# 10 - When You Choose to Look at Contemporary Art for a Date... Part 1  | When You Choose to Look at Contemporary Art for a Date... Part 2

Source: [Crunchyroll](https://www.crunchyroll.com/series/GYNQZV50Y/a-centaurs-life)<br>
Translator:<br>
Editor:<br>
Timer:<br>
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(Please feel free to edit the speaker names if incomplete or inaccurate. Names are handled on a best-effort basis depending on the info on the source file. Dialogue is left as is.)<br>
**[01:41] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry! Did you wait long?<br>**[01:45] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, looks like the perfect disguise.<br>**[01:49] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;For some reason, you still just<br>&nbsp;&nbsp;&nbsp;&nbsp;look like Hime to me, though.<br>**[01:52] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's her body and height.<br>**[01:55] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, anyway...<br>**[02:07] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just about time.<br>**[02:10] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shall we?<br>**[02:11] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;But we still have fifteen minutes.<br>**[02:13] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nakafumi always arrives<br>&nbsp;&nbsp;&nbsp;&nbsp;fifteen minutes early.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Check
<br>**[02:19] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, you're paying for us, Kyoko?<br>**[02:21] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;As if.<br>**[02:22] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Keep watching outside.<br>**[02:27] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nakafumi really did come<br>&nbsp;&nbsp;&nbsp;&nbsp;fifteen minutes early.<br>**[02:33] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;All right. Let's move.<br>**[02:35] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Should we really be doing this?<br>**[02:37] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;We don't want any mistakes to happen.<br>**[02:39] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Mistakes?<br>**[02:41] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, you know...<br>**[02:43] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stuff like illicit sexual relations.<br>**[02:46] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh?!<br>**[02:49] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;They wouldn't!<br>**[02:50] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Shh!<br>**[02:52] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Let's go.<br>**[03:13] SP1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Target is on the move.<br>**[03:16] SP1**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unidentified pursuers confirmed.<br>**[03:20] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;Unidentified<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;Unidentified<br>&nbsp;&nbsp;&nbsp;&nbsp;<br>&nbsp;&nbsp;&nbsp;&nbsp;Unidentified<br>**[03:26] SP2**<br>&nbsp;&nbsp;&nbsp;&nbsp;We should search within<br>&nbsp;&nbsp;&nbsp;&nbsp;terrorist organizations...<br>**[03:28] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No need. They're the target's classmates.<br>**[03:32] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just a childish prank. Ignore it.<br>**[03:35] SP3**<br>&nbsp;&nbsp;&nbsp;&nbsp;Public Security, military police,<br>&nbsp;&nbsp;&nbsp;&nbsp;the Cabinet Research Office,<br>**[03:40] SP3**<br>&nbsp;&nbsp;&nbsp;&nbsp;CIA, and FSB are also tailing her.<br>**[03:43] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So, the usual crowd.<br>**[03:46] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't act unless something drastic happens.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Contemporary Art
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Contemporary Art Exhibit
<br>**[04:13] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Do humans find this sort<br>&nbsp;&nbsp;&nbsp;&nbsp;of thing pleasant to observe?<br>**[04:19] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's contemporary art,<br>&nbsp;&nbsp;&nbsp;&nbsp;so it's not that sort of thing... I think.<br>**[04:24] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know anything about it myself,<br>**[04:27] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;but if I could explain it...<br>**[04:30] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Making things that are pretty,<br>&nbsp;&nbsp;&nbsp;&nbsp;whether it's a painting or sculpture, is art.<br>**[04:35] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A long time ago, only so many<br>&nbsp;&nbsp;&nbsp;&nbsp;people could make or own art.<br>**[04:40] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They couldn't just buy a tube of paint<br>&nbsp;&nbsp;&nbsp;&nbsp;from the local stationery shop.<br>**[04:47] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the modern age,<br>**[04:49] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;we started seeing photography,<br>&nbsp;&nbsp;&nbsp;&nbsp;which could capture images<br>**[04:51] Naakfumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;more elaborately and accurately<br>&nbsp;&nbsp;&nbsp;&nbsp;than any painting.<br>**[04:54] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then industrial technology emerged,<br>&nbsp;&nbsp;&nbsp;&nbsp;which could mass-produce<br>**[04:57] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;highly-detailed and precise<br>&nbsp;&nbsp;&nbsp;&nbsp;models inexpensively.<br>**[05:02] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;When the sort of beauty people<br>&nbsp;&nbsp;&nbsp;&nbsp; previously knew became commonplace,<br>**[05:05] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;demand emerged for a different sort of beauty.<br>**[05:09] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it only meant things anyone<br>&nbsp;&nbsp;&nbsp;&nbsp;would find pleasant to look at.<br>**[05:12] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;With the *Interstellar Wars* movies,<br>
