&nbsp;what you can take pride in!<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, he's right! I want to protect her!<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to lose her!<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't even want to think about that!<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to keep making sure that<br>&nbsp;&nbsp;&nbsp;&nbsp;single fantasy is safe and sound,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will face any reality I have to!<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold me here!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good enough.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as we eliminate<br>&nbsp;&nbsp;&nbsp;&nbsp;the archangel Gabriel,<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the war will shift dramatically.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma, you placed too much<br>&nbsp;&nbsp;&nbsp;&nbsp;confidence in your own strength.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, you've forgotten that people<br>&nbsp;&nbsp;&nbsp;&nbsp;will join hands to fight a great enemy.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot recognize<br>&nbsp;&nbsp;&nbsp;&nbsp;that the choice can be made<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to hand off the war to those<br>&nbsp;&nbsp;&nbsp;&nbsp;who share a common goal.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, much as I once did.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will die, and take the archangel down with me.<br>&nbsp;&nbsp;&nbsp;&nbsp;That's good enough.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as the others will<br>&nbsp;&nbsp;&nbsp;&nbsp;be smiling long into the future...<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay with us! What happened here?!<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo, start first aid!<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't bother. I won't survive in any case.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shut your mouth!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave me here and get going.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have accomplished my goal.<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything more would just slow you down.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what do I do about the people<br>&nbsp;&nbsp;&nbsp;&nbsp;who are waiting for you?!<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the way you've<br>&nbsp;&nbsp;&nbsp;&nbsp;lived all this time, haven't you?!<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of man who always<br>&nbsp;&nbsp;&nbsp;&nbsp;has many others following behind!<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your reason for fighting<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something as lame as seeing the<br>&nbsp;&nbsp;&nbsp;&nbsp;tearful faces of those who are waiting for you<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and putting smiles on their faces?!<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get up, hero!<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get up!!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. I see, I see.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw you, you piece of crap!<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've acquired the knowledge on the<br>&nbsp;&nbsp;&nbsp;&nbsp;parchment via Gabriel's perceptive skills.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That just leaves...<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha!<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're really causing<br>&nbsp;&nbsp;&nbsp;&nbsp;me problems, aren't you?<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I'm going to have to<br>&nbsp;&nbsp;&nbsp;&nbsp;complete the ritual ahead of time.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm going<br>&nbsp;&nbsp;&nbsp;&nbsp;to let you proceed so easily?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people beat your archangel!<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how you slice it,<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the scales have tipped in our favor!<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no cause for alarm.<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The angel's role came to an end<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the moment she changed<br>&nbsp;&nbsp;&nbsp;&nbsp;the night sky to my liking.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason the Star of<br>&nbsp;&nbsp;&nbsp;&nbsp;B'Tselem now flies alone<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the telesma-filled, incomplete sky<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a ceremony to reconfigure<br>&nbsp;&nbsp;&nbsp;&nbsp;the four elements.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What are you trying to do?<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just a means to an end.<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What really counts is my right arm.<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything comes down to this.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fire, water, wind, and earth--by<br>&nbsp;&nbsp;&nbsp;&nbsp;controlling all four elements,<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would be gaining a<br>&nbsp;&nbsp;&nbsp;&nbsp;tremendous amount of power...<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if only it weren't for the distortion<br>&nbsp;&nbsp;&nbsp;&nbsp;of the elements in the world at large.<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Proper power is something to<br>&nbsp;&nbsp;&nbsp;&nbsp;be exercised fully in a proper world.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, it's time for you to learn<br>&nbsp;&nbsp;&nbsp;&nbsp;for yourself what proper power is!<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. There are too many of them.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, I think they're spreading<br>&nbsp;&nbsp;&nbsp;&nbsp;the microbes using a timer.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should wait for them to leave.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes sense.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, don't do anything crazy.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crap! We've been spotted!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what do we do?<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An Academy City plane?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! I know someone's down there.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're a goodwill volunteer,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to shake your hand.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm something similar, myself.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would Academy City attack?<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We got wind of the Kremlin Report ourselves.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're here to thoroughly incinerate<br>&nbsp;&nbsp;&nbsp;&nbsp;any nasty biological weapons!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo! Where are you?! Answer me!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo!<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Have you regained your<br>&nbsp;&nbsp;&nbsp;&nbsp;composure?" asks Misaka.<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. This is so far beyond bad.<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they use nuclear weapons<br>&nbsp;&nbsp;&nbsp;&nbsp;on something that high up...<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where the nuke launch site is?<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"According to the transmission,<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is a location roughly 70 kilometers<br>&nbsp;&nbsp;&nbsp;&nbsp;from our current position,"<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;answers Misaka.<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Guess we'll have to steal some wheels.<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remind me, can you drive a car?<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right arm power and List<br>&nbsp;&nbsp;&nbsp;&nbsp;of Forbidden Books knowledge--<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after Fiamma masters both,<br>&nbsp;&nbsp;&nbsp;&nbsp;his attacks won't allow me to strike back.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the power to save the<br>&nbsp;&nbsp;&nbsp;&nbsp;world what he is really after?<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Index."<br>**[23:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 24 - List of Prohibited Books (Index)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You might just pull it off somehow.<br>**[00:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?<br>**[00:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;September 30...<br>**[00:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index, a friend of mine,<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;removed the virus that was inside her mind<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by having her listen to a specific song.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The content of that song<br>&nbsp;&nbsp;&nbsp;&nbsp;is within my mind, as well.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you transcribe its parameters,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she'll be okay.<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to treat her with the song,<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you know the<br>&nbsp;&nbsp;&nbsp;&nbsp;parameters outlined within her mind--<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You alive?<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you heard that, right?<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The data from the song<br>&nbsp;&nbsp;&nbsp;&nbsp;used to purge the virus<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is still there in Last Order's memory space.<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can extract it,<br>&nbsp;&nbsp;&nbsp;&nbsp;it may be helpful in treating her.<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, there's a tiny sliver<br>&nbsp;&nbsp;&nbsp;&nbsp;of a way out of this in sight.<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be able to burrow<br>&nbsp;&nbsp;&nbsp;&nbsp;into the Sisters Network,<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where her memories are backed up.<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even supposing I can find the song,<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;where are you planning to get<br>&nbsp;&nbsp;&nbsp;&nbsp;the additional parameters to modify it?<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City and the other<br>&nbsp;&nbsp;&nbsp;&nbsp;techniques that exist outside of it.<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I combine the two,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's a chance it will lead to a solution.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#24 List of Prohibited Books (Index)"<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo!<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo! Where are you?!<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long time no see, Hamazura!<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino... Shizuri?<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ability crystals?<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After everything that's happened,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're still gonna make Takitsubo--<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo?