# Season 2

# 25 - The Last Day (August 31)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, damn it, already!<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prerequisites for the<br>&nbsp;&nbsp;&nbsp;&nbsp;ESP Card experiment?<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking that Level 0<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo knows something like that.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine Breaker--the marvelous<br>&nbsp;&nbsp;&nbsp;&nbsp;power that resides in my right hand.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, it is able to cancel<br>&nbsp;&nbsp;&nbsp;&nbsp;out any other extraordinary power<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a single touch.<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a fantastic power like this<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't have any effect on my<br>&nbsp;&nbsp;&nbsp;&nbsp;summer vacation homework problems.<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, on this day, of all days,<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto pressured me<br>&nbsp;&nbsp;&nbsp;&nbsp;into pretending to be her boyfriend,<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not to mention, I was chased<br>&nbsp;&nbsp;&nbsp;&nbsp;around by an Aztecan magician,<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as one crazy incident<br>&nbsp;&nbsp;&nbsp;&nbsp;after another piled up on me.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The practical upshot of all of this being...<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that I haven't finished<br>&nbsp;&nbsp;&nbsp;&nbsp;most of my homework.<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. Magical Powered<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanamin takes the Parts of Ether<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the lotus staff for the Elementals,<br>**[01:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and reproduces them in plastic, right?<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--How wonderfully Japanese-styled that is!<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Listen, Miss Index...<br>&nbsp;&nbsp;&nbsp;&nbsp;--How wonderfully Japanese-styled that is!<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to tell you not to watch TV,<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but as for the volume, at least...<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you never do anything fun with me.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm escaping<br>&nbsp;&nbsp;&nbsp;&nbsp;into the world of television!<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow...<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, man! Why is it that now,<br>&nbsp;&nbsp;&nbsp;&nbsp;when I have no time,<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you come up with more things<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to do?! Huh? Hold on...<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's that worksheet that<br>&nbsp;&nbsp;&nbsp;&nbsp;I was only half-way done with?<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or Classical Japanese problem set?<br>&nbsp;&nbsp;&nbsp;&nbsp;Or my math reference book?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Toma!<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, did you find something?<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's after 3 o'clock.<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd sure like a snack.<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index Librorum Prohibitorum...<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The List of Prohibited Books, huh?<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued to smile in discernment*<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, it sure was a lot of trouble,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;locating this worksheet<br>&nbsp;&nbsp;&nbsp;&nbsp;among the pile of manga it was in.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Toma, am I great, or am I great?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to say to me? Well? Well?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is it you're<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to say to me?<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did a lot of work for you,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I want a reward deserving of it.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning that I want to eat something.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just finished *my* half<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the pudding, too, didn't you?!<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, maybe that would be good.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hirayama Rami's 5-hour Cooking!"<br>&nbsp;&nbsp;&nbsp;&nbsp;"How to Make Tofu Hamburger"<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today we'll cover "How to Make 5-hour Tofu Hamburger."<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I don't have time<br>&nbsp;&nbsp;&nbsp;&nbsp;to make something like that!<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just after 5:00 pm now,<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;leaving about seven<br>&nbsp;&nbsp;&nbsp;&nbsp;hours before the date changes,<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so even if I'm ready<br>&nbsp;&nbsp;&nbsp;&nbsp;to work through the night,<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's less than fifteen more<br>&nbsp;&nbsp;&nbsp;&nbsp;hours before I have to go to school!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--And in just that much time...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Toma...<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not good to push yourself so hard.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brain has to work even<br>&nbsp;&nbsp;&nbsp;&nbsp;harder when you're so on-edge.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't overexert yourself.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the *last* person<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to hear that from!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wind Magic Bowstring!<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Striking Bowstring!<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not here?<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just had a nasty feeling...<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can I order anything from here?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? What do you want?<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then...<br>&nbsp;&nbsp;&nbsp;&nbsp;The most expensive thing!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, ¥2000 worth of raw eggs...<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, together with Index,<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;decided to go to a family<br>&nbsp;&nbsp;&nbsp;&nbsp;restaurant for a change of pace.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was busy plugging away<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at what was left of my<br>&nbsp;&nbsp;&nbsp;&nbsp;summer vacation homework.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for waiting--<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you are.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, to battle.<br>**[07:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My survey report on<br>&nbsp;&nbsp;&nbsp;&nbsp;the development of abilities...<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me! I will bring something<br>&nbsp;&nbsp;&nbsp;&nbsp;to wipe this up with right away!<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Th-Then again, Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;you can still make out the letters,<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Three pages.<br>&nbsp;&nbsp;&nbsp;&nbsp;--Th-Then again, Toma, you can still make out the letters,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I'd already written three pages.<br>&nbsp;&nbsp;&nbsp;&nbsp;--so if you copy it down exactly to a new manuscript sheet,<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can still use it.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you consider that you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have to think everything up again,<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just think of all the trouble you'll save!<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The starting shot to war is raised!<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sunder Magic Bowstring!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell are you--<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did not anticipate this outcome.<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would please me if we<br>&nbsp;&nbsp;&nbsp;&nbsp;can limit any wanton loss of life.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you will surrender yourself,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will take no action against you.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So long as I obtain my objective...<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-My...<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My homework has turned into confetti...<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! You there! You did this,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you have to make it right!<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to do my homework again!<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of my concern.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, Kamijo is feeling<br>&nbsp;&nbsp;&nbsp;&nbsp;just a little bit violent today.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, huh?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be brief.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not interested in childish games.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do to Index?!<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you know,<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you are aware that this<br>&nbsp;&nbsp;&nbsp;&nbsp;is the List of Prohibited Books<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has memorized the 103,000 volumes...<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you a magician?<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed I am.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Transparent Magic Bowstring!<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold it, you bastard!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something small and soft right here!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that you there, Index?<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What...?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, he got me!<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me, sir...<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't make her carry a cell phone<br>&nbsp;&nbsp;&nbsp;&nbsp;with her for times like this, but...<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No reason why she would answer. Damn!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just where am I supposed to look for her?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Where are you going, Sphinx?!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait up!<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A hotel?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me Index is in there!<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that where she is, Sphinx?!<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In there?!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! Don't you have any<br>&nbsp;&nbsp;&nbsp;&nbsp;sense of obligation to your master?!<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index *is* the one who took you in,<br>
&nbsp;&nbsp;&nbsp;&nbsp;you know, if only temporarily!<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, let's go<br>&nbsp;&nbsp;&nbsp;&nbsp;look for her, right away!<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In just this short time,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've already untied two knots.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Japan may have given rise to its<br>&nbsp;&nbsp;&nbsp;&nbsp;own unique culture of rope tortures,<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I will not talk<br>&nbsp;&nbsp;&nbsp;&nbsp;under such rough measures.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, torturing<br>&nbsp;&nbsp;&nbsp;&nbsp;you is not my objective.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish to obtain one of<br>&nbsp;&nbsp;&nbsp;&nbsp;the grimoires that is inside you.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must first raise a magical field for amplification purposes...<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that magician<br>&nbsp;&nbsp;&nbsp;&nbsp;planning to do to Index?<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Where am<br>&nbsp;&nbsp;&nbsp;&nbsp;I supposed to look?!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa-oa-oa...<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sorry!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! What are you doing here?!<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, it seems like you're<br>&nbsp;&nbsp;&nbsp;&nbsp;always running around somewhere.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If everything's all right,<br>&nbsp;&nbsp;&nbsp;&nbsp;then call me and say it's all right!<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't know my number, do you?<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh? Eh?!<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake!<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're *always* doing this!<br>
&nbsp;&nbsp;&nbsp;&nbsp;Stop messing around with me! Huh?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come you look like<br>&nbsp;&nbsp;&nbsp;&nbsp;you're about to cry, for real?<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in a hurry here, as much as I can be!<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What with the homework,<br>&nbsp;&nbsp;&nbsp;&nbsp;the kidnapping<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the commotion<br>&nbsp;&nbsp;&nbsp;&nbsp;at the family restaurant...!<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So tell me, what do *you* want?!<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? W-What do...<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well... I was simply upset<br>&nbsp;&nbsp;&nbsp;&nbsp;that you didn't spend time with me,<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I don't have anything<br>
&nbsp;&nbsp;&nbsp;&nbsp;that I *want* from you, especially...<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not that there *would* be...<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold on! Are you seriously<br>&nbsp;&nbsp;&nbsp;&nbsp;going to leave me here?!<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I said!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this a Kagura stage?<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing so elaborate as that.<br>&nbsp;&nbsp;&nbsp;&nbsp;At the end of the day,<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's closer to a Bon<br>&nbsp;&nbsp;&nbsp;&nbsp;festival dance grounds.<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you prepared this to<br>&nbsp;&nbsp;&nbsp;&nbsp;have me possessed by something?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the real reason<br>&nbsp;&nbsp;&nbsp;&nbsp;I raised the magical field<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to try to increase the<br>&nbsp;&nbsp;&nbsp;&nbsp;force of this thing.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Azusa Yumi bow? A ceremonial<br>&nbsp;&nbsp;&nbsp;&nbsp;item used in Japanese Shinto?<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magnificent. So your<br>&nbsp;&nbsp;&nbsp;&nbsp;magical library also covers<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my cultural background, does it?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This thing's normal power is, at most,<br>&nbsp;&nbsp;&nbsp;&nbsp;--Index? Index!<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--only enough to shock the mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;or to rectify any imbalances.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey, you hear me? Where are you?!<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, with all the<br>&nbsp;&nbsp;&nbsp;&nbsp;right conditions in place,<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it can read the details<br>&nbsp;&nbsp;&nbsp;&nbsp;within another's mind.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, even reveal the 103,000 volumes<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you are hiding so<br>&nbsp;&nbsp;&nbsp;&nbsp;desperately within your heart.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No!<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even you must know what would<br>&nbsp;&nbsp;&nbsp;&nbsp;happen if anyone other than me<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were to touch the grimoires!<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am well aware.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the hotel from earlier, isn't it?!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the Baopiaozi--<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the grimoire dealing with immortal youth<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and becoming a sage in Chinese culture.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It contains alchemy to create an elixir<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that can cure any<br>&nbsp;&nbsp;&nbsp;&nbsp;manner of disease or curse.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I could do anything<br>&nbsp;&nbsp;&nbsp;&nbsp;once I became a magician.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is because I didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;want any more setbacks<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I took the oath<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a magician.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least, it was not for this.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a woman who<br>&nbsp;&nbsp;&nbsp;&nbsp;was dying from some kind of curse.<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A powerless, nobody of a person,<br>&nbsp;&nbsp;&nbsp;&nbsp;who could do nothing but smile<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while she watched<br>&nbsp;&nbsp;&nbsp;&nbsp;death close in around her.<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I couldn't even<br>&nbsp;&nbsp;&nbsp;&nbsp;help this nobody of a person,<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then there was no "can do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything" or "not want any setbacks."<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So for this nobody of a woman,<br>&nbsp;&nbsp;&nbsp;&nbsp;how could I bring any harm to the dream<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I had been so<br>&nbsp;&nbsp;&nbsp;&nbsp;carefully fostering up until now?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surely it was not for<br>&nbsp;&nbsp;&nbsp;&nbsp;that nobody of a woman.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By no means was it because<br>&nbsp;&nbsp;&nbsp;&nbsp;of that nobody of a woman!<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're wrong.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can tell. Your Azusa Yumi bow's<br>&nbsp;&nbsp;&nbsp;&nbsp;power has been amplified too much,<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and your mind is<br>&nbsp;&nbsp;&nbsp;&nbsp;slipping back within me.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I know.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were simply<br>&nbsp;&nbsp;&nbsp;&nbsp;in love with that woman.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's precisely why you<br>&nbsp;&nbsp;&nbsp;&nbsp;risked your life to save her.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You hurt others and had to commit<br>&nbsp;&nbsp;&nbsp;&nbsp;that sin in order to save her.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you didn't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to put the blame on that woman.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you<br>&nbsp;&nbsp;&nbsp;&nbsp;must not meet this fate!<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Relying on some<br>&nbsp;&nbsp;&nbsp;&nbsp;grimy grimoire is not the way!<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, you really had me worried.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, I'm hungry!<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll feed you until you're full later on.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this wrong?<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is wanting to protect someone,<br>&nbsp;&nbsp;&nbsp;&nbsp;even in exchange for my own life,<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something that is wrong?!<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well of course it's wrong.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, don't you,<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how painful it is to have<br>&nbsp;&nbsp;&nbsp;&nbsp;someone dear to you die on you?<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To have someone suffer,<br>&nbsp;&nbsp;&nbsp;&nbsp;and be in pain, right before your eyes,<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's nothing you can do.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know the grief of being<br>&nbsp;&nbsp;&nbsp;&nbsp;powerless to do anything, don't you?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had to have panicked.<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have pained you.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have grieved you.<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have hurt you.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have scared you.<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have shaken you.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have made you scream.<br>&nbsp;&nbsp;&nbsp;&nbsp;It had to have made you shed tears.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why it's wrong!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An intense shock like that<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not something you<br>&nbsp;&nbsp;&nbsp;&nbsp;can push on someone else!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all the...<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After reading just<br>&nbsp;&nbsp;&nbsp;&nbsp;one volume, look at me...<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's no wonder that a tiny vessel<br>&nbsp;&nbsp;&nbsp;&nbsp;such as myself found it impossible<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to obtain even a single<br>&nbsp;&nbsp;&nbsp;&nbsp;volume of the original text.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life has been nothing but<br>&nbsp;&nbsp;&nbsp;&nbsp;a series of setbacks.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three times now,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've given up on my life.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so, there was<br>&nbsp;&nbsp;&nbsp;&nbsp;something I couldn't give up on.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was all for the sake of one thing...<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow! Ow!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What makes you think you can<br>&nbsp;&nbsp;&nbsp;&nbsp;bring a tidy end to the matter like that?<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's for my summer vacation homework.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, thanks to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;my homework is beyond hope now!<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, where is this<br>&nbsp;&nbsp;&nbsp;&nbsp;person who's so dear to you?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can manage something without<br>&nbsp;&nbsp;&nbsp;&nbsp;using the List of Prohibited Books.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You saw my right hand, didn't you?<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a magician,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I don't know how bad a curse is,<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but by using this, that curse<br>&nbsp;&nbsp;&nbsp;&nbsp;will vanish in one shot, won't it?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's... ridiculous...<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so sure, myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;but that's the way my right hand is.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, why don't you show us the way?<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I promise you,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll help this person you love.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that to happen,<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll need your cooperation.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So whatever it takes,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to help us.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to help her, don't you?<br>&nbsp;&nbsp;&nbsp;&nbsp;With your own two hands?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud, now I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;at the mercy of a magical curse,<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;something I don't know anything about.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's all go there together,<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and kill that good-for-nothing fantasy!<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"little sister"<br>**[22:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you even know...<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...just who it is... that you attacked...?<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake...<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, England's vaunted knighthood,<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;brought down like this.<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you come to stop me?<br>**[23:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was never told to stop you, personally,<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I have my own task to take care of.<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That would be on whose orders,<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church,<br>&nbsp;&nbsp;&nbsp;&nbsp;or Academy City?<br>**[23:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question.<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you use your common sense,<br>&nbsp;&nbsp;&nbsp;&nbsp;I think you'd know right away.<br>**[23:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, if you consider whose spy I am,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd know right away.<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm leaving now. If you wish to<br>&nbsp;&nbsp;&nbsp;&nbsp;report to your superiors, feel free.<br>**[23:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah? Ah, I'll just retrieve this bunch.<br>**[23:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I owe you one.<br>**[23:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, what did you come<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way here from England for?<br>**[23:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question.<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index is suddenly taken away.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A giant conspiracy is being<br>&nbsp;&nbsp;&nbsp;&nbsp;carried on outside Academy City.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the true purpose of<br>&nbsp;&nbsp;&nbsp;&nbsp;the group targeting Orsola Aquinas?<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Book of the Law."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 26 - The Book of Law

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Archbishop!<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you...<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...call me not by that name.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In a place like this, without an escort?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you wish to speak, can we<br>&nbsp;&nbsp;&nbsp;&nbsp;not do it at St. George's Cathedral?<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I shall not e'er be confined<br>&nbsp;&nbsp;&nbsp;&nbsp;within that old minster.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We shall speak as we walk.<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I suppose that will do.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such a wee lad, are you, Stiyl?<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or perchance you cannot indulge<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself to walk alongside me?<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Laura Stuart, may I ask you a question?<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How rigid of you. What is it?<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is it that you speak in<br>&nbsp;&nbsp;&nbsp;&nbsp;such a ridiculous manner as you do?<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, huh? Is it strange?<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I even went and checked<br>&nbsp;&nbsp;&nbsp;&nbsp;with an actual Japanese person!<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who exactly would that be?<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone named Tsuchimikado Motoharu.<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, don't take him to<br>&nbsp;&nbsp;&nbsp;&nbsp;be a standard Japanese person.<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A communications talisman?<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know of the name<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Book of the Law" right?<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The grimoire name?<br>&nbsp;&nbsp;&nbsp;&nbsp;Its author, as I recall,<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is Edward Alexander.<br>&nbsp;&nbsp;&nbsp;&nbsp;The original text is said to be<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church's Vatican Library.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, it is said<br>&nbsp;&nbsp;&nbsp;&nbsp;that no one can decipher it.<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even the List of Prohibited Books,<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has memorized the 103,000 volumes.<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if someone who can decipher<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Book of the Law" came forward?<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shh!<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This person is said to be a Roman<br>&nbsp;&nbsp;&nbsp;&nbsp;Orthodox nun, named Orsola Aquinas.<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, "The Book of the Law"<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has become an instrument<br>&nbsp;&nbsp;&nbsp;&nbsp;in the power struggle?<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. Not yet, at least.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Book of the Law" and Orsola Aquinas--<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the two of them have reportedly<br>&nbsp;&nbsp;&nbsp;&nbsp;been made off with together.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we discuss the matter<br>&nbsp;&nbsp;&nbsp;&nbsp;in greater detail inside?<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[03:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#02 The Book of the Law"<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Second term is a busy one.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the Daihasei Festival,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Ichihanaran Festival,<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Arts Appreciation Festival,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the Field Trip Festival,<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's a festival-apalooza, you know?<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Sphinx, are you okay?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, I've got nothing to do!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bored! It's no fun!<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma doesn't ever play with me!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma must have<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma's own reasons.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though he's tied up<br>&nbsp;&nbsp;&nbsp;&nbsp;with school because he wants to be.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maika, how come *you're<br>
&nbsp;&nbsp;&nbsp;&nbsp;*not tied up with school?<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the exception.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fundamentals of a maid's<br>&nbsp;&nbsp;&nbsp;&nbsp;studies are practical, after all.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'll become a maid, too!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then maybe I'll go visit Toma's class.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... a maid has a tough road to follow.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too hard for a girl who<br>&nbsp;&nbsp;&nbsp;&nbsp;has zero housekeeping skills.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Then, I'll make Toma a maid!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, maybe I'll have Toma come visit!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd be kind not to say<br>&nbsp;&nbsp;&nbsp;&nbsp;what you just said to Kamijo Toma.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, you're right.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry,<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's no time<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to become a maid,<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nor for you to make him a maid.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Daihasei Festival is coming soon"<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Daihasei Festival--<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a giant field day that all of<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's schools take part in.<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its purpose is to observe the<br>&nbsp;&nbsp;&nbsp;&nbsp;large-scale interaction of espers.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is the one day that the<br>&nbsp;&nbsp;&nbsp;&nbsp;full-strength use of abilities is urged."<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma,<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have lost my memories<br>&nbsp;&nbsp;&nbsp;&nbsp;due to certain circumstances...<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and I do not even remember<br>&nbsp;&nbsp;&nbsp;&nbsp;an event as big as this one.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what should we have for dinner?<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-K-Kamijo Toma!<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an emergency!<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The silver-haired Sister<br>&nbsp;&nbsp;&nbsp;&nbsp;has been taken away by someone!<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you, kidnapping! Abduction!<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second. What do you mean?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The kidnapper gave me<br>&nbsp;&nbsp;&nbsp;&nbsp;this for when you came home.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kamijo Toma...<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...If you value her life,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;come to the site of the abandoned<br>&nbsp;&nbsp;&nbsp;&nbsp;playhouse "Twilight Theater"<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;tonight at 7:00. Come alone."<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, tell me what<br>&nbsp;&nbsp;&nbsp;&nbsp;this dumbass looked like.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh... first of all,<br>&nbsp;&nbsp;&nbsp;&nbsp;he was over 180cm tall.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His hair was a deep red, and he<br>&nbsp;&nbsp;&nbsp;&nbsp;had a barcode under his right eye.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He had a cigarette in his mouth,<br>&nbsp;&nbsp;&nbsp;&nbsp;and lots of piercings in his ears.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, it's okay, Maika.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This criminal is someone<br>&nbsp;&nbsp;&nbsp;&nbsp;Index and I both know.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The criminal is someone you know?!<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is love gone wrong the motive?!<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, no... not the way you mean.<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Exit Pass"<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An exit... pass?<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe you understand<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation now.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. "The Book of the Law"<br>&nbsp;&nbsp;&nbsp;&nbsp;has been taken away by someone,<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the one who can decipher it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas, has been taken, too.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The culprit appears<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the Amakusa Church.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did they get it out of<br>&nbsp;&nbsp;&nbsp;&nbsp;the drum-tight Vatican Library?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;was moving the Book of the Law<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to a museum in Japan.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is absurd!<br>&nbsp;&nbsp;&nbsp;&nbsp;Something as dangerous as that?!<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, is the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church sounding out<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church for assistance?<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. More importantly,<br>&nbsp;&nbsp;&nbsp;&nbsp;something unpleasant has come up.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot reach Kanzaki Kaori.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki was once the<br>&nbsp;&nbsp;&nbsp;&nbsp;head of the Amakusa Church.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she finds out that Amakusa<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is at odds with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church...<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to have this resolved<br>&nbsp;&nbsp;&nbsp;&nbsp;before Kanzaki steps in it.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not care what methods you use.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki is one of not even<br>&nbsp;&nbsp;&nbsp;&nbsp;twenty saints in the whole world.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean,<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you want me to fight Kanzaki?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the situation calls for it.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go contact Academy City for me.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, take this with you.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose you might call it<br>&nbsp;&nbsp;&nbsp;&nbsp;a modest little gift for Orsola.<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The List of Prohibited Books...<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to need a specialist, right?<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you dragging Toma into this?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know. Why should<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to deal with that guy?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, are we going to<br>&nbsp;&nbsp;&nbsp;&nbsp;the Amakusa's main headquarters?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, the situation has changed somewhat.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is this "Twilight Theater"?<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Sister...?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She couldn't be someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who knows Index, could she?<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me...<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes? What is it?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this the right bus to get<br>&nbsp;&nbsp;&nbsp;&nbsp;on if I'm headed to Academy City?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City?<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there are no buses<br>&nbsp;&nbsp;&nbsp;&nbsp;going to Academy City.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And not just buses.<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All modes of transportation<br>&nbsp;&nbsp;&nbsp;&nbsp;from outside have been discontinued.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a gate over there,<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you'll walk over to it...<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for taking<br>&nbsp;&nbsp;&nbsp;&nbsp;the trouble to help me out.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said not to get on the bus!<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. So you did.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, walk over there<br>&nbsp;&nbsp;&nbsp;&nbsp;and go in through the gate. Got it?<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sorry to have bothered you.<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah... Huh?<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you! You just smiled at<br>&nbsp;&nbsp;&nbsp;&nbsp;me and pretended to listen, huh?!<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like there<br>&nbsp;&nbsp;&nbsp;&nbsp;is something upsetting you.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, it's nothing.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pardon me for saying so,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you are sweating an awful lot.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you! B-By the way,<br>&nbsp;&nbsp;&nbsp;&nbsp;why do you want to go to Academy City?<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, as it happens, I...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...am being pursued.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Pursued?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The situation is a mess.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our information is<br>&nbsp;&nbsp;&nbsp;&nbsp;becoming snarled, too.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't even know whether or<br>&nbsp;&nbsp;&nbsp;&nbsp;not the Book of the Law is secure.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should introduce myself first.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Agnese Sanctis,<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. So, how is the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa group proceeding?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, we haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;precisely analyzed it ourselves.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of Amakusa's distinctive<br>&nbsp;&nbsp;&nbsp;&nbsp;features is their secrecy.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa doesn't use overt<br>&nbsp;&nbsp;&nbsp;&nbsp;incantations or magical arrays.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of their rituals and processes<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are concealed within<br>&nbsp;&nbsp;&nbsp;&nbsp;normal mannerisms or behaviors,<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so not even a professional<br>&nbsp;&nbsp;&nbsp;&nbsp;magician can tell who they are.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, troublesome bunch.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's Toma!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas?!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big idea?!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why did you pretend to kidnap her?<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, the secret's out?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, we needed your help to<br>&nbsp;&nbsp;&nbsp;&nbsp;find someone who has gone missing.<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Find someone?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's all right, it's all right.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'll just turn the Sister<br>&nbsp;&nbsp;&nbsp;&nbsp;standing next to you over to us...<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see...<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that Sister there is our<br>&nbsp;&nbsp;&nbsp;&nbsp;missing person, Orsola Aquinas.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right then, good work.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're free to go now.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, what do I get for<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around out in the sun?<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, you did good work, didn't I?<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, do you want me to buy<br>&nbsp;&nbsp;&nbsp;&nbsp;you a shaved ice, or something?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, up to now,<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've tried to get along with you,<br>&nbsp;&nbsp;&nbsp;&nbsp;even knowing we don't hit it off.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right up until this moment!<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By any chance, are you<br>&nbsp;&nbsp;&nbsp;&nbsp;asking for more attention?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, I can't soothe<br>&nbsp;&nbsp;&nbsp;&nbsp;your loneliness, nor do I want to.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now turn over Orsola to Agnese at once.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, you said you<br>&nbsp;&nbsp;&nbsp;&nbsp;were being pursued by someone.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Orsola?<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I can't have you<br>&nbsp;&nbsp;&nbsp;&nbsp;handing her over so easily.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas,<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;rather than returning to<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church,<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will live a more meaningful<br>&nbsp;&nbsp;&nbsp;&nbsp;life with us among the Amakusa.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa?!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola!<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't, Toma!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In my hand, flame.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its form, a sword. Its purpose...<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I'm too late.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Stiyl, you're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;explain all this from the top, right?<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An explanation?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's something I wish *I* had.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Theater of the Arts"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Twilight Theater"<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Book of the Law<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is a grimoire written in a code<br>&nbsp;&nbsp;&nbsp;&nbsp;that no one in the world can break.<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's said that if it ever were deciphered,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one could obtain absolute power.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me...<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is it really all that valuable?<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They even say that if it is ever used,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it would mean the end of the world<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ruled by the church of the cross as it is now.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not just burn the book?<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grimoires are books that cannot be burned.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all that can be done<br>&nbsp;&nbsp;&nbsp;&nbsp;just to keep them sealed.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um... I'd like to<br>&nbsp;&nbsp;&nbsp;&nbsp;explain what is going on,<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you're ready--<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! No! Stop! Get away!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that goes beyond mere teasing!<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop getting frisky while we're working!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At present, Orsola Aquinas<br>&nbsp;&nbsp;&nbsp;&nbsp;is definitely in Amakusa hands.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is estimated that the number<br>&nbsp;&nbsp;&nbsp;&nbsp;of Amakusa involved in this incident<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is less than fifty.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is also the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that they are now above ground.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't know anything, do we?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going from the traces of<br>&nbsp;&nbsp;&nbsp;&nbsp;magical power left,<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we are tracking<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa's tendencies...<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa is a group that<br>&nbsp;&nbsp;&nbsp;&nbsp;specializes in hiding and fleeing.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will not be easy to catch them.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, there is no way<br>&nbsp;&nbsp;&nbsp;&nbsp;they can break out of our net.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their specialized transfer technique,<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Microcosmic Pilgrimage."<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a process that is limited<br>&nbsp;&nbsp;&nbsp;&nbsp;to use within Japan, though.<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Put simply, using map magic,<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are forty-seven specialized<br>&nbsp;&nbsp;&nbsp;&nbsp;vortices across Japan,<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they can freely<br>&nbsp;&nbsp;&nbsp;&nbsp;come and go between them.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they send her through<br>&nbsp;&nbsp;&nbsp;&nbsp;a vortex, it's all over.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we just standing around for?!<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because there is no need to hurry.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Microcosmic Pilgrimages are greatly<br>&nbsp;&nbsp;&nbsp;&nbsp;affected by the movement of stars.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can only use their<br>&nbsp;&nbsp;&nbsp;&nbsp;specialized movement at certain times.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The restriction on their<br>&nbsp;&nbsp;&nbsp;&nbsp;use of the transport technique<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't be lifted until just after midnight,<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we still have about four<br>&nbsp;&nbsp;&nbsp;&nbsp;and a half hours to work with.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also... Toma, can I borrow<br>&nbsp;&nbsp;&nbsp;&nbsp;your gizmo with the map?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sure...<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is only one vortex<br>&nbsp;&nbsp;&nbsp;&nbsp;they can use within our network.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right here.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then...<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is there anything I can do to help?<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after I deliberately told you<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to check and double-check!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, I'm sorry.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like Sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;have their troubles, too.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This must be Index's tent.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? She's not here.<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, where did she go--<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over there?!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa!<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hang on...<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over there, over there...<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's just a slug, isn't it?<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-A slug...?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get hold of yourself!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I... was sure that the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa were attacking... and...<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hold on! Take it easy, Index!<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't like you!<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, this isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;what you'd do, right?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You usually just go ahead and...<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Stiyl...<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? I'm extremely irritated right now.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Got any girls that you like?<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Stiyl?<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have respect<br>&nbsp;&nbsp;&nbsp;&nbsp;for Queen Elizabeth I,<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and my taste in women<br>&nbsp;&nbsp;&nbsp;&nbsp;is along the lines of St. Martha.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa Church is that one, right?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The one Kanzaki Kaori was in before?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who told you that? Tsuchimikado?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's so, then the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa are friends of Kanzaki's right?<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, you're gonna fight them?<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see, I've made up my mind<br>&nbsp;&nbsp;&nbsp;&nbsp;to do anything to protect that girl.<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, I will kill<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone. I'll burn them alive.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'll keep burning up their corpse.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swore that a long time ago.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even supposing she<br>&nbsp;&nbsp;&nbsp;&nbsp;has forgotten everything,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I haven't forgotten a single thing.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I will live and die for you."<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go to sleep now.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it isn't, which means...<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, hold on, Index...!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, Toma?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Agnese?!<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Papa...<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Papa?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a dream...<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a dream, so no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how much I bite Toma, it's okay...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can work out all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;day's displeasures, and it's okay...!<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just a minute, Index.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is without any doubt real life!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your Holiness...<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All preparations for the<br>&nbsp;&nbsp;&nbsp;&nbsp;Microcosmic Pilgrimage are complete.<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki Kaori,<br>&nbsp;&nbsp;&nbsp;&nbsp;let me show you something--<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the current shape of<br>&nbsp;&nbsp;&nbsp;&nbsp;the multilateral compound<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;integrated church of<br>&nbsp;&nbsp;&nbsp;&nbsp;the cross, the Amakusa Church!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We head to the vortex, together with the Roman Orthodox Church.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After a fierce fight,<br>&nbsp;&nbsp;&nbsp;&nbsp;Tatemiya Saiji reveals a bombshell truth.<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as for Orsola...<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Amakusa Church."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 27 - The Amakusa Church

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We located the main Amakusa<br>&nbsp;&nbsp;&nbsp;&nbsp;force in Parallel Sweets Park.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, we were unable to find<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law, or Orsola.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't think that Orsola has been...<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa's first objective<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to have Orsola tell them how<br>&nbsp;&nbsp;&nbsp;&nbsp;to decipher the Book of the Law.<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as they are fixated<br>&nbsp;&nbsp;&nbsp;&nbsp;on the Book of the Law,<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola will conversely be safe.<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will act as a decoy,<br>&nbsp;&nbsp;&nbsp;&nbsp;and charge the Amakusa head-on.<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meanwhile, you will<br>&nbsp;&nbsp;&nbsp;&nbsp;search inside the park,<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if you're able to identify<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law or Orsola,<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please take them into custody.<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we destroy the vortex<br>&nbsp;&nbsp;&nbsp;&nbsp;for their special transport method,<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they may be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to get away with Orsola.<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot destroy the vortex<br>&nbsp;&nbsp;&nbsp;&nbsp;itself until it opens at 00:00 hours.<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The vortex's effective time,<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, our time limit,<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is only five minutes, right?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If 00:05 hours passes,<br>&nbsp;&nbsp;&nbsp;&nbsp;and you haven't found them,<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please get out of there.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After we have neutralized the Amakusa,<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will personally search the park ourselves.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Searching for the Book of the Law,<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola, and destroying the vortex...<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like we'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;on quite a tight schedule.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unforgivable.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The church of the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross's original purpose<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to help others,<br>&nbsp;&nbsp;&nbsp;&nbsp;and that is how it spread.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to turn that around, and use<br>&nbsp;&nbsp;&nbsp;&nbsp;force to do something like this...<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued to smile in discernment*<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Stiyl...<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think we can really finish<br>&nbsp;&nbsp;&nbsp;&nbsp;our whole job in the time we have?<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Honestly, it will be tight.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth is, there's one piece<br>&nbsp;&nbsp;&nbsp;&nbsp;of information that I did not give<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Roman Orthodox Church.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki Kaori is supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;be in England, but she vanished.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's probably acting out of concern<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for her one-time subordinates--<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, colleagues.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Amakusa is trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to inflict critical damage,<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that saint of theirs<br>&nbsp;&nbsp;&nbsp;&nbsp;may come attacking.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So don't go believing we will<br>&nbsp;&nbsp;&nbsp;&nbsp;successfully finish our whole job.<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then...<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, Orsola is our top priority?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't make any difference.<br>&nbsp;&nbsp;&nbsp;&nbsp;Without someone to decode it,<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law<br>&nbsp;&nbsp;&nbsp;&nbsp;is of no worldly use.<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think that works, too.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've decided to barge in, too,<br>&nbsp;&nbsp;&nbsp;&nbsp;even if you say I can't come, Toma.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's already so few of us as it is,<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to stick together, huh?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks, man.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say anything<br>&nbsp;&nbsp;&nbsp;&nbsp;so disgustingly dispiriting<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just before we charge in there!<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The diversion has begun.<br>**[05:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma!<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take this!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to stay alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;carry that on your person!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Whoa!<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl! Index!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, if we're running away,<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;don't we usually need<br>&nbsp;&nbsp;&nbsp;&nbsp;to decide on a signal first?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, have I ended<br>&nbsp;&nbsp;&nbsp;&nbsp;up as the decoy again?!<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would Stiyl give me this?<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are Index and Stiyl all right?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where on earth is Orsola?<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! You are the one<br>&nbsp;&nbsp;&nbsp;&nbsp;I met at the bus stop.<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you someplace<br>&nbsp;&nbsp;&nbsp;&nbsp;as dangerous as this?<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I came<br>&nbsp;&nbsp;&nbsp;&nbsp;to rescue you, of course.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Um, are you really here to<br>&nbsp;&nbsp;&nbsp;&nbsp;rescue a complete stranger like me?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without any regard<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Book of the Law?<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care what happens<br>&nbsp;&nbsp;&nbsp;&nbsp;to that information.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, do I look like<br>&nbsp;&nbsp;&nbsp;&nbsp;the sort of curiosity seeker<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who would come to a place<br>&nbsp;&nbsp;&nbsp;&nbsp;like this for some old book?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... then thank you for your kindness.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be that as it may,<br>
&nbsp;&nbsp;&nbsp;&nbsp;what are *you* doing here?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes...<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took advantage of the confusion<br>&nbsp;&nbsp;&nbsp;&nbsp;and managed to slip out somehow.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you very much.<br>&nbsp;&nbsp;&nbsp;&nbsp;But how did you do that?<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, that's just<br>&nbsp;&nbsp;&nbsp;&nbsp;the sort of ability I have...<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will just complicate things,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll skip the awkward explanation.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She couldn't have gotten far. Find her.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like they're looking for you.<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that they can't use<br>&nbsp;&nbsp;&nbsp;&nbsp;their special transport method<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before 12:05, so I guess we<br>&nbsp;&nbsp;&nbsp;&nbsp;can hang out here until time is up.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my...<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could catch<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself a summer cold.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah...<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Incidentally, are you involved<br>&nbsp;&nbsp;&nbsp;&nbsp;with the Roman Orthodox Church?<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I do have a<br>&nbsp;&nbsp;&nbsp;&nbsp;friend who's English Puritan.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you are saying that<br>&nbsp;&nbsp;&nbsp;&nbsp;you are not Roman Orthodox,<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but are tied to the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritans instead?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I wouldn't say that.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed. A gentleman such<br>&nbsp;&nbsp;&nbsp;&nbsp;as yourself is obviously better off<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not being involved in<br>&nbsp;&nbsp;&nbsp;&nbsp;the church world, like we are.<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... I guess I couldn't help<br>&nbsp;&nbsp;&nbsp;&nbsp;but carry something like this, though.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My! Did you get that<br>&nbsp;&nbsp;&nbsp;&nbsp;from your English Puritan friend?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. You can<br>&nbsp;&nbsp;&nbsp;&nbsp;hold onto it, if you'd like.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what it's worth, myself.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about this?<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have just one favor to ask of you!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you mind personally<br>&nbsp;&nbsp;&nbsp;&nbsp;placing this around my neck?<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I don't mind.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever is the matter?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Nothing at all.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, I hear you know<br>&nbsp;&nbsp;&nbsp;&nbsp;how to read the Book of the Law.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not so much how to read it as<br>&nbsp;&nbsp;&nbsp;&nbsp;how to decipher its cryptography--<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, no, no!<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just wondering why you<br>&nbsp;&nbsp;&nbsp;&nbsp;were investigating the Book of the Law.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a pretty dangerous book, right?<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is because I wanted power.<br>&nbsp;&nbsp;&nbsp;&nbsp;That much is without a doubt.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the power of a grimoire<br>&nbsp;&nbsp;&nbsp;&nbsp;brings happiness to no one.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing it gives rise<br>&nbsp;&nbsp;&nbsp;&nbsp;to is the conflict concerning it.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, I wanted to investigate<br>&nbsp;&nbsp;&nbsp;&nbsp;the grimoire's workings,<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that I would know how to destroy it.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you... doing...?<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry... and get out of here...!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing,<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan priest?<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Where has your<br>&nbsp;&nbsp;&nbsp;&nbsp;British gentleman's pride gone?<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me, Tatemiya Saiji, see it.<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't do. The way you fight,<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can't even defend a single girl.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were protecting Index?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make too much out of it.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas is<br>&nbsp;&nbsp;&nbsp;&nbsp;in custody. And, like always,<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's hard to judge whether<br>&nbsp;&nbsp;&nbsp;&nbsp;your luck is a blessing or not.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I've explained<br>&nbsp;&nbsp;&nbsp;&nbsp;to you again and again,<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas, we have no<br>&nbsp;&nbsp;&nbsp;&nbsp;intention of bringing harm to you.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, I am aware that<br>&nbsp;&nbsp;&nbsp;&nbsp;your words were filled with hope.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not believe in<br>&nbsp;&nbsp;&nbsp;&nbsp;a peace that is professed<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while weapons are being brandished.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What a shame.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have little choice but to return<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Roman Orthodox Church.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, unarmed, are you?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you take that sword from Uragami?<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean your subordinate,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's lying over there.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The back of her head was<br>&nbsp;&nbsp;&nbsp;&nbsp;protected, so she's not dead.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Merely not being dead isn't enough.<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you mocking me?!<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're the sort of person who<br>&nbsp;&nbsp;&nbsp;&nbsp;is still there fighting for someone,<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then would you put your sword away?<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If possible, I don't want to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to fight someone like you.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish like crazy that I could do that.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our enemy is the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church, but if you have ties to them,<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I cannot turn a blind<br>&nbsp;&nbsp;&nbsp;&nbsp;eye to the English Puritans!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think it will be that easy.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're gonna make me unhappy,<br>&nbsp;&nbsp;&nbsp;&nbsp;looking down at me like that, you know.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if we must fight,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no other choice.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Today is your last day to live!<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He vanished?!<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic, huh? In that case...<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! You're wrong,<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! It's not magic--<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay back, Index!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Primordial flame, whose meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;is light, give me your sword,<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whose gentle warmth protects,<br>&nbsp;&nbsp;&nbsp;&nbsp;and who bestows fierce judgment!<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He moved?! Then it is magic!<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it!<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it with me here, Stiyl!<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My basic antishock<br>&nbsp;&nbsp;&nbsp;&nbsp;methods are already in place.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I need to be<br>&nbsp;&nbsp;&nbsp;&nbsp;wary of is the flame sword.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now to compose my technique...<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, Toma, are you all right?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not hurt anywhere?<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you feel pain anywhere?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not really.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? Is it really nothing serious?<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm fine. I'm fine, I say!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, good.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means...<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I can bite your<br>&nbsp;&nbsp;&nbsp;&nbsp;head as much as I like.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Just who do you think you are, Toma?!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Wait! Wait! All right!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Going after a genuine magician with a huge sword...<br>&nbsp;&nbsp;&nbsp;&nbsp;--This time, I admit that I, Kamijo Toma,<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Going after a genuine magician with a huge sword...<br>&nbsp;&nbsp;&nbsp;&nbsp;--was wrong on all counts! Ee-yow!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you idiot. You daredevil.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Miss Index...?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's quiet, huh?<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's hard to believe that so many<br>&nbsp;&nbsp;&nbsp;&nbsp;people are running wild, isn't it?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to ask, but could you take these off?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't just leave her by herself like this.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you saying?<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, do you know what kind of treatment<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is going to get<br>&nbsp;&nbsp;&nbsp;&nbsp;from them after this is over?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Toma, don't listen to him.<br>&nbsp;&nbsp;&nbsp;&nbsp;This man uses words as weapons.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's gonna be killed!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, do not turn her over<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Roman Orthodox Church.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church's<br>&nbsp;&nbsp;&nbsp;&nbsp;true purpose is to kill her, you know.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the ones<br>&nbsp;&nbsp;&nbsp;&nbsp;who carried Orsola off, right?<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention stole the Book of the Law!<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We did not steal the Book of the Law.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the power of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Book of the Law is used,<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the age of the church of the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross's rule will end that very day.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;we of the Amakusa church,<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are specialists in remaining hidden,<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would want to obtain<br>&nbsp;&nbsp;&nbsp;&nbsp;such a conspicuous power?<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church would.<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wouldn't think that they,<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the largest sect of<br>&nbsp;&nbsp;&nbsp;&nbsp;the church of the cross,<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would want the church of the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross to come to an end, would you?<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have secretly decided<br>&nbsp;&nbsp;&nbsp;&nbsp;to eliminate Orsola Aquinas.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She also became aware of that,<br>&nbsp;&nbsp;&nbsp;&nbsp;and came to the Amakusa for help.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law being stolen<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is all just an act being put<br>&nbsp;&nbsp;&nbsp;&nbsp;on by the Roman Orthodox Church.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. I still don't believe you.<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing that everything<br>&nbsp;&nbsp;&nbsp;&nbsp;you told me is true,<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then why did Orsola<br>&nbsp;&nbsp;&nbsp;&nbsp;run away from you?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the same.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right up to the very end,<br>&nbsp;&nbsp;&nbsp;&nbsp;she wasn't able to believe us, either.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said that we would seek the method<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of decoding the Book<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Law as a quid pro quo.<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, for what reason<br>&nbsp;&nbsp;&nbsp;&nbsp;would you help Orsola?<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no reason.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was never one to begin with.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was no reason?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gazed at the Priestess--<br>
&nbsp;&nbsp;&nbsp;&nbsp;at *her* for a long time now.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is precisely why<br>&nbsp;&nbsp;&nbsp;&nbsp;we haven't strayed from the path,<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't been mistaken in<br>&nbsp;&nbsp;&nbsp;&nbsp;the use of our force,<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have been led in the right direction.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Priestess? You mean Kanzaki?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. However,<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we have destroyed all of her ways.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our deaths--our immaturity<br>&nbsp;&nbsp;&nbsp;&nbsp;grieved the Priestess.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must offer her a return to her place.<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why we extended our hand<br>&nbsp;&nbsp;&nbsp;&nbsp;to Orsola Aquinas as she sought help.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or... sola...<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say that<br>&nbsp;&nbsp;&nbsp;&nbsp;you were entrusting her<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Roman Orthodox Church?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not being Roman Orthodox,<br>&nbsp;&nbsp;&nbsp;&nbsp;she put her trust in you, didn't she?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be hasty!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot kill Orsola here and now.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given our situation,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will no longer ask<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whether or not you believe us.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Promise me that you<br>&nbsp;&nbsp;&nbsp;&nbsp;will take Orsola Aquinas<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;back from the Roman Orthodox Church,<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and lead her someplace where<br>&nbsp;&nbsp;&nbsp;&nbsp;neither they nor we can reach her.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are here to take charge of<br>&nbsp;&nbsp;&nbsp;&nbsp;the heretic mastermind.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you the enemy of God?<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, just a second.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to see Orsola's face one more time.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, I must decline.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That scream a moment ago--that<br>&nbsp;&nbsp;&nbsp;&nbsp;was Orsola's voice, wasn't it?<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Agnese? She's over there, right?<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sister Lucia!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were told not to have<br>&nbsp;&nbsp;&nbsp;&nbsp;any casual contact with the guests!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep quiet, Sister Angelene!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you heathen, placing your<br>&nbsp;&nbsp;&nbsp;&nbsp;festering hand on my shoulder...<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my shoulder... my shoulder...<br>&nbsp;&nbsp;&nbsp;&nbsp;my shoulder!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing feels worse!<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall I say the Amakusa there resisted,<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have him<br>&nbsp;&nbsp;&nbsp;&nbsp;end up killing the rest of you?<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the meantime, once<br>&nbsp;&nbsp;&nbsp;&nbsp;we silence the other Amakusa...<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene...<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come forth, one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the twelve Apostles,<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;publican, smiter of magicians,<br>&nbsp;&nbsp;&nbsp;&nbsp;and humble servant!<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should worry more about yourself!<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Worry that you will be<br>&nbsp;&nbsp;&nbsp;&nbsp;called home without any pain!<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene! Are you...<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! It wasn't me!<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CTRTTOP, AO!<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty sloppy! You don't<br>&nbsp;&nbsp;&nbsp;&nbsp;pay any mind to external matters,<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which makes it easy to take control!<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spell Intercept?!<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The order to retreat?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you see, right?<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how the greatest sect<br>&nbsp;&nbsp;&nbsp;&nbsp;in the church of the cross,<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church,<br>&nbsp;&nbsp;&nbsp;&nbsp;acts behind the scenes!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enemy of God? Magicians' issues?<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are those any reasons to give up?<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what--no matter what,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will help Orsola out.<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Sheol Fear."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 28 - Sheol Fear (Voice of the Magicbane)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come forth, one of the twelve Apostles,<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;publican, smiter of magicians,<br>&nbsp;&nbsp;&nbsp;&nbsp;and humble servant!<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene! Are you...<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No! It wasn't me!<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CTRTTOP, AO!<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pretty sloppy! You don't<br>&nbsp;&nbsp;&nbsp;&nbsp;pay any mind to external matters,<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which makes it easy to take control!<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spell Intercept?!<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The order to retreat?<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right!<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you see, right?<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how the greatest sect<br>&nbsp;&nbsp;&nbsp;&nbsp;in the church of the cross,<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church,<br>&nbsp;&nbsp;&nbsp;&nbsp;acts behind the scenes!<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#04 Sheol Fear (Voice of the Magicbane)"<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if everything the man says is true,<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they are unlikely to kill<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas right away.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have their own<br>&nbsp;&nbsp;&nbsp;&nbsp;circumstances to deal with.<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Circumstances such as what?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The deciphering<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Book of the Law<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;poses a threat to<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church,<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Orsola Aquinas<br>&nbsp;&nbsp;&nbsp;&nbsp;is not guilty of anything.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thou shalt not kill those<br>&nbsp;&nbsp;&nbsp;&nbsp;who believe the teachings of God."<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, why were the Amakusa trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent Orsola's assassination?<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because there is an exception.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Thou shalt not kill those<br>&nbsp;&nbsp;&nbsp;&nbsp;who believe the teachings of God."<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they conform to this rule,<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it becomes okay to kill a person<br>&nbsp;&nbsp;&nbsp;&nbsp;who is expelled from the church,<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as someone who does not<br>&nbsp;&nbsp;&nbsp;&nbsp;believe the teachings of God.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, she's going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be labeled as an enemy of God.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The power of a grimoire<br>&nbsp;&nbsp;&nbsp;&nbsp;brings happiness to no one.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing it gives rise<br>&nbsp;&nbsp;&nbsp;&nbsp;to is the conflict concerning it.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw that!<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, it's already over.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing more we can do.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?!<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you take a person's life for?!<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is nothing more than<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;trying a case that happened<br>&nbsp;&nbsp;&nbsp;&nbsp;among them by their own rules.<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you like to start<br>&nbsp;&nbsp;&nbsp;&nbsp;a war in order to save her?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, young man,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't be so depressed.<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if the English Puritans have<br>&nbsp;&nbsp;&nbsp;&nbsp;no reason to fight, we have plenty.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just drop on<br>&nbsp;&nbsp;&nbsp;&nbsp;over at those guys' base,<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as long as I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;rescuing my own numbskulls,<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can save Sister Orsola, as well.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me you're thinking of going alone.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's my only choice,<br>&nbsp;&nbsp;&nbsp;&nbsp;then that's what I'll do.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that settles that.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's split up and go into hiding, too.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take Index with you back to Academy City.<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, there's one<br>&nbsp;&nbsp;&nbsp;&nbsp;thing I wanted to ask you.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That crucifix that I gave you before--<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't appear to have it now, do you?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. I let Orsola<br>&nbsp;&nbsp;&nbsp;&nbsp;hold it, and she still has it.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope it wasn't too expensive.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, its value was<br>&nbsp;&nbsp;&nbsp;&nbsp;in having you carry it.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it's okay. After all,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's nothing you need right now.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I supposed to do now?<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wasn't there anything<br>&nbsp;&nbsp;&nbsp;&nbsp;that I could have done, too?<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are all magicians' issues,<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you don't have to<br>&nbsp;&nbsp;&nbsp;&nbsp;impose yourself into them, Toma.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything else up to<br>&nbsp;&nbsp;&nbsp;&nbsp;now has been exceptional.<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody can solve every problem<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that happens to occur in<br>&nbsp;&nbsp;&nbsp;&nbsp;front of them by themselves.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right...<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our refrigerator is empty.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll go find a convenience store,<br>&nbsp;&nbsp;&nbsp;&nbsp;and buy us something or other.<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to the store,<br>&nbsp;&nbsp;&nbsp;&nbsp;maybe we should all go together.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know where it is?<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not really. If I run around there,<br>&nbsp;&nbsp;&nbsp;&nbsp;I should find it, though.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola's Church?<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Orsola Aquinas was successful<br>&nbsp;&nbsp;&nbsp;&nbsp;in spreading God's teachings<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in three different heathen lands,<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she received special permission<br>&nbsp;&nbsp;&nbsp;&nbsp;to build a church bearing her name.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure it's around here someplace.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh. You know you<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't make this difficult for us.<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unfortunately, we don't<br>&nbsp;&nbsp;&nbsp;&nbsp;have time for your fun and games.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Understand that, and take<br>&nbsp;&nbsp;&nbsp;&nbsp;your punishment without any trouble--<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you listening to me?!<br>&nbsp;&nbsp;&nbsp;&nbsp;I said, are you listening to me?! Hey!<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must say, you don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;many friends you can rely on, do you?<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, seeking the<br>&nbsp;&nbsp;&nbsp;&nbsp;cooperation of the Amakusa<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just as soon as you met with them!<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa, the English Puritans--<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's presumptuous for them to<br>&nbsp;&nbsp;&nbsp;&nbsp;even claim to be the church of the cross.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what you get for<br>&nbsp;&nbsp;&nbsp;&nbsp;trying to turn over your precious life<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the likes of them.<br>&nbsp;&nbsp;&nbsp;&nbsp;After just a little conciliation,<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they were easily taken in, and good<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to bring us our quarry.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taken... in...?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...<br>&nbsp;&nbsp;&nbsp;&nbsp;that you deceived... the others...?<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then it is not that... they worked<br>&nbsp;&nbsp;&nbsp;&nbsp;with you... You tricked them?<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter either way, does it?!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you personally deliver<br>&nbsp;&nbsp;&nbsp;&nbsp;the one you're supposed to protect<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into the hands of the enemy,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're beyond any hope!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a fact?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you smiling about?!<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? Right now, I...<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...am smiling, aren't I?<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have more or less learned my lesson...<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...about what the true nature<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church is.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They act as a result<br>&nbsp;&nbsp;&nbsp;&nbsp;of what they believe.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By believing a person,<br>&nbsp;&nbsp;&nbsp;&nbsp;believing a thought, believing a feeling,<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they will come flocking<br>&nbsp;&nbsp;&nbsp;&nbsp;to you anywhere you go.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By contrast, all we can do<br>&nbsp;&nbsp;&nbsp;&nbsp;is act based on what we doubt.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what an ugly thing that is.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to die so badly,<br>&nbsp;&nbsp;&nbsp;&nbsp;then please, do whatever you like!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can go ahead and die,<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thoroughly blaming the<br>&nbsp;&nbsp;&nbsp;&nbsp;fools who put you through this!<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just...<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what should I blame them for?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They never... had any<br>&nbsp;&nbsp;&nbsp;&nbsp;reason to fight in the first place.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so, they came rushing<br>&nbsp;&nbsp;&nbsp;&nbsp;to help me, a complete stranger.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, can there be any<br>&nbsp;&nbsp;&nbsp;&nbsp;more alluring a gift than this,<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;anywhere in the entire world?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For what reason am<br>&nbsp;&nbsp;&nbsp;&nbsp;I to blame the people...<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...who gave me...<br>&nbsp;&nbsp;&nbsp;&nbsp;such a magnificent gift as this?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me our<br>&nbsp;&nbsp;&nbsp;&nbsp;barrier has been breached!<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! What organization is it?<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, how could a mere<br>&nbsp;&nbsp;&nbsp;&nbsp;amateur do that... or so I wondered.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you possess something<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with an absolute power<br>&nbsp;&nbsp;&nbsp;&nbsp;against our barrier, is that it?<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so I know, tell me,<br>&nbsp;&nbsp;&nbsp;&nbsp;are you planning to hoodwink me anymore?<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hoodwink? How so? After seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;what is going on, can you not tell?<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, it would seem that<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritans have run away,<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what exactly is it that you want?<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come now, this is your last chance.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must know what it is<br>&nbsp;&nbsp;&nbsp;&nbsp;that you ought to be doing, right?<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you're right.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is indeed my last chance.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that quite well.<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why, you...!<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?!<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I ought to be doing, you say?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll teach you to mess with me!<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm here to save her, of course!<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a fascinating one.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much do you think you alone can do,<br>&nbsp;&nbsp;&nbsp;&nbsp;under these circumstances?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you go ahead and show us?!<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you wouldn't start without me.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The English Puritans!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Impossible! This is a matter for<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church alone!<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you see that you are<br>&nbsp;&nbsp;&nbsp;&nbsp;interfering in our internal affairs?!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Unfortunately,<br>&nbsp;&nbsp;&nbsp;&nbsp;that does not apply here.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at Orsola Aquinas' chest.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is an English Puritan<br>&nbsp;&nbsp;&nbsp;&nbsp;crucifix hanging there, right?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The act itself of having it<br>&nbsp;&nbsp;&nbsp;&nbsp;placed there by someone means<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the acceptance of English Puritan<br>&nbsp;&nbsp;&nbsp;&nbsp;protection. In other words,<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas<br>&nbsp;&nbsp;&nbsp;&nbsp;is not Roman Orthodox,<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but a member of the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan Church now.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So then...<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think that<br>&nbsp;&nbsp;&nbsp;&nbsp;sophistry is going to work here?!<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't. However, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox are going to submit her<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to your own exclusive inquisition...<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then the English Puritan Church<br>&nbsp;&nbsp;&nbsp;&nbsp;cannot stand by and say nothing.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, how dare you<br>&nbsp;&nbsp;&nbsp;&nbsp;turn your blades against her.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think I am<br>&nbsp;&nbsp;&nbsp;&nbsp;such a sweet, kindhearted man<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I would just look on and do nothing?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what if just one of<br>&nbsp;&nbsp;&nbsp;&nbsp;you has now become two?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;it's just the two of them.<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to bother asking<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what my reason for<br>&nbsp;&nbsp;&nbsp;&nbsp;having to fight is, do you?<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tatemiya...<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here I thought I had discussed<br>&nbsp;&nbsp;&nbsp;&nbsp;this with the English Puritans,<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and arranged to settle this before<br>&nbsp;&nbsp;&nbsp;&nbsp;you could make your move...<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're an even bigger fool than I imagined.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, who can dislike<br>&nbsp;&nbsp;&nbsp;&nbsp;a fool that's fun to watch?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know...<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I would take care of this, Toma,<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you didn't have to concern yourself.<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index...<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, now that it's come<br>&nbsp;&nbsp;&nbsp;&nbsp;to this, I guess there's no choice.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, let's save Orsola Aquinas,<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and do it together.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill them!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola, are you all right?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. This is no problem whatsoever.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I needed a reason to fight,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got one right here,<br>&nbsp;&nbsp;&nbsp;&nbsp;plain as day, don't I?<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thank you.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nya-ha! Is this a lofty<br>&nbsp;&nbsp;&nbsp;&nbsp;elevation of appreciation,<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;inspiration, and exhilaration,<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kanzaki?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado...<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, thank goodness--finding<br>&nbsp;&nbsp;&nbsp;&nbsp;out that my one-time pals<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't kidnap Orsola to<br>&nbsp;&nbsp;&nbsp;&nbsp;use the Book of the Law<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for their own personal interests, am I right?<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you finished?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More than likely, you were<br>&nbsp;&nbsp;&nbsp;&nbsp;contriving to use this opportunity<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to snatch the original Book of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Law text out from under them.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You pretty much know<br>&nbsp;&nbsp;&nbsp;&nbsp;all the particulars, right?<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Amakusa did not<br>&nbsp;&nbsp;&nbsp;&nbsp;steal the Book of the Law.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a false charge fabricated by<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, there was never<br>&nbsp;&nbsp;&nbsp;&nbsp;any need to bring the Book of the Law<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all the way here to Japan.<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Book of the Law<br>&nbsp;&nbsp;&nbsp;&nbsp;brought into Japan is a fake,<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while the original text is, even<br>&nbsp;&nbsp;&nbsp;&nbsp;now, deep in the Vatican Library.<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, are you satisfied now?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. As long as he's here,<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the Amakusa will follow<br>&nbsp;&nbsp;&nbsp;&nbsp;the right path, even without me.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go showing me such<br>&nbsp;&nbsp;&nbsp;&nbsp;a no-account sight as that!<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get too close to<br>&nbsp;&nbsp;&nbsp;&nbsp;her so indiscreetly right now.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we get too close, we'll be taking<br>&nbsp;&nbsp;&nbsp;&nbsp;her strength away from her.<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What was that?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a song which<br>&nbsp;&nbsp;&nbsp;&nbsp;uses all the knowledge<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the 103,000 volumes,<br>&nbsp;&nbsp;&nbsp;&nbsp;and thoroughly denounces<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the contradictions in<br>&nbsp;&nbsp;&nbsp;&nbsp;those doctrines-- "Sheol Fear."<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For people who act on and<br>&nbsp;&nbsp;&nbsp;&nbsp;follow doctrines as their own OS,<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is indeed fair to call<br>&nbsp;&nbsp;&nbsp;&nbsp;it their "natural enemy."<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Upon hearing it,<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;their personalities collapse<br>&nbsp;&nbsp;&nbsp;&nbsp;like a puzzle, albeit temporarily.<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Grimoires are not<br>&nbsp;&nbsp;&nbsp;&nbsp;simply things to be read.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even without any magical power,<br>&nbsp;&nbsp;&nbsp;&nbsp;she has mastered the grimoires.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt there is<br>&nbsp;&nbsp;&nbsp;&nbsp;any better person than her<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to serve as the grimoires' librarian.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, if she had<br>&nbsp;&nbsp;&nbsp;&nbsp;that kind of trick up her sleeve,<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why didn't she use it to begin with?<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This attack...<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...works on what's<br>&nbsp;&nbsp;&nbsp;&nbsp;called the "group mind,"<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and breaks down the mental barriers.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, the purity of<br>&nbsp;&nbsp;&nbsp;&nbsp;that group mind is an issue.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we were fighting you guys,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma and I were in the way,<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the purity was diminished,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it would have performed poorly.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we'd run into that, it would<br>&nbsp;&nbsp;&nbsp;&nbsp;have been no laughing matter.<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--This could be bad.<br>&nbsp;&nbsp;&nbsp;&nbsp;--What do we do?<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Can we run away?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Y-Y-Yes!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop making such a fuss!<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes you look like fools!<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially you, Sister Angelene!<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;B-But Sister Agnese,<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it has been more than ten minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;since the fighting started.<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even counting Orsola, there<br>&nbsp;&nbsp;&nbsp;&nbsp;is such a great difference in numbers.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not normal.<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You see?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which side caused<br>&nbsp;&nbsp;&nbsp;&nbsp;that explosion just now?<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a chance that they<br>&nbsp;&nbsp;&nbsp;&nbsp;have started taking the offensive!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-We should act, too!<br>&nbsp;&nbsp;&nbsp;&nbsp;They can use all the help they can get!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I release<br>&nbsp;&nbsp;&nbsp;&nbsp;you from my bodyguard detail.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and join the battle lines.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right! There is no<br>&nbsp;&nbsp;&nbsp;&nbsp;way we will let them get away!<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't get away.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way they can escape.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such is the way this filthy,<br>&nbsp;&nbsp;&nbsp;&nbsp;cursed world has been put together.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focus on attack!<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about defense!<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do the honorable thing, as we<br>&nbsp;&nbsp;&nbsp;&nbsp;annihilate the enemies of the Lord!<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some kind of magical attack?<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-They wouldn't...<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to avoid the Sheol Fear...?<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The final battle has begun.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are boxed in by the<br>&nbsp;&nbsp;&nbsp;&nbsp;continuous stream of attacks.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there any way for us to prevail?<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Lotus Wand."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 29 - Lotus Wand