&nbsp;&nbsp;&nbsp;&nbsp; for example,<br>**[05:15] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;paying ten times the money won't give<br>&nbsp;&nbsp;&nbsp;&nbsp;you ten times the entertainment.<br>**[05:20] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;So people started painting things<br>&nbsp;&nbsp;&nbsp;&nbsp;in subjective ways that photos couldn't capture<br>**[05:25] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;and implementing aspects of African art,<br>&nbsp;&nbsp;&nbsp;&nbsp;which was seen as barbaric at the time.<br>**[05:30] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Artists began to tamper with<br>&nbsp;&nbsp;&nbsp;&nbsp;the standards of beauty itself,<br>**[05:33] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;some making abstract paintings<br>&nbsp;&nbsp;&nbsp;&nbsp;that depicted nothing at all.<br>**[05:37] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;At that point, people still found<br>&nbsp;&nbsp;&nbsp;&nbsp;them pleasant to look at...<br>**[05:41] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;But then, even that<br>**[05:43] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;was lost as people started putting ordinary<br>&nbsp;&nbsp;&nbsp;&nbsp;industrial goods on display as art.<br>**[05:49] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, it's just a game to see how much<br>**[05:52] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;people can change the meaning<br>&nbsp;&nbsp;&nbsp;&nbsp;of the concept of art in context.<br>**[05:56] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's what I've managed to piece<br>&nbsp;&nbsp;&nbsp;&nbsp;together on the subject, anyway.<br>**[06:00] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What, specifically, is that context?<br>**[06:04] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm not sure...<br>**[06:07] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course no one will tell you that.<br>**[06:10] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyone who knew the answer to that<br>&nbsp;&nbsp;&nbsp;&nbsp;could make a fortune as an artist.<br>**[06:14] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's their livelihood.<br>**[06:16] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Does something like that really even exist?<br>**[06:19] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;No idea.<br>**[06:20] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;But it puts a price on reality<br>&nbsp;&nbsp;&nbsp;&nbsp;and moves huge amounts of money,<br>**[06:24] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;so there must be rules.<br>**[06:25] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Look, they're moving.<br>**[06:38] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;A date at an art museum?<br>**[06:40] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I guess that doesn't surprise me.<br>**[06:46] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;I wonder if Suu-chan<br>&nbsp;&nbsp;&nbsp;&nbsp;is actually enjoying this.<br>**[06:50] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would arts and crafts even<br>&nbsp;&nbsp;&nbsp;&nbsp;exist where she comes from?<br>**[06:54] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;What's art like in Antarctica?<br>**[06:59] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;There are drawings and symbols<br>&nbsp;&nbsp;&nbsp;&nbsp;used as design plans, but...<br>**[07:03] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I suppose, in terms of what<br>&nbsp;&nbsp;&nbsp;&nbsp;humans consider "art,"<br>**[07:06] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;we have logic and numerical formulas.<br>**[07:09] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're said to be beautiful<br>&nbsp;&nbsp;&nbsp;&nbsp;in their brevity.<br>**[07:13] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Would you have preferred<br>&nbsp;&nbsp;&nbsp;&nbsp;to go to a traditional museum?<br>**[07:17] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, no. I'd have no trouble<br>&nbsp;&nbsp;&nbsp;&nbsp;understanding those alone.<br>**[07:20] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But in the case of art,<br>&nbsp;&nbsp;&nbsp;&nbsp;I need someone to look at it with me.<br>**[07:25] Nakafumi**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think I'm the best choice<br>&nbsp;&nbsp;&nbsp;&nbsp;to explain this stuff to you, but...<br>**[07:29] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's just as fascinating to hear<br>**[07:31] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;what it means to someone who doesn't<br>&nbsp;&nbsp;&nbsp;&nbsp;specialize in the subject.