<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why should I be concerned<br>&nbsp;&nbsp;&nbsp;&nbsp;about that small-timer's business?<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Hamazura...<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if the 4th-ranked Level 5 were to<br>&nbsp;&nbsp;&nbsp;&nbsp;start running hopelessly out of control,<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how much greater do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;the damage she does would be?<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't even get close to her.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it. It's like she's a blast furnace,<br>&nbsp;&nbsp;&nbsp;&nbsp;or the sun, or something.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, I've already given up this much.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've paid a considerable price,<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now here I am, standing before you.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't possibly think that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're getting out of this situation<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without giving up something, too.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura...<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hama...<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...zura!!<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Earlier, it was all Mugino<br>&nbsp;&nbsp;&nbsp;&nbsp;could do just to stay standing.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How... come...? How come...? Damn it...<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where the hell did the ability crystal go...?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just needed another ten seconds...<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it would have all<br>&nbsp;&nbsp;&nbsp;&nbsp;been over, nice and tidy...<br>**[06:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't look down on me, damn it!<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what it takes,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you myself!<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ever since you shot me at that<br>&nbsp;&nbsp;&nbsp;&nbsp;plant--that's when it all went downhill!<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did I become such a hideous monster?<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino...<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino!!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing...?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've had enough. Why do we have<br>&nbsp;&nbsp;&nbsp;&nbsp;to be out for each other's blood like this?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, Takitsubo, Kinuhata, and even Frenda--<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we all got along so well, didn't we?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not just you blowing your top<br>&nbsp;&nbsp;&nbsp;&nbsp;and killing Frenda, either.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the higher-ups in Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;really were in control of all that fighting,<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then weren't we set up to kill each other<br>&nbsp;&nbsp;&nbsp;&nbsp;when we got backed into a corner?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to see me miserable,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can see that all you want.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what will stop us from fighting,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do whatever it takes!<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...let's stop this, already.<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's stop trying to kill each other.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, Hamazura?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You chose Takitsubo, didn't you?<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've already shot me twice<br>&nbsp;&nbsp;&nbsp;&nbsp;to save her, haven't you?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after all that, now<br>&nbsp;&nbsp;&nbsp;&nbsp;you want to let me live?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. I did choose Takitsubo.<br>&nbsp;&nbsp;&nbsp;&nbsp;I swore on my life to protect her.<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing has changed about that.<br>&nbsp;&nbsp;&nbsp;&nbsp;I abandoned you to protect Takitsubo.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Self-centered bastard, aren't you?<br>&nbsp;&nbsp;&nbsp;&nbsp;I killed Frenda.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried to kill Takitsubo again and again.<br>&nbsp;&nbsp;&nbsp;&nbsp;How are you going to save me--<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think you're going to get off easy.<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for you and me both, though.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you apologize to<br>&nbsp;&nbsp;&nbsp;&nbsp;Kinuhata for all you're worth,<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;show Takitsubo you're sorry,<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and shed tears before Frenda's grave,<br>&nbsp;&nbsp;&nbsp;&nbsp;begging for forgiveness, and then...<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and then, we can be ITEM once again.<br>&nbsp;&nbsp;&nbsp;&nbsp;I know we can!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the meantime, I'll safeguard your life.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd risk my life to get us all back in ITEM!<br>&nbsp;&nbsp;&nbsp;&nbsp;So get up, Mugino!<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rise up on your own one more time! Mugino!<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, a Level 0, are going<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep me, a Level 5, safe?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you kidding me?<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't disparage me like that.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I was always meant to be expendable.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That "second plan" is falling into place.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will you do, Hamazura?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already told you. Risk my life.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, that's gutsy.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is she suffering ill effects<br>&nbsp;&nbsp;&nbsp;&nbsp;from the remote magical item?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because of the superfluous<br>&nbsp;&nbsp;&nbsp;&nbsp;intrusion into her mind,<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her accuracy and speed are<br>&nbsp;&nbsp;&nbsp;&nbsp;coming up short. Which means...!<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chapter 32, verse 44--<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;counterattack measures are in place.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my humble opinion,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is a good possibility<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Fiamma and the Star of B'Tselem<br>&nbsp;&nbsp;&nbsp;&nbsp;are magically linked.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can attack this star indirectly...<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dun-dun-dun-dun-dun!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the lady from the<br>&nbsp;&nbsp;&nbsp;&nbsp;Russian church, right?<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be up a creek,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'm here to explain the payment plan.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are something like<br>&nbsp;&nbsp;&nbsp;&nbsp;emergency escape pods over there.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since it looked to me like Fiamma<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was going to cut loose<br>&nbsp;&nbsp;&nbsp;&nbsp;the Russian church sorcerers<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as he was done with them,<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I'd show them the way there.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question one, if I may:<br>&nbsp;&nbsp;&nbsp;&nbsp;What payment plan do you mean?<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't be money.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you pledge to help Britain out<br>&nbsp;&nbsp;&nbsp;&nbsp;the next time they're in a tight spot,<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll call that okay.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My first answer:<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get everyone who wishes to leave<br>&nbsp;&nbsp;&nbsp;&nbsp;the war's front lines away at once.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention of leaving here<br>&nbsp;&nbsp;&nbsp;&nbsp;until I get back at Fiamma--<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh-heh-heh, very well!<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what do you mean<br>&nbsp;&nbsp;&nbsp;&nbsp;by getting back at Fiamma?<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My second answer:<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really have to respond to you.<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Star of B'Tselem is aloft.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've completed manipulating<br>&nbsp;&nbsp;&nbsp;&nbsp;the celestial bodies via Gabriel.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The four elements have all<br>&nbsp;&nbsp;&nbsp;&nbsp;returned to their proper positions.<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The arrangements have all been made.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's about time<br>&nbsp;&nbsp;&nbsp;&nbsp;I claimed your right arm.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then Project B'Tselem will be complete.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how badly you want<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church to win?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care about the Roman Orthodox Church.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My actions have all been essentially...<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for my own benefit.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I cancel him out? No!<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho, you've learned how to not just<br>&nbsp;&nbsp;&nbsp;&nbsp;zero out an attack, but to fend it off, too.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An Academy City optical weapon, huh?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe I've demonstrated it before.<br>&nbsp;&nbsp;&nbsp;&nbsp;My right arm optimizes its output<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to match the level of trial<br>&nbsp;&nbsp;&nbsp;&nbsp;or difficulty I'm undergoing.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So optical weapons,<br>&nbsp;&nbsp;&nbsp;&nbsp;and anything else they have,<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are no match for me.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is crazy.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand, you should be proud.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that my fist<br>&nbsp;&nbsp;&nbsp;&nbsp;is at something of a loss...<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as to how hard to hit you.