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd gone to save Orsola,<br>**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who had been captured by the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church, by myself...<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or so I thought I had, but Stiyl?<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tatemiya?<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even Index?!<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then I guess that means that none of us<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;meant to allow this incident to<br>&nbsp;&nbsp;&nbsp;&nbsp;end with such a lousy outcome, huh?<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued to smile in discernment*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Focus on attack!<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#05 Lotus Wand"<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about defense!<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do the honorable thing, as we annihilate the enemies of the Lord!<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-They wouldn't...<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to avoid the Sheol Fear...?<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there no end to them?<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the moment,<br>&nbsp;&nbsp;&nbsp;&nbsp;it looks like we're all safe.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you walk, Orsola?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the worrying type, aren't you?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have not been injured that severely.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What do we do?<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I don't think my Sheol Fear<br>&nbsp;&nbsp;&nbsp;&nbsp;will have any effect on them<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with their ears punctured like that.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I can only use Spell Intercept<br>&nbsp;&nbsp;&nbsp;&nbsp;against one person at a time.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My men seem to be holding their own,<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but when people start<br>&nbsp;&nbsp;&nbsp;&nbsp;launching suicide attacks like this,<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing scares me more.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If...<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had the Book of the Law here,<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be able to find us a way out of this.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed, just by declaring<br>&nbsp;&nbsp;&nbsp;&nbsp;that the seal had been broken<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the Book of the Law's angel techniques,<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we could use it to negotiate.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the Book of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Law supposedly being stolen<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was a ruse on<br>&nbsp;&nbsp;&nbsp;&nbsp;their part to ensnare us.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thus, even having the text<br>&nbsp;&nbsp;&nbsp;&nbsp;here in Japan at all would be strange.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, it is!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Oh, it is!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true that not even you<br>&nbsp;&nbsp;&nbsp;&nbsp;can decipher the Book of the Law.<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning you had to at least<br>&nbsp;&nbsp;&nbsp;&nbsp;view it, in order to have read it.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if so, it would be odd if<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law's original text<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were not stored intact somewhere<br>&nbsp;&nbsp;&nbsp;&nbsp;within your memory, right?<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. It's in there, left alone,<br>&nbsp;&nbsp;&nbsp;&nbsp;without me deciphering its code--<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! If you do that,<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she will remember the<br>&nbsp;&nbsp;&nbsp;&nbsp;content of the Book of the Law!<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happens, she'll be<br>&nbsp;&nbsp;&nbsp;&nbsp;stuck with even more magicians<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;coming after her than there already are!<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you worried about me?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma!<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to become stronger!<br>&nbsp;&nbsp;&nbsp;&nbsp;If this incident carries over<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she gets done in,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll burn you, body and soul,<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;until there aren't even any ashes left!<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, tell me, what does<br>&nbsp;&nbsp;&nbsp;&nbsp;the decryption process<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Book of the Law involve?<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right...<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I will now tell you.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will not actually make any<br>&nbsp;&nbsp;&nbsp;&nbsp;use of the Book of the Law's power.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just have to indicate our<br>&nbsp;&nbsp;&nbsp;&nbsp;willingness to use it at any time.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is based upon Temurah,<br>&nbsp;&nbsp;&nbsp;&nbsp;which is to say, letter substitution,<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there is an irregular rule<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is deeply connected<br>&nbsp;&nbsp;&nbsp;&nbsp;to the number of lines.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, the twenty-two Hebrew letters<br>&nbsp;&nbsp;&nbsp;&nbsp;are placed into two lines.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;taking note of the line number above them...<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I pretty much get all of it now.<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, what is it that you have "gotten"?<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is not the correct way to decipher it.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a dummy solution,<br>&nbsp;&nbsp;&nbsp;&nbsp;set up as a trap.<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The frightening thing<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Book of the Law<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that there are more than<br>&nbsp;&nbsp;&nbsp;&nbsp;100 methods of decoding it.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, for every method,<br>&nbsp;&nbsp;&nbsp;&nbsp;it forms different sentences,<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;each of which are also dummies.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that nobody can<br>&nbsp;&nbsp;&nbsp;&nbsp;read the Book of the Law--<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is a grimoire that everyone can read,<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but everyone is induced<br>&nbsp;&nbsp;&nbsp;&nbsp;into deciphering incorrectly.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Depending on how you think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;you might have just been saved.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, if we tell them now that we<br>&nbsp;&nbsp;&nbsp;&nbsp;really don't know how to decode it,<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you think they'll let us off the hook?<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably not, huh?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that they've seen this much<br>&nbsp;&nbsp;&nbsp;&nbsp;of the darkness, they can't back down.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There must be a back door somewhere!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how I look at it,<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt that while taking<br>&nbsp;&nbsp;&nbsp;&nbsp;on that great a number,<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you could move freely about the premises.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've come up with<br>&nbsp;&nbsp;&nbsp;&nbsp;a bit of strategy, you see.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strategy? Ah, I see.<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's what this is.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... so after you came<br>&nbsp;&nbsp;&nbsp;&nbsp;strutting in here like the hero,<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're now using your friends<br>&nbsp;&nbsp;&nbsp;&nbsp;as decoys to get this far, are you?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas said something<br>&nbsp;&nbsp;&nbsp;&nbsp;about you acting based on trust,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not because of any deception.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is absolutely laughable, isn't it?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here the reason you're still breathing<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because you tricked<br>&nbsp;&nbsp;&nbsp;&nbsp;someone into being your decoy.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do trust them. If possible,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be glad if they would trust me--<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I can settle my problems myself.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think that by<br>&nbsp;&nbsp;&nbsp;&nbsp;eliminating me, the commander,<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can stop all the attacks?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, all right. I was just<br>&nbsp;&nbsp;&nbsp;&nbsp;starting to grow bored myself.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll just occupy myself<br>&nbsp;&nbsp;&nbsp;&nbsp;by shattering your fantasy!<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All things in harmony.<br>&nbsp;&nbsp;&nbsp;&nbsp;Fifth of the Five Elements,<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;symbolizing peace and order...<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...deploy this crosier!<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Icon one, in accordance with the laws<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Son of God and the cross,<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;join that which is at odds<br>&nbsp;&nbsp;&nbsp;&nbsp;with he who is at odds!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A coordinate attack?<br>&nbsp;&nbsp;&nbsp;&nbsp;Teleportation?<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That staff...!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you finally figured it out.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you do harm to this, it in<br>&nbsp;&nbsp;&nbsp;&nbsp;turn does harm to something else.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kind of like this!<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just where are<br>&nbsp;&nbsp;&nbsp;&nbsp;those attacks coming from?<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think you can evade<br>&nbsp;&nbsp;&nbsp;&nbsp;me forever in the same fashion.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once I anticipate your move<br>&nbsp;&nbsp;&nbsp;&nbsp;and set up the space to attack from,<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you charge into it all on your own.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is unforgivable.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The church of the cross's original purpose<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to help others,<br>&nbsp;&nbsp;&nbsp;&nbsp;and that is how it spread.<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to turn that around,<br>&nbsp;&nbsp;&nbsp;&nbsp;and use force to do something like this...<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're "using force to do something<br>&nbsp;&nbsp;&nbsp;&nbsp;like this" to bash away at me.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you take offense at being beaten?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The bishop's crosier<br>&nbsp;&nbsp;&nbsp;&nbsp;is an alteration of the mace,<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once used to smash<br>&nbsp;&nbsp;&nbsp;&nbsp;through an enemy's armor.<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is wrong with using something<br>&nbsp;&nbsp;&nbsp;&nbsp;for beating to beat something with?<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Modern western magic<br>&nbsp;&nbsp;&nbsp;&nbsp;has had a dimension<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of church-of-the-cross trickery<br>&nbsp;&nbsp;&nbsp;&nbsp;about it from the start.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that anyone besides us<br>&nbsp;&nbsp;&nbsp;&nbsp;uses it is what is unusual.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, dogma outside of Roman Orthodoxy<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is no dogma at all!<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, you're in my way!<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No more whining,<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just die in our assembly<br>&nbsp;&nbsp;&nbsp;&nbsp;line already, if you please!<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the attack<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been waiting for!<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going back...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to that place... once again?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No!<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not about to go back!<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not about to go back!<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to do this to you<br>&nbsp;&nbsp;&nbsp;&nbsp;while you're trying so hard,<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks like it's all over.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gone quiet outside.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like your plan was<br>&nbsp;&nbsp;&nbsp;&nbsp;to defeat me and make some deal<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while they were holding<br>&nbsp;&nbsp;&nbsp;&nbsp;their own outside as decoys,<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but all too easily, the fantasy<br>&nbsp;&nbsp;&nbsp;&nbsp;appears to have come to an end.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exactly right.<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your fantasy is over,<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese Sanctis!<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I used 4300 cards for this.<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We may not be much in<br>&nbsp;&nbsp;&nbsp;&nbsp;the way of numbers, but still...<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...the Amakusa are not<br>&nbsp;&nbsp;&nbsp;&nbsp;a bunch to be trifled with.<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, by using the<br>&nbsp;&nbsp;&nbsp;&nbsp;placement of the rune cards,<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to construct an even greater figure,<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thereby turning the entire church<br>&nbsp;&nbsp;&nbsp;&nbsp;itself into a giant magic array...<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...they employed everything around<br>&nbsp;&nbsp;&nbsp;&nbsp;us to form multicomponent magic arrays.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a sneaky trick<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't have come up with.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, we had a strategy.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys weren't<br>&nbsp;&nbsp;&nbsp;&nbsp;running around to act as decoys;<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they were just placing<br>&nbsp;&nbsp;&nbsp;&nbsp;these cards around the premises.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph! We still have<br>&nbsp;&nbsp;&nbsp;&nbsp;you beaten in sheer numbers.<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we all come crushing down<br>&nbsp;&nbsp;&nbsp;&nbsp;on you at once...<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you all waiting for?! Go at once!<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-They're wavering...<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even though if we push<br>&nbsp;&nbsp;&nbsp;&nbsp;en masse, we can beat them.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They act as a result<br>&nbsp;&nbsp;&nbsp;&nbsp;of what they believe.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This should be good, shouldn't it?<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I supposed to do?<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What method?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What timing?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What weapon?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do I choose?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over, Agnese.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must realize it yourself by now.<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your illusion of self-confidence<br>&nbsp;&nbsp;&nbsp;&nbsp;died a long time ago.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Wake up! Toma!<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you awake?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had planned on leaving directly, but...<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A note card?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It was nothing, really.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, I have the chance<br>&nbsp;&nbsp;&nbsp;&nbsp;to speak to you directly.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no need for this note.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call it an after-action report--<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to keep you<br>&nbsp;&nbsp;&nbsp;&nbsp;updated on Orsola Aquinas.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should I have left<br>&nbsp;&nbsp;&nbsp;&nbsp;you alone, instead?<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm listening! Please!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas,<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as the Amakusa,<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have arranged to become<br>&nbsp;&nbsp;&nbsp;&nbsp;affiliated with the English Puritans.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Avoiding Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;retaliation and assassination<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;appears to have<br>&nbsp;&nbsp;&nbsp;&nbsp;played a large role in this.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that Orsola being<br>&nbsp;&nbsp;&nbsp;&nbsp;in danger remains unchanged?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. The English Puritan<br>&nbsp;&nbsp;&nbsp;&nbsp;Church disclosed<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the false decryption<br>&nbsp;&nbsp;&nbsp;&nbsp;method that Orsola possessed.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They figure that if her<br>&nbsp;&nbsp;&nbsp;&nbsp;erroneous interpretation is known,<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;any concerns about her regarding<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law will disappear.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? But you said the<br>&nbsp;&nbsp;&nbsp;&nbsp;Amakusa were affiliating themselves<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the English Puritans, too, right?<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It seems there<br>&nbsp;&nbsp;&nbsp;&nbsp;was a segment of them<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that had been hoping<br>&nbsp;&nbsp;&nbsp;&nbsp;for this development.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after I gave them a strict<br>&nbsp;&nbsp;&nbsp;&nbsp;order not to follow after me, too.<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right. You're a member<br>&nbsp;&nbsp;&nbsp;&nbsp;of the English Puritans too, huh?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of all the...<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So um, I mean...<br>&nbsp;&nbsp;&nbsp;&nbsp;I apologize, for all of this!<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? For what?<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, how um... that is,<br>&nbsp;&nbsp;&nbsp;&nbsp;for my own personal reasons,<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I put you to all sorts of trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;over all of this, you could say...<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo, Kami!<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to see you!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought you some deluxe<br>&nbsp;&nbsp;&nbsp;&nbsp;convenience store pudding<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;topped with melon to snack on!<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's up, missy?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like the time has finally<br>&nbsp;&nbsp;&nbsp;&nbsp;come for you to apologize to Kami.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And doing it all clichéd<br>&nbsp;&nbsp;&nbsp;&nbsp;and royal at that, like,<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I will pay you back for all<br>&nbsp;&nbsp;&nbsp;&nbsp;the trouble I caused you," or,<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"please, ask anything<br>&nbsp;&nbsp;&nbsp;&nbsp;you want of me," I'll bet,<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with you offering suggestions!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, it's like<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Grateful Yet Horny Crane."<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It is not!<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, missy, you were<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna strip down eventually, right?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I was not! And what<br>&nbsp;&nbsp;&nbsp;&nbsp;do you mean, "eventually"?!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Then,<br>&nbsp;&nbsp;&nbsp;&nbsp;you were gonna apologize<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by wearing whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;he wanted you to?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you the service-minded one!<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up and get out of here!<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;Third wheel getting out of the way.<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you calling a third wheel?!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I know I must have this straight, but...<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you paying me back, or owing me,<br>&nbsp;&nbsp;&nbsp;&nbsp;or anything as ridiculous as that<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is only something that<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado is joking about, right?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I ask you, what else<br>&nbsp;&nbsp;&nbsp;&nbsp;would you have me do?<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am always placing such an<br>&nbsp;&nbsp;&nbsp;&nbsp;unbearable weight upon your shoulders.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this time,<br>&nbsp;&nbsp;&nbsp;&nbsp;the matter was ours, to boot.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are way past the point<br>&nbsp;&nbsp;&nbsp;&nbsp;where I can just bow down<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have you forgive me.<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... There's really nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;to worry about, is there?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gotten through our<br>&nbsp;&nbsp;&nbsp;&nbsp;problems safely for the time being.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Our"?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Me and the Amakusa. Ah, and the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritans, too, I guess.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention Orsola, Index, Stiyl...<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...as well as yourself.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As of now, that's who "we" are, right?<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as the English and the Romans,<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;things must be pretty tangled up for you,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for an amateur like me,<br>&nbsp;&nbsp;&nbsp;&nbsp;honestly, I can't tell them apart.<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not really as<br>&nbsp;&nbsp;&nbsp;&nbsp;though I've taken the side<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the English Puritans,<br>&nbsp;&nbsp;&nbsp;&nbsp;which Index is a part of.<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, I'm just taking<br>&nbsp;&nbsp;&nbsp;&nbsp;the side of the English Puritans<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because* Index is a part of them.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's likely that if Agnese came<br>&nbsp;&nbsp;&nbsp;&nbsp;asking for my help, I'd go help her.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She may have been on the<br>&nbsp;&nbsp;&nbsp;&nbsp;wrong side of things this time,<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there's no rule anywhere<br>
&nbsp;&nbsp;&nbsp;&nbsp;saying that she has to *stay*<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the wrong side, you know.<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;intends to settle this up<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a case of a rogue militant<br>&nbsp;&nbsp;&nbsp;&nbsp;faction led by Agnese Sanctis.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;itself wishes to explain themselves<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by saying that they never<br>&nbsp;&nbsp;&nbsp;&nbsp;meant to assassinate Orsola.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They still have to answer for<br>&nbsp;&nbsp;&nbsp;&nbsp;not keeping a tight rein on their men,<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if they want bygones to be bygones.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking back,<br>&nbsp;&nbsp;&nbsp;&nbsp;you seemed to be fully aware<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodoxy's true intentions.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, why didn't you tell<br>&nbsp;&nbsp;&nbsp;&nbsp;me to save Orsola from the start?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's so complicated.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not fully.<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who knew that Orsola's<br>&nbsp;&nbsp;&nbsp;&nbsp;decryption method was incorrect?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But for my part,<br>&nbsp;&nbsp;&nbsp;&nbsp;it worked out either way.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's suppose, Stiyl...<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that if we had failed to<br>&nbsp;&nbsp;&nbsp;&nbsp;rescue Orsola in this instance,<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;in fact, have changed?<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she had been taken back<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Roman Orthodox Church,<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her subsequent execution<br>&nbsp;&nbsp;&nbsp;&nbsp;would be waiting for her regardless.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, the Book of the Law<br>&nbsp;&nbsp;&nbsp;&nbsp;would never have been deciphered.<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, Archbishop,<br>&nbsp;&nbsp;&nbsp;&nbsp;why did you personally request<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the crucifix got to Orsola?<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say what you will,<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you fully meant to save<br>&nbsp;&nbsp;&nbsp;&nbsp;her from the start, did you not?<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I did not! The only<br>&nbsp;&nbsp;&nbsp;&nbsp;reason I ever butted in<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was in the interest of<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that interest would be...?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki Kaori.<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Becausae Kanzaki<br>&nbsp;&nbsp;&nbsp;&nbsp;possesses tremendous power,<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a well-developed sense of justice,<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;is likely to act on her own.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She ventured awfully close<br>&nbsp;&nbsp;&nbsp;&nbsp;to peril in this instance.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've received the<br>&nbsp;&nbsp;&nbsp;&nbsp;reports on what happened<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to those fools in<br>&nbsp;&nbsp;&nbsp;&nbsp;the knight's order, right?<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Henceforth, we're going to require<br>&nbsp;&nbsp;&nbsp;&nbsp;some new leg-irons for her.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not some negative leg-irons, like,<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We will do harm unless<br>&nbsp;&nbsp;&nbsp;&nbsp;you do as you are told,"<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but more like "do as you are told,<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and we will protect the Amakusa<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Roman Orthodox Church."<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? There is no finer interest, is there?<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, that little vixen...<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A stolen travel case lies hidden in the darkness of Academy City.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When Shirai Kuroko comes<br>&nbsp;&nbsp;&nbsp;&nbsp;into contact with a part of it,<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she learns a terrifying truth.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Remnant."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 30 - Remnant (Wreckage)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, the weather<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for tomorrow, September 14th.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things look clear across<br>&nbsp;&nbsp;&nbsp;&nbsp;the country tomorrow,<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but expect increasing rain on<br>&nbsp;&nbsp;&nbsp;&nbsp;and off in the evening and overnight.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Toma! Toma!<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Clouds will accompany a front<br>&nbsp;&nbsp;&nbsp;&nbsp;approaching from the Sea of Japan,<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Huh? What is it?<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like growth rings<br>&nbsp;&nbsp;&nbsp;&nbsp;have been drawn on this map,<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but how does that show<br>&nbsp;&nbsp;&nbsp;&nbsp;what tomorrow's weather will be?<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, those are isobaric lines.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess they look at the peaks<br>&nbsp;&nbsp;&nbsp;&nbsp;and valleys of pressure to determine it.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! Do you mean, Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;is now using artificial means<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make feng shui readings come true?<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, time for a taste test.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's right off the stove,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it will be hot. Be careful--<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!!<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No fair! No fair, Toma! You always<br>&nbsp;&nbsp;&nbsp;&nbsp;get mad when I snitch food early!<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I take my eyes off of you,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll eat everything there!<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? But Toma...<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather girl sometimes<br>&nbsp;&nbsp;&nbsp;&nbsp;says the wrong things.<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is being scatterbrained<br>&nbsp;&nbsp;&nbsp;&nbsp;a selling point?<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It just means that weather<br>&nbsp;&nbsp;&nbsp;&nbsp;forecasts aren't perfect.<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though they were perfect<br>&nbsp;&nbsp;&nbsp;&nbsp;until a little while ago...<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Shuttle 258.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now retrieving the Remnant.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#06 Remnant (Wreckage)"<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, I can't put up with this, you know?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care if the Daihasei<br>
&nbsp;&nbsp;&nbsp;&nbsp;Festival *is* coming up,<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can't have the whole school<br>&nbsp;&nbsp;&nbsp;&nbsp;doing gym all the time like this.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else can they do?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At last year's Daihasei Festival,<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai Middle School<br>&nbsp;&nbsp;&nbsp;&nbsp;took a humiliating 2nd place.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are eager to ensure<br>&nbsp;&nbsp;&nbsp;&nbsp;that this is our year.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, Sissy,<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you have any<br>&nbsp;&nbsp;&nbsp;&nbsp;plans after school today?<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, just that once in a while,<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to go shopping with you,<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or get something<br>&nbsp;&nbsp;&nbsp;&nbsp;sweet to eat with you.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We seem to be passing<br>&nbsp;&nbsp;&nbsp;&nbsp;each other by a lot lately.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am busy with<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment, and Sissy,<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you have your accessories that<br>&nbsp;&nbsp;&nbsp;&nbsp;you are always looking for all over.<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I have been<br>&nbsp;&nbsp;&nbsp;&nbsp;a bit lonesome recently.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How commendable!<br>&nbsp;&nbsp;&nbsp;&nbsp;Today I am laying on the admirableness!<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, while she will deny it, in fact,<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy is debating whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not to welcome me<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into her wide-open,<br>&nbsp;&nbsp;&nbsp;&nbsp;protective arms to snuggle me!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something sweet?<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You keep stuffing your face with<br>&nbsp;&nbsp;&nbsp;&nbsp;sweets after your Judgment work,<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you never end up<br>&nbsp;&nbsp;&nbsp;&nbsp;feeling hungry, do you--<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!!<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"US Space Shuttle<br>&nbsp;&nbsp;&nbsp;&nbsp;successfully launches"<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy? There have<br>&nbsp;&nbsp;&nbsp;&nbsp;been a lot lately, huh?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I recall, France, Russia,<br>&nbsp;&nbsp;&nbsp;&nbsp;and last week, Spain, also launched.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, is something the matter?<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to be<br>&nbsp;&nbsp;&nbsp;&nbsp;upset about something.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Of course I am!<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You did a buck-naked<br>&nbsp;&nbsp;&nbsp;&nbsp;drop-kick on me out of nowhere,<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;exposing me to the most<br>&nbsp;&nbsp;&nbsp;&nbsp;absurd sight, right before my eyes!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So hurry up and<br>&nbsp;&nbsp;&nbsp;&nbsp;finish doing your shopping!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's pretty embarrassing hanging<br>&nbsp;&nbsp;&nbsp;&nbsp;around with you, given your tastes.<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you should take this<br>&nbsp;&nbsp;&nbsp;&nbsp;chance to find something to wear<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;worthy of Tokiwadai's Ace!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like this...<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or this...<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or something like this...<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bra pad?! Sissy, I never knew<br>&nbsp;&nbsp;&nbsp;&nbsp;you were interested in these!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not tell me you have a<br>&nbsp;&nbsp;&nbsp;&nbsp;boyfriend in mind.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's not that!<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, of course not. Sissy, you would<br>&nbsp;&nbsp;&nbsp;&nbsp;not get carried away with a boy--<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;the last day of summer vacation...<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that would be the<br>&nbsp;&nbsp;&nbsp;&nbsp;last thing you would do...<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right, Sissy--?<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What sort of fumbling reaction is this?!<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy could not be--could not<br>&nbsp;&nbsp;&nbsp;&nbsp;really be with that troglodyte!<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's not like that!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not interested!<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, when you wear them,<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you eventually get found<br>&nbsp;&nbsp;&nbsp;&nbsp;out when you take them off.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy... you already have future<br>&nbsp;&nbsp;&nbsp;&nbsp;plans that far ahead in mind...!<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not like that! I meant gym!<br>&nbsp;&nbsp;&nbsp;&nbsp;When changing for gym class!<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, your cell is ringing.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, this is not the time!<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Uiharu?<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A robbery?<br>&nbsp;&nbsp;&nbsp;&nbsp;Let Antiskill take care of it...<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 23? The one dealing<br>&nbsp;&nbsp;&nbsp;&nbsp;with aerospace development?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry, Sissy.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And after you were kind<br>&nbsp;&nbsp;&nbsp;&nbsp;enough to come with me, too...<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, it's okay.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But just be sure to<br>&nbsp;&nbsp;&nbsp;&nbsp;come back early tonight.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather might turn<br>&nbsp;&nbsp;&nbsp;&nbsp;bad come evening, after all.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... okay...<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Miss Shirai!<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is it just you, Uiharu?<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else just went out.<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'll put on some tea.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I appreciate it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I will pass right now.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no! I just wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to feel a little ladylike.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you would like to<br>&nbsp;&nbsp;&nbsp;&nbsp;practice feminine etiquette,<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can show you some other time.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, give me<br>&nbsp;&nbsp;&nbsp;&nbsp;an overview of this case.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is it.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not a cell; it is a radio.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The victims seem<br>&nbsp;&nbsp;&nbsp;&nbsp;fairly suspect, as well.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's more, there's this...<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 23's emblem.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've isolated the model number.<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This travel case is specially<br>&nbsp;&nbsp;&nbsp;&nbsp;made to be highly airtight,<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as to counter all<br>&nbsp;&nbsp;&nbsp;&nbsp;kinds of cosmic radiation.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You do not suppose they<br>&nbsp;&nbsp;&nbsp;&nbsp;were taking it into space, do you?<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or instead,<br>&nbsp;&nbsp;&nbsp;&nbsp;they were bringing it back.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, the quickest way to find<br>&nbsp;&nbsp;&nbsp;&nbsp;out seems to be to secure the robbers.<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was their escape route?<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They abandoned the<br>&nbsp;&nbsp;&nbsp;&nbsp;car and went underground.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was a traffic jam<br>&nbsp;&nbsp;&nbsp;&nbsp;due to some signal trouble.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This doesn't happen too often, either.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, it works to our favor.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu, you run<br>&nbsp;&nbsp;&nbsp;&nbsp;down the men who ran away.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai!<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I beg your pardon.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A teleporter!<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment! Do I have to<br>&nbsp;&nbsp;&nbsp;&nbsp;explain to you why I am here?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A low-tech handgun...<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they outsiders?<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello, Uiharu?<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, Kuroko...<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I need a little favor<br>&nbsp;&nbsp;&nbsp;&nbsp;from you. Where are you?<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well...<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you're still at work?<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry, I didn't mean to bother you.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. So what is the favor?<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm, I heard from<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the underclassmen<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there's going to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a surprise room inspection.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was hoping you could<br>&nbsp;&nbsp;&nbsp;&nbsp;hide some of my personal things.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you are still out, too?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, that's okay.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try asking someone else.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should get back soon, too.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is it's supposed to rain starting<br>&nbsp;&nbsp;&nbsp;&nbsp;tonight and all day tomorrow. Bye!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sissy!<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not allow Sissy to turn<br>&nbsp;&nbsp;&nbsp;&nbsp;to anyone other than me for a favor!<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This calls for me to teleport<br>&nbsp;&nbsp;&nbsp;&nbsp;right back to the student dorms--<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A teleporter?<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, you figured that out already?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to the same type of<br>&nbsp;&nbsp;&nbsp;&nbsp;esper to understand so quickly.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My power is Move Point.<br>&nbsp;&nbsp;&nbsp;&nbsp;Unlike you, who can't do so,<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not need to touch<br>&nbsp;&nbsp;&nbsp;&nbsp;the objects with my hands.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well? Don't you think that's amazing,<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment Branch 177's<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai Kuroko?<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take more than that!<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will take more than that!<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't need to put my hands<br>&nbsp;&nbsp;&nbsp;&nbsp;on the objects.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too bad.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if she is backed into a corner,<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did not think her to be<br>&nbsp;&nbsp;&nbsp;&nbsp;someone to drag an underclassman<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into one of her personal affairs--<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto, that is.<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you bring up Sissy's name just now?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you bring<br>&nbsp;&nbsp;&nbsp;&nbsp;up Sissy's name just now?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you didn't know?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, it doesn't seem like she<br>&nbsp;&nbsp;&nbsp;&nbsp;would use you without you knowing.<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Railgun of Tokiwadai<br>&nbsp;&nbsp;&nbsp;&nbsp;is quite noble-minded, and all.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You didn't think it was awfully convenient<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that my people were<br>&nbsp;&nbsp;&nbsp;&nbsp;caught up in that traffic jam?<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't tell me that you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't know what kind of esper<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Tokiwadai's Ace is,<br>&nbsp;&nbsp;&nbsp;&nbsp;now can you?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going on about?<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Remnant--though you wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;know what that means, huh?<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is "silicorundum" too much for you, too?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. You'd understand if I said the<br>&nbsp;&nbsp;&nbsp;&nbsp;wreckage of Tree Diagram, right?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The supercomputer that's said<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the brains of Academy City?<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And though derelict,<br>&nbsp;&nbsp;&nbsp;&nbsp;its computational core<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;still has tremendous<br>&nbsp;&nbsp;&nbsp;&nbsp;potential remaining within it.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ridiculous.<br>&nbsp;&nbsp;&nbsp;&nbsp;It is still in its satellite orbit.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an attachment to the<br>&nbsp;&nbsp;&nbsp;&nbsp;report about it being shot down.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Quite rare, you know.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram was<br>&nbsp;&nbsp;&nbsp;&nbsp;destroyed quite some time ago.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why the whole world<br>&nbsp;&nbsp;&nbsp;&nbsp;wants its wreckage--the Remnant.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be rough for Misaka Mikoto.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to someone destroying<br>&nbsp;&nbsp;&nbsp;&nbsp;Tree Diagram for her,<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;her nightmare would have been over.<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it can be restored,<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiments will be held again.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can understand why she<br>&nbsp;&nbsp;&nbsp;&nbsp;would be trying to resist that.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Experiments?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still don't get it?<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are out of the loop, huh?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;August 21st.<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you've managed to make it this far,<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you and I might have become friends.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Splash!<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...goes Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;jumping into the bathtub!<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, splashy splashy splashy,<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;kicks her feet with<br>&nbsp;&nbsp;&nbsp;&nbsp;a sense of freedom!<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know,<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because you're small,<br>&nbsp;&nbsp;&nbsp;&nbsp;don't go indulging yourself<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by acting like this cramped<br>&nbsp;&nbsp;&nbsp;&nbsp;bathroom is spacious--<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Must be inconvenient,<br>&nbsp;&nbsp;&nbsp;&nbsp;not being able to use your Reflection,"<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka with a look of pity.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Also, what's the deal with an<br>&nbsp;&nbsp;&nbsp;&nbsp;esper brought to tears by shampoo,"<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wonders Misaka Misaka in shock!<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These aren't tears!<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if I could use your network<br>&nbsp;&nbsp;&nbsp;&nbsp;to calculate my Reflection, I'd--<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yomikawa! Why do I have to<br>&nbsp;&nbsp;&nbsp;&nbsp;take care of this dirty little brat?!<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice is there?<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, that Kikyo! Dumping<br>&nbsp;&nbsp;&nbsp;&nbsp;her problems on me yet again...<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, these kids don't seem to<br>
&nbsp;&nbsp;&nbsp;&nbsp;require *that* much care, though.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yomikawa!!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've determined the name of<br>&nbsp;&nbsp;&nbsp;&nbsp;the esper you fought, Miss Shirai.<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musujime Awaki. She's a 2nd-Year from<br>&nbsp;&nbsp;&nbsp;&nbsp;Kirigaoka Girls' School, and a Level 4.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her ability is called Move Point,<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as you reported, she is able<br>&nbsp;&nbsp;&nbsp;&nbsp;to relocate objects at a distance--<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or in other words, spatial<br>&nbsp;&nbsp;&nbsp;&nbsp;replacement from coordinate A to B.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you... find anything else out?<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, she flunked blocking<br>&nbsp;&nbsp;&nbsp;&nbsp;other espers of the same type.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, she seems to have second<br>&nbsp;&nbsp;&nbsp;&nbsp;thoughts about teleporting herself.<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Presumably because she was<br>&nbsp;&nbsp;&nbsp;&nbsp;badly injured doing so two years ago.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And another thing,<br>&nbsp;&nbsp;&nbsp;&nbsp;though this is unconfirmed--<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is supposed to be one of the "Guides."<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guides?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the building without doors or windows.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Academy City Governing<br>&nbsp;&nbsp;&nbsp;&nbsp;Board Director's home office?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is just an urban legend--<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai? Are you all right?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind, just keep going.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. According to Antiskill's intel,<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the black-suited men<br>&nbsp;&nbsp;&nbsp;&nbsp;who were attacked are secure.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for their identity,<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it says they are couriers who<br>&nbsp;&nbsp;&nbsp;&nbsp;were hired by School District 23.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A psychometrist read their memories,<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they knew nothing<br>&nbsp;&nbsp;&nbsp;&nbsp;about what was inside the case.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So in short, while School District 23<br>&nbsp;&nbsp;&nbsp;&nbsp;was delivering the contents<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of that travel case to<br>&nbsp;&nbsp;&nbsp;&nbsp;some other research facility,<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they had it stolen from<br>&nbsp;&nbsp;&nbsp;&nbsp;them by Musujime's group.<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remnant... Tree Diagram...<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It must be rough for Misaka Mikoto.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her nightmare would have been over.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But just be sure to come back early tonight.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather might turn<br>&nbsp;&nbsp;&nbsp;&nbsp;bad come evening, after all.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, why don't you let<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill take over this case already?<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somehow, it seems like<br>&nbsp;&nbsp;&nbsp;&nbsp;it's more than we can handle.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go.<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Sissy?<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in the bathroom? If you're home,<br>&nbsp;&nbsp;&nbsp;&nbsp;at least turn the room light on.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J-Just conserving energy.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a girl who is kind to the earth.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... But Academy City is<br>&nbsp;&nbsp;&nbsp;&nbsp;mainly powered by wind energy,<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and CO2 isn't even a factor, is it?<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sissy, you tease.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was thinking of using it as a pretext to<br>&nbsp;&nbsp;&nbsp;&nbsp;invite you into some lowered mood lighting.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big idea?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, where have you been?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I guess you could say<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been out collecting accessories<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I haven't been<br>&nbsp;&nbsp;&nbsp;&nbsp;able to buy up to now.<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just can't seem to find them.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just came back to<br>&nbsp;&nbsp;&nbsp;&nbsp;get something I'd forgotten.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be heading out for a bit again.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope you do not get rained on.<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot rely on the<br>&nbsp;&nbsp;&nbsp;&nbsp;weather forecasts these days.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Thanks for worrying about me.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll try to be home<br>&nbsp;&nbsp;&nbsp;&nbsp;again as soon as I can.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;August 21st...<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That evening, an unexplained<br>&nbsp;&nbsp;&nbsp;&nbsp;windstorm swept through,<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a rail switchyard in<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 17 was devastated,<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the next day...<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu...<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musujime's group is mixed up with an<br>&nbsp;&nbsp;&nbsp;&nbsp;organization outside of Academy City.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you run a simulation<br>&nbsp;&nbsp;&nbsp;&nbsp;of the escape route?<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am sorry, Sissy.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bear a distress deeper<br>&nbsp;&nbsp;&nbsp;&nbsp;than the rest of us can only imagine.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are trying to keep us<br>&nbsp;&nbsp;&nbsp;&nbsp;from becoming involved in it.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why I will<br>&nbsp;&nbsp;&nbsp;&nbsp;apologize now, upfront...<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...for putting a stop to the<br>&nbsp;&nbsp;&nbsp;&nbsp;nightmare that Musujime mentioned<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by sticking my nose into your<br>&nbsp;&nbsp;&nbsp;&nbsp;business in my own humble way!<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on out of there, you coward!<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long do you plan to sneak around?!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in quite the<br>&nbsp;&nbsp;&nbsp;&nbsp;hurry today, aren't you?<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that afraid of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Remnant being reintegrated?<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or is it that the experiments<br>&nbsp;&nbsp;&nbsp;&nbsp;will be restarted, I wonder.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You be quiet!<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, you could just leave them alone.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were created for<br>&nbsp;&nbsp;&nbsp;&nbsp;the experiments to begin with.<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not let them be destroyed,<br>&nbsp;&nbsp;&nbsp;&nbsp;like they were meant to be?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really mean that?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the end, you're fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;for your sake, aren't you?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your regrets,<br>&nbsp;&nbsp;&nbsp;&nbsp;your misery, and your anger...<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All for your own petty self-satisfaction.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right...<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *am* aggravated.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So aggravated that I could<br>&nbsp;&nbsp;&nbsp;&nbsp;burst the veins in my head.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That idiot...!<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she really think<br>&nbsp;&nbsp;&nbsp;&nbsp;I wouldn't notice?<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just hearing her voice<br>&nbsp;&nbsp;&nbsp;&nbsp;through the door was so...<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...was so terrible...<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I am aggravated.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At my over-perfect,<br>&nbsp;&nbsp;&nbsp;&nbsp;ridiculous underclassman,<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the scum sitting in front of me,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and more than anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who created this situation--<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which would be me!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so bighearted,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's sickeningly sweet.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had complained that you were the<br>&nbsp;&nbsp;&nbsp;&nbsp;victim, we wouldn't have to fight now.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, I cannot allow<br>&nbsp;&nbsp;&nbsp;&nbsp;myself to be caught right now.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am going to make my way out<br>&nbsp;&nbsp;&nbsp;&nbsp;of here, no matter what I have to do.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think you can get away?<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I already know everything<br>&nbsp;&nbsp;&nbsp;&nbsp;you've got up your sleeve!<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your shield is too flimsy!<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A question for you--<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many ordinary people<br>&nbsp;&nbsp;&nbsp;&nbsp;who have nothing to do with this<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are mixed up in here?<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like it is now my turn.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, here you go, Shirai Kuroko.<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Into the very heart of the battlefield,<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to make sure you make it back.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If this is true, then I must hurry,"<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, tipping<br>&nbsp;&nbsp;&nbsp;&nbsp;up her own set of priorities.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It is already past curfew,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I cannot just remain here,"<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, invoking her<br>&nbsp;&nbsp;&nbsp;&nbsp;emergency excuse on herself.<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Even at this very moment,<br>&nbsp;&nbsp;&nbsp;&nbsp;matters are rapidly going downhill,"<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka...<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shirai Kuroko and Musujime Awaki--<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a battle between teleporters has begun.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Sisters also set<br>&nbsp;&nbsp;&nbsp;&nbsp;out after the Remnant.<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And also, *her*...<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Move Point."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 31 - Move Point (Coordinate Relocation)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as tranquility had supposedly<br>&nbsp;&nbsp;&nbsp;&nbsp;returned to Misaka Mikoto's life,<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;darkness once again looms over her.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A mysterious organization operates in secret<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;concerning the wreckage of Tree Diagram.<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Level 4 esper, Musujime Awaki,<br>&nbsp;&nbsp;&nbsp;&nbsp;uses the technique Move Point.<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as for Shirai Kuroko,<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has caught a glimpse of<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka as she continues to<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;wage her lone secret battle...<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#07 Move Point (Coordinate Relocation)"<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't any civilians<br>&nbsp;&nbsp;&nbsp;&nbsp;in here, are there?<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you might<br>&nbsp;&nbsp;&nbsp;&nbsp;have underestimated me,<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;assuming I wouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;teleport myself, huh?<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can do it anytime, if I want to.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I really want to,<br>&nbsp;&nbsp;&nbsp;&nbsp;the trauma isn't...<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do they not call it "trauma" because<br>&nbsp;&nbsp;&nbsp;&nbsp;it is not so easy to overcome?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two years ago, you teleported<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself, and were seriously injured.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You probably miscalculated<br>&nbsp;&nbsp;&nbsp;&nbsp;your coordinates,<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ran into a wall<br>&nbsp;&nbsp;&nbsp;&nbsp;or something, did you not?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, what a poor show.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no need to panic.<br>&nbsp;&nbsp;&nbsp;&nbsp;I avoided anything vital.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although, all I have done is<br>&nbsp;&nbsp;&nbsp;&nbsp;pay you back for where you got me.<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here is some styptic gel.<br>&nbsp;&nbsp;&nbsp;&nbsp;It works quite well.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, please, go ahead<br>&nbsp;&nbsp;&nbsp;&nbsp;and crawl around on the floor<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while you treat your injuries.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do that, and we will finally be even.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are quite concerned about<br>&nbsp;&nbsp;&nbsp;&nbsp;your Tokiwadai Ace, aren't you?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But is she really worth<br>&nbsp;&nbsp;&nbsp;&nbsp;doing all this to protect?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The selfish, sentimental, fantasy<br>&nbsp;&nbsp;&nbsp;&nbsp;world that only Railgun dreams of?<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well of course I want to protect it.<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However selfish she may be,<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy desires something--<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the circumstances where<br>&nbsp;&nbsp;&nbsp;&nbsp;you and I do not have to do this.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she wanted to, with a single coin,<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she could blow everything to little pieces.<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, Sissy is someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who can say with a serious face,<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;amid any amount of despair,<br>&nbsp;&nbsp;&nbsp;&nbsp;that she does not wish us to fight.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that I am going<br>&nbsp;&nbsp;&nbsp;&nbsp;to give the boot to such a wish?!<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am now going to have you<br>&nbsp;&nbsp;&nbsp;&nbsp;return her to her day-to-day life.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just as somebody somewhere wishes,<br>&nbsp;&nbsp;&nbsp;&nbsp;and to which I am sympathetic.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what if I trample on those wishes?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I would win, huh?<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't fall for the same trick twice!<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't teleport!<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter? In so much<br>&nbsp;&nbsp;&nbsp;&nbsp;pain that you couldn't teleport?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, have you heard this story?<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once upon a time, in some place,<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there was a powerful esper and organization.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The organization thought that<br>&nbsp;&nbsp;&nbsp;&nbsp;by increasing their number of espers,<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could obtain a great deal of power,<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they manufactured many clones.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, they ended up with a real mess.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The poor little sheep that they got<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were colossal failures,<br>&nbsp;&nbsp;&nbsp;&nbsp;not even 1% as adequate as the Original.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Okay then,<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will organize all the<br>&nbsp;&nbsp;&nbsp;&nbsp;information we have so far,"<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka 10032 over the Network<br>&nbsp;&nbsp;&nbsp;&nbsp;to an unspecified number of units.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Currently, the only Remnant that<br>&nbsp;&nbsp;&nbsp;&nbsp;can possibly re-establish Tree Diagram<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is somewhere in Academy City.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name of the organization<br>&nbsp;&nbsp;&nbsp;&nbsp;that is after it is the Science Society.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no question about that, right?"<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;confirms Misaka 10032 once again.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There is no question," affirms Misaka 10044.<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"However, 10032,<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you, of all the units out there,<br>&nbsp;&nbsp;&nbsp;&nbsp;suffered especially severe damage,<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so shouldn't you concentrate on healing?"<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 10744, expressing apprehension.<br>**[07:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It doesn't matter,"<br>&nbsp;&nbsp;&nbsp;&nbsp;replies Misaka 10032 immediately.<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The reintegration of Tree Diagram<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is something that<br>&nbsp;&nbsp;&nbsp;&nbsp;absolutely must be stopped,"<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 10032,<br>&nbsp;&nbsp;&nbsp;&nbsp;remembering the faces of that boy and girl,<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;renewing her determination.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Acknowledged.<br>&nbsp;&nbsp;&nbsp;&nbsp;We will leave it to you,"<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 14458, nodding her head.<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If you would be so kind,"<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 19002 in support.<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka asks you as well,"<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka by way of request.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, Misaka wants to do something, too!<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sitting around doing nothing is<br>&nbsp;&nbsp;&nbsp;&nbsp;not something Misaka Misaka can--<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pipe down. What are<br>&nbsp;&nbsp;&nbsp;&nbsp;you babbling about over there?<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Nothing at all," says Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, hands over her mouth.<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Miss Shirai,<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;despite having a perfect copy<br>&nbsp;&nbsp;&nbsp;&nbsp;of the genetics of the Original,<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as the undergoing<br>&nbsp;&nbsp;&nbsp;&nbsp;the exact same ability development,<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how is it that the clones can't<br>&nbsp;&nbsp;&nbsp;&nbsp;reach the same level as the Original?<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be...<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...that there is something else<br>&nbsp;&nbsp;&nbsp;&nbsp;involved besides brain composition?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once that gets identified,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you think that non-humans<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will be able to master abilities, as well?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something with a brain comparable<br>&nbsp;&nbsp;&nbsp;&nbsp;to or even superior to people?<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They could be a lot closer than you'd expect.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot mean machines<br>&nbsp;&nbsp;&nbsp;&nbsp;that possess abilities!<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A machine is just a machine.<br>&nbsp;&nbsp;&nbsp;&nbsp;However, they can make predictions.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there were a machine that<br>&nbsp;&nbsp;&nbsp;&nbsp;could perfectly simulate any phenomenon...<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could ask it about any possibility.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether or not there are things<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that could use abilities<br>&nbsp;&nbsp;&nbsp;&nbsp;in place of humans.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For example, dolphins<br>&nbsp;&nbsp;&nbsp;&nbsp;are called humans of the sea,<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and ant societies have<br>&nbsp;&nbsp;&nbsp;&nbsp;strict rules of order and discipline.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Esper abilities cannot just<br>&nbsp;&nbsp;&nbsp;&nbsp;be the privilege of mankind.<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if so, why don't any<br>&nbsp;&nbsp;&nbsp;&nbsp;non-humans have them?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That... is what I want to know.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And to that end, I...<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will build a new Tree Diagram<br>&nbsp;&nbsp;&nbsp;&nbsp;from this Remnant!<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow!<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you suddenly do<br>&nbsp;&nbsp;&nbsp;&nbsp;that for no reason?! Come on! Let go!<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean... I'm sorry.<br>&nbsp;&nbsp;&nbsp;&nbsp;Please let go, Miss Index!<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so mean, Toma!<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I took the trouble to think<br>&nbsp;&nbsp;&nbsp;&nbsp;up a neat tongue-twister for you!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, look, how does "Toma takes<br>&nbsp;&nbsp;&nbsp;&nbsp;in tofu too far away, the tomfool,"<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;not make fun of me,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how you look at it?!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, I didn't mean that.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka...?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I have a favor to ask..."<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka looking<br>&nbsp;&nbsp;&nbsp;&nbsp;directly at your face,<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while pouring out her heart.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please come save Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;and Misaka's sisters' lives.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't allow it.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not those experiments.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't let them start them up<br>&nbsp;&nbsp;&nbsp;&nbsp;again, no matter what.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Antiskill Case Response Record"<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Property damage to an Area F restaurant,<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in what appears to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a skirmish between espers."<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That idiot!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking for you, Zapper.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Been looking for me? Why?<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you doing this again?<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Zapper.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why you collaborated<br>&nbsp;&nbsp;&nbsp;&nbsp;with an outside organization?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I do possess<br>&nbsp;&nbsp;&nbsp;&nbsp;this valuable Remnant,<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't restore the thing by myself.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I needed an outfit<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with technical skill, intelligence,<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as a purpose.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai, tell me, how did it feel?<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you first obtained *your* ability?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To be honest, I was afraid.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Possessing this kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;power was scarier than anything.<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it didn't have to be a person--<br>&nbsp;&nbsp;&nbsp;&nbsp;If it didn't have to be me,<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then why is it that<br>&nbsp;&nbsp;&nbsp;&nbsp;I have this kind of power?<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones I am with<br>&nbsp;&nbsp;&nbsp;&nbsp;also bear the same concerns.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They all curse their own abilities,<br>&nbsp;&nbsp;&nbsp;&nbsp;and have been seeking answers.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why they're working with me,<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and were even willing to shield me.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's happened to you, too, right?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You used your ability,<br>&nbsp;&nbsp;&nbsp;&nbsp;and ended up hurting someone?<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what it's like.<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a lot like me.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about it, Miss Shirai?<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'd like to learn the truth together,<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I would be glad to invite you in.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must decline.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you think that you could<br>&nbsp;&nbsp;&nbsp;&nbsp;win over me, Shirai Kuroko,<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with your own self-fascinated prose?<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess villains really<br>&nbsp;&nbsp;&nbsp;&nbsp;are full of empty talk after all.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you get it? We espers may<br>&nbsp;&nbsp;&nbsp;&nbsp;have avoided becoming monsters!<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--These dangerous abilities are--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ridiculous!<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abilities are just abilities,<br>&nbsp;&nbsp;&nbsp;&nbsp;no matter how far they are carried.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How the power is<br>&nbsp;&nbsp;&nbsp;&nbsp;used depends on the person.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are a fool if you have not<br>&nbsp;&nbsp;&nbsp;&nbsp;realized something so obvious!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are afraid of power?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want it because it hurts others?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, do not make me laugh.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whether or not you have power,<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it does not change the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;you are someone who hurts others!<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It turns out that your way of<br>&nbsp;&nbsp;&nbsp;&nbsp;talking is nothing more<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than a sneaky evasion of<br>&nbsp;&nbsp;&nbsp;&nbsp;your openly condescending attitude,<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in which you think you are special,<br>&nbsp;&nbsp;&nbsp;&nbsp;and those around you are average!<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And right now, I am going<br>&nbsp;&nbsp;&nbsp;&nbsp;to take that cankered nature...<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and beat it out of you!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, stay back...!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill you.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you make me crack like that.<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it weren't for you...<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still could have been somebody!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Move Point can move<br>&nbsp;&nbsp;&nbsp;&nbsp;a maximum of 4520 kilograms.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can hit this place,<br>&nbsp;&nbsp;&nbsp;&nbsp;even from far away.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You, to say nothing of<br>&nbsp;&nbsp;&nbsp;&nbsp;this building, will be destroyed!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, did you still need that case?<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna destroy you!<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because you're the<br>&nbsp;&nbsp;&nbsp;&nbsp;one who destroyed me.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to get you back in full for that!<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;4520... kilograms...<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That light!<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must not come up here, Sissy!<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just who... are you...?<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is A001 calling M000.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Status report to follow code confirmation...<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got some nerve, swindling a kid,<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then watching from a safe distance!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do?<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I do now?<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I gotta say...<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...here I am, going to more<br>&nbsp;&nbsp;&nbsp;&nbsp;than a bit of trouble to get out...<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and what do I find but<br>&nbsp;&nbsp;&nbsp;&nbsp;some foolhardy third-string?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[18:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator? The one not<br>&nbsp;&nbsp;&nbsp;&nbsp;even Railgun could deal with?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greatest Level 5<br>&nbsp;&nbsp;&nbsp;&nbsp;in all of Academy City?<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's too much!<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I can<br>&nbsp;&nbsp;&nbsp;&nbsp;go up against someone like--<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you lost your power on August 31st!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... You don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;the ability to calculate anymore!<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You no longer have the power you once did!<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel bad for you.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you actually<br>&nbsp;&nbsp;&nbsp;&nbsp;mean what you're saying,<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I feel so bad for<br>&nbsp;&nbsp;&nbsp;&nbsp;you I could just hug you.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true enough that on that day,<br>&nbsp;&nbsp;&nbsp;&nbsp;I suffered some brain damage.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nowadays, I outsource my calculating.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, while I may have become weaker,<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't necessarily mean<br>&nbsp;&nbsp;&nbsp;&nbsp;you've gotten any stronger, does it?<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry,<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the way ahead goes only "One-Way!"<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now tearfully tuck tail like a good girl,<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and go on back to wherever<br>&nbsp;&nbsp;&nbsp;&nbsp;you came from in disgrace!<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then,<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's true, in the shape I'm in,<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may have to step down<br>&nbsp;&nbsp;&nbsp;&nbsp;as Academy City's top dog.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even so...<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've decided to keep acting<br>&nbsp;&nbsp;&nbsp;&nbsp;the top dog in front of that kid.<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, look, Toma! I finally mastered<br>&nbsp;&nbsp;&nbsp;&nbsp;the method of buying drinks!<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's the matter, Toma?<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me what *isn't* the matter!<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to pay my respects to Shirai...<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was nothing I could do,<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I went to visit Misaka's sister, when...<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just my luck.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did the Remnant turn out to be?<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heroically walked<br>&nbsp;&nbsp;&nbsp;&nbsp;out with that naked girl,<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but after that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you didn't yield anything, right?<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The girl behind it all<br>&nbsp;&nbsp;&nbsp;&nbsp;had been beaten up by someone,<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the contents of<br>&nbsp;&nbsp;&nbsp;&nbsp;the case were strewn all over.<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, there's no telling<br>&nbsp;&nbsp;&nbsp;&nbsp;who might have gotten to her.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So as it turns out,<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yomikawa says she was off<br>&nbsp;&nbsp;&nbsp;&nbsp;smashing up the "Science Society."<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Word is that they also<br>&nbsp;&nbsp;&nbsp;&nbsp;had contact with Amai Ao,"<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka Misaka.<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey, why are you blowing<br>&nbsp;&nbsp;&nbsp;&nbsp;it off like it's nothing?!"<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--asks Misaka Misaka--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Put a sock in it!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show me a little gratitude by<br>&nbsp;&nbsp;&nbsp;&nbsp;just sitting there quietly for a bit.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The weather forecast<br>&nbsp;&nbsp;&nbsp;&nbsp;did not get it right, did it?<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, you're right.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, I found something out.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That place is the world in which you fight.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything that happened<br>&nbsp;&nbsp;&nbsp;&nbsp;was due to my inexperience.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, Sissy, please smile, okay?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will look to that smile to<br>&nbsp;&nbsp;&nbsp;&nbsp;get me back on my feet again.<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks... Kuroko.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival, Academy<br>&nbsp;&nbsp;&nbsp;&nbsp;City's greatest event,<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that all of students get fired up for.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A new magician uses the occasion<br>&nbsp;&nbsp;&nbsp;&nbsp;to sneak in. But what is her aim?<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Daihasei Festival."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 32 - The Daihasei Festival