<br>**[07:51] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops, sorry— Oh...<br>**[07:55] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess?<br>**[07:57] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;You recognized me, huh?<br>**[07:58] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[08:08] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you on a date?<br>**[08:10] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Do you know what that is?<br>**[08:16] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;No idea.<br>**[08:18] Nomomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hime, they're moving!<br>**[08:21] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, bye.<br>**[08:26] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry about that.<br>**[08:28] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that the class president and Omaki?<br>**[08:30] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[08:31] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they on a date, too?<br>**[08:34] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seemed like it.<br>**[08:36] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're focusing on this date right now!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Contemporary Art <br>
&nbsp;&nbsp;&nbsp;&nbsp;Museum
<br>**[09:05] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're not heading for the station.<br>**[09:07] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[09:08] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;That direction leads to...<br>**[09:12] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;The sun's going down.<br>&nbsp;&nbsp;&nbsp;&nbsp;There's still more to this date?<br>**[09:16] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't get too caught up<br>&nbsp;&nbsp;&nbsp;&nbsp;in the nightlife, now.<br>**[09:27] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Seriously?<br>**[09:29] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;So they *were* headed here.<br>**[09:32] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, come on...<br>**[09:34] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;What should we do?<br>**[09:35] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Is there anything we *can* do?<br>**[09:38] SP2**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do we do?<br>**[09:39] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Send one of our guys in suits<br>&nbsp;&nbsp;&nbsp;&nbsp;to the hotel's front desk.<br>**[09:42] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Show them a dummy police<br>&nbsp;&nbsp;&nbsp;&nbsp;badge and kick them out<br>**[09:44] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;on the grounds of the<br>&nbsp;&nbsp;&nbsp;&nbsp;Juvenile Protection Ordinance.<br>**[09:46] SP3**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even if we do that,<br>**[09:47] SP3**<br>&nbsp;&nbsp;&nbsp;&nbsp;what do we do afterwards?<br>**[09:49] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll play it by ear.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Short Rest    Overnight Stay
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;2 Hours
<br>**[10:00] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoa, whoa!<br>**[10:02] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Um...<br>**[10:04] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[10:07] Shigetoki**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Don't do it!*<br>**[10:12] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Please!<br>**[10:18] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Darn.<br>**[10:22] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Uh, I mean...<br>**[10:28] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;Used Books             Nakoto Bookstore<br>**[10:32] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;A used bookstore?<br>**[10:33] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Talk about a sophisticated hobby.<br>**[10:36] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[10:55] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;How was your date yesterday?<br>**[10:59] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;He showed me some very interesting things.<br>**[11:02] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wow, really?<br>**[11:04] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We went to an art museum<br>&nbsp;&nbsp;&nbsp;&nbsp;and saw some contemporary art,<br>**[11:08] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;which I didn't understand...<br>**[11:10] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But not understanding felt new to me.<br>**[11:14] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you think, Himeno-san?<br>**[11:17] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah...<br>**[11:19] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;That stuff is hard, isn't it?<br>**[11:21] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't really get it, either.<br>**[11:23] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[11:27] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew, huh?<br>**[11:29] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could see you, Himeno-san.