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warning, chapter 22, verse 1--<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;designation "Eli Eli Lama<br>&nbsp;&nbsp;&nbsp;&nbsp;Sabachthani," now activating.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It does have its disadvantages<br>&nbsp;&nbsp;&nbsp;&nbsp;as a straightforward spell.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warning, chapter 29, verse 33 now activating.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's using Index's knowledge,<br>&nbsp;&nbsp;&nbsp;&nbsp;in addition to his Right Seat of God skills.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warning, chapter 35, verse 18--<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Brimstone Rain Shall Burn the Earth,"<br>&nbsp;&nbsp;&nbsp;&nbsp;now activating.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't do. What a terrible<br>&nbsp;&nbsp;&nbsp;&nbsp;deviation from its theoretical value.<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd feel bad using it on any adversary<br>&nbsp;&nbsp;&nbsp;&nbsp;who was dragged out into the open.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adversary, you say?<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world is twisted.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Almost as though the world<br>&nbsp;&nbsp;&nbsp;&nbsp;itself has grown old and rickety.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite God supposedly<br>&nbsp;&nbsp;&nbsp;&nbsp;having arranged all the gears<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that everything turns correctly,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how did things become this bent out of shape?<br>&nbsp;&nbsp;&nbsp;&nbsp;The answer is simple.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because a number of the gears<br>&nbsp;&nbsp;&nbsp;&nbsp;have already reached their limits.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm restoring them to the way they were.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Altering the mechanisms, exchanging the gears,<br>&nbsp;&nbsp;&nbsp;&nbsp;and eradicating the contamination as needed.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Re-applying the lubrication of the<br>&nbsp;&nbsp;&nbsp;&nbsp;church of the cross again afterward,<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;restoring its former graceful motion.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to use magic to<br>&nbsp;&nbsp;&nbsp;&nbsp;alter people's minds as you see fit?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's simpler than that.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to teach them a lesson.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, I just need to wield<br>&nbsp;&nbsp;&nbsp;&nbsp;my perfect arm once,<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and humanity will know how<br>&nbsp;&nbsp;&nbsp;&nbsp;hopelessly outmatched they are.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then they will know...<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that all they have to do is obey,<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they will witness the moment<br>&nbsp;&nbsp;&nbsp;&nbsp;when I save all of the world's people.<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as the Star of B'Tselem<br>&nbsp;&nbsp;&nbsp;&nbsp;lights up the night sky,<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they will know that a<br>&nbsp;&nbsp;&nbsp;&nbsp;new age has already begun!<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Save the people of the world, eh?<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever actually gone out<br>&nbsp;&nbsp;&nbsp;&nbsp;and had a look at the world?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you seen just how<br>&nbsp;&nbsp;&nbsp;&nbsp;many of the people are smiling?<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. That is a fascinating view.<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's something I'll think about<br>&nbsp;&nbsp;&nbsp;&nbsp;after the world has been saved.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine Breaker may have<br>&nbsp;&nbsp;&nbsp;&nbsp;been a type of purification<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;naturally instilled within<br>&nbsp;&nbsp;&nbsp;&nbsp;the sacred right arm,<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but by taking on my power,<br>&nbsp;&nbsp;&nbsp;&nbsp;one of its original components,<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that unnecessary function's<br>&nbsp;&nbsp;&nbsp;&nbsp;role comes to an end.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My right arm will now be complete.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I need to do now is wield the full power<br>&nbsp;&nbsp;&nbsp;&nbsp;that rightfully resides within me,<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the salvation of all<br>&nbsp;&nbsp;&nbsp;&nbsp;will be accomplished.<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People may refer to me as Kamijo,<br>&nbsp;&nbsp;&nbsp;&nbsp;the "Person Superior to God,"<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but none of that matters to me.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I can muster all of my power<br>&nbsp;&nbsp;&nbsp;&nbsp;to save the world, I will succeed.<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will save the world.<br>&nbsp;&nbsp;&nbsp;&nbsp;You should be honored, fleshwad!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've safely managed to reap<br>&nbsp;&nbsp;&nbsp;&nbsp;some degree of worth in your life!<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've assimilated your right arm.<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why do you still have any power?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something... something...<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...invisible there...<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You...<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know who *you* are supposed to be.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's none of my concern what you<br>&nbsp;&nbsp;&nbsp;&nbsp;were trying to do, either. But...<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you keep out of this!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take care of it!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You renounced it?<br>&nbsp;&nbsp;&nbsp;&nbsp;You deliberately gave up that much power,<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and recovered your Imagine Breaker?<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm finally starting to<br>&nbsp;&nbsp;&nbsp;&nbsp;understand some of this.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand what?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you have to make<br>&nbsp;&nbsp;&nbsp;&nbsp;the Star of B'Tselem this gigantic?<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really are some almighty being,<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma of the Right,<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you wouldn't have had<br>&nbsp;&nbsp;&nbsp;&nbsp;to scrounge up different parts<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from churches and cathedrals and<br>&nbsp;&nbsp;&nbsp;&nbsp;whatnot around the world, would you?<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you cause World War III to happen?<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your power changes to match<br>&nbsp;&nbsp;&nbsp;&nbsp;the difficulty level of your opponent.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning that the stronger they are,<br>&nbsp;&nbsp;&nbsp;&nbsp;the more power you can force out.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what reason did you have<br>&nbsp;&nbsp;&nbsp;&nbsp;to force that much power out?<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you want power so badly<br>&nbsp;&nbsp;&nbsp;&nbsp;that you teamed up with other sects?<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really were that invincible,<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was there ever any need for you<br>&nbsp;&nbsp;&nbsp;&nbsp;to have anyone working for you?<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were afraid, weren't you?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you don't know if you<br>&nbsp;&nbsp;&nbsp;&nbsp;really have enough power in you<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to save the world.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world has never come to an end.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least, I haven't heard of the<br>&nbsp;&nbsp;&nbsp;&nbsp;world falling apart in modern times.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so,<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've never been<br>&nbsp;&nbsp;&nbsp;&nbsp;privileged with the opportunity<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to exhibit enough power to save the world.<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like it wouldn't appear that<br>&nbsp;&nbsp;&nbsp;&nbsp;my Imagine Breaker had any power,<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unless I'd been surrounded<br>&nbsp;&nbsp;&nbsp;&nbsp;by espers and sorcerers...<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who has never saved the world<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has any way of knowing whether or not<br>
&nbsp;&nbsp;&nbsp;&nbsp;they have enough power *to* save it.<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you had to take things this far.<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what if I did?<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any right to condemn me?<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have *you* ever experienced the kind<br>
&nbsp;&nbsp;&nbsp;&nbsp;of power it takes to save the world?!<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I have. Maybe it was<br>&nbsp;&nbsp;&nbsp;&nbsp;something tiny and unimportant.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I have saved others.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And unimportant or not,<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have witnessed the moment when<br>&nbsp;&nbsp;&nbsp;&nbsp;a single individual's "world" was saved.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who thinks they're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to save the world can't preserve it.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our world isn't so fragile that it has<br>&nbsp;&nbsp;&nbsp;&nbsp;to be saved by any such bastard!<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I guess that's that.<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucky for me, tanks are<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot faster than I expected.<br>**[22:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Seeing you singlehandedly<br>&nbsp;&nbsp;&nbsp;&nbsp;run roughshod over them,<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even Misaka can't help but feel inferior,"<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, somewhat dejectedly.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>&nbsp;&nbsp;&nbsp;&nbsp;All of you put together could--<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That is, at the end of the day,<br>&nbsp;&nbsp;&nbsp;&nbsp;our collective strength,<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so this much individuality<br>&nbsp;&nbsp;&nbsp;&nbsp;is something Misaka would want.<br>**[22:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could not understand how that feels,"<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, mumbling under her breath.<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, you have knowledge of<br>&nbsp;&nbsp;&nbsp;&nbsp;how to operate weapons installed, right?<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If needed, it is possible to access<br>&nbsp;&nbsp;&nbsp;&nbsp;extra information from the Misaka Network.<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure if they were using this<br>&nbsp;&nbsp;&nbsp;&nbsp;for aerial combat or transportation or what,<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's a VTOL fighter over there, right?<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we use that...<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...we could fly up to that fortress<br>&nbsp;&nbsp;&nbsp;&nbsp;in the sky, can't we?<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People don't just have malice;<br>&nbsp;&nbsp;&nbsp;&nbsp;they have benevolence, too.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They fight, pray, and stand up<br>&nbsp;&nbsp;&nbsp;&nbsp;for those they wish to protect.<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't need any other reason.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Wings"<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 25 - Wings