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In just a few minutes,<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival's<br>&nbsp;&nbsp;&nbsp;&nbsp;opening ceremony will begin.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here in Academy City,<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the place is filled with<br>&nbsp;&nbsp;&nbsp;&nbsp;students' families and spectators!<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get your Maid Bento lunches!<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who wants one of Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;famous Maid Bento lunches?<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get your Ryoran Household Arts<br>&nbsp;&nbsp;&nbsp;&nbsp;School's Maid Bento lunches--<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or more precisely,<br>&nbsp;&nbsp;&nbsp;&nbsp;Probationary Maid Lunches here!<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my, Academy City sure<br>&nbsp;&nbsp;&nbsp;&nbsp;does have a lot of schools, doesn't it?<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah. It's a place where<br>&nbsp;&nbsp;&nbsp;&nbsp;educational organizations<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from around the world are all<br>&nbsp;&nbsp;&nbsp;&nbsp;concentrated into one location.<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Excuse me!<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I should apologize.<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, would you happen to know<br>&nbsp;&nbsp;&nbsp;&nbsp;where Tokiwadai Middle School is?<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, just a moment, please.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai... Tokiwadai...<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps it's not open to the public?<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Are you sure?<br>&nbsp;&nbsp;&nbsp;&nbsp;Then where could Mikoto be?!<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is this Mikoto your<br>&nbsp;&nbsp;&nbsp;&nbsp;younger sister, or someone?<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my...<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not again, Toya.<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Gah! It really isn't on here! What do I do?<br>&nbsp;&nbsp;&nbsp;&nbsp;--Again, you say, Mom?<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, isn't that Toma over there?<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, okay! If I happen to lose<br>&nbsp;&nbsp;&nbsp;&nbsp;to you, I'll play your penalty game.<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do whatever you tell me to do.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I'm in.<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything I say, right? Anything.<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In return, if you lose,<br>&nbsp;&nbsp;&nbsp;&nbsp;you get the penalty game, too.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--? S-So then, you mean,<br>
&nbsp;&nbsp;&nbsp;&nbsp;a-anything *you* say...?<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, given the way you were<br>&nbsp;&nbsp;&nbsp;&nbsp;shooting your mouth off just now,<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that really all the<br>&nbsp;&nbsp;&nbsp;&nbsp;confidence you've got?<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine. Let's do this, why don't we?<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't come crying to me later!<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my...<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like Mikoto is doing well.<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival opening<br>&nbsp;&nbsp;&nbsp;&nbsp;ceremony is about to start, right?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would think a word of greeting<br>&nbsp;&nbsp;&nbsp;&nbsp;would be necessary, would it not?<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that I go<br>&nbsp;&nbsp;&nbsp;&nbsp;out in public looking like I do?<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then let us proceed<br>&nbsp;&nbsp;&nbsp;&nbsp;with our discussion unabated.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Concerning the magician who<br>&nbsp;&nbsp;&nbsp;&nbsp;has made her way inside Academy City?<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Through security measures<br>&nbsp;&nbsp;&nbsp;&nbsp;that have become lax.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are two of them that<br>&nbsp;&nbsp;&nbsp;&nbsp;we have identified as of right now.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An officer of the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church, and a courier in her employ.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their objective is said to be<br>&nbsp;&nbsp;&nbsp;&nbsp;a transaction for a certain item.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A certain item?<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Up you go...<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A sword?<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a replica,<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's the "Stab Sword."<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is even claimed to be the sword that<br>&nbsp;&nbsp;&nbsp;&nbsp;pierced a dragon, binding it to the ground.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it were to end up in the wrong hands,<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could find itself quickly<br>&nbsp;&nbsp;&nbsp;&nbsp;placed in a dire predicament.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you might call it a<br>&nbsp;&nbsp;&nbsp;&nbsp;tactical weapon among your world.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our greatest problem is that<br>&nbsp;&nbsp;&nbsp;&nbsp;the transaction for the Stab Sword<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is being held there<br>&nbsp;&nbsp;&nbsp;&nbsp;within Academy City.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean that that young man<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;must be appointed as a traveling guide.<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I might be hungry!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You just barely<br>&nbsp;&nbsp;&nbsp;&nbsp;ate breakfast, didn't you?<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the most indescribable aromas<br>&nbsp;&nbsp;&nbsp;&nbsp;are floating around me everywhere,<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and it doesn't make any difference!<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Japanese cuisine may be a<br>&nbsp;&nbsp;&nbsp;&nbsp;mass of temptation called appetite!<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, all right, all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take you around later on.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Later on?<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. The first event is about to start.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The events that I'm taking<br>&nbsp;&nbsp;&nbsp;&nbsp;part in today are marked in there.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Index.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Toma seems like he's<br>&nbsp;&nbsp;&nbsp;&nbsp;incredibly no-nonsense today.<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh... I *so* don't wanna do this.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys, what's with all this<br>&nbsp;&nbsp;&nbsp;&nbsp;down-and-out spirit, on the first day?<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been arguing over how<br>&nbsp;&nbsp;&nbsp;&nbsp;we're going to beat the other schools,<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and our already limited strength has<br>&nbsp;&nbsp;&nbsp;&nbsp;been reduced to near zero. What of it?<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You put the cart before<br>&nbsp;&nbsp;&nbsp;&nbsp;the horse, you know!<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just how competition<br>&nbsp;&nbsp;&nbsp;&nbsp;between students is.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the deal with this lack of energy?!<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me guess, Kamijo!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so inappropriately lazy,<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;now it's spreading to all the others!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just barely got here, myself!<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So in other words, you showed up late,<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sucking out the enthusiasm from the others!<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose, *you* got here later than I did!<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was on steering<br>&nbsp;&nbsp;&nbsp;&nbsp;committee business, you idiot!<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just leave me alone.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo, face-to-face<br>&nbsp;&nbsp;&nbsp;&nbsp;with his unfortunate reality,<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is finding it difficult<br>&nbsp;&nbsp;&nbsp;&nbsp;to rise to his feet.<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's just a little anemia.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, top yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;off with this sports drink!<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I happen to not like folks<br>&nbsp;&nbsp;&nbsp;&nbsp;who use bad luck or misfortune<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as an excuse to cut corners<br>&nbsp;&nbsp;&nbsp;&nbsp;as they live their lives!<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you slack off, the enthusiasm<br>&nbsp;&nbsp;&nbsp;&nbsp;of those around you also dries up!<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So snap to, already, snap to!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That is...<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you got something to say?<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I do not! No!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is no time for<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone to be tower toppling.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really could be hopeless.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said,<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to acknowledge<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there are deficiencies<br>&nbsp;&nbsp;&nbsp;&nbsp;in our facilities!<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But that is in no way a<br>&nbsp;&nbsp;&nbsp;&nbsp;reflection on the students!<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because your students<br>&nbsp;&nbsp;&nbsp;&nbsp;are of such poor quality<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you don't receive more money<br>&nbsp;&nbsp;&nbsp;&nbsp;from the governing board, right?<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! It must make work extra hard,<br>&nbsp;&nbsp;&nbsp;&nbsp;being saddled with rejects, huh?<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The students are neither<br>&nbsp;&nbsp;&nbsp;&nbsp;successes nor failures!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing they<br>&nbsp;&nbsp;&nbsp;&nbsp;are is their own individuals!<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's quite the dreamlike<br>&nbsp;&nbsp;&nbsp;&nbsp;opinion you have of them,<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I will see your<br>&nbsp;&nbsp;&nbsp;&nbsp;left-behinds crushed to pieces<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the tower topple<br>&nbsp;&nbsp;&nbsp;&nbsp;that is about to start.<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No you won't.<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are not all left-behinds,<br>&nbsp;&nbsp;&nbsp;&nbsp;after all, are they?<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, guys... I'm gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;ask you one more time...<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you really not up for this?!<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The first event is the tower topple.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The schools are now taking the field.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's so reckless. There's no<br>&nbsp;&nbsp;&nbsp;&nbsp;way they're going to beat our school.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so hungry...<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She doesn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;heatstroke or anything, right?<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are<br>&nbsp;&nbsp;&nbsp;&nbsp;just hungry, aren't you?<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here,<br>&nbsp;&nbsp;&nbsp;&nbsp;short-hair? Cheering on Toma?<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Why would I have<br>&nbsp;&nbsp;&nbsp;&nbsp;to be cheering that guy on?<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, we've got a bet as<br>&nbsp;&nbsp;&nbsp;&nbsp;to which team is going to win.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm obviously<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who's going to win...<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What do I do when I win?<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He said he would<br>&nbsp;&nbsp;&nbsp;&nbsp;do whatever I tell him to...<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! It's Toma!<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What on earth is he ready for?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't tell me he<br>&nbsp;&nbsp;&nbsp;&nbsp;seriously means to win this!<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is he planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to demand of me if he wins?!<br>**[09:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready... begin!<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What's going on, everyone,<br>&nbsp;&nbsp;&nbsp;&nbsp;to make you try that hard out there?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you won,<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing you worn ragged<br>&nbsp;&nbsp;&nbsp;&nbsp;like that makes me... makes me...<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Index!<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, what am<br>&nbsp;&nbsp;&nbsp;&nbsp;I going to do with her?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, my cell... is in my bag.<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm just here to get my cell phone,<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I can meet up with a lost child.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In no way did I mean<br>&nbsp;&nbsp;&nbsp;&nbsp;anything improper by this...<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There you are! Toma!<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;why are your eyes watering?<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where is your cell phone?<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's right here!<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why don't you answer it?!<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The battery's dead.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind that, I'm hungry.<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me something to eat, Toma.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh... If we go to the booth area,<br>&nbsp;&nbsp;&nbsp;&nbsp;they'll have tons of food there.<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tons of it!<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Notice-- No thoroughfare"<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry. The parade<br>&nbsp;&nbsp;&nbsp;&nbsp;through here is starting soon.<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, we'd like to cross over to there.<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's an underground mall<br>&nbsp;&nbsp;&nbsp;&nbsp;about three kilometers<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the west where you can get across.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three kilometers?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can almost reach out and touch it, but...<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... Just tough it out<br>&nbsp;&nbsp;&nbsp;&nbsp;until the giant ball roll is over.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To... ma...<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Why are you...<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! I caught you!<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to ensure my victory!<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First place in the scavenger hunt<br>&nbsp;&nbsp;&nbsp;&nbsp;goes to Tokiwadai Middle School<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;contestant Misaka Mikoto!<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scavenger hunt?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep. "A high school student<br>&nbsp;&nbsp;&nbsp;&nbsp;who competed in the first event."<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You happen to fit that bill, right?<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah... There are any number of<br>&nbsp;&nbsp;&nbsp;&nbsp;other guys who meet that condition--<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you doing!<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, geez. Here, drink some of this.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, what the heck, you can have it!<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow...<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While the rest of us were<br>&nbsp;&nbsp;&nbsp;&nbsp;out toiling under the blazing sun<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I thought about how<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to rest, Miss Shirai,<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just couldn't stand it anymore,<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I wanted you to<br>&nbsp;&nbsp;&nbsp;&nbsp;come give us a hand at work.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for the overly<br>&nbsp;&nbsp;&nbsp;&nbsp;charming sense of friendship.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, have any problems come up?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at the moment.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Securing first prize,<br>&nbsp;&nbsp;&nbsp;&nbsp;contestant Misaka Mikoto<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;maintains her posture<br>&nbsp;&nbsp;&nbsp;&nbsp;even after reaching the goal,<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and shows off how<br>&nbsp;&nbsp;&nbsp;&nbsp;much energy she still has to spare.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Live" "Z Studio"<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival Digest"<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy! Ah, my beautiful Sissy!<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sight of her caring for the<br>&nbsp;&nbsp;&nbsp;&nbsp;fellow contributor who ran with her<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was also impressive.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill him!<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Marching band parade now in progress!!"<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been out of my sight for<br>&nbsp;&nbsp;&nbsp;&nbsp;a while now. I hope Index is okay.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's he...<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Security around Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;has been softened these days,<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be more welcoming to<br>&nbsp;&nbsp;&nbsp;&nbsp;general public spectators, right?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some magicians have taken<br>&nbsp;&nbsp;&nbsp;&nbsp;advantage of that fact to sneak in.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At present, we have<br>&nbsp;&nbsp;&nbsp;&nbsp;identified two of them.<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia Lorenzetti,<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church,<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the courier she<br>&nbsp;&nbsp;&nbsp;&nbsp;has hired, Oriana Thomson.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Courier?<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are here in the city attempting<br>&nbsp;&nbsp;&nbsp;&nbsp;to conduct a transaction<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for a relic that has been<br>&nbsp;&nbsp;&nbsp;&nbsp;handed down through the church.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they do that here?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is the place that<br>&nbsp;&nbsp;&nbsp;&nbsp;has the least to do with the occult.<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All the more reason.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is where the Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;side and the magic side<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will both have<br>&nbsp;&nbsp;&nbsp;&nbsp;trouble interfering with them.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only one who can act is your<br>&nbsp;&nbsp;&nbsp;&nbsp;acquaintance, who has come to Academy City.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, what about Kanzaki?<br>&nbsp;&nbsp;&nbsp;&nbsp;She's a saint or something, as I recall.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki cannot be used. Especially for this.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, the relic being<br>&nbsp;&nbsp;&nbsp;&nbsp;traded is this relic.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What does that mean?<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, this relic's name is the "Stab Sword."<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is, it's something that<br>&nbsp;&nbsp;&nbsp;&nbsp;can spell instant death for any saint.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes!<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What for?<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;you're doing, Kamijo Toma?!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know how the<br>&nbsp;&nbsp;&nbsp;&nbsp;"Son of God" who was crucified<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was actually killed, Kami?<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I believe... he died on the cross.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He was speared to death.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Stab Sword is a<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;relic that distills the<br>&nbsp;&nbsp;&nbsp;&nbsp;religious significance of the<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;execution and spearing, and amplifies,<br>&nbsp;&nbsp;&nbsp;&nbsp;condenses, and focuses it to the extreme.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It has no effect on a regular person,<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if a saint is involved, it boasts<br>&nbsp;&nbsp;&nbsp;&nbsp;the power to kill them in one strike.<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are the magicians planning,<br>&nbsp;&nbsp;&nbsp;&nbsp;dealing for something like that?<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A war, of course. In the world of magic,<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;saints amount to the same<br>&nbsp;&nbsp;&nbsp;&nbsp;thing as tactical weapons.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But there are still plenty of<br>&nbsp;&nbsp;&nbsp;&nbsp;magicians who aren't saints, right?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get the feeling that you<br>&nbsp;&nbsp;&nbsp;&nbsp;could fight even without Kanzaki.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what the problem is.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not about whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not one can actually win,<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's when the illusion is provided<br>&nbsp;&nbsp;&nbsp;&nbsp;that one might be able to win<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that wars tend to break out.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, if the problem is that serious,<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;shouldn't we be enlisting<br>&nbsp;&nbsp;&nbsp;&nbsp;Index's cooperation?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No can do. We can't use the<br>&nbsp;&nbsp;&nbsp;&nbsp;List of Prohibited Books for this one.<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't let her get<br>&nbsp;&nbsp;&nbsp;&nbsp;anywhere near the site,<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;nor can we tell her any<br>&nbsp;&nbsp;&nbsp;&nbsp;information about this incident.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why not?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because outside magicians<br>&nbsp;&nbsp;&nbsp;&nbsp;will concentrate their search on her,<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking that if anything happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;she'll be at the center of it.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she makes any moves,<br>&nbsp;&nbsp;&nbsp;&nbsp;any magicians who take notice<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will unanimously come swarming in on her.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"S-71 Central Gymnasium Rear"<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you're saying<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to do everything we can<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep Index from noticing any magic.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I came running<br>&nbsp;&nbsp;&nbsp;&nbsp;after Miss Yomikawa called me,<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were as limp as<br>&nbsp;&nbsp;&nbsp;&nbsp;unsold vegetables still on the shelf,<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I really was shocked.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you, that was delicious!<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to wonder, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;where did Toma go off to?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's almost time for lunch.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, wasn't this just lunch?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I...<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...have been like this all day.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I growing apart from Toma?<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Yes, you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you would like to enjoy<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival<br>&nbsp;&nbsp;&nbsp;&nbsp;together with Kamijo, Sister.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right!<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is something that<br>&nbsp;&nbsp;&nbsp;&nbsp;you can participate in, too, Sister!<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Has she really become a lost child?<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why have you<br>&nbsp;&nbsp;&nbsp;&nbsp;had that look on your face,<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like you're about to<br>&nbsp;&nbsp;&nbsp;&nbsp;begin a final boss battle?<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You look like you're ready to<br>&nbsp;&nbsp;&nbsp;&nbsp;die at any moment.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're hungry,<br>&nbsp;&nbsp;&nbsp;&nbsp;how about eating a Bento lunch?<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind me, have you seen<br>&nbsp;&nbsp;&nbsp;&nbsp;Index around anywhere?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean the Sister,<br>&nbsp;&nbsp;&nbsp;&nbsp;she was walking around over there.<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks!<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looked like she was being<br>&nbsp;&nbsp;&nbsp;&nbsp;led by the hand, by that famous<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;mini-sized teacher from your school.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index?<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just you, huh? Where's Index?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm so sorry.<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really hate to have to<br>&nbsp;&nbsp;&nbsp;&nbsp;make you change clothes here.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Maybe you should<br>&nbsp;&nbsp;&nbsp;&nbsp;count how many times this makes!<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-In--<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Wah!<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, um, Miss Index...?<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. It was just an accident.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to take it so seriously.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Uh-oh...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Kamijo!<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I am, on steering committee<br>&nbsp;&nbsp;&nbsp;&nbsp;business, looking for Miss Tsukuyomi,<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and what do I see?<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...you big traitor!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,<br>&nbsp;&nbsp;&nbsp;&nbsp;can't you put a little effort<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into making the tournament a success?<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just which event is<br>&nbsp;&nbsp;&nbsp;&nbsp;our school competing in now?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't you even remember that much?!<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it! You aren't getting<br>&nbsp;&nbsp;&nbsp;&nbsp;enough nutrients to the brain,<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so start ingesting a little more sugar!<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Doing so won't do<br>&nbsp;&nbsp;&nbsp;&nbsp;anything to fix Kamijo's stupidity!<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't it even pain you to say it yourself?<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the 2nd-Year girls' tug of war<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the 3rd-Year boys' all-star triathlon.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which should you be rooting for?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gotta be the girls.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, of course, you are Kamijo, after all.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just don't grab the collar anymore!<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, hurry up!<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kamijo, do you find<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival boring?<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem a little erratic,<br>&nbsp;&nbsp;&nbsp;&nbsp;like your mind is on something else.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if you feel like today has been boring,<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that as a member<br>&nbsp;&nbsp;&nbsp;&nbsp;of the steering committee,<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who got all of this ready,<br>&nbsp;&nbsp;&nbsp;&nbsp;something I did was inadequate.<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I don't particularly think it's boring.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sure, as someone<br>&nbsp;&nbsp;&nbsp;&nbsp;who put together the planning<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and worked hard on it up to today,<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to want to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone has a good time, you know?<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's a little selfish of me.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like it's no use,<br>&nbsp;&nbsp;&nbsp;&nbsp;since your mind is elsewhere, huh?!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm sorry!<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get away from me, Kamijo Toma!<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'm not quite accustomed<br>&nbsp;&nbsp;&nbsp;&nbsp;to having so many people around.<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Not at all...<br>&nbsp;&nbsp;&nbsp;&nbsp;--Whoa...<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right? Does it hurt anywhere?<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your forehead is turning red.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I...<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To apologize for running into you.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you prefer a kiss?<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes! A kiss would be--<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then...<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to be getting back to work. Bye, now.<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? This is Oriana Thomson.<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you hear me?<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Refrain from using your real name.<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone around you<br>&nbsp;&nbsp;&nbsp;&nbsp;can hear your voice, can't they?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind about that,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've run into a little trouble.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like that spell<br>&nbsp;&nbsp;&nbsp;&nbsp;you used on me has been broken.<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was the cause?<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know.<br>**[22:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's kind of a turn-on.<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch those indecent expressions.<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you take any countermeasures?<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's see... First of all,<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have to give this<br>&nbsp;&nbsp;&nbsp;&nbsp;boy behind me the slip.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are made fools of as<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana runs away from us.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl risks his life to<br>&nbsp;&nbsp;&nbsp;&nbsp;research the spell that she casts.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, the place that we locate...<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Route Disturb."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and<br>&nbsp;&nbsp;&nbsp;&nbsp;magic cross paths, the story begins.<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 33 - Route Disturb (Pursuit Inhibited)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is bustling over<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking advantage of that fact,<br>&nbsp;&nbsp;&nbsp;&nbsp;a transaction for the Stab Sword,<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a relic capable of killing a<br>&nbsp;&nbsp;&nbsp;&nbsp;saint in one blow, is to be held.<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Their courier's name<br>&nbsp;&nbsp;&nbsp;&nbsp;is Oriana Thomson.<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And by chance, I just came in contact<br>&nbsp;&nbsp;&nbsp;&nbsp;with someone who might be her.<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, Kami.<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've currently got eyes on a spot<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Oriana is likely to use for the deal--<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado...<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just shook hands with<br>&nbsp;&nbsp;&nbsp;&nbsp;someone, and at that moment,<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my Imagine Breaker<br>&nbsp;&nbsp;&nbsp;&nbsp;broke something down.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what it is, exactly,<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she doesn't strike me<br>&nbsp;&nbsp;&nbsp;&nbsp;as a student, you might say.<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did she happen to be<br>&nbsp;&nbsp;&nbsp;&nbsp;carrying a large package?<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. She's carrying<br>&nbsp;&nbsp;&nbsp;&nbsp;what looks to be a signboard.<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, where are you right now?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I'm following her.<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sending you my GPS codes,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you can search for me that way.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She spotted me!<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa!<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which one, Kami?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The blond woman wearing the work uniform.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those two are pros, huh?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My instructions were<br>&nbsp;&nbsp;&nbsp;&nbsp;not to engage anyone in town,<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they won't make it easy.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something's off about<br>&nbsp;&nbsp;&nbsp;&nbsp;her pattern of behavior.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Has she changed her mind?<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A bus terminal?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A servicing station for the auto-buses.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A trap?! Get down, Kami!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're up.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop screwing around!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that was some nice<br>&nbsp;&nbsp;&nbsp;&nbsp;team play, if I do say so myself.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having a clear division of<br>&nbsp;&nbsp;&nbsp;&nbsp;labor will make it easier for us to act.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you...<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So go ahead and complete your job.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I said, hold on!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, you post your runes<br>&nbsp;&nbsp;&nbsp;&nbsp;around and stand by here.<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll pin down the courier.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roger that.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Kami, what are you gonna do?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's safer for you to stay here.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll...<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I also think it's safer<br>&nbsp;&nbsp;&nbsp;&nbsp;for you to remain here.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm talking my safety, though, not yours.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These are decoys, meant to buy time!<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you take every last one of<br>&nbsp;&nbsp;&nbsp;&nbsp;them on, she's gonna get away!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's easy for you to say!<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is!<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, if you would!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? If I would what?!<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana "Route Disturb" Thomson, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Now she's messing with us!<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;E-Excuse me!<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all right--<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, I should be<br>&nbsp;&nbsp;&nbsp;&nbsp;the one to say I'm sorry.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This spell is called<br>&nbsp;&nbsp;&nbsp;&nbsp;"Four Ways to Truth."<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using this, we will<br>&nbsp;&nbsp;&nbsp;&nbsp;search out Oriana's location.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shouldn't be using magic, should you?<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm going to get some help.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Traveling on the wind, conveying<br>&nbsp;&nbsp;&nbsp;&nbsp;not air, but will to the location.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Traveling on the wind, conveying<br>&nbsp;&nbsp;&nbsp;&nbsp;not air, but will to the location."<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right?<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami!<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go give Stiyl a slug!<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that just now?<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some form of trace<br>&nbsp;&nbsp;&nbsp;&nbsp;prevention spell, or something?<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope, there's no sign of that.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's probably some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of interception spell set up<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is triggered to react automatically<br>&nbsp;&nbsp;&nbsp;&nbsp;to Stiyl's magic individually.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Stiyl can no longer<br>&nbsp;&nbsp;&nbsp;&nbsp;use any magic directed at Oriana?<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man, that's a devil<br>&nbsp;&nbsp;&nbsp;&nbsp;of a thing to have in there.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For one person to be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to pull off detecting a life force,<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;analyze it, trace it back,<br>&nbsp;&nbsp;&nbsp;&nbsp;and then apply a counterattack...<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's Route Disturb for you.<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Route Disturb?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana Thomson's other name.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be that as it may, there's something<br>&nbsp;&nbsp;&nbsp;&nbsp;about her impersonal methods<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that strikes me as being<br>&nbsp;&nbsp;&nbsp;&nbsp;familiar. But it couldn't be.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe that she<br>&nbsp;&nbsp;&nbsp;&nbsp;would be in possession of one.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Stiyl, I was thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;the exact same thing.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious? But if that's true,<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that wouldn't make her<br>&nbsp;&nbsp;&nbsp;&nbsp;a magician, but a sorceress.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you<br>&nbsp;&nbsp;&nbsp;&nbsp;talking about? What is it she has?<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something that is packed with<br>&nbsp;&nbsp;&nbsp;&nbsp;magical knowledge,<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;itself activating as its own<br>&nbsp;&nbsp;&nbsp;&nbsp;magical array,<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;independent of the magician's will--<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;an original grimoire text.<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to create a grimoire to fit<br>&nbsp;&nbsp;&nbsp;&nbsp;these circumstances would be...<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The original text could be<br>&nbsp;&nbsp;&nbsp;&nbsp;just a scribbled note.<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would have a limited<br>&nbsp;&nbsp;&nbsp;&nbsp;effectiveness,<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and should break down soon.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Shorthand," you might call it.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, what does<br>&nbsp;&nbsp;&nbsp;&nbsp;that mean we should do?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First, we take out the<br>&nbsp;&nbsp;&nbsp;&nbsp;automatic intercept spell,<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so we can use Stiyl's magic.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are the chances of her fleeing<br>&nbsp;&nbsp;&nbsp;&nbsp;the search area while we do so?<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she was sure she<br>&nbsp;&nbsp;&nbsp;&nbsp;could get away clean,<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think she would take the trouble<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to set up an intercept spell, do you?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm...<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, use your magic, on anything you like.<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A divination circle.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A yet-unused magical array,<br>&nbsp;&nbsp;&nbsp;&nbsp;which doesn't employ anyone's magic.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This will activate in response<br>&nbsp;&nbsp;&nbsp;&nbsp;to the magic of the intercept spell,<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;providing us with<br>&nbsp;&nbsp;&nbsp;&nbsp;direction and distance.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tsuchimikado,<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to make that work,<br>&nbsp;&nbsp;&nbsp;&nbsp;won't Stiyl have to once again...?<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once* again?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who said anything about that?<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't find the<br>&nbsp;&nbsp;&nbsp;&nbsp;location of the Shorthand,<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have no choice but<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep trying over and over.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, you seem to have forgotten,<br>&nbsp;&nbsp;&nbsp;&nbsp;so let me remind you of something.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lives are at stake in this battle.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough so that it could steer<br>&nbsp;&nbsp;&nbsp;&nbsp;nations or the world into decline.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's do it.<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you'll...!<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get so chummy, Kamijo Toma.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it will bring an end to all of this,<br>&nbsp;&nbsp;&nbsp;&nbsp;then there is no problem.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In return, you pinpoint the location<br>&nbsp;&nbsp;&nbsp;&nbsp;of the intercept spell, no matter what.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay. We will make<br>&nbsp;&nbsp;&nbsp;&nbsp;certain to preserve the life<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that Index leads for<br>&nbsp;&nbsp;&nbsp;&nbsp;herself in Academy City.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was your condition, right?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma...<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not appreciate the<br>&nbsp;&nbsp;&nbsp;&nbsp;fact that you are here right now.<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you not at her side?<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If her face grows somber because of this,<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will all be your fault.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here I wanted to change<br>&nbsp;&nbsp;&nbsp;&nbsp;clothes to show off to Toma,<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks like he took<br>&nbsp;&nbsp;&nbsp;&nbsp;off somewhere on his own.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sister, don't be<br>&nbsp;&nbsp;&nbsp;&nbsp;so disheartened about it.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that Kamijo had<br>&nbsp;&nbsp;&nbsp;&nbsp;some important reason for doing so.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ooh, that Kamijo Toma...<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, I take my eyes off of him<br>&nbsp;&nbsp;&nbsp;&nbsp;for a second, and he disappears.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher!<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose!<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing<br>&nbsp;&nbsp;&nbsp;&nbsp;out here, in the public view?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's feeling a little delirious,<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a stimulant like this capsicum<br>&nbsp;&nbsp;&nbsp;&nbsp;will turn her thoughts back outward.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No...<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's all right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything is all right, Fukiyose.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Toma?<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where could Toma have gone?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here it comes.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The divination circle<br>&nbsp;&nbsp;&nbsp;&nbsp;is responding. Hey, Kami!<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a map, don't you?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you've got that<br>&nbsp;&nbsp;&nbsp;&nbsp;GPS map on your cell phone.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, bring it here.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you be so coldhearted?!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think Stiyl<br>&nbsp;&nbsp;&nbsp;&nbsp;has deliberately gotten hurt for?!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, he *is* a professional magician.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has at least enough attack<br>&nbsp;&nbsp;&nbsp;&nbsp;resistance to handle this spell.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, are you...?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The divination circle responds<br>&nbsp;&nbsp;&nbsp;&nbsp;to the magic power of incoming spells<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell us their distance and direction.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way such a handy little item<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can be activated without<br>&nbsp;&nbsp;&nbsp;&nbsp;using some magic power, right?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I were able to<br>&nbsp;&nbsp;&nbsp;&nbsp;use more decent magic,<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl wouldn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;had to go through this.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll admit that. So go ahead and<br>&nbsp;&nbsp;&nbsp;&nbsp;blame me as much as you want.<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I will make sure that<br>&nbsp;&nbsp;&nbsp;&nbsp;I find that Shorthand and destroy it.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I will catch Oriana,<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and personally see to it that<br>&nbsp;&nbsp;&nbsp;&nbsp;the Stab Sword deal is off for good.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, your map.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to know what<br>&nbsp;&nbsp;&nbsp;&nbsp;there is at the position<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;302 meters northwest of here.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that's where the Shorthand is.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah...<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's...<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A middle school?!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"10 minutes until the middle<br>&nbsp;&nbsp;&nbsp;&nbsp;school ball toss competition"<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's at an event grounds?<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's about to start, too.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The spectators and<br>&nbsp;&nbsp;&nbsp;&nbsp;cameras are already there.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't just sneak<br>&nbsp;&nbsp;&nbsp;&nbsp;our way around this time.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what do we do?<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't just not do anything, right?<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we can do is<br>&nbsp;&nbsp;&nbsp;&nbsp;slip in there as contestants.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?<br>&nbsp;&nbsp;&nbsp;&nbsp;We're high-schoolers!<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Blending in as middle-schoolers won't work--<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a risk that the intercept<br>&nbsp;&nbsp;&nbsp;&nbsp;spell might turn on others, too.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know what the simplest<br>&nbsp;&nbsp;&nbsp;&nbsp;magic ritual in the world is?<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's touching.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A regular person with<br>&nbsp;&nbsp;&nbsp;&nbsp;no knowledge of magic<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;still has a chance of activating<br>&nbsp;&nbsp;&nbsp;&nbsp;the intercept spell by touching it.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happens, not having<br>&nbsp;&nbsp;&nbsp;&nbsp;the kind of defenses a magician has,<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they will be in quite a bit of danger.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At any rate, Kami,<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're going to handle that<br>&nbsp;&nbsp;&nbsp;&nbsp;intercept spell before it hurts anyone.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with that in mind...!<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami!<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me...<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to compete in this event,<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but do we really have<br>
&nbsp;&nbsp;&nbsp;&nbsp;to enter, looking like *this*?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There will be cameras,<br>&nbsp;&nbsp;&nbsp;&nbsp;and everything...<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take the cake.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't suppose you<br>&nbsp;&nbsp;&nbsp;&nbsp;have a change of gym clothes?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, yes we do!<br>&nbsp;&nbsp;&nbsp;&nbsp;But they're in the club room.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh. Well, hurry up and change.<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rules are still rules,<br>&nbsp;&nbsp;&nbsp;&nbsp;though, so I need to check your IDs.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Tsuchimika--<br>&nbsp;&nbsp;&nbsp;&nbsp;--Okay, okay!<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll slap that right down!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah! Hey! Can't you wipe<br>&nbsp;&nbsp;&nbsp;&nbsp;your hand off before using it?!<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind, go ahead.<br>&nbsp;&nbsp;&nbsp;&nbsp;They don't allow late entrants.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you very much!<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, we can't blend into<br>&nbsp;&nbsp;&nbsp;&nbsp;the competition looking like this!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I'm guessing there<br>&nbsp;&nbsp;&nbsp;&nbsp;are some changes of clothes<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the nurse's office.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The next event will be 200 students<br>&nbsp;&nbsp;&nbsp;&nbsp;from Minamizawa Middle School<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;versus 20 students from<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai Middle School,<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Five minutes until the middle<br>&nbsp;&nbsp;&nbsp;&nbsp;school ball toss competition"<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the ball toss competition.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The smell of defeat on<br>&nbsp;&nbsp;&nbsp;&nbsp;them is strong. Ah, stinky, stinky!<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what is the meaning of this?<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing over there?! Huh?!<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? Tokiwadai Middle School?!<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have some<br>&nbsp;&nbsp;&nbsp;&nbsp;fearsome espers over there.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, well, let's watch<br>&nbsp;&nbsp;&nbsp;&nbsp;out for stray shots then, Kami.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the Shorthand is<br>&nbsp;&nbsp;&nbsp;&nbsp;set up here, then where is it?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The baskets are the most likely place.<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are probably baskets<br>&nbsp;&nbsp;&nbsp;&nbsp;that are borrowed from elsewhere,<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they could have been<br>&nbsp;&nbsp;&nbsp;&nbsp;rigged outside beforehand.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll check out each pole basket in order.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, your work begins<br>&nbsp;&nbsp;&nbsp;&nbsp;once I find the Shorthand.<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival Steering Committee"<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your positions, get set...<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and begin!<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't flinch at that! Charge in, Kami!<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not this one, Kami. Onto the next one!<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, not this one either!<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Come on!<br>&nbsp;&nbsp;&nbsp;&nbsp;--A little more!<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Don't let them get you!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hang in there!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Hey, don't push!<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow! Stop it!<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Yikes!<br>&nbsp;&nbsp;&nbsp;&nbsp;--It's falling over!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch out!<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, use my back!<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry and get out of here!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you...<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd go this far...<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...just to make me play<br>&nbsp;&nbsp;&nbsp;&nbsp;your penalty game, will you?!<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't have much choice,<br>&nbsp;&nbsp;&nbsp;&nbsp;what with you being in danger, did I?<br>**[19:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka!<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Misaka!<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen to me, Misaka.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll explain everything later,<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but move away from there!<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What are you talking about now?<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what are you even doing here?<br>&nbsp;&nbsp;&nbsp;&nbsp;You explain yourself first, or I--<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stay out of this!<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, don't argue, just come over here.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're in danger there!<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't be silly! I didn't need<br>&nbsp;&nbsp;&nbsp;&nbsp;to have you helping me like that,<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have done it myself!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And what is it you want to tell me?<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you, I'll tell you later!<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That spot is dangerous!<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you to get hurt!<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, dumb?<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You don't have to worry about me...<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...over a competition such as this...<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, don't go startling me,<br>&nbsp;&nbsp;&nbsp;&nbsp;and making me blurt stuff out...<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What?!<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep quiet, and hold still for a second.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? U-Um...<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! Does it hurt that much,<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka? Do you have a fever?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's nothing at all, really!<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado! Over on this pole!<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Property of Nogi Middle School"<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wrong?<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma! What are you doing here?!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was wondering why you<br>&nbsp;&nbsp;&nbsp;&nbsp;ran off in such a hurry earlier,<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but what are you doing *here*?<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we have to<br>&nbsp;&nbsp;&nbsp;&nbsp;start the whole event over!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose!<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, go hit Fukiyose! She's not a magician!<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She won't be able to take any more of this!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose, are you okay?<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose!<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine, Oriana Thomson...<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If this is the way you're going to play it...<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After you so ruthlessly<br>&nbsp;&nbsp;&nbsp;&nbsp;drag innocent bystanders in,<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're just going to watch<br>&nbsp;&nbsp;&nbsp;&nbsp;on and feel nothing about it...<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then I'll take your screwed-up fantasy...<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and personally dispatch<br>&nbsp;&nbsp;&nbsp;&nbsp;it until there's nothing left!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose has collapsed.<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Plus there's Stiyl and Tsuchimikado.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the reason behind this<br>&nbsp;&nbsp;&nbsp;&nbsp;whole conflict is the Stab Sword,<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I swear I will smash the thing!<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Shorthand."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 34 - Shorthand (Stenographic Sourcebook)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is the critical-care patient?<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She still hasn't regained consciousness.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could it be heat stroke?<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heat stroke?<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right, I collapsed.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is that? I made sure to<br>&nbsp;&nbsp;&nbsp;&nbsp;hydrate, and got plenty of sleep...<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems ridiculous.<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose, are you okay?<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose!<br>**[00:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is he going to look at<br>&nbsp;&nbsp;&nbsp;&nbsp;me like that from now on?<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope not.<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I worked so hard to make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;that everyone had an enjoyable time.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I... going to live...?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you take me for?<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#10 Shorthand (Stenographic Sourcebook)"<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I lose just a bit of my edge,<br>&nbsp;&nbsp;&nbsp;&nbsp;and this is what happens to me?<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami has destroyed Oriana's Shorthand.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Notice any difference<br>&nbsp;&nbsp;&nbsp;&nbsp;in the shape you're in?<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm in business.<br>&nbsp;&nbsp;&nbsp;&nbsp;There doesn't seem to be any problem.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, could you cast the<br>&nbsp;&nbsp;&nbsp;&nbsp;"Four Ways to Truth" search spell?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It should still be where I set it up before.<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know how to use it, right?<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give me a little credit.<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay on your end?<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana's intercept spell was<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be on an event ground.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not a problem.<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But one of the students did get taken out.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We took advantage of the commotion<br>&nbsp;&nbsp;&nbsp;&nbsp;to make our way out of there.<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Kamijo Toma keeping it together?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're squared away, get to it.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, we'll never make<br>&nbsp;&nbsp;&nbsp;&nbsp;it up to the student who collapsed.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not as though anyone is perfect.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is precisely why I regret<br>&nbsp;&nbsp;&nbsp;&nbsp;being so unseasoned... I guess.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ball toss event has been delayed"<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an unexpected turn of events.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've identified Oriana Thomson's location.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 7, near<br>&nbsp;&nbsp;&nbsp;&nbsp;Futsuka Subway Station.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, Futsuka Station!<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Futsuka Station? We've gone too far!<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's moving northward.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The street divides three ways...<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is. You ready? She's up ahead...<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've spotted her!<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Tch!<br>&nbsp;&nbsp;&nbsp;&nbsp;--A bus?!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kami, did the bus have<br>&nbsp;&nbsp;&nbsp;&nbsp;any passengers besides Oriana?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't really matter, does it?!<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami!<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, there weren't!<br>&nbsp;&nbsp;&nbsp;&nbsp;No passengers or driver!<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, that's a relief.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, number 514457.<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It still had the rune that Stiyl<br>&nbsp;&nbsp;&nbsp;&nbsp;stuck on it at the service center.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't warm this young<br>&nbsp;&nbsp;&nbsp;&nbsp;lady up using physical flames.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I have gotten a bit<br>&nbsp;&nbsp;&nbsp;&nbsp;damp from the rushing around.<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to see?<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even my undies are soaking.<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A completely uninvolved person collapsed<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because of the spell that you cast.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In your view, did it look like<br>&nbsp;&nbsp;&nbsp;&nbsp;she had anything to do with magic?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are no uninvolved people in the world.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I want to, I can involve anyone.<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you do know about her.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I truly did not want for<br>&nbsp;&nbsp;&nbsp;&nbsp;that girl to be hurt.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes that unlike this.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then you weren't the<br>&nbsp;&nbsp;&nbsp;&nbsp;one who was hurt, were you?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There sure are some unusual<br>&nbsp;&nbsp;&nbsp;&nbsp;kids assembled here in Academy City.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do to Tsuchimikado?!<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just cancelled out his flame attribute,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the symbol of regeneration<br>&nbsp;&nbsp;&nbsp;&nbsp;and restoration, with blue lettering.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a spell that knocks out a person<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who has been injured any<br>&nbsp;&nbsp;&nbsp;&nbsp;more than a certain amount.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[07:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess I have to destroy that card.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to save him,<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to defeat<br>&nbsp;&nbsp;&nbsp;&nbsp;me as quick as you can.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But will he be able<br>&nbsp;&nbsp;&nbsp;&nbsp;to hold out that long?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His time may be surprisingly short.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what that<br>&nbsp;&nbsp;&nbsp;&nbsp;Stab Sword thing is worth.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know whether it can<br>&nbsp;&nbsp;&nbsp;&nbsp;alter the course of history that much...<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...or how it might influence the<br>&nbsp;&nbsp;&nbsp;&nbsp;rest of the world, but...<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it's wrong for anyone to<br>&nbsp;&nbsp;&nbsp;&nbsp;get hurt over something so stupid!<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it only brings<br>&nbsp;&nbsp;&nbsp;&nbsp;about results as lousy as this...<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...then I'm going to smash<br>&nbsp;&nbsp;&nbsp;&nbsp;it to pieces with my own hands!<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saying I had no choice because it's my job<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would be unmannerly to my employer, right?<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was left up to me how<br>&nbsp;&nbsp;&nbsp;&nbsp;I should carry this out, after all.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop toying with peoples' lives!<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you?!<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad! If she uses<br>&nbsp;&nbsp;&nbsp;&nbsp;that earlier spell on me...!<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next will be the Shadow Sword.<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want you getting bored.<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why doesn't she<br>&nbsp;&nbsp;&nbsp;&nbsp;ever use the same attack?<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't lean toward using the<br>&nbsp;&nbsp;&nbsp;&nbsp;same spell over and over again.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a real mess, huh?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just a little foreplay;<br>&nbsp;&nbsp;&nbsp;&nbsp;have you already had enough?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once she uses a spell,<br>&nbsp;&nbsp;&nbsp;&nbsp;she doesn't use it again,<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so how does she<br>&nbsp;&nbsp;&nbsp;&nbsp;have so many combinations?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next will be Blade Crater.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sweetie...<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if you move from there, you will die.<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I move, I die...<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what's the big deal?<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Daihasei Festival,<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which Fukiyose worked her<br>&nbsp;&nbsp;&nbsp;&nbsp;butt off getting ready for today,<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;looks like it might<br>&nbsp;&nbsp;&nbsp;&nbsp;be completely ruined.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you just going to let that happen?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way you can be happy<br>&nbsp;&nbsp;&nbsp;&nbsp;with that, can you, Kamijo Toma?!<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You fool!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;His right hand...<br>
&nbsp;&nbsp;&nbsp;&nbsp;It's *that* powerful? Then...<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop Rest!<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay, Tsuchimikado?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're so violent...<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, my button came off.<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was well done, for an<br>&nbsp;&nbsp;&nbsp;&nbsp;amateur punch, I suppose I could say.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I am accustomed<br>&nbsp;&nbsp;&nbsp;&nbsp;to having my attacks countered<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then being struck back at...<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...though not at this<br>&nbsp;&nbsp;&nbsp;&nbsp;increasingly frustrating level...<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, as for now...<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll leave that with<br>&nbsp;&nbsp;&nbsp;&nbsp;you for the time being.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But don't think<br>&nbsp;&nbsp;&nbsp;&nbsp;the game is over just yet.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are just starting to heat up.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! What about Tsuchimikado?!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The spell only works for<br>&nbsp;&nbsp;&nbsp;&nbsp;twenty minutes. It will be over soon,<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my anxious little esper.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right,<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then destroy the Stab Sword.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your right hand should be<br>&nbsp;&nbsp;&nbsp;&nbsp;able to handle it with no problem.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But are you<br>&nbsp;&nbsp;&nbsp;&nbsp;sure I should destroy it?<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Academy City gets attacked by them...<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they do, it will be the<br>&nbsp;&nbsp;&nbsp;&nbsp;women who are surrounded.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Academy City.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For all magical forces, this is<br>&nbsp;&nbsp;&nbsp;&nbsp;the center of enemy territory.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They will likely pull out, and then come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with a rational strategy to deal with it.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry it up.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see about figuring out our next move.<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is going on?!<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, there were some hiccups,<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but for now, all the necessary<br>&nbsp;&nbsp;&nbsp;&nbsp;checkpoints have been cleared,<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so please rest at ease.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of hiccups?<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you just let me worry about that.<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, right--they have<br>&nbsp;&nbsp;&nbsp;&nbsp;retrieved the signboard,<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they've probably found out<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Stab Sword, as well.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's all right!<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't anything serious enough<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to influence the deal itself.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let anyone interfere,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and nobody *can* interfere.<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Especially not if this deal<br>&nbsp;&nbsp;&nbsp;&nbsp;will make everyone happy, right?<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The original Stab Sword doesn't exist,<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and only peoples' speculations<br>&nbsp;&nbsp;&nbsp;&nbsp;concerning it remain, as folklore."<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ho...<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could what is written<br>&nbsp;&nbsp;&nbsp;&nbsp;here be true, Charles Conder?<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry.<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the British Museum<br>&nbsp;&nbsp;&nbsp;&nbsp;was unaware of this until just today.<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what exactly is it?<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ma'am, as a result of the lore<br>&nbsp;&nbsp;&nbsp;&nbsp;crisscrossing and snowballing,<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there is no conclusive evidence...<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but this is not a sword.<br>**[14:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Called "Croce di Pietro" locally,<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the item is called in our<br>&nbsp;&nbsp;&nbsp;&nbsp;language the "Cross of Peter."<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Cross of Peter?!<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, the reason for<br>&nbsp;&nbsp;&nbsp;&nbsp;the "deal" they are negotiating<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has become something entirely different.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The conclusion of this "deal"<br>&nbsp;&nbsp;&nbsp;&nbsp;will be the demise of Academy City.<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No--it could be something<br>&nbsp;&nbsp;&nbsp;&nbsp;even more serious.<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, what a number this is!<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I guess it must be<br>&nbsp;&nbsp;&nbsp;&nbsp;something dangerous, right?<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Croce di Pietero,"<br>&nbsp;&nbsp;&nbsp;&nbsp;the Cross of Peter, they said.<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long ago, the Vatican, which is the main<br>&nbsp;&nbsp;&nbsp;&nbsp;basilica of the Roman Orthodox Church,<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is said to have been built<br>&nbsp;&nbsp;&nbsp;&nbsp;where the body of Peter was buried,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a crucifix erected,<br>&nbsp;&nbsp;&nbsp;&nbsp;over a vast expanse of land.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the reverse is also true.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reverse?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any space where the<br>&nbsp;&nbsp;&nbsp;&nbsp;Croce di Pietero is planted<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;comes under exclusive<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox control.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if that place is Academy City.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Control?<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everything will play out in a way<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that serves the Roman Orthodox Church,<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and everyone will go along,<br>&nbsp;&nbsp;&nbsp;&nbsp;not sensing anything out of place.<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It means that no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how outrageous the demand,<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or how unreasonable<br>&nbsp;&nbsp;&nbsp;&nbsp;the load one is made to carry,<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the world will be such that no<br>&nbsp;&nbsp;&nbsp;&nbsp;one feels anything but happiness.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, man...<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Academy City fortuitously slips<br>&nbsp;&nbsp;&nbsp;&nbsp;under Roman Orthodox control,<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the world as we now know it,<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with science and magical<br>&nbsp;&nbsp;&nbsp;&nbsp;sides kept in a 50-50 balance,<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;would tip to an overconcentration<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, this whole transaction is...<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, for dominion over Academy City,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the rest of the world.<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going to stop this deal.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, the world will face<br>&nbsp;&nbsp;&nbsp;&nbsp;a state more dire than just collapse.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--A world where everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;can only feel happiness?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Toma! Toma!<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ungh, even thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;about it, I don't get it.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nuh-uh, there's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;Index could be wearing that outfit.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wouldn't you even look at me?!<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got to ask, what's with that getup?<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it...<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, Toma,<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you were just trying to remember<br>&nbsp;&nbsp;&nbsp;&nbsp;some off-color scene, weren't you?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks to me like you have<br>&nbsp;&nbsp;&nbsp;&nbsp;a very pleased look on your face.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not, I do not!<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, where is your usual nun's habit?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, I'm letting Komoe hang onto it.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, what are you so upset about?<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I know! You're hungry, right?<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're about to meet up with<br>&nbsp;&nbsp;&nbsp;&nbsp;my mom and dad to have lunch,<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so just hold on a bit longer, and...<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... Miss Index...?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not that, Toma, you dummy!<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then what is it?<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I specifically changed clothes<br>&nbsp;&nbsp;&nbsp;&nbsp;so I could cheer for you,<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so where were you when I was going to?!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, uh, you see...<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I tried so hard, thinking I could<br>&nbsp;&nbsp;&nbsp;&nbsp;be together with you, Toma...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but then you went off<br>&nbsp;&nbsp;&nbsp;&nbsp;on your own somewhere.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was I supposed to do then?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, sorry.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just thought you were cranky<br>&nbsp;&nbsp;&nbsp;&nbsp;from being hungry, like always--<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I am not! I'm angry because<br>&nbsp;&nbsp;&nbsp;&nbsp;you never pay attention to me!<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow! Ow! Ow!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--And as for being cranky because I'm hungry,<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;--Ow! Index!<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--as a Sister, I am free<br>&nbsp;&nbsp;&nbsp;&nbsp;of such feelings, Toma!<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--What happened to biting me, like always?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, I mean, you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;need to go out of your way to...<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you sicko.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! Up to now, you were<br>
&nbsp;&nbsp;&nbsp;&nbsp;always the one who bit *me*!<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So if anyone's a sicko, it's you--<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems to me like we haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;seen very much of Toma around.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, with all of the people here,<br>&nbsp;&nbsp;&nbsp;&nbsp;there are times when you won't see him.<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello. We meet again, huh?<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, from this morning...<br>**[19:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Thank you very much for this morning.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, as you can see...<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are they? Someone you know?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're the parents of that<br>&nbsp;&nbsp;&nbsp;&nbsp;boy you're interested in, Mikoto.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice to meet you. The name's Kamijo.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, that is...<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, charm them, charm them.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's not like that!<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;have you had lunch yet?<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not yet.<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you'd care to,<br>&nbsp;&nbsp;&nbsp;&nbsp;would you like to join us?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a great spot.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure? We would be glad to.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right?<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no...<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry. I'm not quite accustomed<br>&nbsp;&nbsp;&nbsp;&nbsp;to having so many people around.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I was too inattentive...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, if you'll excuse me...<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sure...<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my...<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not again, Toya...<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, Mom, it's not like that!<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wasn't staring or anything,<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just, you know...<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry!<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's his father, all right.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Toma!<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Over here! Over here!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised you found this place.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, well, she's the one who showed us.<br>**[21:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name's Misaka.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? Thank you very much.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I am starving!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you...<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is it I'm the only one who<br>&nbsp;&nbsp;&nbsp;&nbsp;never gets any search hits from you?<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I figured we'd naturally<br>&nbsp;&nbsp;&nbsp;&nbsp;end up stuck like this somehow.<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're not "stuck" like anything!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if there's anything natural<br>&nbsp;&nbsp;&nbsp;&nbsp;about what flows anywhere near you!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who is this girl who's always<br>&nbsp;&nbsp;&nbsp;&nbsp;with you and where does she live?<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hm?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who is she? Well...<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's right, Toma.<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to mention it, who is that girl?<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When we took that overnight trip<br>&nbsp;&nbsp;&nbsp;&nbsp;to the beach, she was with you, too.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The beach?!<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Overnight trip to the beach...?<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you, short-hair?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Who are you and where do *you* live?<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you Toma's girlfriend, or something?<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? N-No, I'm not really...<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You came to cheer on<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma's school, didn't you?<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The tower topple, as I remember.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did not!<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you be quiet!<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now. Why don't<br>&nbsp;&nbsp;&nbsp;&nbsp;we all get something to eat?<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So um, Kamijo Toma, is it?<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is, but... Are you Misaka's<br>&nbsp;&nbsp;&nbsp;&nbsp;older sister, or something?<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-mm.<br>**[22:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Misaka Misuzu,<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto's mother. Nice to meet you.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mother?!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Solving hidden riddles, one step at a time,<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we draw closer to their objective.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, something happens<br>&nbsp;&nbsp;&nbsp;&nbsp;when by chance, we run into Himegami...<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Stab Sword."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 35 - Stab Sword