<br>**[11:30] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Thanks for yesterday.<br>**[11:32] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tag along anytime.<br>**[11:32] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez... So it really was Hime's fault.<br>**[11:33] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... Sure. Same here...<br>**[11:34] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[11:37] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;But really, thanks for everything.<br>**[11:39] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No big deal.<br>**[11:41] Kyoko**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, nothing.<br>**[11:41] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What?<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;When You Choose to Look  at Contemporary Art for a Date...  Part 1
<br>**[11:48] Chinami**<br>&nbsp;&nbsp;&nbsp;&nbsp;What? You're going out?<br>**[11:51] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yes. Watch the house, okay?<br>**[11:53] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Of course, Dad's home today,<br>&nbsp;&nbsp;&nbsp;&nbsp;so you'll be fine.<br>**[11:57] Chigusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's not fine!<br>&nbsp;&nbsp;&nbsp;&nbsp;All he does is draw all the time!<br>**[12:02] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;What do you expect?<br>**[12:03] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, Tama.<br>**[12:05] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yo.<br>**[12:07] Chinami**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have a date?<br>**[12:08] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's right.<br>**[12:09] Chigusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, Koma-chan's really good-looking.<br>**[12:11] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You think so?<br>**[12:12] Chinami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, leaving the kids at home<br>&nbsp;&nbsp;&nbsp;&nbsp;on a weekend for a secret tryst with a boy?<br>**[12:17] Chigusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Isn't that child abuse?<br>**[12:19] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"Tryst"? Really?<br>**[12:21] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Also, I'm a girl.<br>**[12:23] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll be back in time for dinner.<br>**[12:28] Chinami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, switching out?<br>**[12:32] Chiho**<br>&nbsp;&nbsp;&nbsp;&nbsp;Going out?<br>**[12:33] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, take care of Sue-chan.<br>**[12:36] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;We'll buy you souvenirs.<br>**[12:38] Chi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Boo! Boo!<br>**[12:39] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Now, don't make that face.<br>**[12:43] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;See you later.<br>**[12:48] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's tough for you to even go out, huh?<br>**[12:51] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[12:52] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're lucky to have<br>&nbsp;&nbsp;&nbsp;&nbsp;little sisters, though.<br>**[12:54] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Little brothers are just...<br>**[12:56] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really? I feel like a little brother<br>&nbsp;&nbsp;&nbsp;&nbsp;would be more straightforward.<br>**[13:02] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't think so.<br>**[13:05] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Really?<br>**[13:07] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Want to link arms?<br>**[13:09] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Why?<br>**[13:12] Guy**<br>&nbsp;&nbsp;&nbsp;&nbsp;How about some karaoke with me?<br>**[13:14] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, thank you...<br>**[13:24] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;This is kind of embarrassing.<br>**[13:26] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's allowed between two girls.<br>**[13:28] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;What an attractive boy and girl.<br>**[13:30] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are they models?<br>**[13:31] Girl**<br>&nbsp;&nbsp;&nbsp;&nbsp;They're so tall!<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Contemporary Art
<br>**[13:43] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;With stuff like this,<br>**[13:45] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;sometimes it takes longer to read<br>&nbsp;&nbsp;&nbsp;&nbsp;the explanation than look at the art.<br>**[13:48] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;And sometimes you have<br>&nbsp;&nbsp;&nbsp;&nbsp;to read it to understand it.<br>**[13:51] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You actually get it after reading it?<br>**[13:52] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;No.<br>**[13:54] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Whoops, sorry— Oh...<br>**[13:58] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Princess.<br>**[14:00] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;You recognized me, huh?<br>**[14:02] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh?<br>**[14:05] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Are you on a date?<br>**[14:07] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;D-Do you know what that is?<br>**[14:11] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;No idea.<br>**[14:12] Nomomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hime, they're moving!<br>**[14:15] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well, bye.<br>**[14:16] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Was that the class president and Omaki?<br>**[14:19] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;What are those three doing?<br>**[14:22] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Doesn't look like they're on a date.<br>**[14:24] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey, you should be looking at the art.<br>**[14:27] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That's easy to say...<br>**[14:42] Chigusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Aren't you done yet?<br>**[14:43] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Stay still just a little bit longer, okay?<br>**[14:52] Sue**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nee-nee? Nee-nee?<br>**[14:55] Chinami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, Sue-chan woke up.<br>**[14:57] Sue**<br>&nbsp;&nbsp;&nbsp;&nbsp;Nee-nee?<br>**[14:58] Chiho**<br>&nbsp;&nbsp;&nbsp;&nbsp;We're coming.<br>**[15:02] Chigusa**<br>&nbsp;&nbsp;&nbsp;&nbsp;Time to switch!<br>**[15:05] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Wait...<br>**[15:09] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;This would be a great time<br>&nbsp;&nbsp;&nbsp;&nbsp;to step out for a smoke...<br>**[15:12] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;except I don't smoke.<br>**[15:15] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't drink, either,<br>&nbsp;&nbsp;&nbsp;&nbsp;and I'm not interested in gambling.<br>**[15:21] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I can't even imagine<br>&nbsp;&nbsp;&nbsp;&nbsp;taking it out on the kids.<br>**[15:24] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Even if I paint, I have no one to sell to,<br>**[15:26] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;but I can't just not paint.<br>**[15:30] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;There's no way out...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Contemporary Art  Illustrated Guide
<br>**[15:36] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's expensive... but...<br>**[15:39] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Gonna buy that?<br>**[15:41] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't understand what I'm looking<br>&nbsp;&nbsp;&nbsp;&nbsp;at if it's not explained a little better.<br>**[15:47] [SONG] Text**<br>&nbsp;&nbsp;&nbsp;&nbsp;Museum Shop Exclusive<br>&nbsp;&nbsp;&nbsp;&nbsp;Belgic Chocolate<br>**[15:47] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;They sell sweets, too.<br>**[15:50] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;It only works if there're six, right?<br>**[15:53] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here.<br>**[15:54] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;For the kiddos.<br>**[15:55] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't have to do that.<br>&nbsp;&nbsp;&nbsp;&nbsp;I talked you into coming here.<br>**[15:59] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;C'mon, don't be so distant.<br>**[16:03] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Besides, I can't accept a gift<br>&nbsp;&nbsp;&nbsp;&nbsp;from someone with no income.<br>**[16:08] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I do get paid a bit for helping<br>&nbsp;&nbsp;&nbsp;&nbsp;with my family's business, actually.<br>**[16:14] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And I told the Chisters<br>&nbsp;&nbsp;&nbsp;&nbsp;I'd buy them souvenirs.<br>**[16:17] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't want them to hate me.<br>**[16:20] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So... Yeah?<br>**[16:22] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay... Thank you.<br>**[16:27] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;If what we saw today is contemporary art,<br>**[16:31] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;that means your dad isn't very modern, huh?<br>**[16:34] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Strong words.<br>**[16:36] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right, though.<br>**[16:39] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Speaking from an amateur's perspective,<br>**[16:41] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;if he wants to sell...<br>**[16:43] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He should paint stuff<br>&nbsp;&nbsp;&nbsp;&nbsp;that's more... surreal?<br>**[16:46] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Or just quit painting and try<br>&nbsp;&nbsp;&nbsp;&nbsp;performance art instead.<br>**[16:50] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;He could do something suggestive,<br>&nbsp;&nbsp;&nbsp;&nbsp;like tossing a nationalist in the air.<br>**[16:56] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Still, he can't just do<br>&nbsp;&nbsp;&nbsp;&nbsp;whatever and call it art.