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, where are you, Takitsubo?<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you?!<br>**[00:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Mugino, help me look!<br>**[00:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to find her before the enemy arrives!<br>**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do I have to?<br>**[00:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo is still a long<br>&nbsp;&nbsp;&nbsp;&nbsp;way from being 100%!<br>**[00:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to hurry and get her warmed up!<br>**[00:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch. Hamazura, I've had enough of you!<br>**[00:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, whoops. My head is spinning.<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be the effects<br>&nbsp;&nbsp;&nbsp;&nbsp;of the ability crystals.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Mugino! I told you,<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't know where she's been buried!<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez, what a pain you are.<br>&nbsp;&nbsp;&nbsp;&nbsp;I just got done helping you dig, didn't I?<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is hopeless! I really do need<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who's a gentle pussycat!<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Look, she's quietly coming this way.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo!!<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Save it for later. That comes first.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#25 Wings"<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dark Matter?!<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that isn't Dark Matter,<br>&nbsp;&nbsp;&nbsp;&nbsp;nor are those Academy City espers!<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Esper powers are a lot like flames.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are the only ones<br>&nbsp;&nbsp;&nbsp;&nbsp;who can control flames.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But simply brandishing them is no better<br>&nbsp;&nbsp;&nbsp;&nbsp;than being a caveman with a torch.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Civilized people use flame to forge iron.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the same thing.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They failed to fashion Mugino into a weapon,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they're here to retrieve her.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do now,<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;use some kind of new material and<br>&nbsp;&nbsp;&nbsp;&nbsp;turn her into a blast furnace or something?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you realize what you've just done?!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was our last hope<br>&nbsp;&nbsp;&nbsp;&nbsp;for negotiating with Academy City!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the biological package that Russia<br>&nbsp;&nbsp;&nbsp;&nbsp;was going to use in the Kremlin Report!<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you've infected us, too!<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only kidding. That was<br>&nbsp;&nbsp;&nbsp;&nbsp;just a bottle of club soda!<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sneaky bastard!<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you forgetting<br>&nbsp;&nbsp;&nbsp;&nbsp;something pretty important?<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino can still manage<br>&nbsp;&nbsp;&nbsp;&nbsp;to fire off two or three blasts.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're bluffing. Don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;we're going to fall for that again.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no? Well, that's a shame.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then go ahead and get blasted through<br>&nbsp;&nbsp;&nbsp;&nbsp;while gloating over your success.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...?<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino... Shizuri...?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 4th-ranked accepted help<br>&nbsp;&nbsp;&nbsp;&nbsp;from someone else to aim for her...?<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean you were waiting<br>&nbsp;&nbsp;&nbsp;&nbsp;for this to happen...?<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Thanks for walking right into it.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So this is Hamazura Shiage...<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you're wrong about that.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is ITEM!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't forget it once you reach hell.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, this is nuts.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so far beyond abnormal,<br>&nbsp;&nbsp;&nbsp;&nbsp;even analyzing it is ridiculous.<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does this mean the very makeup<br>&nbsp;&nbsp;&nbsp;&nbsp;of the world is being transformed?<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, what do I care?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Worst, have you<br>&nbsp;&nbsp;&nbsp;&nbsp;gotten the data from the song<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that purged Kihara Amata's virus yet?<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, in a fairly shallow end<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Misaka Network.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka has the song<br>&nbsp;&nbsp;&nbsp;&nbsp;but can't render it with her specs.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The breathing technique and<br>&nbsp;&nbsp;&nbsp;&nbsp;internal resonance it requires are not normal.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be quicker<br>&nbsp;&nbsp;&nbsp;&nbsp;to output it as electronic signals.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musical notes, pseudo-audio data,<br>&nbsp;&nbsp;&nbsp;&nbsp;or surround amplitude graphs--<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is your preference?<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me all of them.<br>&nbsp;&nbsp;&nbsp;&nbsp;Being stingy is something a third-stringer does.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are repugnant.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, you're more charming that way.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's going to take more than<br>&nbsp;&nbsp;&nbsp;&nbsp;just this song to get anywhere, right?<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something about converting<br>&nbsp;&nbsp;&nbsp;&nbsp;the specialized parameters, or something?<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll manage.<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I have this.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you making fun of Misaka?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying that occult-reeking<br>&nbsp;&nbsp;&nbsp;&nbsp;contract with the devil<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has the necessary parameters<br>&nbsp;&nbsp;&nbsp;&nbsp;hidden within it?<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I'm not.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, as far-removed<br>&nbsp;&nbsp;&nbsp;&nbsp;from Academy City as we are,<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there just happens to be a handbook<br>&nbsp;&nbsp;&nbsp;&nbsp;lying around with the solution in it?<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like hunting for a quest item<br>&nbsp;&nbsp;&nbsp;&nbsp;in a game or something, isn't it?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, it's not that.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether it's high-level security encryption<br>&nbsp;&nbsp;&nbsp;&nbsp;or a secret code embedded in an ancient diagram,<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it all boils down to the world of numbers.<br>&nbsp;&nbsp;&nbsp;&nbsp;The roots remain the same.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've digitized all the data and<br>&nbsp;&nbsp;&nbsp;&nbsp;put together the puzzle inside my head.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have solved it that way.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That "should have" bit<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;gives Misaka a whiff of the displeasure<br>&nbsp;&nbsp;&nbsp;&nbsp;and frustration that she likes.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't solve the puzzle.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still a piece<br>&nbsp;&nbsp;&nbsp;&nbsp;missing in the math by itself.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some other form of law has been mixed in.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I've been dredging up<br>&nbsp;&nbsp;&nbsp;&nbsp;every last bit of knowledge inside me,<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and dredging, and dredging some more.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's when I suddenly realized something.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've already had something input<br>&nbsp;&nbsp;&nbsp;&nbsp;within me that I didn't comprehend.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It came about a little while ago,<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;during the battle between<br>&nbsp;&nbsp;&nbsp;&nbsp;the water angel and the science angel.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I must have understood<br>&nbsp;&nbsp;&nbsp;&nbsp;it all on my own, long before--<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there was some<br>&nbsp;&nbsp;&nbsp;&nbsp;unidentified law in effect.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Establish an imaginary vector grid<br>&nbsp;&nbsp;&nbsp;&nbsp;that can process these incongruities.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Backtrace from the vectors right<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of you, to highlight these laws.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once a single line of this<br>&nbsp;&nbsp;&nbsp;&nbsp;unique physical law had been input,<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the substance of the<br>&nbsp;&nbsp;&nbsp;&nbsp;parchment would stand out.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that's not what was important.