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her mother?<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you say something<br>&nbsp;&nbsp;&nbsp;&nbsp;about college earlier?<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. I've gone back to school.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all kinds of stimulating.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think, Toma?<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do I think?<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's nothing we couldn't...<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Obviously, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;something not right here!<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are so many unnaturally<br>&nbsp;&nbsp;&nbsp;&nbsp;young adults all around Toma!<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ordinarily, this sort of<br>&nbsp;&nbsp;&nbsp;&nbsp;thing would be unthinkable!<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's put that aside and eat something.<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I brought along some lunch,<br>&nbsp;&nbsp;&nbsp;&nbsp;just like a mother would.<br>**[01:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ta-da!<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On today's menu is cheese fondue!<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop sneaking hazardous<br>&nbsp;&nbsp;&nbsp;&nbsp;materials into Academy City!<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but...<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...nibbling away on a tiny box lunch<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't deliver the nourishment<br>&nbsp;&nbsp;&nbsp;&nbsp;to the places that need developing.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about, "develop"?!<br>**[01:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes, what *could* I be talking about?<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My, my...<br>**[01:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we at it again, Toya?<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? N-No...<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eat lots to grow bigger, huh?<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may hate being bitten,<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is painful, too, in its own way.<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stab Sword<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you!<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bye!<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I told you...<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to avoid contact with private<br>&nbsp;&nbsp;&nbsp;&nbsp;citizens as much as possible.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I *am* avoiding it,<br>
&nbsp;&nbsp;&nbsp;&nbsp;as much as possible, aren't I?<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How are things on your end?<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No one has found you yet, right?<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rest at ease.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I am sitting perfectly still.<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How comfortable for you.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd sure like to take it easy.<br>&nbsp;&nbsp;&nbsp;&nbsp;A hotel workout would be nice, too.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've asked you to refrain<br>&nbsp;&nbsp;&nbsp;&nbsp;from such indecent expressions.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, you're reading too much into that.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo, Lidvia's got a dirty mind!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to admit, though,<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do understand that<br>&nbsp;&nbsp;&nbsp;&nbsp;the waiting can be tough, too.<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma! I think I'd like to try<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;some of the fruit juice<br>&nbsp;&nbsp;&nbsp;&nbsp;they're selling over there!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you,<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we just barely got<br>&nbsp;&nbsp;&nbsp;&nbsp;done eating lunch, right?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you keep eating and drinking<br>&nbsp;&nbsp;&nbsp;&nbsp;like this, you're going to get fat.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I will not!<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no? I'll bet you've<br>&nbsp;&nbsp;&nbsp;&nbsp;upped your armor class,<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're just not aware of it.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you don't believe me, then you<br>&nbsp;&nbsp;&nbsp;&nbsp;can always measure my stomach!<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like I walk around<br>&nbsp;&nbsp;&nbsp;&nbsp;with a measuring tape, right?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need one!<br>**[04:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It is not nice to step<br>&nbsp;&nbsp;&nbsp;&nbsp;aside at the last moment.<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry. I'm in a hurry right now.<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-W-What is the matter, Sissy?!<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not tell me you are<br>&nbsp;&nbsp;&nbsp;&nbsp;going to that gentleman--<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, troglodyte, to cheer him on!<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No way! I forgot to tell my<br>&nbsp;&nbsp;&nbsp;&nbsp;mom about a change to the program.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right? Even though<br>&nbsp;&nbsp;&nbsp;&nbsp;he is, in fact, right there...?<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?!<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you suppose they are expecting?<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can they already tell<br>&nbsp;&nbsp;&nbsp;&nbsp;that the baby is kicking?<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, that...<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drop dead, you sick creep!<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;J--<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola! I told you, you can't<br>&nbsp;&nbsp;&nbsp;&nbsp;eat muffins inside the library!<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But these were made by the Amakusa for me.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop getting crumbs everywhere!<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two are well acquainted<br>&nbsp;&nbsp;&nbsp;&nbsp;with the current situation, aren't you?<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, yes.<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am, after all, a cryptology specialist.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dealing with large amounts<br>&nbsp;&nbsp;&nbsp;&nbsp;of data is a piece of cake for me.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Sherry, I am quite<br>&nbsp;&nbsp;&nbsp;&nbsp;adept at decoding, myself.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, we'll get to the report data later--<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiot! I told you,<br>&nbsp;&nbsp;&nbsp;&nbsp;stop spilling crumbs!<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez... When did Necessarius<br>&nbsp;&nbsp;&nbsp;&nbsp;get to be so mellow?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you!<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The walkways of Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;are no-smoking areas at all times!<br>**[07:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you never heard of<br>&nbsp;&nbsp;&nbsp;&nbsp;the term "secondhand smoke"?<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course I have.<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why are you lighting<br>&nbsp;&nbsp;&nbsp;&nbsp;up another cigarette?!<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Please, listen to me! Look at me!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo, I guess I managed<br>&nbsp;&nbsp;&nbsp;&nbsp;to get away somehow.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I found you.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And just in time.<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami?<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a bit of a problem.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay...<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, well, Himegami...<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it doesn't bother you too much, huh?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on! I have to confiscate those!<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please give them to<br>&nbsp;&nbsp;&nbsp;&nbsp;me and don't make trouble!<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--I said give them to me, please! Come on!<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--There's no need to stop that.<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--But...<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, she's on the move.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About three minutes ago,<br>&nbsp;&nbsp;&nbsp;&nbsp;I spotted Oriana<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;at the Seibusan subway station,<br>&nbsp;&nbsp;&nbsp;&nbsp;in School District 5.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Stiyl?<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, he's right here.<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then bring him with<br>&nbsp;&nbsp;&nbsp;&nbsp;you and come to the station.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Hold on!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not done talking to you!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, you take it from here!<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yoink.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;you're doing, Himegami?!<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have to avoid any frivolous holdups.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry it up, Stiyl!<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Two more stops.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What are you looking at?<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Material from the British Library<br>&nbsp;&nbsp;&nbsp;&nbsp;about the Croce di Pietro.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you found out anything?<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be too much trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;to tell you verbally.<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll forward the data to your cell.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Okay.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How am I supposed to read this?!<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's Tsuchimikado?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you now?<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sorry.<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The autobus I'm on has been held up.<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How far away are you?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could probably run there in ten minutes.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he's that far away,<br>&nbsp;&nbsp;&nbsp;&nbsp;she could get out of the search perimeter.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, if I send instructions to<br>&nbsp;&nbsp;&nbsp;&nbsp;draw a Four Ways<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to Truth pattern to your<br>&nbsp;&nbsp;&nbsp;&nbsp;cell phone, could you do it?<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way. I don't know<br>&nbsp;&nbsp;&nbsp;&nbsp;anything about eastern spells.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, can you do a<br>&nbsp;&nbsp;&nbsp;&nbsp;search with a western one?<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could, would I be asking you?<br>&nbsp;&nbsp;&nbsp;&nbsp;It's completely out of my expertise.<br>**[09:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. I'll invoke a<br>&nbsp;&nbsp;&nbsp;&nbsp;Four Ways to Truth array here.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send the results to your cell,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you take it from there.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to be okay<br>&nbsp;&nbsp;&nbsp;&nbsp;if you use any more magic?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're sure?<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a magician. A specialist is<br>&nbsp;&nbsp;&nbsp;&nbsp;only as good as the magic he uses.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you really want to<br>&nbsp;&nbsp;&nbsp;&nbsp;know where I am that badly, huh?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, then...<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what should my next move be?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami?<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there something that's troubling you?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's not that.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo was acting strangely.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, he may have<br>&nbsp;&nbsp;&nbsp;&nbsp;simply been feeling the pressure<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the next competition<br>&nbsp;&nbsp;&nbsp;&nbsp;bearing down on him.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he seemed a little odd.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He seemed to be on edge...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...like that one time...<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't think he would<br>&nbsp;&nbsp;&nbsp;&nbsp;get that way over a competition.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what you're saying, Himegami,<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that you have an interest in Kamijo?<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'd prefer if<br>&nbsp;&nbsp;&nbsp;&nbsp;you didn't say it like that.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo and I aren't even that close,<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and if there is any misunderstanding,<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo will be the one put out by it.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, please have a look at this.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The night parade?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The nighttime Academy City will be lit up<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with lighting and laser beams,<br>&nbsp;&nbsp;&nbsp;&nbsp;and it will be very, very pretty.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if you were to invite Kamijo to it?<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I couldn't.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I were to<br>&nbsp;&nbsp;&nbsp;&nbsp;invite him out of the blue,<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure that Kamijo<br>&nbsp;&nbsp;&nbsp;&nbsp;would just be taken aback.<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not his style.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That's not true!<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, if you invite<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo to something you think is fun,<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure he will be delighted.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the kind of boy Kamijo is.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I said I wouldn't invite him,<br>&nbsp;&nbsp;&nbsp;&nbsp;and there's no way I will.<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, why are you being so obstinate?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just not going to invite him.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's caught on to us.<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She suddenly changed direction.<br>&nbsp;&nbsp;&nbsp;&nbsp;Now she's heading northwest.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't use your Red Spell?<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I can't.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd have to interrupt the<br>&nbsp;&nbsp;&nbsp;&nbsp;Four Ways to Truth spell to do that.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I do that, I couldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;track Oriana's location anymore.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still heading northwest.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like she's trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to shake us off linearly.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry. It's only 1700 meters<br>&nbsp;&nbsp;&nbsp;&nbsp;until she's out of our effective range.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to remind me.<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, she suddenly changed direction!<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? She sped up all of a sudden!<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's had it.<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana wouldn't know<br>&nbsp;&nbsp;&nbsp;&nbsp;how far she would have to go<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to escape the effective range<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Four Ways to Truth spell.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what would she do?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean...<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, she would take out Tsuchimikado, the<br>&nbsp;&nbsp;&nbsp;&nbsp;one at the exact center of the spell.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to hurry, too!<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where to?<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To wherever Tsuchimikado is, of course!<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm asking you, where is that?!<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We do not know where he is.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to give me all you've got.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you sense out wherever my location is,<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that I can sense you, too.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the most resourceful<br>&nbsp;&nbsp;&nbsp;&nbsp;and dangerous one,<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came to put you down.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Fallere 825." Remember that.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's my magic name.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph. My name is "Basis 104."<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now that I've stated it,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll make sure that I win.<br>**[14:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't find that violent<br>&nbsp;&nbsp;&nbsp;&nbsp;youthfulness to be unlikeable.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is your style to use your<br>&nbsp;&nbsp;&nbsp;&nbsp;magic as little as possible?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, you're going to die.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have means such that<br>&nbsp;&nbsp;&nbsp;&nbsp;I raised a barrier around us.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have any help coming.<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You rotten fools who<br>&nbsp;&nbsp;&nbsp;&nbsp;have grown lazy in peacetime,<br>**[15:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unless you wanna die, time to wake up!<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too late.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all over, huh?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be...<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The barrier has been disrupted?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like even *I* was able<br>
&nbsp;&nbsp;&nbsp;&nbsp;to bring down your barrier, huh?<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you can handle a tougher<br>&nbsp;&nbsp;&nbsp;&nbsp;workout than your looks let on.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to make sure word of<br>&nbsp;&nbsp;&nbsp;&nbsp;what's happening here gets out, you see.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, silly boy. Even if those<br>&nbsp;&nbsp;&nbsp;&nbsp;two who were chasing me get here...<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean them.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, dense?<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many members of<br>&nbsp;&nbsp;&nbsp;&nbsp;Necessarius do you think there are?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you expect me to believe you?<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsukebumi Tamazusa--<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;originally an accessory used<br>&nbsp;&nbsp;&nbsp;&nbsp;to make its target see illusions,<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but depending on how it's used...<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A communications spell?<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that we know you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have the Stab Sword,<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no reason for us<br>&nbsp;&nbsp;&nbsp;&nbsp;to have her sit out anymore.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes--Kanzaki Kaori!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you not consider the possibility<br>&nbsp;&nbsp;&nbsp;&nbsp;that there'd be a saint in Japan?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, Kanzaki has some personal<br>&nbsp;&nbsp;&nbsp;&nbsp;friends here in Academy City.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if, by chance, word gets out,<br>&nbsp;&nbsp;&nbsp;&nbsp;it won't be any big deal.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you go quietly?<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, for the moment,<br>&nbsp;&nbsp;&nbsp;&nbsp;I've destroyed your search spell.<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be foolish<br>&nbsp;&nbsp;&nbsp;&nbsp;to stay here any longer,<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;letting myself get hurt<br>&nbsp;&nbsp;&nbsp;&nbsp;by a wounded little boy like you.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all...<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kanzaki Kaori's grand entrance...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would have been great<br>&nbsp;&nbsp;&nbsp;&nbsp;if it had actually happened. Still,<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this Tsukebumi Tamazusa was a fakeout.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm surprised she believed it.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like using the Four Ways<br>&nbsp;&nbsp;&nbsp;&nbsp;to Truth is out of the question.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana should be trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;get herself away from here now.<br>**[17:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's because I made a teeny little bluff.<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The closest thing to the underground<br>&nbsp;&nbsp;&nbsp;&nbsp;mall where Tsuchimikado is would be the subway.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't seem to have any tails.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro<br>&nbsp;&nbsp;&nbsp;&nbsp;preparations are still a ways off.<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever shall I do?<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Planning some spells to<br>&nbsp;&nbsp;&nbsp;&nbsp;use against a saint might be fun.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, we have to take<br>&nbsp;&nbsp;&nbsp;&nbsp;a shortcut, or we'll miss the next--<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Komoe...<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now you've gone and done it.<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I am so sorry!<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, and are you all right over here?<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, I'm fine.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be more concerned about her.<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Himegami, you're all<br>&nbsp;&nbsp;&nbsp;&nbsp;soaking wet and showing through!<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe, you're getting<br>&nbsp;&nbsp;&nbsp;&nbsp;pointy around the chest, yourself.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A Celtic cross... Necessarius?!<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami?<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, Himegami?<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The closest transfer point from here is...<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...an autobus stop 300 meters north.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;300, huh?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That smell...<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe!<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kamijo!<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, what exactly is...<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Teacher, what happened here?<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We bumped into this woman...<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suddenly, she made<br>&nbsp;&nbsp;&nbsp;&nbsp;this scary face, and then...<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would she? What's her<br>&nbsp;&nbsp;&nbsp;&nbsp;reason for attacking Himegami?<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right there.<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That "Walking Church"<br>&nbsp;&nbsp;&nbsp;&nbsp;accessory is a special item.<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She took her to be a<br>&nbsp;&nbsp;&nbsp;&nbsp;List-of-Prohibited-Books-class magician,<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and concluded that she was chasing her.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was a mistake?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She did all this to Himegami,<br>&nbsp;&nbsp;&nbsp;&nbsp;just because of a simple mistake?<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-P-I-M-I-M-S-P-F-T.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An ambulance has been called, yes?<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should wait for<br>&nbsp;&nbsp;&nbsp;&nbsp;them at the path entrance.<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They won't be able to spot you here.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She got caught up in this because of us!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're just going to<br>&nbsp;&nbsp;&nbsp;&nbsp;leave her here like this?!<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else can you do for her?<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get too full<br>&nbsp;&nbsp;&nbsp;&nbsp;of yourself, ride-along!<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a thing<br>&nbsp;&nbsp;&nbsp;&nbsp;you can do for this injured girl.<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, the only thing<br>&nbsp;&nbsp;&nbsp;&nbsp;we can do is go after Oriana.<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you really intend to defend<br>&nbsp;&nbsp;&nbsp;&nbsp;anyone, then clench your fists.<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only power that right hand<br>&nbsp;&nbsp;&nbsp;&nbsp;of yours has is to destroy illusions.<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, where is there<br>&nbsp;&nbsp;&nbsp;&nbsp;any power to protect illusions?!<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Son of a bitch!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking that<br>&nbsp;&nbsp;&nbsp;&nbsp;anger belongs to you alone.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing?<br>**[21:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I was with the<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister, doing this helped somehow.<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! Are you...<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why isn't Himegami getting better?<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just talking about<br>&nbsp;&nbsp;&nbsp;&nbsp;the night parade a few moments ago.<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now...<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you've got it wrong.<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like scooping up seawater in a bucket,<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you first have to mark off the<br>&nbsp;&nbsp;&nbsp;&nbsp;area of your miniature landscape.<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma, you go after Oriana.<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a second. Don't tell me you're...<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't expect much. This is<br>&nbsp;&nbsp;&nbsp;&nbsp;outside my area of expertise, too.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making use of the knowledge from<br>&nbsp;&nbsp;&nbsp;&nbsp;the List of Prohibited Books she has,<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we're just going to do some first aid.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want this to<br>&nbsp;&nbsp;&nbsp;&nbsp;be resolved in its entirety,<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then leave us behind and go, Kamijo Toma.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, take care of Himegami.<br>**[22:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry, Himegami.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come back to your hospital room<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before the night parade begins.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So make sure to sit tight for me.<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've found out the secret<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Croce di Pietro.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The place where it will be<br>&nbsp;&nbsp;&nbsp;&nbsp;used must be where Oriana is, too.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But where exactly is that?!<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Belvedere."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 36 - Belvedere (The Observatory)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the midst of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival,<br>**[00:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana Thomson continues her<br>&nbsp;&nbsp;&nbsp;&nbsp;flight across Academy City.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As myself and Stiyl give chase,<br>&nbsp;&nbsp;&nbsp;&nbsp;we're shown up by her,<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while Tsuchimikado is picked off.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even Himegami, who just happened<br>&nbsp;&nbsp;&nbsp;&nbsp;to be standing there, was set upon.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! Oriana,<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear, you'll pay for this!<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Belvedere (The Observatory)<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado? Sorry,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I lost sight of Oriana.<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you have any idea where<br>&nbsp;&nbsp;&nbsp;&nbsp;she might have been headed?<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This bus appears to circle<br>&nbsp;&nbsp;&nbsp;&nbsp;around School District 7,<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but where she might<br>&nbsp;&nbsp;&nbsp;&nbsp;get off is... hold on a sec.<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Kami?<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, why is Oriana<br>&nbsp;&nbsp;&nbsp;&nbsp;walking around town?<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Well, because<br>&nbsp;&nbsp;&nbsp;&nbsp;we keep chasing after her--<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, before that.<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there's no deal for the Croce di Pietro,<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it isn't to meet anyone, right?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, her strolling around the city<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is just going to increase her risk, isn't it?<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's the case,<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it means that there's a reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why Oriana is acting all by herself.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What reason?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know that much,<br>&nbsp;&nbsp;&nbsp;&nbsp;but she may have been searching<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the conditions they<br>&nbsp;&nbsp;&nbsp;&nbsp;need to use the Croce di Pietro.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Conditions?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There has to be some special<br>&nbsp;&nbsp;&nbsp;&nbsp;circumstance, or they can't use it?<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked Stiyl to check into that for us.<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it,<br>&nbsp;&nbsp;&nbsp;&nbsp;he forwarded me an email from Orsola.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll send it to you, too.<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I read it, Kami. It appears<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a record dealing with<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the cleaning of the vault<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro was in.<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what did it say?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the Croce di Pietro was stored,<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they were neurotically sensitive<br>&nbsp;&nbsp;&nbsp;&nbsp;about not letting any light hit it.<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Light?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must have been trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep it from inadvertently activating.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean that<br>&nbsp;&nbsp;&nbsp;&nbsp;it activates when the sun hits it?<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's true, then she<br>&nbsp;&nbsp;&nbsp;&nbsp;would have already done so.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, it says to finish the<br>&nbsp;&nbsp;&nbsp;&nbsp;cleaning during the daytime.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, time doesn't enter into it.<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there was apparently a<br>&nbsp;&nbsp;&nbsp;&nbsp;problem with the caretakers.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They would use horoscopes to<br>&nbsp;&nbsp;&nbsp;&nbsp;do astrology while on duty.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Astrology? If they did their<br>&nbsp;&nbsp;&nbsp;&nbsp;cleaning during the daytime,<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was nighttime light they were wary of.<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, it was the stars.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Indeed. By enlisting the figures<br>&nbsp;&nbsp;&nbsp;&nbsp;in the night sky into magical arrays,<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they could obtain an<br>&nbsp;&nbsp;&nbsp;&nbsp;enormous amount of power.<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the Croce di Pietro acts like an antenna<br>&nbsp;&nbsp;&nbsp;&nbsp;to collect the light of the night sky,<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that would mean Oriana is<br>&nbsp;&nbsp;&nbsp;&nbsp;out looking for the optimum spot<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in which to set up an antenna.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Peter died on June 29th.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, Japan's latitude and longitude<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't the same as the Vatican's.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they can't overcome those problems,<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it rules out the constellation use theory.<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, we don't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;more time to think about it.<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just get moving.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we work under the assumption<br>
&nbsp;&nbsp;&nbsp;&nbsp;that they *are* using constellations,<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then our time limit would have to be...<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sundown? Well, what should I do?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[05:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing up here?<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Index?!<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like Kanzaki Kaori<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't here after all.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia...<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know what you're going to say.<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl that you engaged<br>&nbsp;&nbsp;&nbsp;&nbsp;was an ordinary civilian.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Her name is Himegami Aisa.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite possessing an<br>&nbsp;&nbsp;&nbsp;&nbsp;extremely significant power,<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she is not particularly a magician.<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That Celtic cross was nothing more<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than an accessory to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;her power under wraps,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she is not the least bit aggressive.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How awful...<br>**[06:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Truly awful, indeed.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have struck out at a civilian<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who had nothing to do with this operation.<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And this makes it twice.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are sinners who stray,<br>&nbsp;&nbsp;&nbsp;&nbsp;do wrong, and seek salvation,<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who we are to protect.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We must not make any more mistakes.<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For her sake, we must<br>&nbsp;&nbsp;&nbsp;&nbsp;use the Croce di Pietro,<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and bring Academy City under our control.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so sure everything<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to work out.<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By placing Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;within our hands,<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will all of everyone's problems<br>&nbsp;&nbsp;&nbsp;&nbsp;really be solved?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, why aren't you<br>&nbsp;&nbsp;&nbsp;&nbsp;with everyone else in your class?<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't competed in any<br>&nbsp;&nbsp;&nbsp;&nbsp;events all afternoon, huh? Why not?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, I was helping out<br>&nbsp;&nbsp;&nbsp;&nbsp;with the steering committee.<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's weird. I sent a text<br>&nbsp;&nbsp;&nbsp;&nbsp;out to the guys in my class.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A text?<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I didn't have any service.<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or maybe the signal<br>&nbsp;&nbsp;&nbsp;&nbsp;didn't reach the service center.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-In any case, Index,<br>&nbsp;&nbsp;&nbsp;&nbsp;you go back to where the others are.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, Toma, they said<br>&nbsp;&nbsp;&nbsp;&nbsp;next up is group gymnastics.<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you be there?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I will. I'll finish up my<br>&nbsp;&nbsp;&nbsp;&nbsp;assistance as quick as I can.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna be there. So will<br>&nbsp;&nbsp;&nbsp;&nbsp;you wait for me there, Index?<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that, Kami.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's finish up our assistance quick.<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with this many people around...<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wait up!"<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, catching up.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What's the problem? Misaka was<br>&nbsp;&nbsp;&nbsp;&nbsp;only looking at the souvenirs!"<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka by way of protest.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello? Stiyl?<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've finished treating the schoolgirl.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How is Himegami?!<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't even want to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to use that spell again.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the time being,<br>&nbsp;&nbsp;&nbsp;&nbsp;we've kept her from going into shock.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the doctor's job from here on, though.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, man...<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What's with the wussified voice?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have no intention<br>&nbsp;&nbsp;&nbsp;&nbsp;of getting chummy with--<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still haven't told you thank you.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you hadn't been here, Himegami<br>&nbsp;&nbsp;&nbsp;&nbsp;would've... Himegami would've...<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that. We're still not certain<br>&nbsp;&nbsp;&nbsp;&nbsp;that she's going to survive.<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, I... I...<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like you're busy,<br>&nbsp;&nbsp;&nbsp;&nbsp;so I'll catch you later.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call Tsuchimikado!<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like he's onto something.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm heading there, too,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I can get away from this lady!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like I was right after all.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, what do<br>&nbsp;&nbsp;&nbsp;&nbsp;we do with this discrepancy?<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Fukiyose?<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you feeling any better?<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm doing fine.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But never mind me, are there<br>&nbsp;&nbsp;&nbsp;&nbsp;any problems at the Daihasei Festival?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens, Himegami is in a real fix.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me those idiots<br>&nbsp;&nbsp;&nbsp;&nbsp;did something again!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Actually, she was attacked<br>&nbsp;&nbsp;&nbsp;&nbsp;by someone, and taken to the hospital.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attacked?!<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Kamijo and his<br>&nbsp;&nbsp;&nbsp;&nbsp;friend hadn't been there,<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;things may have turned out a lot worse.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, the priest just went by!<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mr. Priest!<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A priest?<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is going on in this city?<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay...<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So sure enough, the constellations<br>&nbsp;&nbsp;&nbsp;&nbsp;hold the key to activating it.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but, it was summer when<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro was used before.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I doubt they can substitute the<br>&nbsp;&nbsp;&nbsp;&nbsp;autumn constellations.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something else here.<br>&nbsp;&nbsp;&nbsp;&nbsp;Some gimmick that we haven't figured out.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we don't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;more time to kick it around.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The English Puritan Church?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I reaching the cell phone<br>&nbsp;&nbsp;&nbsp;&nbsp;of Mr. Stiyl Magnus?<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A wrong number?!<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so terribly sorry!<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, that voice--is that you, Orsola?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, then you must be...<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all your help earlier.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to you, I am fitting<br>&nbsp;&nbsp;&nbsp;&nbsp;right in around here--<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, if you have something<br>&nbsp;&nbsp;&nbsp;&nbsp;to report, could you hurry it up?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, yes, the other day,<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Kanzaki showed me where<br>&nbsp;&nbsp;&nbsp;&nbsp;this delicious Japanese restaurant is--<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, tell us whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;information you've discovered already!<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right. I have learned more<br>&nbsp;&nbsp;&nbsp;&nbsp;about the conditions needed<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to use the Croce di Pietro.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is said to be some<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of large-scale fixture<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for using the power of the constellations.<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, but we already knew that.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, is that right?<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, you must also know that<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it can freely activate anywhere<br>&nbsp;&nbsp;&nbsp;&nbsp;in the world, regardless of season.<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I found that together with Miss Sherry,<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought we at long last had something.<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just a second.<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to use the Croce di Pietro,<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one must have a firm grasp of<br>&nbsp;&nbsp;&nbsp;&nbsp;the area where it will be employed,<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then select the most fitting<br>&nbsp;&nbsp;&nbsp;&nbsp;of eighty-eight constellations for that area,<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before the conditions<br>&nbsp;&nbsp;&nbsp;&nbsp;to activate it can be achieved.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean...<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, while there are various restrictions,<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;practically speaking, control by the<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church is possible<br>&nbsp;&nbsp;&nbsp;&nbsp;anywhere in the entire world.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're starting to get it. You mean<br>&nbsp;&nbsp;&nbsp;&nbsp;that Peter allows a lot of latitude<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the location of his martyrdom.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if they chose a location,<br>&nbsp;&nbsp;&nbsp;&nbsp;what about the time?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;St. Peter was put to death on June 29th.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the precise<br>&nbsp;&nbsp;&nbsp;&nbsp;date when the Croce di Pietro<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was used at the Vatican.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean they intentionally<br>&nbsp;&nbsp;&nbsp;&nbsp;took it on that date?<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were prepared to die for it.<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not such an impossible tale.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, Orsola, have you found<br>&nbsp;&nbsp;&nbsp;&nbsp;out at what location they would use<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro in<br>&nbsp;&nbsp;&nbsp;&nbsp;Japan today, September 19th?<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But of course I have found that out.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! Look, look, Mikoto!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A quasi-five-dimensional kaleidoscope!<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, how fascinating!<br>**[13:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay away from those shady goods.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pick something that will be more memorable.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you are being so girly.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You be quiet, you dumb mother!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I know the clammy feel of that gaze...<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sissy, is that lady<br>&nbsp;&nbsp;&nbsp;&nbsp;a member of your family?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! What is this...?<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This... hyperinflated version<br>&nbsp;&nbsp;&nbsp;&nbsp;of Sissy's aura...?<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Damn it, if that is how it is,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I will psych myself up,<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have the both of you bring it on!<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, Kuroko, are you...?<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mikoto, does your girliness<br>&nbsp;&nbsp;&nbsp;&nbsp;swing that way, as well?<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? N-No!<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, Kuroko! Hurry and<br>&nbsp;&nbsp;&nbsp;&nbsp;snap back to reality!<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--Geez, wake up, you!<br>&nbsp;&nbsp;&nbsp;&nbsp;--S-Sissy!<br>**[14:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning! Good morning!<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that boy...<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the reason why<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana was walking around<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was because she was seeing<br>&nbsp;&nbsp;&nbsp;&nbsp;whether that location would work?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Everywhere we've been up to now<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has had buildings or roadside<br>&nbsp;&nbsp;&nbsp;&nbsp;trees blocking out the sky.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That leaves only one point.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she will be going there.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The experimental airport<br>&nbsp;&nbsp;&nbsp;&nbsp;in School District 23?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There won't be anything to<br>&nbsp;&nbsp;&nbsp;&nbsp;obscure the sky there.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry to take so long.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, what is the deal with that lady?<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Every time I used a repel spell,<br>&nbsp;&nbsp;&nbsp;&nbsp;as soon as I left the affected area,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she would catch up to me again.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget about that, what do we do?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 23 is<br>&nbsp;&nbsp;&nbsp;&nbsp;under incredibly tight security.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we going to be able to get in?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no problem.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just use the "Just-this-once"<br>&nbsp;&nbsp;&nbsp;&nbsp;prerogative that only I have.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prerogative?<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is strange.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time for final preparations.<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't there still a short<br>&nbsp;&nbsp;&nbsp;&nbsp;while before the appointed time?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The security situation is changing strangely.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like they've<br>&nbsp;&nbsp;&nbsp;&nbsp;caught on that I'm nearby.<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, the location<br>&nbsp;&nbsp;&nbsp;&nbsp;of our belvedere...<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably. But it seems<br>&nbsp;&nbsp;&nbsp;&nbsp;to be the most practical place.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We won't involve any<br>&nbsp;&nbsp;&nbsp;&nbsp;more civilians here, either.<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case...<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. You get ready, as well.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's now bring Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;under our control.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like pushing a maiden of light,<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unaware of anything<br>&nbsp;&nbsp;&nbsp;&nbsp;before now, into the mud.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had them alter the security<br>&nbsp;&nbsp;&nbsp;&nbsp;status of School District 23 a bit.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take advantage of that confusion.<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro will<br>&nbsp;&nbsp;&nbsp;&nbsp;be activated just after sundown.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably between the hours of 6 and 7.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's ten minutes to the<br>&nbsp;&nbsp;&nbsp;&nbsp;District 23 terminal station.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means once we get there,<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll only have twenty-five<br>&nbsp;&nbsp;&nbsp;&nbsp;minutes before time is up.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to be clear on the matter,<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you intend to face<br>&nbsp;&nbsp;&nbsp;&nbsp;Oriana in your condition?<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish like crazy I could get some rest.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But District 23's security is not so lax<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the two of you can break in alone.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we get on this train,<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no turning back.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Killing will be all that awaits us.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you ready for this, Kamijo Toma?<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. We're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;put a stop to all of this.<br>**[17:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And one other thing...<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember this: I have no<br>&nbsp;&nbsp;&nbsp;&nbsp;intention of ending this with killing.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma isn't here?<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, how do you mean...<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am terribly sorry.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here you have entrusted<br>&nbsp;&nbsp;&nbsp;&nbsp;your precious son to me,<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I cannot account for his actions.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is just one<br>&nbsp;&nbsp;&nbsp;&nbsp;thing we'd like to ask you.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, what is it?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma is acting voluntarily, right?<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He isn't being dragged<br>&nbsp;&nbsp;&nbsp;&nbsp;around by someone else?<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes. That is correct.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, it's something that means<br>&nbsp;&nbsp;&nbsp;&nbsp;more to Toma than competing.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't come up with any<br>&nbsp;&nbsp;&nbsp;&nbsp;reason to stop him, can you?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Turning the skies of<br>&nbsp;&nbsp;&nbsp;&nbsp;heaven to our housetop,<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in order to establish<br>&nbsp;&nbsp;&nbsp;&nbsp;peace in this land,<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I now call on the blessing<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Holy 12 Apostles.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The security around<br>&nbsp;&nbsp;&nbsp;&nbsp;here is focused on the skies.<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There aren't that many<br>&nbsp;&nbsp;&nbsp;&nbsp;places to hide here, after all.<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, how is Oriana<br>&nbsp;&nbsp;&nbsp;&nbsp;getting into the airport?<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She must have<br>&nbsp;&nbsp;&nbsp;&nbsp;already done whatever it is.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, we're running out of time.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, we'll just use that.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're near the public airport.<br>&nbsp;&nbsp;&nbsp;&nbsp;The skies are crowded with both<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;passenger planes<br>&nbsp;&nbsp;&nbsp;&nbsp;and experimental craft.<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The monitoring crafts have<br>&nbsp;&nbsp;&nbsp;&nbsp;to alter their patrol routes regularly,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to prevent mid-air collisions.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we sneak in under their blind spots,<br>&nbsp;&nbsp;&nbsp;&nbsp;we should be able to manage.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Tsuchimikado!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, Kami?<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado!<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you okay, Tsuchimikado?!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on... Kami...!<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Destroy that page...<br>&nbsp;&nbsp;&nbsp;&nbsp;and the two of you go on...!<br>**[19:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl, can't you<br>&nbsp;&nbsp;&nbsp;&nbsp;heal him with your magic?<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think she's going to wait for that?!<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Flame to my hand!<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its form, a sword;<br>&nbsp;&nbsp;&nbsp;&nbsp;its purpose, conviction!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So the saint isn't<br>&nbsp;&nbsp;&nbsp;&nbsp;coming after all, huh?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means,<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess it's just the three of you.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A barrier?<br>&nbsp;&nbsp;&nbsp;&nbsp;She's cut off all communication.<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my!<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so responsive that<br>&nbsp;&nbsp;&nbsp;&nbsp;I can get my satisfaction on the side.<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Break apart!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see you guys still cave all too quickly.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will stop you, right here.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not letting you<br>&nbsp;&nbsp;&nbsp;&nbsp;use the Croce di Pietro.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you mean to mess up Academy City,<br>&nbsp;&nbsp;&nbsp;&nbsp;and ruin the Daihasei Festival,<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I swear, I will stop you!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How unkind to call it "messing up."<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro removes<br>&nbsp;&nbsp;&nbsp;&nbsp;the wall between magic and science,<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and might just lead the<br>&nbsp;&nbsp;&nbsp;&nbsp;people of the world to happiness.<br>**[21:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Happiness?<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How nice. I can kind of see<br>&nbsp;&nbsp;&nbsp;&nbsp;how those words might sound nice.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, the problem I have with it<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that by you using the<br>&nbsp;&nbsp;&nbsp;&nbsp;Croce di Pietro right here and now,<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to wreck the Daihasei Festival!<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So many people treasure<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival.<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how great the religion<br>&nbsp;&nbsp;&nbsp;&nbsp;that you settle down with is,<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way you have the<br>&nbsp;&nbsp;&nbsp;&nbsp;right to deprive them of those feelings!<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that much of<br>&nbsp;&nbsp;&nbsp;&nbsp;an emotionally-charged argument<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is going to sway me?<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's all it takes to hurt you,<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you're out of order to begin with.<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you say the same thing<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in front of Fukiyose and<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, the ones you injured?<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, that's all I<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted to say. Except...<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're still thinking of<br>&nbsp;&nbsp;&nbsp;&nbsp;doing anything in my town,<br>**[22:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will wipe out any illusions of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;till there are no traces left!<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare nimo makenai chikara ga koko ni nai nara*<br>**[22:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*imajin nante kowashite shimaeba ii*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Harimeguru shisutemu bakkappu insutooru wa OK*<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami sae mo shirienai fiirudo ga hiraku*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Juuman no deeta mo isshun no mirakuru sae*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*suisoku fukanou na "ikite'ru katachi" dakara*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dareka wo mamoreru chikara ga hoshii*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karamatta unmei mo kaete ikeru kara*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*subete wa kono te no naka ni aru!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how lofty your goal is--<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how admirable your cause is--<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by no means will I let you do as you please!<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let it end like this!<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Croce di Pietro."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>

# 37 - Croce di Pietro (Apostolic Cross)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro<br>&nbsp;&nbsp;&nbsp;&nbsp;is a nasty piece of work<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that can be used without<br>&nbsp;&nbsp;&nbsp;&nbsp;regard to location or season.<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we do something,<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City will fall under<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox control at sundown.<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way I'm letting that happen!<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#13 Croce di Pietro (Apostolic Cross)"<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my, what a fine<br>&nbsp;&nbsp;&nbsp;&nbsp;place for your head to be!<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's starting to get dark around here.<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, isn't it about<br>&nbsp;&nbsp;&nbsp;&nbsp;time you were getting home?<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or would you rather spend a<br>&nbsp;&nbsp;&nbsp;&nbsp;somewhat stimulating evening with me?<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One more...<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there was just one<br>&nbsp;&nbsp;&nbsp;&nbsp;more thing... One more...<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Its name is flame; its purpose, a sword...<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Manifest! Feed on my<br>&nbsp;&nbsp;&nbsp;&nbsp;body to gain your power...<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Innocentius!<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Innocentius. Fortis 931.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Prove to us now the reason<br>&nbsp;&nbsp;&nbsp;&nbsp;why my name is the greatest!<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Die with me!<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch out, you idiot!<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops--<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ashes to ashes; dust to dust!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vampire Killer Crimson Cross!<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no!<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go home, you klutzy magician!<br>**[04:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You shut up, ride-along!<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Innocentius!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Out of my way, you idiot!<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You stay out of *my* way!<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here? I can't<br>&nbsp;&nbsp;&nbsp;&nbsp;predict their next move like this.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A reference point...<br>&nbsp;&nbsp;&nbsp;&nbsp;I need an absolute reference point...<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A clear rule...<br>&nbsp;&nbsp;&nbsp;&nbsp;whereby everyone is happy,<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and nobody gets<br>&nbsp;&nbsp;&nbsp;&nbsp;dragged into any tragedies<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;brought about by<br>&nbsp;&nbsp;&nbsp;&nbsp;conflicting sets of values...<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ultimate world...<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is why I will win. I will win,<br>&nbsp;&nbsp;&nbsp;&nbsp;and create my own answer.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am... My name is Basis 104!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get down, ride-along!<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are you going?<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're taking *me* on, aren't you?<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's enough out of you.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many people are you going<br>&nbsp;&nbsp;&nbsp;&nbsp;to hurt before you've had enough?<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to hurt anyone, myself.<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I have my objective.<br>**[06:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, get over here. Once I crush you,<br>&nbsp;&nbsp;&nbsp;&nbsp;my purpose will be at an end.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All that's left will be<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Croce di Pietro--<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Roman Orthodox Church to<br>&nbsp;&nbsp;&nbsp;&nbsp;create the world that I desire.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Objective my eye. Stop talking<br>&nbsp;&nbsp;&nbsp;&nbsp;like you're such a bigshot,<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you're allowing others<br>&nbsp;&nbsp;&nbsp;&nbsp;to determine what your future is.<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Letting others determine?<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, and I don't even care who they are.<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as they're<br>&nbsp;&nbsp;&nbsp;&nbsp;someone who can bring into line<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all the principles and policies<br>&nbsp;&nbsp;&nbsp;&nbsp;scattered about the world.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I will categorically<br>&nbsp;&nbsp;&nbsp;&nbsp;defend that reference point.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's your objective, is it?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get all the<br>&nbsp;&nbsp;&nbsp;&nbsp;little details. However,<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot accept the ridiculous proposal<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that we turn over everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who lives in Academy City.<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can talk like that<br>&nbsp;&nbsp;&nbsp;&nbsp;because you don't understand.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've never seen the expression<br>&nbsp;&nbsp;&nbsp;&nbsp;of someone who could do nothing<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but stand there transfixed by<br>&nbsp;&nbsp;&nbsp;&nbsp;the circumstances they fell victim to.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've simply never<br>&nbsp;&nbsp;&nbsp;&nbsp;heard the word "frustrated."<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I haven't,<br>&nbsp;&nbsp;&nbsp;&nbsp;that doesn't make it right for you<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to attack Academy City as you like.<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't use the pretext that<br>&nbsp;&nbsp;&nbsp;&nbsp;it's okay to do good for someone<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if it's on the back of someone else.<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way!<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The problems you're confronting<br>&nbsp;&nbsp;&nbsp;&nbsp;are something felt by everyone.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone stumbles<br>&nbsp;&nbsp;&nbsp;&nbsp;and makes mistakes at times.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, when you<br>&nbsp;&nbsp;&nbsp;&nbsp;fall down, you get back up.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how awkward and<br>&nbsp;&nbsp;&nbsp;&nbsp;badly things turn out, you get back up!<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't go tossing aside<br>&nbsp;&nbsp;&nbsp;&nbsp;other peoples' lives along the way!<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which do you choose, Oriana Thomson--<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To leave everything up to someone else,<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just because you messed up once?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or to extend a hand to those<br>&nbsp;&nbsp;&nbsp;&nbsp;who have failed, despite those failures?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how we'll settle this.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I call upon all the ability<br>&nbsp;&nbsp;&nbsp;&nbsp;dwelling within me.<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unleash my whole soul,<br>&nbsp;&nbsp;&nbsp;&nbsp;and strike the foe before me.<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it...<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For crying out loud,<br>&nbsp;&nbsp;&nbsp;&nbsp;can't you put a little effort<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;into making the tournament a success?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got a bit of a problem.<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't expect much. This is<br>&nbsp;&nbsp;&nbsp;&nbsp;outside my area of expertise, too.<br>**[09:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on... Kami...!<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Guys... you who tried<br>&nbsp;&nbsp;&nbsp;&nbsp;to preserve the present...<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come back to your hospital<br>&nbsp;&nbsp;&nbsp;&nbsp;room before the night parade begins.<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So make sure to sit tight for me.<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was an expression of my readiness...<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not... about to let that<br>&nbsp;&nbsp;&nbsp;&nbsp;be for nothing... at this point!<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stiyl!<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Never mind me,<br>&nbsp;&nbsp;&nbsp;&nbsp;worry about the Croce di Pietro...!<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get Oriana to tell you where it is.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have to keep that relic from activating...<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no need for concern.<br>&nbsp;&nbsp;&nbsp;&nbsp;It will all be over soon.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia Lorenzetti...<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shortly, the Croce di Pietro<br>&nbsp;&nbsp;&nbsp;&nbsp;will initiate its effects,<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Academy City will be<br>&nbsp;&nbsp;&nbsp;&nbsp;converted to Roman Orthodoxy.<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying that those who<br>&nbsp;&nbsp;&nbsp;&nbsp;get in the way, like us, will be purged?<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am just declaring that<br>&nbsp;&nbsp;&nbsp;&nbsp;we will care for your injuries,<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and see that you are healed.<br>&nbsp;&nbsp;&nbsp;&nbsp;That is, of course, if it can be judged<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to be beneficial to the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?!<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't listen to what<br>&nbsp;&nbsp;&nbsp;&nbsp;she says, Kamijo Toma...<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia must be<br>&nbsp;&nbsp;&nbsp;&nbsp;around here somewhere...<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The relic will be with her, too...<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To avoid any misunderstanding,<br>&nbsp;&nbsp;&nbsp;&nbsp;allow me to say,<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Croce di Pietro is<br>&nbsp;&nbsp;&nbsp;&nbsp;not currently in Academy City.<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What...?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Apostolic State that<br>&nbsp;&nbsp;&nbsp;&nbsp;was created by the Croce di Pietro<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was, at its peak,<br>&nbsp;&nbsp;&nbsp;&nbsp;47,000 square kilometers.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I release it<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City,<br>**[11:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will easily cover<br>&nbsp;&nbsp;&nbsp;&nbsp;the entirety of the city.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've been had... Oriana was a decoy...<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is a shame that she was defeated,<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the Croce di Pietro will<br>&nbsp;&nbsp;&nbsp;&nbsp;turn even that to a proper outcome.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The only thing that is important to us<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the fact that science<br>&nbsp;&nbsp;&nbsp;&nbsp;will bow to religion.<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By denying science<br>&nbsp;&nbsp;&nbsp;&nbsp;and showing off our power,<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can restore the Lord's authority.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seek and destroy...<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too much to ask Tsuchimikado<br>&nbsp;&nbsp;&nbsp;&nbsp;to use magic twice at this point.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! Then what are we supposed to do?!<br>**[11:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are not conducting<br>&nbsp;&nbsp;&nbsp;&nbsp;the destruction of Academy City.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we have you renounce<br>&nbsp;&nbsp;&nbsp;&nbsp;the heresy of science,<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we will embrace you<br>&nbsp;&nbsp;&nbsp;&nbsp;as our beloved comrades.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call Tsuchimikado.<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we can use a divination<br>&nbsp;&nbsp;&nbsp;&nbsp;circle to derive Lidvia's location,<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then use my communication<br>&nbsp;&nbsp;&nbsp;&nbsp;magic to reach our outside forces...<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That won't be possible.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world will be converted<br>&nbsp;&nbsp;&nbsp;&nbsp;by the Croce di Pietro...<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...in another 107 seconds.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Checkmate.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't we have anything?<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some final trump card that<br>&nbsp;&nbsp;&nbsp;&nbsp;will turn the situation around?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic that uses the<br>&nbsp;&nbsp;&nbsp;&nbsp;constellations in the night sky...<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...whose starlight is<br>&nbsp;&nbsp;&nbsp;&nbsp;collected here on the ground...<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, how many places<br>&nbsp;&nbsp;&nbsp;&nbsp;outside of Academy City are there<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that could still draw<br>&nbsp;&nbsp;&nbsp;&nbsp;all of Academy City in<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if the Croce di Pietro were used there?<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just shut up and answer me!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With those conditions,<br>&nbsp;&nbsp;&nbsp;&nbsp;what would the farthest point be?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's northern<br>&nbsp;&nbsp;&nbsp;&nbsp;perimeter, by about 1,700 meters.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about it?<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Daihasei Festival Schedule"<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's only...<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Twenty seconds left.<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is all over.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is indeed over, all right.<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And with things finishing like this,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's definitely the end for me.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That *is* what you think, isn't it, Lidvia?<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care how much I could<br>&nbsp;&nbsp;&nbsp;&nbsp;have laid waste to your fantasies,<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I can't even keep a promise<br>&nbsp;&nbsp;&nbsp;&nbsp;to one of my classmates...<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What is this?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What...?<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The time is now exactly<br>&nbsp;&nbsp;&nbsp;&nbsp;6:30 p.m. Didn't you know?<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the time when<br>&nbsp;&nbsp;&nbsp;&nbsp;the night parade starts.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With this much light,<br>&nbsp;&nbsp;&nbsp;&nbsp;it should blot out the stars well enough.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter where you might be.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've been beaten by the light created<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by everyone observing the Daihasei Festival.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You should have looked into who<br>&nbsp;&nbsp;&nbsp;&nbsp;the stars of the Daihasei Festival are.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What will it be? If you agree<br>&nbsp;&nbsp;&nbsp;&nbsp;to destroy the Croce di Pietro,<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and to never again<br>&nbsp;&nbsp;&nbsp;&nbsp;mess with Academy City,<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that's good enough for me.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious? Have you forgotten<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I am a devout believer<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church?<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case,<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's keep playing tag with one<br>&nbsp;&nbsp;&nbsp;&nbsp;another, like the field day this is,<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia Lorenzetti.<br>**[15:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, without saying a word to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you ended up getting pounded<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by participating in a magic battle<br>&nbsp;&nbsp;&nbsp;&nbsp;for the fate of Academy City<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the whole world, and had to<br>&nbsp;&nbsp;&nbsp;&nbsp;be taken to the hospital, is that it?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but Miss Index,<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever magic comes up,<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you come traipsing right<br>&nbsp;&nbsp;&nbsp;&nbsp;into the middle of the incident.<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! The way you say that<br>&nbsp;&nbsp;&nbsp;&nbsp;very much makes me sound foolish!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bzzt! The fact that you<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't figured it out before<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;means that you really are--<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, dear, what a pleasant sight, yet again.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were just having a serious talk,<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't butt in, short-hair!<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kuroko...<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay for the general public<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to assist in Judgment's<br>&nbsp;&nbsp;&nbsp;&nbsp;security duties, right?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, not inside<br>&nbsp;&nbsp;&nbsp;&nbsp;a hospital, of all places.<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine. Did you<br>&nbsp;&nbsp;&nbsp;&nbsp;see today's final results?<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our school slipped easily past<br>&nbsp;&nbsp;&nbsp;&nbsp;your school to come out on top!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you go forgetting<br>&nbsp;&nbsp;&nbsp;&nbsp;about the penalty game.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, as far as the penalty game,<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't participate in<br>&nbsp;&nbsp;&nbsp;&nbsp;anything in my condition, so...<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? Well...<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what if your life depended on it?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, that poor Oriana Thomson.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must save all those lost,<br>&nbsp;&nbsp;&nbsp;&nbsp;captive sinners, personally.<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Ah-ah ♪ Attention, please.<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Laura Stuart, archbishop<br>&nbsp;&nbsp;&nbsp;&nbsp;of the English Puritan Church--<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're not going<br>&nbsp;&nbsp;&nbsp;&nbsp;to say something cold,<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like I have to identify myself,<br>&nbsp;&nbsp;&nbsp;&nbsp;are you, Miss Lidvia?<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, here in this private jet...?<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you stopped at Haneda,<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had something pasted<br>&nbsp;&nbsp;&nbsp;&nbsp;to the wall of your fuselage.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As creepy as ever, I see.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more backed into a corner you get,<br>&nbsp;&nbsp;&nbsp;&nbsp;the more apt you are to cackle.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if there's anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to be done about that.<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The more difficult the situation is,<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greater the joy I feel<br>&nbsp;&nbsp;&nbsp;&nbsp;when I break free of it.<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must give thanks to the Lord.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The higher the obstacle is,<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greater the thrill at the<br>&nbsp;&nbsp;&nbsp;&nbsp;moment you overcome it, you say?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was just thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;there is some truth to that,<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you swine facing a steep cliff.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lidvia, if you renounce the Roman<br>&nbsp;&nbsp;&nbsp;&nbsp;teachings and come kiss at my feet,<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would be willing to save you.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an absurd thing to say!<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see.<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, go ahead and make<br>&nbsp;&nbsp;&nbsp;&nbsp;a crater, together with that thing.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Croce di Pietro!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't allow it!<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this speed, I can make it.<br>
&nbsp;&nbsp;&nbsp;&nbsp;No, I *must* make it!<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will be right down to the wire,<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;which makes it all the more thrilling!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now, Lidvia, which will you choose?<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The world's greatest relic,<br>&nbsp;&nbsp;&nbsp;&nbsp;or a poor, lost lamb?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greater the difficulty,<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the greater your joy<br>&nbsp;&nbsp;&nbsp;&nbsp;will be when you overcome it,<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for getting to walk all over me,<br>&nbsp;&nbsp;&nbsp;&nbsp;the one who placed you in it, right?<br>**[19:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Walk all over you?<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To rub your proud face in it...<br>&nbsp;&nbsp;&nbsp;&nbsp;as much as I like...?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are reeling quite thoroughly<br>&nbsp;&nbsp;&nbsp;&nbsp;after this, aren't we?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The development of the Imagine Breaker,<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is to be our key, is as yet unstable.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am unsure whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not this will be feasible.<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may have to consider the possibility<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that I myself will have to go forth.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sleeping on the<br>&nbsp;&nbsp;&nbsp;&nbsp;bench in the waiting room,<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but come morning,<br>&nbsp;&nbsp;&nbsp;&nbsp;they said I couldn't stay there,<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came to your comfortable bed.<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you all better now?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. From what<br>&nbsp;&nbsp;&nbsp;&nbsp;the frog doctor told me,<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should be able to<br>&nbsp;&nbsp;&nbsp;&nbsp;get out today or tomorrow.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aisa, you seem a little<br>&nbsp;&nbsp;&nbsp;&nbsp;bit lonely to me. How come?<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he go and do something<br>&nbsp;&nbsp;&nbsp;&nbsp;crazy again this time?<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, that's right.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. I haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;heard all the details yet,<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but apparently, some<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox magicians<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were using the "Daihasei Festival"<br>&nbsp;&nbsp;&nbsp;&nbsp;thing to launch an attack.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, Toma once again went<br>&nbsp;&nbsp;&nbsp;&nbsp;off without saying anything to me,<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and after running off<br>&nbsp;&nbsp;&nbsp;&nbsp;helter-skelter by himself,<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;only told me about it like he<br>&nbsp;&nbsp;&nbsp;&nbsp;was making an after-incident report!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... Then it could have been anyone.<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He helps anyone who<br>&nbsp;&nbsp;&nbsp;&nbsp;is in trouble, and not just me.<br>**[21:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Perhaps I really shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;have had him help me.<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may be nothing more than<br>&nbsp;&nbsp;&nbsp;&nbsp;a bother to everyone else, huh?<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, that's not true!<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, Toma seems to enjoy<br>&nbsp;&nbsp;&nbsp;&nbsp;himself when he's with you, Aisa.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Fukiyose, what's the big idea,<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;coming into my<br>&nbsp;&nbsp;&nbsp;&nbsp;hospital room and slapping me?<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You hush! Anyone would be startled<br>&nbsp;&nbsp;&nbsp;&nbsp;when they suddenly see a guy naked!<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who came in while<br>&nbsp;&nbsp;&nbsp;&nbsp;I was changing my clothes, right?<br>**[21:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?!<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, do you know why<br>&nbsp;&nbsp;&nbsp;&nbsp;he fights like he does?<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I asked him once,<br>&nbsp;&nbsp;&nbsp;&nbsp;he said it was for himself.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe for Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's what makes him happy.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;destiny that entwines me*<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If I lack the power to<br>
&nbsp;&nbsp;&nbsp;&nbsp;not be outdone by anyone*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can always destroy that illusion*<br>**[23:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The laid out system<br>
&nbsp;&nbsp;&nbsp;&nbsp;backup install is okay*<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Fields unknown even<br>
&nbsp;&nbsp;&nbsp;&nbsp;to God become opened*<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's a "living form" that not even data*<br>**[23:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*from 100,000 memories<br>
&nbsp;&nbsp;&nbsp;&nbsp;in a moment's miracle can infer*<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In a Magic∞world exciting<br>
&nbsp;&nbsp;&nbsp;&nbsp;time or space there's no limit*<br>**[23:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I want the power it<br>
&nbsp;&nbsp;&nbsp;&nbsp;takes to protect somebody*<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I can change even<br>
&nbsp;&nbsp;&nbsp;&nbsp;the destiny that entwines me*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*so I have everything in my hand!*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For good or ill, Index and<br>&nbsp;&nbsp;&nbsp;&nbsp;I are suddenly off to Italy.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now that we're here,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's relax and do some sightseeing!<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Orsola? And the Amakusa?<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "City of Water."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 38 - City of Water

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;am an unlucky person.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just look back over the last seven<br>&nbsp;&nbsp;&nbsp;&nbsp;days of the Daihasei Festival,<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you'll be able to tell.<br>**[00:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even having cleared up the<br>&nbsp;&nbsp;&nbsp;&nbsp;outrageous problem from the first day,<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the second day onward,<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I accidentally witnessed<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe changing...<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...immediately got head-butted by a<br>&nbsp;&nbsp;&nbsp;&nbsp;completely recovered Fukiyose Seiri...<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...was hit by a gumball from the<br>&nbsp;&nbsp;&nbsp;&nbsp;wheelchair Himegami Aisa was in...<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and right as I was being forced<br>&nbsp;&nbsp;&nbsp;&nbsp;to do a folk dance with Misaka Mikoto...<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I took a dropkick to the back of<br>&nbsp;&nbsp;&nbsp;&nbsp;the head from Shirai Kuroko.<br>**[01:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For some reason,<br>&nbsp;&nbsp;&nbsp;&nbsp;I feel run pretty ragged now.<br>**[01:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To repeat, I, Kamijo Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;am an unlucky--<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Congratulations!<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the Spectator Numbers game,<br>&nbsp;&nbsp;&nbsp;&nbsp;held on the last day of the Daihasei Festival,<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the number you<br>&nbsp;&nbsp;&nbsp;&nbsp;selected took first place!<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your prize is... a 7-day, 5-night<br>&nbsp;&nbsp;&nbsp;&nbsp;trip for two to Northern Italy!<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"1st Place: Northern Italy<br>&nbsp;&nbsp;&nbsp;&nbsp;(7-day, 5-night trip for two)"<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Spectator Numbers"<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? A trip to Italy?<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#14 City of Water<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to keep harping on it, but I,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma, am an unlucky person.<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have a passport, do I?!<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's a passport?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew it, all right. I knew<br>&nbsp;&nbsp;&nbsp;&nbsp;this would happen from the start.<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's only two days to the trip.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I requested<br>&nbsp;&nbsp;&nbsp;&nbsp;a passport today-- Huh?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well if it isn't my passport!<br>**[03:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you know?<br>&nbsp;&nbsp;&nbsp;&nbsp;Have I ever gone overseas?<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got something a lot like that!<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you don't have any<br>&nbsp;&nbsp;&nbsp;&nbsp;stamps or writing in here, you know!<br>**[03:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just how did you manage to<br>&nbsp;&nbsp;&nbsp;&nbsp;get all the way here?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, Toma,<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I've got one of those,<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;does that mean I can go<br>&nbsp;&nbsp;&nbsp;&nbsp;on your trip together with you?<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er... Huh?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I get the<br>&nbsp;&nbsp;&nbsp;&nbsp;feeling it would be okay.<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite the fact that<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm an unlucky person.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"International Airport"<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't forgotten anything, right?<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your wallet, your passport,<br>&nbsp;&nbsp;&nbsp;&nbsp;your plane ticket,<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;your necessary documents,<br>&nbsp;&nbsp;&nbsp;&nbsp;something to change into...<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh, what else?<br>**[04:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma! Why are you<br>&nbsp;&nbsp;&nbsp;&nbsp;being such a worrywart over this?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it's okay to enjoy this, isn't it?<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! For these seven days<br>&nbsp;&nbsp;&nbsp;&nbsp;and five nights in Northern Italy,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to relish some happiness<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the first time in a long, long while!<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Uh, is something wrong?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn! We have to run, Index!<br>&nbsp;&nbsp;&nbsp;&nbsp;You need something more proper to wear,<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or they won't let us on the plane!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What, Toma?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to buy me some clothes?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shopping area is<br>&nbsp;&nbsp;&nbsp;&nbsp;another 1.5 kilometers ahead.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We only have twenty-eight minutes<br>&nbsp;&nbsp;&nbsp;&nbsp;before the plane takes off!<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it! I knew this would be my luck!<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, we sure are close to the sea, huh?<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would be more accurate<br>&nbsp;&nbsp;&nbsp;&nbsp;to say the sea surrounds us<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;than to say we're close to it.<br>&nbsp;&nbsp;&nbsp;&nbsp;The center of Chioggia here<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is an island city in the Adriatic Sea.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoo... after running around<br>&nbsp;&nbsp;&nbsp;&nbsp;buying a ton of safety pins<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;after getting to the airport and<br>&nbsp;&nbsp;&nbsp;&nbsp;having our guide leave us behind,<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was worried there for a<br>&nbsp;&nbsp;&nbsp;&nbsp;second what would happen,<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we finally made it here.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For you to survive in an<br>&nbsp;&nbsp;&nbsp;&nbsp;international society nowadays, Toma,<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should speak<br>&nbsp;&nbsp;&nbsp;&nbsp;at least three languages.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ungh, having a crazy Sister<br>&nbsp;&nbsp;&nbsp;&nbsp;like you talking to me about<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"nowadays" and "at leasts" is too much.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can eat after we<br>&nbsp;&nbsp;&nbsp;&nbsp;drop off our luggage at the hotel.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! You don't have<br>&nbsp;&nbsp;&nbsp;&nbsp;to come out and say so!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, the food is fine and all,<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that authentic squid ink gelato?<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but once we finish checking in,<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's go into Venice!<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've always wanted to ride in a gondola!<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Index!<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! Index!<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I keep this up,<br>
&nbsp;&nbsp;&nbsp;&nbsp;*I'm* the one who'll end up lost.<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;[speaking Italian]<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;[speaking Italian]<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"H-Hallo." No, that's not it. What is it?<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;[speaking Italian]<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;[speaking Italian]<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, should I not<br>&nbsp;&nbsp;&nbsp;&nbsp;have done that just now?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looked to me like you<br>&nbsp;&nbsp;&nbsp;&nbsp;were at a loss as to what to do.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Orsola?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing in a place like this?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I kind of won a 7-day,<br>&nbsp;&nbsp;&nbsp;&nbsp;5-night trip to Northern Italy.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, Orsola,<br>&nbsp;&nbsp;&nbsp;&nbsp;why are you here?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were in London.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still kept a residence<br>&nbsp;&nbsp;&nbsp;&nbsp;here until just the other day.<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I, you know, moved<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Roman Orthodox Church<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the English Puritan Church,<br>&nbsp;&nbsp;&nbsp;&nbsp;it was a bit of a commotion.<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have some<br>&nbsp;&nbsp;&nbsp;&nbsp;things remaining here,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the Amakusa are kind enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to help out, just like movers.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, the Amakusa?<br>
&nbsp;&nbsp;&nbsp;&nbsp;You mean *those* Amakusa?<br>**[08:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, were you out shopping?<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh, no, actually,<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while I'm glad to have come<br>&nbsp;&nbsp;&nbsp;&nbsp;here together with Index,<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she up and disappeared somewhere.<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then our meeting<br>&nbsp;&nbsp;&nbsp;&nbsp;here is a turn of fate.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This works out perfectly. Can I ask<br>&nbsp;&nbsp;&nbsp;&nbsp;you to help me move my things?<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, like I said,<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to find Index, so...<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, if you are looking for Miss Index...<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma! Toma!<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! As delicious as the gelato is here,<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this is still the discount,<br>&nbsp;&nbsp;&nbsp;&nbsp;economy size!<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yum!<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...I saw her pressed up against<br>&nbsp;&nbsp;&nbsp;&nbsp;the window of a storefront<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;specializing in gelato<br>&nbsp;&nbsp;&nbsp;&nbsp;a short while ago,<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I asked a friend of mine to<br>&nbsp;&nbsp;&nbsp;&nbsp;invite her back to my residence.<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you left me behind...<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Orsola, is lunch ready yet?<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is almost time.<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hooray!<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the man who is a<br>&nbsp;&nbsp;&nbsp;&nbsp;respected colleague of His Holiness?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, how powerful can he be?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You only question as much<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you did not assist<br>&nbsp;&nbsp;&nbsp;&nbsp;in rescuing Sister Orsola.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the gentleman<br>&nbsp;&nbsp;&nbsp;&nbsp;who went up against<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Warrior Sisters unarmed,<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and declared war<br>&nbsp;&nbsp;&nbsp;&nbsp;against them all by himself.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He has also witnessed<br>&nbsp;&nbsp;&nbsp;&nbsp;the Priestess in the altogether,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and despite being belted by<br>&nbsp;&nbsp;&nbsp;&nbsp;her Shichiten Shichito sword's sheath,<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he did not even<br>&nbsp;&nbsp;&nbsp;&nbsp;need bandaging afterward.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a monster.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of screwed-up<br>&nbsp;&nbsp;&nbsp;&nbsp;appraisal is that?<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! This looks delicious!<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow! This looks delicious!<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But are you sure? We haven't<br>&nbsp;&nbsp;&nbsp;&nbsp;helped out with moving at all yet.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The offering of my hospitality<br>&nbsp;&nbsp;&nbsp;&nbsp;to you two comes first.<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, don't mind if we do.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to use this?<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa, how do you feel your<br>&nbsp;&nbsp;&nbsp;&nbsp;wet towel operation went?<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dummy, it's too<br>&nbsp;&nbsp;&nbsp;&nbsp;soon to see any results.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let things run their course.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't this kind of taking the long way?<br>**[10:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't they going to eat with us?<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said that they<br>&nbsp;&nbsp;&nbsp;&nbsp;are in training or something,<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that they must<br>&nbsp;&nbsp;&nbsp;&nbsp;observe a set meal etiquette.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead, please,<br>&nbsp;&nbsp;&nbsp;&nbsp;before your food becomes cold.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, then--<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for this meal!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for this meal!<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yum!<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yum!<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? Can pasta<br>&nbsp;&nbsp;&nbsp;&nbsp;really be this delicious?<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This tastes about 500 times better<br>&nbsp;&nbsp;&nbsp;&nbsp;than what you always make, Toma.<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got no right to complain,<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this really is good,<br>&nbsp;&nbsp;&nbsp;&nbsp;so who cares? Yum!<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yum! Yum!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, is the purpose<br>&nbsp;&nbsp;&nbsp;&nbsp;of your trip to see Venice?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, yeah it is, but we<br>&nbsp;&nbsp;&nbsp;&nbsp;can't seem to reach our tour guide.<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would love for you to see Venice.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The City of Water,"<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Queen of the Adriatic,"<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it is expressed in many<br>&nbsp;&nbsp;&nbsp;&nbsp;ways, so beautiful the city is.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I guess<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll go have a look. Index...<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;(As long as I have this food,<br>&nbsp;&nbsp;&nbsp;&nbsp;I could stay here forever)<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you even saying?<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All righty...<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess packing the dishes is next.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola! Where did you say<br>&nbsp;&nbsp;&nbsp;&nbsp;your stock of newspaper is?<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is right over here.<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The pairing of that voice<br>&nbsp;&nbsp;&nbsp;&nbsp;and the sound of water means...<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! Toma!<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting to get all dirty.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you like, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;welcome to take a shower.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must be worn<br>&nbsp;&nbsp;&nbsp;&nbsp;out from your long trip.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa-ho! It's the<br>&nbsp;&nbsp;&nbsp;&nbsp;old bathroom trap, is it?<br>**[12:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whew, I almost fell for it, too--<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A voice coming from here, too?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is going on?<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a fundamental premise<br>&nbsp;&nbsp;&nbsp;&nbsp;that there are not two bathrooms.<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of them will be,<br>&nbsp;&nbsp;&nbsp;&nbsp;the other one won't be.<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, what kind of choice<br>&nbsp;&nbsp;&nbsp;&nbsp;between two extremes is this?!<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right... no, left... No, wait!<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The shower sounds<br>&nbsp;&nbsp;&nbsp;&nbsp;are only coming from the left,<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the correct answer is... the right!<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured it out!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that moment, I wondered to myself,<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why didn't I think of the simple solution<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of knocking first to make<br>&nbsp;&nbsp;&nbsp;&nbsp;sure what was inside?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um...<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! This way's the bathroom?!<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm sorry, Orsola!<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah!<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-There's a stifling breeze coming<br>&nbsp;&nbsp;&nbsp;&nbsp;out of this stick with a roar--!<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, a bathroom<br>
&nbsp;&nbsp;&nbsp;&nbsp;on the right *and* the left?!<br>**[13:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are *two* bathrooms in this house?!<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes. One for daily use,<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the second one<br>&nbsp;&nbsp;&nbsp;&nbsp;was put in for religious use.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, because of the move,<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;its function as a baptistery<br>&nbsp;&nbsp;&nbsp;&nbsp;has been discontinued.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is outrageous! I call foul!<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you here to begin with, Toma?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And why, after seeing us naked,<br>&nbsp;&nbsp;&nbsp;&nbsp;do I not hear you saying you're sorry?<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, you see, Miss Index,<br>&nbsp;&nbsp;&nbsp;&nbsp;I needed some newspaper, so--<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just my luck!<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my goodness.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, if you would be so kind...<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank you for all<br>&nbsp;&nbsp;&nbsp;&nbsp;you have done, both of you.<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am so sorry to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;you occupied for so long.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you going to do now, Orsola?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you like to go around<br>&nbsp;&nbsp;&nbsp;&nbsp;seeing the sights with us?<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no, not at all. Are you asking<br>&nbsp;&nbsp;&nbsp;&nbsp;me to follow along after you,<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with the two of you heading to your hotel?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, three's a crowd...<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? Three's a crowd?<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need to ask, and no need<br>&nbsp;&nbsp;&nbsp;&nbsp;to know what she means, Index!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I would like to go around<br>&nbsp;&nbsp;&nbsp;&nbsp;Chioggia and say my goodbyes.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have lived in the city<br>&nbsp;&nbsp;&nbsp;&nbsp;for a long time, after all.<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is something<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't exactly want you to see.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I may develop a<br>&nbsp;&nbsp;&nbsp;&nbsp;less-than-dignified look on my face.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[15:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I will be leaving.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever get the chance,<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will invite you to my<br>&nbsp;&nbsp;&nbsp;&nbsp;apartment in London, as well.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, same here.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you ever get to Japan again...<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But before that happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma may need to clean the place up.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, this can't be...<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone, get down!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;AATR.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola!<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Index was disturbed<br>&nbsp;&nbsp;&nbsp;&nbsp;by this, it means...<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Magic!<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where's it coming from?<br>&nbsp;&nbsp;&nbsp;&nbsp;Who's doing it?<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;ISICBI.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about the sniper?!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right. It's already dealt with.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dealt with? What did you do?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they are aiming at us from a distance,<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the situation here is being<br>&nbsp;&nbsp;&nbsp;&nbsp;carefully relayed to the enemy.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that no matter where they are,<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they have to be taking<br>&nbsp;&nbsp;&nbsp;&nbsp;in my spell intercept.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that the sniper?!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, this is crazy!<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can something like<br>&nbsp;&nbsp;&nbsp;&nbsp;this pop up out of the canal?<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola, let's just get in the boat!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;R-Right.<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is glass... no, is it ice?<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Are you okay?! Toma!<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why is a huge ship like<br>&nbsp;&nbsp;&nbsp;&nbsp;this going down the canal?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like we are headed away from land.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Just where are<br>&nbsp;&nbsp;&nbsp;&nbsp;they planning on heading?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>&nbsp;&nbsp;&nbsp;&nbsp;They appear to be searching for us.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. But...<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...we can't really jump off to get away.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just hide for now,<br>&nbsp;&nbsp;&nbsp;&nbsp;and wait for our chance to escape.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[20:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, what is going on here?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please excuse the intrusion.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they go so far as to<br>&nbsp;&nbsp;&nbsp;&nbsp;use something as outrageous as this<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to come and attack me?<br>**[20:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The robes they were wearing<br>&nbsp;&nbsp;&nbsp;&nbsp;looked a lot like your habit, Orsola.<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it is reasonable that<br>&nbsp;&nbsp;&nbsp;&nbsp;you would take them to be members<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church.<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that this must<br>&nbsp;&nbsp;&nbsp;&nbsp;concern the Book of the Law, all right.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That whole incident<br>&nbsp;&nbsp;&nbsp;&nbsp;should have been settled<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by my going over to<br>&nbsp;&nbsp;&nbsp;&nbsp;the English Puritan Church.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ship is not the enemy's stronghold;<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;one might say that it is<br>&nbsp;&nbsp;&nbsp;&nbsp;just one part of the larger whole.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess Chioggia is too small<br>&nbsp;&nbsp;&nbsp;&nbsp;a place for all of them to deploy.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think Index is okay?<br>**[21:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can still use my cell phone,<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but damn it, sure enough,<br>&nbsp;&nbsp;&nbsp;&nbsp;she didn't charge hers.<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, will the signal<br>&nbsp;&nbsp;&nbsp;&nbsp;reach out at sea?<br>**[21:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not sure.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-The door!<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bad! Hide someplace, Orsola!<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But where, exactly?<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hell, right here!<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First thing to do is to close the door--<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese...?<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it<br>
&nbsp;&nbsp;&nbsp;&nbsp;was okay to be alone*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't turn back time that has passed*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being<br>
&nbsp;&nbsp;&nbsp;&nbsp;there as the seasons roll around*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;broken clock start up again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may<br>
&nbsp;&nbsp;&nbsp;&nbsp;be a helpless piece of junk*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how<br>
&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can change that*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An outrageous operation<br>&nbsp;&nbsp;&nbsp;&nbsp;that involves Agnese...<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A secret organization,<br>&nbsp;&nbsp;&nbsp;&nbsp;called the Queen of the Adriatic...<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Tatemiya?!<br>&nbsp;&nbsp;&nbsp;&nbsp;You and the Amakusa, too?!<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Queen's Fleet."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 39 - Queen's Fleet