<br>**[17:01] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;True, but...<br>**[17:03] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What I mean is, there just needs<br>&nbsp;&nbsp;&nbsp;&nbsp;to be logic behind it, right?<br>**[17:07] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;"By doing such-and-such,<br>&nbsp;&nbsp;&nbsp;&nbsp;social ideals are rendered invalid,<br>**[17:11] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;and those who see it are hurled<br>&nbsp;&nbsp;&nbsp;&nbsp;into a sea of free conception."<br>**[17:15] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;That sort of thing.<br>**[17:18] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;But even that sort of thing has a value,<br>&nbsp;&nbsp;&nbsp;&nbsp; or context, or something...<br>**[17:23] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's like a language arts book report<br>&nbsp;&nbsp;&nbsp;&nbsp;that says, "It appears to be freedom at first,<br>**[17:26] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;but there are actually<br>&nbsp;&nbsp;&nbsp;&nbsp;unspecified rules," right?<br>**[17:30] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't know about all that.<br>**[17:32] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I don't get it, either.<br>**[17:35] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;If I had to say whether my<br>&nbsp;&nbsp;&nbsp;&nbsp;father wants to be an artist,<br>**[17:39] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I almost don't think he does.<br>**[17:41] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;What does that mean?<br>&nbsp;&nbsp;&nbsp;&nbsp;That's really turning things upside-down.<br>**[17:46] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;My father wants to be a painter.<br>**[17:48] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So that means an artist, right?<br>**[17:51] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;No, it's different.<br>**[17:53] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;He just wants to paint pictures,<br>**[17:56] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;and not avant-garde or abstract ones.<br>**[17:59] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;The classical, realistic kind.<br>**[18:02] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why doesn't he become an illustrator?<br>**[18:05] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good question...<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Watching Over You Publishers
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;The Adventures  of Chi-chan
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Hide and Seek with Chi-chan
<br>**[18:06] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Some of his paintings have<br>&nbsp;&nbsp;&nbsp;&nbsp;been used as book covers.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Chi-chan's Tail
<br>**[18:11] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;But a career illustrator has to draw<br>&nbsp;&nbsp;&nbsp;&nbsp;what they're told to draw, right?<br>**[18:16] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And that's different?<br>**[18:18] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[18:19] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;If you look online,<br>**[18:21] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;there are tons of middle school and high<br>&nbsp;&nbsp;&nbsp;&nbsp;school students who are unbelievably good.<br>**[18:25] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Then why doesn't he just leave it as a hobby?<br>**[18:27] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;He can't! That's absolutely not allowed!<br>**[18:34] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But why?<br>**[18:36] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Saying he can leave it as a hobby<br>**[18:38] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;would be telling him that art like his<br>&nbsp;&nbsp;&nbsp;&nbsp;will only ever be worth doing for fun.<br>**[18:43] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;It'd be telling him there's no hope.<br>**[18:45] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;He's been pouring his time and passion<br>&nbsp;&nbsp;&nbsp;&nbsp;into painting for longer than I've been alive.<br>**[18:51] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I can't tell him that.<br>**[18:53] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah, but wanting to be recognized<br>&nbsp;&nbsp;&nbsp;&nbsp; among so many candidates<br>**[18:57] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;means he wants to win, right?<br>**[19:01] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[19:03] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;In sports, like baseball, there's more<br>&nbsp;&nbsp;&nbsp;&nbsp;to it than playing with a ball.<br>**[19:07] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You have to do stuff you don't want to,<br>&nbsp;&nbsp;&nbsp;&nbsp; like running to build strength.<br>**[19:11] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;But my father is an artist,<br>&nbsp;&nbsp;&nbsp;&nbsp;in a broad sense.<br>**[19:15] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;He wouldn't just give up who he is.<br>**[19:17] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Tama, I think...<br>**[19:19] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;you're way too soft on your dad.