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As soon as I solved the puzzle using<br>&nbsp;&nbsp;&nbsp;&nbsp;the rules I've put together myself,<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Aiwass vectors within me<br>&nbsp;&nbsp;&nbsp;&nbsp;would have been able to chip away<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at this as-close-as-possible-<br>&nbsp;&nbsp;&nbsp;&nbsp;to-realistic deduction,<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something which is on the<br>&nbsp;&nbsp;&nbsp;&nbsp;same level as the big bang theory.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've acquired the parameters<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to save the kid.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From here on, it's my<br>&nbsp;&nbsp;&nbsp;&nbsp;turn to turn the tables.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swore to become<br>&nbsp;&nbsp;&nbsp;&nbsp;the ultimate villain to save her.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kept fighting lots of<br>&nbsp;&nbsp;&nbsp;&nbsp;sons of bitches to the finish<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and got swallowed up into<br>&nbsp;&nbsp;&nbsp;&nbsp;even greater darkness.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But this fight is different.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no longer any need<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to be a villain.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, let's get started.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I?<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I good or evil?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man or monster?<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Science or magic?<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's obvious.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am... something that can't be expressed...<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...by any word other than "me."<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How? How can you stop me?<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You only have the power<br>&nbsp;&nbsp;&nbsp;&nbsp;to neutralize other powers, right?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just an adapter,<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a mere anchor for that flesh-and-blood<br>&nbsp;&nbsp;&nbsp;&nbsp;arm until the designated time.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing more than a potato vine<br>&nbsp;&nbsp;&nbsp;&nbsp;that falls back to the earth after the harvest.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you still not get it?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said yourself<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that your right arm's power varies<br>&nbsp;&nbsp;&nbsp;&nbsp;according to your opponent's strength.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, in order to get the<br>&nbsp;&nbsp;&nbsp;&nbsp;maximum power out of your arm,<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you brought about World War III<br>&nbsp;&nbsp;&nbsp;&nbsp;and stoked the people's hatred.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All to clearly define the enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;to be defeated and set everything up.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you could also say this about that:<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if there isn't as much hatred<br>&nbsp;&nbsp;&nbsp;&nbsp;in everyone's hearts as you think?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't be able to summon up<br>&nbsp;&nbsp;&nbsp;&nbsp;the amount of power you're imagining.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're operating under the wrong assumption.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The four fundamental elements would<br>&nbsp;&nbsp;&nbsp;&nbsp;have been disrupted once and for all<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I hadn't stepped in and restored them.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The war that I caused is ongoing.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The larger conflict springs from<br>&nbsp;&nbsp;&nbsp;&nbsp;all the smaller thorns in people's sides<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading out into the world<br>&nbsp;&nbsp;&nbsp;&nbsp;until there is nothing left.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Resource shortages,<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;racial conflicts,<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;religious differences,<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;food shortages,<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;international conflicts,<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;environmental destruction--<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they are all products of the evil of men!<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, man's true nature<br>&nbsp;&nbsp;&nbsp;&nbsp;may be something dark and murky!<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There may be malice within me<br>&nbsp;&nbsp;&nbsp;&nbsp;that I don't want to believe is there.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so,<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's more to human nature than just that!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you say flat out that people's<br>&nbsp;&nbsp;&nbsp;&nbsp;inner workings are only one-sided?<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if there really is<br>&nbsp;&nbsp;&nbsp;&nbsp;the darkest evil deep down,<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how can you declare that's all there is?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't need a reason!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People don't need any other reason<br>&nbsp;&nbsp;&nbsp;&nbsp;to fight for those they love.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been saved by that power!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without any reason? That's the<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of logic that only applies to us.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there were a nuclear missile about<br>&nbsp;&nbsp;&nbsp;&nbsp;to be launched right in front of you,<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's nothing anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;without a key could do to stop it.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't need a key!<br>&nbsp;&nbsp;&nbsp;&nbsp;That's only one means of resolving the situation!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone can fight! Even if they turn<br>&nbsp;&nbsp;&nbsp;&nbsp;the rest of the world against them!<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's for someone they admit they're<br>&nbsp;&nbsp;&nbsp;&nbsp;willing to stake their life to protect...<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to get Index back from you.<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's not all.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to put a stop to<br>&nbsp;&nbsp;&nbsp;&nbsp;science and magic fighting each other,<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to the nations of the world<br>&nbsp;&nbsp;&nbsp;&nbsp;destroying each other over World War III!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all going to end right now!<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you can emerge victorious,<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of this large-scale conflict,<br>&nbsp;&nbsp;&nbsp;&nbsp;without losing anything?<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I sure can!<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike you, I believe in<br>&nbsp;&nbsp;&nbsp;&nbsp;the strength of humanity!<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't just a war anymore!<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening to the world?!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You saved me.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're on opposing sides.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw it, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;This is no time to quibble about the war.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help us, Academy City.<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to need your firepower.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if you're British,<br>&nbsp;&nbsp;&nbsp;&nbsp;French, Academy City, or Russian--<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all able-bodied soldiers, pitch in!<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to launch an<br>&nbsp;&nbsp;&nbsp;&nbsp;all-out support strike!<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! It's time for an attack of<br>&nbsp;&nbsp;&nbsp;&nbsp;the people, by the people, for the people!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's blow the roof off this place, baby!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wha-- Who exactly are you?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sorcery society. "Dawn-colored Sunlight."<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is foolish of you, Fiamma.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cannibal old lady of the one-legged house,<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please grant this sincere<br>&nbsp;&nbsp;&nbsp;&nbsp;yet frail young girl your strength.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough of your overwhelming<br>&nbsp;&nbsp;&nbsp;&nbsp;witch's power to smash this treacherous,<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ugly adult to a pulp<br>&nbsp;&nbsp;&nbsp;&nbsp;and provide a happy ending.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there, head of the Russian Church.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to rescue you<br>&nbsp;&nbsp;&nbsp;&nbsp;from the devil's castle.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't expect there was anyone left<br>&nbsp;&nbsp;&nbsp;&nbsp;who would call me "Patriarch."<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not when I have no power.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still something left for you to do.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That fortress was cobbled<br>&nbsp;&nbsp;&nbsp;&nbsp;together from the requisite parts<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of cathedrals and churches<br>&nbsp;&nbsp;&nbsp;&nbsp;of the cross from around the world.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's not like they<br>&nbsp;&nbsp;&nbsp;&nbsp;could come cleanly together<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because they were<br>&nbsp;&nbsp;&nbsp;&nbsp;brought together into one spot.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spells from both the Russian Church<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Roman Orthodox Church<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are being used to hold it together.<br>&nbsp;&nbsp;&nbsp;&nbsp;If we could break them down...<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. You want me to release it.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think you can do that?<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, the joints<br>&nbsp;&nbsp;&nbsp;&nbsp;that are holding it together<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are using not just Russian Church,<br>&nbsp;&nbsp;&nbsp;&nbsp;but Roman Orthodox magic too, aren't they?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything's okay, as far as that goes.