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese...?<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait!<br>**[00:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you would wait just a moment!<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you two doing around<br>&nbsp;&nbsp;&nbsp;&nbsp;the Queen of the Adriatic Sea?<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... we just happened to<br>&nbsp;&nbsp;&nbsp;&nbsp;end up on the ship by chance.<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the "Queen of the Adriatic Sea"<br>&nbsp;&nbsp;&nbsp;&nbsp;the name of this ice fleet?<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fleet's name<br>&nbsp;&nbsp;&nbsp;&nbsp;is the "Queen's Fleet."<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ship is one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the escort vessels.<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, you really<br>&nbsp;&nbsp;&nbsp;&nbsp;don't know anything, do you?<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly are you doing here?<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm helping to<br>&nbsp;&nbsp;&nbsp;&nbsp;search for intruders.<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, I never imagined the<br>&nbsp;&nbsp;&nbsp;&nbsp;intruders would be you two.<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I might be able to take<br>&nbsp;&nbsp;&nbsp;&nbsp;advantage of this.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just barely got roped into all of this.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to keep<br>&nbsp;&nbsp;&nbsp;&nbsp;yammering like that, I'll scream.<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'd best not get on my bad<br>&nbsp;&nbsp;&nbsp;&nbsp;side if you want to get out of here.<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, we have<br>&nbsp;&nbsp;&nbsp;&nbsp;no choice but to obey her.<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what is in it for you<br>&nbsp;&nbsp;&nbsp;&nbsp;if you allow us to escape?<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compensation. As long<br>&nbsp;&nbsp;&nbsp;&nbsp;as I get that, we'll be fine.<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yubi de hajiku koin mitsumeta*<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Omote nara GO Ura wa STAY*<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mazu kotae wo kikasete*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Douka oshiete kuremasen ka?"*<br>**[02:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tenshi wa misadameru egao no mama*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Mayoe! Sono te wo hiku mono nado inai*<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kami ga kudasu sono kotae wa fukou datta*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sou sore koso kami kara no okurimono*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Norikoetara miete kuru sa dakara ima sugu<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#15 Queen's Fleet<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is this "Queen's<br>&nbsp;&nbsp;&nbsp;&nbsp;Fleet" in the first place?<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, it's a fleet built to<br>&nbsp;&nbsp;&nbsp;&nbsp;patrol the Adriatic Sea.<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I had never heard of it before.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are only a very few<br>&nbsp;&nbsp;&nbsp;&nbsp;departments that do know about it.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We were attacked out of nowhere<br>&nbsp;&nbsp;&nbsp;&nbsp;by the guys on this boat.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure this fleet<br>&nbsp;&nbsp;&nbsp;&nbsp;was instituted just for patrolling?<br>**[03:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you literally got<br>&nbsp;&nbsp;&nbsp;&nbsp;caught by one of the patrols.<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are the people who ruined<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church's project.<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, one of you is here<br>&nbsp;&nbsp;&nbsp;&nbsp;from Japan, and the other from London.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, all pretense aside,<br>&nbsp;&nbsp;&nbsp;&nbsp;this is actually a kind of labor camp.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's where they gather offenders like me,<br>**[04:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have us work off the<br>&nbsp;&nbsp;&nbsp;&nbsp;losses that we have incurred.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why about the only ones<br>&nbsp;&nbsp;&nbsp;&nbsp;on this ship are my squad--<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or rather, my former<br>&nbsp;&nbsp;&nbsp;&nbsp;squad of Sisters.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, to get to the point,<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in return for letting you two get away,<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to find<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Lucia and Sister Angelene,<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and rescue the two<br>&nbsp;&nbsp;&nbsp;&nbsp;of them from this place.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By rescue, you mean...<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those two used a<br>&nbsp;&nbsp;&nbsp;&nbsp;magic spell to outfox the scouts,<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and broke out of the lockup.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The two of them were<br>&nbsp;&nbsp;&nbsp;&nbsp;apparently planning to rescue us,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once they had<br>&nbsp;&nbsp;&nbsp;&nbsp;their preparations in place.<br>**[04:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the two of them were brought back,<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and had the book thrown at them?<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Preventing their<br>&nbsp;&nbsp;&nbsp;&nbsp;breakout spell must come first.<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They'll probably be processed to<br>&nbsp;&nbsp;&nbsp;&nbsp;keep them from using the spell again.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Processed?<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you talking about having<br>&nbsp;&nbsp;&nbsp;&nbsp;their powers of thought taken from them?<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Meaning, the violation<br>&nbsp;&nbsp;&nbsp;&nbsp;of their brain structure?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to rescue them before<br>&nbsp;&nbsp;&nbsp;&nbsp;that happens. That's my request.<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing so will also give<br>&nbsp;&nbsp;&nbsp;&nbsp;you the spell to escape, right?<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, but isn't the spell already<br>&nbsp;&nbsp;&nbsp;&nbsp;known to the Roman Orthodoxy?<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen's Fleet has a<br>&nbsp;&nbsp;&nbsp;&nbsp;major operation ahead of them.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't afford to be distracted<br>&nbsp;&nbsp;&nbsp;&nbsp;by a couple of people breaking out.<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will head to the<br>&nbsp;&nbsp;&nbsp;&nbsp;flagship as a diversion.<br>**[05:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While I'm gone,<br>&nbsp;&nbsp;&nbsp;&nbsp;please come up with something.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you saying you're helping us?<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not helping you, just using you.<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're caught too, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Run away with us.<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the overseers are afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;of is an uprising by the laborers.<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm something of a mental safety<br>&nbsp;&nbsp;&nbsp;&nbsp;device to guard against that,<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you can call it that.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have the authority to walk<br>&nbsp;&nbsp;&nbsp;&nbsp;around freely aboard the ship,<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and am also exempt from the labor.<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's surprisingly comfortable<br>&nbsp;&nbsp;&nbsp;&nbsp;living aboard here.<br>**[05:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters Lucia and Angelene have<br>&nbsp;&nbsp;&nbsp;&nbsp;nowhere to go, though.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They should have just gotten away themselves.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you are lucky enough to get out of here,<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;be sure not to get involved with<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church again.<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. But now that<br>&nbsp;&nbsp;&nbsp;&nbsp;we're so vastly outnumbered,<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not so sure<br>&nbsp;&nbsp;&nbsp;&nbsp;we're getting out of this.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh? Is that something the<br>&nbsp;&nbsp;&nbsp;&nbsp;guy who earlier went up against<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so many Sisters<br>&nbsp;&nbsp;&nbsp;&nbsp;singlehandedly would say?<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-Thanks.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your habit--<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it was specially adorned to provide<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a magical restraining effect, was it?<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shh!<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that is the Queen's Fleet,<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then it won't do any<br>&nbsp;&nbsp;&nbsp;&nbsp;good for me to go alone.<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no one here, is there?<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No. Agnese did say<br>&nbsp;&nbsp;&nbsp;&nbsp;it was mostly unmanned.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the room where<br>&nbsp;&nbsp;&nbsp;&nbsp;Lucia and Angelene are.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stand back, Orsola!<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This suit of armor is like a<br>&nbsp;&nbsp;&nbsp;&nbsp;robot that runs on magic, is it?<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. It appears to be part<br>&nbsp;&nbsp;&nbsp;&nbsp;of this ship, in an altered form.<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't move!<br>**[07:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How do you think we destroyed that?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops, I spoke in<br>&nbsp;&nbsp;&nbsp;&nbsp;Japanese without thinking,<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you still understand me, right?<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you choose not to heed my warning,<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will just have to use this.<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have come to rescue you.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think we<br>&nbsp;&nbsp;&nbsp;&nbsp;will believe what you say?<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you see...<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as what Agnese told us,<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you guys can perform the magic<br>&nbsp;&nbsp;&nbsp;&nbsp;we need to get us out of here.<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she told us to rescue you<br>&nbsp;&nbsp;&nbsp;&nbsp;and get you to cooperate with us.<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sister Agnese, you say?<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Consider for a moment<br>&nbsp;&nbsp;&nbsp;&nbsp;the possibility that this is a trap!<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the enemy stronghold.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot imagine any<br>&nbsp;&nbsp;&nbsp;&nbsp;reason why we would go so far<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as to even use Sister Agnese's<br>&nbsp;&nbsp;&nbsp;&nbsp;name just to rescue you.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Lucia...<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. There is some<br>&nbsp;&nbsp;&nbsp;&nbsp;logic to what you're saying.<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, how is it that we escape?<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would take too long to explain.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene...<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, um...<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Awesome!<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A subclass of the magic<br>&nbsp;&nbsp;&nbsp;&nbsp;that uses ice to build ships<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can open up voids within them.<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By taking advantage of this,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can solidify seawater<br>**[09:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to create seabed coasters.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's wrong?!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It looks like our restraint<br>&nbsp;&nbsp;&nbsp;&nbsp;clothing is also equipped<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with a kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;countermeasure spell.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we follow the right procedure<br>&nbsp;&nbsp;&nbsp;&nbsp;and break apart the seams,<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we can disrupt part of<br>&nbsp;&nbsp;&nbsp;&nbsp;the restraint functionality.<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disrupt?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then look, there's a<br>&nbsp;&nbsp;&nbsp;&nbsp;quicker way for me to--<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now, don't tell me you<br>
&nbsp;&nbsp;&nbsp;&nbsp;mean to strip *them* bare naked, too.<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going to happen to us now?<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;More importantly...<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...there's something about<br>&nbsp;&nbsp;&nbsp;&nbsp;tonight's supper that bothers me.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you mean?<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing in this world is<br>&nbsp;&nbsp;&nbsp;&nbsp;more important than the Lord.<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It bothered me, too.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three days in a row now,<br>&nbsp;&nbsp;&nbsp;&nbsp;they used olives as the secret ingredient.<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, and the baths<br>&nbsp;&nbsp;&nbsp;&nbsp;are a little too hot, too, huh?<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Secret ingredients<br>&nbsp;&nbsp;&nbsp;&nbsp;don't make any difference!<br>**[10:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And also, the baths<br>&nbsp;&nbsp;&nbsp;&nbsp;are lukewarm, if anything!<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You think so?<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's true, the grown-ups do not<br>&nbsp;&nbsp;&nbsp;&nbsp;seem to pay it too much mind...<br>**[10:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which would mean...<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is something the matter?<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-If you're going to have a word<br>&nbsp;&nbsp;&nbsp;&nbsp;with them, I'll come with you.<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, indeed...<br>**[10:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That might not be a bad idea.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When can we join<br>&nbsp;&nbsp;&nbsp;&nbsp;up with Sister Agnese?<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry.<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese probably won't be coming.<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said she would act as a<br>&nbsp;&nbsp;&nbsp;&nbsp;diversion so you could be rescued.<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sounds like she went<br>&nbsp;&nbsp;&nbsp;&nbsp;to the Queen's Fleet's flagship.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to be kidding!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen's Fleet<br>&nbsp;&nbsp;&nbsp;&nbsp;has some large-scale magic,<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;meant to protect the Queen<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Adriatic Sea ritual grounds!<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Queen of the Adriatic Sea?<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I know is, it's held on<br>&nbsp;&nbsp;&nbsp;&nbsp;the flagship of the same name.<br>**[11:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The key to activating it involves<br>&nbsp;&nbsp;&nbsp;&nbsp;a spell of a different name,<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;known as the Rosary<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Appointed Time.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, Sister Agnese is used for<br>&nbsp;&nbsp;&nbsp;&nbsp;the Rosary of the Appointed Time.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What's going to happen to Agnese?<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even we know all the details.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, at the least,<br>&nbsp;&nbsp;&nbsp;&nbsp;her brain will certainly be destroyed,<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she will be left so<br>&nbsp;&nbsp;&nbsp;&nbsp;that only her heart is beating.<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen's Fleet has a<br>&nbsp;&nbsp;&nbsp;&nbsp;major operation ahead of them.<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't afford to be distracted<br>&nbsp;&nbsp;&nbsp;&nbsp;by a couple of people breaking out.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-An attack! But from where?<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be.<br>&nbsp;&nbsp;&nbsp;&nbsp;From one of their own ships?<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The holy cannon fire of Saint Barbara?<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what are they aiming at?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't know, Sister Agnese?<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bishop Biagio...<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ship number 37 has been sunk.<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any further fire may<br>&nbsp;&nbsp;&nbsp;&nbsp;be interference from land.<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let another department<br>&nbsp;&nbsp;&nbsp;&nbsp;deal with any public attention.<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is beyond my purview.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If anything were to happen to you,<br>&nbsp;&nbsp;&nbsp;&nbsp;there would be no undoing the harm.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How ironic.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Rosary of the Appointed Time...<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine, an apostate like you,<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;being the only<br>&nbsp;&nbsp;&nbsp;&nbsp;one appropriate for this spell.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bishop Biagio,<br>&nbsp;&nbsp;&nbsp;&nbsp;we have an emergency!<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are reading a giant<br>&nbsp;&nbsp;&nbsp;&nbsp;structure underneath Ship number 37!<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears to be retrieving the wreckage!<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A submersible spell...<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola and the others...<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't good...<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I really... could die here...<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index...<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you feel okay, Toma?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah...<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;T-Tatemiya Saiji?<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, deputy pope<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Amakusa Church.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Although nowadays, we tack<br>&nbsp;&nbsp;&nbsp;&nbsp;on "of the English Puritan Church."<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thanks.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, what am I doing here?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Where are Orsola and the others?!<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, we managed to take all of you in.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're speaking with the<br>&nbsp;&nbsp;&nbsp;&nbsp;men elsewhere, however.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. So, is this something<br>&nbsp;&nbsp;&nbsp;&nbsp;like an Amakusa secret base?<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This isn't a building.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? You don't mean...!<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd like to say you're aboard a submarine,<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's not quite as<br>&nbsp;&nbsp;&nbsp;&nbsp;high-performance as that.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At best, you could say<br>&nbsp;&nbsp;&nbsp;&nbsp;it's close to being a wooden ship<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that is equipped with submersible<br>&nbsp;&nbsp;&nbsp;&nbsp;capability. It's a diving boat.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bring along something<br>&nbsp;&nbsp;&nbsp;&nbsp;like this to help with a move?<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's only natural that we'd<br>&nbsp;&nbsp;&nbsp;&nbsp;have a weapon close at hand.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, naval warfare<br>&nbsp;&nbsp;&nbsp;&nbsp;is what we excel at most.<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Paper is made from wood,<br>&nbsp;&nbsp;&nbsp;&nbsp;and wood is what boats are made from, too.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese...<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing. Whatever you're going to do next,<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you first have to<br>&nbsp;&nbsp;&nbsp;&nbsp;tell me what it is, in detail.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, shouldn't you<br>&nbsp;&nbsp;&nbsp;&nbsp;be talking to Lucia and Angelene?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looks like you made<br>&nbsp;&nbsp;&nbsp;&nbsp;it out safely, too. Hmm?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you do not<br>&nbsp;&nbsp;&nbsp;&nbsp;have to embarrass them so.<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The habits these two were<br>&nbsp;&nbsp;&nbsp;&nbsp;wearing were restraint clothing,<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;provided by the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church, you see.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to destroy them,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they had to use your right<br>&nbsp;&nbsp;&nbsp;&nbsp;hand while you were unconscious.<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're saying...<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's what I'm saying.<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;F-For you to be upset by that...<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...isn't reasonable!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's right! This is<br>&nbsp;&nbsp;&nbsp;&nbsp;no time to just be standing around!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um, Sister Agnese is still--<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We still have an objective to carry out.<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Itsuwa, now's your chance! Do it!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Give him a smooch right on the earlobe!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you tell them what's going on?!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is starting to get interesting.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, just listen to me!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pay attention!<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;S-Sister Angelene...!<br>**[16:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It was always like<br>&nbsp;&nbsp;&nbsp;&nbsp;this in our squad, wasn't it?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, um, I did what I always do.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Always?<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rather than coffee or tea,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I'd like to have *cioccolata con panna*.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You pour lots of fresh<br>&nbsp;&nbsp;&nbsp;&nbsp;cream over a chocolate drink--<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene, a follower of<br>&nbsp;&nbsp;&nbsp;&nbsp;the cross does not obsess about food.<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, now...<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um... here.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thanks.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not at all.<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Again with the wet<br>&nbsp;&nbsp;&nbsp;&nbsp;towel operation, Itsuwa?<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you're sure taking your time.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, not making too much headway<br>&nbsp;&nbsp;&nbsp;&nbsp;is one of Itsuwa's charms, isn't it?<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then, how did the Queen of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Adriatic become the spell's name?<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Long ago, Venice and<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were on fairly poor terms.<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen of the Adriatic<br>&nbsp;&nbsp;&nbsp;&nbsp;was the thing that they prepared<br>**[17:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to bury Venice with one strike.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bury? Is it like a bomb or something?<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't just destroy;<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it even steals all of the town's<br>&nbsp;&nbsp;&nbsp;&nbsp;culture and history, as well.<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All of it?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure Sister Agnese<br>&nbsp;&nbsp;&nbsp;&nbsp;doesn't know any of this.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she knew, there's no way she<br>&nbsp;&nbsp;&nbsp;&nbsp;would just stand by doing nothing.<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So in short, we're saying<br>&nbsp;&nbsp;&nbsp;&nbsp;to bring back Agnese Sanctis<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before this magic can be activated.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, it's an awful can of worms.<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, we have to go.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unless we do something,<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Agnese will be crippled.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you have us just<br>&nbsp;&nbsp;&nbsp;&nbsp;sit back and watch it happen?!<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was always being helped<br>&nbsp;&nbsp;&nbsp;&nbsp;out by Sister Agnese,<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there is no way I can say<br>&nbsp;&nbsp;&nbsp;&nbsp;goodbye to her without paying her back!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our enemy is a real problem.<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we surround them with seabed coasters,<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we might be able to stop the fleet!<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't think that all<br>&nbsp;&nbsp;&nbsp;&nbsp;it takes to deal with them<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is to stop them from moving, do you?<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, I...<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, Tatemiya,<br>&nbsp;&nbsp;&nbsp;&nbsp;you've said enough, haven't you?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we should be arguing over<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;isn't just about whether or not<br>&nbsp;&nbsp;&nbsp;&nbsp;we want to rescue Agnese, is it?<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She deliberately threw<br>&nbsp;&nbsp;&nbsp;&nbsp;away her own chance to be saved,<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to let her friends get away instead.<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we don't do something,<br>&nbsp;&nbsp;&nbsp;&nbsp;her mind is going to be destroyed<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with her feelings still exploited.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The question is,<br>&nbsp;&nbsp;&nbsp;&nbsp;why wouldn't we rescue her?<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doing so would<br>&nbsp;&nbsp;&nbsp;&nbsp;prevent the destruction of Venice,<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and everything else, right?<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;only one thing to do, isn't there?<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you want to rescue her?<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, I'm going there alone!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, for our part,<br>&nbsp;&nbsp;&nbsp;&nbsp;we were past that from the word go.<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've had a plan ready to go to begin with.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to hear if<br>&nbsp;&nbsp;&nbsp;&nbsp;you were ready for this or not.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tatemiya...<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen up!<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that we're heading<br>&nbsp;&nbsp;&nbsp;&nbsp;off to the battlefield,<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's be sure to come back alive!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What teaching did we<br>&nbsp;&nbsp;&nbsp;&nbsp;receive from the Priestess?<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hand of redemption<br>&nbsp;&nbsp;&nbsp;&nbsp;to the irredeemable!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, for you.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my.<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't use it,<br>&nbsp;&nbsp;&nbsp;&nbsp;so maybe you'd better hold onto it.<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What is it, Index?<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's get started.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bishop Biagio!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Reading between<br>&nbsp;&nbsp;&nbsp;&nbsp;thirty and fourty craft approaching!<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're just under fifty seconds<br>&nbsp;&nbsp;&nbsp;&nbsp;from the ship's coordinates.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Can you sink them?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They haven't fired a<br>&nbsp;&nbsp;&nbsp;&nbsp;single shot. You don't mean...<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All hands, defensive positions!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening?<br>**[20:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're fire ships!<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's an unmanned fleet,<br>&nbsp;&nbsp;&nbsp;&nbsp;designed to self-destruct!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Giant structure at<br>&nbsp;&nbsp;&nbsp;&nbsp;a depth of forty meters!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Probably a submarine!<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Confirmed hit on the submarine!<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enemy forces on Ship number 29!<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the Amakusa!<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be!<br>&nbsp;&nbsp;&nbsp;&nbsp;The submarine was a decoy?!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't think about taking over each ship!<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All you have to do is think<br>&nbsp;&nbsp;&nbsp;&nbsp;about crushing their main force!<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys head toward<br>&nbsp;&nbsp;&nbsp;&nbsp;the Queen of the Adriatic Sea.<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah!<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[21:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You idiots!<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why aren't you helping<br>&nbsp;&nbsp;&nbsp;&nbsp;to rescue Sister Agnese?!<br>**[21:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're starting to shoot!<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are planning to<br>&nbsp;&nbsp;&nbsp;&nbsp;sink us along with the ship!<br>**[21:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're aiming directly at us!<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wouldn't!<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come forth, one of the 12 Apostles,<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;publican, smiter of magicians,<br>&nbsp;&nbsp;&nbsp;&nbsp;and humble servant!<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not good!<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come forth, one of the 12 Apostles--<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitori de ii to tsubuyaita*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to aru sekai no chuushin de*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokei no hari wo orimagete*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hitomi tojite'ta*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sugisatta toki wa modosenai kedo*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ano hi oshiete kureta yo ne*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore de ii n' da to*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Megurimeguru kisetsu ni kimi ga ita kiseki*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kowarete'ta tokei sae ugokidasu kara*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima wa sou muryoku na garakuta da kedo*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fushigi da ne kaerareru sonna ki ga suru*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no koe ga ima mo mada*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*koko ni aru kara*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To keep the Queen of the Adriatic Sea from activating,<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we storm the flagship.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As more and more new mysteries<br>&nbsp;&nbsp;&nbsp;&nbsp;are revealed, Index steps up.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Rosary of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Appointed Time."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>

# 40 - Rosary of the Appointed Time

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I gazed at the coin I had flipped*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If it's heads I go, tails I stay*<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Let me know your answer first*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Please, won't you tell me?"*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*But the angel continued <br>
&nbsp;&nbsp;&nbsp;&nbsp;to smile in discernment*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Wander on! There's nobody<br>
&nbsp;&nbsp;&nbsp;&nbsp;to lead you by the hand*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The answer handed down<br>
&nbsp;&nbsp;&nbsp;&nbsp;from God is one of woe*<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Yes, that is what your gift from God is*<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Once you overcome it, you'll start to see, so right now...<br>
&nbsp;&nbsp;&nbsp;&nbsp;(Look for it by oneself, no buts about it)*<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*No buts!*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come forth,<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the 12 Apostles--<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look out!<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene!<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh...<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go showing the depths<br>&nbsp;&nbsp;&nbsp;&nbsp;of your heart to be so worthless!<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here, use this.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a getaway dive boat.<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It beats being right in the<br>&nbsp;&nbsp;&nbsp;&nbsp;middle of enemy territory, right?<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Lucia...<br>&nbsp;&nbsp;&nbsp;&nbsp;your hand is trembling...<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well of course it is.<br>**[02:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no... There's no way<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to die here...<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all going<br>&nbsp;&nbsp;&nbsp;&nbsp;back together, right...?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With Sister Agnese... and<br>&nbsp;&nbsp;&nbsp;&nbsp;the people over there fighting...<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all together,<br>&nbsp;&nbsp;&nbsp;&nbsp;in the true sense...<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, I will not die...<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please...<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...will you fight together with<br>&nbsp;&nbsp;&nbsp;&nbsp;them, to protect everyone...?<br>**[03:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say something to her, Lucia.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can be of help,<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll smash any number of these<br>&nbsp;&nbsp;&nbsp;&nbsp;damned two-bit illusions for you.<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So go ahead and tell<br>&nbsp;&nbsp;&nbsp;&nbsp;her whatever will assure her<br>**[03:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she ought<br>&nbsp;&nbsp;&nbsp;&nbsp;to have been here!<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever will make her believe<br>&nbsp;&nbsp;&nbsp;&nbsp;that it was worth gritting her teeth!<br>**[03:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I swear,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will protect the others.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So please,<br>&nbsp;&nbsp;&nbsp;&nbsp;you fight with yourself.<br>**[03:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#16 Rosary of the Appointed Time<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They still haven't sunk them yet?<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Heaven's sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can reduce a whole city to rubble,<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and they're giving<br>&nbsp;&nbsp;&nbsp;&nbsp;us this much trouble?<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, that face...<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't take it. After everything<br>&nbsp;&nbsp;&nbsp;&nbsp;that's happened,<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you still have the impudent look<br>&nbsp;&nbsp;&nbsp;&nbsp;of one who is expecting another.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you<br>&nbsp;&nbsp;&nbsp;&nbsp;say I was relying on?!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha. I'm about<br>&nbsp;&nbsp;&nbsp;&nbsp;to shatter your hopes.<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no need for<br>&nbsp;&nbsp;&nbsp;&nbsp;spare parts to have feelings.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go!<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter what happens,<br>&nbsp;&nbsp;&nbsp;&nbsp;bring that girl back here!<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Index and Orsola!<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There does not seem<br>&nbsp;&nbsp;&nbsp;&nbsp;to be anyone here.<br>**[04:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ship is probably the<br>&nbsp;&nbsp;&nbsp;&nbsp;magical centralized control<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for all of the other ships.<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why the other<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters aren't pursuing us?<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on a minute.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to try to unlock it.<br>**[05:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting to feel like thinking<br>&nbsp;&nbsp;&nbsp;&nbsp;about everything is becoming a pain!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[05:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's constructed in blocks.<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe, unlike the escort craft,<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's possible that the whole<br>&nbsp;&nbsp;&nbsp;&nbsp;ship has magical significance.<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those suits of<br>&nbsp;&nbsp;&nbsp;&nbsp;armor from before.<br>**[05:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Inside!<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? H-Hey, hold on!<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You two go on ahead!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Angelene, are you okay?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, I am all right.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, how do I get past them?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh!<br>**[05:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How petty!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go messing<br>&nbsp;&nbsp;&nbsp;&nbsp;around with the wounded.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, a dead end?!<br>**[06:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this place?<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, here they come again!<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all of them?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have gotten through!<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, is it true that<br>&nbsp;&nbsp;&nbsp;&nbsp;one of the conditions<br>**[06:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to activate the Queen of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Adriatic Sea is that another spell,<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;called the Rosary of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Appointed Time, is required?<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what they said.<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a single description in<br>&nbsp;&nbsp;&nbsp;&nbsp;any of my 103,000 volumes<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that says it's necessary.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, just what<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of spell is it?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's the<br>&nbsp;&nbsp;&nbsp;&nbsp;name of an operation<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;used only within the<br>&nbsp;&nbsp;&nbsp;&nbsp;Roman Orthodox Church.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That right hand of yours...<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, are you jealous of it?<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is unacceptable.<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It rejects the Lord's blessings.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And even more than its nature,<br>&nbsp;&nbsp;&nbsp;&nbsp;the way you brandish it like a weapon<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is beyond the pale.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you have even<br>&nbsp;&nbsp;&nbsp;&nbsp;once heard the good word,<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would make the<br>&nbsp;&nbsp;&nbsp;&nbsp;effort to receive His blessings,<br>**[07:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even if it meant tearing off<br>&nbsp;&nbsp;&nbsp;&nbsp;that arm forthwith,<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but then, I guess my words will<br>&nbsp;&nbsp;&nbsp;&nbsp;not get through to a heathen monkey.<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In which case, I, Biagio Buzoni,<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will bring the final word<br>&nbsp;&nbsp;&nbsp;&nbsp;to this enemy of the Lord.<br>**[07:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Biagio, are you? Then you<br>&nbsp;&nbsp;&nbsp;&nbsp;know where Agnese is, don't you?<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Knowing and telling you are<br>&nbsp;&nbsp;&nbsp;&nbsp;two completely different things.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oof...<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Abolishing outward enemies, and<br>&nbsp;&nbsp;&nbsp;&nbsp;creating an inner safe zone,<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is the purpose<br>&nbsp;&nbsp;&nbsp;&nbsp;held by the cross.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kind of like this.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;On the other hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;it is the nature of the cross,<br>**[08:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;via the weight thereof,<br>&nbsp;&nbsp;&nbsp;&nbsp;that corrects one's haughtiness.<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once again, kind of like this.<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this place?<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, stop<br>&nbsp;&nbsp;&nbsp;&nbsp;destroying things so much.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It affects the degree of<br>&nbsp;&nbsp;&nbsp;&nbsp;completion on the other end.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other end?<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Rosary of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Appointed Time.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At this point, you can't tell<br>&nbsp;&nbsp;&nbsp;&nbsp;me you don't know about it.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, once I crush you<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and pull Agnese<br>&nbsp;&nbsp;&nbsp;&nbsp;out of here, it's all over.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Demonstrating the will to<br>&nbsp;&nbsp;&nbsp;&nbsp;defy the intentions of the Lord<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are words of evil. And my<br>&nbsp;&nbsp;&nbsp;&nbsp;crosses deny your evil nature!<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all!<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really think<br>&nbsp;&nbsp;&nbsp;&nbsp;you have the authority<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to do anything to Venice?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is not what I am after.<br>**[09:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was that?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is far more interesting than<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever you are thinking, at least.<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To the church of the cross, what do<br>&nbsp;&nbsp;&nbsp;&nbsp;you think is the most important,<br>**[09:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;oldest application there is?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The instrument of execution.<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simon bears the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross of the Son of God.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...?<br>**[09:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is a defensive<br>&nbsp;&nbsp;&nbsp;&nbsp;spell set up here.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;CAH.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go find Agnese.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll lead them away from here!<br>**[10:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Index!<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola Aquinas?<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness you are all right.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why?!<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanted so badly to get away<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Queen's Fleet, didn't you?!<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know all about what the<br>&nbsp;&nbsp;&nbsp;&nbsp;current situation is, don't you?!<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once we did find out, no one<br>&nbsp;&nbsp;&nbsp;&nbsp;said that they wanted to run away.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They refused<br>&nbsp;&nbsp;&nbsp;&nbsp;to leave you behind,<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when you held your tongue to<br>&nbsp;&nbsp;&nbsp;&nbsp;allow them to be rescued.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not right.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You remember what I did concerning<br>&nbsp;&nbsp;&nbsp;&nbsp;the Book of the Law, right?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As badly as they were hurt, how can<br>&nbsp;&nbsp;&nbsp;&nbsp;it all be water under the bridge?!<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not have the answer to that.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, at the very least,<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sisters Lucia and Angelene<br>&nbsp;&nbsp;&nbsp;&nbsp;declared that they wanted to rescue you.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No matter how desperate<br>&nbsp;&nbsp;&nbsp;&nbsp;a situation they would face,<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or the countless blades<br>&nbsp;&nbsp;&nbsp;&nbsp;that would be thrust their way,<br>**[11:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when they said that they wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to all smile together once again,<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do you still think it is not enough?<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot have this, Sister Agnese.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if you were to die here,<br>&nbsp;&nbsp;&nbsp;&nbsp;the project will not be interrupted.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, finding another suitable<br>&nbsp;&nbsp;&nbsp;&nbsp;candidate would be such a nuisance.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I do so hate nuisances.<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That blood...<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I did say I hated nuisances, didn't I?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So I crushed one<br>&nbsp;&nbsp;&nbsp;&nbsp;of them with all haste.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope we can avoid that here.<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We cannot have you<br>&nbsp;&nbsp;&nbsp;&nbsp;being injured so easily, you see.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This large-scale<br>&nbsp;&nbsp;&nbsp;&nbsp;anti-Venetian spell of yours--<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;why make use of it *now*?<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What we are about to perform here<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is not the use of an attack<br>&nbsp;&nbsp;&nbsp;&nbsp;spell against a state.<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is what comes next.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Adriatic Sea is a spell<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;created solely<br>&nbsp;&nbsp;&nbsp;&nbsp;for use against Venice.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However charming the<br>&nbsp;&nbsp;&nbsp;&nbsp;power it may boast, it is moot,<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so as long as the targeting<br>&nbsp;&nbsp;&nbsp;&nbsp;restrictions are in place.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why--<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, you've figured it out.<br>**[12:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Freeing the Queen of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Adriatic Sea's targeting restrictions--<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That* is what the Rosary<br>
&nbsp;&nbsp;&nbsp;&nbsp;of the Appointed Time is for.<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you telling me<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you are going to destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;a city that you feel is in your way?<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Queen of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Adriatic Sea will destroy<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*everything* that involves that city!<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we unleashed the same thing<br>&nbsp;&nbsp;&nbsp;&nbsp;against a city that controls<br>**[13:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a whole world that is hostile to us,<br>&nbsp;&nbsp;&nbsp;&nbsp;what do you think will happen?<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't mean Academy City!<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All science and technology<br>&nbsp;&nbsp;&nbsp;&nbsp;are influenced by Academy City.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If all of that were destroyed,<br>&nbsp;&nbsp;&nbsp;&nbsp;then damnable though it might be,<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we could root out the<br>&nbsp;&nbsp;&nbsp;&nbsp;side that encompasses<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;half of the world, overnight.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you think that will bring<br>&nbsp;&nbsp;&nbsp;&nbsp;happiness to everyone?<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not! There are those who<br>&nbsp;&nbsp;&nbsp;&nbsp;do harm on the magical side, as well.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, they may continue.<br>&nbsp;&nbsp;&nbsp;&nbsp;In time, the impure will be purged.<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are saying...!<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such is the earnest wish<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha, give it up, Sister Orsola.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross, via the weight thereof,<br>&nbsp;&nbsp;&nbsp;&nbsp;corrects one's haughtiness!<br>**[14:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, it is a little early,<br>&nbsp;&nbsp;&nbsp;&nbsp;but let's begin, Sister Agnese.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rejoice! You will receive the honor<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of killing the greatest number of enemies<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in the history of the church of the cross!<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Among these... enemies that you speak of,<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Agnese is included, is she not?<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You truly are a member of the<br>&nbsp;&nbsp;&nbsp;&nbsp;English Puritan Church now, huh?<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why you are panicking.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really do only act according<br>&nbsp;&nbsp;&nbsp;&nbsp;to your skepticism, don't you?<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You cannot understand<br>&nbsp;&nbsp;&nbsp;&nbsp;people acting on their feelings.<br>**[14:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No--you can understand it,<br>&nbsp;&nbsp;&nbsp;&nbsp;but you cannot believe it.<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, stand aside.<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you do, you cannot stop Biagio.<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you do not resist,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you will make it through alive.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way I could do that, you know!<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's over, Sister Orsola.<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smile, Sister Agnese.<br>&nbsp;&nbsp;&nbsp;&nbsp;Watch on as your dream is shattered.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you trying to pull?<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All things in harmony.<br>&nbsp;&nbsp;&nbsp;&nbsp;Fifth of the Five Elements,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;symbolizing peace<br>&nbsp;&nbsp;&nbsp;&nbsp;and order, deploy this crosier!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Agnese! I asked<br>&nbsp;&nbsp;&nbsp;&nbsp;you what you're trying to pull!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! It's just as you suspected!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you believe that<br>&nbsp;&nbsp;&nbsp;&nbsp;I still think I'd like to look after<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sister Lucia and Sister Angelene,<br>&nbsp;&nbsp;&nbsp;&nbsp;then you're mistaken.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When I think about you<br>&nbsp;&nbsp;&nbsp;&nbsp;sending those Sisters off to fight<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with your grimy orders,<br>&nbsp;&nbsp;&nbsp;&nbsp;it enrages me!<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you mouth<br>&nbsp;&nbsp;&nbsp;&nbsp;off to me, you sinner!<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Simon bears the<br>&nbsp;&nbsp;&nbsp;&nbsp;cross of the Son of God!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As I recall, the Son of God...<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...did not have enough physical<br>&nbsp;&nbsp;&nbsp;&nbsp;strength left to bear the cross.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Instead, Simon carried his cross<br>&nbsp;&nbsp;&nbsp;&nbsp;to the hill where he was crucified.<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Am I wrong?<br>**[16:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You noticed that?<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making someone else shoulder<br>&nbsp;&nbsp;&nbsp;&nbsp;the weight of the equipment...<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what this attack really is!<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Most likely, you collected<br>&nbsp;&nbsp;&nbsp;&nbsp;the weight of the equipment<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of everyone working here,<br>&nbsp;&nbsp;&nbsp;&nbsp;and turned it into an attack.<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that about the size of it?<br>**[16:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your hands are so weak.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're going to go against me,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll need more sturdy arms.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, will my right hand do?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you... You heathen monkey!<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At least check the body, you idiot.<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My right hand is not as<br>&nbsp;&nbsp;&nbsp;&nbsp;feeble as you seem to think!<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too slow!<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't fall for that again!<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese...<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes?<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks.<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you hadn't protected Orsola for me,<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure something terrible<br>&nbsp;&nbsp;&nbsp;&nbsp;would have happened.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, geez...<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So...<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what do I have to do to destroy<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole Queen of the Adriatic Sea?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, he said that this room,<br>&nbsp;&nbsp;&nbsp;&nbsp;at least, was irreplaceable.<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you completely demolish<br>&nbsp;&nbsp;&nbsp;&nbsp;the function of this place,<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they can never again--<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese!<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese! What's the matter?!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Rosary of the Appointed Time!<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, this is it?!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are doing something<br>&nbsp;&nbsp;&nbsp;&nbsp;to Agnese through that charm!<br>**[18:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I can't. Not until<br>&nbsp;&nbsp;&nbsp;&nbsp;it has been adjusted.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But as far as power goes,<br>&nbsp;&nbsp;&nbsp;&nbsp;I already have it right here.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman Orthodox Church<br>&nbsp;&nbsp;&nbsp;&nbsp;feared that someone would steal this<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and turn it back against them,<br>&nbsp;&nbsp;&nbsp;&nbsp;so they took all sorts of measures.<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, what do you think<br>&nbsp;&nbsp;&nbsp;&nbsp;they prepared as a final measure,<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in case it were to fall into enemy hands?<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A self-destruct?!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a large-scale magical device,<br>**[19:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;supplied hermetically<br>&nbsp;&nbsp;&nbsp;&nbsp;by the sinners among the fleet.<br>**[19:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking you can stop<br>&nbsp;&nbsp;&nbsp;&nbsp;it by breaking the walls or the floor.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the spell is activated,<br>&nbsp;&nbsp;&nbsp;&nbsp;the explosive force alone<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will devastate anything<br>&nbsp;&nbsp;&nbsp;&nbsp;within a 10-kilometer radius!<br>**[19:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that happens, there will<br>&nbsp;&nbsp;&nbsp;&nbsp;be casualties beyond the lagoon!<br>**[19:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese!<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Orsola, take Agnese and go on without me.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take the Amakusa group<br>&nbsp;&nbsp;&nbsp;&nbsp;and withdraw from here.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what about you?<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got to stop him, right?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be sure to join up with<br>&nbsp;&nbsp;&nbsp;&nbsp;you later. So get going, Orsola!<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But...!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You make sure.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You make absolutely sure!<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those bastards...<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A noble cause that will go down<br>&nbsp;&nbsp;&nbsp;&nbsp;in Roman Orthodox history, they said.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told them, it was too soon for this.<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm done for now.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that why you're dragging<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone else down with you?<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ultimately, you're just<br>&nbsp;&nbsp;&nbsp;&nbsp;seeking solace, aren't you?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody gets into things this deep<br>&nbsp;&nbsp;&nbsp;&nbsp;and doesn't feel a sense of doom.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the menace of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone would go along with my decision.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just the final icing on the cake.<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To this end, they can have the Adriatic Sea.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Biagio...!<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's the face! It's that<br>&nbsp;&nbsp;&nbsp;&nbsp;tenacity that is our menace!<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I must be<br>&nbsp;&nbsp;&nbsp;&nbsp;sure to stamp it out right here!<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Such is the final attack that<br>&nbsp;&nbsp;&nbsp;&nbsp;I offer the Roman Orthodox Church!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Biagio!<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature!<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross, via the weight thereof,<br>&nbsp;&nbsp;&nbsp;&nbsp;corrects one's haughtiness!<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Sister Agnese by herself<br>&nbsp;&nbsp;&nbsp;&nbsp;really that meaningful a reward to you?<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no longer any place<br>&nbsp;&nbsp;&nbsp;&nbsp;around that will welcome her.<br>**[21:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why can't you understand that,<br>&nbsp;&nbsp;&nbsp;&nbsp;you heathen monkey?!<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I *could* understand that!<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dirty bastard!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The cross demonstrates<br>&nbsp;&nbsp;&nbsp;&nbsp;the denial of the evil nature!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Biagio!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your left hand?!<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're using my attack against me!<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll fight you.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you come after<br>&nbsp;&nbsp;&nbsp;&nbsp;Agnese and the others again,<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'll stand against you,<br>&nbsp;&nbsp;&nbsp;&nbsp;again and again.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma!<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you coming around?<br>&nbsp;&nbsp;&nbsp;&nbsp;The Adriatic Sea isn't that cold, huh?<br>**[22:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you so happy about?<br>**[22:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me it's because I didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;leave you behind this time.<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I'm not in that great a mood!<br>**[22:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you have a phone call.<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey there, come back<br>&nbsp;&nbsp;&nbsp;&nbsp;to Academy City at once.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having an outside hospital<br>&nbsp;&nbsp;&nbsp;&nbsp;checking over that body of yours<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;may not be a good idea, you know.<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There should be an Academy City-built<br>**[22:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;supersonic passenger<br>&nbsp;&nbsp;&nbsp;&nbsp;plane at the airport there.<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I haven't even been<br>&nbsp;&nbsp;&nbsp;&nbsp;in Italy for a whole day yet--<br>**[22:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yes...<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a message from<br>&nbsp;&nbsp;&nbsp;&nbsp;a girl who asked to see you<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;very much for me to pass on.<br>**[23:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She said "Make sure<br>&nbsp;&nbsp;&nbsp;&nbsp;you're ready for the penalty game<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Daihasei<br>&nbsp;&nbsp;&nbsp;&nbsp;Festival when you get back."<br>**[23:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Mikoto?!<br>**[23:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, let me go!<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want to go back!<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Good work.<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you know, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted a debriefing report,<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[23:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you should ask the Amakusa.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not a member of the Amakusa anymore.<br>**[23:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it was okay to be alone<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be that as it may, you once again<br>&nbsp;&nbsp;&nbsp;&nbsp;caused Kami a lot of trouble, yeah?<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're at the point now<br>&nbsp;&nbsp;&nbsp;&nbsp;where even a whole day<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;waiting on him in a maid outfit<br>&nbsp;&nbsp;&nbsp;&nbsp;still wouldn't cover it.<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know! I could lend you the fallen<br>&nbsp;&nbsp;&nbsp;&nbsp;angel maid set that I have!<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You could go all-out in that!<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-How far are you going<br>&nbsp;&nbsp;&nbsp;&nbsp;to carry this nonsense?!<br>**[23:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And do you really own something like that?!<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being there as the seasons roll around<br>
&nbsp;&nbsp;&nbsp;&nbsp;*<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Even as someone who is one of<br>&nbsp;&nbsp;&nbsp;&nbsp;less than twenty saints in the world,<br>**[23:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the broken clock start up again*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you still have to be<br>&nbsp;&nbsp;&nbsp;&nbsp;ready to meet your fate--<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may be <br>
&nbsp;&nbsp;&nbsp;&nbsp;a helpless piece of junk*<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how I feel <br>
&nbsp;&nbsp;&nbsp;&nbsp;like I can change that*<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[24:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...and that's that, Toma.<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[24:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I am home now.<br>**[24:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-huh...<br>**[24:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As it happens, I picked up some<br>&nbsp;&nbsp;&nbsp;&nbsp;extra baggage along the way.<br>**[24:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I must say,<br>&nbsp;&nbsp;&nbsp;&nbsp;that was a little too hasty.<br>**[24:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think you're talking to?<br>**[24:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you--are you aware of<br>&nbsp;&nbsp;&nbsp;&nbsp;with whom you are taking that tone?<br>**[24:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Roman pope, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;So what if you are?<br>**[24:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you direct any<br>&nbsp;&nbsp;&nbsp;&nbsp;ill will at me, you will die!<br>**[24:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Right Seat of God...<br>&nbsp;&nbsp;&nbsp;&nbsp;Not even a pope rattles you, huh?<br>**[25:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look this over and sign it.<br>**[25:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you giving me an order?<br>**[25:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, this document is...<br>**[25:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You were thinking of ordering<br>&nbsp;&nbsp;&nbsp;&nbsp;it yourself, in time, right?<br>**[25:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[25:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City calmly enters autumn.<br>**[25:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But one promise tears through<br>&nbsp;&nbsp;&nbsp;&nbsp;the otherwise peaceful days.<br>**[25:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just what is about to happen?<br>**[25:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Penalty Game."<br>**[25:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 41 - Penalty Game