<br>**[19:24] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I am not!<br>**[19:26] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I mean, you're Miss Perfect.<br>**[19:29] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;That was my nickname in middle school...<br>**[19:32] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yep.<br>**[19:33] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're the girl our home ec teacher said<br>&nbsp;&nbsp;&nbsp;&nbsp; was most likely to get married.<br>**[19:38] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Well...<br>**[19:39] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;But you're still a kid, the same age as me.<br>**[19:43] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You haven't entered society yet.<br>**[19:45] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You don't even know<br>&nbsp;&nbsp;&nbsp;&nbsp;if you'll be successful.<br>**[19:47] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;So how is it possible for a kid like that<br>&nbsp;&nbsp;&nbsp;&nbsp;to try to plan out an adult's life for him?<br>**[19:52] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah... You're right.<br>**[19:55] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;And your dad isn't a kid.<br>**[19:57] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm sure he's thought things through<br>&nbsp;&nbsp;&nbsp;&nbsp;and made up his own mind.<br>**[20:02] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Anyway, having faith is one way<br>&nbsp;&nbsp;&nbsp;&nbsp;of supporting someone.<br>**[20:07] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're right. Thanks.<br>**[20:10] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;You're welcome. Talk to me again anytime.<br>**[20:14] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:15] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, look at the time...<br>**[20:18] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Ready to go?<br>**[20:19] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yeah.<br>**[20:23] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm home.<br>**[20:24] Chi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Welcome back!<br>**[20:27] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Here's your souvenir.<br>**[20:28] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;It's from Koma-oneechan.<br>**[20:30] Chi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Yay! Souvenir!<br>**[20:32] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll hurry and make dinner.<br>**[20:39] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Dad, dinner's ready.<br>**[20:41] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Okay... I don't know, though...<br>**[20:44] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'm kind of in a groove here.<br>**[20:49] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Don't knock yourself out.<br>**[20:50] Dad**<br>&nbsp;&nbsp;&nbsp;&nbsp;Huh? Oh... yeah. You're right.<br>**[21:00] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;*Your efforts might end in vain.*<br>**[21:03] Manami**<br>*&nbsp;&nbsp;&nbsp;&nbsp;If you ruin your health, too,*<br>*&nbsp;&nbsp;&nbsp;&nbsp;you'll have nothing left.*<br>**[21:09] Manami**<br>*&nbsp;&nbsp;&nbsp;&nbsp;It looks like a nice painting*<br>*&nbsp;&nbsp;&nbsp;&nbsp;to this amateur...*<br>**[21:18] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;We went to an art museum<br>&nbsp;&nbsp;&nbsp;&nbsp;and saw some contemporary art...<br>**[21:23] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;But not understanding felt new to me.<br>**[21:26] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;What did you think, Himeno-san?<br>**[21:28] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh, yeah...<br>**[21:30] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;That stuff is hard, isn't it?<br>**[21:31] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;I didn't really get it, either.<br>**[21:33] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Hey!<br>**[21:35] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;You knew, huh?<br>**[21:36] Suu**<br>&nbsp;&nbsp;&nbsp;&nbsp;I could see you, Himeno-san.<br>**[21:39] Nozomi**<br>&nbsp;&nbsp;&nbsp;&nbsp;Jeez... So it really was Hime's fault.<br>**[21:41] Hime**<br>&nbsp;&nbsp;&nbsp;&nbsp;Sorry!<br>**[21:42] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;Morning.<br>**[21:44] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Good morning. Thanks for yesterday.<br>**[21:47] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;I'll tag along anytime.<br>**[21:49] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;Oh... Sure. Same here...<br>**[21:52] Manami**<br>&nbsp;&nbsp;&nbsp;&nbsp;But really, thanks for everything.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;When You Choose to Look  at Contemporary Art for a Date... Part 2
<br>**[21:57] Omaki**<br>&nbsp;&nbsp;&nbsp;&nbsp;No big deal.<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;Next Time
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;There Are As Many Names of Flowers...  As There Are People, But That's Totally a Lie!
<br>***SIGN***&nbsp;&nbsp;&nbsp;&nbsp;There Are As Many Types of Beauty As There Are People,  Which Is Probably True If Used in a Broad Sense?
<br>