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That group is not as corrupt<br>&nbsp;&nbsp;&nbsp;&nbsp;as everyone thinks.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if you would be so kind,<br>&nbsp;&nbsp;&nbsp;&nbsp;my dandy gentleman...<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not the pope anymore, though.<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am speaking to the person whom I believe<br>&nbsp;&nbsp;&nbsp;&nbsp;is the head of the Roman Orthodox Church,<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;both in name and in fact.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well. If it's to save the people,<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will help stop Fiamma, even if it means<br>&nbsp;&nbsp;&nbsp;&nbsp;committing Roman Orthodox power to bear.<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the spells in use<br>&nbsp;&nbsp;&nbsp;&nbsp;on the Star of B'Tselem<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are likely not just those of<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodoxy and the Russian Church.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that. Yes, the last key...<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is the English Puritan archbishop.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, can we do rock-paper-scissors<br>&nbsp;&nbsp;&nbsp;&nbsp;to decide which one of us<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will contact that vixen?<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your wounds are not life-threatening.<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep yourself together.<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you...?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we had to say, our only purpose<br>&nbsp;&nbsp;&nbsp;&nbsp;is to alleviate the harm done by war,<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if only for one soldier at a time.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was just a mirage.<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A pretty common trick.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warning, chapter 47, verse 80--<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;physical and mental restraint due<br>&nbsp;&nbsp;&nbsp;&nbsp;to psychological effect detected.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Redirecting spell effect into dummy location,<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and prioritizing security<br>&nbsp;&nbsp;&nbsp;&nbsp;of back-calculation abilities.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compromised or not,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're still a library of 103,000 grimoires.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't expect that<br>&nbsp;&nbsp;&nbsp;&nbsp;would be able to contain you.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so, it doesn't matter.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that confounded boy can<br>&nbsp;&nbsp;&nbsp;&nbsp;bring an end to this in the meantime,<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will still mean a win for us!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you wish.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll have your reward.<br>&nbsp;&nbsp;&nbsp;&nbsp;Our quota seems to have been filled,<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I will do what I can to<br>&nbsp;&nbsp;&nbsp;&nbsp;help retrieve the grimoire library.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why isn't this going the way I wanted?<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The English Puritans, the Roman Orthodox,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Russian Church<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have begun bringing down<br>&nbsp;&nbsp;&nbsp;&nbsp;the Star of B'Tselem's joint spell.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're getting into an escape<br>&nbsp;&nbsp;&nbsp;&nbsp;container over here, ourselves.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't very many<br>&nbsp;&nbsp;&nbsp;&nbsp;of them left. Please hurry.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over, Fiamma!<br>&nbsp;&nbsp;&nbsp;&nbsp;Your right arm, and your ceremonial site,<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Star of B'Tselem, are losing power.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really want to save<br>&nbsp;&nbsp;&nbsp;&nbsp;the world more than anything,<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd have to be glad that people's<br>&nbsp;&nbsp;&nbsp;&nbsp;good will is winning out over the evil!<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't do that,<br>&nbsp;&nbsp;&nbsp;&nbsp;then your fantasy is already shattered!<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This situation has me at<br>&nbsp;&nbsp;&nbsp;&nbsp;a disadvantage, to be sure.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As things stand, I probably<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be able to continue my plan.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not as things stand...<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the outcome that you've invited.<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Originally, the earth was supposed<br>&nbsp;&nbsp;&nbsp;&nbsp;to be transformed in stages.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, as a result of all the<br>&nbsp;&nbsp;&nbsp;&nbsp;good will you speak of preventing that,<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an unnatural distortion has developed<br>&nbsp;&nbsp;&nbsp;&nbsp;between heaven and earth,<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the accumulated telesma will<br>&nbsp;&nbsp;&nbsp;&nbsp;now plunge down from heaven to earth.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, while it's not<br>&nbsp;&nbsp;&nbsp;&nbsp;the route that I anticipated,<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as long as the earth ends up<br>&nbsp;&nbsp;&nbsp;&nbsp;being inundated with light,<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the outcome is all the same.<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what's going to happen?!<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that tremendous amount of power<br>&nbsp;&nbsp;&nbsp;&nbsp;starts running amok uncontrollably,<br>**[22:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then all of human civilization<br>&nbsp;&nbsp;&nbsp;&nbsp;is likely to be destroyed!<br>**[22:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. That would be<br>&nbsp;&nbsp;&nbsp;&nbsp;quite a shame, for you, anyway.<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how much good will may<br>&nbsp;&nbsp;&nbsp;&nbsp;be burgeoning forth amidst this war,<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this overwhelming power<br>&nbsp;&nbsp;&nbsp;&nbsp;will crush it from above.<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This overwhelming divine punishment<br>&nbsp;&nbsp;&nbsp;&nbsp;will easily level the fruits of mankind.<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as the destruction of the Tower of Babel<br>&nbsp;&nbsp;&nbsp;&nbsp;divided the ties of humanity,<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;through the animosity brought about by this,<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will once again be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to draw upon tremendous power!<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fiamma!<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your way of saving the world is too late.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have now won.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is still something I have to do.<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry. I promise,<br>**[23:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will return.<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Son of God"<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross paths,<br>&nbsp;&nbsp;&nbsp;&nbsp;the story begins.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 26 - Son of God

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Are you okay?"<br>**[00:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness...<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it... thank goodness...<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness, for real...<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This world is cold and harsh, to be sure,<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and filled with malice beyond all hope.<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, if you make<br>&nbsp;&nbsp;&nbsp;&nbsp;the decision to stretch out your hand,<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and struggle, and struggle,<br>&nbsp;&nbsp;&nbsp;&nbsp;and struggle some more,<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there will definitely be light up ahead.<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that the world<br>&nbsp;&nbsp;&nbsp;&nbsp;is not so desperate a place<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that one cannot reach out<br>&nbsp;&nbsp;&nbsp;&nbsp;and snatch a ray of that light.<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka hates to be a wet blanket<br>&nbsp;&nbsp;&nbsp;&nbsp;while you're having your touching reunion,<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this doesn't look like the war<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to have such a happy ending.<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The light is converging<br>&nbsp;&nbsp;&nbsp;&nbsp;around that giant heap.<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it discharges toward the ground,<br>&nbsp;&nbsp;&nbsp;&nbsp;the outcome won't be good for anyone.<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw that.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa--<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Worst...<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go stop that.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you keep the kid safe?<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, nothing's changed, has it?<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Where are you going?"<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, posing a question.<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You aren't going anywhere, right?"<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, seeking confirmation.<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to worry.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll put an end to this in no time.<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No...<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want us to be together forever,"<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, begging.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wanted us to be together forever, too.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see...<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This... is what it's like<br>&nbsp;&nbsp;&nbsp;&nbsp;to fight to protect something...<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index III"<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#26 Son of God"<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's another light?<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What in the world is going on?<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma, are you up there?<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The necessary output<br>&nbsp;&nbsp;&nbsp;&nbsp;should have been achieved.