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a penalty game,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you have to do whatever I say...<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ngah! This is bugging me!<br>**[00:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has been like this day and<br>&nbsp;&nbsp;&nbsp;&nbsp;night since the Daihasei Festival!<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, just who<br>&nbsp;&nbsp;&nbsp;&nbsp;is it you are talking to<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in such a sweet, enticing voice?<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should I have you do first...?<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-A cheek rub?<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, who is... who is...<br>**[01:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...just who is that fluffy<br>&nbsp;&nbsp;&nbsp;&nbsp;pillow standing in for?!<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was a bird that could<br>
&nbsp;&nbsp;&nbsp;&nbsp;not fly any farther than this*<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It rebuked the blue skies<br>
&nbsp;&nbsp;&nbsp;&nbsp;on fine, flawless wings*<br>**[01:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that bad*<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That sky is not that high*<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that good*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Afraid of the speed<br>
&nbsp;&nbsp;&nbsp;&nbsp;it would feel in its body*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everybody has a chance,*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but they cannot go any farther*<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;cannot take flight*<br>**[02:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;want to take flight*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, beyond the wish<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to make come true*<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you shine*<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In my eyes I picture you*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Standing in the future,<br>
&nbsp;&nbsp;&nbsp;&nbsp;always strong,"*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and that "you" is me*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are still blindingly bright*<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in the same spirit,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I reach out my hand*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the "I" who I am will<br>
&nbsp;&nbsp;&nbsp;&nbsp;someday grab hold to become*<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the you that I will be*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#17 Penalty Game<br>**[02:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Look! Look!<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While Misaka was in the hospital,<br>&nbsp;&nbsp;&nbsp;&nbsp;everyone's clothes changed,"<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka--waah!<br>**[03:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your clothes keep<br>&nbsp;&nbsp;&nbsp;&nbsp;you too cool, dummy.<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, don't go<br>&nbsp;&nbsp;&nbsp;&nbsp;crawling over the lap of someone<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who still isn't well,<br>&nbsp;&nbsp;&nbsp;&nbsp;and just got discharged<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to look outside, you dirty little brat.<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How mean! Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;still isn't well, either, you know,"<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;--says Misaka Misaka--<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, okay, that's enough!<br>**[03:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can finish your<br>&nbsp;&nbsp;&nbsp;&nbsp;heartwarming squabble<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once we arrive at our<br>&nbsp;&nbsp;&nbsp;&nbsp;new residence, if you please.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, where is this new residence?<br>**[03:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the time being,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's with a friend of mine.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dropping out of<br>&nbsp;&nbsp;&nbsp;&nbsp;the school you're in now, right?<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm through with anything having<br>&nbsp;&nbsp;&nbsp;&nbsp;to do with that Level 6 business.<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The person I'm setting you<br>&nbsp;&nbsp;&nbsp;&nbsp;up with is not in the research field.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure she's someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;will take your side.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph...<br>**[03:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So now there's one<br>&nbsp;&nbsp;&nbsp;&nbsp;more of these idiots, huh?<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to meet someone...<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you do that for?!<br>**[03:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, when you say it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami, it just sounds sarcastic.<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you set off a request like that,<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all the weird girls in<br>&nbsp;&nbsp;&nbsp;&nbsp;the area start popping up.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah. Knowing you, Kami,<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we'll have everything<br>&nbsp;&nbsp;&nbsp;&nbsp;from super-computer robot girls<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to hot spring fairy girls who<br>&nbsp;&nbsp;&nbsp;&nbsp;end up doing heaven only knows what.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That being said, take a look at this.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Stiff shoulder holder."<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Appearances to the contrary,<br>&nbsp;&nbsp;&nbsp;&nbsp;my shoulders are terribly stiff.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm absolutely sure this will help,<br>&nbsp;&nbsp;&nbsp;&nbsp;but what do you think, Kami?<br>**[04:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! That thing<br>&nbsp;&nbsp;&nbsp;&nbsp;is obviously a scam!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll call later to complain, and...<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why having a pretty<br>&nbsp;&nbsp;&nbsp;&nbsp;girl rub my shoulders would be best.<br>**[04:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I know exactly what you're gonna say!<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, try coming up<br>&nbsp;&nbsp;&nbsp;&nbsp;with anything better than a pretty girl<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to treat your stiff shoulders.<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How many times do I have to<br>&nbsp;&nbsp;&nbsp;&nbsp;tell you, the "stiff shoulder holder"?!<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I know just the right person.<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who is always<br>&nbsp;&nbsp;&nbsp;&nbsp;suffering from being tense,<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and yet is a sucker for<br>&nbsp;&nbsp;&nbsp;&nbsp;these kinds of mail order products.<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I'm saying is<br>&nbsp;&nbsp;&nbsp;&nbsp;that world peace, you see...<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm...<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose, are you here?!<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's our life's wish!<br>&nbsp;&nbsp;&nbsp;&nbsp;Let us massage you, Fukiyose?!<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, everyone,<br>&nbsp;&nbsp;&nbsp;&nbsp;next up is our chemistry class.<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My relaxed classroom has turned into<br>**[05:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a lawless battle arena for delinquents!<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's for the sake of world peace.<br>**[05:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, starting today,<br>**[05:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will all begin a little<br>&nbsp;&nbsp;&nbsp;&nbsp;rehab therapy of your own.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is everyone okay with wearing<br>&nbsp;&nbsp;&nbsp;&nbsp;Tokiwadai Middle School's<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;winter uniform for your street clothes?<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No problem," replies Misaka 10032.<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The four of you are the same size.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"We are all identical; you<br>&nbsp;&nbsp;&nbsp;&nbsp;need not even measure us,"<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;replies Misaka 13577 swiftly.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There has been no time to<br>&nbsp;&nbsp;&nbsp;&nbsp;allow for any difference in sizes,"<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;adds Misaka 10039.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mi..."<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka..."<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Is something the matter,<br>&nbsp;&nbsp;&nbsp;&nbsp;19090?" asks Misaka... Huh?<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There is enough room for<br>&nbsp;&nbsp;&nbsp;&nbsp;me to fit two fingers in here!"<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka 10032 immediately.<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But all of us Misakas are<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to be the same,"<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 13577,<br>&nbsp;&nbsp;&nbsp;&nbsp;registering her dismay.<br>**[06:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"What about<br>&nbsp;&nbsp;&nbsp;&nbsp;her bust, and elsewhere?"<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka 10039,<br>&nbsp;&nbsp;&nbsp;&nbsp;proposing a thorough physical.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, individual differences<br>&nbsp;&nbsp;&nbsp;&nbsp;will arise, due to diet and exercise.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In other words, without<br>&nbsp;&nbsp;&nbsp;&nbsp;telling the other Misakas,<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have you been engaging<br>&nbsp;&nbsp;&nbsp;&nbsp;in what is popularly called a diet?"<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 10032,<br>&nbsp;&nbsp;&nbsp;&nbsp;continuing the cross-examination.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Now that you mention it, I have seen 19090<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with her nose buried in a<br>&nbsp;&nbsp;&nbsp;&nbsp;weekly women's magazine before,"<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka 13577 suddenly remembers.<br>**[06:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"At that time, she obtained<br>&nbsp;&nbsp;&nbsp;&nbsp;top-secret information<br>**[06:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that if one places a ring<br>&nbsp;&nbsp;&nbsp;&nbsp;received from a boy one likes<br>**[06:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the left ring finger,<br>&nbsp;&nbsp;&nbsp;&nbsp;one is a winner,"<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka 10039, seizing<br>&nbsp;&nbsp;&nbsp;&nbsp;the opportunity to spill the beans.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ring... Winner...<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Misaka was...<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you all do the same<br>&nbsp;&nbsp;&nbsp;&nbsp;thing that Miss 19090 here did,<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can undergo the same<br>&nbsp;&nbsp;&nbsp;&nbsp;change that she did, can't you?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"M-Misaka will follow her crisis<br>&nbsp;&nbsp;&nbsp;&nbsp;management functions and flee!"<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka--<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, there, there you are!<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This calls for, yeah, *that*.<br>**[07:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Just my luck."<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the big idea, responding<br>&nbsp;&nbsp;&nbsp;&nbsp;like that after seeing me?!<br>**[07:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, did you need something<br>&nbsp;&nbsp;&nbsp;&nbsp;from me, Zapper?<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you can take that<br>&nbsp;&nbsp;&nbsp;&nbsp;kind of attitude with me right now?<br>**[07:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The penalty game!<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh...<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean I'm still on the hook for that?<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go thinking you<br>&nbsp;&nbsp;&nbsp;&nbsp;can blow it off on your own!<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, you still have<br>&nbsp;&nbsp;&nbsp;&nbsp;to do anything I tell you.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, I know that anything<br>&nbsp;&nbsp;&nbsp;&nbsp;an average Joe like you can do<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't amount to very much.<br>&nbsp;&nbsp;&nbsp;&nbsp;Though as far as that goes,<br>**[08:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how about you still give me your best?<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Very well! In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;you may ask anything you wish of me!<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Milady, let me first provide<br>&nbsp;&nbsp;&nbsp;&nbsp;a comfortable environment.<br>**[08:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Kamijo Toma, incompetent as I am,<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;beg you to please<br>&nbsp;&nbsp;&nbsp;&nbsp;forgive my shortcomings!<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you dummy! Stop blowing up<br>&nbsp;&nbsp;&nbsp;&nbsp;my skirt as hard as you can!<br>**[08:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy...?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;K-Kuroko!<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What a well-tempered<br>&nbsp;&nbsp;&nbsp;&nbsp;hardball posture of servitude!<br>**[08:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This troglodyte is not to<br>&nbsp;&nbsp;&nbsp;&nbsp;be underestimated. However...<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That role is supposed to be mine!<br>**[08:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop that, you idiots!<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of ritual is this?!<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What am I, some kind of cult leader?!<br>**[09:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the woman who<br>&nbsp;&nbsp;&nbsp;&nbsp;will be looking after you now.<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell?<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, you haven't forgotten<br>&nbsp;&nbsp;&nbsp;&nbsp;my face already, have you?<br>**[09:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean you! What I meant was,<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;this unexplainable little creature, here!<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What do you mean, unexplainable?!<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Despite how I might look, I am a teacher!<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch! So the research to<br>&nbsp;&nbsp;&nbsp;&nbsp;control the effects of cell aging<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has already been perfected, has it?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um... It isn't like that.<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You poor thing!<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure you've been<br>&nbsp;&nbsp;&nbsp;&nbsp;through nothing but experiments,<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and haven't had<br>&nbsp;&nbsp;&nbsp;&nbsp;any free time for yourself,"<br>**[09:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, softly dabbing<br>&nbsp;&nbsp;&nbsp;&nbsp;her eyes with a handkerchief.<br>**[09:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, listen to what I'm saying!<br>**[09:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha! Wow, they've<br>&nbsp;&nbsp;&nbsp;&nbsp;really got your number, huh?<br>**[09:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez, did you bring<br>&nbsp;&nbsp;&nbsp;&nbsp;them here to get "my number"?!<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll show you up to my apartment right away.<br>**[09:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll just go bring the car around.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure about this?<br>**[09:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Letting me crash at your place?<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"No problem." I've got<br>&nbsp;&nbsp;&nbsp;&nbsp;an extra room, so it's no--<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't mean that.<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean sheltering me like<br>&nbsp;&nbsp;&nbsp;&nbsp;this is like you're asking to take on<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the whole damn ugly<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City underworld.<br>**[10:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I'm doing it.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you forgotten my line of work?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think there are many<br>&nbsp;&nbsp;&nbsp;&nbsp;folks who would openly come out<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and attack the residence<br>&nbsp;&nbsp;&nbsp;&nbsp;of an Antiskill officer.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't say I didn't<br>&nbsp;&nbsp;&nbsp;&nbsp;warn you, after you're dead.<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's all right.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your name could be written<br>&nbsp;&nbsp;&nbsp;&nbsp;on one of those crowds' lists!<br>**[10:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's my job to revise those lists.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it's all the same, I'm glad.<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like helping you<br>&nbsp;&nbsp;&nbsp;&nbsp;will be a lot simpler than I'd heard.<br>**[10:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you really mean that?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, won't it?<br>&nbsp;&nbsp;&nbsp;&nbsp;Say whatever you will,<br>**[10:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you're trying to eliminate<br>&nbsp;&nbsp;&nbsp;&nbsp;your landlady's risks.<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is to say, you're trying<br>&nbsp;&nbsp;&nbsp;&nbsp;your hardest to protect us, right?<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, this is why idiots like<br>&nbsp;&nbsp;&nbsp;&nbsp;her are so hard to manage.<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's late! What is he up to?!<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seventh Mist at exactly 1:00!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're even one second late,<br>&nbsp;&nbsp;&nbsp;&nbsp;you know what will happen!<br>**[11:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh.<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's making me<br>&nbsp;&nbsp;&nbsp;&nbsp;look like an idiot, isn't he?<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somen noodles again today.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way! Why are we<br>&nbsp;&nbsp;&nbsp;&nbsp;having nothing but this lately?!<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this? Some sort of<br>&nbsp;&nbsp;&nbsp;&nbsp;magic to regulate our insides,<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;using the culture of cuisine?<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We just happen to have been<br>&nbsp;&nbsp;&nbsp;&nbsp;given a lot of it as a present!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Try putting yourself in my shoes,<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;having to come up with<br>&nbsp;&nbsp;&nbsp;&nbsp;original ideas day after day,<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like salad-style, pasta-style,<br>
&nbsp;&nbsp;&nbsp;&nbsp;and *udon*-noodle-style!<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado Maika...<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to share<br>&nbsp;&nbsp;&nbsp;&nbsp;this joy with somebody!<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These! These! Maids generally<br>&nbsp;&nbsp;&nbsp;&nbsp;aren't allowed to stand out too much.<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But by fussing around<br>&nbsp;&nbsp;&nbsp;&nbsp;with my sleeves and collar,<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can secretly express my individuality.<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am in a very good mood right now,<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so if you have anything on your mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd be willing to hear about it.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'd like to learn some new<br>&nbsp;&nbsp;&nbsp;&nbsp;ways to eat somen noodles!<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought the salaries of public servants<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;were supposed to<br>&nbsp;&nbsp;&nbsp;&nbsp;be getting trimmed back.<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This building also serves<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as a structural<br>&nbsp;&nbsp;&nbsp;&nbsp;engineering field test site,<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so part of the rent is<br>&nbsp;&nbsp;&nbsp;&nbsp;paid for by the university.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Amazing! Amazing!<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't a speck of dust,"<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka offering<br>&nbsp;&nbsp;&nbsp;&nbsp;her praise while jumping on the sofa!<br>**[12:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You had to write<br>&nbsp;&nbsp;&nbsp;&nbsp;another formal apology, huh?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Ah-ha... Whatever do you mean?<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She has a habit of<br>&nbsp;&nbsp;&nbsp;&nbsp;straightening up her room<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;whenever she has<br>&nbsp;&nbsp;&nbsp;&nbsp;a problem come up.<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does it without<br>&nbsp;&nbsp;&nbsp;&nbsp;thinking of the consequences,<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so she often loses<br>&nbsp;&nbsp;&nbsp;&nbsp;her keys and whatnot.<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is that any way to talk about someone<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who is looking for your<br>&nbsp;&nbsp;&nbsp;&nbsp;next job together with you?<br>**[13:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that the kitchen<br>&nbsp;&nbsp;&nbsp;&nbsp;will be the same as always, right?<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now! Kikyo,<br>&nbsp;&nbsp;&nbsp;&nbsp;you eat the food I cook<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as if it tastes<br>&nbsp;&nbsp;&nbsp;&nbsp;good enough, don't you?<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I don't know how it's made.<br>**[13:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wow! Why are there so many rice cookers?"<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, counting them all.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rice cooker is a miracle<br>&nbsp;&nbsp;&nbsp;&nbsp;appliance that can do anything.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's not coming.<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka!<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Miss Uiharu.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um, I think Miss Shirai will be<br>&nbsp;&nbsp;&nbsp;&nbsp;coming by to pick up some things.<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, mm-hmm.<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai offloaded her<br>&nbsp;&nbsp;&nbsp;&nbsp;Judgment workload onto me--<br>**[13:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I mean, she is awfully busy at work,<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I've come in her place.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you don't say.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that's Tokiwadai<br>&nbsp;&nbsp;&nbsp;&nbsp;Middle School for you.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's amazing you can<br>&nbsp;&nbsp;&nbsp;&nbsp;learn the violin in class, huh?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're overblowing things.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you want to give it a try?<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's it, support the instrument<br>&nbsp;&nbsp;&nbsp;&nbsp;with your collarbone and jaw.<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gently hold the<br>&nbsp;&nbsp;&nbsp;&nbsp;neck with your left hand.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold the bow so the strings<br>&nbsp;&nbsp;&nbsp;&nbsp;are perpendicular, and then slowly...<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See? Simple, right?<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's almost like I'm in a dream!<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter?<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U... i... ha... ru!!<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you wasting time around here for?<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, sorry, sorry.<br>**[14:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, listen,<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm* the one who won the contest<br>
&nbsp;&nbsp;&nbsp;&nbsp;with a penalty game at stake!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So why should *I* have to be kept<br>
&nbsp;&nbsp;&nbsp;&nbsp;waiting here for over an hour?!<br>**[14:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Well, it's nothing too profound...<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Huh? I'm sure<br>&nbsp;&nbsp;&nbsp;&nbsp;we agreed on 1:00, right?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were you here thirty minutes before that?<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I am sorry.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It's not as though I started<br>
&nbsp;&nbsp;&nbsp;&nbsp;waiting *exactly* an hour ago...<br>**[15:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, did you...<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... that is...<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you want to make me suffer<br>
&nbsp;&nbsp;&nbsp;&nbsp;through this penalty game *that* badly?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are pretty insidious.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Bulls-eye?<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop being so defiant!<br>
&nbsp;&nbsp;&nbsp;&nbsp;*You're* the one that lost back there!<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're going to do whatever I say, right?!<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-When you say "whatever,"<br>&nbsp;&nbsp;&nbsp;&nbsp;within the bounds of possibility...<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You. Will. Do. It. Right?<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come with me!<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, where?!<br>**[15:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm telling you to<br>&nbsp;&nbsp;&nbsp;&nbsp;shut up and come with me!<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is the first penalty!<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean there's not just one?!<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Handy Antenna Campaign"<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Handy Antenna service?<br>**[15:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, something to replace the<br>&nbsp;&nbsp;&nbsp;&nbsp;antenna base on your cell phone.<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Subscribers can construct<br>&nbsp;&nbsp;&nbsp;&nbsp;their own network with them.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, if you sign a pair contract,<br>&nbsp;&nbsp;&nbsp;&nbsp;the calling rate becomes cheaper.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pair contract?<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, right now, everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who agrees to a set contract<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will receive a<br>&nbsp;&nbsp;&nbsp;&nbsp;Lovely Mitten Gekota strap!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why you're signing up with me.<br>**[16:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're just after the strap, then?<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And as far as frogs go, you've already got--<br>**[16:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're. Signing. Up. With. Me.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but, pair contracts<br>&nbsp;&nbsp;&nbsp;&nbsp;are what boyfriends and girlfriends<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sign up for together, aren't they?<br>**[16:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You dummy!<br>&nbsp;&nbsp;&nbsp;&nbsp;What conclusion are you jumping to?!<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It says it's limited to male-female,<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but i-it doesn't have to<br>&nbsp;&nbsp;&nbsp;&nbsp;be boyfriend-girlfriend, right?!<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, a married<br>&nbsp;&nbsp;&nbsp;&nbsp;couple would be fine, too.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hello in there.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've gotten far more serious<br>&nbsp;&nbsp;&nbsp;&nbsp;than boyfriend-girlfriend, Miss Misaka.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I-It's a penalty game, so don't<br>&nbsp;&nbsp;&nbsp;&nbsp;say anything and come with me!<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, we'll need a photo<br>&nbsp;&nbsp;&nbsp;&nbsp;to complete the paperwork.<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like a picture ID?<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, something that<br>&nbsp;&nbsp;&nbsp;&nbsp;lets us know you two are a pair.<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can even use your cell phone<br>&nbsp;&nbsp;&nbsp;&nbsp;to take a two-shot of both of you.<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A two-shot?!<br>**[16:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about it? Want to make do<br>&nbsp;&nbsp;&nbsp;&nbsp;with my cell phone camera right off?<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, okay...<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, here it goes.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me just make sure, here.<br>&nbsp;&nbsp;&nbsp;&nbsp;You told me you wanted this, right?<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I know I did!<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just you wait, Gekota!<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Here goes.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay! Whenever you're ready!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you're pulling a face, Misaka.<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you looking the other way?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think this<br>&nbsp;&nbsp;&nbsp;&nbsp;is what a pair looks like.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;L-Let's try taking it again.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with the forced<br>&nbsp;&nbsp;&nbsp;&nbsp;expression again, Misaka?!<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you distancing yourself from me?!<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, for this two-shot,<br>**[17:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we just have to make<br>&nbsp;&nbsp;&nbsp;&nbsp;it look like we're in love, right?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, do it like this!<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Smile, Misaka! This photo is<br>&nbsp;&nbsp;&nbsp;&nbsp;for the paperwork, right?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as we think of it in<br>&nbsp;&nbsp;&nbsp;&nbsp;that way, this won't be a problem.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah... Well, you're right.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're just taking a picture that<br>
&nbsp;&nbsp;&nbsp;&nbsp;makes it *look* that way, aren't we?<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah, we're just taking a picture!<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here goes!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes!<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief. It was a mistake for<br>&nbsp;&nbsp;&nbsp;&nbsp;me to underestimate him<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as just a Johnny-come-lately thrall of yours.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy, you've been going around<br>&nbsp;&nbsp;&nbsp;&nbsp;everywhere splurging with him.<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't go getting the wrong idea!<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to get a Gekota strap...<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...so I needed a photo for a pair contract...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, you need not<br>&nbsp;&nbsp;&nbsp;&nbsp;have lowered yourself to this boy;<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you and I had become a pair,<br>&nbsp;&nbsp;&nbsp;&nbsp;there would not be any problem!<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, let us take some pictures.<br>&nbsp;&nbsp;&nbsp;&nbsp;We will just slam them through.<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait... Hey! Kuroko!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will make memories to last a lifetime!<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, where are you taking me, Kuroko?!<br>**[18:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If everything's okay,<br>&nbsp;&nbsp;&nbsp;&nbsp;then can I go home now?<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you,<br>&nbsp;&nbsp;&nbsp;&nbsp;it has to be male-female!<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hitotsui Hajime, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;primarily busy with your concerts,<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but recently, you announced<br>&nbsp;&nbsp;&nbsp;&nbsp;you would be appearing in a movie.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, it's a Hollywood<br>&nbsp;&nbsp;&nbsp;&nbsp;picture, of all things.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I fell asleep, huh?<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;especially trying happen to you?<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, you're letting yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;become sloppy, you idiot.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even with this thing on, it's all<br>&nbsp;&nbsp;&nbsp;&nbsp;you can do to fight for fifteen minutes.<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hitotsui Hajime to star in his<br>&nbsp;&nbsp;&nbsp;&nbsp;first Hollywood production!!"<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The direction I got was just<br>&nbsp;&nbsp;&nbsp;&nbsp;right for me, being Japanese.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did he not have any pretense?<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As for the others, did they show<br>&nbsp;&nbsp;&nbsp;&nbsp;a particularly suitable understanding<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of me as being a<br>&nbsp;&nbsp;&nbsp;&nbsp;contemporary Japanese man?<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The words themselves<br>&nbsp;&nbsp;&nbsp;&nbsp;are spoken in native US English,<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so using just gestures,<br>&nbsp;&nbsp;&nbsp;&nbsp;manners, and attitude,<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nobody's here, huh?<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;being told to show us that this<br>&nbsp;&nbsp;&nbsp;&nbsp;guy is Japanese was something--<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh well, guess I'll grab a shower.<br>**[19:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh my.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"W-Why are you just barging in<br>&nbsp;&nbsp;&nbsp;&nbsp;here without any advance warning,"<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, reaching for<br>&nbsp;&nbsp;&nbsp;&nbsp;a bath towel after it's too late!<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why didn't you lock the door?<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry. I've lived by<br>&nbsp;&nbsp;&nbsp;&nbsp;myself up to now, and I just forgot.<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aiho, hurry and<br>&nbsp;&nbsp;&nbsp;&nbsp;wrap yourself up in this.<br>**[20:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You two don't care that<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been seen naked, huh?"<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;asking a simple question.<br>**[20:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, it's not really anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to make a fuss over, is it?<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's a child, and we're adults.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I would say more like biddies<br>&nbsp;&nbsp;&nbsp;&nbsp;than adults," says Misaka--<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow-w-w-w! Now they're suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;both giving Misaka's head noogies!<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just saying, be more wary.<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"And that's what happened,"<br>**[20:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;giving an incident report.<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In that case, it has already<br>&nbsp;&nbsp;&nbsp;&nbsp;gone out over the network,<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there is no reason to repeat<br>&nbsp;&nbsp;&nbsp;&nbsp;it all again verbally, is there?"<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka rationally points out.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I want to say it verbally<br>&nbsp;&nbsp;&nbsp;&nbsp;as much as it takes,"<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, finding<br>&nbsp;&nbsp;&nbsp;&nbsp;the outrageousness inexcusable!<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"And now, being shut out<br>&nbsp;&nbsp;&nbsp;&nbsp;due to the apartment's auto-lock<br>**[20:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;makes your situation<br>&nbsp;&nbsp;&nbsp;&nbsp;seem even foolish, huh?<br>**[20:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If Misaka hadn't been passing by,<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would have been<br>&nbsp;&nbsp;&nbsp;&nbsp;all alone for a long time,"<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;secretly laughing on the inside.<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It isn't Misaka's fault!<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the auto-lock's!"<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka in exasperation!<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm?<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, where did that little brat go?<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now that you mention it...<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You mean this?" asks Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;to verify the unexpected question.<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All of the other Misakas have those,<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Misaka is the only one who doesn't,"<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, gazing enviously at it.<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"That Misaka is that Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;while this Misaka is this Misaka."<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, intimating<br>&nbsp;&nbsp;&nbsp;&nbsp;that you should give up.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Aww! Misaka wants one, too!"<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;using her small appearance to its fullest,<br>**[21:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to exercise some<br>&nbsp;&nbsp;&nbsp;&nbsp;spoiled-brat negotiation skills.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You may be going for endearing antics,<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it's upsetting when used on<br>&nbsp;&nbsp;&nbsp;&nbsp;those of the same sex, and backfires,"<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, offering a kindly explanation.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Say, 10032, would you bow for me?"<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, asking a favor.<br>**[22:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You fell for it!"<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;her mugging plan a success!<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Nyah! If you want them<br>&nbsp;&nbsp;&nbsp;&nbsp;back, try and take them!"<br>**[22:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;basking in the afterglow of victory<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while making a mad dash!<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The time for revolution has come,"<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka 10032 hereby declares.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it<br>
&nbsp;&nbsp;&nbsp;&nbsp;was okay to be alone*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't turn back time that has passed*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being<br>
&nbsp;&nbsp;&nbsp;&nbsp;there as the seasons roll around*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;broken clock start up again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may<br>
&nbsp;&nbsp;&nbsp;&nbsp;be a helpless piece of junk*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how<br>
&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can change that*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;First Misaka Mikoto, now Misaka's Sister?!<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now there's<br>&nbsp;&nbsp;&nbsp;&nbsp;even a pint-sized Misaka.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't go running amok here!<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, Index,<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're with them, then...<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Serial Number."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 42 - Serial Number (Specimen Number)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Archbishop!<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow-w-w...<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the item written in this report true?<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They do say that the<br>&nbsp;&nbsp;&nbsp;&nbsp;world moves at your word.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How dare you suddenly set<br>&nbsp;&nbsp;&nbsp;&nbsp;foot into a lady's bathroom, Stiyl!<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's most inappropriate<br>&nbsp;&nbsp;&nbsp;&nbsp;for a clergyman!<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, just answer me!<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now,<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;please fill in the details. Now!<br>**[01:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My vestments are clinging to me,<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;immodestly revealing my extremities...<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is wrong! Look away, Stiyl!<br>**[01:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not mean to let anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who pleases see my body!<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kore ijou tooku made<br>
&nbsp;&nbsp;&nbsp;&nbsp;tobenai tori ga ita*<br>**[01:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kizu mo nai rippa na<br>
&nbsp;&nbsp;&nbsp;&nbsp;hane de aozora wo najitta*<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo warukunai*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano sora wa takakunai*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo yoku wa nai*<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karada de kanjiru sokudo wo osorete'ru*<br>**[02:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare ni demo chansu wa moteru*<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sono saki e yukenai*<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitatenai*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitachitai*<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kanaetai negai<br>
&nbsp;&nbsp;&nbsp;&nbsp;no mukou de kagayaku*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ga iru*<br>**[02:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitomi ni utsusu*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mirai ni tatte itsumo tsuyokute"*<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sonna kimi ga boku sa*<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi wa mada mabushii kedo*<br>**[02:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji kimochi de kono te nobashite*<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*itsuka tsukamu genjitsu no boku ga*<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ni naru yo*<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#18 Serial Number (Specimen Number)<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would the archbishop<br>&nbsp;&nbsp;&nbsp;&nbsp;buy us such a complicated,<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;problematic device as this?<br>**[03:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For Pete's sake,<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can just do your laundry<br>&nbsp;&nbsp;&nbsp;&nbsp;down at the river, right?<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The river would be<br>&nbsp;&nbsp;&nbsp;&nbsp;going too far.<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, apparently, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;supposed to press this button.<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you won't<br>&nbsp;&nbsp;&nbsp;&nbsp;give in and wash by hand?<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's try to press on a little longer.<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our dream fully-automated<br>&nbsp;&nbsp;&nbsp;&nbsp;washing machine is right in front of us.<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Didn't you already<br>&nbsp;&nbsp;&nbsp;&nbsp;finish today's wash this evening?<br>**[03:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. Since<br>&nbsp;&nbsp;&nbsp;&nbsp;we don't have any laundry...<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No...<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We have laundry right here.<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't need to take your<br>&nbsp;&nbsp;&nbsp;&nbsp;clothes off to make more laundry!<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't you two copy her!<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have to say, a Japanese *yukata*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;seems put together to<br>&nbsp;&nbsp;&nbsp;&nbsp;make it very easy to take off.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... Miss Kanzaki, you are<br>&nbsp;&nbsp;&nbsp;&nbsp;one of those who forgoes underwear.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the way<br>
&nbsp;&nbsp;&nbsp;&nbsp;you wear a *yukata*!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It really is quiet.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I only wanted to see one work.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Far East denomination...<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a retired<br>&nbsp;&nbsp;&nbsp;&nbsp;ninja now, but what is it?<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the manual here,<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it says "please separate<br>&nbsp;&nbsp;&nbsp;&nbsp;non-colorfast items."<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that dyed sash<br>&nbsp;&nbsp;&nbsp;&nbsp;of yours gonna be all right?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;C-Cancel! Where<br>&nbsp;&nbsp;&nbsp;&nbsp;is the cancel button?!<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really are not<br>&nbsp;&nbsp;&nbsp;&nbsp;wearing underwear, huh?<br>**[05:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh...! Gekota!<br>&nbsp;&nbsp;&nbsp;&nbsp;Gekota! Gekota! Gekota!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, good grief.<br>**[05:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you finish the paperwork?<br>**[05:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, huh?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh?! I can get a Pyonko<br>&nbsp;&nbsp;&nbsp;&nbsp;together with my Gekota?!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right!!<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that means...<br>&nbsp;&nbsp;&nbsp;&nbsp;you're Misaka's sister?<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Yes," affirms Misaka,<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;including her serial number,<br>&nbsp;&nbsp;&nbsp;&nbsp;10032, just in case.<br>**[05:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't recognize you<br>&nbsp;&nbsp;&nbsp;&nbsp;without your goggles on.<br>**[05:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Have you seen a<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka about this height?"<br>**[05:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, indicating a level<br>&nbsp;&nbsp;&nbsp;&nbsp;slightly lower than her chest.<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you guys come up<br>&nbsp;&nbsp;&nbsp;&nbsp;with a way to change your sizes?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Judging by your response,<br>&nbsp;&nbsp;&nbsp;&nbsp;you apparently have not,"<br>**[05:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, disappointed<br>&nbsp;&nbsp;&nbsp;&nbsp;by your failure to be of any help.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka had her<br>&nbsp;&nbsp;&nbsp;&nbsp;goggles stolen from her.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They must be recovered at once,"<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, implicitly appealing<br>&nbsp;&nbsp;&nbsp;&nbsp;for help through upturned eyes.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-Now, it's kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;hard for me to tell you apart.<br>**[06:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you could start by<br>&nbsp;&nbsp;&nbsp;&nbsp;taking off your blazer, or something.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you<br>&nbsp;&nbsp;&nbsp;&nbsp;pulling your skirt down for?!<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forget it, forget it!<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't take anything off!<br>**[06:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know. If you wore some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of accessory, I could tell you apart.<br>**[06:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accessory?<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, a ring maybe.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ring?<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"At that time, she obtained<br>&nbsp;&nbsp;&nbsp;&nbsp;top-secret information<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that if one places a ring<br>&nbsp;&nbsp;&nbsp;&nbsp;received from a boy one likes<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the left ring finger,<br>&nbsp;&nbsp;&nbsp;&nbsp;one is a winner."<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah, a ring wouldn't work.<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't stand out enough.<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Something I can tell at a glance...<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Right now, Misaka is playing<br>&nbsp;&nbsp;&nbsp;&nbsp;tag with one of the lower-number units,"<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;offering a status report.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I can't come home right now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I hope you'll make me dinner,"<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;placing her order.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why that dirty brat!<br>**[07:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe I shouldn't have opened<br>&nbsp;&nbsp;&nbsp;&nbsp;my home to all three of you.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If only she had called my cell phone,<br>**[07:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could have found out where she is.<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, let go of me! Let me go!<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...!<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Kikyo,<br>&nbsp;&nbsp;&nbsp;&nbsp;it's your turn to stay here.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're going out to look for her, right?<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can analyze the<br>&nbsp;&nbsp;&nbsp;&nbsp;sounds in the background,<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can narrow her location down.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, you just let<br>&nbsp;&nbsp;&nbsp;&nbsp;Big Sister Yomikawa handle that.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that abusing your authority?<br>**[07:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finding lost children is *part* of my job!<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's go.<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A ring...<br>**[07:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...on Misaka's left ring finger...<br>**[07:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, if you don't like that one,<br>&nbsp;&nbsp;&nbsp;&nbsp;should we take it back?<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Please, do not take anything<br>&nbsp;&nbsp;&nbsp;&nbsp;else away from Misaka,"<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka in an<br>&nbsp;&nbsp;&nbsp;&nbsp;earnest, lowered voice.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Animal Donuts"?<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, these look yummy!<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't mind if I do!<br>**[08:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tweet-tweet-tweet-tweet-tweet...<br>**[08:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"These chicks are smart, not to bite,"<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;utters Misaka in a voice of wonder.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said there were still in<br>&nbsp;&nbsp;&nbsp;&nbsp;the experimental prototype phase,<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but these are pretty good.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They may be experimental...<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but Misaka respects<br>&nbsp;&nbsp;&nbsp;&nbsp;the lives of these chicks...<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you sparking for?<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you guys, what are you doing?<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Misaka...<br>**[08:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"M-Misaka just came here<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to get back the goggles that<br>&nbsp;&nbsp;&nbsp;&nbsp;were taken from me," says Misaka...<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"And there was more,<br>&nbsp;&nbsp;&nbsp;&nbsp;but now, I am fixated on these frogs,"<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, changing the subject.<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Explain yourself better!<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, if you're down here...<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those? Let me see them!<br>**[09:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sissy, you can just<br>&nbsp;&nbsp;&nbsp;&nbsp;stay engrossed in your frogs,"<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;states Misaka with cold assertion.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It won't hurt to look, will it?<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If you want them so badly,<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you can have him buy them from<br>&nbsp;&nbsp;&nbsp;&nbsp;that person over there, like Misaka did,"<br>**[09:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, pointing out the right man.<br>**[09:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The right man?<br>**[09:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Remember how you lost our bet,<br>**[09:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and have to do whatever<br>&nbsp;&nbsp;&nbsp;&nbsp;I say as part of our penalty game?<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet here we are, in the<br>&nbsp;&nbsp;&nbsp;&nbsp;middle of our penalty game...<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and you're trying to<br>&nbsp;&nbsp;&nbsp;&nbsp;make time with everyone else!<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You really like the sound of<br>&nbsp;&nbsp;&nbsp;&nbsp;my sister that much?!<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Incidentally, what<br>&nbsp;&nbsp;&nbsp;&nbsp;are you doing here, Sissy?"<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, beginning to<br>&nbsp;&nbsp;&nbsp;&nbsp;collect information.<br>**[09:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we had a contest over<br>&nbsp;&nbsp;&nbsp;&nbsp;the Daihasei Festival, you see.<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyhow, I won the bet,<br>**[09:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and as part of the penalty game,<br>&nbsp;&nbsp;&nbsp;&nbsp;I get to drag him around, that's all.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, like, you see...<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"In other words, Sissy,<br>&nbsp;&nbsp;&nbsp;&nbsp;you cannot be honest with him?"<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka, analyzing the data.<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are you analyzing to figure *that*?!<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't have anything<br>&nbsp;&nbsp;&nbsp;&nbsp;to hide! For one thing,<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what's the point of being<br>&nbsp;&nbsp;&nbsp;&nbsp;honest with a guy like this?!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, Misaka will take<br>&nbsp;&nbsp;&nbsp;&nbsp;a different route than the Original.<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Check this,"<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, casually<br>&nbsp;&nbsp;&nbsp;&nbsp;showing off to the Original<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the accessory that he bought for her.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka also hugs him from the other side!"<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;blending herself in with the amusement!<br>**[10:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka"? You mean, this sister's sister?!<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Serial number 20001.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You have some nerve,<br>&nbsp;&nbsp;&nbsp;&nbsp;strolling up beside Misaka like this,"<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, switching to<br>&nbsp;&nbsp;&nbsp;&nbsp;serious mode before she realizes it.<br>**[10:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka is tired of playing that game now,"<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, embarking<br>&nbsp;&nbsp;&nbsp;&nbsp;on her next spot of entertainment.<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Do you think you're<br>&nbsp;&nbsp;&nbsp;&nbsp;getting away from me?"<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, pulling a rifle out of her bag.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If that's what you<br>&nbsp;&nbsp;&nbsp;&nbsp;call serious, it's laughable!"<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, poking fun.<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The real fun is just getting started,"<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka, making the<br>&nbsp;&nbsp;&nbsp;&nbsp;final transition to Misaka Full Boost.<br>**[11:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the...?<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The underground mall?<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We detected some low<br>&nbsp;&nbsp;&nbsp;&nbsp;frequencies from the call we traced<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from the message<br>&nbsp;&nbsp;&nbsp;&nbsp;on the answering machine.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, she's in Area U, which<br>&nbsp;&nbsp;&nbsp;&nbsp;is to say, the underground mall.<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, you're telling me to go there?<br>**[11:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For now, yeah.<br>**[11:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, there's no telling<br>&nbsp;&nbsp;&nbsp;&nbsp;whether a girl as quick as she is<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;will still be in the same place now.<br>**[11:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, Accelerator...<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that afraid to<br>&nbsp;&nbsp;&nbsp;&nbsp;direct any good will toward others?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What'd you say?<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to accept the good<br>&nbsp;&nbsp;&nbsp;&nbsp;will shown to you by Last Order,<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you refuse to show any<br>&nbsp;&nbsp;&nbsp;&nbsp;good will from yourself toward her.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you're afraid<br>&nbsp;&nbsp;&nbsp;&nbsp;it will backfire on you,<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there will be no undoing it.<br>**[12:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lecturing me?<br>**[12:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I don't think someone like<br>&nbsp;&nbsp;&nbsp;&nbsp;me could understand your gloom.<br>**[12:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not considering<br>&nbsp;&nbsp;&nbsp;&nbsp;the place you used to be in.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;X-S Institute, right?<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Exceptional Esper Multi-Modification<br>&nbsp;&nbsp;&nbsp;&nbsp;Technical Research Institute.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was dumped in that place until I was 9.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The place was a trash heap<br>&nbsp;&nbsp;&nbsp;&nbsp;where they'd dispose of living people.<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have at<br>&nbsp;&nbsp;&nbsp;&nbsp;least heard the stories, right?<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was my squad that<br>&nbsp;&nbsp;&nbsp;&nbsp;neutralized and dismantled them.<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for that.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I saw it, too--what was lying on<br>&nbsp;&nbsp;&nbsp;&nbsp;the other side of those heavy doors.<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I was a monster that not<br>&nbsp;&nbsp;&nbsp;&nbsp;even the X-S Institute could handle.<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You heard about<br>&nbsp;&nbsp;&nbsp;&nbsp;it from Yoshikawa, right?<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;About what I did<br>&nbsp;&nbsp;&nbsp;&nbsp;in those "experiments"?<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's impossible for<br>&nbsp;&nbsp;&nbsp;&nbsp;me to express good will.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even so, you still hate<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself for that. Am I wrong?<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a little rule<br>&nbsp;&nbsp;&nbsp;&nbsp;that I impose on myself.<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will not turn a weapon on a child.<br>**[13:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if they are an esper.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you know why?<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's why. Sure, maybe<br>&nbsp;&nbsp;&nbsp;&nbsp;it doesn't compare to your situation.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it doesn't change the<br>&nbsp;&nbsp;&nbsp;&nbsp;fact that we are both indebted.<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that no matter<br>&nbsp;&nbsp;&nbsp;&nbsp;how flat-footed it leaves us,<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to keep paying it back.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, unlike me, you have power.<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are any number of<br>&nbsp;&nbsp;&nbsp;&nbsp;ways you can do it.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I had used my<br>&nbsp;&nbsp;&nbsp;&nbsp;power to stop the experiments...?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I could have held them back<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;from pushing their way<br>&nbsp;&nbsp;&nbsp;&nbsp;down a path to their deaths...?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if even now, it's not too late...?<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if...?<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bullcrap.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's by socking away this bullcrap<br>&nbsp;&nbsp;&nbsp;&nbsp;that we pay back our debts.<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all.<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what was in the report, is it?<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a well-made 3D image, huh?<br>**[14:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For heaven's sake,<br>&nbsp;&nbsp;&nbsp;&nbsp;what a complicated bit of mischief.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's contact headquarters<br>&nbsp;&nbsp;&nbsp;&nbsp;and start checking out<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the espers who could do this.<br>**[14:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez...<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What was all that, exactly?<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That stupid jerk!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does he think<br>
&nbsp;&nbsp;&nbsp;&nbsp;the promise he made *me* is?!<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"1st place today"   "1st place all-time"<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it. I don't get it, but...<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it's just my luck.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"How come your shoulders are<br>&nbsp;&nbsp;&nbsp;&nbsp;drooping like you're worn out?"<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka...<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...grabbing you from behind<br>&nbsp;&nbsp;&nbsp;&nbsp;like a soothing mascot.<br>**[15:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey...!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that Mini-Misaka from earlier?<br>**[15:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma...<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we have here?<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, I'm out looking for Toma,<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but along the way, I got hungry, and then...<br>**[15:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can eat, or you can talk; pick one.<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then, didn't you have<br>&nbsp;&nbsp;&nbsp;&nbsp;something you wanted to tell me?<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. Thanks.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just one word, huh?<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? My name is Index.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't introduce yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;when your face is dirty.<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you ever seen this kid?<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nope.<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take your time, would you?<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never forget the faces of people I see.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this is great!<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now I can look for Toma<br>&nbsp;&nbsp;&nbsp;&nbsp;without worrying about my stomach.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Though now that my stomach is full,<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think my reason<br>&nbsp;&nbsp;&nbsp;&nbsp;for finding Toma is as pressing.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, you don't say. I'm not<br>&nbsp;&nbsp;&nbsp;&nbsp;helping you look. Ask someone else.<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you busy?<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, unfortunately, I'm very busy.<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what you're saying is,<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're like a host computer<br>&nbsp;&nbsp;&nbsp;&nbsp;with all the Sisters tied into you?<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Probably closer to a console than a host,"<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka by way of correction.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Misakas have<br>&nbsp;&nbsp;&nbsp;&nbsp;no central point anywhere,<br>**[16:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it doesn't really mean anything<br>&nbsp;&nbsp;&nbsp;&nbsp;for there to be a specific individual<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;acting as the network's 'core,'"<br>**[16:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;brags Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;head held high while lecturing!<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...<br>**[16:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Listen, you helped out<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka during the 'experiments,'<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I came to say thank you,"<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, citing<br>&nbsp;&nbsp;&nbsp;&nbsp;a Grateful Crane-like development!<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what is it you're really up to?<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You don't believe me for an instant!"<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, stamping her feet,<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and swinging her arms as hard as she can!<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry! Sorry! My bad! Look...<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll buy you some of that<br>&nbsp;&nbsp;&nbsp;&nbsp;if you'll forgive me! Okay?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"D-Do you think you can<br>&nbsp;&nbsp;&nbsp;&nbsp;sway a girl's delicate feelings<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by buying her food?"<br>**[17:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka indignantly.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So anyway, Toma is always<br>&nbsp;&nbsp;&nbsp;&nbsp;going off somewhere, leaving me behind.<br>**[17:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It could be a kind of wanderlust--<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;like he's someone who goes<br>&nbsp;&nbsp;&nbsp;&nbsp;off on a journey before he realizes it.<br>**[17:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By the way, what are you doing down here?<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking for someone.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The girl on your cell phone?<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if I am?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I still<br>&nbsp;&nbsp;&nbsp;&nbsp;haven't thanked you, huh?<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's okay, just be quiet and go away, kid.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I still haven't thanked you, huh?<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't just ignore what I'm saying!<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's that one girl, right?<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can help look for her<br>&nbsp;&nbsp;&nbsp;&nbsp;together with you until I find Toma.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;'kay?<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all...<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what?<br>**[18:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka snatched these from someone,"<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;bragging about her trophy.<br>**[18:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? I'm just<br>&nbsp;&nbsp;&nbsp;&nbsp;starting to feel relieved,<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now you're<br>&nbsp;&nbsp;&nbsp;&nbsp;declaring yourself to be a bandit?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, those goggles...<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka's sister was looking for those.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But these weren't made to fit Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;so she can't wear them right,"<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, a little ruefully.<br>**[18:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you could just<br>&nbsp;&nbsp;&nbsp;&nbsp;adjust the length of the band, right?<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh...?<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you okay?<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It seems like I've seen her before,<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but she's too small to have been her.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-uh, I don't recognize her, all right.<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then give that back!<br>&nbsp;&nbsp;&nbsp;&nbsp;You good-for-nothing little brat!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There, all done.<br>**[19:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Now Misaka can see perfectly, too!"<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka delightedly!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"But what it cost me is<br>&nbsp;&nbsp;&nbsp;&nbsp;by no means a small price,"<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;remembers Misaka Misaka,<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while nonetheless demonstrating<br>&nbsp;&nbsp;&nbsp;&nbsp;her joy throughout her whole body!<br>**[19:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah.<br>**[19:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Listen, Misaka has<br>&nbsp;&nbsp;&nbsp;&nbsp;to be going home soon,"<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;delivering some bad news.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, it is getting late, after all.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I really do wish we<br>&nbsp;&nbsp;&nbsp;&nbsp;could stay together longer,"<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka... despondently.<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Our meeting like this<br>&nbsp;&nbsp;&nbsp;&nbsp;was just a coincidence,<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the part about wanting<br>&nbsp;&nbsp;&nbsp;&nbsp;to thank you was the truth,"<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;pouring out her heart.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I think he's going to be worried.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He"?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If Misaka is too late,<br>&nbsp;&nbsp;&nbsp;&nbsp;he may come looking for her.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka doesn't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to be a bother or anything,"<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka with a smile.<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, sounds like a nice guy, doesn't he?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"He's weak. He's been hurt an awful lot,<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;since not only could he<br>&nbsp;&nbsp;&nbsp;&nbsp;not protect what he had in hand,<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now the same hands that<br>&nbsp;&nbsp;&nbsp;&nbsp;scooped them up are in shambles.<br>**[20:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she doesn't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to burden him any further.<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now Misaka is going to protect him!"<br>**[20:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka unburdening herself.<br>**[20:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay.<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, it's Toma!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The guy you're looking for?<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm!<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch... Go ahead.<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? But what about your friend?<br>**[21:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't worry. I just found mine, too.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then, I'll be going. Thanks.<br>**[21:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order!<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma!<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I'm back!"<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;offering the standard greeting--<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ow!<br>**[21:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Hey, why do you keep chopping<br>&nbsp;&nbsp;&nbsp;&nbsp;me without saying anything?"<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;holding her head and faking crying.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, what<br>&nbsp;&nbsp;&nbsp;&nbsp;have you been doing up to now?<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Playing with someone,"<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, answering honestly.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! Toma! I finally found you!<br>**[21:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing down here?<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? You know what?<br>&nbsp;&nbsp;&nbsp;&nbsp;I had that man help me out of a jam.<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, which man?<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator!<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come quick, or you'll be left behind!<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, pipe down, you dirty brat.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitori de ii to tsubuyaita*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to aru sekai no chuushin de*<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokei no hari wo orimagete*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hitomi tojite'ta*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sugisatta toki wa modosenai kedo*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ano hi oshiete kureta yo ne*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore de ii n' da to*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Megurimeguru kisetsu ni kimi ga ita kiseki*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kowarete'ta tokei sae ugokidasu kara*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima wa sou muryoku na garakuta da kedo*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fushigi da ne kaerareru sonna ki ga suru*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no koe ga ima mo mada*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*koko ni aru kara*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A man in a white coat appears.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The city is suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;awash in the scent of danger.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, even someone<br>&nbsp;&nbsp;&nbsp;&nbsp;from the Right Seat of God shows up.<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "The Researcher."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>

# 43 - The Researcher (Amata Kihara)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Precautions for when angels<br>&nbsp;&nbsp;&nbsp;&nbsp;descend into human form.<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The greatest incident of<br>&nbsp;&nbsp;&nbsp;&nbsp;telesma habitation in this world<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was, needless to say,<br>&nbsp;&nbsp;&nbsp;&nbsp;at the time of the Annunciation.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To pass the total volume<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Son of God, which is to say,<br>**[00:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;enough telesma to support<br>&nbsp;&nbsp;&nbsp;&nbsp;and guide the world, into the womb,<br>**[00:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;took an unmistakably--"<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha!<br>**[00:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you reading<br>&nbsp;&nbsp;&nbsp;&nbsp;these musty old books again?<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you still not identified<br>&nbsp;&nbsp;&nbsp;&nbsp;what went wrong with your body?<br>**[01:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, I could give<br>&nbsp;&nbsp;&nbsp;&nbsp;you a physical exam--<br>**[01:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha, I see you still<br>&nbsp;&nbsp;&nbsp;&nbsp;don't know your own strength, huh?<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question one, if I may:<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which do you prefer,<br>&nbsp;&nbsp;&nbsp;&nbsp;hammers or screwdrivers?<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not the kind of question you<br>&nbsp;&nbsp;&nbsp;&nbsp;ask after hitting someone.<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sasha, the telesma dwelling<br>&nbsp;&nbsp;&nbsp;&nbsp;within you is that of Gabriel, right?<br>**[01:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Normally, that would be unthinkable.<br>**[01:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If things go wrong, the amount<br>&nbsp;&nbsp;&nbsp;&nbsp;could be greater than the 12 Apostles'.<br>**[01:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question two: So what if it is?<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This power of God comes from<br>&nbsp;&nbsp;&nbsp;&nbsp;the angel who saw to the Annunciation.<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Moreover, having a power<br>&nbsp;&nbsp;&nbsp;&nbsp;greater than that of the 12 Apostles<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;squeezed into the body of one girl means...<br>**[01:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a chance<br>&nbsp;&nbsp;&nbsp;&nbsp;that your tummy will swell up--<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry. You're right.<br>**[01:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wearing such heavy, restrictive<br>&nbsp;&nbsp;&nbsp;&nbsp;clothing on a regular basis, Sasha,<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you couldn't endure<br>&nbsp;&nbsp;&nbsp;&nbsp;breeding without the fun of it, huh?<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Question three:<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop sullying even a single page<br>**[02:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of the holy New Testament, you filthy jerk.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know that I was forcibly<br>&nbsp;&nbsp;&nbsp;&nbsp;made to wear these restrictive clothes<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;by you, as my superior,<br>&nbsp;&nbsp;&nbsp;&nbsp;as an abuse of your power.<br>**[02:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you really<br>&nbsp;&nbsp;&nbsp;&nbsp;dislike them that much? Then,<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;let's change your outfit.<br>**[02:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been looking into<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City lately, you know?<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They have their<br>&nbsp;&nbsp;&nbsp;&nbsp;own particular culture there.<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Sasha,<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;have you ever heard of<br>&nbsp;&nbsp;&nbsp;&nbsp;Magical Powered Kanamin?<br>**[02:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, come on, Sasha...<br>**[02:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[02:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was a bird that could<br>
&nbsp;&nbsp;&nbsp;&nbsp;not fly any farther than this*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It rebuked the blue skies<br>
&nbsp;&nbsp;&nbsp;&nbsp;on fine, flawless wings*<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that bad*<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That sky is not that high*<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that good*<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Afraid of the speed<br>
&nbsp;&nbsp;&nbsp;&nbsp;it would feel in its body*<br>**[03:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everybody has a chance,*<br>**[03:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but they cannot go any farther*<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;cannot take flight*<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;want to take flight*<br>**[03:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, beyond the wish<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to make come true*<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you shine*<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In my eyes I picture you*<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Standing in the future,<br>
&nbsp;&nbsp;&nbsp;&nbsp;always strong,"*<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and that "you" is me*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are still blindingly bright*<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in the same spirit,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I reach out my hand*<br>**[04:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the "I" who I am will<br>
&nbsp;&nbsp;&nbsp;&nbsp;someday grab hold to become*<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the you that I will be*<br>**[04:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#19 The Researcher (Amata Kihara)<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It's raining!" says Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka, looking up at the night sky!<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, you're bugging me.<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold still where you are.<br>**[04:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;see the moon, though,"<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she says, dancing but<br>&nbsp;&nbsp;&nbsp;&nbsp;still somewhat despondent.<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to stop scampering<br>&nbsp;&nbsp;&nbsp;&nbsp;around, right? You dirty brat.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Misaka came this far without<br>&nbsp;&nbsp;&nbsp;&nbsp;being overprotected, and she's fine,"<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;seeking freedom and liberation.<br>**[04:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of frontier-spirit<br>&nbsp;&nbsp;&nbsp;&nbsp;nonsense are you going on about?<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I'm not being protective.<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"There you go again.<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to be so bashful,"<br>**[04:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;jabbing with her index finger.<br>**[04:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Why are you making<br>&nbsp;&nbsp;&nbsp;&nbsp;such a tight fist now?"<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, putting on<br>&nbsp;&nbsp;&nbsp;&nbsp;a temper-alleviating bright smile!<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Rain, rain, fall down,<br>&nbsp;&nbsp;&nbsp;&nbsp;fall down, and fall down some more!"<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;calls out Misaka Misaka to the night sky!<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you that afraid to<br>&nbsp;&nbsp;&nbsp;&nbsp;direct any good will toward others?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem to accept the good<br>&nbsp;&nbsp;&nbsp;&nbsp;will shown to you by Last Order,<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you refuse to show any<br>&nbsp;&nbsp;&nbsp;&nbsp;good will from yourself toward her.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because you're<br>&nbsp;&nbsp;&nbsp;&nbsp;afraid it will backfire on you,<br>**[05:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and there will be no undoing it.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ee-yow!<br>**[05:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"She fell down," reports<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misaka, sitting on the ground.<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, I told you so.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I may need some disinfectant,"<br>**[05:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;her eyes welling up a little.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rub some saliva into it.<br>**[05:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I may need some disinfectant,"<br>**[05:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;repeating the last thing she said.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, let's just get<br>&nbsp;&nbsp;&nbsp;&nbsp;back to Yomikawa's place.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"All right,"<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;accepting the situation.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"It hurts now,<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'll try to put up with it,"<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;plodding along, following after you.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Wah!"<br>**[06:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka--<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait right here. If you move<br>&nbsp;&nbsp;&nbsp;&nbsp;without permission, I'll squash you.<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is just stupid.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's by socking away this bullcrap<br>&nbsp;&nbsp;&nbsp;&nbsp;that we pay back our debts.<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, damn it all.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, I thought some idiots<br>&nbsp;&nbsp;&nbsp;&nbsp;like you would be coming along.<br>**[07:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know whether you're here<br>&nbsp;&nbsp;&nbsp;&nbsp;because you have a beef with me,<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or you're just trying to use me,<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I'm gonna kill you.<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, this is fun!<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're up the creek!<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got me off my<br>&nbsp;&nbsp;&nbsp;&nbsp;chain now, you son of a bitch!<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, this is tedious.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for the show!<br>**[08:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Be grateful I'm laying<br>&nbsp;&nbsp;&nbsp;&nbsp;waste to you so spectacularly!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told them so, didn't I?<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't bring the kid down in<br>&nbsp;&nbsp;&nbsp;&nbsp;such a watered-down fashion as this.<br>**[08:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's gonna take me, all right.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kihara!<br>**[08:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of a coy entrance is that?<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't believe you're<br>&nbsp;&nbsp;&nbsp;&nbsp;the same intellectual-type<br>**[08:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who was too spooked<br>&nbsp;&nbsp;&nbsp;&nbsp;to look a person in the eye.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was against meeting<br>&nbsp;&nbsp;&nbsp;&nbsp;up with you again, myself.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Higher-ups' orders.<br>&nbsp;&nbsp;&nbsp;&nbsp;What can you do?<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said it was an emergency,<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and didn't have the luxury of<br>&nbsp;&nbsp;&nbsp;&nbsp;being choosy about their methods.<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you see, I hate to ask,<br>&nbsp;&nbsp;&nbsp;&nbsp;but would you let me destroy you here?<br>**[09:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After all, who do you think it is<br>&nbsp;&nbsp;&nbsp;&nbsp;that developed that power of yours?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What? What did you say?<br>&nbsp;&nbsp;&nbsp;&nbsp;Are we brimming with duty and sentiment?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're not, by chance, expecting<br>&nbsp;&nbsp;&nbsp;&nbsp;me to return the favor, are you?<br>**[09:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Man, you're hopeless. But then,<br>**[09:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if you're gonna go crazy, do it alone.<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It would take more than both my hands<br>**[09:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to count the researchers<br>&nbsp;&nbsp;&nbsp;&nbsp;who monkeyed around with my body.<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think I'm gonna keep<br>&nbsp;&nbsp;&nbsp;&nbsp;around every last memory of you guys?!<br>**[09:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, you really<br>&nbsp;&nbsp;&nbsp;&nbsp;are a galling little punk.<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, I'd love to kill you.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd love to kill you so bad.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I knew I should have killed<br>&nbsp;&nbsp;&nbsp;&nbsp;you way back then. My goof, my goof.<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did I think I was doing?<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I'm gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;kill you, you little punk!<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you thinking,<br>&nbsp;&nbsp;&nbsp;&nbsp;you idiot? Now, how should I--<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My reflection... didn't work?!<br>**[10:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, little punk, I'll ask it again.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who do you think it was that<br>&nbsp;&nbsp;&nbsp;&nbsp;gave you that two-bit power of yours?<br>**[10:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, do you remember now?!<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ain't like you.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, we're gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;keep her in our care,<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so don't you worry about her.<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can get beat here and become<br>&nbsp;&nbsp;&nbsp;&nbsp;a stain on the wall, or whatever.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That'd be more like you, anyway.<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you... mock me... you...<br>**[11:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...third-string!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This ain't gonna do it.<br>**[11:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't tell me... you... developed<br>&nbsp;&nbsp;&nbsp;&nbsp;an esper power... in yourself...!<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, no, that's not it.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's a job for lab rats, you know.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't have any trouble crushing you<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without having to resort to<br>&nbsp;&nbsp;&nbsp;&nbsp;using that kind of ridiculous power.<br>**[11:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys are<br>&nbsp;&nbsp;&nbsp;&nbsp;really in the zone tonight.<br>**[12:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time for you to become<br>&nbsp;&nbsp;&nbsp;&nbsp;a corpse, you son of a bitch!<br>**[12:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it, I get it,<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you thought the secret to my<br>&nbsp;&nbsp;&nbsp;&nbsp;power is in these gloves, did you?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But actually, it's not!<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How long are you gonna<br>&nbsp;&nbsp;&nbsp;&nbsp;pretend you're the strongest,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you piece of scrap!<br>**[12:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your reflection is not some kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of absolute wall, you know.<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It only alters the vectors of<br>&nbsp;&nbsp;&nbsp;&nbsp;power directed at it the other way.<br>**[12:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes it simple.<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All I have to do is yank back<br>&nbsp;&nbsp;&nbsp;&nbsp;my fist a second before a direct hit.<br>**[12:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Call it knowing how to stop short.<br>**[12:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In other words, you end<br>&nbsp;&nbsp;&nbsp;&nbsp;up purposely slugging yourself.<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You understand now,<br>&nbsp;&nbsp;&nbsp;&nbsp;my little masochist?<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe that's too hard<br>&nbsp;&nbsp;&nbsp;&nbsp;for a little kid to understand.<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like that wind you made earlier.<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your ability comes about<br>&nbsp;&nbsp;&nbsp;&nbsp;as a result of vector formulas.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So all I have to do is disrupt them.<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can jam everything using<br>&nbsp;&nbsp;&nbsp;&nbsp;special sound waves and whatnot!<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got a firm handle on<br>&nbsp;&nbsp;&nbsp;&nbsp;your characteristics, your formulas,<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;even your own Personal Reality!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't develop this<br>&nbsp;&nbsp;&nbsp;&nbsp;power of yours for nothing!<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, Accelerator,<br>&nbsp;&nbsp;&nbsp;&nbsp;do you understand what she means?<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, for Project Radio Noise,<br>&nbsp;&nbsp;&nbsp;&nbsp;the 3rd-ranked Railgun was used.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why wasn't it you, when you're 1st-ranked?<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something there.<br>&nbsp;&nbsp;&nbsp;&nbsp;Something you don't have the first clue about.<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you...<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How poignant. Look.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's quite thrilled about it herself.<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Recovery complete,<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess you would say.<br>**[13:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, they made it clear<br>&nbsp;&nbsp;&nbsp;&nbsp;that we were to take the prize alive,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but can she really be, like that?<br>**[14:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No way am *I* writing<br>
&nbsp;&nbsp;&nbsp;&nbsp;an apology letter for this.<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's still alive.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she were dead, my sister's<br>&nbsp;&nbsp;&nbsp;&nbsp;proxy calculations would be affected.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got no positive proof... but...<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...if I don't do something,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never see her again...<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww, man...<br>&nbsp;&nbsp;&nbsp;&nbsp;She's not a golf ball, you know.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go blasting people away<br>&nbsp;&nbsp;&nbsp;&nbsp;for distances best measured in yards.<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, just who does he<br>&nbsp;&nbsp;&nbsp;&nbsp;think is gonna recover her now?<br>**[14:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because it's not gonna be me.<br>**[14:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, you know what?<br>&nbsp;&nbsp;&nbsp;&nbsp;Split up into three squads.<br>**[14:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of you, go after the prize.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The other two, stay with me.<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But our first priority<br>&nbsp;&nbsp;&nbsp;&nbsp;is to recover Last Order.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who was<br>&nbsp;&nbsp;&nbsp;&nbsp;recently assigned to Hound Dog, right?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Er, no, I...<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it's okay, it's okay. It's not<br>&nbsp;&nbsp;&nbsp;&nbsp;like I'm doing a background check.<br>**[15:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you don't seem to know<br>&nbsp;&nbsp;&nbsp;&nbsp;the rules, so let me educate you.<br>**[15:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You guys are a collection of scum.<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got no human rights.<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And scum can be<br>&nbsp;&nbsp;&nbsp;&nbsp;replaced as often as it takes.<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you interfere with<br>&nbsp;&nbsp;&nbsp;&nbsp;my precious, precious mission,<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then I have no qualms about<br>&nbsp;&nbsp;&nbsp;&nbsp;killing you. You understand me?<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're already dead once over.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just to confirm, do you understand?<br>**[15:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, then we're clear.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Search the rivers, reservoirs,<br>&nbsp;&nbsp;&nbsp;&nbsp;and any other waterfronts out there.<br>**[15:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wouldn't have blown the kid away<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without calculating where she would land.<br>**[15:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are we going to do? Recover him?<br>**[15:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, kill him. There's no<br>&nbsp;&nbsp;&nbsp;&nbsp;reason to capture him.<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Looking at this guy, after all<br>&nbsp;&nbsp;&nbsp;&nbsp;the effort he went to, is irritating me.<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Safer to kill the moody,<br>&nbsp;&nbsp;&nbsp;&nbsp;self-satisfied punk right here.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you... You'll never<br>&nbsp;&nbsp;&nbsp;&nbsp;get it as long as you live.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, oh yeah?<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, I'm killing you now.<br>**[16:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're okay with those<br>&nbsp;&nbsp;&nbsp;&nbsp;being your last words, right?<br>**[16:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, somebody...<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's time for some luck.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want the credit, it's yours.<br>**[16:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't even care if you trample<br>&nbsp;&nbsp;&nbsp;&nbsp;on me and laugh while you do it.<br>**[16:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Somebody... anybody...<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...save the kid...<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing over there?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief, Index...<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No sooner do I run into you than<br>&nbsp;&nbsp;&nbsp;&nbsp;you disappear again immediately.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you're lacking in consideration.<br>**[17:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The white-haired boy I met before<br>&nbsp;&nbsp;&nbsp;&nbsp;I got here bought me a hamburger<br>**[17:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;without even asking<br>&nbsp;&nbsp;&nbsp;&nbsp;what my circumstances were.<br>**[17:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, you have to<br>&nbsp;&nbsp;&nbsp;&nbsp;be more like that nice boy.<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, yeah. It's not like I've<br>&nbsp;&nbsp;&nbsp;&nbsp;got nothing at all to do with this guy.<br>**[17:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;For that matter, did you remember<br>&nbsp;&nbsp;&nbsp;&nbsp;to say thank you to him?<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm someone who<br>&nbsp;&nbsp;&nbsp;&nbsp;makes sure to thank others! Oh...<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? What's wrong?<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it...<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...he let me borrow these.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're just pocket tissues.<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, but if he doesn't have<br>&nbsp;&nbsp;&nbsp;&nbsp;this cutting-edge, daily use product,<br>**[17:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;won't he be bothered if he needs them?<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, I have to go return these to him now.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He'll be bothered if you do<br>&nbsp;&nbsp;&nbsp;&nbsp;return them, won't he?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sheesh, she's always, always like this.<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh, it's raining.<br>**[17:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it,<br>&nbsp;&nbsp;&nbsp;&nbsp;Index didn't have an umbrella.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems to be more Antiskill<br>&nbsp;&nbsp;&nbsp;&nbsp;out than there normally is.<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hope I can find Index quick,<br>&nbsp;&nbsp;&nbsp;&nbsp;before there's any trouble--<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-Is something the matter?<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me! Excuse me!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa...<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't seem to be life-threatening.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But what just happened here?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...in the metro area. Repeat,<br>**[18:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;gate destruction confirmed.<br>&nbsp;&nbsp;&nbsp;&nbsp;Intruders in the metro area.<br>**[18:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're under attack<br>&nbsp;&nbsp;&nbsp;&nbsp;of an unknown nature--<br>**[18:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Intruders?<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index!<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You...<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Help!<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, you've got to help him,"<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka, begging!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi! Aleister?<br>**[19:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you secretly listen in<br>&nbsp;&nbsp;&nbsp;&nbsp;on regular lines like this one, right?<br>**[19:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It sure would delight me if<br>&nbsp;&nbsp;&nbsp;&nbsp;you'd hurry up and engage me.<br>**[19:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just got done disgracing three<br>&nbsp;&nbsp;&nbsp;&nbsp;members of the governing board.<br>**[19:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yet you still put up with it?<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can be replaced,<br>&nbsp;&nbsp;&nbsp;&nbsp;as often as it takes.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, I'd guessed<br>&nbsp;&nbsp;&nbsp;&nbsp;that you were hiding<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the entire governing board's<br>&nbsp;&nbsp;&nbsp;&nbsp;consensus behind your views,<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it looks like my<br>&nbsp;&nbsp;&nbsp;&nbsp;expectations were off. Oh well.<br>**[20:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know my identity, don't you?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid not.<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Right Seat of God.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to play<br>&nbsp;&nbsp;&nbsp;&nbsp;dumb, that's okay, too.<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so there are no regrets later.<br>**[20:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you underestimating this city?<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, imagine that. You don't<br>&nbsp;&nbsp;&nbsp;&nbsp;even know the status of your own city.<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill and Judgment, was it?<br>**[20:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've ended up with<br>&nbsp;&nbsp;&nbsp;&nbsp;your head in a noose so easily<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;because you relied on those<br>&nbsp;&nbsp;&nbsp;&nbsp;rinky-dink outfits to protect you.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to at least know<br>&nbsp;&nbsp;&nbsp;&nbsp;that you are finished, right?<br>**[20:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think that's all it takes<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to bring down Academy City's<br>&nbsp;&nbsp;&nbsp;&nbsp;defense network,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then you are a hopeless idiot.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have absolutely no<br>&nbsp;&nbsp;&nbsp;&nbsp;idea what this city's true form is.<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[20:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying, you aren't the only<br>&nbsp;&nbsp;&nbsp;&nbsp;one with tricks up your sleeves.<br>**[20:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, you will likely be brought<br>&nbsp;&nbsp;&nbsp;&nbsp;down before you realize that.<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever you say, I will<br>&nbsp;&nbsp;&nbsp;&nbsp;crush anything that opposes me.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This has been written in stone<br>&nbsp;&nbsp;&nbsp;&nbsp;from the moment I was born.<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am Vento of the Front,<br>&nbsp;&nbsp;&nbsp;&nbsp;the final weapon from among<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox<br>&nbsp;&nbsp;&nbsp;&nbsp;Church's two billion faithful!<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will crush everything in one night!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for you, Academy City,<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imagine Breaker, the List of<br>&nbsp;&nbsp;&nbsp;&nbsp;Prohibited Books--all of you!<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interesting.<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like a chance to<br>
&nbsp;&nbsp;&nbsp;&nbsp;finally use *that* has come along.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be too soon, but with<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation being tied to the plan,<br>**[21:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;irregularities are<br>&nbsp;&nbsp;&nbsp;&nbsp;the greatest amusement.<br>**[21:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hound Dog, Kihara Amata...<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Kihara.<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Imaginary Number School<br>&nbsp;&nbsp;&nbsp;&nbsp;District, Five-Element Agency,<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the AIM diffusion field.<br>&nbsp;&nbsp;&nbsp;&nbsp;It may be a bit early,<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but we will crush<br>&nbsp;&nbsp;&nbsp;&nbsp;them using Fuse=KAZAKIRI.<br>**[22:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once you have captured<br>&nbsp;&nbsp;&nbsp;&nbsp;the escaped #20001,<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;bring her to the designated point.<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do it swiftly, but courteously.<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged.<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...for a long-awaited enjoyable showtime...<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it<br>
&nbsp;&nbsp;&nbsp;&nbsp;was okay to be alone*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't turn back time that has passed*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being<br>
&nbsp;&nbsp;&nbsp;&nbsp;there as the seasons roll around*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;broken clock start up again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may<br>
&nbsp;&nbsp;&nbsp;&nbsp;be a helpless piece of junk*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how<br>
&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can change that*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A running battle for Last Order had begun.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One will stand alone against<br>&nbsp;&nbsp;&nbsp;&nbsp;them, all to protect one girl.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Hound Dog."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic cross<br>&nbsp;&nbsp;&nbsp;&nbsp;paths, the story begins.<br>

# 44 - Hound Dog (Hound Squad)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara Amata of Hound Dog<br>&nbsp;&nbsp;&nbsp;&nbsp;overpowers Accelerator.<br>**[00:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, his objective is the<br>&nbsp;&nbsp;&nbsp;&nbsp;recovery of Last Order.<br>**[00:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator allows<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order to escape,<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but has no means<br>&nbsp;&nbsp;&nbsp;&nbsp;of fighting back. And then...<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing over there?<br>**[00:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[00:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[01:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kore ijou tooku made<br>
&nbsp;&nbsp;&nbsp;&nbsp;tobenai tori ga ita*<br>**[01:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kizu mo nai rippa na<br>
&nbsp;&nbsp;&nbsp;&nbsp;hane de aozora wo najitta*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo warukunai*<br>**[01:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano sora wa takakunai*<br>**[01:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo yoku wa nai*<br>**[01:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karada de kanjiru sokudo wo osorete'ru*<br>**[01:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare ni demo chansu wa moteru*<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sono saki e yukenai*<br>**[01:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitatenai*<br>**[01:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitachitai*<br>**[01:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kanaetai negai<br>
&nbsp;&nbsp;&nbsp;&nbsp;no mukou de kagayaku*<br>**[01:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ga iru*<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitomi ni utsusu*<br>**[01:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mirai ni tatte itsumo tsuyokute"*<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sonna kimi ga boku sa*<br>**[02:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi wa mada mabushii kedo*<br>**[02:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji kimochi de kono te nobashite*<br>**[02:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*itsuka tsukamu genjitsu no boku ga*<br>**[02:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ni naru yo*<br>**[02:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#20 Hound Dog (Hound Squad)<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[02:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[02:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You wanna know what to do?<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've gotta eliminate her, right?<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get going. If you don't<br>&nbsp;&nbsp;&nbsp;&nbsp;get to a hospital right away,<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it'll be too late.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what are you waiting for!?<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry up and shoot!<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yes, sir!<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't make a fuss.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just keep going forward.<br>**[03:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time is running out<br>&nbsp;&nbsp;&nbsp;&nbsp;for the both of us, right?<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-Where to?<br>**[03:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know a good doctor.<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww... That one thing!<br>&nbsp;&nbsp;&nbsp;&nbsp;Bring me that thing!<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wishful thinking.<br>**[03:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you use a car,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're all but telling me<br>**[03:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you can't use<br>&nbsp;&nbsp;&nbsp;&nbsp;your wind control, aren't you?<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Adios, scumbag.<br>**[03:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[03:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez...<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice city, huh?<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was sure the erosion<br>&nbsp;&nbsp;&nbsp;&nbsp;would be a lot further along, though.<br>**[03:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A rival of yours in the killing trade.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill her.<br>**[04:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You... bear no hostility, huh?<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If that's what you want,<br>&nbsp;&nbsp;&nbsp;&nbsp;try being more adequate.<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now, he really<br>&nbsp;&nbsp;&nbsp;&nbsp;turned up his nose at me.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if you'll<br>&nbsp;&nbsp;&nbsp;&nbsp;be of any use, though.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"These are the people<br>&nbsp;&nbsp;&nbsp;&nbsp;who attacked him,"<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, telling the truth.<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but is this<br>&nbsp;&nbsp;&nbsp;&nbsp;what your friend did to them?<br>**[04:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"I don't think so.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is short-tempered, and quick to fight,<br>**[04:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so it seems unthinkable that<br>&nbsp;&nbsp;&nbsp;&nbsp;his retaliation would be so minor,"<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;making a simple assumption.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, we have to report this.<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"They are here!"<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;reports Misaka Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;while taking cover behind the car.<br>**[05:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"They"?<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, what have we here?<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, that's an osmatic sensor.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We use them to track down targets.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it's a mechanical police dog, is it?<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, there's<br>&nbsp;&nbsp;&nbsp;&nbsp;something about this quietness.<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This wouldn't be more of<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara's big production, would it?<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell were<br>&nbsp;&nbsp;&nbsp;&nbsp;you doing back there?<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? I came to give back<br>&nbsp;&nbsp;&nbsp;&nbsp;something I borrowed from you.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here! This cutting-edge<br>&nbsp;&nbsp;&nbsp;&nbsp;daily-use product.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, dense?<br>&nbsp;&nbsp;&nbsp;&nbsp;Those things are disposable.<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm... "And so the ugly duck,<br>&nbsp;&nbsp;&nbsp;&nbsp;who had been told she was no good,<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;turned out to actually<br>&nbsp;&nbsp;&nbsp;&nbsp;be a super sexy-hot swan.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The end."<br>**[06:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, what does "sexy-hot" mean?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Ugly Duckling" is about.<br>**[06:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what *is* it about?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What was it again...?<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what the kid said, the swan<br>&nbsp;&nbsp;&nbsp;&nbsp;who wanted to get along with the ducks,<br>**[06:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was actually happy to<br>&nbsp;&nbsp;&nbsp;&nbsp;be confronted with the fact,<br>**[06:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that she wasn't part<br>&nbsp;&nbsp;&nbsp;&nbsp;of their circle, or something.<br>**[06:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By "the kid," do you mean<br>&nbsp;&nbsp;&nbsp;&nbsp;the lost girl you were looking for?<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In fact, as circumstances would<br>&nbsp;&nbsp;&nbsp;&nbsp;have it, I'm still looking for her.<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got separated again?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, that's right. That's why<br>&nbsp;&nbsp;&nbsp;&nbsp;we have to part ways here.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll look with you!<br>**[06:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, I can tell that<br>&nbsp;&nbsp;&nbsp;&nbsp;you're bothered by this.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think if it were Toma,<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd say the same thing.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Pull over somewhere around here.<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's a huge hospital in this area.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go there, and find a doctor<br>&nbsp;&nbsp;&nbsp;&nbsp;whose face looks a lot like a frog.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When you find the doctor,<br>&nbsp;&nbsp;&nbsp;&nbsp;tell him to get a battery ready<br>**[07:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for the Misaka Network connection<br>&nbsp;&nbsp;&nbsp;&nbsp;electrode. He'll know what it means.<br>**[07:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm, all right.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Misaka Network connection<br>&nbsp;&nbsp;&nbsp;&nbsp;electrode battery," right?<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You sit tight.<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[07:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to wait<br>&nbsp;&nbsp;&nbsp;&nbsp;right here until I get back.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Just get going, already.<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start driving.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you going to let me go yet?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Live or die, you decide.<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You still alive, Last Order?!<br>**[08:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No good. It's locked.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There may be a way to unlock it.<br>**[08:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just go someplace<br>&nbsp;&nbsp;&nbsp;&nbsp;with a lot of people.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not going<br>&nbsp;&nbsp;&nbsp;&nbsp;to want to make a scene.<br>**[08:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Are we really going to<br>&nbsp;&nbsp;&nbsp;&nbsp;be able to help him like this?"<br>**[08:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;asks Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;lamenting over how powerless she is.<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who can say? Still,<br>**[08:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there's no way we can<br>&nbsp;&nbsp;&nbsp;&nbsp;help him if we don't survive this.<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to save him,<br>&nbsp;&nbsp;&nbsp;&nbsp;make sure you don't die first.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mm-hmm," says Misaka Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;nodding her head forward.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, let's stay alive.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just get outside--<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you need at this hour?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's trouble. Major trouble.<br>**[09:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard the general situation<br>&nbsp;&nbsp;&nbsp;&nbsp;from one of the Misaka sisters.<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They perform a kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of information exchange<br>**[09:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;across their electrical network, you see.<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That speeds things up.<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happened to the kid?<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It appears that she is being pursued<br>&nbsp;&nbsp;&nbsp;&nbsp;by a separate Hound Dog unit.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that she is with a bystander<br>&nbsp;&nbsp;&nbsp;&nbsp;who happened to be with her.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, where are they?<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She does not know that, herself.<br>**[10:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did a kid wearing a<br>&nbsp;&nbsp;&nbsp;&nbsp;white nun's habit arrive there yet?<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How does she know<br>&nbsp;&nbsp;&nbsp;&nbsp;about your proxy calculator?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's none of your concern.<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just keep her there with you.<br>**[10:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... Good grief.<br>&nbsp;&nbsp;&nbsp;&nbsp;How far are you planning to take this?<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm killing Kihara.<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm bringing down Hound Dog, too.<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, I'm saving the kid, unharmed.<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not possible.<br>&nbsp;&nbsp;&nbsp;&nbsp;Under the circumstances,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you are undertaking<br>&nbsp;&nbsp;&nbsp;&nbsp;too many courses of action.<br>**[10:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There is no way you<br>&nbsp;&nbsp;&nbsp;&nbsp;will accomplish them all.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be such a know-it-all!<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when do doctors--<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've seen hells<br>&nbsp;&nbsp;&nbsp;&nbsp;that were worse than yours.<br>**[10:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which is why I can<br>&nbsp;&nbsp;&nbsp;&nbsp;say this to you. Accelerator,<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;do not bite off more than you can chew;<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;make saving Last Order's<br>&nbsp;&nbsp;&nbsp;&nbsp;life your only priority.<br>**[10:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you bring her back to me alive,<br>&nbsp;&nbsp;&nbsp;&nbsp;I will definitely heal her.<br>**[10:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Measuring up to those<br>&nbsp;&nbsp;&nbsp;&nbsp;expectations is what a doctor does.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's fine with me.<br>**[11:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The Right Seat of God, huh?<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't think they'd go this far.<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Yomikawa calling Headquarters.<br>**[11:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Requesting details on call 334.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl...<br>**[11:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Renewable Resource<br>&nbsp;&nbsp;&nbsp;&nbsp;Treatment Plant #3, huh?<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The target's scent<br>&nbsp;&nbsp;&nbsp;&nbsp;continues on into there.<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're absolutely sure of that, right?<br>**[12:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want to get out of here safely,<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll just sit still there.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A cleaning agent. That'll do it.<br>**[12:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now to wash away my smell,<br>&nbsp;&nbsp;&nbsp;&nbsp;and get myself out of here. Hmm?<br>**[12:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn them. They're here earlier<br>&nbsp;&nbsp;&nbsp;&nbsp;than expected, aren't they?<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All they have are the small ones, huh?<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sissy!<br>**[12:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want, Kuroko?<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot get back home<br>&nbsp;&nbsp;&nbsp;&nbsp;because of my Judgment work,<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I need you to get in touch<br>&nbsp;&nbsp;&nbsp;&nbsp;with our nagging head resident<br>**[12:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to ask for a curfew extension.<br>&nbsp;&nbsp;&nbsp;&nbsp;I know it is already past curfew--<br>**[12:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm at the convenience<br>&nbsp;&nbsp;&nbsp;&nbsp;store right now, so...<br>**[12:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah?!<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can Sissy still be out, as well?<br>**[13:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are going to get some<br>&nbsp;&nbsp;&nbsp;&nbsp;demerits, no questions asked.<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would Miss Misaka<br>&nbsp;&nbsp;&nbsp;&nbsp;be breaking curfew today?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-It cannot be!<br>**[13:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My Sissy, on an evening<br>&nbsp;&nbsp;&nbsp;&nbsp;date with that rotten troglodyte?!<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why that lousy jerk!<br>&nbsp;&nbsp;&nbsp;&nbsp;Enjoying the evening view in the rain!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is a rather elegant choice!<br>**[13:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot just stand around here.<br>**[13:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I, Shirai Kuroko, have a<br>&nbsp;&nbsp;&nbsp;&nbsp;duty to preserve Sissy's virtue!<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you can't.<br>**[13:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, this mountain of paperwork<br>**[13:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and accounting documents<br>&nbsp;&nbsp;&nbsp;&nbsp;is nowhere near being done, right?<br>**[13:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening out there?<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why aren't they coming in?<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi!!<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did I startle you?<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be scared; come on out.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have my own issues to deal with.<br>**[13:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you won't do as I say,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll turn you into a lump of goo.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[14:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the Right Seat<br>&nbsp;&nbsp;&nbsp;&nbsp;of God, Vento of the Front.<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target located.<br>&nbsp;&nbsp;&nbsp;&nbsp;And with that out of the way,<br>**[14:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's time to get<br>&nbsp;&nbsp;&nbsp;&nbsp;yourself killed, Kamijo Toma!<br>**[14:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rod, what does<br>&nbsp;&nbsp;&nbsp;&nbsp;the osmatic sensor say?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hang on, it's just finishing.<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to be so nervous.<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You won't have<br>&nbsp;&nbsp;&nbsp;&nbsp;enough time to feel any pain.<br>**[15:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hide somewhere, Last Order!<br>**[15:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha! There's the right hand<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard so much about!<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Way to keep up with me here!<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From above!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What fun! I see, I see!<br>**[15:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like your right<br>&nbsp;&nbsp;&nbsp;&nbsp;hand is extremely effective,<br>**[15:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just like it said in the report!<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My favorite attack,<br>&nbsp;&nbsp;&nbsp;&nbsp;striking from every which way,<br>**[15:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has absolutely no effect!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your favorite?<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again,<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't really understand it.<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, let's try this.<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, so that does *that*, huh?<br>
&nbsp;&nbsp;&nbsp;&nbsp;Sorry 'bout that.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems as though<br>&nbsp;&nbsp;&nbsp;&nbsp;there not being enough time<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to feel any pain is too much to ask.<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, if you want to find happiness,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll have to become a masochist.<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;These attacks haven't been<br>&nbsp;&nbsp;&nbsp;&nbsp;following the movement of her hammer.<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, it's the cross?!<br>**[16:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my secret's out, is it?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh. This is kind of starting<br>&nbsp;&nbsp;&nbsp;&nbsp;to become a nuisance. Here!<br>**[16:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Run!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on! Please, call for help!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it!<br>**[16:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're pretty cruel, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;How can you make that little girl<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;keep running away<br>&nbsp;&nbsp;&nbsp;&nbsp;into the darkness like that?<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wouldn't she be happier<br>&nbsp;&nbsp;&nbsp;&nbsp;if she were killed alongside you?<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I go pick<br>&nbsp;&nbsp;&nbsp;&nbsp;her up, there's no problem.<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I won't die.<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, how fun. On the other hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;will you be able to say the same,<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once I turn your<br>&nbsp;&nbsp;&nbsp;&nbsp;internal organs to fleshy juice?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, *you* are my target, after all.<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So long as you don't run,<br>&nbsp;&nbsp;&nbsp;&nbsp;that will really help me out!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You're joking, right...?<br>**[17:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Joking? Yeah, of course.<br>**[17:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Trying out some new material.<br>**[17:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that. Do you even<br>&nbsp;&nbsp;&nbsp;&nbsp;know who you've made an enemy of?<br>**[17:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that nice of you?<br>**[17:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you sure you shouldn't<br>&nbsp;&nbsp;&nbsp;&nbsp;be worrying about yourself?<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the point of<br>
&nbsp;&nbsp;&nbsp;&nbsp;getting all heated up *now*?<br>**[17:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You *do* know what's going<br>
&nbsp;&nbsp;&nbsp;&nbsp;on in Academy City now, right?<br>**[17:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get a clue as<br>&nbsp;&nbsp;&nbsp;&nbsp;to how valuable you are!<br>**[17:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My only objective is you,<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo Toma.<br>**[18:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anything else is icing on the cake.<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even the List of Prohibited Books<br>&nbsp;&nbsp;&nbsp;&nbsp;is insignificant compared to you.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You are without a doubt an enemy<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Roman Orthodox Church now.<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And we use whatever means<br>&nbsp;&nbsp;&nbsp;&nbsp;are necessary to defeat our enemies.<br>**[18:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if it means wiping<br>&nbsp;&nbsp;&nbsp;&nbsp;out the entire nation of Japan.<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As you can see, it is personally<br>&nbsp;&nbsp;&nbsp;&nbsp;signed by the Roman pope himself.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?<br>**[18:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did it sound like<br>&nbsp;&nbsp;&nbsp;&nbsp;I was kidding? Well then,<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will now kill every<br>&nbsp;&nbsp;&nbsp;&nbsp;single person in this shop!<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop!<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And away it goes!<br>**[18:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Vera.<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Status report, over.<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nancy!<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn...<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's that?<br>&nbsp;&nbsp;&nbsp;&nbsp;A side effect of the magic?<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Shirai!<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which bento box do you want?<br>**[19:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's Chinese *donburi* or fish here.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right about now, Sissy and that rotten troglodyte<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;are enjoying the<br>&nbsp;&nbsp;&nbsp;&nbsp;city nightlife together...<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh! It's time for<br>&nbsp;&nbsp;&nbsp;&nbsp;"Sudden Variety." The TV, the TV...<br>**[19:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who cares?!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intruder Disturbance in Academy City"<br>**[19:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, there is word of an intruder disturbance in Academy City.<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accompanying this is word<br>**[19:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intruder Disturbance in Academy City"<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that there has been damage extending all across Academy City.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, we are receiving footage now.<br>**[19:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Intruder Disturbance Strikes Academy City"<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"One moment please"<br>**[20:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did we get any reports<br>&nbsp;&nbsp;&nbsp;&nbsp;about what we just saw?<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again, if one person really<br>&nbsp;&nbsp;&nbsp;&nbsp;did overpower Antiskill,<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that intruder has a<br>&nbsp;&nbsp;&nbsp;&nbsp;considerable risk factor.<br>**[20:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If it really does get out of hand,<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill will request backup.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Until then, we'll work<br>&nbsp;&nbsp;&nbsp;&nbsp;on as much paperwork as--<br>**[20:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uiharu?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That ought to shake<br>&nbsp;&nbsp;&nbsp;&nbsp;off their sense of smell.<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Him, huh?<br>**[20:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Help me! Take me into protective custody!<br>**[20:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In your face! I'm saved!<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you try anything, your relationship<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;with that brat you tried so<br>&nbsp;&nbsp;&nbsp;&nbsp;hard to protect will be through!<br>**[21:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait! Wait a second, Accelerator!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Spare me--<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;G-Get away from that man!<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a real scene of carnage.<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that's it.<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is how they were planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to attack Academy City, is it?<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're going to impale each<br>&nbsp;&nbsp;&nbsp;&nbsp;and every incapacitated person.<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's no good, huh?<br>**[22:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aiho!<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;School District 5,<br>**[22:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;based on testimony at the<br>&nbsp;&nbsp;&nbsp;&nbsp;scene and databank cross-referencing,<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the following person is wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;as the primary person of interest<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;in a case of attempted murder.<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;People are collapsing left and right.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator roars at the unrest<br>&nbsp;&nbsp;&nbsp;&nbsp;spreading through Academy City.<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And then, giant wings<br>&nbsp;&nbsp;&nbsp;&nbsp;dance across the skies.<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could those actually be...?<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Testament."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 45 - Testament (Learning Device)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Three is for heaven, four is for earth,<br>**[00:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and twelve represents the whole world.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By attaching meaning to specific numbers,<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you yield units on<br>&nbsp;&nbsp;&nbsp;&nbsp;a grand scale, is that it?<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's a clever procedure, but it<br>&nbsp;&nbsp;&nbsp;&nbsp;is not from the church of the cross.<br>**[00:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The theory is from ancient Greece,<br>&nbsp;&nbsp;&nbsp;&nbsp;BCE, from the Pythagorean order.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when did<br>&nbsp;&nbsp;&nbsp;&nbsp;you guys ever acknowledge<br>**[00:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the world before<br>&nbsp;&nbsp;&nbsp;&nbsp;the Son of God was born?<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A drawn-out battle<br>&nbsp;&nbsp;&nbsp;&nbsp;is not to my advantage.<br>**[01:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's such a shame!<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whenever I see such a fine-spun spell,<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate to have to destroy it!<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[01:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was a bird that could<br>
&nbsp;&nbsp;&nbsp;&nbsp;not fly any farther than this*<br>**[01:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It rebuked the blue skies<br>
&nbsp;&nbsp;&nbsp;&nbsp;on fine, flawless wings*<br>**[01:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that bad*<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That sky is not that high*<br>**[01:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that good*<br>**[02:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Afraid of the speed<br>
&nbsp;&nbsp;&nbsp;&nbsp;it would feel in its body*<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everybody has a chance,*<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but they cannot go any farther*<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;cannot take flight*<br>**[02:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;want to take flight*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, beyond the wish<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to make come true*<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you shine*<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In my eyes I picture you*<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Standing in the future,<br>
&nbsp;&nbsp;&nbsp;&nbsp;always strong,"*<br>**[02:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and that "you" is me*<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are still blindingly bright*<br>**[02:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in the same spirit,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I reach out my hand*<br>**[02:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the "I" who I am will<br>
&nbsp;&nbsp;&nbsp;&nbsp;someday grab hold to become*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the you that I will be*<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#21 Testament (Learning Device)<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If those guys show up again...<br>**[03:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have less than four<br>&nbsp;&nbsp;&nbsp;&nbsp;minutes of ability mode left.<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm at least gonna bring<br>&nbsp;&nbsp;&nbsp;&nbsp;that kid out of the darkness.<br>**[03:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole building is clear.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nobody here.<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to the report,<br>&nbsp;&nbsp;&nbsp;&nbsp;due to the threat of terrorist activity,<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they had the staff and<br>&nbsp;&nbsp;&nbsp;&nbsp;patients temporarily evacuate.<br>**[03:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're onto us, huh?<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not good.<br>**[03:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Any chance it's a trap?<br>**[03:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, I can't spot any wires or infrared.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Took you long enough, didn't it?<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heaven Canceller?<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no time, so I'll keep this brief.<br>**[04:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave Kihara behind,<br>&nbsp;&nbsp;&nbsp;&nbsp;and get yourselves out of there.<br>**[04:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise,<br>&nbsp;&nbsp;&nbsp;&nbsp;your lives will be in danger.<br>**[04:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you serious?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator is<br>&nbsp;&nbsp;&nbsp;&nbsp;going to come down on you.<br>**[04:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, he is<br>&nbsp;&nbsp;&nbsp;&nbsp;not holding back one bit.<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must not run<br>&nbsp;&nbsp;&nbsp;&nbsp;into Accelerator. That is all.<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, you're talking nonsense.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Then, don't get killed.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't die, I'll save you.<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Currently, we are receiving<br>&nbsp;&nbsp;&nbsp;&nbsp;reports from all over the country<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of people suddenly<br>&nbsp;&nbsp;&nbsp;&nbsp;losing consciousness.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to police,<br>&nbsp;&nbsp;&nbsp;&nbsp;they are hurrying to identify the cause,<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but this is not just happening in Japan,<br>&nbsp;&nbsp;&nbsp;&nbsp;as there are reports of cases overseas, as well.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means it's spreading<br>&nbsp;&nbsp;&nbsp;&nbsp;over there, as well.<br>**[05:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as Academy City came under<br>&nbsp;&nbsp;&nbsp;&nbsp;our control, that's all we needed.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order?! No, is it Kihara?<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness! I finally got through!<br>**[05:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've heard this voice before somewhere.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've just been dialing all of the<br>&nbsp;&nbsp;&nbsp;&nbsp;numbers in Last Order's cell phone.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one who answered.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Maybe you don't know what<br>&nbsp;&nbsp;&nbsp;&nbsp;the situation is, but I need your help.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's in danger!<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What *is* the situation?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You got split up<br>&nbsp;&nbsp;&nbsp;&nbsp;at the restaurant, right?<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take over recovering her now.<br>&nbsp;&nbsp;&nbsp;&nbsp;You get rid of that cell phone,<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and go back to being a regular guy.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you talking about?!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm helping out with this, of course!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You go to that huge<br>&nbsp;&nbsp;&nbsp;&nbsp;bridge in School District 7.<br>**[05:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We set that up as a rendezvous<br>&nbsp;&nbsp;&nbsp;&nbsp;point in case anything happened.<br>**[06:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If she's still on<br>&nbsp;&nbsp;&nbsp;&nbsp;the run, she'll go there.<br>**[06:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, all right!<br>**[06:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Things are kind of off<br>&nbsp;&nbsp;&nbsp;&nbsp;here in Academy City today.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've got weirdos<br>&nbsp;&nbsp;&nbsp;&nbsp;coming in from outside the city,<br>**[06:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;while Antiskill and others in<br>&nbsp;&nbsp;&nbsp;&nbsp;the city are dropping like flies.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This attack is fairly indiscriminate,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you watch out, too!<br>**[06:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, what a pain.<br>**[06:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about this.<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I never should have let her go alone.<br>**[06:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could say the same.<br>&nbsp;&nbsp;&nbsp;&nbsp;I left the kid alone, myself.<br>**[06:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We've lost contact<br>&nbsp;&nbsp;&nbsp;&nbsp;with multiple other squads.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's possible that...<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They either ran away,<br>&nbsp;&nbsp;&nbsp;&nbsp;or they're dead.<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Either way, I'll have to<br>&nbsp;&nbsp;&nbsp;&nbsp;collect their hearts afterward.<br>**[06:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you recovered the<br>&nbsp;&nbsp;&nbsp;&nbsp;group we sent out as decoys<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when that woman got in our way?<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There was some kind of power at work,<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the oxygen levels inside<br>&nbsp;&nbsp;&nbsp;&nbsp;their bodies had dropped extremely low.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Artificially-induced asphyxia?<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsk, this is that woman's doing.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, it's because of her that our...<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It can't be!<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That creep. How the hell is she targeting?<br>**[07:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it couldn't be. Unscientifically?<br>**[07:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Enough! We're still<br>&nbsp;&nbsp;&nbsp;&nbsp;gonna do what we're gonna do.<br>**[07:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is the Testament rig ready?<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, sir.<br>**[07:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right here.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That... belongs to her...!<br>**[07:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How you doing, Accelerator?<br>**[07:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want, Kihara?<br>**[07:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, did a snippet of<br>&nbsp;&nbsp;&nbsp;&nbsp;the kid's shirt drop around there?<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If not, keep looking for it.<br>&nbsp;&nbsp;&nbsp;&nbsp;I left it there on purpose.<br>**[08:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've gotta say, though,<br>&nbsp;&nbsp;&nbsp;&nbsp;Testament is really something else, huh?<br>**[08:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It ain't normal to cram a<br>&nbsp;&nbsp;&nbsp;&nbsp;virus right into a person's head.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what kind of reaction<br>&nbsp;&nbsp;&nbsp;&nbsp;are you expecting from me?<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[08:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is holding my sides<br>&nbsp;&nbsp;&nbsp;&nbsp;and laughing the right answer,<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my little masochist?<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you, have you lost the<br>&nbsp;&nbsp;&nbsp;&nbsp;capacity to evaluate the situation?<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about you?<br>&nbsp;&nbsp;&nbsp;&nbsp;Why don't you kill the kid?<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, the folks who<br>&nbsp;&nbsp;&nbsp;&nbsp;hired you didn't give you some<br>**[08:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;tear-jerking line about<br>&nbsp;&nbsp;&nbsp;&nbsp;recovering her unharmed, right?<br>**[08:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And yet all the same,<br>&nbsp;&nbsp;&nbsp;&nbsp;what is it with you quaking in your boots,<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to lay a finger on her?<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll kill her.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, sure.<br>**[08:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Given that bastard's personality,<br>&nbsp;&nbsp;&nbsp;&nbsp;after everything I said to him,<br>**[08:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;he'd have plucked one<br>&nbsp;&nbsp;&nbsp;&nbsp;of her eyes out, at least.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But since he hasn't, that means...<br>**[09:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well, that clinches<br>&nbsp;&nbsp;&nbsp;&nbsp;it--he's a full-fledged errand boy.<br>**[09:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A backer powerful enough<br>&nbsp;&nbsp;&nbsp;&nbsp;to keep even Kihara in check.<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be...<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City itself?<br>**[09:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If so, it's the governing board.<br>&nbsp;&nbsp;&nbsp;&nbsp;If I look into them... Ha!<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, now, this is awesome.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just like that, I'm making headway.<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you screw with me!<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Take *me* lightly, will you?!<br>**[10:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... There seems to be<br>&nbsp;&nbsp;&nbsp;&nbsp;some kind of commotion out front.<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The deployment of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Imaginary Number School District,<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five-Element Agency, employing<br>&nbsp;&nbsp;&nbsp;&nbsp;AIM diffusion fields, is complete.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If any magic is invoked<br>&nbsp;&nbsp;&nbsp;&nbsp;here within Academy City,<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that magician will run<br>&nbsp;&nbsp;&nbsp;&nbsp;out of control and self-destruct.<br>**[10:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento of the Front, was it?<br>&nbsp;&nbsp;&nbsp;&nbsp;You are no exception to that.<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At our current output, we are<br>&nbsp;&nbsp;&nbsp;&nbsp;unable to envelop the whole world.<br>**[10:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But, with the inclusion<br>&nbsp;&nbsp;&nbsp;&nbsp;of Fuse=KAZAKIRI,<br>**[10:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the shoe will soon be on the other foot.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What exactly is this?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've started sensing<br>&nbsp;&nbsp;&nbsp;&nbsp;some unidentified presence.<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And it's still expanding.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...<br>**[11:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing here?!<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you come<br>&nbsp;&nbsp;&nbsp;&nbsp;here just so I could kill you?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What have you done with Last Order?!<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order, you say?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what you're talking about!<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento, are you...?<br>**[11:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I get it. This is the Imaginary<br>&nbsp;&nbsp;&nbsp;&nbsp;Number School District,<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five-Element Agency in full view.<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll deal with small potatoes like you later.<br>**[11:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mess with us, will you?<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have such a low opinion of<br>&nbsp;&nbsp;&nbsp;&nbsp;us that you'd go this far?!<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She disappeared.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it that she saw?<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding... right?<br>**[12:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Deployment of Imaginary Number<br>&nbsp;&nbsp;&nbsp;&nbsp;School District, Five-Element Agency<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;commencing. Authenticating code<br>&nbsp;&nbsp;&nbsp;&nbsp;for host individual, Last Order.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fuse=KAZAKIRI will now emerge.<br>**[12:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All personnel, please be<br>&nbsp;&nbsp;&nbsp;&nbsp;ready for unexpected shocks.<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It couldn't be...<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;An angel?!<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[13:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's too dangerous to stay here.<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, where is Last Order?<br>**[13:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen, I'm at the bridge,<br>&nbsp;&nbsp;&nbsp;&nbsp;but Last Order isn't here. Any luck?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, an idiot?<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't believe the lie I told you.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I should have the kid's<br>&nbsp;&nbsp;&nbsp;&nbsp;location pinned down soon.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least, she's nowhere<br>&nbsp;&nbsp;&nbsp;&nbsp;you can find running around.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll take it from here.<br>&nbsp;&nbsp;&nbsp;&nbsp;You go on home now.<br>**[13:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see those<br>&nbsp;&nbsp;&nbsp;&nbsp;wings of light too, right?<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go stop that angel.<br>**[13:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So it really will be hard<br>&nbsp;&nbsp;&nbsp;&nbsp;for me to work with you now.<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't care.<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sorry.<br>**[13:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get yourself killed.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right back at you.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So he's finally gone<br>&nbsp;&nbsp;&nbsp;&nbsp;and used it, huh? That bastard.<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does he really mean<br>&nbsp;&nbsp;&nbsp;&nbsp;to exterminate the enemy?<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Signal confirmed<br>&nbsp;&nbsp;&nbsp;&nbsp;from host individual #20001.<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Danger level 5 estimated.<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka 10032 rejects.<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rejection denied.<br>&nbsp;&nbsp;&nbsp;&nbsp;Accepting signal on channels R, V, and Y.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heavy load on thought functions.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rejection denied.<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will do all we can<br>&nbsp;&nbsp;&nbsp;&nbsp;without opposing the order.<br>**[14:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If, as a result, it leads to us<br>&nbsp;&nbsp;&nbsp;&nbsp;dispelling this critical situation...<br>**[14:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thomas Platinaburg...<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One of the twelve members<br>&nbsp;&nbsp;&nbsp;&nbsp;of the governing board...<br>**[14:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Operation code name "Angel."<br>&nbsp;&nbsp;&nbsp;&nbsp;In order to quell an unknown threat,<br>**[14:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Last Order will be recovered,<br>&nbsp;&nbsp;&nbsp;&nbsp;and a virus overwritten to counter it.<br>**[14:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They can't be serious.<br>**[15:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means, the kid must still be alive.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara, you bastard,<br>&nbsp;&nbsp;&nbsp;&nbsp;where are you hiding?<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[15:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you doing out here?!<br>**[15:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me go!<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to go! Hyoka is over there!<br>**[15:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hyoka?<br>**[15:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, you can't Toma!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't kill Hyoka!<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Index? Misaka?<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[15:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please, Toma! Don't go over there!<br>**[15:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure the angel<br>&nbsp;&nbsp;&nbsp;&nbsp;over there has to be Hyoka!<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's... Kazakiri?<br>**[15:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't understand<br>&nbsp;&nbsp;&nbsp;&nbsp;the theory behind it myself,<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but Toma, you're the<br>&nbsp;&nbsp;&nbsp;&nbsp;last one who can get involved!<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you touch Hyoka, she'll vanish!<br>**[16:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll figure out what to do<br>&nbsp;&nbsp;&nbsp;&nbsp;about Hyoka, so you stay out of this!<br>**[16:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't.<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to stop her.<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, she's not the only matter at hand.<br>**[16:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But Toma, if you use<br>&nbsp;&nbsp;&nbsp;&nbsp;your right hand, Hyoka will die!<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let her!<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going in there<br>&nbsp;&nbsp;&nbsp;&nbsp;to save her, not to kill her.<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does that look like Kazakiri<br>&nbsp;&nbsp;&nbsp;&nbsp;normally does? No, of course not!<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So we have to go help her, don't we?!<br>**[16:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go, Index. I'm going to<br>&nbsp;&nbsp;&nbsp;&nbsp;need your help to save Kazakiri.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what this is about,<br>**[16:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you've gotten yourself caught<br>&nbsp;&nbsp;&nbsp;&nbsp;up in a huge problem again, huh?<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, there's an acquaintance<br>&nbsp;&nbsp;&nbsp;&nbsp;of yours at the center of that thing?<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not an acquaintance. A friend.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just want to confirm one thing--<br>&nbsp;&nbsp;&nbsp;&nbsp;they're not evil, right?<br>**[16:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Absolutely not. Like Index said,<br>&nbsp;&nbsp;&nbsp;&nbsp;that's our friend in there.<br>**[17:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your friend, huh?<br>**[17:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, that means *they're* the bad guys, right?<br>**[17:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, so it goes.<br>**[17:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do what I can.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're...<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry, sorry.<br>**[17:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm starting without giving<br>&nbsp;&nbsp;&nbsp;&nbsp;you the chance to stop me!<br>**[17:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What the...?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka!<br>**[17:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The penalty game!<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's still in effect for the rest of the day.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to go rescue your<br>&nbsp;&nbsp;&nbsp;&nbsp;friend and come back here. Got it?<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll save her, all right!<br>&nbsp;&nbsp;&nbsp;&nbsp;So don't you go getting killed, either!<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Right now, I am in an extremely foul mood!<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Say, Toma,<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've been quiet this last<br>&nbsp;&nbsp;&nbsp;&nbsp;while because of that magician, right?<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. I want to know<br>&nbsp;&nbsp;&nbsp;&nbsp;how that attack of hers works.<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And if there's a<br>&nbsp;&nbsp;&nbsp;&nbsp;way to reverse it, that too.<br>**[17:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's probably Divine Retribution.<br>**[18:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A certain emotion is the key.<br>&nbsp;&nbsp;&nbsp;&nbsp;Those who experience this emotion<br>**[18:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;bring others down,<br>&nbsp;&nbsp;&nbsp;&nbsp;regardless of location or range.<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why it's Divine Retribution.<br>**[18:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, did this magician<br>&nbsp;&nbsp;&nbsp;&nbsp;give any indications of that?<br>**[18:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like she was inducing a specific<br>&nbsp;&nbsp;&nbsp;&nbsp;emotion more than was necessary?<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Specific emotion?<br>**[18:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Disgust... No, hostility, or animosity.<br>**[18:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, that's the key<br>&nbsp;&nbsp;&nbsp;&nbsp;to making her magic work?<br>**[18:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm. No matter what stage it's at,<br>**[18:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think they can ever<br>&nbsp;&nbsp;&nbsp;&nbsp;recover until the magician decides<br>**[18:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that the Divine Retribution<br>&nbsp;&nbsp;&nbsp;&nbsp;is no longer needed.<br>**[18:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what about the<br>&nbsp;&nbsp;&nbsp;&nbsp;way Kazakiri's angel works?<br>**[18:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, she'll be all right, won't she?<br>**[18:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know! There is some<br>&nbsp;&nbsp;&nbsp;&nbsp;magic that appears to be similar,<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but all the parts she's using<br>&nbsp;&nbsp;&nbsp;&nbsp;are crazy stuff I've never seen before.<br>**[18:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;At the very least, I do know<br>&nbsp;&nbsp;&nbsp;&nbsp;that the angel that's over there<br>**[18:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the core that is directing<br>&nbsp;&nbsp;&nbsp;&nbsp;it are in two different places.<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri is on the<br>&nbsp;&nbsp;&nbsp;&nbsp;side of science, after all.<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it, Toma?<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, she's not answering.<br>**[19:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anyone besides<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Komoe that would understand this?<br>**[19:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka!<br>**[19:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What?!<br>**[19:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want to stop that angel somehow.<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the only one who can help!<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Misaka, did you get shot?!<br>**[19:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;N-No, I didn't.<br>**[19:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know, having me think<br>&nbsp;&nbsp;&nbsp;&nbsp;about something else while fighting--<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you really are ruthless.<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, Index, anything<br>&nbsp;&nbsp;&nbsp;&nbsp;you don't understand, ask her.<br>**[19:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[19:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha, hey, this is awesome.<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell is it?<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, you are off your rocker, Aleister.<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does the man even know what reason is?<br>**[19:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What kind of scientist is<br>&nbsp;&nbsp;&nbsp;&nbsp;it that calls themselves a scientist,<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and then disavows science?<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, you guys!<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Since when was<br>&nbsp;&nbsp;&nbsp;&nbsp;the Bible a pop-up book--<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ki-ha-ra!!<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go on, shoot straight.<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're just wasting everyone's time!<br>**[20:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Don't move!<br>**[20:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was so cool!<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'm falling in love, Accelerator!<br>**[20:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then,<br>**[20:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it's time to scrap you,<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you son of a bitch!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri...<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!!<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kaza--<br>**[21:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, well...<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Were the two heinous sinners<br>&nbsp;&nbsp;&nbsp;&nbsp;about to lick each other's wounds?<br>**[21:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And here I was planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to save you until afterward,<br>**[21:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but you show up<br>&nbsp;&nbsp;&nbsp;&nbsp;here just to be killed.<br>**[21:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't want<br>&nbsp;&nbsp;&nbsp;&nbsp;to witness any more misery,<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so you want to be<br>&nbsp;&nbsp;&nbsp;&nbsp;the first one I crush, is that it?<br>**[21:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I won't let you hurt Kazakiri.<br>**[21:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a member of the Right Seat of God,<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot turn a blind eye to that monster.<br>**[21:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That thing is a mass of sacrilege,<br>&nbsp;&nbsp;&nbsp;&nbsp;brought about by science,<br>**[21:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;sneering at everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;who holds up the cross!<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You take that back!<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, fine. I'll be nice and kill you.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Together with that fallen angel there!<br>**[22:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like I'd let you. She's already<br>&nbsp;&nbsp;&nbsp;&nbsp;going through all this as it is,<br>**[22:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now, you want her to die<br>&nbsp;&nbsp;&nbsp;&nbsp;at the hands of someone like you,<br>**[22:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who treats her like she's a monster?<br>**[22:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can kiss my ass!<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What the hell do you take my friend for?!<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it<br>
&nbsp;&nbsp;&nbsp;&nbsp;was okay to be alone*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't turn back time that has passed*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being<br>
&nbsp;&nbsp;&nbsp;&nbsp;there as the seasons roll around*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;broken clock start up again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may<br>
&nbsp;&nbsp;&nbsp;&nbsp;be a helpless piece of junk*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how<br>
&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can change that*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fight on every front intensifies.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is the answer<br>&nbsp;&nbsp;&nbsp;&nbsp;Index derives amidst the chaos<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;created by magic and science?<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time,<br>&nbsp;&nbsp;&nbsp;&nbsp;"The Divine Retribution Spell."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 46 - The Divine Retribution Spell

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kore ijou tooku made<br>
&nbsp;&nbsp;&nbsp;&nbsp;tobenai tori ga ita*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kizu mo nai rippa na<br>
&nbsp;&nbsp;&nbsp;&nbsp;hane de aozora wo najitta*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo warukunai*<br>**[00:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano sora wa takakunai*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo yoku wa nai*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karada de kanjiru sokudo wo osorete'ru*<br>**[01:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare ni demo chansu wa moteru*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sono saki e yukenai*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitatenai*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitachitai*<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kanaetai negai<br>
&nbsp;&nbsp;&nbsp;&nbsp;no mukou de kagayaku*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ga iru*<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitomi ni utsusu*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mirai ni tatte itsumo tsuyokute"*<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sonna kimi ga boku sa*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi wa mada mabushii kedo*<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji kimochi de kono te nobashite*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*itsuka tsukamu genjitsu no boku ga*<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ni naru yo*<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#22 The Divine Retribution Spell<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm down to sixty<br>&nbsp;&nbsp;&nbsp;&nbsp;seconds of control time.<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I kill this guy,<br>&nbsp;&nbsp;&nbsp;&nbsp;it will all be over.<br>**[02:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't go back<br>&nbsp;&nbsp;&nbsp;&nbsp;down the path of light now.<br>**[02:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So just think about taking Kihara<br>&nbsp;&nbsp;&nbsp;&nbsp;down to hell with you now!<br>**[02:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dirty punk,<br>**[02:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;how dare you come<br>&nbsp;&nbsp;&nbsp;&nbsp;stand before me like this!<br>**[02:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the matter, kid?<br>**[02:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought you were<br>&nbsp;&nbsp;&nbsp;&nbsp;here to save the girl.<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn you...<br>**[02:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, do you think you're<br>&nbsp;&nbsp;&nbsp;&nbsp;super cool to be doing this?<br>**[02:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Facing off all alone<br>&nbsp;&nbsp;&nbsp;&nbsp;against some giant evil,<br>**[02:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;dashing in to rescue<br>&nbsp;&nbsp;&nbsp;&nbsp;the pitiful, captive little girl?<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think that makes<br>&nbsp;&nbsp;&nbsp;&nbsp;up for everything else<br>**[02:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you've done in your life?<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You'll wallow in<br>&nbsp;&nbsp;&nbsp;&nbsp;mud your whole life.<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all,<br>**[03:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know that.<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I'm stuck in<br>&nbsp;&nbsp;&nbsp;&nbsp;the mud my whole life.<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's not what I'm after.<br>**[03:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I are the only<br>&nbsp;&nbsp;&nbsp;&nbsp;ones who have to go to hell.<br>**[03:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go dragging<br>&nbsp;&nbsp;&nbsp;&nbsp;the kid down along with us!<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You filthy bastard!<br>**[04:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're starting to become a pain.<br>**[04:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Swinging around<br>&nbsp;&nbsp;&nbsp;&nbsp;that vile right hand of yours,<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;protecting that nauseating<br>&nbsp;&nbsp;&nbsp;&nbsp;angel like you are.<br>**[04:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How much are you going to crack<br>&nbsp;&nbsp;&nbsp;&nbsp;me up before you're happy?!<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come off it!<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, you think your point of<br>&nbsp;&nbsp;&nbsp;&nbsp;view is the only one in the world?<br>**[04:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why won't you accept that there<br>&nbsp;&nbsp;&nbsp;&nbsp;are others who aren't like you?!<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate science!<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I detest science!<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I hate this sort of science!<br>**[04:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I detest the kind of science<br>&nbsp;&nbsp;&nbsp;&nbsp;that just let my brother die!<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone's there?<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[05:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all science is!<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're one of them!<br>**[05:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't find that disgusting?!<br>**[05:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! When your battery dies,<br>&nbsp;&nbsp;&nbsp;&nbsp;you're just an immobile piece of junk.<br>**[05:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think about how<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you fought back that squad of--<br>**[05:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[05:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What... the...?<br>**[06:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri...<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-You hypocrite!<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you think you're doing?!<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is too much!<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Day after day, I keep<br>&nbsp;&nbsp;&nbsp;&nbsp;saying it's "just my luck,"<br>**[06:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but given all this,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm plenty fortunate, you know?<br>**[06:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah?<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What are...<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you even talking about?<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just you wait, Kazakiri. Index is<br>&nbsp;&nbsp;&nbsp;&nbsp;taking action right now to save you.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She is, after all, your friend.<br>&nbsp;&nbsp;&nbsp;&nbsp;She is going to come through.<br>**[07:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just relax.<br>**[07:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In the meantime, I'll make sure...<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...to keep things in check here!<br>**[07:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you screw with me,<br>&nbsp;&nbsp;&nbsp;&nbsp;you gimpy bastard!<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--? Damn!<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You filthy little punk!<br>**[08:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mess with me, will you?!<br>**[08:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, let go!<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, that's right.<br>**[08:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If he can't use his ability,<br>**[08:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then that means my<br>&nbsp;&nbsp;&nbsp;&nbsp;"countermeasure" doesn't work anymore.<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn. Just killing him isn't enough.<br>**[08:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have to take the meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;of his death away from him.<br>**[08:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how do I do that?<br>**[08:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look at this!<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the original script of the<br>&nbsp;&nbsp;&nbsp;&nbsp;virus that was input into her brain!<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Without this, there's not<br>&nbsp;&nbsp;&nbsp;&nbsp;a chance of saving the girl!<br>**[08:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In your face! Kick yourself<br>&nbsp;&nbsp;&nbsp;&nbsp;over that, you filthy punk!<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've destroyed everything<br>&nbsp;&nbsp;&nbsp;&nbsp;that is most important to you!<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There isn't anything<br>&nbsp;&nbsp;&nbsp;&nbsp;you can make right anymore!<br>**[09:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And now, it's your turn.<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Start questioning whether<br>&nbsp;&nbsp;&nbsp;&nbsp;or not there's a heaven,<br>**[09:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or whatever other drivel<br>&nbsp;&nbsp;&nbsp;&nbsp;you want to now!<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There she is!<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's her!<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got her.<br>**[09:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento avoided letting me grab<br>&nbsp;&nbsp;&nbsp;&nbsp;onto her hammer with my right hand.<br>**[09:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Which means that<br>&nbsp;&nbsp;&nbsp;&nbsp;it can cancel the thing out.<br>**[10:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then...<br>**[10:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like letting you get too<br>&nbsp;&nbsp;&nbsp;&nbsp;close doesn't gain me anything.<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as I don't have to<br>&nbsp;&nbsp;&nbsp;&nbsp;worry about anything around me,<br>**[10:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can go all-out, too.<br>**[10:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! You almost make it sound<br>&nbsp;&nbsp;&nbsp;&nbsp;like that monster is helping you out!<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not "sound like,"<br>
&nbsp;&nbsp;&nbsp;&nbsp;she really *is* helping me out!<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dream on!<br>**[10:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is the best you can do!<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go selling the<br>&nbsp;&nbsp;&nbsp;&nbsp;Right Seat of God short!<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn!<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento!<br>**[10:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's the idiotic outcry for?<br>**[10:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've thrown in with<br>&nbsp;&nbsp;&nbsp;&nbsp;the side of science, right?<br>**[11:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the appearance of that angel,<br>**[11:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a coercive spell pressure<br>&nbsp;&nbsp;&nbsp;&nbsp;took effect over this whole region.<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's causing what might be<br>&nbsp;&nbsp;&nbsp;&nbsp;called a magic circulatory failure.<br>**[11:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aleister sure came<br>&nbsp;&nbsp;&nbsp;&nbsp;up with a repulsive trick!<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You dumbass!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What possible reason could<br>&nbsp;&nbsp;&nbsp;&nbsp;you have to fight through all this?!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't feed me that hollow line!<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yikes... I couldn't dodge that...<br>**[11:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, now you need rescuing, don't you?<br>**[11:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Forgive me, but I'm pressed for time, too.<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll see to it that you<br>&nbsp;&nbsp;&nbsp;&nbsp;get sent to the hospital!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! I'll never again<br>&nbsp;&nbsp;&nbsp;&nbsp;turn myself over to science!<br>**[11:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My younger brother<br>&nbsp;&nbsp;&nbsp;&nbsp;was killed through science.<br>**[11:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It was because of a glitch<br>&nbsp;&nbsp;&nbsp;&nbsp;at an amusement park attraction.<br>**[11:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They said that scientifically,<br>&nbsp;&nbsp;&nbsp;&nbsp;there was no chance of any trouble.<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It had multiple layers of safety devices,<br>**[12:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and a fully-automated<br>&nbsp;&nbsp;&nbsp;&nbsp;speed control program.<br>**[12:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They laid out all these<br>&nbsp;&nbsp;&nbsp;&nbsp;reassuring words for us,<br>**[12:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but the truth is,<br>&nbsp;&nbsp;&nbsp;&nbsp;they didn't do any good at all!<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean...<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The same was true when we<br>&nbsp;&nbsp;&nbsp;&nbsp;were taken to the hospital afterward.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They were unable to find<br>&nbsp;&nbsp;&nbsp;&nbsp;enough blood for two transfusions,<br>**[12:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so the doctors said they<br>&nbsp;&nbsp;&nbsp;&nbsp;could only save one of our lives.<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My brother said, "Please save my sister."<br>**[12:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And so, only I survived.<br>**[12:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Surprised?<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How can a member of the Right<br>&nbsp;&nbsp;&nbsp;&nbsp;Seat of God fight over such a reason?<br>**[12:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you see, I despise science<br>&nbsp;&nbsp;&nbsp;&nbsp;so much that I will even use<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the Right Seat<br>&nbsp;&nbsp;&nbsp;&nbsp;of God to bring it down.<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Science not only<br>&nbsp;&nbsp;&nbsp;&nbsp;deprives us of our way,<br>**[12:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it even takes the Bible, which we<br>&nbsp;&nbsp;&nbsp;&nbsp;take to be the means of salvation,<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and tries to smear it<br>&nbsp;&nbsp;&nbsp;&nbsp;with blasphemy such as this.<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is what the essence of science is!<br>&nbsp;&nbsp;&nbsp;&nbsp;All it does is hamper us!<br>**[12:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I hate and detest science!<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If science is as cold as that,<br>&nbsp;&nbsp;&nbsp;&nbsp;then I'll smash it all to pieces,<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and fill the world<br>&nbsp;&nbsp;&nbsp;&nbsp;with a warmer set of laws!<br>**[13:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's my duty, for having<br>&nbsp;&nbsp;&nbsp;&nbsp;squandered my brother's future!<br>**[13:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got to be kidding me.<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The hell science killed your brother.<br>**[13:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course those doctors never<br>&nbsp;&nbsp;&nbsp;&nbsp;wanted your brother to die to begin with.<br>**[13:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course they wanted to save both of you!<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That goes for the attraction<br>&nbsp;&nbsp;&nbsp;&nbsp;where you had the accident, too.<br>**[13:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not like they were<br>&nbsp;&nbsp;&nbsp;&nbsp;running it to hurt people.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wanted to bring<br>&nbsp;&nbsp;&nbsp;&nbsp;smiles to people's faces!<br>**[13:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up!<br>**[13:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brother knew exactly the<br>&nbsp;&nbsp;&nbsp;&nbsp;situation he had been placed in,<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but he still wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;you to survive, didn't he?<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think someone<br>&nbsp;&nbsp;&nbsp;&nbsp;like that would say<br>**[13:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that he wanted to<br>&nbsp;&nbsp;&nbsp;&nbsp;take revenge against science?<br>**[13:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Someone who wanted more<br>&nbsp;&nbsp;&nbsp;&nbsp;than anyone else for you to be happy?!<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I told you to shut up!<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think the view of a<br>&nbsp;&nbsp;&nbsp;&nbsp;little child on the verge of death<br>**[14:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;carries any value?!<br>**[14:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If there wasn't enough blood,<br>&nbsp;&nbsp;&nbsp;&nbsp;they should have given it to my brother!<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If they had to,<br>
&nbsp;&nbsp;&nbsp;&nbsp;they could have used *my* blood, too!<br>**[14:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, it did have value.<br>**[14:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's precisely because<br>&nbsp;&nbsp;&nbsp;&nbsp;your brother made his decision<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that you are here, alive, now, right?<br>**[14:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So then it *did* have value!<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who has<br>&nbsp;&nbsp;&nbsp;&nbsp;to understand the value it had<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;more than anyone, aren't you?<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be ridiculous!<br>&nbsp;&nbsp;&nbsp;&nbsp;You think that's any comfort?!<br>**[14:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I consumed his whole future!<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Could you shout out the same thing<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to someone else in<br>&nbsp;&nbsp;&nbsp;&nbsp;the exact same situation?!<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I couldn't!<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why I refute it!<br>&nbsp;&nbsp;&nbsp;&nbsp;The life you're living is wrong!<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your brother did the most amazing<br>&nbsp;&nbsp;&nbsp;&nbsp;thing in the world back there.<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And you're here disgracing that?!<br>**[14:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to waste what<br>&nbsp;&nbsp;&nbsp;&nbsp;he said by going to your grave,<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;hating science the whole time?!<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, that's a laugh.<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm the one who chose this path.<br>**[15:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way that you,<br>&nbsp;&nbsp;&nbsp;&nbsp;who just heard the story right here,<br>**[15:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can twist what happened so easily!<br>**[15:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The crisis that both<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City and Kazakiri are in...<br>**[15:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...as well as the hatred for<br>&nbsp;&nbsp;&nbsp;&nbsp;science that holds Vento captive...<br>**[15:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...are illusions that I'm now<br>&nbsp;&nbsp;&nbsp;&nbsp;going to smash all at once!<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compared to what your brother did,<br>&nbsp;&nbsp;&nbsp;&nbsp;this may not be any big deal,<br>**[15:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but it will save you just a little bit.<br>&nbsp;&nbsp;&nbsp;&nbsp;Now go back and start over!<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You big dumbass!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those men from before.<br>&nbsp;&nbsp;&nbsp;&nbsp;Do they have something to do with her?<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Heh...<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, what do you want?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm working here.<br>**[16:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, just a minute!<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't go trying anything with her!<br>**[16:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl is at the<br>&nbsp;&nbsp;&nbsp;&nbsp;core of everything, all right.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Based on angel architecture,<br>&nbsp;&nbsp;&nbsp;&nbsp;but made of formless telesma,<br>**[16:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;all tucked away inside<br>&nbsp;&nbsp;&nbsp;&nbsp;a human-shaped pouch.<br>**[16:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I don't know how<br>&nbsp;&nbsp;&nbsp;&nbsp;to move forward from here.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Short-hair, a question!<br>**[16:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You call me Miss Mikoto!<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what's your question?<br>**[16:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's an electronic network<br>&nbsp;&nbsp;&nbsp;&nbsp;that utilizes brainwaves?<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Let's see...<br>&nbsp;&nbsp;&nbsp;&nbsp;Electricity-generating espers<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can use identical brainwaves<br>&nbsp;&nbsp;&nbsp;&nbsp;to construct an EM network, I guess.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then, what does it mean<br>&nbsp;&nbsp;&nbsp;&nbsp;that there's an AIM diffusion field<br>**[17:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;spread out across Academy City?<br>**[17:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's the power field naturally<br>&nbsp;&nbsp;&nbsp;&nbsp;generated by Academy City's espers.<br>**[17:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So she's saying that there's<br>&nbsp;&nbsp;&nbsp;&nbsp;a special power that fills the city,<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and that it's this girl that administers it.<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;By restricting her mind,<br>&nbsp;&nbsp;&nbsp;&nbsp;they're just twisting that special power<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to create the "angel." In that case...<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All we have to do is<br>&nbsp;&nbsp;&nbsp;&nbsp;untie the "knot" inside her head.<br>**[17:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But to turn that idea into<br>&nbsp;&nbsp;&nbsp;&nbsp;a specific measure will take...<br>**[17:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...a song.<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It conveys things<br>&nbsp;&nbsp;&nbsp;&nbsp;better than simply words.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You filthy punk! I'll show you!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Using rhythm and tone,<br>&nbsp;&nbsp;&nbsp;&nbsp;we can communicate on multiple levels.<br>**[17:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on, you mean you can do<br>&nbsp;&nbsp;&nbsp;&nbsp;something in such an analog way?<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes I can. A prayer will get through.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Our prayer is going to save them all.<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This girl,<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and Hyoka, and Academy City.<br>**[18:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's with you, you bastard?!<br>**[18:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suddenly starting to move on me!<br>**[18:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ki... hara...<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kihara!!<br>**[18:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, this should be good.<br>**[18:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, of course. If you<br>&nbsp;&nbsp;&nbsp;&nbsp;were to go down as easily as that,<br>**[19:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it wouldn't be any fun.<br>**[19:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm glad you're being so<br>&nbsp;&nbsp;&nbsp;&nbsp;service-minded, Accelerator.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been pissed off at<br>&nbsp;&nbsp;&nbsp;&nbsp;you this whole time, as well.<br>**[19:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm gonna flatten you good<br>&nbsp;&nbsp;&nbsp;&nbsp;with my fists before killing you!<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That doesn't hurt me, kid!<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right, I've found my groove.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha-ha! I'm gonna make<br>&nbsp;&nbsp;&nbsp;&nbsp;this a little more interesting,<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so show me a little more spunk!<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's happening?<br>**[19:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those black<br>&nbsp;&nbsp;&nbsp;&nbsp;wings growing out of your back?<br>**[20:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard... Where<br>&nbsp;&nbsp;&nbsp;&nbsp;are you getting this strength?<br>**[20:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've acquired a new clearance...<br>**[20:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What value did you enter<br>&nbsp;&nbsp;&nbsp;&nbsp;in for your Personal Reality?<br>**[20:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, don't tell me that power...<br>&nbsp;&nbsp;&nbsp;&nbsp;is of the angel variety!<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you realize...<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...what's behind you, you monster?<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Kill..."<br>**[20:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kill...<br>**[21:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitori de ii to tsubuyaita*<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to aru sekai no chuushin de*<br>**[21:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokei no hari wo orimagete*<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hitomi tojite'ta*<br>**[21:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sugisatta toki wa modosenai kedo*<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ano hi oshiete kureta yo ne*<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore de ii n' da to*<br>**[21:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Megurimeguru kisetsu ni kimi ga ita kiseki*<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kowarete'ta tokei sae ugokidasu kara*<br>**[21:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima wa sou muryoku na garakuta da kedo*<br>**[21:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fushigi da ne kaerareru sonna ki ga suru*<br>**[21:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no koe ga ima mo mada*<br>**[22:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*koko ni aru kara*<br>**[22:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What about Kazakiri?!<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I touch Kazakiri now, it might<br>&nbsp;&nbsp;&nbsp;&nbsp;obliterate the real Kazakiri, too.<br>**[22:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Who are you?<br>**[22:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Excuse me.<br>&nbsp;&nbsp;&nbsp;&nbsp;I have business with the girl here.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked you who you are!<br>**[22:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acqua of the Rear.<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like Vento, I am one<br>&nbsp;&nbsp;&nbsp;&nbsp;of the Right Seat of God.<br>**[22:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, you need not worry.<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all for today; I'm heading back.<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let Vento go!<br>**[23:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, if I were to let Vento go now,<br>**[23:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and she were captured<br>&nbsp;&nbsp;&nbsp;&nbsp;by the side of science,<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;she would undoubtedly be executed.<br>**[23:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can have that.<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is already destroyed by<br>&nbsp;&nbsp;&nbsp;&nbsp;your right hand. It is just junk now.<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento can no longer use divine retribution.<br>**[23:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The people she neutralized<br>&nbsp;&nbsp;&nbsp;&nbsp;should recover soon.<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rest easy now,<br>**[23:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;knowing that you have preserved<br>&nbsp;&nbsp;&nbsp;&nbsp;the tranquility of Academy City.<br>**[23:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think I'm just going to accept that?!<br>**[23:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to let you in on one thing.<br>**[23:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am a saint. If you<br>&nbsp;&nbsp;&nbsp;&nbsp;rush in blindly to fight me,<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you will shorten your life.<br>**[23:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, wait!<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>
&nbsp;&nbsp;&nbsp;&nbsp;<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;One battle ends.<br>**[23:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But the footfalls of another,<br>&nbsp;&nbsp;&nbsp;&nbsp;unprecedented battle<br>**[24:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;can clearly be heard<br>&nbsp;&nbsp;&nbsp;&nbsp;closing in--those of a war.<br>**[24:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Prewar."<br>**[24:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and magic<br>&nbsp;&nbsp;&nbsp;&nbsp;cross paths, the story begins.<br>