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There should have been enough<br>&nbsp;&nbsp;&nbsp;&nbsp;destruction taking place on the ground<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to meet the strategic conditions,<br>&nbsp;&nbsp;&nbsp;&nbsp;and drive me to victory.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you done yet?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's high time for you...<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to give up this fantasy of yours!<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...?<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The animosity that's been<br>&nbsp;&nbsp;&nbsp;&nbsp;encompassing the earth is decreasing?!<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch!<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warning, chapter 88, verse 1--<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;irregularity in main body<br>&nbsp;&nbsp;&nbsp;&nbsp;during search operation.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gravely negative effect on<br>&nbsp;&nbsp;&nbsp;&nbsp;operational efficiency developing<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;due to over-susceptibility<br>&nbsp;&nbsp;&nbsp;&nbsp;to external stimulus.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The English Puritan sorcerers?!<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What lousy luck.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only need to buy five to ten seconds.<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that time, I'll forcibly<br>&nbsp;&nbsp;&nbsp;&nbsp;reset the grimoire library.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if the high load<br>&nbsp;&nbsp;&nbsp;&nbsp;burns out all 103,000 volumes!<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to flush away the enemy before me!<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I am, trying to maximize the<br>&nbsp;&nbsp;&nbsp;&nbsp;miracles and blessings of the Son of God<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to bring this phenomenon about,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this bastard shows no regard!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good luck or bad luck<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't factor into this.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has the power to trample such<br>&nbsp;&nbsp;&nbsp;&nbsp;blurry distinctions under his foot!<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think yours is<br>&nbsp;&nbsp;&nbsp;&nbsp;the only way to save anyone,<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'll start by<br>&nbsp;&nbsp;&nbsp;&nbsp;laying waste to that delusion!<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me! Sasha and I have<br>&nbsp;&nbsp;&nbsp;&nbsp;already escaped in the container.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please hurry, yourself.<br>&nbsp;&nbsp;&nbsp;&nbsp;The Star of B'Tselem is about to start falling.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it, then.<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, let's go.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The remaining escape containers<br>&nbsp;&nbsp;&nbsp;&nbsp;probably won't be of any use now.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At best, it's a question of finding<br>&nbsp;&nbsp;&nbsp;&nbsp;an individual-sized one that will work.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Only one of us is going to survive this.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm someone who doesn't really know<br>&nbsp;&nbsp;&nbsp;&nbsp;just how big a place the world is.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, go and find<br>&nbsp;&nbsp;&nbsp;&nbsp;out for yourself now.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka?!<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, can't you set down anywhere?<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shaking incident to<br>&nbsp;&nbsp;&nbsp;&nbsp;the fortress's fall will be too intense,<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we cannot get any<br>&nbsp;&nbsp;&nbsp;&nbsp;closer," explains Misaka.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Even if we did set down, our chances<br>&nbsp;&nbsp;&nbsp;&nbsp;of escape would be remote," says--<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep us as level as you can.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to drag that idiot over myself.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't do it! Stay back, Misaka!<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up, will you?! There's<br>&nbsp;&nbsp;&nbsp;&nbsp;no turning back now!<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not yet.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The fortress's shaking<br>&nbsp;&nbsp;&nbsp;&nbsp;has exceeded the designated value,"<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If we get any closer, we could collide."<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let him have buttons, or a belt, or whatever,<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to let me reel<br>&nbsp;&nbsp;&nbsp;&nbsp;him in with magnetism!<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index...<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you escape?<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Same reason as your magical item.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because I have to take care<br>&nbsp;&nbsp;&nbsp;&nbsp;of the whole fortress, too.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd kept it hidden this whole time.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I wasn't sure whether<br>&nbsp;&nbsp;&nbsp;&nbsp;it was really the right thing to do.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've done something terrible to you.<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been tricking you all this time.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no guarantee I'll ever come<br>&nbsp;&nbsp;&nbsp;&nbsp;back from the Star of B'Tselem.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I'm going to tell you now,<br>&nbsp;&nbsp;&nbsp;&nbsp;while I still can. I've...<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've lost my...<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's okay.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter now.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing matters, as long as<br>&nbsp;&nbsp;&nbsp;&nbsp;you come back your usual self.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear I'll be back.<br>&nbsp;&nbsp;&nbsp;&nbsp;And once I get back, I promise,<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll bow down and apologize in person,<br>&nbsp;&nbsp;&nbsp;&nbsp;not just via this magical item.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;50.9 megahertz.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll be able to connect with the<br>&nbsp;&nbsp;&nbsp;&nbsp;speakers here. Tell the English Puritans.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need their advice as to how to bring<br>&nbsp;&nbsp;&nbsp;&nbsp;down the Star of B'Tselem more safely.<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't do that. I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;go back of my own will.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess not, huh?<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Head on back ahead of me, okay?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if I destroy the elevating magical items<br>&nbsp;&nbsp;&nbsp;&nbsp;that are keeping the Star aloft,<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can change the location<br>&nbsp;&nbsp;&nbsp;&nbsp;where it will fall, right?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The items are in 20 different places in all.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you destroy three of<br>&nbsp;&nbsp;&nbsp;&nbsp;them--numbers three, nine, and 13--<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it should come down in the Arctic Ocean.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got it.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, her consciousness was<br>&nbsp;&nbsp;&nbsp;&nbsp;there on the Star of B'Tselem earlier.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Couldn't you have resolved this<br>&nbsp;&nbsp;&nbsp;&nbsp;situation by using her knowledge then?<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I could let Index suffer<br>&nbsp;&nbsp;&nbsp;&nbsp;like that for one minute longer?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Third magical item confirmed destroyed.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is strange.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something huge out there...<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Telesma? What would it be doing there?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha Kruezhev is advancing<br>&nbsp;&nbsp;&nbsp;&nbsp;toward the Arctic Ocean!<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reading a line of telesma between the two.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reciprocal interference<br>&nbsp;&nbsp;&nbsp;&nbsp;is clearly being generated.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be some new power...<br>&nbsp;&nbsp;&nbsp;&nbsp;No, is she trying to restore herself physically?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misha Kruezhev presides over water.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she uses the polar ice cap,<br>&nbsp;&nbsp;&nbsp;&nbsp;including special symbols and emblems,<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her power will become even greater.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there's a possibility that<br>&nbsp;&nbsp;&nbsp;&nbsp;if she tries to elicit too much power,<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the very body that Misha<br>&nbsp;&nbsp;&nbsp;&nbsp;is composed of will explode,<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a great deal of telesma will be released.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do we stop her?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We weren't sure we could stop even<br>&nbsp;&nbsp;&nbsp;&nbsp;the old Misha with an organized response.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Star of B'Tselem has deviated<br>&nbsp;&nbsp;&nbsp;&nbsp;from its earlier course.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me he's...<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, this world may perish someday.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it doesn't have to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a tragic ending, like this.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has to be okay to fight<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep that from happening.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, I can't find anything!<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to find something, doesn't matter what,<br>&nbsp;&nbsp;&nbsp;&nbsp;that will let me negotiate with Academy City.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hamazura, we have to get out of here, now.<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll be coming for us.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. Just a few more minutes.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Use my blood as an insurance policy.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The 4th-ranked DNA map.<br>&nbsp;&nbsp;&nbsp;&nbsp;If all three of us are carrying it,<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can keep them in check.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino...<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly...<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are so much trouble, aren't you?<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ally. Perhaps you recognize me<br>&nbsp;&nbsp;&nbsp;&nbsp;from my work up the chain of command?<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it she always says?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's always like this with you."<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a relief to secure Takitsubo Riko,<br>&nbsp;&nbsp;&nbsp;&nbsp;my top-priority objective.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo is your top priority?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't notice?<br>&nbsp;&nbsp;&nbsp;&nbsp;When you attacked those masked units,<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo Riko affected<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino Shizuri's Personal Reality.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying...?<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is already indicated<br>&nbsp;&nbsp;&nbsp;&nbsp;as such on the Parameter List,<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she has the extraordinary<br>&nbsp;&nbsp;&nbsp;&nbsp;potential to become the "8th."<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If her evolution continues,<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she could become someone capable of providing<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all of Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;functionality all by herself--<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a so-called "Academy Individual."<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're saying you knew this beforehand?!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That no matter how hard we try,<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those who succeed, succeed,<br>&nbsp;&nbsp;&nbsp;&nbsp;and those who fail, fail?<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Takitsubo and I have gone down<br>&nbsp;&nbsp;&nbsp;&nbsp;this road on our own. But if Hamazura<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;had been given a fair and equal shake...<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mugino...<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not the reaction I'd expect from you.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you gotten so you can sympathize<br>&nbsp;&nbsp;&nbsp;&nbsp;with the feelings of weaklings?<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're ITEM. That's not something I regret.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's okay!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still alive, Hamazura?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, Digurv!<br>&nbsp;&nbsp;&nbsp;&nbsp;We're still alive because of you.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't Academy City.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even a Level 0 like me was able<br>&nbsp;&nbsp;&nbsp;&nbsp;to rely on the help of others,<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and managed to survive.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reinforcements will be here soon.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing about the situation has changed.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You said something interesting a moment ago.<br>&nbsp;&nbsp;&nbsp;&nbsp;"Parameter List," was it?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to tell me<br>&nbsp;&nbsp;&nbsp;&nbsp;everything you know about it.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you just how cruel a person can be<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so long as they can excuse it<br>&nbsp;&nbsp;&nbsp;&nbsp;as protecting the ones they love.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the recovery team. Target secured.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now heading to the<br>&nbsp;&nbsp;&nbsp;&nbsp;rendezvous point with the main unit.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are those kids?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Another unit has them.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, then promise me something--<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From now on, you won't hide behind<br>&nbsp;&nbsp;&nbsp;&nbsp;the kid or the Sisters to issue orders.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not toy around with a<br>&nbsp;&nbsp;&nbsp;&nbsp;single one of their lives any further.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't permit you to force people like me<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to do dirty jobs for the underworld, either.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't seem to get it, do you?<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? No, *you're* the one<br>
&nbsp;&nbsp;&nbsp;&nbsp;who doesn't seem to get it.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-His switch is turned off, right?<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it should be.<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Double-check it.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a negotiation,<br>&nbsp;&nbsp;&nbsp;&nbsp;a suggestion, or a trade.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a triumphant return,<br>&nbsp;&nbsp;&nbsp;&nbsp;you sons of bitches.<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It can't be...!<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister Crowley?<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure enough, I'm well recognized<br>&nbsp;&nbsp;&nbsp;&nbsp;even outside of my tank.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why?<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though you may not realize<br>&nbsp;&nbsp;&nbsp;&nbsp;the value of things,<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you did go after that<br>&nbsp;&nbsp;&nbsp;&nbsp;right hand a bit too hard.<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only you had recognized it<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;simply as a right hand that<br>&nbsp;&nbsp;&nbsp;&nbsp;could negate extraordinary powers.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you got a peek as<br>&nbsp;&nbsp;&nbsp;&nbsp;to what's inside, didn't you?<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is something I cannot<br>&nbsp;&nbsp;&nbsp;&nbsp;allow to be left unattended.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was inside...?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you know what it is.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though it was an unsuccessful, outdated plan,<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how is it any different from Academy City,<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which is a world with a certain<br>&nbsp;&nbsp;&nbsp;&nbsp;sort of power enclosed within it?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see... so in my own way,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotten close to the truth of the world.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking at your face, I can sense<br>&nbsp;&nbsp;&nbsp;&nbsp;the futility of what I've done.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who could truly save<br>&nbsp;&nbsp;&nbsp;&nbsp;the world wouldn't make that face.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the time, at that place, he stood<br>&nbsp;&nbsp;&nbsp;&nbsp;where no one else could reach him.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think it's going to work.<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was never a question<br>&nbsp;&nbsp;&nbsp;&nbsp;of whether or not it will work!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't allow you to trample all over it!<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That fact that you thought<br>&nbsp;&nbsp;&nbsp;&nbsp;you could explain that right hand,<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and *Kamijo*, the Purifier of God,<br>
&nbsp;&nbsp;&nbsp;&nbsp;with no more than the church of the cross,<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is where your failure really lies.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm reading something!<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This wavelength is that of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Golden Sorcerer, Aleister Crowley!<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, he *is* alive.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, things are just<br>&nbsp;&nbsp;&nbsp;&nbsp;starting to get interesting.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister, chairman of the governing board...<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be enjoying this.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I find it quite pleasant.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or more precisely, I'm delighted that<br>&nbsp;&nbsp;&nbsp;&nbsp;this pleasant time will be prolonged.<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has done well. It was<br>&nbsp;&nbsp;&nbsp;&nbsp;less about purging me,<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and more like a shift<br>&nbsp;&nbsp;&nbsp;&nbsp;into a different domain.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you should learn<br>&nbsp;&nbsp;&nbsp;&nbsp;a little more about humans.<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you underestimate them, you may<br>&nbsp;&nbsp;&nbsp;&nbsp;end up stabbed through the heart in no time.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you saying?<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If those delicate humans<br>&nbsp;&nbsp;&nbsp;&nbsp;could actually do such a thing,<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then wouldn't you find that<br>&nbsp;&nbsp;&nbsp;&nbsp;to be an extremely fascinating case?<br>**[22:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm. Looks like he's still alive, anyway.<br>**[22:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want this to end like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;after he mopped the floor with you, do you?<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to tell me what you saw and heard.<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ollerus.<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who once should<br>&nbsp;&nbsp;&nbsp;&nbsp;have been a Magic God,<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but was then unseated<br>&nbsp;&nbsp;&nbsp;&nbsp;by the One-Eyed Othinus.<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wretched sorcerer.<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have looked over the conditions<br>&nbsp;&nbsp;&nbsp;&nbsp;presented to us by Academy City,<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have agreed to a seat<br>&nbsp;&nbsp;&nbsp;&nbsp;at the conference table.<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As of this moment,<br>&nbsp;&nbsp;&nbsp;&nbsp;I declare all hostilities at an end.<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is my sincere wish that this decision,<br>&nbsp;&nbsp;&nbsp;&nbsp;which we all reached together,<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be recorded in the history<br>&nbsp;&nbsp;&nbsp;&nbsp;of a future world at peace<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as having been correct.<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For someone who's always<br>&nbsp;&nbsp;&nbsp;&nbsp;claiming "Just my luck,"<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have some pretty strong mojo, don't you,<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma?<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>