# 47 - Prewar

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[00:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[00:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*There was a bird that could<br>
&nbsp;&nbsp;&nbsp;&nbsp;not fly any farther than this*<br>**[00:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It rebuked the blue skies<br>
&nbsp;&nbsp;&nbsp;&nbsp;on fine, flawless wings*<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that bad*<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*That sky is not that high*<br>**[00:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*This place is not that good*<br>**[01:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Afraid of the speed<br>
&nbsp;&nbsp;&nbsp;&nbsp;it would feel in its body*<br>**[01:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Everybody has a chance,*<br>**[01:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but they cannot go any farther*<br>**[01:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;cannot take flight*<br>**[01:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The truth is they<br>
&nbsp;&nbsp;&nbsp;&nbsp;want to take flight*<br>**[01:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, beyond the wish<br>
&nbsp;&nbsp;&nbsp;&nbsp;I want to make come true*<br>**[01:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*you shine*<br>**[01:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*In my eyes I picture you*<br>**[01:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Standing in the future,<br>
&nbsp;&nbsp;&nbsp;&nbsp;always strong,"*<br>**[01:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and that "you" is me*<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are still blindingly bright*<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but in the same spirit,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I reach out my hand*<br>**[01:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and the "I" who I am will<br>
&nbsp;&nbsp;&nbsp;&nbsp;someday grab hold to become*<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the you that I will be*<br>**[02:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"#23 Prewar"<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[02:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kazakiri!<br>**[02:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*We used to take the smiles we always shared for granted*<br>**[02:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you coming around?<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thank goodness. Are you all right?<br>**[02:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*as we walked together in the sunlight shining through the trees*<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This... isn't right...<br>**[02:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How did things end up like this?<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Just hearing the sound of the word "friends,"*<br>**[02:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is all because of me, and yet, why am I the only one unhurt?<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I can't stay with everyone else, then why was I even born?<br>**[02:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I thought you would be at my side forever*<br>**[02:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks to the power of the espers, I can finally exist as a freak,<br>**[02:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*no matter what happened*<br>**[02:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and now that that girl was nice enough to call me her friend,<br>**[02:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Because the feelings we always shared*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought I had become at least a little bit more human...<br>**[03:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...but I can't take it anymore!<br>**[03:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please hit me, and put an end to all of this!<br>**[03:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*are still alive here, I believe in you*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...<br>**[03:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why are you making that face?<br>**[03:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Because I'm relieved.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know why I have this power within my right hand.<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*It's my desire to see you again that makes me stronger*<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But if it means obliterating one of my friends,<br>**[03:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd rather chop off my right hand right here.<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*through whatever darkness or persistent rains that may come*<br>**[03:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why...?<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You protected the others, right? You tried to keep everyone safe.<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that any different from the person you picture yourself as?<br>**[03:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*If my voice will be carried on*<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold your head high, and look ahead.<br>**[03:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*the wind and my prayer will get through*<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After fighting like you did for the sake of complete strangers,<br>**[03:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and managing to pull everyone through,<br>**[03:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*then I'll pray until I am able to get you back*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;there isn't a single reason to hang your head down.<br>**[03:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go check around to see if anyone needs any first aid.<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After that, let's head home.<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no telling when<br>&nbsp;&nbsp;&nbsp;&nbsp;you're going to vanish on us.<br>**[04:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Before that happens, we need to<br>&nbsp;&nbsp;&nbsp;&nbsp;let you and Index meet up.<br>**[04:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And don't go asking why.<br>**[04:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's because we're friends, of course.<br>**[04:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right?!<br>**[04:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That stuff from your back was<br>&nbsp;&nbsp;&nbsp;&nbsp;a lot like telesma, but what was it?<br>**[04:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! What ended<br>&nbsp;&nbsp;&nbsp;&nbsp;up happening over there?!<br>**[04:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like those huge<br>&nbsp;&nbsp;&nbsp;&nbsp;wings have disappeared, too.<br>**[04:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you need any help,<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll head over there.<br>**[04:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go call a doctor.<br>**[04:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, hold on!<br>**[04:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator, I would<br>&nbsp;&nbsp;&nbsp;&nbsp;like a word. Is that all right?<br>**[04:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Telepathy? And I have a small<br>&nbsp;&nbsp;&nbsp;&nbsp;amount of computing power back, too.<br>**[04:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's correct. I made arrangements<br>&nbsp;&nbsp;&nbsp;&nbsp;for several telepathic espers.<br>**[04:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want?<br>**[04:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I would like to speak to you<br>&nbsp;&nbsp;&nbsp;&nbsp;about the series of disturbances you made,<br>**[05:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as concerning the damage<br>&nbsp;&nbsp;&nbsp;&nbsp;that Academy City has suffered.<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you going to slice me<br>&nbsp;&nbsp;&nbsp;&nbsp;to pieces for research material?<br>**[05:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That is one path we could take.<br>**[05:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But how would you like<br>&nbsp;&nbsp;&nbsp;&nbsp;to work together with us?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is Academy City trying<br>&nbsp;&nbsp;&nbsp;&nbsp;to start a war or something?<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I cannot answer that.<br>**[05:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. Then there's<br>&nbsp;&nbsp;&nbsp;&nbsp;only one thing I can say.<br>**[05:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get bent.<br>**[05:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is a critical moment<br>&nbsp;&nbsp;&nbsp;&nbsp;for Academy City.<br>**[05:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We want to try to oppose it,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we want you to work with us.<br>**[05:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Supposing that Academy City<br>&nbsp;&nbsp;&nbsp;&nbsp;is completely wiped out,<br>**[05:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is there any other place for us espers?<br>**[05:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And, just as with other skills...<br>**[05:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, just tell me one thing.<br>**[05:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is that?<br>**[05:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The name of your current ringleader.<br>**[05:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm taking the head of the person<br>&nbsp;&nbsp;&nbsp;&nbsp;who treated the kid like this.<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It doesn't matter to me,<br>&nbsp;&nbsp;&nbsp;&nbsp;but he will just be a scapegoat.<br>**[05:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't say.<br>**[06:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what will it be?<br>**[06:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suit yourself.<br>**[06:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A fine answer.<br>**[06:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I look forward to<br>&nbsp;&nbsp;&nbsp;&nbsp;working with you, new guy.<br>**[06:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Terra?<br>**[06:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, that's right. Terra of<br>&nbsp;&nbsp;&nbsp;&nbsp;the Left. Are you finished there?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Vento has had it.<br>&nbsp;&nbsp;&nbsp;&nbsp;I just recovered her,<br>**[06:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and had the detached squad in<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City's outskirts stand down.<br>**[06:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[06:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's our next move? If you like,<br>**[06:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got no problem with<br>&nbsp;&nbsp;&nbsp;&nbsp;lopping off the target's head.<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's not do that.<br>**[06:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think it's better to wait<br>&nbsp;&nbsp;&nbsp;&nbsp;until after we hear your full story,<br>**[06:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then reconsider how we're<br>&nbsp;&nbsp;&nbsp;&nbsp;going to bring down Academy City.<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How we'll bring down Academy City?<br>**[06:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't like that idea?<br>**[06:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cheap tricks aren't my thing.<br>**[06:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Defeating a foe head-on is<br>&nbsp;&nbsp;&nbsp;&nbsp;obviously the easier way to do it.<br>**[06:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think they<br>&nbsp;&nbsp;&nbsp;&nbsp;might still have some use?<br>**[07:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, that fallen angel.<br>**[07:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do not approve of<br>&nbsp;&nbsp;&nbsp;&nbsp;plundering the battlefield.<br>**[07:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Leave it to a knight to<br>&nbsp;&nbsp;&nbsp;&nbsp;say one thing and do another.<br>**[07:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm no knight. I'm a<br>&nbsp;&nbsp;&nbsp;&nbsp;has-been mercenary miscreant.<br>**[07:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, whatever, please<br>&nbsp;&nbsp;&nbsp;&nbsp;bring Vento back here at once.<br>**[07:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are the instructions<br>&nbsp;&nbsp;&nbsp;&nbsp;from Fiamma of the Right.<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Acknowledged.<br>**[07:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I wonder if<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City really is as frail<br>**[07:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as you think it is, Terra of the Left.<br>**[07:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning, Aleister.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's something I have to say to you.<br>**[07:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is it?<br>**[07:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I want you to stop treating my<br>&nbsp;&nbsp;&nbsp;&nbsp;patients as your toys.<br>**[07:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm... And if I don't, what will you do?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Those are my patients.<br>&nbsp;&nbsp;&nbsp;&nbsp;And I am their doctor. Do you follow me?<br>**[07:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Having had your life saved by me once...<br>**[07:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you regret doing that?<br>**[07:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that a serious question?<br>**[08:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not going to stop.<br>&nbsp;&nbsp;&nbsp;&nbsp;I am already past that point.<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is goodbye, my kind, kind enemy.<br>**[08:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Lunchtime!<br>**[08:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's buy something, quick!<br>**[08:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm getting a *yakisoba* sandwich!<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now see here! No running in the hallways!<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh...<br>**[08:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mm-hmm.<br>**[08:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is an out-of-the-usual day.<br>**[08:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like you brought<br>&nbsp;&nbsp;&nbsp;&nbsp;something yummy today, too.<br>**[08:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sharing anything for free.<br>&nbsp;&nbsp;&nbsp;&nbsp;If you want some, let's trade.<br>**[08:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Himegami, I'm impressed at<br>&nbsp;&nbsp;&nbsp;&nbsp;how you can still fix a bento lunch<br>**[08:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;day in and day out.<br>**[08:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, your broth is<br>&nbsp;&nbsp;&nbsp;&nbsp;leaking into your rice zone.<br>**[08:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Having the broth seep in<br>&nbsp;&nbsp;&nbsp;&nbsp;like this makes it surprisingly good.<br>**[08:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sour grapes?<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No! And if you're going to<br>&nbsp;&nbsp;&nbsp;&nbsp;pull that face, try some taro root!<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm, I guess it's not bad.<br>**[09:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A-Are you all right, Himegami?!<br>**[09:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? What? You want me to rub your back?<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How's that, Himegami?<br>**[09:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, should I do it harder?<br>**[09:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you up to?<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose...<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why do you always eat that<br>&nbsp;&nbsp;&nbsp;&nbsp;bland-looking bread, anyway?<br>**[09:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey! It tastes just fine!<br>**[09:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Ability-boosting bread, with twelve<br>&nbsp;&nbsp;&nbsp;&nbsp;nutrients for energizing the brain."<br>**[10:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want some of my taro root?<br>**[10:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so you know, I'm wearing<br>&nbsp;&nbsp;&nbsp;&nbsp;a front-hooking bra today.<br>**[10:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[10:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Once the city's entrance<br>&nbsp;&nbsp;&nbsp;&nbsp;controls are tightened,<br>**[10:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they said we might<br>&nbsp;&nbsp;&nbsp;&nbsp;not get any more field trips.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if this affects<br>&nbsp;&nbsp;&nbsp;&nbsp;the Ichihanaran Festival, too.<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah, the Antiskill teachers<br>&nbsp;&nbsp;&nbsp;&nbsp;are working on the precautions,<br>**[10:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so they say we may not<br>&nbsp;&nbsp;&nbsp;&nbsp;have to take any midterms.<br>**[10:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A war, huh?<br>**[10:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just too much,<br>&nbsp;&nbsp;&nbsp;&nbsp;you know? I mean, if a war starts,<br>**[10:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the price of meats<br>&nbsp;&nbsp;&nbsp;&nbsp;and vegetables will go up, right?<br>**[10:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not to mention conventional oil.<br>**[10:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Kamijo!<br>**[10:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you being so quiet about?<br>**[10:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;O-Oh, nothing! I was just thinking,<br>**[10:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;best if we have some stew pot<br>&nbsp;&nbsp;&nbsp;&nbsp;or whatever now, while we still can.<br>**[10:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Just so we won't regret<br>&nbsp;&nbsp;&nbsp;&nbsp;not having eaten it later on.<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah, maybe...<br>**[10:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Kami, are you<br>&nbsp;&nbsp;&nbsp;&nbsp;having a stew pot tonight?<br>**[11:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah! If it's *sukiyaki* you want,<br>
&nbsp;&nbsp;&nbsp;&nbsp;I know this great, cheap place!<br>**[11:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this? You guys<br>&nbsp;&nbsp;&nbsp;&nbsp;going someplace tonight?<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't let you go hogging<br>&nbsp;&nbsp;&nbsp;&nbsp;this tasty restaurant all to yourselves.<br>**[11:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait, why are we suddenly going out?<br>**[11:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Warming up for the Ichihanaran Festival?<br>**[11:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Majority rule! Majority rule!<br>**[11:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? When did the class decide<br>&nbsp;&nbsp;&nbsp;&nbsp;we were all going out for supper? Huh?<br>**[11:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Miss Fukiyose?<br>**[11:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good grief!<br>**[11:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Fukiyose with a deluxe forehead?!<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tonight's stew pot"<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay, I'll look after this for us, so everyone cast your vote!<br>**[11:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Miss Tsukuyomi, I heard you<br>&nbsp;&nbsp;&nbsp;&nbsp;had taken in yet another runaway girl.<br>**[11:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've been kind of lonesome<br>&nbsp;&nbsp;&nbsp;&nbsp;since Himegami moved into the dorms.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but now that Musujime<br>&nbsp;&nbsp;&nbsp;&nbsp;is here, everything is fine.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The ones who were staying<br>&nbsp;&nbsp;&nbsp;&nbsp;with me just heartlessly moved out.<br>**[11:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's decided!<br>**[11:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tonight, it's decided that<br>
&nbsp;&nbsp;&nbsp;&nbsp;we're all going out for *sukiyaki*!<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to go bring things under control!<br>**[12:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;See here! What is all this commotion?!<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, Miss Komoe! Want to eat with us?<br>**[12:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nice. Always some nuttiness going on.<br>**[12:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay then...<br>**[12:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's eat!<br>**[12:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're getting more<br>**[12:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"If war breaks out, Academy<br>&nbsp;&nbsp;&nbsp;&nbsp;City is not safe, so return my child"<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;requests from a lot of the parents.<br>**[12:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? So things have gotten that far?<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kamijo! What are you<br>&nbsp;&nbsp;&nbsp;&nbsp;beating that egg so slowly for?!<br>**[12:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gah! I can't stand it anymore!<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me have that!<br>**[12:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! What a control freak!<br>**[12:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami...<br>**[12:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;From what I saw on the menu,<br>&nbsp;&nbsp;&nbsp;&nbsp;the prices still haven't changed yet.<br>**[13:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Y-Yeah.<br>**[13:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here!<br>**[13:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, thank you.<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, the price for them<br>&nbsp;&nbsp;&nbsp;&nbsp;to stock up could be increasing.<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you're saying,<br>&nbsp;&nbsp;&nbsp;&nbsp;eat up while we can, right? Yoink!<br>**[13:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! You're just taking all the meat!<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma! I need more meat!<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;♪ Meat! Meat! Meat! Meat! Meat! ♪<br>**[13:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? I haven't eaten a single bite, and you've already...<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;War, huh?<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got to do something.<br>**[13:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami...<br>**[13:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you think the war that's about<br>&nbsp;&nbsp;&nbsp;&nbsp;to break out is all because of you,<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're way off.<br>**[13:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All this time, you've been<br>&nbsp;&nbsp;&nbsp;&nbsp;protecting those around you.<br>**[13:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess, maybe.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The war is happening because<br>&nbsp;&nbsp;&nbsp;&nbsp;those behind the scenes screwed up.<br>**[14:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's starting.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[14:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The scale of fighting<br>&nbsp;&nbsp;&nbsp;&nbsp;will change. From now on,<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;passing through each phase the<br>&nbsp;&nbsp;&nbsp;&nbsp;way we've done up to now will be hard.<br>**[14:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, right. Or more like,<br>**[14:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;the fact that we've made it<br>&nbsp;&nbsp;&nbsp;&nbsp;through up to now is miraculous.<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone has been carrying me up to now.<br>**[14:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've left everything dealing<br>&nbsp;&nbsp;&nbsp;&nbsp;with a world I know nothing about<br>**[14:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;up to someone else.<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can't do that anymore.<br>**[14:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to have to step inside<br>&nbsp;&nbsp;&nbsp;&nbsp;a new world I've never seen before.<br>**[14:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado, I've made a decision.<br>**[14:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Kami...<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. I'm...<br>**[14:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm going to start studying English!<br>**[14:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've tried up as high<br>&nbsp;&nbsp;&nbsp;&nbsp;as daily conversation level 3,<br>**[14:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but English is just so hard, you know?<br>**[14:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why does his next phase have to be English?<br>**[15:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Everyone else has been<br>&nbsp;&nbsp;&nbsp;&nbsp;using Japanese with me up to now,<br>**[15:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't let them<br>&nbsp;&nbsp;&nbsp;&nbsp;keep coddling me like this.<br>**[15:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what it comes down to is...<br>**[15:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;W-What was that for...?<br>**[15:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drill number 42, begin.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Drill number 43, begin.<br>**[15:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you want, Mr. Dress-up?<br>**[15:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was trying to cover up my<br>&nbsp;&nbsp;&nbsp;&nbsp;presence, in my own little way.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it looks like<br>&nbsp;&nbsp;&nbsp;&nbsp;I still have much to learn.<br>**[15:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unabara Mitsuki, was it?<br>**[15:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes, though both the name and face are fakes.<br>**[15:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Have you settled on a weapon?<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;None of them feels quite right.<br>**[15:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can bring in guns from all over the world,<br>**[15:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I still may not find one.<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What if you made a list of<br>&nbsp;&nbsp;&nbsp;&nbsp;gear you can use your ability with?<br>**[16:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stop trying to be such a know-it-all.<br>**[16:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't rely on this thing.<br>**[16:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;According to GROUP's engineering report,<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they have extended your<br>&nbsp;&nbsp;&nbsp;&nbsp;ability usage time to thirty minutes.<br>**[16:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GROUP, huh?<br>**[16:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're dissatisfied with<br>&nbsp;&nbsp;&nbsp;&nbsp;their tuning on your electrode?<br>**[16:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! Whether it's thirty minutes or three days,<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;once some glitch comes up, it's all over.<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you can't fight because of<br>&nbsp;&nbsp;&nbsp;&nbsp;a malfunction, you don't survive.<br>**[16:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you wanted?<br>**[16:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GROUP has received a work<br>&nbsp;&nbsp;&nbsp;&nbsp;order from the governing board.<br>**[16:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City...<br>**[16:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...is about to line up against<br>&nbsp;&nbsp;&nbsp;&nbsp;the Roman Orthodox Church.<br>**[16:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As a result, the truth of the matter<br>**[16:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is that the city's internal<br>&nbsp;&nbsp;&nbsp;&nbsp;defenses are thinning out.<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We are going to mop up one<br>&nbsp;&nbsp;&nbsp;&nbsp;force who would take advantage of that.<br>**[16:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I heard that I was going to<br>&nbsp;&nbsp;&nbsp;&nbsp;have to fill in for that bastard Kihara,<br>**[17:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I never imagined this kind<br>&nbsp;&nbsp;&nbsp;&nbsp;of two-bit job would come to me.<br>**[17:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;While it may fall on you, you *are<br>
&nbsp;&nbsp;&nbsp;&nbsp;*the one who came here on your own.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Listen here, kid! Let me tell you one thing!<br>**[17:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A human life is frail!<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Frail enough that one touch<br>&nbsp;&nbsp;&nbsp;&nbsp;of my fingertip could destroy it!<br>**[17:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So be a little more considerate.<br>**[17:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Otherwise, I might break<br>&nbsp;&nbsp;&nbsp;&nbsp;something you don't want broken.<br>**[17:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will be more mindful.<br>**[17:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;May I continue now?<br>**[17:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Suit yourself.<br>**[17:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your target will be Skill Out.<br>**[17:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may be more<br>&nbsp;&nbsp;&nbsp;&nbsp;familiar with them than I am.<br>**[17:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. They're an armed gang<br>&nbsp;&nbsp;&nbsp;&nbsp;made up of a bunch of Level 0s.<br>**[17:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. They currently appear<br>&nbsp;&nbsp;&nbsp;&nbsp;to be putting together some toys.<br>**[17:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toys?<br>**[17:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Rockets, made up of hollowed-out<br>&nbsp;&nbsp;&nbsp;&nbsp;wood packed with explosives.<br>**[17:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Much like the *bo-hiya* fire arrows<br>
&nbsp;&nbsp;&nbsp;&nbsp;tested during the Edo period.<br>**[17:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They've been conducting operations<br>&nbsp;&nbsp;&nbsp;&nbsp;all over for the past few days.<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Taking abandoned bikes and<br>&nbsp;&nbsp;&nbsp;&nbsp;placing them along emergency routes,<br>**[18:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and blocking up sewage drains<br>&nbsp;&nbsp;&nbsp;&nbsp;around VIP facilities with garbage.<br>**[18:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not the kinds of things that<br>&nbsp;&nbsp;&nbsp;&nbsp;rise to the level of security problems.<br>**[18:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, does GROUP now take<br>&nbsp;&nbsp;&nbsp;&nbsp;contracts to deal with kids' pranks, too?<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;However, there have<br>&nbsp;&nbsp;&nbsp;&nbsp;now been over 20,000 incidents.<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When there is an orange or red alert,<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;they will be detected as errors.<br>**[18:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that what the fire arrows are for?<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If the server goes down due<br>&nbsp;&nbsp;&nbsp;&nbsp;to a large number of error reports,<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skill Out can run wild without<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill coming after them.<br>**[18:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, they could always<br>&nbsp;&nbsp;&nbsp;&nbsp;cancel the alert, right?<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we weren't currently<br>&nbsp;&nbsp;&nbsp;&nbsp;in the middle of a war, maybe.<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nothing but enemies,<br>&nbsp;&nbsp;&nbsp;&nbsp;both within and without, huh?<br>**[18:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds like quite a few people<br>&nbsp;&nbsp;&nbsp;&nbsp;have a beef with Academy City.<br>**[18:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It is our job to somehow<br>&nbsp;&nbsp;&nbsp;&nbsp;deal with such people.<br>**[19:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Your target's name is Komaba Ritoku.<br>**[19:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He is currently the leader<br>&nbsp;&nbsp;&nbsp;&nbsp;in charge of Skill Out,<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as the brains.<br>**[19:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dispose of him quickly, and we<br>&nbsp;&nbsp;&nbsp;&nbsp;can nip Skill Out's plans in the bud.<br>**[19:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why a garbage truck?<br>**[19:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They are all sorts of handy.<br>**[19:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can even use<br>&nbsp;&nbsp;&nbsp;&nbsp;it to dispose of the body.<br>**[19:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A garbage truck trolling around<br>&nbsp;&nbsp;&nbsp;&nbsp;for the bodies of scumbags?<br>**[19:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's nothing funny about that.<br>**[19:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He will return for recovery in<br>&nbsp;&nbsp;&nbsp;&nbsp;twenty minutes, as planned. Be careful.<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, win or lose, I've still<br>&nbsp;&nbsp;&nbsp;&nbsp;gotta ride around in that thing?<br>**[19:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Alive or dead being<br>&nbsp;&nbsp;&nbsp;&nbsp;a whole separate matter...<br>**[19:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little tricks for the security robots,<br>**[19:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as well as to block the<br>&nbsp;&nbsp;&nbsp;&nbsp;observation satellites, huh?<br>**[20:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's that old familiar atmosphere.<br>**[20:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tsuchimikado?<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I figured your first mission<br>&nbsp;&nbsp;&nbsp;&nbsp;would be starting soon.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just wanted to have<br>&nbsp;&nbsp;&nbsp;&nbsp;a little word in your ear.<br>**[20:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're warning me, now?<br>&nbsp;&nbsp;&nbsp;&nbsp;So, what have you got for the new guy?<br>**[20:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do not trust us.<br>**[20:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're all a bunch of guys<br>&nbsp;&nbsp;&nbsp;&nbsp;who would create a huge problem<br>**[20:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;just by having word<br>&nbsp;&nbsp;&nbsp;&nbsp;of our existence get out.<br>**[20:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GROUP, which is made up of<br>&nbsp;&nbsp;&nbsp;&nbsp;nothing but hand-picked people like us<br>**[20:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;has no goals.<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you trying to say that I'm<br>&nbsp;&nbsp;&nbsp;&nbsp;expecting some kind of reward?<br>**[20:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm saying that if<br>&nbsp;&nbsp;&nbsp;&nbsp;you only follow the rules<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;established by the governing board,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll never outwit them.<br>**[20:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, be sure to recognize<br>&nbsp;&nbsp;&nbsp;&nbsp;what it is you need to do to win.<br>**[20:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You and I both have something<br>&nbsp;&nbsp;&nbsp;&nbsp;we want to keep safe, after all.<br>**[20:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that all you wanted?<br>**[21:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Finish up quick and get back.<br>**[21:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Musujime will be starting<br>&nbsp;&nbsp;&nbsp;&nbsp;a job there pretty soon, as well.<br>**[21:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say a job?<br>**[21:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't hear anything<br>&nbsp;&nbsp;&nbsp;&nbsp;about this being a contest.<br>**[21:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not a person she's after; it's money.<br>**[21:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So you mean,<br>&nbsp;&nbsp;&nbsp;&nbsp;she's still good for something?<br>**[21:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's the same as you.<br>&nbsp;&nbsp;&nbsp;&nbsp;She's been upgraded.<br>**[21:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, she has? That's great.<br>**[21:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then...<br>**[21:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...why don't I get started?<br>**[21:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Cleanup time.<br>**[21:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll have this finished in ten minutes.<br>**[22:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That makes nine places.<br>&nbsp;&nbsp;&nbsp;&nbsp;These guys just aren't tough enough.<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you would go<br>&nbsp;&nbsp;&nbsp;&nbsp;a little easier on us, esper.<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaba Ritoku.<br>**[22:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, my...<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I've run into the target first.<br>**[22:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*At a certain world's center,*<br>**[22:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I whispered that it<br>
&nbsp;&nbsp;&nbsp;&nbsp;was okay to be alone*<br>**[22:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I bent back the hands on the clock*<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*and kept my eyes closed*<br>**[23:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You can't turn back time that has passed*<br>**[23:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but on that day, you showed me*<br>**[23:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*that that's how it should be*<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*The miracle of you being<br>
&nbsp;&nbsp;&nbsp;&nbsp;there as the seasons roll around*<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*makes even the<br>
&nbsp;&nbsp;&nbsp;&nbsp;broken clock start up again*<br>**[23:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Right now, yeah, I may<br>
&nbsp;&nbsp;&nbsp;&nbsp;be a helpless piece of junk*<br>**[23:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*but it's funny how<br>
&nbsp;&nbsp;&nbsp;&nbsp;I feel like I can change that*<br>**[23:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*All because your voice is still here*<br>**[23:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*for me, even now*<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Preview"<br>**[23:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;GROUP and the non-espers clash.<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misuzu is caught in<br>&nbsp;&nbsp;&nbsp;&nbsp;the middle of the chaos.<br>**[24:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And Accelerator and I meet once again.<br>**[24:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Next time, "Skill Out."<br>**[24:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When science and<br>&nbsp;&nbsp;&nbsp;&nbsp;magic cross paths, the story begins.<br>

# 48 - Skill Out (Armed Gang)

Source: [Crunchyroll](https://www.crunchyroll.com/series/GRVNZK5PY/a-certain-magical-index)<br>
Translator:<br>
Editor:<br>
Timer:<br>
QC:<br>
(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[00:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wish you would go a<br>&nbsp;&nbsp;&nbsp;&nbsp;little easier on us, esper.<br>**[00:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Komaba Ritoku.<br>**[00:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It looks like I've<br>&nbsp;&nbsp;&nbsp;&nbsp;run into the target first.<br>**[00:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To think that you<br>&nbsp;&nbsp;&nbsp;&nbsp;would try to make off with funds<br>**[00:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that we had distributed, all at once.<br>**[00:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I find that to be somewhat childish.<br>**[00:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just making sure to hit<br>&nbsp;&nbsp;&nbsp;&nbsp;all of my targets for destruction.<br>**[00:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that it's your war<br>&nbsp;&nbsp;&nbsp;&nbsp;chest is none of my concern.<br>**[00:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Move Point, huh? That's a pesky power.<br>**[01:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do you think "pesky" is enough to cover it?<br>**[01:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah. Maybe you're right.<br>&nbsp;&nbsp;&nbsp;&nbsp;It's more despicable than just "pesky."<br>**[01:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll end this by driving<br>&nbsp;&nbsp;&nbsp;&nbsp;this right between your eyes!<br>**[01:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too slow!<br>**[01:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can knuckle down, myself.<br>**[01:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I *am* fighting a monster like you.<br>**[01:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Letting me have this<br>&nbsp;&nbsp;&nbsp;&nbsp;much of a handicap is fair, right?<br>**[01:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You can't hit me!<br>**[01:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You've got some moves.<br>**[01:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You must have some springy<br>&nbsp;&nbsp;&nbsp;&nbsp;hard taping under your clothes.<br>**[01:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's actually special<br>&nbsp;&nbsp;&nbsp;&nbsp;military sonic elastic taping.<br>**[01:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It took quite some doing to acquire it.<br>**[02:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't think you're going<br>&nbsp;&nbsp;&nbsp;&nbsp;to pay for using that defective stuff<br>**[02:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;on your own body like that?<br>**[02:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's how far I'm prepared to go.<br>**[02:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's hurry and finish this.<br>**[02:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I have a mountain of<br>&nbsp;&nbsp;&nbsp;&nbsp;things ahead of me to do, after all.<br>**[02:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too weak!<br>**[02:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It will take more than a<br>&nbsp;&nbsp;&nbsp;&nbsp;thin film like that to stop me!<br>**[02:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was a letdown.<br>**[02:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*I'm always running after you*<br>**[02:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[02:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are my ideal*<br>**[03:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*You are me*<br>**[03:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kore ijou tooku made<br>
&nbsp;&nbsp;&nbsp;&nbsp;tobenai tori ga ita*<br>**[03:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kizu mo nai rippa na<br>
&nbsp;&nbsp;&nbsp;&nbsp;hane de aozora wo najitta*<br>**[03:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo warukunai*<br>**[03:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ano sora wa takakunai*<br>**[03:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kono basho mo yoku wa nai*<br>**[03:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Karada de kanjiru sokudo wo osorete'ru*<br>**[03:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Dare ni demo chansu wa moteru*<br>**[03:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sono saki e yukenai*<br>**[03:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitatenai*<br>**[03:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hontou wa tobitachitai*<br>**[03:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima kanaetai negai<br>
&nbsp;&nbsp;&nbsp;&nbsp;no mukou de kagayaku*<br>**[03:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ga iru*<br>**[03:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitomi ni utsusu*<br>**[03:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*"Mirai ni tatte itsumo tsuyokute"*<br>**[04:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sonna kimi ga boku sa*<br>**[04:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi wa mada mabushii kedo*<br>**[04:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*onaji kimochi de kono te nobashite*<br>**[04:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*itsuka tsukamu genjitsu no boku ga*<br>**[04:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kimi ni naru yo*<br>**[04:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;#24 Skill Out (Armed Gang)<br>**[04:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[04:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...it sounds like she's<br>&nbsp;&nbsp;&nbsp;&nbsp;met her quota, too. I'll tell you,<br>**[04:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;working overtime by yourself is--<br>**[04:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, why don't you take it off?<br>**[04:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[04:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator, huh?<br>**[04:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're Komaba Ritoku, right?<br>&nbsp;&nbsp;&nbsp;&nbsp;Let me ask you why you're doing this.<br>**[04:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason Skill Out pounds<br>&nbsp;&nbsp;&nbsp;&nbsp;on espers is... not an interesting tale.<br>**[04:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! So not only are<br>&nbsp;&nbsp;&nbsp;&nbsp;you throwing the city into chaos,<br>**[04:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're doing it<br>&nbsp;&nbsp;&nbsp;&nbsp;indiscriminately, too?<br>**[04:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Not indiscriminately.<br>&nbsp;&nbsp;&nbsp;&nbsp;We pick our targets, at least.<br>**[04:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You seem pretty sure of yourself.<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you aware of your situation?<br>**[05:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I killed her.<br>**[05:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're different<br>&nbsp;&nbsp;&nbsp;&nbsp;from the stories I've heard.<br>**[05:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Outcasts like you typically<br>&nbsp;&nbsp;&nbsp;&nbsp;don't hesitate at this point.<br>**[05:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is that right?<br>**[05:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You know what? Scumbags<br>&nbsp;&nbsp;&nbsp;&nbsp;that stand in front of me<br>**[05:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;typically get turned into mincemeat.<br>**[05:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That electrode of yours is a transmitter<br>**[05:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;for some kind of<br>&nbsp;&nbsp;&nbsp;&nbsp;electrical information, right?<br>**[05:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's this?<br>**[05:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Chaff Seed.<br>&nbsp;&nbsp;&nbsp;&nbsp;A sort of EM disruption device.<br>**[05:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[05:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll blow a crimson hole through you!<br>**[06:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Checkmate.<br>**[06:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll give you a final choice.<br>**[06:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Where do you want<br>&nbsp;&nbsp;&nbsp;&nbsp;me to shoot you to kill you?<br>**[06:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this how you plan on making<br>&nbsp;&nbsp;&nbsp;&nbsp;innocent people miserable in turn?<br>**[06:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw that, you dirty bastard!<br>**[06:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How... come...<br>**[06:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How come your Reflection...<br>**[06:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...has returned...?<br>**[06:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are you, an idiot?<br>**[06:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The way chaff works is by having<br>&nbsp;&nbsp;&nbsp;&nbsp;metal foil scattered through the air<br>**[06:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;creating EM interference.<br>&nbsp;&nbsp;&nbsp;&nbsp;Which makes it simple.<br>**[06:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You just have to get<br>&nbsp;&nbsp;&nbsp;&nbsp;the floating foil out of the way.<br>**[06:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Like, say, by venting it.<br>**[07:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now then...<br>**[07:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...why don't you show me the guts<br>&nbsp;&nbsp;&nbsp;&nbsp;it takes for a Level 0 to challenge<br>**[07:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;a Level 5 to a fight once again?<br>**[07:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're too slow!<br>**[07:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Checkmate," all right.<br>**[07:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The fact that you're a<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 0 doesn't make you evil.<br>**[07:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The whole reason<br>&nbsp;&nbsp;&nbsp;&nbsp;they're all treated like nuisances<br>**[07:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is because of you guys in<br>&nbsp;&nbsp;&nbsp;&nbsp;Skill Out gallivanting around.<br>**[07:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Securing rights?<br>&nbsp;&nbsp;&nbsp;&nbsp;Guaranteeing safety? Ridiculous.<br>**[07:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Haven't you realized<br>**[07:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;that these actions are putting<br>&nbsp;&nbsp;&nbsp;&nbsp;a noose around your necks?<br>**[07:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You want to talk hypothetically?<br>**[07:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The personality issues of a<br>&nbsp;&nbsp;&nbsp;&nbsp;person aren't taken into consideration<br>**[07:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;when it comes to the<br>&nbsp;&nbsp;&nbsp;&nbsp;merits of being an esper.<br>**[07:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That includes some really<br>&nbsp;&nbsp;&nbsp;&nbsp;ugly examples of humanity<br>**[07:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who wield tremendous power.<br>**[08:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If a game where such guys<br>&nbsp;&nbsp;&nbsp;&nbsp;competed to attack Level 0s<br>**[08:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who weren't in an organized<br>&nbsp;&nbsp;&nbsp;&nbsp;Skill Out group became popular,<br>**[08:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;what would you do?<br>**[08:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmph, I knew the consequences<br>&nbsp;&nbsp;&nbsp;&nbsp;would be coming for me in time...<br>**[08:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard...<br>**[08:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently,<br>**[08:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you and I are currently in<br>&nbsp;&nbsp;&nbsp;&nbsp;the same set of circumstances.<br>**[08:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's a gift. Burn this<br>&nbsp;&nbsp;&nbsp;&nbsp;pathetic sight into your mind.<br>**[08:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good work.<br>**[08:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will see to carrying away the<br>&nbsp;&nbsp;&nbsp;&nbsp;body, and destroying the evidence.<br>**[08:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I will send the garbage truck,<br>&nbsp;&nbsp;&nbsp;&nbsp;so please hop into it.<br>**[08:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nah.<br>**[08:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll come back on my own.<br>**[09:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It makes no difference to me, but please<br>&nbsp;&nbsp;&nbsp;&nbsp;avoid seeing anyone you know.<br>**[09:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's important that we remain--<br>**[09:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know you're alive, Musujime Awaki.<br>**[09:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I started watching halfway through.<br>**[09:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;When did you notice me?<br>**[09:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, it was all too obvious.<br>&nbsp;&nbsp;&nbsp;&nbsp;A sorry stunt like that?<br>**[09:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Heh, are you sure<br>&nbsp;&nbsp;&nbsp;&nbsp;you want to talk like that<br>**[09:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to the person who saved your life?<br>**[09:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The person who saved my life, huh?<br>&nbsp;&nbsp;&nbsp;&nbsp;Just go on telling yourself that.<br>**[09:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, are you headed somewhere?<br>**[09:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nowhere important.<br>&nbsp;&nbsp;&nbsp;&nbsp;Just some overtime.<br>**[09:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[09:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unpaid overtime.<br>**[09:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"A Certain Magical Index II"<br>**[09:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aww... that overtime<br>&nbsp;&nbsp;&nbsp;&nbsp;has kept me pretty late, huh?<br>**[09:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I think I'll stop at a<br>&nbsp;&nbsp;&nbsp;&nbsp;convenience store for some coffee.<br>**[09:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I-I feel awful...<br>**[10:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hmm? That face...<br>**[10:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seems like I've seen<br>&nbsp;&nbsp;&nbsp;&nbsp;it before somewhere.<br>**[10:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's her story?<br>**[10:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi there!<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm Ms. Misaka Misuzu... ugh...<br>**[10:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Hey, you...<br>**[10:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My hobbies are studying number theory,<br>**[10:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;my special talent is swimming,<br>&nbsp;&nbsp;&nbsp;&nbsp;and my bust measurement is 91 cm!<br>**[10:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, whoops. I'm married.<br>**[10:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come on, don't paw at me,<br>&nbsp;&nbsp;&nbsp;&nbsp;'cause Papa won't like it.<br>**[10:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Where is Dangai University's<br>&nbsp;&nbsp;&nbsp;&nbsp;Database Center again?<br>**[10:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, white-hair, do you know?<br>**[10:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, don't ignore me, white-hair!<br>**[10:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You see... that's where<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misuzu has to go study now.<br>**[11:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How should I know, idiot?!<br>&nbsp;&nbsp;&nbsp;&nbsp;Try flagging down a taxi or something!<br>**[11:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I kiss those younger than me,<br>&nbsp;&nbsp;&nbsp;&nbsp;whether they're boys or girls!<br>**[11:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you stop saying<br>&nbsp;&nbsp;&nbsp;&nbsp;all this meaningless nonsense!<br>**[11:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to say, I think even<br>&nbsp;&nbsp;&nbsp;&nbsp;croquettes count as a stew pot dish.<br>**[11:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you take breaded patties<br>**[11:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and stick them in the oil in front of you.<br>**[11:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You may be right about<br>&nbsp;&nbsp;&nbsp;&nbsp;them tasting best freshly cooked.<br>**[11:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;when you cook in front of me, Toma,<br>**[11:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We can't go until I close the door.<br>**[11:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[11:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and I eat all of it, it tastes<br>&nbsp;&nbsp;&nbsp;&nbsp;better than anything, doesn't it?<br>**[11:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, I know you!<br>**[11:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;M-Ms. Misaka?<br>**[11:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misuzu doesn't need anything else.<br>**[11:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh-oh, I haven't stretched out,<br>&nbsp;&nbsp;&nbsp;&nbsp;or put on my lotion.<br>**[11:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, if I stop making an effort,<br>&nbsp;&nbsp;&nbsp;&nbsp;my skin shows it in no time.<br>**[11:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ugh, I'm gonna puke...<br>**[11:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;U-Um... Huh?<br>**[11:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right! Scored me a younger boy!<br>**[12:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you're wandering around at<br>&nbsp;&nbsp;&nbsp;&nbsp;this hour, what's become of Mikoto?<br>**[12:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;H-Help me, Index!<br>**[12:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Come to think of it, who's that girl again?<br>**[12:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha! I'm not going to give<br>&nbsp;&nbsp;&nbsp;&nbsp;my name to someone like you.<br>**[12:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you little...<br>**[12:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wah! It's Index! I'm Index!<br>**[12:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me, where is Dangai<br>&nbsp;&nbsp;&nbsp;&nbsp;University's Database Center?<br>**[12:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[12:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Word is that the material<br>&nbsp;&nbsp;&nbsp;&nbsp;I need to write my college report<br>**[12:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;is only located in Academy City,<br>**[12:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so I had no choice but<br>&nbsp;&nbsp;&nbsp;&nbsp;to come all the way here.<br>**[12:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah, I see.<br>**[12:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, I've got an idea! Let's swap<br>&nbsp;&nbsp;&nbsp;&nbsp;phone numbers and email addresses!<br>**[12:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Too soon!<br>**[12:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll record your number<br>&nbsp;&nbsp;&nbsp;&nbsp;under my "friends" category!<br>**[12:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka? Just a coincidence? No,<br>**[12:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;could she have something to do with the kid?<br>**[13:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Contact 3"<br>**[13:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Accelerator? Did you need something?<br>**[13:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, they've tapped in, huh?<br>**[13:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're a tacky bastard.<br>&nbsp;&nbsp;&nbsp;&nbsp;Is this GROUP's superior?<br>**[13:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tell me what your question is.<br>**[13:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's nothing.<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll do what I have to do myself.<br>**[13:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What you have to do?<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know what to say.<br>**[13:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do have a matter I wanted<br>&nbsp;&nbsp;&nbsp;&nbsp;to discuss with you, though.<br>**[13:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[13:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This works out perfectly.<br>&nbsp;&nbsp;&nbsp;&nbsp;It just barely started.<br>**[13:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[13:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That woman, Ms. Misaka Misuzu,<br>**[13:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;submitted a request to use the<br>&nbsp;&nbsp;&nbsp;&nbsp;Dangai University Database Center,<br>**[13:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;so that's where the attack was made.<br>**[13:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Attack?<br>**[13:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes.<br>**[13:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;And who is this Misaka woman?<br>**[13:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misaka Misuzu is<br>&nbsp;&nbsp;&nbsp;&nbsp;the mother of Misaka Mikoto.<br>**[13:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you familiar with<br>&nbsp;&nbsp;&nbsp;&nbsp;the term "retrieval campaign"?<br>**[13:57] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's where parents<br>&nbsp;&nbsp;&nbsp;&nbsp;are taking back their kids,<br>**[13:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and moving them to another<br>&nbsp;&nbsp;&nbsp;&nbsp;area before the war starts.<br>**[14:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If too many students leave Academy City,<br>**[14:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;it will create all sorts of problems.<br>**[14:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misuzu is now in something<br>**[14:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;of a representative position<br>&nbsp;&nbsp;&nbsp;&nbsp;among the parents.<br>**[14:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, it was decided to remove her.<br>**[14:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Will you take part in this, Accelerator?<br>**[14:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you say?<br>**[14:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skill Out has been<br>&nbsp;&nbsp;&nbsp;&nbsp;requested to carry this out,<br>**[14:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but they lack finesse.<br>**[14:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I could ask for your assistance...<br>**[14:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm afraid not.<br>**[14:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;My life belongs to me.<br>**[14:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got nothing to<br>&nbsp;&nbsp;&nbsp;&nbsp;do with your ulterior motives.<br>**[14:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I see. In that case,<br>&nbsp;&nbsp;&nbsp;&nbsp;please hurry home.<br>**[14:39] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;We will keep your<br>&nbsp;&nbsp;&nbsp;&nbsp;ability secure until you do.<br>**[14:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wha--? Did you tamper with my electrode?<br>**[14:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well then, I must be going.<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night, Accelerator.<br>**[14:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Misaka Misuzu, was it?<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure my superior will grind his teeth<br>**[14:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;if I end up saving her, huh?<br>**[15:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard!<br>**[15:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tch, now's not the time.<br>**[15:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well now, time to go save her in the goriest,<br>**[15:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;most far-from-saving way that I can.<br>**[15:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, who was it<br>&nbsp;&nbsp;&nbsp;&nbsp;that forgot the security key?!<br>**[15:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whatever, we're out of time!<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's just find the woman.<br>**[15:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's going on here?<br>**[15:37] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I know I dialed Antiskill.<br>**[15:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mikoto"<br>**[15:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're probably Skill Out.<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Skill Out?<br>**[15:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're like a gang,<br>&nbsp;&nbsp;&nbsp;&nbsp;made up of armed Level 0s.<br>**[15:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would they be after me?<br>**[15:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That I don't know.<br>**[15:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misaka,<br>&nbsp;&nbsp;&nbsp;&nbsp;have you called your daughter?<br>**[16:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[16:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;She's one of only seven Level 5s<br>&nbsp;&nbsp;&nbsp;&nbsp;in Academy City. If she's still--<br>**[16:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hold on!<br>**[16:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep Mikoto out of this!<br>&nbsp;&nbsp;&nbsp;&nbsp;If I drag her into my problems,<br>**[16:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll never be able to face her again.<br>**[16:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right.<br>**[16:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In that case, I'm coming.<br>**[16:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Eh? I couldn't ask you to do that--<br>**[16:25] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hasn't anyone found the woman yet?<br>**[16:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I asked if you've<br>&nbsp;&nbsp;&nbsp;&nbsp;found the woman yet, damn it!<br>**[16:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn, Komaba, you bastard,<br>&nbsp;&nbsp;&nbsp;&nbsp;dying and getting off easy.<br>**[16:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those of us<br>&nbsp;&nbsp;&nbsp;&nbsp;left behind supposed to do?<br>**[16:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is Hamazura. Target located.<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll take care of her. You guys--<br>**[16:49] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[16:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Antiskill?<br>**[16:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hi, you scumbags!<br>**[16:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I've got some day-tripper<br>&nbsp;&nbsp;&nbsp;&nbsp;presents to heaven for you guys.<br>**[16:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's such a great place, you may<br>&nbsp;&nbsp;&nbsp;&nbsp;not feel like coming back, though.<br>**[17:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Five of them. And they all have guns.<br>**[17:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is bulletproof, right?<br>**[17:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?<br>**[17:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is she, stupid?!<br>**[17:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn... If I can just dash<br>&nbsp;&nbsp;&nbsp;&nbsp;over to the bag with the gun in it<br>**[17:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;before those guys have a chance to regroup...<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[17:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're kidding, right?!<br>**[17:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Crazy dumbass!<br>**[17:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why, you...!<br>**[18:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You bastard!<br>**[18:03] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misaka, we're getting out of here!<br>**[18:04] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ms. Misaka!<br>**[18:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hurry!<br>**[18:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it!<br>**[18:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Interesting. You've got some nerve,<br>**[18:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;still carrying out your job, don't you?<br>**[18:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This way!<br>**[18:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Back door, huh? Whatever,<br>&nbsp;&nbsp;&nbsp;&nbsp;let's go someplace with a lot of people!<br>**[18:27] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[18:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why would you pick now to come here?<br>**[18:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was the job itself a sham,<br>&nbsp;&nbsp;&nbsp;&nbsp;and we got set up?<br>**[18:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did you say job?<br>**[18:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That bastard Komaba got killed,<br>**[18:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and the only way to avoid their<br>&nbsp;&nbsp;&nbsp;&nbsp;back-alley suppression operation<br>**[18:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;was to ingratiate ourselves to them.<br>**[18:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it, they were planning<br>&nbsp;&nbsp;&nbsp;&nbsp;to abandon us from the start!<br>**[18:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm just here because she called me.<br>**[18:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You mean, it's like *that*?<br>**[18:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The life of Hamazura Shiage is hereby over,<br>**[18:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't pass it off as being<br>&nbsp;&nbsp;&nbsp;&nbsp;caught up in some grand conspiracy,<br>**[19:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;or fallen victim to some miracle strategist?!<br>**[19:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't take it! I won't<br>&nbsp;&nbsp;&nbsp;&nbsp;rest unless I get beaten to death!<br>**[19:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep back!<br>**[19:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aw, but that means, if you<br>&nbsp;&nbsp;&nbsp;&nbsp;don't have anything to do with them,<br>**[19:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;then the job is still valid.<br>&nbsp;&nbsp;&nbsp;&nbsp;If I bring the target's body in...<br>**[19:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Go ahead and say that again, you...!<br>**[19:42] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Screw you. What the hell<br>&nbsp;&nbsp;&nbsp;&nbsp;do you take a person's life to be?!<br>**[19:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What choice do I have?!<br>**[19:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If we Level 0s don't do<br>&nbsp;&nbsp;&nbsp;&nbsp;this, we can't survive!<br>**[19:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't group me in with you.<br>**[19:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>**[19:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't lump all of us Level 0s<br>&nbsp;&nbsp;&nbsp;&nbsp;in with bastards like you!<br>**[19:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right. You never<br>&nbsp;&nbsp;&nbsp;&nbsp;once used any ability.<br>**[20:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Academy City is full<br>&nbsp;&nbsp;&nbsp;&nbsp;of people who are Level 0.<br>**[20:06] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;They go to school normally,<br>&nbsp;&nbsp;&nbsp;&nbsp;make friends normally,<br>**[20:11] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;and live their lives normally.<br>**[20:13] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the one who's making<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 0s look most like fools, you know!<br>**[20:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the same as me.<br>**[20:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;No I'm not. Sure, I might be a Level 0,<br>**[20:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I have no intention<br>&nbsp;&nbsp;&nbsp;&nbsp;of turning so negative<br>**[20:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as to take joy in<br>&nbsp;&nbsp;&nbsp;&nbsp;dragging other people down.<br>**[20:28] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Negative?<br>&nbsp;&nbsp;&nbsp;&nbsp;You're calling us negative?<br>**[20:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Compared to those who have power,<br>&nbsp;&nbsp;&nbsp;&nbsp;but won't give anything to us,<br>**[20:35] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;those of us in Skill Out<br>&nbsp;&nbsp;&nbsp;&nbsp;are a hundred times better!<br>**[20:38] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, have *you* extended a<br>
&nbsp;&nbsp;&nbsp;&nbsp;hand to anyone asking for help?<br>**[20:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you had used as much energy<br>&nbsp;&nbsp;&nbsp;&nbsp;extending a hand to those in need<br>**[20:47] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;as you have fighting against espers,<br>**[20:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you would have been accepted by<br>&nbsp;&nbsp;&nbsp;&nbsp;the people of Academy City!<br>**[20:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shut up! Our Level 0<br>&nbsp;&nbsp;&nbsp;&nbsp;leader, Komaba Ritoku,<br>**[20:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;lived that way, and he got killed!<br>**[21:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He stuck out like a sore<br>&nbsp;&nbsp;&nbsp;&nbsp;thumb trying to protect the weak!<br>**[21:05] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But he must have<br>&nbsp;&nbsp;&nbsp;&nbsp;had something that you don't!<br>**[21:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's why he stayed<br>&nbsp;&nbsp;&nbsp;&nbsp;and fought until the end, didn't he?<br>**[21:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;To protect his friends,<br>&nbsp;&nbsp;&nbsp;&nbsp;and not call them the weak!<br>**[21:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Get real! You're just a<br>&nbsp;&nbsp;&nbsp;&nbsp;Level 0. You don't have any power!<br>**[21:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't you look down on us!<br>**[21:24] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The reason you've been looked<br>&nbsp;&nbsp;&nbsp;&nbsp;down on has nothing to do with power.<br>**[21:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Figure out what to do about<br>&nbsp;&nbsp;&nbsp;&nbsp;that good-for-nothing illusion yourself,<br>**[21:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;you filthy bastard!<br>**[21:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;The truth of the matter is,<br>**[21:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I came to take Mikoto back with me.<br>**[21:52] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;But I can rest easy now.<br>&nbsp;&nbsp;&nbsp;&nbsp;As long as there are boys like you guys<br>**[21:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;who are watching out for Mikoto,<br>&nbsp;&nbsp;&nbsp;&nbsp;then there's no problem at all.<br>**[21:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"You... guys"?<br>**[22:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Did our superior order you<br>&nbsp;&nbsp;&nbsp;&nbsp;to come here and punish me?<br>**[22:12] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't be silly.<br>**[22:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As far as Misaka Misuzu goes,<br>&nbsp;&nbsp;&nbsp;&nbsp;she appears to have lost her desire<br>**[22:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to remove her<br>&nbsp;&nbsp;&nbsp;&nbsp;daughter from Academy City.<br>**[22:21] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;As such, her killing has been canceled.<br>**[22:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does our superior accept<br>&nbsp;&nbsp;&nbsp;&nbsp;such wishy-washy conclusions?<br>**[22:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He probably will. Mainly because<br>&nbsp;&nbsp;&nbsp;&nbsp;dumb Unabara here worked so hard.<br>**[22:30] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, it just seems that the young<br>&nbsp;&nbsp;&nbsp;&nbsp;man has kept his promise to me<br>**[22:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;to protect the one I care for,<br>&nbsp;&nbsp;&nbsp;&nbsp;and the world around her.<br>**[22:41] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I thought that I should<br>&nbsp;&nbsp;&nbsp;&nbsp;try a little harder, too.<br>**[22:44] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I just got a little too uptight about it.<br>**[22:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He keeps maintaining that tone,<br>&nbsp;&nbsp;&nbsp;&nbsp;and avoids any specific answers.<br>**[22:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He probably made use<br>&nbsp;&nbsp;&nbsp;&nbsp;of some particularly ugly tricks.<br>**[22:55] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;In any case, good work on your<br>&nbsp;&nbsp;&nbsp;&nbsp;first assignment, overtime and all.<br>**[23:00] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Damn it all.<br>**[23:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you only follow the rules,<br>&nbsp;&nbsp;&nbsp;&nbsp;you'll never outwit them.<br>**[23:07] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;That means you<br>&nbsp;&nbsp;&nbsp;&nbsp;can't use normal methods.<br>**[23:10] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Apparently, you're considered<br>&nbsp;&nbsp;&nbsp;&nbsp;a fairly precious commodity upstairs.<br>**[23:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's partner up, Accelerator.<br>**[23:17] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sounds interesting.<br>&nbsp;&nbsp;&nbsp;&nbsp;But if you guys slow me down,<br>**[23:20] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll write you off<br>&nbsp;&nbsp;&nbsp;&nbsp;without a second thought.<br>**[23:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ha, you're a feisty kid. Come on.<br>**[23:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's about time we struck<br>&nbsp;&nbsp;&nbsp;&nbsp;back at the guys upstairs.<br>**[23:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;How fun. Having an objective really is fun.<br>**[23:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What is this?<br>**[23:45] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;After I take the trouble to send a text...<br>**[23:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...why don't I get an answer?<br>**[23:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Work though we might, the mountain<br>&nbsp;&nbsp;&nbsp;&nbsp;of paperwork never goes away.<br>**[23:53] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Hitori de ii to tsubuyaita*<br>**[23:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;What else can we do? Everyone<br>&nbsp;&nbsp;&nbsp;&nbsp;else was knocked out.<br>**[23:56] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*to aru sekai no chuushin de*<br>**[23:58] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please brace yourself for another<br>&nbsp;&nbsp;&nbsp;&nbsp;three days of this, easy.<br>**[23:59] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Tokei no hari wo orimagete*<br>**[24:02] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*hitomi tojite'ta*<br>**[24:09] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Sugisatta toki wa modosenai kedo*<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah?<br>**[24:15] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*ano hi oshiete kureta yo ne*<br>**[24:16] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;A booth bunny at a<br>&nbsp;&nbsp;&nbsp;&nbsp;counteroffensive weapons show?<br>**[24:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*sore de ii n' da to*<br>**[24:19] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but they're just doing<br>&nbsp;&nbsp;&nbsp;&nbsp;powered suits demonstrations.<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Megurimeguru kisetsu ni kimi ga ita kiseki*<br>**[24:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;So what you're saying is, you're<br>&nbsp;&nbsp;&nbsp;&nbsp;dressing up as a mascot.<br>**[24:26] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Th-That might be overstating things.<br>**[24:29] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*kowarete'ta tokei sae ugokidasu kara*<br>**[24:32] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;This pudding tastes amazing,<br>**[24:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;considering it's from a convenience store.<br>**[24:34] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Ima wa sou muryoku na garakuta da kedo*<br>**[24:36] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you eat sweets at night, you'll get fat.<br>**[24:40] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*fushigi da ne kaerareru sonna ki ga suru*<br>**[24:43] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Where did he go?" Misaka Misaka asks.<br>**[24:46] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Kimi no koe ga ima mo mada*<br>**[24:48] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;He will be back, very soon.<br>**[24:50] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;*koko ni aru kara*<br>**[24:51] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Mm-hmm. Misaka can't wait to see him,"<br>**[24:54] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;says Misaka Misaka, nodding.<br>**[25:01] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good night.<br>**[25:08] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ah! Toma!<br>**[25:14] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Geez! How can you go out again<br>&nbsp;&nbsp;&nbsp;&nbsp;by yourself, and get badly hurt?<br>**[25:18] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Toma, your behavior<br>&nbsp;&nbsp;&nbsp;&nbsp;makes as little sense as ever!<br>**[25:22] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, yeah, well...<br>**[25:23] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;I was actually kind of lucky this time.<br>**[25:31] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then again...<br>**[25:33] ---**<br>&nbsp;&nbsp;&nbsp;&nbsp;...sure enough, this is just my luck!<br>